WEBVTT - Jon Hamm

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<v Speaker 1>That's too kind of iconic movies that you're You're got

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<v Speaker 1>a hand in here right back to back. Yeah yeah,

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<v Speaker 1>two big eighties franchises that I've got to do. Like

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<v Speaker 1>would tell people, like if I could tell my fourteen

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<v Speaker 1>year old self that I was going to be in

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<v Speaker 1>a Fletch movie and a top Gun movie, my fourteen

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<v Speaker 1>year old self's head would have fallen off. Hi. I'm

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<v Speaker 1>John Handon and I'm very happy to be here. Hello everybody,

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<v Speaker 1>and yes I'm here. So that means it's time for

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<v Speaker 1>a brand new episode of Off the Beat. As always,

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<v Speaker 1>I'm your host, Brian baum Gartner. Today you just heard.

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<v Speaker 1>I am so excited to be interviewing another icon of

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<v Speaker 1>the TV industry. You know him, you love him, We

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<v Speaker 1>all know him, the amazed John Ham. I mean, what

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<v Speaker 1>can I say about John. He's hilarious, he's handsome, and

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<v Speaker 1>he has truly had one of the most amazing careers

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<v Speaker 1>in the game. You may know John from his iconic

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<v Speaker 1>portrayal of the always dapper Don Draper, or maybe as

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<v Speaker 1>Reverend Richard Wayne Gary Wayne in The Unbreakable Kimmy Schmidt.

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<v Speaker 1>I mean, he's done at all from teaching our very

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<v Speaker 1>own Ellie Kemper in high school. That's right. There are

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<v Speaker 1>people out there who got to have John Ham as

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<v Speaker 1>a high school drama teacher to his latest pursuit of

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<v Speaker 1>playing the nineteen eighties detective of his fourteen year old dreams.

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<v Speaker 1>You know, I don't know why I'm building him up.

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<v Speaker 1>You know who he is. I know you love him,

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<v Speaker 1>as do I. So let's bring him on, shall we?

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<v Speaker 1>The incredible John hamb I love it, Bubble and Quaker

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<v Speaker 1>bubble and Quaker cookie at every moment left over from

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<v Speaker 1>the natty people. What's up? John? There he is. How

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<v Speaker 1>are you? I'm good man, How are you? I am

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<v Speaker 1>so well. It's so good to see you. It's been

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<v Speaker 1>a long time. It has been a minute. It's been

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<v Speaker 1>a minute, I think the last time. Maybe not the

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<v Speaker 1>last time, but uh, that I heard from you. You

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<v Speaker 1>were you were looking through my house when I wasn't home. Yes,

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<v Speaker 1>that that should be explained. I think we can just

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<v Speaker 1>leave it at that. Actually all right, No, I heard.

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<v Speaker 1>I got home. I was like, oh, John Hann was

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<v Speaker 1>there your house today? And I was like, what did

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<v Speaker 1>he go through my underwear drawer? Why was he? Why

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<v Speaker 1>was he in there? T? D. T. B D. I

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<v Speaker 1>see you have the is that the Burrows High School shirt? There? Yes,

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<v Speaker 1>indeed John Burrows High School. St. Louis, Missouri, home and

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<v Speaker 1>alma mater of myself and one Ellie kemper As. You know.

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<v Speaker 1>That's right, so you I want to talk about that

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<v Speaker 1>in a second. But you grew up in St. Louis right,

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<v Speaker 1>born and raised St. Louis, Missouri. Yes, indeed, do you

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<v Speaker 1>go back often? I wouldn't say often, especially obviously during

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<v Speaker 1>the pandemic it was difficult, but you know, a couple

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<v Speaker 1>of times a year for various functions and whatnots and

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<v Speaker 1>my sister's both have grown up kids, so now they're

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<v Speaker 1>starting to have kids. So it's that kind of thing

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<v Speaker 1>or an occasion or a function. But other than that,

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<v Speaker 1>it's I just don't get back that much. Yeah, but

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<v Speaker 1>you still root for the sports teams, I know the Blues, Yes,

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<v Speaker 1>that very much. I do. I've root for the teams.

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<v Speaker 1>I'm excited for baseball season. This is all happening. So

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<v Speaker 1>it's all happening. Um, you didn't really get into acting

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<v Speaker 1>until college, is that right? I mean, yeah, I wasn't

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<v Speaker 1>a child actor or anything like that, but I did

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<v Speaker 1>you played Winnie the Pooh. I did, Yes, I did,

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<v Speaker 1>thank you very much. It was excellent. That was in

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<v Speaker 1>first grade. And then I did do some acting throughout

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<v Speaker 1>high school, but it was more of a college thing.

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<v Speaker 1>I got a scholarship to do it, which was very cool.

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<v Speaker 1>I didn't have a lot of money, so that was

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<v Speaker 1>a nice little way to augment my income or pay

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<v Speaker 1>my bills. So yeah, So that that was at MISSOO.

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<v Speaker 1>That was sort of the beginning of me being accepted

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<v Speaker 1>as someone who could believably put a wig on and

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<v Speaker 1>make people laugh or not. Is that what you like

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<v Speaker 1>to do? Make people laugh when you started? Or did

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<v Speaker 1>it not matter? I don't know. It kind of didn't matter.

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<v Speaker 1>I really liked saying other people's words. I really liked plays,

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<v Speaker 1>and I really liked reading things out loud, and I

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<v Speaker 1>enjoyed the idea of interpreting people's words. And then like,

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<v Speaker 1>when it became sort of a profession, I was like, WHOA,

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<v Speaker 1>if you actually put some effort into this, this can

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<v Speaker 1>be even more fun. Right. You went back to John

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<v Speaker 1>Burrows High School and you taught drama for a while.

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<v Speaker 1>As you mentioned, you taught Ellie Kemper in school. Now

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<v Speaker 1>when you went back there to teach a drama, Did

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<v Speaker 1>you think that was it for you? Or was that

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<v Speaker 1>just a step. I was twenty four years old, so

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<v Speaker 1>I was pretty young still, and I was like, Okay,

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<v Speaker 1>this is like a job and a job that I'm

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<v Speaker 1>excited to do and I really wanted to do for

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<v Speaker 1>various reasons, most of which I had to do with

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<v Speaker 1>the school that I went to. As you can probably

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<v Speaker 1>tell some some wearing a T shirt and sitting in

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<v Speaker 1>a chair that has the crest on it is pretty

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<v Speaker 1>important to me in my life. And I was like,

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<v Speaker 1>I really understood that this school gave a lot to me,

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<v Speaker 1>right therefore, I wanted to be able to give something

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<v Speaker 1>back to it, which I have done in the course

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<v Speaker 1>of my career. As it is taken off, I've done

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<v Speaker 1>a lot more. But at that point I was like, well,

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<v Speaker 1>what I can really do is actually go back and

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<v Speaker 1>teach and try to download some of my vastly accrued

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<v Speaker 1>knowledge at twenty four to to these this next generation.

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<v Speaker 1>And you know, I had some really great students. Ellie

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<v Speaker 1>was one of them. You know, Ellie even back when

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<v Speaker 1>she was fifteen years old and she was like a

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<v Speaker 1>ninth grader, was just a hard worker and I real

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<v Speaker 1>not competitive, but like achievement oriented spirit like, so I

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<v Speaker 1>was like, oh, you're gonna be just fine, like you're

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<v Speaker 1>you're a good kid, and you get it. And and

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<v Speaker 1>she really liked acting and it was really fun for her.

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<v Speaker 1>You could tell all of my kids that I had,

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<v Speaker 1>except for the eighth graders, were all like they all

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<v Speaker 1>chose to be in this class. So it was kind

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<v Speaker 1>of like, well, if you didn't want to be here,

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<v Speaker 1>you wouldn't have picked it. So and it was in

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<v Speaker 1>brov and it was acting, it was scene study, and

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<v Speaker 1>it was all that stuff. And I did it for

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<v Speaker 1>a year and it was really fulfilling and fun and

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<v Speaker 1>I very much enjoyed it. But no, it was It

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<v Speaker 1>was not a thing that I was like, Oh, this

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<v Speaker 1>is be the rest of my life. I'm gonna get

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<v Speaker 1>married and have kids and I'm gonna settle in St.

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<v Speaker 1>Louis and live five minutes from where I grew up.

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<v Speaker 1>And I was like, I think I want to try

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<v Speaker 1>something else, right, I have to go back on that

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<v Speaker 1>for a second. You remember Ellie like you remember her

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<v Speaker 1>as a student. Yeah, and her sister carry too. Yeah,

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<v Speaker 1>of course I remember all my kids like for for

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<v Speaker 1>the most part, but yeah, no, I definitely remember Ellie.

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<v Speaker 1>She was She was just a really hard working, diligent,

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<v Speaker 1>a cheap and oriented student who was very It was great.

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<v Speaker 1>Like honestly, as a teacher, you're like, those are the

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<v Speaker 1>kids that you only want, right So when did you

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<v Speaker 1>reconnect with her? Do you remember seeing her again? Or yes,

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<v Speaker 1>I do. She show it to college. That was five

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<v Speaker 1>years later, and I was out here in l A.

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<v Speaker 1>I had probably been working. I'm not sure if I

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<v Speaker 1>was on Madman by that point, but she, I remember

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<v Speaker 1>emailed me and said, I'm coming out. I went to

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<v Speaker 1>this and I did this, and I've been doing this

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<v Speaker 1>UCB and blah blah blah, and I'm coming out and

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<v Speaker 1>I'm doing my one person show at UCB Theater. And

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<v Speaker 1>I was like, oh my god, that's awesome. That's like

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<v Speaker 1>five minutes away from my house. I'd love to come

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<v Speaker 1>see it. That sounds great. And so I did. And

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<v Speaker 1>I came backstage after the show and I was like,

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<v Speaker 1>you were really great. That was awesome, you know it

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<v Speaker 1>was there were twenty people in the audience, and She's like, Oh,

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<v Speaker 1>I'm so excited. I got it. I have an audition

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<v Speaker 1>tomorrow for the Office, and I said, well, I think

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<v Speaker 1>you're going to get it because you are perfect for

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<v Speaker 1>that show and this is like a perfect showcase for you.

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<v Speaker 1>And the rest is history. That is crazy. Suffice to say,

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<v Speaker 1>I do remember when I saw her. You do remember her?

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<v Speaker 1>I I assume you were asked. I don't know if

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<v Speaker 1>by her. How did it come to be that, Well,

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<v Speaker 1>you played her captor then on Kemi Schmid years later.

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<v Speaker 1>I did you keep in touch before then? Well? Yeah,

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<v Speaker 1>actually we had done Bridesmaids together, right, so we had

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<v Speaker 1>that sort of meeting again. And I remember being on

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<v Speaker 1>the red carpet for that movie and looking over at

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<v Speaker 1>Ellie and she caught my eye and I was like,

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<v Speaker 1>this is so weird, and we both kind of laughed,

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<v Speaker 1>and I think we gave each other hug and I

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<v Speaker 1>was just like, I can't believe you. I'm like standing

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<v Speaker 1>next to you on a red carpet at a major

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<v Speaker 1>motion picture that we're both in. That's going to be

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<v Speaker 1>a huge hit we didn't know at the time, but

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<v Speaker 1>going to be sort of a cultural touch point for

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<v Speaker 1>for many people. But it was nice, to say the least.

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<v Speaker 1>But yes, I had kept up with her, and obviously

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<v Speaker 1>because I knew a lot of you guys on the

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<v Speaker 1>Office too, So like people maybe don't know this, but

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<v Speaker 1>like you know, the the Awards Show kind of swirl,

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<v Speaker 1>you know, had us in it for quite a few years,

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<v Speaker 1>us being Madman, and then also the Office and Dirty Rock,

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<v Speaker 1>and so we would see each other at a couple

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<v Speaker 1>of occasions every every year for quite a few years.

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<v Speaker 1>So I would run into her at those things, as

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<v Speaker 1>well as you and b J and Mindy and Tina

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<v Speaker 1>and Robert Carlock and all the thirty Rock gang. And

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<v Speaker 1>and that's when I did the stretch I did on

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<v Speaker 1>Dirty Rock after thirty Rock. And that's when Tina and

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<v Speaker 1>Robert said, Hey, we're kicking around this idea. We really

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<v Speaker 1>wanted to develop this thing for Ellie. Would you take

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<v Speaker 1>a look at it? Would you consider it? And I

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<v Speaker 1>was like, I don't know if I really want to

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<v Speaker 1>be a go back right into serious television. They're like, no, no,

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<v Speaker 1>you're in like one episode a year. I was like, oh, okay,

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<v Speaker 1>that's first of all, how dare you. Second of all,

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<v Speaker 1>let's stay let's take a look at it. And they

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<v Speaker 1>were like, well, let's let us come pitch it. To you,

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<v Speaker 1>and I was like, okay. At that stage of it,

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<v Speaker 1>it was a pilot and the pilot was called Tooken

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<v Speaker 1>t o O kay N. I was like, okay, what

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<v Speaker 1>what and they're like, okay, you play a guy who

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<v Speaker 1>kidnapped for women and kept them in an underground bunker.

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<v Speaker 1>And it was literally like, let me finish. But it's funny,

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<v Speaker 1>It's like so I was like, I mean, I trust

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<v Speaker 1>you guys, but I mean really like a lot of

0:11:00.040 --> 0:11:02.160
<v Speaker 1>weird stuff had just come out about people, and I

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<v Speaker 1>was like, I don't know, man, I'm not sure I

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<v Speaker 1>find the funny in this. But then I read it

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<v Speaker 1>and I was like, oh, it's really funny, and it's

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<v Speaker 1>about the only way you get away with that is

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<v Speaker 1>by playing this person as a complete and utter buffoon

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<v Speaker 1>and totally out of the realm of believability. And it

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<v Speaker 1>was really fun. I mean, playing that guy was so

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<v Speaker 1>silly and so dumb, but so fun because it was

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<v Speaker 1>so like Robert Carlock, who wrote the majority of the

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<v Speaker 1>Reverend stuff, just got that dumb energy of like it's

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<v Speaker 1>it's not even toxic masculinity, it's just stupid masculinity. It

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<v Speaker 1>was really fun to do, and yeah, I mean it

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<v Speaker 1>went for forever and we got to do that really

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<v Speaker 1>fun Netflix choose your own adventure kind of thing. Yeah,

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<v Speaker 1>it was really great. I was really really pleased with

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<v Speaker 1>how it grew and how it ended and how it

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<v Speaker 1>developed Titus character and Carol Kane's character. Like it was

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<v Speaker 1>just like the best of shows, like your show. It

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<v Speaker 1>became like watching a family grow, and like we watched

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<v Speaker 1>the characters kind of go through their own stuff and

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<v Speaker 1>you watch them figure their own stuff out, and by

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<v Speaker 1>the end of it there better. Yeah, well said, so

0:12:14.240 --> 0:12:17.640
<v Speaker 1>let's go back your teaching at John Burrows. When did

0:12:17.679 --> 0:12:19.720
<v Speaker 1>you make the decision that you needed to go to

0:12:19.880 --> 0:12:23.439
<v Speaker 1>l A. I remember they had asked me to consider

0:12:24.120 --> 0:12:27.840
<v Speaker 1>doing another year at school, um, and I was like, well,

0:12:28.360 --> 0:12:30.680
<v Speaker 1>I don't know, guys, Like I think I wanna try

0:12:30.720 --> 0:12:34.560
<v Speaker 1>to see what can happen with this. And I just

0:12:34.600 --> 0:12:38.320
<v Speaker 1>remember having this thought of like, well, I'm getting kind

0:12:38.320 --> 0:12:44.440
<v Speaker 1>of old. Yeah, I'm like getting a little long in

0:12:44.480 --> 0:12:49.120
<v Speaker 1>the tooth, which, by the way, nowadays is actually true.

0:12:49.240 --> 0:12:52.440
<v Speaker 1>Like if you're not famous by fourteen on TikTok, give

0:12:52.480 --> 0:12:56.000
<v Speaker 1>it up, I'm kidding. I'm kidding. Don't please don't, And

0:12:56.120 --> 0:12:59.040
<v Speaker 1>also don't get famous on TikTok, but I was. I

0:12:59.120 --> 0:13:00.840
<v Speaker 1>just had a sense of like, well, if not now,

0:13:00.920 --> 0:13:05.480
<v Speaker 1>when And I could definitely see inertia settling in if

0:13:05.520 --> 0:13:10.120
<v Speaker 1>I didn't at least try. And I remember one of

0:13:10.160 --> 0:13:13.160
<v Speaker 1>my acting teachers a long time ago, even actually the

0:13:13.200 --> 0:13:17.800
<v Speaker 1>guy went and taught underneath at Burrows, said like, what's

0:13:17.840 --> 0:13:20.040
<v Speaker 1>the worst thing that can happen? If you try? You fail,

0:13:20.280 --> 0:13:24.720
<v Speaker 1>so then fail again and fail better. Yeah, okay, that

0:13:24.800 --> 0:13:27.520
<v Speaker 1>seems like a pretty good advice. And it is, like

0:13:27.600 --> 0:13:31.360
<v Speaker 1>it really is, like I really think, especially nowadays, and

0:13:31.440 --> 0:13:37.880
<v Speaker 1>especially how uncertain everything seems with the pandemic, with the

0:13:38.080 --> 0:13:41.880
<v Speaker 1>complete devastation of social norms as it seems over the

0:13:41.920 --> 0:13:45.920
<v Speaker 1>last few years, I think the idea of failing is

0:13:46.000 --> 0:13:49.200
<v Speaker 1>so terrifying to people, and and in reality you're kind

0:13:49.200 --> 0:13:50.960
<v Speaker 1>of like, and then you know what will happen, Like

0:13:51.600 --> 0:13:53.480
<v Speaker 1>you'll fail at something and then my son is gonna

0:13:53.559 --> 0:13:56.439
<v Speaker 1>rise and you're gonna get up and go get another

0:13:56.520 --> 0:13:59.440
<v Speaker 1>job or not, or you know you're gonna make it work.

0:13:59.679 --> 0:14:02.640
<v Speaker 1>It's an climbing mout everest every time. Sometimes it's just

0:14:02.720 --> 0:14:04.240
<v Speaker 1>walking up a hill and you just have to put

0:14:04.280 --> 0:14:05.599
<v Speaker 1>one ft in front of another and then all of

0:14:05.600 --> 0:14:08.439
<v Speaker 1>a sudden you look back and you're like, look, how

0:14:08.480 --> 0:14:12.760
<v Speaker 1>far up come? This is actually impressive. I'm impressed with myself, right,

0:14:13.520 --> 0:14:17.280
<v Speaker 1>it is. You deserve credit, though, what do they say

0:14:17.320 --> 0:14:20.960
<v Speaker 1>A bird in a hand? Like leaving something, Especially when

0:14:20.960 --> 0:14:23.200
<v Speaker 1>you're in this business where it's so hard to get work,

0:14:23.960 --> 0:14:26.760
<v Speaker 1>it's difficult to leave. I mean you were twenty four,

0:14:26.880 --> 0:14:30.920
<v Speaker 1>I mean commed, I was working in the theater and

0:14:30.960 --> 0:14:32.320
<v Speaker 1>I was like, yeah, I want to go to l A.

0:14:32.400 --> 0:14:33.720
<v Speaker 1>I want to go to l OH but I have

0:14:33.840 --> 0:14:37.280
<v Speaker 1>this job. It's really hard to say no, this is

0:14:37.320 --> 0:14:39.360
<v Speaker 1>what I'm gonna do. I'm gonna go to l A.

0:14:39.640 --> 0:14:43.160
<v Speaker 1>And leaving opportunities that you have is it's difficult. Well,

0:14:43.200 --> 0:14:46.200
<v Speaker 1>I think there are there are inflection points, right obviously,

0:14:46.600 --> 0:14:49.240
<v Speaker 1>and we all have them. Some of them happen earlier

0:14:50.040 --> 0:14:53.440
<v Speaker 1>for us and some of them happened later. And I

0:14:53.480 --> 0:14:56.520
<v Speaker 1>think the idea is in the best case scenario, and

0:14:56.600 --> 0:14:58.600
<v Speaker 1>I think you can probably attest to this as well,

0:14:59.520 --> 0:15:02.920
<v Speaker 1>having the ability to identify them. Right, So when you

0:15:02.960 --> 0:15:06.160
<v Speaker 1>get an opportunity, you say, Okay, this is an opportunity,

0:15:06.320 --> 0:15:09.160
<v Speaker 1>like I really want to take advantage of this, and

0:15:09.200 --> 0:15:12.000
<v Speaker 1>I remember God, I mean When I came out here,

0:15:12.040 --> 0:15:15.680
<v Speaker 1>I auditioned for everything and I got nothing. I was

0:15:15.720 --> 0:15:18.760
<v Speaker 1>an extra in the pilot of the TV show The Practice,

0:15:19.720 --> 0:15:23.480
<v Speaker 1>you know, I was up for Deep Impact. I didn't

0:15:23.480 --> 0:15:26.080
<v Speaker 1>get it. Jon Favreau got it. And it was just

0:15:26.120 --> 0:15:29.080
<v Speaker 1>one of those things of like coming so close to

0:15:29.160 --> 0:15:31.640
<v Speaker 1>something and not getting it's coming so close to something

0:15:31.640 --> 0:15:33.680
<v Speaker 1>and not getting it. And that happened over and over

0:15:33.720 --> 0:15:35.480
<v Speaker 1>and over and over again. And I had success, and

0:15:35.520 --> 0:15:37.640
<v Speaker 1>I had a couple of things that I got, and

0:15:37.640 --> 0:15:40.240
<v Speaker 1>it was kind of climbing up that hill of loose

0:15:40.280 --> 0:15:43.560
<v Speaker 1>gravel and sliding down and climbing back up and sliding down.

0:15:44.360 --> 0:15:47.160
<v Speaker 1>But then I remember when Madman came around. I was like, Oh,

0:15:47.280 --> 0:15:49.680
<v Speaker 1>this is like an inflection point. This is an actual

0:15:49.840 --> 0:15:53.720
<v Speaker 1>thing that I could really do and really do well.

0:15:53.840 --> 0:15:57.120
<v Speaker 1>And I think that I need to identify, like I

0:15:57.200 --> 0:15:59.600
<v Speaker 1>have to like call it out and I have to

0:15:59.640 --> 0:16:02.320
<v Speaker 1>be I have to get this. I just have to.

0:16:03.480 --> 0:16:07.120
<v Speaker 1>I'm not a big believer in the secret or you know,

0:16:07.720 --> 0:16:12.320
<v Speaker 1>manifesting your destiny or whatever that, but I was very

0:16:12.400 --> 0:16:16.960
<v Speaker 1>much aware that I really did in a way that

0:16:17.000 --> 0:16:20.520
<v Speaker 1>I hadn't identified any of these other opportunities or options

0:16:20.840 --> 0:16:22.800
<v Speaker 1>that I really thought this was right for me, that

0:16:22.840 --> 0:16:24.520
<v Speaker 1>I was going to be really good in this and

0:16:24.560 --> 0:16:28.600
<v Speaker 1>it was going to be really important. And so yeah,

0:16:28.680 --> 0:16:30.760
<v Speaker 1>that was when I was thirty five, so like there

0:16:30.840 --> 0:16:32.840
<v Speaker 1>was ten years between me coming out here and me

0:16:32.920 --> 0:16:37.560
<v Speaker 1>getting the thing that identified me to the greater population.

0:16:38.400 --> 0:16:40.320
<v Speaker 1>It is what it is, and you have to go well,

0:16:40.600 --> 0:16:43.400
<v Speaker 1>I have to identify those inflection points when they happen,

0:16:43.480 --> 0:16:46.720
<v Speaker 1>and and then take advantage when they when they present themselves.

0:17:05.160 --> 0:17:09.560
<v Speaker 1>I understand or I've heard that, like the Office mad

0:17:09.600 --> 0:17:13.360
<v Speaker 1>Men was specifically looking for unknown actors. Is that right?

0:17:13.359 --> 0:17:16.199
<v Speaker 1>Did you know that going in? I didn't know that

0:17:16.280 --> 0:17:19.280
<v Speaker 1>going in, because I remember going to quite a few

0:17:19.320 --> 0:17:23.560
<v Speaker 1>auditions and seeing everybody signing in and recognizing quite a

0:17:23.600 --> 0:17:26.359
<v Speaker 1>few of the names on the signing sheet, and I

0:17:26.400 --> 0:17:30.440
<v Speaker 1>remember hearing that they had offered it to this person

0:17:30.480 --> 0:17:34.600
<v Speaker 1>and that person. Matthew has said, and I believe him

0:17:34.640 --> 0:17:37.600
<v Speaker 1>that he when he met me, knew that I was

0:17:37.640 --> 0:17:42.800
<v Speaker 1>the right person. And then had I think, had figured that, yes,

0:17:42.960 --> 0:17:46.320
<v Speaker 1>this would be a much better way for an audience

0:17:46.320 --> 0:17:49.439
<v Speaker 1>to perceive this show if they did not have a

0:17:49.560 --> 0:17:52.960
<v Speaker 1>celebrity or somebody recognizable in the title role, like if

0:17:53.000 --> 0:17:56.080
<v Speaker 1>it was Rob Low. Just to name a person as

0:17:56.160 --> 0:17:58.080
<v Speaker 1>Don Draper, it would have been the Robb Blow Show.

0:17:58.359 --> 0:18:02.159
<v Speaker 1>And that's that's exactly what he didn't want. He wanted

0:18:02.160 --> 0:18:06.479
<v Speaker 1>it to be this show starring these people. And I

0:18:06.480 --> 0:18:11.360
<v Speaker 1>think that that delivered well. Certainly not being colored with

0:18:11.440 --> 0:18:15.360
<v Speaker 1>a specific personality. I mean it allows you to experience

0:18:15.400 --> 0:18:18.679
<v Speaker 1>the character and more authentically well. And also, you know,

0:18:18.680 --> 0:18:20.040
<v Speaker 1>it's one of the it's one of those things like

0:18:20.080 --> 0:18:23.359
<v Speaker 1>we just don't really have that. I mean, we're starting

0:18:23.359 --> 0:18:26.280
<v Speaker 1>to have it more. We didn't have it, I should

0:18:26.320 --> 0:18:28.200
<v Speaker 1>say back then. We have it a lot more now

0:18:28.600 --> 0:18:32.119
<v Speaker 1>when you see a show on Hulu or Netflix or

0:18:32.560 --> 0:18:34.760
<v Speaker 1>we have so many more of those now because the

0:18:34.800 --> 0:18:38.879
<v Speaker 1>selection and the choices are limitless at this point. You know,

0:18:38.920 --> 0:18:42.480
<v Speaker 1>it's not thirty one flavors. It's like thirty one thousand flavors.

0:18:43.080 --> 0:18:46.520
<v Speaker 1>So you can really dial into your specific palette. If

0:18:46.520 --> 0:18:49.960
<v Speaker 1>I can extend that metaphor. It's a strange world. And

0:18:50.000 --> 0:18:53.000
<v Speaker 1>I think Matt and I think Mike and Greg also

0:18:53.119 --> 0:18:55.160
<v Speaker 1>kind of got it. It was like, we can't have

0:18:56.119 --> 0:18:59.880
<v Speaker 1>super recognizable people, we can't stunt cast this thing. It's

0:19:00.000 --> 0:19:03.199
<v Speaker 1>not gonna work. And if the market is amenable to

0:19:03.280 --> 0:19:06.480
<v Speaker 1>letting people discover this in their own time, and we

0:19:06.480 --> 0:19:10.040
<v Speaker 1>were definitely beneficiaries of that. Yeah, you said you read

0:19:10.119 --> 0:19:12.399
<v Speaker 1>the role and you knew that it was for you.

0:19:13.080 --> 0:19:16.119
<v Speaker 1>Why what was it about the role that you saw

0:19:16.520 --> 0:19:19.760
<v Speaker 1>synonymous with yourself or knew that you were the perfect person.

0:19:19.920 --> 0:19:22.880
<v Speaker 1>That's a good question. I just I just felt it.

0:19:22.880 --> 0:19:28.720
<v Speaker 1>It's like Don was a kind of mysterious person. He

0:19:28.800 --> 0:19:33.639
<v Speaker 1>was a smart person, but not you know, traditionally, you know,

0:19:33.680 --> 0:19:36.080
<v Speaker 1>he didn't go to the all the right schools and

0:19:36.119 --> 0:19:38.960
<v Speaker 1>the right things. He just kind of was he kind

0:19:38.960 --> 0:19:42.320
<v Speaker 1>of knew people. That was Don's superpower was that he

0:19:42.400 --> 0:19:45.600
<v Speaker 1>knew people right. He could read people. I said this

0:19:45.680 --> 0:19:47.920
<v Speaker 1>about my father a lot, Like my dad could talk

0:19:48.000 --> 0:19:51.399
<v Speaker 1>to anybody and he could listen to them. That's what

0:19:51.440 --> 0:19:53.840
<v Speaker 1>I mean by talk to them. He wouldn't monologue at them.

0:19:53.840 --> 0:19:56.840
<v Speaker 1>He would like engage in a conversation with them. And

0:19:56.880 --> 0:20:00.199
<v Speaker 1>I always felt I had that gift, so that what

0:20:00.280 --> 0:20:03.520
<v Speaker 1>I identified with Don was that he was able to

0:20:04.040 --> 0:20:10.000
<v Speaker 1>without judgment, talked to kings and poppers in the same breath,

0:20:10.160 --> 0:20:12.520
<v Speaker 1>and that is a very good quality to have when

0:20:12.560 --> 0:20:19.480
<v Speaker 1>you're selling people things. Was there anything physical, anything physically

0:20:19.520 --> 0:20:22.840
<v Speaker 1>that you did characteristics of the character, did you Did

0:20:22.840 --> 0:20:25.280
<v Speaker 1>you see him in that way at all? I always

0:20:25.359 --> 0:20:29.439
<v Speaker 1>had a thing with Don that Don's suit, you know,

0:20:29.600 --> 0:20:33.359
<v Speaker 1>his his look was a suit of armor. So he

0:20:33.600 --> 0:20:36.439
<v Speaker 1>put this suit of armor on to go to battle

0:20:36.520 --> 0:20:40.080
<v Speaker 1>every day, right, And so when he didn't have that on,

0:20:40.920 --> 0:20:44.000
<v Speaker 1>if you watched the show, realized happened quite a few times.

0:20:44.440 --> 0:20:48.440
<v Speaker 1>But there was almost like a vulnerability that he exhibited

0:20:48.480 --> 0:20:51.359
<v Speaker 1>when he didn't have it on, and it rarely showed

0:20:51.400 --> 0:20:53.359
<v Speaker 1>when he had the armor on. And so, and it

0:20:53.440 --> 0:20:56.520
<v Speaker 1>was part of the hairstyle and everything, like he would

0:20:56.560 --> 0:21:00.960
<v Speaker 1>put his drag on to really become this character because

0:21:01.000 --> 0:21:03.040
<v Speaker 1>that's what he was playing. He was playing a character,

0:21:03.240 --> 0:21:06.960
<v Speaker 1>was playing Don Draper. That's people don't know that. I

0:21:07.040 --> 0:21:10.439
<v Speaker 1>knew that, but Matt told me that whole back story

0:21:10.600 --> 0:21:14.280
<v Speaker 1>before we shot the frame of film. So I knew

0:21:14.280 --> 0:21:17.480
<v Speaker 1>that this guy was living a double life when we

0:21:17.520 --> 0:21:20.080
<v Speaker 1>started it, and it was important for me to play

0:21:20.080 --> 0:21:23.560
<v Speaker 1>that but not play it obviously physically. That's what I

0:21:23.600 --> 0:21:28.240
<v Speaker 1>did consciously, and h I'm sure there were some subconscious

0:21:28.240 --> 0:21:30.640
<v Speaker 1>things that bled into it too. It's I mean, it's

0:21:30.720 --> 0:21:35.000
<v Speaker 1>it's almost encapsulated in the logo, right, there is such

0:21:35.080 --> 0:21:41.160
<v Speaker 1>a strength in casualness. That is a horrible way to say,

0:21:41.200 --> 0:21:42.800
<v Speaker 1>and I can't think of what I'm trying to say,

0:21:42.840 --> 0:21:47.440
<v Speaker 1>but there's such a passive strength with him. He has

0:21:47.520 --> 0:21:51.040
<v Speaker 1>so much power but is holding back. It's that classic

0:21:51.160 --> 0:21:53.600
<v Speaker 1>like the more you yell, the more you scream, the

0:21:53.640 --> 0:21:56.760
<v Speaker 1>louder you are, you actually don't have power, but when

0:21:56.760 --> 0:21:59.800
<v Speaker 1>you pull back, and I felt like you physicalize that

0:22:00.160 --> 0:22:02.920
<v Speaker 1>so well, and yeah, maybe it is when the suit

0:22:03.000 --> 0:22:04.840
<v Speaker 1>was on it I didn't really think about that before,

0:22:04.840 --> 0:22:08.199
<v Speaker 1>but that's really interesting. It's it's very true, Like you know,

0:22:08.240 --> 0:22:10.639
<v Speaker 1>it was. Matt and I would have conversations about this

0:22:10.680 --> 0:22:13.080
<v Speaker 1>all the time, and it was kind of like when

0:22:13.119 --> 0:22:16.000
<v Speaker 1>you're pitching of anything. If you're a writer pitching a project,

0:22:16.080 --> 0:22:19.720
<v Speaker 1>if you're an ad man pitching a concept, there is

0:22:19.760 --> 0:22:23.040
<v Speaker 1>a want or a desire to sort of like be

0:22:23.119 --> 0:22:25.199
<v Speaker 1>a showman and like do the things and do the

0:22:25.400 --> 0:22:29.600
<v Speaker 1>stuff and and sometimes that's warranted and sometimes it's not.

0:22:29.800 --> 0:22:33.359
<v Speaker 1>And so for Don I think his he realized at

0:22:33.359 --> 0:22:35.800
<v Speaker 1>a certain point if they've come into the show room,

0:22:35.960 --> 0:22:38.879
<v Speaker 1>like and this goes back to his days as a

0:22:38.880 --> 0:22:41.600
<v Speaker 1>first salesman when he meets Roger Stirling, if they've come

0:22:41.600 --> 0:22:44.200
<v Speaker 1>into the show room, they're ready to buy, you're already

0:22:44.440 --> 0:22:47.600
<v Speaker 1>halfway there. Your job is to convince them of the

0:22:47.600 --> 0:22:50.520
<v Speaker 1>other half. And the way he was written, and Matt

0:22:50.640 --> 0:22:52.920
<v Speaker 1>had such a good handle on this guy and writing

0:22:53.000 --> 0:22:57.080
<v Speaker 1>him this way. But he was very easy about getting

0:22:57.119 --> 0:23:00.320
<v Speaker 1>you the other of the way there. Come take my

0:23:00.400 --> 0:23:02.159
<v Speaker 1>hand and gonna walk you all the way across from

0:23:02.240 --> 0:23:04.080
<v Speaker 1>You're gonna sit down and you're gonna have this thing,

0:23:04.119 --> 0:23:06.800
<v Speaker 1>and then you're gonna say yes. It was seductive, It

0:23:06.880 --> 0:23:10.040
<v Speaker 1>was like smart, it was emotional, it was you know

0:23:10.080 --> 0:23:12.760
<v Speaker 1>the people point to the carousel speeches that but that's

0:23:12.840 --> 0:23:15.200
<v Speaker 1>that's what it was like. It was all of those things.

0:23:15.320 --> 0:23:19.159
<v Speaker 1>It was and and it was effective, and um, I

0:23:19.200 --> 0:23:23.040
<v Speaker 1>think those are good qualities, you know, salesman, not so

0:23:23.119 --> 0:23:26.919
<v Speaker 1>much in a husband or But that was what I

0:23:27.000 --> 0:23:30.240
<v Speaker 1>was just about to ask you, what for you those

0:23:30.280 --> 0:23:33.000
<v Speaker 1>moments that there were obstacles for Don where things were

0:23:33.119 --> 0:23:36.280
<v Speaker 1>more difficult, What was the most difficult aspect of that

0:23:36.320 --> 0:23:39.160
<v Speaker 1>for you to play? Well, you know, I wouldn't say

0:23:39.200 --> 0:23:42.600
<v Speaker 1>it was difficult. It was fun. And that's the fun

0:23:42.640 --> 0:23:45.360
<v Speaker 1>part of acting. Right. If it was just Don Draper

0:23:45.760 --> 0:23:48.159
<v Speaker 1>selling ads and winning all the time, it would be

0:23:48.240 --> 0:23:52.800
<v Speaker 1>a really boring show, right, And so that part of

0:23:52.800 --> 0:23:54.960
<v Speaker 1>it was the attractive part of it to me. Like,

0:23:55.040 --> 0:23:58.199
<v Speaker 1>my favorite part of the pilot episode is when he

0:23:58.200 --> 0:24:01.000
<v Speaker 1>comes home and you're like, this guy's got life and kids, Like,

0:24:01.200 --> 0:24:06.679
<v Speaker 1>oh shit, right, everything I thought of the first forty

0:24:06.720 --> 0:24:11.120
<v Speaker 1>eight minutes of this show is wrong. I just love

0:24:11.200 --> 0:24:14.960
<v Speaker 1>that reveal, and and I just thought it was really elegant.

0:24:15.000 --> 0:24:17.320
<v Speaker 1>I thought it was really great from a dramatics jet

0:24:17.320 --> 0:24:20.560
<v Speaker 1>and devastating all of the things that you want from

0:24:20.600 --> 0:24:23.280
<v Speaker 1>from a drama and you're like, well, now I'm ready

0:24:23.320 --> 0:24:26.280
<v Speaker 1>for episode two. I'm ready for episode two through a hundred,

0:24:27.000 --> 0:24:29.040
<v Speaker 1>and we were so fortunate to get a chance to

0:24:29.040 --> 0:24:33.120
<v Speaker 1>do another indy two episodes of it. Yeah, well, it's

0:24:33.160 --> 0:24:37.679
<v Speaker 1>really interesting your show, along with Tony Soprano and the

0:24:37.720 --> 0:24:42.440
<v Speaker 1>Sopranos and Brian Cranston and Breaking Bad, that shows where

0:24:42.800 --> 0:24:47.160
<v Speaker 1>the lead character was the hero but had deep flaws

0:24:47.160 --> 0:24:51.000
<v Speaker 1>and obstacles to overcome. And I think that those three

0:24:51.000 --> 0:24:56.199
<v Speaker 1>shows specifically are so brilliant and so great because you

0:24:56.280 --> 0:25:00.800
<v Speaker 1>do find yourself rooting for and against these people. Well,

0:25:00.880 --> 0:25:04.359
<v Speaker 1>so right, it was the the era of the quote

0:25:04.400 --> 0:25:07.119
<v Speaker 1>unquote difficult man, I did not make that phrase up,

0:25:07.119 --> 0:25:09.080
<v Speaker 1>but I think my friend Allan's up and we all did.

0:25:09.119 --> 0:25:11.480
<v Speaker 1>But like it is true, there was this anti hero

0:25:11.680 --> 0:25:15.640
<v Speaker 1>kind of sensibility of the early aughts that was very evident,

0:25:15.680 --> 0:25:17.520
<v Speaker 1>and not only the three you mentioned. I think you

0:25:17.560 --> 0:25:20.640
<v Speaker 1>could probably point to the wire as well as as

0:25:20.640 --> 0:25:22.959
<v Speaker 1>well as a couple other things that was really evident.

0:25:23.040 --> 0:25:25.000
<v Speaker 1>You know the difference I think with our shows that

0:25:25.119 --> 0:25:28.480
<v Speaker 1>unlike Soprannos and Breaking Bad, like those shows had the

0:25:28.520 --> 0:25:33.000
<v Speaker 1>benefit of the stakes being life and death. So Tony

0:25:33.040 --> 0:25:35.879
<v Speaker 1>Soprano was a gangster, he could get whacked any minute.

0:25:36.119 --> 0:25:38.320
<v Speaker 1>Born grandson was a drug dealer, he could get whacked

0:25:38.320 --> 0:25:40.879
<v Speaker 1>any minute. Cops in the wire and then drug dealers

0:25:40.880 --> 0:25:44.000
<v Speaker 1>in the wire. Death was lurking around the corner, and

0:25:44.080 --> 0:25:48.399
<v Speaker 1>every minute our show was not. It was like maybe

0:25:48.440 --> 0:25:51.399
<v Speaker 1>that he's going to disappoint his wife again, or maybe

0:25:51.440 --> 0:25:54.600
<v Speaker 1>it's gonna he's not going to get the big account.

0:25:55.200 --> 0:25:59.800
<v Speaker 1>So the stakes were much more real and much more human,

0:26:00.160 --> 0:26:02.760
<v Speaker 1>and I think a lot more identifiable to more people.

0:26:03.040 --> 0:26:05.240
<v Speaker 1>I don't know what it's like to think, oh, I

0:26:05.280 --> 0:26:09.480
<v Speaker 1>hope someone's that outside wanting to shoot me, But I

0:26:09.520 --> 0:26:11.840
<v Speaker 1>do know what it's like to be disappointed at work.

0:26:12.680 --> 0:26:15.439
<v Speaker 1>And I think that was kind of the magic that

0:26:15.520 --> 0:26:18.600
<v Speaker 1>our show actually had, which was making that those steaks

0:26:19.760 --> 0:26:23.760
<v Speaker 1>high enough to be dramatic. Yeah. Well, it's interesting that Matthew,

0:26:24.400 --> 0:26:27.760
<v Speaker 1>you know, came from The Sopranos trying to find potentially

0:26:27.760 --> 0:26:33.919
<v Speaker 1>a more relatable or universal subject of home versus work

0:26:34.520 --> 0:26:38.679
<v Speaker 1>versus you know, having that conflict exists, that's maybe more

0:26:38.760 --> 0:26:42.520
<v Speaker 1>universal for people. For sure. Matt had written the script

0:26:42.560 --> 0:26:45.680
<v Speaker 1>for mad Men before he got the job on Sopranos.

0:26:45.720 --> 0:26:47.919
<v Speaker 1>That's in fact, David Chase read the script for mad

0:26:48.000 --> 0:26:50.760
<v Speaker 1>Men and said I want to meet this guy, and

0:26:50.800 --> 0:26:54.399
<v Speaker 1>that hired him on Sprantos. And so if you if

0:26:54.440 --> 0:26:57.679
<v Speaker 1>you actually go back and like watch Matt's episodes of

0:26:58.160 --> 0:27:02.800
<v Speaker 1>The Sopranos, you'll see the shared DNA, things about dreams

0:27:02.880 --> 0:27:05.639
<v Speaker 1>and things about signs and things about what does what

0:27:05.720 --> 0:27:08.280
<v Speaker 1>do things really mean? And what's the deeper meaning and

0:27:08.320 --> 0:27:12.439
<v Speaker 1>things and it's very philosophical and it's really smart, and

0:27:12.520 --> 0:27:17.760
<v Speaker 1>it's really emotional, and it's really effective as storytelling. And

0:27:17.800 --> 0:27:21.919
<v Speaker 1>that's you know, the Sopranos was David's milieu, right he

0:27:21.960 --> 0:27:23.720
<v Speaker 1>grew up in New Jersey. He kind of grew up

0:27:23.720 --> 0:27:27.760
<v Speaker 1>around these guys. This was his Bailey Wick and you know,

0:27:27.880 --> 0:27:30.840
<v Speaker 1>Mac grew up in Baltimore and then Beverly Hills and

0:27:30.880 --> 0:27:35.280
<v Speaker 1>like had a very different life and so very much

0:27:35.359 --> 0:27:39.040
<v Speaker 1>understood the overbearing mom and the issues that comes with

0:27:39.119 --> 0:27:42.520
<v Speaker 1>that from the sopranos point of view, and then understood

0:27:42.600 --> 0:27:45.360
<v Speaker 1>kind of the dynamics of marriage and what comes from

0:27:45.359 --> 0:27:48.639
<v Speaker 1>that and from our standpoint, and understood being a salesman

0:27:48.680 --> 0:27:51.000
<v Speaker 1>like he was a comedy writer and and had to

0:27:51.119 --> 0:27:55.080
<v Speaker 1>sell shows like he got it. So those are the

0:27:55.160 --> 0:27:58.320
<v Speaker 1>things that you bring to your work. If you're a writer,

0:27:58.400 --> 0:27:59.800
<v Speaker 1>those are the things you bring to your work. If

0:27:59.800 --> 0:28:02.280
<v Speaker 1>you're actor, like, you bring your experience and you hope

0:28:02.320 --> 0:28:05.280
<v Speaker 1>it relates or resonates in some way. Yeah, that that's

0:28:05.440 --> 0:28:08.520
<v Speaker 1>that's what it's all about. Ultimately, it is finding your

0:28:08.520 --> 0:28:11.959
<v Speaker 1>own experience and trying to translate it on a universal stage.

0:28:12.320 --> 0:28:17.560
<v Speaker 1>You do episodes seven eight years, much like The Office.

0:28:17.880 --> 0:28:21.200
<v Speaker 1>You guys, Uh, most of the cast is unknown before

0:28:21.240 --> 0:28:23.760
<v Speaker 1>that point. Do you think that that made it more

0:28:23.880 --> 0:28:26.440
<v Speaker 1>special for you when it was over or more difficult

0:28:26.480 --> 0:28:30.000
<v Speaker 1>to say goodbye? I mean, I think I don't care

0:28:30.119 --> 0:28:35.440
<v Speaker 1>how famous or not famous or known or unknown you are.

0:28:35.640 --> 0:28:38.400
<v Speaker 1>I think if you spend the better part of the

0:28:38.480 --> 0:28:41.520
<v Speaker 1>decade with anybody, it's hard to say goodbye. I mean,

0:28:41.600 --> 0:28:44.800
<v Speaker 1>I think that's that's the end of a lifetime for

0:28:44.800 --> 0:28:46.680
<v Speaker 1>a lot of people. You know, that's the end, certainly,

0:28:46.680 --> 0:28:51.080
<v Speaker 1>the end of a long chapter of a lifetime. I

0:28:51.200 --> 0:28:54.920
<v Speaker 1>guarantee you had virtually the same experience that I did.

0:28:54.920 --> 0:28:58.680
<v Speaker 1>But it's hard to say goodbye to this part, right right.

0:28:59.120 --> 0:29:02.000
<v Speaker 1>You're never gonna say goodbye to those people forever. So

0:29:02.240 --> 0:29:05.640
<v Speaker 1>I still, you know, hear from them, keep up with them,

0:29:05.680 --> 0:29:09.800
<v Speaker 1>their careers, their lives, their children, and their families in

0:29:09.840 --> 0:29:12.400
<v Speaker 1>some way. It's obviously not in the way that it was,

0:29:13.040 --> 0:29:17.120
<v Speaker 1>but it's certainly in its own significant way. That's just

0:29:17.240 --> 0:29:20.120
<v Speaker 1>what it is. You know, it's just too long a

0:29:20.160 --> 0:29:24.960
<v Speaker 1>time to just ignore. I think, maybe more specifically what

0:29:25.080 --> 0:29:27.880
<v Speaker 1>I meant, you know, it's in a situation I think

0:29:27.880 --> 0:29:31.240
<v Speaker 1>where you have people who are established, it's never the

0:29:31.320 --> 0:29:34.520
<v Speaker 1>same as the first time, and it feels like like Madmen,

0:29:34.640 --> 0:29:37.360
<v Speaker 1>like the Office, it was sort of the first time,

0:29:37.600 --> 0:29:42.640
<v Speaker 1>big show, big experience, big success for everybody, basically, So

0:29:42.840 --> 0:29:45.560
<v Speaker 1>that's that's more I think. Yeah, I think that's true.

0:29:45.560 --> 0:29:48.560
<v Speaker 1>I mean, it's it's it's certainly different than being on

0:29:49.080 --> 0:29:53.280
<v Speaker 1>a movie where you you know, you're you're together intensely

0:29:53.400 --> 0:29:55.520
<v Speaker 1>for two months or whatever it is, and then your

0:29:55.680 --> 0:29:58.440
<v Speaker 1>peace out and you're onto the next one. Or it's different,

0:29:58.480 --> 0:30:00.560
<v Speaker 1>you know, Like I was on a show on the

0:30:00.640 --> 0:30:06.080
<v Speaker 1>Lifetime network for three years and almost seventy episodes of

0:30:06.200 --> 0:30:09.960
<v Speaker 1>television and me and Taraji Henson and Bonnie Badelia and

0:30:10.000 --> 0:30:13.520
<v Speaker 1>Tracy Needham and Lisa Vidal and Nancy McKeon, and I

0:30:13.640 --> 0:30:16.600
<v Speaker 1>still know them, but I'm not like connected with them

0:30:16.600 --> 0:30:18.360
<v Speaker 1>in any real way because it was like, yeah, that

0:30:18.480 --> 0:30:21.600
<v Speaker 1>was a job. So yeah, it's like it's certainly a

0:30:21.600 --> 0:30:24.840
<v Speaker 1>strange thing and a specific thing, but it's also you're right.

0:30:24.880 --> 0:30:27.360
<v Speaker 1>I think you're You're very right in the sense of like, yeah,

0:30:27.480 --> 0:30:34.800
<v Speaker 1>that first real sense of being successful and something is indelible. Yeah,

0:30:53.560 --> 0:30:58.600
<v Speaker 1>you became so synonymous with Don Draper. Has it been

0:30:58.640 --> 0:31:03.080
<v Speaker 1>hard for you or have you actively tried to do

0:31:03.280 --> 0:31:06.760
<v Speaker 1>different work or do you not think about that? Yeah?

0:31:06.960 --> 0:31:10.760
<v Speaker 1>I mean I remember the show started in two thousand

0:31:10.920 --> 0:31:13.360
<v Speaker 1>We shot the pilot in two thousand four, was on

0:31:13.440 --> 0:31:15.720
<v Speaker 1>the year by two thousand five, two thousand and six,

0:31:15.800 --> 0:31:19.560
<v Speaker 1>we were picked up. So around two thousand seven eight nine,

0:31:19.720 --> 0:31:21.800
<v Speaker 1>that's when I like hosted SNL and was working on

0:31:21.840 --> 0:31:24.360
<v Speaker 1>thirty Rock. Was like, that's when I started to get

0:31:24.360 --> 0:31:27.640
<v Speaker 1>a lot of offers for jobs that were like, Hey,

0:31:27.680 --> 0:31:30.680
<v Speaker 1>this is a guy who's kind of a brooding guy

0:31:30.720 --> 0:31:33.040
<v Speaker 1>who smokes a lot of cigarettes and he wears a hat,

0:31:33.120 --> 0:31:35.600
<v Speaker 1>and like I was like, yeah, I kind of I

0:31:35.680 --> 0:31:37.920
<v Speaker 1>played that guy in my day job. Like, let's do

0:31:38.040 --> 0:31:42.080
<v Speaker 1>something different, And that's when I started working a lot more.

0:31:42.280 --> 0:31:44.200
<v Speaker 1>I had known a lot of the folks in the

0:31:44.240 --> 0:31:46.800
<v Speaker 1>comedy community for years, but that's when I started working

0:31:46.800 --> 0:31:48.600
<v Speaker 1>with them and they were inviting me to come play

0:31:48.640 --> 0:31:51.200
<v Speaker 1>in that sandbox. And that's when I did things like

0:31:51.280 --> 0:31:54.600
<v Speaker 1>Bridesmaids and Dirty Rock and San l and what have you.

0:31:54.640 --> 0:31:58.440
<v Speaker 1>So it was it was definitely a a decision to

0:31:59.040 --> 0:32:01.920
<v Speaker 1>pivot off. Let's not bang on the same piano key

0:32:01.960 --> 0:32:06.920
<v Speaker 1>for forever here, right, I asked, because it was always

0:32:07.000 --> 0:32:12.120
<v Speaker 1>so pleasurable to see you in something totally different, to

0:32:12.160 --> 0:32:16.400
<v Speaker 1>see you show up in Bride'smaids or thirty Rock or um,

0:32:16.440 --> 0:32:19.840
<v Speaker 1>you know, eventually Kimmy Schmidt, and it's it was so

0:32:19.960 --> 0:32:22.840
<v Speaker 1>fun and it felt like at least it must have

0:32:22.960 --> 0:32:25.680
<v Speaker 1>been a choice either for yourself just to be to

0:32:25.800 --> 0:32:28.400
<v Speaker 1>have fun or you know, to want to pivot away

0:32:28.480 --> 0:32:32.000
<v Speaker 1>from that role that defined a network, that defined a

0:32:32.440 --> 0:32:37.400
<v Speaker 1>historic show. Yeah, I mean it was really nice to

0:32:37.600 --> 0:32:42.880
<v Speaker 1>have credibility in both kind of lanes. You know, you

0:32:43.080 --> 0:32:46.120
<v Speaker 1>usually asked weirdly enough as actors, you're and I think

0:32:46.120 --> 0:32:48.960
<v Speaker 1>now more than ever, you're like pickole a do the

0:32:49.040 --> 0:32:51.720
<v Speaker 1>one thing that you do and just just do that

0:32:52.880 --> 0:32:58.880
<v Speaker 1>unless you're you know, blessed. But I was really grateful that,

0:32:59.400 --> 0:33:01.720
<v Speaker 1>you know, Lord Michael's first of all asked me to

0:33:01.760 --> 0:33:05.040
<v Speaker 1>host s and now, and then off of that, Tina said,

0:33:05.120 --> 0:33:07.200
<v Speaker 1>is that guy? Is that guy funny? Is a kind

0:33:07.200 --> 0:33:11.520
<v Speaker 1>of a dud? And I was deemed to be funny

0:33:11.560 --> 0:33:13.720
<v Speaker 1>and then asked to go play with the cool kids

0:33:13.720 --> 0:33:17.160
<v Speaker 1>over Dirty Rock, and you know it just came got

0:33:17.160 --> 0:33:19.160
<v Speaker 1>to meet Amy Poehler, off of that, got to meet

0:33:19.200 --> 0:33:21.440
<v Speaker 1>Maya Rudolph, got to meet Kristin Wigg, got to meet

0:33:21.480 --> 0:33:24.400
<v Speaker 1>Jason sadik Has, got to meet Bill Hayter. The people

0:33:24.400 --> 0:33:26.960
<v Speaker 1>that I ended up working with and doing really fun

0:33:27.000 --> 0:33:31.240
<v Speaker 1>projects with, And it was like a good feeling. I'll say,

0:33:31.240 --> 0:33:37.320
<v Speaker 1>it's awesome. Confess Fletch coming up bringing back Chevy Chase

0:33:38.320 --> 0:33:41.080
<v Speaker 1>fletch from the eighties. Was that scary to you? Are

0:33:41.080 --> 0:33:43.960
<v Speaker 1>you just excited? For sure? You're a big fan of it? Yes, huge,

0:33:44.440 --> 0:33:49.479
<v Speaker 1>huge seminal motion picture for me and Chevy's performance and

0:33:49.600 --> 0:33:53.120
<v Speaker 1>Chevy's career. He was so specific in his comedy and

0:33:53.320 --> 0:33:58.840
<v Speaker 1>is remains and I think is so particularly good in

0:33:58.880 --> 0:34:02.960
<v Speaker 1>that film, so us it was terrifying to actually say, Okay,

0:34:03.000 --> 0:34:06.160
<v Speaker 1>we're gonna do it, but not like he did it.

0:34:06.480 --> 0:34:10.680
<v Speaker 1>I'm not gonna like do a Chevy Chase impression because

0:34:10.680 --> 0:34:13.200
<v Speaker 1>we already have that version. It's like doing a cover

0:34:13.320 --> 0:34:15.880
<v Speaker 1>version of a song. Like if you're going to cover

0:34:16.239 --> 0:34:19.080
<v Speaker 1>the Beatles, you better do it differently than the Beatles.

0:34:19.120 --> 0:34:22.520
<v Speaker 1>Otherwise it's just gonna pale in comparison. So do it differently.

0:34:23.160 --> 0:34:25.640
<v Speaker 1>And so that's what we set out to do and

0:34:26.040 --> 0:34:30.319
<v Speaker 1>we did. It's much more akin to the books, which

0:34:30.360 --> 0:34:32.239
<v Speaker 1>I was a big fan of. Like I saw the

0:34:32.280 --> 0:34:34.960
<v Speaker 1>film in when I was fourteen years old. I thought

0:34:34.960 --> 0:34:37.719
<v Speaker 1>it was the funniest thing I ever saw, and then

0:34:37.880 --> 0:34:42.480
<v Speaker 1>I realized, oh my god, there's ten more books. Like

0:34:42.640 --> 0:34:44.480
<v Speaker 1>I'm so excited I get to read all these books.

0:34:44.480 --> 0:34:46.239
<v Speaker 1>And he goes to Rio and he does this thing,

0:34:46.320 --> 0:34:49.040
<v Speaker 1>and he does he gets in so many more capers.

0:34:49.120 --> 0:34:52.520
<v Speaker 1>It's so fun. And I was like, oh, man, like,

0:34:52.680 --> 0:34:54.480
<v Speaker 1>I hope they make all these movies. You know, this

0:34:54.520 --> 0:34:56.839
<v Speaker 1>was in the days of the early Star Wars days,

0:34:56.840 --> 0:34:59.760
<v Speaker 1>when you knew that there were nine more of these,

0:35:00.040 --> 0:35:03.120
<v Speaker 1>you had to wait four decades for them to come out.

0:35:04.200 --> 0:35:07.840
<v Speaker 1>We decided that we were like, Okay, look, we're gonna

0:35:07.880 --> 0:35:09.480
<v Speaker 1>do this, but we're gonna do it our way. We're

0:35:09.480 --> 0:35:11.319
<v Speaker 1>gonna make it a lot more like the books, and

0:35:11.360 --> 0:35:13.959
<v Speaker 1>if people like it, we understand that there's a whole

0:35:14.440 --> 0:35:18.759
<v Speaker 1>two generations of people that probably they can rediscover it

0:35:18.880 --> 0:35:22.560
<v Speaker 1>if they want. And we made a really funny detective

0:35:23.000 --> 0:35:26.960
<v Speaker 1>movie that obviously shares the same character name and the

0:35:27.080 --> 0:35:30.399
<v Speaker 1>same original source material to the film, but very little

0:35:30.440 --> 0:35:33.080
<v Speaker 1>else with it. But we're hoping that it's um fun

0:35:33.120 --> 0:35:35.759
<v Speaker 1>and funny, and we got to make it. We got

0:35:35.760 --> 0:35:37.880
<v Speaker 1>to make the movie we wanted to make. And Greg Mottola,

0:35:38.040 --> 0:35:40.279
<v Speaker 1>who I've worked with on several projects, I just love

0:35:40.360 --> 0:35:44.080
<v Speaker 1>his sensibility and his the way he works, and he

0:35:44.280 --> 0:35:46.239
<v Speaker 1>co wrote the script, and I was just like, I

0:35:46.280 --> 0:35:47.759
<v Speaker 1>want to make ten more of these. So if you

0:35:47.800 --> 0:35:49.719
<v Speaker 1>want to keep doing them. You'll be in the next

0:35:49.760 --> 0:35:52.080
<v Speaker 1>one if you want, Brian. It's like it's like, you know,

0:35:52.840 --> 0:35:54.759
<v Speaker 1>we just get to play in our our fun little

0:35:54.760 --> 0:35:57.839
<v Speaker 1>sandbox and hopefully they'll let us do more. I am

0:35:57.960 --> 0:36:01.600
<v Speaker 1>so excited to see it. For sure. I was a

0:36:01.640 --> 0:36:03.799
<v Speaker 1>big fan, and obviously you know I'm a big fan

0:36:03.840 --> 0:36:05.640
<v Speaker 1>of yours. So I can't wait to see your take

0:36:06.520 --> 0:36:08.520
<v Speaker 1>on it. When is it? When? When is it out there?

0:36:08.920 --> 0:36:12.160
<v Speaker 1>We don't know. We're it's it's an independent film, believe

0:36:12.200 --> 0:36:14.040
<v Speaker 1>it or not, like we made it like an indie

0:36:14.160 --> 0:36:17.080
<v Speaker 1>and you know, we have to find distribution and all

0:36:17.080 --> 0:36:19.440
<v Speaker 1>that stuff, which we're on track to do, but we

0:36:19.520 --> 0:36:23.120
<v Speaker 1>just haven't done it yet. So we'll see, we'll see that.

0:36:23.200 --> 0:36:26.320
<v Speaker 1>The good news is there's an awful lot of places

0:36:26.400 --> 0:36:32.719
<v Speaker 1>that that distribute movies. Now, yes, um top Gun, Um

0:36:33.080 --> 0:36:35.520
<v Speaker 1>top Gun. However, it will be in theaters. I think

0:36:35.560 --> 0:36:38.840
<v Speaker 1>that'll be everywhere. Right, Was that fun to do? I

0:36:38.840 --> 0:36:43.320
<v Speaker 1>mean that's that's too kind of iconic movies that you're

0:36:43.360 --> 0:36:46.359
<v Speaker 1>you're got a hand in here, right back to back. Yeah, yeah,

0:36:46.440 --> 0:36:49.080
<v Speaker 1>two big eighties franchises that I've got to do, Like

0:36:49.120 --> 0:36:51.040
<v Speaker 1>would tell people, like if I could tell my fourteen

0:36:51.080 --> 0:36:52.400
<v Speaker 1>year old self that I was going to be in

0:36:53.520 --> 0:36:56.440
<v Speaker 1>a Fletch movie and a Top Gun movie. My fourteen

0:36:56.520 --> 0:36:59.640
<v Speaker 1>year old selves head would have fallen off. Yeah. Yeah,

0:36:59.719 --> 0:37:01.640
<v Speaker 1>I have lot of like high school friends and people

0:37:01.680 --> 0:37:05.919
<v Speaker 1>from my youth that are like so jazzed for Top Gun.

0:37:06.160 --> 0:37:09.040
<v Speaker 1>It's hard for me to even process it. But yeah,

0:37:09.080 --> 0:37:14.360
<v Speaker 1>that'll be in in theaters Memorial Day weekend, whenever that

0:37:14.480 --> 0:37:16.480
<v Speaker 1>is worldwide. You'll be able to find it on a

0:37:16.520 --> 0:37:18.919
<v Speaker 1>screen somewhere near you. It's an excellent film. I'm very

0:37:19.000 --> 0:37:21.879
<v Speaker 1>proud of it. I was very pleased to work with Tom,

0:37:21.960 --> 0:37:25.040
<v Speaker 1>very very pleased to be asked to be a part

0:37:25.200 --> 0:37:29.040
<v Speaker 1>of that franchise Universe world however you want to say

0:37:29.080 --> 0:37:33.320
<v Speaker 1>it like walking around a set that has American flags

0:37:33.360 --> 0:37:37.640
<v Speaker 1>and fighter jets and aircraft carriers and I was like,

0:37:37.680 --> 0:37:40.960
<v Speaker 1>are you kidding me? You know, happy, happy to be here,

0:37:41.040 --> 0:37:45.279
<v Speaker 1>You're in awesome Alright, Last question, I've got to ask you.

0:37:45.920 --> 0:37:50.359
<v Speaker 1>When you are named as you normally are to some

0:37:50.600 --> 0:37:54.240
<v Speaker 1>Sexiest Man Alive list, how does that make you feel

0:37:54.840 --> 0:37:59.200
<v Speaker 1>like proud? If you can put the video aspect of

0:37:59.239 --> 0:38:02.799
<v Speaker 1>this call on the air, you'll know that that's a

0:38:02.920 --> 0:38:07.480
<v Speaker 1>very subjective term. Uh, maybe it's the light or the angle.

0:38:07.560 --> 0:38:09.239
<v Speaker 1>But I've been looking at myself for the better part

0:38:09.280 --> 0:38:10.799
<v Speaker 1>of the last hour and I don't think I'm on

0:38:10.840 --> 0:38:16.400
<v Speaker 1>any of those lists. Um sure, obviously it's nice for

0:38:16.440 --> 0:38:18.920
<v Speaker 1>people to say nice things about you. I think it

0:38:18.920 --> 0:38:21.680
<v Speaker 1>all comes with a pretty healthy grain of salt, and

0:38:21.719 --> 0:38:24.879
<v Speaker 1>I think you know what I do too. I think

0:38:24.920 --> 0:38:27.280
<v Speaker 1>it's just do you take that with a grain of salt? John.

0:38:28.120 --> 0:38:32.399
<v Speaker 1>Until I make it on the list, it means nothing. Well,

0:38:33.200 --> 0:38:35.439
<v Speaker 1>having gone through to bring it all back home, having

0:38:35.480 --> 0:38:38.960
<v Speaker 1>gone through your underwroad drawer, I realize that you're on

0:38:39.000 --> 0:38:43.919
<v Speaker 1>my list. Perfect. John. Thank you so much. You know

0:38:44.200 --> 0:38:47.000
<v Speaker 1>what a huge fan I am of yours and basically

0:38:47.080 --> 0:38:49.439
<v Speaker 1>everything you do. There might have been that one thing

0:38:49.920 --> 0:38:54.000
<v Speaker 1>back in them late night, the division, you can say it. Yeah,

0:38:54.120 --> 0:38:56.120
<v Speaker 1>I didn't like that at all, But thank you so

0:38:56.200 --> 0:38:58.799
<v Speaker 1>much for taking the time and talking to me. It's

0:38:58.840 --> 0:39:01.879
<v Speaker 1>my pleasure. Brand It's always nice to talk to you,

0:39:01.960 --> 0:39:04.760
<v Speaker 1>and my best to you and yours, and we'll talk

0:39:05.160 --> 0:39:19.880
<v Speaker 1>at a later day. Thanks John. Well you heard it

0:39:19.920 --> 0:39:25.360
<v Speaker 1>here first everybody, John Ham. Thanks. I am the sexiest

0:39:25.440 --> 0:39:29.040
<v Speaker 1>man alive, but at least I already knew that. John

0:39:29.160 --> 0:39:32.560
<v Speaker 1>Thank you for stopping by. It is always a pleasure,

0:39:32.920 --> 0:39:36.840
<v Speaker 1>my friend. And thank you, yes you out there listening,

0:39:37.040 --> 0:39:40.840
<v Speaker 1>for tuning in. Don't forget to like and subscribe wherever

0:39:40.880 --> 0:39:43.160
<v Speaker 1>you get your podcasts, and why don't you go give

0:39:43.239 --> 0:39:47.000
<v Speaker 1>us a follow on Instagram at Off the Beat, I'll

0:39:47.000 --> 0:39:50.160
<v Speaker 1>be seeing you next week with another incredible guest. This

0:39:50.320 --> 0:39:53.000
<v Speaker 1>time I will be talking to a person who is

0:39:53.040 --> 0:39:59.279
<v Speaker 1>both a talented actress and he classically trained ballerina. I

0:39:59.400 --> 0:40:03.600
<v Speaker 1>wonder that could be. But until then, go out there

0:40:04.040 --> 0:40:15.840
<v Speaker 1>and have a fan freaking tastic week. Off the Beat

0:40:15.960 --> 0:40:20.120
<v Speaker 1>is hosted an executive produced by me Brian Baumgartner, alongside

0:40:20.160 --> 0:40:25.240
<v Speaker 1>our executive producer Langley. Our producers are Diego Tapia, Liz Hayes,

0:40:25.400 --> 0:40:29.440
<v Speaker 1>Emily Carr, and Hannah Harris. Our talent producer is Ryan

0:40:29.640 --> 0:40:34.000
<v Speaker 1>Papa Zachary. Our theme song Bubble and Squeak performed by

0:40:34.080 --> 0:40:37.840
<v Speaker 1>my great friend Creed Bratton, and the episode was mixed

0:40:37.960 --> 0:40:39.200
<v Speaker 1>by seth Olandski