1 00:00:00,000 --> 00:00:01,800 Speaker 1: What's up with shit boy? More Ray? You know the vibe. 2 00:00:01,840 --> 00:00:04,720 Speaker 1: You can check me on Bootleg Cavs podcast. 3 00:00:04,880 --> 00:00:07,200 Speaker 2: All right, y'all, before we get into the episode, we 4 00:00:07,280 --> 00:00:09,960 Speaker 2: gotta do this. We just dropped these t shirts to 5 00:00:10,000 --> 00:00:13,039 Speaker 2: celebrate five hundred episodes with the bootle cap podcast. Yes, 6 00:00:13,720 --> 00:00:17,079 Speaker 2: this is out, Little daytona five hundred vintage flip. All 7 00:00:17,160 --> 00:00:19,960 Speaker 2: five hundred episodes are on the back. Yes, you can 8 00:00:20,040 --> 00:00:23,439 Speaker 2: do the gray, or you could just go black. The 9 00:00:23,480 --> 00:00:24,480 Speaker 2: black is fire too. 10 00:00:25,079 --> 00:00:25,880 Speaker 1: So look, if you. 11 00:00:25,880 --> 00:00:28,159 Speaker 3: Go right now man bootleg cab dot com and you 12 00:00:28,240 --> 00:00:32,640 Speaker 3: cop yourself a five hundred EPISO T shirt, I'm gonna 13 00:00:32,640 --> 00:00:33,440 Speaker 3: throwing a pair of socks. 14 00:00:33,880 --> 00:00:35,400 Speaker 1: We got the Bootleg Camp odd Socks. 15 00:00:35,720 --> 00:00:38,880 Speaker 3: You already know the Bootleg Cab podcast sponsored by odd Socks, 16 00:00:39,080 --> 00:00:41,040 Speaker 3: so it's only right we're throwing a pair of odd 17 00:00:41,080 --> 00:00:45,520 Speaker 3: socks for every T shirt sold. So bootleg cab dot Com, 18 00:00:45,560 --> 00:00:48,519 Speaker 3: thank you everybody for supporting five hundred episodes. Let's get 19 00:00:48,520 --> 00:00:50,520 Speaker 3: into the next one right now. 20 00:00:50,520 --> 00:00:56,200 Speaker 1: Come on, yo, Bootleg Caps show bout Let Camp podcast. 21 00:00:56,240 --> 00:00:57,800 Speaker 4: Man, we got a special guest in hear my Dog. 22 00:00:57,840 --> 00:00:59,480 Speaker 4: I ain't seen him in a minute, but he is back. 23 00:00:59,560 --> 00:01:03,440 Speaker 4: More Ray, sir, Yo, it's raining like crazy in l A. 24 00:01:03,480 --> 00:01:05,120 Speaker 4: If you can see he's he's soaked. 25 00:01:05,400 --> 00:01:07,080 Speaker 1: I'm soaked. You can't see it as much on me. 26 00:01:07,920 --> 00:01:09,920 Speaker 1: Straight out the rain, okay, straight off the ring. 27 00:01:10,680 --> 00:01:10,840 Speaker 3: Real. 28 00:01:12,000 --> 00:01:12,640 Speaker 1: What's good though? 29 00:01:12,680 --> 00:01:12,880 Speaker 3: Man? 30 00:01:13,680 --> 00:01:17,240 Speaker 4: It's crazy, man, because I feel like I want I mean, obviously, 31 00:01:17,319 --> 00:01:18,520 Speaker 4: I know, I know you've talked about it a bit, 32 00:01:18,520 --> 00:01:19,679 Speaker 4: but I want to kind of break down what's been 33 00:01:19,680 --> 00:01:22,200 Speaker 4: going on the last couple of years because you have 34 00:01:22,319 --> 00:01:26,440 Speaker 4: so much momentum. Uh your ep was Crazy quicksand was 35 00:01:26,440 --> 00:01:28,800 Speaker 4: going up. I mean, you opened up for J Cole 36 00:01:28,880 --> 00:01:30,640 Speaker 4: and I just felt like you really stole the show 37 00:01:30,680 --> 00:01:32,360 Speaker 4: on that tour, man, Like, if you got there early, 38 00:01:32,480 --> 00:01:33,440 Speaker 4: you gave them a show. 39 00:01:33,640 --> 00:01:36,080 Speaker 1: I had had to compete with twenty one and J. 40 00:01:36,440 --> 00:01:38,640 Speaker 4: Yeah, man, I got I got to go to to 41 00:01:38,680 --> 00:01:40,039 Speaker 4: the to the l A show, and I was like, 42 00:01:40,640 --> 00:01:42,520 Speaker 4: shout to epic because at the time you were epic. 43 00:01:42,560 --> 00:01:46,000 Speaker 4: I think, right, okay, okay, somebody gave me the tickets, 44 00:01:47,240 --> 00:01:49,960 Speaker 4: but uh, yeah man. And then I feel like the 45 00:01:50,040 --> 00:01:52,840 Speaker 4: last couple of years you'd kind of been a little 46 00:01:52,840 --> 00:01:53,440 Speaker 4: bit out the way. 47 00:01:53,880 --> 00:01:55,720 Speaker 1: What what is? What is? I mean? Uh, you know 48 00:01:55,800 --> 00:01:58,480 Speaker 1: you were signed with south Side and MO and that 49 00:01:58,480 --> 00:02:01,720 Speaker 1: that went sour. I'm assuming you mean, yeah, I was 50 00:02:02,000 --> 00:02:05,520 Speaker 1: with Pick six emotional. I wasn't sounding south, but I 51 00:02:05,560 --> 00:02:08,720 Speaker 1: know he has he's something to do with So pick 52 00:02:08,760 --> 00:02:14,880 Speaker 1: six is is motional easy? Okay? Yeah, so but I right, right, right, okay, Yeah, 53 00:02:14,919 --> 00:02:18,919 Speaker 1: I saw emotional leazy, and then you know, differences happened. 54 00:02:18,919 --> 00:02:21,760 Speaker 1: You know, we all think differently. We have different emotions 55 00:02:21,760 --> 00:02:23,720 Speaker 1: about the music, we have different ways of how you 56 00:02:23,760 --> 00:02:25,200 Speaker 1: want to push, we have different things we want to 57 00:02:25,200 --> 00:02:27,960 Speaker 1: speak about, and you know, sometimes business get involved too, 58 00:02:28,000 --> 00:02:29,880 Speaker 1: and then personal films can involve too, like you know, 59 00:02:29,919 --> 00:02:31,840 Speaker 1: if you know the story, you know, like he he 60 00:02:31,840 --> 00:02:34,519 Speaker 1: helped me get there for me, so the emotions get involved, 61 00:02:34,639 --> 00:02:35,799 Speaker 1: is yeah. 62 00:02:35,680 --> 00:02:39,520 Speaker 4: Because essentially you had gone viral with quicksand Yeah, which 63 00:02:39,639 --> 00:02:42,760 Speaker 4: was an absolute organic smn not that just went insane 64 00:02:43,000 --> 00:02:46,240 Speaker 4: on YouTube and it just was everywhere, and then Mo 65 00:02:46,400 --> 00:02:48,919 Speaker 4: ends up finding you or reaching out to you, and 66 00:02:49,040 --> 00:02:51,880 Speaker 4: soon based off of that, Yeah, I remember coming in 67 00:02:51,919 --> 00:02:54,760 Speaker 4: and hearing like, like what was supposed to be some 68 00:02:54,840 --> 00:02:58,280 Speaker 4: of your album? Yeah, uh, you're recording here in Burbank 69 00:02:58,320 --> 00:03:01,840 Speaker 4: for a little bit for a minute, and so like 70 00:03:02,040 --> 00:03:05,080 Speaker 4: was it was it just like a difference of like 71 00:03:05,160 --> 00:03:07,120 Speaker 4: the approach of you as an artist where you wanted 72 00:03:07,160 --> 00:03:09,760 Speaker 4: to be Like now, it was just like the control 73 00:03:10,000 --> 00:03:13,880 Speaker 4: of the situation, Like I wanted to be like a 74 00:03:14,080 --> 00:03:17,080 Speaker 4: show touring. I wanted to be doing it like that, right, 75 00:03:17,160 --> 00:03:18,760 Speaker 4: And it was more like, well, we think this is 76 00:03:18,800 --> 00:03:20,799 Speaker 4: best for you not to and wait for this show 77 00:03:20,840 --> 00:03:22,880 Speaker 4: and wait for this I'm well, you know, I want 78 00:03:22,919 --> 00:03:24,880 Speaker 4: to be an actual artist. And then it's certain music 79 00:03:24,919 --> 00:03:26,040 Speaker 4: you want to put out. I was like, well, we 80 00:03:26,080 --> 00:03:27,920 Speaker 4: want to put this music out, but I'm like, well 81 00:03:27,960 --> 00:03:30,000 Speaker 4: I like this music, right, And then the music they like, 82 00:03:30,160 --> 00:03:32,079 Speaker 4: I don't like it. It's like there's a whole bunch 83 00:03:32,080 --> 00:03:33,280 Speaker 4: of like just a bunch of riff rap. 84 00:03:33,280 --> 00:03:36,600 Speaker 1: And then like and me not understanding the industry or 85 00:03:36,600 --> 00:03:38,480 Speaker 1: the game, and you know, kind of being like, you know, 86 00:03:38,880 --> 00:03:40,480 Speaker 1: I ain't gonna taking advantage of because I'm a grown 87 00:03:40,480 --> 00:03:40,840 Speaker 1: ass man. 88 00:03:40,840 --> 00:03:42,440 Speaker 4: But you know what I mean, Like, I mean, you're 89 00:03:42,560 --> 00:03:44,600 Speaker 4: very very like you're I mean, obviously you know from 90 00:03:44,640 --> 00:03:46,960 Speaker 4: from where you are to now, Like I feel like 91 00:03:47,000 --> 00:03:48,640 Speaker 4: even when I first met you were just happy to be. 92 00:03:48,760 --> 00:03:52,640 Speaker 1: No hell yeah, the game you're here. I was green 93 00:03:52,640 --> 00:03:53,560 Speaker 1: as hey, I ain't gonna lie. 94 00:03:54,600 --> 00:03:56,280 Speaker 4: So what ended up was it was It was that 95 00:03:56,400 --> 00:03:57,960 Speaker 4: kind of why we hadn't seen from you in a while. 96 00:03:57,960 --> 00:04:03,360 Speaker 4: There was just not a obviously you're there's this you know, uh, 97 00:04:03,400 --> 00:04:06,280 Speaker 4: this conflict with the label, no new music's coming out. 98 00:04:06,600 --> 00:04:08,480 Speaker 4: And then at a certain point in time, was it 99 00:04:08,520 --> 00:04:10,480 Speaker 4: your decision, their decision to try to figure out how. 100 00:04:10,440 --> 00:04:12,160 Speaker 1: To move forward and move on? 101 00:04:12,840 --> 00:04:14,760 Speaker 4: It was it was my decision because I really wanted 102 00:04:14,800 --> 00:04:17,440 Speaker 4: to like get away from anything that had to do 103 00:04:17,520 --> 00:04:21,360 Speaker 4: with anything that wasn't bringing me happiness, peace or help 104 00:04:21,440 --> 00:04:22,960 Speaker 4: me succeed, you know what I mean, Like if I 105 00:04:23,000 --> 00:04:25,640 Speaker 4: was as the Clippers fan, come on, listen, Hey, that's 106 00:04:25,680 --> 00:04:29,880 Speaker 4: why I'm striving for greatness. We always strive, Okay, but nah, 107 00:04:30,080 --> 00:04:32,279 Speaker 4: just back in then them times I was just listening, 108 00:04:32,279 --> 00:04:33,440 Speaker 4: you know what I mean, Like when you first met me, 109 00:04:33,440 --> 00:04:35,360 Speaker 4: like you said, I was green, like go here more, 110 00:04:35,480 --> 00:04:37,440 Speaker 4: do this, and I'm just like okay, yeah. 111 00:04:37,800 --> 00:04:39,479 Speaker 1: But then when it gets to the business, I'm like, okay, 112 00:04:39,480 --> 00:04:40,960 Speaker 1: well I want to figure out how to how to 113 00:04:41,000 --> 00:04:42,920 Speaker 1: do this. Well, just relax and make the music. We'll 114 00:04:42,960 --> 00:04:44,560 Speaker 1: figure it out. Like now I want to learn more. 115 00:04:44,560 --> 00:04:46,200 Speaker 1: And then we start learning more. I realized that was 116 00:04:46,200 --> 00:04:48,640 Speaker 1: wrong and what's not happening? And what should be done 117 00:04:48,800 --> 00:04:50,600 Speaker 1: differently and what's kind of sketchy and you're like, okay, look, 118 00:04:50,920 --> 00:04:53,239 Speaker 1: I ain't fucking with this, right, That's kind of what happened. 119 00:04:53,480 --> 00:04:56,400 Speaker 1: It was you and Waco Tron, Yeah, yeah, yeah, it was. 120 00:04:56,640 --> 00:05:00,320 Speaker 1: It was a couple niggas on a label. Yeah yeah, yeah. 121 00:05:00,360 --> 00:05:02,400 Speaker 4: I mean for you, man, I mean and then I 122 00:05:02,640 --> 00:05:04,479 Speaker 4: forget You're also on the Cold album. 123 00:05:05,320 --> 00:05:09,000 Speaker 1: That's that's what was great. That was crazy was the 124 00:05:09,000 --> 00:05:13,360 Speaker 1: type of say I bet for you? Like was it? Was? It? 125 00:05:13,400 --> 00:05:16,440 Speaker 4: Like ever a little disheartening? Was there ever any like 126 00:05:16,480 --> 00:05:18,240 Speaker 4: mental hurdles you had to get through to be like damn, 127 00:05:18,240 --> 00:05:20,680 Speaker 4: I gotta kind of not necessarily restart, but when your 128 00:05:20,720 --> 00:05:23,600 Speaker 4: momentum is going, you know, it's hard to get that 129 00:05:23,640 --> 00:05:24,400 Speaker 4: momentum back. 130 00:05:25,279 --> 00:05:27,640 Speaker 1: Uh. I ain't a lot to you. As always in 131 00:05:28,080 --> 00:05:29,440 Speaker 1: the back of your mind, like if you're gonna do 132 00:05:29,480 --> 00:05:30,720 Speaker 1: as well as your first, you're gonna do as well 133 00:05:30,760 --> 00:05:32,720 Speaker 1: as your second. You're like, you know, it's always you're 134 00:05:32,720 --> 00:05:35,440 Speaker 1: competing with yourself and plus you compete with everybody else too. 135 00:05:35,520 --> 00:05:38,080 Speaker 1: But I love music and I love to write, I 136 00:05:38,080 --> 00:05:39,960 Speaker 1: love to record, I love to perform. So this, this 137 00:05:40,000 --> 00:05:41,560 Speaker 1: is this is my blood it's in my life, like 138 00:05:41,560 --> 00:05:43,440 Speaker 1: I finally got a chance to be here, so and 139 00:05:43,440 --> 00:05:44,920 Speaker 1: this is the chance I got to do it independent 140 00:05:44,960 --> 00:05:46,680 Speaker 1: and really like push myself the way I want to 141 00:05:46,680 --> 00:05:49,280 Speaker 1: push myself. I'm happy to start again. I don't give 142 00:05:49,279 --> 00:05:53,560 Speaker 1: a fuck. That's dope. Man. You're with Empire, right? Yeah? 143 00:05:53,600 --> 00:05:55,279 Speaker 1: How did that end up happening? To? Shots to Gazima, 144 00:05:55,360 --> 00:05:58,760 Speaker 1: the whole team over there, solid my manager, Chase shout 145 00:05:58,800 --> 00:06:02,599 Speaker 1: out Chase ages seventy year. He was already like working 146 00:06:02,600 --> 00:06:03,839 Speaker 1: with them and talking to them and he kind of 147 00:06:03,839 --> 00:06:06,040 Speaker 1: helped me put put the deal together and shot up 148 00:06:06,279 --> 00:06:09,279 Speaker 1: my lawyers, Demien too, family, Colin, everybody went crazy and 149 00:06:09,320 --> 00:06:11,760 Speaker 1: like really, you know, put more Raid what he needed 150 00:06:11,800 --> 00:06:13,839 Speaker 1: to be and got me what I needed, which is 151 00:06:14,040 --> 00:06:16,960 Speaker 1: a way to put out music. Yeah, and oh. 152 00:06:17,560 --> 00:06:21,280 Speaker 4: And then oh ship yeah, I mean and then now 153 00:06:21,320 --> 00:06:22,320 Speaker 4: you're able to do what you want? 154 00:06:22,440 --> 00:06:24,520 Speaker 1: Right? Come on, now I can make what I'm make 155 00:06:24,560 --> 00:06:26,360 Speaker 1: it how I want, you feel me do feats, who 156 00:06:26,360 --> 00:06:29,680 Speaker 1: I want? Who I don't want? Was there anybody that 157 00:06:29,720 --> 00:06:31,000 Speaker 1: they're like that you ever? 158 00:06:31,720 --> 00:06:33,920 Speaker 4: Because I heard so many random songs I've been in 159 00:06:33,920 --> 00:06:35,560 Speaker 4: the studio session where people be like, yeah, this is 160 00:06:35,560 --> 00:06:38,520 Speaker 4: with Mora and I'd be like, oh, you were on 161 00:06:38,560 --> 00:06:40,880 Speaker 4: a lot of random songs and we never heard a 162 00:06:41,000 --> 00:06:43,160 Speaker 4: lot of random ass Like I remember I was at 163 00:06:43,160 --> 00:06:45,479 Speaker 4: Gez's house and he played me like yeah, like the 164 00:06:45,560 --> 00:06:48,320 Speaker 4: hardest song he's played me in forever and it was 165 00:06:48,360 --> 00:06:51,520 Speaker 4: with you, and I was like, dang, why is. 166 00:06:51,680 --> 00:06:54,440 Speaker 1: This on the album? Like why is this? It was hardest, 167 00:06:54,640 --> 00:06:57,000 Speaker 1: but it was fire, it was bro. We was like 168 00:06:57,040 --> 00:06:58,800 Speaker 1: we're like three the board and we were just cooler 169 00:06:58,839 --> 00:07:01,120 Speaker 1: in the studio, chiller and we just not making a song. 170 00:07:01,200 --> 00:07:03,239 Speaker 1: And then that song probably will never be anywhere. 171 00:07:03,240 --> 00:07:06,039 Speaker 4: But I was there any of the music that you 172 00:07:06,320 --> 00:07:09,920 Speaker 4: started for I guess under pick six that you were 173 00:07:09,960 --> 00:07:11,080 Speaker 4: able to keep or take with. 174 00:07:11,000 --> 00:07:14,280 Speaker 1: You or and in the situation now that like now 175 00:07:14,320 --> 00:07:17,320 Speaker 1: that I'm separate from from everybody, like whatever didn't come 176 00:07:17,360 --> 00:07:20,200 Speaker 1: out ain't coming out, even like whatever it didn't need 177 00:07:20,240 --> 00:07:22,240 Speaker 1: to come out ain't coming out. And I had like 178 00:07:22,280 --> 00:07:24,640 Speaker 1: probably four hundred songs, not a lot to you, but 179 00:07:24,960 --> 00:07:27,880 Speaker 1: I had working, bro, not have myself working like I 180 00:07:27,920 --> 00:07:29,760 Speaker 1: was out working because I was book the studio time 181 00:07:29,840 --> 00:07:32,600 Speaker 1: every goddamn right, I write fourteen fifteen songs and then 182 00:07:32,640 --> 00:07:34,480 Speaker 1: I go recorded and I'm in the studio writing, it's 183 00:07:34,560 --> 00:07:37,840 Speaker 1: like that's how I moved. But like now it's just 184 00:07:38,440 --> 00:07:40,200 Speaker 1: I'm just like I said, I'm happy to have opportunity 185 00:07:40,200 --> 00:07:41,600 Speaker 1: to really put the music I want to put out 186 00:07:41,640 --> 00:07:42,440 Speaker 1: in the way I want to put it out. 187 00:07:42,480 --> 00:07:44,240 Speaker 4: What's doo too is like you wrote a lot of 188 00:07:44,280 --> 00:07:47,520 Speaker 4: that ship, so I wrote I wrote, No Damn, I'm 189 00:07:47,520 --> 00:07:48,520 Speaker 4: saying like you write your ship. 190 00:07:48,640 --> 00:07:51,600 Speaker 1: So it's like you can fucking recut that ship if 191 00:07:51,600 --> 00:07:54,000 Speaker 1: you're like the idea, like yo, but do you give 192 00:07:54,040 --> 00:07:56,000 Speaker 1: it a new producer? Nah, I ain't gonna lie. I 193 00:07:56,480 --> 00:07:58,520 Speaker 1: the reason I appreciate what I went through because it 194 00:07:58,520 --> 00:08:00,280 Speaker 1: helped me get a lot out all the bull shit 195 00:08:00,360 --> 00:08:01,800 Speaker 1: music you know, talking about like you know, like when 196 00:08:01,800 --> 00:08:03,360 Speaker 1: you're a rapper or you a singer and you're making 197 00:08:03,360 --> 00:08:05,559 Speaker 1: those songs you got like three hundred the Vault Nigga 198 00:08:05,600 --> 00:08:08,000 Speaker 1: all three hundred hot, So you in there figuring out 199 00:08:08,040 --> 00:08:09,680 Speaker 1: the sound, figuring out the vibe. And now I think 200 00:08:09,720 --> 00:08:12,240 Speaker 1: I kind of figured out the way I want to, 201 00:08:12,280 --> 00:08:14,480 Speaker 1: you know, go with my craft and you know how 202 00:08:14,480 --> 00:08:15,440 Speaker 1: I want to paint the pictures. 203 00:08:15,520 --> 00:08:18,000 Speaker 4: Yeah, it's like, uh, do you feel like you ever 204 00:08:18,040 --> 00:08:19,880 Speaker 4: go through demo witis too? Where you have a song 205 00:08:20,120 --> 00:08:22,680 Speaker 4: that and you get tired of it, move on. Yeah, 206 00:08:22,920 --> 00:08:25,040 Speaker 4: I've seen that ship all the time with artists. They'll 207 00:08:25,080 --> 00:08:27,840 Speaker 4: be like, man, I'm like, yo, whatever happened to this song? 208 00:08:28,320 --> 00:08:30,320 Speaker 1: Man? We got this new ship. That's how I be 209 00:08:30,800 --> 00:08:32,920 Speaker 1: like because I because, like I said, being with this 210 00:08:32,960 --> 00:08:35,360 Speaker 1: label and I with them, those songs are old right 211 00:08:35,520 --> 00:08:38,079 Speaker 1: to you, you're over them. I'm like, Nigga, I'm a 212 00:08:38,280 --> 00:08:40,719 Speaker 1: harder ship than that. So like, I'm ready to put 213 00:08:40,720 --> 00:08:43,120 Speaker 1: the harder ship out. But I know sometimes it's a journey, 214 00:08:43,120 --> 00:08:45,079 Speaker 1: but that old journey. I'm trying to put you all 215 00:08:45,080 --> 00:08:45,720 Speaker 1: onto the hardship. 216 00:08:46,240 --> 00:08:49,000 Speaker 4: So the new album is a long story short, Yes, sir, 217 00:08:49,080 --> 00:08:50,880 Speaker 4: why that? Well, it's it's a mix shape you feel 218 00:08:50,880 --> 00:08:52,600 Speaker 4: me like, it's not even an album, mixtape album. You 219 00:08:52,600 --> 00:08:55,319 Speaker 4: know who knows these days see me the new body 220 00:08:55,360 --> 00:08:55,720 Speaker 4: of work. 221 00:08:55,880 --> 00:08:58,240 Speaker 1: That your facts. But it's important to me to set 222 00:08:58,320 --> 00:09:01,560 Speaker 1: up my situation the way it's being set up. The 223 00:09:01,559 --> 00:09:04,679 Speaker 1: mixtape is leading to an album, because before I can 224 00:09:04,679 --> 00:09:06,199 Speaker 1: give you an album, you gotta know where I've been. 225 00:09:06,640 --> 00:09:08,760 Speaker 1: And I don't think I think I can say a 226 00:09:08,800 --> 00:09:12,000 Speaker 1: lot more for for where I've been, at where I'm going, 227 00:09:12,160 --> 00:09:14,040 Speaker 1: and where I want to be in an album, but 228 00:09:14,080 --> 00:09:15,600 Speaker 1: I gotta tell you why I've been in the mixtape 229 00:09:15,640 --> 00:09:17,560 Speaker 1: so you can understand. Okay, we're about to go in 230 00:09:17,600 --> 00:09:20,080 Speaker 1: the long journey, but long story short. Before we get there, 231 00:09:20,800 --> 00:09:22,440 Speaker 1: this is what happened, right type shit? 232 00:09:22,600 --> 00:09:25,520 Speaker 4: Yeah yeah, yeah, nah, I think and this is your 233 00:09:25,880 --> 00:09:27,640 Speaker 4: because you would only put an EPR right now. I 234 00:09:27,640 --> 00:09:30,120 Speaker 4: put a mixtapeut for you. Put a mixt shonka streets. 235 00:09:30,240 --> 00:09:31,120 Speaker 4: How many songs was it? 236 00:09:31,840 --> 00:09:33,680 Speaker 1: I want to say, like twelve or fourteen songs? 237 00:09:33,720 --> 00:09:38,240 Speaker 4: Okay? Yeah? Is it for any features on the nah? 238 00:09:38,360 --> 00:09:40,560 Speaker 4: Just like Street Sermons, Like it's there's there's no features, 239 00:09:41,000 --> 00:09:42,400 Speaker 4: Like what Street Sermons came together? 240 00:09:42,440 --> 00:09:43,680 Speaker 1: Again, like I didn't have a lot of hands as 241 00:09:43,720 --> 00:09:45,240 Speaker 1: far as like what songs got picked and like how 242 00:09:45,280 --> 00:09:47,480 Speaker 1: many songs it was? I just roll the music this one. 243 00:09:47,520 --> 00:09:49,199 Speaker 1: I feel like I really have my hands on it 244 00:09:49,200 --> 00:09:51,480 Speaker 1: and was able to really tell a full blown story 245 00:09:51,679 --> 00:09:54,320 Speaker 1: from top to bottom and chronological order the way I 246 00:09:54,360 --> 00:09:56,520 Speaker 1: want to how I want you sequence the track me 247 00:09:57,120 --> 00:09:59,280 Speaker 1: by myself and I'm sitting there listening to that shit 248 00:09:59,360 --> 00:10:01,000 Speaker 1: like this is the way it got to come out 249 00:10:01,040 --> 00:10:03,400 Speaker 1: this way? Like you know, and I would say, besides 250 00:10:03,440 --> 00:10:05,280 Speaker 1: one song that that got switched, you know shot the 251 00:10:05,280 --> 00:10:07,040 Speaker 1: people that helped me put that one song were needed 252 00:10:07,080 --> 00:10:09,760 Speaker 1: to go. But like, it's just I really was able 253 00:10:09,760 --> 00:10:11,640 Speaker 1: to really get in there and make that shit make 254 00:10:11,679 --> 00:10:15,760 Speaker 1: sense for you? Was was it like? Were? 255 00:10:15,920 --> 00:10:17,880 Speaker 4: Because I feel like you have fans that were probably 256 00:10:17,920 --> 00:10:19,400 Speaker 4: just asking you, like, what the fuck's going on when 257 00:10:19,440 --> 00:10:20,120 Speaker 4: new music coming. 258 00:10:19,960 --> 00:10:22,760 Speaker 1: Out with bro? Like and that's that's why I really 259 00:10:22,760 --> 00:10:25,360 Speaker 1: want to do the mixtape first, to really like, you know, 260 00:10:25,520 --> 00:10:27,719 Speaker 1: let the people that already fuck with me know, like, bro, 261 00:10:27,800 --> 00:10:29,280 Speaker 1: this is what's going on, right, and the ones that 262 00:10:29,280 --> 00:10:30,880 Speaker 1: don't fuck with me will here shit that they never 263 00:10:30,920 --> 00:10:32,600 Speaker 1: heard from. More. We're like, okay, more this is difficult 264 00:10:32,640 --> 00:10:34,920 Speaker 1: to sound and I'm rocking with this right right right now. 265 00:10:34,960 --> 00:10:36,520 Speaker 1: I want to get the new but also, you know, 266 00:10:36,640 --> 00:10:38,720 Speaker 1: telling people that that's been here, like, yo, you got 267 00:10:38,720 --> 00:10:40,280 Speaker 1: something to talk about. You can say, oh, more more, 268 00:10:40,280 --> 00:10:42,080 Speaker 1: he dropped this, more dropped that, because that's been my 269 00:10:42,160 --> 00:10:44,480 Speaker 1: big thing, like people fucking me. But they can't be like, 270 00:10:44,480 --> 00:10:46,160 Speaker 1: oh he's just dropped or he just. 271 00:10:47,040 --> 00:10:49,240 Speaker 4: And now I want to give him that right For you, 272 00:10:50,679 --> 00:10:53,040 Speaker 4: what is something that you learned from the J Cole 273 00:10:53,080 --> 00:10:55,439 Speaker 4: tour and obviously working with Cole Like that tour was 274 00:10:55,480 --> 00:10:56,760 Speaker 4: a big, big boy tour. 275 00:10:56,840 --> 00:10:57,920 Speaker 1: Man that crazy tour. 276 00:10:58,360 --> 00:11:02,480 Speaker 4: He had the whole like NBA shit, going on thirty 277 00:11:02,559 --> 00:11:04,800 Speaker 4: something thousands, like we want to award for like the 278 00:11:04,840 --> 00:11:06,960 Speaker 4: most packed out like stadium. It was insane, but it 279 00:11:07,040 --> 00:11:10,760 Speaker 4: was crazy. But nah, I learned a lot, Like I learned. 280 00:11:11,080 --> 00:11:13,480 Speaker 1: How to really take my craft more serious. I think 281 00:11:13,840 --> 00:11:16,600 Speaker 1: before going on a tour, I did like two shows, 282 00:11:16,679 --> 00:11:19,040 Speaker 1: and I didn't really know how to like breath control. 283 00:11:19,120 --> 00:11:21,360 Speaker 1: I used MP three tracks. I didn't really know what 284 00:11:21,480 --> 00:11:23,320 Speaker 1: you were like singing over your tracks, yeah, type shit. 285 00:11:23,360 --> 00:11:25,280 Speaker 1: But like now being on to with Cold, like now 286 00:11:25,320 --> 00:11:26,599 Speaker 1: there is none of that, Like I might have a 287 00:11:26,640 --> 00:11:28,960 Speaker 1: TV track and maybe catch like a last right of course, 288 00:11:29,000 --> 00:11:30,720 Speaker 1: but I'm three. You could take a breath, you feel me, 289 00:11:30,760 --> 00:11:32,720 Speaker 1: And that's that's all I need because I feel like 290 00:11:32,800 --> 00:11:34,600 Speaker 1: if you're paying tickets to see me, like I'm about 291 00:11:34,600 --> 00:11:36,120 Speaker 1: to sing for real, like I'm trying to go horse 292 00:11:36,120 --> 00:11:37,920 Speaker 1: for y'all then because y'all just got me a new 293 00:11:37,920 --> 00:11:40,200 Speaker 1: cyber trick or some shit like type shit, you got 294 00:11:40,200 --> 00:11:41,440 Speaker 1: to look out for the mother for that look out 295 00:11:41,480 --> 00:11:43,960 Speaker 1: for you. Like, so I just really appreciate the people 296 00:11:43,960 --> 00:11:46,520 Speaker 1: that listen to my music. So I learned from him 297 00:11:46,520 --> 00:11:48,520 Speaker 1: to how to really sing for them niggas, give give 298 00:11:48,559 --> 00:11:49,760 Speaker 1: me a show. Yeah. 299 00:11:49,800 --> 00:11:51,640 Speaker 4: For you being where you're from, being rere clods from 300 00:11:51,679 --> 00:11:52,679 Speaker 4: obviously you guys connecting. 301 00:11:52,679 --> 00:11:54,280 Speaker 1: I felt like it was inevitable. 302 00:11:55,960 --> 00:11:58,680 Speaker 4: When you did, Uh my life, ship, were how hip 303 00:11:58,679 --> 00:12:01,360 Speaker 4: were you to the G version with Pharaoh Munch? 304 00:12:01,440 --> 00:12:05,920 Speaker 1: And I was not hit at all? I wasn't you 305 00:12:05,960 --> 00:12:08,319 Speaker 1: weren't hit nah, he said on the hook my mom. 306 00:12:08,360 --> 00:12:10,400 Speaker 1: I figured, oh, m right, one right, So I was 307 00:12:10,400 --> 00:12:12,120 Speaker 1: all right cool, but he was I got one in 308 00:12:12,160 --> 00:12:13,400 Speaker 1: mind for you, and he was like, you know type 309 00:12:13,400 --> 00:12:15,920 Speaker 1: ship sent me to the how it sounded and if 310 00:12:15,920 --> 00:12:17,440 Speaker 1: I can do it, and he let me play around 311 00:12:17,440 --> 00:12:18,880 Speaker 1: with the arrangement a little bit and kind of singing 312 00:12:18,880 --> 00:12:21,280 Speaker 1: in my tone and my rack yeah, which I was like, Yo, 313 00:12:21,559 --> 00:12:22,920 Speaker 1: this sh it is fired. I appreciate. And then I 314 00:12:22,920 --> 00:12:25,000 Speaker 1: heard the real song, like oh, this ship is hard regardless, 315 00:12:25,040 --> 00:12:28,760 Speaker 1: like hard, it's hard regardless. That had to be a 316 00:12:28,760 --> 00:12:31,000 Speaker 1: big deal, man, It was. It was bro That phone 317 00:12:31,000 --> 00:12:31,640 Speaker 1: call was amazing. 318 00:12:31,760 --> 00:12:34,240 Speaker 4: Yeah, was it something that like you had you thought 319 00:12:34,240 --> 00:12:36,400 Speaker 4: that was like coming that you had an idea might happen? 320 00:12:36,640 --> 00:12:39,200 Speaker 1: Hellna, he called me. It was like a like a 321 00:12:39,280 --> 00:12:41,720 Speaker 1: Thursday or something like just some regular some regular bunk 322 00:12:41,800 --> 00:12:44,600 Speaker 1: hug like just chilling the crib smoking, probably just chilling 323 00:12:44,760 --> 00:12:47,000 Speaker 1: with my my hommies. Get a phone call like, hey, bro, 324 00:12:47,080 --> 00:12:48,720 Speaker 1: I got a song, want you get on you want 325 00:12:48,720 --> 00:12:51,080 Speaker 1: to do the hook? If if I want to do 326 00:12:51,120 --> 00:12:54,040 Speaker 1: the hook? Nigga? Hell yeah, I'm like, nigga, what I'm 327 00:12:54,080 --> 00:12:57,560 Speaker 1: pulling up? Immediately, Bro, I had to like that was 328 00:12:57,600 --> 00:12:59,560 Speaker 1: one of the one of the dopest phone calls you 329 00:12:59,559 --> 00:13:01,320 Speaker 1: can get, like somebody that you look up to or 330 00:13:01,360 --> 00:13:03,280 Speaker 1: you you fuck with and they say they need something 331 00:13:03,280 --> 00:13:04,200 Speaker 1: from you for sure? 332 00:13:05,600 --> 00:13:07,640 Speaker 4: Is there is there anything you would because you kind 333 00:13:07,640 --> 00:13:11,280 Speaker 4: of have went through a lot in the music industry 334 00:13:11,320 --> 00:13:13,360 Speaker 4: in a few years, right, Is there any any advice 335 00:13:13,440 --> 00:13:16,120 Speaker 4: you would give any up and coming artists that are 336 00:13:16,160 --> 00:13:18,840 Speaker 4: in uh obviously in a situation where they're trying to 337 00:13:19,000 --> 00:13:20,520 Speaker 4: trying to you know, maybe they got a little moment 338 00:13:20,559 --> 00:13:22,920 Speaker 4: and maybe they got a little motion and people start calling. 339 00:13:22,960 --> 00:13:25,240 Speaker 1: What advice would you give the core fan base? I 340 00:13:25,280 --> 00:13:27,680 Speaker 1: think I think I didn't learn under that until afterwards, 341 00:13:27,760 --> 00:13:29,800 Speaker 1: like after I've been in there to realize, Okay, if 342 00:13:29,800 --> 00:13:32,280 Speaker 1: you have a core you know, cater to your core. 343 00:13:32,960 --> 00:13:35,120 Speaker 1: Your core will make you bigger than what you are 344 00:13:35,160 --> 00:13:36,959 Speaker 1: because your core gonna spread the good news. You know, 345 00:13:36,960 --> 00:13:39,320 Speaker 1: I'm talking about like small room shows, even it's one 346 00:13:39,360 --> 00:13:41,520 Speaker 1: hundred and fifty people, seventy five people, three hundred people, 347 00:13:41,559 --> 00:13:44,319 Speaker 1: whatever it is, Bust them shows out, get your name 348 00:13:44,400 --> 00:13:47,680 Speaker 1: up there advertisement, put money behind yourself. Don't wait on 349 00:13:47,840 --> 00:13:49,840 Speaker 1: nobody else to do nothing for you, because if you're 350 00:13:49,840 --> 00:13:51,319 Speaker 1: waiting on a nigga to help you get to where 351 00:13:51,320 --> 00:13:53,120 Speaker 1: you got to go, you're never going to fucking get 352 00:13:53,120 --> 00:13:56,360 Speaker 1: there like ever. Put it behind yourself and just just 353 00:13:56,360 --> 00:13:57,160 Speaker 1: just go for that shit. 354 00:13:58,920 --> 00:14:00,720 Speaker 4: Like you said, It's like I feel like artists sometimes 355 00:14:00,720 --> 00:14:02,600 Speaker 4: when they get on her they start popping. It's like, Yo, 356 00:14:02,679 --> 00:14:04,520 Speaker 4: stop like you stopping doing what guy? 357 00:14:04,559 --> 00:14:06,720 Speaker 1: You here? Yeah? For sure to start overthinking this shit, 358 00:14:06,760 --> 00:14:08,880 Speaker 1: bro so much, so much over that I wanted to 359 00:14:08,920 --> 00:14:10,600 Speaker 1: do it the way I said it because that's what 360 00:14:10,640 --> 00:14:12,280 Speaker 1: Cold told me in the beginning, before we even toured 361 00:14:12,320 --> 00:14:13,640 Speaker 1: for anything. He was like, Yo, you need to be 362 00:14:13,640 --> 00:14:17,560 Speaker 1: doing small rooms. Yeah, And that's why another disconnection like 363 00:14:17,679 --> 00:14:18,839 Speaker 1: niggas wasn't try to let me. 364 00:14:18,760 --> 00:14:21,560 Speaker 4: Do its like a two three hundred cap rooms and 365 00:14:22,160 --> 00:14:24,760 Speaker 4: bro do chie for example, she just hit that. 366 00:14:25,240 --> 00:14:25,920 Speaker 1: She just did that. 367 00:14:26,040 --> 00:14:29,720 Speaker 4: And even in Tampa, her hometown, she did on her tour, 368 00:14:29,840 --> 00:14:33,120 Speaker 4: she could have did probably ten thousand tickets for sure. 369 00:14:33,160 --> 00:14:36,720 Speaker 4: She did the crowbar, which was like two hundred yeah, 370 00:14:36,760 --> 00:14:38,760 Speaker 4: three hundred peop yeah no, no, not three hundred, like 371 00:14:38,800 --> 00:14:42,000 Speaker 4: two hundred. It's like and I was like, damn, she 372 00:14:42,040 --> 00:14:44,880 Speaker 4: gets it because like whenever he spins the block for real, Yes, 373 00:14:45,080 --> 00:14:46,680 Speaker 4: she's gonna get a basketball arena. 374 00:14:46,720 --> 00:14:49,760 Speaker 1: You know what I'm saying, Like that is the goal. Yeah, 375 00:14:49,880 --> 00:14:52,880 Speaker 1: if you look at I want to say the Russell, Yes, bro, 376 00:14:52,960 --> 00:14:54,480 Speaker 1: the way he do, he should too, like the show 377 00:14:54,560 --> 00:14:56,440 Speaker 1: that he do. And he I sent a video him 378 00:14:56,480 --> 00:14:59,320 Speaker 1: saying he do like her. He charges for rehearsal. He 379 00:14:59,360 --> 00:15:02,400 Speaker 1: has tickets in backyard and charge a rehearsal like you 380 00:15:02,480 --> 00:15:04,320 Speaker 1: talk the nigga to see the rehearsal. Like this is 381 00:15:04,360 --> 00:15:06,760 Speaker 1: how you need to move get people involved into the 382 00:15:06,800 --> 00:15:09,640 Speaker 1: whole craft. Yeah, so they feel like they're part of it. Yeah. 383 00:15:09,640 --> 00:15:11,800 Speaker 4: Now the rust lie in his crib man, he's got 384 00:15:11,840 --> 00:15:14,280 Speaker 4: the he's got the pergola outside. He'd be doing the 385 00:15:14,320 --> 00:15:16,320 Speaker 4: shows there and then and then the new ship he'd 386 00:15:16,320 --> 00:15:18,920 Speaker 4: be doing is like it's not even new now, but shit, 387 00:15:18,920 --> 00:15:21,320 Speaker 4: he's been doing for a minute now. He tells fans 388 00:15:21,320 --> 00:15:23,840 Speaker 4: if he's got a show, pay what you want. So 389 00:15:23,880 --> 00:15:26,240 Speaker 4: you got you got to buy tickets directly from him, 390 00:15:26,320 --> 00:15:27,520 Speaker 4: and you have to put a bid in for a 391 00:15:27,560 --> 00:15:29,520 Speaker 4: ticket and then he'll accept it or not accept it. 392 00:15:29,840 --> 00:15:32,640 Speaker 1: I might need to hit Bull up talk to you. 393 00:15:34,840 --> 00:15:36,880 Speaker 4: It's like some some tickets you might sell for ten, 394 00:15:36,960 --> 00:15:38,400 Speaker 4: some tickets you mightself for five hundred. 395 00:15:38,480 --> 00:15:39,040 Speaker 1: Yeah, you never know. 396 00:15:39,120 --> 00:15:41,120 Speaker 4: Depends on who you might want to come and support 397 00:15:41,320 --> 00:15:42,120 Speaker 4: what you got going on. 398 00:15:42,280 --> 00:15:42,680 Speaker 1: For sure. 399 00:15:42,720 --> 00:15:44,280 Speaker 4: He does the same ship with the merch too, Like 400 00:15:44,320 --> 00:15:46,800 Speaker 4: if you on his site, you can pay what you 401 00:15:46,840 --> 00:15:47,640 Speaker 4: want for a t shirt. 402 00:15:47,800 --> 00:15:49,680 Speaker 1: Yeah, but he's a smart brother. I ain't gonna lie 403 00:15:49,720 --> 00:15:51,560 Speaker 1: to the way he moved. Like now only is he 404 00:15:51,600 --> 00:15:52,880 Speaker 1: making the music that he wanted to make, and he's 405 00:15:52,880 --> 00:15:55,320 Speaker 1: making music that's comforing for him. Brother's making money, So 406 00:15:55,360 --> 00:15:57,640 Speaker 1: that's good. What do you how do you think? 407 00:15:57,680 --> 00:15:59,240 Speaker 4: I mean, obviously you got a couple of records, a 408 00:15:59,320 --> 00:16:04,920 Speaker 4: few records out Breakthrough just dropped last week. What how 409 00:16:04,960 --> 00:16:09,400 Speaker 4: would you say? Sonically this mixtape is sounding to. 410 00:16:09,400 --> 00:16:13,400 Speaker 1: Me, it's it's it's more focused on it's more singing. 411 00:16:13,680 --> 00:16:15,520 Speaker 1: It's more it's more melodic, you know what I mean. 412 00:16:15,560 --> 00:16:19,600 Speaker 1: I think after Quick saying I became like more RAPPI 413 00:16:20,520 --> 00:16:23,280 Speaker 1: I was because I love hip hop and like people 414 00:16:23,760 --> 00:16:26,920 Speaker 1: love more ray because more records sing even so I 415 00:16:26,960 --> 00:16:29,280 Speaker 1: want to give them more but also not losing me. 416 00:16:29,840 --> 00:16:32,560 Speaker 1: So this is pretty much based on more like melodies 417 00:16:32,640 --> 00:16:36,600 Speaker 1: and more like harmonies and more like stacks with different 418 00:16:36,680 --> 00:16:40,600 Speaker 1: vocals and really focused on emotional side of what I've 419 00:16:40,600 --> 00:16:42,640 Speaker 1: been gonna do right, So for you, is it like 420 00:16:43,840 --> 00:16:52,479 Speaker 1: because did Quick single platinum? Yes, that hit the plat 421 00:16:52,600 --> 00:16:54,280 Speaker 1: they double I got two of them, mother fucking now. 422 00:16:54,320 --> 00:16:58,400 Speaker 4: So it's and then obviously the correcord still growing, it's 423 00:16:58,400 --> 00:17:00,680 Speaker 4: going great. Now that's gonna end up double planting for 424 00:17:00,680 --> 00:17:02,320 Speaker 4: sure over time, even. 425 00:17:02,120 --> 00:17:04,280 Speaker 1: If it happens in a year, three years, I need it. 426 00:17:04,320 --> 00:17:06,480 Speaker 1: I don't even give gram nominally because of that record too. 427 00:17:06,520 --> 00:17:08,159 Speaker 1: So another shout out to Code for like putting a 428 00:17:08,200 --> 00:17:08,520 Speaker 1: nick on. 429 00:17:09,440 --> 00:17:11,320 Speaker 4: I've been noticing like kind of like there's like a 430 00:17:11,320 --> 00:17:13,440 Speaker 4: theme with with like some of the imagery even put 431 00:17:13,480 --> 00:17:16,520 Speaker 4: now in terms of like you know, is it is 432 00:17:16,560 --> 00:17:20,160 Speaker 4: this kind of like your metaphorical say like hey I'm 433 00:17:20,200 --> 00:17:24,320 Speaker 4: free now, like pretty had out the home. You know, 434 00:17:24,359 --> 00:17:27,960 Speaker 4: you're you're in jail, and then you got breakthrough essentially like, hey, 435 00:17:27,960 --> 00:17:29,679 Speaker 4: I've been kind of locked up. Now I could, I 436 00:17:29,680 --> 00:17:31,320 Speaker 4: could get my ship off how I want to get 437 00:17:31,320 --> 00:17:31,560 Speaker 4: it off. 438 00:17:31,520 --> 00:17:33,680 Speaker 1: Pretty much, that's prober what the table is pretty much about, 439 00:17:33,760 --> 00:17:36,480 Speaker 1: like being you know, shelved, being in the box, being 440 00:17:36,880 --> 00:17:39,560 Speaker 1: you know, not able to be as free and be 441 00:17:39,640 --> 00:17:42,320 Speaker 1: as me as I want to be. Right Like you know, 442 00:17:42,680 --> 00:17:44,560 Speaker 1: everybody who know me for real or who's seen me, 443 00:17:44,600 --> 00:17:46,239 Speaker 1: you know I'm a character. I feel I got hell 444 00:17:46,400 --> 00:17:48,199 Speaker 1: energy for sure, and I want to put that in 445 00:17:48,240 --> 00:17:49,600 Speaker 1: my video. I want to put that in my music. 446 00:17:49,640 --> 00:17:50,919 Speaker 1: I want to put that on my shoulders. And like 447 00:17:50,960 --> 00:17:52,879 Speaker 1: I said, like I have a for free reign to 448 00:17:52,960 --> 00:17:54,760 Speaker 1: just do it now. It's not all you gotta do 449 00:17:54,760 --> 00:17:56,800 Speaker 1: it like this, So you gotta let me do me 450 00:17:56,960 --> 00:17:58,879 Speaker 1: because that's what got me here. Yes, I had a 451 00:17:58,920 --> 00:18:01,680 Speaker 1: hell of help right me got me here? For sure? 452 00:18:02,760 --> 00:18:05,639 Speaker 1: Was it was there? Every like? Was it hard to 453 00:18:05,720 --> 00:18:05,919 Speaker 1: kind of? 454 00:18:05,880 --> 00:18:08,359 Speaker 4: Because I'm sure you went through this process where you realize, 455 00:18:08,400 --> 00:18:09,840 Speaker 4: like some of the folks you had met throughout the 456 00:18:09,880 --> 00:18:13,520 Speaker 4: rap game or throughout the music game were really your friends. Yeah, 457 00:18:13,560 --> 00:18:15,199 Speaker 4: they were just fucking with you because it was not 458 00:18:15,280 --> 00:18:18,080 Speaker 4: for sure, like I'm sure, like did you, like, did 459 00:18:18,119 --> 00:18:19,800 Speaker 4: you always know that or did it when when when 460 00:18:19,840 --> 00:18:21,360 Speaker 4: you had kind of gone through whatever you went through 461 00:18:21,359 --> 00:18:23,239 Speaker 4: with the label and things kind of cool down, did 462 00:18:23,280 --> 00:18:26,400 Speaker 4: you notice like, oh, mytherfucker's this is the fakest shit ever. 463 00:18:26,480 --> 00:18:27,800 Speaker 1: Bro. I'm not gonna lie too, Like I said, I 464 00:18:27,840 --> 00:18:29,399 Speaker 1: was real green, bro. Yeah, when I came to you 465 00:18:29,440 --> 00:18:30,840 Speaker 1: were in with a lot of big art. I was 466 00:18:30,880 --> 00:18:33,840 Speaker 1: in with that with everybody. Yeah, br I then rubbed hands, 467 00:18:34,040 --> 00:18:37,280 Speaker 1: fucking shook hands, smoked the blunt talk to got a 468 00:18:37,320 --> 00:18:39,800 Speaker 1: song with mostly a lot of niggas. But you realize 469 00:18:39,840 --> 00:18:41,320 Speaker 1: at the end of the day when when when you're 470 00:18:41,359 --> 00:18:45,040 Speaker 1: not the hot, hot commodity, the love goes away and 471 00:18:45,080 --> 00:18:48,280 Speaker 1: it's not it shouldn't be nothing personally, it's business. But 472 00:18:48,320 --> 00:18:51,760 Speaker 1: you realize this is my business friend, not mine. It 473 00:18:51,840 --> 00:18:53,760 Speaker 1: sounds like if you work with somebody at work, yeah, 474 00:18:53,760 --> 00:18:56,359 Speaker 1: don't spect them to be like cool to it's weird, 475 00:18:56,400 --> 00:18:57,880 Speaker 1: like we work together and yeah we gonna we gonna 476 00:18:57,920 --> 00:18:59,840 Speaker 1: line or we're gonna costume like all you fucking money 477 00:18:59,840 --> 00:19:02,520 Speaker 1: here because you were doing hooks for motherfuckers too, like 478 00:19:02,560 --> 00:19:05,199 Speaker 1: you was like type ship you know, you know, not 479 00:19:05,280 --> 00:19:05,919 Speaker 1: so much as. 480 00:19:06,640 --> 00:19:09,159 Speaker 4: Even if they didn't come out, But I'm saying you 481 00:19:09,240 --> 00:19:10,120 Speaker 4: was was hitting. 482 00:19:09,920 --> 00:19:11,720 Speaker 1: You for hook ty type shah for sure? 483 00:19:13,160 --> 00:19:15,000 Speaker 4: What because you also were in the studio a lot 484 00:19:15,000 --> 00:19:17,000 Speaker 4: with Marshmallow, And I feel like we don't know a 485 00:19:17,040 --> 00:19:19,080 Speaker 4: lot about his creative process and obviously I know it 486 00:19:19,119 --> 00:19:20,240 Speaker 4: didn't work out for the long term. 487 00:19:20,240 --> 00:19:21,320 Speaker 1: Back what's it? 488 00:19:21,440 --> 00:19:24,680 Speaker 4: What's it like being in the lab with him? 489 00:19:25,920 --> 00:19:27,240 Speaker 1: I never I never was in the lab, but he 490 00:19:27,320 --> 00:19:29,640 Speaker 1: cooked up you know, but he played me covered beats. 491 00:19:29,680 --> 00:19:31,679 Speaker 1: You know, we did a couple of sauce on his beats. 492 00:19:32,160 --> 00:19:33,160 Speaker 1: But he's a talented brother. 493 00:19:33,560 --> 00:19:39,479 Speaker 4: Bullshit, are you putting together any any sort of Are 494 00:19:39,520 --> 00:19:40,240 Speaker 4: you going to do a tour? 495 00:19:41,119 --> 00:19:44,120 Speaker 1: That's the plan for sure, Like I said, whatever way, 496 00:19:44,119 --> 00:19:46,120 Speaker 1: I have to do it. But there's big room, small rooms, 497 00:19:46,119 --> 00:19:48,480 Speaker 1: whatever it is. I love to perform and I just 498 00:19:48,520 --> 00:19:51,359 Speaker 1: want to culture curate a show that can like really 499 00:19:51,400 --> 00:19:52,919 Speaker 1: touch people that come see it. They want want them 500 00:19:52,920 --> 00:19:54,800 Speaker 1: to appreciate what they can to see, not just like Okay, 501 00:19:54,840 --> 00:19:58,640 Speaker 1: I could have listened this ship on items or Spotify. Right, 502 00:19:58,800 --> 00:20:00,680 Speaker 1: I feel like got do a dope home. I'm in chill. 503 00:20:00,840 --> 00:20:03,200 Speaker 1: I want you so bad. I do tell you, Brod, 504 00:20:03,960 --> 00:20:07,000 Speaker 1: we went to the city's so bad for sure. What's 505 00:20:07,080 --> 00:20:09,439 Speaker 1: what's the temperature like back home? Uh? It's cold to 506 00:20:09,440 --> 00:20:11,680 Speaker 1: s heal. I mean like, I don't mean the temperature. 507 00:20:11,800 --> 00:20:14,200 Speaker 1: It's cold. I know it's cold. I thought I think 508 00:20:14,240 --> 00:20:15,280 Speaker 1: of it like that. I mean, like you know what 509 00:20:15,280 --> 00:20:17,480 Speaker 1: I'm saying, like like, uh, you know, just like obviously 510 00:20:17,480 --> 00:20:19,119 Speaker 1: you're out here in La now, like are you are? 511 00:20:19,200 --> 00:20:21,480 Speaker 1: Are you going back home? A lot of you? I 512 00:20:21,520 --> 00:20:23,320 Speaker 1: don't go back home a lot because again, like when 513 00:20:23,320 --> 00:20:25,479 Speaker 1: when you're on this independent, independent ground you got you 514 00:20:25,480 --> 00:20:26,800 Speaker 1: gotta go. You mean a lot a lot of this 515 00:20:27,000 --> 00:20:29,639 Speaker 1: just me, you know, in meetings and being here and 516 00:20:29,680 --> 00:20:31,320 Speaker 1: being there and being elsewhere other than where I want 517 00:20:31,320 --> 00:20:34,000 Speaker 1: to baby for me. So I don't be there a lot, 518 00:20:34,080 --> 00:20:37,240 Speaker 1: But hopefully this tour that I'm trying to put together 519 00:20:37,640 --> 00:20:41,200 Speaker 1: gets me there enough to really show appreciation for where 520 00:20:41,200 --> 00:20:43,240 Speaker 1: I'm from what I claim, and show love to the 521 00:20:43,240 --> 00:20:45,160 Speaker 1: people that really show me love in the beginning for sure. 522 00:20:45,200 --> 00:20:48,240 Speaker 1: For sure. Yeah, you also seems like you lost some 523 00:20:48,320 --> 00:20:50,199 Speaker 1: pretty good amount of weight. No, I ain't gonna lie 524 00:20:50,320 --> 00:20:52,280 Speaker 1: be doing a little stun fun you hear me? A 525 00:20:52,280 --> 00:20:54,399 Speaker 1: little boxing, and and then I mean, how much have 526 00:20:54,480 --> 00:20:57,560 Speaker 1: you lost? No cap and all full transparency. I think 527 00:20:57,560 --> 00:20:59,000 Speaker 1: when I lost my way with myself, I was three 528 00:20:59,119 --> 00:21:02,919 Speaker 1: sixty and now I'm like two eighty five. Dude, that's great, Nah, 529 00:21:02,960 --> 00:21:04,560 Speaker 1: it's decent. I ain't gonna lie if I say from the. 530 00:21:04,600 --> 00:21:06,479 Speaker 4: Quick Sand video where you were like the fucking had 531 00:21:06,960 --> 00:21:09,320 Speaker 4: you had the sweat rag with Trophy. 532 00:21:09,320 --> 00:21:12,040 Speaker 1: Everybody was I had to have her. The rag wasn't 533 00:21:12,119 --> 00:21:16,080 Speaker 1: just the I needed that, bitch, it was you feel me. 534 00:21:16,119 --> 00:21:18,120 Speaker 1: I was sweating like motherfuck. I got you were good man, 535 00:21:18,280 --> 00:21:20,480 Speaker 1: you're doing boxing, You're eating better. Hell, you'm eating better. 536 00:21:20,600 --> 00:21:23,000 Speaker 1: Uh my girl, you know she had me understand that. 537 00:21:23,040 --> 00:21:24,680 Speaker 1: You know, maybe the pork and beef ain't the best 538 00:21:24,720 --> 00:21:26,879 Speaker 1: of me. So I want to say, I'm a poloitarian. 539 00:21:27,080 --> 00:21:30,560 Speaker 1: Are you chicken and the peggetarian pescatarian Righttaria? Yeah, yeah, 540 00:21:30,600 --> 00:21:33,200 Speaker 1: facts fat pescatarian. So no pork, no pork, no beat, 541 00:21:33,240 --> 00:21:37,000 Speaker 1: no pork on the fork. But the swine is divine. Nah. Nah, 542 00:21:37,480 --> 00:21:39,120 Speaker 1: if it ain't on the line, I camet down. 543 00:21:39,800 --> 00:21:42,480 Speaker 4: I got you see you like turkey bacon, Fuck with 544 00:21:42,520 --> 00:21:44,919 Speaker 4: turkey bacon, bro, no bullshit. But you fuck with it 545 00:21:44,960 --> 00:21:47,400 Speaker 4: more than baby broke the way the way I make it. 546 00:21:47,760 --> 00:21:49,440 Speaker 1: I funk with him telling you, look, Nosh, I'm gonna 547 00:21:49,440 --> 00:21:50,879 Speaker 1: tell you how to fuck with it more to regular bacon. 548 00:21:50,920 --> 00:21:53,520 Speaker 1: I appreciate you like lying everybody. Right now, I'm gonna 549 00:21:53,520 --> 00:21:55,959 Speaker 1: tell you like bacon by itself is bacon. Don't get 550 00:21:56,000 --> 00:21:57,920 Speaker 1: me wrong. Okay, you gotta be we gotta be clear. 551 00:21:58,080 --> 00:22:01,240 Speaker 1: Bacon is bacon. You don't need ship for bacon. Yeah, 552 00:22:02,600 --> 00:22:05,399 Speaker 1: that bitch in the microwave. No, you can microwave for 553 00:22:05,400 --> 00:22:08,240 Speaker 1: a bacon. What the fuck? Yes, you've never done that. 554 00:22:08,680 --> 00:22:12,400 Speaker 4: You can microwave bacon unless it's the fully cooked already ready. Well, 555 00:22:12,400 --> 00:22:14,280 Speaker 4: maybe that's the bacon I'm thinking of. But if it 556 00:22:14,400 --> 00:22:17,199 Speaker 4: comes out there packing it's pink. Okay, maybe not that bacon, 557 00:22:17,440 --> 00:22:18,760 Speaker 4: but there's bacon you can mic. 558 00:22:18,600 --> 00:22:21,120 Speaker 1: Away it's fully cooked. Back awave with bacon, Okay, put 559 00:22:21,119 --> 00:22:22,720 Speaker 1: it in. I think like the one you put it 560 00:22:22,720 --> 00:22:25,480 Speaker 1: in the paper towel. I mean, yeah, the one that's 561 00:22:25,520 --> 00:22:27,400 Speaker 1: like a Yeah, I'm just talking about after you're talking 562 00:22:27,440 --> 00:22:29,000 Speaker 1: about the real bait. You got the turkey bacon on 563 00:22:29,080 --> 00:22:31,439 Speaker 1: turkey bacon. I'm telling you, all you need is salt. 564 00:22:31,600 --> 00:22:36,560 Speaker 1: And sea, salt, pepper, cinnamon, some honey. After it cooks down, 565 00:22:36,640 --> 00:22:38,560 Speaker 1: push it on top, flipping on both sides. It's called 566 00:22:38,560 --> 00:22:40,959 Speaker 1: like a million dollar bacon. Bro. This shit is busting. 567 00:22:41,080 --> 00:22:44,000 Speaker 1: It tastes way better than bacon without nothing on it. 568 00:22:44,040 --> 00:22:49,440 Speaker 1: How long have you been pescatarian? Like? Three years? Three years? 569 00:22:49,160 --> 00:22:53,560 Speaker 1: Three full years. I got introduced to it four years ago, 570 00:22:54,040 --> 00:22:56,320 Speaker 1: but I ain't really commit to like three years. Have 571 00:22:56,400 --> 00:22:58,679 Speaker 1: they converted you to like a sushi eater out here? 572 00:22:58,680 --> 00:23:02,359 Speaker 1: And now Bra'm a sushi connoisseur. Bro? Were you always 573 00:23:02,359 --> 00:23:03,359 Speaker 1: that way though? Nah? 574 00:23:03,440 --> 00:23:05,400 Speaker 4: Because I can't. I can't imagine in the Carolina don't 575 00:23:05,400 --> 00:23:07,280 Speaker 4: have great sushi. So I came here. 576 00:23:08,080 --> 00:23:10,240 Speaker 1: They had had a meeting one day with with some 577 00:23:10,240 --> 00:23:12,080 Speaker 1: some team I can't think of now, but they had 578 00:23:12,080 --> 00:23:14,200 Speaker 1: a team and they was like, Yo, we're gonna have 579 00:23:14,240 --> 00:23:16,240 Speaker 1: a sushi bar. And I was like, you know, fucking 580 00:23:16,240 --> 00:23:18,679 Speaker 1: the raw fish, like nigga, that sounds gross. Try that 581 00:23:18,720 --> 00:23:21,000 Speaker 1: bitch up, Like this is weird, But I tasted it. 582 00:23:21,040 --> 00:23:24,000 Speaker 1: I was like, Oh, this is crazy and it's it's bustling. 583 00:23:24,080 --> 00:23:26,199 Speaker 1: But sushi is the vibe for sure. I love sushi. 584 00:23:26,240 --> 00:23:27,119 Speaker 1: I love sushi, Bro. 585 00:23:28,200 --> 00:23:30,240 Speaker 4: How's everything because I know you're a father too. Yeah, 586 00:23:30,280 --> 00:23:31,480 Speaker 4: how's everything with with the kids? 587 00:23:31,520 --> 00:23:33,800 Speaker 1: Man? Kids are great, kids are growing and I talk 588 00:23:33,840 --> 00:23:35,720 Speaker 1: to them on every day on FaceTime. You know, make 589 00:23:35,720 --> 00:23:37,879 Speaker 1: sure they straight, you know, I send them my video 590 00:23:38,000 --> 00:23:39,680 Speaker 1: before they come out sending the music, you know what 591 00:23:39,680 --> 00:23:39,879 Speaker 1: I mean. 592 00:23:39,920 --> 00:23:41,560 Speaker 4: They ever try to get you to like like like 593 00:23:41,640 --> 00:23:44,240 Speaker 4: do songs with people, Like, hey, dad, this this person's cracking. 594 00:23:44,240 --> 00:23:45,480 Speaker 4: You should do a song with this person. 595 00:23:45,640 --> 00:23:48,480 Speaker 1: They do, but the people that they listen to ain't 596 00:23:48,480 --> 00:23:52,080 Speaker 1: it album. I'm not like, how would that sound? Because 597 00:23:53,359 --> 00:23:58,399 Speaker 1: my kids music choices is it's a wide wide range 598 00:23:58,400 --> 00:24:01,320 Speaker 1: of music. It's not like they don't listen to like 599 00:24:02,920 --> 00:24:06,679 Speaker 1: my music. This is like ship that I wouldn't be on, 600 00:24:07,359 --> 00:24:13,840 Speaker 1: Like what like Okay, I don't even know half the names. 601 00:24:13,880 --> 00:24:16,639 Speaker 1: But my son went to a concert of someone that 602 00:24:16,720 --> 00:24:18,840 Speaker 1: I don't know, but he was like, you would do 603 00:24:19,080 --> 00:24:21,520 Speaker 1: great on a song with her. I'm like, that's fire. 604 00:24:21,760 --> 00:24:24,840 Speaker 1: I look her up and I'm like, brother, you have 605 00:24:24,920 --> 00:24:27,040 Speaker 1: no ear for music. That's the way you think your 606 00:24:27,080 --> 00:24:30,560 Speaker 1: daddy was all good with shorty text you red, No, 607 00:24:30,920 --> 00:24:34,399 Speaker 1: that's different. Sexy, she hot, but she trapped. That's like 608 00:24:34,480 --> 00:24:38,000 Speaker 1: my vibe. Like I don't even know the girl name. 609 00:24:38,040 --> 00:24:42,480 Speaker 4: He told me the bullshit not TikTok man. Yeah, taking over, bro, 610 00:24:42,760 --> 00:24:45,280 Speaker 4: taking over. Yeah, it's crazy too because now on TikTok 611 00:24:45,320 --> 00:24:48,840 Speaker 4: you have a record as old as fuck. Like, what's 612 00:24:48,840 --> 00:24:52,879 Speaker 4: the song? Oh, there's a Fetti Wap song again. Okay, 613 00:24:53,000 --> 00:24:56,800 Speaker 4: that's from twenty fourteen that just cracked the top forty 614 00:24:56,840 --> 00:24:57,920 Speaker 4: on Billboards Top one hundred. 615 00:24:58,200 --> 00:25:02,840 Speaker 1: The song again by Feti You Didn't be Mine again? Baby? Bro? 616 00:25:03,000 --> 00:25:05,840 Speaker 1: That shit? That what Listen? There's a TikTok challenge. 617 00:25:05,880 --> 00:25:09,719 Speaker 4: Yeah, and songs nine years old, ten years old, and 618 00:25:09,760 --> 00:25:11,960 Speaker 4: it's number thirty six on Billboard. 619 00:25:11,640 --> 00:25:14,000 Speaker 1: Tip one hundred. That song is hard. No, it's a classic. 620 00:25:14,000 --> 00:25:14,080 Speaker 3: Bro. 621 00:25:14,080 --> 00:25:15,880 Speaker 1: I'm gonna keep the fact that just got a whole 622 00:25:15,880 --> 00:25:19,200 Speaker 1: new life because the little niggas are playing it now. 623 00:25:19,280 --> 00:25:21,000 Speaker 1: Because I'm telling you, if you play that song in 624 00:25:21,119 --> 00:25:24,200 Speaker 1: any generation, that shit is just as hard. Fetti Wap, 625 00:25:24,200 --> 00:25:24,920 Speaker 1: where he had. 626 00:25:24,720 --> 00:25:28,440 Speaker 4: The Gamey's twelve month run is insane. 627 00:25:28,600 --> 00:25:31,760 Speaker 1: Are here? He's like, yeah, like, oh it's up now 628 00:25:31,880 --> 00:25:32,560 Speaker 1: it's over. 629 00:25:33,160 --> 00:25:35,440 Speaker 4: It's funny because I saw him open up for Chris 630 00:25:35,440 --> 00:25:38,840 Speaker 4: Brown on tour. It was Chris Brown him Migo's kidding 631 00:25:39,560 --> 00:25:43,640 Speaker 4: And when I tell you a store insane French Montana too. 632 00:25:44,520 --> 00:25:47,080 Speaker 4: People weren't calling for Chris Brown tickets. They were calling 633 00:25:47,080 --> 00:25:48,920 Speaker 4: for Fedi Bro. They were like, yoyo, we want to 634 00:25:48,920 --> 00:25:49,600 Speaker 4: see fetty wap. 635 00:25:49,720 --> 00:25:51,399 Speaker 1: Yeah, but Chris Brown's going it's his store and now 636 00:25:51,480 --> 00:25:53,600 Speaker 1: we want to see Fetti wip Bro. Fetti like that. Bro, 637 00:25:53,600 --> 00:25:55,680 Speaker 1: I'm trying to tell you, Bro, he had it. Oh 638 00:25:55,760 --> 00:25:58,760 Speaker 1: my fetti had like the gangster niggas ready to sing 639 00:25:58,840 --> 00:26:02,840 Speaker 1: for real? Yeah? No, what going crazy? For sure? 640 00:26:04,200 --> 00:26:07,160 Speaker 4: Is there anybody who because I feel like there's been 641 00:26:07,240 --> 00:26:09,919 Speaker 4: like a lot of the guys who have kind of 642 00:26:09,920 --> 00:26:11,399 Speaker 4: come up in the last couple of years since you 643 00:26:11,960 --> 00:26:13,800 Speaker 4: popped off that are kind of doing like some dope 644 00:26:13,920 --> 00:26:16,000 Speaker 4: melodic ship. Is there anybody who you're you're you're checking for, 645 00:26:16,040 --> 00:26:17,760 Speaker 4: anybody you're listening to that you want to work with? 646 00:26:17,800 --> 00:26:22,040 Speaker 1: Maybe now you know who? Uh came across my timeline. 647 00:26:22,040 --> 00:26:24,399 Speaker 1: I was like, brovoic bro voice voice is like super 648 00:26:24,440 --> 00:26:26,200 Speaker 1: like unique and I fucked the way like the way 649 00:26:26,240 --> 00:26:31,400 Speaker 1: he and ship the plug big Actually, Bro, I fucked Bro. 650 00:26:32,760 --> 00:26:35,359 Speaker 1: Want to get niggasi like? I like the way he 651 00:26:35,560 --> 00:26:38,800 Speaker 1: like the accent that crazy voice. Bro, I'm not gonna cut. 652 00:26:38,840 --> 00:26:41,600 Speaker 1: I really fuck with the way Bro really attacked the beat. 653 00:26:41,680 --> 00:26:44,600 Speaker 1: You know, I mean him it's crazy because it's like 654 00:26:44,600 --> 00:26:46,200 Speaker 1: I'm just she was a fat niggas Like no, like 655 00:26:46,320 --> 00:26:49,160 Speaker 1: it's fine. Dave blunts too, like Bro, I just fuck 656 00:26:49,200 --> 00:26:51,000 Speaker 1: with his sound, Like Bro, I just fuck with the 657 00:26:51,080 --> 00:26:54,600 Speaker 1: niggas sound. His lyrics are hilarious. 658 00:26:54,920 --> 00:26:58,240 Speaker 4: Bro, you saying the most out of pocket Jali a 659 00:26:58,280 --> 00:27:01,880 Speaker 4: little bit bro Temy l j Yes, but this. 660 00:27:01,800 --> 00:27:04,280 Speaker 1: Guy, fucking this guy is hilarious. 661 00:27:04,119 --> 00:27:06,920 Speaker 4: He'd be saying, I remember talking like you like saying 662 00:27:06,960 --> 00:27:08,679 Speaker 4: that hard r a lot. He's like, I just be 663 00:27:08,720 --> 00:27:10,600 Speaker 4: talking those songs. So I talk to my friends. I'm like, 664 00:27:10,600 --> 00:27:13,080 Speaker 4: all your friends look white in the room. 665 00:27:13,680 --> 00:27:15,000 Speaker 1: I'm gonna kid with a band. 666 00:27:15,440 --> 00:27:18,960 Speaker 4: I don't know about when he said when he said, 667 00:27:19,040 --> 00:27:21,879 Speaker 4: he said some like he got this one song. I 668 00:27:21,960 --> 00:27:23,960 Speaker 4: like his project because it's funny that ship. I was like, Bro, 669 00:27:24,040 --> 00:27:25,679 Speaker 4: you got the first project I listened to that. She 670 00:27:25,760 --> 00:27:26,680 Speaker 4: had me laughing out loud. 671 00:27:26,760 --> 00:27:29,040 Speaker 1: I'm like, that's crazy. This is my fuckers. They blunt. 672 00:27:29,560 --> 00:27:31,320 Speaker 1: I gotta I gotta hear more than because he's got 673 00:27:31,359 --> 00:27:33,000 Speaker 1: to get his from what I heard. I was like, oh, 674 00:27:33,000 --> 00:27:34,720 Speaker 1: this is nice, but what you're saying, is like, I 675 00:27:34,720 --> 00:27:36,639 Speaker 1: need to listen to a little his wild boy to 676 00:27:36,720 --> 00:27:39,800 Speaker 1: get like a little Oh he's okay, I'm gonna listen 677 00:27:39,840 --> 00:27:40,639 Speaker 1: to a little more. 678 00:27:40,920 --> 00:27:43,240 Speaker 4: You might know he's got the song that can't put 679 00:27:43,240 --> 00:27:45,200 Speaker 4: down the cup, which people know you can't put down 680 00:27:45,200 --> 00:27:45,600 Speaker 4: the cup. 681 00:27:46,160 --> 00:27:48,720 Speaker 1: Can't put down the cup? Sip it brough maths. 682 00:27:48,840 --> 00:27:51,920 Speaker 4: How to get him to be a Pescotanian. Bro, you 683 00:27:51,960 --> 00:27:54,920 Speaker 4: gotta put him on him on that giant man. Now 684 00:27:55,000 --> 00:27:56,600 Speaker 4: he can eat what you want to eat. Just you know, 685 00:27:57,119 --> 00:28:00,159 Speaker 4: stand up every now and again. That's all I dude, bro, 686 00:28:00,359 --> 00:28:01,119 Speaker 4: nice guy, that's all. 687 00:28:01,200 --> 00:28:02,760 Speaker 1: This is super nice. He seemed like he came on 688 00:28:02,800 --> 00:28:04,920 Speaker 1: the podcast super sweet. Dug man. She's he's like he 689 00:28:05,000 --> 00:28:07,600 Speaker 1: want him to be around for sure. He's very genuine. 690 00:28:07,680 --> 00:28:09,880 Speaker 1: Need to get your girl to be his dietician. Hey, 691 00:28:10,119 --> 00:28:13,080 Speaker 1: she she she could, she could, she could get right? 692 00:28:13,119 --> 00:28:16,040 Speaker 1: You got right? She got me right? And box a 693 00:28:16,080 --> 00:28:18,800 Speaker 1: little bit and do some box. So boxing is is 694 00:28:18,800 --> 00:28:20,160 Speaker 1: the work. That's my viob. 695 00:28:20,200 --> 00:28:20,360 Speaker 3: Bro. 696 00:28:20,680 --> 00:28:22,800 Speaker 1: How many days a week you do it? No cap? 697 00:28:22,880 --> 00:28:25,560 Speaker 1: I try to do it every day besides Sunday. If 698 00:28:25,560 --> 00:28:28,360 Speaker 1: it's at the crib, it's at the crib. I got 699 00:28:28,359 --> 00:28:29,919 Speaker 1: I got to punch your bag. I gotta speedbag. I 700 00:28:29,960 --> 00:28:31,760 Speaker 1: got a dummy, I got everything I need. So she 701 00:28:32,480 --> 00:28:36,679 Speaker 1: being there up? Yess yeah type ship all right? 702 00:28:36,680 --> 00:28:38,920 Speaker 4: So the album comes out the twenty first, which is next, No, 703 00:28:39,400 --> 00:28:40,000 Speaker 4: next Friday. 704 00:28:40,040 --> 00:28:43,480 Speaker 1: Yeah, next, bro. I'm so hype for this fucking project. 705 00:28:43,480 --> 00:28:46,000 Speaker 1: Like I said, like I put it together myself, and 706 00:28:46,080 --> 00:28:49,560 Speaker 1: like it's so like Bro, it's it's so life training 707 00:28:49,600 --> 00:28:52,080 Speaker 1: to really still be doing something that I love so 708 00:28:52,200 --> 00:28:54,760 Speaker 1: like and I always like to put track lists together. 709 00:28:54,800 --> 00:28:57,440 Speaker 1: So I finally get to put my own. Bro, I'm like, hell, yeah, 710 00:28:57,440 --> 00:29:01,440 Speaker 1: we outside that man? What was it like? Uh? How 711 00:29:01,520 --> 00:29:03,600 Speaker 1: much have you had a lot of time with with Ghazi? 712 00:29:03,640 --> 00:29:06,760 Speaker 1: Face to face? No? Not a lot of fact, not 713 00:29:06,840 --> 00:29:08,600 Speaker 1: a lot. I met him, of course talk to him, 714 00:29:08,600 --> 00:29:10,360 Speaker 1: but like not a lot of face to face. Who's 715 00:29:10,360 --> 00:29:14,000 Speaker 1: your p m over there? Who your project manager? Oh? 716 00:29:14,120 --> 00:29:15,040 Speaker 1: I used to work in Empires. 717 00:29:16,200 --> 00:29:21,120 Speaker 4: Oh okay, yeah yeah, I said, I said them nighttime. 718 00:29:22,840 --> 00:29:24,520 Speaker 4: Now you're in good hands man, Empires the ship. No, 719 00:29:24,800 --> 00:29:27,640 Speaker 4: I'm gonna lie Empires really really smooth. 720 00:29:27,920 --> 00:29:29,960 Speaker 1: Yeah. I want to hear you and your boozie do 721 00:29:30,000 --> 00:29:32,320 Speaker 1: some ship. Bro. No, I got some for as if 722 00:29:32,320 --> 00:29:34,560 Speaker 1: he funcked me. No, boys, you and your boozy would 723 00:29:34,560 --> 00:29:36,720 Speaker 1: go crazy, would be And I'm trying to tell you 724 00:29:36,760 --> 00:29:40,240 Speaker 1: and now you are label mates. Bro Boozy fuck with 725 00:29:40,280 --> 00:29:41,960 Speaker 1: a country niggas to here you talking and you and 726 00:29:42,040 --> 00:29:44,040 Speaker 1: Jelly Roll Bro not. I hate to go to the 727 00:29:44,040 --> 00:29:46,800 Speaker 1: fact that no but Jelly crazy though I ain't gonna 728 00:29:46,840 --> 00:29:48,720 Speaker 1: lie to like bro no bullshit. I got I got 729 00:29:48,760 --> 00:29:50,600 Speaker 1: a couple of Jelly roll saws on my own my ship. 730 00:29:50,640 --> 00:29:52,120 Speaker 1: He got a song called talk to God and Liar, 731 00:29:52,240 --> 00:29:56,440 Speaker 1: Oh yeah, liars amazing motherucker. Bro, I got work. I'm 732 00:29:56,440 --> 00:29:58,880 Speaker 1: broking out. I got to bump them bitches you energy 733 00:29:58,880 --> 00:30:01,240 Speaker 1: winning streaks my ship. That's hard, that's hard to for sure. 734 00:30:01,480 --> 00:30:03,960 Speaker 4: Well, listen, man, the album's dropping or mixtape long story 735 00:30:04,000 --> 00:30:07,720 Speaker 4: short and then album following Yes sir uh on next Friday, 736 00:30:07,760 --> 00:30:09,520 Speaker 4: on the twenty first, go running up, got thing goes 737 00:30:09,560 --> 00:30:10,000 Speaker 4: out right now? 738 00:30:10,080 --> 00:30:10,959 Speaker 1: Music videos coming up? 739 00:30:10,960 --> 00:30:11,160 Speaker 3: Sure? 740 00:30:11,320 --> 00:30:15,920 Speaker 1: Sure? Anything else going on? Not just please pre saved. 741 00:30:16,280 --> 00:30:18,240 Speaker 1: It is time for more ready to give himself a 742 00:30:18,320 --> 00:30:20,480 Speaker 1: full shot. And people that fuck with me keep fucking 743 00:30:20,480 --> 00:30:21,600 Speaker 1: with me. If you don't fuck with me, you about 744 00:30:21,600 --> 00:30:23,400 Speaker 1: to fuck with me. Pre save the album. 745 00:30:23,520 --> 00:30:26,200 Speaker 4: Pre save that motherfucker please there it is my guy 746 00:30:26,200 --> 00:30:29,080 Speaker 4: I appreciate you, right sir Moray Fire