WEBVTT - #514 - Morray 

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<v Speaker 1>What's up with shit boy? More Ray? You know the vibe.

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<v Speaker 1>You can check me on Bootleg Cavs podcast.

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<v Speaker 2>All right, y'all, before we get into the episode, we

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<v Speaker 2>gotta do this. We just dropped these t shirts to

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<v Speaker 2>celebrate five hundred episodes with the bootle cap podcast. Yes,

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<v Speaker 2>this is out, Little daytona five hundred vintage flip. All

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<v Speaker 2>five hundred episodes are on the back. Yes, you can

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<v Speaker 2>do the gray, or you could just go black. The

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<v Speaker 2>black is fire too.

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<v Speaker 1>So look, if you.

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<v Speaker 3>Go right now man bootleg cab dot com and you

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<v Speaker 3>cop yourself a five hundred EPISO T shirt, I'm gonna

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<v Speaker 3>throwing a pair of socks.

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<v Speaker 1>We got the Bootleg Camp odd Socks.

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<v Speaker 3>You already know the Bootleg Cab podcast sponsored by odd Socks,

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<v Speaker 3>so it's only right we're throwing a pair of odd

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<v Speaker 3>socks for every T shirt sold. So bootleg cab dot Com,

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<v Speaker 3>thank you everybody for supporting five hundred episodes. Let's get

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<v Speaker 3>into the next one right now.

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<v Speaker 1>Come on, yo, Bootleg Caps show bout Let Camp podcast.

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<v Speaker 4>Man, we got a special guest in hear my Dog.

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<v Speaker 4>I ain't seen him in a minute, but he is back.

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<v Speaker 4>More Ray, sir, Yo, it's raining like crazy in l A.

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<v Speaker 4>If you can see he's he's soaked.

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<v Speaker 1>I'm soaked. You can't see it as much on me.

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<v Speaker 1>Straight out the rain, okay, straight off the ring.

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<v Speaker 3>Real.

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<v Speaker 1>What's good though?

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<v Speaker 3>Man?

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<v Speaker 4>It's crazy, man, because I feel like I want I mean, obviously,

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<v Speaker 4>I know, I know you've talked about it a bit,

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<v Speaker 4>but I want to kind of break down what's been

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<v Speaker 4>going on the last couple of years because you have

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<v Speaker 4>so much momentum. Uh your ep was Crazy quicksand was

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<v Speaker 4>going up. I mean, you opened up for J Cole

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<v Speaker 4>and I just felt like you really stole the show

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<v Speaker 4>on that tour, man, Like, if you got there early,

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<v Speaker 4>you gave them a show.

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<v Speaker 1>I had had to compete with twenty one and J.

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<v Speaker 4>Yeah, man, I got I got to go to to

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<v Speaker 4>the to the l A show, and I was like,

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<v Speaker 4>shout to epic because at the time you were epic.

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<v Speaker 4>I think, right, okay, okay, somebody gave me the tickets,

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<v Speaker 4>but uh, yeah man. And then I feel like the

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<v Speaker 4>last couple of years you'd kind of been a little

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<v Speaker 4>bit out the way.

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<v Speaker 1>What what is? What is? I mean? Uh, you know

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<v Speaker 1>you were signed with south Side and MO and that

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<v Speaker 1>that went sour. I'm assuming you mean, yeah, I was

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<v Speaker 1>with Pick six emotional. I wasn't sounding south, but I

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<v Speaker 1>know he has he's something to do with So pick

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<v Speaker 1>six is is motional easy? Okay? Yeah, so but I right, right, right, okay, Yeah,

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<v Speaker 1>I saw emotional leazy, and then you know, differences happened.

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<v Speaker 1>You know, we all think differently. We have different emotions

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<v Speaker 1>about the music, we have different ways of how you

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<v Speaker 1>want to push, we have different things we want to

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<v Speaker 1>speak about, and you know, sometimes business get involved too,

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<v Speaker 1>and then personal films can involve too, like you know,

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<v Speaker 1>if you know the story, you know, like he he

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<v Speaker 1>helped me get there for me, so the emotions get involved,

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<v Speaker 1>is yeah.

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<v Speaker 4>Because essentially you had gone viral with quicksand Yeah, which

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<v Speaker 4>was an absolute organic smn not that just went insane

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<v Speaker 4>on YouTube and it just was everywhere, and then Mo

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<v Speaker 4>ends up finding you or reaching out to you, and

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<v Speaker 4>soon based off of that, Yeah, I remember coming in

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<v Speaker 4>and hearing like, like what was supposed to be some

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<v Speaker 4>of your album? Yeah, uh, you're recording here in Burbank

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<v Speaker 4>for a little bit for a minute, and so like

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<v Speaker 4>was it was it just like a difference of like

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<v Speaker 4>the approach of you as an artist where you wanted

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<v Speaker 4>to be Like now, it was just like the control

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<v Speaker 4>of the situation, Like I wanted to be like a

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<v Speaker 4>show touring. I wanted to be doing it like that, right,

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<v Speaker 4>And it was more like, well, we think this is

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<v Speaker 4>best for you not to and wait for this show

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<v Speaker 4>and wait for this I'm well, you know, I want

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<v Speaker 4>to be an actual artist. And then it's certain music

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<v Speaker 4>you want to put out. I was like, well, we

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<v Speaker 4>want to put this music out, but I'm like, well

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<v Speaker 4>I like this music, right, And then the music they like,

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<v Speaker 4>I don't like it. It's like there's a whole bunch

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<v Speaker 4>of like just a bunch of riff rap.

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<v Speaker 1>And then like and me not understanding the industry or

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<v Speaker 1>the game, and you know, kind of being like, you know,

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<v Speaker 1>I ain't gonna taking advantage of because I'm a grown

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<v Speaker 1>ass man.

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<v Speaker 4>But you know what I mean, Like, I mean, you're

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<v Speaker 4>very very like you're I mean, obviously you know from

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<v Speaker 4>from where you are to now, Like I feel like

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<v Speaker 4>even when I first met you were just happy to be.

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<v Speaker 1>No hell yeah, the game you're here. I was green

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<v Speaker 1>as hey, I ain't gonna lie.

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<v Speaker 4>So what ended up was it was It was that

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<v Speaker 4>kind of why we hadn't seen from you in a while.

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<v Speaker 4>There was just not a obviously you're there's this you know, uh,

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<v Speaker 4>this conflict with the label, no new music's coming out.

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<v Speaker 4>And then at a certain point in time, was it

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<v Speaker 4>your decision, their decision to try to figure out how.

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<v Speaker 1>To move forward and move on?

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<v Speaker 4>It was it was my decision because I really wanted

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<v Speaker 4>to like get away from anything that had to do

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<v Speaker 4>with anything that wasn't bringing me happiness, peace or help

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<v Speaker 4>me succeed, you know what I mean, Like if I

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<v Speaker 4>was as the Clippers fan, come on, listen, Hey, that's

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<v Speaker 4>why I'm striving for greatness. We always strive, Okay, but nah,

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<v Speaker 4>just back in then them times I was just listening,

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<v Speaker 4>you know what I mean, Like when you first met me,

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<v Speaker 4>like you said, I was green, like go here more,

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<v Speaker 4>do this, and I'm just like okay, yeah.

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<v Speaker 1>But then when it gets to the business, I'm like, okay,

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<v Speaker 1>well I want to figure out how to how to

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<v Speaker 1>do this. Well, just relax and make the music. We'll

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<v Speaker 1>figure it out. Like now I want to learn more.

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<v Speaker 1>And then we start learning more. I realized that was

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<v Speaker 1>wrong and what's not happening? And what should be done

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<v Speaker 1>differently and what's kind of sketchy and you're like, okay, look,

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<v Speaker 1>I ain't fucking with this, right, That's kind of what happened.

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<v Speaker 1>It was you and Waco Tron, Yeah, yeah, yeah, it was.

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<v Speaker 1>It was a couple niggas on a label. Yeah yeah, yeah.

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<v Speaker 4>I mean for you, man, I mean and then I

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<v Speaker 4>forget You're also on the Cold album.

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<v Speaker 1>That's that's what was great. That was crazy was the

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<v Speaker 1>type of say I bet for you? Like was it? Was? It?

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<v Speaker 4>Like ever a little disheartening? Was there ever any like

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<v Speaker 4>mental hurdles you had to get through to be like damn,

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<v Speaker 4>I gotta kind of not necessarily restart, but when your

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<v Speaker 4>momentum is going, you know, it's hard to get that

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<v Speaker 4>momentum back.

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<v Speaker 1>Uh. I ain't a lot to you. As always in

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<v Speaker 1>the back of your mind, like if you're gonna do

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<v Speaker 1>as well as your first, you're gonna do as well

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<v Speaker 1>as your second. You're like, you know, it's always you're

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<v Speaker 1>competing with yourself and plus you compete with everybody else too.

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<v Speaker 1>But I love music and I love to write, I

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<v Speaker 1>love to record, I love to perform. So this, this

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<v Speaker 1>is this is my blood it's in my life, like

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<v Speaker 1>I finally got a chance to be here, so and

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<v Speaker 1>this is the chance I got to do it independent

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<v Speaker 1>and really like push myself the way I want to

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<v Speaker 1>push myself. I'm happy to start again. I don't give

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<v Speaker 1>a fuck. That's dope. Man. You're with Empire, right? Yeah?

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<v Speaker 1>How did that end up happening? To? Shots to Gazima,

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<v Speaker 1>the whole team over there, solid my manager, Chase shout

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<v Speaker 1>out Chase ages seventy year. He was already like working

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<v Speaker 1>with them and talking to them and he kind of

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<v Speaker 1>helped me put put the deal together and shot up

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<v Speaker 1>my lawyers, Demien too, family, Colin, everybody went crazy and

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<v Speaker 1>like really, you know, put more Raid what he needed

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<v Speaker 1>to be and got me what I needed, which is

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<v Speaker 1>a way to put out music. Yeah, and oh.

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<v Speaker 4>And then oh ship yeah, I mean and then now

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<v Speaker 4>you're able to do what you want?

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<v Speaker 1>Right? Come on, now I can make what I'm make

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<v Speaker 1>it how I want, you feel me do feats, who

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<v Speaker 1>I want? Who I don't want? Was there anybody that

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<v Speaker 1>they're like that you ever?

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<v Speaker 4>Because I heard so many random songs I've been in

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<v Speaker 4>the studio session where people be like, yeah, this is

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<v Speaker 4>with Mora and I'd be like, oh, you were on

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<v Speaker 4>a lot of random songs and we never heard a

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<v Speaker 4>lot of random ass Like I remember I was at

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<v Speaker 4>Gez's house and he played me like yeah, like the

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<v Speaker 4>hardest song he's played me in forever and it was

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<v Speaker 4>with you, and I was like, dang, why is.

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<v Speaker 1>This on the album? Like why is this? It was hardest,

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<v Speaker 1>but it was fire, it was bro. We was like

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<v Speaker 1>we're like three the board and we were just cooler

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<v Speaker 1>in the studio, chiller and we just not making a song.

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<v Speaker 1>And then that song probably will never be anywhere.

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<v Speaker 4>But I was there any of the music that you

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<v Speaker 4>started for I guess under pick six that you were

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<v Speaker 4>able to keep or take with.

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<v Speaker 1>You or and in the situation now that like now

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<v Speaker 1>that I'm separate from from everybody, like whatever didn't come

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<v Speaker 1>out ain't coming out, even like whatever it didn't need

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<v Speaker 1>to come out ain't coming out. And I had like

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<v Speaker 1>probably four hundred songs, not a lot to you, but

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<v Speaker 1>I had working, bro, not have myself working like I

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<v Speaker 1>was out working because I was book the studio time

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<v Speaker 1>every goddamn right, I write fourteen fifteen songs and then

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<v Speaker 1>I go recorded and I'm in the studio writing, it's

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<v Speaker 1>like that's how I moved. But like now it's just

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<v Speaker 1>I'm just like I said, I'm happy to have opportunity

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<v Speaker 1>to really put the music I want to put out

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<v Speaker 1>in the way I want to put it out.

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<v Speaker 4>What's doo too is like you wrote a lot of

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<v Speaker 4>that ship, so I wrote I wrote, No Damn, I'm

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<v Speaker 4>saying like you write your ship.

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<v Speaker 1>So it's like you can fucking recut that ship if

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<v Speaker 1>you're like the idea, like yo, but do you give

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<v Speaker 1>it a new producer? Nah, I ain't gonna lie. I

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<v Speaker 1>the reason I appreciate what I went through because it

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<v Speaker 1>helped me get a lot out all the bull shit

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<v Speaker 1>music you know, talking about like you know, like when

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<v Speaker 1>you're a rapper or you a singer and you're making

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<v Speaker 1>those songs you got like three hundred the Vault Nigga

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<v Speaker 1>all three hundred hot, So you in there figuring out

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<v Speaker 1>the sound, figuring out the vibe. And now I think

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<v Speaker 1>I kind of figured out the way I want to,

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<v Speaker 1>you know, go with my craft and you know how

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<v Speaker 1>I want to paint the pictures.

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<v Speaker 4>Yeah, it's like, uh, do you feel like you ever

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<v Speaker 4>go through demo witis too? Where you have a song

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<v Speaker 4>that and you get tired of it, move on. Yeah,

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<v Speaker 4>I've seen that ship all the time with artists. They'll

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<v Speaker 4>be like, man, I'm like, yo, whatever happened to this song?

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<v Speaker 1>Man? We got this new ship. That's how I be

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<v Speaker 1>like because I because, like I said, being with this

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<v Speaker 1>label and I with them, those songs are old right

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<v Speaker 1>to you, you're over them. I'm like, Nigga, I'm a

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<v Speaker 1>harder ship than that. So like, I'm ready to put

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<v Speaker 1>the harder ship out. But I know sometimes it's a journey,

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<v Speaker 1>but that old journey. I'm trying to put you all

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<v Speaker 1>onto the hardship.

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<v Speaker 4>So the new album is a long story short, Yes, sir,

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<v Speaker 4>why that? Well, it's it's a mix shape you feel

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<v Speaker 4>me like, it's not even an album, mixtape album. You

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<v Speaker 4>know who knows these days see me the new body

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<v Speaker 4>of work.

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<v Speaker 1>That your facts. But it's important to me to set

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<v Speaker 1>up my situation the way it's being set up. The

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<v Speaker 1>mixtape is leading to an album, because before I can

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<v Speaker 1>give you an album, you gotta know where I've been.

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<v Speaker 1>And I don't think I think I can say a

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<v Speaker 1>lot more for for where I've been, at where I'm going,

0:09:12.160 --> 0:09:14.040
<v Speaker 1>and where I want to be in an album, but

0:09:14.080 --> 0:09:15.600
<v Speaker 1>I gotta tell you why I've been in the mixtape

0:09:15.640 --> 0:09:17.560
<v Speaker 1>so you can understand. Okay, we're about to go in

0:09:17.600 --> 0:09:20.080
<v Speaker 1>the long journey, but long story short. Before we get there,

0:09:20.800 --> 0:09:22.440
<v Speaker 1>this is what happened, right type shit?

0:09:22.600 --> 0:09:25.520
<v Speaker 4>Yeah yeah, yeah, nah, I think and this is your

0:09:25.880 --> 0:09:27.640
<v Speaker 4>because you would only put an EPR right now. I

0:09:27.640 --> 0:09:30.120
<v Speaker 4>put a mixtapeut for you. Put a mixt shonka streets.

0:09:30.240 --> 0:09:31.120
<v Speaker 4>How many songs was it?

0:09:31.840 --> 0:09:33.680
<v Speaker 1>I want to say, like twelve or fourteen songs?

0:09:33.720 --> 0:09:38.240
<v Speaker 4>Okay? Yeah? Is it for any features on the nah?

0:09:38.360 --> 0:09:40.560
<v Speaker 4>Just like Street Sermons, Like it's there's there's no features,

0:09:41.000 --> 0:09:42.400
<v Speaker 4>Like what Street Sermons came together?

0:09:42.440 --> 0:09:43.680
<v Speaker 1>Again, like I didn't have a lot of hands as

0:09:43.720 --> 0:09:45.240
<v Speaker 1>far as like what songs got picked and like how

0:09:45.280 --> 0:09:47.480
<v Speaker 1>many songs it was? I just roll the music this one.

0:09:47.520 --> 0:09:49.199
<v Speaker 1>I feel like I really have my hands on it

0:09:49.200 --> 0:09:51.480
<v Speaker 1>and was able to really tell a full blown story

0:09:51.679 --> 0:09:54.320
<v Speaker 1>from top to bottom and chronological order the way I

0:09:54.360 --> 0:09:56.520
<v Speaker 1>want to how I want you sequence the track me

0:09:57.120 --> 0:09:59.280
<v Speaker 1>by myself and I'm sitting there listening to that shit

0:09:59.360 --> 0:10:01.000
<v Speaker 1>like this is the way it got to come out

0:10:01.040 --> 0:10:03.400
<v Speaker 1>this way? Like you know, and I would say, besides

0:10:03.440 --> 0:10:05.280
<v Speaker 1>one song that that got switched, you know shot the

0:10:05.280 --> 0:10:07.040
<v Speaker 1>people that helped me put that one song were needed

0:10:07.080 --> 0:10:09.760
<v Speaker 1>to go. But like, it's just I really was able

0:10:09.760 --> 0:10:11.640
<v Speaker 1>to really get in there and make that shit make

0:10:11.679 --> 0:10:15.760
<v Speaker 1>sense for you? Was was it like? Were?

0:10:15.920 --> 0:10:17.880
<v Speaker 4>Because I feel like you have fans that were probably

0:10:17.920 --> 0:10:19.400
<v Speaker 4>just asking you, like, what the fuck's going on when

0:10:19.440 --> 0:10:20.120
<v Speaker 4>new music coming.

0:10:19.960 --> 0:10:22.760
<v Speaker 1>Out with bro? Like and that's that's why I really

0:10:22.760 --> 0:10:25.360
<v Speaker 1>want to do the mixtape first, to really like, you know,

0:10:25.520 --> 0:10:27.719
<v Speaker 1>let the people that already fuck with me know, like, bro,

0:10:27.800 --> 0:10:29.280
<v Speaker 1>this is what's going on, right, and the ones that

0:10:29.280 --> 0:10:30.880
<v Speaker 1>don't fuck with me will here shit that they never

0:10:30.920 --> 0:10:32.600
<v Speaker 1>heard from. More. We're like, okay, more this is difficult

0:10:32.640 --> 0:10:34.920
<v Speaker 1>to sound and I'm rocking with this right right right now.

0:10:34.960 --> 0:10:36.520
<v Speaker 1>I want to get the new but also, you know,

0:10:36.640 --> 0:10:38.720
<v Speaker 1>telling people that that's been here, like, yo, you got

0:10:38.720 --> 0:10:40.280
<v Speaker 1>something to talk about. You can say, oh, more more,

0:10:40.280 --> 0:10:42.080
<v Speaker 1>he dropped this, more dropped that, because that's been my

0:10:42.160 --> 0:10:44.480
<v Speaker 1>big thing, like people fucking me. But they can't be like,

0:10:44.480 --> 0:10:46.160
<v Speaker 1>oh he's just dropped or he just.

0:10:47.040 --> 0:10:49.240
<v Speaker 4>And now I want to give him that right For you,

0:10:50.679 --> 0:10:53.040
<v Speaker 4>what is something that you learned from the J Cole

0:10:53.080 --> 0:10:55.439
<v Speaker 4>tour and obviously working with Cole Like that tour was

0:10:55.480 --> 0:10:56.760
<v Speaker 4>a big, big boy tour.

0:10:56.840 --> 0:10:57.920
<v Speaker 1>Man that crazy tour.

0:10:58.360 --> 0:11:02.480
<v Speaker 4>He had the whole like NBA shit, going on thirty

0:11:02.559 --> 0:11:04.800
<v Speaker 4>something thousands, like we want to award for like the

0:11:04.840 --> 0:11:06.960
<v Speaker 4>most packed out like stadium. It was insane, but it

0:11:07.040 --> 0:11:10.760
<v Speaker 4>was crazy. But nah, I learned a lot, Like I learned.

0:11:11.080 --> 0:11:13.480
<v Speaker 1>How to really take my craft more serious. I think

0:11:13.840 --> 0:11:16.600
<v Speaker 1>before going on a tour, I did like two shows,

0:11:16.679 --> 0:11:19.040
<v Speaker 1>and I didn't really know how to like breath control.

0:11:19.120 --> 0:11:21.360
<v Speaker 1>I used MP three tracks. I didn't really know what

0:11:21.480 --> 0:11:23.320
<v Speaker 1>you were like singing over your tracks, yeah, type shit.

0:11:23.360 --> 0:11:25.280
<v Speaker 1>But like now being on to with Cold, like now

0:11:25.320 --> 0:11:26.599
<v Speaker 1>there is none of that, Like I might have a

0:11:26.640 --> 0:11:28.960
<v Speaker 1>TV track and maybe catch like a last right of course,

0:11:29.000 --> 0:11:30.720
<v Speaker 1>but I'm three. You could take a breath, you feel me,

0:11:30.760 --> 0:11:32.720
<v Speaker 1>And that's that's all I need because I feel like

0:11:32.800 --> 0:11:34.600
<v Speaker 1>if you're paying tickets to see me, like I'm about

0:11:34.600 --> 0:11:36.120
<v Speaker 1>to sing for real, like I'm trying to go horse

0:11:36.120 --> 0:11:37.920
<v Speaker 1>for y'all then because y'all just got me a new

0:11:37.920 --> 0:11:40.200
<v Speaker 1>cyber trick or some shit like type shit, you got

0:11:40.200 --> 0:11:41.440
<v Speaker 1>to look out for the mother for that look out

0:11:41.480 --> 0:11:43.960
<v Speaker 1>for you. Like, so I just really appreciate the people

0:11:43.960 --> 0:11:46.520
<v Speaker 1>that listen to my music. So I learned from him

0:11:46.520 --> 0:11:48.520
<v Speaker 1>to how to really sing for them niggas, give give

0:11:48.559 --> 0:11:49.760
<v Speaker 1>me a show. Yeah.

0:11:49.800 --> 0:11:51.640
<v Speaker 4>For you being where you're from, being rere clods from

0:11:51.679 --> 0:11:52.679
<v Speaker 4>obviously you guys connecting.

0:11:52.679 --> 0:11:54.280
<v Speaker 1>I felt like it was inevitable.

0:11:55.960 --> 0:11:58.680
<v Speaker 4>When you did, Uh my life, ship, were how hip

0:11:58.679 --> 0:12:01.360
<v Speaker 4>were you to the G version with Pharaoh Munch?

0:12:01.440 --> 0:12:05.920
<v Speaker 1>And I was not hit at all? I wasn't you

0:12:05.960 --> 0:12:08.319
<v Speaker 1>weren't hit nah, he said on the hook my mom.

0:12:08.360 --> 0:12:10.400
<v Speaker 1>I figured, oh, m right, one right, So I was

0:12:10.400 --> 0:12:12.120
<v Speaker 1>all right cool, but he was I got one in

0:12:12.160 --> 0:12:13.400
<v Speaker 1>mind for you, and he was like, you know type

0:12:13.400 --> 0:12:15.920
<v Speaker 1>ship sent me to the how it sounded and if

0:12:15.920 --> 0:12:17.440
<v Speaker 1>I can do it, and he let me play around

0:12:17.440 --> 0:12:18.880
<v Speaker 1>with the arrangement a little bit and kind of singing

0:12:18.880 --> 0:12:21.280
<v Speaker 1>in my tone and my rack yeah, which I was like, Yo,

0:12:21.559 --> 0:12:22.920
<v Speaker 1>this sh it is fired. I appreciate. And then I

0:12:22.920 --> 0:12:25.000
<v Speaker 1>heard the real song, like oh, this ship is hard regardless,

0:12:25.040 --> 0:12:28.760
<v Speaker 1>like hard, it's hard regardless. That had to be a

0:12:28.760 --> 0:12:31.000
<v Speaker 1>big deal, man, It was. It was bro That phone

0:12:31.000 --> 0:12:31.640
<v Speaker 1>call was amazing.

0:12:31.760 --> 0:12:34.240
<v Speaker 4>Yeah, was it something that like you had you thought

0:12:34.240 --> 0:12:36.400
<v Speaker 4>that was like coming that you had an idea might happen?

0:12:36.640 --> 0:12:39.200
<v Speaker 1>Hellna, he called me. It was like a like a

0:12:39.280 --> 0:12:41.720
<v Speaker 1>Thursday or something like just some regular some regular bunk

0:12:41.800 --> 0:12:44.600
<v Speaker 1>hug like just chilling the crib smoking, probably just chilling

0:12:44.760 --> 0:12:47.000
<v Speaker 1>with my my hommies. Get a phone call like, hey, bro,

0:12:47.080 --> 0:12:48.720
<v Speaker 1>I got a song, want you get on you want

0:12:48.720 --> 0:12:51.080
<v Speaker 1>to do the hook? If if I want to do

0:12:51.120 --> 0:12:54.040
<v Speaker 1>the hook? Nigga? Hell yeah, I'm like, nigga, what I'm

0:12:54.080 --> 0:12:57.560
<v Speaker 1>pulling up? Immediately, Bro, I had to like that was

0:12:57.600 --> 0:12:59.560
<v Speaker 1>one of the one of the dopest phone calls you

0:12:59.559 --> 0:13:01.320
<v Speaker 1>can get, like somebody that you look up to or

0:13:01.360 --> 0:13:03.280
<v Speaker 1>you you fuck with and they say they need something

0:13:03.280 --> 0:13:04.200
<v Speaker 1>from you for sure?

0:13:05.600 --> 0:13:07.640
<v Speaker 4>Is there is there anything you would because you kind

0:13:07.640 --> 0:13:11.280
<v Speaker 4>of have went through a lot in the music industry

0:13:11.320 --> 0:13:13.360
<v Speaker 4>in a few years, right, Is there any any advice

0:13:13.440 --> 0:13:16.120
<v Speaker 4>you would give any up and coming artists that are

0:13:16.160 --> 0:13:18.840
<v Speaker 4>in uh obviously in a situation where they're trying to

0:13:19.000 --> 0:13:20.520
<v Speaker 4>trying to you know, maybe they got a little moment

0:13:20.559 --> 0:13:22.920
<v Speaker 4>and maybe they got a little motion and people start calling.

0:13:22.960 --> 0:13:25.240
<v Speaker 1>What advice would you give the core fan base? I

0:13:25.280 --> 0:13:27.680
<v Speaker 1>think I think I didn't learn under that until afterwards,

0:13:27.760 --> 0:13:29.800
<v Speaker 1>like after I've been in there to realize, Okay, if

0:13:29.800 --> 0:13:32.280
<v Speaker 1>you have a core you know, cater to your core.

0:13:32.960 --> 0:13:35.120
<v Speaker 1>Your core will make you bigger than what you are

0:13:35.160 --> 0:13:36.959
<v Speaker 1>because your core gonna spread the good news. You know,

0:13:36.960 --> 0:13:39.320
<v Speaker 1>I'm talking about like small room shows, even it's one

0:13:39.360 --> 0:13:41.520
<v Speaker 1>hundred and fifty people, seventy five people, three hundred people,

0:13:41.559 --> 0:13:44.319
<v Speaker 1>whatever it is, Bust them shows out, get your name

0:13:44.400 --> 0:13:47.680
<v Speaker 1>up there advertisement, put money behind yourself. Don't wait on

0:13:47.840 --> 0:13:49.840
<v Speaker 1>nobody else to do nothing for you, because if you're

0:13:49.840 --> 0:13:51.319
<v Speaker 1>waiting on a nigga to help you get to where

0:13:51.320 --> 0:13:53.120
<v Speaker 1>you got to go, you're never going to fucking get

0:13:53.120 --> 0:13:56.360
<v Speaker 1>there like ever. Put it behind yourself and just just

0:13:56.360 --> 0:13:57.160
<v Speaker 1>just go for that shit.

0:13:58.920 --> 0:14:00.720
<v Speaker 4>Like you said, It's like I feel like artists sometimes

0:14:00.720 --> 0:14:02.600
<v Speaker 4>when they get on her they start popping. It's like, Yo,

0:14:02.679 --> 0:14:04.520
<v Speaker 4>stop like you stopping doing what guy?

0:14:04.559 --> 0:14:06.720
<v Speaker 1>You here? Yeah? For sure to start overthinking this shit,

0:14:06.760 --> 0:14:08.880
<v Speaker 1>bro so much, so much over that I wanted to

0:14:08.920 --> 0:14:10.600
<v Speaker 1>do it the way I said it because that's what

0:14:10.640 --> 0:14:12.280
<v Speaker 1>Cold told me in the beginning, before we even toured

0:14:12.320 --> 0:14:13.640
<v Speaker 1>for anything. He was like, Yo, you need to be

0:14:13.640 --> 0:14:17.560
<v Speaker 1>doing small rooms. Yeah, And that's why another disconnection like

0:14:17.679 --> 0:14:18.839
<v Speaker 1>niggas wasn't try to let me.

0:14:18.760 --> 0:14:21.560
<v Speaker 4>Do its like a two three hundred cap rooms and

0:14:22.160 --> 0:14:24.760
<v Speaker 4>bro do chie for example, she just hit that.

0:14:25.240 --> 0:14:25.920
<v Speaker 1>She just did that.

0:14:26.040 --> 0:14:29.720
<v Speaker 4>And even in Tampa, her hometown, she did on her tour,

0:14:29.840 --> 0:14:33.120
<v Speaker 4>she could have did probably ten thousand tickets for sure.

0:14:33.160 --> 0:14:36.720
<v Speaker 4>She did the crowbar, which was like two hundred yeah,

0:14:36.760 --> 0:14:38.760
<v Speaker 4>three hundred peop yeah no, no, not three hundred, like

0:14:38.800 --> 0:14:42.000
<v Speaker 4>two hundred. It's like and I was like, damn, she

0:14:42.040 --> 0:14:44.880
<v Speaker 4>gets it because like whenever he spins the block for real, Yes,

0:14:45.080 --> 0:14:46.680
<v Speaker 4>she's gonna get a basketball arena.

0:14:46.720 --> 0:14:49.760
<v Speaker 1>You know what I'm saying, Like that is the goal. Yeah,

0:14:49.880 --> 0:14:52.880
<v Speaker 1>if you look at I want to say the Russell, Yes, bro,

0:14:52.960 --> 0:14:54.480
<v Speaker 1>the way he do, he should too, like the show

0:14:54.560 --> 0:14:56.440
<v Speaker 1>that he do. And he I sent a video him

0:14:56.480 --> 0:14:59.320
<v Speaker 1>saying he do like her. He charges for rehearsal. He

0:14:59.360 --> 0:15:02.400
<v Speaker 1>has tickets in backyard and charge a rehearsal like you

0:15:02.480 --> 0:15:04.320
<v Speaker 1>talk the nigga to see the rehearsal. Like this is

0:15:04.360 --> 0:15:06.760
<v Speaker 1>how you need to move get people involved into the

0:15:06.800 --> 0:15:09.640
<v Speaker 1>whole craft. Yeah, so they feel like they're part of it. Yeah.

0:15:09.640 --> 0:15:11.800
<v Speaker 4>Now the rust lie in his crib man, he's got

0:15:11.840 --> 0:15:14.280
<v Speaker 4>the he's got the pergola outside. He'd be doing the

0:15:14.320 --> 0:15:16.320
<v Speaker 4>shows there and then and then the new ship he'd

0:15:16.320 --> 0:15:18.920
<v Speaker 4>be doing is like it's not even new now, but shit,

0:15:18.920 --> 0:15:21.320
<v Speaker 4>he's been doing for a minute now. He tells fans

0:15:21.320 --> 0:15:23.840
<v Speaker 4>if he's got a show, pay what you want. So

0:15:23.880 --> 0:15:26.240
<v Speaker 4>you got you got to buy tickets directly from him,

0:15:26.320 --> 0:15:27.520
<v Speaker 4>and you have to put a bid in for a

0:15:27.560 --> 0:15:29.520
<v Speaker 4>ticket and then he'll accept it or not accept it.

0:15:29.840 --> 0:15:32.640
<v Speaker 1>I might need to hit Bull up talk to you.

0:15:34.840 --> 0:15:36.880
<v Speaker 4>It's like some some tickets you might sell for ten,

0:15:36.960 --> 0:15:38.400
<v Speaker 4>some tickets you mightself for five hundred.

0:15:38.480 --> 0:15:39.040
<v Speaker 1>Yeah, you never know.

0:15:39.120 --> 0:15:41.120
<v Speaker 4>Depends on who you might want to come and support

0:15:41.320 --> 0:15:42.120
<v Speaker 4>what you got going on.

0:15:42.280 --> 0:15:42.680
<v Speaker 1>For sure.

0:15:42.720 --> 0:15:44.280
<v Speaker 4>He does the same ship with the merch too, Like

0:15:44.320 --> 0:15:46.800
<v Speaker 4>if you on his site, you can pay what you

0:15:46.840 --> 0:15:47.640
<v Speaker 4>want for a t shirt.

0:15:47.800 --> 0:15:49.680
<v Speaker 1>Yeah, but he's a smart brother. I ain't gonna lie

0:15:49.720 --> 0:15:51.560
<v Speaker 1>to the way he moved. Like now only is he

0:15:51.600 --> 0:15:52.880
<v Speaker 1>making the music that he wanted to make, and he's

0:15:52.880 --> 0:15:55.320
<v Speaker 1>making music that's comforing for him. Brother's making money, So

0:15:55.360 --> 0:15:57.640
<v Speaker 1>that's good. What do you how do you think?

0:15:57.680 --> 0:15:59.240
<v Speaker 4>I mean, obviously you got a couple of records, a

0:15:59.320 --> 0:16:04.920
<v Speaker 4>few records out Breakthrough just dropped last week. What how

0:16:04.960 --> 0:16:09.400
<v Speaker 4>would you say? Sonically this mixtape is sounding to.

0:16:09.400 --> 0:16:13.400
<v Speaker 1>Me, it's it's it's more focused on it's more singing.

0:16:13.680 --> 0:16:15.520
<v Speaker 1>It's more it's more melodic, you know what I mean.

0:16:15.560 --> 0:16:19.600
<v Speaker 1>I think after Quick saying I became like more RAPPI

0:16:20.520 --> 0:16:23.280
<v Speaker 1>I was because I love hip hop and like people

0:16:23.760 --> 0:16:26.920
<v Speaker 1>love more ray because more records sing even so I

0:16:26.960 --> 0:16:29.280
<v Speaker 1>want to give them more but also not losing me.

0:16:29.840 --> 0:16:32.560
<v Speaker 1>So this is pretty much based on more like melodies

0:16:32.640 --> 0:16:36.600
<v Speaker 1>and more like harmonies and more like stacks with different

0:16:36.680 --> 0:16:40.600
<v Speaker 1>vocals and really focused on emotional side of what I've

0:16:40.600 --> 0:16:42.640
<v Speaker 1>been gonna do right, So for you, is it like

0:16:43.840 --> 0:16:52.479
<v Speaker 1>because did Quick single platinum? Yes, that hit the plat

0:16:52.600 --> 0:16:54.280
<v Speaker 1>they double I got two of them, mother fucking now.

0:16:54.320 --> 0:16:58.400
<v Speaker 4>So it's and then obviously the correcord still growing, it's

0:16:58.400 --> 0:17:00.680
<v Speaker 4>going great. Now that's gonna end up double planting for

0:17:00.680 --> 0:17:02.320
<v Speaker 4>sure over time, even.

0:17:02.120 --> 0:17:04.280
<v Speaker 1>If it happens in a year, three years, I need it.

0:17:04.320 --> 0:17:06.480
<v Speaker 1>I don't even give gram nominally because of that record too.

0:17:06.520 --> 0:17:08.159
<v Speaker 1>So another shout out to Code for like putting a

0:17:08.200 --> 0:17:08.520
<v Speaker 1>nick on.

0:17:09.440 --> 0:17:11.320
<v Speaker 4>I've been noticing like kind of like there's like a

0:17:11.320 --> 0:17:13.440
<v Speaker 4>theme with with like some of the imagery even put

0:17:13.480 --> 0:17:16.520
<v Speaker 4>now in terms of like you know, is it is

0:17:16.560 --> 0:17:20.160
<v Speaker 4>this kind of like your metaphorical say like hey I'm

0:17:20.200 --> 0:17:24.320
<v Speaker 4>free now, like pretty had out the home. You know,

0:17:24.359 --> 0:17:27.960
<v Speaker 4>you're you're in jail, and then you got breakthrough essentially like, hey,

0:17:27.960 --> 0:17:29.679
<v Speaker 4>I've been kind of locked up. Now I could, I

0:17:29.680 --> 0:17:31.320
<v Speaker 4>could get my ship off how I want to get

0:17:31.320 --> 0:17:31.560
<v Speaker 4>it off.

0:17:31.520 --> 0:17:33.680
<v Speaker 1>Pretty much, that's prober what the table is pretty much about,

0:17:33.760 --> 0:17:36.480
<v Speaker 1>like being you know, shelved, being in the box, being

0:17:36.880 --> 0:17:39.560
<v Speaker 1>you know, not able to be as free and be

0:17:39.640 --> 0:17:42.320
<v Speaker 1>as me as I want to be. Right Like you know,

0:17:42.680 --> 0:17:44.560
<v Speaker 1>everybody who know me for real or who's seen me,

0:17:44.600 --> 0:17:46.239
<v Speaker 1>you know I'm a character. I feel I got hell

0:17:46.400 --> 0:17:48.199
<v Speaker 1>energy for sure, and I want to put that in

0:17:48.240 --> 0:17:49.600
<v Speaker 1>my video. I want to put that in my music.

0:17:49.640 --> 0:17:50.919
<v Speaker 1>I want to put that on my shoulders. And like

0:17:50.960 --> 0:17:52.879
<v Speaker 1>I said, like I have a for free reign to

0:17:52.960 --> 0:17:54.760
<v Speaker 1>just do it now. It's not all you gotta do

0:17:54.760 --> 0:17:56.800
<v Speaker 1>it like this, So you gotta let me do me

0:17:56.960 --> 0:17:58.879
<v Speaker 1>because that's what got me here. Yes, I had a

0:17:58.920 --> 0:18:01.680
<v Speaker 1>hell of help right me got me here? For sure?

0:18:02.760 --> 0:18:05.639
<v Speaker 1>Was it was there? Every like? Was it hard to

0:18:05.720 --> 0:18:05.919
<v Speaker 1>kind of?

0:18:05.880 --> 0:18:08.359
<v Speaker 4>Because I'm sure you went through this process where you realize,

0:18:08.400 --> 0:18:09.840
<v Speaker 4>like some of the folks you had met throughout the

0:18:09.880 --> 0:18:13.520
<v Speaker 4>rap game or throughout the music game were really your friends. Yeah,

0:18:13.560 --> 0:18:15.199
<v Speaker 4>they were just fucking with you because it was not

0:18:15.280 --> 0:18:18.080
<v Speaker 4>for sure, like I'm sure, like did you, like, did

0:18:18.119 --> 0:18:19.800
<v Speaker 4>you always know that or did it when when when

0:18:19.840 --> 0:18:21.360
<v Speaker 4>you had kind of gone through whatever you went through

0:18:21.359 --> 0:18:23.239
<v Speaker 4>with the label and things kind of cool down, did

0:18:23.280 --> 0:18:26.400
<v Speaker 4>you notice like, oh, mytherfucker's this is the fakest shit ever.

0:18:26.480 --> 0:18:27.800
<v Speaker 1>Bro. I'm not gonna lie too, Like I said, I

0:18:27.840 --> 0:18:29.399
<v Speaker 1>was real green, bro. Yeah, when I came to you

0:18:29.440 --> 0:18:30.840
<v Speaker 1>were in with a lot of big art. I was

0:18:30.880 --> 0:18:33.840
<v Speaker 1>in with that with everybody. Yeah, br I then rubbed hands,

0:18:34.040 --> 0:18:37.280
<v Speaker 1>fucking shook hands, smoked the blunt talk to got a

0:18:37.320 --> 0:18:39.800
<v Speaker 1>song with mostly a lot of niggas. But you realize

0:18:39.840 --> 0:18:41.320
<v Speaker 1>at the end of the day when when when you're

0:18:41.359 --> 0:18:45.040
<v Speaker 1>not the hot, hot commodity, the love goes away and

0:18:45.080 --> 0:18:48.280
<v Speaker 1>it's not it shouldn't be nothing personally, it's business. But

0:18:48.320 --> 0:18:51.760
<v Speaker 1>you realize this is my business friend, not mine. It

0:18:51.840 --> 0:18:53.760
<v Speaker 1>sounds like if you work with somebody at work, yeah,

0:18:53.760 --> 0:18:56.359
<v Speaker 1>don't spect them to be like cool to it's weird,

0:18:56.400 --> 0:18:57.880
<v Speaker 1>like we work together and yeah we gonna we gonna

0:18:57.920 --> 0:18:59.840
<v Speaker 1>line or we're gonna costume like all you fucking money

0:18:59.840 --> 0:19:02.520
<v Speaker 1>here because you were doing hooks for motherfuckers too, like

0:19:02.560 --> 0:19:05.199
<v Speaker 1>you was like type ship you know, you know, not

0:19:05.280 --> 0:19:05.919
<v Speaker 1>so much as.

0:19:06.640 --> 0:19:09.159
<v Speaker 4>Even if they didn't come out, But I'm saying you

0:19:09.240 --> 0:19:10.120
<v Speaker 4>was was hitting.

0:19:09.920 --> 0:19:11.720
<v Speaker 1>You for hook ty type shah for sure?

0:19:13.160 --> 0:19:15.000
<v Speaker 4>What because you also were in the studio a lot

0:19:15.000 --> 0:19:17.000
<v Speaker 4>with Marshmallow, And I feel like we don't know a

0:19:17.040 --> 0:19:19.080
<v Speaker 4>lot about his creative process and obviously I know it

0:19:19.119 --> 0:19:20.240
<v Speaker 4>didn't work out for the long term.

0:19:20.240 --> 0:19:21.320
<v Speaker 1>Back what's it?

0:19:21.440 --> 0:19:24.680
<v Speaker 4>What's it like being in the lab with him?

0:19:25.920 --> 0:19:27.240
<v Speaker 1>I never I never was in the lab, but he

0:19:27.320 --> 0:19:29.640
<v Speaker 1>cooked up you know, but he played me covered beats.

0:19:29.680 --> 0:19:31.679
<v Speaker 1>You know, we did a couple of sauce on his beats.

0:19:32.160 --> 0:19:33.160
<v Speaker 1>But he's a talented brother.

0:19:33.560 --> 0:19:39.479
<v Speaker 4>Bullshit, are you putting together any any sort of Are

0:19:39.520 --> 0:19:40.240
<v Speaker 4>you going to do a tour?

0:19:41.119 --> 0:19:44.120
<v Speaker 1>That's the plan for sure, Like I said, whatever way,

0:19:44.119 --> 0:19:46.120
<v Speaker 1>I have to do it. But there's big room, small rooms,

0:19:46.119 --> 0:19:48.480
<v Speaker 1>whatever it is. I love to perform and I just

0:19:48.520 --> 0:19:51.359
<v Speaker 1>want to culture curate a show that can like really

0:19:51.400 --> 0:19:52.919
<v Speaker 1>touch people that come see it. They want want them

0:19:52.920 --> 0:19:54.800
<v Speaker 1>to appreciate what they can to see, not just like Okay,

0:19:54.840 --> 0:19:58.640
<v Speaker 1>I could have listened this ship on items or Spotify. Right,

0:19:58.800 --> 0:20:00.680
<v Speaker 1>I feel like got do a dope home. I'm in chill.

0:20:00.840 --> 0:20:03.200
<v Speaker 1>I want you so bad. I do tell you, Brod,

0:20:03.960 --> 0:20:07.000
<v Speaker 1>we went to the city's so bad for sure. What's

0:20:07.080 --> 0:20:09.439
<v Speaker 1>what's the temperature like back home? Uh? It's cold to

0:20:09.440 --> 0:20:11.680
<v Speaker 1>s heal. I mean like, I don't mean the temperature.

0:20:11.800 --> 0:20:14.200
<v Speaker 1>It's cold. I know it's cold. I thought I think

0:20:14.240 --> 0:20:15.280
<v Speaker 1>of it like that. I mean, like you know what

0:20:15.280 --> 0:20:17.480
<v Speaker 1>I'm saying, like like, uh, you know, just like obviously

0:20:17.480 --> 0:20:19.119
<v Speaker 1>you're out here in La now, like are you are?

0:20:19.200 --> 0:20:21.480
<v Speaker 1>Are you going back home? A lot of you? I

0:20:21.520 --> 0:20:23.320
<v Speaker 1>don't go back home a lot because again, like when

0:20:23.320 --> 0:20:25.479
<v Speaker 1>when you're on this independent, independent ground you got you

0:20:25.480 --> 0:20:26.800
<v Speaker 1>gotta go. You mean a lot a lot of this

0:20:27.000 --> 0:20:29.639
<v Speaker 1>just me, you know, in meetings and being here and

0:20:29.680 --> 0:20:31.320
<v Speaker 1>being there and being elsewhere other than where I want

0:20:31.320 --> 0:20:34.000
<v Speaker 1>to baby for me. So I don't be there a lot,

0:20:34.080 --> 0:20:37.240
<v Speaker 1>But hopefully this tour that I'm trying to put together

0:20:37.640 --> 0:20:41.200
<v Speaker 1>gets me there enough to really show appreciation for where

0:20:41.200 --> 0:20:43.240
<v Speaker 1>I'm from what I claim, and show love to the

0:20:43.240 --> 0:20:45.160
<v Speaker 1>people that really show me love in the beginning for sure.

0:20:45.200 --> 0:20:48.240
<v Speaker 1>For sure. Yeah, you also seems like you lost some

0:20:48.320 --> 0:20:50.199
<v Speaker 1>pretty good amount of weight. No, I ain't gonna lie

0:20:50.320 --> 0:20:52.280
<v Speaker 1>be doing a little stun fun you hear me? A

0:20:52.280 --> 0:20:54.399
<v Speaker 1>little boxing, and and then I mean, how much have

0:20:54.480 --> 0:20:57.560
<v Speaker 1>you lost? No cap and all full transparency. I think

0:20:57.560 --> 0:20:59.000
<v Speaker 1>when I lost my way with myself, I was three

0:20:59.119 --> 0:21:02.919
<v Speaker 1>sixty and now I'm like two eighty five. Dude, that's great, Nah,

0:21:02.960 --> 0:21:04.560
<v Speaker 1>it's decent. I ain't gonna lie if I say from the.

0:21:04.600 --> 0:21:06.479
<v Speaker 4>Quick Sand video where you were like the fucking had

0:21:06.960 --> 0:21:09.320
<v Speaker 4>you had the sweat rag with Trophy.

0:21:09.320 --> 0:21:12.040
<v Speaker 1>Everybody was I had to have her. The rag wasn't

0:21:12.119 --> 0:21:16.080
<v Speaker 1>just the I needed that, bitch, it was you feel me.

0:21:16.119 --> 0:21:18.120
<v Speaker 1>I was sweating like motherfuck. I got you were good man,

0:21:18.280 --> 0:21:20.480
<v Speaker 1>you're doing boxing, You're eating better. Hell, you'm eating better.

0:21:20.600 --> 0:21:23.000
<v Speaker 1>Uh my girl, you know she had me understand that.

0:21:23.040 --> 0:21:24.680
<v Speaker 1>You know, maybe the pork and beef ain't the best

0:21:24.720 --> 0:21:26.879
<v Speaker 1>of me. So I want to say, I'm a poloitarian.

0:21:27.080 --> 0:21:30.560
<v Speaker 1>Are you chicken and the peggetarian pescatarian Righttaria? Yeah, yeah,

0:21:30.600 --> 0:21:33.200
<v Speaker 1>facts fat pescatarian. So no pork, no pork, no beat,

0:21:33.240 --> 0:21:37.000
<v Speaker 1>no pork on the fork. But the swine is divine. Nah. Nah,

0:21:37.480 --> 0:21:39.120
<v Speaker 1>if it ain't on the line, I camet down.

0:21:39.800 --> 0:21:42.480
<v Speaker 4>I got you see you like turkey bacon, Fuck with

0:21:42.520 --> 0:21:44.919
<v Speaker 4>turkey bacon, bro, no bullshit. But you fuck with it

0:21:44.960 --> 0:21:47.400
<v Speaker 4>more than baby broke the way the way I make it.

0:21:47.760 --> 0:21:49.440
<v Speaker 1>I funk with him telling you, look, Nosh, I'm gonna

0:21:49.440 --> 0:21:50.879
<v Speaker 1>tell you how to fuck with it more to regular bacon.

0:21:50.920 --> 0:21:53.520
<v Speaker 1>I appreciate you like lying everybody. Right now, I'm gonna

0:21:53.520 --> 0:21:55.959
<v Speaker 1>tell you like bacon by itself is bacon. Don't get

0:21:56.000 --> 0:21:57.920
<v Speaker 1>me wrong. Okay, you gotta be we gotta be clear.

0:21:58.080 --> 0:22:01.240
<v Speaker 1>Bacon is bacon. You don't need ship for bacon. Yeah,

0:22:02.600 --> 0:22:05.399
<v Speaker 1>that bitch in the microwave. No, you can microwave for

0:22:05.400 --> 0:22:08.240
<v Speaker 1>a bacon. What the fuck? Yes, you've never done that.

0:22:08.680 --> 0:22:12.400
<v Speaker 4>You can microwave bacon unless it's the fully cooked already ready. Well,

0:22:12.400 --> 0:22:14.280
<v Speaker 4>maybe that's the bacon I'm thinking of. But if it

0:22:14.400 --> 0:22:17.199
<v Speaker 4>comes out there packing it's pink. Okay, maybe not that bacon,

0:22:17.440 --> 0:22:18.760
<v Speaker 4>but there's bacon you can mic.

0:22:18.600 --> 0:22:21.120
<v Speaker 1>Away it's fully cooked. Back awave with bacon, Okay, put

0:22:21.119 --> 0:22:22.720
<v Speaker 1>it in. I think like the one you put it

0:22:22.720 --> 0:22:25.480
<v Speaker 1>in the paper towel. I mean, yeah, the one that's

0:22:25.520 --> 0:22:27.400
<v Speaker 1>like a Yeah, I'm just talking about after you're talking

0:22:27.440 --> 0:22:29.000
<v Speaker 1>about the real bait. You got the turkey bacon on

0:22:29.080 --> 0:22:31.439
<v Speaker 1>turkey bacon. I'm telling you, all you need is salt.

0:22:31.600 --> 0:22:36.560
<v Speaker 1>And sea, salt, pepper, cinnamon, some honey. After it cooks down,

0:22:36.640 --> 0:22:38.560
<v Speaker 1>push it on top, flipping on both sides. It's called

0:22:38.560 --> 0:22:40.959
<v Speaker 1>like a million dollar bacon. Bro. This shit is busting.

0:22:41.080 --> 0:22:44.000
<v Speaker 1>It tastes way better than bacon without nothing on it.

0:22:44.040 --> 0:22:49.440
<v Speaker 1>How long have you been pescatarian? Like? Three years? Three years?

0:22:49.160 --> 0:22:53.560
<v Speaker 1>Three full years. I got introduced to it four years ago,

0:22:54.040 --> 0:22:56.320
<v Speaker 1>but I ain't really commit to like three years. Have

0:22:56.400 --> 0:22:58.679
<v Speaker 1>they converted you to like a sushi eater out here?

0:22:58.680 --> 0:23:02.359
<v Speaker 1>And now Bra'm a sushi connoisseur. Bro? Were you always

0:23:02.359 --> 0:23:03.359
<v Speaker 1>that way though? Nah?

0:23:03.440 --> 0:23:05.400
<v Speaker 4>Because I can't. I can't imagine in the Carolina don't

0:23:05.400 --> 0:23:07.280
<v Speaker 4>have great sushi. So I came here.

0:23:08.080 --> 0:23:10.240
<v Speaker 1>They had had a meeting one day with with some

0:23:10.240 --> 0:23:12.080
<v Speaker 1>some team I can't think of now, but they had

0:23:12.080 --> 0:23:14.200
<v Speaker 1>a team and they was like, Yo, we're gonna have

0:23:14.240 --> 0:23:16.240
<v Speaker 1>a sushi bar. And I was like, you know, fucking

0:23:16.240 --> 0:23:18.679
<v Speaker 1>the raw fish, like nigga, that sounds gross. Try that

0:23:18.720 --> 0:23:21.000
<v Speaker 1>bitch up, Like this is weird, But I tasted it.

0:23:21.040 --> 0:23:24.000
<v Speaker 1>I was like, Oh, this is crazy and it's it's bustling.

0:23:24.080 --> 0:23:26.199
<v Speaker 1>But sushi is the vibe for sure. I love sushi.

0:23:26.240 --> 0:23:27.119
<v Speaker 1>I love sushi, Bro.

0:23:28.200 --> 0:23:30.240
<v Speaker 4>How's everything because I know you're a father too. Yeah,

0:23:30.280 --> 0:23:31.480
<v Speaker 4>how's everything with with the kids?

0:23:31.520 --> 0:23:33.800
<v Speaker 1>Man? Kids are great, kids are growing and I talk

0:23:33.840 --> 0:23:35.720
<v Speaker 1>to them on every day on FaceTime. You know, make

0:23:35.720 --> 0:23:37.879
<v Speaker 1>sure they straight, you know, I send them my video

0:23:38.000 --> 0:23:39.680
<v Speaker 1>before they come out sending the music, you know what

0:23:39.680 --> 0:23:39.879
<v Speaker 1>I mean.

0:23:39.920 --> 0:23:41.560
<v Speaker 4>They ever try to get you to like like like

0:23:41.640 --> 0:23:44.240
<v Speaker 4>do songs with people, Like, hey, dad, this this person's cracking.

0:23:44.240 --> 0:23:45.480
<v Speaker 4>You should do a song with this person.

0:23:45.640 --> 0:23:48.480
<v Speaker 1>They do, but the people that they listen to ain't

0:23:48.480 --> 0:23:52.080
<v Speaker 1>it album. I'm not like, how would that sound? Because

0:23:53.359 --> 0:23:58.399
<v Speaker 1>my kids music choices is it's a wide wide range

0:23:58.400 --> 0:24:01.320
<v Speaker 1>of music. It's not like they don't listen to like

0:24:02.920 --> 0:24:06.679
<v Speaker 1>my music. This is like ship that I wouldn't be on,

0:24:07.359 --> 0:24:13.840
<v Speaker 1>Like what like Okay, I don't even know half the names.

0:24:13.880 --> 0:24:16.639
<v Speaker 1>But my son went to a concert of someone that

0:24:16.720 --> 0:24:18.840
<v Speaker 1>I don't know, but he was like, you would do

0:24:19.080 --> 0:24:21.520
<v Speaker 1>great on a song with her. I'm like, that's fire.

0:24:21.760 --> 0:24:24.840
<v Speaker 1>I look her up and I'm like, brother, you have

0:24:24.920 --> 0:24:27.040
<v Speaker 1>no ear for music. That's the way you think your

0:24:27.080 --> 0:24:30.560
<v Speaker 1>daddy was all good with shorty text you red, No,

0:24:30.920 --> 0:24:34.399
<v Speaker 1>that's different. Sexy, she hot, but she trapped. That's like

0:24:34.480 --> 0:24:38.000
<v Speaker 1>my vibe. Like I don't even know the girl name.

0:24:38.040 --> 0:24:42.480
<v Speaker 4>He told me the bullshit not TikTok man. Yeah, taking over, bro,

0:24:42.760 --> 0:24:45.280
<v Speaker 4>taking over. Yeah, it's crazy too because now on TikTok

0:24:45.320 --> 0:24:48.840
<v Speaker 4>you have a record as old as fuck. Like, what's

0:24:48.840 --> 0:24:52.879
<v Speaker 4>the song? Oh, there's a Fetti Wap song again. Okay,

0:24:53.000 --> 0:24:56.800
<v Speaker 4>that's from twenty fourteen that just cracked the top forty

0:24:56.840 --> 0:24:57.920
<v Speaker 4>on Billboards Top one hundred.

0:24:58.200 --> 0:25:02.840
<v Speaker 1>The song again by Feti You Didn't be Mine again? Baby? Bro?

0:25:03.000 --> 0:25:05.840
<v Speaker 1>That shit? That what Listen? There's a TikTok challenge.

0:25:05.880 --> 0:25:09.719
<v Speaker 4>Yeah, and songs nine years old, ten years old, and

0:25:09.760 --> 0:25:11.960
<v Speaker 4>it's number thirty six on Billboard.

0:25:11.640 --> 0:25:14.000
<v Speaker 1>Tip one hundred. That song is hard. No, it's a classic.

0:25:14.000 --> 0:25:14.080
<v Speaker 3>Bro.

0:25:14.080 --> 0:25:15.880
<v Speaker 1>I'm gonna keep the fact that just got a whole

0:25:15.880 --> 0:25:19.200
<v Speaker 1>new life because the little niggas are playing it now.

0:25:19.280 --> 0:25:21.000
<v Speaker 1>Because I'm telling you, if you play that song in

0:25:21.119 --> 0:25:24.200
<v Speaker 1>any generation, that shit is just as hard. Fetti Wap,

0:25:24.200 --> 0:25:24.920
<v Speaker 1>where he had.

0:25:24.720 --> 0:25:28.440
<v Speaker 4>The Gamey's twelve month run is insane.

0:25:28.600 --> 0:25:31.760
<v Speaker 1>Are here? He's like, yeah, like, oh it's up now

0:25:31.880 --> 0:25:32.560
<v Speaker 1>it's over.

0:25:33.160 --> 0:25:35.440
<v Speaker 4>It's funny because I saw him open up for Chris

0:25:35.440 --> 0:25:38.840
<v Speaker 4>Brown on tour. It was Chris Brown him Migo's kidding

0:25:39.560 --> 0:25:43.640
<v Speaker 4>And when I tell you a store insane French Montana too.

0:25:44.520 --> 0:25:47.080
<v Speaker 4>People weren't calling for Chris Brown tickets. They were calling

0:25:47.080 --> 0:25:48.920
<v Speaker 4>for Fedi Bro. They were like, yoyo, we want to

0:25:48.920 --> 0:25:49.600
<v Speaker 4>see fetty wap.

0:25:49.720 --> 0:25:51.399
<v Speaker 1>Yeah, but Chris Brown's going it's his store and now

0:25:51.480 --> 0:25:53.600
<v Speaker 1>we want to see Fetti wip Bro. Fetti like that. Bro,

0:25:53.600 --> 0:25:55.680
<v Speaker 1>I'm trying to tell you, Bro, he had it. Oh

0:25:55.760 --> 0:25:58.760
<v Speaker 1>my fetti had like the gangster niggas ready to sing

0:25:58.840 --> 0:26:02.840
<v Speaker 1>for real? Yeah? No, what going crazy? For sure?

0:26:04.200 --> 0:26:07.160
<v Speaker 4>Is there anybody who because I feel like there's been

0:26:07.240 --> 0:26:09.919
<v Speaker 4>like a lot of the guys who have kind of

0:26:09.920 --> 0:26:11.399
<v Speaker 4>come up in the last couple of years since you

0:26:11.960 --> 0:26:13.800
<v Speaker 4>popped off that are kind of doing like some dope

0:26:13.920 --> 0:26:16.000
<v Speaker 4>melodic ship. Is there anybody who you're you're you're checking for,

0:26:16.040 --> 0:26:17.760
<v Speaker 4>anybody you're listening to that you want to work with?

0:26:17.800 --> 0:26:22.040
<v Speaker 1>Maybe now you know who? Uh came across my timeline.

0:26:22.040 --> 0:26:24.399
<v Speaker 1>I was like, brovoic bro voice voice is like super

0:26:24.440 --> 0:26:26.200
<v Speaker 1>like unique and I fucked the way like the way

0:26:26.240 --> 0:26:31.400
<v Speaker 1>he and ship the plug big Actually, Bro, I fucked Bro.

0:26:32.760 --> 0:26:35.359
<v Speaker 1>Want to get niggasi like? I like the way he

0:26:35.560 --> 0:26:38.800
<v Speaker 1>like the accent that crazy voice. Bro, I'm not gonna cut.

0:26:38.840 --> 0:26:41.600
<v Speaker 1>I really fuck with the way Bro really attacked the beat.

0:26:41.680 --> 0:26:44.600
<v Speaker 1>You know, I mean him it's crazy because it's like

0:26:44.600 --> 0:26:46.200
<v Speaker 1>I'm just she was a fat niggas Like no, like

0:26:46.320 --> 0:26:49.160
<v Speaker 1>it's fine. Dave blunts too, like Bro, I just fuck

0:26:49.200 --> 0:26:51.000
<v Speaker 1>with his sound, Like Bro, I just fuck with the

0:26:51.080 --> 0:26:54.600
<v Speaker 1>niggas sound. His lyrics are hilarious.

0:26:54.920 --> 0:26:58.240
<v Speaker 4>Bro, you saying the most out of pocket Jali a

0:26:58.280 --> 0:27:01.880
<v Speaker 4>little bit bro Temy l j Yes, but this.

0:27:01.800 --> 0:27:04.280
<v Speaker 1>Guy, fucking this guy is hilarious.

0:27:04.119 --> 0:27:06.920
<v Speaker 4>He'd be saying, I remember talking like you like saying

0:27:06.960 --> 0:27:08.679
<v Speaker 4>that hard r a lot. He's like, I just be

0:27:08.720 --> 0:27:10.600
<v Speaker 4>talking those songs. So I talk to my friends. I'm like,

0:27:10.600 --> 0:27:13.080
<v Speaker 4>all your friends look white in the room.

0:27:13.680 --> 0:27:15.000
<v Speaker 1>I'm gonna kid with a band.

0:27:15.440 --> 0:27:18.960
<v Speaker 4>I don't know about when he said when he said,

0:27:19.040 --> 0:27:21.879
<v Speaker 4>he said some like he got this one song. I

0:27:21.960 --> 0:27:23.960
<v Speaker 4>like his project because it's funny that ship. I was like, Bro,

0:27:24.040 --> 0:27:25.679
<v Speaker 4>you got the first project I listened to that. She

0:27:25.760 --> 0:27:26.680
<v Speaker 4>had me laughing out loud.

0:27:26.760 --> 0:27:29.040
<v Speaker 1>I'm like, that's crazy. This is my fuckers. They blunt.

0:27:29.560 --> 0:27:31.320
<v Speaker 1>I gotta I gotta hear more than because he's got

0:27:31.359 --> 0:27:33.000
<v Speaker 1>to get his from what I heard. I was like, oh,

0:27:33.000 --> 0:27:34.720
<v Speaker 1>this is nice, but what you're saying, is like, I

0:27:34.720 --> 0:27:36.639
<v Speaker 1>need to listen to a little his wild boy to

0:27:36.720 --> 0:27:39.800
<v Speaker 1>get like a little Oh he's okay, I'm gonna listen

0:27:39.840 --> 0:27:40.639
<v Speaker 1>to a little more.

0:27:40.920 --> 0:27:43.240
<v Speaker 4>You might know he's got the song that can't put

0:27:43.240 --> 0:27:45.200
<v Speaker 4>down the cup, which people know you can't put down

0:27:45.200 --> 0:27:45.600
<v Speaker 4>the cup.

0:27:46.160 --> 0:27:48.720
<v Speaker 1>Can't put down the cup? Sip it brough maths.

0:27:48.840 --> 0:27:51.920
<v Speaker 4>How to get him to be a Pescotanian. Bro, you

0:27:51.960 --> 0:27:54.920
<v Speaker 4>gotta put him on him on that giant man. Now

0:27:55.000 --> 0:27:56.600
<v Speaker 4>he can eat what you want to eat. Just you know,

0:27:57.119 --> 0:28:00.159
<v Speaker 4>stand up every now and again. That's all I dude, bro,

0:28:00.359 --> 0:28:01.119
<v Speaker 4>nice guy, that's all.

0:28:01.200 --> 0:28:02.760
<v Speaker 1>This is super nice. He seemed like he came on

0:28:02.800 --> 0:28:04.920
<v Speaker 1>the podcast super sweet. Dug man. She's he's like he

0:28:05.000 --> 0:28:07.600
<v Speaker 1>want him to be around for sure. He's very genuine.

0:28:07.680 --> 0:28:09.880
<v Speaker 1>Need to get your girl to be his dietician. Hey,

0:28:10.119 --> 0:28:13.080
<v Speaker 1>she she she could, she could, she could get right?

0:28:13.119 --> 0:28:16.040
<v Speaker 1>You got right? She got me right? And box a

0:28:16.080 --> 0:28:18.800
<v Speaker 1>little bit and do some box. So boxing is is

0:28:18.800 --> 0:28:20.160
<v Speaker 1>the work. That's my viob.

0:28:20.200 --> 0:28:20.360
<v Speaker 3>Bro.

0:28:20.680 --> 0:28:22.800
<v Speaker 1>How many days a week you do it? No cap?

0:28:22.880 --> 0:28:25.560
<v Speaker 1>I try to do it every day besides Sunday. If

0:28:25.560 --> 0:28:28.360
<v Speaker 1>it's at the crib, it's at the crib. I got

0:28:28.359 --> 0:28:29.919
<v Speaker 1>I got to punch your bag. I gotta speedbag. I

0:28:29.960 --> 0:28:31.760
<v Speaker 1>got a dummy, I got everything I need. So she

0:28:32.480 --> 0:28:36.679
<v Speaker 1>being there up? Yess yeah type ship all right?

0:28:36.680 --> 0:28:38.920
<v Speaker 4>So the album comes out the twenty first, which is next, No,

0:28:39.400 --> 0:28:40.000
<v Speaker 4>next Friday.

0:28:40.040 --> 0:28:43.480
<v Speaker 1>Yeah, next, bro. I'm so hype for this fucking project.

0:28:43.480 --> 0:28:46.000
<v Speaker 1>Like I said, like I put it together myself, and

0:28:46.080 --> 0:28:49.560
<v Speaker 1>like it's so like Bro, it's it's so life training

0:28:49.600 --> 0:28:52.080
<v Speaker 1>to really still be doing something that I love so

0:28:52.200 --> 0:28:54.760
<v Speaker 1>like and I always like to put track lists together.

0:28:54.800 --> 0:28:57.440
<v Speaker 1>So I finally get to put my own. Bro, I'm like, hell, yeah,

0:28:57.440 --> 0:29:01.440
<v Speaker 1>we outside that man? What was it like? Uh? How

0:29:01.520 --> 0:29:03.600
<v Speaker 1>much have you had a lot of time with with Ghazi?

0:29:03.640 --> 0:29:06.760
<v Speaker 1>Face to face? No? Not a lot of fact, not

0:29:06.840 --> 0:29:08.600
<v Speaker 1>a lot. I met him, of course talk to him,

0:29:08.600 --> 0:29:10.360
<v Speaker 1>but like not a lot of face to face. Who's

0:29:10.360 --> 0:29:14.000
<v Speaker 1>your p m over there? Who your project manager? Oh?

0:29:14.120 --> 0:29:15.040
<v Speaker 1>I used to work in Empires.

0:29:16.200 --> 0:29:21.120
<v Speaker 4>Oh okay, yeah yeah, I said, I said them nighttime.

0:29:22.840 --> 0:29:24.520
<v Speaker 4>Now you're in good hands man, Empires the ship. No,

0:29:24.800 --> 0:29:27.640
<v Speaker 4>I'm gonna lie Empires really really smooth.

0:29:27.920 --> 0:29:29.960
<v Speaker 1>Yeah. I want to hear you and your boozie do

0:29:30.000 --> 0:29:32.320
<v Speaker 1>some ship. Bro. No, I got some for as if

0:29:32.320 --> 0:29:34.560
<v Speaker 1>he funcked me. No, boys, you and your boozy would

0:29:34.560 --> 0:29:36.720
<v Speaker 1>go crazy, would be And I'm trying to tell you

0:29:36.760 --> 0:29:40.240
<v Speaker 1>and now you are label mates. Bro Boozy fuck with

0:29:40.280 --> 0:29:41.960
<v Speaker 1>a country niggas to here you talking and you and

0:29:42.040 --> 0:29:44.040
<v Speaker 1>Jelly Roll Bro not. I hate to go to the

0:29:44.040 --> 0:29:46.800
<v Speaker 1>fact that no but Jelly crazy though I ain't gonna

0:29:46.840 --> 0:29:48.720
<v Speaker 1>lie to like bro no bullshit. I got I got

0:29:48.760 --> 0:29:50.600
<v Speaker 1>a couple of Jelly roll saws on my own my ship.

0:29:50.640 --> 0:29:52.120
<v Speaker 1>He got a song called talk to God and Liar,

0:29:52.240 --> 0:29:56.440
<v Speaker 1>Oh yeah, liars amazing motherucker. Bro, I got work. I'm

0:29:56.440 --> 0:29:58.880
<v Speaker 1>broking out. I got to bump them bitches you energy

0:29:58.880 --> 0:30:01.240
<v Speaker 1>winning streaks my ship. That's hard, that's hard to for sure.

0:30:01.480 --> 0:30:03.960
<v Speaker 4>Well, listen, man, the album's dropping or mixtape long story

0:30:04.000 --> 0:30:07.720
<v Speaker 4>short and then album following Yes sir uh on next Friday,

0:30:07.760 --> 0:30:09.520
<v Speaker 4>on the twenty first, go running up, got thing goes

0:30:09.560 --> 0:30:10.000
<v Speaker 4>out right now?

0:30:10.080 --> 0:30:10.959
<v Speaker 1>Music videos coming up?

0:30:10.960 --> 0:30:11.160
<v Speaker 3>Sure?

0:30:11.320 --> 0:30:15.920
<v Speaker 1>Sure? Anything else going on? Not just please pre saved.

0:30:16.280 --> 0:30:18.240
<v Speaker 1>It is time for more ready to give himself a

0:30:18.320 --> 0:30:20.480
<v Speaker 1>full shot. And people that fuck with me keep fucking

0:30:20.480 --> 0:30:21.600
<v Speaker 1>with me. If you don't fuck with me, you about

0:30:21.600 --> 0:30:23.400
<v Speaker 1>to fuck with me. Pre save the album.

0:30:23.520 --> 0:30:26.200
<v Speaker 4>Pre save that motherfucker please there it is my guy

0:30:26.200 --> 0:30:29.080
<v Speaker 4>I appreciate you, right sir Moray Fire