WEBVTT - The science fiction Universe of "Dark Matter"

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<v Speaker 1>Hey or hey? Have you seen a new TV show

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<v Speaker 1>about the multiverse?

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<v Speaker 4>Oh?

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<v Speaker 5>Which one? Feel like there are multiple ones out there?

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<v Speaker 1>I know there are so many. Makes me wonder if

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<v Speaker 1>there are multiverse aliens out there, would they want to

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<v Speaker 1>watch shows about like a single universe? A monoverse.

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<v Speaker 5>What Wait, So, if there is a multiverse and aliens,

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<v Speaker 5>what you're wondering about is whether they watch a show,

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<v Speaker 5>a particular show. Yeah, that's the first question you would

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<v Speaker 5>ask them.

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<v Speaker 1>I don't know if it's the first question, but it's

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<v Speaker 1>on the list.

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<v Speaker 5>Yeah, for sure, what's on. But that's an interesting concept,

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<v Speaker 5>like to them, A show about a single universe would

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<v Speaker 5>be weird and strange to them.

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<v Speaker 1>Yeah, exactly. And you know the stories that people tell,

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<v Speaker 1>the stories people are interesting. That tells you a lot

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<v Speaker 1>about how their mind works. So I think that would

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<v Speaker 1>be super fun.

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<v Speaker 5>I am Jorge mcgartoonez, an author of Oliver's Great Big Universe.

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<v Speaker 1>Hi, I'm Daniel. I'm a particle physicist and a professor

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<v Speaker 1>at UC Irvine, and I'll watch almost any science fiction

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<v Speaker 1>show that's out there, honestly.

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<v Speaker 5>Oh, would you like it and not like it at

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<v Speaker 5>the same time? Or do you like them all? Or

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<v Speaker 5>do you you just want to see them all?

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<v Speaker 1>I watch almost all of them. I don't like all

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<v Speaker 1>of them. I usually finish them anyway, even if I

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<v Speaker 1>sort of hate watch them at the end.

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<v Speaker 5>Yeah, Oh, I can't do that. If I don't like something,

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<v Speaker 5>forget it. I drop it, books, TV shows, movies, I'll

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<v Speaker 5>stop watching a movie.

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<v Speaker 4>In the middle.

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<v Speaker 1>I always just have this hope that they're going to

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<v Speaker 1>pull it off, you know that somehow, even though it

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<v Speaker 1>seems like nonsense, there's an explanation waiting at the end.

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<v Speaker 1>I'm almost always disappointed, but I still have that hope,

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<v Speaker 1>you know.

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<v Speaker 5>I think that's why they invented Wikipedia.

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<v Speaker 1>Daniel, Are you saying you stop watching something and just

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<v Speaker 1>read the plot summary and Wikipedia?

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<v Speaker 6>No?

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<v Speaker 5>I do know, I do. It's such a time saver,

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<v Speaker 5>trust me, and then if what happens sounds interesting, then

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<v Speaker 5>I'll go see how they did.

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<v Speaker 1>Wow. Amazing. Maybe instead of living your life, you should

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<v Speaker 1>just read about yourself on Wikipedia. I mean it saves time. Right.

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<v Speaker 5>Well, who do you think is writing my Wikipedia?

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<v Speaker 1>Is that you wi?

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<v Speaker 5>I mean, what better source about my life than me?

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<v Speaker 7>Yeah?

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<v Speaker 1>Actually, I think there probably are better sources. People tend

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<v Speaker 1>to not be unbiased recounters of their own life story.

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<v Speaker 5>But anyways, Welcome to our podcast, Daniel and Jorge Explain

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<v Speaker 5>the Universe, a production of iHeartRadio.

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<v Speaker 1>A show in which we explain how the universe works

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<v Speaker 1>to you. We want to answer your questions and really

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<v Speaker 1>unwind the explanations so that they click in your mind

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<v Speaker 1>even better than if you just read the article on Wikipedia.

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<v Speaker 1>We do the Wikipedia translation for you. So many people

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<v Speaker 1>to me and say, hey, I read about this on

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<v Speaker 1>Wikipedia and it still doesn't make sense. Can you explain

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<v Speaker 1>that to me. That's what this show is about, explaining

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<v Speaker 1>everything that's out there in the universe in a way

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<v Speaker 1>that actually makes sense to you.

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<v Speaker 5>That's right, because it is a pretty interesting universe full

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<v Speaker 5>of cliffhangers, interesting plot twists, and amazing characters out there.

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<v Speaker 5>Hopefully without a series finale yet.

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<v Speaker 1>I think it's going to end in a cliffhanger. What

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<v Speaker 1>do you think?

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<v Speaker 5>But what's on the other side of the cliff, Daniel?

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<v Speaker 1>I just hope we get another season, that's all, you know.

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<v Speaker 5>Yeah, yeah, how do you know we're not in the

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<v Speaker 5>second season.

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<v Speaker 1>We could be in like Season Infinity, right, it's just

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<v Speaker 1>a series of banks and everyone is a new season.

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<v Speaker 5>We could be like the soap opera of the meta metaverse,

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<v Speaker 5>meta meta universe. You know, it just goes on forever. Yeah, exactly,

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<v Speaker 5>that's the universe turns, and.

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<v Speaker 1>We'd like exploring the physics of the real universe. But

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<v Speaker 1>we also like thinking about other hypothetical, even fictional universes,

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<v Speaker 1>because this is a great way to stretch our brains

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<v Speaker 1>to imagine the way that our universe might be. There's

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<v Speaker 1>a great history of science fiction authors being super creative

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<v Speaker 1>about the way physics might work in some universe in

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<v Speaker 1>their mind, and sometimes even inspiring real physics in new directions.

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<v Speaker 5>Yeah. Because also, isn't it sort of the job of

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<v Speaker 5>physicists to think about the possible futures or possible ways

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<v Speaker 5>in which the universe might work, and then go out

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<v Speaker 5>there and test them.

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<v Speaker 1>Yeah. Absolutely, that is the job of theoretical physics, not

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<v Speaker 1>just describe what we've seen in the universe, but think

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<v Speaker 1>about what else might be out there, come up with

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<v Speaker 1>new experiments we could do to discover the way the

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<v Speaker 1>universe is. And in order to do that you have

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<v Speaker 1>to be creative. You have to say, maybe the universe

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<v Speaker 1>works this way, maybe it works that way. How would

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<v Speaker 1>we know? What would it mean? You know, all the

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<v Speaker 1>big discoveries in the history of physics, Einstein's revolution with

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<v Speaker 1>relativity comes from thinking about the way the universe might work,

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<v Speaker 1>and science fiction authors do the same thing in another direction.

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<v Speaker 1>They maybe even take.

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<v Speaker 5>It for Now does that mean that a physicists can

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<v Speaker 5>just lay back and read what science fiction author is?

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<v Speaker 1>Right, dude, you figured out our secret. That's embarrassing.

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<v Speaker 5>I know.

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<v Speaker 1>That's why I watch so much science fiction. I'm like,

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<v Speaker 1>I need a new idea for research. Let's turn on

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<v Speaker 1>the TV.

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<v Speaker 5>Yeah, that's right. Do you ever like reference that in

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<v Speaker 5>your scientific papers? You should.

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<v Speaker 1>Hasn't actually happened yet, but you know, I'm waiting for

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<v Speaker 1>the day. I'm keep investing.

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<v Speaker 5>Oh, I see, you're waiting for the day for someone

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<v Speaker 5>to make a TV show about a gripping drama that

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<v Speaker 5>takes place at the Large Hadron Collider about a particle

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<v Speaker 5>physicist who has a podcast and then turns out to

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<v Speaker 5>be an international spy.

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<v Speaker 1>Mm hmm, yeah, exactly. You know, the show we're talking

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<v Speaker 1>about today actually is about a physicist who turns out

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<v Speaker 1>to discover something exciting about the universe.

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<v Speaker 4>Hmm.

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<v Speaker 5>Interesting. Well, let's dig into that because to me, on

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<v Speaker 5>the program, we'll be tackling the sci fi universe of

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<v Speaker 5>dark matter. And now, wait, Daniel, I thought we were

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<v Speaker 5>talking about the multiverse, not dark matter.

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<v Speaker 1>I know. Yes, the title of this show is maybe

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<v Speaker 1>a touch bit misleading.

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<v Speaker 5>I agree, yeah, misleading or inaccrid or maybe in season

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<v Speaker 5>Infinity will turn out that dark Matter is what power

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<v Speaker 5>is the multiverse.

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<v Speaker 1>Well, I don't want to give away any spoilers, So

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<v Speaker 1>people got to read the book or check out the

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<v Speaker 1>TV show. This TV show is inspired by a book

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<v Speaker 1>of the same name by Blake Crouch. It was that

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<v Speaker 1>book that actually kicked off our whole series of science

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<v Speaker 1>fiction episodes.

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<v Speaker 5>Yeah. Remember we recorded an episode where we talked about

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<v Speaker 5>the book. This was a long time ago, right five

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<v Speaker 5>years ago, four years ago.

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<v Speaker 1>Yeah, we actually chatted with Blake about a different book

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<v Speaker 1>of his Recursion about time travel. But reading that book

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<v Speaker 1>and thinking about the physics and wondering how authors used

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<v Speaker 1>physics as they developed their shows and how they developed

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<v Speaker 1>the science fiction universe is what inspired our whole series

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<v Speaker 1>of episodes of interviews with authors, which has been super fun.

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<v Speaker 1>So thanks Blake for writing that book.

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<v Speaker 5>Yeah, thank you Blake. And so he wrote the book

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<v Speaker 5>Dark Matter, on which the TV show is based on,

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<v Speaker 5>which you can see right now in Apple TV.

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<v Speaker 1>That's right, by the time this episode airs, the finale

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<v Speaker 1>will have been out already. And so it's a fun

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<v Speaker 1>science fiction show on Apple TV.

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<v Speaker 5>Oh does that mean we're going to do spoilers or

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<v Speaker 5>not spoilers.

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<v Speaker 1>We are not going to do spoilers because I want

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<v Speaker 1>people to hear this episode.

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<v Speaker 5>And then watch the show and or read the Wikipedia page.

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<v Speaker 1>No, do not do that.

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<v Speaker 5>It might see any time. I don't know.

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<v Speaker 1>Let's see, Yeah, let's see.

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<v Speaker 5>But anyway, it's a show out there right now, and

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<v Speaker 5>it's a limited series, right how many episodes will there be?

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<v Speaker 1>There's nine episodes in the first series and there hasn't

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<v Speaker 1>yet been news about whether they'll extended for a second series.

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<v Speaker 1>The story in the first series basically captures what happens

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<v Speaker 1>in the book.

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<v Speaker 5>Okay, does it vary from the book or did they

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<v Speaker 5>change anything or leave it as this?

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<v Speaker 1>There's a few subtle modifications, but basically it follows the

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<v Speaker 1>story as laid out in the book.

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<v Speaker 5>Yeah, okay, what's the general story of the book or

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<v Speaker 5>movie for book?

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<v Speaker 1>So it's a multiverse inspired story, and it's a story

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<v Speaker 1>about a physicist and in one of the universes he

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<v Speaker 1>invents a box that connects the multiverses. So it's essentially

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<v Speaker 1>about being able to travel from one universe to another

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<v Speaker 1>universe to imagine like alternative lives you might have lived,

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<v Speaker 1>or to maybe even change the universe you live in

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<v Speaker 1>because you regret some of your choices.

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<v Speaker 5>Whoa wait, wait, wait, So first of all, it's a box.

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<v Speaker 5>Mm hmm, not a douhiki or a machine. It's a box.

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<v Speaker 5>How big is this box? Like phone booth size box

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<v Speaker 5>or briefcase size box.

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<v Speaker 1>No, it's big enough for a few people to stand in.

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<v Speaker 1>It's sort of like the size of a small garage.

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<v Speaker 1>I guess looks like it's I don't know, three meters

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<v Speaker 1>across or something. But it's a box because it's inspired

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<v Speaker 1>by Schrodinger's cat you know, the idea of putting a

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<v Speaker 1>cat in a box and then not knowing whether it's

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<v Speaker 1>live or dead because there's a quantum triggered poison in

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<v Speaker 1>there with the cat. So I think they used a

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<v Speaker 1>box because it's evoked by Schrodinger's cat experiment.

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<v Speaker 5>I see. So does that mean that the multiverse in

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<v Speaker 5>the show is the quantum multiverse version, because I know

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<v Speaker 5>we've talked about there being multiple versions of multiverses.

0:11:15.480 --> 0:11:18.120
<v Speaker 1>Yeah, exactly. This is the quantum multiverse. The idea that

0:11:18.640 --> 0:11:21.520
<v Speaker 1>if there are random things happening in the universe, like

0:11:21.800 --> 0:11:24.480
<v Speaker 1>an electron could go left or could go right, and

0:11:24.559 --> 0:11:27.599
<v Speaker 1>quantum mechanics tells us that there's just a random probability

0:11:27.679 --> 0:11:30.040
<v Speaker 1>for either one. Then you might ask how does the

0:11:30.120 --> 0:11:34.400
<v Speaker 1>universe choose? And in the Copenhagen interpretation, the universe just

0:11:34.440 --> 0:11:37.920
<v Speaker 1>picks one somehow, you know, rolls a die somewhere behind

0:11:37.960 --> 0:11:40.439
<v Speaker 1>the scenes, and an electron goes left or goes right.

0:11:40.480 --> 0:11:43.319
<v Speaker 1>That's the wave function collapse. But there's another version of

0:11:43.360 --> 0:11:47.080
<v Speaker 1>quantum mechanics, the many world's theory or Everrettian, that says

0:11:47.120 --> 0:11:50.440
<v Speaker 1>it doesn't collapse. It does both. The universe splits into two.

0:11:50.600 --> 0:11:53.160
<v Speaker 1>So the electron goes left in one universe and right

0:11:53.280 --> 0:11:56.240
<v Speaker 1>in another universe, and so those are two elements of

0:11:56.240 --> 0:11:56.840
<v Speaker 1>the multiverse.

0:11:57.080 --> 0:12:00.000
<v Speaker 5>So now after the electron splits, there are two universes

0:12:00.080 --> 0:12:02.360
<v Speaker 5>that exist, one in which the electron win left and

0:12:02.480 --> 0:12:05.199
<v Speaker 5>one in which the electrone went right, whereas before there

0:12:05.240 --> 0:12:06.240
<v Speaker 5>was only one universe.

0:12:06.360 --> 0:12:07.760
<v Speaker 1>Yeah, and you have to be careful what you mean

0:12:07.800 --> 0:12:10.800
<v Speaker 1>by universe here. We use the word universe here to

0:12:10.840 --> 0:12:14.000
<v Speaker 1>evoke the universe that we experience, you know, our stars

0:12:14.040 --> 0:12:16.240
<v Speaker 1>and galaxies and our space and our bodies and all

0:12:16.320 --> 0:12:20.120
<v Speaker 1>that kind of stuff. And then we imagine many of those,

0:12:20.160 --> 0:12:22.880
<v Speaker 1>we put those together into a multiverse. Some people who

0:12:22.880 --> 0:12:25.160
<v Speaker 1>support this theory of quantum mechanics think that that's a

0:12:25.160 --> 0:12:28.400
<v Speaker 1>little bit misleading. You're not really creating new universes. You

0:12:28.480 --> 0:12:32.119
<v Speaker 1>just have one big universe that's now split into independent

0:12:32.160 --> 0:12:34.560
<v Speaker 1>branches that can no longer talk to each other. So

0:12:34.600 --> 0:12:36.200
<v Speaker 1>it's a bit of a quibble about the naming. But

0:12:36.240 --> 0:12:39.120
<v Speaker 1>I think that leads people to imagine that like all

0:12:39.160 --> 0:12:41.960
<v Speaker 1>this new stars are being made somehow, all this mass

0:12:42.040 --> 0:12:44.760
<v Speaker 1>is being created, when it's really more like it's splitting

0:12:44.800 --> 0:12:46.040
<v Speaker 1>into both possibilities.

0:12:47.240 --> 0:12:50.600
<v Speaker 5>Now, in the show, the scientists physicists, I imagine built

0:12:50.720 --> 0:12:53.760
<v Speaker 5>a box and then what happens to the box? If

0:12:53.760 --> 0:12:55.800
<v Speaker 5>you get in it, you can go to another multiverse,

0:12:55.880 --> 0:12:58.080
<v Speaker 5>or you can experience it or what what does it

0:12:58.120 --> 0:12:59.920
<v Speaker 5>mean that it connects the multiverses?

0:13:00.160 --> 0:13:03.880
<v Speaker 1>Yes, the idea is that inside the box, the universe

0:13:03.920 --> 0:13:06.520
<v Speaker 1>has not made a choice about what's happening. There's nobody

0:13:06.520 --> 0:13:09.360
<v Speaker 1>observing it, there's nobody looking at it. So it's still

0:13:09.360 --> 0:13:11.640
<v Speaker 1>in this sort of quantum superposition where it can have

0:13:11.679 --> 0:13:15.280
<v Speaker 1>both possibilities. And so in that sense, it's like there

0:13:15.280 --> 0:13:17.840
<v Speaker 1>are multiple possibilities within the box. The same way that

0:13:17.880 --> 0:13:19.640
<v Speaker 1>when you put a cat in the box and you

0:13:19.640 --> 0:13:21.680
<v Speaker 1>don't look inside yet, the cat could still be alive

0:13:21.760 --> 0:13:24.520
<v Speaker 1>or still be dead, And quantum mechanics says, both possibilities

0:13:24.559 --> 0:13:30.280
<v Speaker 1>exist simultaneously, so now to experience both simultaneously. In the show,

0:13:30.600 --> 0:13:32.920
<v Speaker 1>they develop some sort of chemical, some sort of like

0:13:33.000 --> 0:13:36.800
<v Speaker 1>shot that you take that allows your brain to exist

0:13:36.800 --> 0:13:38.960
<v Speaker 1>in a superposition so that you can go inside the

0:13:39.000 --> 0:13:43.280
<v Speaker 1>box without collapsing the possibilities. So now you are inside

0:13:43.280 --> 0:13:46.839
<v Speaker 1>the box, and you are still in this quantum superposition,

0:13:46.920 --> 0:13:50.480
<v Speaker 1>so you're sort of like experiencing multiple universes simultaneously.

0:13:50.840 --> 0:13:53.600
<v Speaker 5>It's like you're the cat Insurodinger's cat, and then the

0:13:53.640 --> 0:13:56.560
<v Speaker 5>cat took a pill or something or some medicine. It

0:13:56.559 --> 0:14:00.199
<v Speaker 5>can now experience being both dead and alive. But I

0:14:00.240 --> 0:14:02.360
<v Speaker 5>guess the dead kat would not be experienced anything.

0:14:02.520 --> 0:14:05.040
<v Speaker 1>Yeah, exactly. And in the show they describe it says,

0:14:05.160 --> 0:14:08.800
<v Speaker 1>turning off the observer effect what I described earlier. You know,

0:14:08.800 --> 0:14:11.319
<v Speaker 1>when the electron goes left or goes right, when it's

0:14:11.360 --> 0:14:13.520
<v Speaker 1>making that choice, that's what we call the observer effect.

0:14:13.559 --> 0:14:15.920
<v Speaker 1>When you ask the universe, okay, which one is it?

0:14:16.080 --> 0:14:18.840
<v Speaker 1>I want to observe the electron and in the Copenhagen

0:14:18.880 --> 0:14:21.880
<v Speaker 1>interpretation they say when it's observed, that's when the universe

0:14:21.920 --> 0:14:23.560
<v Speaker 1>makes a choice. And so in this story they sort

0:14:23.560 --> 0:14:26.000
<v Speaker 1>of like turn off the observer effect by taking this

0:14:26.080 --> 0:14:29.240
<v Speaker 1>special drug that allows your brain to be in a superposition,

0:14:29.680 --> 0:14:32.080
<v Speaker 1>and then you can basically choose which universe you want

0:14:32.080 --> 0:14:34.080
<v Speaker 1>to go into. You reopen the door, you walk out

0:14:34.120 --> 0:14:36.560
<v Speaker 1>in a new universe. In that universe, you made a

0:14:36.560 --> 0:14:39.920
<v Speaker 1>different choice in your earlier life, or you know, society

0:14:39.960 --> 0:14:42.040
<v Speaker 1>has gone a different way or something it is different

0:14:42.040 --> 0:14:42.840
<v Speaker 1>about the universe.

0:14:43.880 --> 0:14:45.480
<v Speaker 5>Yeah, I hear. There are all kinds of drugs that

0:14:45.480 --> 0:14:48.760
<v Speaker 5>will let you experience all kinds of universes. You don't

0:14:48.800 --> 0:14:53.760
<v Speaker 5>need a box. But wait, so taking this bill of

0:14:53.800 --> 0:14:56.520
<v Speaker 5>going into the box that gives you access to all

0:14:56.600 --> 0:14:59.680
<v Speaker 5>of the multiverses ever created, or just the ones that happen.

0:15:00.120 --> 0:15:02.920
<v Speaker 5>So you go into the box based on the choices

0:15:03.000 --> 0:15:04.920
<v Speaker 5>you make inside the box, you know what I mean,

0:15:04.920 --> 0:15:06.480
<v Speaker 5>Like it would make sense if you can access the

0:15:06.520 --> 0:15:11.520
<v Speaker 5>ones that you're super proposed in, but maybe not the

0:15:11.560 --> 0:15:14.040
<v Speaker 5>ones that were created a long time ago or will

0:15:14.080 --> 0:15:15.040
<v Speaker 5>be created in the future.

0:15:15.600 --> 0:15:17.480
<v Speaker 1>No, it's a very good point, and there is a

0:15:17.520 --> 0:15:20.160
<v Speaker 1>bit of a scientific quibble there. Right, What might make

0:15:20.280 --> 0:15:23.640
<v Speaker 1>sense is you create this box. Now you haven't looked

0:15:23.640 --> 0:15:26.000
<v Speaker 1>at what's inside the box. Several things could be happening

0:15:26.040 --> 0:15:28.400
<v Speaker 1>inside the box. If you now go inside the box,

0:15:28.640 --> 0:15:31.800
<v Speaker 1>you can then choose any of those possible outcomes from

0:15:31.880 --> 0:15:35.080
<v Speaker 1>when you created the box. Right, That's not what happens

0:15:35.120 --> 0:15:37.000
<v Speaker 1>in the show. In the show, you can visit any

0:15:37.080 --> 0:15:40.000
<v Speaker 1>alternative universe in which you were born. So not like

0:15:40.040 --> 0:15:43.360
<v Speaker 1>the full breadth of all possible universes, including ones where

0:15:43.360 --> 0:15:47.000
<v Speaker 1>you never existed or the Earth never formed, just universes

0:15:47.000 --> 0:15:49.080
<v Speaker 1>in which you were born. But I agree with you

0:15:49.120 --> 0:15:52.000
<v Speaker 1>that that doesn't really make sense because how could the

0:15:52.040 --> 0:15:55.280
<v Speaker 1>box have those universes connected to it? Right? It exists

0:15:55.320 --> 0:15:56.240
<v Speaker 1>in our universe?

0:15:56.360 --> 0:15:59.240
<v Speaker 5>Yeah, yeah, okay, but.

0:15:59.200 --> 0:16:01.840
<v Speaker 1>That's a lot less. If you create a box and

0:16:01.880 --> 0:16:03.680
<v Speaker 1>then you can go inside the box and then be

0:16:03.760 --> 0:16:06.000
<v Speaker 1>in any universe in which you made this box five

0:16:06.000 --> 0:16:08.680
<v Speaker 1>minutes ago, that doesn't really give you many new options.

0:16:08.960 --> 0:16:11.680
<v Speaker 1>It doesn't allow for exciting stories like I'm going to

0:16:11.760 --> 0:16:14.640
<v Speaker 1>go inside the box and then instead of being a

0:16:14.640 --> 0:16:17.080
<v Speaker 1>physicist who created this box, I'm gonna go back and

0:16:17.200 --> 0:16:19.640
<v Speaker 1>find the woman I should have married. Instead of building

0:16:19.680 --> 0:16:20.160
<v Speaker 1>this box.

0:16:20.560 --> 0:16:22.400
<v Speaker 5>I guess either version would be kind of interesting. Like

0:16:22.440 --> 0:16:24.600
<v Speaker 5>I could go into this box, right, I can watch

0:16:24.640 --> 0:16:27.120
<v Speaker 5>a TV show and also at the same time, I

0:16:27.160 --> 0:16:31.000
<v Speaker 5>can maybe you know, write a novel, and then at

0:16:31.040 --> 0:16:34.360
<v Speaker 5>the end I'll have done both. Is that how it works?

0:16:34.840 --> 0:16:37.200
<v Speaker 1>Well, eventually you have to come out, right, not everybody

0:16:37.200 --> 0:16:39.600
<v Speaker 1>in the universe has taken this drug. And so then

0:16:39.640 --> 0:16:41.400
<v Speaker 1>when you come out, you're either going to be Jorge

0:16:41.480 --> 0:16:44.040
<v Speaker 1>who wrote a novel or Orge who watched a TV show.

0:16:44.240 --> 0:16:45.520
<v Speaker 5>And I can choose which one.

0:16:45.720 --> 0:16:47.960
<v Speaker 1>You can choose which one, Yes, but you can't be both.

0:16:48.040 --> 0:16:51.240
<v Speaker 1>You can't have both watched the TV show and written

0:16:51.240 --> 0:16:52.920
<v Speaker 1>a novel, which I think is what you're going for.

0:16:53.000 --> 0:16:54.720
<v Speaker 5>But if I wrote the novel, do I remember having

0:16:56.040 --> 0:16:59.080
<v Speaker 5>written the novel or remember having watched the novel the

0:16:59.120 --> 0:16:59.680
<v Speaker 5>TV show?

0:17:00.040 --> 0:17:03.040
<v Speaker 1>Because when you come out, then the universe collapses and

0:17:03.160 --> 0:17:04.560
<v Speaker 1>makes your choice, right.

0:17:05.840 --> 0:17:08.160
<v Speaker 5>Okay, right, but I'll have known, like if I picked

0:17:08.160 --> 0:17:10.359
<v Speaker 5>a novel, then I know that the novel I wrote

0:17:10.400 --> 0:17:11.879
<v Speaker 5>is better than the TV show I watched.

0:17:13.000 --> 0:17:14.679
<v Speaker 1>When you come out, you won't You'll only have been

0:17:14.720 --> 0:17:17.600
<v Speaker 1>Horriy wrote the novel or Horaey who watched the TV show.

0:17:18.280 --> 0:17:21.840
<v Speaker 5>Yeah, or horri We just read the Wikipedia article on matter.

0:17:22.200 --> 0:17:26.160
<v Speaker 5>But let's go back to the show. Sorry, So then

0:17:26.680 --> 0:17:29.080
<v Speaker 5>the physicists had then the option to go anywhere at

0:17:29.080 --> 0:17:30.679
<v Speaker 5>any point in his life in which he made a

0:17:30.720 --> 0:17:32.879
<v Speaker 5>decision and go that that way or not.

0:17:33.240 --> 0:17:33.840
<v Speaker 1>Yeah, exactly.

0:17:33.920 --> 0:17:36.000
<v Speaker 5>But then if he goes the other way, then he'll

0:17:36.000 --> 0:17:39.160
<v Speaker 5>have been that person who made the other choice. Does

0:17:39.200 --> 0:17:40.960
<v Speaker 5>he stay the person he was before he went into

0:17:41.000 --> 0:17:41.359
<v Speaker 5>the box?

0:17:41.480 --> 0:17:43.920
<v Speaker 1>He stays the person he was before he went into

0:17:43.960 --> 0:17:46.600
<v Speaker 1>the box, and now he's experiencing this new universe. So

0:17:46.640 --> 0:17:48.280
<v Speaker 1>one of the main storylines in the show is that

0:17:48.320 --> 0:17:51.440
<v Speaker 1>this physicist, the one we're following, actually didn't build the box.

0:17:51.480 --> 0:17:54.200
<v Speaker 1>He decided not to go into physics and instead follow

0:17:54.240 --> 0:17:57.960
<v Speaker 1>his wife's career and become a teacher. But then another

0:17:58.080 --> 0:18:01.000
<v Speaker 1>version of him that did build the box sides, you know,

0:18:01.119 --> 0:18:03.520
<v Speaker 1>life being a physicist isn't as exciting and I should

0:18:03.520 --> 0:18:06.720
<v Speaker 1>have chosen love and comes and kidnaps the original version

0:18:06.760 --> 0:18:08.119
<v Speaker 1>of him and takes his place.

0:18:08.480 --> 0:18:11.959
<v Speaker 5>Wait what so Wait, the main protagonist is not a physicist.

0:18:12.080 --> 0:18:14.359
<v Speaker 1>He's a physicist by training. He got a PhD, et cetera.

0:18:14.600 --> 0:18:17.639
<v Speaker 1>But now he's teaching, he's not doing research. He decided

0:18:17.680 --> 0:18:19.240
<v Speaker 1>not to devote himself to buildings.

0:18:19.240 --> 0:18:23.240
<v Speaker 5>He's not a practicing physicist, but then the physicist version

0:18:23.280 --> 0:18:25.199
<v Speaker 5>of him in the multiverse turns out to be kind

0:18:25.200 --> 0:18:25.600
<v Speaker 5>of evil.

0:18:26.000 --> 0:18:29.320
<v Speaker 1>Yeah, exactly. You know, he decided following his career with

0:18:29.400 --> 0:18:31.680
<v Speaker 1>maybe the wrong path, even though it allowed him to create

0:18:31.720 --> 0:18:34.280
<v Speaker 1>this box. Now it lets him come back and live

0:18:34.359 --> 0:18:36.560
<v Speaker 1>both versions, right, he wants to be whoorgete wrote the

0:18:36.560 --> 0:18:39.199
<v Speaker 1>novel and watch the TV show. He got to have

0:18:39.200 --> 0:18:40.879
<v Speaker 1>a career, build a box, and now he wants to

0:18:40.880 --> 0:18:42.400
<v Speaker 1>go back and experience love.

0:18:42.720 --> 0:18:45.160
<v Speaker 5>So basically the moral of the stories. If you become

0:18:45.200 --> 0:18:52.040
<v Speaker 5>a physicist and you become a super villain, yeah, takeaway here.

0:18:52.080 --> 0:18:54.160
<v Speaker 1>I don't know. I mean, Bruce Banner has seven PhDs,

0:18:54.160 --> 0:18:56.920
<v Speaker 1>so maybe the guy just needs more PhDs so he becomes,

0:18:56.960 --> 0:18:58.040
<v Speaker 1>you know, on the good side.

0:18:58.400 --> 0:19:00.680
<v Speaker 5>Yeah yeah, but I think for for Bruce Banner, he

0:19:00.680 --> 0:19:04.399
<v Speaker 5>has PhDs in non physics fields. What that balances?

0:19:04.520 --> 0:19:06.920
<v Speaker 1>He got seven PhDs and none of them are in physics.

0:19:06.960 --> 0:19:09.719
<v Speaker 5>Really some of them, I think most of them are not.

0:19:10.080 --> 0:19:13.359
<v Speaker 5>I don't know, I mean, looked at this transcript.

0:19:13.680 --> 0:19:15.200
<v Speaker 1>I need to check out Bruce Banner CV.

0:19:15.400 --> 0:19:17.920
<v Speaker 5>Yeah, yeah, there you go. I'm sure he posts it

0:19:18.240 --> 0:19:20.919
<v Speaker 5>on Wikipedia. Okay, so then he gets kipnaped by his

0:19:20.960 --> 0:19:23.879
<v Speaker 5>alternate version, and then what happens when you kidnapped and

0:19:23.880 --> 0:19:25.879
<v Speaker 5>then placed in the other universe and now he's trapped

0:19:25.920 --> 0:19:26.119
<v Speaker 5>or what?

0:19:26.280 --> 0:19:28.359
<v Speaker 1>Yeah, basically, and he has to figure out what happened

0:19:28.359 --> 0:19:30.760
<v Speaker 1>and try to get back to his original universe, and

0:19:30.800 --> 0:19:33.200
<v Speaker 1>then the story gets pretty wild. So it's a pretty

0:19:33.240 --> 0:19:34.040
<v Speaker 1>fun story. Yeah.

0:19:34.240 --> 0:19:36.320
<v Speaker 5>Oh, do you give it a thumbs up or a

0:19:36.359 --> 0:19:39.480
<v Speaker 5>thumbs down or both thumbs up and thumbs us down.

0:19:39.800 --> 0:19:42.040
<v Speaker 1>It's definitely a lot of fun to watch. I recommend

0:19:42.080 --> 0:19:44.880
<v Speaker 1>it if you're into science fiction. I think the science

0:19:44.920 --> 0:19:47.720
<v Speaker 1>of it is pretty solid, but there are some quibbles,

0:19:47.760 --> 0:19:49.879
<v Speaker 1>but I think they're sort of necessary fudge factors to

0:19:49.920 --> 0:19:52.840
<v Speaker 1>make the story work, Otherwise it just wouldn't be possible.

0:19:53.119 --> 0:19:55.480
<v Speaker 1>But it's definitely fun to watch, and it tries really

0:19:55.480 --> 0:19:57.359
<v Speaker 1>hard to follow rules, you know, to set up a

0:19:57.440 --> 0:20:00.440
<v Speaker 1>universe and to follow the consequences of that. I think

0:20:00.440 --> 0:20:02.840
<v Speaker 1>it does a good job of imagining where the story

0:20:02.920 --> 0:20:04.320
<v Speaker 1>might go that you wouldn't expect.

0:20:05.200 --> 0:20:08.040
<v Speaker 5>Yeah, I know following rules is very important to you.

0:20:08.960 --> 0:20:11.880
<v Speaker 1>Well, we think the universe follows rules, and we're trying

0:20:11.880 --> 0:20:14.040
<v Speaker 1>to figure it out, and so it's most fun to

0:20:14.040 --> 0:20:16.560
<v Speaker 1>follow rules in these stories, the science of it. I

0:20:16.600 --> 0:20:18.320
<v Speaker 1>do have a couple of quibbles. I mean, number one

0:20:18.600 --> 0:20:20.679
<v Speaker 1>is the issue you already brought up, like, if you

0:20:20.760 --> 0:20:23.600
<v Speaker 1>create this box, how is it possible that has access

0:20:23.600 --> 0:20:26.280
<v Speaker 1>to choices you made before you made the box? That

0:20:26.280 --> 0:20:27.359
<v Speaker 1>doesn't seem to work with me.

0:20:27.800 --> 0:20:30.040
<v Speaker 5>My question is how do you pick which universe you

0:20:30.080 --> 0:20:32.320
<v Speaker 5>want to go into? Like is there a computer? Or

0:20:32.400 --> 0:20:34.119
<v Speaker 5>you say I want to go to the universe in

0:20:34.160 --> 0:20:36.159
<v Speaker 5>which I didn't become a physicist.

0:20:36.359 --> 0:20:38.840
<v Speaker 1>Yeah, they actually dig into that in great detail in

0:20:38.920 --> 0:20:41.080
<v Speaker 1>the show. I don't want to spoil how it works,

0:20:41.080 --> 0:20:43.480
<v Speaker 1>but they definitely grapple with that question. That's not something

0:20:43.480 --> 0:20:44.200
<v Speaker 1>they'd gloss over.

0:20:45.080 --> 0:20:47.840
<v Speaker 5>Oh interesting, Like is there a user interface or do

0:20:47.880 --> 0:20:49.679
<v Speaker 5>you check out all the other universe and pick the

0:20:49.720 --> 0:20:50.159
<v Speaker 5>one you like.

0:20:50.880 --> 0:20:52.520
<v Speaker 1>You're gonna have to watch the show or read the

0:20:52.520 --> 0:20:53.840
<v Speaker 1>Wikipedia page to find out.

0:20:54.119 --> 0:20:56.679
<v Speaker 5>Really, that's a big spoiler. The user interface is a

0:20:56.680 --> 0:20:57.280
<v Speaker 5>big spoiler.

0:20:58.119 --> 0:20:59.520
<v Speaker 1>I don't want to give it away, man, I want

0:20:59.520 --> 0:21:03.119
<v Speaker 1>people to watch the show. But this does raise the question,

0:21:03.200 --> 0:21:06.000
<v Speaker 1>which is you know the role of the human in

0:21:06.240 --> 0:21:09.400
<v Speaker 1>observing there's a lot of people out there who imagine

0:21:09.400 --> 0:21:12.080
<v Speaker 1>the quantum mechanics depends on like having a conscious observer.

0:21:12.119 --> 0:21:15.520
<v Speaker 1>When we talk about the observer effect, the wave function collapsing,

0:21:15.640 --> 0:21:18.200
<v Speaker 1>choosing one universe out of many, a lot of people

0:21:18.240 --> 0:21:21.000
<v Speaker 1>think that it requires a person like a conscious observer.

0:21:21.520 --> 0:21:23.639
<v Speaker 1>And I think that's just basically a misunderstanding of the

0:21:23.680 --> 0:21:27.360
<v Speaker 1>observer effect, because what quantum mechanics tells us is that

0:21:27.400 --> 0:21:30.840
<v Speaker 1>the wave function collapses anytime a quantum system interacts with

0:21:30.920 --> 0:21:34.840
<v Speaker 1>any classical object, meaning like something big, you know, like

0:21:34.880 --> 0:21:38.240
<v Speaker 1>a baseball or a screen or a detector or your eyeball.

0:21:38.560 --> 0:21:41.359
<v Speaker 1>Doesn't have to be something conscious. In this show, the

0:21:41.480 --> 0:21:43.600
<v Speaker 1>imagine that it has to be like a conscious person

0:21:44.440 --> 0:21:47.360
<v Speaker 1>to collapse the wave function, and that by taking this ampuol,

0:21:47.480 --> 0:21:50.680
<v Speaker 1>you're like removing that so it doesn't collapse. So they're

0:21:50.720 --> 0:21:54.280
<v Speaker 1>imagining that humans are special somehow in collapsing the wave function.

0:21:54.480 --> 0:21:56.440
<v Speaker 1>That's not the way it really works in quantum mechanics.

0:21:56.440 --> 0:21:58.720
<v Speaker 1>So they need this fudge for the show to work. So,

0:21:58.840 --> 0:22:00.600
<v Speaker 1>you know, I can forgive it, but I don't want

0:22:00.600 --> 0:22:04.359
<v Speaker 1>people to misunderstand that quantum mechanics requires a conscious human observer.

0:22:04.760 --> 0:22:08.560
<v Speaker 5>Right right, things collapse just when they interact with other systems, right,

0:22:08.760 --> 0:22:11.080
<v Speaker 5>and a human brain is just another system. Just what

0:22:11.080 --> 0:22:11.600
<v Speaker 5>you're saying.

0:22:11.840 --> 0:22:13.960
<v Speaker 1>It depends on the system they interact with. A quantum

0:22:13.960 --> 0:22:17.000
<v Speaker 1>system will not collapse if it interacts with another quantum system.

0:22:17.000 --> 0:22:19.560
<v Speaker 1>Like two electrons can interact and still stay in quantum

0:22:19.560 --> 0:22:22.800
<v Speaker 1>superposition because they're built quantum objects. But if an electron

0:22:22.880 --> 0:22:27.080
<v Speaker 1>interacts with a classical object, a screen, a detector, your eyeball, whatever,

0:22:27.720 --> 0:22:30.120
<v Speaker 1>then it will collapse. And people are probably thinking, huh,

0:22:30.200 --> 0:22:32.520
<v Speaker 1>what's the difference between a classical and a quantum system?

0:22:32.720 --> 0:22:34.879
<v Speaker 1>Where do you draw the line? Isn't a classical system

0:22:34.920 --> 0:22:38.439
<v Speaker 1>actually built out of little quantum particles? Yes? Absolutely not

0:22:38.520 --> 0:22:40.800
<v Speaker 1>a question we have an answer to. That's the famous

0:22:40.840 --> 0:22:42.480
<v Speaker 1>measurement problem in quantum mechanics.

0:22:44.040 --> 0:22:47.400
<v Speaker 5>As in the answer just that classical objects are quantum objects,

0:22:47.440 --> 0:22:49.399
<v Speaker 5>except that they're just made up of so many quantum

0:22:49.440 --> 0:22:53.200
<v Speaker 5>objects that it statistically kind of overwhelms the uncertainty.

0:22:53.400 --> 0:22:55.320
<v Speaker 1>Well, we don't really understand how that happens, you know,

0:22:55.359 --> 0:22:59.640
<v Speaker 1>the transition between quantum and classical. If quantum objects can

0:22:59.720 --> 0:23:02.880
<v Speaker 1>intera with other quantum objects and remain in superposition, why

0:23:02.920 --> 0:23:05.880
<v Speaker 1>can a billion quantum objects not do that or a trillion.

0:23:06.119 --> 0:23:09.000
<v Speaker 1>That's not something we understand. According to mathematics, it should

0:23:09.000 --> 0:23:12.119
<v Speaker 1>be possible, you know, so we don't understand when something

0:23:12.160 --> 0:23:13.200
<v Speaker 1>becomes classical.

0:23:14.240 --> 0:23:17.800
<v Speaker 5>What about this idea that you can connect multiverses together.

0:23:18.280 --> 0:23:21.600
<v Speaker 5>Is that something that physicists think is impossible? Or do

0:23:21.640 --> 0:23:24.880
<v Speaker 5>you think that it's possible to travel between multiverses.

0:23:25.000 --> 0:23:27.719
<v Speaker 1>It's very skeptical of that idea. Most of the multiverse

0:23:27.760 --> 0:23:32.119
<v Speaker 1>theories involve universes that cannot interact in any way. In

0:23:32.119 --> 0:23:34.840
<v Speaker 1>the many worlds theory, for example, the wave function has

0:23:34.880 --> 0:23:37.159
<v Speaker 1>split and there's no way for those branches of the

0:23:37.160 --> 0:23:41.080
<v Speaker 1>wave function to interact. Just simply having a box in

0:23:41.080 --> 0:23:43.240
<v Speaker 1>one of the universes that you haven't looked inside of

0:23:43.359 --> 0:23:46.040
<v Speaker 1>doesn't connect the universes in any way. There's no way

0:23:46.119 --> 0:23:49.720
<v Speaker 1>to connect to that other universe. So yeah, that I

0:23:49.760 --> 0:23:52.280
<v Speaker 1>don't think is actually possible, but you know, again, I'm

0:23:52.280 --> 0:23:54.600
<v Speaker 1>willing to fudge it. Although it raises the question like

0:23:54.640 --> 0:23:57.439
<v Speaker 1>if one person in one of these universes builds a box,

0:23:58.040 --> 0:23:59.520
<v Speaker 1>then all of a sudden, there's a box in all

0:23:59.600 --> 0:24:02.119
<v Speaker 1>those other universes that you can step out of. That

0:24:02.240 --> 0:24:04.600
<v Speaker 1>means that in any of the universes. Anybody built a

0:24:04.640 --> 0:24:07.040
<v Speaker 1>box and makes the box in the other universes, then

0:24:07.119 --> 0:24:09.160
<v Speaker 1>all the universes should be filled with an infinite number

0:24:09.200 --> 0:24:09.720
<v Speaker 1>of boxes.

0:24:10.240 --> 0:24:13.280
<v Speaker 5>What wait, wait, there's only one box in the show.

0:24:13.840 --> 0:24:16.040
<v Speaker 1>No, there's an infinite number of boxes, because he builds

0:24:16.040 --> 0:24:18.720
<v Speaker 1>one box and that makes the box appear in all

0:24:18.760 --> 0:24:21.119
<v Speaker 1>the other branches of the universe, so he can step

0:24:21.160 --> 0:24:23.399
<v Speaker 1>out of the box in those universes.

0:24:23.800 --> 0:24:26.920
<v Speaker 5>Wait what who built those other boxes in those other universes?

0:24:27.040 --> 0:24:30.639
<v Speaker 1>Yeah, unexplained. It just sort of is created when he

0:24:30.680 --> 0:24:33.159
<v Speaker 1>builds the one and then doesn't look inside of it

0:24:34.000 --> 0:24:36.600
<v Speaker 1>because it's now in a quantum superposition. It exists in

0:24:36.640 --> 0:24:39.960
<v Speaker 1>all those universes. That's not really explained. And so if

0:24:40.000 --> 0:24:43.440
<v Speaker 1>any other version of him also builds the box, then

0:24:43.640 --> 0:24:45.560
<v Speaker 1>it should exist in our universe as well, and so

0:24:45.600 --> 0:24:48.040
<v Speaker 1>we should have an infinite number of those boxes. The

0:24:48.080 --> 0:24:49.800
<v Speaker 1>whole universe should be filled with boxes.

0:24:49.840 --> 0:24:52.080
<v Speaker 5>Well, isn't that a big plot hole? Like who built

0:24:52.119 --> 0:24:53.600
<v Speaker 5>the boxes in the other universes?

0:24:53.760 --> 0:24:56.520
<v Speaker 1>Yeah? Great question, and a question I'm going to put

0:24:56.560 --> 0:24:58.240
<v Speaker 1>to the writers of the show in just a minute.

0:24:58.440 --> 0:25:01.359
<v Speaker 5>Oh well, this is pretty exciting, Daniel. You got to

0:25:01.440 --> 0:25:04.119
<v Speaker 5>interview two people involved in the show. One is one

0:25:04.160 --> 0:25:07.040
<v Speaker 5>of the screenwriters and the other one is a scientific

0:25:07.119 --> 0:25:08.119
<v Speaker 5>consultant for the show.

0:25:08.600 --> 0:25:11.199
<v Speaker 1>That's right. I talked to Jacqueline ben Zechary, one of

0:25:11.200 --> 0:25:13.159
<v Speaker 1>the screenwriters for the show. She wrote a couple of

0:25:13.160 --> 0:25:15.760
<v Speaker 1>the last episodes. I talked to about writing for the

0:25:15.760 --> 0:25:18.840
<v Speaker 1>show and her process and how they consider the science.

0:25:18.960 --> 0:25:21.800
<v Speaker 1>And I know they involved a physicist as a scientific

0:25:21.800 --> 0:25:24.359
<v Speaker 1>consultant who happens to be a physicist that you and

0:25:24.400 --> 0:25:26.399
<v Speaker 1>I know, and who happens to be here with me

0:25:26.600 --> 0:25:29.160
<v Speaker 1>at the Aspen Center for Physics this week where I am,

0:25:29.600 --> 0:25:31.159
<v Speaker 1>and so I reached out to him and he agreed

0:25:31.160 --> 0:25:32.840
<v Speaker 1>to talk to me about what it's like to be

0:25:32.880 --> 0:25:34.720
<v Speaker 1>a science advisor on this kind of show.

0:25:35.240 --> 0:25:37.840
<v Speaker 5>All right, Well, we'll get to Daniel's interview with a

0:25:37.880 --> 0:25:41.840
<v Speaker 5>screenwriter and scientific consultant for the Apple TV show Dark Matter.

0:25:42.440 --> 0:25:44.320
<v Speaker 5>When we come back from the break.

0:25:48.080 --> 0:25:51.080
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<v Speaker 5>All right, we're talking about the Apple TV show Dark Matter,

0:29:30.000 --> 0:29:32.800
<v Speaker 5>which is a science fiction show about the multiverse and

0:29:32.840 --> 0:29:35.560
<v Speaker 5>being able to travel between them and being able to

0:29:35.720 --> 0:29:39.040
<v Speaker 5>I guess, high five and or kicknap other versions of

0:29:39.080 --> 0:29:42.760
<v Speaker 5>yourself that made bad choices according to your current version.

0:29:43.320 --> 0:29:44.120
<v Speaker 5>It's a little fuzzy.

0:29:44.320 --> 0:29:46.000
<v Speaker 1>Yeah, well, that's really the theme of the show is

0:29:46.000 --> 0:29:48.640
<v Speaker 1>like thinking about other parts of your life and decisions

0:29:48.680 --> 0:29:51.800
<v Speaker 1>you made, sort of like that sliding window movie. Was

0:29:51.800 --> 0:29:54.000
<v Speaker 1>it called a sliding glass doors? What was that movie

0:29:54.280 --> 0:29:56.880
<v Speaker 1>with Gwyneth Paltrow? You know, other choices you might have

0:29:56.960 --> 0:29:57.720
<v Speaker 1>made at leads to.

0:29:57.640 --> 0:29:59.560
<v Speaker 5>Other sliding glass window. Yeah, I think that's what It's

0:29:59.560 --> 0:30:04.040
<v Speaker 5>called the lading rear view mirror.

0:30:04.120 --> 0:30:07.760
<v Speaker 1>Yeah, there you go. That's really the theme of the show,

0:30:07.800 --> 0:30:10.240
<v Speaker 1>and they use the multiverse as a way to explore that.

0:30:11.440 --> 0:30:13.800
<v Speaker 5>Well, you got to interview both a screenwriter and the

0:30:13.840 --> 0:30:16.720
<v Speaker 5>scientific advisor for the show, and so here is Daniel's

0:30:16.720 --> 0:30:19.800
<v Speaker 5>interview with screenwriter Jacqueline ben Zachreed.

0:30:21.240 --> 0:30:24.160
<v Speaker 1>Okay, so then it's my great pleasure to welcome to

0:30:24.200 --> 0:30:27.480
<v Speaker 1>the podcast Jacqueline ben Zachary. Jacqueline, thank you very much

0:30:27.480 --> 0:30:28.240
<v Speaker 1>for taking some time.

0:30:28.200 --> 0:30:30.120
<v Speaker 7>To talk to us, of course, and you can call

0:30:30.120 --> 0:30:32.440
<v Speaker 7>me JBZ. That's what most people do, so it's easier.

0:30:34.720 --> 0:30:37.120
<v Speaker 1>All right, great, So tell us a little bit about

0:30:37.120 --> 0:30:39.760
<v Speaker 1>your background. How you got into science fiction writing and

0:30:39.800 --> 0:30:42.880
<v Speaker 1>working in television for people who want to have your job?

0:30:43.160 --> 0:30:43.960
<v Speaker 1>How did you get it?

0:30:44.280 --> 0:30:48.480
<v Speaker 7>Oh, very mean, during and weird, it's kind of how

0:30:48.480 --> 0:30:51.080
<v Speaker 7>it all happened. Yeah, I don't want to go back

0:30:51.160 --> 0:30:54.320
<v Speaker 7>too far in time, but I'm dyslexic. I grew up

0:30:54.640 --> 0:30:56.920
<v Speaker 7>having a really difficult time, Like I didn't really know

0:30:56.960 --> 0:30:58.080
<v Speaker 7>how to read until I was.

0:30:58.480 --> 0:30:59.240
<v Speaker 9>Sixth grade or so.

0:31:00.120 --> 0:31:03.320
<v Speaker 7>Somewhere and there I actually figured out how to not

0:31:03.400 --> 0:31:06.200
<v Speaker 7>just read, but understand what I was reading, and it

0:31:06.240 --> 0:31:09.080
<v Speaker 7>became an obsession. Like the idea of words and what

0:31:09.120 --> 0:31:11.880
<v Speaker 7>they mean. I think it's not that they have greater

0:31:12.000 --> 0:31:14.520
<v Speaker 7>meaning to me than other people, but I think that

0:31:14.600 --> 0:31:17.800
<v Speaker 7>I appreciate them in a different way. I see them

0:31:17.840 --> 0:31:18.520
<v Speaker 7>in a different way.

0:31:19.120 --> 0:31:20.080
<v Speaker 9>So always.

0:31:20.120 --> 0:31:22.880
<v Speaker 7>From a very young age, I was obsessed with books

0:31:23.200 --> 0:31:26.240
<v Speaker 7>and with the idea of reading, and like this concept

0:31:26.280 --> 0:31:28.600
<v Speaker 7>that it makes you smart if you can understand what

0:31:28.680 --> 0:31:30.960
<v Speaker 7>you're reading, which is like so silly and simple, but

0:31:31.600 --> 0:31:34.640
<v Speaker 7>you know, like I was a kid, and you know,

0:31:35.080 --> 0:31:36.760
<v Speaker 7>once I got a little bit older, I ended up

0:31:36.800 --> 0:31:39.479
<v Speaker 7>working at Amazon for a while doing some you know,

0:31:39.680 --> 0:31:43.360
<v Speaker 7>I was in process improvement, statistical analysis, and six Sigma.

0:31:44.040 --> 0:31:47.360
<v Speaker 7>I really loved you know, Mathew Mathew Mathy all day.

0:31:47.400 --> 0:31:49.640
<v Speaker 7>It was really great. But I was missing some of

0:31:49.680 --> 0:31:54.600
<v Speaker 7>that creative energy. So I ended up it was a

0:31:54.600 --> 0:31:55.920
<v Speaker 7>semi being headhunted.

0:31:56.000 --> 0:31:56.360
<v Speaker 9>Semi.

0:31:56.400 --> 0:31:59.280
<v Speaker 7>I was looking for an opportunity to be more in

0:32:00.240 --> 0:32:02.800
<v Speaker 7>I would say, a creative role. So I got a

0:32:02.920 --> 0:32:08.280
<v Speaker 7>job working and publishing Thomas Mercer, Amazon Publishing, and I

0:32:08.400 --> 0:32:12.360
<v Speaker 7>really loved that job. I really loved being around story

0:32:12.400 --> 0:32:15.240
<v Speaker 7>and writers and it's just, you know, life has a

0:32:15.280 --> 0:32:17.000
<v Speaker 7>way of sort of evolving.

0:32:16.480 --> 0:32:17.560
<v Speaker 9>Over time, you know.

0:32:17.680 --> 0:32:23.120
<v Speaker 7>I started off in marketing and trying to understand how

0:32:23.800 --> 0:32:27.040
<v Speaker 7>people react to story and why they buy what they buy,

0:32:27.200 --> 0:32:30.200
<v Speaker 7>and slowly I became more convinced that the way to

0:32:30.240 --> 0:32:32.880
<v Speaker 7>sell a better book is to have the book be better,

0:32:32.920 --> 0:32:35.480
<v Speaker 7>and so I became an editor, but then I was

0:32:35.960 --> 0:32:38.720
<v Speaker 7>really not very good at that aspect of the job

0:32:38.800 --> 0:32:42.800
<v Speaker 7>because I saw potential in every single book. Like it

0:32:42.880 --> 0:32:44.760
<v Speaker 7>was very easy for me as the marketing person to

0:32:44.800 --> 0:32:45.640
<v Speaker 7>say this book.

0:32:45.400 --> 0:32:46.640
<v Speaker 9>Will sell well and this one will not.

0:32:46.920 --> 0:32:50.400
<v Speaker 7>But when it came to actually interacting the story, it's

0:32:50.560 --> 0:32:54.160
<v Speaker 7>very difficult for me to say, Ah, this story can

0:32:54.200 --> 0:32:56.360
<v Speaker 7>never get good enough and can never become a good

0:32:56.440 --> 0:32:59.560
<v Speaker 7>enough as a writer, will never be written the way

0:32:59.600 --> 0:33:03.280
<v Speaker 7>that we on it to be written. And so I

0:33:03.400 --> 0:33:06.080
<v Speaker 7>kind of immediately sort of started my own side business

0:33:07.600 --> 0:33:10.320
<v Speaker 7>editing books as a developmental story let or, which is

0:33:10.320 --> 0:33:11.720
<v Speaker 7>a little different for those of you who don't know

0:33:11.800 --> 0:33:13.960
<v Speaker 7>much about publishing. It's like there is sort of the

0:33:14.000 --> 0:33:17.240
<v Speaker 7>acquisitions editor, whose job it is to sort of make

0:33:17.280 --> 0:33:19.080
<v Speaker 7>the money work and make it make sense, and they

0:33:19.120 --> 0:33:21.960
<v Speaker 7>do give a lot of notes. But developmental editors are

0:33:21.960 --> 0:33:24.120
<v Speaker 7>the people that, like, as you're writing the book, help

0:33:24.200 --> 0:33:28.040
<v Speaker 7>you figure stuff out and help you figure out your characters,

0:33:28.080 --> 0:33:32.080
<v Speaker 7>and you know, in some cases, just write better. And

0:33:32.160 --> 0:33:34.800
<v Speaker 7>so I started doing that on the side, and then

0:33:34.840 --> 0:33:38.040
<v Speaker 7>eventually that business grew to being my full time job

0:33:38.080 --> 0:33:41.680
<v Speaker 7>and I quit my big, stinky corporate job.

0:33:41.720 --> 0:33:44.280
<v Speaker 1>That must have been an amazing moment, right.

0:33:44.280 --> 0:33:46.080
<v Speaker 7>It's an amazing moment that came a little bit with

0:33:46.240 --> 0:33:48.760
<v Speaker 7>on the heels of a tiny amount of failure. Like

0:33:48.840 --> 0:33:53.480
<v Speaker 7>I had had a memory breakdown, which I don't want

0:33:53.520 --> 0:33:55.680
<v Speaker 7>to go into too much detail here, not because it's

0:33:55.720 --> 0:33:57.400
<v Speaker 7>not interesting, but because it's not what we're here to

0:33:57.440 --> 0:34:00.200
<v Speaker 7>talk about. But I've spoken gibberish in a meeting. I

0:34:00.280 --> 0:34:02.960
<v Speaker 7>was very confused. I had fugue states. I was walking

0:34:03.000 --> 0:34:06.040
<v Speaker 7>home strangely, and it was kind of like this big

0:34:06.080 --> 0:34:08.600
<v Speaker 7>moment where it's like, oh, you either have brain cancer

0:34:08.640 --> 0:34:11.200
<v Speaker 7>and you're dying, and this is your whole life, just

0:34:11.520 --> 0:34:15.160
<v Speaker 7>working sixty hours a week making some amount of money

0:34:15.200 --> 0:34:19.000
<v Speaker 7>that doesn't make you happy, or you are doing this

0:34:19.040 --> 0:34:22.560
<v Speaker 7>to yourself. It's stress and you're creating this problem within

0:34:22.560 --> 0:34:24.319
<v Speaker 7>your own brain. And it was like the dark night

0:34:24.360 --> 0:34:25.279
<v Speaker 7>of this whole weekend, you know.

0:34:26.280 --> 0:34:27.439
<v Speaker 9>And I kind of just looked at.

0:34:27.320 --> 0:34:28.680
<v Speaker 7>The math and I was like, I can make enough

0:34:28.719 --> 0:34:31.320
<v Speaker 7>money off my business and not be unhappy, and it

0:34:31.480 --> 0:34:34.000
<v Speaker 7>kind of doesn't matter if I have cancer, if it's stress.

0:34:34.640 --> 0:34:37.200
<v Speaker 9>So I quit my job and then found out I

0:34:37.239 --> 0:34:37.759
<v Speaker 9>wasn't dying.

0:34:37.960 --> 0:34:39.719
<v Speaker 7>You know that, You know the story has a happy

0:34:39.800 --> 0:34:44.840
<v Speaker 7>ending for those you aren't sure, and he was stress, Yeah.

0:34:44.400 --> 0:34:45.080
<v Speaker 1>Well that's great.

0:34:45.239 --> 0:34:46.920
<v Speaker 9>It was a big moment for me when I got

0:34:46.960 --> 0:34:47.440
<v Speaker 9>to do that.

0:34:47.560 --> 0:34:50.440
<v Speaker 7>And then from there, I was in publishing for a

0:34:50.440 --> 0:34:53.760
<v Speaker 7>long time, and I've been Blake Crouch's developmental editor since Pines,

0:34:53.800 --> 0:35:00.000
<v Speaker 7>and so when he was developing a couple of other projects,

0:35:00.000 --> 0:35:01.560
<v Speaker 7>because I've always been in the mix of that, and

0:35:01.600 --> 0:35:04.080
<v Speaker 7>we were working on developing another television show that was

0:35:04.120 --> 0:35:08.239
<v Speaker 7>like pretty close to going and you know, we've gotten

0:35:08.239 --> 0:35:09.880
<v Speaker 7>pretty far on the road with some producers and there

0:35:09.920 --> 0:35:10.200
<v Speaker 7>was like.

0:35:10.200 --> 0:35:12.680
<v Speaker 9>Money already starting to come in for it, and.

0:35:12.760 --> 0:35:15.759
<v Speaker 7>Dark Matter got greenlit, and it was this immediate moment

0:35:15.760 --> 0:35:17.560
<v Speaker 7>where it's like, you can't do both.

0:35:17.640 --> 0:35:19.160
<v Speaker 9>That's literally impossible.

0:35:19.840 --> 0:35:22.960
<v Speaker 7>So it was like, Okay, well, I guess we'll do

0:35:23.040 --> 0:35:25.799
<v Speaker 7>Dark Matter instead. And that's kind of how the whole

0:35:25.840 --> 0:35:28.680
<v Speaker 7>thing happened. It's so weird and random, but a lot

0:35:28.719 --> 0:35:30.200
<v Speaker 7>of fun too. I've really enjoyed the ride.

0:35:30.440 --> 0:35:32.600
<v Speaker 1>Wonderful. Well, congrats in the show. It's a lot of fun.

0:35:33.440 --> 0:35:36.280
<v Speaker 1>The show features a lot of themes of quantum mechanics.

0:35:36.320 --> 0:35:39.800
<v Speaker 1>You know, you have superposition, the multiverse. What is exciting

0:35:39.840 --> 0:35:43.240
<v Speaker 1>to you as a writer about these themes. What opportunities

0:35:43.360 --> 0:35:45.799
<v Speaker 1>and challenges does that create that you were excited about.

0:35:46.000 --> 0:35:49.720
<v Speaker 7>Wow, that's a really good question. Theme wise, I think

0:35:50.520 --> 0:35:53.600
<v Speaker 7>I'm very drawn to duality in general. I think there's

0:35:53.640 --> 0:35:57.080
<v Speaker 7>something really fascinating about you know, for those of you

0:35:57.120 --> 0:35:59.000
<v Speaker 7>who are watching the show, and if you haven't, I

0:35:59.000 --> 0:36:01.000
<v Speaker 7>don't want to spoil anything, but for those who've watched

0:36:01.040 --> 0:36:06.640
<v Speaker 7>the show, we're dealing with one person who is expressed

0:36:06.640 --> 0:36:09.400
<v Speaker 7>in multiple versions of himself. And kind of how it

0:36:09.440 --> 0:36:12.200
<v Speaker 7>works is like, we have Jason two and Jason one,

0:36:12.239 --> 0:36:14.680
<v Speaker 7>and they were the same person until fifteen years ago

0:36:14.719 --> 0:36:18.200
<v Speaker 7>when one decided to have a family and the other

0:36:18.239 --> 0:36:21.040
<v Speaker 7>decided to pursue his career. And to be clear, no

0:36:21.080 --> 0:36:22.680
<v Speaker 7>one here is saying you have to do one or

0:36:22.719 --> 0:36:25.800
<v Speaker 7>the other, but like, for this story, that has happened,

0:36:27.560 --> 0:36:28.000
<v Speaker 7>and it.

0:36:27.920 --> 0:36:30.040
<v Speaker 9>Was the idea of like that.

0:36:30.640 --> 0:36:33.200
<v Speaker 7>Jason two later does a bunch of really I would say,

0:36:33.239 --> 0:36:38.440
<v Speaker 7>incredibly dastardly things and really horrifying, terrible things, and Jason

0:36:38.480 --> 0:36:42.879
<v Speaker 7>one kind of, you know, maintains this positivity.

0:36:42.920 --> 0:36:45.560
<v Speaker 9>He's a good guy, but the reality is that they

0:36:45.560 --> 0:36:46.440
<v Speaker 9>are the same person.

0:36:46.600 --> 0:36:49.400
<v Speaker 7>And when writing him and writing his actions and what

0:36:49.440 --> 0:36:52.840
<v Speaker 7>he's doing you have to actually look deep within yourself

0:36:52.880 --> 0:36:55.400
<v Speaker 7>to the things that keep you from doing bad and

0:36:55.400 --> 0:36:58.879
<v Speaker 7>that or that keep you from doing good, and how

0:36:58.920 --> 0:37:01.120
<v Speaker 7>they are just like the batman the joke er. They

0:37:01.120 --> 0:37:03.760
<v Speaker 7>are two sides of the same coin. And that's exciting

0:37:03.840 --> 0:37:06.680
<v Speaker 7>to look at. It's exciting to think about, you know,

0:37:06.760 --> 0:37:09.120
<v Speaker 7>why we make the choices that we make, and who

0:37:09.160 --> 0:37:12.480
<v Speaker 7>we are when you strip away all those trapings of

0:37:12.960 --> 0:37:15.960
<v Speaker 7>life and circumstances, like how would you actually interact and

0:37:16.000 --> 0:37:18.640
<v Speaker 7>react to things? So those are thematically the funnest things.

0:37:18.920 --> 0:37:22.000
<v Speaker 7>But I am a big sci fi dorc Like definitely

0:37:23.600 --> 0:37:25.759
<v Speaker 7>that's not I don't want to say not normal. That

0:37:25.840 --> 0:37:29.040
<v Speaker 7>sounds really insulting, but you know, on the scale of like,

0:37:29.280 --> 0:37:32.360
<v Speaker 7>you know, the minutia and the science, that all really

0:37:32.400 --> 0:37:35.799
<v Speaker 7>matters to me. So I was also equally excited to

0:37:35.840 --> 0:37:38.400
<v Speaker 7>be able to go in here and be like, let's actually,

0:37:39.040 --> 0:37:42.680
<v Speaker 7>you know, talk about some of these issues to a

0:37:42.760 --> 0:37:45.680
<v Speaker 7>wide audience of people. This kind of science is kind

0:37:45.680 --> 0:37:48.040
<v Speaker 7>of thinking this. I do think of physics more as

0:37:48.080 --> 0:37:52.719
<v Speaker 7>philosophy than anything else, this philosophical way of thinking about

0:37:52.760 --> 0:37:55.239
<v Speaker 7>the universe, and expose that to a lot of people

0:37:55.239 --> 0:37:59.480
<v Speaker 7>who would never normally choose the show because we made

0:37:59.520 --> 0:38:04.000
<v Speaker 7>it about regular people doing regular.

0:38:03.680 --> 0:38:06.560
<v Speaker 9>Things, and the science is just it's another character.

0:38:06.680 --> 0:38:10.320
<v Speaker 7>It's not the focus of every second, and that was

0:38:10.320 --> 0:38:11.640
<v Speaker 7>probably the most exciting part for me.

0:38:13.000 --> 0:38:15.360
<v Speaker 1>The show is sort of like a mystery or a thriller.

0:38:15.400 --> 0:38:18.400
<v Speaker 1>You're trying to like unravel what happened, And to me,

0:38:18.520 --> 0:38:21.719
<v Speaker 1>I'm always really impressed when somebody writes that kind of

0:38:22.440 --> 0:38:25.800
<v Speaker 1>story in a science fiction universe, because it's so challenging

0:38:25.800 --> 0:38:28.359
<v Speaker 1>for the audience to know if the rules are being

0:38:28.360 --> 0:38:31.319
<v Speaker 1>followed and what the rules are. How important is it

0:38:31.360 --> 0:38:34.360
<v Speaker 1>to you as a writer that the universe you created

0:38:34.640 --> 0:38:37.560
<v Speaker 1>follows like a coherent and consistent set of rules, even

0:38:37.640 --> 0:38:39.520
<v Speaker 1>of course if they aren't the rules of our universe,

0:38:40.040 --> 0:38:41.760
<v Speaker 1>or are you like, let's just make the story happen

0:38:41.800 --> 0:38:44.120
<v Speaker 1>and will you know, fill in some science frosting when

0:38:44.160 --> 0:38:44.600
<v Speaker 1>we need to.

0:38:45.160 --> 0:38:48.160
<v Speaker 7>Oh, I'm definitely the more the first type. And this

0:38:48.200 --> 0:38:50.840
<v Speaker 7>goes back to being a developmental editor. You know, the tropes,

0:38:50.840 --> 0:38:52.520
<v Speaker 7>which is kind of what you're talking about, right, Like,

0:38:52.680 --> 0:38:56.280
<v Speaker 7>there's what the audience expects tropes. Like when I say mystery,

0:38:56.360 --> 0:38:58.360
<v Speaker 7>it means you don't know the solution to the problem,

0:38:58.440 --> 0:38:59.719
<v Speaker 7>to the last twenty five percent.

0:38:59.520 --> 0:39:00.720
<v Speaker 9>Of the show, movie, or book.

0:39:00.800 --> 0:39:03.319
<v Speaker 7>Right, that's a mystery versus thriller, which is like, you

0:39:03.400 --> 0:39:05.840
<v Speaker 7>know the problem very early on is how are you

0:39:05.880 --> 0:39:08.000
<v Speaker 7>going to solve it? You know, so like that's what

0:39:08.040 --> 0:39:10.440
<v Speaker 7>the audiences expect. And then there's the writing trips, like

0:39:10.520 --> 0:39:15.040
<v Speaker 7>actually how you structure things, So like, for example, fantasy,

0:39:15.200 --> 0:39:18.120
<v Speaker 7>we structure it where you have multiple stories interacting at

0:39:18.200 --> 0:39:21.719
<v Speaker 7>various points, so you don't do that per se in

0:39:22.040 --> 0:39:25.719
<v Speaker 7>like science fiction usually that's those are structural differences.

0:39:26.520 --> 0:39:29.960
<v Speaker 9>So for me, like when it comes to the mixing

0:39:30.000 --> 0:39:30.319
<v Speaker 9>of like.

0:39:30.400 --> 0:39:32.640
<v Speaker 7>Mystery and thriller and you know, all these different things

0:39:32.640 --> 0:39:36.200
<v Speaker 7>into our speculative fiction, I am pretty obsessed with the

0:39:36.280 --> 0:39:38.239
<v Speaker 7>rules because I think the rules are how you keep

0:39:38.280 --> 0:39:41.760
<v Speaker 7>people grounded. So like there's the rules of the science,

0:39:41.800 --> 0:39:44.120
<v Speaker 7>which I think have to be established very early on,

0:39:44.239 --> 0:39:46.040
<v Speaker 7>and it needs to be blunt. Like it's the one

0:39:46.080 --> 0:39:47.800
<v Speaker 7>area in all of writing where you're like, hey, we

0:39:47.840 --> 0:39:51.640
<v Speaker 7>can be on the nose here just same mean, which

0:39:51.680 --> 0:39:53.560
<v Speaker 7>is lazy and fun.

0:39:53.640 --> 0:39:53.839
<v Speaker 9>Right.

0:39:54.440 --> 0:39:58.080
<v Speaker 7>There is the weighing with the rules, which is like

0:39:58.719 --> 0:40:01.640
<v Speaker 7>the assumptions that we make, and there is the assumption

0:40:01.719 --> 0:40:04.759
<v Speaker 7>that we make scientifically, like consciousness connects to reality. We

0:40:04.840 --> 0:40:07.239
<v Speaker 7>know that that is some element of that is true, right,

0:40:07.280 --> 0:40:10.560
<v Speaker 7>But then we sort of expand that out and say, Okay,

0:40:11.160 --> 0:40:13.920
<v Speaker 7>if consciousness connects to reality, then I guess you have

0:40:14.040 --> 0:40:16.279
<v Speaker 7>to have consciousness in this world in order to be

0:40:16.280 --> 0:40:17.759
<v Speaker 7>able to go to this world. So now how we

0:40:17.920 --> 0:40:19.440
<v Speaker 7>have a rule you have to have been born in

0:40:19.440 --> 0:40:20.719
<v Speaker 7>that world to be able to go there. And so

0:40:21.320 --> 0:40:25.320
<v Speaker 7>it is a lot of fun to take theoretically realish

0:40:25.440 --> 0:40:28.560
<v Speaker 7>rules and then sort of play with them as well.

0:40:28.600 --> 0:40:30.359
<v Speaker 9>I definitely think we did both in this show.

0:40:30.400 --> 0:40:32.920
<v Speaker 7>And I don't think you can ask people to trust

0:40:32.960 --> 0:40:36.680
<v Speaker 7>you so much that you throw a bunch of nonsense

0:40:36.719 --> 0:40:38.640
<v Speaker 7>to the wall and say that's not real science, that's

0:40:38.680 --> 0:40:41.120
<v Speaker 7>not real storytelling, and expect people to go along with it.

0:40:41.160 --> 0:40:44.719
<v Speaker 7>Like people want to feel like they're satisfied at the

0:40:44.800 --> 0:40:46.759
<v Speaker 7>end of it, like oh I got it, and not

0:40:46.800 --> 0:40:48.840
<v Speaker 7>only did I get it, I got something hard.

0:40:49.040 --> 0:40:51.279
<v Speaker 9>And so we do have to always be.

0:40:52.080 --> 0:40:54.040
<v Speaker 7>Coming back to the rules and always be coming back

0:40:54.080 --> 0:40:55.680
<v Speaker 7>to the things that makes sense, and always coming back

0:40:55.680 --> 0:40:58.719
<v Speaker 7>to what you've established that it's also satisfying, and that's

0:40:58.719 --> 0:40:59.439
<v Speaker 7>a trope thing.

0:41:00.719 --> 0:41:03.840
<v Speaker 1>Yeah, well, how much of the rules of the universe

0:41:03.920 --> 0:41:06.640
<v Speaker 1>you're writing in are the rules of our universe? And

0:41:06.640 --> 0:41:09.200
<v Speaker 1>how much did you like extend and fill in the

0:41:09.239 --> 0:41:11.520
<v Speaker 1>gaps where we just don't know how things work? And

0:41:11.560 --> 0:41:13.560
<v Speaker 1>also tell us a little bit about how you used

0:41:13.600 --> 0:41:15.960
<v Speaker 1>the science Advisor in this show. I happen to know

0:41:16.080 --> 0:41:17.720
<v Speaker 1>cliff Johnson quite well.

0:41:17.840 --> 0:41:19.359
<v Speaker 9>I'm in love with him. If you could let him

0:41:19.360 --> 0:41:21.600
<v Speaker 9>know that, like I think he I think he knows

0:41:22.120 --> 0:41:22.920
<v Speaker 9>if you could let him.

0:41:22.960 --> 0:41:24.480
<v Speaker 1>Ma, that's very charming.

0:41:25.160 --> 0:41:28.759
<v Speaker 9>He is super charming and just really just nice and smart.

0:41:29.440 --> 0:41:29.840
<v Speaker 1>Yeah.

0:41:30.000 --> 0:41:32.279
<v Speaker 7>I asked him a question about entanglement once and he

0:41:32.360 --> 0:41:36.279
<v Speaker 7>was way too nice to me. How much of this

0:41:36.400 --> 0:41:40.040
<v Speaker 7>is the rules of our universe? I hope my understanding

0:41:40.200 --> 0:41:43.160
<v Speaker 7>is that, and God I would love to know it.

0:41:43.200 --> 0:41:46.239
<v Speaker 9>Clifford thinks I think it's.

0:41:46.160 --> 0:41:51.560
<v Speaker 7>Probably eighty five percent theoretically possible, right, Like, we're playing

0:41:51.600 --> 0:41:57.239
<v Speaker 7>with math that exists for sure, but we're expanding it

0:41:57.280 --> 0:42:00.759
<v Speaker 7>pretty considerably in like just just go with me here,

0:42:00.840 --> 0:42:07.279
<v Speaker 7>you know, we get philosophical to real. So I'd say, yeah,

0:42:07.320 --> 0:42:09.480
<v Speaker 7>it's pretty close. But there's definitely some stuff that's like,

0:42:09.840 --> 0:42:12.160
<v Speaker 7>you know, totally bs that we just sort of, you know,

0:42:12.520 --> 0:42:15.960
<v Speaker 7>added in there because it's a lot of fun but

0:42:16.080 --> 0:42:17.800
<v Speaker 7>I think the thing that we play with more in

0:42:17.840 --> 0:42:20.120
<v Speaker 7>our universe is sort of history. I think that that's

0:42:20.160 --> 0:42:22.640
<v Speaker 7>the more fun thing to play with, like for me especially,

0:42:22.680 --> 0:42:25.359
<v Speaker 7>but I also know for Blake, getting the science as

0:42:25.360 --> 0:42:28.479
<v Speaker 7>close to possible to being plausible so that you could

0:42:28.480 --> 0:42:31.240
<v Speaker 7>go out and interact with other forms of this science

0:42:31.360 --> 0:42:35.400
<v Speaker 7>and understand it better, that's really important to us, and

0:42:35.440 --> 0:42:38.360
<v Speaker 7>so we try to stay in that sphere. But like

0:42:38.960 --> 0:42:42.640
<v Speaker 7>you know, imagining a world where completely different things happened, like,

0:42:43.320 --> 0:42:46.719
<v Speaker 7>that's a lot more fun than playing with science, I think,

0:42:46.800 --> 0:42:48.440
<v Speaker 7>And that tends to be where we kind.

0:42:48.280 --> 0:42:49.560
<v Speaker 9>Of really go off the rails.

0:42:50.280 --> 0:42:52.840
<v Speaker 7>Like one of the worlds that we explore, World twenty

0:42:52.880 --> 0:42:56.120
<v Speaker 7>six is the sort of utopia world. We're like, well,

0:42:56.160 --> 0:42:59.920
<v Speaker 7>what if they just, you know, instead of developing the bomb,

0:43:00.080 --> 0:43:03.719
<v Speaker 7>what if they put all those resources into creating what's

0:43:03.760 --> 0:43:07.719
<v Speaker 7>called endless environmentally conscious energy, Right, what if that was

0:43:07.760 --> 0:43:10.759
<v Speaker 7>what we did instead. That's not a judgment on the

0:43:10.760 --> 0:43:13.040
<v Speaker 7>Manhattan Project. I grew up in Hamford. I tend to

0:43:13.160 --> 0:43:16.520
<v Speaker 7>have a very strong attachment to that concept and that

0:43:16.520 --> 0:43:20.279
<v Speaker 7>it's one of the greatest achievements in all of human history, right, Like,

0:43:20.800 --> 0:43:23.400
<v Speaker 7>doing that scale of science and doing it that quickly

0:43:23.440 --> 0:43:24.960
<v Speaker 7>and that engineering and on that thinking.

0:43:25.680 --> 0:43:28.400
<v Speaker 9>But you know, the outcome wasn't really.

0:43:28.239 --> 0:43:31.719
<v Speaker 7>Always like the most pleasant thing, And so what if

0:43:31.760 --> 0:43:34.839
<v Speaker 7>we'd done something inherently more positive. What does that mean

0:43:35.680 --> 0:43:39.000
<v Speaker 7>if you chose that over a destructive device. Well, you're

0:43:39.040 --> 0:43:41.360
<v Speaker 7>probably in a world where there's more empathy. You're probably

0:43:41.360 --> 0:43:44.440
<v Speaker 7>in a world where or we communicate better. And so

0:43:45.040 --> 0:43:47.720
<v Speaker 7>I think a lot more liberty was taken with history

0:43:47.719 --> 0:43:50.360
<v Speaker 7>and sociology than less taken with real science, if you

0:43:50.440 --> 0:43:50.879
<v Speaker 7>know what I mean.

0:43:51.600 --> 0:43:54.440
<v Speaker 1>Yeah, absolutely, I think that's really creative. I really like

0:43:54.480 --> 0:43:56.480
<v Speaker 1>that part of the show. I found myself like excited

0:43:56.520 --> 0:43:58.280
<v Speaker 1>every time they opened the door to a new universe,

0:43:58.280 --> 0:44:00.439
<v Speaker 1>like what's this one? What did they dream of? Time?

0:44:00.480 --> 0:44:02.240
<v Speaker 1>And Yeah, I was always impressed.

0:44:02.400 --> 0:44:03.759
<v Speaker 7>I just want to say this because I didn't really

0:44:03.760 --> 0:44:07.560
<v Speaker 7>answer your Cliver johnsonthing. Clifford was really great about being

0:44:07.560 --> 0:44:09.440
<v Speaker 7>a good carrot and stick guy. I just want to

0:44:09.480 --> 0:44:13.400
<v Speaker 7>say that, like cliff was like, yeah, I mean, sure

0:44:13.480 --> 0:44:15.560
<v Speaker 7>you could make it look like this, it's not a problem.

0:44:15.600 --> 0:44:17.160
<v Speaker 7>But then I remember there were a couple of times

0:44:17.280 --> 0:44:19.520
<v Speaker 7>during in No Atmosphere World where we had charred and

0:44:19.560 --> 0:44:22.360
<v Speaker 7>burned stuff places and he's like, no, absolutely, not, that

0:44:22.400 --> 0:44:23.080
<v Speaker 7>would not happen.

0:44:23.080 --> 0:44:24.560
<v Speaker 9>Those are not the colors. That's not how it would

0:44:24.600 --> 0:44:25.000
<v Speaker 9>look like.

0:44:25.400 --> 0:44:28.520
<v Speaker 7>I just love when you could tell that something really

0:44:28.600 --> 0:44:30.799
<v Speaker 7>matters to your scientific advice and you're like, oh, don't

0:44:30.840 --> 0:44:31.239
<v Speaker 7>touch that.

0:44:32.000 --> 0:44:36.400
<v Speaker 1>Yeah, yeah, well hopefully that's representative of like the nerds

0:44:36.400 --> 0:44:38.040
<v Speaker 1>watching your show, and you don't want to piss them

0:44:38.040 --> 0:44:38.479
<v Speaker 1>off either.

0:44:38.560 --> 0:44:40.760
<v Speaker 9>Absolutely. I don't like being wrong. I don't think anyone

0:44:40.800 --> 0:44:41.239
<v Speaker 9>does right.

0:44:43.160 --> 0:44:45.080
<v Speaker 1>So for the nerds out there in the audience, of

0:44:45.080 --> 0:44:48.040
<v Speaker 1>which I count myself one, since I get to talk

0:44:48.080 --> 0:44:50.040
<v Speaker 1>to you, I do have some questions about the rules

0:44:50.080 --> 0:44:52.360
<v Speaker 1>of the universe and how it works. One thing I

0:44:52.400 --> 0:44:54.480
<v Speaker 1>was wondering about what you thought about how you guys

0:44:54.560 --> 0:44:58.920
<v Speaker 1>worked out is how the box exists in the other universes.

0:45:00.360 --> 0:45:02.880
<v Speaker 1>Creates the box, and his university builds it. He physically

0:45:02.960 --> 0:45:05.200
<v Speaker 1>puts it together. Then he goes to another universe he

0:45:05.239 --> 0:45:07.560
<v Speaker 1>steps out of the box. That box is also in

0:45:07.600 --> 0:45:10.320
<v Speaker 1>that universe, and I found myself wondering, like, who built

0:45:10.320 --> 0:45:12.560
<v Speaker 1>it or how did that come to be? Do you

0:45:12.560 --> 0:45:14.440
<v Speaker 1>guys grapple with that kind of question? Are you just

0:45:14.520 --> 0:45:17.000
<v Speaker 1>kind of like, hmm, we need a little bit of.

0:45:17.000 --> 0:45:18.480
<v Speaker 9>Fudge there, you're going to get into there.

0:45:18.520 --> 0:45:20.440
<v Speaker 7>See now I'm going to contradict myself, like now we're

0:45:20.440 --> 0:45:21.280
<v Speaker 7>getting into woo.

0:45:21.080 --> 0:45:23.680
<v Speaker 1>Wu Right, okay, let's go there.

0:45:23.719 --> 0:45:26.439
<v Speaker 7>Yeah for sure, for sure, like we know the laws

0:45:26.440 --> 0:45:29.200
<v Speaker 7>of thermodynamics would not allow this to happen, right, because

0:45:29.239 --> 0:45:32.680
<v Speaker 7>like our theory is that it spawns and that it

0:45:32.680 --> 0:45:35.520
<v Speaker 7>it just arrives there because it is a gateway. So

0:45:35.719 --> 0:45:40.000
<v Speaker 7>once Jason creates it in his world, it's sort of

0:45:40.040 --> 0:45:41.480
<v Speaker 7>like I guess I would describe it as like an

0:45:41.480 --> 0:45:44.680
<v Speaker 7>anchor point. It is the nexus by which all.

0:45:44.719 --> 0:45:45.680
<v Speaker 9>Universes are connecting.

0:45:45.800 --> 0:45:48.360
<v Speaker 7>So in theory, when you see that box, say in

0:45:49.160 --> 0:45:52.120
<v Speaker 7>no atmosphere world or in the world where they're in

0:45:52.160 --> 0:45:52.880
<v Speaker 7>the water.

0:45:53.239 --> 0:45:54.960
<v Speaker 9>That is actually the same box.

0:45:55.640 --> 0:45:58.520
<v Speaker 7>It's just being represented there physically so we can go

0:45:58.560 --> 0:46:00.520
<v Speaker 7>in and out. And that's why the corridor is just

0:46:00.560 --> 0:46:03.279
<v Speaker 7>the box repeating across because it's just your mind making

0:46:03.360 --> 0:46:03.879
<v Speaker 7>sense of it.

0:46:04.520 --> 0:46:06.640
<v Speaker 9>But definitely, like you know.

0:46:08.120 --> 0:46:10.080
<v Speaker 7>Things start to fall apart when you really think about it,

0:46:10.080 --> 0:46:11.680
<v Speaker 7>because yeah, where did that energy, where.

0:46:11.560 --> 0:46:12.640
<v Speaker 9>Did that matter come from?

0:46:12.800 --> 0:46:16.319
<v Speaker 7>I mean, I think it's the same matter, but yeah,

0:46:17.040 --> 0:46:18.239
<v Speaker 7>send me some hate mail about that.

0:46:18.280 --> 0:46:19.319
<v Speaker 9>It's probably not good.

0:46:22.000 --> 0:46:24.319
<v Speaker 1>No, it's just fun to think about, and I liked

0:46:24.440 --> 0:46:27.120
<v Speaker 1>the show encourages you to like think hard about how

0:46:27.160 --> 0:46:29.960
<v Speaker 1>things work and what it means, and you know, it

0:46:30.040 --> 0:46:32.560
<v Speaker 1>changes how the characters behave in the world. I think

0:46:32.560 --> 0:46:34.399
<v Speaker 1>it's great. You know, it's a sign of a really

0:46:34.400 --> 0:46:37.160
<v Speaker 1>good science fiction. But in this case, you guys weren't

0:46:37.200 --> 0:46:39.640
<v Speaker 1>just starting from scratch and creating something new. I mean,

0:46:39.680 --> 0:46:42.520
<v Speaker 1>Blake had written this novel already. What's it like to

0:46:42.760 --> 0:46:46.000
<v Speaker 1>adapt a book like that to the screen rather than

0:46:46.040 --> 0:46:48.399
<v Speaker 1>start from scratch? What are the challenges there?

0:46:49.360 --> 0:46:51.640
<v Speaker 7>I think the biggest challenge I'll start with that one,

0:46:53.000 --> 0:46:55.560
<v Speaker 7>which might reveal I'm a negative thinker, But the biggest

0:46:55.640 --> 0:46:56.359
<v Speaker 7>challenge is.

0:46:56.280 --> 0:47:01.000
<v Speaker 9>Like what people expect, the expectations. You know. I helped

0:47:01.080 --> 0:47:03.080
<v Speaker 9>like develop this story.

0:47:02.760 --> 0:47:06.239
<v Speaker 7>So I remember being in we were in Portland, and

0:47:06.280 --> 0:47:09.080
<v Speaker 7>like the idea of like, oh, how much your emotions

0:47:09.120 --> 0:47:12.040
<v Speaker 7>would affect the worlds that you land on came directly

0:47:12.080 --> 0:47:15.400
<v Speaker 7>from a dark conversation I was having with him about RoboCop,

0:47:15.520 --> 0:47:18.000
<v Speaker 7>you know what I mean, Like, so I'm so immeshed

0:47:18.040 --> 0:47:19.239
<v Speaker 7>in this story that that.

0:47:19.280 --> 0:47:21.280
<v Speaker 9>Aspect of it was very easy. It was like, oh, okay,

0:47:21.280 --> 0:47:21.799
<v Speaker 9>we can do that.

0:47:21.880 --> 0:47:24.799
<v Speaker 7>But then you get letters from people that are like

0:47:25.400 --> 0:47:28.719
<v Speaker 7>I was considering, you know, ending my life, and then

0:47:28.760 --> 0:47:31.200
<v Speaker 7>I read this book and I thought I can actually

0:47:31.200 --> 0:47:34.719
<v Speaker 7>be empowered to make changes. And when you were facing

0:47:34.840 --> 0:47:38.400
<v Speaker 7>that kind of fan reaction, when you have literally hundreds

0:47:38.440 --> 0:47:41.000
<v Speaker 7>of people saying I hadn't read a book in twenty

0:47:41.080 --> 0:47:43.759
<v Speaker 7>years and I read Dark Matter and one day and

0:47:43.840 --> 0:47:46.600
<v Speaker 7>I'm now a big reader like that, I think that

0:47:46.600 --> 0:47:49.359
<v Speaker 7>that had more of an emotional impact on me than

0:47:49.360 --> 0:47:52.520
<v Speaker 7>anything else. Was like how much the story meant to

0:47:52.560 --> 0:47:54.360
<v Speaker 7>a lot of people, and wanting to.

0:47:54.360 --> 0:47:57.920
<v Speaker 9>Fulfill those fan love feelings, but also.

0:47:58.360 --> 0:48:01.080
<v Speaker 7>Creating that now for a whole new audience of people

0:48:01.080 --> 0:48:03.799
<v Speaker 7>who for whatever reason would never read this book, but

0:48:03.840 --> 0:48:06.440
<v Speaker 7>we'll engage with this material in this way. So that

0:48:06.640 --> 0:48:09.680
<v Speaker 7>was probably the biggest challenge, was figuring out where to

0:48:09.719 --> 0:48:13.880
<v Speaker 7>be true to that original stuff to make the fans happy,

0:48:13.880 --> 0:48:15.480
<v Speaker 7>but also so ilicit that.

0:48:15.440 --> 0:48:18.080
<v Speaker 9>Same emotional reaction from new people.

0:48:19.760 --> 0:48:22.919
<v Speaker 7>I would say the funnest part about it, for sure,

0:48:23.200 --> 0:48:27.120
<v Speaker 7>I love producing, like I think the funnest part is

0:48:27.239 --> 0:48:30.799
<v Speaker 7>like looking at seven hundred versions of ash World that's

0:48:30.840 --> 0:48:33.400
<v Speaker 7>the world where the balt Worlds are crumbling, and watching

0:48:33.400 --> 0:48:36.360
<v Speaker 7>that VFX like for the seven thousandth time and being like,

0:48:36.400 --> 0:48:38.640
<v Speaker 7>I'd like this window to be slightly brighter, Like it

0:48:38.760 --> 0:48:41.279
<v Speaker 7>just speaks to some deeper OCD that I might have.

0:48:43.880 --> 0:48:45.120
<v Speaker 9>From a writing standpoint.

0:48:45.120 --> 0:48:49.520
<v Speaker 7>Though, like adapting this book, I think that the funnest

0:48:49.520 --> 0:48:52.680
<v Speaker 7>part about it was getting to expand the characters because

0:48:53.200 --> 0:48:57.040
<v Speaker 7>we don't really know Amanda, we don't really know Daniella,

0:48:57.160 --> 0:48:59.640
<v Speaker 7>we don't really know Charlie. We kind of get to

0:48:59.640 --> 0:49:01.640
<v Speaker 7>know in a little but we don't know him. We

0:49:01.880 --> 0:49:05.600
<v Speaker 7>definitely don't know Layton, and you need to know them

0:49:05.640 --> 0:49:07.640
<v Speaker 7>for the show to make sense, Like, you know, you

0:49:07.640 --> 0:49:09.960
<v Speaker 7>need to expand everyone because when you see them and

0:49:10.000 --> 0:49:12.600
<v Speaker 7>they don't have reactions to certain things, it's not a

0:49:12.600 --> 0:49:15.800
<v Speaker 7>flaw of the book. The book is a single POV game.

0:49:16.280 --> 0:49:18.279
<v Speaker 7>It doesn't matter what else is happening around you. But

0:49:18.360 --> 0:49:21.239
<v Speaker 7>now you're actually asking humans to embody that and we

0:49:21.360 --> 0:49:23.080
<v Speaker 7>have to know more about them, and that was the

0:49:23.120 --> 0:49:27.080
<v Speaker 7>most exciting, I think, besides being weird about details and

0:49:27.120 --> 0:49:29.240
<v Speaker 7>what color of watch is Jason wearing in this scene

0:49:29.280 --> 0:49:31.360
<v Speaker 7>and what color shirt is he wearing to make that

0:49:31.400 --> 0:49:36.960
<v Speaker 7>all work those puzzles aside, expanding the characters, especially the women,

0:49:37.160 --> 0:49:38.680
<v Speaker 7>was the best part of the whole thing.

0:49:39.000 --> 0:49:40.880
<v Speaker 1>Well, as a viewer, I found one of the greatest

0:49:40.960 --> 0:49:43.680
<v Speaker 1>challenges just like keeping track of like which Jason am

0:49:43.680 --> 0:49:46.360
<v Speaker 1>I watching now, especially you know later on, when you

0:49:46.400 --> 0:49:49.160
<v Speaker 1>get so many different Jason's. How do you handle that

0:49:49.239 --> 0:49:51.400
<v Speaker 1>as a writer, how do you give the audience the clue,

0:49:51.719 --> 0:49:54.279
<v Speaker 1>you know, without like giving everybody a unique haircut, you know,

0:49:54.360 --> 0:49:55.759
<v Speaker 1>or hovering a number over their head.

0:49:56.400 --> 0:49:56.640
<v Speaker 6>Yeah.

0:49:56.680 --> 0:49:58.719
<v Speaker 7>I mean that was probably one of the hardest things

0:49:58.719 --> 0:50:02.399
<v Speaker 7>to do, because the easiest answers, like, you know, because

0:50:02.440 --> 0:50:04.840
<v Speaker 7>we have for those of you who've seen eight, we

0:50:04.880 --> 0:50:08.279
<v Speaker 7>have burn Face Jason. We have Jason thirteen. Who's the

0:50:08.320 --> 0:50:13.000
<v Speaker 7>guy that talks to Jason one in the tavern.

0:50:13.200 --> 0:50:14.600
<v Speaker 9>I want to call it the David Damma. That's the

0:50:14.600 --> 0:50:15.920
<v Speaker 9>real name the village tap story.

0:50:16.120 --> 0:50:20.000
<v Speaker 7>When they're talking, like, these characters look different, so it

0:50:20.040 --> 0:50:22.919
<v Speaker 7>makes it a lot easier. But when we start getting

0:50:22.960 --> 0:50:27.120
<v Speaker 7>into the fifty other Jasons that are there, that was

0:50:27.160 --> 0:50:27.720
<v Speaker 7>a lot harder.

0:50:27.760 --> 0:50:29.080
<v Speaker 9>And what I ended up.

0:50:29.040 --> 0:50:31.200
<v Speaker 7>Doing with our costumer and our hair and makeup people

0:50:31.360 --> 0:50:34.719
<v Speaker 7>was in our eighties because those people really need to

0:50:34.800 --> 0:50:36.920
<v Speaker 7>understand what's happening. They have to organize this whole thing

0:50:37.320 --> 0:50:40.040
<v Speaker 7>was creating like a rubric of like based on how

0:50:40.120 --> 0:50:43.640
<v Speaker 7>violent the Jason is, we determined that that is when

0:50:43.640 --> 0:50:46.640
<v Speaker 7>he lost his Amanda because we feel like Amanda psychologist.

0:50:46.800 --> 0:50:49.600
<v Speaker 7>She's giving him we see the whole show, she's giving

0:50:49.680 --> 0:50:52.040
<v Speaker 7>him therapy. The whole time, she's comforting him, she's helping him.

0:50:51.920 --> 0:50:52.840
<v Speaker 9>Figure this stuff out.

0:50:53.040 --> 0:50:58.840
<v Speaker 7>So the earlier Amanda dies or leaves him, is the

0:50:59.400 --> 0:51:02.400
<v Speaker 7>more violent and more you know, sort of crazed and

0:51:02.480 --> 0:51:05.439
<v Speaker 7>unhinged that Jason is, because we know that that's in him.

0:51:05.520 --> 0:51:09.120
<v Speaker 7>We've established that, We've seen Prison World, where Jason has

0:51:09.120 --> 0:51:12.000
<v Speaker 7>obviously done something terrible to someone. We've seen what Jason

0:51:12.000 --> 0:51:15.800
<v Speaker 7>two is capable of. We know that Jason Wan's capable,

0:51:15.960 --> 0:51:18.720
<v Speaker 7>So it's about what actually breaks his brain.

0:51:18.560 --> 0:51:20.960
<v Speaker 9>And how broken is it. And so once we knew

0:51:20.960 --> 0:51:21.680
<v Speaker 9>what that was, we.

0:51:21.760 --> 0:51:26.520
<v Speaker 7>Just focused the costumes on where we think he branched

0:51:26.520 --> 0:51:30.520
<v Speaker 7>from Amanda. So careful viewers will see, like Jason in

0:51:30.719 --> 0:51:33.239
<v Speaker 7>the Snow outfit from Snow World, if he's still in

0:51:33.239 --> 0:51:36.000
<v Speaker 7>that outfit, that means Amanda died close or left him

0:51:36.000 --> 0:51:37.719
<v Speaker 7>close to that time period. So that means that he

0:51:37.800 --> 0:51:41.160
<v Speaker 7>went twenty days alone in the box, which is a

0:51:41.160 --> 0:51:45.479
<v Speaker 7>lot crazier than going three days on the box, which

0:51:45.480 --> 0:51:47.719
<v Speaker 7>is what our Jason did, so that kind of makes

0:51:47.760 --> 0:51:49.320
<v Speaker 7>big difference if you look back, like some of the

0:51:50.239 --> 0:51:52.920
<v Speaker 7>first guy that gets killed by Jason one in the alley,

0:51:52.960 --> 0:51:55.600
<v Speaker 7>the most violent guy that we've seen so far, he's

0:51:55.640 --> 0:51:58.160
<v Speaker 7>wearing the original costume. So that was kind of fun

0:51:58.160 --> 0:52:00.640
<v Speaker 7>to play with. And then we just did really settle

0:52:00.680 --> 0:52:03.480
<v Speaker 7>things from there green Beanie or blue Beanie, you know,

0:52:03.560 --> 0:52:06.239
<v Speaker 7>like just so that you could know it's not the

0:52:06.280 --> 0:52:08.600
<v Speaker 7>exact same guy you saw last time. But we also

0:52:08.840 --> 0:52:12.719
<v Speaker 7>embraced the idea that like it kind of also doesn't matter,

0:52:12.800 --> 0:52:14.520
<v Speaker 7>like if you're a little bit confused here and there,

0:52:14.560 --> 0:52:16.920
<v Speaker 7>that's actually part of the joy is like, you know,

0:52:17.000 --> 0:52:19.040
<v Speaker 7>it's the same thing Inception does. Do we know if

0:52:19.040 --> 0:52:21.960
<v Speaker 7>he got home? Like I think he didn't aside, but

0:52:23.560 --> 0:52:25.680
<v Speaker 7>it's kind of like, doesn't matter. That's not the story

0:52:25.719 --> 0:52:28.960
<v Speaker 7>we're telling. The story we're telling is about the complexities

0:52:28.960 --> 0:52:31.799
<v Speaker 7>of coming back to your life. That's what we're talking about.

0:52:32.120 --> 0:52:34.279
<v Speaker 7>So I think it doesn't really matter. But yeah, it's

0:52:34.320 --> 0:52:37.320
<v Speaker 7>definitely all very carefully planned. And if you freeze the

0:52:37.320 --> 0:52:38.719
<v Speaker 7>show and you look at the color of the ring

0:52:38.760 --> 0:52:40.279
<v Speaker 7>of thread on their fingers and you look at the

0:52:40.320 --> 0:52:41.200
<v Speaker 7>color of their hats.

0:52:41.239 --> 0:52:43.120
<v Speaker 9>You will actually be able to tell who is here.

0:52:43.239 --> 0:52:45.480
<v Speaker 1>Awesome. I'm sure somebody out there and Reddit is doing.

0:52:45.320 --> 0:52:48.759
<v Speaker 7>Exactly or if they're not, they're probably getting like hack

0:52:48.840 --> 0:52:49.480
<v Speaker 7>into my computer.

0:52:49.680 --> 0:52:53.080
<v Speaker 9>I get the cells right, but you'll know everything.

0:52:54.400 --> 0:52:58.279
<v Speaker 1>So I asked our listeners if they have questions for you,

0:52:58.520 --> 0:53:00.919
<v Speaker 1>and listeners who are watching the show. We've only seen

0:53:01.080 --> 0:53:03.480
<v Speaker 1>six or seven episodes so far. The number one question

0:53:03.719 --> 0:53:06.920
<v Speaker 1>was why is it called dark matter? And obviously this

0:53:07.040 --> 0:53:10.520
<v Speaker 1>physics in the show, but it's mostly like multiverse, quantum mechanics, superposition.

0:53:10.960 --> 0:53:12.640
<v Speaker 1>Where's the dark matter in the show?

0:53:13.239 --> 0:53:16.080
<v Speaker 7>It came from a conversation and I was there for it,

0:53:16.120 --> 0:53:18.720
<v Speaker 7>but you know, it might be good to ask Cliff

0:53:18.719 --> 0:53:24.399
<v Speaker 7>actually about this. The there's a debate if dark matter exists, right,

0:53:24.440 --> 0:53:25.280
<v Speaker 7>and there's also.

0:53:25.080 --> 0:53:26.840
<v Speaker 9>A debate about what it does.

0:53:26.880 --> 0:53:29.560
<v Speaker 7>And like black holes, it's like I personally believe in

0:53:29.560 --> 0:53:31.719
<v Speaker 7>the sort of mirror universe of going through the black hole,

0:53:31.800 --> 0:53:33.959
<v Speaker 7>like you know, the chair just exists on the other side.

0:53:34.040 --> 0:53:36.839
<v Speaker 7>That's maybe not scientifically very accurate, but I think it's

0:53:36.840 --> 0:53:41.680
<v Speaker 7>an interesting theory, So that idea of the complete sort

0:53:41.719 --> 0:53:44.080
<v Speaker 7>of unknown, but also it's a word that you've heard

0:53:44.200 --> 0:53:45.840
<v Speaker 7>enough that you're like, ah, science fiction.

0:53:45.960 --> 0:53:47.440
<v Speaker 9>That's honestly the truth, Like she.

0:53:47.560 --> 0:53:48.040
<v Speaker 6>Is like.

0:53:50.640 --> 0:53:51.960
<v Speaker 1>Mysterious science.

0:53:52.040 --> 0:53:55.479
<v Speaker 7>Ye science see, and it doesn't actually, if you dig

0:53:55.520 --> 0:53:59.000
<v Speaker 7>into it, actually for sure mean anything yet like it's

0:53:59.040 --> 0:54:02.359
<v Speaker 7>still you know, like yeah, so yeah. But it's also

0:54:02.400 --> 0:54:04.480
<v Speaker 7>a little confusing because you know, Pearl Jams out there

0:54:04.520 --> 0:54:06.359
<v Speaker 7>touring with dark matter and so.

0:54:06.400 --> 0:54:08.840
<v Speaker 9>You know, maybe the most ideal name either.

0:54:10.960 --> 0:54:13.120
<v Speaker 1>So my last question for you is a more personal one.

0:54:13.280 --> 0:54:15.200
<v Speaker 1>Imagine you have the box in front of you. You

0:54:15.200 --> 0:54:18.200
<v Speaker 1>can go inside of it, you can visit another universe

0:54:18.440 --> 0:54:21.680
<v Speaker 1>and that you exist. What's your alternative reality? What are

0:54:21.680 --> 0:54:22.200
<v Speaker 1>you choosing?

0:54:22.600 --> 0:54:22.680
<v Speaker 3>Like?

0:54:22.760 --> 0:54:24.760
<v Speaker 9>Am I intentionally choosing?

0:54:24.840 --> 0:54:26.440
<v Speaker 7>Like I get to go see the version of myself,

0:54:26.520 --> 0:54:29.200
<v Speaker 7>not like I accidentally sort of wash up on shore

0:54:29.239 --> 0:54:30.080
<v Speaker 7>at a terrible place.

0:54:30.239 --> 0:54:32.720
<v Speaker 1>Yeah, you can pick some other version of your life

0:54:32.760 --> 0:54:35.880
<v Speaker 1>to go visit or you know, kidnap and replace them.

0:54:36.360 --> 0:54:37.080
<v Speaker 1>Where are you going?

0:54:37.640 --> 0:54:38.160
<v Speaker 9>Huh?

0:54:38.200 --> 0:54:38.400
<v Speaker 6>You know.

0:54:39.160 --> 0:54:41.839
<v Speaker 9>The first thing I really wanted to do with my life.

0:54:41.920 --> 0:54:44.200
<v Speaker 7>I went to like a music magnet high school, and

0:54:44.200 --> 0:54:46.600
<v Speaker 7>I was very involved in music, and for a long

0:54:46.640 --> 0:54:48.880
<v Speaker 7>time I thought I was going to be a musician.

0:54:49.400 --> 0:54:51.600
<v Speaker 7>And it's one of those sort of stories I think

0:54:51.600 --> 0:54:54.000
<v Speaker 7>that everyone has, where like you get to a certain

0:54:54.040 --> 0:54:57.680
<v Speaker 7>point in your process where you realize that it's not

0:54:57.840 --> 0:55:01.200
<v Speaker 7>that you are not that you're hard worker, you're actually

0:55:01.200 --> 0:55:06.120
<v Speaker 7>not talented, and some careers require a certain level of

0:55:06.200 --> 0:55:10.200
<v Speaker 7>actual talent. And the realization that I was not good

0:55:10.280 --> 0:55:15.080
<v Speaker 7>enough to actually have the future as like a composer

0:55:15.120 --> 0:55:16.040
<v Speaker 7>and musician.

0:55:15.640 --> 0:55:18.319
<v Speaker 9>That I thought I was going to have was a

0:55:18.360 --> 0:55:19.200
<v Speaker 9>really brutal one.

0:55:19.320 --> 0:55:22.439
<v Speaker 7>And I often wonder if there is a world where

0:55:22.440 --> 0:55:26.719
<v Speaker 7>I hadn't decided that I wasn't good enough, and if

0:55:26.719 --> 0:55:28.560
<v Speaker 7>I had continued to fight.

0:55:28.440 --> 0:55:31.560
<v Speaker 9>And be that level of brave, you know, what would

0:55:31.600 --> 0:55:32.440
<v Speaker 9>that life be like.

0:55:33.360 --> 0:55:35.520
<v Speaker 7>I'm not saying she would have succeeded, but I would

0:55:35.560 --> 0:55:37.080
<v Speaker 7>like to see what she did, you.

0:55:37.040 --> 0:55:38.600
<v Speaker 9>Know, that's the curiosity of mine.

0:55:39.040 --> 0:55:40.920
<v Speaker 1>Awesome, Well, it would be cool to get to go

0:55:41.000 --> 0:55:43.480
<v Speaker 1>and you know, attend one of your own concerts in

0:55:43.520 --> 0:55:46.160
<v Speaker 1>another place in the multiverse. Very cool.

0:55:46.440 --> 0:55:47.759
<v Speaker 9>Let me ask you what would yours be?

0:55:49.800 --> 0:55:55.600
<v Speaker 1>Wow? A great question. I'm totally not prepared for that. Yeah, well,

0:55:55.640 --> 0:55:57.760
<v Speaker 1>you know, physicist is sort of what I always wanted

0:55:57.800 --> 0:55:59.600
<v Speaker 1>to be, so I don't have that like, Oh, I

0:55:59.640 --> 0:56:02.080
<v Speaker 1>wish i'd gotten to be, But there are other paths

0:56:02.160 --> 0:56:03.759
<v Speaker 1>that I didn't take. You know, when I was young,

0:56:03.800 --> 0:56:06.480
<v Speaker 1>I also wanted to be an artist or a science

0:56:06.520 --> 0:56:08.880
<v Speaker 1>fiction author, for example, and never got to do that.

0:56:09.800 --> 0:56:11.799
<v Speaker 1>So yeah, I'd like to go see if that would

0:56:11.800 --> 0:56:13.640
<v Speaker 1>have worked out for another version of Daniel.

0:56:14.160 --> 0:56:19.560
<v Speaker 9>He's still could anyway, it's right that book like, Well.

0:56:19.440 --> 0:56:21.680
<v Speaker 1>I live in southern California, where you're obliged to produce

0:56:21.719 --> 0:56:24.239
<v Speaker 1>the screenplay every two years with your citizenship, you know,

0:56:24.760 --> 0:56:28.799
<v Speaker 1>totally totally awesome. Well, thanks very much for answering our question,

0:56:28.920 --> 0:56:32.399
<v Speaker 1>and thanks for this wonderful show. Speaking for everybody out there,

0:56:32.480 --> 0:56:33.799
<v Speaker 1>we're really glad you created it.

0:56:33.840 --> 0:56:35.160
<v Speaker 9>Thank you, all right, thank you.

0:56:40.120 --> 0:56:41.879
<v Speaker 1>When you pop a piece of cheese into your mouth

0:56:42.000 --> 0:56:45.160
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0:56:49.280 --> 0:56:51.880
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<v Speaker 5>All right, interesting conversation there. It's kind of interesting how

0:59:31.400 --> 0:59:33.800
<v Speaker 5>as a TV writer you kind of have to think

0:59:33.800 --> 0:59:36.040
<v Speaker 5>about what the science tells you might be possible, and

0:59:36.080 --> 0:59:37.800
<v Speaker 5>then you kind of have to figure out how to

0:59:37.800 --> 0:59:38.720
<v Speaker 5>get a good story out of that.

0:59:39.200 --> 0:59:41.400
<v Speaker 1>Yeah, exactly, you got to balance both things. If you're

0:59:41.440 --> 0:59:43.520
<v Speaker 1>too strict on the science, it doesn't let you tell

0:59:43.520 --> 0:59:45.800
<v Speaker 1>the story you want to tell. But you also have

0:59:45.880 --> 0:59:47.760
<v Speaker 1>to be plausible, right, You have to have the story

0:59:47.800 --> 0:59:50.160
<v Speaker 1>makes sense so that the viewer is engaged. It feels

0:59:50.240 --> 0:59:52.280
<v Speaker 1>like there are rules that are being followed.

0:59:52.680 --> 0:59:55.240
<v Speaker 5>I feel like, Daniel, do you have a flexible rule yourself?

0:59:55.320 --> 0:59:56.320
<v Speaker 1>What it's that flexible room.

0:59:56.400 --> 0:59:58.959
<v Speaker 5>Sometimes you like when the rules are followed, sometimes you don't.

1:00:00.120 --> 1:00:01.840
<v Speaker 1>I always prefer when the rules are followed, but you

1:00:01.880 --> 1:00:02.560
<v Speaker 1>know you can't.

1:00:02.320 --> 1:00:05.880
<v Speaker 5>Be too harsh. You prefer you prefer.

1:00:05.680 --> 1:00:06.880
<v Speaker 1>Right, strong preference.

1:00:06.920 --> 1:00:08.960
<v Speaker 5>Yeah, all right, Well, Dan, you also got to interview

1:00:08.960 --> 1:00:11.400
<v Speaker 5>the scientific advisor for the show, which is a friend

1:00:11.400 --> 1:00:12.440
<v Speaker 5>of ours, Cliff Johnson.

1:00:12.720 --> 1:00:15.080
<v Speaker 1>Yeah, He's a professor at UC Santa Barbara and an

1:00:15.160 --> 1:00:18.440
<v Speaker 1>expert in string theory and black holes and in general

1:00:18.520 --> 1:00:20.840
<v Speaker 1>quantum mechanics and a lot of fun to talk to.

1:00:21.040 --> 1:00:23.400
<v Speaker 5>Is he an expert in dark matter or multiverses?

1:00:25.360 --> 1:00:27.280
<v Speaker 1>I think he's an expert in being a science advisor.

1:00:27.280 --> 1:00:29.000
<v Speaker 1>He's also worked for a lot of the Marvel movies.

1:00:29.200 --> 1:00:31.760
<v Speaker 5>If you're an expert in the multiverses, does that make

1:00:31.800 --> 1:00:34.680
<v Speaker 5>you an expert in everything? Like, there's a version of

1:00:34.680 --> 1:00:37.560
<v Speaker 5>you out there that's probably an expert in some other

1:00:37.640 --> 1:00:39.280
<v Speaker 5>field that you currently don't know.

1:00:39.520 --> 1:00:41.880
<v Speaker 1>Mm hmm, yeah, exactly. If only you could draw on

1:00:41.960 --> 1:00:42.800
<v Speaker 1>their expertise.

1:00:43.120 --> 1:00:45.840
<v Speaker 5>Whoa, you can make a movie like The Matrix, but

1:00:45.960 --> 1:00:50.400
<v Speaker 5>with multiverses, the multi tricks. Yeah, Hollywood, give me a call.

1:00:50.880 --> 1:00:55.120
<v Speaker 5>All right, Well, here is Daniel's interview with physicist Cliff Johnson.

1:00:55.600 --> 1:00:57.360
<v Speaker 1>Great so that it's my pleasure to be here in a

1:00:57.360 --> 1:00:58.640
<v Speaker 1>conversation with Cliff Johnson.

1:00:58.680 --> 1:00:58.880
<v Speaker 6>Click.

1:00:58.920 --> 1:01:00.600
<v Speaker 1>Tell everybody a little bit about who you are and

1:01:00.680 --> 1:01:02.600
<v Speaker 1>what you're excited about in science.

1:01:03.560 --> 1:01:07.720
<v Speaker 13>Well, I am a professor at the Physics Department at

1:01:07.760 --> 1:01:10.080
<v Speaker 13>the University of California, Santa Barbara.

1:01:10.480 --> 1:01:14.720
<v Speaker 6>I work on things to do with roughly these days,

1:01:14.760 --> 1:01:17.000
<v Speaker 6>I say, like a quantum nature of space time? So

1:01:17.560 --> 1:01:21.200
<v Speaker 6>interested in quantum gravity? Black, Hold what I through your

1:01:21.240 --> 1:01:24.160
<v Speaker 6>quantum gravity looks like? So I work on things like.

1:01:24.120 --> 1:01:28.400
<v Speaker 4>String theory, et cetera, but really thinking about.

1:01:28.280 --> 1:01:31.080
<v Speaker 6>Space time and space and time and what it means

1:01:31.080 --> 1:01:31.880
<v Speaker 6>at the quantum medal.

1:01:32.120 --> 1:01:34.440
<v Speaker 1>It's really like on the cutting edge of understanding the

1:01:34.480 --> 1:01:39.440
<v Speaker 1>nature of the universe. So tell me about what it's

1:01:39.480 --> 1:01:41.200
<v Speaker 1>like to be a science advisor. Is shoe like this?

1:01:41.560 --> 1:01:43.760
<v Speaker 1>What do you see as the role of the science advisor?

1:01:43.800 --> 1:01:44.600
<v Speaker 6>What is your job?

1:01:45.240 --> 1:01:50.120
<v Speaker 4>So this is a really important question because there is.

1:01:50.080 --> 1:01:52.560
<v Speaker 6>No model for what a science advisor should be, because

1:01:52.640 --> 1:01:55.200
<v Speaker 6>the industry still doesn't really know what that is, and

1:01:55.280 --> 1:01:57.280
<v Speaker 6>so a lot of us been working to try and

1:01:57.360 --> 1:01:58.200
<v Speaker 6>help cement that.

1:01:59.040 --> 1:02:01.640
<v Speaker 4>And I think what we shouldn't.

1:02:01.280 --> 1:02:04.680
<v Speaker 6>Do is going with the red pencil and make it

1:02:04.720 --> 1:02:09.000
<v Speaker 6>seem like we own this stuff and they're daring to

1:02:09.040 --> 1:02:09.880
<v Speaker 6>play with it, and we're going.

1:02:09.840 --> 1:02:12.800
<v Speaker 4>To give them a grade because they'll have a fall right.

1:02:14.000 --> 1:02:17.400
<v Speaker 4>Others have different opinions, but my opinion is that the

1:02:17.440 --> 1:02:18.600
<v Speaker 4>primary thing of that to.

1:02:18.520 --> 1:02:20.320
<v Speaker 6>Do is to serve the story they're trying to tell,

1:02:21.520 --> 1:02:23.160
<v Speaker 6>and to help them tell the story they.

1:02:23.000 --> 1:02:25.520
<v Speaker 4>Want to tell. Now, sometimes you can give them advice.

1:02:26.040 --> 1:02:28.760
<v Speaker 6>Given what they want to do and the science that

1:02:29.280 --> 1:02:33.280
<v Speaker 6>they think they want to use, you might then say, well,

1:02:33.560 --> 1:02:36.400
<v Speaker 6>if you tell me what your story goal is, I

1:02:36.480 --> 1:02:39.400
<v Speaker 6>might help you tweet that a little bit, or maybe

1:02:39.400 --> 1:02:41.960
<v Speaker 6>you don't need this piece, or here's a whole other

1:02:42.000 --> 1:02:44.160
<v Speaker 6>bit of science you don't know that could be brought

1:02:44.200 --> 1:02:46.720
<v Speaker 6>in to help you achieve that. And they're very open

1:02:46.760 --> 1:02:49.680
<v Speaker 6>to that because now you're own the storyteller sign and

1:02:49.720 --> 1:02:52.320
<v Speaker 6>you're just trying to serve a story. And then sometimes

1:02:52.440 --> 1:02:55.800
<v Speaker 6>that can lead to the story geting completely because they

1:02:55.880 --> 1:02:57.240
<v Speaker 6>get excitted about the science.

1:02:58.000 --> 1:03:00.200
<v Speaker 4>They now understand that bit of science that's.

1:03:00.000 --> 1:03:02.120
<v Speaker 6>I only read about it in a popular account and

1:03:02.200 --> 1:03:03.080
<v Speaker 6>maybe misunderstood.

1:03:03.120 --> 1:03:04.040
<v Speaker 4>Now they understand it.

1:03:04.280 --> 1:03:06.560
<v Speaker 6>Now they see, oh, I want to use this aspect more,

1:03:06.640 --> 1:03:09.160
<v Speaker 6>or you tell them so it really is. I think

1:03:09.280 --> 1:03:11.120
<v Speaker 6>if you go it, in my opinion, if you go

1:03:11.240 --> 1:03:15.800
<v Speaker 6>in wanting to help with the story, great things can

1:03:15.840 --> 1:03:18.120
<v Speaker 6>come from that, especially if it's early enough in the

1:03:18.160 --> 1:03:23.280
<v Speaker 6>process that they're not wedded to everything being completely set.

1:03:24.640 --> 1:03:27.480
<v Speaker 6>And so then I think science advising works istreamly. Well,

1:03:27.560 --> 1:03:29.880
<v Speaker 6>you have all the other times when you're called in

1:03:30.600 --> 1:03:32.760
<v Speaker 6>you should guy, you know, some big studio, it's all

1:03:33.240 --> 1:03:35.520
<v Speaker 6>ready to go, they're almost ready to shoot, and then

1:03:35.560 --> 1:03:37.200
<v Speaker 6>they want some buzzwords.

1:03:37.240 --> 1:03:39.240
<v Speaker 4>You know, that's only so much you can do that.

1:03:39.720 --> 1:03:43.120
<v Speaker 6>But if you get to kind of almost become a

1:03:43.160 --> 1:03:47.440
<v Speaker 6>collaborator or someone to brainstorm, and if you then.

1:03:47.360 --> 1:03:49.960
<v Speaker 4>Stick through it right through to the end, you can

1:03:50.000 --> 1:03:50.880
<v Speaker 4>get some great things.

1:03:51.360 --> 1:03:54.720
<v Speaker 1>Yeah, fascinating. Well, I think sometimes about the responsibility there

1:03:54.760 --> 1:03:57.880
<v Speaker 1>because a lot of people watch science fiction and they

1:03:57.920 --> 1:04:00.560
<v Speaker 1>know it's fiction, but still a hubus where to hear

1:04:00.720 --> 1:04:04.280
<v Speaker 1>science and they absorb it. And I wonder sometimes if

1:04:04.280 --> 1:04:07.919
<v Speaker 1>there's a responsibility to the show to get that right

1:04:08.000 --> 1:04:11.040
<v Speaker 1>and and not use lead people into like common misunderstanding

1:04:11.240 --> 1:04:13.000
<v Speaker 1>about what is dark Knight, what does it look like?

1:04:13.280 --> 1:04:14.840
<v Speaker 1>You know you said a dark blog in front of

1:04:14.840 --> 1:04:17.960
<v Speaker 1>your spaceship or not? What do you feel about that?

1:04:18.040 --> 1:04:18.080
<v Speaker 7>Is?

1:04:18.120 --> 1:04:20.440
<v Speaker 1>A science advisor has some responsibility there.

1:04:20.640 --> 1:04:24.200
<v Speaker 6>We have some responsibility to tell a little bit about

1:04:24.240 --> 1:04:27.640
<v Speaker 6>what it's really like. We that you know, there's no

1:04:27.720 --> 1:04:30.600
<v Speaker 6>contract this says they must use a certain percentage of

1:04:30.600 --> 1:04:31.480
<v Speaker 6>what we tell them.

1:04:31.480 --> 1:04:35.320
<v Speaker 1>Right, right, So how you know it's an advisor I.

1:04:35.320 --> 1:04:37.680
<v Speaker 4>Would advise them, so so I'll do.

1:04:37.680 --> 1:04:40.200
<v Speaker 6>My best to just say, well, it wouldn't really look

1:04:40.280 --> 1:04:42.920
<v Speaker 6>like this, or if it does, maybe you have a

1:04:43.000 --> 1:04:45.920
<v Speaker 6>reason you could mention that, or maybe what have you.

1:04:46.840 --> 1:04:49.640
<v Speaker 4>But what happens. And this is by no.

1:04:49.760 --> 1:04:54.760
<v Speaker 6>Means intended as an apology for science advisors, but it's

1:04:54.800 --> 1:04:58.960
<v Speaker 6>all the process right these these projects. It's very different

1:04:59.040 --> 1:05:01.120
<v Speaker 6>being a science advisor to say, on a book where

1:05:01.120 --> 1:05:04.960
<v Speaker 6>you're dealing with the author of the book, versus being.

1:05:04.800 --> 1:05:07.480
<v Speaker 4>A science advisor to a thing that goes into a

1:05:07.480 --> 1:05:08.040
<v Speaker 4>big machine.

1:05:08.120 --> 1:05:12.920
<v Speaker 6>As almost any project that you see on screen will be,

1:05:13.640 --> 1:05:15.400
<v Speaker 6>it will have gone through many stages.

1:05:15.440 --> 1:05:18.240
<v Speaker 4>They've gone from any iterations. You may have been the

1:05:18.280 --> 1:05:19.440
<v Speaker 4>science advisor with the.

1:05:19.360 --> 1:05:23.200
<v Speaker 13>Screenwriter who wrote the under old beautiful science and then

1:05:23.360 --> 1:05:26.720
<v Speaker 13>and then you know, four years later you go and

1:05:26.880 --> 1:05:29.920
<v Speaker 13>watch the thing and it is not the thing that

1:05:30.760 --> 1:05:31.520
<v Speaker 13>was the final.

1:05:31.280 --> 1:05:34.040
<v Speaker 4>Screenplay that you saw, because it went from the screenwriter

1:05:34.240 --> 1:05:36.200
<v Speaker 4>to the studio to the.

1:05:36.040 --> 1:05:38.600
<v Speaker 6>Director they found for the director had their own vision

1:05:38.640 --> 1:05:39.720
<v Speaker 6>blah blah.

1:05:39.760 --> 1:05:45.840
<v Speaker 4>So you have no control, but you try, and you

1:05:45.920 --> 1:05:49.640
<v Speaker 4>hope you can get the key people involved excited enough

1:05:49.640 --> 1:05:50.040
<v Speaker 4>about the.

1:05:50.000 --> 1:05:53.320
<v Speaker 6>Science that they care to protect some of the things

1:05:53.320 --> 1:05:55.760
<v Speaker 6>that you got into the screenplay or what have you

1:05:56.120 --> 1:05:58.760
<v Speaker 6>and or maybe you know, some years later at the

1:05:58.760 --> 1:06:01.120
<v Speaker 6>stage where they're shooting, a call saying, hey, you were

1:06:01.160 --> 1:06:03.000
<v Speaker 6>the screen you helped the screen writer it.

1:06:03.280 --> 1:06:06.920
<v Speaker 4>Now please help the VFX people, right and stuff like that.

1:06:06.920 --> 1:06:07.440
<v Speaker 4>That's great.

1:06:07.560 --> 1:06:10.479
<v Speaker 6>That seldom happens, but when that happens, that's great because

1:06:10.480 --> 1:06:12.520
<v Speaker 6>then there's some continuity you can kind of look in

1:06:12.560 --> 1:06:13.400
<v Speaker 6>at a different stages.

1:06:13.840 --> 1:06:15.280
<v Speaker 1>So tell us a little bit about what were the

1:06:15.360 --> 1:06:18.160
<v Speaker 1>challenges of being scifiiceder for this particular show. Because they

1:06:18.240 --> 1:06:21.920
<v Speaker 1>got quantum mechanics, they got multiverse, they got the observer effect,

1:06:21.960 --> 1:06:24.560
<v Speaker 1>they got all sorts of stuff going on. What did

1:06:24.600 --> 1:06:26.680
<v Speaker 1>you do there? How did you change this story?

1:06:27.240 --> 1:06:29.600
<v Speaker 4>Well, you know, I first have to say.

1:06:30.920 --> 1:06:34.480
<v Speaker 6>Huge amount of credit to Blake like Crouch, the author

1:06:34.480 --> 1:06:36.080
<v Speaker 6>of the book it was originally based on, and then

1:06:36.160 --> 1:06:39.760
<v Speaker 6>you know he's also the show runner. A side note,

1:06:40.000 --> 1:06:43.880
<v Speaker 6>there's a big difference between TV and movies. In some ways,

1:06:44.520 --> 1:06:46.840
<v Speaker 6>TV is very much more righteous. You know, the people

1:06:46.840 --> 1:06:49.440
<v Speaker 6>who do the writing end up. You know, the director

1:06:49.520 --> 1:06:54.080
<v Speaker 6>works for them and it's the first approximation. The showrunners

1:06:54.800 --> 1:06:57.640
<v Speaker 6>have the fible side. That's very different in some of

1:06:57.680 --> 1:07:00.360
<v Speaker 6>the models you get in a big, big cinema So

1:07:00.440 --> 1:07:05.240
<v Speaker 6>that means that I think Blake, who's hugely enthusiastic about science.

1:07:05.280 --> 1:07:09.080
<v Speaker 4>And is very open to hearing critiques and hearing new

1:07:09.120 --> 1:07:12.320
<v Speaker 4>ideas and incorporating that, he was also in control of

1:07:12.760 --> 1:07:14.680
<v Speaker 4>the final show.

1:07:14.800 --> 1:07:17.960
<v Speaker 6>So I got the call to come in and chat

1:07:18.040 --> 1:07:22.640
<v Speaker 6>with the various departments, and they basically said, Blake said,

1:07:22.720 --> 1:07:23.680
<v Speaker 6>do whatever you say.

1:07:23.920 --> 1:07:25.440
<v Speaker 1>That never happened.

1:07:27.920 --> 1:07:31.080
<v Speaker 4>So at the end of the day, I.

1:07:30.960 --> 1:07:34.440
<v Speaker 6>Think the main ideas were there, and so credit to

1:07:34.760 --> 1:07:37.400
<v Speaker 6>Blake that the main ideas were there. He really wanted

1:07:37.600 --> 1:07:43.160
<v Speaker 6>is fascinated by the classic conundra in quantum mechanics, but

1:07:43.200 --> 1:07:45.680
<v Speaker 6>then he wanted to play with the idea that essentially,

1:07:46.720 --> 1:07:50.400
<v Speaker 6>wouldn't it be fun if you took literally the everiety

1:07:50.440 --> 1:07:54.440
<v Speaker 6>of interpretation of quantum mechanics, which is that these probabilistic

1:07:54.520 --> 1:07:58.040
<v Speaker 6>choices that you seem to have in quantum mechanics really

1:07:58.080 --> 1:08:00.680
<v Speaker 6>are branchings of the universe. You know, you know, you

1:08:00.720 --> 1:08:03.320
<v Speaker 6>had a fifty to fifty chance of the quantum outcome being.

1:08:03.200 --> 1:08:05.080
<v Speaker 4>This way or the other, and.

1:08:06.440 --> 1:08:09.400
<v Speaker 6>You could just go, well, that's life, that's that's probability.

1:08:09.640 --> 1:08:11.440
<v Speaker 6>But the cat was alive or it was dead when

1:08:11.440 --> 1:08:14.520
<v Speaker 6>you made the observation. Everyone would tell you know, there's

1:08:14.560 --> 1:08:16.680
<v Speaker 6>another universe in which it was the other, and then

1:08:16.680 --> 1:08:19.760
<v Speaker 6>that universe carried on and so these choices mount up

1:08:19.800 --> 1:08:23.479
<v Speaker 6>and the universe continues branching. So Blake was going, well, well,

1:08:23.520 --> 1:08:26.759
<v Speaker 6>if you could explore those universes and essentially that's.

1:08:26.600 --> 1:08:29.080
<v Speaker 4>What this is about, and then what would that mean

1:08:29.320 --> 1:08:30.160
<v Speaker 4>physics wise?

1:08:31.120 --> 1:08:36.080
<v Speaker 6>So there's there's some relatively old fashioned ideas about the

1:08:36.120 --> 1:08:38.800
<v Speaker 6>collapse of the weight function and things like that when

1:08:38.840 --> 1:08:41.880
<v Speaker 6>you make an observation of the wave function collapses. We

1:08:42.000 --> 1:08:45.760
<v Speaker 6>tend to not really foreground that as much when we

1:08:45.800 --> 1:08:49.439
<v Speaker 6>teach quantumic ads as we used to. And so I

1:08:49.479 --> 1:08:52.559
<v Speaker 6>was trying to explain to Blake a little bit about

1:08:52.600 --> 1:08:53.559
<v Speaker 6>some of the language that.

1:08:53.520 --> 1:08:56.400
<v Speaker 4>People use these days in terms of coherence versus do

1:08:56.560 --> 1:08:59.559
<v Speaker 4>coherence coupling systems.

1:08:59.720 --> 1:09:02.280
<v Speaker 6>It to you know, how much you isolate a system

1:09:02.280 --> 1:09:05.719
<v Speaker 6>from its environment so it doesn't sort of deecer here

1:09:05.840 --> 1:09:07.120
<v Speaker 6>by being coupled.

1:09:06.760 --> 1:09:09.599
<v Speaker 4>To another system and what have you.

1:09:09.840 --> 1:09:11.920
<v Speaker 6>And those are the things you need to control if

1:09:11.920 --> 1:09:15.240
<v Speaker 6>you were going to do that as a physics experiment.

1:09:15.600 --> 1:09:17.559
<v Speaker 4>So that leads to them, what would that look like?

1:09:17.640 --> 1:09:20.120
<v Speaker 4>What would that device look like? So that's the box.

1:09:20.320 --> 1:09:21.920
<v Speaker 6>So it spend a lot of time discussing what the

1:09:21.920 --> 1:09:23.679
<v Speaker 6>box would look like like that.

1:09:24.240 --> 1:09:26.400
<v Speaker 4>And what's in the walls of those bombs. So you don't,

1:09:26.439 --> 1:09:29.120
<v Speaker 4>of course, you never learned that in the book.

1:09:29.040 --> 1:09:33.000
<v Speaker 6>Or in the in the show explicitly, but you do

1:09:33.160 --> 1:09:36.320
<v Speaker 6>hear a discussion or too about the fact that there's

1:09:36.400 --> 1:09:39.320
<v Speaker 6>tech going on that sort of cancels out things from

1:09:39.320 --> 1:09:41.559
<v Speaker 6>the outside, and so those are the sorts of things

1:09:41.600 --> 1:09:44.719
<v Speaker 6>that was giving him to make it seem at least.

1:09:45.320 --> 1:09:47.920
<v Speaker 6>Another aspect of my job is that while you're watching

1:09:47.920 --> 1:09:50.600
<v Speaker 6>the thing, you're not popping out going that's ridiculous or

1:09:50.640 --> 1:09:53.519
<v Speaker 6>that doesn't make sense for it. You're at least in

1:09:53.560 --> 1:09:55.600
<v Speaker 6>the two hours of what have you, the movie or

1:09:55.640 --> 1:09:59.240
<v Speaker 6>the hour of the episode, you're going with it. So

1:09:59.520 --> 1:10:03.680
<v Speaker 6>to help the physicists have a plausible sounding conversation with

1:10:03.680 --> 1:10:08.040
<v Speaker 6>a plausible sounding content, that helps it make it seem realistic.

1:10:08.479 --> 1:10:12.160
<v Speaker 6>So indeed, I'm very pleased to you know, when I

1:10:12.200 --> 1:10:15.719
<v Speaker 6>finally saw episodes of the show, I was very pleased

1:10:15.720 --> 1:10:17.840
<v Speaker 6>to see a lot of that stuff stayed in. And

1:10:18.560 --> 1:10:21.080
<v Speaker 6>some of that stuff was my scribbling on the screenplay

1:10:21.120 --> 1:10:24.519
<v Speaker 6>saying this is what they would say, and I gather

1:10:24.680 --> 1:10:25.760
<v Speaker 6>people really like that.

1:10:25.880 --> 1:10:27.600
<v Speaker 4>You know, you hear, you see the box, and you

1:10:27.640 --> 1:10:29.519
<v Speaker 4>have a sense that this is a real thing Sun

1:10:29.640 --> 1:10:30.120
<v Speaker 4>thought about.

1:10:30.520 --> 1:10:32.639
<v Speaker 6>So we wanted to have weight, wanted to feel real,

1:10:32.880 --> 1:10:35.520
<v Speaker 6>wanted to have it still feel like it's a prototype.

1:10:35.880 --> 1:10:37.559
<v Speaker 4>So it's a little sort of sort of sort of

1:10:38.160 --> 1:10:42.559
<v Speaker 4>grungey looking, and so and so forth. That's what really

1:10:42.560 --> 1:10:43.280
<v Speaker 4>think is our job.

1:10:43.360 --> 1:10:47.360
<v Speaker 6>We're not we're not doing a documentary. But if you

1:10:48.640 --> 1:10:52.160
<v Speaker 6>as much as the creators will listen, I'll give you enough.

1:10:51.960 --> 1:10:53.040
<v Speaker 4>Material so that.

1:10:54.479 --> 1:10:57.160
<v Speaker 6>If if someone watching it digs a little bit, they'll

1:10:57.200 --> 1:10:59.800
<v Speaker 6>find there's more there there. It isn't sort of first

1:10:59.840 --> 1:11:02.800
<v Speaker 6>Night and the whole falls apart, So you will see

1:11:03.760 --> 1:11:07.560
<v Speaker 6>you know, the character Jason go writing through his notebooks

1:11:07.560 --> 1:11:10.240
<v Speaker 6>at some point where talking about the original design of

1:11:10.280 --> 1:11:10.639
<v Speaker 6>the box.

1:11:11.360 --> 1:11:14.519
<v Speaker 4>That is full of equations that I gave them, and

1:11:14.840 --> 1:11:18.160
<v Speaker 4>that's real uh quantum physics.

1:11:18.160 --> 1:11:21.599
<v Speaker 6>I had some friends of mine who actually do real

1:11:21.720 --> 1:11:27.160
<v Speaker 6>quantum information experiments where they try and create superposition states

1:11:27.200 --> 1:11:32.800
<v Speaker 6>in quantum devices, because these are important for building quantum computers. Right,

1:11:34.479 --> 1:11:37.160
<v Speaker 6>those are the same pieces of science that that character

1:11:37.200 --> 1:11:40.920
<v Speaker 6>would be doing, but rid large in.

1:11:40.960 --> 1:11:43.360
<v Speaker 4>Order to make this box. So you know, I had

1:11:43.400 --> 1:11:45.200
<v Speaker 4>notes of my own that borrowed some of their notes

1:11:45.200 --> 1:11:48.120
<v Speaker 4>with their permission, and that's all you've seen Jason's note book.

1:11:48.400 --> 1:11:51.080
<v Speaker 4>So that those are examples of the things.

1:11:50.800 --> 1:11:53.759
<v Speaker 6>That that we worked on at the level of the show.

1:11:55.280 --> 1:11:57.240
<v Speaker 4>Other than of the book, we'd already been.

1:11:57.040 --> 1:12:02.320
<v Speaker 6>Thinking about trying to give a reality quote unquote to

1:12:02.400 --> 1:12:06.240
<v Speaker 6>what would be like when you're inside the box, when

1:12:06.240 --> 1:12:12.799
<v Speaker 6>you're in because now this is no fantasy Blake's wonderful

1:12:12.840 --> 1:12:17.760
<v Speaker 6>idea of having some sort of drug that turns off

1:12:17.800 --> 1:12:23.640
<v Speaker 6>the observer effect, whatever that means. That's based on actual

1:12:24.000 --> 1:12:28.240
<v Speaker 6>experiments that people are thinking about right or have been doing,

1:12:28.439 --> 1:12:34.439
<v Speaker 6>trying to understand the role of quantum mechanics in the

1:12:34.479 --> 1:12:40.040
<v Speaker 6>workings of the brain, quantum mechanics in perception of what

1:12:40.040 --> 1:12:45.400
<v Speaker 6>we how we construct reality of the physical world, in

1:12:45.479 --> 1:12:48.439
<v Speaker 6>terms of interacting quantum mechanically with the world.

1:12:48.760 --> 1:12:51.240
<v Speaker 4>To what extent there's our brain chemistry have anything to

1:12:51.280 --> 1:12:51.720
<v Speaker 4>do with that.

1:12:51.880 --> 1:12:55.040
<v Speaker 6>I think the answer to the questions is nobody knows.

1:12:55.320 --> 1:12:58.200
<v Speaker 6>The fact that it's unknown, it's fun to play with

1:12:59.120 --> 1:13:03.920
<v Speaker 6>and it gives the writer lots of places down well. Congratulations,

1:13:03.960 --> 1:13:05.960
<v Speaker 6>and so you've seen the show and you please without

1:13:05.960 --> 1:13:10.479
<v Speaker 6>a key out. Yeah, I've been, so I'm most of

1:13:10.520 --> 1:13:11.240
<v Speaker 6>the way through now.

1:13:11.240 --> 1:13:14.360
<v Speaker 4>I think there's maybe a couple of episodes I haven't seen.

1:13:14.360 --> 1:13:17.680
<v Speaker 6>And i've been, although you know i've you know, I

1:13:17.720 --> 1:13:19.840
<v Speaker 6>read every script and worked at any script and worked

1:13:19.840 --> 1:13:22.679
<v Speaker 6>at all the different departments. It was officially long ago

1:13:22.960 --> 1:13:25.679
<v Speaker 6>that and of course I hadn't seen how it really

1:13:27.360 --> 1:13:30.400
<v Speaker 6>it's been great to see how these how it's come

1:13:30.439 --> 1:13:33.160
<v Speaker 6>out overall as a show tonally, which I think is

1:13:33.920 --> 1:13:36.160
<v Speaker 6>primarily the most important things to get right in the

1:13:36.240 --> 1:13:40.200
<v Speaker 6>total of the show. I think it really they really

1:13:40.280 --> 1:13:44.120
<v Speaker 6>nailed it, and such a strong cast, a great direction.

1:13:44.720 --> 1:13:48.280
<v Speaker 6>It's a great collection of directors. They got, some of

1:13:48.360 --> 1:13:53.519
<v Speaker 6>whom I had spoken with early on and we were talking.

1:13:53.320 --> 1:13:56.200
<v Speaker 4>About various aspects of the show. So I'm very pleased.

1:13:56.200 --> 1:13:57.120
<v Speaker 4>I'm very impressed.

1:13:57.760 --> 1:14:00.280
<v Speaker 6>For me, it's a win win from the point of

1:14:00.360 --> 1:14:03.599
<v Speaker 6>view of a science advisor who's interested in getting people

1:14:03.600 --> 1:14:06.559
<v Speaker 6>engaged in science, because there's a feeling, you know, from

1:14:06.680 --> 1:14:11.240
<v Speaker 6>episode one two, right, there are millions of people watching

1:14:11.280 --> 1:14:14.080
<v Speaker 6>this thing, and after they turn off this episode, they're

1:14:14.120 --> 1:14:18.320
<v Speaker 6>talking about strolling up, they're talking about Heisenberg and talking

1:14:18.360 --> 1:14:20.360
<v Speaker 6>about uncertainty.

1:14:20.439 --> 1:14:23.320
<v Speaker 4>They're talking about all these things that I usually thought

1:14:23.360 --> 1:14:24.920
<v Speaker 4>of is about as.

1:14:24.760 --> 1:14:27.920
<v Speaker 6>Obscure as you can get in science. This is out

1:14:27.960 --> 1:14:31.400
<v Speaker 6>there in the TV show about prime Time. That's fantastic.

1:14:32.360 --> 1:14:34.680
<v Speaker 6>So I've been I've been very happy with that. And

1:14:34.960 --> 1:14:39.800
<v Speaker 6>you know, this, I think wouldn't have happened without writers

1:14:39.880 --> 1:14:44.120
<v Speaker 6>like Blake who get excited about science and then.

1:14:44.000 --> 1:14:47.799
<v Speaker 4>Do this great job writing great stories builds around the science,

1:14:47.800 --> 1:14:48.920
<v Speaker 4>which is really what it's about.

1:14:49.720 --> 1:14:52.360
<v Speaker 1>Well, fantastic work, and I agree it's important to have

1:14:52.400 --> 1:14:54.920
<v Speaker 1>science out there, and science any stories, and science can

1:14:54.960 --> 1:14:58.320
<v Speaker 1>really enable so many fascinating stories. And if your goal

1:14:58.520 --> 1:15:00.840
<v Speaker 1>was to contribute to the story and to open the

1:15:00.880 --> 1:15:03.960
<v Speaker 1>space that they could explore and give some plausible credibility

1:15:04.200 --> 1:15:06.760
<v Speaker 1>without feeling like red pin and pissing them off, I

1:15:06.760 --> 1:15:09.400
<v Speaker 1>think you've done that. I just spoke to Jacqueline ben

1:15:09.479 --> 1:15:13.240
<v Speaker 1>Zechery right actually said quote tell Clifford, I love him.

1:15:14.320 --> 1:15:15.559
<v Speaker 1>I think it pretty well.

1:15:15.479 --> 1:15:18.240
<v Speaker 4>For it was.

1:15:18.320 --> 1:15:22.599
<v Speaker 6>It was one of the most fun and fulfilling science

1:15:22.600 --> 1:15:25.240
<v Speaker 6>advising and collaborative experiences I've ever had. And you know,

1:15:25.320 --> 1:15:27.439
<v Speaker 6>I've done some good ones. I've done some really good

1:15:27.439 --> 1:15:29.840
<v Speaker 6>ones also with some of the some of the Marvel

1:15:29.840 --> 1:15:33.639
<v Speaker 6>people has a great one coming up which I've been

1:15:34.200 --> 1:15:38.400
<v Speaker 6>having got fun with. And I'm hoping that you know,

1:15:38.520 --> 1:15:39.559
<v Speaker 6>this is a new standard.

1:15:39.800 --> 1:15:42.320
<v Speaker 14>Yeah, that we can that we that we can convince

1:15:43.439 --> 1:15:46.960
<v Speaker 14>the filmmakers the entertainment industry to aspire to you where

1:15:46.960 --> 1:15:50.920
<v Speaker 14>you really collaborate with scientists to.

1:15:50.600 --> 1:15:54.040
<v Speaker 6>Find new ways at very least right from the point

1:15:54.040 --> 1:15:56.960
<v Speaker 6>of view of just selling stories. Yeah, it's it's a

1:15:56.960 --> 1:15:59.400
<v Speaker 6>great way to just find new ways of telling the

1:15:59.400 --> 1:16:00.679
<v Speaker 6>same old story, which is great.

1:16:00.680 --> 1:16:02.640
<v Speaker 1>We only tell a few stories as a species, We

1:16:02.760 --> 1:16:03.759
<v Speaker 1>just tell them always.

1:16:04.120 --> 1:16:06.120
<v Speaker 6>Science is a great way to find new ways, and

1:16:06.200 --> 1:16:10.240
<v Speaker 6>so this is a great example of that.

1:16:10.360 --> 1:16:12.160
<v Speaker 1>All right, Well, thanks again for taking a few minutes

1:16:12.200 --> 1:16:13.840
<v Speaker 1>a chat. That's really appreciate it my session.

1:16:14.800 --> 1:16:17.160
<v Speaker 5>All right, pretty cool, Daniel. Have you ever considered being

1:16:17.200 --> 1:16:19.840
<v Speaker 5>a scientific advisor for a TV show or something like that?

1:16:20.240 --> 1:16:21.240
<v Speaker 5>Has anyone approached you?

1:16:21.720 --> 1:16:23.679
<v Speaker 1>Oh? Yeah, absolutely. I would love to be a science

1:16:23.720 --> 1:16:26.960
<v Speaker 1>advisor on anybody's project. And people actually email me their

1:16:27.000 --> 1:16:29.880
<v Speaker 1>stories all the time asking me for advice, and I

1:16:30.200 --> 1:16:32.200
<v Speaker 1>give it to them. I just talked last week to

1:16:32.240 --> 1:16:35.400
<v Speaker 1>a team doing a science fiction horror show asking me

1:16:35.479 --> 1:16:38.080
<v Speaker 1>for plausible explanations for the story they wanted.

1:16:38.320 --> 1:16:42.800
<v Speaker 5>Ooh interesting. Can you give any spoilers or did you

1:16:42.840 --> 1:16:43.879
<v Speaker 5>have to sign an nda?

1:16:44.520 --> 1:16:46.719
<v Speaker 1>I didn't sign an nda, but I think they would

1:16:46.720 --> 1:16:49.000
<v Speaker 1>not like me to give away their story on the pod.

1:16:49.360 --> 1:16:51.000
<v Speaker 1>But if they do get to produce it, and we'll

1:16:51.040 --> 1:16:53.360
<v Speaker 1>definitely talk about it on the podcast, that would be fun.

1:16:53.840 --> 1:16:55.800
<v Speaker 1>And so I want to encourage all the science fiction

1:16:55.840 --> 1:16:58.639
<v Speaker 1>writers out there thinks deeply about how the universe might work,

1:16:58.800 --> 1:17:02.000
<v Speaker 1>create new universes for us, and think about what it's

1:17:02.040 --> 1:17:03.080
<v Speaker 1>like to live in them.

1:17:03.200 --> 1:17:05.559
<v Speaker 5>Yeah, because it's an amazing universe, and who knows how

1:17:05.600 --> 1:17:09.559
<v Speaker 5>it will end up or get written up in Wikipedia.

1:17:09.120 --> 1:17:10.880
<v Speaker 1>Or he might not stick around to hear the end

1:17:10.880 --> 1:17:13.080
<v Speaker 1>of the universe. He's just going to read it on Wikipedia.

1:17:13.120 --> 1:17:14.280
<v Speaker 1>But I'll be there with you.

1:17:15.000 --> 1:17:17.840
<v Speaker 5>I'll read it after the universe ends, so we'll save

1:17:17.880 --> 1:17:20.439
<v Speaker 5>me a few trillion years hopefully. All Right. Well, we

1:17:20.439 --> 1:17:23.559
<v Speaker 5>hope you enjoyed that. Thanks for joining us, See you

1:17:23.560 --> 1:17:24.080
<v Speaker 5>next time.

1:17:29.160 --> 1:17:32.400
<v Speaker 1>For more science and curiosity. Come find us on social media,

1:17:32.479 --> 1:17:37.040
<v Speaker 1>where we answer questions and post videos. We're on Twitter, Discord, Instant,

1:17:37.120 --> 1:17:40.719
<v Speaker 1>and now TikTok. Thanks for listening, and remember that Daniel

1:17:40.760 --> 1:17:44.200
<v Speaker 1>and Jorge Explain the Universe is a production of iHeartRadio.

1:17:44.479 --> 1:17:49.640
<v Speaker 1>For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts,

1:17:49.760 --> 1:17:56.280
<v Speaker 1>or wherever you listen to your favorite shows. When you

1:17:56.320 --> 1:17:58.360
<v Speaker 1>pop a piece of cheese into your mouth, you're probably

1:17:58.400 --> 1:18:01.479
<v Speaker 1>not thinking about the environment impact where the people in

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<v Speaker 1>the dairy industry are. That's why they're working hard every

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<v Speaker 1>day to find new ways to reduce waste, conserve natural resources,

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<v Speaker 1>and drive down greenhouse gas emissions. How is us dairy

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<v Speaker 1>tackling greenhouse gases? Many farms use anaerobic digestors to turn

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<v Speaker 1>the methane from manure into renewable energy that can power farms, towns,

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<v Speaker 1>and electric cars. Visit you as dairy dot COM's Last

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<v Speaker 1>Sustainability to learn more.

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<v Speaker 1>Terms apply.

1:18:51.040 --> 1:18:53.280
<v Speaker 11>I'm a cleaning lady, a single mom with three kids

1:18:53.320 --> 1:18:56.120
<v Speaker 11>and an IQ north of one sixty, so helping the

1:18:56.120 --> 1:18:59.280
<v Speaker 11>cops solve a murders literally the easiest part of my day.

1:18:59.400 --> 1:19:03.799
<v Speaker 15>Babies Tuesday the series premiere of fall's most anticipated new drama,

1:19:03.960 --> 1:19:04.720
<v Speaker 15>High Potential.

1:19:04.840 --> 1:19:06.439
<v Speaker 9>That big brain of hers is going to help us

1:19:06.439 --> 1:19:07.519
<v Speaker 9>close out a lot of cases.

1:19:07.600 --> 1:19:10.040
<v Speaker 15>Caitlin Open is the new face of investigation.

1:19:10.240 --> 1:19:11.880
<v Speaker 9>You're a single mom pretending to be a god.

1:19:11.880 --> 1:19:12.719
<v Speaker 1>I am not pretending.

1:19:12.880 --> 1:19:14.519
<v Speaker 5>I'm just out here super copping.

1:19:15.080 --> 1:19:18.679
<v Speaker 15>High Potential series premiere Tuesday, ten ninth Central on ABC

1:19:18.960 --> 1:19:20.200
<v Speaker 15>and stream on Hulu