WEBVTT - #139: Brody Cursed By The Hearse

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<v Speaker 1>Start uf dot Up, start Up, Brooklyn Boys, start Up,

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<v Speaker 1>Brooklyn Buys, start uf dot Up. They're making noise dot

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<v Speaker 1>up thought uf dot Up, Episode one thirty nine of

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<v Speaker 1>the Brooklyn Boys podcast. We make a noise? Yeah, are we?

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<v Speaker 1>I guess we are? To some people, all this is

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<v Speaker 1>his noise? Yeah, you know what. I know. Danielle from

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<v Speaker 1>the Big Show loves the podcast, but she says that

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<v Speaker 1>it's something that she said really irked to me. She said, Yeah,

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<v Speaker 1>I usually turn on an episode and I just kind

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<v Speaker 1>of leave it on in the background, and I go

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<v Speaker 1>and I go vacuum, and then I come back and

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<v Speaker 1>they're still talking. And then I leave and I go

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<v Speaker 1>cook and I come. Is that how people utilize us?

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<v Speaker 1>Is that what they think of us? We're background noise? Yeah?

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<v Speaker 1>I don't want that to be the case. Says it

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<v Speaker 1>right there, round noise, startup, startup. We're making noise, I again,

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<v Speaker 1>but not a background noise. Why do they make a

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<v Speaker 1>background noise? What is this perception that we have of

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<v Speaker 1>us just being a bunch of noise? Uh? They must

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<v Speaker 1>be thinking of you. I'm pure content, by the way,

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<v Speaker 1>I was gonna say, I'm Joe content. You know, you're

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<v Speaker 1>from expression RIGHTO, I'm Joe snowboard right right. I feel

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<v Speaker 1>like I feel like it's started with Joe public. No,

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<v Speaker 1>I think it was. I don't. I don't know John

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<v Speaker 1>John Q public in the law terms. No, what does

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<v Speaker 1>that do with? Like Joe Joe is like it means

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<v Speaker 1>average guy name. Like no, that doesn't mean you're good

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<v Speaker 1>at blowing. No, Like, oh, you know, I'm I'm Joe.

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<v Speaker 1>I'm Joe mountain climber. That means you're like you're you're

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<v Speaker 1>a good mountain climber. But it started, It started somewhere.

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<v Speaker 1>It started. Everything started somewhere with Joe public or Joe

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<v Speaker 1>blow the words somewhere. I started somewhere. But the word

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<v Speaker 1>My kids have no idea what that means. I was

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<v Speaker 1>saying something and I don't remember what it was, but

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<v Speaker 1>I said something like, oh, please, your dad's Joe car

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<v Speaker 1>fixed or sorry, Joe car repair, something like that. They

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<v Speaker 1>were like, what, no, Ien, I explained it, and they're like,

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<v Speaker 1>it doesn't make any sense because it's lost in their generation.

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<v Speaker 1>Is a generational gap thing? Well, of course, but everything

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<v Speaker 1>is so everything. Everything that makes complete sense to your

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<v Speaker 1>generation makes no sense to the to the one after

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<v Speaker 1>their generation Z, which is the Zennials. Uh, you know,

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<v Speaker 1>and then then there was the millennial generation. But my

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<v Speaker 1>my father knew Joe like you know, oh he's he's Joe,

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<v Speaker 1>military guy like he he knew what that meant. So

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<v Speaker 1>I feel like it's got a couple of generations, but

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<v Speaker 1>then it dies. Now you baby boomers invent these things.

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<v Speaker 1>Not a boomer, thank you, you're not. Nope, thanks Dick.

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<v Speaker 1>I'm generation I'm Generation X and proud of it. That's fantastic.

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<v Speaker 1>I think you're a boomer. You can suck iteration s heary.

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<v Speaker 1>First of all, you don't think I know what generation

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<v Speaker 1>I'm from. I'm not a boomer. Let's move on. Please.

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<v Speaker 1>My point of this conversation escalated quickly. See they understand

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<v Speaker 1>that language. If you said that escalated quickly. What you fuck? Yeah?

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<v Speaker 1>Um from getting salty. So so I said, well, guess

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<v Speaker 1>what your kids aren't gonna know what woke means. And

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<v Speaker 1>I was running on a list of all their expressions

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<v Speaker 1>that that you know, do you You're gonna feel the

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<v Speaker 1>same way someday You're you're gonna say something like a

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<v Speaker 1>from people are gonna like your kids gonna go what

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<v Speaker 1>of course, yeah, because everything. Every generation has its own disease.

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<v Speaker 1>But but oh, great great song, every water house, every

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<v Speaker 1>that's slaughter house, slaughter No, it's slaughter house was an

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<v Speaker 1>eighties metal band. Every generation and they all have their

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<v Speaker 1>own words and terminology, right, So millennials had their thing.

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<v Speaker 1>So the generation z technology or I'm sorry, the technology

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<v Speaker 1>is TikTok for sure that that is the app for

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<v Speaker 1>the for the zennials. Yeah. By the way, it's it's

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<v Speaker 1>before we freak out. It's Fury in the sloughter House,

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<v Speaker 1>Fury in the slaughter House. You know the song, right, Yes,

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<v Speaker 1>of course, every generation has its own disease. God, now

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<v Speaker 1>my age is showing. It's a great song. So here

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<v Speaker 1>we hold on. They go back up. I love how

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<v Speaker 1>you had it handy YouTube, douche. Listen, let's shake hands

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<v Speaker 1>with plastic gloves and we have our own disease. There

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<v Speaker 1>it is disease. Oh my god, this is perfect for

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<v Speaker 1>the pandemic. So why is this song not again, because

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<v Speaker 1>this song I think is about AIDS. Don't tweet me,

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<v Speaker 1>you know, I mean Collins is back in the air tonight.

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<v Speaker 1>I mean you're in the slaughter house. Well, we need

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<v Speaker 1>two young twins. We need twins rather to just listen

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<v Speaker 1>to the song and then like freak out that it's

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<v Speaker 1>the reference we're making. That Phil Collins thing is great.

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<v Speaker 1>In case you don't know, these twins were experiencing they

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<v Speaker 1>experienced music for the first time, and they took the

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<v Speaker 1>song in the Air Tonight by Phil Collins and they

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<v Speaker 1>listened to it and they watch it. You know you're

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<v Speaker 1>watching them listen to it for the first time. I

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<v Speaker 1>gotta look up to I'm gonna look up the back

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<v Speaker 1>story on that because I haven't had a chance to yet.

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<v Speaker 1>And when when as to why they sat there? Why

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<v Speaker 1>they did they? Do they film all again? You don't

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<v Speaker 1>need this. Wait, I'll look it up. Well, i'll tell

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<v Speaker 1>you did these kids? Oh okay, yeah, what I want

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<v Speaker 1>to know is scary? Then you can tell me. Do

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<v Speaker 1>these kids sit and listen to new music all the time?

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<v Speaker 1>And had they not seen the Hangover? Because in the Hangover,

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<v Speaker 1>Mike Tyson does air drums to the song. It's not

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<v Speaker 1>like it's been dead since age. There are several videos

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<v Speaker 1>going around where people get introduced to new music for

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<v Speaker 1>the first time. Sometimes it's with their parents and sometimes

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<v Speaker 1>not my educating guest is there to introduce them in

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<v Speaker 1>new music for a second time. My educated guess is

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<v Speaker 1>that these kids are we're doing those that type of

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<v Speaker 1>style of video YouTube. Why that song, no, because they

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<v Speaker 1>take random music. Now. I don't know how that one

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<v Speaker 1>landed in their lap. But the point who did, like

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<v Speaker 1>their parents give it to them. Did they look up like, oh,

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<v Speaker 1>when was my mom a teenager and then trying to

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<v Speaker 1>figure out like what music was popular then? Or did

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<v Speaker 1>they go back twenty years from the year they were

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<v Speaker 1>born you know what I mean when arbiturey or not.

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<v Speaker 1>But the point is in the video for those who

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<v Speaker 1>didn't see it and don't know what we're talking about,

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<v Speaker 1>is three quarters of the way through the song is

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<v Speaker 1>when Phil Collins kicks in with the do that At

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<v Speaker 1>that moment, both these kids like lose it at the

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<v Speaker 1>same time, like, oh my god, this is the next

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<v Speaker 1>level ship. That kind of reminded me. It reminded me

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<v Speaker 1>of when David Blaine does magic tricks to certain people

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<v Speaker 1>on the street and they go, oh right. So that

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<v Speaker 1>video went viral last week and then causing tens of

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<v Speaker 1>thousands of copies of the song of the MP three

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<v Speaker 1>of In the Air tonight to be sold on the

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<v Speaker 1>number three song last week was the number three charting song. Yeah, yeah, crazy,

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<v Speaker 1>it's great for Phil. Good luck. Where is Phil these days? Um?

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<v Speaker 1>Did I ever tell you the Phil Collins store? Uh?

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<v Speaker 1>When he showed up to our building? No, don't want

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<v Speaker 1>to hear this. Yeah, I'll tell you real quick. Um.

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<v Speaker 1>So we find out that Phil Collins is down the

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<v Speaker 1>hall in the unused Ryan Seacrest studio. No, he was

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<v Speaker 1>in the unused Ryan Seacrest STU STU studio. Thank you,

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<v Speaker 1>that's very good. That's right, another reference from the late

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<v Speaker 1>eighties early nineties. So some of us who are classic

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<v Speaker 1>rock fans, we're very excited that Phil Collins was in

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<v Speaker 1>the building. So we uh, we texted the person who

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<v Speaker 1>was so what happened? So here's the backstory. Sometimes celebrities

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<v Speaker 1>come in. They don't come into a radio show and

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<v Speaker 1>do a live interview. They do what's called a radio tour.

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<v Speaker 1>So they sit in a studio and a producer will

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<v Speaker 1>dial into radio stations around the country from and this way.

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<v Speaker 1>Phil Collins, let's say, just sits there with headphones. You're yeah,

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<v Speaker 1>you're yeah, You're on with Bob and Steve in Oklahoma, Hey,

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<v Speaker 1>Bob and Steve love you guys, how you know? And right,

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<v Speaker 1>and then they all right, Bob, Steve, see I love

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<v Speaker 1>you guys. All right, now you're on with Mary and Kate.

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<v Speaker 1>And then so they do like a whole day of interviews.

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<v Speaker 1>But to the listener in each of those cities, it

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<v Speaker 1>sounds like fills in his house just calling in, like

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<v Speaker 1>how cool is that fils calling into these We're lucky

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<v Speaker 1>because the studio that they use, right, we are the

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<v Speaker 1>hub to use it right here in our building. So

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<v Speaker 1>these artists that are sometimes I don't know, sometimes they're decrepit.

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<v Speaker 1>Sometimes sometimes there a list a lot of people come

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<v Speaker 1>up and do radio tours, all the TV people, right,

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<v Speaker 1>And so the Ryan Seacrest studio was built about I

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<v Speaker 1>don't know, seven eight not to bore people. He never

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<v Speaker 1>used it, so we use it we right, So we

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<v Speaker 1>use it for these artists and celebrities to come up

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<v Speaker 1>to do these roundtables. For when he did American Idol,

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<v Speaker 1>he would like do American Island, New Jersey, and he

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<v Speaker 1>didn't have to do his l A show. Like when

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<v Speaker 1>I met Weird Yankovic, it was in that studio because

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<v Speaker 1>he came in to do the radio tour with all

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<v Speaker 1>the Okay, so four of us big Phil Collins fans

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<v Speaker 1>want to meet him, Okay, and h we're told listen,

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<v Speaker 1>Phil is really short on time. He's not he's not

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<v Speaker 1>in great physical shape. Uh, he's he had an accident.

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<v Speaker 1>He heard his leg and so he's gotta he's got

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<v Speaker 1>to get over to like another radio company. So he

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<v Speaker 1>really can't hang along. But I'll get you guys a picture.

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<v Speaker 1>You just gotta make it quick, okay. Right, So one

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<v Speaker 1>of the guys of the four of us, not going

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<v Speaker 1>to mention his name, but he's a close talker, okay, Um,

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<v Speaker 1>you know he is. He used to work in a

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<v Speaker 1>non radio position in our building too. He used to

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<v Speaker 1>fix things, Okay, very close talker. He'd walk right up

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<v Speaker 1>to are you doing? How you doing? Okay. So as

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<v Speaker 1>we're waiting outside the studio, there's some chairs and couches,

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<v Speaker 1>and he is talking about every concert he's ever seen

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<v Speaker 1>Phil Collins and where he sat and what songs and

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<v Speaker 1>how he's a crazy fan. And I saw, oh, I

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<v Speaker 1>saw him. I was in row three at this arena

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<v Speaker 1>and I saw him on the lamb lies down on

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<v Speaker 1>Broadway tour night. Wait, so he who's he talking to

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<v Speaker 1>with this? To the three of us, the other four

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<v Speaker 1>of the four of us, the other three of us,

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<v Speaker 1>he's he's kind of like he's he's giving us his

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<v Speaker 1>bona fides. Right, he's letting us know he's a real

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<v Speaker 1>deal fan. Right, that's okay. When you so excited to

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<v Speaker 1>meet Phil Collins, We're all excited, okay, And you guys

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<v Speaker 1>have all been given the warning that, hey, Phil is

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<v Speaker 1>short on time, gotta go quick, gotta take a picture. Now,

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<v Speaker 1>this was shortly after I had risk surgery, so I

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<v Speaker 1>had I had a wrist guard on my a velcro uh,

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<v Speaker 1>like a velcro cast. That's important to the story. So uh,

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<v Speaker 1>the guy running the radio tour comes out and he

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<v Speaker 1>says he's just getting his coat. He's gonna come out. Remember,

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<v Speaker 1>short on time, make it quick, get your picture and

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<v Speaker 1>get out, No problem, No problem. Now, the guy who

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<v Speaker 1>said that is a big muckety muck at our company,

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<v Speaker 1>and he handles all of the big rock interviews. So

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<v Speaker 1>you don't want to piss this guy off. You want

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<v Speaker 1>to do what he says. If he says move it along,

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<v Speaker 1>you move it along. So the next him, a band

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<v Speaker 1>comes in he remembers that you did the right thing

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<v Speaker 1>before you waiting for a picture with Phil as he's

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<v Speaker 1>putting his coat on and you're gonna ambush him. On

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<v Speaker 1>the way. Phil comes down the Ryan Ramp. That's what

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<v Speaker 1>we call it. There's a Ryan Seacrest ramp, so Ryan

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<v Speaker 1>wouldn't have to walk down any steps. There's a ramp

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<v Speaker 1>out of the student. Come on, it's for it's for

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<v Speaker 1>wheelchair accessible stopping, called the Ryan Ramp. So that he

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<v Speaker 1>Phil's walking down the Ryan Ramp very slowly with a cane. Okay,

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<v Speaker 1>he looks he looks meek and feeble. The right. The

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<v Speaker 1>last time I had seen Phil Collins was in a

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<v Speaker 1>video right where he's like Phil, you know music eighties video.

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<v Speaker 1>So I hadn't really seen him a lot. The last

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<v Speaker 1>time I saw him maybe it was seven eight years ago,

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<v Speaker 1>and he looked pretty good stuttering no, no, and he

0:11:46.640 --> 0:11:48.960
<v Speaker 1>didn't just to stumble. So and by the way, why

0:11:48.960 --> 0:11:50.280
<v Speaker 1>I'm making fun of stutter was he has a song

0:11:50.320 --> 0:11:56.880
<v Speaker 1>called Susu Studio that's called that a recall. It's a recall.

0:11:57.640 --> 0:12:01.000
<v Speaker 1>So Phil comes down and he sees my my cast

0:12:01.040 --> 0:12:04.439
<v Speaker 1>and he says, oh, man, here's you okay, I said, yeah,

0:12:04.480 --> 0:12:07.360
<v Speaker 1>I had some riseurgery goes yeah, I said, the leg

0:12:07.400 --> 0:12:09.400
<v Speaker 1>or hip Surgey or whatever. He goes with two p's

0:12:09.440 --> 0:12:11.800
<v Speaker 1>in a pod. I said, yeah, Phil, I said, I'm sorry.

0:12:11.800 --> 0:12:14.960
<v Speaker 1>I hope you feel better. Thank you. So so the

0:12:15.000 --> 0:12:17.560
<v Speaker 1>guy from from our company says, all right, guys, let's

0:12:17.559 --> 0:12:19.600
<v Speaker 1>get those pictures. We gotta go. Phil's gotta go, right,

0:12:19.640 --> 0:12:21.760
<v Speaker 1>and Phil's handler is like, look, you know how the

0:12:21.800 --> 0:12:24.040
<v Speaker 1>handlers are. The handlers are always a hundred times more

0:12:24.040 --> 0:12:26.720
<v Speaker 1>nervous than the celebrity, always always, and they're always been

0:12:26.720 --> 0:12:28.559
<v Speaker 1>a hundred times more of a rush, right, Like he's

0:12:28.559 --> 0:12:31.440
<v Speaker 1>got to pay rush with the band that Getty Lee,

0:12:31.480 --> 0:12:35.120
<v Speaker 1>the rush rush. Who I've met a great guy. So

0:12:35.640 --> 0:12:39.760
<v Speaker 1>close talker goes right up to Phil first, and so

0:12:39.760 --> 0:12:41.760
<v Speaker 1>they all right, let's get your picture, and he goes

0:12:42.080 --> 0:12:44.200
<v Speaker 1>right close talking. Philly is feel like, I tell you

0:12:44.400 --> 0:12:46.600
<v Speaker 1>I've seen your ninety seven times. I saw you lamb

0:12:46.640 --> 0:12:48.960
<v Speaker 1>lines down Broadway, third row, messrs Square gone, you were

0:12:48.960 --> 0:12:50.480
<v Speaker 1>so great. But then I want to say it was

0:12:50.520 --> 0:12:52.320
<v Speaker 1>Brea Music Fair, and I said, like, all in the

0:12:52.320 --> 0:12:55.240
<v Speaker 1>back you're still great. Rotating stage, unbelievable. I'm gonna tell

0:12:55.240 --> 0:12:57.400
<v Speaker 1>you a big fan. I loved your stuff. I loved

0:12:57.440 --> 0:13:00.760
<v Speaker 1>acoustic stuff. I love stuff with Genesis. Uh so he's like,

0:13:01.240 --> 0:13:04.920
<v Speaker 1>so so he's on the clock now, he's when he

0:13:04.960 --> 0:13:06.680
<v Speaker 1>talked to him with the length of a brody rant?

0:13:06.760 --> 0:13:09.560
<v Speaker 1>Is that? What was? Where him? Here? And right? So

0:13:09.559 --> 0:13:13.360
<v Speaker 1>so so so Phil's looking at him like, okay, all right,

0:13:13.760 --> 0:13:16.600
<v Speaker 1>that's great, Yeah, that's great. I'm glad. I mean, it's

0:13:16.679 --> 0:13:19.080
<v Speaker 1>nice you saw him thirty years ago. But the guy's

0:13:19.120 --> 0:13:21.200
<v Speaker 1>gotta go. He can't walk like he's gotta go. And

0:13:21.240 --> 0:13:23.440
<v Speaker 1>he doesn't give a ship. He doesn't remember and he

0:13:23.520 --> 0:13:25.600
<v Speaker 1>and he hears this from every one of his fancy seats.

0:13:25.760 --> 0:13:30.200
<v Speaker 1>There's no reason to recreate the Phil. I've been a

0:13:30.200 --> 0:13:33.880
<v Speaker 1>fan since nineteen seventy three. That's enough. He doesn't need

0:13:33.920 --> 0:13:36.079
<v Speaker 1>to know what seat you were in family. Oh my god,

0:13:36.120 --> 0:13:37.440
<v Speaker 1>you were in the third row with a blue shirt.

0:13:37.480 --> 0:13:40.480
<v Speaker 1>I remember you. He's not gonna do that. Okay, So

0:13:40.640 --> 0:13:42.160
<v Speaker 1>the three of us looking at each other like we're

0:13:42.160 --> 0:13:44.800
<v Speaker 1>not going to get pictures now because this close talker

0:13:45.160 --> 0:13:48.439
<v Speaker 1>is monopolizing Phil Collins. And he sounds like he has

0:13:48.520 --> 0:13:51.679
<v Speaker 1>no experience with taking pictures with celebrities. No, nor does

0:13:51.720 --> 0:13:53.600
<v Speaker 1>he have any idea like does the world going on

0:13:53.640 --> 0:13:56.520
<v Speaker 1>around him? So I leaned into him, into into the

0:13:56.559 --> 0:13:58.040
<v Speaker 1>back of his ear from behind him, and I go,

0:13:58.440 --> 0:14:02.360
<v Speaker 1>I will fucking kill you. And he was like it

0:14:02.440 --> 0:14:05.360
<v Speaker 1>was like he's like someone puts like uh smelling salts

0:14:05.400 --> 0:14:07.600
<v Speaker 1>under his nose. He what like he was in a

0:14:07.720 --> 0:14:09.680
<v Speaker 1>like in a daze, and he goes, oh, yeah, Phil,

0:14:09.679 --> 0:14:12.240
<v Speaker 1>it's good a picture. So we all got pictures. But

0:14:12.320 --> 0:14:14.440
<v Speaker 1>I actually had to threaten a co worker with killing

0:14:14.520 --> 0:14:17.440
<v Speaker 1>him because he wouldn't stop talking to Phil. I thought

0:14:17.440 --> 0:14:19.440
<v Speaker 1>Phil was gonna keel over right there and die. I

0:14:19.440 --> 0:14:22.160
<v Speaker 1>think the more communic ending would be that he has

0:14:22.360 --> 0:14:23.920
<v Speaker 1>just enough time to take a picture with the close

0:14:24.000 --> 0:14:28.000
<v Speaker 1>talker and then and then stumbles out and you're like

0:14:28.600 --> 0:14:30.880
<v Speaker 1>you're left holding your dick. That would have been terrible. Well,

0:14:30.880 --> 0:14:32.760
<v Speaker 1>I made sure to go second because I was I

0:14:32.800 --> 0:14:35.320
<v Speaker 1>was convinced that was gonna happen. So as soon as

0:14:35.320 --> 0:14:38.120
<v Speaker 1>he likes, I'm almost in the picture, like I'm almost

0:14:38.120 --> 0:14:40.920
<v Speaker 1>in his picture. That's how close I was to the

0:14:41.000 --> 0:14:43.240
<v Speaker 1>picture of this guy would feel called. And by the way,

0:14:43.280 --> 0:14:46.240
<v Speaker 1>the close talker, I liked the guy, but in particular instance,

0:14:46.520 --> 0:14:49.360
<v Speaker 1>like you gotta know your surroundings that you were told

0:14:49.640 --> 0:14:54.880
<v Speaker 1>moving along, and it was yeah, yeah, so f you

0:14:54.960 --> 0:14:57.760
<v Speaker 1>close talker, even though I like you, f you so

0:14:57.800 --> 0:15:00.520
<v Speaker 1>that's do we I don't know if we looked about it.

0:15:00.520 --> 0:15:02.880
<v Speaker 1>We might have talked about this on an early podcast,

0:15:03.440 --> 0:15:05.480
<v Speaker 1>maybe one of the early episodes, but it was such

0:15:05.480 --> 0:15:07.560
<v Speaker 1>a great story we had to bring it back. Yeah,

0:15:07.600 --> 0:15:09.360
<v Speaker 1>but I hope I didn't like change anything by accident,

0:15:09.360 --> 0:15:12.000
<v Speaker 1>because I'm gonna go, wait a minute, you said nineteen

0:15:12.040 --> 0:15:15.280
<v Speaker 1>seventy four. Last time you're paraphrasing, give me a break.

0:15:15.840 --> 0:15:17.080
<v Speaker 1>And by the way, if you've been a fans of

0:15:17.080 --> 0:15:20.320
<v Speaker 1>the seventies, you are a fucking boomer. I didn't say

0:15:20.320 --> 0:15:24.760
<v Speaker 1>I was a fan since the seventies. Dude, I would

0:15:25.080 --> 0:15:27.200
<v Speaker 1>stop it. I want to stop it. Oh, can I

0:15:27.240 --> 0:15:29.760
<v Speaker 1>tell you something? You know you make fun of me

0:15:29.800 --> 0:15:33.200
<v Speaker 1>about TikTok. You make fun of me about you make

0:15:33.200 --> 0:15:35.960
<v Speaker 1>fun of me about knowing the TikTok stars and things.

0:15:36.960 --> 0:15:39.840
<v Speaker 1>I went to my buddy Jason's house in Brooklyn. We

0:15:39.880 --> 0:15:43.880
<v Speaker 1>had a barbecue last weekend, and and he's got two kids,

0:15:44.560 --> 0:15:47.600
<v Speaker 1>maybe fourteen and twelve years old, something like that, some

0:15:47.720 --> 0:15:50.920
<v Speaker 1>there in in that range. And it's always you know,

0:15:50.920 --> 0:15:53.160
<v Speaker 1>how you say it's always awkward. I'm always all going

0:15:53.200 --> 0:15:54.720
<v Speaker 1>around kids, you know, like I don't know what to

0:15:54.800 --> 0:15:59.080
<v Speaker 1>say them. I fucking bothered with them because in the

0:15:59.120 --> 0:16:00.800
<v Speaker 1>middle of we all hang it out, everyone was what

0:16:00.840 --> 0:16:03.200
<v Speaker 1>we were all splashing away in his pool. Hey guess

0:16:03.240 --> 0:16:05.920
<v Speaker 1>what we were in the pool? Brodi, Hey guess what

0:16:06.200 --> 0:16:09.040
<v Speaker 1>I got an invite to a pool, because that's what

0:16:09.240 --> 0:16:12.560
<v Speaker 1>friends do. They invite their friends to their pools. Listen,

0:16:12.680 --> 0:16:15.280
<v Speaker 1>some people don't think it's serious. I know he he

0:16:15.320 --> 0:16:18.280
<v Speaker 1>thinks that he takes very seriously. So you know, would

0:16:18.280 --> 0:16:20.400
<v Speaker 1>have been you would have loved this afternoon. We threw it.

0:16:20.440 --> 0:16:22.880
<v Speaker 1>We threw one of those spiral sausages on the barbecue.

0:16:23.440 --> 0:16:25.800
<v Speaker 1>Was great. Don't do it, dude, I don't give an

0:16:25.880 --> 0:16:28.840
<v Speaker 1>I'm not there's no sponsor here, there's no opportunity. That's true.

0:16:28.960 --> 0:16:32.280
<v Speaker 1>I would like to I heard your commercial on the radio.

0:16:32.640 --> 0:16:35.400
<v Speaker 1>It wasn't for the deli. The deli has nothing to

0:16:35.440 --> 0:16:38.680
<v Speaker 1>do with it, No, Mike, No, No No, it was for PayPal.

0:16:39.360 --> 0:16:42.080
<v Speaker 1>My commercials for PayPal, my commercials, not for the deli.

0:16:42.720 --> 0:16:44.520
<v Speaker 1>I don't get paid for the I don't get paid

0:16:44.560 --> 0:16:46.600
<v Speaker 1>off the deli. Hit the Jendo. You didn't mentioned what

0:16:46.600 --> 0:16:48.800
<v Speaker 1>the client was. Hit the gender. I didn't mention the deli.

0:16:49.120 --> 0:16:51.760
<v Speaker 1>You mentioned the client. You thought I was mentioning the deli.

0:16:51.880 --> 0:16:53.960
<v Speaker 1>Doesn't matter, you slipped it in. The deli is not

0:16:54.040 --> 0:16:56.600
<v Speaker 1>the client. The deli was an accessory to the client.

0:16:56.680 --> 0:16:59.040
<v Speaker 1>Had nothing to do with the client. Hit the jingle.

0:16:59.120 --> 0:17:02.240
<v Speaker 1>Why why do I owe the jingle? Because you said

0:17:02.240 --> 0:17:06.720
<v Speaker 1>the name of the client PayPal? I hit it twice. Now,

0:17:07.280 --> 0:17:15.280
<v Speaker 1>this scary. So we threw some We threw some steaks

0:17:15.280 --> 0:17:17.679
<v Speaker 1>and chicken and some spials. So we did we did

0:17:17.720 --> 0:17:20.560
<v Speaker 1>a Brooklyn style and we're in the pool and after

0:17:20.600 --> 0:17:23.160
<v Speaker 1>all the awkwardness of everybody, all the adults and then

0:17:23.160 --> 0:17:24.919
<v Speaker 1>the two kids and they're like kind of like in

0:17:24.920 --> 0:17:27.480
<v Speaker 1>the corner. I'm like, I just out of nowhere, I

0:17:27.520 --> 0:17:30.879
<v Speaker 1>just belt it out. I'm like, so is Charlie Dmilio

0:17:30.920 --> 0:17:33.120
<v Speaker 1>back with little Honey, and the two of them their

0:17:33.160 --> 0:17:36.560
<v Speaker 1>ears perked up and they're like they're like, dude, oh,

0:17:36.600 --> 0:17:39.200
<v Speaker 1>and they started going off into their little world. And

0:17:39.200 --> 0:17:44.160
<v Speaker 1>then TikTok. That's just knowing some celebrity gossip. Charlie, Charlie

0:17:44.240 --> 0:17:46.800
<v Speaker 1>Damilo is is the TikTok star. She's got the most

0:17:46.800 --> 0:17:50.480
<v Speaker 1>followers on TikTok period seventy eight million, and she's just

0:17:50.600 --> 0:17:52.400
<v Speaker 1>she's an every day and update today. Did you check

0:17:52.400 --> 0:17:54.760
<v Speaker 1>freed update to see if that's she has about take

0:17:54.800 --> 0:17:57.600
<v Speaker 1>a look. I think she's got seventy eight seventy nine million. Anyway,

0:17:57.640 --> 0:18:04.400
<v Speaker 1>she's she's, um, wait, you hit this? What's that? It's okay,

0:18:04.440 --> 0:18:06.360
<v Speaker 1>you know what that is? So yeah, I just gave

0:18:06.400 --> 0:18:08.520
<v Speaker 1>away that it's four forty five PM. That's what we're

0:18:08.520 --> 0:18:11.280
<v Speaker 1>recording is on a Thursday, mind Thursday, So I have

0:18:11.320 --> 0:18:14.240
<v Speaker 1>to have to change my alarm now too. I'm gonna

0:18:14.320 --> 0:18:18.120
<v Speaker 1>make it fivet because you took forever to get ready today.

0:18:18.160 --> 0:18:20.240
<v Speaker 1>What are you talking about? What do you was this

0:18:20.280 --> 0:18:21.840
<v Speaker 1>podcast on a time or what are you doing? No,

0:18:21.960 --> 0:18:23.680
<v Speaker 1>you said you wanted a podcast at three thirty. We

0:18:23.720 --> 0:18:26.560
<v Speaker 1>didn't start to like fourty. So you gotta do something.

0:18:26.600 --> 0:18:29.160
<v Speaker 1>What you gotta do? Okay, I got in trouble last

0:18:29.200 --> 0:18:34.800
<v Speaker 1>week thanks to you. You know I'm recording in the basement, right, yeah, okay,

0:18:34.880 --> 0:18:37.399
<v Speaker 1>you make me turn off the downstairs I have so

0:18:37.440 --> 0:18:39.480
<v Speaker 1>we have dual dual zone heating in the house. We

0:18:39.560 --> 0:18:41.800
<v Speaker 1>have an upstairs unit in the attic and h and

0:18:41.880 --> 0:18:44.480
<v Speaker 1>a downstairs unit that does the main floor and the basement,

0:18:44.920 --> 0:18:47.600
<v Speaker 1>and so in the basement, well doesn't even cold abasement,

0:18:47.640 --> 0:18:50.040
<v Speaker 1>it just does the main level of the house and

0:18:50.080 --> 0:18:51.800
<v Speaker 1>then a sub level little den that I do the

0:18:51.800 --> 0:18:54.080
<v Speaker 1>show in. So I'm in the basement where the air

0:18:54.119 --> 0:18:56.240
<v Speaker 1>conditioning unit is, where the big you know, the compressor

0:18:56.320 --> 0:18:58.480
<v Speaker 1>unit is, And so you make me turn it off

0:18:58.520 --> 0:19:03.280
<v Speaker 1>all the time because in the back and it goes. Yeah, okay,

0:19:03.320 --> 0:19:06.119
<v Speaker 1>in the winter, that's not a problem in March, April,

0:19:06.200 --> 0:19:10.600
<v Speaker 1>may not a problem in August. Major problem when after

0:19:10.640 --> 0:19:13.439
<v Speaker 1>the podcast I forget to turn it back on and

0:19:13.520 --> 0:19:15.520
<v Speaker 1>my wife comes home from work to a hot house

0:19:15.840 --> 0:19:18.480
<v Speaker 1>and I get the ant's hot the house. You suck,

0:19:19.200 --> 0:19:23.680
<v Speaker 1>so I said, now, So two weeks ago, I came

0:19:23.760 --> 0:19:26.120
<v Speaker 1>up out of the basement before we started the podcast

0:19:26.200 --> 0:19:27.960
<v Speaker 1>because it was one of those where you had to

0:19:28.000 --> 0:19:29.919
<v Speaker 1>go do something. So I had like we thought we

0:19:29.960 --> 0:19:32.320
<v Speaker 1>did a false start. So then I went upstairs and

0:19:32.359 --> 0:19:34.320
<v Speaker 1>I saw my wife and I said, hey, I turned

0:19:34.320 --> 0:19:36.800
<v Speaker 1>the air conditioning off for the podcast. I know it's

0:19:36.800 --> 0:19:38.880
<v Speaker 1>gonna be a little warm soon, but I'm gonna I'm

0:19:38.920 --> 0:19:41.320
<v Speaker 1>gonna turn it back onto soon as podcasts over, Okay,

0:19:41.320 --> 0:19:44.840
<v Speaker 1>no problem. So then she went out, she had to

0:19:44.840 --> 0:19:47.280
<v Speaker 1>go run errands the target and came back to a

0:19:47.280 --> 0:19:53.160
<v Speaker 1>brutally hot house. So I set my alarm for an

0:19:53.160 --> 0:19:55.560
<v Speaker 1>hour and fifteen minutes after we were supposed to start.

0:19:55.640 --> 0:19:58.119
<v Speaker 1>It's a reminder, Yeah to go. And I put a

0:19:58.200 --> 0:20:00.760
<v Speaker 1>chair and I moved a air over to the wall

0:20:00.760 --> 0:20:03.400
<v Speaker 1>where the thermost that is, the chair doesn't belong there,

0:20:03.080 --> 0:20:06.639
<v Speaker 1>so we'd be obvious that I didn't put the So

0:20:06.680 --> 0:20:10.680
<v Speaker 1>I just have to remember. You have to remember saying yeah,

0:20:10.800 --> 0:20:13.520
<v Speaker 1>so now you got to the way, have we talked

0:20:13.520 --> 0:20:17.560
<v Speaker 1>about Satrielle's We talk about the pork fiasco, the pork

0:20:17.720 --> 0:20:20.119
<v Speaker 1>store from the Sopranos. Yeah, do we talk about that

0:20:20.160 --> 0:20:22.639
<v Speaker 1>on this podcast? Right now? Well, right now, all the

0:20:22.680 --> 0:20:25.720
<v Speaker 1>slices of saying, yes, you did stupid of course, episode

0:20:25.800 --> 0:20:28.000
<v Speaker 1>number forty six. And by the way, god bless you

0:20:28.040 --> 0:20:29.639
<v Speaker 1>if you're saying that right now, we love you more

0:20:29.720 --> 0:20:32.679
<v Speaker 1>than everyone else because you know the episode numbers and

0:20:32.720 --> 0:20:35.239
<v Speaker 1>you know you By the way, did you did you

0:20:35.280 --> 0:20:38.120
<v Speaker 1>ever see? So anyway, I'll mentioned Satrels in the second.

0:20:38.280 --> 0:20:40.000
<v Speaker 1>But here's one of the brody tangents you guys know

0:20:40.080 --> 0:20:43.000
<v Speaker 1>and love. Um, you guys need you know Star Trek

0:20:43.080 --> 0:20:46.400
<v Speaker 1>right with the original Star Trek TV show with William Shatner.

0:20:46.840 --> 0:20:50.520
<v Speaker 1>Have do you remember the classic early nineties Star Trek

0:20:50.720 --> 0:20:56.639
<v Speaker 1>convention sketch with William Shatner. I don't. I'm not a

0:20:56.640 --> 0:21:02.199
<v Speaker 1>boomer either, am I scared? You know how old you

0:21:02.200 --> 0:21:06.199
<v Speaker 1>are when the sketch was done? Ah? So what about it? Brodie?

0:21:06.520 --> 0:21:10.320
<v Speaker 1>So in that in that in that particular episode, he's, uh,

0:21:10.440 --> 0:21:13.360
<v Speaker 1>William Shatner is supposed to be at a Star Trek convention, right, right,

0:21:13.920 --> 0:21:17.080
<v Speaker 1>And so they're like, okay, any questions for Mr Shatner.

0:21:17.400 --> 0:21:20.320
<v Speaker 1>So all the nerds that they're overly nerdy with glasses

0:21:20.400 --> 0:21:23.320
<v Speaker 1>with tape on them, and you know, yes, Um in

0:21:23.400 --> 0:21:26.320
<v Speaker 1>a splinter in the minds that says Star Wars whatever

0:21:26.480 --> 0:21:30.080
<v Speaker 1>was that? They mentioned the episode name, you know, season three? Uh?

0:21:30.280 --> 0:21:33.880
<v Speaker 1>Whatever was Corba might maneuver? Uh what were you thinking

0:21:34.440 --> 0:21:40.160
<v Speaker 1>when the ship did whatever? And he's like, um, season

0:21:40.320 --> 0:21:44.280
<v Speaker 1>three episode? Uh, I don't remember that, Like, well, what

0:21:44.000 --> 0:21:45.919
<v Speaker 1>what what did you think about? He was? You know,

0:21:46.080 --> 0:21:49.439
<v Speaker 1>I don't, I don't, I don't remember. Every question was

0:21:49.440 --> 0:21:53.719
<v Speaker 1>was a nerd asking a specific episode? Point and and right?

0:21:53.800 --> 0:21:57.639
<v Speaker 1>And so finally he lets loose and he says, uh,

0:21:57.680 --> 0:21:59.920
<v Speaker 1>you know what, you guys, you need to get a lie.

0:22:00.800 --> 0:22:03.880
<v Speaker 1>He's just move out of your parents basements, go get

0:22:03.880 --> 0:22:06.480
<v Speaker 1>a job, kiss a girl. Like he goes off of

0:22:06.520 --> 0:22:09.960
<v Speaker 1>them and being nerdy, right and then and then so

0:22:10.000 --> 0:22:12.080
<v Speaker 1>the guy who's running the convention pulls him off the

0:22:12.119 --> 0:22:14.560
<v Speaker 1>stage and he says, listen, these people paid a lot

0:22:14.560 --> 0:22:16.520
<v Speaker 1>of money. They don't need to be abused by you.

0:22:16.920 --> 0:22:18.480
<v Speaker 1>You know, you need to get back up there and

0:22:18.480 --> 0:22:21.359
<v Speaker 1>fix this. So he whispers in his ear and he says,

0:22:21.640 --> 0:22:22.919
<v Speaker 1>he tells him what to say, and he goes back

0:22:22.960 --> 0:22:27.840
<v Speaker 1>and hes, um, of course that was season whatever, episode whatever,

0:22:28.440 --> 0:22:32.080
<v Speaker 1>um of course where I played Evil Kirk, my my

0:22:32.160 --> 0:22:34.719
<v Speaker 1>twin people Kirk and I was only acting. And then

0:22:34.720 --> 0:22:39.600
<v Speaker 1>then all the nerds go, yeah, Bro's great, which is great.

0:22:39.640 --> 0:22:41.920
<v Speaker 1>That is funny. And by the way, so those are well,

0:22:41.960 --> 0:22:44.520
<v Speaker 1>you know what, we don't think that, we don't think. No,

0:22:44.680 --> 0:22:46.960
<v Speaker 1>I'm just saying. It reminded me that you guys are

0:22:47.040 --> 0:22:50.400
<v Speaker 1>so dedicated that you guys know now I have he's

0:22:50.520 --> 0:22:52.840
<v Speaker 1>we gotta okay, well, you know, on that case, on

0:22:52.920 --> 0:22:54.960
<v Speaker 1>that so that's what will be a stand, right, a

0:22:55.080 --> 0:22:57.320
<v Speaker 1>stand as a super fan. So well, I want to.

0:22:57.359 --> 0:22:59.440
<v Speaker 1>I want to read a quick d M I got

0:22:59.480 --> 0:23:03.560
<v Speaker 1>from Law Underscore Viviana that relates to this. She said, Hey,

0:23:03.600 --> 0:23:06.560
<v Speaker 1>is there any way to like podcast episodes or at

0:23:06.600 --> 0:23:09.480
<v Speaker 1>a specific episode to a library or folder. If not,

0:23:09.560 --> 0:23:12.359
<v Speaker 1>that would be amazing. There's some episodes of Brooklyn Boys

0:23:12.359 --> 0:23:14.879
<v Speaker 1>and Elvistrain Morning Show that I like to re listen

0:23:14.920 --> 0:23:18.040
<v Speaker 1>to but can't even remember which episode it is. Can't ever. Rather,

0:23:18.359 --> 0:23:19.920
<v Speaker 1>I think it would be easier to go back through

0:23:19.960 --> 0:23:25.000
<v Speaker 1>my liked episodes. Here is what I would say, olah, um,

0:23:25.560 --> 0:23:28.520
<v Speaker 1>her name is I guess her name is Viviana. Viviana.

0:23:28.600 --> 0:23:32.760
<v Speaker 1>Here's what I would say. You should like all of them,

0:23:33.960 --> 0:23:35.640
<v Speaker 1>but still some people want to go back and listen

0:23:35.680 --> 0:23:37.760
<v Speaker 1>to the classics. Here's what I do. Here's what I

0:23:37.800 --> 0:23:40.560
<v Speaker 1>do when I wanna remember, Like you can't like something,

0:23:40.880 --> 0:23:43.600
<v Speaker 1>I screenshot it and then I make a folder on

0:23:43.640 --> 0:23:46.800
<v Speaker 1>my phone of the screenshots of the episodes I like.

0:23:47.240 --> 0:23:48.919
<v Speaker 1>So I hope that helps you if that's an idea

0:23:48.960 --> 0:23:53.480
<v Speaker 1>for you to remember that episode twenty one or twenty

0:23:53.520 --> 0:23:57.840
<v Speaker 1>four was the ups rant, or one was the Dill

0:23:57.920 --> 0:24:01.120
<v Speaker 1>episode or whatever. Um, although I think one oh one

0:24:01.160 --> 0:24:04.040
<v Speaker 1>Fisted and Forked is still are are one of our

0:24:04.040 --> 0:24:07.719
<v Speaker 1>two biggest episodes of all time. You know. Uh. All

0:24:07.760 --> 0:24:10.800
<v Speaker 1>I want to say to that is that we appreciate

0:24:11.000 --> 0:24:14.240
<v Speaker 1>any and all any any like you give on or

0:24:14.280 --> 0:24:17.359
<v Speaker 1>any spin you give to any one of our episodes. Okay,

0:24:17.400 --> 0:24:19.960
<v Speaker 1>so yeah, maybe one day there will be a folder

0:24:20.000 --> 0:24:22.399
<v Speaker 1>and that we should take that under advisement. Tell the

0:24:22.560 --> 0:24:25.000
<v Speaker 1>Heart radio people, maybe there's another app that you can experience.

0:24:25.280 --> 0:24:29.879
<v Speaker 1>I think Deezer offers you the opportunity to have a

0:24:29.920 --> 0:24:34.480
<v Speaker 1>folder of your favorite We're not on decent. If you

0:24:34.480 --> 0:24:37.439
<v Speaker 1>don't't know we're talking about, you're not listening in order. No,

0:24:37.680 --> 0:24:43.560
<v Speaker 1>but you got Fomo, you got crazy Fomo already out

0:24:44.200 --> 0:24:48.840
<v Speaker 1>podcast Amazon Music. Yes, yes, yes, you work for I

0:24:48.960 --> 0:24:52.240
<v Speaker 1>Heart Radio. Stop it. Hey, guess what. I Heart Radio

0:24:52.640 --> 0:24:55.960
<v Speaker 1>still makes money off our bones. The more listen to

0:24:55.960 --> 0:24:57.680
<v Speaker 1>it gets. It doesn't matter what the funk. It doesn't

0:24:57.680 --> 0:25:00.440
<v Speaker 1>matter what platform they hear us on. No, hold on

0:25:00.480 --> 0:25:02.520
<v Speaker 1>a second, it doesn't matter if you're listening on Spotify

0:25:02.640 --> 0:25:05.520
<v Speaker 1>right now or Pandora, it doesn't or iTunes, it does

0:25:05.560 --> 0:25:08.000
<v Speaker 1>not matter. It all goes to I Heart Radio. So

0:25:08.160 --> 0:25:10.840
<v Speaker 1>because the commercials go to other people, No, it does

0:25:10.880 --> 0:25:15.159
<v Speaker 1>not You're wrong you're wrong. It's not how it works.

0:25:15.320 --> 0:25:17.960
<v Speaker 1>I download the I Heart Radio app. That's listen what

0:25:18.119 --> 0:25:21.960
<v Speaker 1>you want, but download the app. That's fine. Before you

0:25:22.000 --> 0:25:24.199
<v Speaker 1>get back to the solage story, let me tell you

0:25:24.200 --> 0:25:28.240
<v Speaker 1>about Amazon. Amazon is coming out with podcasts. They're gonna

0:25:28.280 --> 0:25:30.880
<v Speaker 1>have millions of them. So we want to get us

0:25:30.920 --> 0:25:35.879
<v Speaker 1>We want to get our our podcast on Amazon Music.

0:25:36.240 --> 0:25:38.960
<v Speaker 1>So this way, Hey, guess what. You know that problem

0:25:39.000 --> 0:25:42.520
<v Speaker 1>that we've had for our entire lives where does not

0:25:42.640 --> 0:25:44.960
<v Speaker 1>want to play our podcast because you say, hey, play

0:25:45.000 --> 0:25:47.639
<v Speaker 1>Booking Boys and it doesn't. It plays those Brooklyn Boys

0:25:47.680 --> 0:25:51.160
<v Speaker 1>beats fucking music show. Guess what That problem will now

0:25:51.160 --> 0:25:54.320
<v Speaker 1>be solved because we will be on the native app

0:25:54.600 --> 0:25:58.520
<v Speaker 1>for Amazon. Duh. Yeah, except when you want to listen

0:25:58.560 --> 0:26:00.479
<v Speaker 1>to the podcast, you have to wait two days of shipping.

0:26:00.720 --> 0:26:04.600
<v Speaker 1>So that's the downside. Now back to sat. How do

0:26:04.640 --> 0:26:07.120
<v Speaker 1>we yell on the sausage topic because you went made

0:26:07.160 --> 0:26:09.639
<v Speaker 1>sausage because you want to impress the little boys with TikTok.

0:26:10.240 --> 0:26:12.639
<v Speaker 1>They're girls. And by the way, let me finish that

0:26:12.720 --> 0:26:15.560
<v Speaker 1>conversation up. I just sausage over for the little girls.

0:26:15.640 --> 0:26:17.520
<v Speaker 1>I want to wrap this up into I want to

0:26:17.520 --> 0:26:19.760
<v Speaker 1>wrap this up into a sausage with the little girls, like,

0:26:19.800 --> 0:26:23.240
<v Speaker 1>don't you ever ever tell me that I am that

0:26:23.320 --> 0:26:25.600
<v Speaker 1>I should not be. I'm too old. Don't ever say

0:26:25.600 --> 0:26:28.119
<v Speaker 1>to anyone they're too old to blank to do this,

0:26:28.200 --> 0:26:30.960
<v Speaker 1>to do that, because it just makes you more relatable

0:26:31.040 --> 0:26:34.080
<v Speaker 1>and up to date. And I found myself having a

0:26:34.119 --> 0:26:37.840
<v Speaker 1>conversation at the barbecue with the girls and they actually

0:26:38.000 --> 0:26:41.800
<v Speaker 1>came away with it like, you know what, he's cool,

0:26:41.880 --> 0:26:44.239
<v Speaker 1>he knows what did you say after Charlie Demilio got

0:26:44.280 --> 0:26:46.359
<v Speaker 1>back with Hotty whatever his name is, little Hottie. You know,

0:26:46.440 --> 0:26:48.840
<v Speaker 1>we just started talking about TikTok's and then we started

0:26:49.000 --> 0:26:51.080
<v Speaker 1>uh they like, they're like, hey, we want to include

0:26:51.080 --> 0:26:53.320
<v Speaker 1>you in our next TikTok. So they were gonna do

0:26:53.359 --> 0:26:55.240
<v Speaker 1>a TikTok dance. And then that's where I drew the

0:26:55.280 --> 0:26:57.320
<v Speaker 1>line like I don't think a part of your TikTok okay.

0:26:57.359 --> 0:26:59.080
<v Speaker 1>And then but then we started talking about and then

0:26:59.080 --> 0:27:02.840
<v Speaker 1>then the adults were like, scary, that's impressive. I haven't

0:27:02.880 --> 0:27:06.040
<v Speaker 1>related to my daughter in in in days and weeks,

0:27:06.080 --> 0:27:08.320
<v Speaker 1>and here you are coming in here with you say

0:27:08.320 --> 0:27:10.520
<v Speaker 1>one thing in their their faces light up. Just get

0:27:10.560 --> 0:27:13.280
<v Speaker 1>into the just just show interest in their world. That's

0:27:13.280 --> 0:27:16.240
<v Speaker 1>all I'm saying a little bit interesting, little bit in

0:27:16.440 --> 0:27:18.000
<v Speaker 1>so you want me to get into TikTok so that

0:27:18.080 --> 0:27:19.680
<v Speaker 1>I can get into the world of a little girl.

0:27:19.680 --> 0:27:21.520
<v Speaker 1>I'm not saying you have to do TikTok. You just

0:27:21.560 --> 0:27:24.520
<v Speaker 1>said I just went to know. I want, I want, no,

0:27:24.720 --> 0:27:27.120
<v Speaker 1>I want you. We should all we should all know

0:27:27.160 --> 0:27:30.560
<v Speaker 1>a little bit about everyone's world. Be it's called discovery,

0:27:30.960 --> 0:27:34.440
<v Speaker 1>rather than listening to yourself talk all day. And I'm

0:27:34.480 --> 0:27:36.600
<v Speaker 1>you know, I'm not saying you do that, but you

0:27:36.640 --> 0:27:38.680
<v Speaker 1>do we all that we all have a moment. Well,

0:27:38.760 --> 0:27:41.000
<v Speaker 1>I spend four hours every morning. That's an ending because

0:27:41.880 --> 0:27:45.639
<v Speaker 1>I'm talking about when we're in you know, be worldly

0:27:45.880 --> 0:27:48.480
<v Speaker 1>and open up your ears to other people's worldly I

0:27:48.480 --> 0:27:51.080
<v Speaker 1>I told you I enjoyed TikTok for all of the

0:27:51.240 --> 0:27:54.159
<v Speaker 1>comedy on there and some of the magicians. And I

0:27:54.200 --> 0:27:58.240
<v Speaker 1>just think certain people, not not certain people shut it down,

0:27:58.520 --> 0:28:00.800
<v Speaker 1>shut down other forms of media. They don't want to

0:28:00.880 --> 0:28:03.960
<v Speaker 1>know about anything. Don't be closed, will be closed off

0:28:03.960 --> 0:28:06.879
<v Speaker 1>to my messenger. Scary. I think you've always had a

0:28:06.880 --> 0:28:11.080
<v Speaker 1>reputation of getting on fads that are typically fads for

0:28:11.240 --> 0:28:14.920
<v Speaker 1>younger women. That's you're ahead of the curve. In fact,

0:28:15.000 --> 0:28:16.680
<v Speaker 1>you're so far ahead the girls don't even have curb.

0:28:16.760 --> 0:28:20.280
<v Speaker 1>There was a time that Facebook was just for college kids,

0:28:20.280 --> 0:28:22.560
<v Speaker 1>and the second that it opened to the public, the

0:28:22.640 --> 0:28:24.480
<v Speaker 1>second that opened to the public, I jumped on it,

0:28:24.800 --> 0:28:27.480
<v Speaker 1>and you all jumped on me and said Facebook is

0:28:27.520 --> 0:28:30.280
<v Speaker 1>not not you not, said you all. I didn't jump

0:28:30.280 --> 0:28:32.879
<v Speaker 1>in terms of the Morning show, like that's for college

0:28:32.960 --> 0:28:36.560
<v Speaker 1>kids only, and I'm like, not anymore, bitch, It's now

0:28:36.600 --> 0:28:41.280
<v Speaker 1>for everybody. Look, and now you're exactly now our parents

0:28:41.280 --> 0:28:44.640
<v Speaker 1>are on Facebook, and right it's Karen City. All right,

0:28:44.800 --> 0:28:47.000
<v Speaker 1>are you on reels yet? Are you reeling? I have

0:28:47.080 --> 0:28:50.240
<v Speaker 1>not done my first reels. Reels is the new Instagram

0:28:50.400 --> 0:28:53.640
<v Speaker 1>answer to TikTok. I feel like it's a terrible name.

0:28:53.920 --> 0:28:57.040
<v Speaker 1>See TikTok. Right, it's it's singular. You can do a

0:28:57.080 --> 0:28:59.920
<v Speaker 1>TikTok video, right, but can you do it? Is one

0:29:00.120 --> 0:29:03.800
<v Speaker 1>reels real? Or is it? It's a real? That's why

0:29:03.800 --> 0:29:06.600
<v Speaker 1>it flow? Doesn't flow? Not And then it ask if

0:29:06.600 --> 0:29:12.880
<v Speaker 1>it's singular? Bad story, No problem, Yeah, reel's real. Heard

0:29:12.960 --> 0:29:17.440
<v Speaker 1>somebody I heard a sportscaster this week. He I think

0:29:17.440 --> 0:29:19.040
<v Speaker 1>it was a sportscaster. I didn't write it down. I

0:29:19.040 --> 0:29:22.280
<v Speaker 1>should have, but he was saying, like Steven's, like something

0:29:22.280 --> 0:29:26.800
<v Speaker 1>that belonged to Steven's, and he said Steven's is yeah.

0:29:26.880 --> 0:29:29.600
<v Speaker 1>All right, listen, we have to talk about the sacres thing.

0:29:29.680 --> 0:29:32.160
<v Speaker 1>But before we even do that, we honestly, if I

0:29:32.160 --> 0:29:35.520
<v Speaker 1>could side track again really quickly, no, because we have

0:29:35.560 --> 0:29:37.360
<v Speaker 1>to go to a commercial. But before we even do that,

0:29:37.680 --> 0:29:41.400
<v Speaker 1>we have to mention our merch store right here. It's

0:29:41.400 --> 0:29:47.520
<v Speaker 1>been thirty minutes and some boys dot Big Cartel dot

0:29:47.560 --> 0:29:51.240
<v Speaker 1>com right Brooklyn Boys dot Big, Cartel dot com and

0:29:51.280 --> 0:29:54.520
<v Speaker 1>Cartels with A C, C, A R T E L

0:29:54.680 --> 0:30:00.760
<v Speaker 1>dot com. We have T shirts for all. We've got

0:30:01.000 --> 0:30:03.120
<v Speaker 1>tank tops that tend to be cut for a woman.

0:30:03.240 --> 0:30:05.000
<v Speaker 1>If you don't want to wear them and you're a man,

0:30:05.080 --> 0:30:09.120
<v Speaker 1>you're more than welcome. We've got masks with the logo

0:30:09.120 --> 0:30:12.000
<v Speaker 1>in the center. So if you want to look fashionable

0:30:12.000 --> 0:30:15.080
<v Speaker 1>while you're protecting your loved ones and strangers, feel free

0:30:15.080 --> 0:30:18.320
<v Speaker 1>to throw those ones, but definitely go to the merch

0:30:18.400 --> 0:30:22.120
<v Speaker 1>store it out. I got my first picture today of

0:30:22.720 --> 0:30:26.240
<v Speaker 1>a stack of T shirts from the production company and

0:30:26.240 --> 0:30:28.360
<v Speaker 1>they said, here they are boys. I have not seen

0:30:28.400 --> 0:30:30.080
<v Speaker 1>that yet. You have sent that to me sent, I'll

0:30:30.120 --> 0:30:32.160
<v Speaker 1>send it to your phone right now. And these are

0:30:32.160 --> 0:30:35.440
<v Speaker 1>the shirts being printed for us and the people that

0:30:35.640 --> 0:30:38.960
<v Speaker 1>did the first wave of orders. So just so you know,

0:30:39.600 --> 0:30:42.640
<v Speaker 1>if you order now, there's a very good chance you'll

0:30:42.680 --> 0:30:45.480
<v Speaker 1>probably have your stuff in about a week or so

0:30:45.760 --> 0:30:47.600
<v Speaker 1>because we have first You know how they say six

0:30:47.680 --> 0:30:49.640
<v Speaker 1>or eight weeks for delivery, not going to be the

0:30:49.640 --> 0:30:51.440
<v Speaker 1>case here. You're gonna get it sooner than you think.

0:30:51.880 --> 0:30:54.120
<v Speaker 1>Um and we want and when you receive your merch,

0:30:54.160 --> 0:30:56.160
<v Speaker 1>if you're listening to this, if you when you receive

0:30:56.160 --> 0:30:59.200
<v Speaker 1>your merch, we want you to upload to social media

0:30:59.360 --> 0:31:01.640
<v Speaker 1>and then agg me and Brody and at the Brooklyn

0:31:01.640 --> 0:31:05.440
<v Speaker 1>Boys and we'll retweet you where we can. Well, you know,

0:31:05.600 --> 0:31:08.840
<v Speaker 1>just show off you wearing your merch. That would be great.

0:31:08.960 --> 0:31:12.000
<v Speaker 1>Your masks also, we can't do this all the time,

0:31:12.680 --> 0:31:14.760
<v Speaker 1>but we did have a special request from one of

0:31:14.800 --> 0:31:20.160
<v Speaker 1>our male slices who requested a five X T shirt.

0:31:21.000 --> 0:31:24.040
<v Speaker 1>Now we didn't normally carry them. We carry up to

0:31:24.120 --> 0:31:27.920
<v Speaker 1>three X. Right, you you have to have a need

0:31:28.000 --> 0:31:30.160
<v Speaker 1>for it. Otherwise, if scary and I lay out the

0:31:30.200 --> 0:31:33.680
<v Speaker 1>money for all, you know, thirty five X shirts, unless

0:31:33.840 --> 0:31:35.600
<v Speaker 1>thirty people who have five X is by them were

0:31:35.600 --> 0:31:40.080
<v Speaker 1>stuck with those shirts and so we didn't plan on initially, um,

0:31:40.120 --> 0:31:42.760
<v Speaker 1>a five X shirt. But before they went to press

0:31:44.080 --> 0:31:46.719
<v Speaker 1>one of our our slices. Uh, you know we are

0:31:47.280 --> 0:31:51.320
<v Speaker 1>DM does privately right r N initials r N UM,

0:31:51.440 --> 0:31:53.400
<v Speaker 1>he said, hey, I'd really like a five X shirt.

0:31:53.480 --> 0:31:55.360
<v Speaker 1>Can you hook me up. We were able to add

0:31:55.440 --> 0:31:58.080
<v Speaker 1>one five X shirt and then Tom go right now

0:31:58.240 --> 0:32:00.520
<v Speaker 1>and he ordered and he got it so right, So

0:32:00.680 --> 0:32:03.840
<v Speaker 1>we can make those accommodations on occasion when when the

0:32:03.880 --> 0:32:07.160
<v Speaker 1>timing is right. So if you just you know, text us,

0:32:07.360 --> 0:32:10.960
<v Speaker 1>email us again. Not changing anything about this stuff other

0:32:11.000 --> 0:32:13.520
<v Speaker 1>than sizes at the moment. All right, we can do size,

0:32:13.600 --> 0:32:16.040
<v Speaker 1>we can do size change. UM, we can do size

0:32:16.200 --> 0:32:18.320
<v Speaker 1>um special sizing. Right if you have maybe an extra

0:32:18.360 --> 0:32:20.520
<v Speaker 1>small I don't know, well we may be able to

0:32:20.560 --> 0:32:22.920
<v Speaker 1>do that as well. So but get that to us

0:32:22.960 --> 0:32:26.080
<v Speaker 1>and um again, when you get your merch, please show

0:32:26.080 --> 0:32:29.640
<v Speaker 1>it off and we'll we'll hopefully repurpose you on social media.

0:32:30.080 --> 0:32:33.960
<v Speaker 1>Um yeah, that would be great commercial button well Brooklyn

0:32:33.960 --> 0:32:41.240
<v Speaker 1>Boys dot Big Cartel dot com. Oh you cut me

0:32:41.280 --> 0:32:43.480
<v Speaker 1>off and do the that's part you know every commercial

0:32:43.680 --> 0:32:46.880
<v Speaker 1>when you give like they give the phone on. Oh yeah, Okay, okay,

0:32:46.920 --> 0:32:50.320
<v Speaker 1>I'll tell you what. That was a false commercial. So

0:32:50.400 --> 0:32:53.400
<v Speaker 1>let's so now go do it again. We're gonna do

0:32:53.440 --> 0:32:54.920
<v Speaker 1>it live. I'm not even gonna edit this out fuck it,

0:32:55.880 --> 0:32:57.880
<v Speaker 1>so so you just do I'll do it again, right,

0:32:58.640 --> 0:33:04.120
<v Speaker 1>your merche to Brooklyn Boys dot Big Cartel dot com.

0:33:04.160 --> 0:33:11.920
<v Speaker 1>That's Brooklyn Boys dot Big Cartel dot Comcast. Yeah, that

0:33:11.960 --> 0:33:16.920
<v Speaker 1>felt much better because no before the commercials, because because

0:33:16.960 --> 0:33:18.800
<v Speaker 1>it was kind of an accent, it was a punctuation.

0:33:19.080 --> 0:33:23.600
<v Speaker 1>You gotta do the that's everything every comercial und Big

0:33:23.720 --> 0:33:27.160
<v Speaker 1>Apple that's eight hundred, or they give you or they

0:33:27.200 --> 0:33:29.080
<v Speaker 1>give you the numbers instead of the letters. So you

0:33:29.320 --> 0:33:31.800
<v Speaker 1>feel like you have blue balls almost. If you don't

0:33:31.880 --> 0:33:34.560
<v Speaker 1>have that, that's already, how did you not how did

0:33:34.600 --> 0:33:37.120
<v Speaker 1>you not feel like? I didn't pick up on it.

0:33:37.240 --> 0:33:40.680
<v Speaker 1>I just thought, okay, I'm sorry, all right, all right, well,

0:33:40.920 --> 0:33:43.480
<v Speaker 1>um let let me h. I want to give a

0:33:43.560 --> 0:33:47.880
<v Speaker 1>special shout out to Erica Parry P A R R I.

0:33:48.120 --> 0:33:52.720
<v Speaker 1>She's at Erica P thirty one. She took a she

0:33:52.880 --> 0:33:56.040
<v Speaker 1>this is what she tweeted. Schmiet is that like sch

0:33:56.080 --> 0:34:00.000
<v Speaker 1>bagel or pizza. That was hilarious. So that's of course

0:34:00.080 --> 0:34:03.200
<v Speaker 1>what we call ship bagels and ship pizza. Um, she

0:34:03.360 --> 0:34:06.280
<v Speaker 1>took a picture of part of a sign that I

0:34:06.400 --> 0:34:10.200
<v Speaker 1>assume said fresh meat. I'm gonna put this on my Instagram.

0:34:10.360 --> 0:34:12.480
<v Speaker 1>It'll be up. And she only has the s h

0:34:12.600 --> 0:34:16.520
<v Speaker 1>meat part, and so it says. But here's even an

0:34:16.560 --> 0:34:21.200
<v Speaker 1>even better point to thattastic the store. When putting up

0:34:21.239 --> 0:34:24.320
<v Speaker 1>the sign in the lettering, they didn't really put a

0:34:24.440 --> 0:34:27.560
<v Speaker 1>space between the H and the M, so it does

0:34:27.719 --> 0:34:30.840
<v Speaker 1>look like one word right now. I don't have the

0:34:31.040 --> 0:34:33.399
<v Speaker 1>rest of this picture. I don't I'm assuming it says

0:34:33.440 --> 0:34:38.480
<v Speaker 1>fresh meat. Of course it does, right, What if it's

0:34:38.520 --> 0:34:42.040
<v Speaker 1>harsh meat like it could be something else posh meat,

0:34:42.200 --> 0:34:44.160
<v Speaker 1>or maybe it's maybe it's Uh, it's also in the

0:34:44.239 --> 0:34:47.520
<v Speaker 1>section with the fish. Maybe it's fish, fish meat meat,

0:34:47.960 --> 0:34:50.440
<v Speaker 1>fish meat. No, it was like fish comma meat. But

0:34:50.520 --> 0:34:55.080
<v Speaker 1>there's no comma fish meat, fish meat. Here's the fish section,

0:34:55.120 --> 0:34:57.120
<v Speaker 1>here's the meat section. I don't know. So let us know.

0:34:57.920 --> 0:35:01.239
<v Speaker 1>You know you took the picture. Uh, let us know, Erica,

0:35:01.400 --> 0:35:03.560
<v Speaker 1>what that you give us, Well, you probably don't have

0:35:03.640 --> 0:35:05.320
<v Speaker 1>the full thing. Maybe you cropped it. Send us the

0:35:05.360 --> 0:35:06.839
<v Speaker 1>full thing. I love to see what it what it says,

0:35:07.080 --> 0:35:12.560
<v Speaker 1>But Schmidt hilarious. There's also someone who tweeted us a

0:35:12.760 --> 0:35:16.360
<v Speaker 1>disgusting picture which I didn't I didn't think existed. I

0:35:16.480 --> 0:35:19.560
<v Speaker 1>still think it's fake, but maybe you guys could check

0:35:19.719 --> 0:35:21.680
<v Speaker 1>check it out. Let me let us know what the

0:35:21.800 --> 0:35:26.520
<v Speaker 1>deal is. Remember last week we were talking about mayo chup. Oh,

0:35:26.680 --> 0:35:28.920
<v Speaker 1>I want to okay, let me, let me, let me.

0:35:28.960 --> 0:35:31.000
<v Speaker 1>I gotta lay the groundwork before that. We're talking my

0:35:31.080 --> 0:35:34.560
<v Speaker 1>mayo chup. My you had my Mayo chup and I said,

0:35:34.600 --> 0:35:36.960
<v Speaker 1>don't don't mess up my chop. By the way, I

0:35:37.200 --> 0:35:40.360
<v Speaker 1>was at Scary's house outside Scary's apartment today and I

0:35:40.440 --> 0:35:42.480
<v Speaker 1>got my food back. Yeah, oh yeah, that was the

0:35:42.560 --> 0:35:45.359
<v Speaker 1>update on that your powers back on. A week later,

0:35:45.480 --> 0:35:47.799
<v Speaker 1>you come to pick up your frozen goods. Still live

0:35:47.800 --> 0:35:50.040
<v Speaker 1>around the corner from me. It was a schlap so yeah.

0:35:50.080 --> 0:35:52.080
<v Speaker 1>So he was storing the food in the fridge and

0:35:52.280 --> 0:35:54.919
<v Speaker 1>freezer and now I send it. You know, I handed

0:35:55.160 --> 0:35:57.480
<v Speaker 1>hands and he seeing two puddings. When you told me

0:35:57.520 --> 0:35:59.879
<v Speaker 1>the penalty of the storage was one pudding. I don't

0:35:59.880 --> 0:36:01.800
<v Speaker 1>know how that happened. Eight one on the podcast Just

0:36:01.880 --> 0:36:04.920
<v Speaker 1>for Entertainment last week. So one of the things that

0:36:05.000 --> 0:36:07.600
<v Speaker 1>we stored is Mayo cho Chop, which is mayo and

0:36:07.719 --> 0:36:11.560
<v Speaker 1>ketchup from Hines. But so someone, uh so, let me

0:36:12.040 --> 0:36:16.319
<v Speaker 1>hold on shore going, but I'm gonna I'm gonna lay

0:36:16.320 --> 0:36:18.680
<v Speaker 1>the groundwork for the normal ones. Go for it. So

0:36:19.000 --> 0:36:21.680
<v Speaker 1>there's may Now it looks this one looks like mayor,

0:36:21.920 --> 0:36:25.920
<v Speaker 1>like a government official. But it's Mayo Racha, which is

0:36:26.239 --> 0:36:30.880
<v Speaker 1>obviously saracha, and Mayo Mayo q cue, which is barbecue sauce.

0:36:30.960 --> 0:36:36.160
<v Speaker 1>And Mayo Cranch, which reminds me of the Impractical Jokers

0:36:36.239 --> 0:36:39.560
<v Speaker 1>because Cranches mcbasketball was a fake name. And then the

0:36:39.600 --> 0:36:41.719
<v Speaker 1>name of what are you reading right now? I'm reading

0:36:41.719 --> 0:36:44.399
<v Speaker 1>a picture of Hinds Bottles in the supermarket of their

0:36:44.440 --> 0:36:50.480
<v Speaker 1>other combo flavors ranch is ranch and mayonnaise. No, it's

0:36:50.560 --> 0:36:55.680
<v Speaker 1>it's a catchup and ranch cranch and then the Mayo chop, right,

0:36:55.800 --> 0:36:57.920
<v Speaker 1>that's the other ones that I didn't mention. Oh, and

0:36:58.080 --> 0:37:02.480
<v Speaker 1>Mayo must I'm sorry, I'm sorry. So these are legitimate.

0:37:02.640 --> 0:37:05.719
<v Speaker 1>Let me finish. It's legitimately Mayo must which is mayo

0:37:05.800 --> 0:37:08.400
<v Speaker 1>and mustard. I think Mayo Tard is much funnier. I

0:37:08.480 --> 0:37:11.160
<v Speaker 1>think so much better. Absolutely, I don't think they wanted

0:37:11.200 --> 0:37:13.120
<v Speaker 1>to offend people, so they said, you know what, we're

0:37:13.160 --> 0:37:15.200
<v Speaker 1>not going to do. The one is the beginning of

0:37:15.520 --> 0:37:19.239
<v Speaker 1>the beginning of a word, right, which also signals to me,

0:37:20.200 --> 0:37:22.239
<v Speaker 1>signals to me that they did it on purpose to

0:37:22.280 --> 0:37:25.200
<v Speaker 1>stay away from it because they didn't want tard. They

0:37:25.200 --> 0:37:28.440
<v Speaker 1>didn't want's hard to be the ending of a word, like,

0:37:28.640 --> 0:37:32.680
<v Speaker 1>you know, to offend anybody because catch up and ranch cranch,

0:37:32.840 --> 0:37:36.600
<v Speaker 1>because because they wanted you know, Mayo tardres. There's so

0:37:36.719 --> 0:37:39.920
<v Speaker 1>many snowflakes out there that they couldn't handle it. Brodie.

0:37:40.160 --> 0:37:43.160
<v Speaker 1>They can't give no correlation between Mayo tard and any

0:37:43.239 --> 0:37:47.200
<v Speaker 1>living person. I know you could you imagine. I mean,

0:37:47.480 --> 0:37:53.080
<v Speaker 1>you got Trader Joe's people protesting, you know, you know,

0:37:53.719 --> 0:37:58.200
<v Speaker 1>trader ming Trader Jose's, Like, you don't think they're gonna

0:37:58.280 --> 0:38:03.040
<v Speaker 1>get any complaints. Come on, you're talking about America. This

0:38:03.160 --> 0:38:05.919
<v Speaker 1>is what people do well. Anyway, on Twitter, that girl

0:38:06.040 --> 0:38:09.520
<v Speaker 1>Anal wrote to us and she said, oh, I'm sorry,

0:38:09.800 --> 0:38:13.880
<v Speaker 1>that girl Aaron Arinell an Oh sorry, I butt your

0:38:13.920 --> 0:38:17.319
<v Speaker 1>your name. That girl Aarnell said that she showed us

0:38:17.320 --> 0:38:24.520
<v Speaker 1>a picture of Hindes may Mayo Anter saucy sauce, so

0:38:24.640 --> 0:38:28.719
<v Speaker 1>it's mayonster ma Aster, which she wrote or somebody wrote

0:38:28.880 --> 0:38:30.799
<v Speaker 1>why do it was a meme? Why do I even

0:38:30.840 --> 0:38:34.040
<v Speaker 1>bother shopping at Walmart anymore? And that is a combination

0:38:34.280 --> 0:38:41.520
<v Speaker 1>of mayonnaise and what Monster Energy drink? Are you kidding me? Nope,

0:38:41.600 --> 0:38:47.000
<v Speaker 1>it's Monster Energy drink flavored mayo. Kill yourself if you

0:38:47.160 --> 0:38:51.399
<v Speaker 1>don't the may anster will. That's disgusting. By the way,

0:38:51.840 --> 0:38:57.080
<v Speaker 1>my daughter does gymnastics and she wears a leotard. Oh

0:38:57.280 --> 0:39:00.480
<v Speaker 1>forget Okay, they don't say that anymore. They say leo's

0:39:00.760 --> 0:39:03.640
<v Speaker 1>but that's because they shorten it. But at Unitard people

0:39:03.680 --> 0:39:06.600
<v Speaker 1>still bought unitards. They don't call it that. I'm telling

0:39:06.600 --> 0:39:10.960
<v Speaker 1>you mustard no, because it's pronounced mustard. See see the

0:39:11.440 --> 0:39:14.719
<v Speaker 1>mustard gets away with it because it's turd. It's like turd. Yeah,

0:39:15.200 --> 0:39:18.960
<v Speaker 1>but leotard and unitard sot So maybe it should be

0:39:19.000 --> 0:39:22.160
<v Speaker 1>Mayo turd instead of Mayo tard, like mustard and mayo

0:39:22.280 --> 0:39:26.320
<v Speaker 1>must mustard mustard Mayo mayo turd, Mayo turd. That doesn't

0:39:26.320 --> 0:39:28.680
<v Speaker 1>sound good? Is that the brown that comes to the

0:39:28.719 --> 0:39:36.440
<v Speaker 1>brown bottle, the mayo turd. It looks like you've already

0:39:36.480 --> 0:39:39.800
<v Speaker 1>eaten it. Does it come out like uh, is it

0:39:39.880 --> 0:39:45.000
<v Speaker 1>come out like like diarrhea splashes all over your food? Yeah?

0:39:46.520 --> 0:39:48.759
<v Speaker 1>Now I know why they went with mayo must Yeah,

0:39:48.840 --> 0:39:52.120
<v Speaker 1>there's no other way, or musty mayo? What about musty

0:39:52.200 --> 0:39:54.360
<v Speaker 1>mayo another? You know, I gotta say that there is

0:39:54.440 --> 0:39:56.880
<v Speaker 1>a lot of a lot of words and combinations that

0:39:57.000 --> 0:40:00.520
<v Speaker 1>are don't sound appetizing, but the mayo must is the

0:40:00.600 --> 0:40:04.400
<v Speaker 1>least defensive. But it's terrible. Um, speaking of labels, I

0:40:04.520 --> 0:40:07.879
<v Speaker 1>have never seen this before. It caught my I caught

0:40:07.920 --> 0:40:10.520
<v Speaker 1>my attention. You know, we always say everything He's too sensitive,

0:40:10.520 --> 0:40:12.440
<v Speaker 1>everyone's too sensitive. We say it all the time. We

0:40:12.520 --> 0:40:16.640
<v Speaker 1>play the snow for them. Yes, Rio's homemade sauce one

0:40:16.719 --> 0:40:20.440
<v Speaker 1>of the best tomato sauces. Love. Rio's not a sponsor

0:40:20.480 --> 0:40:25.040
<v Speaker 1>of this PODCASTE. They have a they have a flavor.

0:40:25.600 --> 0:40:27.400
<v Speaker 1>I'm gonna I'm gonna you you try to guess what

0:40:27.520 --> 0:40:29.080
<v Speaker 1>it is. Okay, I'm gonna tell you the name of

0:40:29.080 --> 0:40:31.719
<v Speaker 1>the flavor, and you tell me, first of all what

0:40:31.920 --> 0:40:34.080
<v Speaker 1>it is, what makes it this way? And if that

0:40:34.280 --> 0:40:43.880
<v Speaker 1>name is just the bad bad name, okay, sensitive Marinara, sensitive, Marinara, sensitive, Marianara.

0:40:45.480 --> 0:40:49.400
<v Speaker 1>I'm guessing that it's Marinara sauce. That is light like

0:40:49.520 --> 0:40:54.799
<v Speaker 1>a light Marinara's Marinara that is not spicy. Nope? Sensitive yeah,

0:40:55.640 --> 0:40:59.479
<v Speaker 1>sensitive Marinara. Is this a real thing? Yes, I'll post

0:40:59.520 --> 0:41:03.040
<v Speaker 1>the picture. I don't know what is it? What? What? What?

0:41:03.200 --> 0:41:05.919
<v Speaker 1>What are the ingredients? And I guess it's for kids

0:41:06.080 --> 0:41:08.839
<v Speaker 1>or people like meat. I don't like stuff in this stuff. Uh.

0:41:09.080 --> 0:41:15.640
<v Speaker 1>Sensitive Marianara right on the label no onions or garlic. Wow.

0:41:15.880 --> 0:41:19.200
<v Speaker 1>But then then it's not Marianara anymore. It's just tomato sauce.

0:41:19.480 --> 0:41:21.759
<v Speaker 1>It's Marianara. But what kind of Italian is going in

0:41:21.840 --> 0:41:24.760
<v Speaker 1>for no onions, no garlic. I mean unless you're allergic,

0:41:25.200 --> 0:41:30.200
<v Speaker 1>you're allergic to root vegetables. I don't know, well sensitive,

0:41:31.400 --> 0:41:35.160
<v Speaker 1>it's sensitive, or it's for the snowflakes, maybe a snowflake.

0:41:36.239 --> 0:41:38.120
<v Speaker 1>I don't want you to be offended by the sauce.

0:41:38.480 --> 0:41:43.560
<v Speaker 1>They killed the garlic. They killed the garlic. That's exactly

0:41:43.640 --> 0:41:52.160
<v Speaker 1>what it is. The snowflakes have spoken they want a

0:41:52.600 --> 0:41:56.000
<v Speaker 1>sensitive version of sauce. I don't want I want a

0:41:56.040 --> 0:41:59.680
<v Speaker 1>sauce I want to offend anyone. What is a sauce

0:41:59.760 --> 0:42:02.200
<v Speaker 1>that of friends? People look like it's stains. It's a

0:42:02.280 --> 0:42:09.879
<v Speaker 1>non staining sauce. Uh yeah, yeah, okay, well listen, it's

0:42:09.920 --> 0:42:13.040
<v Speaker 1>it could be a marketing tactic, all right. So yeah,

0:42:13.160 --> 0:42:16.160
<v Speaker 1>by the way, Erica Parry, who sent us the Schmidt

0:42:16.800 --> 0:42:19.799
<v Speaker 1>I forgot. She also tweeted us who is Jean Gray?

0:42:20.239 --> 0:42:24.799
<v Speaker 1>I literally face palmed hashtag fam key Jansen. Okay, all right,

0:42:24.920 --> 0:42:28.920
<v Speaker 1>right there, that's a William shot in their moment. What

0:42:29.520 --> 0:42:33.600
<v Speaker 1>it's it's She's Jean Gray is one of marvel comics biggest.

0:42:34.760 --> 0:42:37.520
<v Speaker 1>It's spider Man, right, isn't it the mom and Spider Man?

0:42:37.560 --> 0:42:39.000
<v Speaker 1>Who the hell is it? I have know Jean Gray

0:42:39.160 --> 0:42:41.480
<v Speaker 1>is Jean Gray's in the X Men X Men. I

0:42:41.760 --> 0:42:44.239
<v Speaker 1>don't know. See, I'm none of the five original x Men.

0:42:44.520 --> 0:42:47.879
<v Speaker 1>I explained it to you. She became Phoenix. Phoenix, See

0:42:48.040 --> 0:42:49.959
<v Speaker 1>I know Phoenix. I don't know that it was Jean Gray.

0:42:50.480 --> 0:42:52.440
<v Speaker 1>You please, you don't know. I do, but you know

0:42:52.800 --> 0:42:56.520
<v Speaker 1>it's the same. Okay. What's Wolverine's real name? Logan? So

0:42:56.560 --> 0:42:59.359
<v Speaker 1>I didn't know that, See I'm not okay, listen to me. Okay,

0:42:59.360 --> 0:43:01.160
<v Speaker 1>you have to understand and something before you get all

0:43:01.239 --> 0:43:04.279
<v Speaker 1>crazy and you guys get all like fucking stand on me,

0:43:04.600 --> 0:43:07.120
<v Speaker 1>like with oh my god, what are you crazy. At

0:43:07.120 --> 0:43:10.520
<v Speaker 1>the end of the day, I don't. I'm very when

0:43:10.560 --> 0:43:15.600
<v Speaker 1>it comes to watching superhero films science that's not my bag.

0:43:16.000 --> 0:43:18.960
<v Speaker 1>I saw Star Wars, I loved Star Wars, but I

0:43:19.040 --> 0:43:21.640
<v Speaker 1>don't dig deeper than the surface. So what ends up

0:43:21.680 --> 0:43:24.120
<v Speaker 1>happening is what I don't know their real names? Like

0:43:24.239 --> 0:43:27.279
<v Speaker 1>I know, I know it is Peter Parker, Okay, I

0:43:27.400 --> 0:43:32.239
<v Speaker 1>know that. Okay, obviously I know Clark Kent is Superman, right,

0:43:32.280 --> 0:43:34.200
<v Speaker 1>I like, do you have to pause? That man is

0:43:34.360 --> 0:43:39.000
<v Speaker 1>Adam West, right? The Batman is Bruce Wayne right, an

0:43:39.160 --> 0:43:43.200
<v Speaker 1>incredible hulk? Hold on, wait, no, no, I get television

0:43:43.480 --> 0:43:46.759
<v Speaker 1>Banner something. David Banner is David Banner on television, Bruce

0:43:46.800 --> 0:43:50.160
<v Speaker 1>Banner on comics? Why did you know that? It's I

0:43:50.200 --> 0:43:53.440
<v Speaker 1>remember David Banners. I remember the TV show from the seventies,

0:43:53.480 --> 0:43:58.640
<v Speaker 1>Boomer What about See? But anyway, anything else beyond that.

0:43:58.800 --> 0:44:02.200
<v Speaker 1>A Captain America? He didn't he doesn't have a real name,

0:44:02.600 --> 0:44:05.000
<v Speaker 1>Captain America. Steve Rogers, What are you talking about? I

0:44:05.080 --> 0:44:07.600
<v Speaker 1>didn't know that. Who else he was born with the

0:44:07.680 --> 0:44:10.360
<v Speaker 1>name Captain America? No, I didn't know. I know, I

0:44:10.440 --> 0:44:12.080
<v Speaker 1>knew he had I knew he had a real name.

0:44:12.120 --> 0:44:15.600
<v Speaker 1>I don't know, good little Captain. Wait, wait, wait, who's

0:44:15.840 --> 0:44:20.120
<v Speaker 1>Sweet Captain? America's who? Steve Rogers? I know Fred Rogers?

0:44:20.840 --> 0:44:24.400
<v Speaker 1>What about okay? And what about Iron Man Man? You

0:44:24.400 --> 0:44:27.240
<v Speaker 1>don't know who Iron Men? His real name is Tony

0:44:27.320 --> 0:44:32.160
<v Speaker 1>Stark Stark enterprises, how it Starks his father? Come on now,

0:44:32.320 --> 0:44:33.960
<v Speaker 1>I don't know it. I don't know it. Listen. I

0:44:34.040 --> 0:44:35.640
<v Speaker 1>know people are yelling at me right now saying, how

0:44:35.680 --> 0:44:38.160
<v Speaker 1>are You're fucking crazy? Scary? But some people excel in

0:44:38.239 --> 0:44:41.120
<v Speaker 1>other areas. This was never my forte I was. I

0:44:41.280 --> 0:44:44.440
<v Speaker 1>was a very top line, surface, headline guy when it

0:44:44.480 --> 0:44:46.880
<v Speaker 1>came to watching these films and stuff and and reading

0:44:46.920 --> 0:44:48.359
<v Speaker 1>some of the but I never want I never read

0:44:48.400 --> 0:44:51.080
<v Speaker 1>comic books ever. And okay, and I will say this,

0:44:51.560 --> 0:44:54.080
<v Speaker 1>I've heard the name Jean Gray before. I have, but

0:44:54.200 --> 0:44:57.680
<v Speaker 1>I didn't. I didn't associate Star Wars of course. Just

0:44:57.760 --> 0:45:02.920
<v Speaker 1>tell me Luke Skywalker's father's name, Darth Vader. What's is really? No,

0:45:03.000 --> 0:45:06.600
<v Speaker 1>he's just roomed to everybody. What's the okay? That's seventy

0:45:06.640 --> 0:45:12.040
<v Speaker 1>seven Film three, Return of the Jedi. It was Empire

0:45:12.040 --> 0:45:14.360
<v Speaker 1>strikes Back. He was revealed. Yes, it's okay, So what

0:45:14.480 --> 0:45:16.920
<v Speaker 1>was his real name. Yeah, yeah, come on, Darth Vader's

0:45:16.960 --> 0:45:22.120
<v Speaker 1>real name, Luke Skywalker's father. What's his name, Darth Vader. Okay,

0:45:22.160 --> 0:45:23.960
<v Speaker 1>so you're gonna tell me, I'm gonna feel stupid. But

0:45:24.040 --> 0:45:26.560
<v Speaker 1>I know it. I know that. I gave you hand

0:45:26.640 --> 0:45:31.640
<v Speaker 1>his last name Skywalker, Anakin Skywalker. There you go, Okay,

0:45:31.760 --> 0:45:34.120
<v Speaker 1>there you all right? See I knew, but you see.

0:45:34.320 --> 0:45:36.920
<v Speaker 1>But so you can't. But but people can't yell at

0:45:36.960 --> 0:45:40.080
<v Speaker 1>me on Twitter for not knowing Jean Gray. Well, they

0:45:40.160 --> 0:45:42.000
<v Speaker 1>gonna yelled you anyway. Well they could do what dad

0:45:42.040 --> 0:45:43.920
<v Speaker 1>whatever that they want. I could yell back and call

0:45:44.000 --> 0:45:47.319
<v Speaker 1>him a bunch of fucking Mayo tards. Okay, if Jean

0:45:47.360 --> 0:45:49.560
<v Speaker 1>Gray was on TikTok and twelve, you would know she was.

0:45:49.800 --> 0:45:52.520
<v Speaker 1>That's exactly it. I could school you on my world.

0:45:52.840 --> 0:45:56.040
<v Speaker 1>I could run circles around you. Everybody when it comes

0:45:56.040 --> 0:45:59.040
<v Speaker 1>to music trivia and years and titles, said that, you

0:45:59.200 --> 0:46:02.040
<v Speaker 1>said that, and then we filmed you. I said I

0:46:02.239 --> 0:46:04.400
<v Speaker 1>came with no I came within a year. I said it.

0:46:04.719 --> 0:46:07.000
<v Speaker 1>I gave you disclaimer. It will always be within a

0:46:07.120 --> 0:46:09.680
<v Speaker 1>year or so on either side. Because there's a difference

0:46:09.719 --> 0:46:11.880
<v Speaker 1>between a release date and a popular The date that

0:46:11.920 --> 0:46:14.880
<v Speaker 1>it became a hit, so there will be a disparity

0:46:15.160 --> 0:46:17.640
<v Speaker 1>and a date that date that you know, So you

0:46:17.760 --> 0:46:20.360
<v Speaker 1>got to give a two year window. You want to

0:46:20.440 --> 0:46:22.320
<v Speaker 1>hit me with music trivia, I'll go there with you.

0:46:23.880 --> 0:46:25.920
<v Speaker 1>Or I can identify a song from give me a

0:46:26.080 --> 0:46:28.120
<v Speaker 1>couple of like the first few bars of a song, boom,

0:46:28.320 --> 0:46:31.000
<v Speaker 1>I'll give you a title an artist. But but there

0:46:31.160 --> 0:46:32.920
<v Speaker 1>there are people out there. That same person who hit

0:46:32.960 --> 0:46:34.560
<v Speaker 1>me up on Twitter is like, you don't know Jean Gray.

0:46:34.840 --> 0:46:36.279
<v Speaker 1>I'm like, I think you shouldn't know half the ship

0:46:36.320 --> 0:46:39.040
<v Speaker 1>that I know. So it's like we're all My point is,

0:46:39.320 --> 0:46:42.440
<v Speaker 1>let we all specialize in something, all right, all right,

0:46:42.480 --> 0:46:45.000
<v Speaker 1>So we're talking about Phil Collins before right, I'll give

0:46:45.000 --> 0:46:46.680
<v Speaker 1>you a two part questions. What what band was he

0:46:46.719 --> 0:46:49.359
<v Speaker 1>in before he was Genesis? And who was the lead singer?

0:46:49.400 --> 0:46:53.520
<v Speaker 1>Who left Genesis and he became the lead singer Peter Sara?

0:46:55.680 --> 0:47:01.440
<v Speaker 1>Or is that Chicago? I don't know. Okay, Broke, I

0:47:01.480 --> 0:47:05.280
<v Speaker 1>know you're okay the boomers face Yeah, he's face palmming.

0:47:05.320 --> 0:47:08.799
<v Speaker 1>You have the Boomers face palmming. Okay, Okay, So put

0:47:08.840 --> 0:47:10.919
<v Speaker 1>off trivia. I got it moved, I got it mixed,

0:47:11.160 --> 0:47:16.000
<v Speaker 1>Peter t Peter was in Chicago. Peter Sittera was in Chicago.

0:47:16.320 --> 0:47:19.279
<v Speaker 1>You said, Peter Steria. Oh I'm so sorry? Uh? Fuck?

0:47:20.200 --> 0:47:26.200
<v Speaker 1>Who left? God? Who left Genesis? You know Collins was

0:47:26.239 --> 0:47:28.239
<v Speaker 1>the drummer. Was the drummer? I know he was the

0:47:28.320 --> 0:47:31.880
<v Speaker 1>drummer and he can't dance either. He was the drummer

0:47:32.480 --> 0:47:35.040
<v Speaker 1>and then he became the lead singer. When when who

0:47:35.160 --> 0:47:38.879
<v Speaker 1>left the band? I want to say it was someone

0:47:38.920 --> 0:47:43.640
<v Speaker 1>from Fleetwood Mac. You think someone in Fleetwood Mac was

0:47:43.640 --> 0:47:46.719
<v Speaker 1>the original singer of Genesis. I don't know who is

0:47:46.800 --> 0:47:50.920
<v Speaker 1>it saying sledgehammer? Oh, Peter Gabriel, God damn it, it

0:47:51.000 --> 0:47:53.680
<v Speaker 1>was the wrong Peter. Go fund yourself. I knew it,

0:47:54.080 --> 0:47:56.120
<v Speaker 1>and I was gonna say Peter Gabriel too, which is

0:47:56.160 --> 0:47:58.239
<v Speaker 1>funny because you know you're Peter. I know my Peter.

0:47:59.000 --> 0:48:02.160
<v Speaker 1>I know my Peter well, but apparently not enough. Otherwise

0:48:02.200 --> 0:48:05.400
<v Speaker 1>I stay home more often. If I knew my fucking

0:48:05.440 --> 0:48:09.000
<v Speaker 1>Peter well, then I wouldn't have a girlfriend. I'd be

0:48:09.040 --> 0:48:13.759
<v Speaker 1>in my basement with William Shatner's fans, right, I knew

0:48:13.840 --> 0:48:15.360
<v Speaker 1>you know what I wanted to say, Peter Gabriel. I

0:48:15.360 --> 0:48:21.080
<v Speaker 1>don't want to make myself look stupid. Instead, I said God,

0:48:21.200 --> 0:48:25.920
<v Speaker 1>Peter Peter Pan was Peter Pan and lead singer Oh

0:48:26.000 --> 0:48:28.960
<v Speaker 1>My God so much seventies and eighties trivia. People are

0:48:29.000 --> 0:48:32.040
<v Speaker 1>like hip hitting the skip thirty button more than they

0:48:32.960 --> 0:48:35.239
<v Speaker 1>kid Hold on how many people tweeted last week that

0:48:35.360 --> 0:48:40.480
<v Speaker 1>they that they knew uh the meat Loaf reference three right,

0:48:40.840 --> 0:48:44.160
<v Speaker 1>but they're more new Sparris Square from Seinfeld. A lot

0:48:44.239 --> 0:48:47.239
<v Speaker 1>of people didn't though. It's it evens out. I don't

0:48:47.280 --> 0:48:49.399
<v Speaker 1>think as many people watch Seinfeld as you and I think.

0:48:49.760 --> 0:48:53.600
<v Speaker 1>I think Seinfeld was a huge hit, but I don't.

0:48:53.680 --> 0:48:56.279
<v Speaker 1>I don't think clearly as many people. I don't think

0:48:56.360 --> 0:48:58.680
<v Speaker 1>me nearly as many people listened to Meet Loaf than

0:48:58.760 --> 0:49:00.960
<v Speaker 1>you think. I think anyone who's been in a bar

0:49:01.040 --> 0:49:04.040
<v Speaker 1>has heard Beat Loaf. Yeah, Paradise by the dashboard light,

0:49:04.120 --> 0:49:05.799
<v Speaker 1>but that's it. You made a two out of three.

0:49:05.880 --> 0:49:09.000
<v Speaker 1>Ain't bad Bad Bad out of Hell reference Bad at

0:49:09.000 --> 0:49:11.200
<v Speaker 1>the Hell was the album that Paradise hboard. No one

0:49:11.280 --> 0:49:15.640
<v Speaker 1>knows that they know the song Oh my God by

0:49:15.680 --> 0:49:19.640
<v Speaker 1>the way, God damn it, don't don't my phone? Are

0:49:19.680 --> 0:49:22.800
<v Speaker 1>you are you dude? Are you are you in group chats?

0:49:22.960 --> 0:49:25.080
<v Speaker 1>Are you in group threads with people. No, because I

0:49:25.080 --> 0:49:26.320
<v Speaker 1>have an Android phone, I don't have to be in

0:49:26.360 --> 0:49:29.440
<v Speaker 1>those things. Dude. I am in so many group threads

0:49:29.600 --> 0:49:32.520
<v Speaker 1>with my Brooklyn boys, like my Brooklyn friends, and then

0:49:32.520 --> 0:49:34.080
<v Speaker 1>I have my Hoboken friends, and then I have a

0:49:34.160 --> 0:49:36.759
<v Speaker 1>smaller subset. You have to clarify that when you when

0:49:36.800 --> 0:49:39.400
<v Speaker 1>you say you're Brooklyn boys, you mean your boys from Brooklyn,

0:49:39.480 --> 0:49:41.360
<v Speaker 1>of which I'm not one. And it's not related to

0:49:41.440 --> 0:49:43.640
<v Speaker 1>this podcast, because otherwise people like, what kind of group

0:49:43.719 --> 0:49:45.360
<v Speaker 1>chat you neative? It's just Brodie. I just don't know

0:49:45.400 --> 0:49:47.880
<v Speaker 1>if other people are experiencing this, and maybe you are too.

0:49:48.280 --> 0:49:49.839
<v Speaker 1>You're not, obviously, Brodie, so you're out of the count.

0:49:49.880 --> 0:49:53.200
<v Speaker 1>I'm in group chats, like group chats. The points were

0:49:53.239 --> 0:49:56.400
<v Speaker 1>like a group text. I have chats so so on

0:49:56.520 --> 0:49:59.760
<v Speaker 1>the iPhone. Obviously this group threads. It's it's the internal

0:50:00.160 --> 0:50:02.600
<v Speaker 1>I message app. But we don't have my message and right,

0:50:02.640 --> 0:50:05.920
<v Speaker 1>whatever your equivalent is. Every phone has it. No, it doesn't.

0:50:05.960 --> 0:50:09.080
<v Speaker 1>You don't have threads. You don't have group thread text

0:50:09.160 --> 0:50:12.520
<v Speaker 1>message threads, yes, same thing, yeah, I guess a conversation, yes,

0:50:12.760 --> 0:50:15.680
<v Speaker 1>text message conversations going on on your phone. We all

0:50:15.760 --> 0:50:19.080
<v Speaker 1>have that. It's universal. Okay, we call them group group threads.

0:50:19.440 --> 0:50:22.640
<v Speaker 1>You work with, you people that refuse to reply all everything,

0:50:22.840 --> 0:50:24.759
<v Speaker 1>what do you do? Do you exit them? Because here's

0:50:24.800 --> 0:50:28.000
<v Speaker 1>the thing. If you're okay, my Brooklyn friends, the other

0:50:28.080 --> 0:50:30.960
<v Speaker 1>friends not you, Okay, there's like six of us, you

0:50:31.080 --> 0:50:33.960
<v Speaker 1>suck ahead, all right. So what ends up happening is

0:50:34.560 --> 0:50:37.040
<v Speaker 1>they'll they'll start, they'll start with the general stuff that

0:50:37.080 --> 0:50:38.719
<v Speaker 1>we're all interested in, and then they'll they'll do a

0:50:38.840 --> 0:50:41.359
<v Speaker 1>couple of memes our way throughout the day. But then

0:50:42.040 --> 0:50:47.000
<v Speaker 1>someone does a takeover where it gets into one specialized

0:50:47.040 --> 0:50:50.239
<v Speaker 1>category of topic that has nothing to do with all

0:50:50.320 --> 0:50:54.480
<v Speaker 1>seven of us. We'll specifically talking about Yankee trivia and

0:50:54.640 --> 0:50:56.840
<v Speaker 1>Yankee stuff. When I'm when two of us in there

0:50:56.880 --> 0:50:59.280
<v Speaker 1>are met fans, but the five of them dominate Yankee

0:50:59.280 --> 0:51:03.799
<v Speaker 1>as Yankee fans. So the thread goes on all day long, NonStop. Hey,

0:51:03.880 --> 0:51:07.200
<v Speaker 1>here's here's Paul O'Neil's video. And then they they insert

0:51:07.280 --> 0:51:10.279
<v Speaker 1>on YouTube YouTube clip of you know, all of the

0:51:10.360 --> 0:51:13.920
<v Speaker 1>stolen bases, and I'm sitting here like, oh my god,

0:51:13.960 --> 0:51:16.319
<v Speaker 1>are you kidding me right now? Oh that's ourn boom,

0:51:16.360 --> 0:51:19.120
<v Speaker 1>great Yankee moments. And I'm sitting here like get me

0:51:19.200 --> 0:51:21.080
<v Speaker 1>the funk out of here. I want to leave. I

0:51:21.160 --> 0:51:22.840
<v Speaker 1>kind of want to exit it. But the problem is,

0:51:23.160 --> 0:51:25.680
<v Speaker 1>these are my friends and this is our lifeline and

0:51:25.760 --> 0:51:28.640
<v Speaker 1>our ongoing group chat, which you've had for like eight years.

0:51:28.880 --> 0:51:31.960
<v Speaker 1>How do I politely tell these motherfucker's in this group chat?

0:51:31.960 --> 0:51:34.160
<v Speaker 1>And I know people listening are going through this as well,

0:51:34.360 --> 0:51:37.760
<v Speaker 1>how do I tell them? Hey, you guys, stop it already?

0:51:37.840 --> 0:51:40.279
<v Speaker 1>Can we change the topic. I think the easy way

0:51:40.480 --> 0:51:42.040
<v Speaker 1>is to tell him to listen to this episode of

0:51:42.080 --> 0:51:45.520
<v Speaker 1>the podcast. By the way, do you Brooklyn boys listen

0:51:45.560 --> 0:51:49.919
<v Speaker 1>to the Brooklyn Boys? They do? None of them do those? Yeah? See,

0:51:49.960 --> 0:51:52.440
<v Speaker 1>that's that's one of them. Is bald freak Rannie, who

0:51:52.680 --> 0:51:54.719
<v Speaker 1>was on my old podcast who was in your house

0:51:54.800 --> 0:51:57.000
<v Speaker 1>last week? Because somewhere that that was part of that

0:51:57.040 --> 0:51:58.440
<v Speaker 1>he was part of the barbecue. He went to my

0:51:58.440 --> 0:52:01.160
<v Speaker 1>buddy Jay's house. And by the way, his head turned

0:52:01.200 --> 0:52:03.360
<v Speaker 1>to when I mentioned Charlie, Damilio and TikTok, and he

0:52:03.440 --> 0:52:05.719
<v Speaker 1>was like, yeah, he probably likes Charlie for a different

0:52:05.760 --> 0:52:08.720
<v Speaker 1>reason though, which is unfortunate. Okay, that's um, she's sixteen,

0:52:09.120 --> 0:52:12.640
<v Speaker 1>I know, which I said, it's unfortunate, So you know,

0:52:12.760 --> 0:52:14.839
<v Speaker 1>you know. All I'm gonna say is this, if you're

0:52:14.840 --> 0:52:16.759
<v Speaker 1>on a group thread, how do you do? You can't

0:52:16.800 --> 0:52:18.400
<v Speaker 1>exit tell him? Go hey, why don't you make a

0:52:18.520 --> 0:52:22.200
<v Speaker 1>Yankees fan group chat and take that at somewhere else?

0:52:22.640 --> 0:52:25.440
<v Speaker 1>Maybe I should. They're gonna hate you for it. I mean,

0:52:25.520 --> 0:52:27.320
<v Speaker 1>I got I got my Hoboken friends, and all we

0:52:27.400 --> 0:52:29.600
<v Speaker 1>do is crush each other. It's like, but I'm like,

0:52:29.640 --> 0:52:32.040
<v Speaker 1>it's supposed to be there for like, here's what's happening

0:52:32.120 --> 0:52:34.080
<v Speaker 1>during the day. Who wants to go out and you

0:52:34.120 --> 0:52:36.279
<v Speaker 1>want who wants to grab some dinner tonight? Who does?

0:52:36.480 --> 0:52:38.320
<v Speaker 1>Here's what you need to do. You need to like

0:52:38.400 --> 0:52:40.200
<v Speaker 1>get what one is there anyone else in the group

0:52:40.320 --> 0:52:43.600
<v Speaker 1>that also doesn't like what's going on? Yes, well, with

0:52:43.680 --> 0:52:47.560
<v Speaker 1>the Hoboken group, it just it just it's just an insult.

0:52:47.600 --> 0:52:49.359
<v Speaker 1>It's a rank out concept. Okay, No, I'm talking about

0:52:49.360 --> 0:52:51.759
<v Speaker 1>the Brooklyn Boys. The Brooklyn Boys. One is anyone in

0:52:51.840 --> 0:52:54.880
<v Speaker 1>that group that also does not want one person is

0:52:55.480 --> 0:52:56.839
<v Speaker 1>let's just call them. I put it by the way

0:52:56.840 --> 0:52:58.440
<v Speaker 1>I put them on silent. I know how to put it.

0:52:58.640 --> 0:53:00.400
<v Speaker 1>I know how to put it on silent. But the

0:53:00.480 --> 0:53:02.399
<v Speaker 1>thing is, I kind of want the top right change

0:53:02.400 --> 0:53:04.160
<v Speaker 1>I don't want to keep looking at you, do you.

0:53:04.400 --> 0:53:07.279
<v Speaker 1>Let's call the other guy, Phil. You and Phil start

0:53:07.360 --> 0:53:10.120
<v Speaker 1>talking about one thing a lot that no one else

0:53:10.200 --> 0:53:14.799
<v Speaker 1>cares about a lot, right, back and forth. TV Dinners, Right, Oh,

0:53:14.920 --> 0:53:18.080
<v Speaker 1>TV died, TV Dinner, Dinner, Favorite Dinner, TV Dinna, Trivia,

0:53:18.120 --> 0:53:22.040
<v Speaker 1>you go crazy with TV Dinners, right, Swanson's Hungry Man everything, damn.

0:53:22.080 --> 0:53:24.040
<v Speaker 1>People like guys, why are you having this conversation? We

0:53:24.080 --> 0:53:26.640
<v Speaker 1>can take that outside. Have your own private conversation. You go, oh,

0:53:26.880 --> 0:53:30.080
<v Speaker 1>I would say the same thing about Yankee conversation. So

0:53:30.560 --> 0:53:33.800
<v Speaker 1>do do the same thing to them. Hold a mirror

0:53:33.920 --> 0:53:38.200
<v Speaker 1>up to what they're doing, right right, have a conversation

0:53:38.200 --> 0:53:40.759
<v Speaker 1>about TikTok or something that drives them crazy. You know,

0:53:41.000 --> 0:53:43.320
<v Speaker 1>I don't you know what. I don't care what Elvis

0:53:43.360 --> 0:53:46.160
<v Speaker 1>says about your Brodie. I think you are brilliant, thank you.

0:53:48.800 --> 0:53:50.320
<v Speaker 1>You know what Elvis may say a lot about me,

0:53:50.440 --> 0:53:52.160
<v Speaker 1>not brilliant is not one of the things he says.

0:53:52.200 --> 0:53:58.120
<v Speaker 1>So I'm happy with that anyway. Um I uh I,

0:53:58.360 --> 0:54:01.440
<v Speaker 1>I thought I upset Elvis today, but I'm glad you

0:54:01.480 --> 0:54:07.040
<v Speaker 1>told me it wasn't me because Okay, So on Wednesday's podcast,

0:54:08.200 --> 0:54:10.360
<v Speaker 1>Elvis noticed that I kind of I wasn't like, I

0:54:10.400 --> 0:54:13.160
<v Speaker 1>don't know. I guess I had like resting resting brody

0:54:13.239 --> 0:54:17.680
<v Speaker 1>face right at rb RBS. By the way, we're talking

0:54:17.680 --> 0:54:20.800
<v Speaker 1>about the fifteen minute Morning Show podcast that video podcast

0:54:21.320 --> 0:54:23.120
<v Speaker 1>I have to do, said don't that's why I don't

0:54:23.120 --> 0:54:25.040
<v Speaker 1>do a brooken boys when I hate them. I like

0:54:25.120 --> 0:54:27.040
<v Speaker 1>the fifteen minute Morning Show as I love all everybody

0:54:27.040 --> 0:54:29.359
<v Speaker 1>on the show. And so I guess I was sitting

0:54:29.400 --> 0:54:31.640
<v Speaker 1>there kind of like I was tired, and I was like,

0:54:31.840 --> 0:54:35.160
<v Speaker 1>everybody's smiling except for Brodie's just sitting there, and I

0:54:35.280 --> 0:54:37.600
<v Speaker 1>was like no, and Daniel was like, you should smile more.

0:54:37.640 --> 0:54:39.719
<v Speaker 1>You have a nice smile. And then uh, some people

0:54:39.719 --> 0:54:41.440
<v Speaker 1>tweeted at me a d m me saying you should

0:54:41.440 --> 0:54:43.080
<v Speaker 1>smile more. You have a great smile and makes us

0:54:43.080 --> 0:54:47.120
<v Speaker 1>happy when we see a smile. Anyway, So the way

0:54:47.200 --> 0:54:49.640
<v Speaker 1>the morning the fifty minute Morning Show works is around

0:54:49.760 --> 0:54:52.480
<v Speaker 1>whatever time we do it, we all log in, right

0:54:52.560 --> 0:54:54.840
<v Speaker 1>like I I joined the room that you guys have

0:54:54.920 --> 0:54:57.640
<v Speaker 1>been in all morning doing the morning show. I joined

0:54:57.719 --> 0:55:00.680
<v Speaker 1>in for the fifteen minute morning Show. Garrett and I

0:55:00.840 --> 0:55:03.200
<v Speaker 1>join in and so I haven't seen you. I don't

0:55:03.239 --> 0:55:04.520
<v Speaker 1>know what's going on all air. I don't know what

0:55:04.640 --> 0:55:08.440
<v Speaker 1>conversations you've had. And so when my camera went on

0:55:08.560 --> 0:55:13.160
<v Speaker 1>this morning, as a joke, I was wearing a Mets mask,

0:55:13.600 --> 0:55:16.719
<v Speaker 1>a mask over my nose and mouth, so that it

0:55:16.760 --> 0:55:18.600
<v Speaker 1>would be like a joke, like you can't tell now

0:55:18.600 --> 0:55:20.920
<v Speaker 1>if I'm smiling or not. And as soon as my

0:55:21.000 --> 0:55:23.520
<v Speaker 1>camera went on, Elvis went all right, I'm out, guys

0:55:23.560 --> 0:55:26.040
<v Speaker 1>through the podcast without me. So I got like, oh

0:55:26.120 --> 0:55:27.680
<v Speaker 1>my god, he got he got mad. He thought maybe

0:55:27.680 --> 0:55:30.480
<v Speaker 1>I was, like, you know, making fun or something I did.

0:55:30.600 --> 0:55:33.800
<v Speaker 1>I was like, oh no. So we did the podcast

0:55:33.840 --> 0:55:35.359
<v Speaker 1>without him. And then I was at Scary his house

0:55:35.400 --> 0:55:38.120
<v Speaker 1>today and I said, Scary, just off the record, was

0:55:38.160 --> 0:55:40.360
<v Speaker 1>Elvis mad at me for wearing the mask. He's like, no,

0:55:40.600 --> 0:55:42.279
<v Speaker 1>he was mad as dogs were barking. I'm like, oh,

0:55:42.360 --> 0:55:47.120
<v Speaker 1>thank god, I was gonna do the mask thing. But

0:55:47.160 --> 0:55:49.000
<v Speaker 1>now I can't do the mask thing Monday because it's

0:55:49.040 --> 0:55:51.399
<v Speaker 1>like it's too late now. But you were already seen

0:55:51.560 --> 0:55:54.440
<v Speaker 1>on camera with the Mets mask in the beginning of it, right,

0:55:54.480 --> 0:55:58.440
<v Speaker 1>But but we weren't filming. We hadn't started the podcast,

0:56:00.080 --> 0:56:04.359
<v Speaker 1>So all right, what do you do? Um, I've got

0:56:04.480 --> 0:56:08.279
<v Speaker 1>some unused jokes from TikTok at some point, UM, I

0:56:08.680 --> 0:56:10.920
<v Speaker 1>definitely gonna talk about the street sign that pissed me

0:56:10.960 --> 0:56:13.480
<v Speaker 1>off because I teased that last week and I wanted

0:56:13.520 --> 0:56:16.800
<v Speaker 1>to talk about. Um, we'll just go for it, the

0:56:16.880 --> 0:56:19.640
<v Speaker 1>super about the super over real quick dude, you can

0:56:19.640 --> 0:56:22.440
<v Speaker 1>do just go okay, you know you have a very

0:56:22.640 --> 0:56:24.520
<v Speaker 1>interesting help. I don't I don't know if you that's something.

0:56:24.960 --> 0:56:26.960
<v Speaker 1>If you don't know, The point is like we just

0:56:27.280 --> 0:56:32.000
<v Speaker 1>we just kind of flow conversation, you know, and you tease. No, man,

0:56:32.160 --> 0:56:35.280
<v Speaker 1>I'm here, I'm good. I just just all seen people

0:56:35.760 --> 0:56:38.759
<v Speaker 1>do things driving where you go. That guy's a dick, right.

0:56:39.560 --> 0:56:41.960
<v Speaker 1>You know, you go through a red light, you cut

0:56:42.040 --> 0:56:45.280
<v Speaker 1>somebody off, you don't like give right away to somebody

0:56:45.360 --> 0:56:48.480
<v Speaker 1>walk in. You're back out of a spot, when someone's

0:56:48.480 --> 0:56:49.840
<v Speaker 1>going down the aisle, you don't wait for them to

0:56:49.880 --> 0:56:52.960
<v Speaker 1>go by you like like this. You've seen all those things.

0:56:53.000 --> 0:56:55.560
<v Speaker 1>You know. That guy's a dick, right. I think I

0:56:55.640 --> 0:56:59.520
<v Speaker 1>may have seen in my lifetime the dickiest move by

0:56:59.560 --> 0:57:02.080
<v Speaker 1>a dry of her. I want to hope he didn't

0:57:02.120 --> 0:57:05.400
<v Speaker 1>realize it, but I don't know how he didn't notice. Okay,

0:57:06.200 --> 0:57:10.160
<v Speaker 1>So there's a um a one lane road a couple

0:57:10.200 --> 0:57:13.640
<v Speaker 1>of towns over from where I live, and it's gotta

0:57:13.719 --> 0:57:17.600
<v Speaker 1>it's gotta a very slow speed limit. It's like twenty five.

0:57:18.760 --> 0:57:22.200
<v Speaker 1>I hate it. I hate the street. At the end

0:57:22.240 --> 0:57:27.960
<v Speaker 1>of the street, you turn onto a busy four lane road. Right,

0:57:28.200 --> 0:57:29.920
<v Speaker 1>I think it's a four No, it's two lanes, but

0:57:29.960 --> 0:57:33.280
<v Speaker 1>it's busy. It's a it's a larger street. So as

0:57:33.360 --> 0:57:37.800
<v Speaker 1>you approach from this one lane in each direction road,

0:57:39.240 --> 0:57:41.840
<v Speaker 1>there's a light, and then near the light is a

0:57:41.920 --> 0:57:44.760
<v Speaker 1>left turn lane. Okay, but the left turn lane is

0:57:44.800 --> 0:57:47.880
<v Speaker 1>like three car lengths so in order to get to it,

0:57:48.240 --> 0:57:50.240
<v Speaker 1>you have to eat it, get up close to the light,

0:57:51.240 --> 0:57:52.640
<v Speaker 1>which normally you can do there's not a lot of

0:57:52.680 --> 0:57:55.280
<v Speaker 1>people on this road, or you have to drive on

0:57:55.360 --> 0:57:57.760
<v Speaker 1>the other side of the road when no one's looking,

0:57:57.880 --> 0:57:59.480
<v Speaker 1>and then get to the turning lane. You've done that

0:57:59.880 --> 0:58:03.520
<v Speaker 1>all corse, we have all done this. We were all guilty, Okay.

0:58:04.240 --> 0:58:09.040
<v Speaker 1>So for some reason, the one lane road has a

0:58:09.480 --> 0:58:13.680
<v Speaker 1>really long line to this light. There's like eight nine

0:58:14.080 --> 0:58:16.520
<v Speaker 1>cars on a on a street that normally isn't very busy.

0:58:16.680 --> 0:58:21.760
<v Speaker 1>I've seen this happen too, Okay. So this guy juts

0:58:21.840 --> 0:58:24.520
<v Speaker 1>out into the other lane and makes a B line

0:58:24.600 --> 0:58:27.800
<v Speaker 1>for the turning lane in the left lane and the

0:58:28.000 --> 0:58:30.120
<v Speaker 1>and now keep in mind, this street that we're on

0:58:31.000 --> 0:58:34.240
<v Speaker 1>is a T it's a T street, meaning you can't

0:58:34.240 --> 0:58:36.520
<v Speaker 1>go across. When you get to the main street, you

0:58:36.600 --> 0:58:39.479
<v Speaker 1>have to go left or right. So the left lane

0:58:39.600 --> 0:58:41.840
<v Speaker 1>is left turn only and the right lane is right

0:58:41.880 --> 0:58:45.640
<v Speaker 1>turn only. So I follow him. I get behind him,

0:58:46.200 --> 0:58:51.120
<v Speaker 1>and as I'm going past him, I see why there

0:58:51.160 --> 0:58:54.080
<v Speaker 1>are cars lined up. I see why there's so many

0:58:54.160 --> 0:58:57.480
<v Speaker 1>cars because don't jump ahead on this one. Scary. But

0:58:57.560 --> 0:58:59.360
<v Speaker 1>it's in the middle of the afternoon. It's about one

0:58:59.360 --> 0:59:02.480
<v Speaker 1>o'clock in the afternoon, and they all have their headlights on,

0:59:03.680 --> 0:59:06.920
<v Speaker 1>so I know what that means. So he gets to

0:59:07.000 --> 0:59:08.800
<v Speaker 1>the light in the left lane like he's gonna make

0:59:08.840 --> 0:59:13.840
<v Speaker 1>a left. I'm right behind him. Now I see that

0:59:14.040 --> 0:59:17.280
<v Speaker 1>the car in the front spot of the right lane

0:59:17.440 --> 0:59:22.880
<v Speaker 1>is a hearse. Oh it's a funerals, but it's a

0:59:22.920 --> 0:59:27.400
<v Speaker 1>big one. It's a big one. So he is now

0:59:27.600 --> 0:59:32.920
<v Speaker 1>next to the hearse. He clearly sees the hearse. He's

0:59:32.960 --> 0:59:35.560
<v Speaker 1>looking at the light like he's gonna make that left.

0:59:35.680 --> 0:59:39.360
<v Speaker 1>The minute the light changes. The light change is scary.

0:59:40.400 --> 0:59:44.760
<v Speaker 1>He makes the right and cuts off the hearse to

0:59:44.880 --> 0:59:46.960
<v Speaker 1>get down the one lane road to the right first,

0:59:48.520 --> 0:59:50.680
<v Speaker 1>because he didn't want to wait for the funeral procession.

0:59:51.160 --> 0:59:56.360
<v Speaker 1>He cut the hearse, started moving and he went out

0:59:56.520 --> 0:59:59.520
<v Speaker 1>into the opposite traffic. So the so the he wants

0:59:59.560 --> 1:00:02.200
<v Speaker 1>to make a but the other lane across from him,

1:00:02.320 --> 1:00:04.360
<v Speaker 1>you know, to the left, going right to left, there's

1:00:04.400 --> 1:00:07.560
<v Speaker 1>no cars. So he goes around the hearse into the

1:00:07.640 --> 1:00:11.160
<v Speaker 1>opposite lane, cuts off the hearse, and then squeezes back

1:00:11.160 --> 1:00:12.960
<v Speaker 1>into the lane he's supposed to be And he cut

1:00:13.040 --> 1:00:16.520
<v Speaker 1>off a hearse. Who does that? I'm sure the dead

1:00:16.520 --> 1:00:19.720
<v Speaker 1>guy didn't mind. I'm sure they did. I mean, that's

1:00:19.720 --> 1:00:22.080
<v Speaker 1>the hurry, right, the guy is already dead. My point

1:00:22.160 --> 1:00:25.800
<v Speaker 1>is that's that's sacrilegious. You can't do that. You know

1:00:26.000 --> 1:00:29.480
<v Speaker 1>that karma is gonna get that motherfucker you. You you

1:00:29.640 --> 1:00:31.760
<v Speaker 1>have to you have to make that left. You have

1:00:31.880 --> 1:00:33.720
<v Speaker 1>to make the left and then make you turn, well,

1:00:33.760 --> 1:00:35.840
<v Speaker 1>go a different way. You can't make a right and

1:00:36.280 --> 1:00:40.200
<v Speaker 1>so so f you, Subaru f you, because that's you,

1:00:40.400 --> 1:00:43.840
<v Speaker 1>that's beyond, that is beyond beyond. Made you made a

1:00:43.920 --> 1:00:47.480
<v Speaker 1>right turn from a left lane only left turn only

1:00:47.600 --> 1:00:51.520
<v Speaker 1>lane to cut off a hearse, to cut off a hearse. Yeah,

1:00:52.200 --> 1:00:55.040
<v Speaker 1>your dogs are really upset about this. My dogs are

1:00:55.240 --> 1:01:00.680
<v Speaker 1>very upset. Ship damn. That's that's fucking ball halls right there.

1:01:01.240 --> 1:01:03.640
<v Speaker 1>You know in this Where was this in? What city?

1:01:04.720 --> 1:01:07.520
<v Speaker 1>It doesn't matter. Jersey? Yeah it was Jersey. It was

1:01:08.120 --> 1:01:10.360
<v Speaker 1>that sounds like something that would happen in our neighborhood

1:01:10.360 --> 1:01:14.240
<v Speaker 1>in Brooklyn. Yeah, that's that's that's pretty typical we're from.

1:01:14.320 --> 1:01:17.480
<v Speaker 1>That's fucking balls and steel. What kind of car was it? Yes?

1:01:17.560 --> 1:01:19.920
<v Speaker 1>It was it was a super ro Oh, it was

1:01:20.000 --> 1:01:22.760
<v Speaker 1>a super Ro. Yes, although speaking of car, I don't

1:01:22.760 --> 1:01:24.880
<v Speaker 1>know super I don't know suber roused to be that

1:01:24.960 --> 1:01:27.840
<v Speaker 1>way though. I thought Subaru drivers were litre more conservative.

1:01:28.520 --> 1:01:31.120
<v Speaker 1>I would have thought maybe the guy's like he bought

1:01:31.160 --> 1:01:35.440
<v Speaker 1>it use to something. Fuck you, I did want to say,

1:01:35.640 --> 1:01:39.480
<v Speaker 1>Johnny j is seventeen. So now, okay, did I do

1:01:39.520 --> 1:01:40.960
<v Speaker 1>we talk about this last week? But we have to

1:01:41.000 --> 1:01:42.880
<v Speaker 1>take a commercial break real quick? Can we? Oh? Yeah,

1:01:43.360 --> 1:01:53.080
<v Speaker 1>take a breath. Your dogs are still barking. Yeah, I

1:01:53.160 --> 1:01:56.240
<v Speaker 1>think my wife is home. Yeah, it's five o'clock. O crap,

1:01:56.320 --> 1:01:58.360
<v Speaker 1>the conditioning is on on. Can I turn the conditioning

1:01:59.440 --> 1:02:03.400
<v Speaker 1>home on? You? You said, alright, alright, it's it's only

1:02:03.440 --> 1:02:05.880
<v Speaker 1>five thirty. Alright, what do you got because I have

1:02:05.960 --> 1:02:07.920
<v Speaker 1>some unused jokes I want to get to. Well, we

1:02:08.160 --> 1:02:12.520
<v Speaker 1>were already like, yeah, well the only thing, the only

1:02:12.560 --> 1:02:14.280
<v Speaker 1>thing I t s was the sign that pissed me off,

1:02:14.360 --> 1:02:16.960
<v Speaker 1>the sign, right, okay, So so we let's get to

1:02:17.040 --> 1:02:19.200
<v Speaker 1>unused jokes because I have that pulled up. If you

1:02:19.320 --> 1:02:23.360
<v Speaker 1>want to do that, we have we we've accumulated some

1:02:23.520 --> 1:02:28.520
<v Speaker 1>unused jokes. Yeah, we have. Yeah, that's good because we

1:02:28.560 --> 1:02:31.280
<v Speaker 1>did it last week, or so we did two weeks ago. No,

1:02:31.440 --> 1:02:32.800
<v Speaker 1>we did one last I think I had one, But

1:02:32.800 --> 1:02:34.680
<v Speaker 1>I have a couple from from this week. You've been

1:02:34.720 --> 1:02:37.480
<v Speaker 1>extra funny this week. Well, or not funny because they

1:02:37.480 --> 1:02:40.600
<v Speaker 1>didn't get used. Okay. These are punch lines that were

1:02:40.640 --> 1:02:43.080
<v Speaker 1>written for the show that never got used. Now, now

1:02:43.080 --> 1:02:45.240
<v Speaker 1>I don't know if I did this joke. But Elvis

1:02:45.280 --> 1:02:49.040
<v Speaker 1>watching The Umbrella Academy, did I do that joke? No? Okay,

1:02:49.520 --> 1:02:52.840
<v Speaker 1>So Elvis was talking about how he couldn't wait for

1:02:52.960 --> 1:02:56.560
<v Speaker 1>the second season of Umbrella Academy to to come out

1:02:56.600 --> 1:03:00.520
<v Speaker 1>on Netflix. There's a great show. Well, he lost power

1:03:00.640 --> 1:03:03.200
<v Speaker 1>for a few days and he had to watch old

1:03:03.800 --> 1:03:07.800
<v Speaker 1>DVDs that he had in his house because although he

1:03:07.920 --> 1:03:11.480
<v Speaker 1>got power back, he didn't get WiFi back and so

1:03:11.600 --> 1:03:14.480
<v Speaker 1>he couldn't stream Netflix. So he was forced to watch

1:03:14.560 --> 1:03:16.840
<v Speaker 1>old DVDs and he found on a box in his basement.

1:03:17.640 --> 1:03:20.440
<v Speaker 1>So my joke was, instead of watching Umbrella Academy, he

1:03:20.520 --> 1:03:26.120
<v Speaker 1>watched Police Academy. He didn't do that joke. Um. Then

1:03:26.200 --> 1:03:29.840
<v Speaker 1>today a woman called in and said that she met

1:03:30.360 --> 1:03:33.640
<v Speaker 1>the host of the TV show Catfish, and she was

1:03:33.760 --> 1:03:36.160
<v Speaker 1>very excited. He was very nice to her, And my

1:03:36.320 --> 1:03:38.600
<v Speaker 1>joke was, what if it was just a guy pretending

1:03:38.640 --> 1:03:42.080
<v Speaker 1>to be the host of Catfish, Which is a brilliant joke.

1:03:42.600 --> 1:03:45.720
<v Speaker 1>Thank you. That's so clever because we we all know

1:03:45.920 --> 1:03:48.000
<v Speaker 1>what the show Catfish is about, and if you don't,

1:03:48.080 --> 1:03:52.160
<v Speaker 1>it's about people who trick other people with different identities.

1:03:52.600 --> 1:03:54.520
<v Speaker 1>Right now, did we talk about how you got Catfish?

1:03:54.600 --> 1:03:56.520
<v Speaker 1>Last week? We did? Right? We have not? No, that's

1:03:56.560 --> 1:03:59.320
<v Speaker 1>on my list. I thought we did talked about it

1:03:59.360 --> 1:04:01.479
<v Speaker 1>on the Big show. Okay, so let me just finish

1:04:01.560 --> 1:04:05.120
<v Speaker 1>these jokes. There's a guy on TikTok and YouTube. His

1:04:05.280 --> 1:04:07.680
<v Speaker 1>name is Smiles Alan. That's his screen name. I guess

1:04:07.760 --> 1:04:10.320
<v Speaker 1>his name is Alan and he he makes people smile.

1:04:11.520 --> 1:04:15.919
<v Speaker 1>He's an unbelievable impressionist. He he sings popular songs as

1:04:16.520 --> 1:04:19.960
<v Speaker 1>cartoon characters and he'll he'll go from one character to

1:04:19.960 --> 1:04:23.400
<v Speaker 1>another like twenty and in sixty seconds or or or

1:04:23.560 --> 1:04:26.600
<v Speaker 1>sixty and twenty whatever it is. He's fantastic. And so

1:04:27.080 --> 1:04:29.760
<v Speaker 1>he's using an app. There's two apps now, I don't know.

1:04:29.760 --> 1:04:32.080
<v Speaker 1>There's a couple apps, but one in particular called deep

1:04:32.160 --> 1:04:36.680
<v Speaker 1>Fake No Impressions app and so um, a bunch of

1:04:37.560 --> 1:04:42.600
<v Speaker 1>impressionists on social media are now using apps that warp

1:04:42.720 --> 1:04:45.600
<v Speaker 1>your face to look like the person who you're doing

1:04:45.640 --> 1:04:50.320
<v Speaker 1>an impression of. Okay, so he made himself look like

1:04:50.520 --> 1:04:56.320
<v Speaker 1>Voldemort from Harry Potter and so um. He on what

1:04:56.440 --> 1:05:00.720
<v Speaker 1>he wrote on on his TikTok was comment what you

1:05:00.920 --> 1:05:03.840
<v Speaker 1>think because he was doing an impression of Voldemort worked

1:05:03.880 --> 1:05:06.840
<v Speaker 1>working in a restaurant, like as if he was a hostess,

1:05:07.360 --> 1:05:11.200
<v Speaker 1>seating people in his restaurant. He said, what comment what

1:05:11.320 --> 1:05:15.760
<v Speaker 1>you think the name of Voldemort's restaurant would be? Well,

1:05:15.800 --> 1:05:18.800
<v Speaker 1>that sounded like a pun challenge to me. So if

1:05:18.840 --> 1:05:21.640
<v Speaker 1>you're a Harry Potter fan, you will get these, and

1:05:21.720 --> 1:05:24.040
<v Speaker 1>if you're not, you might not but I'm gonna I'm

1:05:24.040 --> 1:05:26.280
<v Speaker 1>gonna read through them anyway, because you know me, I

1:05:26.320 --> 1:05:29.200
<v Speaker 1>didn't just do one scary I did about ten and

1:05:29.280 --> 1:05:31.240
<v Speaker 1>I kind of is this the one where Garrett tried

1:05:31.280 --> 1:05:35.440
<v Speaker 1>to participate to and then Elvis is like stop enough, No, no,

1:05:35.600 --> 1:05:37.200
<v Speaker 1>this was something else. No, this was on and this

1:05:37.280 --> 1:05:42.720
<v Speaker 1>was on TikTok. So I did Voldemorton's Steakhouse as a

1:05:42.800 --> 1:05:46.240
<v Speaker 1>spoof on Morton Steakhouse, a pizza place called hore crust

1:05:47.280 --> 1:05:48.880
<v Speaker 1>a right, if you know what a hore crux is,

1:05:48.960 --> 1:05:53.240
<v Speaker 1>that's you get the joke. Then Tom's death Eatery. Now

1:05:53.400 --> 1:05:56.400
<v Speaker 1>Tom is Voldemort's real name, and there are death eaters

1:05:56.640 --> 1:06:00.840
<v Speaker 1>in the movie. Um, it's delucious because there's a character

1:06:00.920 --> 1:06:06.400
<v Speaker 1>named Lucius Cornelius Fudge Factory because his character named Cornelius Fudge.

1:06:06.880 --> 1:06:13.440
<v Speaker 1>Snape Shock after Snape Fines, dining after Ray Fines, who

1:06:13.480 --> 1:06:18.080
<v Speaker 1>played Baltimore. The The man who makes the wands in

1:06:18.160 --> 1:06:21.760
<v Speaker 1>the movies is Olive andder. So I did the Olive

1:06:21.840 --> 1:06:26.480
<v Speaker 1>Ander Garden and there was a By the way, all

1:06:26.480 --> 1:06:28.840
<v Speaker 1>of these are very would be even funnier if I

1:06:29.000 --> 1:06:33.520
<v Speaker 1>view the reference. But the funny funny they're inherently funny. Yeah,

1:06:33.560 --> 1:06:36.280
<v Speaker 1>of course, classic restaurant New York called Horn and Hardart.

1:06:37.040 --> 1:06:39.960
<v Speaker 1>I took Slughorn, one of the characters and made it

1:06:40.240 --> 1:06:44.480
<v Speaker 1>Slughorn and Hardart. Uh. Long long Bottom was the name

1:06:44.520 --> 1:06:47.000
<v Speaker 1>of one of the characters in the movie. I made

1:06:47.040 --> 1:06:50.520
<v Speaker 1>it long Bottom Silver's for long John Silver's, Prisoner of

1:06:50.560 --> 1:06:54.400
<v Speaker 1>Whula Hands for Prisoner of Azkaban, and Uh. I took

1:06:54.440 --> 1:06:57.680
<v Speaker 1>the Sorcerer's Stone and made it the Sorcerer's Stone, crabs

1:06:58.520 --> 1:07:01.320
<v Speaker 1>and so he liked all them very much, and UH

1:07:01.560 --> 1:07:03.560
<v Speaker 1>called some of them brilliant, but I didn't want to

1:07:03.600 --> 1:07:05.640
<v Speaker 1>waste them on just TikTok. So if you're a fan

1:07:05.680 --> 1:07:07.280
<v Speaker 1>of Harry Potter, I thought you'd get a kick out

1:07:07.280 --> 1:07:10.280
<v Speaker 1>of that. So that said, those are my unused or

1:07:10.440 --> 1:07:14.320
<v Speaker 1>not used mainstream jokes for the week. I think that's brilliant.

1:07:14.840 --> 1:07:17.080
<v Speaker 1>I don't thank you very much. I did. Can I

1:07:17.120 --> 1:07:19.920
<v Speaker 1>just talk about the the major fail on Twitter from

1:07:19.960 --> 1:07:24.400
<v Speaker 1>eyewitness News at ABC seven New York. Now, if you

1:07:24.520 --> 1:07:27.680
<v Speaker 1>have a major fail on social media, scary and a

1:07:27.800 --> 1:07:30.320
<v Speaker 1>thousand people point out how you fucked up, what would

1:07:30.320 --> 1:07:33.120
<v Speaker 1>be the first thing you do? I'd admit it, And

1:07:33.200 --> 1:07:38.160
<v Speaker 1>then the second thing I would give you the correct information, right,

1:07:38.200 --> 1:07:41.720
<v Speaker 1>but you might take down the post. Right. Yes, if

1:07:41.760 --> 1:07:43.080
<v Speaker 1>it was a post on line, I thought it was

1:07:43.120 --> 1:07:44.880
<v Speaker 1>on on channel seven. You said no, No, he was

1:07:44.920 --> 1:07:48.720
<v Speaker 1>on Twitter on Twitter, So it was ABC seven on Twitter, right,

1:07:48.800 --> 1:07:51.840
<v Speaker 1>ABC seven, ABC seven n y Right, So I would

1:07:51.880 --> 1:07:53.920
<v Speaker 1>take down the original post, and I would correct them

1:07:53.920 --> 1:07:55.760
<v Speaker 1>and I would apologize. By the way, this is that

1:07:55.840 --> 1:07:59.920
<v Speaker 1>this is in line with the ESPN sportscaster glossed over

1:08:00.040 --> 1:08:03.680
<v Speaker 1>for the thing last week. Last week. Yeah, so this

1:08:03.800 --> 1:08:05.800
<v Speaker 1>coming off the heels of this, I don't know if

1:08:05.800 --> 1:08:07.880
<v Speaker 1>the person doesn't read the tweets. Who's doing the social

1:08:07.920 --> 1:08:12.080
<v Speaker 1>media for ABC seven New York. But they were covering

1:08:12.120 --> 1:08:15.480
<v Speaker 1>the big Sturgis biker rally in South Dakota. Now, if

1:08:15.480 --> 1:08:17.479
<v Speaker 1>you're not filiar with that is two hundred and fifty

1:08:17.560 --> 1:08:21.280
<v Speaker 1>thousand bikers went on a what they what they called

1:08:21.720 --> 1:08:25.240
<v Speaker 1>a maskless ride. In other words, they didn't care about

1:08:25.240 --> 1:08:28.240
<v Speaker 1>social distance, sing or masks. There was sort of uh, now,

1:08:28.320 --> 1:08:30.479
<v Speaker 1>this is a ride they do every year. But this

1:08:30.600 --> 1:08:33.040
<v Speaker 1>is where smash Mouth played, right. If you saw the

1:08:33.040 --> 1:08:36.040
<v Speaker 1>story about smash Mouth, so a lot of people were saying, wow,

1:08:36.120 --> 1:08:38.200
<v Speaker 1>this is gonna be a super spreader event people are

1:08:38.200 --> 1:08:40.320
<v Speaker 1>gonna get sick and they wear masks. I'm not giving

1:08:40.320 --> 1:08:42.560
<v Speaker 1>an opinion on that. What I'm giving an opinion on

1:08:43.280 --> 1:08:46.160
<v Speaker 1>is they put up a post and a picture of

1:08:46.240 --> 1:08:48.760
<v Speaker 1>two women and a bunch of people on motorcycles in

1:08:48.800 --> 1:08:54.519
<v Speaker 1>the background, and it says Harley's Everywhere, Masks nowhere sturgist

1:08:54.560 --> 1:08:59.040
<v Speaker 1>bike a rally expected to draw two amid COVID nineteen pandemic.

1:08:59.680 --> 1:09:02.360
<v Speaker 1>The problem with that is the picture is of two

1:09:02.439 --> 1:09:06.920
<v Speaker 1>women in Harley tank tops, both completely covered face, nose

1:09:07.000 --> 1:09:11.080
<v Speaker 1>and mouth with masks. So it defeats the purpose of

1:09:11.120 --> 1:09:17.080
<v Speaker 1>the story. It's everywhere, masks nowhere, And they chose a picture. Now, look,

1:09:17.120 --> 1:09:18.880
<v Speaker 1>these may have been the only two women in all

1:09:18.920 --> 1:09:21.560
<v Speaker 1>of the two and fifty people that had masks on,

1:09:22.120 --> 1:09:25.280
<v Speaker 1>but that picture. So everyone's saying to them, Hey, you know,

1:09:25.720 --> 1:09:28.320
<v Speaker 1>it's dummies, it's a picture of women with masks. What

1:09:28.400 --> 1:09:30.240
<v Speaker 1>are you talking about? You kind of missed the point.

1:09:30.760 --> 1:09:33.880
<v Speaker 1>They didn't take it down, They didn't respond. It's been

1:09:33.960 --> 1:09:37.000
<v Speaker 1>up for a week. It's and people are still going,

1:09:37.080 --> 1:09:39.240
<v Speaker 1>what are you doing? How do you not take it

1:09:39.280 --> 1:09:42.599
<v Speaker 1>down and apologize or or I put up a new picture.

1:09:43.040 --> 1:09:45.360
<v Speaker 1>They left it up for days I don't know if

1:09:45.360 --> 1:09:47.800
<v Speaker 1>it's still up today at the time of this podcast. Um,

1:09:48.200 --> 1:09:53.599
<v Speaker 1>but ABC's seven, the number seven. N y terror. That's

1:09:53.640 --> 1:09:58.960
<v Speaker 1>a fail. That is a fail. That's terrible. Uh. Shout

1:09:59.040 --> 1:10:03.439
<v Speaker 1>out to life of Stacky who went through some medical conditions,

1:10:03.479 --> 1:10:05.519
<v Speaker 1>some problems. She didn't tweet us for a while, and

1:10:05.560 --> 1:10:07.439
<v Speaker 1>I reached out there and I said, hey, stack you

1:10:07.520 --> 1:10:10.120
<v Speaker 1>had her for me a while Relliam Stacy. She tweeted

1:10:10.160 --> 1:10:12.760
<v Speaker 1>at us, thank god for at David Brodiette, Scary Jones

1:10:12.920 --> 1:10:14.960
<v Speaker 1>for getting me through my long Sunday shifts with the

1:10:15.000 --> 1:10:18.000
<v Speaker 1>Brooklyn Boys podcast. Seriously, feel like y'all had a hand

1:10:18.040 --> 1:10:20.200
<v Speaker 1>in helping me through my heart failure. Laughter is the

1:10:20.240 --> 1:10:23.840
<v Speaker 1>best medicine and a good steak dinner, Scary. So that

1:10:24.040 --> 1:10:31.599
<v Speaker 1>is so sweet, stack He's buying. I love this. Yeah, Stacky.

1:10:31.960 --> 1:10:34.040
<v Speaker 1>She has the word steak in her name, just kind

1:10:34.040 --> 1:10:40.439
<v Speaker 1>of spelled differently, not stay or not. Also, I got

1:10:40.600 --> 1:10:43.799
<v Speaker 1>a grammar police. You don't play the jingle but Jordan's

1:10:43.920 --> 1:10:48.080
<v Speaker 1>jsk oh zero eight four rather the wonderful educated people

1:10:48.080 --> 1:10:51.160
<v Speaker 1>of the world hashtag grammar police. Um. This person put

1:10:51.240 --> 1:10:53.840
<v Speaker 1>up a picture of an old desk, an old time

1:10:53.960 --> 1:10:56.720
<v Speaker 1>school desk, has a penholder and a little I guess

1:10:56.880 --> 1:11:01.040
<v Speaker 1>an inkwell holder, old style chair and desk combo and

1:11:01.120 --> 1:11:04.040
<v Speaker 1>it says old time school desk great for kids for

1:11:04.120 --> 1:11:08.320
<v Speaker 1>home schooling or playing. And the headline is antique school desk.

1:11:09.160 --> 1:11:13.360
<v Speaker 1>They spelled antique a N T e k. Clearly this

1:11:13.520 --> 1:11:15.960
<v Speaker 1>person never said at the school desk and didn't learn

1:11:15.960 --> 1:11:18.160
<v Speaker 1>how to spell antique. That's a little bit of grammar

1:11:18.200 --> 1:11:22.040
<v Speaker 1>police for you. And uh, that's all I have except

1:11:22.120 --> 1:11:24.640
<v Speaker 1>for the street sign that I have a major complaint with.

1:11:24.680 --> 1:11:25.960
<v Speaker 1>So did you want to slip anything in before we

1:11:26.000 --> 1:11:28.200
<v Speaker 1>get out of here? Well, I guess next week we'll

1:11:28.240 --> 1:11:31.000
<v Speaker 1>address the fact that I'm being cat fished on j Date,

1:11:31.240 --> 1:11:33.000
<v Speaker 1>which is the Jewish dating website. You want to do

1:11:33.040 --> 1:11:35.400
<v Speaker 1>that now? We want to We could save you. Now

1:11:35.880 --> 1:11:38.599
<v Speaker 1>we can see this story. Well we can do okay,

1:11:39.160 --> 1:11:41.479
<v Speaker 1>let's let's see story. Okay, but I want to read

1:11:41.520 --> 1:11:43.680
<v Speaker 1>some email as well. We have a couple of Well,

1:11:43.760 --> 1:11:45.280
<v Speaker 1>let me do the Satril story and then you email

1:11:45.280 --> 1:11:46.840
<v Speaker 1>you what are you gonna do it? Let's do some

1:11:46.920 --> 1:11:49.000
<v Speaker 1>email that Satil the email. Let's get at a right.

1:11:49.439 --> 1:11:51.880
<v Speaker 1>I don't want to get out of here. Your alarm

1:11:51.920 --> 1:11:53.800
<v Speaker 1>is gonna go off in six minutes, can turn it

1:11:53.840 --> 1:12:00.040
<v Speaker 1>back on. That sounds like we have no time to

1:12:00.280 --> 1:12:03.320
<v Speaker 1>go alight. You can always email us the Brooklyn Boys

1:12:03.360 --> 1:12:07.800
<v Speaker 1>Podcast at gmail dot com. So that's that's someone asked

1:12:07.840 --> 1:12:11.160
<v Speaker 1>me this week. They were confused. The website is Brooklyn

1:12:11.240 --> 1:12:14.720
<v Speaker 1>Boys dot Big Cartel dot com. The gmail is the

1:12:15.640 --> 1:12:20.920
<v Speaker 1>Brooklyn Boys Podcast at gmail dot com. So hello guys.

1:12:21.000 --> 1:12:24.680
<v Speaker 1>Jose Hernandez here, I'm catching up due to COVID live

1:12:24.720 --> 1:12:27.000
<v Speaker 1>in Puerto Rico and it was mayhem listened to episode

1:12:27.040 --> 1:12:28.880
<v Speaker 1>one five and all I have to say is tell

1:12:29.080 --> 1:12:32.799
<v Speaker 1>to tell them is you guys. Fuck them all. Stop

1:12:32.840 --> 1:12:36.000
<v Speaker 1>apologizing and being careful of what you say. The beauty

1:12:36.040 --> 1:12:39.000
<v Speaker 1>of your podcast is the fighting, arguing and craziness in it.

1:12:39.200 --> 1:12:43.200
<v Speaker 1>Fair people, if people are listening to it, they better

1:12:43.360 --> 1:12:47.320
<v Speaker 1>take everything as part of your show and stop being offended.

1:12:47.720 --> 1:12:55.599
<v Speaker 1>Fucking snow flakes. Brodie's rants and Skii's six cents equipment

1:12:57.240 --> 1:13:00.559
<v Speaker 1>are awesome. I love you guys. Makes my a. That's

1:13:00.720 --> 1:13:05.880
<v Speaker 1>uh from Manti, Puerto Rico. B s. That doctor that

1:13:05.920 --> 1:13:08.599
<v Speaker 1>you talked about in this episode is a fucking moron.

1:13:08.840 --> 1:13:11.679
<v Speaker 1>Sorry on behalf of us physicians. Oh he's a doctor

1:13:12.000 --> 1:13:15.400
<v Speaker 1>and if there's any grammar error. English is my second language.

1:13:15.439 --> 1:13:17.519
<v Speaker 1>So play that, play that jingle. I would not do that,

1:13:17.800 --> 1:13:20.240
<v Speaker 1>j S. But how great is that. We've a listener

1:13:20.280 --> 1:13:23.680
<v Speaker 1>from Puerto Rico and he's ripping the other physicians, the

1:13:23.800 --> 1:13:30.679
<v Speaker 1>doctor specifically from that podcast like to say. My friends

1:13:30.720 --> 1:13:35.600
<v Speaker 1>say that. Um, I say when something is I know

1:13:35.720 --> 1:13:38.720
<v Speaker 1>that's impossible, but well it's not impossible, but that means

1:13:38.760 --> 1:13:41.679
<v Speaker 1>you really agree. Well, it actually is an impossible. Margaret

1:13:41.800 --> 1:13:45.920
<v Speaker 1>Buster said, Hey, guys, Brodian scary. Oh you know how

1:13:45.960 --> 1:13:47.920
<v Speaker 1>your name is usually spelled b r o d i

1:13:48.160 --> 1:13:51.439
<v Speaker 1>e sometimes or b r o d sometimes sometimes. Yeah,

1:13:51.479 --> 1:13:54.040
<v Speaker 1>this person got your name right b r o d Y,

1:13:54.479 --> 1:13:57.840
<v Speaker 1>but spelled mine scary s k e r r y.

1:13:58.880 --> 1:14:02.400
<v Speaker 1>Thanks for the for that. I can't believe you read

1:14:02.479 --> 1:14:05.280
<v Speaker 1>my email on the podcast. Yeah we made we made

1:14:05.320 --> 1:14:08.320
<v Speaker 1>a bust to cherry joke. I actually don't follow baseball,

1:14:08.400 --> 1:14:10.200
<v Speaker 1>but I knew you guys were big met fans. I

1:14:10.280 --> 1:14:12.320
<v Speaker 1>wanted to say you made my week rereading it. I

1:14:12.479 --> 1:14:16.000
<v Speaker 1>ordered two shirts from your merchandise store and I just

1:14:16.200 --> 1:14:18.240
<v Speaker 1>can't wait to get them. I have a story that

1:14:18.400 --> 1:14:21.240
<v Speaker 1>just happened to me at KFC, and I wanted body's

1:14:21.280 --> 1:14:27.040
<v Speaker 1>opinion about it. The girls call me d It's it's uh,

1:14:27.120 --> 1:14:31.360
<v Speaker 1>I got you want the body or the brody h

1:14:31.520 --> 1:14:33.599
<v Speaker 1>it was. I was second in line at the drive

1:14:33.680 --> 1:14:35.680
<v Speaker 1>thru and they told me that I'll be right with you.

1:14:36.320 --> 1:14:38.400
<v Speaker 1>You know how long I waited. I listened to to

1:14:38.560 --> 1:14:41.000
<v Speaker 1>Metallica songs and you know how long those songs can be.

1:14:41.560 --> 1:14:43.439
<v Speaker 1>And they say it was a call of Cutulu because

1:14:43.439 --> 1:14:44.880
<v Speaker 1>that one's like eight minutes. Then they came back. I

1:14:44.960 --> 1:14:47.439
<v Speaker 1>think they did, uh battery. Is that a long one

1:14:49.240 --> 1:14:52.360
<v Speaker 1>from the bell tolls or whatever? One? Maybe one? Let

1:14:52.439 --> 1:14:55.080
<v Speaker 1>me just go with call of ctulu. Okay, but people

1:14:55.120 --> 1:14:58.400
<v Speaker 1>know one anyway, that's a long yes. Anyway, anyway, first video.

1:14:58.439 --> 1:15:01.280
<v Speaker 1>By the way, they finally came back to me and said, hey,

1:15:01.400 --> 1:15:04.880
<v Speaker 1>have you been helped? I replied nope, And with the

1:15:04.960 --> 1:15:08.439
<v Speaker 1>snarkies attitude, she says, oh sorry, I just wanted to

1:15:08.439 --> 1:15:10.040
<v Speaker 1>say that I'm a Slice for life and you make

1:15:10.120 --> 1:15:12.160
<v Speaker 1>my commute the best ever with your podcast. Thank you,

1:15:12.240 --> 1:15:16.080
<v Speaker 1>Margaret Buster. Now, what's our advice to Margaret Buster? Should

1:15:16.080 --> 1:15:18.040
<v Speaker 1>she go back there and speak to the manager like

1:15:18.080 --> 1:15:20.320
<v Speaker 1>a Karen or does she have a right to be

1:15:20.479 --> 1:15:23.160
<v Speaker 1>Karen in this case, I think she does. Oh absolutely

1:15:23.240 --> 1:15:26.560
<v Speaker 1>she does, like, hey, you're fucked tard of excuse me,

1:15:26.600 --> 1:15:31.840
<v Speaker 1>your mayo tard of an employee decided to uh have

1:15:31.920 --> 1:15:35.120
<v Speaker 1>a snarky attitude after making me wait twelve minutes. I

1:15:35.200 --> 1:15:37.720
<v Speaker 1>don't know, I mean, and how do you how do

1:15:37.800 --> 1:15:40.120
<v Speaker 1>you justify that? How do you prove it? I don't know.

1:15:41.640 --> 1:15:44.960
<v Speaker 1>That's a ratorical question because Bertie's not answering. So anyway, No,

1:15:45.080 --> 1:15:46.880
<v Speaker 1>I don't know. I don't I would I would want

1:15:46.960 --> 1:15:49.560
<v Speaker 1>something for my weight. Absolutely, well, it's too late that.

1:15:49.640 --> 1:15:50.960
<v Speaker 1>The problem is you gotta nip it in the bud

1:15:51.120 --> 1:15:53.840
<v Speaker 1>right there. I think that's right. You gotta strike while

1:15:53.840 --> 1:15:55.760
<v Speaker 1>the iron is hat. You can't go back, and then

1:15:55.800 --> 1:15:58.360
<v Speaker 1>they're gonna think you're looking for free ship, begging for

1:15:58.479 --> 1:16:00.400
<v Speaker 1>it later. You don't do that. You gotta do it

1:16:00.520 --> 1:16:02.680
<v Speaker 1>right there. Next time that happens to you, you know,

1:16:02.840 --> 1:16:05.000
<v Speaker 1>then you do it. Anyway, Dalton would remember that guy,

1:16:05.320 --> 1:16:11.000
<v Speaker 1>he's actually in our podcast title Yeah Penises Peter Wood

1:16:11.080 --> 1:16:16.400
<v Speaker 1>and so excited, scary and brody what okay? I was

1:16:16.479 --> 1:16:19.000
<v Speaker 1>ecstatic when you guys said my name on the podcast.

1:16:19.560 --> 1:16:23.519
<v Speaker 1>My quote Vin number picture was from Kelly Bluebook Dot

1:16:23.600 --> 1:16:25.920
<v Speaker 1>com I could have made a little a little clearer,

1:16:26.200 --> 1:16:28.519
<v Speaker 1>but anyway, I love you guys. I've listened all the

1:16:28.560 --> 1:16:35.599
<v Speaker 1>way through. At least Brodie get this five times. Oh no, Dalton,

1:16:35.720 --> 1:16:39.479
<v Speaker 1>you're a super fan. You're a stand nice Dalton. Are

1:16:39.520 --> 1:16:44.320
<v Speaker 1>you and your mom's basement? As Captain Kirk would say,

1:16:45.000 --> 1:16:50.000
<v Speaker 1>I don't know I'm kidding anyway, James Tiberius Kirk Um Okay,

1:16:50.080 --> 1:16:55.360
<v Speaker 1>So let's see Michael Rempowski Rebikowski. He emails us quite

1:16:55.439 --> 1:16:57.680
<v Speaker 1>offen says he still don't get his name right. Not

1:16:57.920 --> 1:16:59.760
<v Speaker 1>maybe not so much grounder here, but more of a

1:17:00.240 --> 1:17:03.280
<v Speaker 1>deal typo on this ad for shoes check this out.

1:17:03.400 --> 1:17:06.439
<v Speaker 1>I had a double take, Wow, what a deal? And

1:17:06.520 --> 1:17:10.720
<v Speaker 1>it was step it's w s S where it's uh

1:17:11.600 --> 1:17:21.240
<v Speaker 1>fife save five dollars? Was who? Wow? S ninety nine

1:17:21.360 --> 1:17:25.720
<v Speaker 1>save five dollars? Was wait a second, that doesn't make

1:17:25.760 --> 1:17:31.439
<v Speaker 1>any sense. No, No, he's they're adding the price currently

1:17:31.560 --> 1:17:38.439
<v Speaker 1>is seventy. So first of all, so so the first one,

1:17:38.520 --> 1:17:41.200
<v Speaker 1>first of the first one was saved five dollars. I

1:17:41.280 --> 1:17:44.640
<v Speaker 1>thought he was going after the nine original price. And

1:17:44.640 --> 1:17:48.400
<v Speaker 1>it's in reference to my fact that five dollars off

1:17:48.520 --> 1:17:50.720
<v Speaker 1>a big fucking whoop, you're gonna, you're gonna you can

1:17:50.760 --> 1:17:53.719
<v Speaker 1>spend five dollars jerked me off. Okay for that price.

1:17:53.920 --> 1:17:57.920
<v Speaker 1>But the second shoe that's shown, the current price is

1:17:58.000 --> 1:18:02.400
<v Speaker 1>set nine, and it's says save five dollars and it

1:18:02.439 --> 1:18:09.240
<v Speaker 1>says was, So they're charging you five dollars more. Terrible,

1:18:09.400 --> 1:18:13.560
<v Speaker 1>that's awful as a misprint. Clearly, Oh, people don't know

1:18:13.560 --> 1:18:16.880
<v Speaker 1>how to do math. I know. It's a whole ad

1:18:17.000 --> 1:18:19.040
<v Speaker 1>of sneakers and and this second one is the one

1:18:19.080 --> 1:18:22.200
<v Speaker 1>that he was talking about. You're paying five dollars. You're

1:18:22.200 --> 1:18:26.280
<v Speaker 1>paying five dollars more for a sneaker that was it's

1:18:26.360 --> 1:18:30.120
<v Speaker 1>on sale for nine and it says safe five dollars.

1:18:31.200 --> 1:18:34.519
<v Speaker 1>Yeah that's not right. Yeah, all right, well there you go.

1:18:34.760 --> 1:18:37.640
<v Speaker 1>So there's that anyway, thank you, Michael Rempowski, Remikowski. Now

1:18:37.920 --> 1:18:41.680
<v Speaker 1>Satrial's to set this up. Was the fake again? We

1:18:41.760 --> 1:18:44.519
<v Speaker 1>may have told this story year. It was the fake

1:18:44.760 --> 1:18:48.320
<v Speaker 1>pork store in Sopranos, which if you remember on a

1:18:48.400 --> 1:18:50.960
<v Speaker 1>previous episode. If I don't know if this is what

1:18:51.040 --> 1:18:53.080
<v Speaker 1>you're going with this, we talked about the fact that

1:18:53.360 --> 1:18:55.519
<v Speaker 1>I thought it was a real Elvis was having a

1:18:55.560 --> 1:18:58.599
<v Speaker 1>barbecue at his house, and Scary says, Oh, I'm gonna

1:18:58.640 --> 1:19:01.080
<v Speaker 1>bring authentically. Everyone's gonna bring something new. I'm gonna bring

1:19:01.320 --> 1:19:08.160
<v Speaker 1>authentic sausage from from a top uh Salamaria Italian bookstore.

1:19:08.640 --> 1:19:10.840
<v Speaker 1>I'm gonna and so you're I'm gonna go to Satrial's

1:19:10.880 --> 1:19:13.200
<v Speaker 1>from the from the Sopranos. So I knew that it

1:19:13.400 --> 1:19:15.920
<v Speaker 1>had to be somewhere in a certain area of Jersey

1:19:16.000 --> 1:19:18.760
<v Speaker 1>where they filmed all the introductions to Sopranos, where a

1:19:18.800 --> 1:19:21.720
<v Speaker 1>lot of stuff really was because there really wasn't There

1:19:21.800 --> 1:19:24.519
<v Speaker 1>really wasn't pizza, right, but there really was a pizza

1:19:24.640 --> 1:19:27.640
<v Speaker 1>land that really was. So I'm I was set up

1:19:27.680 --> 1:19:30.439
<v Speaker 1>to believe that that they sat outside Satrial's and they

1:19:30.479 --> 1:19:32.760
<v Speaker 1>cut up someone in there. The same thing with the

1:19:32.840 --> 1:19:35.200
<v Speaker 1>bottom bing is a place called it's a strip club

1:19:35.240 --> 1:19:38.080
<v Speaker 1>called Satin Dolls. So I'm like, well, funk man, I'm

1:19:38.120 --> 1:19:41.759
<v Speaker 1>going to Satrial's and I'm gonna buy some sausage, assuming

1:19:41.840 --> 1:19:44.160
<v Speaker 1>it has to be good because it's on the TV show.

1:19:44.280 --> 1:19:47.160
<v Speaker 1>And then I googled it and what did I find, Brodie,

1:19:47.560 --> 1:19:50.240
<v Speaker 1>It's it's an empty storefront they used. It's not a

1:19:50.280 --> 1:19:52.360
<v Speaker 1>real place to fix set. It wasn't even it never

1:19:52.600 --> 1:19:56.040
<v Speaker 1>was a real it's a building. It's an Italian pook store.

1:19:56.120 --> 1:19:59.280
<v Speaker 1>It never was, right in that case, but other things

1:19:59.360 --> 1:20:02.360
<v Speaker 1>were real. Pe to Land still exists this day. Correct,

1:20:02.479 --> 1:20:06.000
<v Speaker 1>that's correct, okay, speaking of things that are real. So

1:20:06.160 --> 1:20:09.840
<v Speaker 1>I'm driving, I'm driving down you know what, it's the

1:20:09.920 --> 1:20:12.920
<v Speaker 1>same road that the hearse was on a couple of

1:20:13.000 --> 1:20:18.960
<v Speaker 1>weeks ago. Okay. Now I've seen this sign, okay, on

1:20:19.040 --> 1:20:20.160
<v Speaker 1>the side of the road. I'll tell you in a

1:20:20.200 --> 1:20:23.760
<v Speaker 1>minute what it is. And I thought some kid put

1:20:23.800 --> 1:20:25.720
<v Speaker 1>it there. That's not a real thing. That's not a

1:20:25.800 --> 1:20:29.519
<v Speaker 1>real thing. So I'm like, I must be somebody put

1:20:29.600 --> 1:20:33.320
<v Speaker 1>on their lawn like as a goof right, So I'm

1:20:33.400 --> 1:20:36.640
<v Speaker 1>on this street. It's a one lane road again and

1:20:36.720 --> 1:20:39.280
<v Speaker 1>as a backup of cars now in the other direction,

1:20:39.360 --> 1:20:40.880
<v Speaker 1>not in the same direction where there's a red light.

1:20:41.280 --> 1:20:46.160
<v Speaker 1>So there's really no reason why there's a stopped car

1:20:47.120 --> 1:20:50.400
<v Speaker 1>and three or four cars and then me. But it's

1:20:50.479 --> 1:20:53.280
<v Speaker 1>in the place where that sign is. Now where the

1:20:53.360 --> 1:20:56.479
<v Speaker 1>sign is is on somebody's property. And then across the

1:20:56.600 --> 1:21:01.760
<v Speaker 1>street is a little is um it's a railing, and

1:21:01.840 --> 1:21:05.400
<v Speaker 1>then past the railing is a little bit little pond, right,

1:21:05.800 --> 1:21:10.320
<v Speaker 1>a little pond. I can't figure out why the cars

1:21:10.360 --> 1:21:14.760
<v Speaker 1>are stopped. Well, I were waiting there a few minutes.

1:21:14.800 --> 1:21:18.040
<v Speaker 1>I'm getting ancy, and I see coming out from the

1:21:18.120 --> 1:21:23.360
<v Speaker 1>front of the first car crossing the street. Is the

1:21:23.760 --> 1:21:28.040
<v Speaker 1>is the problem? Okay? Why the cars are stopped? The

1:21:28.280 --> 1:21:32.200
<v Speaker 1>sign was a sign that I didn't think was real

1:21:33.200 --> 1:21:38.759
<v Speaker 1>that said turtle crossing. You know how you see dear crossing.

1:21:39.280 --> 1:21:43.000
<v Speaker 1>We're like, oh, duck crossing, duck crossing. I'm gonna look

1:21:43.000 --> 1:21:46.960
<v Speaker 1>out for ducks, but they walk across the street. Scary.

1:21:48.080 --> 1:21:51.719
<v Speaker 1>This was a turtle crossing. God, that must take hours.

1:21:52.240 --> 1:21:56.280
<v Speaker 1>And the car stopped because a fucking turtle was crossing

1:21:56.360 --> 1:21:59.800
<v Speaker 1>the street. This sounds like the beginning of a bad joke.

1:22:01.160 --> 1:22:05.559
<v Speaker 1>But why, yes, turtle cross the road to fuck everyone

1:22:05.640 --> 1:22:10.400
<v Speaker 1>on the street. Are you telling me that you you

1:22:10.600 --> 1:22:13.760
<v Speaker 1>can't move the turtles to the pond side of the road.

1:22:13.840 --> 1:22:16.800
<v Speaker 1>Just move them there so they can live there. This

1:22:17.000 --> 1:22:19.640
<v Speaker 1>means they go back and forth. It's a turtle crossing.

1:22:21.120 --> 1:22:23.439
<v Speaker 1>It's like a drawbridge. Well, you have to wait ten

1:22:23.479 --> 1:22:25.960
<v Speaker 1>minutes and wait and wait. So not only did this

1:22:26.040 --> 1:22:28.599
<v Speaker 1>guy see the turtle? Okay, think about this, scary, Think

1:22:28.640 --> 1:22:32.360
<v Speaker 1>about this the turtle if you see a turtle at

1:22:32.400 --> 1:22:34.960
<v Speaker 1>the edge of the road, you can get past it, right,

1:22:35.280 --> 1:22:38.160
<v Speaker 1>You can drive past it before it steps into the road.

1:22:40.000 --> 1:22:43.760
<v Speaker 1>So this turtle, it, let's say it was two or

1:22:43.800 --> 1:22:46.200
<v Speaker 1>three ft into the road. That means it had enough

1:22:46.320 --> 1:22:50.200
<v Speaker 1>time that there are no cause coming to get two

1:22:50.320 --> 1:22:53.160
<v Speaker 1>or three ft into the road. I still say, you

1:22:53.200 --> 1:22:55.120
<v Speaker 1>could have gone around and the other, even though the other,

1:22:55.520 --> 1:22:58.080
<v Speaker 1>even though the other, the other side of the road

1:22:58.160 --> 1:23:01.040
<v Speaker 1>is on your alarm, I know, even though the other

1:23:01.120 --> 1:23:03.600
<v Speaker 1>side of the road is oncoming traffic. It's it's a

1:23:03.680 --> 1:23:09.280
<v Speaker 1>dead street. There's sting right now. Yeah, I'm the nervous town.

1:23:09.320 --> 1:23:11.840
<v Speaker 1>My wife's gonna like the house isn't hot yet. So

1:23:12.880 --> 1:23:14.920
<v Speaker 1>the car didn't want to go any other it's waiting

1:23:15.000 --> 1:23:18.439
<v Speaker 1>for the fucking turtle to cross the road. Now the

1:23:18.600 --> 1:23:21.799
<v Speaker 1>turtle is halfway, I see cars coming from the other direction.

1:23:22.320 --> 1:23:25.960
<v Speaker 1>Part of me is thinking, hit the fucking turtle. Part

1:23:26.000 --> 1:23:29.160
<v Speaker 1>of me is saying, you run over them, right, you

1:23:29.680 --> 1:23:35.080
<v Speaker 1>over them right. It's like a right. So the turtle

1:23:35.320 --> 1:23:38.679
<v Speaker 1>is now like poodoo the turtle and he's walking across.

1:23:38.680 --> 1:23:40.400
<v Speaker 1>At this point, I'm waiting for a rabbit to run

1:23:40.479 --> 1:23:45.000
<v Speaker 1>right past them, you know. So now okay. So first

1:23:45.040 --> 1:23:47.040
<v Speaker 1>of all, my question you scary is would you have

1:23:47.160 --> 1:23:51.679
<v Speaker 1>stopped for the turtle? Of course, okay, all wild life.

1:23:52.320 --> 1:23:54.040
<v Speaker 1>Let's say the turtle is in the middle of the road.

1:23:55.000 --> 1:23:58.840
<v Speaker 1>You know there's enough room between your right tire and

1:23:59.000 --> 1:24:02.559
<v Speaker 1>your left tire, but you can drive right by, right

1:24:02.640 --> 1:24:05.240
<v Speaker 1>over it. It's got ten minutes before it gets to

1:24:05.240 --> 1:24:08.680
<v Speaker 1>the other wheel. Yes, yes, well if you if you

1:24:08.760 --> 1:24:10.760
<v Speaker 1>position it right, Like when you're going into a car

1:24:10.880 --> 1:24:13.439
<v Speaker 1>wash and you have to get your car into the groove,

1:24:13.520 --> 1:24:17.479
<v Speaker 1>you get the tire yet you gotta kind of all right, thanks,

1:24:17.960 --> 1:24:19.559
<v Speaker 1>but you have to get your you know, that tire

1:24:19.640 --> 1:24:21.280
<v Speaker 1>into the thing and you have to sit there and

1:24:21.400 --> 1:24:23.439
<v Speaker 1>throw the car into neutral. The same thing. That kind

1:24:23.439 --> 1:24:25.800
<v Speaker 1>of better a better, A better comparison would be when

1:24:25.800 --> 1:24:28.559
<v Speaker 1>you go for an oil change and you have to go, oh,

1:24:28.640 --> 1:24:29.840
<v Speaker 1>you have to put the wheel on each side of

1:24:29.840 --> 1:24:32.240
<v Speaker 1>the opening in the ground, right right. That's like so,

1:24:32.680 --> 1:24:34.679
<v Speaker 1>but you're telling me that you couldn't time it where

1:24:34.680 --> 1:24:36.800
<v Speaker 1>the turtle was like in the middle of your grill.

1:24:37.160 --> 1:24:39.439
<v Speaker 1>You could just go, but what if your undercarriage is

1:24:39.560 --> 1:24:41.600
<v Speaker 1>low and it scrapes the top of the shell. You

1:24:41.680 --> 1:24:45.280
<v Speaker 1>don't want that. Action's a turtle. How low? I looked like.

1:24:45.360 --> 1:24:49.600
<v Speaker 1>It wasn't a how high off the ground was it

1:24:49.720 --> 1:24:51.519
<v Speaker 1>was a regular car in the front. It wasn't like

1:24:52.479 --> 1:24:56.360
<v Speaker 1>the actual the actual turtle. The turtle how tall? Was no?

1:24:56.720 --> 1:24:58.800
<v Speaker 1>Five six inch? Five inches? I don't know. It was

1:24:58.840 --> 1:25:02.040
<v Speaker 1>a small turtle, Mike, wasn't a tortoise. I don't know

1:25:02.240 --> 1:25:05.160
<v Speaker 1>what it was. I made that tortoise in the hair joke.

1:25:05.200 --> 1:25:07.000
<v Speaker 1>You didn't get it. I got no, I got it.

1:25:07.160 --> 1:25:09.799
<v Speaker 1>I just let you continue to talk. Okay. My point

1:25:10.000 --> 1:25:16.439
<v Speaker 1>is left at couldn't some dick. Couldn't somebody put up

1:25:16.560 --> 1:25:20.280
<v Speaker 1>a fucking six inch wall a four inch wall to

1:25:20.439 --> 1:25:23.080
<v Speaker 1>block the turtles from crossing the street. They're turtles, but

1:25:23.160 --> 1:25:24.840
<v Speaker 1>they have to cross the street. What's on the other

1:25:24.920 --> 1:25:29.040
<v Speaker 1>side pond? Needs to get to the pond, and they

1:25:29.040 --> 1:25:31.600
<v Speaker 1>should live on the pond side. We live on the

1:25:31.640 --> 1:25:33.320
<v Speaker 1>pond side. What's on the other side of the pond.

1:25:33.439 --> 1:25:36.000
<v Speaker 1>What's on the other side, like a grassy area? Okay,

1:25:36.120 --> 1:25:39.320
<v Speaker 1>well done. Turtles need both of them. I don't know.

1:25:39.520 --> 1:25:43.160
<v Speaker 1>They're herbivores. They're herbivores. They need to grass to eat,

1:25:43.479 --> 1:25:45.280
<v Speaker 1>and then they have to go into the water sometimes,

1:25:45.600 --> 1:25:48.479
<v Speaker 1>so they need the entire ecosystem. Hey guess what, I

1:25:48.560 --> 1:25:52.720
<v Speaker 1>bet they were there long before your fucking cars were. Okay, yes,

1:25:52.880 --> 1:25:55.559
<v Speaker 1>because I had to wait. They don't want to funk

1:25:55.640 --> 1:25:58.320
<v Speaker 1>up the fucking said the system there. If you take

1:25:58.320 --> 1:26:00.200
<v Speaker 1>a look at what's going on there, that's nate sure,

1:26:00.680 --> 1:26:03.439
<v Speaker 1>and you're interrupting nature. So I think there's certain things

1:26:03.479 --> 1:26:07.560
<v Speaker 1>that it's protected. The turtles are protective, like turtles. I

1:26:07.680 --> 1:26:10.599
<v Speaker 1>like ttles. Build a four inch wall, have the turtles

1:26:10.640 --> 1:26:12.800
<v Speaker 1>pay for it. I'm gonna run for office. That's gonna

1:26:12.800 --> 1:26:16.160
<v Speaker 1>be my my campaign. Build that wall, making turtles pay

1:26:16.240 --> 1:26:18.479
<v Speaker 1>for it. There's gotta be a way to keep turtles

1:26:18.520 --> 1:26:21.360
<v Speaker 1>off the road. Build them a tunnel. You're being insensitive.

1:26:21.720 --> 1:26:26.679
<v Speaker 1>Built two turtles. You're being insensitive. You're a snowflake for turtles.

1:26:26.760 --> 1:26:29.919
<v Speaker 1>Is that what I'm hearing? Very turtles. I don't snowflake

1:26:29.960 --> 1:26:32.400
<v Speaker 1>out much on this podcast, but I stopped. I break

1:26:32.479 --> 1:26:36.400
<v Speaker 1>for turtles. What about Mayo turt? I break for turtles,

1:26:36.439 --> 1:26:38.720
<v Speaker 1>and I break and I break for geese and the

1:26:39.040 --> 1:26:41.920
<v Speaker 1>Canadian geese, the goose, the Canadian gooses. Not the jacket

1:26:42.280 --> 1:26:44.400
<v Speaker 1>not the design had a jacket though until it was

1:26:44.439 --> 1:26:47.040
<v Speaker 1>a bad thing to have you still had it, but

1:26:47.240 --> 1:26:49.639
<v Speaker 1>but it happens all the time around where I live.

1:26:50.200 --> 1:26:54.200
<v Speaker 1>I'm sorry, dear crossing, I get it, duck, geese, whatever,

1:26:54.360 --> 1:26:58.760
<v Speaker 1>I get it. Not turtles, I'm sorry that is that

1:26:58.800 --> 1:27:01.080
<v Speaker 1>what you draw the line is a turkey crossing in

1:27:01.120 --> 1:27:05.280
<v Speaker 1>my area. I get it. Turkey's fine. Turtles. Turtles. They

1:27:05.280 --> 1:27:07.479
<v Speaker 1>should go into a box, soone should pick the box

1:27:07.600 --> 1:27:10.519
<v Speaker 1>up walk them across the street. Fuck you, turkey turtle

1:27:10.560 --> 1:27:12.559
<v Speaker 1>crossing signs. I don't want to be have a turtle

1:27:12.640 --> 1:27:16.080
<v Speaker 1>crossing new your house. Send us a picture. You're the uh.

1:27:17.000 --> 1:27:19.519
<v Speaker 1>By the way, we we we did not do half

1:27:19.560 --> 1:27:21.400
<v Speaker 1>the stuff we were gonna do today. I we'll talk

1:27:21.400 --> 1:27:23.599
<v Speaker 1>about me getting cat fished next week because it's the thing.

1:27:24.040 --> 1:27:26.720
<v Speaker 1>And also we have to By the way, I don't

1:27:26.720 --> 1:27:27.960
<v Speaker 1>want to be the people I don't want to be.

1:27:29.640 --> 1:27:31.479
<v Speaker 1>I don't want to be the empty promise guy from

1:27:31.520 --> 1:27:33.880
<v Speaker 1>by the last podcast. But when we from promising two

1:27:33.880 --> 1:27:36.360
<v Speaker 1>episodes in a row, we're gonna help Julia Parrott with

1:27:36.560 --> 1:27:40.160
<v Speaker 1>her with her us that was Julie had one job today. Dude,

1:27:40.200 --> 1:27:41.880
<v Speaker 1>I haven't written down. We just haven't gotten to it.

1:27:41.960 --> 1:27:43.720
<v Speaker 1>But the thing is, I don't want to rush us,

1:27:43.800 --> 1:27:45.840
<v Speaker 1>I do us. We see, we just kind of have

1:27:45.920 --> 1:27:47.920
<v Speaker 1>a flow and I don't want to just move on

1:27:48.040 --> 1:27:51.280
<v Speaker 1>to the next thing for the sake of it. People like, yeah,

1:27:54.640 --> 1:27:57.599
<v Speaker 1>uh my, I got the along going off again, all right.

1:27:57.920 --> 1:28:02.240
<v Speaker 1>You know where we're We never find little crossings in

1:28:02.280 --> 1:28:05.720
<v Speaker 1>our old neighborhood. Yeah, where they'd burn them over in Brooklyn.

1:28:06.479 --> 1:28:14.320
<v Speaker 1>Naw Boys Brooklyn, Brooklyn, naw Boys Brock Brooklyn,