WEBVTT - Dave Koz

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<v Speaker 1>Welcome, Welcome, Welcome back to the Bob Left Sets podcast.

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<v Speaker 1>My guest today the saxophone is extraordinary, Dave, Cause wow,

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<v Speaker 1>that introduction where do we go from? There? Where we

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<v Speaker 1>go is actually back to a memorial day. The last

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<v Speaker 1>time I saw you in person, you were presiding over

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<v Speaker 1>Mindy a Bear's surprise wedding. How did that come together? Well,

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<v Speaker 1>Mindy is a great friend of mine and a colleague,

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<v Speaker 1>fantastic saxophone artists and great singer, and we've done a

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<v Speaker 1>lot of touring together and made records together. And she um.

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<v Speaker 1>It was actually a funny thing because when are We

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<v Speaker 1>made this album called Summer Horns in two thousand and thirteen,

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<v Speaker 1>and at the time I was working with this guy

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<v Speaker 1>named Eric Querra on a wine project sort of like

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<v Speaker 1>a side project for us that we do for charity.

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<v Speaker 1>And over the years we've made a raised a lot

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<v Speaker 1>of money for a charity called the Starlight Children's Foundation

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<v Speaker 1>through the sale of Cause Wine, which is basically wine

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<v Speaker 1>with my name on it. That's you can find it

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<v Speaker 1>whole Foods and it raises money for charity. As I

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<v Speaker 1>like to say, drink for the kids. But these are

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<v Speaker 1>kids that are in the hospital for long periods of time,

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<v Speaker 1>and this is one way just to kind of help them.

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<v Speaker 1>So anyway, Eric guarra Um is a good friend of

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<v Speaker 1>mine in the wine business, and he was helping me

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<v Speaker 1>for a number of years make this wine and we

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<v Speaker 1>were having wonderful success. And we just finished the Summer

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<v Speaker 1>Horns record and I sent him the cover of the

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<v Speaker 1>album as basically just because he's my friend, I said,

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<v Speaker 1>here's our new album, and you know, I wanted to

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<v Speaker 1>share this with you. And he wrote back immediately he said,

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<v Speaker 1>who is that blonde? And is she's single? And I said, hey,

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<v Speaker 1>slow your roll, brother, you know, let's let's go a

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<v Speaker 1>little slower here. I thought I was gonna be your

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<v Speaker 1>favorite saxophone player, and he said, You're always gonna be

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<v Speaker 1>my favorite saxophone player. But who is that blonde? So

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<v Speaker 1>I called Mindy and I said, this guy Eric is

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<v Speaker 1>is kind of interested in meeting you. Are you interested

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<v Speaker 1>in meeting him? And I showed her a picture of Eric. Now,

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<v Speaker 1>since this is a non visual medium, bob um, let

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<v Speaker 1>me just say he's kind of a He's he's a

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<v Speaker 1>hot guy, right, He's got these like the total uh,

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<v Speaker 1>you know, George Clooney with the gray hair and the

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<v Speaker 1>just the tan and just you know, a very suave guy.

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<v Speaker 1>So she's looked at him and she said, yes, I

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<v Speaker 1>do want to meet him immediately. So they had their

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<v Speaker 1>first date and I was not there, but evidently it

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<v Speaker 1>went very very well, and um they started dating and

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<v Speaker 1>then they got really involved and they've been involved ever since.

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<v Speaker 1>You know. That was it. So Mindy and Eric came

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<v Speaker 1>to me many years later and said, we're thinking about

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<v Speaker 1>tying the knot. And it was in conjunction with Mindy's

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<v Speaker 1>fiftieth birthday, which was Memorial Day weekend. And I came

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<v Speaker 1>up with the idea because I presided over one like

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<v Speaker 1>a gay wedding about five or six years ago. That

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<v Speaker 1>was a total surprise as well, and it was so

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<v Speaker 1>much fun because people came to a party not knowing

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<v Speaker 1>that the they were gonna get married or they weren't

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<v Speaker 1>witnessed a wedding, and it was so much fun. And

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<v Speaker 1>so I suggested to them, I said, well, what about

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<v Speaker 1>just having a fiftieth birthday party, but at the party,

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<v Speaker 1>we just have a surprise wedding. And they loved it,

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<v Speaker 1>and so that's that's how it all happened. Okay, how

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<v Speaker 1>long before the party did you have this conversation? Say,

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<v Speaker 1>it's probably three months a long time because she has

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<v Speaker 1>a party every Memorial Day weekend. And I was sitting

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<v Speaker 1>in the kitchen. It's mostly an outdoor party, and my

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<v Speaker 1>friend Elbow b said he Eric came out in the

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<v Speaker 1>suit and then all of said they're gonna get married.

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<v Speaker 1>I guess I'm slow on the uptake. But then it

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<v Speaker 1>could all put together. And that was before they entered

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<v Speaker 1>the Uh. The outside where the suble multitude mostly was well,

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<v Speaker 1>if you've never been to a surprise wedding, there's there's

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<v Speaker 1>that moment exactly what you just described, Bob, where like

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<v Speaker 1>the turn that the situation changes. You're coming to a

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<v Speaker 1>party expecting one thing, and then all of a sudden

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<v Speaker 1>you start noticing cues that oh something is changing, and

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<v Speaker 1>then there's this energy that just erupts and people are

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<v Speaker 1>so excited. You know, So I think it's it's um,

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<v Speaker 1>it's not for everybody's taste, but for if you kind

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<v Speaker 1>of like that adventurous spirit. It worked for Indian era list.

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<v Speaker 1>It was great. It's great vibe and everybody was there.

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<v Speaker 1>But in addition, you performed the ceremony extremely Well, so

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<v Speaker 1>is it your How did you come up with your

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<v Speaker 1>lines and you felt comfortable because you're always on stage

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<v Speaker 1>or what happened there, that's a different thing, that's right,

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<v Speaker 1>That's why I'm asking. But it was very loose. But

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<v Speaker 1>you said you felt so comfortable from the outside observer. Well,

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<v Speaker 1>that's nice to you to say, and I'm glad it

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<v Speaker 1>came off that way. I was rather nervous. I get

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<v Speaker 1>pretty nervous for things like That's one thing to have

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<v Speaker 1>a saxophone in my mouth on stage. It's another thing

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<v Speaker 1>to be marrying, you know, two people you really really love.

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<v Speaker 1>But I think it came from them. They were, uh,

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<v Speaker 1>they said to me like, they didn't put any parameters

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<v Speaker 1>on me. They just said, let's have something that's fun, reverent.

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<v Speaker 1>We don't have to we're nonconformists, so let's just not

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<v Speaker 1>have a We're having a surprise wedding, so it doesn't

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<v Speaker 1>have to conform to anything that you would normally typically

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<v Speaker 1>think a wedding should be. And so I just went

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<v Speaker 1>with it. And I knew I knew that um that

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<v Speaker 1>Mindy had worked a lot with Adam Sandler, and so

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<v Speaker 1>I was doing some uh you know, just research before that,

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<v Speaker 1>and I found a great Adam Sandler quote that really

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<v Speaker 1>from the wedding singer that just was the perfect way

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<v Speaker 1>to start, and it just basically diffused the energy and

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<v Speaker 1>let everybody know that this was not going to be

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<v Speaker 1>a typical wedding, and it just kind of remember remember

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<v Speaker 1>the quote, I can't remember it right, right right? I

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<v Speaker 1>should have knew that You've known you're gonna ask me

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<v Speaker 1>that question. Okay, let's go back to the beginning. When's

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<v Speaker 1>the first time you picked up a saxophone. I was

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<v Speaker 1>thirteen years old, seventh grade, Portola Junior High School here

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<v Speaker 1>in Los Angeles and the Valley Tarzana, California, where I

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<v Speaker 1>grew up, and that was the uh the for I

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<v Speaker 1>played other instruments. Well, that's my question. Coming from a

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<v Speaker 1>Jewish background like myself, we started taking piano lessons at

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<v Speaker 1>age six, So did you have any of that experience

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<v Speaker 1>or something in the school before this accident. We had

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<v Speaker 1>the same piano teacher because did you play Hot Cross Buns?

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<v Speaker 1>Probably so he hated piano. I mean, my mom forced

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<v Speaker 1>my brother and sister and I to take it up

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<v Speaker 1>when we were growing up and I just hated it,

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<v Speaker 1>and so I rebelled when I was around ten and

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<v Speaker 1>I took up the drum set because I thought I

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<v Speaker 1>was gonna really show my parents whose boss. And this

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<v Speaker 1>is a true story. There was a time when my

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<v Speaker 1>dad came to pick me up from my drum lesson

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<v Speaker 1>at Kay's music scene in uh In Mercida, and the

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<v Speaker 1>drum teacher came to say hello to my dad, and

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<v Speaker 1>I was right there so I could hear what he

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<v Speaker 1>said to my dad, and he said, dr Cos you

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<v Speaker 1>might want to think about sports for Dave, because it's

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<v Speaker 1>just not gonna have I was crushed. This is two

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<v Speaker 1>instruments now that I basically crashed and burn was terrible

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<v Speaker 1>piano player, terrible drummer, and so I thought this was it.

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<v Speaker 1>There's there's no music for me. Let's go back to

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<v Speaker 1>your family said your father was a doctor. What kind

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<v Speaker 1>of doctor was dermatologist? Dermatologist? So was that something he

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<v Speaker 1>didn't discuss his work over the dinner table. Yeah, there

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<v Speaker 1>was a healthy diet of zits and karatosis, and uh,

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<v Speaker 1>you know, my dad was a very Both my parents

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<v Speaker 1>are passed, but my mom was a pharmacist too, So

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<v Speaker 1>my my parents in addition to being you know, Jews,

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<v Speaker 1>they were also medical Jews, so they had that kind

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<v Speaker 1>of perspective. And all three kids, my older brother and

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<v Speaker 1>sister and I all went into the music business, if

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<v Speaker 1>you can believe that, and they were very supportive. Surprisingly

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<v Speaker 1>and to their credit, they were incredibly supportive of of

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<v Speaker 1>us following are okay, it's just staying on that topic.

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<v Speaker 1>Your father is a dermatologist. Most teenagers get it. Did

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<v Speaker 1>you then go to see your father? Of course there

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<v Speaker 1>was no charge. Yeah, I guess that's the only thing.

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<v Speaker 1>It wasn't weird because you didn't know something. Dermot Toms

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<v Speaker 1>is always sort of weird when they're addressing yours. It's so,

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<v Speaker 1>there are three kids in the family. Where are you

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<v Speaker 1>in the hierarchy? I'm the youngest, you're the youngest, so

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<v Speaker 1>you're the oldest. Is my brother Jeff? Okay, and how

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<v Speaker 1>much older is he than you? Almost four years older

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<v Speaker 1>than me? And then your sister is the middle kid, Roberta,

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<v Speaker 1>and she's two years two years old and me? Okay,

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<v Speaker 1>Like in my family, it's all two years. And then

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<v Speaker 1>if you do the math, you realize this is nine

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<v Speaker 1>months after the re anniversary, which is kind of creepy.

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<v Speaker 1>I know, it's it's amazing that our parents kind of

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<v Speaker 1>got to it exactly. I can't imagine it. They just

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<v Speaker 1>like god to it and had and they basically spit

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<v Speaker 1>out three kids within less than four years. And um,

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<v Speaker 1>I marvel at my parents, my you know, somehow they

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<v Speaker 1>were able to make it happen. And I never I

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<v Speaker 1>grew up in a very you know, I grew up

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<v Speaker 1>in Tarzana and and never really thought about anything. I mean,

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<v Speaker 1>I had my own issues to deal with, which we're

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<v Speaker 1>you know, kind of having to deal with them on

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<v Speaker 1>my own. Like what kind of issues? Well, I grew

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<v Speaker 1>up I'm gay? You know, Wait, just since you brought

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<v Speaker 1>it up, at what point do you realize you're gay?

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<v Speaker 1>I would say, like my earliest memories sitting on my

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<v Speaker 1>parents bed, reading the Sunday newspaper and looking at some

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<v Speaker 1>of those circulars were that show, you know, people in

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<v Speaker 1>in bathing suits. And I think I was noticing guys

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<v Speaker 1>way back when, even before there was any sort of

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<v Speaker 1>understanding of what that meant. So were you in single digits,

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<v Speaker 1>were already a teenager probably six seven something like that? Okay,

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<v Speaker 1>need let's just say los Angeles is very liberal on this,

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<v Speaker 1>so just like San Francisco. But to what degree did

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<v Speaker 1>you try to repress those feelings, if at all, I

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<v Speaker 1>completely tried to replace repress the I made have made

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<v Speaker 1>a serious habit of repressing them for a long time,

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<v Speaker 1>because it's just there was nothing. I didn't really know

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<v Speaker 1>what to do with those feelings. And and and this is

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<v Speaker 1>what and I don't mean to be over dramatic, be

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<v Speaker 1>as dramatic, but um, when I discovered the saxophone finally

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<v Speaker 1>at thirteen, this is the connection to your earlier question.

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<v Speaker 1>Discovering the saxophone at thirteen when my body was exploding,

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<v Speaker 1>you know, like all theteen year olds. Um, it was

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<v Speaker 1>finally finding that best friend that I could talk to.

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<v Speaker 1>And I've thought about this a lot, and I wonder

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<v Speaker 1>why I have a career that I feel very blessed

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<v Speaker 1>and fortunate that I'm still able to do this. I've

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<v Speaker 1>been doing it for almost thirty years, making records and

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<v Speaker 1>traveling around. What is why does somebody want to hear

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<v Speaker 1>me play the saxophone? When I've said this before, there

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<v Speaker 1>are people who can blow circles around me. There's something

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<v Speaker 1>in the sound that I think was made like a

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<v Speaker 1>blueprint of the sound was made when I first picked

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<v Speaker 1>it up, because there was so much of that internal

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<v Speaker 1>like emotion going into this sound, Like the saxophone was

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<v Speaker 1>the one vehicle that I could express myself with, and

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<v Speaker 1>I think because it was, it started out as this

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<v Speaker 1>is that you know, there's a lot of real emotion

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<v Speaker 1>and real pain that's in that sound. Even though ironically

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<v Speaker 1>the music that I make is is very uplifting and

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<v Speaker 1>I consider kind of kind of happy. It's not sad music,

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<v Speaker 1>but they're inside of that sound, there is some sort

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<v Speaker 1>of thing that I think people maybe on some level,

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<v Speaker 1>uh connect to because we all go through that stuff

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<v Speaker 1>no matter what we're dealing with. We can recognize that

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<v Speaker 1>if there's something in a sound that that that connects

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<v Speaker 1>with us on that level. So, uh well, let's stay

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<v Speaker 1>let's go back to a little bit of fill in.

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<v Speaker 1>So did you ever date girls? If I did, you did,

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<v Speaker 1>and that was a good or bad experience. I think

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<v Speaker 1>my my most successful relationship was with a woman to

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<v Speaker 1>this day, to this day, Okay informed me of that.

0:12:09.880 --> 0:12:14.160
<v Speaker 1>Lisa Rosendam. She was my high school girlfriend into college

0:12:14.280 --> 0:12:16.120
<v Speaker 1>and we had a great We had a really great

0:12:16.160 --> 0:12:19.400
<v Speaker 1>relationship I'm hoping that she's not upset for me outing

0:12:19.400 --> 0:12:22.920
<v Speaker 1>her on your podcast. Um. She was so great because

0:12:22.920 --> 0:12:25.360
<v Speaker 1>I was very honest with her. I told her what

0:12:25.400 --> 0:12:27.679
<v Speaker 1>was going on with me, and I was committed to her,

0:12:27.679 --> 0:12:29.960
<v Speaker 1>and I said, I really want to see this through.

0:12:30.000 --> 0:12:32.760
<v Speaker 1>And then one day, about two years in, she came

0:12:32.800 --> 0:12:34.800
<v Speaker 1>to me and she said, I just kind of need

0:12:34.880 --> 0:12:37.160
<v Speaker 1>to know, like, do you think that we have a future?

0:12:37.160 --> 0:12:40.080
<v Speaker 1>Are you gonna want a date? Guys? And I said, um,

0:12:40.360 --> 0:12:41.800
<v Speaker 1>I think it was on a on a Friday, and

0:12:41.800 --> 0:12:47.160
<v Speaker 1>I said, can I take the weekend? So on Monday,

0:12:47.200 --> 0:12:49.960
<v Speaker 1>I said, I thought about this over the weekend and

0:12:50.320 --> 0:12:53.120
<v Speaker 1>I definitely will want to explore this and I think

0:12:53.120 --> 0:12:55.200
<v Speaker 1>it would be a mistake to not And she said

0:12:55.280 --> 0:12:59.000
<v Speaker 1>totally cool, and we broke up and remained great friends.

0:12:59.160 --> 0:13:02.240
<v Speaker 1>Very soon after she met her husband. There's a guy

0:13:02.280 --> 0:13:04.400
<v Speaker 1>named Jeff and to this day it was a long

0:13:04.440 --> 0:13:06.319
<v Speaker 1>time ago now and to this day, every time I

0:13:06.360 --> 0:13:08.880
<v Speaker 1>see him, he thanks me well, as he should you.

0:13:08.920 --> 0:13:11.600
<v Speaker 1>But you know, this is not an uncommon story. I

0:13:11.679 --> 0:13:14.160
<v Speaker 1>have a friend who was married to someone and she said,

0:13:14.240 --> 0:13:17.840
<v Speaker 1>right up front, you know, I'm into women as well

0:13:17.880 --> 0:13:20.800
<v Speaker 1>as you, which maybe this is you know, bisexual as

0:13:20.840 --> 0:13:23.920
<v Speaker 1>opposed to They were married very briefly. She came home

0:13:23.960 --> 0:13:26.440
<v Speaker 1>and said, Hey, I want to date this woman. He

0:13:26.559 --> 0:13:31.640
<v Speaker 1>divorced her. She's still with that woman decades later. So. Uh,

0:13:31.679 --> 0:13:33.880
<v Speaker 1>but going back, you said, your sister and brother with

0:13:33.960 --> 0:13:36.680
<v Speaker 1>the music business, what do they do. My brother is

0:13:36.760 --> 0:13:42.800
<v Speaker 1>a incredibly talented um composer, plays guitar. Uh. There was

0:13:42.840 --> 0:13:45.720
<v Speaker 1>a time in his life, in the early part of

0:13:45.760 --> 0:13:47.920
<v Speaker 1>his life where he wanted to be a recording artist

0:13:47.960 --> 0:13:51.760
<v Speaker 1>and really really went for it. But for whatever reason,

0:13:51.880 --> 0:13:54.720
<v Speaker 1>you know, it just didn't happen in that way for him.

0:13:54.760 --> 0:13:57.760
<v Speaker 1>So he retooled along the way and decided to do

0:13:57.920 --> 0:14:00.120
<v Speaker 1>to get more behind the scenes, and he started a

0:14:00.160 --> 0:14:04.360
<v Speaker 1>company that was doing mostly music for commercials and films

0:14:04.360 --> 0:14:07.720
<v Speaker 1>and stuff like that, and built a career uh for

0:14:07.880 --> 0:14:12.160
<v Speaker 1>approximately thirty years that really was very successful until that

0:14:12.200 --> 0:14:15.720
<v Speaker 1>business kind of started to change. My sister was an

0:14:15.760 --> 0:14:18.959
<v Speaker 1>executive at MTV before it was called MTV, when it

0:14:19.000 --> 0:14:23.080
<v Speaker 1>was owned by Warner American Express, and she was one

0:14:23.120 --> 0:14:25.200
<v Speaker 1>of the on the business side, not in the music

0:14:25.360 --> 0:14:27.840
<v Speaker 1>or programming side, but on the on the cable side.

0:14:27.880 --> 0:14:30.520
<v Speaker 1>She was one of the early executives. She worked her

0:14:30.520 --> 0:14:32.840
<v Speaker 1>way all the way up to running the whole West

0:14:32.840 --> 0:14:35.160
<v Speaker 1>Coast office until she decided that she wanted to be

0:14:35.200 --> 0:14:38.040
<v Speaker 1>more focused on her kids when she had kids, so

0:14:38.080 --> 0:14:43.080
<v Speaker 1>she left that. And then, just as a like a

0:14:43.120 --> 0:14:47.320
<v Speaker 1>little anti or addendum to that whole story, my brother

0:14:47.400 --> 0:14:51.960
<v Speaker 1>and sister and the most unlikely marriage of all decided

0:14:52.720 --> 0:14:58.560
<v Speaker 1>about two years ago to get into the marijuana business. So, well,

0:14:58.600 --> 0:15:01.360
<v Speaker 1>let's I think we missed a chapter here. Your sister

0:15:01.480 --> 0:15:04.920
<v Speaker 1>started making cookies. So how long ago did she start

0:15:04.960 --> 0:15:10.160
<v Speaker 1>making cookies? Well, my mom was a baker, uh, And

0:15:10.360 --> 0:15:12.800
<v Speaker 1>my mom dispensed these. She was a pharmacist, but she's

0:15:12.840 --> 0:15:16.240
<v Speaker 1>dispensed these chocolate chip cookies and they were just amazing.

0:15:16.280 --> 0:15:19.720
<v Speaker 1>She never sold them, but she brought them everywhere. And

0:15:19.760 --> 0:15:23.040
<v Speaker 1>she my mom was a typical Jewish mom. She equated

0:15:23.080 --> 0:15:26.280
<v Speaker 1>food with love, and if she loved you, she was

0:15:26.280 --> 0:15:28.040
<v Speaker 1>going to feed you, whether you liked it or not.

0:15:29.000 --> 0:15:32.240
<v Speaker 1>And so she had these cookies. And in the beginning

0:15:32.240 --> 0:15:34.600
<v Speaker 1>part of my career, Bob it was it was funny

0:15:34.640 --> 0:15:38.280
<v Speaker 1>because Capitol Records, I was signed to Capital for twenty years.

0:15:38.760 --> 0:15:41.440
<v Speaker 1>Capital fell in love with my mom and her cookies

0:15:41.480 --> 0:15:43.400
<v Speaker 1>so much that back in the day and the early

0:15:43.480 --> 0:15:47.160
<v Speaker 1>part of my career. They would send her out, not me,

0:15:47.640 --> 0:15:52.480
<v Speaker 1>her out on a promotional visits to warehouse records and liquor,

0:15:52.520 --> 0:15:56.200
<v Speaker 1>spizza and sam goodies, and and she would get you know,

0:15:56.480 --> 0:15:59.880
<v Speaker 1>she would get placement for me just by these cookies.

0:16:00.040 --> 0:16:02.840
<v Speaker 1>Were that good. Well that's a great story, irrelevant of

0:16:02.840 --> 0:16:05.040
<v Speaker 1>the cookie. So anyway, she was a great baker. How

0:16:05.080 --> 0:16:07.920
<v Speaker 1>did it transition to your sister, Well, my mom passed

0:16:07.960 --> 0:16:12.120
<v Speaker 1>in twenty oh five, and um, people would she was

0:16:12.240 --> 0:16:14.640
<v Speaker 1>larger than life, you though she was only five ft tall.

0:16:14.800 --> 0:16:17.640
<v Speaker 1>But my um, all of us just to stay here.

0:16:18.080 --> 0:16:21.120
<v Speaker 1>So your mother and father were born in America. They

0:16:21.120 --> 0:16:25.000
<v Speaker 1>were born in Canada, Canada, and then their parents immigrated

0:16:25.040 --> 0:16:27.280
<v Speaker 1>from the Old Country as we say, yes, how did

0:16:27.360 --> 0:16:30.240
<v Speaker 1>they get from Winnipeg to Los Angeles? I think in

0:16:30.280 --> 0:16:33.680
<v Speaker 1>a covered wagon. I didn't know the room went in

0:16:33.720 --> 0:16:36.000
<v Speaker 1>that direction. I thought it was just east to west. No,

0:16:36.200 --> 0:16:41.000
<v Speaker 1>my parents got married and they were my dad hated

0:16:41.000 --> 0:16:44.720
<v Speaker 1>the cold, and they grew up in Winnipeg, of all places,

0:16:44.800 --> 0:16:47.720
<v Speaker 1>you know, fifty below zero. So when they got married,

0:16:47.840 --> 0:16:51.000
<v Speaker 1>my dad was immediately, we're moving to California, and they did,

0:16:51.320 --> 0:16:53.680
<v Speaker 1>and my mom went along with him. I don't think

0:16:53.680 --> 0:16:56.360
<v Speaker 1>that she really wanted to go, but he really wanted

0:16:56.400 --> 0:16:59.360
<v Speaker 1>to go, and so he developed. He was brought into

0:16:59.360 --> 0:17:03.400
<v Speaker 1>a practice dermatology practice in in Encino, and my mom

0:17:03.480 --> 0:17:05.680
<v Speaker 1>came along and that's where my brother and sister and

0:17:05.760 --> 0:17:07.600
<v Speaker 1>I were all raised. That begs a question, do you

0:17:07.600 --> 0:17:10.640
<v Speaker 1>have a lot of relatives in Canada? Yeah, all over Canada,

0:17:10.680 --> 0:17:13.600
<v Speaker 1>but but especially in Winnipeg's and do you ever see them?

0:17:13.960 --> 0:17:17.160
<v Speaker 1>I do, Yeah, I do a lot. Okay, so let's

0:17:17.160 --> 0:17:19.320
<v Speaker 1>go back to the cookies. How does your sister decide

0:17:19.359 --> 0:17:22.920
<v Speaker 1>to make started making cookies? Well, when my mom passed,

0:17:23.400 --> 0:17:26.560
<v Speaker 1>her name was Audrey. And when my mom passed, people

0:17:27.000 --> 0:17:29.680
<v Speaker 1>always said, you know, we miss Audrey so much, but

0:17:29.720 --> 0:17:35.679
<v Speaker 1>white cookies. So Roberta, my sister said enough already, I'm

0:17:35.680 --> 0:17:38.480
<v Speaker 1>gonna try and find the recipe. She, you know, went

0:17:38.480 --> 0:17:40.720
<v Speaker 1>through my mom's things, found the recipe and she started

0:17:40.760 --> 0:17:43.399
<v Speaker 1>making the cookies and everybody was very happy. And then

0:17:43.400 --> 0:17:45.920
<v Speaker 1>she said, I think there's a business here, and she

0:17:46.440 --> 0:17:49.440
<v Speaker 1>started doing it. She developed a company called Audrey's Cookies,

0:17:50.160 --> 0:17:53.560
<v Speaker 1>and for a while she had a pretty good, you know,

0:17:53.640 --> 0:17:57.200
<v Speaker 1>little company never made any money, you know, because because

0:17:57.440 --> 0:18:01.000
<v Speaker 1>her competitors were Nabisco and it was very difficult, but

0:18:01.040 --> 0:18:03.200
<v Speaker 1>she still got on the shelves and whole food. She

0:18:03.280 --> 0:18:05.520
<v Speaker 1>got on the shelves in Costco and a test. She

0:18:05.720 --> 0:18:08.800
<v Speaker 1>was in a bunch of different markets, and she would

0:18:08.800 --> 0:18:11.480
<v Speaker 1>take two steps forward, one step back, three steps forward,

0:18:11.520 --> 0:18:15.399
<v Speaker 1>two steps back. It never really took off. My brother

0:18:15.960 --> 0:18:18.719
<v Speaker 1>when he saw the winds of change happening in the

0:18:18.800 --> 0:18:21.920
<v Speaker 1>cannabis world in in um, you know, like two or

0:18:21.960 --> 0:18:25.000
<v Speaker 1>three years ago here in the state of California, he

0:18:25.119 --> 0:18:29.120
<v Speaker 1>suggested to my sister, we should turn Audrey's Cookies into

0:18:29.680 --> 0:18:35.280
<v Speaker 1>an edibles company and incorporate marijuana, cannabis and um and

0:18:35.320 --> 0:18:40.240
<v Speaker 1>then we can You know, most people uh honor their

0:18:40.280 --> 0:18:44.680
<v Speaker 1>dead parents, especially with their Jewish dead parents with maybe

0:18:44.720 --> 0:18:47.240
<v Speaker 1>a plant, a tree in Israel, maybe you put a

0:18:47.359 --> 0:18:50.840
<v Speaker 1>plaque in the synagogue with their name on it. My family,

0:18:51.400 --> 0:18:54.159
<v Speaker 1>we're just in the pot cookie business. So it's my

0:18:54.280 --> 0:18:58.240
<v Speaker 1>mom's recipe and it's my dad's name. They're called doctor Norms,

0:18:58.760 --> 0:19:01.960
<v Speaker 1>and you can find them pretty much at any dispensary

0:19:02.359 --> 0:19:04.720
<v Speaker 1>up and down the state of California. Right now. I

0:19:04.760 --> 0:19:06.639
<v Speaker 1>know it's their business, not yours, but I know a

0:19:06.680 --> 0:19:09.960
<v Speaker 1>lot of people entered that business. Very competitive now at

0:19:10.000 --> 0:19:15.520
<v Speaker 1>this point in time legally and commercially. How difficult has

0:19:15.560 --> 0:19:19.000
<v Speaker 1>it been for them. I think it's been difficult because

0:19:19.040 --> 0:19:22.600
<v Speaker 1>they started before it was legal in in the state

0:19:22.640 --> 0:19:25.439
<v Speaker 1>of California, so there were much different rules. It was

0:19:25.480 --> 0:19:27.840
<v Speaker 1>pretty much like the Wild Wild West when they first started,

0:19:27.880 --> 0:19:29.920
<v Speaker 1>which is not even that long ago, it's only maybe

0:19:29.920 --> 0:19:32.280
<v Speaker 1>two and a half years ago. But when it was

0:19:33.240 --> 0:19:36.320
<v Speaker 1>the the the rule was passed in the state of

0:19:36.359 --> 0:19:40.600
<v Speaker 1>California and the rules changed, and then the it's like

0:19:40.640 --> 0:19:43.679
<v Speaker 1>the government wasn't prepared to figure out how to do

0:19:43.760 --> 0:19:45.320
<v Speaker 1>all that at the same time, so it was just

0:19:45.440 --> 0:19:49.080
<v Speaker 1>chaos for at least like six months. So they've been

0:19:49.119 --> 0:19:51.960
<v Speaker 1>dealing with a lot of that stuff. But um, their

0:19:52.000 --> 0:19:55.480
<v Speaker 1>sales are very strong. They were acquired by a big

0:19:55.520 --> 0:19:59.040
<v Speaker 1>company and um so they're off to the races. So

0:19:59.119 --> 0:20:01.439
<v Speaker 1>once they put in the annibis, it turned into a

0:20:01.480 --> 0:20:05.400
<v Speaker 1>profitable business. And they're still very both very heavily involved.

0:20:05.440 --> 0:20:08.399
<v Speaker 1>They're incredibly involved. Yeah, they have so pretty much. If

0:20:08.400 --> 0:20:12.000
<v Speaker 1>I go to a dispensary, I asked for Audrey's cookies

0:20:12.200 --> 0:20:16.160
<v Speaker 1>Dr Norms. Dr Norm's. The brand name changed. Dr Norms. Okay,

0:20:16.240 --> 0:20:18.399
<v Speaker 1>so let's go back to you. How do you end

0:20:18.480 --> 0:20:23.120
<v Speaker 1>up picking up the saxophone at age thirteen? Well that

0:20:23.200 --> 0:20:26.359
<v Speaker 1>was my brother. Um, god, this is turning into a

0:20:26.480 --> 0:20:29.880
<v Speaker 1>really this is your life exactly. I hope it's interesting

0:20:30.000 --> 0:20:35.160
<v Speaker 1>for your listenership. Did people already turn off? Okay? Okay,

0:20:35.800 --> 0:20:38.640
<v Speaker 1>seven people listening now, most of them related to me.

0:20:38.840 --> 0:20:41.160
<v Speaker 1>But that's besides the point. You have a lot of fans.

0:20:41.200 --> 0:20:43.720
<v Speaker 1>I mean, it's your name comes up, it's like, you know,

0:20:43.760 --> 0:20:47.200
<v Speaker 1>spontaneous of my nutritionist. I have high cholesterol. Huge fan

0:20:47.320 --> 0:20:50.840
<v Speaker 1>tells me she's going to your shows. You know, well yes, absolutely,

0:20:50.840 --> 0:20:52.720
<v Speaker 1>Well god, but you know you do these cruises. But

0:20:52.800 --> 0:20:55.840
<v Speaker 1>let's start at the beginning. So your brother, My brother

0:20:56.080 --> 0:20:58.760
<v Speaker 1>had a band when I was growing up with his

0:20:58.840 --> 0:21:01.680
<v Speaker 1>friends that were they were doing weddings and bar mitzvah's

0:21:01.720 --> 0:21:05.760
<v Speaker 1>fraternity parties. It's called Randy and Company. And uh, they

0:21:05.760 --> 0:21:07.919
<v Speaker 1>did not have a saxophone player. I wanted to be

0:21:07.960 --> 0:21:09.879
<v Speaker 1>in that band. When I was a kid, I saw

0:21:10.040 --> 0:21:13.680
<v Speaker 1>him and his buddies. Everybody else had to get jobs,

0:21:13.720 --> 0:21:15.879
<v Speaker 1>you know, working at Burger King or McDonald's or whatever,

0:21:15.920 --> 0:21:19.320
<v Speaker 1>flipping burgers. These guys played music on the weekend. So

0:21:19.320 --> 0:21:21.560
<v Speaker 1>I was thought, this is so cool. I want to

0:21:21.560 --> 0:21:23.879
<v Speaker 1>be in the band. Of course, going back to what

0:21:23.920 --> 0:21:27.639
<v Speaker 1>I was telling you before, I really had no uh like,

0:21:27.680 --> 0:21:31.000
<v Speaker 1>there was no indication that I had any musical talent whatsoever.

0:21:31.600 --> 0:21:35.000
<v Speaker 1>But my brother said in in passing one when one

0:21:35.040 --> 0:21:37.400
<v Speaker 1>time he said, the only way that First of all,

0:21:37.480 --> 0:21:39.320
<v Speaker 1>you're never getting in this band. Right. Of course he's

0:21:39.320 --> 0:21:41.680
<v Speaker 1>four years older. That's what I think, total older brother

0:21:41.960 --> 0:21:44.159
<v Speaker 1>never getting in this band. But the only way that

0:21:44.200 --> 0:21:47.119
<v Speaker 1>you could get in this band, if possibly in a

0:21:47.240 --> 0:21:49.240
<v Speaker 1>million years, could ever happen, is if you played the

0:21:49.240 --> 0:21:52.119
<v Speaker 1>saxophone player saxophone, because we don't have a saxophone player.

0:21:52.320 --> 0:21:54.560
<v Speaker 1>And it was the time when you know, this is

0:21:54.640 --> 0:21:59.040
<v Speaker 1>like the late seventies early eighties when when every pop

0:21:59.080 --> 0:22:02.040
<v Speaker 1>song had a saxolo. If you didn't have a sax

0:22:02.040 --> 0:22:04.760
<v Speaker 1>player in your band for a wedding, I mean, you

0:22:04.840 --> 0:22:07.600
<v Speaker 1>really were out of touch. So that's all I heard.

0:22:07.600 --> 0:22:09.600
<v Speaker 1>And it was basically at the same exact time I

0:22:09.640 --> 0:22:12.600
<v Speaker 1>was going into seventh grade, I could pick up an instrument,

0:22:13.000 --> 0:22:15.720
<v Speaker 1>uh part of the curriculum, and so I picked up

0:22:15.720 --> 0:22:18.200
<v Speaker 1>the saxophone. And then I just drove my brother crazy

0:22:18.280 --> 0:22:20.960
<v Speaker 1>until he let me be in the band. Okay, let's

0:22:20.960 --> 0:22:25.520
<v Speaker 1>go back one step. Were you a huge popular music

0:22:25.560 --> 0:22:29.520
<v Speaker 1>fan yourself? For sure? Yeah. I was pretty much an

0:22:29.560 --> 0:22:34.240
<v Speaker 1>amalgam of everything that was going on in my house. So, Uh,

0:22:34.400 --> 0:22:38.159
<v Speaker 1>my parents were listening to the great singers, you know,

0:22:38.200 --> 0:22:41.120
<v Speaker 1>whether it was Sara Van or Ella Fitzgerald of Frank Sinatra,

0:22:41.840 --> 0:22:46.040
<v Speaker 1>Sammy Davis Jr. My sister had Chicago Earth Wind and

0:22:46.080 --> 0:22:48.719
<v Speaker 1>Fire and a lot of the you know, the horn bands,

0:22:48.760 --> 0:22:51.520
<v Speaker 1>and and my brother was listening to more progressive rocks.

0:22:51.560 --> 0:22:53.880
<v Speaker 1>So I was kind of like just listened to everything,

0:22:54.600 --> 0:22:57.320
<v Speaker 1>and then um, when I picked up the saxophone, it

0:22:57.400 --> 0:23:03.879
<v Speaker 1>really became about David Sanborn, Grover Washington, Junior, Um Wine Light. Yeah,

0:23:03.920 --> 0:23:06.399
<v Speaker 1>I mean those like the real pop because I, in

0:23:06.520 --> 0:23:10.080
<v Speaker 1>my in my core, I was never really a jazz musician.

0:23:10.119 --> 0:23:12.960
<v Speaker 1>It was more of just a pop fan. Okay, But

0:23:13.119 --> 0:23:15.760
<v Speaker 1>were you hearing that those songs on the radio where

0:23:15.760 --> 0:23:20.520
<v Speaker 1>you're searching them out? Uh? Probably a combination of them

0:23:20.560 --> 0:23:23.919
<v Speaker 1>and being turned on by uh. I mean you know

0:23:24.000 --> 0:23:26.160
<v Speaker 1>this like there was that time period where you get

0:23:26.160 --> 0:23:29.200
<v Speaker 1>turned onto music by people. There was in a maybe

0:23:29.240 --> 0:23:31.440
<v Speaker 1>more so than it is now. Yeah, exactly what is

0:23:31.480 --> 0:23:33.800
<v Speaker 1>somebody's house? You gotta hear this record? They put it on,

0:23:34.440 --> 0:23:37.359
<v Speaker 1>or even just record shopping. Remember when you would go

0:23:37.400 --> 0:23:39.199
<v Speaker 1>down the aisle and you'd talk to somebody and they

0:23:39.240 --> 0:23:40.960
<v Speaker 1>would be saying, oh did you check this? I was

0:23:41.000 --> 0:23:43.359
<v Speaker 1>a regular certain record store. They would hold record for me,

0:23:43.400 --> 0:23:45.480
<v Speaker 1>they would tip me, oh yeah, that was part of

0:23:45.480 --> 0:23:48.480
<v Speaker 1>the whole process. I love that time. What record store

0:23:48.520 --> 0:23:51.639
<v Speaker 1>did you go to? Well, we had the Warehouse Records,

0:23:51.640 --> 0:23:54.359
<v Speaker 1>which was right down the street in Tarzana. There was

0:23:54.440 --> 0:23:58.600
<v Speaker 1>liquorice pizza. That's really going way back in Tarzana. Um

0:23:58.880 --> 0:24:00.800
<v Speaker 1>those are the two main one and of course Tower

0:24:00.840 --> 0:24:03.000
<v Speaker 1>Records on Sunset. But but that was like a special

0:24:03.000 --> 0:24:05.200
<v Speaker 1>outing right right, that was a big trip. That was

0:24:05.240 --> 0:24:07.760
<v Speaker 1>a very but going there was always the greatest. And

0:24:07.800 --> 0:24:10.560
<v Speaker 1>I remember when my first record came out. Do you

0:24:10.560 --> 0:24:13.560
<v Speaker 1>remember the big when they those oversized record covers on

0:24:13.600 --> 0:24:17.600
<v Speaker 1>the side of the building. Well, for my first record

0:24:18.280 --> 0:24:21.480
<v Speaker 1>they did that, and I I remember driving down Sunset

0:24:21.480 --> 0:24:24.960
<v Speaker 1>Boulevard and so this was probably fall of when it

0:24:25.000 --> 0:24:30.040
<v Speaker 1>first came out, and I I freaked, I mean literally

0:24:30.080 --> 0:24:32.879
<v Speaker 1>freaked out because that's like a dream come true for

0:24:32.880 --> 0:24:35.320
<v Speaker 1>for any music fan to see your well, to have

0:24:35.359 --> 0:24:37.280
<v Speaker 1>a record come out, period, but then to see the

0:24:37.320 --> 0:24:40.720
<v Speaker 1>cover on the side of Tower Records. That's also better

0:24:40.760 --> 0:24:43.880
<v Speaker 1>than hearing it on the radio, for sure. But wait,

0:24:43.880 --> 0:24:46.280
<v Speaker 1>we're driving down the street. I hate to bust into

0:24:46.280 --> 0:24:49.720
<v Speaker 1>the story. Did you know what was gonna be there? Um? Yeah,

0:24:49.840 --> 0:24:53.120
<v Speaker 1>they had told me that it was going. Okay, So

0:24:53.480 --> 0:24:57.560
<v Speaker 1>you're taking lessons in school? Are you taking lessons outside

0:24:57.560 --> 0:25:03.600
<v Speaker 1>of school? Um? Basically playing in school? I never really had. Um.

0:25:03.640 --> 0:25:06.400
<v Speaker 1>I took saxophone lessons for a very short period of time.

0:25:06.880 --> 0:25:10.640
<v Speaker 1>I studied improvisation when I was in high school quite uh.

0:25:11.359 --> 0:25:14.760
<v Speaker 1>When you say it took lessons briefly, that was at

0:25:14.800 --> 0:25:17.520
<v Speaker 1>the advent of your playing career or somewhere later. It

0:25:17.560 --> 0:25:20.800
<v Speaker 1>was probably maybe a few years into it. So most

0:25:20.800 --> 0:25:23.119
<v Speaker 1>of the learning that I did on the saxophone. The

0:25:23.280 --> 0:25:25.920
<v Speaker 1>funny thing about the sacks, to Bob was that it

0:25:26.520 --> 0:25:30.040
<v Speaker 1>was unlike the piano, drums or any other instrument. The

0:25:30.240 --> 0:25:34.600
<v Speaker 1>minute it came into my hands, there was a kinship

0:25:34.640 --> 0:25:37.639
<v Speaker 1>with the instrument, like it felt right. It was not

0:25:37.800 --> 0:25:41.280
<v Speaker 1>a struggle. It was just it had a different texture.

0:25:41.480 --> 0:25:44.720
<v Speaker 1>Like all of a sudden, I was okay at it,

0:25:44.800 --> 0:25:48.200
<v Speaker 1>you know, and I got good quick. And then two

0:25:48.280 --> 0:25:52.040
<v Speaker 1>years later, after playing for two years. I basically, you know,

0:25:52.200 --> 0:25:54.359
<v Speaker 1>drove my brother so crazy that he let me be

0:25:54.400 --> 0:25:56.520
<v Speaker 1>in the band. And then I was playing with people

0:25:56.560 --> 0:26:00.199
<v Speaker 1>who were much better musicians than I was, so it

0:26:00.240 --> 0:26:03.440
<v Speaker 1>allowed me. It's like the same thing when you want

0:26:03.440 --> 0:26:05.439
<v Speaker 1>to take up a sport or play tennis. Something you

0:26:05.480 --> 0:26:07.280
<v Speaker 1>play with people who are much better than you gets

0:26:07.280 --> 0:26:10.520
<v Speaker 1>you better quicker. That was exactly the way it worked

0:26:10.520 --> 0:26:13.520
<v Speaker 1>for me, because I got all these amazing musicians I

0:26:13.560 --> 0:26:15.760
<v Speaker 1>get to play with. You know, the bar mits was

0:26:15.800 --> 0:26:18.080
<v Speaker 1>every weekend. Okay, so that's the next question. How much

0:26:18.080 --> 0:26:21.720
<v Speaker 1>did you work, um, at least a couple of times

0:26:21.720 --> 0:26:24.000
<v Speaker 1>a week, and what kind of money were you ending

0:26:24.080 --> 0:26:27.560
<v Speaker 1>up making. I made ten dollars on my first one,

0:26:28.160 --> 0:26:32.040
<v Speaker 1>where everybody else played got a hunter bucks. Um, my

0:26:32.080 --> 0:26:35.320
<v Speaker 1>brother paid me ten dollars and uh, I filed that

0:26:35.400 --> 0:26:38.760
<v Speaker 1>away and uh later on down the road when my

0:26:38.800 --> 0:26:41.119
<v Speaker 1>brother and I wrote some songs from my first album,

0:26:41.440 --> 0:26:43.600
<v Speaker 1>I think he might have gotten paid ten dollars because

0:26:44.320 --> 0:26:49.919
<v Speaker 1>paybacks a bit. Jeff. Although usually people who were successful musicians,

0:26:49.920 --> 0:26:53.520
<v Speaker 1>wedding musicians, bar mitzva musicians in high school, they're making

0:26:53.520 --> 0:26:58.240
<v Speaker 1>a good chunck of change. Honestly, I from the time

0:26:58.240 --> 0:27:02.040
<v Speaker 1>that my first record came out at least six months.

0:27:02.119 --> 0:27:04.520
<v Speaker 1>At least six months, I was still working every weekend

0:27:04.600 --> 0:27:07.359
<v Speaker 1>doing weddings even though I was a recording artist now

0:27:07.400 --> 0:27:09.720
<v Speaker 1>and getting played on the radio because the money was great.

0:27:10.119 --> 0:27:11.680
<v Speaker 1>But when you were in high school, you were making

0:27:11.680 --> 0:27:14.439
<v Speaker 1>a lot of money. What did you do with the money? Drugs?

0:27:14.640 --> 0:27:19.959
<v Speaker 1>Not just kidding, um, I just I don't know. I

0:27:19.960 --> 0:27:22.920
<v Speaker 1>think I what did I do with the money. I

0:27:23.040 --> 0:27:27.560
<v Speaker 1>probably bought equipment, and I bought a car. That's why

0:27:27.560 --> 0:27:29.959
<v Speaker 1>I was usually that that's what you did. What kind

0:27:29.960 --> 0:27:32.120
<v Speaker 1>of car was it? My first car that I ever

0:27:32.160 --> 0:27:38.720
<v Speaker 1>got was a Honda Accord hatchback copper color, and uh

0:27:38.920 --> 0:27:43.840
<v Speaker 1>cost me. So you want a brand new I remember

0:27:43.880 --> 0:27:46.280
<v Speaker 1>that model. That model would run forever if something. You

0:27:46.280 --> 0:27:48.359
<v Speaker 1>didn't want a new car? Yeah, so I had it

0:27:48.359 --> 0:27:50.000
<v Speaker 1>for a long time. Well let's stay on the car

0:27:50.160 --> 0:27:53.520
<v Speaker 1>thing for one time. I remember, for ecological reasons, you

0:27:53.600 --> 0:27:57.080
<v Speaker 1>switch from your Mercedes to your Prius. But you wanted

0:27:57.119 --> 0:27:59.400
<v Speaker 1>something a little more luxurious. So what do you drive

0:27:59.440 --> 0:28:01.959
<v Speaker 1>in now? I drive a Tesla, That's what I figured.

0:28:02.160 --> 0:28:04.000
<v Speaker 1>And you drive I was gonna just say, so you

0:28:04.119 --> 0:28:07.160
<v Speaker 1>drive a Tesla? S I drive a test last, So,

0:28:07.520 --> 0:28:11.520
<v Speaker 1>uh do you use the automatic driving mode? You know,

0:28:11.600 --> 0:28:13.879
<v Speaker 1>I don't have that on my on my car. You

0:28:13.880 --> 0:28:16.359
<v Speaker 1>could update it because some are upgradable, some aren't. This

0:28:16.400 --> 0:28:18.600
<v Speaker 1>one is not because I had I got my Tesla

0:28:18.720 --> 0:28:21.560
<v Speaker 1>the second year that they came out, and so it's

0:28:21.560 --> 0:28:25.119
<v Speaker 1>not it doesn't have the software capability of being U Okay,

0:28:25.119 --> 0:28:28.439
<v Speaker 1>So your Tesla is like six years old exactly. Okay,

0:28:28.440 --> 0:28:31.160
<v Speaker 1>how had any problems with It's been a great car.

0:28:31.359 --> 0:28:34.280
<v Speaker 1>I mean you hear everybody who's got a Tesla doesn't

0:28:34.280 --> 0:28:36.840
<v Speaker 1>stop raving, said they would only drive an electric car

0:28:36.880 --> 0:28:40.480
<v Speaker 1>out what do you drive? I drive a SOB that's

0:28:40.520 --> 0:28:43.640
<v Speaker 1>really a subru so the only thing I drove to

0:28:43.760 --> 0:28:46.560
<v Speaker 1>BMW's before that, I wanted to get a Japanese car.

0:28:47.400 --> 0:28:51.520
<v Speaker 1>And actually this guy, Jim Ron Denelly record producer, worked

0:28:51.520 --> 0:28:54.320
<v Speaker 1>with Matthew sweet Wilko a million people. His father was

0:28:54.360 --> 0:28:56.440
<v Speaker 1>in the car business, and he called me up so

0:28:56.480 --> 0:28:59.280
<v Speaker 1>I ushould drive this car. You've got a special deal whatever,

0:29:00.040 --> 0:29:02.240
<v Speaker 1>and I get a you know service at the super

0:29:02.240 --> 0:29:04.400
<v Speaker 1>Group plate SOB. They didn't really know what they were doing.

0:29:04.680 --> 0:29:07.200
<v Speaker 1>The only thing the car drives well, because after you

0:29:07.200 --> 0:29:10.920
<v Speaker 1>have a BMW, you're into that driving ability. Okay, the

0:29:11.000 --> 0:29:13.320
<v Speaker 1>only thing it does well is drive. Well. It's a

0:29:13.400 --> 0:29:16.040
<v Speaker 1>turbo charge d engine that's got four wheel drive. But

0:29:16.120 --> 0:29:19.080
<v Speaker 1>all the bells and whistles, the computerized stuff. No. I mean,

0:29:19.120 --> 0:29:21.240
<v Speaker 1>I got a stereo better than you can buy in

0:29:21.320 --> 0:29:25.680
<v Speaker 1>any car. But I was hoping to drive that car

0:29:26.080 --> 0:29:35.000
<v Speaker 1>until we went to no one owning cars. I drove

0:29:35.120 --> 0:29:38.840
<v Speaker 1>my first BMW for eleven years and my second BMW

0:29:38.960 --> 0:29:42.440
<v Speaker 1>for twenty years. You know, it's like I was attached

0:29:42.480 --> 0:29:45.520
<v Speaker 1>to them. This is before the days of leasing, and

0:29:45.760 --> 0:29:48.760
<v Speaker 1>leasing is really just a way of burning money. And

0:29:48.880 --> 0:29:51.520
<v Speaker 1>I take very good care of my stuff. And then

0:29:51.640 --> 0:29:53.560
<v Speaker 1>you see, well what what a new car right cost?

0:29:53.600 --> 0:29:55.520
<v Speaker 1>You don't want to get a new car. It's like

0:29:55.560 --> 0:29:58.080
<v Speaker 1>they say the guy in the Wall Street Journal, the

0:29:58.080 --> 0:30:01.840
<v Speaker 1>big he's a number one auto guys is don't buy

0:30:01.880 --> 0:30:06.440
<v Speaker 1>a gas combunction combustion car internal combustion because it's gonna

0:30:06.440 --> 0:30:09.200
<v Speaker 1>fall off a cliff in a matter of years. So

0:30:09.280 --> 0:30:11.480
<v Speaker 1>my nephew is the number, depending on the month, the

0:30:11.560 --> 0:30:14.880
<v Speaker 1>number two or three BMW salesman in America. This is

0:30:14.920 --> 0:30:18.280
<v Speaker 1>an amazing story. My sister now lives in the valley,

0:30:18.400 --> 0:30:22.440
<v Speaker 1>and uh, he didn't make it. In college and then

0:30:22.480 --> 0:30:26.120
<v Speaker 1>he bounced around one story worse than another. He ended

0:30:26.200 --> 0:30:29.360
<v Speaker 1>up working last job for his karate teacher didn't show

0:30:29.440 --> 0:30:32.240
<v Speaker 1>up on time. He was down and out forget it,

0:30:32.760 --> 0:30:34.720
<v Speaker 1>and people were stick of getting him jobs. He answered

0:30:34.760 --> 0:30:38.040
<v Speaker 1>an ad to work in the Internet department in Keys

0:30:38.280 --> 0:30:41.400
<v Speaker 1>Lexus on Wilshore Boulevard. First you're doing nothing. Then he

0:30:41.480 --> 0:30:43.720
<v Speaker 1>found out he had a real flair for it, so

0:30:43.760 --> 0:30:45.720
<v Speaker 1>he sold lex I for a while. He met his

0:30:46.240 --> 0:30:50.840
<v Speaker 1>wife there, and he sells BMW. He sells so many cars.

0:30:51.160 --> 0:30:53.000
<v Speaker 1>He told me. I saw him a couple of weeks ago.

0:30:53.120 --> 0:30:56.640
<v Speaker 1>He sold nine cars in a month. That's amazing. So

0:30:56.760 --> 0:30:59.200
<v Speaker 1>I mean, if I want to BMW, it's not so

0:30:59.280 --> 0:31:02.160
<v Speaker 1>much that it's a deal, but if you want to

0:31:02.200 --> 0:31:05.440
<v Speaker 1>get a used one, he has all that you know,

0:31:05.520 --> 0:31:08.080
<v Speaker 1>he knows which ones are good, etcetera. And my car

0:31:08.160 --> 0:31:09.680
<v Speaker 1>was looked like it was on his last legs a

0:31:09.760 --> 0:31:12.800
<v Speaker 1>year ago, and I was gonna get one, but I'm

0:31:12.800 --> 0:31:14.480
<v Speaker 1>not into leasing. But then I say, if I buy

0:31:14.520 --> 0:31:20.320
<v Speaker 1>one having owned BMW's incredible service, costs, unbelievable, great driving experience,

0:31:20.400 --> 0:31:21.680
<v Speaker 1>but I said, I don't want to make a big

0:31:21.680 --> 0:31:25.680
<v Speaker 1>investment and then find out it's worth nothing. And as

0:31:25.720 --> 0:31:29.320
<v Speaker 1>far as a Tesla, especially with a Tesla three, that's

0:31:29.400 --> 0:31:32.720
<v Speaker 1>very enticing. But you know my girlfriend well, and we

0:31:32.760 --> 0:31:35.480
<v Speaker 1>lived together. She's got a one car garage and her

0:31:35.520 --> 0:31:38.320
<v Speaker 1>car is in the garage and you have to charge it.

0:31:38.880 --> 0:31:44.200
<v Speaker 1>So that's my car story. Note she has. It's interesting

0:31:44.280 --> 0:31:46.640
<v Speaker 1>because this is how we all we know each other.

0:31:47.080 --> 0:31:51.840
<v Speaker 1>But her sister has been leasing a car every three years. Okay,

0:31:52.080 --> 0:31:55.480
<v Speaker 1>the irony is her car is up next month. That

0:31:55.560 --> 0:31:57.160
<v Speaker 1>you think of not getting a car at all, which

0:31:57.200 --> 0:31:58.760
<v Speaker 1>I know a number of people have done that, just

0:31:58.800 --> 0:32:01.720
<v Speaker 1>take over. But because she doesn't drive that much, and

0:32:01.760 --> 0:32:06.080
<v Speaker 1>if you're leasing, your really upside down. But what happened

0:32:06.360 --> 0:32:09.360
<v Speaker 1>was they wanted to lease a new car and they

0:32:09.360 --> 0:32:12.719
<v Speaker 1>had bought one car they leased and it was a

0:32:12.920 --> 0:32:16.640
<v Speaker 1>fully I mean he had everything, the Macabici, stereo, the

0:32:16.720 --> 0:32:20.720
<v Speaker 1>cool seats, whatever, lexus and she sold it to my girlfriend,

0:32:20.800 --> 0:32:26.200
<v Speaker 1>her twin sister, four years ago with not even thirty

0:32:26.240 --> 0:32:30.400
<v Speaker 1>thousand miles on it. So that's the car she drops.

0:32:30.640 --> 0:32:35.160
<v Speaker 1>You know, uh uh suddenly I g S three. Do

0:32:35.240 --> 0:32:37.840
<v Speaker 1>you think that cars will actually go the way of

0:32:38.040 --> 0:32:41.440
<v Speaker 1>land lines? Absolutely? You know, I know a lot of

0:32:41.480 --> 0:32:43.520
<v Speaker 1>people that do not have landline. I still have one.

0:32:43.760 --> 0:32:46.160
<v Speaker 1>I kind of like it. Actually I still have one,

0:32:46.440 --> 0:32:49.520
<v Speaker 1>and I and I have one because it's now baked

0:32:49.520 --> 0:32:54.080
<v Speaker 1>into the triple plate with cable, okay, And everyone said, oh,

0:32:54.240 --> 0:32:55.680
<v Speaker 1>you know, it's not gonna be as good as landline,

0:32:55.840 --> 0:32:59.520
<v Speaker 1>much better than dealing with GT which was and then Verizon.

0:33:00.200 --> 0:33:04.160
<v Speaker 1>But uh, you know, I find myself, you know, I

0:33:04.440 --> 0:33:06.640
<v Speaker 1>do you keep on your phone to use the ICL

0:33:07.000 --> 0:33:10.600
<v Speaker 1>calendar app to have all your appointments? Yes, you know,

0:33:10.680 --> 0:33:14.520
<v Speaker 1>I find so addicted that. And then I I have people,

0:33:14.560 --> 0:33:16.480
<v Speaker 1>you know, I used to always helps call my landline.

0:33:16.480 --> 0:33:19.400
<v Speaker 1>Now there say call my cell phone, and unless I'm

0:33:19.480 --> 0:33:22.320
<v Speaker 1>literally at home, I really don't use it. And the

0:33:22.400 --> 0:33:26.040
<v Speaker 1>other thing I find is people now forget that people text.

0:33:26.760 --> 0:33:29.000
<v Speaker 1>What astounds me is when I look, I still have

0:33:29.000 --> 0:33:33.280
<v Speaker 1>an answering machine, very specifically because with voicemail, the landline

0:33:33.320 --> 0:33:36.440
<v Speaker 1>you pick up to know how many calls. If you

0:33:36.480 --> 0:33:39.240
<v Speaker 1>have an answering machine, you can hear and know whether

0:33:39.320 --> 0:33:43.160
<v Speaker 1>to pick up, and other than junk calls, if anybody

0:33:43.160 --> 0:33:45.280
<v Speaker 1>calls at all, they don't call my landline. You have

0:33:45.400 --> 0:33:49.880
<v Speaker 1>an answering machine, like absolutely absolutely listen. It was hard

0:33:49.920 --> 0:33:52.320
<v Speaker 1>to get one when the last one, where do you

0:33:52.400 --> 0:33:55.240
<v Speaker 1>get it? Okay, well, you know you you'll find the

0:33:55.240 --> 0:33:58.520
<v Speaker 1>cassette players. This is what I got on Amazon. But

0:33:58.720 --> 0:34:01.200
<v Speaker 1>if you remember in your old enough to remember, the

0:34:01.240 --> 0:34:05.000
<v Speaker 1>answering machines had a very brief lifespan, like two years,

0:34:05.680 --> 0:34:08.120
<v Speaker 1>and then they switched to digital to s s D

0:34:08.360 --> 0:34:13.120
<v Speaker 1>s uh you know, solid state storage and then but

0:34:13.160 --> 0:34:16.279
<v Speaker 1>they only couldn't have a little things. So now the

0:34:16.320 --> 0:34:19.319
<v Speaker 1>irony is I bought one which is nowhere near as

0:34:19.360 --> 0:34:20.959
<v Speaker 1>good as the ones you used to be able to buy,

0:34:22.400 --> 0:34:28.359
<v Speaker 1>but it's made for Mexico. Because this is a big surprise. Now,

0:34:28.400 --> 0:34:30.920
<v Speaker 1>this is something I would have never expected to hear

0:34:31.040 --> 0:34:33.319
<v Speaker 1>come out of your mouth. Let's let's say you're at

0:34:33.360 --> 0:34:36.440
<v Speaker 1>home and you're working at the computer and I really

0:34:36.480 --> 0:34:38.520
<v Speaker 1>can't be up to interrupted when I work, I get

0:34:38.560 --> 0:34:41.600
<v Speaker 1>in the mood and the phone rings, and you see

0:34:41.600 --> 0:34:46.799
<v Speaker 1>to yourself, hmm, I was expecting that important call. But

0:34:46.840 --> 0:34:49.719
<v Speaker 1>if it's not the important call and I pick up

0:34:49.719 --> 0:34:51.680
<v Speaker 1>the phone, it's gonna change my mood. It really can

0:34:51.719 --> 0:34:54.560
<v Speaker 1>suck me up. But what about color I D like

0:34:54.760 --> 0:34:58.520
<v Speaker 1>where you can see who's calling calor I D is

0:34:58.800 --> 0:35:01.720
<v Speaker 1>a good point, but lot of people have their numbers blocked.

0:35:02.719 --> 0:35:06.120
<v Speaker 1>So this way I used to turn let's forget really

0:35:06.160 --> 0:35:09.319
<v Speaker 1>into it. I used to turn the machine off when

0:35:09.320 --> 0:35:13.799
<v Speaker 1>it worked. When I work this machine. After once you

0:35:13.840 --> 0:35:16.560
<v Speaker 1>get a call in them, you can't turn the voice

0:35:16.600 --> 0:35:19.560
<v Speaker 1>coming in down completely. But I could be sitting there

0:35:19.560 --> 0:35:23.160
<v Speaker 1>and I could hear if it's somebody important calling. Okay,

0:35:23.400 --> 0:35:26.399
<v Speaker 1>as you know, let's go five steps further. We're not

0:35:27.000 --> 0:35:30.480
<v Speaker 1>quite like the younger generation, but no one calls anymore anyway.

0:35:30.719 --> 0:35:33.680
<v Speaker 1>It is true. My goal is to never talk on

0:35:33.719 --> 0:35:36.960
<v Speaker 1>the phone, because what I find is people call you

0:35:37.760 --> 0:35:41.120
<v Speaker 1>and they say, ay, how you doing, having a good summer?

0:35:41.239 --> 0:35:43.800
<v Speaker 1>What have you seen? And then they get to the ask,

0:35:44.239 --> 0:35:47.520
<v Speaker 1>which you don't want to provide no matter what. Uh.

0:35:47.560 --> 0:35:49.839
<v Speaker 1>This guy Peter gross life, He was an agent at

0:35:50.520 --> 0:35:53.160
<v Speaker 1>William Morris. He ran their department for a while. He

0:35:53.280 --> 0:35:56.640
<v Speaker 1>got this very weird disease. He ultimately died of pancreatic cancer.

0:35:56.680 --> 0:35:58.440
<v Speaker 1>But this is before that. They couldn't figure out what

0:35:58.480 --> 0:36:02.040
<v Speaker 1>it was, and R. A. M Annual ultimately ran wm ME.

0:36:02.160 --> 0:36:06.319
<v Speaker 1>When William Morris merged with Endeavor and his brother Rom

0:36:06.520 --> 0:36:09.880
<v Speaker 1>was running was chief of staff for Obama and Peter

0:36:10.080 --> 0:36:15.120
<v Speaker 1>wanted his disease whatever it was studied by the National

0:36:15.200 --> 0:36:19.920
<v Speaker 1>Institute of Health, so rom Connect already connected it with ROM.

0:36:19.960 --> 0:36:22.759
<v Speaker 1>He dialed ROM ROM picked up the phone. The first

0:36:22.760 --> 0:36:26.879
<v Speaker 1>thing he says, what do you need? Just got right there, etcetera.

0:36:27.360 --> 0:36:31.319
<v Speaker 1>And uh so, you know, I mean I just had

0:36:31.360 --> 0:36:33.600
<v Speaker 1>some guy doing some work yesterday and the whole thing

0:36:33.680 --> 0:36:36.120
<v Speaker 1>was done in texts. I mean, people bare leave an

0:36:36.160 --> 0:36:41.719
<v Speaker 1>email anymore. It's crazy. Those are my justifications. Well, you know,

0:36:41.760 --> 0:36:45.840
<v Speaker 1>it's possible that we could, as the world moves hurls

0:36:46.080 --> 0:36:49.719
<v Speaker 1>forward through technological barriers that you and I never thought

0:36:49.719 --> 0:36:53.080
<v Speaker 1>postule because of our age um, that there might be

0:36:53.320 --> 0:36:56.160
<v Speaker 1>it seems plausible that there could be a faction of

0:36:56.280 --> 0:37:01.680
<v Speaker 1>us that go back to the real old school voicemail

0:37:02.160 --> 0:37:05.759
<v Speaker 1>or stuff. That it's kind of fun. It's sort of

0:37:05.800 --> 0:37:08.200
<v Speaker 1>like a it's fun to think about going back in

0:37:08.280 --> 0:37:10.400
<v Speaker 1>time like that. Well, and you're touching a little bit

0:37:10.400 --> 0:37:13.680
<v Speaker 1>of a nerve for me. Yes, there's the steampunk movement,

0:37:13.719 --> 0:37:17.080
<v Speaker 1>which is like that. But as a dedicated reader of

0:37:17.280 --> 0:37:19.640
<v Speaker 1>like four newspapers a day and I read the New

0:37:19.719 --> 0:37:23.359
<v Speaker 1>York Times cover to cover, they are so anti technology

0:37:23.520 --> 0:37:29.120
<v Speaker 1>it blows my mind. It's uh Thompson. I think that's

0:37:29.160 --> 0:37:32.759
<v Speaker 1>the name of the company is big student book company.

0:37:32.800 --> 0:37:35.799
<v Speaker 1>They just went completely digital. But if you read in

0:37:35.840 --> 0:37:39.400
<v Speaker 1>the New York Times, oh, physical books are where it's at.

0:37:39.520 --> 0:37:41.680
<v Speaker 1>And then if you buy digital books, which I do,

0:37:41.719 --> 0:37:44.239
<v Speaker 1>and I could sing the praises all day long, they've

0:37:44.320 --> 0:37:47.040
<v Speaker 1>raised the prices so much that sometimes they're higher than

0:37:47.080 --> 0:37:49.759
<v Speaker 1>the physical book. One thing we know for sure is

0:37:49.800 --> 0:37:53.399
<v Speaker 1>digital books will come. Then you get someone who says, oh, yeah,

0:37:53.360 --> 0:37:55.840
<v Speaker 1>i'm anti you know, you know this is BYS and

0:37:55.960 --> 0:37:57.440
<v Speaker 1>you find they have an upgraded this is in the

0:37:57.480 --> 0:37:59.480
<v Speaker 1>New York Time. They have an upgraded their operating system

0:37:59.760 --> 0:38:03.440
<v Speaker 1>for three generations, if nothing else, for security reasons, they

0:38:03.440 --> 0:38:08.200
<v Speaker 1>should then Chuck Schumer uses a flip phone, which I

0:38:08.239 --> 0:38:13.080
<v Speaker 1>think is just insane. So I am a very nostalgic person.

0:38:13.440 --> 0:38:16.400
<v Speaker 1>So as long we can be nostalgic, just as le

0:38:16.640 --> 0:38:18.560
<v Speaker 1>long as we can't deny the future. It's like this

0:38:18.600 --> 0:38:22.560
<v Speaker 1>whole Vinyl craze. If the album was cut analog and

0:38:22.600 --> 0:38:26.000
<v Speaker 1>you want to make vinyl, fantastic, But if the album

0:38:26.040 --> 0:38:31.080
<v Speaker 1>was cut totally digital and you're making vinyl, that's just insane. Yeah,

0:38:31.239 --> 0:38:33.080
<v Speaker 1>I know, I get it, But let's go back to

0:38:33.120 --> 0:38:36.879
<v Speaker 1>your tesla. So you essentially have had no problems. I've

0:38:36.920 --> 0:38:39.960
<v Speaker 1>had no problems, and when you've had to have service,

0:38:39.960 --> 0:38:42.680
<v Speaker 1>you haven't had to wait or anything. No. And actually

0:38:42.680 --> 0:38:44.400
<v Speaker 1>the last time I had at service, they gave me

0:38:44.960 --> 0:38:47.560
<v Speaker 1>a brand new Tesla and I was like, I'm not

0:38:47.840 --> 0:38:50.880
<v Speaker 1>I'm sorry, I'm not returning this. I was very happy

0:38:50.920 --> 0:38:54.480
<v Speaker 1>with my loner. Uh No, they've been great. They really

0:38:54.480 --> 0:38:56.640
<v Speaker 1>have been great. And I follow that, you know, the

0:38:56.680 --> 0:38:58.920
<v Speaker 1>whole thing with Elon Muskin, who I think is a

0:38:58.960 --> 0:39:02.000
<v Speaker 1>guy that is such a visionary, and I feel like

0:39:02.040 --> 0:39:04.680
<v Speaker 1>we need to take care of these people. I couldn't

0:39:04.680 --> 0:39:08.720
<v Speaker 1>agree more the true visionaries of our of our world,

0:39:08.800 --> 0:39:12.600
<v Speaker 1>like he's he's one of them. That and almost and

0:39:12.640 --> 0:39:14.279
<v Speaker 1>this is maybe an unfair thing to say, but I

0:39:14.280 --> 0:39:17.040
<v Speaker 1>feel like we should, we should protect them in a way.

0:39:17.719 --> 0:39:21.000
<v Speaker 1>Uh that they're not because he is soul like from

0:39:21.040 --> 0:39:24.399
<v Speaker 1>every imaginable side there after, that guy, I just see

0:39:24.440 --> 0:39:27.160
<v Speaker 1>it in his face. You know, it's like it's terrible.

0:39:27.200 --> 0:39:30.000
<v Speaker 1>It's the internet error is bad enough where if you're

0:39:30.000 --> 0:39:32.840
<v Speaker 1>playing online, do you get any hate email, hate tweets

0:39:32.920 --> 0:39:35.239
<v Speaker 1>or anything. I don't really, I mean I'm sure that

0:39:35.280 --> 0:39:38.000
<v Speaker 1>I do. Um, but I really, I mean, if if

0:39:38.000 --> 0:39:41.319
<v Speaker 1>it happens, it's probably very small number. And I really don't.

0:39:41.400 --> 0:39:45.080
<v Speaker 1>I try not to get to inside of it, especially

0:39:45.080 --> 0:39:47.279
<v Speaker 1>on social media. My social media is is kind of

0:39:47.320 --> 0:39:50.600
<v Speaker 1>one way. I don't really partake in it in an

0:39:50.760 --> 0:39:54.920
<v Speaker 1>exchange because I feel like, you know, it's it's um

0:39:55.000 --> 0:39:58.399
<v Speaker 1>First of all, it's an energy and time suck big time.

0:39:58.560 --> 0:40:00.000
<v Speaker 1>I'm just like a full time job if you really

0:40:00.000 --> 0:40:03.760
<v Speaker 1>they want it right, So, but I understand the necessary

0:40:03.960 --> 0:40:06.440
<v Speaker 1>you know, it's a necessary thing too for promotion, and

0:40:06.480 --> 0:40:08.480
<v Speaker 1>we're out on tour right now. We want people to

0:40:08.520 --> 0:40:10.560
<v Speaker 1>know that we're coming to their city. So social media

0:40:10.600 --> 0:40:13.000
<v Speaker 1>is an important thing. But to get involved in that

0:40:13.080 --> 0:40:17.120
<v Speaker 1>kind of discourse with people can can be a slippery slope. Well,

0:40:17.160 --> 0:40:20.080
<v Speaker 1>I find because I have a lot of incoming and

0:40:21.120 --> 0:40:23.680
<v Speaker 1>I've learned through experience it's about you. Otherwise I could

0:40:23.680 --> 0:40:28.120
<v Speaker 1>tell my own experiences specifically. But ten percent of the

0:40:28.200 --> 0:40:32.359
<v Speaker 1>public is certifiably insane. Literally literally, I'm not a good

0:40:32.400 --> 0:40:35.839
<v Speaker 1>joke because I have a bad experience. But you don't

0:40:35.920 --> 0:40:39.160
<v Speaker 1>know which ten percent it is. That's funny. The person

0:40:39.200 --> 0:40:41.719
<v Speaker 1>who seems so reasonable, all of a sudden you find

0:40:41.960 --> 0:40:45.680
<v Speaker 1>they're the craziest. Just kind of like email. The people

0:40:45.719 --> 0:40:49.160
<v Speaker 1>who send the longest email are bad person of person

0:40:49.320 --> 0:40:51.960
<v Speaker 1>people send the briefest email, they're the ones you connect

0:40:52.040 --> 0:40:54.960
<v Speaker 1>with offlat Okay, but let's get back. So when you're

0:40:55.480 --> 0:40:58.720
<v Speaker 1>when you're playing the saxophone, you're playing in your brother's band.

0:40:58.960 --> 0:41:04.239
<v Speaker 1>Are you also playing in school bands marching bands? Yeah?

0:41:04.280 --> 0:41:07.080
<v Speaker 1>I was not coordinated enough to to march and play

0:41:07.120 --> 0:41:10.000
<v Speaker 1>at the same time, so I kind of got excused

0:41:10.000 --> 0:41:12.640
<v Speaker 1>from marching band. I had a band teacher named Mr

0:41:12.680 --> 0:41:16.360
<v Speaker 1>camp Uh in at Taft High School in in Tarzana

0:41:16.400 --> 0:41:19.600
<v Speaker 1>are in Woodland Hills, and he excused me from marching

0:41:19.840 --> 0:41:22.879
<v Speaker 1>in the marching band. And I God, bless that guy.

0:41:23.280 --> 0:41:26.239
<v Speaker 1>You know, she's so nice to me. But since you

0:41:26.280 --> 0:41:29.840
<v Speaker 1>were playing in this band, did you get any recognition

0:41:29.840 --> 0:41:33.160
<v Speaker 1>in your high school for that? Well? Mr camp was

0:41:33.239 --> 0:41:36.959
<v Speaker 1>really there were two music teachers, Mrs Brown and Junior

0:41:37.040 --> 0:41:39.319
<v Speaker 1>High school was my first real music teacher, and then

0:41:39.400 --> 0:41:42.160
<v Speaker 1>Mr camp Uh And these are two people that that

0:41:42.280 --> 0:41:45.799
<v Speaker 1>truly kind of saw something in me and and nurtured that.

0:41:46.520 --> 0:41:48.560
<v Speaker 1>And then when I started to have more when I

0:41:48.600 --> 0:41:51.480
<v Speaker 1>graduated from college and I met a couple of other

0:41:51.520 --> 0:41:53.720
<v Speaker 1>people that were really, you know, those are the people.

0:41:54.239 --> 0:41:56.480
<v Speaker 1>The best way that that I could describe them is

0:41:56.560 --> 0:41:58.760
<v Speaker 1>when you go to a bowling alley when the kids

0:41:58.760 --> 0:42:04.480
<v Speaker 1>playing uh bowling, you know, and then they now nowadays

0:42:04.560 --> 0:42:07.080
<v Speaker 1>you can put those things in the in the gutters,

0:42:07.080 --> 0:42:10.280
<v Speaker 1>so you don't ever have a gutter ball football. Those people.

0:42:10.480 --> 0:42:12.640
<v Speaker 1>I've had some people that were like those kinds of

0:42:12.680 --> 0:42:14.920
<v Speaker 1>things for me that kept my ball in play. If

0:42:14.920 --> 0:42:18.680
<v Speaker 1>you're part of the expression um and and without whom

0:42:18.880 --> 0:42:20.560
<v Speaker 1>I don't think that I would be sitting here talking

0:42:20.560 --> 0:42:23.480
<v Speaker 1>to you. They saw something in me that I didn't

0:42:23.480 --> 0:42:26.719
<v Speaker 1>know was there. And whether it was Mr Camp who

0:42:26.800 --> 0:42:29.640
<v Speaker 1>kind of like the just and he was a real

0:42:29.920 --> 0:42:34.319
<v Speaker 1>like salty character. This was the time. It was a

0:42:34.400 --> 0:42:39.920
<v Speaker 1>chain smoker, bad attitude, just miserable guy. You know. This

0:42:39.960 --> 0:42:42.560
<v Speaker 1>was a time when the he was he was a

0:42:42.840 --> 0:42:46.680
<v Speaker 1>saxophone player himself and a music teacher and it was

0:42:46.920 --> 0:42:50.839
<v Speaker 1>a time in public schools where the music classes were

0:42:50.880 --> 0:42:54.120
<v Speaker 1>being shrunk and so he was having to teach more math,

0:42:54.320 --> 0:42:57.759
<v Speaker 1>which he hated. So he was just a cranky old

0:42:58.000 --> 0:43:00.840
<v Speaker 1>you know, sot and uh. But yet with me he

0:43:00.920 --> 0:43:04.240
<v Speaker 1>was he showed a real soft side and real nurturing

0:43:04.280 --> 0:43:06.760
<v Speaker 1>side and really gave me some of those those early

0:43:06.840 --> 0:43:10.040
<v Speaker 1>moments where I saw a little glimmer of what could be.

0:43:10.120 --> 0:43:12.320
<v Speaker 1>But I never ever thought that this would be my

0:43:12.320 --> 0:43:15.200
<v Speaker 1>my living Let's go back to the beginning. As someone

0:43:15.200 --> 0:43:18.279
<v Speaker 1>who's never put her my mouth to a read on

0:43:18.320 --> 0:43:22.440
<v Speaker 1>a saxophone, you had a natural affinity. But it looks

0:43:22.520 --> 0:43:26.359
<v Speaker 1>like something that would be hard to learn. How how

0:43:26.400 --> 0:43:28.279
<v Speaker 1>long does it take for someone to actually be able

0:43:28.320 --> 0:43:31.040
<v Speaker 1>to play the saxophone? When I picked up the instrument

0:43:31.040 --> 0:43:34.040
<v Speaker 1>in the first uh, in the first few months, my mom,

0:43:34.480 --> 0:43:37.200
<v Speaker 1>God bless her, she made me stuff a sock in

0:43:37.280 --> 0:43:40.200
<v Speaker 1>the bell of my mom which only half masks the sound.

0:43:40.239 --> 0:43:42.080
<v Speaker 1>But let me just say this, for that first year,

0:43:42.960 --> 0:43:45.479
<v Speaker 1>you gotta have some really loving people around you, because

0:43:45.520 --> 0:43:49.560
<v Speaker 1>otherwise you're going to drive people crazy because it's not

0:43:49.320 --> 0:43:52.359
<v Speaker 1>a not a particularly nice sound. But my parents, this

0:43:52.400 --> 0:43:54.680
<v Speaker 1>is the kind of people that they were. They turned

0:43:55.080 --> 0:43:58.839
<v Speaker 1>their garage into a music room, a soundproof music room

0:43:58.880 --> 0:44:01.480
<v Speaker 1>from my brother and I to be able to to

0:44:01.480 --> 0:44:04.040
<v Speaker 1>to do what to our hearts content, what we wanted

0:44:04.040 --> 0:44:06.759
<v Speaker 1>to do. So they were very I mean, I'm looking

0:44:06.800 --> 0:44:08.880
<v Speaker 1>back at them and what they did for us. They

0:44:08.880 --> 0:44:12.920
<v Speaker 1>were exceptional parents, very loving and very nurtural, which is

0:44:13.120 --> 0:44:16.200
<v Speaker 1>not necessarily something that you'd see every day from you

0:44:16.239 --> 0:44:19.319
<v Speaker 1>know the no believe me. No, I could go on,

0:44:19.400 --> 0:44:21.920
<v Speaker 1>but as I say, this podcast is about you. So

0:44:22.160 --> 0:44:25.000
<v Speaker 1>were you a good student and they're talking about academics.

0:44:25.760 --> 0:44:30.560
<v Speaker 1>M you know, not bad okay, never never really loving school?

0:44:30.640 --> 0:44:33.480
<v Speaker 1>But but did okay you know, B plus a minus.

0:44:33.800 --> 0:44:36.160
<v Speaker 1>So you end up going to u c l A. Yeah,

0:44:36.520 --> 0:44:39.719
<v Speaker 1>you're living in tar Siana. Did you live in Westwood

0:44:39.840 --> 0:44:42.040
<v Speaker 1>or did you commute? Know? The first year I lived

0:44:42.040 --> 0:44:45.360
<v Speaker 1>in Sprawl Hall in the dorms at U c l A.

0:44:46.239 --> 0:44:50.120
<v Speaker 1>And uh I was a communications major. I took one

0:44:50.160 --> 0:44:53.480
<v Speaker 1>year off during the five years that I was in

0:44:53.480 --> 0:44:56.200
<v Speaker 1>that time period, and I went to a music school

0:44:56.239 --> 0:44:59.000
<v Speaker 1>called the Dick Grove School of Music, which sadly no

0:44:59.040 --> 0:45:02.239
<v Speaker 1>longer exists, but at the time it was an amazing

0:45:03.000 --> 0:45:06.200
<v Speaker 1>place to go where it was very international. A lot

0:45:06.239 --> 0:45:09.520
<v Speaker 1>of other people came from from different countries to learn

0:45:09.920 --> 0:45:12.920
<v Speaker 1>composing and arranging. It was not necessarily a music school

0:45:12.960 --> 0:45:16.319
<v Speaker 1>about performing. I mean, they did have performance classes, but

0:45:16.400 --> 0:45:19.480
<v Speaker 1>for me that the principal program was this thing called

0:45:19.840 --> 0:45:23.560
<v Speaker 1>c A P Composing and Arranging programs where Dick Grove

0:45:23.840 --> 0:45:26.200
<v Speaker 1>taught that, and every week you'd have to write a

0:45:26.320 --> 0:45:30.239
<v Speaker 1>chart in a different format, a different genre. So you

0:45:30.520 --> 0:45:32.919
<v Speaker 1>one week was country, the next few week was big band,

0:45:32.920 --> 0:45:36.200
<v Speaker 1>the next week was Broadway, and you had to actually

0:45:36.360 --> 0:45:42.640
<v Speaker 1>right and copy a whole chart for an orchestra every week.

0:45:43.120 --> 0:45:44.400
<v Speaker 1>It was the hard I think it might have been

0:45:44.400 --> 0:45:48.120
<v Speaker 1>the hardest thing I ever did musically. Um. But by

0:45:48.120 --> 0:45:51.480
<v Speaker 1>the end of that year, you knew a lot about music,

0:45:51.800 --> 0:45:55.600
<v Speaker 1>and you knew how to read and write at a

0:45:55.719 --> 0:45:59.120
<v Speaker 1>level that many people do not, almost no popular musicians.

0:45:59.440 --> 0:46:02.520
<v Speaker 1>So when was that in your college career? That was

0:46:02.600 --> 0:46:05.839
<v Speaker 1>in my third oh, no second year, so I had

0:46:05.960 --> 0:46:08.200
<v Speaker 1>a one year of college. It took one year off

0:46:08.360 --> 0:46:11.040
<v Speaker 1>and then I've been went back to c l A. Okay,

0:46:11.040 --> 0:46:14.840
<v Speaker 1>So what was the thought process going to Dick Grove? Um,

0:46:14.920 --> 0:46:16.800
<v Speaker 1>It just seemed like, if I was ever going to

0:46:16.920 --> 0:46:19.480
<v Speaker 1>do this, this was the time to do it. And

0:46:19.520 --> 0:46:21.640
<v Speaker 1>I had the support of my parents and my brother

0:46:21.680 --> 0:46:24.759
<v Speaker 1>who went through the the CAP program before. He said,

0:46:24.800 --> 0:46:27.400
<v Speaker 1>this is something you really need to do, and so

0:46:27.480 --> 0:46:29.840
<v Speaker 1>it just seemed like the right thing to do. But

0:46:29.880 --> 0:46:31.080
<v Speaker 1>then I went back to U c l A and

0:46:31.080 --> 0:46:33.160
<v Speaker 1>I graduated. Okay, you went back to U c l A.

0:46:33.239 --> 0:46:37.720
<v Speaker 1>There was no thought of turning professional at that point. No, okay,

0:46:37.960 --> 0:46:39.360
<v Speaker 1>so you go back to U c l A. And

0:46:39.400 --> 0:46:43.400
<v Speaker 1>you end up majoring in communications and then you graduate.

0:46:43.440 --> 0:46:48.360
<v Speaker 1>What year do you graduate? So six? The economy is

0:46:48.400 --> 0:46:52.520
<v Speaker 1>relatively good. What are your thoughts for a career of

0:46:52.520 --> 0:46:56.839
<v Speaker 1>any stripe? On my graduation day, my Jewish parents look

0:46:56.880 --> 0:47:00.359
<v Speaker 1>at me with that look. You know you you're off

0:47:00.360 --> 0:47:04.719
<v Speaker 1>the payroll. You better knew. I had no prospects of anything,

0:47:04.880 --> 0:47:06.279
<v Speaker 1>and so I made a deal with them. I said,

0:47:06.280 --> 0:47:09.040
<v Speaker 1>I'm gonna try music for six months and if I

0:47:09.080 --> 0:47:11.279
<v Speaker 1>can get something going with music, great, and if not,

0:47:11.640 --> 0:47:14.680
<v Speaker 1>after six months, I will go and get some job.

0:47:15.160 --> 0:47:17.000
<v Speaker 1>And I was fine with that. I was fine and

0:47:17.080 --> 0:47:19.680
<v Speaker 1>making that deal. And two weeks after I graduated, I

0:47:19.719 --> 0:47:22.320
<v Speaker 1>got a call from Bobby Calwell if you remember that,

0:47:22.360 --> 0:47:25.640
<v Speaker 1>And of course, and Bobby was putting together a band,

0:47:26.080 --> 0:47:28.960
<v Speaker 1>A new band can do some gigs in Los Angeles,

0:47:28.960 --> 0:47:31.440
<v Speaker 1>and I auditioned for him and I got the gig,

0:47:31.800 --> 0:47:35.880
<v Speaker 1>and um, a couple of weeks later, after rehearsal, we're

0:47:36.080 --> 0:47:40.640
<v Speaker 1>at a place called at my place, remember that. So

0:47:40.760 --> 0:47:43.520
<v Speaker 1>this was and everybody was there because Bobby called. This

0:47:43.560 --> 0:47:47.520
<v Speaker 1>was his re emergence too, and um, it was very exciting.

0:47:47.520 --> 0:47:50.560
<v Speaker 1>So it was a two show night True story. First

0:47:50.600 --> 0:47:53.880
<v Speaker 1>show and every uh every song of Bobby's had a

0:47:53.880 --> 0:47:57.279
<v Speaker 1>sack solo, so that's why I was there. So um

0:47:57.320 --> 0:47:59.560
<v Speaker 1>and I noticed he would sing the song and then

0:47:59.640 --> 0:48:01.319
<v Speaker 1>during the sex sol he would kind of move off

0:48:01.360 --> 0:48:03.560
<v Speaker 1>from the side of the stage, but I didn't move.

0:48:03.640 --> 0:48:05.560
<v Speaker 1>I stayed in my little spot because I was kind

0:48:05.600 --> 0:48:10.000
<v Speaker 1>of shy. And uh. So the show ends and Bobby says,

0:48:10.120 --> 0:48:12.600
<v Speaker 1>I need to talk to you, and I figured, okay,

0:48:12.640 --> 0:48:16.759
<v Speaker 1>I'm gonna get fired my first freaking gig. So he

0:48:16.760 --> 0:48:20.440
<v Speaker 1>he comes and he says, what are you doing? Man? Uh,

0:48:20.480 --> 0:48:22.360
<v Speaker 1>what do you mean? He said, I'm trying to you know,

0:48:22.440 --> 0:48:25.080
<v Speaker 1>during your sex sol, I'm giving you the space. You

0:48:25.120 --> 0:48:27.719
<v Speaker 1>should go up there and take it over. That's what

0:48:27.760 --> 0:48:29.640
<v Speaker 1>I'm trying to do. I'm trying to give you the spotlight.

0:48:30.120 --> 0:48:33.120
<v Speaker 1>And I was like, okay. Well he never needed to

0:48:33.160 --> 0:48:36.560
<v Speaker 1>say anything again because the second show I just launched

0:48:36.640 --> 0:48:38.800
<v Speaker 1>right into it. It It was the first time I remember

0:48:39.320 --> 0:48:43.520
<v Speaker 1>that it was like that, the rush of being the

0:48:43.600 --> 0:48:46.839
<v Speaker 1>focus of attention on on a bandstand, because up to

0:48:46.880 --> 0:48:49.920
<v Speaker 1>that point I had never been the guy that people

0:48:49.960 --> 0:48:53.120
<v Speaker 1>focus on and I was very comfortable being in the background.

0:48:53.160 --> 0:48:55.080
<v Speaker 1>I didn't even know that this was something that was

0:48:55.120 --> 0:48:58.240
<v Speaker 1>inside of me. And Bobby was the first person to

0:48:58.239 --> 0:49:00.920
<v Speaker 1>to nurture that and say to push me to the

0:49:00.960 --> 0:49:04.719
<v Speaker 1>front of the stage. And then I really liked it

0:49:04.880 --> 0:49:07.919
<v Speaker 1>a lot. Okay, for those who've seen you live, you're

0:49:08.040 --> 0:49:12.000
<v Speaker 1>very active and to use the uh the phrase, everybody's

0:49:12.120 --> 0:49:14.400
<v Speaker 1>very into it. Were you that active and into it

0:49:14.440 --> 0:49:17.600
<v Speaker 1>from the beginning, I think I learned learned it and

0:49:17.640 --> 0:49:19.960
<v Speaker 1>probably those early days I was trying to feel my

0:49:20.040 --> 0:49:23.120
<v Speaker 1>way through it. Um. The second gig that I got,

0:49:23.160 --> 0:49:26.239
<v Speaker 1>the big prominent gig was from Bobby. I met a

0:49:26.280 --> 0:49:29.279
<v Speaker 1>guy named Jeff Lorver. I hear from Jeff lord an

0:49:29.320 --> 0:49:32.359
<v Speaker 1>email all the time. Yeah. Now he's you know, he's

0:49:32.520 --> 0:49:36.680
<v Speaker 1>very thoughtful and very interesting guys. He's brilliant. I mean,

0:49:36.680 --> 0:49:40.000
<v Speaker 1>he's a genius. And so I just want to go

0:49:40.000 --> 0:49:45.960
<v Speaker 1>back to the Bobby called gig very slowly. He was

0:49:46.040 --> 0:49:48.399
<v Speaker 1>aware of you, or you were aware of him. How

0:49:48.400 --> 0:49:51.880
<v Speaker 1>did you get the audition? There was a woman and

0:49:51.960 --> 0:49:55.040
<v Speaker 1>I'm trying to remember her name, but she was a

0:49:55.080 --> 0:49:59.640
<v Speaker 1>publisher who had seen me play with somebody else and

0:49:59.719 --> 0:50:02.280
<v Speaker 1>back then like that was really the way it worked

0:50:02.320 --> 0:50:04.560
<v Speaker 1>back then. Maybe it's still this, you know, for for

0:50:04.680 --> 0:50:07.000
<v Speaker 1>new artists now it's like that word of mouth kind

0:50:07.000 --> 0:50:09.560
<v Speaker 1>of thing. But somebody sees you and goes yeah, And

0:50:09.560 --> 0:50:13.080
<v Speaker 1>then they talked to somebody else, and it was this

0:50:13.120 --> 0:50:15.880
<v Speaker 1>publisher talking to another publisher who happened to be the

0:50:15.920 --> 0:50:19.680
<v Speaker 1>publisher for Bobby Calwell, who told him about me, And

0:50:19.719 --> 0:50:23.759
<v Speaker 1>the next thing I knew, I got this call from him. Okay,

0:50:23.800 --> 0:50:27.960
<v Speaker 1>now trying to see how to think of how to

0:50:28.040 --> 0:50:31.919
<v Speaker 1>verbalize this if you're a hot guitarist in that era.

0:50:32.320 --> 0:50:35.200
<v Speaker 1>There are a million hot guitarists in Los Angeles, million

0:50:35.200 --> 0:50:37.200
<v Speaker 1>people calls. Some might be a little bit better than

0:50:37.280 --> 0:50:42.160
<v Speaker 1>others when you're getting this gig. How many exceptional saxophonists

0:50:42.200 --> 0:50:44.399
<v Speaker 1>are there in Los Angeles? I think there's a lot,

0:50:45.239 --> 0:50:47.719
<v Speaker 1>you know, I think that there were a lot. There's

0:50:47.800 --> 0:50:52.640
<v Speaker 1>always a lot of really wonderful musicians, especially in Los Angeles.

0:50:53.000 --> 0:50:55.560
<v Speaker 1>This is to me still to this day, Bob. I

0:50:56.160 --> 0:50:58.080
<v Speaker 1>feel like I, you know, I've been here my whole

0:50:58.120 --> 0:51:00.279
<v Speaker 1>life pretty much, and I feel like I know the

0:51:00.280 --> 0:51:02.480
<v Speaker 1>community of musicians, and then all of a sudden I'll

0:51:02.560 --> 0:51:06.560
<v Speaker 1>find this whole other vat of musicians that I didn't

0:51:06.560 --> 0:51:11.080
<v Speaker 1>even know about. An incredible musicians. So it was that

0:51:11.160 --> 0:51:13.799
<v Speaker 1>way back then. Maybe not as many as there are

0:51:13.840 --> 0:51:16.960
<v Speaker 1>now today, but there's certainly no shortage of people that

0:51:17.120 --> 0:51:19.920
<v Speaker 1>could do that gig, right, Okay, so then you get

0:51:19.920 --> 0:51:23.080
<v Speaker 1>a gig with Jeff Lerber. Yeah, And so what happens

0:51:23.160 --> 0:51:27.359
<v Speaker 1>then or thereafter? Well, the audition for Laudber took place

0:51:27.360 --> 0:51:30.360
<v Speaker 1>at his house and Pacific Palisades, and it was because

0:51:30.360 --> 0:51:34.600
<v Speaker 1>of the Bobby gig. And so I walked in and

0:51:34.640 --> 0:51:37.160
<v Speaker 1>we played a blues I remember this, and and Lauder

0:51:37.200 --> 0:51:39.400
<v Speaker 1>has talked about this too. We talked about that because

0:51:39.400 --> 0:51:41.880
<v Speaker 1>he was a guest on our cruise, this last cruise

0:51:41.880 --> 0:51:45.120
<v Speaker 1>in Australia, and we had a one arm one where

0:51:45.120 --> 0:51:48.920
<v Speaker 1>we talked about that exact moment of walking into his studio.

0:51:49.080 --> 0:51:51.960
<v Speaker 1>I was a nervous wreck. I'm like, this is a

0:51:51.960 --> 0:51:54.400
<v Speaker 1>guy that I grew up listening to and idolizing, and

0:51:54.400 --> 0:51:59.399
<v Speaker 1>now I mean his studio, keyboards plastered everywhere, and I'm

0:51:59.400 --> 0:52:02.680
<v Speaker 1>auditioning to be in his band. And um, he says,

0:52:02.680 --> 0:52:04.880
<v Speaker 1>why don't we just play like a B flat blues?

0:52:05.160 --> 0:52:07.120
<v Speaker 1>And so we got one course through the blues and

0:52:07.120 --> 0:52:09.120
<v Speaker 1>he stopped playing and I said, okay, well I didn't

0:52:09.120 --> 0:52:13.160
<v Speaker 1>get this gig, and so he says, yeah, man, um

0:52:13.280 --> 0:52:15.279
<v Speaker 1>let me. Uh, I'm gonna talk to my managers. We'll

0:52:15.320 --> 0:52:18.360
<v Speaker 1>get your information and uh, the first gig is in

0:52:18.440 --> 0:52:21.200
<v Speaker 1>like three weeks and here's what we're gonna be wearing.

0:52:21.239 --> 0:52:22.920
<v Speaker 1>And I also want to talk to you about like,

0:52:23.000 --> 0:52:25.839
<v Speaker 1>I think you should make your own records, dude, and uh,

0:52:25.920 --> 0:52:29.239
<v Speaker 1>you know, typical Larber, just just going for it. And

0:52:29.239 --> 0:52:31.560
<v Speaker 1>I'm like, my jaw is on the floor. I'm like,

0:52:31.600 --> 0:52:34.840
<v Speaker 1>what the hell are you talking about? What are you smoking? What? Really?

0:52:35.520 --> 0:52:38.200
<v Speaker 1>And he was the first person that said on that day,

0:52:38.239 --> 0:52:42.440
<v Speaker 1>on my audition day, that I should make my own records.

0:52:42.440 --> 0:52:45.080
<v Speaker 1>And up to that point, I had never the thought

0:52:45.080 --> 0:52:49.000
<v Speaker 1>had never even crossed my mind. So I am I

0:52:49.360 --> 0:52:52.040
<v Speaker 1>worship the ground that that man walks on. And he said,

0:52:52.440 --> 0:52:54.960
<v Speaker 1>we're gonna make some demos and we're gonna get you signed.

0:52:55.080 --> 0:52:57.600
<v Speaker 1>And that's exactly what happened. Wow, So we have to

0:52:57.640 --> 0:53:03.680
<v Speaker 1>credit Larber. Okay, so because Bobby, but I've tried to say,

0:53:03.680 --> 0:53:06.879
<v Speaker 1>as far as the vision to be recording artists, So

0:53:07.040 --> 0:53:10.520
<v Speaker 1>from that first date, how much longer period of time

0:53:10.560 --> 0:53:13.680
<v Speaker 1>after that, do you make those demos we started right away.

0:53:14.080 --> 0:53:17.000
<v Speaker 1>Really yeah. I think I got signed in by Bruce

0:53:17.080 --> 0:53:19.759
<v Speaker 1>lan involved me. He rest in peace. I'm sure you've

0:53:19.760 --> 0:53:23.120
<v Speaker 1>talked about Bruce on your show in years past. Uh.

0:53:23.160 --> 0:53:26.920
<v Speaker 1>He was one of the greats of music. And he

0:53:27.040 --> 0:53:31.279
<v Speaker 1>signed me. I think it was to Capitol Records and

0:53:31.400 --> 0:53:35.719
<v Speaker 1>my first record came out in I remember really uh,

0:53:36.040 --> 0:53:41.080
<v Speaker 1>um a great meeting with Lorber and myself and my

0:53:41.120 --> 0:53:45.239
<v Speaker 1>manager at the time, who will remain nameless. I was

0:53:45.239 --> 0:53:49.520
<v Speaker 1>gonna get there next but keep going. Um at at

0:53:49.560 --> 0:53:52.960
<v Speaker 1>Warner Brothers Records with Tommy Lapuma and we played the

0:53:53.280 --> 0:53:55.400
<v Speaker 1>demos for Tommy Lapuma and I could tell that Tommy

0:53:55.520 --> 0:53:58.600
<v Speaker 1>liked it, but I think that he was not particularly

0:53:58.600 --> 0:54:01.719
<v Speaker 1>excited about having an other artists with the manager at

0:54:01.760 --> 0:54:04.799
<v Speaker 1>the time, and so he he said, I'm not going

0:54:04.840 --> 0:54:06.959
<v Speaker 1>to sign you. And that's when we went to Bruce

0:54:07.040 --> 0:54:08.920
<v Speaker 1>len Ball And it's like one of those things when

0:54:08.960 --> 0:54:11.560
<v Speaker 1>you think about at the time, I was crushed because

0:54:11.680 --> 0:54:16.959
<v Speaker 1>let's be on Warner Brothers, that amazing roster. Think about

0:54:16.960 --> 0:54:21.000
<v Speaker 1>alg Ro, George Benson and all those incredible artists, Miles

0:54:21.040 --> 0:54:24.120
<v Speaker 1>David So anyway, um, and then the next thing it was.

0:54:24.320 --> 0:54:27.799
<v Speaker 1>It was Bruce ln Ball and there was a cassette.

0:54:27.840 --> 0:54:29.920
<v Speaker 1>This was back in the time when the demo was

0:54:30.000 --> 0:54:33.959
<v Speaker 1>on cassette. It wound up on Bruce Lamball's office, uh,

0:54:34.000 --> 0:54:36.960
<v Speaker 1>in his desk in his office and um, I remember

0:54:36.960 --> 0:54:40.200
<v Speaker 1>getting this this. Um there's no from him saying I

0:54:40.239 --> 0:54:43.040
<v Speaker 1>really really love your love your music. I want to

0:54:43.040 --> 0:54:46.359
<v Speaker 1>meet you. And that was the beginning. It was just

0:54:46.440 --> 0:54:49.399
<v Speaker 1>unbelievable how that all. Because the thing is, that's it's

0:54:49.440 --> 0:54:52.600
<v Speaker 1>funny if you if you have that dream from the

0:54:52.640 --> 0:54:56.120
<v Speaker 1>start and then it happens, it's got that feeling to it.

0:54:56.160 --> 0:54:58.440
<v Speaker 1>But if you don't, if it's not part of your dream,

0:54:58.920 --> 0:55:02.480
<v Speaker 1>because it really wasn't. When it happens, it is like

0:55:02.960 --> 0:55:05.399
<v Speaker 1>it's just a head scratcher, like how did how did

0:55:05.400 --> 0:55:08.359
<v Speaker 1>I get here? And still to this day, so many

0:55:08.400 --> 0:55:11.960
<v Speaker 1>years later, Bob, I'm still saying the same thing, like

0:55:12.000 --> 0:55:15.520
<v Speaker 1>how did I get here? Why am I here? Like

0:55:15.640 --> 0:55:19.799
<v Speaker 1>there are people showing up to hear me play saxophones,

0:55:19.920 --> 0:55:23.000
<v Speaker 1>just like it's still and I don't mean to be

0:55:23.719 --> 0:55:26.920
<v Speaker 1>you know, if it's sounds if it's coming off sounding

0:55:27.320 --> 0:55:33.040
<v Speaker 1>uh not authentic. It really it's I understand what you're

0:55:33.040 --> 0:55:35.560
<v Speaker 1>saying it's you're You're not just you know, being humble

0:55:36.080 --> 0:55:39.239
<v Speaker 1>for for appearances. Do you ever go to therapy to

0:55:39.280 --> 0:55:43.759
<v Speaker 1>discuss these issues. Not in therapy per se um. I

0:55:43.840 --> 0:55:46.279
<v Speaker 1>have used therapy in years past, but I have There's

0:55:46.320 --> 0:55:50.800
<v Speaker 1>some people that are in my life, teachers and and um,

0:55:51.080 --> 0:55:54.840
<v Speaker 1>you know, spiritual people that I will talk to about

0:55:54.880 --> 0:55:57.520
<v Speaker 1>these kinds of things to put in perspective and to

0:55:57.640 --> 0:56:02.160
<v Speaker 1>understand what's going on. Um. It's been been an interesting

0:56:02.200 --> 0:56:06.840
<v Speaker 1>thing because I just had This is a very timely

0:56:06.880 --> 0:56:10.040
<v Speaker 1>thing because I had back surgery about seven weeks ago

0:56:10.880 --> 0:56:14.560
<v Speaker 1>and now I'm starting on on this tour. We're on

0:56:14.600 --> 0:56:17.680
<v Speaker 1>a Summer Horns tour this summer, and this is the

0:56:17.719 --> 0:56:20.720
<v Speaker 1>first time ever where I've kind of in my whole

0:56:20.760 --> 0:56:24.840
<v Speaker 1>life I really had to show up as being a

0:56:24.880 --> 0:56:28.319
<v Speaker 1>bit needy. And it's a very awkward feeling for me.

0:56:29.000 --> 0:56:31.600
<v Speaker 1>And so I'm staying on the because I can't really

0:56:31.640 --> 0:56:34.400
<v Speaker 1>do of what I want to do on stage at

0:56:34.440 --> 0:56:36.799
<v Speaker 1>this moment. I will come back to it eventually, but

0:56:37.200 --> 0:56:41.200
<v Speaker 1>I'm probably about fifty of the antics. It's interesting too,

0:56:41.280 --> 0:56:47.840
<v Speaker 1>because without having I can't actually do the physical things

0:56:48.239 --> 0:56:51.319
<v Speaker 1>jumping around that I have done what people expect of me.

0:56:51.800 --> 0:56:54.160
<v Speaker 1>But it's forcing me to be to really focus more

0:56:54.239 --> 0:56:56.560
<v Speaker 1>on the music side of things. And these shows we

0:56:56.680 --> 0:57:00.360
<v Speaker 1>just started, so it's just now three shows in. I

0:57:00.400 --> 0:57:02.640
<v Speaker 1>could tell there's like a different texture to the music

0:57:02.800 --> 0:57:05.760
<v Speaker 1>this time. So it's kind of an interesting thing to embrace.

0:57:05.920 --> 0:57:09.760
<v Speaker 1>How long after you had pain, did you have surgery?

0:57:10.160 --> 0:57:12.640
<v Speaker 1>I've been dealing with the uh. I mean, this is

0:57:12.680 --> 0:57:16.960
<v Speaker 1>workplace stuff, so I've been because of my jumping around

0:57:17.000 --> 0:57:20.680
<v Speaker 1>for the almost thirty years, I've had a lot of

0:57:20.720 --> 0:57:23.880
<v Speaker 1>back problems and it just had to be addressed. So

0:57:24.160 --> 0:57:26.080
<v Speaker 1>but it was really bad pain for about the last

0:57:26.120 --> 0:57:29.000
<v Speaker 1>two years. And what was the diagnosis. I mean it

0:57:29.080 --> 0:57:35.640
<v Speaker 1>was the most uh, like harsh sciatica, so herniated discs

0:57:35.760 --> 0:57:38.280
<v Speaker 1>herniated disc. And then are you doing the physical therapy?

0:57:38.480 --> 0:57:41.919
<v Speaker 1>Haven't started physical therapy because it's not quite ready yet. Okay,

0:57:41.920 --> 0:57:44.520
<v Speaker 1>when it is ready, that's the most important thing. Let's

0:57:44.520 --> 0:57:47.840
<v Speaker 1>go back. When did you get that first manager? The

0:57:47.880 --> 0:57:50.920
<v Speaker 1>first manager was the same. You can probably put two

0:57:50.920 --> 0:57:54.040
<v Speaker 1>and two together. One of my gigs right after Jeff

0:57:54.120 --> 0:57:58.520
<v Speaker 1>Lorber was working with a guy named Richard Marks, and

0:57:58.720 --> 0:58:03.880
<v Speaker 1>Richard Marks, the a songwriter and singer, UH was on

0:58:04.720 --> 0:58:09.280
<v Speaker 1>Manhattan Records, also signed by Bruce Lunn Ball and we

0:58:09.360 --> 0:58:12.720
<v Speaker 1>shared a manager at the time, and our manager, my

0:58:12.800 --> 0:58:15.040
<v Speaker 1>manager and his manager said you should really go out

0:58:15.040 --> 0:58:17.880
<v Speaker 1>and play uh this tour with Richard and he was

0:58:17.920 --> 0:58:22.200
<v Speaker 1>a brand new artist and playing music that was not jazz. Obviously,

0:58:22.240 --> 0:58:25.280
<v Speaker 1>he was playing more rock. Had a monster hit though

0:58:25.320 --> 0:58:27.840
<v Speaker 1>you Ain't Seen Nothing or whatever it was called. Yea

0:58:29.680 --> 0:58:34.640
<v Speaker 1>even play on it Haven't done Nothing good memory, but

0:58:34.680 --> 0:58:36.520
<v Speaker 1>he had. I brought the record because the track was

0:58:36.560 --> 0:58:39.280
<v Speaker 1>so good. He had a string of hits, right, but

0:58:39.400 --> 0:58:41.800
<v Speaker 1>that was the first one. Then he came more Mellow.

0:58:42.040 --> 0:58:44.560
<v Speaker 1>That was a real rocket track. Yeah, I mean he

0:58:44.600 --> 0:58:46.600
<v Speaker 1>had had a bunch of hits up that first album.

0:58:46.640 --> 0:58:49.160
<v Speaker 1>It was a really interesting thing to see because I

0:58:49.200 --> 0:58:51.680
<v Speaker 1>remember the first shows that we did. Do you remember

0:58:51.680 --> 0:58:55.560
<v Speaker 1>a club called Sash and it was in North Hollywood

0:58:55.600 --> 0:58:58.959
<v Speaker 1>somewhere around there. That was his first gig, probably about

0:58:58.960 --> 0:59:01.000
<v Speaker 1>a hundred people and most you're not talking about that

0:59:01.120 --> 0:59:05.520
<v Speaker 1>long low club north of Ventura in between Laurel Canyon

0:59:05.560 --> 0:59:09.200
<v Speaker 1>and UH Universe. Oh yeah, I was there. Had I

0:59:09.400 --> 0:59:12.479
<v Speaker 1>had a process through from the eighties more than once.

0:59:12.640 --> 0:59:17.000
<v Speaker 1>It was a dance club when it wasn't a live show. Right,

0:59:17.400 --> 0:59:20.040
<v Speaker 1>that was his first show and there's probably a hundred

0:59:20.080 --> 0:59:23.280
<v Speaker 1>people there. And on that same tour, that was the

0:59:23.360 --> 0:59:26.520
<v Speaker 1>very first show. And on that same tour, which lasted

0:59:26.560 --> 0:59:29.200
<v Speaker 1>almost um, about a year and a half, we were

0:59:29.200 --> 0:59:32.080
<v Speaker 1>playing to ten thou people at night. And so part

0:59:32.120 --> 0:59:36.360
<v Speaker 1>of that unit of watching an artist go, seeing the

0:59:36.400 --> 0:59:39.640
<v Speaker 1>power of hit songs to propel an artist forward, it

0:59:39.760 --> 0:59:43.160
<v Speaker 1>was an interesting thing to see. And UM, so that's

0:59:43.160 --> 0:59:54.080
<v Speaker 1>how that's how that happened. So when did you switch managers? Um?

0:59:54.120 --> 0:59:57.600
<v Speaker 1>It happened right around the time that my first record

0:59:57.640 --> 0:59:59.959
<v Speaker 1>came out. And how did how did that happen? I'd

1:00:00.000 --> 1:00:01.800
<v Speaker 1>you decided to break it off? I decided to get

1:00:01.800 --> 1:00:06.480
<v Speaker 1>a new person. Well, UM, okay, I can tell this story.

1:00:06.680 --> 1:00:08.960
<v Speaker 1>I mean this is a podcast, right, can you can

1:00:09.000 --> 1:00:13.880
<v Speaker 1>I tell this story? Richard? Um? And Richard and I

1:00:14.040 --> 1:00:18.080
<v Speaker 1>are great now. But um, at the time, UM, he

1:00:18.360 --> 1:00:22.360
<v Speaker 1>when I didn't want to, Um, I didn't want to

1:00:22.400 --> 1:00:26.280
<v Speaker 1>play in his band anymore. I wanted to focus on

1:00:26.320 --> 1:00:29.640
<v Speaker 1>my solo stuff. He didn't really love that idea so much.

1:00:29.800 --> 1:00:32.200
<v Speaker 1>And then UM, he made it kind of very clear

1:00:32.240 --> 1:00:35.160
<v Speaker 1>to his manager, was my manager, that this was not appropriate.

1:00:35.320 --> 1:00:38.480
<v Speaker 1>And so the manager said to me, I'm sorry, I

1:00:38.520 --> 1:00:41.680
<v Speaker 1>can't manage you anymore. But I got this other person

1:00:42.000 --> 1:00:44.960
<v Speaker 1>and it turned At the time I was devastated, it

1:00:44.960 --> 1:00:48.000
<v Speaker 1>turned out to be the great thing. And so this

1:00:48.040 --> 1:00:51.120
<v Speaker 1>woman who her name was Shelley Hebrew and she's out

1:00:51.160 --> 1:00:54.840
<v Speaker 1>of the business now, but Shelley for seven years was

1:00:54.880 --> 1:00:57.880
<v Speaker 1>my manager and she was great. You know, she really

1:00:57.960 --> 1:01:01.840
<v Speaker 1>knew what to do and she and then that relationship

1:01:02.480 --> 1:01:06.440
<v Speaker 1>sort of came to an end. And then uh, in

1:01:06.520 --> 1:01:09.320
<v Speaker 1>the late nineties, I started working with Bill Leopold and

1:01:09.320 --> 1:01:12.520
<v Speaker 1>Mark Graham, who have been my managers for all these

1:01:12.640 --> 1:01:17.960
<v Speaker 1>twenty years, and we've developed an incredible relationship and and

1:01:18.200 --> 1:01:20.400
<v Speaker 1>they've helped me. I can't even tell you how much

1:01:20.400 --> 1:01:22.800
<v Speaker 1>they've helped me. So it's kind of a it takes

1:01:22.800 --> 1:01:27.760
<v Speaker 1>a village, Okay, So ultimately you have a hit, right

1:01:28.600 --> 1:01:31.960
<v Speaker 1>I do. So that was when their first or second album,

1:01:32.880 --> 1:01:36.000
<v Speaker 1>well the first album was that came out on Capitol.

1:01:36.880 --> 1:01:40.360
<v Speaker 1>I remember because the there was Bruce Lemon was so

1:01:40.480 --> 1:01:43.320
<v Speaker 1>upset at the sales department for not taking it seriously.

1:01:43.360 --> 1:01:45.760
<v Speaker 1>He was trying to make this a real priority, and

1:01:45.800 --> 1:01:48.720
<v Speaker 1>the sales department said, well, it's a saxophone player. What

1:01:48.840 --> 1:01:55.080
<v Speaker 1>we don't have to. How do you remember? Amazing? Okay,

1:01:55.160 --> 1:01:58.840
<v Speaker 1>keep going so uh. I think at the they put

1:01:59.120 --> 1:02:01.680
<v Speaker 1>something like eleventh thousand units out for the first week,

1:02:01.720 --> 1:02:05.640
<v Speaker 1>which back then was a very low number, and um,

1:02:06.440 --> 1:02:09.640
<v Speaker 1>but then it's it just started to sell. My record

1:02:09.680 --> 1:02:13.720
<v Speaker 1>came out at the same time in the fall when

1:02:13.920 --> 1:02:17.520
<v Speaker 1>there was an explosion of radio in the smooth jazz world,

1:02:17.640 --> 1:02:20.960
<v Speaker 1>Like there were radio stations popping up in every city

1:02:21.360 --> 1:02:23.880
<v Speaker 1>smooth jazz radio stations, and it just sort of like

1:02:24.040 --> 1:02:26.960
<v Speaker 1>was sort of dovetailed at the same time that this

1:02:27.360 --> 1:02:30.480
<v Speaker 1>radio format was burgeoning, and the music just fit right

1:02:30.520 --> 1:02:32.920
<v Speaker 1>in and I started doing a lot of promotions with

1:02:32.960 --> 1:02:37.000
<v Speaker 1>the radio stations and it just worked. And that first album,

1:02:37.120 --> 1:02:41.600
<v Speaker 1>um became I think it's sold probably four thousand. It

1:02:41.720 --> 1:02:45.600
<v Speaker 1>ended up selling something like four thousand, surprising everybody at Capital.

1:02:46.120 --> 1:02:48.840
<v Speaker 1>And then my next record, which came out about three

1:02:48.920 --> 1:02:52.120
<v Speaker 1>years later, put a lot of resources into it. It's

1:02:52.160 --> 1:02:54.840
<v Speaker 1>called was called Lucky Man, and I think that's the

1:02:54.880 --> 1:02:56.800
<v Speaker 1>song that you're talking about, A song called You Make

1:02:56.840 --> 1:03:01.120
<v Speaker 1>Me Smile. It came out that really became not a

1:03:01.200 --> 1:03:04.840
<v Speaker 1>real pop hit, but pretty close. I mean, for an

1:03:04.840 --> 1:03:09.880
<v Speaker 1>instrumental came pretty close getting into the business side. You

1:03:10.000 --> 1:03:13.320
<v Speaker 1>sold four hundred thousand records. Do you get a royalty check?

1:03:14.760 --> 1:03:17.240
<v Speaker 1>After the second album? You get a royalty check. I've

1:03:17.280 --> 1:03:22.000
<v Speaker 1>never received a royalty check. That's definitive. That's what I

1:03:22.000 --> 1:03:24.280
<v Speaker 1>wanted to know. Okay, so you have a hit off

1:03:24.320 --> 1:03:28.920
<v Speaker 1>the second album kind of walked me through when's when's

1:03:28.960 --> 1:03:31.640
<v Speaker 1>the third album come out? The third album came out

1:03:32.360 --> 1:03:38.920
<v Speaker 1>in six and that was my um Like all artists,

1:03:39.120 --> 1:03:41.920
<v Speaker 1>most artists, I should say where they say, I've got

1:03:41.960 --> 1:03:46.360
<v Speaker 1>another idea, and it was coming off a huge success.

1:03:46.640 --> 1:03:49.440
<v Speaker 1>That second album went gold. I think it's sold maybe

1:03:50.040 --> 1:03:55.520
<v Speaker 1>close to seven thousand. Can you imagine seven thousand copies

1:03:55.560 --> 1:03:59.200
<v Speaker 1>of a SOX player's albums Cheez So? And then I

1:03:59.240 --> 1:04:01.040
<v Speaker 1>came up with this ideas like, I don't want to

1:04:01.040 --> 1:04:04.480
<v Speaker 1>be boxed in by by um foreman, I don't want

1:04:04.480 --> 1:04:06.840
<v Speaker 1>to be boxed in by the sound. I have this idea.

1:04:07.280 --> 1:04:09.080
<v Speaker 1>I went up. I had this place up in northern

1:04:09.160 --> 1:04:12.720
<v Speaker 1>California and Saucelito. I came up with this, this idea

1:04:12.800 --> 1:04:16.200
<v Speaker 1>to combine the saxophone with instruments that you would normally

1:04:16.240 --> 1:04:21.760
<v Speaker 1>not hear it, with mandolin and melotron and oregon and uh,

1:04:22.120 --> 1:04:26.400
<v Speaker 1>steel string guitar and um, you know, I came up

1:04:26.400 --> 1:04:30.000
<v Speaker 1>with this album called alf the Beaten Path, and it

1:04:30.080 --> 1:04:34.720
<v Speaker 1>was the biggest dud ever. It came out with a thump,

1:04:35.240 --> 1:04:41.280
<v Speaker 1>and I think it's still sold probably, you know, but

1:04:41.320 --> 1:04:43.560
<v Speaker 1>it was not going to the right direction now and

1:04:43.600 --> 1:04:47.160
<v Speaker 1>it was a huge disappointment, and I was crushed because

1:04:47.200 --> 1:04:49.560
<v Speaker 1>I really put a lot of myself in retrospect. Do

1:04:49.640 --> 1:04:53.200
<v Speaker 1>you still like it? I do, actually, And there are

1:04:53.280 --> 1:04:56.400
<v Speaker 1>some fans. There's a group of fans that will still

1:04:56.440 --> 1:04:59.960
<v Speaker 1>say that that is to them, that is their favorite

1:05:00.000 --> 1:05:02.600
<v Speaker 1>album because it was very, very different. It was took

1:05:02.640 --> 1:05:06.240
<v Speaker 1>a lot of chances. But because of that experience, uh,

1:05:06.320 --> 1:05:08.720
<v Speaker 1>and I look at album making is sort of like

1:05:08.760 --> 1:05:12.360
<v Speaker 1>stepping stones. I couldn't have made the next album, which

1:05:12.440 --> 1:05:15.160
<v Speaker 1>was ended up being my most successful one, called The Dance.

1:05:17.000 --> 1:05:19.000
<v Speaker 1>I couldn't have made The Dance had I not made

1:05:19.080 --> 1:05:23.320
<v Speaker 1>Off the Beaten Path and and gone through that experience

1:05:23.440 --> 1:05:26.040
<v Speaker 1>to make an album like The Dance, which was really

1:05:26.160 --> 1:05:30.919
<v Speaker 1>like a return to the sound that that made me popular. Well,

1:05:30.920 --> 1:05:34.080
<v Speaker 1>how self conscious were you when you before you made

1:05:34.080 --> 1:05:40.440
<v Speaker 1>The Dance that I have to use this particular line. Um,

1:05:40.520 --> 1:05:43.640
<v Speaker 1>it was not like somebody saying there was never any

1:05:43.960 --> 1:05:48.080
<v Speaker 1>pressure from record company person or because I look at

1:05:48.080 --> 1:05:52.520
<v Speaker 1>it my situation as a recording artist. Over the years

1:05:52.600 --> 1:05:54.560
<v Speaker 1>that I've been doing this and I've had I've gotten

1:05:54.560 --> 1:05:57.440
<v Speaker 1>a chance to work with people who are great that

1:05:57.640 --> 1:06:01.200
<v Speaker 1>never stuffed things down my throat. If they made suggestions,

1:06:01.200 --> 1:06:03.560
<v Speaker 1>they were suggestions, they were not you have to do this.

1:06:04.640 --> 1:06:09.800
<v Speaker 1>And usually the advice and the people who came to

1:06:10.800 --> 1:06:13.960
<v Speaker 1>came to me with with things to say, their advice

1:06:14.040 --> 1:06:16.440
<v Speaker 1>was good and I would often listen to them and

1:06:16.480 --> 1:06:18.400
<v Speaker 1>they would be right, you know. So it's it was

1:06:18.480 --> 1:06:21.520
<v Speaker 1>kind of a collaborative process. Now, what point do you

1:06:21.560 --> 1:06:29.200
<v Speaker 1>become a dj uh? That happened kind of probably around

1:06:30.800 --> 1:06:34.880
<v Speaker 1>maybe in the mid nineties. How did that gig come about?

1:06:35.040 --> 1:06:38.080
<v Speaker 1>We had the Wave which was like the first smooth

1:06:38.160 --> 1:06:41.840
<v Speaker 1>jazz UH station of any note in America. They played

1:06:41.840 --> 1:06:44.840
<v Speaker 1>your music. How did you end up becoming a DJ Well,

1:06:44.840 --> 1:06:49.280
<v Speaker 1>it was a syndicated show first where this this Fellows

1:06:49.600 --> 1:06:52.360
<v Speaker 1>program director came to me. He got a gig doing

1:06:52.400 --> 1:06:56.120
<v Speaker 1>a network um show and he said, we wanted to

1:06:56.200 --> 1:07:00.800
<v Speaker 1>our Our idea is to have recording artists most weekend

1:07:00.840 --> 1:07:03.320
<v Speaker 1>shows on the radio, and we think that you could

1:07:03.320 --> 1:07:05.920
<v Speaker 1>be you could have your own show. And I was like,

1:07:06.760 --> 1:07:12.080
<v Speaker 1>really no experience whatsoever. And I remember those first demos

1:07:12.200 --> 1:07:16.640
<v Speaker 1>of going into the studio and putting it together and

1:07:16.680 --> 1:07:20.040
<v Speaker 1>I put on my radio voice and stop, stop it.

1:07:20.880 --> 1:07:23.120
<v Speaker 1>Don't do that anymore. Just be yourself. There was a

1:07:23.160 --> 1:07:25.880
<v Speaker 1>really good lesson to learn, and I started doing that

1:07:26.040 --> 1:07:29.880
<v Speaker 1>in the early days. That was in How many stations

1:07:29.880 --> 1:07:32.720
<v Speaker 1>did it ultimately get to we had on our syndicated

1:07:32.760 --> 1:07:37.320
<v Speaker 1>show in the United States at the time we were

1:07:37.480 --> 1:07:41.760
<v Speaker 1>the biggest was probably well over a hundred significant number,

1:07:41.880 --> 1:07:43.640
<v Speaker 1>well over a hundred, and then there was the international

1:07:43.680 --> 1:07:46.680
<v Speaker 1>side of things, and the show was how long. There's

1:07:46.720 --> 1:07:49.120
<v Speaker 1>a two hour weekends show called The Dave CAUs Radio Show,

1:07:49.120 --> 1:07:53.120
<v Speaker 1>which by the way, is still on the radio twenty over,

1:07:53.160 --> 1:07:56.240
<v Speaker 1>twenty five years later. It's uninterrupted on the radio for

1:07:56.280 --> 1:08:00.760
<v Speaker 1>twenty five years. Okay, you're making new shows. Yeah, so

1:08:01.440 --> 1:08:03.800
<v Speaker 1>you make a new show. Yeah, I'm sure you string

1:08:03.880 --> 1:08:06.400
<v Speaker 1>them together, you do like three in a day, fortnity.

1:08:06.560 --> 1:08:09.840
<v Speaker 1>And how often you have guests? We do guests every show.

1:08:09.920 --> 1:08:12.000
<v Speaker 1>We have one featured artist every show. We have some

1:08:12.080 --> 1:08:15.280
<v Speaker 1>other drops that we use with other artists. Okay, and

1:08:15.320 --> 1:08:18.200
<v Speaker 1>then how do you get on the wave? The wave

1:08:18.320 --> 1:08:22.719
<v Speaker 1>happened later on down the road where the program director,

1:08:22.720 --> 1:08:25.200
<v Speaker 1>who's the same guy by the way that uh that

1:08:25.280 --> 1:08:30.200
<v Speaker 1>I started the weekend show with, he said, UM, would

1:08:30.200 --> 1:08:32.840
<v Speaker 1>you ever be interested in doing this in the morning,

1:08:33.439 --> 1:08:36.360
<v Speaker 1>and we're thinking about doing an artist driven morning show.

1:08:37.120 --> 1:08:39.719
<v Speaker 1>And so that's when Pat Prescott from New York, who's

1:08:40.840 --> 1:08:44.040
<v Speaker 1>radio legend, she came out. She's one of my great friends.

1:08:44.080 --> 1:08:45.479
<v Speaker 1>I went to New York and I said, if I'm

1:08:45.479 --> 1:08:47.240
<v Speaker 1>going to do this, you have to do this with me,

1:08:47.280 --> 1:08:49.680
<v Speaker 1>because I cannot do this alone. And we did that

1:08:49.720 --> 1:08:53.320
<v Speaker 1>for six years on the radio every morning and uh,

1:08:53.360 --> 1:08:55.920
<v Speaker 1>which for a musician is quite the feat. And I

1:08:56.000 --> 1:08:58.000
<v Speaker 1>knew that I wouldn't be something that I would do forever,

1:08:58.240 --> 1:09:01.640
<v Speaker 1>but I really enjoyed doing that for six years. And

1:09:01.680 --> 1:09:04.479
<v Speaker 1>then we morphed into an afternoon syndicated show that was

1:09:04.600 --> 1:09:07.959
<v Speaker 1>on a bunch of smooth jazz stations through a network

1:09:08.080 --> 1:09:11.040
<v Speaker 1>for I think I did that for about maybe another

1:09:11.120 --> 1:09:14.439
<v Speaker 1>three or four years, and then the smooth jazz as

1:09:14.439 --> 1:09:17.200
<v Speaker 1>a format kind of started to really wane. A lot

1:09:17.200 --> 1:09:21.559
<v Speaker 1>of these stations flip formats, and UM, about three years

1:09:21.560 --> 1:09:25.559
<v Speaker 1>ago I started working with my friend Trinity Cologne at

1:09:25.800 --> 1:09:28.719
<v Speaker 1>Sirius XM, and we developed something called the Dave Case

1:09:28.760 --> 1:09:31.559
<v Speaker 1>Lounge that you can now hear on Sirius XM on

1:09:31.560 --> 1:09:34.439
<v Speaker 1>the weekends and you can only hear that one is

1:09:34.439 --> 1:09:39.360
<v Speaker 1>only okay, So, uh, how to what degreeed being on

1:09:39.439 --> 1:09:43.120
<v Speaker 1>the radio every morning? We havoc with your musical career?

1:09:44.160 --> 1:09:47.800
<v Speaker 1>It was not easy. Those those years were like trying

1:09:47.840 --> 1:09:50.679
<v Speaker 1>to it was it was time well for the age

1:09:50.720 --> 1:09:52.479
<v Speaker 1>that I was at. Because I was on the road.

1:09:53.000 --> 1:09:55.160
<v Speaker 1>We had this apparatus that I would take with me

1:09:55.280 --> 1:09:59.000
<v Speaker 1>that I could connect back into UH to Los Angeles.

1:09:59.040 --> 1:10:04.160
<v Speaker 1>It was really quite technologically impressive, especially for me who

1:10:04.240 --> 1:10:06.679
<v Speaker 1>was an analog man in a in a digital world.

1:10:07.080 --> 1:10:09.400
<v Speaker 1>But it really it was a very nice thing. And

1:10:09.439 --> 1:10:13.240
<v Speaker 1>they the station and the producers really went above and

1:10:13.240 --> 1:10:16.880
<v Speaker 1>beyond to make it work. And admittedly we did record

1:10:17.520 --> 1:10:20.280
<v Speaker 1>some shows, not all shows, but some shows were recorded

1:10:20.320 --> 1:10:23.640
<v Speaker 1>in advance UH and played the morning of when I

1:10:23.680 --> 1:10:26.080
<v Speaker 1>couldn't actually be there. And it was how many hours?

1:10:26.400 --> 1:10:29.559
<v Speaker 1>That was three hours? That's a lot of hours. So

1:10:30.240 --> 1:10:32.479
<v Speaker 1>when you were on the wave, it was only heard

1:10:32.520 --> 1:10:37.240
<v Speaker 1>on the wave. Yeah, that was was it lucrative? Very

1:10:37.640 --> 1:10:41.200
<v Speaker 1>and did it pay dividends for your career. I think

1:10:41.240 --> 1:10:44.200
<v Speaker 1>it did in that it was the first sort of

1:10:46.520 --> 1:10:49.080
<v Speaker 1>lately now i've kind of I'm sort of looked at

1:10:49.160 --> 1:10:54.240
<v Speaker 1>as somewhat of a host of bringing people together, uh collaborator,

1:10:54.360 --> 1:10:59.120
<v Speaker 1>you know, or bringing artists together under a canopy. And

1:10:59.160 --> 1:11:01.719
<v Speaker 1>that was kind of like the beginning of of that

1:11:02.280 --> 1:11:04.840
<v Speaker 1>uh stage of my life where I got a chance

1:11:04.920 --> 1:11:06.880
<v Speaker 1>to really interview a lot of artists and be a

1:11:06.960 --> 1:11:09.800
<v Speaker 1>cheerleader for other artists. And that's something that I that

1:11:09.880 --> 1:11:12.120
<v Speaker 1>comes very natural to me and something I love to

1:11:12.160 --> 1:11:15.519
<v Speaker 1>do because I think especially when you talk about jazz

1:11:15.600 --> 1:11:20.320
<v Speaker 1>music or instrumental music, which is a niche, it's sort

1:11:20.320 --> 1:11:22.080
<v Speaker 1>of off to the side, but I think it's an

1:11:22.120 --> 1:11:26.080
<v Speaker 1>important thing, you know, even for people who have taste

1:11:26.080 --> 1:11:28.759
<v Speaker 1>in music that are completely different, that there's a time

1:11:28.760 --> 1:11:32.439
<v Speaker 1>and a place for instrumental music for every music lover, uh,

1:11:32.680 --> 1:11:35.280
<v Speaker 1>no matter what it is that they love most. And

1:11:35.320 --> 1:11:38.040
<v Speaker 1>so I just love being a cheerleader, being able to

1:11:38.080 --> 1:11:42.040
<v Speaker 1>stand up and and and and share this great music

1:11:42.080 --> 1:11:44.160
<v Speaker 1>and the artists that are making it. And I think

1:11:44.200 --> 1:11:47.280
<v Speaker 1>also what happened I've seen it a lot too, where

1:11:47.680 --> 1:11:51.400
<v Speaker 1>if artists come on the show, if I'm talking to them,

1:11:51.439 --> 1:11:56.240
<v Speaker 1>that there's a intimacy of an artist talking to another artist,

1:11:56.600 --> 1:12:00.799
<v Speaker 1>that the communication can can be have a different texture.

1:12:01.439 --> 1:12:03.559
<v Speaker 1>There was one time that where it was so apparent

1:12:03.600 --> 1:12:06.559
<v Speaker 1>where I was interviewing. Because of our schedules, a lot

1:12:06.560 --> 1:12:08.920
<v Speaker 1>of the interviews have to be on the phone. So

1:12:09.000 --> 1:12:11.960
<v Speaker 1>I was interviewing George Benson on the phone and George

1:12:12.000 --> 1:12:13.840
<v Speaker 1>was just I guess it was one of the one

1:12:13.880 --> 1:12:16.720
<v Speaker 1>interview of a bunch for the whole day, and he

1:12:16.760 --> 1:12:18.960
<v Speaker 1>was just giving me these one two word answers, and

1:12:19.000 --> 1:12:21.240
<v Speaker 1>I was like, what am I gonna do to connect

1:12:21.280 --> 1:12:23.880
<v Speaker 1>with this guy? It's just not happening. And so finally

1:12:23.960 --> 1:12:26.479
<v Speaker 1>I said, George, oh no, he said, He said, is

1:12:26.520 --> 1:12:29.000
<v Speaker 1>this the Dave cause that plays the Sacks Dave Come.

1:12:30.280 --> 1:12:33.280
<v Speaker 1>I said, George, it's me. You know, we're friends, shared

1:12:33.320 --> 1:12:35.799
<v Speaker 1>the stage together. I have a show, you know. And

1:12:35.840 --> 1:12:40.160
<v Speaker 1>then I could not get the guy shut up. It's like,

1:12:40.360 --> 1:12:42.920
<v Speaker 1>oh my god. But it was a great illustration of

1:12:42.960 --> 1:12:46.639
<v Speaker 1>what can happen when when artists are talking to other

1:12:46.800 --> 1:12:51.240
<v Speaker 1>artists and feel that, you know, I mean, it's like,

1:12:51.479 --> 1:12:54.000
<v Speaker 1>I know you're not a musician, but I feel so

1:12:54.040 --> 1:12:57.800
<v Speaker 1>comfortable talking to you because I know that you love it.

1:12:58.120 --> 1:13:00.640
<v Speaker 1>You love it and you understand it and you're inside

1:13:00.680 --> 1:13:03.680
<v Speaker 1>of it. And so much of us artists, we we

1:13:03.760 --> 1:13:06.920
<v Speaker 1>talked to people who just are not there. They're just

1:13:06.960 --> 1:13:10.599
<v Speaker 1>answers or asking the questions that are on the piece

1:13:10.640 --> 1:13:13.880
<v Speaker 1>of paper, and you feel it and you just don't know.

1:13:14.120 --> 1:13:17.439
<v Speaker 1>It's not it's you don't want to open up. But

1:13:17.520 --> 1:13:19.000
<v Speaker 1>when you feel somebody on the other end of the

1:13:19.040 --> 1:13:22.360
<v Speaker 1>microphone that really is empathetic, that understands it, really gets

1:13:22.439 --> 1:13:26.400
<v Speaker 1>inside of it, you want to talk forever. Okay, so

1:13:26.479 --> 1:13:32.559
<v Speaker 1>the dances, Yes, when's the next album? The next album

1:13:33.680 --> 1:13:39.519
<v Speaker 1>was uh something called uh I think now I'm losing

1:13:39.560 --> 1:13:43.720
<v Speaker 1>track of number four. The reason I really ask I

1:13:43.720 --> 1:13:46.280
<v Speaker 1>don't need the specifics is starting in the turn of

1:13:46.320 --> 1:13:49.439
<v Speaker 1>the century, the whole music business goes with change as

1:13:49.439 --> 1:13:53.519
<v Speaker 1>a result of napster, digitization, the Internet. Do you feel

1:13:53.560 --> 1:13:58.519
<v Speaker 1>that on your end? Well, I did, eventually I made.

1:13:58.560 --> 1:14:04.040
<v Speaker 1>I spent twenty years in Capital um seven presidents or

1:14:04.080 --> 1:14:07.559
<v Speaker 1>not and um, I don't know if that's a Guinness

1:14:07.560 --> 1:14:11.960
<v Speaker 1>Book of World Records feat But to survive, to actually

1:14:11.960 --> 1:14:15.919
<v Speaker 1>survive as an artist on a label with seven different presidents,

1:14:15.960 --> 1:14:18.360
<v Speaker 1>if they're not vested in you. It's very hard if

1:14:18.360 --> 1:14:21.400
<v Speaker 1>they didn't sign you. I had a I had this

1:14:21.560 --> 1:14:23.639
<v Speaker 1>like m O where I would just keep my head down.

1:14:23.840 --> 1:14:26.880
<v Speaker 1>I would not really, you know, try and be noticed

1:14:26.920 --> 1:14:30.800
<v Speaker 1>that much. Just turn in my records. They would release them,

1:14:31.000 --> 1:14:33.720
<v Speaker 1>they would be they do fine. And that's how we

1:14:33.720 --> 1:14:36.120
<v Speaker 1>made it happen. But eventually my contract, believe it or not,

1:14:36.600 --> 1:14:41.000
<v Speaker 1>my contract actually expired after twenty years. It was renewed

1:14:41.040 --> 1:14:44.040
<v Speaker 1>a couple of times and then it was done. And

1:14:44.080 --> 1:14:47.519
<v Speaker 1>it was like, yeah, your contract is done. And they

1:14:47.560 --> 1:14:49.120
<v Speaker 1>didn't renew it. And I didn't think that they would

1:14:49.160 --> 1:14:52.800
<v Speaker 1>dream new it. And so that's when I think. I

1:14:52.880 --> 1:14:55.160
<v Speaker 1>can't remember what year it was, but it was in

1:14:55.200 --> 1:14:58.320
<v Speaker 1>the early two thousand's that I went over to to Concord,

1:14:58.680 --> 1:15:03.480
<v Speaker 1>and um it was Hal Gaba and Norman Leard that

1:15:03.479 --> 1:15:07.040
<v Speaker 1>that made it a very very comfortable home for me.

1:15:07.120 --> 1:15:08.880
<v Speaker 1>And I got to work with my buddy John Burke

1:15:09.040 --> 1:15:11.920
<v Speaker 1>on a bunch of albums, and um, that was a

1:15:11.960 --> 1:15:15.360
<v Speaker 1>great relationship and still is. I don't I release some

1:15:15.360 --> 1:15:17.559
<v Speaker 1>stuff on my own and if I want to, I

1:15:17.600 --> 1:15:21.120
<v Speaker 1>think that the opportunity is there now. If I wanted

1:15:21.120 --> 1:15:23.040
<v Speaker 1>to release an album on concorde. I think that the

1:15:23.160 --> 1:15:26.519
<v Speaker 1>doors always open um. But to what degree is your

1:15:26.520 --> 1:15:32.920
<v Speaker 1>career presently driven by recorded music? Interesting? I've gone through,

1:15:33.120 --> 1:15:37.120
<v Speaker 1>admittedly kind of a bad attitude about recorded music over

1:15:37.160 --> 1:15:40.759
<v Speaker 1>the last say, seven or eight years, because of the

1:15:40.800 --> 1:15:45.080
<v Speaker 1>reasons you're talking about. You pour over these things, these

1:15:45.080 --> 1:15:48.960
<v Speaker 1>are like children, these songs, and you spend the time

1:15:49.000 --> 1:15:51.920
<v Speaker 1>and spend the money, and then there's no radio stations

1:15:51.960 --> 1:15:54.080
<v Speaker 1>to play it, and then there's no record company or

1:15:54.080 --> 1:15:58.320
<v Speaker 1>no record stores. And you know, what's the purpose? Why?

1:15:58.800 --> 1:16:01.479
<v Speaker 1>I remember that only the beginning of my career, it

1:16:01.600 --> 1:16:05.040
<v Speaker 1>was you you make a record, you go out on

1:16:05.120 --> 1:16:07.800
<v Speaker 1>tour to support the record. The record is it? That's

1:16:07.840 --> 1:16:10.599
<v Speaker 1>what you're doing? You know, it's all to sell the record.

1:16:11.040 --> 1:16:13.559
<v Speaker 1>And now I mean I've gone through the last several

1:16:13.680 --> 1:16:17.760
<v Speaker 1>years where I've made recordings to promote tours, right, just

1:16:17.840 --> 1:16:22.479
<v Speaker 1>the reverse. Okay, So at this point from your perspective, interesting,

1:16:22.479 --> 1:16:24.519
<v Speaker 1>because I certainly can see it on my level, used

1:16:24.560 --> 1:16:28.240
<v Speaker 1>to be a cohesive business. Now really everybody is just

1:16:28.280 --> 1:16:31.120
<v Speaker 1>their own business. Do you view it that way? I'm

1:16:31.160 --> 1:16:34.200
<v Speaker 1>just in the Dave Cose business, and forget the numbers,

1:16:34.280 --> 1:16:36.559
<v Speaker 1>the charts, etcetera. If it's working for me and it's

1:16:36.560 --> 1:16:39.200
<v Speaker 1>what I want to do. I'm satisfied. Well, I think

1:16:39.280 --> 1:16:42.880
<v Speaker 1>that that streaming has revolutionized and I don't need to

1:16:42.920 --> 1:16:45.599
<v Speaker 1>tell you it's given a tremendous shot in the arm

1:16:45.640 --> 1:16:48.679
<v Speaker 1>to our business. And I'm a fan like I think

1:16:48.680 --> 1:16:53.479
<v Speaker 1>that Spotify is amazing where you can some song or

1:16:53.560 --> 1:16:56.080
<v Speaker 1>artist hits your head and two seconds later you can

1:16:56.120 --> 1:16:59.519
<v Speaker 1>be listening to that music right there. It's amazing. What

1:16:59.720 --> 1:17:03.040
<v Speaker 1>that's what's what's possible nowadays. And I do think that

1:17:03.080 --> 1:17:09.920
<v Speaker 1>it's it's forced us. The the technological um uh achievements

1:17:09.960 --> 1:17:13.920
<v Speaker 1>of recently that have happened recently have forced musicians and

1:17:14.040 --> 1:17:17.240
<v Speaker 1>artists to be to wear more hats. Like it used

1:17:17.280 --> 1:17:19.120
<v Speaker 1>to be where you could just be an artist and

1:17:19.160 --> 1:17:20.800
<v Speaker 1>where that hat, you'd have the manager, you'd have the

1:17:20.840 --> 1:17:23.360
<v Speaker 1>record company, you'd have the promotion people blah blah blah,

1:17:23.439 --> 1:17:25.240
<v Speaker 1>and you could have the team of people that do

1:17:25.280 --> 1:17:27.400
<v Speaker 1>all that work for you. But now most of the

1:17:27.400 --> 1:17:30.720
<v Speaker 1>people that are in my world do it all themselves,

1:17:31.200 --> 1:17:33.960
<v Speaker 1>you know. And I still have management, um but I

1:17:34.439 --> 1:17:37.000
<v Speaker 1>now I'm starting to release to self release. We just

1:17:37.200 --> 1:17:40.479
<v Speaker 1>came out with a live album from our cruise that

1:17:40.560 --> 1:17:43.639
<v Speaker 1>we put out by ourselves because we can. It's so easy,

1:17:43.760 --> 1:17:46.880
<v Speaker 1>you know, flick of a switch. It's available everywhere. And

1:17:46.960 --> 1:17:51.200
<v Speaker 1>I think that now you whereas it used to be

1:17:52.400 --> 1:17:55.120
<v Speaker 1>in the beginning of my career where we would try

1:17:55.200 --> 1:17:58.760
<v Speaker 1>and hit big home runs or get as much you know,

1:17:58.880 --> 1:18:01.280
<v Speaker 1>throw things out there and try and get as money

1:18:01.360 --> 1:18:05.000
<v Speaker 1>many people as possible, now I look at it being

1:18:05.680 --> 1:18:08.720
<v Speaker 1>more of a Instead of a horizontal picture, it's more

1:18:08.720 --> 1:18:11.720
<v Speaker 1>of a vertical picture. So it's a small audience or

1:18:11.760 --> 1:18:16.000
<v Speaker 1>smaller audience. Let's just say there's I'm gonna be super

1:18:16.000 --> 1:18:20.479
<v Speaker 1>conservative and say say there's fifty thousand people on planet

1:18:20.479 --> 1:18:23.200
<v Speaker 1>Earth that are really super interested in what I have

1:18:23.320 --> 1:18:26.320
<v Speaker 1>to do or what I have to say, and so

1:18:26.439 --> 1:18:30.519
<v Speaker 1>we we we really target those fifty thou people, and

1:18:30.560 --> 1:18:33.920
<v Speaker 1>how can we capture them and keep them engaged with

1:18:34.040 --> 1:18:38.560
<v Speaker 1>a variety of different things. On one level, there's the

1:18:38.560 --> 1:18:41.160
<v Speaker 1>there might be an album that comes out, okay, On

1:18:41.240 --> 1:18:43.960
<v Speaker 1>the very top level, there's a cruise. So if you're

1:18:43.960 --> 1:18:47.000
<v Speaker 1>really a fan and you want to have that immersive experience,

1:18:47.040 --> 1:18:49.080
<v Speaker 1>you're gonna come on the day of cons That's exactly

1:18:49.080 --> 1:18:52.160
<v Speaker 1>where I was going. So when was the first cruise? Uh?

1:18:52.160 --> 1:18:55.320
<v Speaker 1>It happened almost about fifteen years ago, and I did

1:18:55.439 --> 1:18:59.720
<v Speaker 1>five for UH another producer and learned the business. And

1:18:59.720 --> 1:19:02.479
<v Speaker 1>then after five years of of doing that, then we

1:19:02.560 --> 1:19:07.000
<v Speaker 1>took it in house. And we've now produced about ten

1:19:07.080 --> 1:19:09.519
<v Speaker 1>years of cruises on our own. And has it always

1:19:09.520 --> 1:19:11.839
<v Speaker 1>been the whole ship or part of a ship, always

1:19:11.840 --> 1:19:16.320
<v Speaker 1>a full ship charter and always seven days seven days? Okay,

1:19:16.360 --> 1:19:19.320
<v Speaker 1>So how did you how did you first? How did

1:19:19.400 --> 1:19:21.960
<v Speaker 1>the first one start? The producer came to you. The

1:19:22.040 --> 1:19:24.920
<v Speaker 1>producer came to me as a guy named Michael Lazarov

1:19:25.320 --> 1:19:27.840
<v Speaker 1>and who had done a UH. He had a company

1:19:27.840 --> 1:19:30.439
<v Speaker 1>called Jazz Cruises, and he thought that there should be

1:19:30.439 --> 1:19:33.400
<v Speaker 1>a Dave Coss cruise and he went to my managers

1:19:33.439 --> 1:19:37.000
<v Speaker 1>and said, you know, and and my managers came to

1:19:37.040 --> 1:19:39.160
<v Speaker 1>me with the offer. And I saw the word cruise

1:19:39.200 --> 1:19:42.479
<v Speaker 1>and I said thank you no, because immediately I thought

1:19:42.479 --> 1:19:44.240
<v Speaker 1>about the cruise that my family and I took to

1:19:44.439 --> 1:19:47.519
<v Speaker 1>in Sonata, and I hear it that was the worst

1:19:47.560 --> 1:19:49.439
<v Speaker 1>thing ever. I was like, I don't want to be

1:19:49.439 --> 1:19:51.760
<v Speaker 1>at a cruise ship, no way. And then he kept

1:19:51.760 --> 1:19:54.840
<v Speaker 1>coming back and eventually came back with an offer that

1:19:55.800 --> 1:19:59.040
<v Speaker 1>could not say no too. So that was my first experience,

1:19:59.080 --> 1:20:02.160
<v Speaker 1>and then I saw what could happen. And I'm gonna

1:20:02.160 --> 1:20:08.679
<v Speaker 1>say this, Uh that now within our world, with how

1:20:08.760 --> 1:20:12.599
<v Speaker 1>much negativity and how much the public discourses so so

1:20:13.040 --> 1:20:17.759
<v Speaker 1>kind of filled with vitriol, that these cruises have become

1:20:18.800 --> 1:20:22.280
<v Speaker 1>havens for people that just want to for one week.

1:20:22.320 --> 1:20:24.160
<v Speaker 1>And I know that people get off the ship and

1:20:24.200 --> 1:20:26.200
<v Speaker 1>they go back to their regular lives and you know,

1:20:26.280 --> 1:20:29.120
<v Speaker 1>goes back to normal, but for one week you can

1:20:29.200 --> 1:20:33.320
<v Speaker 1>have young and old, and Republican and Democrat and gain

1:20:33.439 --> 1:20:36.960
<v Speaker 1>Straits and every race. I mean, it's really a melting

1:20:36.960 --> 1:20:40.160
<v Speaker 1>pot on these ships. And when you step foot on

1:20:40.520 --> 1:20:43.160
<v Speaker 1>the ship, you even if you know not one person,

1:20:43.320 --> 1:20:48.639
<v Speaker 1>you're amongst friends because the power of music to to

1:20:48.640 --> 1:20:52.599
<v Speaker 1>to get people there and to unite people, that's an

1:20:52.640 --> 1:20:56.880
<v Speaker 1>amazing thing. You could have two people that completely disagree

1:20:56.960 --> 1:20:59.760
<v Speaker 1>about everything, but you play one song that they both

1:20:59.800 --> 1:21:03.439
<v Speaker 1>like and you've got an opening. And that's what these

1:21:03.479 --> 1:21:06.639
<v Speaker 1>cruises have proven proven to me. They're they're they're less

1:21:06.640 --> 1:21:10.120
<v Speaker 1>about music and more about proving to all of us

1:21:10.560 --> 1:21:13.720
<v Speaker 1>what's possible. It's a reminder of what's possible. But there

1:21:13.800 --> 1:21:18.000
<v Speaker 1>is a lot of music tons. Okay, so you know,

1:21:18.000 --> 1:21:21.880
<v Speaker 1>I'm friendly with Kid Rock and his old manager, and

1:21:21.920 --> 1:21:24.360
<v Speaker 1>they would say first, you know, Kid Rock would literally

1:21:24.400 --> 1:21:27.880
<v Speaker 1>shake everybody's hands. He's like, he's up twenty four hours

1:21:27.880 --> 1:21:30.320
<v Speaker 1>straight and he doesn't even do a whole week. What's

1:21:30.360 --> 1:21:34.080
<v Speaker 1>it like being the epicenter of the cruise, Well, it's

1:21:34.120 --> 1:21:37.599
<v Speaker 1>the it's the hardest work that that I do during

1:21:37.640 --> 1:21:40.840
<v Speaker 1>the year. We do two back to back nowadays, uh

1:21:40.880 --> 1:21:44.400
<v Speaker 1>they sell out about a year in advance, and uh

1:21:44.479 --> 1:21:47.240
<v Speaker 1>so and and our mantra is seeing the world together

1:21:47.240 --> 1:21:49.160
<v Speaker 1>through music, So every year we go to a different

1:21:49.160 --> 1:21:52.760
<v Speaker 1>place on the planet. Our last one was Australia, and

1:21:52.880 --> 1:21:56.120
<v Speaker 1>so you if you can imagine, uh we had just

1:21:56.160 --> 1:21:59.160
<v Speaker 1>the shy of four thousand people for two weeks, and

1:21:59.320 --> 1:22:02.920
<v Speaker 1>nine percent of them came from the United States. So

1:22:02.960 --> 1:22:06.000
<v Speaker 1>they have to get to Australia just to take the cruise.

1:22:06.000 --> 1:22:09.720
<v Speaker 1>That's a huge commitment. So when they get there, they're

1:22:09.720 --> 1:22:12.759
<v Speaker 1>pretty darn excited, and all the artists and musicians are excited.

1:22:12.920 --> 1:22:16.160
<v Speaker 1>And so it is something that is not just top

1:22:16.160 --> 1:22:18.880
<v Speaker 1>of mind or in the back of my mind. It's

1:22:19.280 --> 1:22:22.280
<v Speaker 1>completely I wake up and go to bed with the

1:22:22.760 --> 1:22:26.160
<v Speaker 1>thought of these guests and how can I deliver to

1:22:26.240 --> 1:22:29.920
<v Speaker 1>them an experience that is unforgettable because I I know

1:22:30.160 --> 1:22:33.679
<v Speaker 1>that there. They're really one thing about the money because

1:22:33.680 --> 1:22:36.840
<v Speaker 1>it's not cheap, but it's another thing like they're giving

1:22:36.840 --> 1:22:40.240
<v Speaker 1>me a week of their life to entertain them. So

1:22:40.280 --> 1:22:43.960
<v Speaker 1>it's a it's a huge undertaking, it's a huge responsibility.

1:22:44.000 --> 1:22:47.680
<v Speaker 1>But the funny thing is in in the moment, Like

1:22:47.720 --> 1:22:50.200
<v Speaker 1>when I'm on the ship. I don't know how it's

1:22:50.360 --> 1:22:54.799
<v Speaker 1>it's possible. Maybe it's just adrenaline or fumes or whatever,

1:22:54.880 --> 1:22:59.200
<v Speaker 1>but I have this incredible energy level and I think

1:22:59.200 --> 1:23:02.080
<v Speaker 1>it's really comes from our guests. I'm just so amazing.

1:23:02.160 --> 1:23:03.680
<v Speaker 1>So if I'm one of the four thousand, am I

1:23:03.720 --> 1:23:06.200
<v Speaker 1>gonna get face time with you? If I want it? Absolutely?

1:23:08.280 --> 1:23:11.400
<v Speaker 1>It sounds me one week is bad enough. You do

1:23:11.520 --> 1:23:14.720
<v Speaker 1>them back to back just because economically it's better to

1:23:14.760 --> 1:23:17.479
<v Speaker 1>do it that way. Well, if you've imagine taking our

1:23:17.600 --> 1:23:19.960
<v Speaker 1>our whole entourage is about a hundred and twenty people,

1:23:20.040 --> 1:23:23.960
<v Speaker 1>So we take a hundred and twenty people musicians, crew, staff.

1:23:24.840 --> 1:23:28.200
<v Speaker 1>We have to fly them to to Sydney. So if

1:23:28.240 --> 1:23:31.560
<v Speaker 1>we did a cruise and then took time off, it

1:23:31.680 --> 1:23:34.479
<v Speaker 1>just would be It's just that would make financials okay.

1:23:34.479 --> 1:23:36.760
<v Speaker 1>So you do it for two weeks, How long does

1:23:36.760 --> 1:23:40.479
<v Speaker 1>it take you to recover? I try not to talk

1:23:40.520 --> 1:23:42.640
<v Speaker 1>for at least a week after two weeks vig on

1:23:42.720 --> 1:23:45.200
<v Speaker 1>the cruise. Uh. This last time, I went to a

1:23:45.240 --> 1:23:50.240
<v Speaker 1>place called i uh songs Saw in Cambodia, which is

1:23:50.240 --> 1:23:53.080
<v Speaker 1>a private island. It's one of those islands that's so

1:23:53.120 --> 1:23:57.880
<v Speaker 1>small that the huts are actually on jetties stilts. It's

1:23:57.920 --> 1:24:00.320
<v Speaker 1>one of those kind of places. And I went with

1:24:00.560 --> 1:24:02.800
<v Speaker 1>one of my best friends after the two weeks and

1:24:03.200 --> 1:24:07.559
<v Speaker 1>pretty much didn't speak for about four days and then emotionally, okay,

1:24:07.560 --> 1:24:09.640
<v Speaker 1>you don't speak for four days? How long? Because I

1:24:09.640 --> 1:24:11.000
<v Speaker 1>know people have been on the tour for two and

1:24:11.000 --> 1:24:12.719
<v Speaker 1>a half years, literally took him a year to recover.

1:24:13.439 --> 1:24:17.560
<v Speaker 1>So how long does it take before you work again? Uh?

1:24:18.000 --> 1:24:21.240
<v Speaker 1>It was probably about a month and a half or so.

1:24:21.479 --> 1:24:23.639
<v Speaker 1>I think it was maybe about a month. I went

1:24:23.640 --> 1:24:26.760
<v Speaker 1>and did a tour of Japan about a month after

1:24:26.800 --> 1:24:30.600
<v Speaker 1>that that cruise. Okay, so these are obviously very lucrative.

1:24:30.680 --> 1:24:36.880
<v Speaker 1>What do you do with the money? Uh? I just

1:24:37.200 --> 1:24:41.240
<v Speaker 1>redid my kitchen. Yeah, I don't know, it's funny, like

1:24:41.280 --> 1:24:45.680
<v Speaker 1>I don't um. I feel very blessed to be able

1:24:45.720 --> 1:24:49.240
<v Speaker 1>to make a living for music and for to have

1:24:49.320 --> 1:24:51.200
<v Speaker 1>done this for a for a long time. And I can.

1:24:51.760 --> 1:24:53.840
<v Speaker 1>I could cry my eyes out if I really let

1:24:53.880 --> 1:24:56.840
<v Speaker 1>myself think about my life and how this has all

1:24:56.920 --> 1:25:00.040
<v Speaker 1>happened for me and the fact that I can that

1:25:00.120 --> 1:25:03.880
<v Speaker 1>I can do this and and still um, after all

1:25:03.920 --> 1:25:06.559
<v Speaker 1>these years, that people are still interested and still you

1:25:06.600 --> 1:25:09.479
<v Speaker 1>know that the money is is it's not about money,

1:25:09.479 --> 1:25:11.920
<v Speaker 1>It's not I know it's not about but the money

1:25:11.960 --> 1:25:14.439
<v Speaker 1>is sitting in the bank. Do you spend it on?

1:25:14.560 --> 1:25:16.800
<v Speaker 1>I mean, and you travel for business, so it's not

1:25:16.840 --> 1:25:20.960
<v Speaker 1>like you're dying to travel. And like Tom Styer says,

1:25:20.960 --> 1:25:23.880
<v Speaker 1>you can only have so many cars. You're only one person.

1:25:25.360 --> 1:25:27.719
<v Speaker 1>You know. I'm not thinking deep, I'm just wondering because

1:25:27.960 --> 1:25:30.720
<v Speaker 1>that's always somewhat of a driver. If I said go

1:25:30.840 --> 1:25:32.920
<v Speaker 1>do it for free, you wouldn't do it for free.

1:25:33.640 --> 1:25:36.960
<v Speaker 1>This this is a good question. And and I don't

1:25:36.960 --> 1:25:39.479
<v Speaker 1>know because I don't think that nothing changes my life.

1:25:39.479 --> 1:25:43.120
<v Speaker 1>My life is great. And uh, it's not like I

1:25:43.200 --> 1:25:45.240
<v Speaker 1>want for anything, although I will tell you one thing,

1:25:45.720 --> 1:25:47.800
<v Speaker 1>but this is gonna this is gonna take a lot

1:25:47.840 --> 1:25:50.680
<v Speaker 1>of cruises to get to this point. But when I

1:25:50.720 --> 1:25:53.880
<v Speaker 1>did UM two years of touring with Barry Manilow as

1:25:53.920 --> 1:25:56.240
<v Speaker 1>his opening act. And Barry is a good friend of mine,

1:25:56.320 --> 1:25:58.400
<v Speaker 1>so he said to me, why don't you come travel

1:25:58.479 --> 1:26:01.559
<v Speaker 1>with me in the private plane? Like, of course, I

1:26:03.360 --> 1:26:06.200
<v Speaker 1>so two years and we traveled. We did that a

1:26:06.240 --> 1:26:08.880
<v Speaker 1>worldwide tour and it was an amazing experience for me

1:26:09.000 --> 1:26:11.720
<v Speaker 1>after because this is already twenty five years into my

1:26:11.760 --> 1:26:15.000
<v Speaker 1>solo career of having to prove myself again as an

1:26:15.000 --> 1:26:18.640
<v Speaker 1>opening act. That was really really good because that I

1:26:18.640 --> 1:26:21.639
<v Speaker 1>hadn't gone into the tool shed to do that UM

1:26:21.680 --> 1:26:24.640
<v Speaker 1>in a long time. Where you're now in front of

1:26:24.640 --> 1:26:27.000
<v Speaker 1>ten thousand people that have no idea who I am.

1:26:27.160 --> 1:26:30.040
<v Speaker 1>Maybe they've heard my name, but they haven't heard my music,

1:26:30.479 --> 1:26:32.760
<v Speaker 1>and I've got twenty five minutes or thirty minutes to

1:26:32.800 --> 1:26:36.479
<v Speaker 1>prove myself. That was an amazing experience. But the best

1:26:36.520 --> 1:26:39.599
<v Speaker 1>part was just, you know, living this life of of

1:26:39.760 --> 1:26:43.559
<v Speaker 1>complete luxury. As soon as Barry shows over which I

1:26:43.600 --> 1:26:46.719
<v Speaker 1>did the encore with him, were in the car that's

1:26:46.760 --> 1:26:50.599
<v Speaker 1>inside the arena, into the right to the tarmac onto

1:26:50.600 --> 1:26:53.800
<v Speaker 1>the private plane. Oftentimes we would do a show in

1:26:53.840 --> 1:26:55.800
<v Speaker 1>the East Coast and I would be asleep in my

1:26:55.880 --> 1:26:58.880
<v Speaker 1>bed the same night in Los Angeles after the after

1:26:58.920 --> 1:27:02.040
<v Speaker 1>that show. So that tour ends and now I'm back

1:27:02.080 --> 1:27:06.080
<v Speaker 1>doing my own shows. You love on it. I'm sitting

1:27:06.200 --> 1:27:08.679
<v Speaker 1>like kid, you not Bob. I'm in the middle seats

1:27:08.720 --> 1:27:11.879
<v Speaker 1>on Southwest Airlines and I take a picture of myself

1:27:12.000 --> 1:27:13.559
<v Speaker 1>and I send it to Barry and I said, Barry,

1:27:13.720 --> 1:27:18.160
<v Speaker 1>who are these people on our plane? I mean that

1:27:18.479 --> 1:27:21.679
<v Speaker 1>he ruined me. So I would say, if if there

1:27:21.720 --> 1:27:24.479
<v Speaker 1>was one way to get to that level where I

1:27:24.520 --> 1:27:27.759
<v Speaker 1>could travel privately, that would be like the biggest carrot

1:27:27.760 --> 1:27:30.519
<v Speaker 1>in the world. But there I'm a long ways away

1:27:30.560 --> 1:27:34.679
<v Speaker 1>from there. Okay, you paint a picture of your career

1:27:34.800 --> 1:27:38.519
<v Speaker 1>always being on the ascension from your viewpoint where they're

1:27:38.560 --> 1:27:44.960
<v Speaker 1>low moments, um, low moments. Well I have my I

1:27:45.000 --> 1:27:47.599
<v Speaker 1>have the answer my question. If nothing immediately jumps to mind,

1:27:47.600 --> 1:27:50.240
<v Speaker 1>there really weren't well, I mean there I told you

1:27:50.280 --> 1:27:52.960
<v Speaker 1>about that the album that I made, that that was

1:27:53.000 --> 1:27:57.799
<v Speaker 1>a big flop, um, But there hasn't been. I wouldn't

1:27:57.840 --> 1:28:00.280
<v Speaker 1>say that there are places were I really had to

1:28:00.320 --> 1:28:05.720
<v Speaker 1>go back and and think about, well, total restructuring of

1:28:05.760 --> 1:28:08.360
<v Speaker 1>who I am and what what I'm doing there. There

1:28:08.360 --> 1:28:12.080
<v Speaker 1>hasn't been like that because I feel like in overall

1:28:12.200 --> 1:28:16.400
<v Speaker 1>I'm a curious person and I love collaboration. I think

1:28:16.439 --> 1:28:19.599
<v Speaker 1>if I was more of an artist that really uh

1:28:19.880 --> 1:28:23.800
<v Speaker 1>had where where I did my own production and I

1:28:23.840 --> 1:28:27.280
<v Speaker 1>wrote songs always by myself, I think that I would

1:28:27.280 --> 1:28:31.840
<v Speaker 1>have probably gotten into some creative blocks. But because just

1:28:32.080 --> 1:28:37.120
<v Speaker 1>by my nature, I love to collaborate, and collaboration allows

1:28:37.120 --> 1:28:41.400
<v Speaker 1>you to constantly be expanding. Remever hit the point we say, God,

1:28:41.479 --> 1:28:43.519
<v Speaker 1>my career might be over. I can't work your way.

1:28:43.520 --> 1:28:46.040
<v Speaker 1>You knew you could work at some level? Yeah, I

1:28:46.080 --> 1:28:48.320
<v Speaker 1>think so. And there's been a lot of diversification to

1:28:48.600 --> 1:28:52.320
<v Speaker 1>you know, try and radio and cruises and stuff like that.

1:28:52.360 --> 1:28:57.080
<v Speaker 1>There's I'm a naturally a person that that gets easily bored.

1:28:57.120 --> 1:28:59.080
<v Speaker 1>So if I was doing one thing over and over,

1:28:59.200 --> 1:29:02.879
<v Speaker 1>I'd probably myself. But there's always something, some new wrinkle

1:29:03.520 --> 1:29:06.760
<v Speaker 1>that is somewhat related to the core business that keeps

1:29:06.760 --> 1:29:09.000
<v Speaker 1>me motivating other than the cruises. How many dates do

1:29:09.040 --> 1:29:13.479
<v Speaker 1>you do in a year? Uh? Probably about are okay

1:29:13.520 --> 1:29:16.440
<v Speaker 1>at this age? Which just with this level of success,

1:29:16.439 --> 1:29:19.360
<v Speaker 1>other than having your own plane or annett jetcount or something,

1:29:20.360 --> 1:29:27.840
<v Speaker 1>what would you like to achieve? If anything? Wow, I

1:29:27.880 --> 1:29:32.240
<v Speaker 1>already got on the Bob Left Sets podcast. So I

1:29:32.280 --> 1:29:35.880
<v Speaker 1>mean that's that's a big one that you would invite

1:29:35.920 --> 1:29:38.920
<v Speaker 1>me on your podcast. Okay, okay, but leaving me out

1:29:39.000 --> 1:29:42.120
<v Speaker 1>of it. Uh, what would you like to achieve, whether

1:29:42.120 --> 1:29:48.240
<v Speaker 1>it be personally, career wise, impact on society? I think, yeah,

1:29:50.720 --> 1:29:55.519
<v Speaker 1>I feel like I've If it all ended tomorrow, I

1:29:55.560 --> 1:29:58.760
<v Speaker 1>wouldn't have any regrets. I mean I would just my

1:29:58.840 --> 1:30:01.439
<v Speaker 1>two words would be thank Okay, I understand that. But

1:30:01.600 --> 1:30:04.559
<v Speaker 1>you are an individual on the planet. You do have

1:30:04.640 --> 1:30:07.679
<v Speaker 1>this career, You do have fans, which is not a

1:30:07.800 --> 1:30:10.559
<v Speaker 1>usual experience that gives you some level of power and

1:30:10.640 --> 1:30:13.840
<v Speaker 1>some levels satisfaction if it goes on the way it

1:30:13.920 --> 1:30:15.760
<v Speaker 1>does until you choose not to do it. Is that

1:30:16.000 --> 1:30:18.840
<v Speaker 1>enough or is there something else you need to do?

1:30:19.720 --> 1:30:21.479
<v Speaker 1>I don't feel like I need to do anything else.

1:30:22.240 --> 1:30:25.680
<v Speaker 1>The things that are the most motivating factors for me

1:30:25.880 --> 1:30:29.800
<v Speaker 1>are things that are new, that are that are undiscovered

1:30:29.880 --> 1:30:34.240
<v Speaker 1>areas like, for example, um working with this band called

1:30:34.320 --> 1:30:36.360
<v Speaker 1>wolf Pack I don't know if you know about, of course,

1:30:37.120 --> 1:30:41.759
<v Speaker 1>and getting a chance to to understand how that whole

1:30:41.800 --> 1:30:47.160
<v Speaker 1>machine works, and being uh embraced by by these kids

1:30:47.960 --> 1:30:50.360
<v Speaker 1>they're basically playing the music that we play, I mean,

1:30:50.640 --> 1:30:53.760
<v Speaker 1>but they're playing it to kids, so getting a chance

1:30:53.800 --> 1:30:56.360
<v Speaker 1>to work with with them. And this this guy, this

1:30:56.439 --> 1:30:58.639
<v Speaker 1>young kid named Corey Wong, who plays in wolf Pack

1:30:58.720 --> 1:31:02.439
<v Speaker 1>as a guitar player, who mounted this whole campaign last

1:31:02.520 --> 1:31:06.200
<v Speaker 1>year to get what he called the cause nod because

1:31:06.240 --> 1:31:08.519
<v Speaker 1>he wanted to get into the world of smooth jazz.

1:31:08.560 --> 1:31:11.720
<v Speaker 1>And he's killing it over in the Wolfpeck world, right,

1:31:12.040 --> 1:31:14.559
<v Speaker 1>but he wanted the smooth jazz world. So he mounted

1:31:14.560 --> 1:31:18.240
<v Speaker 1>this this social media campaign to get my attention. And

1:31:18.280 --> 1:31:19.960
<v Speaker 1>not only did you get mad Test, but we've written

1:31:20.000 --> 1:31:21.920
<v Speaker 1>a bunch of songs together. I invited him on our

1:31:21.960 --> 1:31:24.360
<v Speaker 1>cruise and he's incredible. He's like one of the new

1:31:24.439 --> 1:31:29.439
<v Speaker 1>voices of instrumental music, whether it's wolf Peck or um.

1:31:29.479 --> 1:31:32.120
<v Speaker 1>I hadn't gotten a chance to to sit in with

1:31:32.160 --> 1:31:34.840
<v Speaker 1>the food Fighters on a bunch of shows over the

1:31:34.920 --> 1:31:39.000
<v Speaker 1>last couple of years. I like showing up in places

1:31:39.040 --> 1:31:43.240
<v Speaker 1>that are unexpected. So if there, if there was something

1:31:43.280 --> 1:31:47.640
<v Speaker 1>more for me in music, I love to continue my

1:31:47.640 --> 1:31:52.759
<v Speaker 1>my world and expand that horizon. But I really really

1:31:52.800 --> 1:31:55.960
<v Speaker 1>loved the idea of being pulled into places where you

1:31:55.960 --> 1:32:01.320
<v Speaker 1>would least expect to see me Dave, we could go

1:32:01.360 --> 1:32:06.879
<v Speaker 1>on for hours. You really very equacious, very interesting. Uh,

1:32:07.240 --> 1:32:09.439
<v Speaker 1>it really amazing you light right up. I don't know

1:32:09.439 --> 1:32:13.439
<v Speaker 1>whether it's your personality or experience or both, but you've

1:32:13.439 --> 1:32:16.120
<v Speaker 1>really been wonderful. Well, thank you, and it's a pleasure

1:32:16.160 --> 1:32:18.600
<v Speaker 1>to talk with you. And I'm a fan for a

1:32:18.680 --> 1:32:20.519
<v Speaker 1>long time, but you know that well. As I say,

1:32:20.560 --> 1:32:23.880
<v Speaker 1>we're also personal friends. But as I say, it's it's

1:32:23.920 --> 1:32:26.800
<v Speaker 1>funny certain people we don't talk every day, but you

1:32:26.800 --> 1:32:28.479
<v Speaker 1>can sit down with them and just pick right up

1:32:28.800 --> 1:32:30.519
<v Speaker 1>where there's so many people you can act for them

1:32:30.520 --> 1:32:33.120
<v Speaker 1>for years and you can never connect. Well, I really

1:32:33.120 --> 1:32:36.040
<v Speaker 1>appreciate this is a real dream come true to sit

1:32:36.040 --> 1:32:38.320
<v Speaker 1>and talk with you for like Okay, once again, you've

1:32:38.320 --> 1:32:40.760
<v Speaker 1>been listening to Day and Cause on the Bob Left

1:32:40.760 --> 1:32:44.400
<v Speaker 1>Sets podcast. Sign up for the Cruise Beat Dave. Until

1:32:44.479 --> 1:32:45.000
<v Speaker 1>next time,