1 00:00:00,440 --> 00:00:02,040 Speaker 1: More More, More, More Better. 2 00:00:02,560 --> 00:00:04,800 Speaker 2: Hi, everyone, producer isis here. 3 00:00:05,480 --> 00:00:07,920 Speaker 3: I have some very cool news to share before we 4 00:00:08,039 --> 00:00:12,080 Speaker 3: jump into today's episode, More Better with Stephanie and Melissa 5 00:00:12,119 --> 00:00:15,240 Speaker 3: has been named a finalist in four categories at the 6 00:00:15,280 --> 00:00:19,640 Speaker 3: Signal Awards. We're up for Best Comedy Episode for our 7 00:00:19,920 --> 00:00:25,400 Speaker 3: vindication episode with the amazing Chelsea Peretti, plus Advice and 8 00:00:25,480 --> 00:00:31,520 Speaker 3: how To Diversity, Equity and Inclusion and Buddy Podcast. We're 9 00:00:31,600 --> 00:00:35,240 Speaker 3: so grateful to be recognized alongside so many talented creators, 10 00:00:35,560 --> 00:00:38,680 Speaker 3: and we couldn't have done this without you, our listeners. 11 00:00:38,800 --> 00:00:40,720 Speaker 2: So here's where you come in. 12 00:00:41,240 --> 00:00:45,159 Speaker 3: There's a Listener's Choice Award in each of our four categories, 13 00:00:45,280 --> 00:00:48,640 Speaker 3: which means you can vote for us four times. Here's 14 00:00:48,680 --> 00:00:52,760 Speaker 3: how it works. Head to vote dot Signal Award dot com. 15 00:00:53,120 --> 00:00:57,360 Speaker 3: That's v O T E, dot S I G N 16 00:00:57,440 --> 00:01:02,880 Speaker 3: A l A w a rd dot com. Search for 17 00:01:02,920 --> 00:01:06,679 Speaker 3: More Better and you'll see us pop up in four categories. 18 00:01:07,360 --> 00:01:10,920 Speaker 3: Click into each category one by one and cast your vote. 19 00:01:11,520 --> 00:01:14,440 Speaker 3: Voting is open through October ninth, and it takes just 20 00:01:14,480 --> 00:01:16,640 Speaker 3: a couple of minutes to support us in all four 21 00:01:17,200 --> 00:01:19,320 Speaker 3: We would be so honored and. 22 00:01:19,240 --> 00:01:21,000 Speaker 2: Grateful for your votes. 23 00:01:21,880 --> 00:01:25,880 Speaker 3: Thank you, so much for being the best listeners ever. 24 00:01:27,000 --> 00:01:29,520 Speaker 3: Now let's get into the show. 25 00:01:34,000 --> 00:01:35,400 Speaker 4: We all have those moments. 26 00:01:35,640 --> 00:01:36,840 Speaker 2: We've all punched somebody in the neck. 27 00:01:37,040 --> 00:01:38,040 Speaker 4: Yeah, have you not? 28 00:01:38,160 --> 00:01:38,520 Speaker 3: I would. 29 00:01:38,560 --> 00:01:41,120 Speaker 2: There's a short list of people that I would actually 30 00:01:41,120 --> 00:01:43,240 Speaker 2: punch in the neck, and I would go for it 31 00:01:43,360 --> 00:01:47,280 Speaker 2: one hundred percent. I'm talking like I would collapse trichy 32 00:01:47,319 --> 00:01:50,280 Speaker 2: a thumb out, Like I'm okay to break my own 33 00:01:50,320 --> 00:01:52,760 Speaker 2: thumb if it really gets up in there and does 34 00:01:52,800 --> 00:01:54,560 Speaker 2: some damage. Anyway. 35 00:01:54,960 --> 00:01:58,960 Speaker 1: Next question, I gots so violent. 36 00:02:00,080 --> 00:02:01,120 Speaker 4: More, More, Better. 37 00:02:03,720 --> 00:02:11,600 Speaker 3: Or Better? 38 00:02:15,240 --> 00:02:18,919 Speaker 1: Hi seventy, I'm so excited to be talking to you again. 39 00:02:19,040 --> 00:02:23,280 Speaker 1: And I'm apologies. I'm on vacation right now, so I'm 40 00:02:23,600 --> 00:02:26,640 Speaker 1: doing this on my iPad and I can't figure out 41 00:02:26,680 --> 00:02:30,320 Speaker 1: how to make the mic work. So this is this 42 00:02:30,360 --> 00:02:33,800 Speaker 1: is what you're getting. This is vacation Melissa in my 43 00:02:34,120 --> 00:02:37,440 Speaker 1: mom's friend's house because there's no screaming children here. 44 00:02:37,560 --> 00:02:37,840 Speaker 2: Nice. 45 00:02:38,200 --> 00:02:41,920 Speaker 4: Welcome to More Better a podcast? 46 00:02:42,200 --> 00:02:43,560 Speaker 2: What what voice are we doing? 47 00:02:43,919 --> 00:02:44,359 Speaker 5: What is that? 48 00:02:44,600 --> 00:02:50,160 Speaker 1: But it's kind of we're u in the Star Wars universe. 49 00:02:50,360 --> 00:02:53,799 Speaker 2: Maybe I would love to be in the Star Wars universe. Listen, 50 00:02:54,080 --> 00:02:56,600 Speaker 2: if you guys are listening, I don't know who's listening 51 00:02:56,600 --> 00:02:59,080 Speaker 2: to this that has any power over there? But Melissa 52 00:02:59,080 --> 00:03:00,519 Speaker 2: and I are very interested. 53 00:03:00,880 --> 00:03:03,880 Speaker 1: Where ready. We won't complain about being in the makeup 54 00:03:03,960 --> 00:03:05,840 Speaker 1: chair to nothing, nothing. 55 00:03:05,560 --> 00:03:09,640 Speaker 2: No uncomfortable costume, holding a sword for a long time. 56 00:03:10,160 --> 00:03:13,000 Speaker 1: Lightsaber. Excuse me, excuse me, lightsaber, lightsaber. 57 00:03:14,600 --> 00:03:16,880 Speaker 2: Anyway, if any of you guys have any of that power, 58 00:03:16,960 --> 00:03:21,480 Speaker 2: we're listening. Uh, this podcast is now about Star Wars. 59 00:03:23,440 --> 00:03:26,880 Speaker 1: This this be more better at Star Wars. 60 00:03:27,320 --> 00:03:30,040 Speaker 4: But Jephany and Melissa, oh my god. 61 00:03:30,120 --> 00:03:32,359 Speaker 2: It runs for one episode because everyone tunes out because 62 00:03:32,360 --> 00:03:34,440 Speaker 2: they're like, they don't know anything about the universe. 63 00:03:34,960 --> 00:03:37,920 Speaker 4: They've already changed the channel. They're not here anymore. 64 00:03:38,560 --> 00:03:42,720 Speaker 2: Change the channel. Wow, oh god, that made me sound 65 00:03:43,040 --> 00:03:49,360 Speaker 2: wow channel. You know, my sister is telling me the 66 00:03:49,360 --> 00:03:52,920 Speaker 2: other day she heard a little boy ross is taking 67 00:03:52,960 --> 00:03:57,000 Speaker 2: an art class, and a little boy in the art 68 00:03:57,040 --> 00:04:00,560 Speaker 2: class say we're gonna go home and watch blah blah 69 00:04:00,560 --> 00:04:04,000 Speaker 2: blah on Peacock on Peacock, and she was like, I 70 00:04:04,000 --> 00:04:06,840 Speaker 2: couldn't believe it. He knew, he knew Peacock. And I 71 00:04:06,880 --> 00:04:09,280 Speaker 2: was like, yeah, because like when the TV turns on, 72 00:04:09,440 --> 00:04:14,160 Speaker 2: when you changed the provider there, it goes like up 73 00:04:14,200 --> 00:04:17,360 Speaker 2: on the screen, you know, just training the children like 74 00:04:17,760 --> 00:04:20,960 Speaker 2: And by the way, feel free to tune into Twisted 75 00:04:21,000 --> 00:04:24,960 Speaker 2: Mettle season two. It is only on Peacock. That was 76 00:04:25,000 --> 00:04:27,560 Speaker 2: not an ad. It just really it was a great 77 00:04:27,600 --> 00:04:31,760 Speaker 2: moment for me to but yes, truly it's just weird too. 78 00:04:31,960 --> 00:04:33,520 Speaker 4: I can't wait to watch season two. 79 00:04:34,680 --> 00:04:38,840 Speaker 1: I remember the first time that Enzo saw like commercials 80 00:04:38,920 --> 00:04:40,760 Speaker 1: interrupt a show he was watching, and. 81 00:04:40,680 --> 00:04:43,560 Speaker 4: He was like and he was like, what this bullshit? 82 00:04:46,760 --> 00:04:48,200 Speaker 2: We used to live for them. 83 00:04:48,839 --> 00:04:51,919 Speaker 1: It's a commercial. See they're telling you about this new toy. 84 00:04:52,080 --> 00:04:53,080 Speaker 1: I don't care. 85 00:04:53,120 --> 00:04:57,600 Speaker 6: Oh my god, No, I used to live Surprise Surprise, 86 00:04:57,760 --> 00:05:02,320 Speaker 6: Pupper Surprise. How many puff uppies are They're inside suppress 87 00:05:02,360 --> 00:05:03,880 Speaker 6: Suppressed Puppy Surprise. 88 00:05:04,120 --> 00:05:06,440 Speaker 2: I'm sure we can't get the rights to that. You'll 89 00:05:06,480 --> 00:05:10,320 Speaker 2: have to cut it out. God, do you remember Puppy Surprise. 90 00:05:10,960 --> 00:05:13,320 Speaker 2: It was like you could get I feel like we're 91 00:05:13,360 --> 00:05:15,680 Speaker 2: three or four fun. I was like, no, there's always two, 92 00:05:15,880 --> 00:05:16,920 Speaker 2: it's always two boys. 93 00:05:17,080 --> 00:05:23,960 Speaker 4: Yeah, yeah, yeah. Cabbage Patch dolls, yeah girls. My mom 94 00:05:23,960 --> 00:05:26,040 Speaker 4: wouldn't let me have them because she said they were ugly. 95 00:05:26,480 --> 00:05:27,440 Speaker 2: They were ugly. 96 00:05:28,960 --> 00:05:30,840 Speaker 1: She was like, why do you want that ugly baby? 97 00:05:31,120 --> 00:05:31,320 Speaker 6: Oh? 98 00:05:31,360 --> 00:05:33,560 Speaker 2: My god, they were ugly, but I had a little 99 00:05:33,640 --> 00:05:35,760 Speaker 2: I had a little Latina one that had like brown skin, 100 00:05:35,839 --> 00:05:36,680 Speaker 2: and I loved her so much. 101 00:05:36,720 --> 00:05:37,719 Speaker 4: She was so cute. 102 00:05:38,080 --> 00:05:40,080 Speaker 2: Yeah she was bald, but she was cute. She was 103 00:05:40,120 --> 00:05:43,080 Speaker 2: one of those premies. Anyway, guys, welcome to More Better, 104 00:05:43,080 --> 00:05:48,400 Speaker 2: a podcast about toys from the eighties. Ah, we are 105 00:05:48,560 --> 00:05:52,000 Speaker 2: off the rails if you didn't know. 106 00:05:52,000 --> 00:05:55,400 Speaker 1: That's most of a maryl and that's Stephane Beatrice. 107 00:05:55,120 --> 00:05:57,520 Speaker 2: And this is we're I think we're a little off 108 00:05:57,520 --> 00:06:01,440 Speaker 2: the rails because we're gonna do a little male episode. 109 00:06:01,720 --> 00:06:03,760 Speaker 1: Yeah, so it's also going to be all over the 110 00:06:03,800 --> 00:06:09,159 Speaker 1: place like we are right now. More Better. 111 00:06:10,839 --> 00:06:13,279 Speaker 2: We have been keeping up with all of your emails 112 00:06:13,279 --> 00:06:15,440 Speaker 2: and messages and stuff, and thank you guys so much, 113 00:06:15,560 --> 00:06:18,200 Speaker 2: especially for the nice reviews, the nice comments. It really 114 00:06:18,200 --> 00:06:21,760 Speaker 2: helps us a lot. So today we're gonna answer some 115 00:06:21,880 --> 00:06:24,440 Speaker 2: questions and read some emails. Let's do it. 116 00:06:25,040 --> 00:06:25,800 Speaker 1: Let's do it. 117 00:06:27,640 --> 00:06:29,600 Speaker 4: Number one. 118 00:06:31,320 --> 00:06:35,520 Speaker 1: Roles that changed you from Annabelle. I feel like this 119 00:06:35,560 --> 00:06:37,080 Speaker 1: is a voice note, is it? 120 00:06:38,480 --> 00:06:43,000 Speaker 7: Hey, guys, I love the podcast. I just wanted to 121 00:06:43,040 --> 00:06:48,080 Speaker 7: share how Brooklyn nine nine basically unlocked my bisexual awakening. 122 00:06:49,520 --> 00:06:51,600 Speaker 7: It started, you know, when my roommate knew I was 123 00:06:51,640 --> 00:06:54,359 Speaker 7: going through hard times and she suggested that we watch 124 00:06:54,360 --> 00:06:57,480 Speaker 7: her comfort show together, which is Brooklyn nine nine. And 125 00:06:57,680 --> 00:06:59,680 Speaker 7: at first I was just like, oh, this this show 126 00:06:59,760 --> 00:07:01,679 Speaker 7: is goret It's like witty, it's fun, it's a feel 127 00:07:01,720 --> 00:07:04,479 Speaker 7: good show. And then as I got to know the 128 00:07:04,600 --> 00:07:08,279 Speaker 7: characters more and Rosa came out as bisexual, I was 129 00:07:08,320 --> 00:07:11,040 Speaker 7: like hit by a truck, you know, in a good way. 130 00:07:11,120 --> 00:07:14,800 Speaker 7: Like I've known I'm queer for a while, but like 131 00:07:14,960 --> 00:07:18,200 Speaker 7: never came out to anyone, and so, you know, seeing 132 00:07:18,280 --> 00:07:21,680 Speaker 7: Rosa do it was like was like the universe like 133 00:07:21,760 --> 00:07:25,280 Speaker 7: handing me a permission slip to exist. And what makes 134 00:07:25,280 --> 00:07:27,960 Speaker 7: it even better is like seeing Stephanie talk so openly 135 00:07:28,040 --> 00:07:32,560 Speaker 7: about her bisexuality in real life. That kind of representation 136 00:07:32,720 --> 00:07:36,080 Speaker 7: made me feel like so seeing and safe and validated 137 00:07:36,200 --> 00:07:38,960 Speaker 7: and honestly just like more confident. And I know this 138 00:07:39,080 --> 00:07:41,800 Speaker 7: like all sounds super sappy and maybe cliche, but I 139 00:07:41,880 --> 00:07:44,880 Speaker 7: just wanted to thank you. And I guess my question 140 00:07:46,520 --> 00:07:48,560 Speaker 7: is like, have you ever had a show or character 141 00:07:48,680 --> 00:07:51,160 Speaker 7: that changed the way you know you see yourself in 142 00:07:51,200 --> 00:07:53,880 Speaker 7: a positive way? I mean, I think there's definitely a 143 00:07:53,960 --> 00:07:57,280 Speaker 7: multitude of negative influences the media has on people. So 144 00:07:57,360 --> 00:08:00,760 Speaker 7: I was like wondering if you could reflect characters that 145 00:08:00,840 --> 00:08:04,360 Speaker 7: made you feel represented and validated and the importance of 146 00:08:04,400 --> 00:08:08,080 Speaker 7: that in the work you do. Yeah, and just as 147 00:08:08,120 --> 00:08:10,800 Speaker 7: a side note, after coming out as by to my roommate, 148 00:08:11,160 --> 00:08:14,040 Speaker 7: we have put together a queer altar in our home 149 00:08:14,160 --> 00:08:18,920 Speaker 7: that includes a bisexual oil painting of Rosa Diaz. It 150 00:08:18,960 --> 00:08:22,360 Speaker 7: sounds weirder than it is, but just look at the photo, bye, 151 00:08:23,080 --> 00:08:23,600 Speaker 7: she said. 152 00:08:23,600 --> 00:08:26,400 Speaker 2: It sounds it sounds weirder than it is. It sounds 153 00:08:26,400 --> 00:08:27,800 Speaker 2: weirder than it is. It's not weird. 154 00:08:27,840 --> 00:08:30,960 Speaker 1: It's so cute and it's so cute. 155 00:08:31,680 --> 00:08:34,720 Speaker 4: Also, this really, whoever did this painting of you? Is 156 00:08:34,840 --> 00:08:36,280 Speaker 4: really great. 157 00:08:36,280 --> 00:08:38,440 Speaker 2: Good, that's good. There was the little life flag there. 158 00:08:39,600 --> 00:08:39,800 Speaker 1: Well. 159 00:08:39,840 --> 00:08:44,080 Speaker 2: First of all, Annabel, thanks for saying that. And you know, 160 00:08:44,160 --> 00:08:49,839 Speaker 2: we appreciate your roommate and you so much for I 161 00:08:49,880 --> 00:08:51,679 Speaker 2: don't know, loving the show and loving what we did 162 00:08:51,679 --> 00:08:54,600 Speaker 2: all those many seasons, and it means a lot to us, 163 00:08:54,679 --> 00:08:58,600 Speaker 2: you know. I we never ever ever take it for 164 00:08:58,679 --> 00:09:03,080 Speaker 2: granted that people still really appreciate that show and how 165 00:09:03,160 --> 00:09:06,000 Speaker 2: much joy it brings to people, and how comforted they 166 00:09:06,000 --> 00:09:09,280 Speaker 2: are by it, and how much they feel like they 167 00:09:09,320 --> 00:09:13,359 Speaker 2: know us because of it. It's really a special relationship 168 00:09:14,280 --> 00:09:16,760 Speaker 2: I think that we have with people that love Brooklyn. 169 00:09:16,840 --> 00:09:22,079 Speaker 2: So thank you for that. I don't know, I mean, 170 00:09:22,240 --> 00:09:25,760 Speaker 2: like I like in terms of like watching stuff like 171 00:09:26,480 --> 00:09:27,960 Speaker 2: you and I have talked about this before, but like 172 00:09:28,080 --> 00:09:33,000 Speaker 2: Julia Luis Dreyfus on Seinfeld being this like one woman 173 00:09:33,320 --> 00:09:38,040 Speaker 2: in a room full of like heavy jokes men and 174 00:09:38,080 --> 00:09:41,720 Speaker 2: holding her own and like of course being sexual and 175 00:09:41,760 --> 00:09:45,800 Speaker 2: funny at the same time beautiful and ugly depending on 176 00:09:45,840 --> 00:09:47,880 Speaker 2: what was needed for the joke. And the moment was 177 00:09:47,920 --> 00:09:50,959 Speaker 2: like it was life changing because it was like, oh 178 00:09:50,960 --> 00:09:53,720 Speaker 2: my god, Wow, all of the things I want to 179 00:09:53,760 --> 00:09:55,439 Speaker 2: do all of those things. 180 00:09:55,840 --> 00:09:58,400 Speaker 1: Yeah, you and I have that one in common. The 181 00:09:58,440 --> 00:10:02,560 Speaker 1: other big one for me two is Tina Fey and 182 00:10:02,600 --> 00:10:05,959 Speaker 1: Amy Poehler taking over Weekend Update on SNL. 183 00:10:06,440 --> 00:10:08,160 Speaker 4: I like remember that moment. 184 00:10:08,240 --> 00:10:10,520 Speaker 1: I feel like I even remember their first show me 185 00:10:10,679 --> 00:10:12,520 Speaker 1: or the first time that I watched it, And there 186 00:10:12,600 --> 00:10:17,120 Speaker 1: was just something about these two women, their vibe, the 187 00:10:18,600 --> 00:10:23,439 Speaker 1: style of their comedy, that they could be brash and 188 00:10:23,520 --> 00:10:26,560 Speaker 1: vulgar and all the things like they were just so 189 00:10:27,040 --> 00:10:32,760 Speaker 1: many things, and that particular thing I think always felt 190 00:10:32,800 --> 00:10:33,800 Speaker 1: like a. 191 00:10:33,840 --> 00:10:36,640 Speaker 4: Sort of powerful position on the show. 192 00:10:36,760 --> 00:10:39,440 Speaker 1: Maybe I don't know why, not even knowing at the 193 00:10:39,480 --> 00:10:42,520 Speaker 1: time anything about SNL or like the behind the scenes, 194 00:10:42,559 --> 00:10:45,000 Speaker 1: but it was like, oh, that's a big deal, Like 195 00:10:45,040 --> 00:10:48,000 Speaker 1: whoever gets to do that is a big deal totally, 196 00:10:48,040 --> 00:10:51,400 Speaker 1: and that it was two women and those two women 197 00:10:51,400 --> 00:10:55,319 Speaker 1: in particular was just I don't know, yeah, sort of 198 00:10:55,360 --> 00:11:01,000 Speaker 1: how Annabel said, like it gave me permission to be, 199 00:11:01,559 --> 00:11:04,560 Speaker 1: you know, not have to be so lady like, not 200 00:11:04,640 --> 00:11:06,640 Speaker 1: have to be so feminine, you know whatever. 201 00:11:07,240 --> 00:11:09,760 Speaker 4: I could be crass, I could be sarcastic, I could 202 00:11:09,760 --> 00:11:14,400 Speaker 4: be and still be feminine or I don't know. 203 00:11:14,440 --> 00:11:16,760 Speaker 1: It just was like there were in the same as 204 00:11:16,760 --> 00:11:20,320 Speaker 1: you were saying watching Elane on Seinfeld, like things that 205 00:11:20,400 --> 00:11:23,040 Speaker 1: you feel being undone. 206 00:11:22,640 --> 00:11:23,920 Speaker 4: Or unworked in your head. 207 00:11:24,320 --> 00:11:26,120 Speaker 1: You know that it's like, oh I don't have to 208 00:11:26,160 --> 00:11:30,920 Speaker 1: be a certain way right that it just feels impactful. Yeah. 209 00:11:31,120 --> 00:11:33,920 Speaker 2: Yeah. Daphnie Rubin Vego was another one for me, like 210 00:11:34,000 --> 00:11:37,120 Speaker 2: when Rent first came out, which was like when I 211 00:11:37,160 --> 00:11:40,280 Speaker 2: was still in high school, so google lay Alo, but 212 00:11:40,440 --> 00:11:45,120 Speaker 2: like yeah, she definitely was like oh my god, Like 213 00:11:45,200 --> 00:11:49,480 Speaker 2: her voice doesn't sound like yeah, every other I mean, 214 00:11:49,679 --> 00:11:55,880 Speaker 2: her voice is incredible, super powerful, definitely incredibly distinct, like 215 00:11:56,000 --> 00:11:58,920 Speaker 2: when she's singing, you know, with her right, and up 216 00:11:59,040 --> 00:12:04,120 Speaker 2: until that point in my in my own personal history 217 00:12:04,160 --> 00:12:06,439 Speaker 2: of like and I didn't grow I didn't grow up 218 00:12:06,640 --> 00:12:09,960 Speaker 2: near Broadway or I wasn't really I didn't have access 219 00:12:10,000 --> 00:12:12,720 Speaker 2: to like seeing shows and stuff. So like the only 220 00:12:12,840 --> 00:12:15,160 Speaker 2: recordings that I had heard of, like Broadway musicals were 221 00:12:15,200 --> 00:12:17,480 Speaker 2: like a certain kind of style, right, and so like 222 00:12:17,520 --> 00:12:20,959 Speaker 2: when I heard her doing Rent for the first time, 223 00:12:21,000 --> 00:12:23,640 Speaker 2: I was like, what is this? And Adina Menzel too, 224 00:12:23,679 --> 00:12:26,720 Speaker 2: it was just like what is this? You know, Like, 225 00:12:27,200 --> 00:12:30,400 Speaker 2: but particularly for Daphne because she was Latina, I was like. 226 00:12:30,360 --> 00:12:32,000 Speaker 4: Oh my god, you know. 227 00:12:33,480 --> 00:12:36,640 Speaker 2: But yeah, they're definitely there. Certainly. Of course, there's like 228 00:12:36,760 --> 00:12:39,120 Speaker 2: moments where you're just watching stuff and you're going like, 229 00:12:39,280 --> 00:12:40,560 Speaker 2: this is what I want to do. I want to 230 00:12:40,559 --> 00:12:41,199 Speaker 2: do this, you know. 231 00:12:41,559 --> 00:12:41,760 Speaker 4: Yeah. 232 00:12:41,840 --> 00:12:48,240 Speaker 2: Sorry, not sorry, but like Ariel and Belle sorry not sorry, 233 00:12:48,800 --> 00:12:52,600 Speaker 2: and Cobbsworth Lumier for that matter, Okay, not even sorry 234 00:12:52,600 --> 00:12:53,040 Speaker 2: about it. 235 00:12:53,360 --> 00:12:53,720 Speaker 1: Okay. 236 00:12:54,000 --> 00:12:58,480 Speaker 2: Next one, This is from a Hannah heimless in Stephanie 237 00:12:58,600 --> 00:13:01,360 Speaker 2: or whoever is reading this email. We're reading it. Hannah. 238 00:13:01,520 --> 00:13:03,280 Speaker 2: I'm a huge fan of you both that's really sweet, 239 00:13:03,360 --> 00:13:05,120 Speaker 2: especially your roles in Brooklyn nin nine. I've watched that 240 00:13:05,120 --> 00:13:08,120 Speaker 2: show at least ten times and your podcasts. You are 241 00:13:08,120 --> 00:13:11,680 Speaker 2: both such huge role models to me growing up. Hannah, 242 00:13:11,679 --> 00:13:16,920 Speaker 2: how old are you? Okay? I must admit I am 243 00:13:16,960 --> 00:13:18,800 Speaker 2: a bit late to the party. However, I am listening 244 00:13:18,840 --> 00:13:21,640 Speaker 2: to your anxiety and I are BFFs episode and I 245 00:13:21,679 --> 00:13:23,959 Speaker 2: have a request. My topic request is for an episode 246 00:13:23,960 --> 00:13:28,080 Speaker 2: on how you deal with rejection or criticism. I mean, 247 00:13:28,080 --> 00:13:31,360 Speaker 2: we could probably do a whole episode on this, we could. 248 00:13:31,559 --> 00:13:32,000 Speaker 1: She said. 249 00:13:32,000 --> 00:13:34,320 Speaker 2: I know it's a pretty broad topic, but hopefully it's 250 00:13:34,360 --> 00:13:37,440 Speaker 2: not too broad. As someone who beats themselves up over 251 00:13:37,520 --> 00:13:40,360 Speaker 2: any sort of rejection and or criticism, I was hoping 252 00:13:40,400 --> 00:13:42,080 Speaker 2: you both might be able to share some tips on 253 00:13:42,120 --> 00:13:44,760 Speaker 2: how you deal with rejection and criticism, as I'm sure 254 00:13:44,760 --> 00:13:47,600 Speaker 2: your path success has not been all butterflies and rainbows. 255 00:13:47,600 --> 00:13:54,640 Speaker 2: Thanks so much for your time, Hannah. Oh, how do 256 00:13:54,760 --> 00:13:59,440 Speaker 2: I deal with rejection from people that I'm dating? Not 257 00:13:59,520 --> 00:14:06,000 Speaker 2: well aggressively? How do you tell? 258 00:14:07,000 --> 00:14:07,200 Speaker 6: You know? 259 00:14:07,320 --> 00:14:08,400 Speaker 2: I just get a little like. 260 00:14:08,480 --> 00:14:09,080 Speaker 1: A fuck you? 261 00:14:09,120 --> 00:14:15,160 Speaker 2: Then from jobs I try. I know this is something 262 00:14:15,160 --> 00:14:17,679 Speaker 2: that I've learned, but and I learned this from our 263 00:14:17,760 --> 00:14:20,520 Speaker 2: mutual friend Lena, but this or something better for the 264 00:14:20,560 --> 00:14:23,400 Speaker 2: good of all concerned. And I know it's hard to 265 00:14:23,440 --> 00:14:27,520 Speaker 2: say to myself and it's hard to believe sometimes, but 266 00:14:27,680 --> 00:14:33,040 Speaker 2: like it, I hold on to that because it is 267 00:14:33,400 --> 00:14:35,880 Speaker 2: I in my life. It has been true. It's like 268 00:14:36,760 --> 00:14:38,760 Speaker 2: maybe that thing didn't come through and I didn't get 269 00:14:38,800 --> 00:14:43,400 Speaker 2: that thing, but there's something else coming for me. You know, 270 00:14:43,640 --> 00:14:46,200 Speaker 2: there's something else that that thing was supposed to go 271 00:14:46,200 --> 00:14:48,240 Speaker 2: to someone else. It wasn't my thing. It was someone 272 00:14:48,280 --> 00:14:53,800 Speaker 2: else's thing, you know, because rejection as an artist is 273 00:14:53,800 --> 00:14:57,440 Speaker 2: really difficult because you feel like, what about this thing 274 00:14:57,520 --> 00:15:00,040 Speaker 2: that I created that's like of my soul and I 275 00:15:00,080 --> 00:15:02,040 Speaker 2: gave it to you and like I want you to 276 00:15:02,120 --> 00:15:04,160 Speaker 2: choose it for your project that you're going to do, 277 00:15:04,400 --> 00:15:08,600 Speaker 2: and it's like very difficult. I was up for a 278 00:15:08,640 --> 00:15:11,880 Speaker 2: mini series that I really was interested in. I really 279 00:15:11,920 --> 00:15:17,360 Speaker 2: wanted it, and I auditioned for it and they the 280 00:15:17,760 --> 00:15:19,280 Speaker 2: thing that they always say to us is they win 281 00:15:19,320 --> 00:15:22,680 Speaker 2: a different way, And like I always hate that, but 282 00:15:22,840 --> 00:15:25,640 Speaker 2: it's it's true. I mean, if you think about the 283 00:15:25,680 --> 00:15:30,360 Speaker 2: best version of that line to me in that moment 284 00:15:30,600 --> 00:15:33,960 Speaker 2: was like they did they win a different way? The 285 00:15:34,080 --> 00:15:36,600 Speaker 2: way that they're going to go is something that you 286 00:15:36,640 --> 00:15:39,960 Speaker 2: weren't the right fit for. And so like by shoving 287 00:15:39,960 --> 00:15:41,840 Speaker 2: a square peg into a round hole, it would have 288 00:15:42,160 --> 00:15:45,920 Speaker 2: been funky, and like who knows why, who knows why, 289 00:15:46,280 --> 00:15:50,280 Speaker 2: you know they went that way, but they did, you know, 290 00:15:50,760 --> 00:15:51,400 Speaker 2: And so like. 291 00:15:51,840 --> 00:15:57,360 Speaker 1: Yeah, my actor friend of mine, who was an actor 292 00:15:57,400 --> 00:16:00,720 Speaker 1: when she was very young, also child actor, shared with 293 00:16:00,800 --> 00:16:03,000 Speaker 1: me that when she was a kid, her mom said 294 00:16:03,000 --> 00:16:06,080 Speaker 1: this great thing when she wouldn't get rolls, she was 295 00:16:06,120 --> 00:16:09,760 Speaker 1: like her mom, her mom was like, it's like flavors 296 00:16:09,800 --> 00:16:14,760 Speaker 1: of ice cream. They just wanted strawberry and you're mint 297 00:16:14,840 --> 00:16:19,640 Speaker 1: chocolate chip. And it doesn't mean that you're any less 298 00:16:19,680 --> 00:16:23,880 Speaker 1: than or not as good. They just wanted They wanted strawberry, 299 00:16:24,960 --> 00:16:28,720 Speaker 1: and you're the most delicious, awesome, best version of mint 300 00:16:28,800 --> 00:16:31,920 Speaker 1: chocolate chip. Totally, but that's that's not what they wanted. 301 00:16:32,480 --> 00:16:34,840 Speaker 2: That's like that Dita Antees quote where she's like, some 302 00:16:34,880 --> 00:16:37,480 Speaker 2: people just you could be the juiciest, ripest peach, and 303 00:16:37,520 --> 00:16:41,920 Speaker 2: some people just don't like peaches, which also always makes 304 00:16:41,920 --> 00:16:44,800 Speaker 2: me think of that thing that he says in Face Off. 305 00:16:44,640 --> 00:16:45,840 Speaker 1: Where he's like I could eat a peacher. 306 00:16:46,360 --> 00:16:53,080 Speaker 2: Sorry, Nicholas Cage we're the greatest actors of our generation. Okay, 307 00:16:53,880 --> 00:16:55,880 Speaker 2: all right, next one, you read the next one, you 308 00:16:55,920 --> 00:16:56,560 Speaker 2: read the next one. 309 00:16:56,680 --> 00:17:03,600 Speaker 1: Okay, okay, okay, hold on, all right, Stephanie, Melissa and 310 00:17:03,640 --> 00:17:06,960 Speaker 1: the more better Team. I just listened to the latest episode, 311 00:17:06,960 --> 00:17:09,000 Speaker 1: and I am so grateful that you chose to answer 312 00:17:09,040 --> 00:17:15,360 Speaker 1: my question about boundaries. Ooh, this is a a Oh 313 00:17:15,400 --> 00:17:15,720 Speaker 1: my god? 314 00:17:15,920 --> 00:17:17,520 Speaker 4: What is? What are words? Anyway? 315 00:17:17,560 --> 00:17:17,920 Speaker 2: I don't know. 316 00:17:19,720 --> 00:17:21,800 Speaker 1: It was actually good timing because a couple of weeks 317 00:17:21,800 --> 00:17:24,120 Speaker 1: after I sent this, I tried to set a boundary 318 00:17:24,160 --> 00:17:26,560 Speaker 1: with someone at work who tends to take advantage of 319 00:17:26,600 --> 00:17:31,359 Speaker 1: my resourcefulness, politeness, and patience, and it backfired. They've since 320 00:17:31,440 --> 00:17:35,720 Speaker 1: been super petty. Oh shit, you both were right. Setting 321 00:17:35,760 --> 00:17:38,520 Speaker 1: boundaries is so hard, and in my experience, especially hard 322 00:17:38,520 --> 00:17:41,840 Speaker 1: to do in the workplace side. Anyway, it was validating 323 00:17:41,880 --> 00:17:43,960 Speaker 1: to hear you both confirm it was a challenge for 324 00:17:44,080 --> 00:17:48,120 Speaker 1: you too. Sometimes we're all a work in progress, hugs, 325 00:17:48,240 --> 00:17:50,080 Speaker 1: looping loop same. 326 00:17:51,440 --> 00:17:51,840 Speaker 4: Side. 327 00:17:52,920 --> 00:17:57,480 Speaker 1: But I still believe even when it backfires, like their, 328 00:17:57,960 --> 00:18:02,000 Speaker 1: their pettiness is because you set a boundary, and it's 329 00:18:02,040 --> 00:18:06,920 Speaker 1: like about them, it's not about you. Unfortunately, that pettiness 330 00:18:07,160 --> 00:18:10,080 Speaker 1: is like going to disturb your peace and still like, 331 00:18:10,800 --> 00:18:11,480 Speaker 1: but I think you. 332 00:18:11,440 --> 00:18:13,600 Speaker 4: Just have to like hold to it, and I don't know. 333 00:18:15,119 --> 00:18:17,320 Speaker 4: Have some try to have some fun with their pettiness 334 00:18:17,320 --> 00:18:17,800 Speaker 4: if you can. 335 00:18:18,160 --> 00:18:21,800 Speaker 2: That sucks so hard, though, I'm so sorry that's so hard. 336 00:18:21,920 --> 00:18:25,160 Speaker 1: Can you pet them? Can you match their pettiness? 337 00:18:25,840 --> 00:18:26,600 Speaker 4: I don't know where you. 338 00:18:26,520 --> 00:18:28,760 Speaker 2: Work, but like, can you listen to this super loud 339 00:18:28,840 --> 00:18:31,640 Speaker 2: on your little like tiny speaker at your desk, and like. 340 00:18:33,000 --> 00:18:35,639 Speaker 8: I'm sorry they were being a child about you setting 341 00:18:35,640 --> 00:18:38,080 Speaker 8: a boundary. They probably have never had anyone set a 342 00:18:38,160 --> 00:18:40,560 Speaker 8: boundary in their entire life because they're used to be 343 00:18:40,560 --> 00:18:41,639 Speaker 8: walking all over people. 344 00:18:41,880 --> 00:18:44,560 Speaker 2: That's so weird that that that person that wrote in 345 00:18:44,600 --> 00:18:51,200 Speaker 2: his name Lupin, I have name Lupin. You're petty, more Better, 346 00:18:55,359 --> 00:19:00,600 Speaker 2: More Better, Okay, dear Stephanie Melissa, and my name is 347 00:19:00,640 --> 00:19:03,720 Speaker 2: girt Jan and I live in the Netherlands. Netherlands. I 348 00:19:03,720 --> 00:19:06,359 Speaker 2: said girt Jan really well, though, Okay, now try to 349 00:19:06,400 --> 00:19:10,800 Speaker 2: pronounce my name. Ha ha ha, girl, I couldn't pronounce Netherlands. Okay, 350 00:19:12,000 --> 00:19:15,920 Speaker 2: we're gonna call you GJ. I really enjoyed it. Listening 351 00:19:15,920 --> 00:19:18,080 Speaker 2: to your podcast More Better quickly became my favorite pod 352 00:19:18,119 --> 00:19:20,240 Speaker 2: to listen to your elaiers. Oh that's so sweet. I 353 00:19:20,280 --> 00:19:22,760 Speaker 2: was deeply touched by your final episode. Stephanie. Thank you 354 00:19:22,800 --> 00:19:24,719 Speaker 2: for your honesty about your skin issues. I'm forty one 355 00:19:24,760 --> 00:19:26,639 Speaker 2: now and I've had serious skin troubles too in my 356 00:19:26,720 --> 00:19:28,639 Speaker 2: late teen years and twenties, and even though it's been 357 00:19:28,680 --> 00:19:31,240 Speaker 2: a long time, it still has its impact today. I 358 00:19:31,280 --> 00:19:33,600 Speaker 2: felt really insecure back then, and it still feels like 359 00:19:33,640 --> 00:19:36,120 Speaker 2: a scar that won't heal easily. I don't talk about 360 00:19:36,160 --> 00:19:37,720 Speaker 2: it often, so it was nice to listen to someone 361 00:19:37,720 --> 00:19:39,640 Speaker 2: who was dealing with the same issues. Don't worry, I'm 362 00:19:39,680 --> 00:19:42,960 Speaker 2: doing great now. I'm happy and have a beautiful family. Hey, 363 00:19:43,800 --> 00:19:46,040 Speaker 2: my question for you is how do you get more 364 00:19:46,040 --> 00:19:51,200 Speaker 2: better at dealing with insecurities from the past. Thank you 365 00:19:51,320 --> 00:19:57,440 Speaker 2: and keep up the good work. Girt Jan GJ, GJ 366 00:19:58,080 --> 00:19:59,320 Speaker 2: great question. 367 00:20:00,080 --> 00:20:02,919 Speaker 4: And try You're like nope, no. 368 00:20:03,760 --> 00:20:06,080 Speaker 2: GJ, No, I'm trying. 369 00:20:06,160 --> 00:20:09,360 Speaker 1: Go Yeah, I mean there, it's like it's it's for 370 00:20:09,400 --> 00:20:13,359 Speaker 1: me passing securities. Those are all my triggers, right, like 371 00:20:13,440 --> 00:20:16,320 Speaker 1: the like the ship that comes out of nowhere where 372 00:20:16,320 --> 00:20:19,119 Speaker 1: you're just like, why am I triggered by that? And 373 00:20:19,160 --> 00:20:21,000 Speaker 1: then it's like, oh, right, because I used to feel 374 00:20:21,040 --> 00:20:25,399 Speaker 1: really shitty about this back in the day. 375 00:20:25,520 --> 00:20:30,480 Speaker 5: Yeah, And it's it's I think when it blindsides me 376 00:20:30,960 --> 00:20:38,200 Speaker 5: and I get like very uh anxious or just regulated, 377 00:20:38,480 --> 00:20:42,080 Speaker 5: and you know, and then I don't really know why 378 00:20:42,160 --> 00:20:44,679 Speaker 5: I'm feeling that way, and like it takes me a 379 00:20:44,840 --> 00:20:48,920 Speaker 5: minute to feel like to put together the pieces of like, oh, 380 00:20:48,960 --> 00:20:50,000 Speaker 5: this is something I used. 381 00:20:49,920 --> 00:20:52,920 Speaker 1: To really struggle with, right, and I've moved and even 382 00:20:52,960 --> 00:20:55,000 Speaker 1: though I've done the work and I've probably and I've grown, 383 00:20:55,080 --> 00:21:00,520 Speaker 1: and it is, like GJ said, where it's it's it 384 00:21:00,560 --> 00:21:03,040 Speaker 1: is a still scar that you carry around with you. 385 00:21:05,680 --> 00:21:09,119 Speaker 1: And scars can be fucked with sometimes sometimes stars can 386 00:21:09,160 --> 00:21:14,840 Speaker 1: be ripped back open. And it's I think it's always 387 00:21:16,600 --> 00:21:21,800 Speaker 1: the moment where I where I make the connection that oh, 388 00:21:21,960 --> 00:21:25,840 Speaker 1: this is, you know, whatever the body issues or the 389 00:21:26,119 --> 00:21:29,080 Speaker 1: I used to like change my outfits a million times 390 00:21:29,119 --> 00:21:32,040 Speaker 1: before school because I thought everything looked terrible on me. 391 00:21:32,240 --> 00:21:35,000 Speaker 1: And like sometimes even as an adult, I'll you be 392 00:21:35,040 --> 00:21:37,480 Speaker 1: getting ready for something and I'm and it's not about 393 00:21:37,480 --> 00:21:40,600 Speaker 1: what I'm wearing. I'm anxious about something about the event 394 00:21:40,800 --> 00:21:44,480 Speaker 1: that manifests into me changing my clothes at gazillion times. 395 00:21:44,880 --> 00:21:47,840 Speaker 1: And it's just like some expression of anxiety and until 396 00:21:47,880 --> 00:21:51,320 Speaker 1: I like take some deep breaths and like usually I 397 00:21:51,359 --> 00:21:54,160 Speaker 1: have to like get present because I'm not present right, 398 00:21:54,240 --> 00:21:56,680 Speaker 1: I'm thinking about the thing that I'm scared to do 399 00:21:57,640 --> 00:22:00,320 Speaker 1: or the thing that I'm walking into. And when I 400 00:22:00,359 --> 00:22:03,840 Speaker 1: like pull myself back into the present moment and I'm like, Okay, 401 00:22:03,920 --> 00:22:07,520 Speaker 1: this is not about what I actually look like, or 402 00:22:09,000 --> 00:22:11,639 Speaker 1: or even if it is, it's like, Okay, well, what 403 00:22:11,640 --> 00:22:13,920 Speaker 1: what in my closet do I love wearing how but 404 00:22:14,080 --> 00:22:16,760 Speaker 1: I just wear something that makes me feel really good 405 00:22:16,920 --> 00:22:21,280 Speaker 1: or really comfortable or you know whatever, and just this 406 00:22:21,400 --> 00:22:24,000 Speaker 1: is actually all about that I'm anxious about this thing 407 00:22:24,000 --> 00:22:25,760 Speaker 1: that I'm about to do or that I'm about to 408 00:22:25,800 --> 00:22:29,320 Speaker 1: walk into, and like let me deal with that, yeah, 409 00:22:29,359 --> 00:22:32,560 Speaker 1: and not you know, not this like because I'm not 410 00:22:32,720 --> 00:22:36,400 Speaker 1: insecure anymore in that way, it's just like an old 411 00:22:36,440 --> 00:22:37,880 Speaker 1: habit kind of like spreading. 412 00:22:38,119 --> 00:22:39,960 Speaker 4: I don't know, that's kind of like it's like it's 413 00:22:40,040 --> 00:22:40,720 Speaker 4: with it. 414 00:22:40,720 --> 00:22:44,879 Speaker 2: It's kind of like you're saying, sometimes it feels like 415 00:22:44,960 --> 00:22:49,680 Speaker 2: it's something from the past, or like because you're dealing 416 00:22:49,680 --> 00:22:53,080 Speaker 2: with something new, the past thing kind of like comes 417 00:22:53,160 --> 00:22:53,720 Speaker 2: up and like. 418 00:22:54,280 --> 00:22:57,600 Speaker 1: Is right, It's like old habits we're big yeah yeah, yeah, 419 00:22:57,640 --> 00:23:02,480 Speaker 1: yeah yeah, And it's like just and it's always I 420 00:23:02,560 --> 00:23:06,000 Speaker 1: find when I have those moments of past and securities 421 00:23:06,040 --> 00:23:11,439 Speaker 1: coming up, it's usually like about something else and I 422 00:23:11,440 --> 00:23:13,800 Speaker 1: have to check in and figure out, like what what 423 00:23:13,960 --> 00:23:17,520 Speaker 1: is the thing that's actually pulling at me? Because I 424 00:23:17,560 --> 00:23:19,880 Speaker 1: know I've done the work to get past this insecurity. 425 00:23:21,000 --> 00:23:25,440 Speaker 2: I usually know when it's an insecurity about the past. 426 00:23:25,760 --> 00:23:30,720 Speaker 2: New ones surprise surprised me all the time, but the 427 00:23:30,800 --> 00:23:34,600 Speaker 2: past ones, it's a lot of reminding myself like I 428 00:23:34,640 --> 00:23:37,399 Speaker 2: already did this, already know this. Let me just like 429 00:23:38,160 --> 00:23:40,520 Speaker 2: go through the whole movie of what this is, the 430 00:23:40,560 --> 00:23:43,000 Speaker 2: whole movie of what this is. Is that I used 431 00:23:43,000 --> 00:23:45,560 Speaker 2: to be this and now I feel this about this 432 00:23:45,720 --> 00:23:47,399 Speaker 2: and so like yeah, what did I used to be? 433 00:23:47,480 --> 00:23:49,920 Speaker 2: And what am I now? And is it? And it's 434 00:23:50,040 --> 00:23:54,560 Speaker 2: like I examine what's around it, you know, Like I'm 435 00:23:54,640 --> 00:23:56,680 Speaker 2: going to an event and there's going to be you know, 436 00:23:57,720 --> 00:23:59,920 Speaker 2: people there that I want to work with, but I'm 437 00:24:00,080 --> 00:24:04,399 Speaker 2: how to talk to people, you know, which is like 438 00:24:04,800 --> 00:24:06,960 Speaker 2: that that's not going to make or break out unless 439 00:24:06,960 --> 00:24:10,359 Speaker 2: you like, you know, punch somebody in the neck or something. 440 00:24:11,760 --> 00:24:15,879 Speaker 2: So like it's okay, it's okay. You know, there's like 441 00:24:15,920 --> 00:24:22,440 Speaker 2: a it's like parenting yourself a little bit, Like yeah, 442 00:24:22,560 --> 00:24:24,120 Speaker 2: even insecurities, it's like. 443 00:24:24,760 --> 00:24:27,440 Speaker 4: Howbody, it's okay, It's okay. 444 00:24:27,560 --> 00:24:31,240 Speaker 2: Yeah, Like even if you mess up and say something dumb, like, 445 00:24:31,480 --> 00:24:37,000 Speaker 2: it's okay. Like most people aren't looking at that, and 446 00:24:37,080 --> 00:24:39,280 Speaker 2: if they are, they're not looking at it for very long, 447 00:24:39,560 --> 00:24:44,879 Speaker 2: you know, Like so you have a pimple, Okay, yep, 448 00:24:44,960 --> 00:24:47,639 Speaker 2: that sucks. I mean this we're talking about, like, you know, 449 00:24:47,840 --> 00:24:51,520 Speaker 2: our own insecurities or whatever, and like listen, like uh, 450 00:24:51,720 --> 00:24:55,280 Speaker 2: gret Jan said, acne is a big struggle. It can 451 00:24:55,320 --> 00:24:59,400 Speaker 2: be really really intense. But like in general, past insecurities, 452 00:24:59,440 --> 00:25:02,480 Speaker 2: how do you I get more better at dealing with them? 453 00:25:03,040 --> 00:25:07,920 Speaker 2: It's like what Melissa said, trying to be aware, really 454 00:25:07,960 --> 00:25:10,600 Speaker 2: trying to tune into like the awareness of like what's 455 00:25:10,640 --> 00:25:13,400 Speaker 2: this about? Why am I all? Why am I freaking out? 456 00:25:13,760 --> 00:25:16,320 Speaker 2: You know? And if I know what it's about telling 457 00:25:16,359 --> 00:25:19,280 Speaker 2: myself like you can do this, you can you can 458 00:25:19,320 --> 00:25:21,399 Speaker 2: handle this. You're not going to punch anybody in the 459 00:25:21,480 --> 00:25:23,359 Speaker 2: neck unless they mouth off. 460 00:25:23,560 --> 00:25:27,600 Speaker 1: So yeah, yeah, it's usually a moment for like right, 461 00:25:27,720 --> 00:25:30,920 Speaker 1: like a some type of affirmation like and just being 462 00:25:31,080 --> 00:25:35,639 Speaker 1: really kind to yourself and like, yeah, giving yourself space 463 00:25:35,640 --> 00:25:36,440 Speaker 1: to be Like I. 464 00:25:36,320 --> 00:25:39,600 Speaker 4: Mean, we all, fuck, we all have those moments. 465 00:25:40,520 --> 00:25:42,400 Speaker 2: We've all punched somebody in the neck. 466 00:25:43,640 --> 00:25:45,000 Speaker 1: Yeah, have you not? 467 00:25:45,440 --> 00:25:48,439 Speaker 2: I would punch I would There's a short list of 468 00:25:48,440 --> 00:25:50,439 Speaker 2: people that I would actually punch in the neck, and 469 00:25:50,520 --> 00:25:54,600 Speaker 2: I would like, oh yeah, like I'm talking like I. 470 00:25:54,720 --> 00:25:57,840 Speaker 4: Would collapse, trickya. 471 00:25:57,359 --> 00:26:00,600 Speaker 2: Thumb out, like I'm okay with my mom if it 472 00:26:00,640 --> 00:26:04,400 Speaker 2: really gets up in there and does some damage anyway, 473 00:26:04,640 --> 00:26:05,880 Speaker 2: next question. 474 00:26:06,920 --> 00:26:08,480 Speaker 4: I gots so violent? 475 00:26:09,520 --> 00:26:12,919 Speaker 1: Hi, Sevanie, Melissa. I wanted to write to let you 476 00:26:13,000 --> 00:26:17,440 Speaker 1: know how much the Heartbreak episode helped me. Oh that 477 00:26:17,520 --> 00:26:21,000 Speaker 1: was a that was a deep one. I'm currently going 478 00:26:21,000 --> 00:26:23,360 Speaker 1: through a divorce, and even though it's the right thing 479 00:26:23,359 --> 00:26:26,040 Speaker 1: for us and our daughter, I feel I still feel 480 00:26:26,040 --> 00:26:28,159 Speaker 1: sadness at the loss of what we had, especially the 481 00:26:28,160 --> 00:26:31,840 Speaker 1: marriage being twelve years and the relationship being fourteen. We're 482 00:26:31,880 --> 00:26:37,280 Speaker 1: still friends and co parent very well and doing things together, 483 00:26:37,320 --> 00:26:40,119 Speaker 1: such as attending indiecar races with our daughter when we 484 00:26:40,200 --> 00:26:43,280 Speaker 1: did like we did when we were married. Is this true? 485 00:26:44,359 --> 00:26:49,399 Speaker 1: We are continuing these this year, starting in May, because 486 00:26:49,440 --> 00:26:51,080 Speaker 1: we want our daughter to know that we are still 487 00:26:51,119 --> 00:26:52,879 Speaker 1: a team, even if it looks different now. 488 00:26:53,000 --> 00:26:56,919 Speaker 4: Good for you. That's amazing. Even though this is probably 489 00:26:57,040 --> 00:26:57,720 Speaker 4: the best case. 490 00:26:57,600 --> 00:27:00,480 Speaker 1: Scenario for a divorce, it's still hard, especially when important 491 00:27:00,520 --> 00:27:02,960 Speaker 1: dates come up or events that we would ordinarily go 492 00:27:03,119 --> 00:27:06,400 Speaker 1: to together we now do alone. In October, I went 493 00:27:06,480 --> 00:27:09,240 Speaker 1: to a family reunion and was binging episodes on the 494 00:27:09,280 --> 00:27:12,160 Speaker 1: way there. This was the first event with my extended 495 00:27:12,200 --> 00:27:14,640 Speaker 1: family I was going to alone, and the first time 496 00:27:15,080 --> 00:27:17,919 Speaker 1: I told my family about the divorce besides my parents 497 00:27:17,960 --> 00:27:21,000 Speaker 1: and sister. I was feeling a lot of conflicting emotions 498 00:27:21,080 --> 00:27:24,160 Speaker 1: the whole weekend, and then started thinking and starting about 499 00:27:24,200 --> 00:27:27,080 Speaker 1: starting over in life. I listened to the Heartbreak episode 500 00:27:27,160 --> 00:27:29,800 Speaker 1: on my way home and started to cry because what 501 00:27:29,960 --> 00:27:32,359 Speaker 1: you were saying was exactly how I had been feeling 502 00:27:32,400 --> 00:27:35,399 Speaker 1: about my situation. You helped me realize the way I 503 00:27:35,520 --> 00:27:38,680 Speaker 1: was feeling was normal and valid. When a relationship that 504 00:27:38,840 --> 00:27:41,520 Speaker 1: was important ends, I feel seen. I just want to 505 00:27:41,560 --> 00:27:42,879 Speaker 1: thank you for helping me see that. 506 00:27:43,240 --> 00:27:43,440 Speaker 4: Ben. 507 00:27:43,920 --> 00:27:48,119 Speaker 1: Oh my god, Ben, I barely got through reading that 508 00:27:48,280 --> 00:27:49,120 Speaker 1: I started why. 509 00:27:50,119 --> 00:27:54,280 Speaker 2: I'm so thank you so much for writing in and 510 00:27:54,520 --> 00:27:58,760 Speaker 2: like sharing that with us. That's really vulnerable and honest 511 00:27:58,880 --> 00:28:01,119 Speaker 2: and nice of you. To take the time to do that. 512 00:28:01,280 --> 00:28:02,960 Speaker 2: That's really lovely. 513 00:28:03,359 --> 00:28:05,320 Speaker 4: Yeah, and I'm really happy for. 514 00:28:05,440 --> 00:28:07,679 Speaker 1: You and your partner that you found a path forward 515 00:28:07,800 --> 00:28:11,000 Speaker 1: that's you know, good for You're going to be so 516 00:28:11,160 --> 00:28:13,399 Speaker 1: good for your daughter, and I think good for the 517 00:28:13,440 --> 00:28:17,639 Speaker 1: both of you. But it's incredibly hard to do. And 518 00:28:17,800 --> 00:28:20,959 Speaker 1: so just like, pat yourself on the back and let 519 00:28:21,040 --> 00:28:22,320 Speaker 1: yourself feel proud about that. 520 00:28:22,640 --> 00:28:24,439 Speaker 4: That's you're being very. 521 00:28:24,480 --> 00:28:29,720 Speaker 1: Adult and mature and evolved approaching it as a team, 522 00:28:30,640 --> 00:28:37,440 Speaker 1: and so braba, it looks it's us, all of it. 523 00:28:38,440 --> 00:28:44,800 Speaker 1: It's too hard, it's not. It's yeah, but we're sending 524 00:28:44,840 --> 00:28:57,360 Speaker 1: you up to love. Yeah, all right, the next one 525 00:28:57,360 --> 00:29:00,800 Speaker 1: before I start crying, Okay. 526 00:29:01,120 --> 00:29:03,320 Speaker 2: Hi, Stephanie, Melissa. I just wanted to say I'm a 527 00:29:03,400 --> 00:29:04,840 Speaker 2: huge fan of both of you, Brooklyn nine nine. It 528 00:29:04,840 --> 00:29:06,560 Speaker 2: has been such a comfort and inspiration in my life. 529 00:29:06,560 --> 00:29:08,560 Speaker 2: I wanted to ask your perspective on something. I'm in 530 00:29:08,640 --> 00:29:10,280 Speaker 2: my early twenties and for a long time I've had 531 00:29:10,320 --> 00:29:12,239 Speaker 2: a specific goal in mind for my future, something I've 532 00:29:12,280 --> 00:29:15,200 Speaker 2: worked hard for and tied a lot of my identity to. 533 00:29:16,080 --> 00:29:18,520 Speaker 2: But lately, as I've grown and changed, I'm finding I 534 00:29:18,600 --> 00:29:21,440 Speaker 2: might want something different. Feels like there's this pressure to 535 00:29:21,520 --> 00:29:23,719 Speaker 2: stay committed to the path I chose years ago, as 536 00:29:23,760 --> 00:29:26,880 Speaker 2: of changing my mind means I've failed. Either of you 537 00:29:27,040 --> 00:29:30,240 Speaker 2: experienced something like that, wanting something new after chasing a 538 00:29:30,320 --> 00:29:32,520 Speaker 2: dream for so long? How do you navigate those feelings 539 00:29:32,600 --> 00:29:35,120 Speaker 2: and make peace with your shifting direction. Thanks so much 540 00:29:35,160 --> 00:29:37,920 Speaker 2: for taking the time to read this, sending love and gratitude. 541 00:29:38,120 --> 00:29:40,360 Speaker 2: I'm excited to continue to see your new projects as 542 00:29:40,360 --> 00:29:43,480 Speaker 2: they released. Thanks Vanessa, Love Vanessa, and sheered a little 543 00:29:43,520 --> 00:29:45,640 Speaker 2: emoji hearts. Love an emoji heart. 544 00:29:48,800 --> 00:29:56,240 Speaker 1: Vanessa in your early twenties, girl, not your mind. Not 545 00:29:56,360 --> 00:29:59,360 Speaker 1: to discount you, but not to discount but you. 546 00:29:59,440 --> 00:30:02,760 Speaker 2: Know, as as a quick Taale, I will say, I 547 00:30:02,960 --> 00:30:05,520 Speaker 2: never ever thought that I would be a person who 548 00:30:05,720 --> 00:30:08,600 Speaker 2: got married or had children. I was pretty dead set 549 00:30:08,720 --> 00:30:12,720 Speaker 2: on I'm you know not I'm. I could be single, 550 00:30:13,000 --> 00:30:15,600 Speaker 2: I could be partnered up, but I don't want anybody's 551 00:30:15,640 --> 00:30:18,200 Speaker 2: finances tied to my own. And I want the freedom 552 00:30:18,640 --> 00:30:23,479 Speaker 2: of a life that I choose for myself and nobody else's. 553 00:30:24,520 --> 00:30:28,320 Speaker 2: You know, nothing is, nothing is dependent on me, and 554 00:30:28,480 --> 00:30:33,040 Speaker 2: I'm doing whatever I want to do. And I changed 555 00:30:33,080 --> 00:30:35,920 Speaker 2: my mind. I had a goal and for my life, 556 00:30:36,120 --> 00:30:38,880 Speaker 2: and I I tied a lot of my identity to 557 00:30:38,960 --> 00:30:42,760 Speaker 2: being like I'm gonna not have kids and and and 558 00:30:42,920 --> 00:30:46,520 Speaker 2: that's fine like for some people. But I changed my mind, 559 00:30:47,120 --> 00:30:51,520 Speaker 2: and I changed it pretty late, and I was really 560 00:30:51,560 --> 00:30:54,040 Speaker 2: scared about like how it was going to affect my career, 561 00:30:54,080 --> 00:30:55,720 Speaker 2: how it was going to affect my relationship, how's going 562 00:30:55,720 --> 00:30:58,000 Speaker 2: to affect my friendships, how was gonna affect my body, 563 00:31:00,320 --> 00:31:02,840 Speaker 2: I was going to affect my brain, and how I 564 00:31:03,080 --> 00:31:07,280 Speaker 2: was going to affect the person the new person. But 565 00:31:07,800 --> 00:31:10,200 Speaker 2: I would say go for it, like I mean, if 566 00:31:10,240 --> 00:31:14,600 Speaker 2: you really are feeling that strongly about it, Like what 567 00:31:14,720 --> 00:31:18,200 Speaker 2: does Mary Oliver say? This is your one beautiful life. 568 00:31:18,240 --> 00:31:20,120 Speaker 2: I'm gonna look up the quote you talk melissa'm'na look 569 00:31:20,160 --> 00:31:20,600 Speaker 2: up this quote. 570 00:31:20,920 --> 00:31:21,120 Speaker 6: Yeah. 571 00:31:21,320 --> 00:31:24,120 Speaker 1: I mean I think any age, any stage in life, 572 00:31:25,320 --> 00:31:30,960 Speaker 1: if we feel that pull towards something. And I understand 573 00:31:31,000 --> 00:31:33,480 Speaker 1: the like identity part because this is not the same. 574 00:31:33,640 --> 00:31:37,080 Speaker 1: But I in my early twenties, I was like, I 575 00:31:37,200 --> 00:31:40,200 Speaker 1: am a New Yorker. I will never leave New York. 576 00:31:40,600 --> 00:31:44,440 Speaker 1: New York is my identity. New York, New Jersey is 577 00:31:44,520 --> 00:31:46,400 Speaker 1: my identity. This is where I grew up, This is 578 00:31:46,400 --> 00:31:48,080 Speaker 1: where I belong, This is where I'll be till the 579 00:31:48,160 --> 00:31:48,800 Speaker 1: end of my days. 580 00:31:49,440 --> 00:31:53,120 Speaker 4: And I had a whole I was like, I'm I'm 581 00:31:53,160 --> 00:31:56,160 Speaker 4: going to work in theater. I'm going to teach at 582 00:31:56,240 --> 00:31:59,040 Speaker 4: some point. Maybe I'm going to like teach it at college. 583 00:31:59,160 --> 00:32:01,440 Speaker 4: Like I had a whole idea of myself. 584 00:32:01,680 --> 00:32:04,120 Speaker 1: I was like, every time I saw those little older 585 00:32:04,160 --> 00:32:06,640 Speaker 1: biddies at the theater, I was like, that's going to 586 00:32:06,720 --> 00:32:11,760 Speaker 1: be me, with my giant jewelry and my flowy shirts 587 00:32:12,320 --> 00:32:16,040 Speaker 1: and my comfortable shoes, still getting to a thousand steps 588 00:32:16,080 --> 00:32:16,400 Speaker 1: a day. 589 00:32:16,800 --> 00:32:17,520 Speaker 4: This is going to be me. 590 00:32:18,160 --> 00:32:21,320 Speaker 1: And then we up and moved and then I started 591 00:32:21,360 --> 00:32:25,400 Speaker 1: working in television, which was took me away from theater 592 00:32:26,320 --> 00:32:28,080 Speaker 1: and it couldn't get theater auditions anymore. 593 00:32:28,800 --> 00:32:33,480 Speaker 4: And then we moved to LA and I kind of 594 00:32:33,520 --> 00:32:37,120 Speaker 4: went kicking and screaming. But then. 595 00:32:38,640 --> 00:32:42,320 Speaker 1: Like all these amazing things happened and this like whole 596 00:32:42,400 --> 00:32:45,600 Speaker 1: new chapter of my life started And my kids are 597 00:32:45,760 --> 00:32:49,440 Speaker 1: Angela little Angelino's and I love my life like and 598 00:32:49,600 --> 00:32:55,080 Speaker 1: I love La and like especially recently seeing the city 599 00:32:55,200 --> 00:32:56,400 Speaker 1: kind of stand up and. 600 00:32:58,600 --> 00:33:00,800 Speaker 4: I've been so proud of it. And so. 601 00:33:03,400 --> 00:33:07,240 Speaker 1: Even though I still feel like such an East Coast 602 00:33:07,320 --> 00:33:09,560 Speaker 1: girl in a lot of ways and not like you know, 603 00:33:09,880 --> 00:33:14,080 Speaker 1: a real like la person like I love. What I'm 604 00:33:14,080 --> 00:33:17,040 Speaker 1: trying to say is like, eventually, if if you stay 605 00:33:17,160 --> 00:33:21,400 Speaker 1: open and if you move with change, only good can 606 00:33:21,480 --> 00:33:24,840 Speaker 1: come of it. If you stay stuck, especially if you 607 00:33:25,000 --> 00:33:28,840 Speaker 1: feel pulled towards something else. Yeah, because out of obligation 608 00:33:29,200 --> 00:33:31,120 Speaker 1: or because this is who I am, or this is 609 00:33:31,160 --> 00:33:34,400 Speaker 1: how people know me, because I have to achieve. 610 00:33:34,520 --> 00:33:35,280 Speaker 2: I have to achieve. 611 00:33:35,360 --> 00:33:36,720 Speaker 4: I have to achieve. Who cares. 612 00:33:36,960 --> 00:33:40,040 Speaker 1: It's like the equivalent of just like walking down a 613 00:33:40,080 --> 00:33:42,240 Speaker 1: hallway and just like shutting all the other doors and 614 00:33:42,320 --> 00:33:45,600 Speaker 1: windows and just like continually walk to like this one 615 00:33:45,680 --> 00:33:47,760 Speaker 1: door even though you have no idea what's behind that door, 616 00:33:48,200 --> 00:33:50,200 Speaker 1: you know what I mean, as opposed to like just 617 00:33:51,040 --> 00:33:53,640 Speaker 1: opening all the doors and seeing what's behind them. And 618 00:33:54,120 --> 00:33:57,080 Speaker 1: so you're just I think, shutting off opportunity. You're you're 619 00:33:57,120 --> 00:34:00,920 Speaker 1: shutting off surprises, You're shutting off and you know, And 620 00:34:01,000 --> 00:34:03,000 Speaker 1: I only brought up the age thing because it's like 621 00:34:04,120 --> 00:34:06,520 Speaker 1: this is the time to like try shit out, try 622 00:34:06,600 --> 00:34:09,520 Speaker 1: it out. This thing that's like calling you try it out. 623 00:34:10,480 --> 00:34:13,840 Speaker 1: If it doesn't work out, you can change your mind again. 624 00:34:14,000 --> 00:34:16,759 Speaker 1: You can change your mind a million times. You can 625 00:34:16,880 --> 00:34:19,239 Speaker 1: keep changing your mind. I still change my mind. 626 00:34:19,800 --> 00:34:26,440 Speaker 2: Yeah, yeah, I mean at this point when I'm, you know, 627 00:34:26,560 --> 00:34:29,400 Speaker 2: in my eighties, I do believe I will be getting 628 00:34:29,480 --> 00:34:32,320 Speaker 2: botox in my forehead. But I could change my mind 629 00:34:32,760 --> 00:34:35,080 Speaker 2: there in the retirement home. I might be like, no, 630 00:34:35,239 --> 00:34:35,799 Speaker 2: I don't care. 631 00:34:38,160 --> 00:34:39,120 Speaker 4: I okay. 632 00:34:39,280 --> 00:34:40,920 Speaker 2: So that quote that I was going to say. The 633 00:34:41,120 --> 00:34:43,600 Speaker 2: poem is from the Summer Day by Mary Oliver. Have 634 00:34:43,680 --> 00:34:46,960 Speaker 2: you ever read it, Melsa, No, you've probably heard the 635 00:34:47,040 --> 00:34:47,920 Speaker 2: end of it. It's pretty sure. 636 00:34:48,560 --> 00:34:49,600 Speaker 4: Okay, who made who? 637 00:34:50,200 --> 00:34:52,400 Speaker 2: This is not a poem reading this is not a 638 00:34:52,440 --> 00:34:54,680 Speaker 2: poetry slam. I'm going to go through this. I'm not 639 00:34:54,800 --> 00:34:56,480 Speaker 2: going to act at you, guys. I'm just going to 640 00:34:56,520 --> 00:35:01,160 Speaker 2: say the words boom, who made the world, Who made 641 00:35:01,200 --> 00:35:03,759 Speaker 2: the swan and the black bear? Who made the grasshopper? 642 00:35:04,360 --> 00:35:06,920 Speaker 2: This grasshopper, I mean, the one who's flung herself out 643 00:35:06,960 --> 00:35:09,080 Speaker 2: of the grass, the one who is eating sugar out 644 00:35:09,120 --> 00:35:11,480 Speaker 2: of my hand, who's moving her jaws back and forth 645 00:35:11,560 --> 00:35:13,960 Speaker 2: instead of up and down, who is gazing around with 646 00:35:14,040 --> 00:35:17,120 Speaker 2: her enormous and complicated eyes. Now she lifts her pale 647 00:35:17,200 --> 00:35:20,480 Speaker 2: forearms and thoroughly washes her face. Now she snaps her 648 00:35:20,480 --> 00:35:23,360 Speaker 2: wings open and floats away. I don't know exactly what 649 00:35:23,440 --> 00:35:25,880 Speaker 2: a prayer is. I do know how to pay attention, 650 00:35:26,400 --> 00:35:28,640 Speaker 2: how to fall down into the grass, how to kneel 651 00:35:28,680 --> 00:35:31,240 Speaker 2: down in the grass, how to be idle and blessed, 652 00:35:31,440 --> 00:35:33,680 Speaker 2: how to stroll through the fields, which is what I've 653 00:35:33,680 --> 00:35:36,320 Speaker 2: been doing all day. Tell me what else should I 654 00:35:36,400 --> 00:35:39,560 Speaker 2: have done? Doesn't everything die at last and too soon? 655 00:35:40,120 --> 00:35:42,360 Speaker 2: Tell me what is it you plan to do with 656 00:35:42,480 --> 00:35:44,200 Speaker 2: your one wild and precious life. 657 00:35:46,920 --> 00:35:47,200 Speaker 4: Great? 658 00:35:47,440 --> 00:35:52,280 Speaker 2: I love that you don't have to like run towards 659 00:35:52,280 --> 00:35:55,560 Speaker 2: this thing of those gold this thing whatever. She's just like, 660 00:35:55,920 --> 00:35:58,440 Speaker 2: bro Like, I joke about it all the time, and 661 00:35:58,719 --> 00:36:01,920 Speaker 2: I'm always like, we're all to die someday. And that 662 00:36:02,040 --> 00:36:04,640 Speaker 2: is my very like nihilistic sort of like. But it's 663 00:36:04,760 --> 00:36:07,160 Speaker 2: not because this is it. 664 00:36:07,920 --> 00:36:09,640 Speaker 5: This is the this is it. 665 00:36:10,239 --> 00:36:14,040 Speaker 2: You know, if you're doing something that you're like, oh, no, 666 00:36:14,520 --> 00:36:17,560 Speaker 2: I was gonna be a whatever. I've been watching a 667 00:36:17,600 --> 00:36:19,960 Speaker 2: lot of sex in the city, so I'm like pr 668 00:36:20,160 --> 00:36:24,520 Speaker 2: Samantha Jones. PR been working to be a pr mamen 669 00:36:24,600 --> 00:36:27,360 Speaker 2: your whole life, and now suddenly you want to be 670 00:36:27,480 --> 00:36:32,080 Speaker 2: a gardener. Okay, obviously there's logistic, but go be a gardener, 671 00:36:32,360 --> 00:36:33,960 Speaker 2: even if you have to do it, like in your 672 00:36:34,000 --> 00:36:37,040 Speaker 2: hobby time like coke, do whatever you want. 673 00:36:37,920 --> 00:36:41,560 Speaker 4: It's life is too short, life is too unpredictable. Life 674 00:36:41,640 --> 00:36:44,400 Speaker 4: is too precious. Yes, if you have a calling, if 675 00:36:44,440 --> 00:36:48,120 Speaker 4: you have something you want to do or explore, fucking 676 00:36:48,239 --> 00:36:48,440 Speaker 4: do it. 677 00:36:48,760 --> 00:36:50,880 Speaker 2: I'm gonna do it. This is gossip, but do you 678 00:36:50,960 --> 00:36:52,560 Speaker 2: want to hear so it's related? 679 00:36:53,440 --> 00:36:58,279 Speaker 4: Yeah, it's okay, so so excited, you. 680 00:36:58,320 --> 00:37:03,359 Speaker 2: Know, like you know, oh, okay, I'm trying to figure 681 00:37:03,400 --> 00:37:04,680 Speaker 2: out how to say this in a way where like 682 00:37:04,760 --> 00:37:06,200 Speaker 2: no one will find out who I'm talking about. 683 00:37:09,120 --> 00:37:09,720 Speaker 4: But okay. 684 00:37:11,920 --> 00:37:17,239 Speaker 2: There was a very high profile couple that had a 685 00:37:17,520 --> 00:37:20,960 Speaker 2: very large wedding and professed a lot of their It's 686 00:37:21,960 --> 00:37:26,440 Speaker 2: like it's like it was like such a big show 687 00:37:26,760 --> 00:37:30,080 Speaker 2: of like we love each other so much, we love 688 00:37:30,120 --> 00:37:31,880 Speaker 2: each other, we love each other, we love each other, 689 00:37:32,040 --> 00:37:35,080 Speaker 2: we love each other. And then they met a divorce 690 00:37:35,680 --> 00:37:38,520 Speaker 2: and like part of me thinks, like was there a 691 00:37:38,600 --> 00:37:42,000 Speaker 2: point where they were like part of me knows that 692 00:37:42,120 --> 00:37:45,480 Speaker 2: there was a point where like this is actually like 693 00:37:45,920 --> 00:37:47,520 Speaker 2: now I'm going to relate it to somebody I know 694 00:37:47,719 --> 00:37:50,239 Speaker 2: who said to me, he's like an old friend and 695 00:37:50,320 --> 00:37:53,239 Speaker 2: he was like when she was walking down the aisle 696 00:37:53,440 --> 00:37:57,080 Speaker 2: like not but his wife or his ex wife X 697 00:37:57,560 --> 00:37:59,600 Speaker 2: when she was walking down the aisle, he was like, 698 00:37:59,680 --> 00:38:03,799 Speaker 2: oh shit, this is a mistake. And he went through 699 00:38:03,960 --> 00:38:06,200 Speaker 2: with it, and like I guess, like I get it 700 00:38:06,320 --> 00:38:07,719 Speaker 2: into like you know. 701 00:38:08,160 --> 00:38:11,560 Speaker 1: Very getting like on the day when there's like like 702 00:38:12,200 --> 00:38:13,480 Speaker 1: ribes vibes. 703 00:38:13,520 --> 00:38:15,200 Speaker 2: Did you not know it beforehand? 704 00:38:15,520 --> 00:38:16,560 Speaker 1: Like you did? 705 00:38:17,239 --> 00:38:19,839 Speaker 2: You probably did maybe like hit really hard that day 706 00:38:19,960 --> 00:38:20,320 Speaker 2: or something. 707 00:38:21,000 --> 00:38:23,759 Speaker 4: Yeah, but like I just know it and all the 708 00:38:23,880 --> 00:38:25,640 Speaker 4: mornings before when we woke. 709 00:38:25,560 --> 00:38:28,880 Speaker 2: Up, we're gonna do stay married to that person like forever, 710 00:38:29,440 --> 00:38:31,040 Speaker 2: like we're gonna do like this. 711 00:38:33,920 --> 00:38:34,120 Speaker 4: Yeah. 712 00:38:34,440 --> 00:38:37,640 Speaker 2: Anyway is says good luck, good luck on that edit. 713 00:38:38,680 --> 00:38:45,320 Speaker 2: You could just sleep it all in. It's fine, more better, Okay, 714 00:38:45,600 --> 00:38:50,200 Speaker 2: what did we learned today, Melissa? Besides my inside gossip 715 00:38:50,280 --> 00:38:52,240 Speaker 2: about what did we learn today? Melissa? 716 00:38:53,200 --> 00:38:56,640 Speaker 4: Uh, well, we learned. 717 00:39:00,800 --> 00:39:02,480 Speaker 2: I'm never going to get cast in one of our movies. 718 00:39:02,560 --> 00:39:03,040 Speaker 2: It's fine. 719 00:39:03,719 --> 00:39:04,439 Speaker 4: What did we learn? 720 00:39:04,600 --> 00:39:07,640 Speaker 1: We learned? We learned that we have awesome, amazing fans 721 00:39:07,680 --> 00:39:11,200 Speaker 1: to write very lovely voice notes and emails to us 722 00:39:11,360 --> 00:39:15,799 Speaker 1: and very sweet and selfishly personally, my ego needed all 723 00:39:15,840 --> 00:39:18,759 Speaker 1: those compliments today, So thank you, thank you so much, 724 00:39:19,120 --> 00:39:19,440 Speaker 1: thank you. 725 00:39:22,480 --> 00:39:23,960 Speaker 2: Yeah, and I like these. 726 00:39:24,520 --> 00:39:28,960 Speaker 1: I like these mail bag little episodes. I think we're 727 00:39:28,960 --> 00:39:31,120 Speaker 1: going to do more of them this season. That's what 728 00:39:31,239 --> 00:39:33,520 Speaker 1: I We're to do more of these this season because 729 00:39:33,520 --> 00:39:34,120 Speaker 1: they're fun. 730 00:39:34,360 --> 00:39:37,279 Speaker 2: They're fun, they're really fun, and like they let us 731 00:39:37,400 --> 00:39:39,600 Speaker 2: know what you guys are like really connecting to and 732 00:39:39,680 --> 00:39:43,880 Speaker 2: also what you're interested in. Yeah, and they just make 733 00:39:44,000 --> 00:39:47,200 Speaker 2: us feel like we're getting to know you guys. Yes, 734 00:39:47,520 --> 00:39:52,160 Speaker 2: that's nice, So keith those coming. Also, please send us 735 00:39:52,200 --> 00:39:53,520 Speaker 2: a voice note, send us. 736 00:39:53,400 --> 00:39:55,799 Speaker 1: An email, because we're going to do more of these 737 00:39:56,120 --> 00:39:59,640 Speaker 1: episodes where we go through a bunch of messages as 738 00:39:59,680 --> 00:40:02,680 Speaker 1: many as we can and send us topic. 739 00:40:02,840 --> 00:40:05,719 Speaker 2: Yeah, and don't forget to rate, review and subscribe, Rate 740 00:40:05,800 --> 00:40:06,600 Speaker 2: review and subscribe. 741 00:40:06,640 --> 00:40:08,480 Speaker 1: It really helps us rate review and subscribe. 742 00:40:09,320 --> 00:40:10,680 Speaker 2: MELSA, Do you feel a little more better? 743 00:40:11,239 --> 00:40:13,520 Speaker 4: I always feel more and better? Do you feel more better? 744 00:40:14,320 --> 00:40:16,799 Speaker 2: I feel like I need a snack, but other than 745 00:40:16,880 --> 00:40:21,680 Speaker 2: though I need too Pretty great? Yeah, great, I'll say 746 00:40:21,719 --> 00:40:23,000 Speaker 2: next next time, see. 747 00:40:22,840 --> 00:40:23,359 Speaker 4: You next time. 748 00:40:23,440 --> 00:40:26,279 Speaker 1: Bye, bye, more and more better. 749 00:40:26,640 --> 00:40:28,520 Speaker 2: Do you have something you'd like to be more better 750 00:40:28,600 --> 00:40:29,880 Speaker 2: at that you want us to talk about in a 751 00:40:29,920 --> 00:40:32,560 Speaker 2: future episode? Can you relate to our struggles or have 752 00:40:32,760 --> 00:40:34,920 Speaker 2: you tried one of our tips and tricks. Shoot us 753 00:40:34,920 --> 00:40:38,080 Speaker 2: your thoughts and ideas at Morebetter pod at gmail dot 754 00:40:38,160 --> 00:40:40,600 Speaker 2: com and include a voice note if you want to 755 00:40:40,600 --> 00:40:43,600 Speaker 2: be featured on the pod. Ooh, More Better with Stephanie 756 00:40:43,640 --> 00:40:47,600 Speaker 2: Melissa is a production from WV Sound and iHeartMedia's Mikudura 757 00:40:47,719 --> 00:40:51,520 Speaker 2: podcast network, hosted by Me, Steffie Beatrice, and Melissa Fumero. 758 00:40:51,680 --> 00:40:55,160 Speaker 2: More Better is produced by ISIS Madrid and Sophie Spencer Zagos. 759 00:40:55,880 --> 00:41:00,000 Speaker 2: Our executive producers are Stephanie Beatrice, myself, Melissa Fumero alone 760 00:41:00,160 --> 00:41:03,160 Speaker 2: with Wilmar Valderrama and Leo Clem at w V Sound 761 00:41:03,360 --> 00:41:06,600 Speaker 2: and ISIS Madrid. This episode was edited by ISIS Madrid 762 00:41:06,719 --> 00:41:09,839 Speaker 2: and engineered by Sean Tracy and features original music by 763 00:41:09,960 --> 00:41:12,640 Speaker 2: Madison Davenport and Hello Boy. Our cover art is by 764 00:41:12,719 --> 00:41:16,400 Speaker 2: Vincent Remis and photography by David Abolos. For more podcasts 765 00:41:16,400 --> 00:41:20,000 Speaker 2: from iHeart, visit the iHeartRadio app, Apple Podcasts, or wherever 766 00:41:20,080 --> 00:41:22,600 Speaker 2: you listen to your favorite shows. See you next week's 767 00:41:22,600 --> 00:41:24,000 Speaker 2: buck Us. Bye