WEBVTT - From Warzone To  Gotham Con J.W. CORTES

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<v Speaker 1>Gracias Come Again a podcast by Honey German.

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<v Speaker 2>We get right into it. J W. Cortees, Yes, how

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<v Speaker 2>are you feeling today?

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<v Speaker 1>I feel great. Thank you for having me. I'm looking

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<v Speaker 1>forward to this one.

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<v Speaker 2>Ah where do we start? It was like marine first

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<v Speaker 2>responder actor father. I'm like, you were's marathon runner. I'm like, wait, wait,

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<v Speaker 2>where do I even start with?

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<v Speaker 1>J W.

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<v Speaker 2>Born and raised in New York.

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<v Speaker 1>Born and raised in Brooklyn to two amazing parents who

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<v Speaker 1>who indoctrinated me in all things of Puerto Rico and

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<v Speaker 1>being Latino.

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<v Speaker 2>Was Mammy Pappy Mammy born and raised on the island.

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<v Speaker 2>So and then they migrated to Brooklyn.

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<v Speaker 1>They did their bodies there, but not their hearts in

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<v Speaker 1>their minds, you know, to them, they're still in Puerto

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<v Speaker 1>Rico mode, which I love.

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<v Speaker 2>Are they still with us?

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<v Speaker 1>They are God blessed, bless is right?

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<v Speaker 2>Are they still in Brooklyn?

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<v Speaker 1>No? No, so they're my They're my neighbors. We lived

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<v Speaker 1>together in the sixth Borough of New York City, Jersey City,

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<v Speaker 1>so beautiful.

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<v Speaker 2>I love that. I love that for you. Now, when

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<v Speaker 2>you do your acting, is that the West Coast?

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<v Speaker 1>No, you know, it's It's interesting. When I first started out,

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<v Speaker 1>you know, many moons ago. Yeah, that was always like

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<v Speaker 1>the kind of like the urban myth, right, like, if

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<v Speaker 1>you want to make it in this business, you got

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<v Speaker 1>to move to la that's where all the action is.

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<v Speaker 1>But that's just not true. I mean, I starting theater,

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<v Speaker 1>I started singing in this business. I wanted to be

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<v Speaker 1>the Boutiqua Luther v Andros.

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<v Speaker 2>I could see it.

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<v Speaker 1>Thank you. I think that's good, right, yeah, yeah, fat Luther,

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<v Speaker 1>fat Looth.

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<v Speaker 2>No no no no no no no no no no, I'm

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<v Speaker 2>thinking just an artist.

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<v Speaker 1>I'm not thinking yes, yes, yes, yes, So that's kind

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<v Speaker 1>of how it started for me. But you know, staying

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<v Speaker 1>here in New York, you know you just mentioned right, theater, theater,

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<v Speaker 1>this is the mecca for that. So what what came

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<v Speaker 1>from that is is that here you also have the

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<v Speaker 1>best acting schools. In my opinion, we do London, you know.

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<v Speaker 2>So yeah, so you started singing, started out singing.

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<v Speaker 1>It didn't really work out for me. I couldn't find

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<v Speaker 1>the right users. But I also had this acting bug

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<v Speaker 1>in me that I got from doing high school musicals.

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<v Speaker 2>So this started early for you, super early. Yes, what

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<v Speaker 2>was your musical that you did?

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<v Speaker 1>Like the first one that kind of got me in.

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<v Speaker 1>I did The Wiz, and I'll tell you that. So

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<v Speaker 1>I went to school in Coney Island, benson Hurst, really Lafayette,

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<v Speaker 1>and I went out for this new thing called The Whiz.

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<v Speaker 1>I had only seen the movie, but there was a

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<v Speaker 1>part for the Tin Man and he had a song

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<v Speaker 1>called if I Could Feel.

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<v Speaker 2>And I saw The Wiz on Broadway.

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<v Speaker 1>Reason I saw on your I g yes.

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<v Speaker 2>So I know exactly you know you no, But that's

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<v Speaker 2>that's that's that was like the first taste of like, Okay,

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<v Speaker 2>I gotta go out there and I gotta win this part.

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<v Speaker 1>I wanted up being casted as the Wiz, but I

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<v Speaker 1>just said, man, if I could ever get to play

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<v Speaker 1>the tin Man, I'll be complete here right. But I

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<v Speaker 1>was kind of the precipice of that.

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<v Speaker 2>That's amazing. I love it because I was talking your

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<v Speaker 2>social media also, and I saw that your son is

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<v Speaker 2>on Broadway.

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<v Speaker 1>He is doing off Broadway. He's in now. Shout out

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<v Speaker 1>to marry me. Shout out to my son Jaden, who's

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<v Speaker 1>now done about ten musicals in his eight nineteen years

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<v Speaker 1>of life. This kid is phenomenal. Yeah, no's he's he's

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<v Speaker 1>on his way.

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<v Speaker 2>You had a lot to do with that or was

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<v Speaker 2>he born with that?

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<v Speaker 1>I think it's interesting my son is so he's so

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<v Speaker 1>assured of who he is, right, and I didn't have

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<v Speaker 1>that at that age. I was still trying to figure

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<v Speaker 1>myself out. Sometimes I still am right. But he at nineteen,

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<v Speaker 1>he knows who he is. He knows what he wants,

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<v Speaker 1>what he wants to do, but he also knows what

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<v Speaker 1>he doesn't want to do. And theater, I think gave

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<v Speaker 1>him a lot more of that, that comfortable space to

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<v Speaker 1>kind of explore that. So he knows who he is,

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<v Speaker 1>he knows the kind of artist he wants to be.

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<v Speaker 1>I think I may have had some influence, but I

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<v Speaker 1>can't take full ownership because he has yet to ask

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<v Speaker 1>me for any help. I've tried. I've tried to be

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<v Speaker 1>that dad without being overbearing and just be there for

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<v Speaker 1>him and kind of like kind of guide him into

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<v Speaker 1>business because it is a tough business, it is, but no,

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<v Speaker 1>it like, no, I got this, dad.

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<v Speaker 2>What are the biggest differences you see between your son

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<v Speaker 2>and yourself? Like when you started in this business, fear

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<v Speaker 2>you were fearful, oh god it and he's fearless.

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<v Speaker 1>He's fearless. Yeah, and it's ironic because I'm the marine,

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<v Speaker 1>I'm the combat veteran. I'm the guy that would strap

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<v Speaker 1>on the gum belt, go out there, work midnights in Harlem,

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<v Speaker 1>and do all these other things that people would say, Wow,

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<v Speaker 1>you must have no fear. But the one thing I

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<v Speaker 1>learned in my acting training is the one person that

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<v Speaker 1>you have to deal with the most can be sometimes

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<v Speaker 1>the scariest, and that's yourself.

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<v Speaker 2>That's very, very, very true. Now I want to go

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<v Speaker 2>back because I feel like we skipped over a lot

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<v Speaker 2>of things because I was wondering. I said, how did

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<v Speaker 2>he end up a marine and an actor simultaneously? When

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<v Speaker 2>did you enlist?

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<v Speaker 1>Yeah, so I knew. So. I grew up in Sunset Park, Brooklyn,

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<v Speaker 1>on the block that the NYPD had nicknamed Little Vietnam. Right,

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<v Speaker 1>So the block was hot, right, I'm talking about the

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<v Speaker 1>early eighties, right, mid eighties, so the height of the

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<v Speaker 1>crack and Aids epidemic. My older brothers one of the

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<v Speaker 1>leaders of one of the worst street gangs out there.

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<v Speaker 1>He had a huge influence on me. But in Gosa,

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<v Speaker 1>Mommy and Poppy were like, you're game more than I

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<v Speaker 1>play any game. So you got to figure something out.

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<v Speaker 1>So at eighteen, I enlisted. But it was more, I

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<v Speaker 1>used the other E word. It was more of an

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<v Speaker 1>escape right from a really bad situation.

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<v Speaker 2>That was and maybe still is, you know, for a

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<v Speaker 2>lot of black and brown young men who don't have

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<v Speaker 2>another outlet or absolutely don't want to go to college.

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<v Speaker 1>Yes, yeah, so it isn't for everyone, But for me,

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<v Speaker 1>it kind of gave me the structure of discipline. It

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<v Speaker 1>just got me out of a really bad situation. So

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<v Speaker 1>I wound up serving, and I wound up staying in

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<v Speaker 1>a lot longer than I thought. I saw fast forward.

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<v Speaker 1>In two thousand and three, America was first starting out

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<v Speaker 1>in this new war called Operation Enduring Freedom, Operation Iraqi Freedom,

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<v Speaker 1>and my unit was tagged with being part of the

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<v Speaker 1>invading force of Iraq. And out of all places in

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<v Speaker 1>the world, I'm in Kuwait. The war is literally about

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<v Speaker 1>twenty hours old. It's super brand new. We come under

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<v Speaker 1>a very we have the scud missile attack. They said,

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<v Speaker 1>your life flashes before your eyes, and it did for me.

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<v Speaker 1>I had this out of body thing, I called it

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<v Speaker 1>like an epiphany, where I vividly saw at Ortiz's funeral

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<v Speaker 1>home on Fourth Avenue fifty thirsty. I saw it packed.

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<v Speaker 1>I saw my mother and father crying over my my,

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<v Speaker 1>my casket. It this is kind of grim, but it's

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<v Speaker 1>the truth you visualize. I visualized it so clearly. And

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<v Speaker 1>then I came back to the moment as the scud

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<v Speaker 1>missiles were landing around our position, I said, Wow, I'm

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<v Speaker 1>an idiot. I have squandered these twenty seven years of

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<v Speaker 1>my life, always saying that tomorrow Maniana Mayana. Always I said,

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<v Speaker 1>I'm gonna start pursuing these dreams and I'm gonna explore

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<v Speaker 1>these gifts, you know what, Tomorrow, next week, I'll start Monday.

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<v Speaker 2>I feel like that's a lot of us.

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<v Speaker 1>That's a lot of us, you know. So for me,

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<v Speaker 1>of all places, I had that awakening and I just

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<v Speaker 1>prayed hard and I saip up my the oh please

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<v Speaker 1>not here, not like this.

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<v Speaker 2>I'm not ready. You know.

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<v Speaker 1>It's interesting, you know, when you so close to death,

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<v Speaker 1>whether it be an accident or an illness of some sort,

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<v Speaker 1>you're forced to kind of come to that realization like

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<v Speaker 1>you did this. You had a hand in this moment somehow,

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<v Speaker 1>some way, you know, And so that's what that's what

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<v Speaker 1>ignited that thing in me, and it's been burning ever

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<v Speaker 1>since two thousand and three. So to answer your question,

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<v Speaker 1>that's where the acting kind of finally started to get

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<v Speaker 1>some sort of form, became malleable for me, was coming

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<v Speaker 1>out of Iraq.

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<v Speaker 2>So while you were in the service, were you doing

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<v Speaker 2>anything acting related or you were just focused on serving?

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<v Speaker 1>You know what I was doing. I was protecting American

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<v Speaker 1>embassies and I loved it. I got to live and

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<v Speaker 1>thank you.

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<v Speaker 2>Listen. I was, I was stalking your career and I

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<v Speaker 2>was like, wow, he's put in some serious work.

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<v Speaker 1>Thank you.

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<v Speaker 2>I was like, I gotta thank him. I said, you know,

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<v Speaker 2>all of our veterans and you know, shout out to me.

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<v Speaker 2>The second man that has sat here, you know and

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<v Speaker 2>told me, you know, he's risked his life and gone

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<v Speaker 2>to war for our country, and then he also ended

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<v Speaker 2>up an actor. And I'm like, what am I doing

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<v Speaker 2>my life? These men go to war a country, then

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<v Speaker 2>they come home and then become actors, and you.

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<v Speaker 1>Know, but that's not it's interesting you say that. So

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<v Speaker 1>you know, I'm giving you like the ways version, right listen.

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<v Speaker 2>I already don't I got your whole life. Yeah, I know, wait,

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<v Speaker 2>hold on, hold on. I was already acting. What's happening there?

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<v Speaker 2>What happened to the thirteen years? What's going on here?

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<v Speaker 2>But acting? What was your first once you left the service? Yes,

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<v Speaker 2>what was the first moment that you booked a role

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<v Speaker 2>or you auditioned for a role.

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<v Speaker 1>So this is a true story. I come home and

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<v Speaker 1>I had this burning desire to explore it. I need

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<v Speaker 1>no actors. I had heard that a long time ago

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<v Speaker 1>Rosie Perez was also from Sunset Park, but that's like

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<v Speaker 1>an urban legend to me. I don't even know this chick, right,

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<v Speaker 1>And so I didn't know where to begin. So I

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<v Speaker 1>started my new career. I was a beat cop and

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<v Speaker 1>there was a Hudson you stand on my beat. I

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<v Speaker 1>would sit there and I'd look at these newspapers and

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<v Speaker 1>there was one that they used to print called Backstage,

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<v Speaker 1>And so I didn't want nobody to know that I

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<v Speaker 1>was looking at it because I'm, you know, doing this thing,

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<v Speaker 1>And so I grabbed it. I paid, and I remember

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<v Speaker 1>the guy behind the count and was like, officer, you

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<v Speaker 1>realize what it's not The New York Post's I go,

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<v Speaker 1>you know, like, just give me the damn paper so

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<v Speaker 1>I can get out of here, right right, and so

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<v Speaker 1>I very quietly went to the back and I started

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<v Speaker 1>to circle what I thought was like this help wanted

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<v Speaker 1>to ask for these actors. And I remember my first audition, honey,

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<v Speaker 1>I literally it was. It was it was I show

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<v Speaker 1>up and I don't know what I'm doing. I'm just

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<v Speaker 1>happy to be I'm not a kid in the candy.

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<v Speaker 2>What did you audition for? I want to know it

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<v Speaker 2>some really.

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<v Speaker 1>Bad short film that hopefully no one will ever see.

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<v Speaker 1>But that's not the point. The point is is that

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<v Speaker 1>I show up at this office somewhere in midtime Manhattan.

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<v Speaker 1>I put my name on a piece of paper. I'm

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<v Speaker 1>sitting in a room and I'm just like I'm I

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<v Speaker 1>am now mimicking what everyone else is doing. Everybody's very short,

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<v Speaker 1>so I'm like, fuck, I gotta be serious too. I

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<v Speaker 1>got to like fun because I got just some acting stuff, right.

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<v Speaker 1>So I don't know what I'm doing, but I'm just

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<v Speaker 1>pretending like I know what I'm doing. And no one's talking.

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<v Speaker 1>And finally the door opens up and the lady looks

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<v Speaker 1>at the paper she's crowsing off a bunch of names.

0:10:02.920 --> 0:10:03.920
<v Speaker 1>She goes, Okay, who's next?

0:10:04.000 --> 0:10:04.800
<v Speaker 2>This sounds like a movie.

0:10:04.960 --> 0:10:07.960
<v Speaker 1>She's like J W. Cortez and I'm like, right here,

0:10:08.080 --> 0:10:10.520
<v Speaker 1>how you doing? What's going on? Right? And so I'm

0:10:10.559 --> 0:10:14.360
<v Speaker 1>all old cheery and she goes, okay, headshot And for

0:10:14.400 --> 0:10:16.000
<v Speaker 1>a moment I looked at her and I'm like, does

0:10:16.040 --> 0:10:18.679
<v Speaker 1>she know that I'm a marine combat veteran and that

0:10:18.800 --> 0:10:21.600
<v Speaker 1>a headshot for a marine means that I get down

0:10:21.640 --> 0:10:24.360
<v Speaker 1>in the prone position? And like, does she want me

0:10:24.400 --> 0:10:26.520
<v Speaker 1>to simulate what that would look like? And she looked

0:10:26.520 --> 0:10:28.240
<v Speaker 1>at me and she says, you don't know what I'm

0:10:28.280 --> 0:10:30.680
<v Speaker 1>talking about. I said, this is my first time.

0:10:30.760 --> 0:10:31.920
<v Speaker 2>Man, you didn't have a headshot.

0:10:31.960 --> 0:10:33.439
<v Speaker 1>I didn't have a headshot. I didn't know what a

0:10:33.480 --> 0:10:37.400
<v Speaker 1>headshot was. I didn't know where to get one. But

0:10:37.480 --> 0:10:40.400
<v Speaker 1>you know, ignorance is bliss. And because I was so ignorant,

0:10:40.440 --> 0:10:43.240
<v Speaker 1>I was unaware of how hard this thing would be.

0:10:43.679 --> 0:10:45.520
<v Speaker 1>And so I went and that was my first time

0:10:45.559 --> 0:10:48.720
<v Speaker 1>ever auditioning. And I went from that and then finally

0:10:48.840 --> 0:10:52.440
<v Speaker 1>many bumps and bruises, and I found myself what was

0:10:52.480 --> 0:10:55.360
<v Speaker 1>probably the biggest blessing of my career. I met a

0:10:55.400 --> 0:11:13.480
<v Speaker 1>guy named Jose. That's what I said. Jose is like

0:11:13.559 --> 0:11:16.840
<v Speaker 1>John Smith in the Latino community, right I'm like this, dude,

0:11:17.080 --> 0:11:20.600
<v Speaker 1>long story short. Josetveda is the first Puerto Rican ever

0:11:20.640 --> 0:11:24.160
<v Speaker 1>nominated for the Academy Award for Best Screenplay. He wrote

0:11:24.200 --> 0:11:28.440
<v Speaker 1>a film called Motorcycle Diaries. I did a reading for him,

0:11:28.600 --> 0:11:30.920
<v Speaker 1>and after the reading was done of one of his plays,

0:11:30.920 --> 0:11:32.280
<v Speaker 1>he pulled me to the side. He says, you know,

0:11:32.320 --> 0:11:34.200
<v Speaker 1>I don't know you, you don't know me, but you've

0:11:34.200 --> 0:11:36.599
<v Speaker 1>got something in you. I think you really need to

0:11:36.640 --> 0:11:40.160
<v Speaker 1>think about exploring this thing. And then I ended up

0:11:40.200 --> 0:11:42.560
<v Speaker 1>in an acting school that wound up saving my life.

0:11:42.679 --> 0:11:47.000
<v Speaker 1>It wasn't therapy, it was acting school and meeting Terry Nickerbocker,

0:11:47.480 --> 0:11:50.719
<v Speaker 1>who said, all this armor is hurting you.

0:11:50.840 --> 0:11:52.640
<v Speaker 2>Take it off and take it off.

0:11:52.679 --> 0:11:55.800
<v Speaker 1>And I'm like, what that is such a dichotic statement.

0:11:56.120 --> 0:11:58.959
<v Speaker 1>Body armor is supposed to protect you. How is mind

0:11:59.120 --> 0:12:01.600
<v Speaker 1>hurting me? He's like, you'll never get to the true

0:12:01.600 --> 0:12:04.880
<v Speaker 1>self that you need as an actor because everything that

0:12:04.960 --> 0:12:07.679
<v Speaker 1>you do is always being protected by this armor that

0:12:07.720 --> 0:12:10.160
<v Speaker 1>the Marine Corps gave you, that Sunset Park gave you,

0:12:10.440 --> 0:12:12.920
<v Speaker 1>that being a Latino male figure and your family has

0:12:12.960 --> 0:12:15.720
<v Speaker 1>given you. And it gets in the way, it's blocking you.

0:12:16.360 --> 0:12:18.760
<v Speaker 1>And so that was a journey for me to learn

0:12:18.800 --> 0:12:20.760
<v Speaker 1>what does that mean? And how do I get rid

0:12:20.800 --> 0:12:23.360
<v Speaker 1>of this thing so I can be my true, authentic self,

0:12:23.600 --> 0:12:26.520
<v Speaker 1>so I can embarrass myself without any criticism, because that's

0:12:26.559 --> 0:12:28.439
<v Speaker 1>what you need, right You got to be able to say,

0:12:28.440 --> 0:12:30.560
<v Speaker 1>you know what, I'm going to do whatever it takes,

0:12:30.559 --> 0:12:32.760
<v Speaker 1>so that I can fully live out this character that

0:12:32.840 --> 0:12:34.199
<v Speaker 1>I'm trying to embody.

0:12:34.720 --> 0:12:37.000
<v Speaker 2>How does one even take off all that armor, you know,

0:12:37.240 --> 0:12:40.800
<v Speaker 2>being inner City, being black and brown, being Latino, and

0:12:40.840 --> 0:12:43.280
<v Speaker 2>then on top of that fighting for our country for

0:12:43.320 --> 0:12:46.280
<v Speaker 2>so many years? How did you even peel back those layers?

0:12:47.040 --> 0:12:49.600
<v Speaker 1>I wish I could give you, like a a a

0:12:48.679 --> 0:12:52.079
<v Speaker 1>sick short answer. I will tell you that it is

0:12:52.160 --> 0:12:57.199
<v Speaker 1>through the grace of God. It is through family support.

0:12:57.720 --> 0:13:02.480
<v Speaker 1>It is you really seeing and and and just having

0:13:03.360 --> 0:13:05.760
<v Speaker 1>letting go of the parachute sometimes and go, I notice

0:13:05.760 --> 0:13:08.480
<v Speaker 1>it's going to be bad and I have to get

0:13:08.520 --> 0:13:10.320
<v Speaker 1>through the bat to get to the good. It's like

0:13:10.400 --> 0:13:12.880
<v Speaker 1>he would always say, You're trying to go from New

0:13:12.920 --> 0:13:15.720
<v Speaker 1>York to LA and along the way it starts to rain.

0:13:16.200 --> 0:13:17.440
<v Speaker 1>Do you stop driving?

0:13:18.000 --> 0:13:18.080
<v Speaker 3>No?

0:13:18.240 --> 0:13:20.440
<v Speaker 1>What do you do? You put on your windshield wipers?

0:13:20.840 --> 0:13:23.280
<v Speaker 1>The sun goes down? Do you stop driving? No, you

0:13:23.320 --> 0:13:27.880
<v Speaker 1>put on your headlights, you stop for gas. I'm full

0:13:27.880 --> 0:13:29.520
<v Speaker 1>of them. This is all lived my life.

0:13:29.960 --> 0:13:32.840
<v Speaker 2>You give me all the gems. I really really really

0:13:32.880 --> 0:13:34.840
<v Speaker 2>love that. Now, did you stop down and say I

0:13:34.840 --> 0:13:37.240
<v Speaker 2>need to start a family or how did your two boys?

0:13:37.480 --> 0:13:39.480
<v Speaker 1>My two sons? So I met a young lady when

0:13:39.480 --> 0:13:43.880
<v Speaker 1>I had come came back from from the war, and we, uh,

0:13:44.440 --> 0:13:47.640
<v Speaker 1>you know, I'll credit my ex wife with saying to

0:13:47.760 --> 0:13:51.480
<v Speaker 1>me and and and these exact words, what kind of

0:13:51.520 --> 0:13:53.320
<v Speaker 1>asshole wants to go back to war?

0:13:53.960 --> 0:13:56.040
<v Speaker 2>She's a Latina, she uses latina.

0:13:56.200 --> 0:13:58.440
<v Speaker 1>Yes, she says, straight up, straight up, because I was

0:13:58.520 --> 0:14:01.920
<v Speaker 1>volunteering to go back. Why, because I was suffering from

0:14:02.000 --> 0:14:05.520
<v Speaker 1>some severe PTSD I was unaware of. And I just

0:14:05.600 --> 0:14:07.640
<v Speaker 1>knew I don't really belong here. I'm not ready to

0:14:07.640 --> 0:14:09.199
<v Speaker 1>be back here. I think I want to go back.

0:14:09.280 --> 0:14:12.240
<v Speaker 2>Did you feel like out in the field is where

0:14:12.280 --> 0:14:13.600
<v Speaker 2>you belong.

0:14:13.400 --> 0:14:15.920
<v Speaker 1>Anywhere with the Marines is where I felt I belonged.

0:14:16.440 --> 0:14:17.800
<v Speaker 1>I was good at what I did.

0:14:17.720 --> 0:14:20.640
<v Speaker 2>To the point that being with your family no longer

0:14:20.640 --> 0:14:21.280
<v Speaker 2>felt normal.

0:14:22.080 --> 0:14:24.920
<v Speaker 1>It didn't feel normal because I think they didn't have

0:14:25.040 --> 0:14:29.640
<v Speaker 1>the tools and the vocabulary to understand how to communicate

0:14:29.680 --> 0:14:32.880
<v Speaker 1>with me. Without triggering something in me. So, for example,

0:14:33.400 --> 0:14:36.600
<v Speaker 1>one of my buddies who his book became a film

0:14:36.640 --> 0:14:40.240
<v Speaker 1>called American Sniper. He has since been he was murdered.

0:14:40.640 --> 0:14:44.120
<v Speaker 1>But Chris Kyle the American Snipers said to me, we

0:14:44.160 --> 0:14:47.120
<v Speaker 1>went to war in America, went to the mall, and

0:14:47.160 --> 0:14:50.080
<v Speaker 1>that could have a negative connotation for guys who went

0:14:50.320 --> 0:14:53.280
<v Speaker 1>multiple times over there, but he flipped it on me.

0:14:53.520 --> 0:14:56.640
<v Speaker 1>You know, he said, how great is that that our

0:14:56.720 --> 0:15:00.240
<v Speaker 1>children could still continue to thrive in America with out

0:15:00.280 --> 0:15:04.480
<v Speaker 1>fear of oppression or of something terroristic happening on a

0:15:04.560 --> 0:15:07.000
<v Speaker 1>daily basis like it does in these other countries. How

0:15:07.040 --> 0:15:10.520
<v Speaker 1>great is that? And he kind of began to kind

0:15:10.520 --> 0:15:13.880
<v Speaker 1>of start to shift in me on how my perspective

0:15:13.960 --> 0:15:16.000
<v Speaker 1>needed to kind of shift in that way.

0:15:16.480 --> 0:15:18.480
<v Speaker 2>So she said, what kind of asshole goes back to.

0:15:18.480 --> 0:15:22.680
<v Speaker 1>War volunteers, you know volunteers, And you know, I was like,

0:15:22.800 --> 0:15:25.120
<v Speaker 1>you know what, I think I'll stick around, but only

0:15:25.120 --> 0:15:27.560
<v Speaker 1>for a few more months. And then after I got

0:15:27.560 --> 0:15:31.560
<v Speaker 1>to go back right and I wound up, you know,

0:15:31.960 --> 0:15:35.240
<v Speaker 1>we wound up getting pregnant, and I wound up sticking around,

0:15:35.360 --> 0:15:38.280
<v Speaker 1>and and then I started to pursue these these careers

0:15:38.320 --> 0:15:40.960
<v Speaker 1>simultaneously as at the same time as trying to be

0:15:41.000 --> 0:15:43.640
<v Speaker 1>a dad and just trying to be a better person

0:15:43.680 --> 0:15:46.320
<v Speaker 1>and a better version of myself for her. For me,

0:15:46.880 --> 0:15:48.040
<v Speaker 1>it was a lot. It was a lot.

0:15:48.160 --> 0:15:49.920
<v Speaker 2>It was It sounds like a lot, you know what

0:15:49.920 --> 0:15:53.000
<v Speaker 2>I'm saying. But you got your two boys, and that

0:15:53.160 --> 0:15:54.120
<v Speaker 2>is an amazing blessing.

0:15:54.320 --> 0:15:57.880
<v Speaker 1>Yes, the best, the best, the best role I ever played.

0:16:00.000 --> 0:16:02.160
<v Speaker 2>Now, let's talk about Gotham. That is where I know

0:16:02.240 --> 0:16:05.040
<v Speaker 2>you from through and through. How did you land this role?

0:16:05.400 --> 0:16:07.400
<v Speaker 2>Like I remember when Gotham was it was just such

0:16:07.440 --> 0:16:10.440
<v Speaker 2>a big deal, like we were all so hype. How

0:16:10.480 --> 0:16:12.840
<v Speaker 2>did you end up getting up in there? Talk to me?

0:16:13.160 --> 0:16:17.280
<v Speaker 1>So like every other actor, you know, I'm I'm literally working,

0:16:17.320 --> 0:16:21.880
<v Speaker 1>I'm working a graveyard shift and literally go in midtime Manhattan.

0:16:21.920 --> 0:16:24.240
<v Speaker 2>Okay, because now you're a police officer.

0:16:24.000 --> 0:16:26.960
<v Speaker 1>I'm active, I'm working every night. But I knew that

0:16:27.000 --> 0:16:28.840
<v Speaker 1>I had to get to acting school during the day.

0:16:29.000 --> 0:16:30.720
<v Speaker 1>I had to figure out when I was going to eat,

0:16:30.720 --> 0:16:32.800
<v Speaker 1>when I was going to sleep, like you name it.

0:16:32.840 --> 0:16:34.720
<v Speaker 1>But everything was focused on I need to get off

0:16:34.760 --> 0:16:36.280
<v Speaker 1>this thing, and I want to do this because you.

0:16:36.240 --> 0:16:37.880
<v Speaker 2>Were like, I don't want to, I don't want to

0:16:38.120 --> 0:16:38.960
<v Speaker 2>want to do that more.

0:16:39.080 --> 0:16:39.880
<v Speaker 1>I want to do this.

0:16:40.000 --> 0:16:40.600
<v Speaker 2>You had a dream.

0:16:40.680 --> 0:16:42.680
<v Speaker 1>I had a dream, right, and I wanted to honor that.

0:16:42.760 --> 0:16:44.720
<v Speaker 1>So the one thing the Marine Corps taught me is

0:16:44.720 --> 0:16:49.880
<v Speaker 1>if you slept, then you had time right sleep, my man, right,

0:16:50.000 --> 0:16:52.880
<v Speaker 1>like yeah, like let's get let's go, like you know,

0:16:53.080 --> 0:16:55.800
<v Speaker 1>like I can push past most of people's ring, you know,

0:16:55.840 --> 0:16:57.120
<v Speaker 1>at least my own comfort level.

0:16:57.160 --> 0:17:00.200
<v Speaker 2>Can I stop down for one second? Yes, I hate

0:17:00.240 --> 0:17:04.639
<v Speaker 2>when people sleep. I just do it because I feel

0:17:04.640 --> 0:17:07.159
<v Speaker 2>like that's time wasted and you can be if you

0:17:07.240 --> 0:17:09.800
<v Speaker 2>have a dream and you have a passion and you

0:17:09.840 --> 0:17:11.920
<v Speaker 2>can take a two to three hour nap. To me,

0:17:12.040 --> 0:17:14.720
<v Speaker 2>that equates to those are two three hours that you

0:17:14.760 --> 0:17:15.760
<v Speaker 2>didn't pursue your dream.

0:17:16.119 --> 0:17:16.760
<v Speaker 1>That's correct.

0:17:16.920 --> 0:17:18.200
<v Speaker 2>Is that what the Marines was talking about?

0:17:18.280 --> 0:17:21.560
<v Speaker 1>Absolutely? Absolutely. We don't stop when you're tired. You stop

0:17:21.600 --> 0:17:26.320
<v Speaker 1>when you're done. The job wasn't done. So I'm I'm

0:17:26.400 --> 0:17:29.159
<v Speaker 1>literally running up and down New York City, going from

0:17:29.240 --> 0:17:31.760
<v Speaker 1>casting office to casting office, getting lucky every so often,

0:17:31.800 --> 0:17:35.040
<v Speaker 1>getting a lot of callbacks, so close a lot of times.

0:17:35.040 --> 0:17:36.919
<v Speaker 1>This is a career of many false starts, is what

0:17:36.960 --> 0:17:39.919
<v Speaker 1>I see, and the biggest lessons that I'm learning in

0:17:39.960 --> 0:17:42.320
<v Speaker 1>those like three four years that I'm grinding it out

0:17:42.400 --> 0:17:46.040
<v Speaker 1>doing really bad short films, really bad stage work, like

0:17:46.160 --> 0:17:49.800
<v Speaker 1>really bad. I'm learning that the hardest thing I have

0:17:49.920 --> 0:17:52.560
<v Speaker 1>to deal with is the silent no. I'm like, I

0:17:52.640 --> 0:17:54.159
<v Speaker 1>never learned about the silent no.

0:17:54.960 --> 0:17:57.159
<v Speaker 2>That's when you know, that's when you don't get any callback.

0:17:57.280 --> 0:17:57.520
<v Speaker 1>Is that what.

0:17:58.000 --> 0:18:00.520
<v Speaker 3>Happens is you go out and you know you killed

0:18:00.520 --> 0:18:02.879
<v Speaker 3>the audition, and so you're just gonna wait now because

0:18:02.880 --> 0:18:05.040
<v Speaker 3>at any moment that email is gonna come through, and

0:18:05.080 --> 0:18:07.439
<v Speaker 3>so let me just check my wife I just in

0:18:07.480 --> 0:18:08.960
<v Speaker 3>case it's not strong enough.

0:18:09.160 --> 0:18:11.680
<v Speaker 1>Let me reboot the phone, just in case the signific

0:18:13.080 --> 0:18:15.760
<v Speaker 1>yeah right, And so you know the second day and

0:18:16.080 --> 0:18:18.080
<v Speaker 1>now a week goes by and you're just checking the

0:18:18.160 --> 0:18:21.160
<v Speaker 1>junk box because you never know. Maybeam maybe you want

0:18:21.160 --> 0:18:24.600
<v Speaker 1>to spam. That's probably what happened, don't maybe my number maybe,

0:18:24.640 --> 0:18:26.199
<v Speaker 1>And so you start thinking about it, and then what

0:18:26.280 --> 0:18:29.480
<v Speaker 1>happens is two weeks go by, and that's the silent no,

0:18:30.840 --> 0:18:33.719
<v Speaker 1>and that is your career and you must contend with

0:18:33.760 --> 0:18:37.240
<v Speaker 1>that because what you want is a verbal no. At

0:18:37.320 --> 0:18:39.360
<v Speaker 1>least tell me I didn't get it. At least tell

0:18:39.400 --> 0:18:42.560
<v Speaker 1>me that mark Fierra got it. I can live with that, right,

0:18:42.880 --> 0:18:46.160
<v Speaker 1>But to not know and have to deal with yourself

0:18:46.240 --> 0:18:48.919
<v Speaker 1>and go man, this is where act just get in trouble.

0:18:49.440 --> 0:18:52.719
<v Speaker 1>Maybe my nose is too wide, maybe my eyebrows are

0:18:52.760 --> 0:18:57.320
<v Speaker 1>too thick. Maybe, but you know maybe females right, especially

0:18:57.320 --> 0:19:03.480
<v Speaker 1>women maybe right, which is all not.

0:19:03.480 --> 0:19:06.600
<v Speaker 2>True, all not true, because we tend to kind of

0:19:06.640 --> 0:19:08.679
<v Speaker 2>like put the blame on ourselves and project it.

0:19:08.720 --> 0:19:10.880
<v Speaker 1>You know, as you were looking for answers, what tell

0:19:10.960 --> 0:19:12.560
<v Speaker 1>me what I can do to improve it? No one's

0:19:12.560 --> 0:19:14.199
<v Speaker 1>going to tell you that. This is where you have

0:19:14.280 --> 0:19:17.639
<v Speaker 1>to be so self assured. You have to know what

0:19:17.800 --> 0:19:21.119
<v Speaker 1>I do, what Honey German does, no one else can

0:19:21.160 --> 0:19:22.760
<v Speaker 1>do it. If you're looking for that, no one could

0:19:22.760 --> 0:19:24.520
<v Speaker 1>do that better than me. And that's how I had

0:19:24.520 --> 0:19:26.600
<v Speaker 1>to feel about j W. I had to learn that, right.

0:19:27.160 --> 0:19:30.560
<v Speaker 1>So long story is, I'm auditioning. I go out for

0:19:30.600 --> 0:19:32.919
<v Speaker 1>this thing, and I just felt really good about that

0:19:32.920 --> 0:19:33.639
<v Speaker 1>particular addition.

0:19:33.720 --> 0:19:34.399
<v Speaker 2>Do you know what it was?

0:19:34.960 --> 0:19:37.240
<v Speaker 1>It was for this character named Alvarez? And what I

0:19:37.280 --> 0:19:39.480
<v Speaker 1>did was I took a chance. And I always tell

0:19:39.520 --> 0:19:40.480
<v Speaker 1>young actors.

0:19:40.240 --> 0:19:43.400
<v Speaker 2>Did you know it was Godam? Did you know something Gotham?

0:19:43.440 --> 0:19:46.080
<v Speaker 1>But I didn't know like the full spectrum of it.

0:19:46.320 --> 0:19:48.800
<v Speaker 1>I'm like, oh, that is maybe batman ish, but I

0:19:48.840 --> 0:19:50.920
<v Speaker 1>don't really know. And I don't know about Alvarez either.

0:19:51.440 --> 0:19:53.520
<v Speaker 1>But I remember taking my sides and I had it

0:19:53.520 --> 0:19:55.320
<v Speaker 1>in my hand and I do my lines, and I

0:19:55.800 --> 0:19:57.480
<v Speaker 1>had a moment where I'm getting into a fight and

0:19:57.520 --> 0:20:00.639
<v Speaker 1>I just I threw my sides at the the reader

0:20:00.920 --> 0:20:04.320
<v Speaker 1>and they bugged out. They're like, this guy's into the role.

0:20:04.640 --> 0:20:06.159
<v Speaker 1>And I just I went with it, you know, and

0:20:06.240 --> 0:20:08.240
<v Speaker 1>I took a chance because it wasn't written that way.

0:20:08.760 --> 0:20:10.000
<v Speaker 1>I said, this is how I'm going to paint this,

0:20:10.040 --> 0:20:11.480
<v Speaker 1>because you and I can paint the same thing with

0:20:11.520 --> 0:20:13.880
<v Speaker 1>the same colors, but it's gonna look different. I'm gonna

0:20:13.880 --> 0:20:16.399
<v Speaker 1>paint my way. And so I did that, and then

0:20:16.440 --> 0:20:18.400
<v Speaker 1>a couple of days later, I'm in Puerto Rico celebrating

0:20:18.400 --> 0:20:18.879
<v Speaker 1>my birthday.

0:20:18.880 --> 0:20:23.240
<v Speaker 2>I'm in Culebra Island, hold.

0:20:23.480 --> 0:20:30.720
<v Speaker 1>And my phone is working. Look at this, And that's

0:20:30.760 --> 0:20:33.320
<v Speaker 1>when I learned that I had I had booked this role.

0:20:33.359 --> 0:20:35.200
<v Speaker 1>And I didn't even know this until like a couple

0:20:35.200 --> 0:20:37.879
<v Speaker 1>of months into the production, that I would be a recurring,

0:20:37.920 --> 0:20:41.280
<v Speaker 1>heavily recurring because you had a lot of that I did,

0:20:41.359 --> 0:20:42.920
<v Speaker 1>and then I found out that I was the first

0:20:43.000 --> 0:20:46.080
<v Speaker 1>human to play this comic book character. I didn't know that,

0:20:46.200 --> 0:20:48.439
<v Speaker 1>so I go, better, hold on, let me look at

0:20:48.440 --> 0:20:53.760
<v Speaker 1>this comic book you know, I look like this, dude,

0:20:53.840 --> 0:20:54.320
<v Speaker 1>I'm like.

0:20:54.280 --> 0:20:54.879
<v Speaker 2>Are you kidding me?

0:20:54.880 --> 0:20:54.960
<v Speaker 1>Now?

0:20:54.960 --> 0:20:55.280
<v Speaker 2>I got to.

0:20:55.280 --> 0:21:03.360
<v Speaker 1>Google it like this. So that was how that kind

0:21:03.359 --> 0:21:05.159
<v Speaker 1>of like that was the that that was like the

0:21:05.200 --> 0:21:08.960
<v Speaker 1>first like, ah, we're onto something. We can do this

0:21:09.480 --> 0:21:12.040
<v Speaker 1>and we can hold our own and he's a Latino

0:21:12.240 --> 0:21:14.520
<v Speaker 1>and I'm a Latino and that doesn't happen all the time.

0:21:14.560 --> 0:21:18.639
<v Speaker 1>We're character never And that was like my first taste

0:21:18.640 --> 0:21:21.399
<v Speaker 1>of like, oh, okay, now I get it. When you

0:21:21.440 --> 0:21:23.840
<v Speaker 1>get to come in and play and do what you love,

0:21:24.280 --> 0:21:26.679
<v Speaker 1>all right, that's the feeling that we get addicted to.

0:21:39.760 --> 0:21:42.200
<v Speaker 2>So you feel like all those nose or all those

0:21:42.280 --> 0:21:44.720
<v Speaker 2>roles that didn't work out or that you didn't feel like,

0:21:45.000 --> 0:21:47.760
<v Speaker 2>you know, we're up to. Part was leading up to Gotham,

0:21:47.800 --> 0:21:49.880
<v Speaker 2>because honestly, Gotham was big.

0:21:50.040 --> 0:21:50.280
<v Speaker 1>Yeah.

0:21:50.359 --> 0:21:52.640
<v Speaker 2>I think I remember the rollout. We were so hype.

0:21:52.680 --> 0:21:57.120
<v Speaker 2>It was like everybody was yeah that trailer. I was, yeah, yeah,

0:21:57.160 --> 0:21:59.440
<v Speaker 2>trailer has like eleven million views, Like I watched it

0:21:59.480 --> 0:22:00.680
<v Speaker 2>again today.

0:22:00.880 --> 0:22:04.600
<v Speaker 1>Yeah, yeah, I think I think that the show did

0:22:04.600 --> 0:22:06.240
<v Speaker 1>a lot for a lot of different things, for a

0:22:06.280 --> 0:22:08.520
<v Speaker 1>lot of different people. For me, I can tell you

0:22:08.560 --> 0:22:11.159
<v Speaker 1>that I was just not aware. To me, it was

0:22:11.200 --> 0:22:11.840
<v Speaker 1>just another joke.

0:22:11.880 --> 0:22:13.840
<v Speaker 2>You were not aware of what it was doing.

0:22:14.119 --> 0:22:16.560
<v Speaker 1>No, not at first, you know, I just I just

0:22:16.600 --> 0:22:19.240
<v Speaker 1>saw the hype and stuff. And then once I got

0:22:19.240 --> 0:22:21.919
<v Speaker 1>into the DC comic book universe, because now you belonged

0:22:21.920 --> 0:22:24.119
<v Speaker 1>to this universe, and I started, for the first time

0:22:24.160 --> 0:22:27.359
<v Speaker 1>in my career getting an actual like fan mail, all parts

0:22:27.359 --> 0:22:30.639
<v Speaker 1>of that was dope, And I go, I'm a kid

0:22:30.680 --> 0:22:33.359
<v Speaker 1>from Sunset who took a chance, and now this is

0:22:33.400 --> 0:22:36.439
<v Speaker 1>happening the way I'm now right. So you know, so

0:22:36.480 --> 0:22:39.520
<v Speaker 1>anyone that's listening, I would say, you know, it's.

0:22:39.400 --> 0:22:43.000
<v Speaker 2>Oh there's people listening. Don't do that, j W. Don't

0:22:43.520 --> 0:22:44.320
<v Speaker 2>I know they're listening.

0:22:45.800 --> 0:22:47.960
<v Speaker 1>Just you know, you've got to trust sometimes and just

0:22:48.119 --> 0:22:50.720
<v Speaker 1>really take a chance, take a chance.

0:22:50.520 --> 0:22:53.880
<v Speaker 2>Getting head on. When they saw Young Goth, I'm like,

0:22:54.040 --> 0:22:54.880
<v Speaker 2>how happy were there?

0:22:54.880 --> 0:22:57.120
<v Speaker 1>You know? It's funny. Our parents always want the best

0:22:57.160 --> 0:22:59.719
<v Speaker 1>for us, so I know why they were. They were like,

0:22:59.840 --> 0:23:02.639
<v Speaker 1>you know you sure, you sure you want to you

0:23:02.680 --> 0:23:06.960
<v Speaker 1>know it's hard you know, I think there's a Latino community.

0:23:06.960 --> 0:23:10.280
<v Speaker 1>I think that over bearing love is it comes from

0:23:10.320 --> 0:23:10.800
<v Speaker 1>a good place.

0:23:10.880 --> 0:23:11.719
<v Speaker 2>Oh, it always does.

0:23:11.920 --> 0:23:14.520
<v Speaker 1>And I think now, like I just recently booked probably

0:23:14.560 --> 0:23:16.160
<v Speaker 1>what's going to be the biggest movie in my career.

0:23:16.240 --> 0:23:19.040
<v Speaker 1>It will be on twenty five congratulation, Thank you so much.

0:23:20.280 --> 0:23:22.399
<v Speaker 1>It's like got them on steroids all over again for me.

0:23:22.720 --> 0:23:25.120
<v Speaker 1>And you know, I think now after so many years

0:23:25.160 --> 0:23:30.320
<v Speaker 1>of being successful, that now they're like, yeah, yeah, how.

0:23:30.240 --> 0:23:32.560
<v Speaker 2>Many times have you made them proud? Though with the service,

0:23:32.640 --> 0:23:35.760
<v Speaker 2>we're becoming a police officer, we're becoming an actor. I

0:23:35.760 --> 0:23:38.160
<v Speaker 2>don't know if you throw the boxes already listened, because

0:23:38.200 --> 0:23:40.560
<v Speaker 2>some of us don't even make them proud one time.

0:23:40.800 --> 0:23:43.439
<v Speaker 1>Yeah yeah, you know, I don't know. It was never

0:23:43.560 --> 0:23:45.600
<v Speaker 1>like Okay, I'm going to do this to make them proud.

0:23:45.720 --> 0:23:48.240
<v Speaker 1>I think what has made them proud is that I've

0:23:48.320 --> 0:23:51.840
<v Speaker 1>been true to what it is that I've always wanted

0:23:51.880 --> 0:23:53.560
<v Speaker 1>to do and I just haven't quit. And I think

0:23:53.800 --> 0:23:56.320
<v Speaker 1>when you see someone go after something and they don't quit,

0:23:56.840 --> 0:23:58.440
<v Speaker 1>it's hard not to be proud, like, you know what,

0:23:58.520 --> 0:24:01.560
<v Speaker 1>whatever it is, you know, look at you, You're still

0:24:01.600 --> 0:24:03.560
<v Speaker 1>at it. You know, good for you. You know, because

0:24:03.560 --> 0:24:05.720
<v Speaker 1>I think most of us do quit somewhere along the way.

0:24:06.359 --> 0:24:09.159
<v Speaker 2>It is tempting to quit when things get hard, you know,

0:24:09.280 --> 0:24:11.000
<v Speaker 2>for us to keep pushing forward and be like, now

0:24:11.000 --> 0:24:12.639
<v Speaker 2>I'm gonna try again, and I'm gonna keep going no

0:24:12.760 --> 0:24:14.280
<v Speaker 2>matter what, no matter how many nos I get, no

0:24:14.359 --> 0:24:18.880
<v Speaker 2>matter how many rejections. It is definitely hard. Now, speaking

0:24:18.920 --> 0:24:23.360
<v Speaker 2>of hard, the New York City Marathon, there's nothing up there.

0:24:24.600 --> 0:24:27.800
<v Speaker 2>I'm just thinking right, right, right right, the New York

0:24:27.840 --> 0:24:30.159
<v Speaker 2>City Marathon. Was that your first time running it?

0:24:30.720 --> 0:24:33.120
<v Speaker 1>So it's yeah, that was my first time running the marathon,

0:24:33.160 --> 0:24:35.200
<v Speaker 1>and I did something that I don't recommend. I gave

0:24:35.240 --> 0:24:38.680
<v Speaker 1>myself ten weeks. How are your niece maneuhel?

0:24:38.800 --> 0:24:41.600
<v Speaker 2>And they never never the same, They're never going back

0:24:41.600 --> 0:24:42.000
<v Speaker 2>to normal.

0:24:42.160 --> 0:24:42.960
<v Speaker 1>No, no, no, no no.

0:24:43.359 --> 0:24:45.440
<v Speaker 2>But that's what That's why I gave myself ten weeks.

0:24:45.480 --> 0:24:47.479
<v Speaker 1>I gave myself ten weeks. You woke up one day

0:24:47.480 --> 0:24:50.679
<v Speaker 1>and you're like, you know what, Yeah, well, no, right.

0:24:51.280 --> 0:24:53.200
<v Speaker 1>What happened was I was I do a lot of

0:24:53.320 --> 0:24:57.399
<v Speaker 1>fundraising for the families of our fallen children. I do.

0:24:58.000 --> 0:25:00.720
<v Speaker 2>We do have to speak about Raphile around the station.

0:25:00.840 --> 0:25:04.040
<v Speaker 1>Absolutely. So I was at some event and there was

0:25:04.119 --> 0:25:07.240
<v Speaker 1>this dude there, you know, who was a Medal of

0:25:07.280 --> 0:25:09.440
<v Speaker 1>Honor recipient, and he's like, you know, I'm all banked

0:25:09.520 --> 0:25:10.919
<v Speaker 1>up and I'm going to run this thing, and how

0:25:10.960 --> 0:25:14.320
<v Speaker 1>about you, j W. And I was like, yeah, of

0:25:14.440 --> 0:25:16.840
<v Speaker 1>course I'm running it right Yeah. And then it was

0:25:16.920 --> 0:25:18.960
<v Speaker 1>like I got off the air and I'm like, what

0:25:19.560 --> 0:25:21.200
<v Speaker 1>would I just say? What did I just do? And

0:25:21.320 --> 0:25:24.600
<v Speaker 1>so I just got to it, you know, And it

0:25:24.720 --> 0:25:26.800
<v Speaker 1>was I always say that if you're capable of doing

0:25:26.840 --> 0:25:28.760
<v Speaker 1>at least one in your life, you should, because it

0:25:28.880 --> 0:25:31.280
<v Speaker 1>is the most rewarding thing, especially in New York. Ain't

0:25:31.320 --> 0:25:31.840
<v Speaker 1>nothing like it.

0:25:33.440 --> 0:25:36.560
<v Speaker 2>Big Shadow Angie Martinez, she ran the marathon one time too.

0:25:37.280 --> 0:25:39.119
<v Speaker 2>But I know people that ran the marathon and they

0:25:39.160 --> 0:25:41.200
<v Speaker 2>were like, my body was never the same after it.

0:25:41.440 --> 0:25:44.399
<v Speaker 1>Yeah, yeah, No, it's it's traumatic. I don't mean traumatic

0:25:44.520 --> 0:25:47.879
<v Speaker 1>like in the mental's capacity. I think physically it is.

0:25:48.080 --> 0:25:50.600
<v Speaker 1>It is an extreme trauma that you're putting on your body.

0:25:51.040 --> 0:25:52.520
<v Speaker 1>It's just not a natural thing to do.

0:25:52.840 --> 0:25:54.600
<v Speaker 2>What were you thinking about while you were running? They

0:25:54.680 --> 0:25:57.080
<v Speaker 2>got you through that finish line. How many miles is it?

0:25:57.320 --> 0:26:00.680
<v Speaker 1>Twenty six point two? I was good, believe it or not.

0:26:00.800 --> 0:26:02.119
<v Speaker 1>Running through my old neighborhood.

0:26:02.440 --> 0:26:03.000
<v Speaker 2>What were you thinking?

0:26:03.119 --> 0:26:05.359
<v Speaker 1>I was. I was amped, like so I had two

0:26:05.400 --> 0:26:07.960
<v Speaker 1>pieces of advice that was given to me. One was

0:26:08.320 --> 0:26:10.040
<v Speaker 1>put your name on your shirt. I'm like, that's a

0:26:10.080 --> 0:26:13.479
<v Speaker 1>little like self like, you know, But it turned out

0:26:13.480 --> 0:26:15.080
<v Speaker 1>to be one of the best things, because when you're

0:26:15.160 --> 0:26:17.200
<v Speaker 1>hurting in the crowd, especially New York is you know,

0:26:17.359 --> 0:26:21.400
<v Speaker 1>yo bye bye, you know, you know, it does give

0:26:21.440 --> 0:26:23.399
<v Speaker 1>you that extra thing. And then the second thing was

0:26:23.600 --> 0:26:27.280
<v Speaker 1>they were like, don't listen to music. Instead download your

0:26:27.320 --> 0:26:32.200
<v Speaker 1>funniest like most favorite comedy special. So I was listening

0:26:32.240 --> 0:26:34.440
<v Speaker 1>to Mark the Whole Way, a little bit of this,

0:26:34.600 --> 0:26:37.280
<v Speaker 1>a little bit of Chappelle, And I'll tell you in

0:26:37.440 --> 0:26:39.640
<v Speaker 1>the Bronx when you're there for that mile twenty, when

0:26:39.680 --> 0:26:41.399
<v Speaker 1>you come out of the Bronx and you see Central

0:26:41.400 --> 0:26:44.520
<v Speaker 1>parking Maule twenty one, you start to have this weird

0:26:44.960 --> 0:26:47.800
<v Speaker 1>laughter that's kind of like married to a little bit

0:26:47.800 --> 0:26:50.560
<v Speaker 1>of that physical pain, and your in doorphins start kicking in.

0:26:50.680 --> 0:26:52.280
<v Speaker 1>And it was the best thing I ever did. So

0:26:52.560 --> 0:26:55.480
<v Speaker 1>I'm hurting and laughing at the same time as I

0:26:55.600 --> 0:26:56.080
<v Speaker 1>was running it.

0:26:56.280 --> 0:26:58.640
<v Speaker 2>So and that finish line when you crossed it would

0:27:00.000 --> 0:27:02.080
<v Speaker 2>What were your thoughts like, what did you tell yourself

0:27:02.119 --> 0:27:03.360
<v Speaker 2>when you crossed that finish line.

0:27:05.520 --> 0:27:07.280
<v Speaker 1>I don't know if I had any like thoughts. I

0:27:07.320 --> 0:27:09.000
<v Speaker 1>thought I would be a lot hungry than I was.

0:27:09.160 --> 0:27:10.480
<v Speaker 1>I didn't want to eat for the next four or

0:27:10.520 --> 0:27:12.920
<v Speaker 1>five hours, which I found that weird. I felt that

0:27:12.960 --> 0:27:15.520
<v Speaker 1>I could have kept going even though I thought I couldn't.

0:27:15.800 --> 0:27:16.639
<v Speaker 2>You want to do it again?

0:27:17.680 --> 0:27:20.760
<v Speaker 1>Yeah, I said, I'm gonna do this again for sure. Absolutely,

0:27:20.760 --> 0:27:23.680
<v Speaker 1>I'm gonna be a marathon runner, right, I'm going to

0:27:23.720 --> 0:27:25.480
<v Speaker 1>go back to my Kenyan roots when I lived in

0:27:25.600 --> 0:27:27.639
<v Speaker 1>Kenya and I ran with the Kenyans. I got this.

0:27:27.800 --> 0:27:31.520
<v Speaker 1>It's in me, did I did? I did? Yeah? Two years?

0:27:31.960 --> 0:27:32.159
<v Speaker 1>Are you?

0:27:32.680 --> 0:27:32.840
<v Speaker 3>Yeah?

0:27:35.600 --> 0:27:38.560
<v Speaker 1>My God speaks for Heli as well? Really yes, yes, yes,

0:27:38.960 --> 0:27:39.840
<v Speaker 1>don't ask me anymore. Ok.

0:27:41.240 --> 0:27:42.280
<v Speaker 2>I was gonna say, okay, now.

0:27:44.160 --> 0:27:48.440
<v Speaker 1>I said, I speak some Swahili, not too much. Yes, yes,

0:27:49.160 --> 0:27:51.080
<v Speaker 1>the service, I was in the service. Yeah. Yeah, So

0:27:51.200 --> 0:27:53.760
<v Speaker 1>the marathon it was you know, it's a test, right,

0:27:53.840 --> 0:27:57.440
<v Speaker 1>But the test isn't the marathon. That's the reward running

0:27:57.480 --> 0:27:59.640
<v Speaker 1>through New York City where people are just going buck

0:27:59.720 --> 0:28:02.280
<v Speaker 1>while and the DJs of pumping the hip hop through

0:28:02.359 --> 0:28:04.760
<v Speaker 1>Brooklyn and your I mean, that's the community.

0:28:04.840 --> 0:28:08.120
<v Speaker 2>It's community. It's us just you know, we were here,

0:28:08.359 --> 0:28:11.239
<v Speaker 2>it was we were working that day and we went

0:28:11.280 --> 0:28:14.240
<v Speaker 2>outside and it was just everybody was outside, people eating,

0:28:14.240 --> 0:28:17.320
<v Speaker 2>people were drinking and just congratulating, you know, the runners.

0:28:17.400 --> 0:28:19.320
<v Speaker 2>It just felt good. It's a sense of community.

0:28:19.480 --> 0:28:20.480
<v Speaker 1>It is, it is, it is.

0:28:20.880 --> 0:28:22.880
<v Speaker 2>And you know, speaking of community, one of the things

0:28:22.920 --> 0:28:25.320
<v Speaker 2>that I really really liked when researching you is how

0:28:25.400 --> 0:28:27.560
<v Speaker 2>much you give back and how involved you still are

0:28:28.000 --> 0:28:31.320
<v Speaker 2>with our first responders and with our community. Now, I

0:28:31.359 --> 0:28:34.920
<v Speaker 2>wanted to talk to you about the foundation. You're the

0:28:34.960 --> 0:28:37.920
<v Speaker 2>president of the foundation. Yes, what is your connection? You know,

0:28:38.480 --> 0:28:42.360
<v Speaker 2>we all we all know what happened, you know, very tragic,

0:28:42.440 --> 0:28:45.120
<v Speaker 2>and as a city, we mourned together. But how do

0:28:45.240 --> 0:28:46.960
<v Speaker 2>you get connected to this story?

0:28:47.280 --> 0:28:50.720
<v Speaker 1>Yeah, that's a great question. I was I was starting

0:28:50.800 --> 0:28:54.640
<v Speaker 1>to experience and enjoy the fruits of my new found

0:28:54.800 --> 0:28:59.960
<v Speaker 1>fame through Gotham. The NFL had very I was very humble.

0:29:00.520 --> 0:29:03.560
<v Speaker 1>I was blown away. They had presented me the Hispanic

0:29:03.720 --> 0:29:05.360
<v Speaker 1>Leadership Award for all of the work I had done

0:29:05.400 --> 0:29:08.200
<v Speaker 1>prior to this newfound fame. So it kind of like

0:29:08.320 --> 0:29:10.560
<v Speaker 1>came together and I was on the phone with the

0:29:10.680 --> 0:29:13.200
<v Speaker 1>NFL and they were like, we'd like to make a

0:29:13.280 --> 0:29:16.640
<v Speaker 1>cash donation to any nonprofit that you once loved that

0:29:16.960 --> 0:29:21.360
<v Speaker 1>and so without a hesitation, I said the Raphael Ramos Foundation.

0:29:21.440 --> 0:29:22.840
<v Speaker 1>They were like, great, do you know anyone? I said,

0:29:22.840 --> 0:29:25.840
<v Speaker 1>I don't know anyone. And this had just happened. It

0:29:25.960 --> 0:29:28.560
<v Speaker 1>was fresh in my mind, and I remember, you know,

0:29:28.720 --> 0:29:32.560
<v Speaker 1>cops are killed every day in the United States, you know,

0:29:32.640 --> 0:29:35.800
<v Speaker 1>you become somewhat numb to it. But also black and

0:29:35.880 --> 0:29:38.640
<v Speaker 1>brown people are killed every day in our communities, right, so,

0:29:39.160 --> 0:29:41.120
<v Speaker 1>you know, to be a person of color and uniform,

0:29:41.480 --> 0:29:44.520
<v Speaker 1>it can be very very tricky. It's even trickier for

0:29:44.880 --> 0:29:48.240
<v Speaker 1>my black brothers and sisters in uniform, especially during that time,

0:29:48.360 --> 0:29:49.320
<v Speaker 1>right when violence was.

0:29:49.640 --> 0:29:52.360
<v Speaker 2>Very small, I was very very small and as a country,

0:29:52.600 --> 0:29:55.480
<v Speaker 2>and we were just mourning, and we were just witnessing

0:29:55.680 --> 0:29:57.160
<v Speaker 2>so much trauma, so.

0:29:57.320 --> 0:30:01.000
<v Speaker 1>Much so you know, this kind of eliminated, you know,

0:30:01.120 --> 0:30:04.040
<v Speaker 1>And as I looked at the screen when breaking news,

0:30:04.440 --> 0:30:07.560
<v Speaker 1>I remember sitting there looking at Raphael's face and I

0:30:07.680 --> 0:30:11.120
<v Speaker 1>just I got fixated, and I go, I know this man,

0:30:11.160 --> 0:30:13.480
<v Speaker 1>I don't know I from where. And it turns out

0:30:13.480 --> 0:30:15.800
<v Speaker 1>that I went to middle school with Rafael back in Sunset.

0:30:15.840 --> 0:30:18.440
<v Speaker 1>We went to junior high school together and I sat

0:30:18.480 --> 0:30:20.520
<v Speaker 1>there and I remember being I felt cold, and I

0:30:20.600 --> 0:30:22.800
<v Speaker 1>felt the same level of grief that I felt when

0:30:22.880 --> 0:30:25.760
<v Speaker 1>they killed the first service member killed in the Iraq War.

0:30:25.840 --> 0:30:28.560
<v Speaker 1>His name was Lieutenant Shane Childers. I lived in Kenya

0:30:28.600 --> 0:30:30.800
<v Speaker 1>with him. I served in Kenya with him. You know,

0:30:30.920 --> 0:30:32.600
<v Speaker 1>when I found out that Shane had been killed a

0:30:32.680 --> 0:30:35.320
<v Speaker 1>few miles from where I was in my position in

0:30:35.440 --> 0:30:38.360
<v Speaker 1>southern Iraq during the war, I felt that same level

0:30:38.440 --> 0:30:41.200
<v Speaker 1>of grief in my throat and my I had like

0:30:41.320 --> 0:30:44.280
<v Speaker 1>restrictive breathing that I felt like an elephant was pressing

0:30:44.360 --> 0:30:47.160
<v Speaker 1>on my chest. And I remember my eyes they just

0:30:47.200 --> 0:30:49.840
<v Speaker 1>started to, you know, leak right like I couldn't stop it.

0:30:49.960 --> 0:30:52.560
<v Speaker 1>And I'm looking at him, but I wasn't like sobbing

0:30:52.600 --> 0:30:55.320
<v Speaker 1>at that point. It was just like this profound level

0:30:55.360 --> 0:30:59.120
<v Speaker 1>of of sadness. And I'm looking at him, and I

0:30:59.520 --> 0:31:02.280
<v Speaker 1>thought about his kids, and I looked over to my

0:31:02.440 --> 0:31:05.320
<v Speaker 1>two sons, and you know, I have a Jaden who's

0:31:05.360 --> 0:31:07.440
<v Speaker 1>in college, and I have Jonah, and he has a

0:31:07.560 --> 0:31:11.080
<v Speaker 1>Jayden and a Justin. And then I said, what was

0:31:11.120 --> 0:31:12.680
<v Speaker 1>going on? And then I learned that they were just

0:31:12.720 --> 0:31:16.920
<v Speaker 1>simply having lunch in their car, and these two guys

0:31:17.000 --> 0:31:19.840
<v Speaker 1>were They weren't executed, that's not the right word. They

0:31:19.880 --> 0:31:23.400
<v Speaker 1>were assassinated, right, And I'm like, that could have happened

0:31:23.440 --> 0:31:26.440
<v Speaker 1>to me for nothing else and simply were in that uniform,

0:31:26.600 --> 0:31:28.560
<v Speaker 1>you know. It was just that, you know, and you

0:31:28.600 --> 0:31:30.880
<v Speaker 1>know him being Moriqua and is part of being Chinese

0:31:30.960 --> 0:31:32.840
<v Speaker 1>and killed by another man of color.

0:31:32.880 --> 0:31:34.720
<v Speaker 2>It was like, what are you doing here?

0:31:34.800 --> 0:31:38.200
<v Speaker 1>What's the fuck's going on? And so the NFL said, hey,

0:31:38.280 --> 0:31:40.720
<v Speaker 1>we want to do this. So I said, that's the foundation.

0:31:41.000 --> 0:31:42.320
<v Speaker 1>I don't know them, but if you give me a

0:31:42.400 --> 0:31:44.120
<v Speaker 1>couple of days, I'm going to reach out to them.

0:31:44.240 --> 0:31:47.520
<v Speaker 1>So I did. I sent an anonymous email to the

0:31:47.600 --> 0:31:50.240
<v Speaker 1>foundation's website. Within an hour, I'm on the phone with

0:31:50.400 --> 0:31:53.240
<v Speaker 1>the vice president and I'm on the phone with the

0:31:53.320 --> 0:31:56.240
<v Speaker 1>founder of Maritza. And I said, Maritza, I know you

0:31:56.320 --> 0:31:58.600
<v Speaker 1>don't know me. I'm from Sunset, but I remember you

0:31:58.640 --> 0:32:00.560
<v Speaker 1>because you worked in the Costco on third ninth Street

0:32:00.720 --> 0:32:03.160
<v Speaker 1>and Sunset. She's like, yes, you know me from there.

0:32:03.160 --> 0:32:05.400
<v Speaker 1>I go, I do. I said, listen, this is what's

0:32:05.440 --> 0:32:07.920
<v Speaker 1>going on. Can you please come to my house. The

0:32:08.040 --> 0:32:11.560
<v Speaker 1>next day, she's in my kitchen where they're talking, not

0:32:11.680 --> 0:32:14.280
<v Speaker 1>a dry eye, and I just looked at her eyes

0:32:14.320 --> 0:32:18.520
<v Speaker 1>and I felt the profound level of just emptiness, like

0:32:18.680 --> 0:32:19.800
<v Speaker 1>she had just lost him.

0:32:19.800 --> 0:32:21.200
<v Speaker 2>And I said, is that his wife?

0:32:21.400 --> 0:32:25.400
<v Speaker 1>That's his wife, first widow. So Maritza Ramos, I said, Maritza,

0:32:26.120 --> 0:32:28.640
<v Speaker 1>you're stuck with me, girl. I'll do whatever I can

0:32:29.080 --> 0:32:31.200
<v Speaker 1>because I know that could have been me, and that

0:32:31.240 --> 0:32:33.120
<v Speaker 1>could have been my son standing next to you at

0:32:33.160 --> 0:32:36.000
<v Speaker 1>that at that funeral. And so that's that was the

0:32:36.120 --> 0:32:39.480
<v Speaker 1>beginning of that relationship, and it came from me using

0:32:39.560 --> 0:32:42.320
<v Speaker 1>my platform to give back to this man and his

0:32:42.520 --> 0:32:45.160
<v Speaker 1>family in the community. And let me just say this

0:32:45.560 --> 0:32:48.800
<v Speaker 1>to all the listeners. The Rafael Ramas Foundation is not

0:32:48.920 --> 0:32:52.800
<v Speaker 1>a police foundation. It is community based with a focus

0:32:52.920 --> 0:32:57.960
<v Speaker 1>on children. Because children in our neighborhoods, neighborhoods that are

0:32:58.120 --> 0:33:03.920
<v Speaker 1>under resourced, under funded, have sometimes not the best relationships

0:33:04.040 --> 0:33:06.800
<v Speaker 1>or the best perceptions of those who are sworn to

0:33:06.960 --> 0:33:10.040
<v Speaker 1>protect them. So we've always said we want to deal

0:33:10.120 --> 0:33:13.240
<v Speaker 1>with the children parents. Sometimes they have their own opinions,

0:33:13.240 --> 0:33:15.640
<v Speaker 1>their own experiences. I get it. I grew up not

0:33:15.760 --> 0:33:17.680
<v Speaker 1>trusting the cops because that's what I was taught to do.

0:33:18.560 --> 0:33:21.720
<v Speaker 1>But children. There's an opportunity there where we can maybe

0:33:21.760 --> 0:33:23.880
<v Speaker 1>interact with them in a way that will pay dividends.

0:33:24.240 --> 0:33:26.680
<v Speaker 1>Maybe they will be less fearful and break that cycle

0:33:26.800 --> 0:33:30.360
<v Speaker 1>and break the cycle. It's not perfect, but man, it's

0:33:30.360 --> 0:33:32.320
<v Speaker 1>a start. And that's been the work for the last

0:33:32.360 --> 0:33:34.720
<v Speaker 1>eight years that we focused on doing as much as

0:33:34.760 --> 0:33:38.680
<v Speaker 1>we can for these kids of those specific neighborhoods.

0:33:39.080 --> 0:33:41.760
<v Speaker 2>Thank you, we need the work that you're doing is

0:33:41.920 --> 0:33:46.120
<v Speaker 2>so important, not just serving our country, not just entertaining us,

0:33:46.280 --> 0:33:48.600
<v Speaker 2>but also, you know, just giving back to the community,

0:33:48.680 --> 0:33:50.920
<v Speaker 2>because sometimes you get to a level where you're so

0:33:51.080 --> 0:33:54.280
<v Speaker 2>successful and you're so busy that you forget about the community,

0:33:54.320 --> 0:33:56.880
<v Speaker 2>you forget about where you came from, and you're still

0:33:57.000 --> 0:33:59.000
<v Speaker 2>very much in it. And that says a lot about

0:33:59.040 --> 0:34:03.720
<v Speaker 2>you as a man, because you used to be commendable, respectable,

0:34:04.400 --> 0:34:05.080
<v Speaker 2>admirable all.

0:34:05.560 --> 0:34:08.400
<v Speaker 1>There's a scene right if you find yourself on that

0:34:08.920 --> 0:34:11.680
<v Speaker 1>elevator to the top, right, you got to send it

0:34:11.760 --> 0:34:13.160
<v Speaker 1>back down. That's me.

0:34:13.239 --> 0:34:14.600
<v Speaker 2>I say it all the time. I leave the back

0:34:14.640 --> 0:34:15.120
<v Speaker 2>door open.

0:34:15.480 --> 0:34:15.920
<v Speaker 1>I love it.

0:34:16.360 --> 0:34:19.200
<v Speaker 2>I work in radio, and anybody that I can teach

0:34:19.320 --> 0:34:22.400
<v Speaker 2>every single thing I do, I will. And I've had

0:34:22.440 --> 0:34:25.360
<v Speaker 2>about thirty different interns, and I'm like, what do you

0:34:25.400 --> 0:34:27.880
<v Speaker 2>want to learn? And you know, working with interns is

0:34:27.960 --> 0:34:31.320
<v Speaker 2>tricky because you lose half your day teaching. And I

0:34:31.400 --> 0:34:34.120
<v Speaker 2>would not change all my thirty kids that I've had,

0:34:34.560 --> 0:34:38.320
<v Speaker 2>because that's what it's all about, you know, teaching, enabling

0:34:38.400 --> 0:34:41.200
<v Speaker 2>and helping, you know, the next generation. So thank you

0:34:41.280 --> 0:34:43.759
<v Speaker 2>so much for what you're doing. Absolutely, I'm sure you know.

0:34:44.280 --> 0:34:46.080
<v Speaker 2>The Ramo's family is super grateful for you.

0:34:46.600 --> 0:34:49.000
<v Speaker 1>I'm grateful for them for the opportunity. I always say,

0:34:49.040 --> 0:34:52.879
<v Speaker 1>you want to do something selfish, help someone, you get

0:34:52.920 --> 0:34:53.800
<v Speaker 1>so much more out of it.

0:34:54.480 --> 0:34:57.239
<v Speaker 2>Look at you, look at you. You're like, because I'm

0:34:57.280 --> 0:34:58.160
<v Speaker 2>getting something back.

0:34:58.280 --> 0:34:58.880
<v Speaker 1>I love that.

0:34:59.000 --> 0:35:01.560
<v Speaker 2>Now, twenty two twenty five, what's the plan for twenty

0:35:01.640 --> 0:35:02.120
<v Speaker 2>twenty five?

0:35:02.600 --> 0:35:05.200
<v Speaker 1>So twenty twenty five, So this year will mark the

0:35:05.280 --> 0:35:08.000
<v Speaker 1>tenth year since Rafael Ramos and wen Ji and Lu

0:35:08.080 --> 0:35:10.960
<v Speaker 1>were both assassinated. I always say, you know, leave it

0:35:11.040 --> 0:35:12.840
<v Speaker 1>better than you found it. Eight years ago when I

0:35:12.880 --> 0:35:16.279
<v Speaker 1>came on board, you know, four years, I've been the

0:35:16.360 --> 0:35:18.440
<v Speaker 1>president of those eight years. For four of them i've

0:35:18.480 --> 0:35:20.239
<v Speaker 1>been the president. This will be my last year with

0:35:20.320 --> 0:35:22.520
<v Speaker 1>the foundation. I'm going to turn it over to our

0:35:22.600 --> 0:35:24.800
<v Speaker 1>vice president, he's very capable and they're going to do

0:35:24.880 --> 0:35:28.360
<v Speaker 1>great things. But we've definitely left it better and we

0:35:28.440 --> 0:35:32.160
<v Speaker 1>found it. Listen, September thirteenth. All of the hard work

0:35:32.239 --> 0:35:35.440
<v Speaker 1>that we've put into this has culminated in the renaming

0:35:35.600 --> 0:35:38.680
<v Speaker 1>of PS fifty four K and Bedside to the Detective

0:35:38.719 --> 0:35:41.520
<v Speaker 1>Raffao Ramos School Forreer. So I've always that was always

0:35:41.560 --> 0:35:45.040
<v Speaker 1>like amazing, that is amazing. So I was you know,

0:35:45.160 --> 0:35:47.759
<v Speaker 1>you had a hand in it, absolutely, And I'll tell

0:35:47.760 --> 0:35:51.520
<v Speaker 1>you that it came because of acting. A teacher who

0:35:51.640 --> 0:35:54.120
<v Speaker 1>was a fan of mine invited me to be principal

0:35:54.200 --> 0:35:57.160
<v Speaker 1>of the day. She then years later becomes the principal herself,

0:35:57.719 --> 0:36:00.840
<v Speaker 1>and that relationship continued to grow and we nurtured it,

0:36:01.080 --> 0:36:04.320
<v Speaker 1>and then she was helpful in having us rename the school.

0:36:04.120 --> 0:36:06.359
<v Speaker 2>After thank you for principle. She said, I got an

0:36:06.360 --> 0:36:07.520
<v Speaker 2>agenda here, We're gonna make this.

0:36:09.040 --> 0:36:10.879
<v Speaker 1>Amen. I mean, and it took a lot of work.

0:36:11.000 --> 0:36:11.719
<v Speaker 1>It took a lot of work.

0:36:11.800 --> 0:36:13.799
<v Speaker 2>But I'm pretty sure you can't just change the name

0:36:13.800 --> 0:36:14.240
<v Speaker 2>of a school.

0:36:14.360 --> 0:36:17.320
<v Speaker 1>No, especially in some neighborhoods. Some neighbors are like, what

0:36:17.600 --> 0:36:20.799
<v Speaker 1>what you want to do? What you know? But yeah,

0:36:20.960 --> 0:36:23.640
<v Speaker 1>it took us showing up time and time again for

0:36:23.840 --> 0:36:26.479
<v Speaker 1>years and saying, look, we're telling you what we're about,

0:36:26.520 --> 0:36:28.719
<v Speaker 1>but we're showing you it's even more important. We keep

0:36:28.760 --> 0:36:35.000
<v Speaker 1>showing up, giving out exactly so then you know. So

0:36:35.200 --> 0:36:39.520
<v Speaker 1>twenty twenty five, I'm gonna I'm gonna separate myself. But

0:36:39.640 --> 0:36:41.640
<v Speaker 1>against all that mean, what does that mean? It just

0:36:41.760 --> 0:36:43.759
<v Speaker 1>means that I'm going to let them run with it

0:36:43.960 --> 0:36:44.439
<v Speaker 1>and I'm going.

0:36:44.360 --> 0:36:46.200
<v Speaker 2>To Okay, I tell you meant from from the public.

0:36:46.360 --> 0:36:50.160
<v Speaker 1>Oh no, no, no, I'm always going to be around. No,

0:36:50.719 --> 0:36:53.279
<v Speaker 1>but I do want to get back to do my

0:36:53.480 --> 0:36:57.600
<v Speaker 1>love right, which is entertaining people working on music. You know,

0:36:58.520 --> 0:37:00.440
<v Speaker 1>I still have that burning desires.

0:37:01.440 --> 0:37:02.560
<v Speaker 2>What kind of music do you want to do?

0:37:02.880 --> 0:37:05.759
<v Speaker 1>You're gonna laugh, But no, Soul, I saw that you

0:37:05.920 --> 0:37:08.040
<v Speaker 1>was with Brown. Yeah, I want to talk to you

0:37:08.160 --> 0:37:11.120
<v Speaker 1>about that country girl right who knew?

0:37:11.280 --> 0:37:14.680
<v Speaker 2>Why not? Look at your boozy black man running country

0:37:14.760 --> 0:37:15.040
<v Speaker 2>right now?

0:37:15.280 --> 0:37:19.040
<v Speaker 1>Love it? Love it? I sang with Pink Floyd's Roger Waters.

0:37:19.239 --> 0:37:21.759
<v Speaker 1>In twenty thirteen, I did a Sam Cook number called

0:37:21.800 --> 0:37:25.080
<v Speaker 1>The Change Is Gonna Come That that performs in Madison

0:37:25.120 --> 0:37:28.720
<v Speaker 1>Square Garden. Changed the trajectory of my career. It also

0:37:28.960 --> 0:37:31.480
<v Speaker 1>showed people that this dude may look a certain way,

0:37:32.000 --> 0:37:33.920
<v Speaker 1>but he actually has a lot of soul in him.

0:37:33.960 --> 0:37:34.760
<v Speaker 2>Do you want to do country?

0:37:35.360 --> 0:37:38.319
<v Speaker 1>I don't know. I mean I'm open, you know, soul, right,

0:37:38.440 --> 0:37:41.640
<v Speaker 1>soul I look at like Teddy Swims, I look at

0:37:41.920 --> 0:37:45.200
<v Speaker 1>I mean, let's go back my favorite Donnie Hathaway, Teddy

0:37:45.239 --> 0:37:51.960
<v Speaker 1>Panagrass Ltd. All that soul. You know, that's the music

0:37:52.040 --> 0:37:55.840
<v Speaker 1>that I'm inspired by, you know, the al Greens and

0:37:56.760 --> 0:38:02.560
<v Speaker 1>just all of that real bluesy, heavy soul. Not forget Luthor, Luthor, yes, Luthor.

0:38:02.680 --> 0:38:06.840
<v Speaker 1>So that's twenty twenty five. You know one of my music,

0:38:07.360 --> 0:38:11.480
<v Speaker 1>there's a movie coming out that's really I'm excited about

0:38:11.840 --> 0:38:15.360
<v Speaker 1>doing more of that, you know, but music. Absolutely, I

0:38:15.440 --> 0:38:18.720
<v Speaker 1>want to do a subway a showcase in a subway

0:38:18.800 --> 0:38:20.960
<v Speaker 1>anywhere in New York City. Come on that. We could

0:38:21.000 --> 0:38:21.200
<v Speaker 1>do that.

0:38:21.280 --> 0:38:23.520
<v Speaker 2>We could do that. Listen, listen this We have nothing

0:38:23.560 --> 0:38:25.600
<v Speaker 2>but subways. Okay, right right right, just.

0:38:25.640 --> 0:38:27.600
<v Speaker 1>Because I think if New York is stopped and listen,

0:38:27.760 --> 0:38:28.720
<v Speaker 1>then you're onto something.

0:38:28.840 --> 0:38:31.360
<v Speaker 2>We to get your little band or something in the background,

0:38:31.440 --> 0:38:33.600
<v Speaker 2>and you know, we'll tape it, we'll put it on YouTube,

0:38:33.600 --> 0:38:35.399
<v Speaker 2>we'll put it on TikTok and that's it. You out

0:38:35.440 --> 0:38:35.640
<v Speaker 2>of here.

0:38:35.760 --> 0:38:37.360
<v Speaker 1>Today is the day we mentioned it.

0:38:37.520 --> 0:38:39.360
<v Speaker 2>We're going to you know, manifest this. We're going to

0:38:39.440 --> 0:38:42.120
<v Speaker 2>make this happen for you. Yes, I can see it. Yes,

0:38:42.760 --> 0:38:44.759
<v Speaker 2>thank you so much for sitting down with me today. Man,

0:38:44.920 --> 0:38:46.520
<v Speaker 2>this was a great inn Andy. Big shout out, I'm

0:38:46.520 --> 0:38:47.000
<v Speaker 2>Pretty Lou.

0:38:47.239 --> 0:38:50.320
<v Speaker 1>Shout out to pretty Lou who said, my girl, honey,

0:38:50.920 --> 0:38:53.760
<v Speaker 1>German is going to be calling you please.

0:38:54.080 --> 0:38:56.080
<v Speaker 2>You know, we were talking about you know who I

0:38:56.120 --> 0:38:57.400
<v Speaker 2>want to interview and I was like, I want to

0:38:57.400 --> 0:38:59.200
<v Speaker 2>interview Fat Joe and he was like, you know who

0:38:59.239 --> 0:39:01.960
<v Speaker 2>you need to cortious. I was like, yeah, that's my guy,

0:39:02.080 --> 0:39:03.480
<v Speaker 2>that's my guy. And I was like, you know what,

0:39:03.920 --> 0:39:05.759
<v Speaker 2>let's make it happen. And you know, here we are,

0:39:06.640 --> 0:39:08.680
<v Speaker 2>and it's it's all about connecting the dots. It's all

0:39:08.680 --> 0:39:10.920
<v Speaker 2>about community, and it's all about helping each other. And

0:39:11.200 --> 0:39:13.520
<v Speaker 2>you know, whatever you have going on, whichever way I

0:39:13.600 --> 0:39:15.520
<v Speaker 2>can help, and you know, whatever Lou has going on,

0:39:15.880 --> 0:39:18.360
<v Speaker 2>it's just about working with each other, you know, and

0:39:18.480 --> 0:39:20.759
<v Speaker 2>creating these spaces where we can exist and where we

0:39:20.800 --> 0:39:23.160
<v Speaker 2>can share our stories and where we can promote our projects.

0:39:23.200 --> 0:39:25.760
<v Speaker 2>Because as latinos familiar.

0:39:31.239 --> 0:39:33.399
<v Speaker 1>Now, this is a beautiful thing that you're your work,

0:39:33.520 --> 0:39:36.680
<v Speaker 1>that you've created. The space is very comfortable, it's very welcoming.

0:39:36.719 --> 0:39:38.439
<v Speaker 1>I feel like I'm with my prima for sure.

0:39:38.800 --> 0:39:42.360
<v Speaker 2>There you got no.

0:39:45.320 --> 0:39:47.239
<v Speaker 1>But yeah, let's let's keep it going.

0:39:47.320 --> 0:39:49.600
<v Speaker 2>I appreciate you sitting down with me today. Absolutely, thank

0:39:49.600 --> 0:39:51.480
<v Speaker 2>you for having me come again.

0:39:51.680 --> 0:39:52.920
<v Speaker 1>I'll be back five.

0:39:53.000 --> 0:39:53.560
<v Speaker 2>Don't play with me.

0:40:05.960 --> 0:40:09.040
<v Speaker 1>Grassiers Come Again is a production of Honey German Productions

0:40:09.080 --> 0:40:11.920
<v Speaker 1>in partnership with Iheart's Macutura podcast network.