WEBVTT - Episode 231 w/ Nature & Agallah

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<v Speaker 1>And his Drink Chans motherfucking podcast. He's a legendary Queen's rapper.

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<v Speaker 1>He's like, that's your boy in nor He's a Miami

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<v Speaker 1>hip hop pioneer. Up is d j e FN. Together

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<v Speaker 1>they drinking up with some of the biggest players in

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<v Speaker 1>the most professional, unprofessional podcast and yet number one sorts

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<v Speaker 1>for drunk fast, drink Chess, motherfuckings New year Z. That's

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<v Speaker 1>time for Drink Champs, trick up, motherfuck mother what it

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<v Speaker 1>could be? Hoping it should be? This is your boy

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<v Speaker 1>n A O n A what up is d J

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<v Speaker 1>e F? And this is gonna Tammy crazy Hall. I

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<v Speaker 1>don't know what he's said. And right now, when you

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<v Speaker 1>talk about lyrics, when you talk about a guy I've seen,

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<v Speaker 1>you know come on the scene, it was crazy. It

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<v Speaker 1>was like burst on the scene and it was it

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<v Speaker 1>was nothing like it like I mean, it was really

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<v Speaker 1>really nothing like it at the time, especially being from Queens.

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<v Speaker 1>Then it became a part of a legendary group. I

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<v Speaker 1>mean every week I called it like Karen Events. He

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<v Speaker 1>was on a clue tape being disrespectful and to let

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<v Speaker 1>you know who wanted basketball, who wanted like he was

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<v Speaker 1>keeping up with the current events. The man has kept

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<v Speaker 1>he was signed, the track master, signed, the nas the

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<v Speaker 1>business with the biggest people in the world. The man

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<v Speaker 1>is still here, still repping that q B, still going harsh,

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<v Speaker 1>still with the hardest boss in the world. And you

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<v Speaker 1>just gotta tell him you want to record with somebody else,

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<v Speaker 1>her body And if you don't know to talk about

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<v Speaker 1>my man, you made yester. Now, now they were gonna

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<v Speaker 1>take this around the world. We're gonna take this from

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<v Speaker 1>the top. Let's take it from the top. Now, you

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<v Speaker 1>be original, right, what block that we from we're talking about? Okay, yeah,

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<v Speaker 1>and that's that is technically the hell right yeah, ok yeah,

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<v Speaker 1>the store the block that got the stores in right, yeah, yeah,

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<v Speaker 1>the only block to get the stores. And no, no,

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<v Speaker 1>I mean the Everett that's like, yeah, the street you

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<v Speaker 1>know Vernon Vernon Day, that's Cheka from the poll that

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<v Speaker 1>was just considered burning, right, yeah, but I mean there's

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<v Speaker 1>technically no stores on the block. Tell yeah, put it

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<v Speaker 1>on the store in my mind. Yeah, well so Tennis Street.

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<v Speaker 1>Let's you're gonna we don't pop bottle ace with everybody.

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<v Speaker 1>But you're a very special guy. You know what I'm said.

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<v Speaker 1>We're gonna pop a bottle of ace? What motherfucker nas

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<v Speaker 1>is that? Okay? Is that? Okay? Okay, okay, tell me

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<v Speaker 1>tell you. So let's let's say it from the beginning.

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<v Speaker 1>When did you start rhynning? I start rhyming since a

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<v Speaker 1>kid man. I was the dude that like that just

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<v Speaker 1>loved every record and like, um, I would just like

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<v Speaker 1>change the words of the records, like you know, I

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<v Speaker 1>mean to make my own little records, my own little

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<v Speaker 1>records of it. Yeah, you know what I mean. And

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<v Speaker 1>in my house we had record places. There wasn't turntables.

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<v Speaker 1>I was treating them like turn tables because I was like,

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<v Speaker 1>you know, my pops had a lot of records at

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<v Speaker 1>the time, and I would try I would miss up

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<v Speaker 1>a lot of needles and like that. Remember you mightn't

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<v Speaker 1>really have a j oh, that's a good question. I

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<v Speaker 1>don't really have a you know, I don't really know.

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<v Speaker 1>But I was like I love the blends. I loved

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<v Speaker 1>you know what I mean. So um rap was like

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<v Speaker 1>real easy to me. It was like, yo, that was

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<v Speaker 1>the ship, you know what I'm saying. I don't really

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<v Speaker 1>had no name yet. I was like that was the

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<v Speaker 1>hard paull like that we can't make your name and

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<v Speaker 1>like that. But but you know what I mean, hip

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<v Speaker 1>hop just just hip hop because for me it was

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<v Speaker 1>like I did a little bit of all of it.

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<v Speaker 1>You know, I was a kid that could do the

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<v Speaker 1>Buffiti and he was. I spent on my saying roster music.

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<v Speaker 1>But you know when when hip hop was was was

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<v Speaker 1>was becoming some ship I wouldn't you know, we don't

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<v Speaker 1>know who. I don't know if I was gonna be

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<v Speaker 1>the DJ, the rapper. Uh, you know what I'm saying. Ship,

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<v Speaker 1>But but I embodied all of that ship yes, and

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<v Speaker 1>then and then all right, cool, look lootie little shot

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<v Speaker 1>little look a little not shot yet just regular chairs.

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<v Speaker 1>So all right boom. Now when you started Roman, who

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<v Speaker 1>was the people from the Queen's Bridge that was on

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<v Speaker 1>who's here? Like people who looked up to when we

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<v Speaker 1>came up. We've always had like Molly Mars, right, Molly

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<v Speaker 1>Mall was the dude and DJ hot Day that day

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<v Speaker 1>was the dude that was like he brings the speakers

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<v Speaker 1>out and he brings me speakers out. Everybody started coming

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<v Speaker 1>around and you know, it becomes the party, right, So

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<v Speaker 1>we used to use the the part queens bridge was

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<v Speaker 1>right across the street from this big park, so mall

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<v Speaker 1>m all, and these dudes just it used to be

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<v Speaker 1>nothing to come outside and see the em C Shins,

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<v Speaker 1>the Juice crew. There was the Niggers right, so it

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<v Speaker 1>would be like Coogi wrap order about hanging outside outside,

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<v Speaker 1>and now that's outside, these guys walking out. I heard

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<v Speaker 1>Rock did check out my melody. He recorded that one

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<v Speaker 1>of those cane and all these things on your you're

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<v Speaker 1>going to the store, Like holy shit, you know what

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<v Speaker 1>I mean. But it was so dope because videos wasn't

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<v Speaker 1>the ship. So if you reach to the point where

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<v Speaker 1>somebody said, yo, that's such and such, who's especially if

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<v Speaker 1>you had the juke box. If you don't have the jukebox,

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<v Speaker 1>man have that dollar twenty five. You know, watch ain't

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<v Speaker 1>half stepping you. But we used to have these jams

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<v Speaker 1>in the park, you know what I'm saying. We had

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<v Speaker 1>River Park, so you know, at any given time, there

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<v Speaker 1>was like forming some ship in front of me. Like

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<v Speaker 1>it was like the empty Shins, the crack gs, the

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<v Speaker 1>rocks and sean time. You don't do they're all older

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<v Speaker 1>than me. But I was the dude that was watching

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<v Speaker 1>these shows in the park from the tree branch, no exaggeration,

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<v Speaker 1>like I know that if I'm too short to stand

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<v Speaker 1>right here, and they like that, and I know that

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<v Speaker 1>if I moved from this tree branch, I'm not going

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<v Speaker 1>to see the show. But I'm watching the hip hop

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<v Speaker 1>live from the beginning, like you know what I'm saying.

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<v Speaker 1>It was like, holy ship, these guys donna ask you

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<v Speaker 1>a question. So when Shan said hip hop started out

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<v Speaker 1>on the ball, you thought that he really really start.

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<v Speaker 1>I've never been over nowhere else, so I'm like this ship,

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<v Speaker 1>you know what I mean. These guys were dope, but

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<v Speaker 1>they was They were just like you didn't. Like I said,

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<v Speaker 1>it was no video, so you have to like love

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<v Speaker 1>this music right here. And the only way you could

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<v Speaker 1>get it was through the radio, I believe, through a

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<v Speaker 1>Friday or Saturday night, through you know what I mean,

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<v Speaker 1>having the radio and taping this ship. And and I

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<v Speaker 1>was the guy that was the next day to be

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<v Speaker 1>playing songs like yeah, you ain't got this right, hitting

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<v Speaker 1>me good, and I'm you know, I'm playing the only

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<v Speaker 1>reason why I didn't I didn't believe Shan. But the

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<v Speaker 1>only reason why I had cousins always from the Bronx

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<v Speaker 1>that with with with debate that immediately, but like, no,

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<v Speaker 1>it didn't come from me. But the day to Queen's

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<v Speaker 1>Bridge was the first people that was actually doing parties

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<v Speaker 1>on the Queen's side. So I can see where you

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<v Speaker 1>know thought that, and I can see where other people

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<v Speaker 1>from Queens because you know that they with a jam

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<v Speaker 1>and Shan right trying to get on chance and listen,

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<v Speaker 1>we are not avoiding you at all. We got we got.

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<v Speaker 1>But what I'm saying was while I was sharing was

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<v Speaker 1>Sham was the first person I've seen I had style.

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<v Speaker 1>He had like two different color pumas, yeah, big kingos,

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<v Speaker 1>he had rope chains. He was like even though you

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<v Speaker 1>know when the when the ship went on with caress

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<v Speaker 1>One and talking about him and all that suff ship,

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<v Speaker 1>but he would walk around and have the audi and

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<v Speaker 1>he was a definition of what a star was. And

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<v Speaker 1>I didn't know what anything sold. He might not have

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<v Speaker 1>ever made any money from the records, but if you

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<v Speaker 1>looked at mc ship, he was at his time, he

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<v Speaker 1>was with it. What we wanted was the man still

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<v Speaker 1>a man, and he did a lot for us things

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<v Speaker 1>in Queens. Richard win the triple off, so okay, so

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<v Speaker 1>you looked up to right now boom, Now what is

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<v Speaker 1>the point what you said to yourself, I'm gonna actually

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<v Speaker 1>do this professionally because me personally, I'll ride for a

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<v Speaker 1>long time. I ride, probably since I was a leaping

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<v Speaker 1>but I never thought of doing it professionally until I

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<v Speaker 1>was like that. For me, I still wasn't even when

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<v Speaker 1>we were just doing the all these clue tapes, right,

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<v Speaker 1>I still didn't really don't say that I didn't take

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<v Speaker 1>it serious, but I still didn't understand what it takes

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<v Speaker 1>to probably shape the album. I'm still didn't none stand

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<v Speaker 1>how to do I'm doing clue taps, not really knowing

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<v Speaker 1>how to count bars. I just know that my bars

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<v Speaker 1>was kind of fire, you know, So I didn't know

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<v Speaker 1>as far as you can't how you getting on clue

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<v Speaker 1>taps to start, you definitely skip the way off. So

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<v Speaker 1>it had to be a moment prior to that that

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<v Speaker 1>you said, you know, I think I could do this,

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<v Speaker 1>Like what was that? I mean? Because at the time

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<v Speaker 1>dudes was establishing names for themselves right after you already

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<v Speaker 1>had the wave of the h Molly's and all these

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<v Speaker 1>other things. It kind of went quiet for a minute, right,

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<v Speaker 1>And so We're still in school, so I'm learning about

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<v Speaker 1>who's dope that's around me, like you know what I mean?

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<v Speaker 1>Like Yo, the word of spread throughout the hood and

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<v Speaker 1>through school. Who's dope? Like You'll start walking across the

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<v Speaker 1>street to the other side and here, yeah, I heard

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<v Speaker 1>other such as kind of dope. You know what I mean.

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<v Speaker 1>It might not be an official battle, but you might

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<v Speaker 1>go one ahead. What's going on because people are talking

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<v Speaker 1>I'm saying, and I just knew that. I didn't really

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<v Speaker 1>write rhymes, but I can catch it anything like I

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<v Speaker 1>could catch style. I can catch I knew how to

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<v Speaker 1>change the words, so I can catch anything you threw

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<v Speaker 1>at me. So anytime, dudes was kind of like the

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<v Speaker 1>names was building up, I might have said, like a

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<v Speaker 1>little bit of something that I had. It might not

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<v Speaker 1>be a full rhyme, but my rhynd might be. Like

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<v Speaker 1>like I said, so your name starts getting put in

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<v Speaker 1>these circles. I'm still not thinking about taking serious. It's

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<v Speaker 1>still like I still I had all. I still had

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<v Speaker 1>to go through the trials and tribulations of the hood

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<v Speaker 1>before I even could get to that, you know what

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<v Speaker 1>I'm saying. People didn't know me as a rapper. Certain

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<v Speaker 1>dudes in the school, like you know who's who, who

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<v Speaker 1>could carry who has some balls? But I wasn't like

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<v Speaker 1>it was dudes before me. It was like the Cold

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<v Speaker 1>Megan's and all of that, you know what I mean.

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<v Speaker 1>It was these guys that was putting in work on

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<v Speaker 1>it on the street like some real ship. But my

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<v Speaker 1>name was always mentioned in those circles. But still I

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<v Speaker 1>wasn't the first or first how you talked about for

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<v Speaker 1>the second guy you talked about. But it's circular, yes,

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<v Speaker 1>you know what I mean. So um, all right, now

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<v Speaker 1>you did that. What was the person in the new

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<v Speaker 1>era that you started to I know you said cold.

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<v Speaker 1>What was the person let's walked you to say, you

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<v Speaker 1>know what, I could do this the new era from

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<v Speaker 1>from Queen's Bridge or anywhere it could be for a minute,

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<v Speaker 1>well doing front and you know what I mean? It

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<v Speaker 1>was it was when the talks of money being made

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<v Speaker 1>when we're actually making records, when he was actually talking

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<v Speaker 1>about um doing an album called the Firm. It was like, Hey,

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<v Speaker 1>this guy from the hood, my gobs from the hood

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<v Speaker 1>that we kind of we we we didn't let's go

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<v Speaker 1>fast with lem just going buying, all right? Well, how

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<v Speaker 1>did you meet jumping with? That's where that that was

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<v Speaker 1>the condition connection, right, yeah, all right, let's go. Yeah,

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<v Speaker 1>I mean I mean were in the we in the hood.

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<v Speaker 1>We just vibed out, we just connected earlier. Um, it

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<v Speaker 1>was like exciting for me to actually go from the

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<v Speaker 1>transition from recording in people's cribs to go to the studio.

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<v Speaker 1>So fucking with Jung Jung had the opportunity for us

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<v Speaker 1>to actually go in the studio. So this is the

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<v Speaker 1>first time I'm actually hearing how did young know you, Rhyn? Because, um,

0:12:21.400 --> 0:12:23.880
<v Speaker 1>I mean we all have we all with mutual friends,

0:12:23.920 --> 0:12:27.360
<v Speaker 1>we were all we're all from the project. Jungles from Vernon,

0:12:27.559 --> 0:12:30.080
<v Speaker 1>us from Vernon. For people that don't know queens Bridge,

0:12:30.280 --> 0:12:32.680
<v Speaker 1>I know that is the next block Vernon and timp

0:12:32.720 --> 0:12:35.360
<v Speaker 1>Street would be the next block, and the timpt Street

0:12:35.360 --> 0:12:38.000
<v Speaker 1>and Tall Street be the next block. That one little

0:12:38.040 --> 0:12:41.199
<v Speaker 1>block is a whole another word like you know what

0:12:41.240 --> 0:12:44.040
<v Speaker 1>I'm saying. So how did he know you? You Rhyn

0:12:44.679 --> 0:12:46.440
<v Speaker 1>Test Street and he's from Burning Now I think it

0:12:46.480 --> 0:12:49.920
<v Speaker 1>was probably like my dude Killer and probably dudes like

0:12:50.160 --> 0:12:55.280
<v Speaker 1>wiz Killer from Vernon from Okay, but you know what

0:12:55.320 --> 0:12:57.560
<v Speaker 1>I mean, It was association at the time when when

0:12:57.640 --> 0:13:04.280
<v Speaker 1>when Naas was when Nas first came out with his album,

0:13:04.920 --> 0:13:08.559
<v Speaker 1>the guys that was around him were also around me

0:13:09.880 --> 0:13:13.240
<v Speaker 1>and you rhymed back then on that. Yeah, when It

0:13:13.440 --> 0:13:16.320
<v Speaker 1>Matter came out, you already he was already mine, but

0:13:16.400 --> 0:13:23.360
<v Speaker 1>it wasn't But I was not serious until it Mannic

0:13:23.440 --> 0:13:25.240
<v Speaker 1>came out when madd came out, So I gotta get

0:13:25.240 --> 0:13:27.560
<v Speaker 1>my light together, you know what I'm saying. For reals,

0:13:27.600 --> 0:13:31.600
<v Speaker 1>But we've had plenty of conversations prior to making records,

0:13:32.480 --> 0:13:36.040
<v Speaker 1>me and Nas where we didn't sat there, we talked

0:13:36.640 --> 0:13:40.000
<v Speaker 1>and you know, I remember borrowing his Tripical Quests tape

0:13:40.120 --> 0:13:45.880
<v Speaker 1>Tripical Quests came out. I actually borrowed his tape textet

0:13:46.280 --> 0:13:52.760
<v Speaker 1>we will Doead what What's Ale? He came back to

0:13:53.080 --> 0:13:55.199
<v Speaker 1>take came back to the crib to get the tape.

0:13:55.240 --> 0:14:00.120
<v Speaker 1>That's like, you know, we borrowed you take back the

0:14:00.160 --> 0:14:02.800
<v Speaker 1>try bold Quest tape. Now if I'm lying real, you

0:14:02.800 --> 0:14:04.720
<v Speaker 1>know what I'm saying. So we were like this ship

0:14:04.760 --> 0:14:07.319
<v Speaker 1>was always around us. Name of the album, it was

0:14:09.160 --> 0:14:17.439
<v Speaker 1>my favorite favorite instincts travel, people's instinct travel. What's that's

0:14:17.480 --> 0:14:19.840
<v Speaker 1>the name of that's the that's the first one, right,

0:14:19.880 --> 0:14:27.680
<v Speaker 1>that's the first one, you know what I mean. So

0:14:27.800 --> 0:14:31.040
<v Speaker 1>we we were around this ship. We loved this ship,

0:14:31.120 --> 0:14:33.360
<v Speaker 1>you know what I'm saying. So you're saying, you all

0:14:33.400 --> 0:14:35.000
<v Speaker 1>right because I didn't know this. I swear to God,

0:14:35.000 --> 0:14:37.920
<v Speaker 1>I did not know this. So you knew NAS and

0:14:38.040 --> 0:14:41.120
<v Speaker 1>don't do prior to them, even they're really really nice

0:14:41.120 --> 0:14:45.200
<v Speaker 1>because NAS is most of my age. So you know

0:14:45.240 --> 0:14:49.320
<v Speaker 1>what I'm saying. So it's like at the time, I'm

0:14:49.360 --> 0:14:51.880
<v Speaker 1>I'm sucking up. I'm you know what I'm saying. I'm

0:14:52.280 --> 0:14:54.560
<v Speaker 1>doing all kind of getting in trouble and ship like that,

0:14:54.800 --> 0:14:57.240
<v Speaker 1>and the guys that's around and saying, you know what,

0:14:57.480 --> 0:14:59.920
<v Speaker 1>I got somebody that I got faith in two some

0:15:00.160 --> 0:15:02.720
<v Speaker 1>from the block that I think that we should kind

0:15:02.720 --> 0:15:06.000
<v Speaker 1>of like bring him to the studio and try to

0:15:06.040 --> 0:15:08.000
<v Speaker 1>do some ship. They talked about you what they told

0:15:08.000 --> 0:15:10.880
<v Speaker 1>about they're talking about me, you know what they're talking

0:15:10.880 --> 0:15:13.640
<v Speaker 1>about me. So they get me to the studio. We

0:15:13.640 --> 0:15:16.360
<v Speaker 1>started recording. I don't know, I don't remember. Probably was

0:15:17.840 --> 0:15:21.520
<v Speaker 1>shout off DJ Clue that very first shootout joint probably was.

0:15:21.560 --> 0:15:23.880
<v Speaker 1>That was like one of the first records I've ever

0:15:23.920 --> 0:15:36.440
<v Speaker 1>made like that. So thet me so so we went

0:15:36.480 --> 0:15:42.560
<v Speaker 1>into the studio and we should start making little free styles. Right.

0:15:43.360 --> 0:15:45.960
<v Speaker 1>Clue made it open because he gave us the opportunity

0:15:46.000 --> 0:15:48.560
<v Speaker 1>to like to get on these tapes. Right, I'm still

0:15:48.560 --> 0:15:52.000
<v Speaker 1>not really taking it serious, just like because everybody's going

0:15:52.040 --> 0:15:54.720
<v Speaker 1>their way up. There's nobody that's really you know what

0:15:54.760 --> 0:15:56.880
<v Speaker 1>I'm saying. It's kind of different when you when your men,

0:15:57.080 --> 0:16:00.240
<v Speaker 1>like when you spend time with somebody from more and

0:16:00.280 --> 0:16:04.040
<v Speaker 1>they become famous. I'm just still my man from a

0:16:04.040 --> 0:16:06.120
<v Speaker 1>little I'm just supposed to still be my man. Certain

0:16:06.160 --> 0:16:10.040
<v Speaker 1>things change in life. We totally understand that. But at

0:16:10.080 --> 0:16:12.040
<v Speaker 1>that one point, do I look at you as like that?

0:16:12.120 --> 0:16:15.480
<v Speaker 1>Because I got plenty of stories of like why you're

0:16:15.520 --> 0:16:18.440
<v Speaker 1>becoming this stall? We're still right here and if you're

0:16:18.480 --> 0:16:23.480
<v Speaker 1>my man, I'm playing different roles for you that serious.

0:16:24.040 --> 0:16:29.960
<v Speaker 1>But didn't know. I didn't know until I see all

0:16:29.960 --> 0:16:32.520
<v Speaker 1>these other rappers I got told you I was coming

0:16:32.560 --> 0:16:35.200
<v Speaker 1>from being locked up and remember that, so I didn't

0:16:35.200 --> 0:16:40.360
<v Speaker 1>really care what it is. But I didn't realize that

0:16:40.400 --> 0:16:42.280
<v Speaker 1>Clue was giving me the opportunity to be first or

0:16:42.320 --> 0:16:53.760
<v Speaker 1>second on these tapes and me and the locks and ship,

0:16:53.800 --> 0:16:56.760
<v Speaker 1>like that's what these dudes is becoming something, and they

0:16:56.800 --> 0:17:02.440
<v Speaker 1>had these expectations of me. I didn't know because I'm

0:17:02.440 --> 0:17:06.840
<v Speaker 1>following my team's lead. So they're talking about forming some

0:17:06.960 --> 0:17:08.960
<v Speaker 1>big ship that's going on. Who's the team and the

0:17:09.080 --> 0:17:13.240
<v Speaker 1>team at the time. I mean, I'm who's talking. I'm

0:17:13.320 --> 0:17:16.879
<v Speaker 1>coming into the game, into the studio, still being a

0:17:16.960 --> 0:17:20.119
<v Speaker 1>part of NAS. So whatever he's shoying to for him,

0:17:20.400 --> 0:17:22.080
<v Speaker 1>I'm not sure what he's shying the form, but I'm

0:17:22.119 --> 0:17:24.480
<v Speaker 1>a part of that, you know what I'm saying. So

0:17:25.520 --> 0:17:27.800
<v Speaker 1>we're running around, they're talking about doing the firm, and

0:17:27.840 --> 0:17:32.960
<v Speaker 1>he's picking these other rappers that I've never known met before,

0:17:33.160 --> 0:17:37.560
<v Speaker 1>but you heard of. They're becoming, they're becoming stars there

0:17:37.600 --> 0:17:40.840
<v Speaker 1>their own people in their own right. But I was

0:17:40.880 --> 0:17:45.680
<v Speaker 1>pulled into this game because as a reaction, Okay, let's

0:17:45.680 --> 0:17:47.439
<v Speaker 1>take a shot before we go there, I feel like

0:17:47.440 --> 0:17:49.840
<v Speaker 1>you want to go to them. We're gonna talk about whatever.

0:17:49.920 --> 0:17:53.479
<v Speaker 1>But it's not like your typical ship, you know what

0:17:53.480 --> 0:18:01.879
<v Speaker 1>I'm saying, Because all right, the hold I remember, let

0:18:01.880 --> 0:18:04.840
<v Speaker 1>me go on. I'm bringing back because when I was

0:18:04.960 --> 0:18:09.520
<v Speaker 1>doing these clue joints, I'm recording these clue joints every

0:18:09.560 --> 0:18:12.440
<v Speaker 1>every time crew comes out. I'm I'm on these tapes right,

0:18:12.520 --> 0:18:14.560
<v Speaker 1>but how did it get to the Clue joints? Though

0:18:14.800 --> 0:18:17.320
<v Speaker 1>the guy's clue was kind of because Clue was in

0:18:17.440 --> 0:18:23.800
<v Speaker 1>house with Steve down and that, but I'm still not

0:18:25.280 --> 0:18:29.640
<v Speaker 1>I'm stale. I'm sorry you just cut off because one

0:18:29.640 --> 0:18:34.240
<v Speaker 1>a second at this time, I still can't describe the

0:18:34.400 --> 0:18:37.240
<v Speaker 1>buzz that Clue had, like the amount that it meant

0:18:37.840 --> 0:18:40.240
<v Speaker 1>for you to be a number one through five people

0:18:40.240 --> 0:18:43.480
<v Speaker 1>getting signed for Clue. So like at first, like I

0:18:43.760 --> 0:18:47.000
<v Speaker 1>haven't I described when I met you, but when I

0:18:47.080 --> 0:18:48.720
<v Speaker 1>didn't meet you, I think the first three style you

0:18:48.800 --> 0:18:50.440
<v Speaker 1>had with just you by yourself, so no one knew

0:18:50.440 --> 0:18:53.280
<v Speaker 1>your affiliation, no one. It was the second threestyle but

0:18:53.359 --> 0:18:56.560
<v Speaker 1>nows actually set some Adeline or something. I don't remember

0:18:56.680 --> 0:19:00.800
<v Speaker 1>like perfectly, but I remember how step shipped meant to

0:19:00.880 --> 0:19:02.560
<v Speaker 1>the city, so I know him on No, no, no,

0:19:02.720 --> 0:19:08.360
<v Speaker 1>they're got a shot the shot. Let's stay forward, sile side,

0:19:08.480 --> 0:19:15.080
<v Speaker 1>stay listen to you three ten say bad Wana made?

0:19:15.560 --> 0:19:32.240
<v Speaker 1>So so what's happening, what's happening? What's happening? Yeah, okay,

0:19:32.280 --> 0:19:37.640
<v Speaker 1>I can't what's going on? Got sorry? Alright? So bom um,

0:19:38.040 --> 0:19:46.320
<v Speaker 1>all right, So you start doing the coupe tech first one,

0:19:46.359 --> 0:19:48.879
<v Speaker 1>the second one didn't, so you you don't actually know

0:19:49.080 --> 0:19:51.600
<v Speaker 1>what's what's going on because the firm had already been

0:19:51.600 --> 0:19:55.159
<v Speaker 1>started at that time. They had already been starting, okay,

0:19:55.600 --> 0:19:59.160
<v Speaker 1>And I'm not really being so I'm not talking about

0:19:59.240 --> 0:20:02.280
<v Speaker 1>business when it comes down to that, I'm basically the

0:20:03.320 --> 0:20:05.280
<v Speaker 1>guy the shooter. I'm still trying to figure out what

0:20:05.440 --> 0:20:07.600
<v Speaker 1>kind of who I am, what kind of style I have.

0:20:07.840 --> 0:20:11.080
<v Speaker 1>I just know that clue is after I do this take,

0:20:11.119 --> 0:20:12.800
<v Speaker 1>I'm getting a response from the people, you know what

0:20:12.840 --> 0:20:14.920
<v Speaker 1>I'm saying. So it's a little bit bigger from going

0:20:15.000 --> 0:20:17.240
<v Speaker 1>from rapping on the corner. So I went from rapping

0:20:17.280 --> 0:20:19.840
<v Speaker 1>on the corner to wrapping in people's cribs in the

0:20:19.920 --> 0:20:22.119
<v Speaker 1>living rooms in the basements, to now going to the

0:20:22.160 --> 0:20:25.960
<v Speaker 1>studio and actually getting a good sound and ship you

0:20:26.000 --> 0:20:28.400
<v Speaker 1>know what I'm saying, and leaving with tapes and ship

0:20:28.520 --> 0:20:30.880
<v Speaker 1>like that, and so the people in the hood as

0:20:30.920 --> 0:20:34.520
<v Speaker 1>actually starting to talk. It's starting to talk. I'm becoming

0:20:34.520 --> 0:20:37.120
<v Speaker 1>another one of those names that's from the hood, that's

0:20:37.280 --> 0:20:40.840
<v Speaker 1>You've got so many after this freestyle at least, you know,

0:20:41.960 --> 0:20:45.439
<v Speaker 1>in the studio and just doing just being in the studio,

0:20:45.800 --> 0:20:51.240
<v Speaker 1>being being affiliated with Son because he didn't really start

0:20:51.280 --> 0:20:55.080
<v Speaker 1>to do anything for anybody yet outside of life's a

0:20:55.160 --> 0:20:57.400
<v Speaker 1>bit you didn't really he didn't. You know, he's still

0:20:57.440 --> 0:21:01.160
<v Speaker 1>climbing up on his way up. But to actually here that, Yo,

0:21:01.280 --> 0:21:05.399
<v Speaker 1>he got somebody from the hood that's that can actually

0:21:05.520 --> 0:21:07.040
<v Speaker 1>wrap it. And you know what I'm saying. You know

0:21:07.040 --> 0:21:08.879
<v Speaker 1>what I'm saying. And I'm not one of the first people.

0:21:09.200 --> 0:21:11.159
<v Speaker 1>I don't know what the relationship that he has with

0:21:11.600 --> 0:21:13.920
<v Speaker 1>Mega or what he has with all these other guys,

0:21:14.160 --> 0:21:17.800
<v Speaker 1>but I just know that everybody that that hung around

0:21:17.960 --> 0:21:20.399
<v Speaker 1>was kind of old to one kind of cruel to

0:21:20.600 --> 0:21:22.159
<v Speaker 1>you know what I'm saying, one kind of crue I

0:21:22.200 --> 0:21:24.760
<v Speaker 1>didn't understand the business. I didn't understand this, but I

0:21:24.840 --> 0:21:26.800
<v Speaker 1>know that I've been listening to rap for so long

0:21:26.960 --> 0:21:28.960
<v Speaker 1>that I could do this ship too, you know what

0:21:29.000 --> 0:21:31.080
<v Speaker 1>I'm saying. So what happened when they approach you and

0:21:31.119 --> 0:21:33.680
<v Speaker 1>that was what was it? Steve Stout? Is that the

0:21:33.680 --> 0:21:36.520
<v Speaker 1>first person to turn it into business for you? Yeah,

0:21:36.520 --> 0:21:38.440
<v Speaker 1>because that's the first people that I actually got to

0:21:38.480 --> 0:21:45.760
<v Speaker 1>check from. So to Steve Stout, I say, you know

0:21:45.760 --> 0:21:47.280
<v Speaker 1>what I mean, shout out to them. They the ones

0:21:47.400 --> 0:21:49.640
<v Speaker 1>that actually was like because it's not like your hand,

0:21:50.480 --> 0:21:52.479
<v Speaker 1>they put you on a clue tape without you actually

0:21:52.480 --> 0:21:55.520
<v Speaker 1>signing to them. Yes, because I was crazy because clue

0:21:55.560 --> 0:21:57.520
<v Speaker 1>tape us still with like, no, I didn't know what

0:21:57.640 --> 0:22:00.040
<v Speaker 1>this one, what was happening with these clue tapes. I

0:22:00.119 --> 0:22:01.840
<v Speaker 1>just know that when I was going to go see

0:22:01.880 --> 0:22:06.320
<v Speaker 1>my po wan't Jamaica my po fucking We're going in there.

0:22:06.359 --> 0:22:08.440
<v Speaker 1>We're going to record store, one of these little small

0:22:08.520 --> 0:22:10.879
<v Speaker 1>last record stores, and that's when you actually will buy

0:22:10.960 --> 0:22:13.600
<v Speaker 1>the tape just because of certain names was on it,

0:22:13.920 --> 0:22:15.320
<v Speaker 1>you know what I'm saying. But I didn't realize that

0:22:15.359 --> 0:22:17.560
<v Speaker 1>people was buying it because Lean was on it until

0:22:17.600 --> 0:22:20.119
<v Speaker 1>I was meeting these people like oh Ship. But at

0:22:20.160 --> 0:22:22.000
<v Speaker 1>the time, it was almost like ghost space killer when

0:22:22.040 --> 0:22:27.440
<v Speaker 1>I say that in the happening, really the cowboy happen

0:22:27.680 --> 0:22:29.320
<v Speaker 1>the cowboy you know where I think it's from the

0:22:29.359 --> 0:22:31.359
<v Speaker 1>hood making they get they get you know who got it?

0:22:31.400 --> 0:22:37.000
<v Speaker 1>Then when they get a cow cowboy, I got the cowboys.

0:22:43.320 --> 0:22:48.240
<v Speaker 1>So all right, Clue, let's just get into it. I

0:22:48.320 --> 0:22:50.840
<v Speaker 1>think the first time I met you, it's in the

0:22:50.960 --> 0:22:59.040
<v Speaker 1>studio very j blis friend fatal let me tell you

0:22:59.080 --> 0:23:04.960
<v Speaker 1>something to get there. I always heard about this guy,

0:23:05.080 --> 0:23:07.880
<v Speaker 1>but I never was around this guy right here right.

0:23:08.359 --> 0:23:13.680
<v Speaker 1>I knew Capone because Capone was from Queensbridge. So in

0:23:13.760 --> 0:23:15.960
<v Speaker 1>the middle of me getting locked up and doing dumb shit,

0:23:16.680 --> 0:23:20.040
<v Speaker 1>these guys happened to shoot a video on the roof

0:23:20.119 --> 0:23:26.760
<v Speaker 1>of my building. Video was shot on the you know,

0:23:26.880 --> 0:23:29.440
<v Speaker 1>on the roof of my building. So I see these

0:23:29.480 --> 0:23:33.280
<v Speaker 1>guys there. I didn't need him still to me, I know,

0:23:33.320 --> 0:23:35.560
<v Speaker 1>I'm saying. It was still this guy that had this

0:23:35.800 --> 0:23:38.199
<v Speaker 1>this opward style. Nobody didn't know, you know what I mean.

0:23:38.280 --> 0:23:43.920
<v Speaker 1>They thought his name was Jose Luise. I didn't know,

0:23:47.200 --> 0:24:01.399
<v Speaker 1>but I thought on the side this ye about celebrated stories.

0:24:02.000 --> 0:24:09.960
<v Speaker 1>I mean, who I fake? Fake? Oh God, So this

0:24:10.119 --> 0:24:13.440
<v Speaker 1>guy right here making his rounds. I'm still a fan

0:24:13.600 --> 0:24:16.640
<v Speaker 1>of what's going on. And it wasn't until a round

0:24:16.680 --> 0:24:18.800
<v Speaker 1>of time when he was actually doing the firm that

0:24:20.200 --> 0:24:22.600
<v Speaker 1>we was drown in the pot together. So it's like

0:24:22.720 --> 0:24:25.440
<v Speaker 1>I've never been nowhere. So my first time in Miami

0:24:26.119 --> 0:24:28.960
<v Speaker 1>might have been his first time in Miami. Have no

0:24:29.200 --> 0:24:32.920
<v Speaker 1>driver's license. We're just out heads, smoking weed and hanging

0:24:32.960 --> 0:24:35.640
<v Speaker 1>around the fellers and dre and these niggas and ship

0:24:35.760 --> 0:24:37.920
<v Speaker 1>like that your bowl on. I'm saying the very first

0:24:37.960 --> 0:24:40.440
<v Speaker 1>time was before that though, But where was we act

0:24:41.040 --> 0:24:44.719
<v Speaker 1>right track? It was with us married j Bilies when

0:24:44.760 --> 0:24:47.000
<v Speaker 1>that record, when that record came out. So this is this,

0:24:47.160 --> 0:24:49.439
<v Speaker 1>This is what I gotta ask. I gotta ask because

0:24:49.680 --> 0:24:53.640
<v Speaker 1>I know you probably answered this a million times. I'm

0:24:53.680 --> 0:24:56.760
<v Speaker 1>sure you know MEGA probably asked the million times. But

0:24:57.040 --> 0:24:59.840
<v Speaker 1>here's is it on that record? That was the record

0:24:59.880 --> 0:25:03.399
<v Speaker 1>that you went that? Yeah, that was the record. I

0:25:03.520 --> 0:25:06.080
<v Speaker 1>had heard that he was a guy no no please,

0:25:06.320 --> 0:25:11.840
<v Speaker 1>and somebody bullshit gash me told me, yo, he's talking

0:25:11.880 --> 0:25:14.440
<v Speaker 1>about you. Y know, they're talking about you and they're

0:25:14.440 --> 0:25:17.320
<v Speaker 1>shipping on you, and it was managining every record. But

0:25:17.400 --> 0:25:25.879
<v Speaker 1>when he said there they do because all right, so

0:25:26.480 --> 0:25:29.959
<v Speaker 1>that's would happened. Okay, he's saying that when you got

0:25:30.000 --> 0:25:32.119
<v Speaker 1>to the studio, when you have to student, people are

0:25:32.119 --> 0:25:33.760
<v Speaker 1>saying that, or people are saying that price you get

0:25:33.840 --> 0:25:36.359
<v Speaker 1>into the slide. To me, getting that makes sense because

0:25:36.400 --> 0:25:38.399
<v Speaker 1>you know why because I'm the only one that one

0:25:38.520 --> 0:25:43.760
<v Speaker 1>left field on that record. Listen, I was Mary j

0:25:43.920 --> 0:25:49.359
<v Speaker 1>By So here's a jip. I went to the I

0:25:49.760 --> 0:25:51.720
<v Speaker 1>think I went I was too scared to use the

0:25:51.760 --> 0:25:53.840
<v Speaker 1>interns at this time, so I actually went to the

0:25:53.880 --> 0:25:56.760
<v Speaker 1>store or something myself to go grab some more super cigars.

0:25:56.840 --> 0:25:58.240
<v Speaker 1>Like I didn't know how the studio work. I just

0:25:58.320 --> 0:26:00.119
<v Speaker 1>wanted to rhyme, you know what I'm saying, So I

0:26:00.160 --> 0:26:02.120
<v Speaker 1>didn't want to push nobody's buttons. But by the time

0:26:02.160 --> 0:26:04.920
<v Speaker 1>I came back and when I heard I heard I

0:26:05.040 --> 0:26:07.560
<v Speaker 1>heard your ROM, I had thought, this is this is

0:26:07.640 --> 0:26:10.159
<v Speaker 1>that you cleared a twenty year history for me, for

0:26:10.280 --> 0:26:15.600
<v Speaker 1>me personally, because I'm on the record, and prior to that,

0:26:16.359 --> 0:26:18.560
<v Speaker 1>I didn't see them trying to gas he was I said,

0:26:18.560 --> 0:26:20.359
<v Speaker 1>I didn't see the people. I didn't see Nas, I

0:26:20.400 --> 0:26:25.360
<v Speaker 1>didn't see Jungle, I didn't see Steve Stout like suggesting

0:26:25.400 --> 0:26:27.840
<v Speaker 1>that you go at Beta, right, So I didn't see that.

0:26:28.440 --> 0:26:30.639
<v Speaker 1>So as I came back, you know, I've been't had

0:26:30.720 --> 0:26:34.520
<v Speaker 1>my ROM ready. But then when I heard your mom or,

0:26:34.840 --> 0:26:36.520
<v Speaker 1>I don't know. I think you went first for sure,

0:26:37.480 --> 0:26:40.120
<v Speaker 1>and I just didn't know where they come from, where

0:26:40.160 --> 0:26:43.680
<v Speaker 1>it came from, right, Okay, I'm fucking we we did

0:26:43.760 --> 0:26:46.840
<v Speaker 1>the y sound like ben Bleak story was now heard

0:26:46.920 --> 0:26:49.040
<v Speaker 1>that I know that I was going out of town.

0:26:49.359 --> 0:26:52.560
<v Speaker 1>I heard yo this guy's talking about you. He said

0:26:52.600 --> 0:26:54.760
<v Speaker 1>such and stuff. So they even told me some bullshit,

0:26:54.880 --> 0:26:56.760
<v Speaker 1>but I started to cut you. I'm sorry to stop you.

0:26:56.920 --> 0:26:59.200
<v Speaker 1>But at the time, you you wasn't the member of

0:26:59.280 --> 0:27:01.760
<v Speaker 1>the firm yet. You was just yeah, we said. But

0:27:01.920 --> 0:27:03.720
<v Speaker 1>but I felt like they made me feel like I

0:27:03.840 --> 0:27:06.440
<v Speaker 1>was in competition for this, for the for that pos

0:27:06.840 --> 0:27:09.160
<v Speaker 1>they made me feel like I was in kind You mean,

0:27:09.280 --> 0:27:14.480
<v Speaker 1>you didn't know the powers that So I hear this ship,

0:27:14.840 --> 0:27:18.680
<v Speaker 1>I'm tight as a motherfucker. We go to the studio.

0:27:18.800 --> 0:27:22.960
<v Speaker 1>We got everybody in their clues, Mary, everybody in there,

0:27:23.200 --> 0:27:26.040
<v Speaker 1>and I just decided to just use this record right

0:27:26.160 --> 0:27:29.359
<v Speaker 1>here to to to start some bullshit. I don't know

0:27:29.600 --> 0:27:33.360
<v Speaker 1>start that. I'm not even going. I mean, it's over

0:27:33.400 --> 0:27:35.080
<v Speaker 1>come on, I don't know. It was a whole bunch

0:27:35.160 --> 0:27:37.320
<v Speaker 1>of ship. It was. It was. It was a record

0:27:37.400 --> 0:27:38.800
<v Speaker 1>that had so much of us. I don't think it

0:27:39.800 --> 0:27:42.240
<v Speaker 1>so crazy that even when they blocked out Megan's name,

0:27:42.359 --> 0:27:44.960
<v Speaker 1>you still knew it was not because the street start

0:27:45.000 --> 0:27:49.000
<v Speaker 1>talking at that time, Street start talking, what was coming

0:27:49.000 --> 0:27:52.160
<v Speaker 1>on the player? Come on, you know family like Megan knows,

0:27:52.240 --> 0:27:53.879
<v Speaker 1>and come on, we did it with him it Come on,

0:27:54.280 --> 0:28:00.720
<v Speaker 1>this yeah, I got his phone. It was it was

0:28:00.760 --> 0:28:03.400
<v Speaker 1>the people that was sucking over there. I got something

0:28:04.680 --> 0:28:09.960
<v Speaker 1>you want to go Okay, you don't even know. So

0:28:10.560 --> 0:28:12.840
<v Speaker 1>that was it. That was it, and that was just

0:28:13.160 --> 0:28:16.720
<v Speaker 1>enough for me. I thought at the time, UM, just

0:28:16.840 --> 0:28:19.840
<v Speaker 1>speak my piece, right, So when I speak my piece,

0:28:20.160 --> 0:28:22.080
<v Speaker 1>I knew I'm going out of town. I just thought

0:28:22.119 --> 0:28:24.119
<v Speaker 1>about it. I just didn't didn't think about it. So

0:28:24.280 --> 0:28:25.960
<v Speaker 1>once I fucking I went to l A. I had

0:28:25.960 --> 0:28:27.760
<v Speaker 1>to go to l A. And like two days after

0:28:27.800 --> 0:28:30.680
<v Speaker 1>this where you talking about the l A. So this

0:28:30.800 --> 0:28:33.040
<v Speaker 1>is when I go to l A. I get the call.

0:28:33.400 --> 0:28:38.640
<v Speaker 1>Clue just came outside. Oh my god, it's on and

0:28:38.800 --> 0:28:41.880
<v Speaker 1>soon you getting back. It's on. So I'm like what

0:28:42.960 --> 0:28:44.280
<v Speaker 1>you know what I'm saying, I'm still gonna do it

0:28:44.360 --> 0:28:47.320
<v Speaker 1>blind because I didn't feel that I was the aggressive.

0:28:47.360 --> 0:28:49.880
<v Speaker 1>I felt that I was defending myself. I felt that, yo,

0:28:50.360 --> 0:28:52.120
<v Speaker 1>somebody took a shot and take a shot back. Just

0:28:52.240 --> 0:28:53.560
<v Speaker 1>what we do. This is what we do, you know

0:28:53.560 --> 0:28:55.959
<v Speaker 1>what I mean? It's still it still was nothing personal.

0:28:56.000 --> 0:29:00.560
<v Speaker 1>Was just like I'm feeling myself. We both in the spot,

0:29:00.680 --> 0:29:02.840
<v Speaker 1>but we didn't really know. Question your people that was

0:29:02.920 --> 0:29:06.920
<v Speaker 1>telling you that the you I loved going to the studio.

0:29:07.000 --> 0:29:08.400
<v Speaker 1>I didn't think about that. I was like, oh, you

0:29:08.400 --> 0:29:10.840
<v Speaker 1>said this is true, I said, but what's true? But

0:29:11.080 --> 0:29:13.200
<v Speaker 1>but and this is like I said, like I got

0:29:13.640 --> 0:29:16.560
<v Speaker 1>he's on on standby two. This kay, But this is

0:29:16.640 --> 0:29:18.720
<v Speaker 1>real ship. The thing is about it is we can

0:29:18.760 --> 0:29:21.200
<v Speaker 1>only change our future, our passes, our past. We gotta

0:29:21.240 --> 0:29:23.840
<v Speaker 1>live up to our past right now. Of course it's

0:29:23.880 --> 0:29:25.920
<v Speaker 1>so much s. I don't want to what I did.

0:29:26.200 --> 0:29:28.360
<v Speaker 1>I did, I didn't do, you know what I mean. Now,

0:29:28.400 --> 0:29:30.880
<v Speaker 1>it's not about shut up what but I mean, that's

0:29:31.160 --> 0:29:33.240
<v Speaker 1>that's the ship that happened. And that was my mind state.

0:29:33.320 --> 0:29:36.040
<v Speaker 1>I felt like, no, and nobody's gonna take this away

0:29:36.080 --> 0:29:39.480
<v Speaker 1>from me. This is my first time actually flying out

0:29:39.520 --> 0:29:42.000
<v Speaker 1>of state. Just's my actually getting this big check. This,

0:29:42.120 --> 0:29:43.560
<v Speaker 1>you know what I mean, I'm my mind around. I'm

0:29:43.560 --> 0:29:45.480
<v Speaker 1>still in the hood. It's like when you hear when

0:29:45.480 --> 0:29:47.160
<v Speaker 1>you got your check and still it's like I'm still

0:29:47.200 --> 0:29:51.960
<v Speaker 1>boring crack crack. I'm gonna train with in my pocket,

0:29:52.120 --> 0:29:57.680
<v Speaker 1>like you know what I'm saying. Changed my life for real,

0:29:57.920 --> 0:30:12.040
<v Speaker 1>like real ship. I look, I'm in there with the

0:30:12.160 --> 0:30:14.760
<v Speaker 1>money though, you know what I mean. So I felt

0:30:14.760 --> 0:30:16.480
<v Speaker 1>like I had to protect that, you know what I mean.

0:30:16.880 --> 0:30:18.800
<v Speaker 1>It was It was never nine personal or nothing, but

0:30:18.880 --> 0:30:20.480
<v Speaker 1>I felt like, yeah, you ain't gonna take them from this.

0:30:20.920 --> 0:30:24.480
<v Speaker 1>Life is changing. I got the Cowboy because this is

0:30:25.120 --> 0:30:30.960
<v Speaker 1>my acts. It's cause at that time I needed to know.

0:30:31.560 --> 0:30:38.440
<v Speaker 1>I never really knew. I never really knew, like I thought,

0:30:38.560 --> 0:30:42.040
<v Speaker 1>actually you got gas, I thought, or like or not

0:30:42.200 --> 0:30:44.560
<v Speaker 1>you got gas or somebody gas to just to say that,

0:30:44.680 --> 0:30:46.280
<v Speaker 1>let me tell you that I'm not. I was never

0:30:46.440 --> 0:30:50.200
<v Speaker 1>known as the hustler or the crack seller, so my

0:30:50.360 --> 0:30:52.360
<v Speaker 1>name was never gonna be like, oh you heard your

0:30:52.480 --> 0:30:55.160
<v Speaker 1>nature out there that they didn't even really know some

0:30:55.240 --> 0:30:57.880
<v Speaker 1>people but still called me by my real name, So

0:30:58.280 --> 0:31:01.600
<v Speaker 1>you got real name in the world. The head his

0:31:01.760 --> 0:31:06.400
<v Speaker 1>real name sounds like a superhero Jermain Baxter. Sounds like

0:31:06.600 --> 0:31:10.480
<v Speaker 1>they just put on a case and just like, listen,

0:31:11.760 --> 0:31:17.000
<v Speaker 1>the superhero sneature. But when you go to us, I

0:31:17.120 --> 0:31:22.600
<v Speaker 1>even gave you the slim name with that Alder. The

0:31:22.680 --> 0:31:25.120
<v Speaker 1>dudes that I probably met in the game throughout my

0:31:25.240 --> 0:31:30.640
<v Speaker 1>whole career, the most genuine dude's been this guy that's

0:31:30.680 --> 0:31:33.320
<v Speaker 1>been my guy. So our stories are so intertwined. It's

0:31:33.320 --> 0:31:35.600
<v Speaker 1>like he asked me questions that he probably he knows,

0:31:36.280 --> 0:31:40.080
<v Speaker 1>you know not but you know what I mean. But

0:31:40.680 --> 0:31:42.600
<v Speaker 1>that's how we win as far as on that side.

0:31:42.680 --> 0:31:45.720
<v Speaker 1>So we're becoming notorious on the streets as far as

0:31:45.800 --> 0:31:49.440
<v Speaker 1>the clue. They're putting us together, and then all of

0:31:49.480 --> 0:31:56.480
<v Speaker 1>a sudden, boom, the relationship between Son and Mega falls.

0:31:56.960 --> 0:31:59.120
<v Speaker 1>So when that's when that relationship, this is, this is,

0:31:59.200 --> 0:32:01.960
<v Speaker 1>this is, this is It's important, not only important to me,

0:32:02.040 --> 0:32:07.240
<v Speaker 1>but important to the audience because um, at that moment

0:32:09.400 --> 0:32:11.680
<v Speaker 1>was it wasn't you felt obligated to say, you know what,

0:32:11.880 --> 0:32:14.360
<v Speaker 1>this is my team. They put me in this position.

0:32:14.680 --> 0:32:16.560
<v Speaker 1>Let me take that, let me take that. So it's

0:32:16.600 --> 0:32:19.560
<v Speaker 1>like it's like when Charles walking off, somebody gets traded

0:32:19.600 --> 0:32:21.960
<v Speaker 1>to the next team, Like and you with that next team,

0:32:22.000 --> 0:32:25.720
<v Speaker 1>you want an elbow. That's what it was. This is

0:32:25.760 --> 0:32:30.560
<v Speaker 1>the guy, right, what happened is it's the guy placed something.

0:32:30.640 --> 0:32:33.840
<v Speaker 1>This guy that that's that's basically changing your life, right,

0:32:33.880 --> 0:32:36.959
<v Speaker 1>he has the opportunity to change your life. It's not right,

0:32:37.560 --> 0:32:40.640
<v Speaker 1>but he's going through such a transition that I can't

0:32:40.640 --> 0:32:45.440
<v Speaker 1>be with him every day. So somehow I'm getting connected

0:32:46.000 --> 0:32:50.080
<v Speaker 1>more and more every day with jungle right, because it's

0:32:50.080 --> 0:32:52.040
<v Speaker 1>the same. You know, when it's time to be somewhere,

0:32:52.440 --> 0:32:55.080
<v Speaker 1>it's still coming down the chain of the chain of

0:32:56.040 --> 0:32:59.160
<v Speaker 1>the command. We didn't sign papers to say, hey, you

0:32:59.560 --> 0:33:01.520
<v Speaker 1>and this is where you come into play. We didn't.

0:33:01.560 --> 0:33:04.000
<v Speaker 1>We never signed papers to say, hey, you're gonna be

0:33:04.120 --> 0:33:08.200
<v Speaker 1>my manager or this and that. We're become brothers. And

0:33:08.280 --> 0:33:10.600
<v Speaker 1>at the same time, he's forming a bond with you,

0:33:12.240 --> 0:33:16.240
<v Speaker 1>so we both have the same manager or the same

0:33:16.320 --> 0:33:18.960
<v Speaker 1>guy at the same time. So it's only right that

0:33:19.760 --> 0:33:22.080
<v Speaker 1>me and you start bonding. But mind, I'm older than

0:33:22.120 --> 0:33:24.400
<v Speaker 1>you guys, you know what I mean. But we're all

0:33:24.520 --> 0:33:27.600
<v Speaker 1>for the same ship. You guys have a name before me.

0:33:28.520 --> 0:33:30.400
<v Speaker 1>So I'm still a fan. I don't no matter what,

0:33:30.520 --> 0:33:32.720
<v Speaker 1>I still coach your first ship on you because I'm

0:33:32.760 --> 0:33:35.400
<v Speaker 1>a fan of this. But we're becoming brothers now because

0:33:35.440 --> 0:33:39.760
<v Speaker 1>we all are locked in together. I don't think that's

0:33:39.760 --> 0:33:45.280
<v Speaker 1>deserve a shot. Got got that, souther What happened is

0:33:46.200 --> 0:33:51.080
<v Speaker 1>fucking with track Masters. They designed the Bearsville situation. That's later.

0:33:51.160 --> 0:33:53.200
<v Speaker 1>Hold on, you're going to but this is how it happens.

0:33:53.800 --> 0:33:56.440
<v Speaker 1>Keep up with me, y'all, Keep up, look at the shot,

0:33:56.560 --> 0:33:59.200
<v Speaker 1>Keep up with me. It's done. It's done. God, Okay,

0:33:59.240 --> 0:34:03.280
<v Speaker 1>all right, so God, so after this comes out, because

0:34:03.400 --> 0:34:06.960
<v Speaker 1>that bears mil was after that, right yeah, bears filds

0:34:07.040 --> 0:34:11.640
<v Speaker 1>before any like, right before the firm, and that's when

0:34:11.640 --> 0:34:16.920
<v Speaker 1>I will start my solo. Okay, all let's describe how

0:34:17.040 --> 0:34:22.160
<v Speaker 1>crazy bears Field describe out like, Yo, I've never seen

0:34:22.239 --> 0:34:24.600
<v Speaker 1>no ship like this. Like I said, I'm still counting

0:34:24.640 --> 0:34:27.359
<v Speaker 1>the places I'm going. I'm still new feeling, I'm still hood,

0:34:27.440 --> 0:34:31.640
<v Speaker 1>We're still rough around. And they put this, they designed

0:34:31.680 --> 0:34:33.920
<v Speaker 1>it where as we can go to the studio in

0:34:34.040 --> 0:34:37.440
<v Speaker 1>the woods. You don't you can't leave. There's no stores,

0:34:37.600 --> 0:34:42.040
<v Speaker 1>no store. Anything you need is cater to you. Jail yail,

0:34:42.239 --> 0:34:50.279
<v Speaker 1>and it's and it's me Nori in the house. The

0:34:50.400 --> 0:34:54.160
<v Speaker 1>houses houses the house. Half the house is fifty half

0:34:54.239 --> 0:34:57.759
<v Speaker 1>the houses. Me of problems, I got my I got

0:34:57.800 --> 0:35:00.239
<v Speaker 1>my old Listen. What happened is what happen. Know this

0:35:00.320 --> 0:35:04.279
<v Speaker 1>is real ship track masters are so hot and it

0:35:04.480 --> 0:35:08.600
<v Speaker 1>was so important to them that everybody like listen and

0:35:09.120 --> 0:35:11.279
<v Speaker 1>with them. I was the only artist that wasn't on

0:35:11.480 --> 0:35:16.320
<v Speaker 1>track master. I was so connected with the firm and everything,

0:35:16.520 --> 0:35:18.680
<v Speaker 1>and they couldn't keep up with him. First of all,

0:35:18.880 --> 0:35:22.279
<v Speaker 1>they can't control him and making and making his own

0:35:25.880 --> 0:35:30.680
<v Speaker 1>whatever he needs to do. He has that momentum ready.

0:35:30.760 --> 0:35:32.759
<v Speaker 1>We're still coming in like, oh Ship, you know what

0:35:32.800 --> 0:35:36.960
<v Speaker 1>I'm saying. They followed my league, but um, but they

0:35:37.080 --> 0:35:39.560
<v Speaker 1>lead it. They lead it with me, you know. And

0:35:39.600 --> 0:35:43.239
<v Speaker 1>I remember, I remember, I remember listening to him and Polk.

0:35:43.280 --> 0:35:45.399
<v Speaker 1>I will never forget this conversation to have with him.

0:35:45.400 --> 0:35:49.000
<v Speaker 1>I was like, Yo, I needed Street Dreams and they

0:35:49.120 --> 0:35:51.640
<v Speaker 1>was like, Nope, you ain't gonna get that from us.

0:35:52.040 --> 0:35:55.239
<v Speaker 1>And I said, what, you don't know? What's crazy? At

0:35:55.280 --> 0:36:00.239
<v Speaker 1>that time, all the records that nazis to turn down,

0:36:00.680 --> 0:36:03.719
<v Speaker 1>they used to give him The fifty supposed to be

0:36:03.840 --> 0:36:06.279
<v Speaker 1>reconsiectually be like, oh, Ship, I heard that over here,

0:36:07.160 --> 0:36:09.040
<v Speaker 1>but he got a version of it. And he's creating

0:36:09.080 --> 0:36:11.799
<v Speaker 1>whole songs at the time. Remember he was like really

0:36:11.880 --> 0:36:14.319
<v Speaker 1>doing that. They was going at him because that's when

0:36:14.360 --> 0:36:16.400
<v Speaker 1>they're like, yo, why are you singing? Or why you

0:36:16.960 --> 0:36:18.879
<v Speaker 1>know how to how do you know how to ramp?

0:36:18.960 --> 0:36:21.040
<v Speaker 1>And try to harmonize. It was the game was kind

0:36:21.080 --> 0:36:23.480
<v Speaker 1>of different, but he was right there with us, so

0:36:23.600 --> 0:36:25.440
<v Speaker 1>they was kind of trying to fill in the void.

0:36:26.400 --> 0:36:28.960
<v Speaker 1>We're making this firm album that's supposed to be this

0:36:29.120 --> 0:36:34.920
<v Speaker 1>amazing ship. But we have Nori. That's not a firm. Remember,

0:36:35.680 --> 0:36:39.000
<v Speaker 1>we have cannabis, we have guys. That was kind of

0:36:39.920 --> 0:36:45.120
<v Speaker 1>half half him. Yeah, he's on the desperas you know whatever.

0:36:45.200 --> 0:36:47.960
<v Speaker 1>Steve Styling track Masters was hard. They was gonna throw

0:36:48.000 --> 0:36:49.719
<v Speaker 1>our us. But at the same time we were so

0:36:50.040 --> 0:36:52.840
<v Speaker 1>dope they gotta stop you right there, Steve Style Tracks

0:36:53.040 --> 0:36:55.040
<v Speaker 1>is not bring me in Jungle from me in Yeah,

0:36:55.160 --> 0:36:58.200
<v Speaker 1>I got, But what I'm saying is the politics of

0:36:58.320 --> 0:37:02.239
<v Speaker 1>the game before we stopped, you need to say, you know,

0:37:02.600 --> 0:37:07.600
<v Speaker 1>firm O and all of that. Nori was so dope

0:37:07.680 --> 0:37:10.560
<v Speaker 1>that he was part of one of the dopest songs

0:37:10.640 --> 0:37:13.279
<v Speaker 1>on the joint with me. He actually got to ask

0:37:13.320 --> 0:37:15.120
<v Speaker 1>yourself why there was never a video, why there was

0:37:15.200 --> 0:37:19.160
<v Speaker 1>never that. That's a whole another chapter. Face, brother, he's

0:37:19.160 --> 0:37:24.680
<v Speaker 1>trying to So I'm gonna be honest, this is my

0:37:25.160 --> 0:37:29.880
<v Speaker 1>my brother. Like everybody like Yo, I'm gonna tell you

0:37:30.000 --> 0:37:34.560
<v Speaker 1>something I always say. The transition to my solo career

0:37:34.960 --> 0:37:37.640
<v Speaker 1>was I'm leaving like that ship because that did the

0:37:37.719 --> 0:37:41.160
<v Speaker 1>war report. You know, you've got the blunt spreading. Come on,

0:37:42.360 --> 0:37:50.279
<v Speaker 1>about next time. What you want to blunt? You want

0:37:50.320 --> 0:37:58.400
<v Speaker 1>a motherfucking you know, for the for cancer awareness. That's

0:37:58.719 --> 0:38:00.040
<v Speaker 1>chance in there's a little bit of the book. You

0:38:00.120 --> 0:38:02.360
<v Speaker 1>doing that, Yeah, yeah, yeah, you can grow on small.

0:38:02.680 --> 0:38:05.480
<v Speaker 1>We got the more you ain't got, the more you know. Um.

0:38:05.960 --> 0:38:10.960
<v Speaker 1>So I always say, yeah, understand what's going on right here? Yeah?

0:38:11.800 --> 0:38:15.200
<v Speaker 1>Basically right, you know what's gonna So you got you

0:38:15.480 --> 0:38:18.200
<v Speaker 1>up with the speed, right, you have more spread, then

0:38:18.280 --> 0:38:20.680
<v Speaker 1>listen form let's pick up to the side, regular drinks.

0:38:24.960 --> 0:38:27.920
<v Speaker 1>I'm gonna tell you something, this real ship. After the

0:38:28.040 --> 0:38:34.200
<v Speaker 1>War report, I was stuck. It was called music, purgatory music.

0:38:38.560 --> 0:38:41.120
<v Speaker 1>And for those who don't know what purgatory means, purgatory

0:38:41.200 --> 0:38:43.040
<v Speaker 1>is is that place stuff between heat on the hat.

0:38:44.080 --> 0:38:46.440
<v Speaker 1>You're gone. You don't know if you're gonna make it

0:38:46.520 --> 0:38:51.279
<v Speaker 1>back seven Oh you're gonna make it that. I didn't

0:38:51.320 --> 0:38:53.160
<v Speaker 1>really know I was selling crack. I went back to

0:38:53.200 --> 0:38:56.960
<v Speaker 1>Southern cracks, just fucking do what I know now. It

0:38:57.120 --> 0:39:01.160
<v Speaker 1>was actually on the War Pour, the album trying to

0:39:01.200 --> 0:39:03.759
<v Speaker 1>come music making stucks. Calm down that that story is

0:39:03.840 --> 0:39:05.520
<v Speaker 1>up in the air. After the ax nots. When he

0:39:05.560 --> 0:39:07.120
<v Speaker 1>was here, I was there. I was there at night

0:39:07.160 --> 0:39:09.879
<v Speaker 1>when Eat Eat money Backs, Eat money Back. He raised

0:39:10.239 --> 0:39:12.400
<v Speaker 1>the room. And he wasn't credit on the record in

0:39:12.480 --> 0:39:14.920
<v Speaker 1>the official album. Not No, that's not the truth. He

0:39:15.000 --> 0:39:17.680
<v Speaker 1>wasn't credited for album Love My Life. He was being

0:39:17.719 --> 0:39:21.480
<v Speaker 1>one be stuck on that game. Keep behind the real

0:39:21.520 --> 0:39:24.879
<v Speaker 1>fact that I was. So I was trying to figure

0:39:24.920 --> 0:39:29.680
<v Speaker 1>out how this guy, this guy right here was surviving

0:39:29.800 --> 0:39:34.840
<v Speaker 1>all the ship because I come from the ship and

0:39:35.040 --> 0:39:40.160
<v Speaker 1>this motherfucker came in at every time and delivered such

0:39:40.160 --> 0:39:43.480
<v Speaker 1>an energy and such a ship that I always went

0:39:43.520 --> 0:39:46.680
<v Speaker 1>home like scratching my head, like, Yo, how to thank

0:39:46.719 --> 0:39:53.640
<v Speaker 1>your day? I got? Yeah, you know it's me and

0:39:53.719 --> 0:39:58.799
<v Speaker 1>my train of thought was in the album all right.

0:39:59.440 --> 0:40:02.480
<v Speaker 1>So room is that the money bags was on it.

0:40:02.960 --> 0:40:06.759
<v Speaker 1>NAS didn't like that the money bags was took off

0:40:06.840 --> 0:40:10.759
<v Speaker 1>of it and Tray just put on it. So that's

0:40:10.800 --> 0:40:14.800
<v Speaker 1>the room, all right. The rumor was he wanted to

0:40:14.880 --> 0:40:16.640
<v Speaker 1>make it up. He wanted to make it up to us.

0:40:16.680 --> 0:40:23.319
<v Speaker 1>He want to so so he this is the crazy shit.

0:40:23.760 --> 0:40:26.920
<v Speaker 1>He promised me to come to Miami. Firms didn't go

0:40:27.040 --> 0:40:29.640
<v Speaker 1>to Miami. I'm talking about NAS. Yeah, this is for

0:40:29.719 --> 0:40:31.440
<v Speaker 1>the firm out. This is no one to announced the

0:40:31.520 --> 0:40:35.080
<v Speaker 1>firm I'm not sure at this time, but then the

0:40:35.160 --> 0:40:38.080
<v Speaker 1>Firm album actually comes and I remember it was a

0:40:38.160 --> 0:40:41.080
<v Speaker 1>Nature's session. It was a Tuesday, and it was one

0:40:41.080 --> 0:40:45.000
<v Speaker 1>of million percent Nature's session. So because I flew out

0:40:45.080 --> 0:40:48.040
<v Speaker 1>on my own and when I flew there, his Nature's session,

0:40:48.520 --> 0:40:51.399
<v Speaker 1>and that's how I'm leaving became. And I always felt

0:40:51.480 --> 0:40:54.239
<v Speaker 1>like the brol could have been like, man, funk this

0:40:54.520 --> 0:40:57.800
<v Speaker 1>other dude. Let him get out this fucking session. You

0:40:57.840 --> 0:41:00.240
<v Speaker 1>know what I'm saying. Like when the Beatles played Ilied

0:41:00.560 --> 0:41:04.040
<v Speaker 1>played to be I know this obviously me trappeds his credit?

0:41:04.200 --> 0:41:08.040
<v Speaker 1>Did I believes to be your record? I think he

0:41:08.200 --> 0:41:10.920
<v Speaker 1>was running through beats, running through beast they trying to

0:41:11.080 --> 0:41:15.680
<v Speaker 1>because when we start, can we talking about firm Ship?

0:41:18.000 --> 0:41:22.279
<v Speaker 1>In my opinion, the firm Ship was contractually set up

0:41:22.320 --> 0:41:25.560
<v Speaker 1>to kind of like crash right, meaning when I said that,

0:41:26.200 --> 0:41:29.680
<v Speaker 1>because everybody was on different labels when they reached this

0:41:29.840 --> 0:41:32.239
<v Speaker 1>peak and they decided to put the album out on

0:41:32.400 --> 0:41:37.920
<v Speaker 1>Interscope Records, where nobody was on in the Scope Records labels.

0:41:38.239 --> 0:41:40.960
<v Speaker 1>So the labels say, hell, no, you're not gonna deliver album.

0:41:41.040 --> 0:41:42.840
<v Speaker 1>Give it to this label right here, that's not us

0:41:42.880 --> 0:41:45.480
<v Speaker 1>and make money for us. Here's your stipulation. You can

0:41:45.520 --> 0:41:47.319
<v Speaker 1>only be on a certain amount of records. You can

0:41:47.360 --> 0:41:49.839
<v Speaker 1>only probably be on three records. So if you listen

0:41:49.880 --> 0:41:53.480
<v Speaker 1>to the album, the person that's not signed filling all

0:41:53.600 --> 0:41:57.040
<v Speaker 1>the void, which happened to be me. So the outside

0:41:57.080 --> 0:41:59.800
<v Speaker 1>people looked at it if it was like my album, you,

0:42:00.040 --> 0:42:02.920
<v Speaker 1>I mean from from from the way that it was labeled.

0:42:03.000 --> 0:42:04.600
<v Speaker 1>You couldn't just say it was the firm. You have

0:42:04.719 --> 0:42:09.560
<v Speaker 1>to say it's nas Asy Foxy Brown presents the front right.

0:42:10.600 --> 0:42:13.560
<v Speaker 1>And since they did that, and Sony was like, nah,

0:42:13.800 --> 0:42:16.040
<v Speaker 1>you're not nas. You can't deliver another album to in

0:42:16.120 --> 0:42:18.439
<v Speaker 1>the scope. You gotta kind of do this, Yeah, you gotta,

0:42:18.480 --> 0:42:21.440
<v Speaker 1>you gotta do this our way. So I was the

0:42:21.480 --> 0:42:23.880
<v Speaker 1>person that filled in the gap. If it was probably

0:42:23.960 --> 0:42:26.000
<v Speaker 1>called Mega at the time, it might have been called Mega.

0:42:26.040 --> 0:42:27.840
<v Speaker 1>But if Omega wasn't on depth him and they might

0:42:27.920 --> 0:42:31.120
<v Speaker 1>have said the same ship too. I didn't have no paperwork.

0:42:31.560 --> 0:42:34.279
<v Speaker 1>So at this time I'm filling in records and I'm

0:42:34.440 --> 0:42:37.279
<v Speaker 1>vibing with this guy. I got stories with my first

0:42:37.320 --> 0:42:40.399
<v Speaker 1>time in California with this guy. Remember, I remember one

0:42:40.440 --> 0:42:43.880
<v Speaker 1>time I was in the studio and these guys left

0:42:44.000 --> 0:42:47.960
<v Speaker 1>me right him and Jungle left me, and then they

0:42:48.040 --> 0:42:50.080
<v Speaker 1>came back into the studio while I'm still in there

0:42:50.160 --> 0:42:53.560
<v Speaker 1>right in the record with brand new sneakers and branding right,

0:42:53.840 --> 0:42:57.000
<v Speaker 1>and they had my sneakers handing outside the door. So

0:42:57.080 --> 0:42:58.800
<v Speaker 1>they came in like, hey, we weren't shot and we

0:42:58.880 --> 0:43:01.920
<v Speaker 1>were fresh. We got this. I'm like, oh, I can't leave,

0:43:01.960 --> 0:43:04.080
<v Speaker 1>you know, I couldn't leave. There's act like they had

0:43:04.120 --> 0:43:06.920
<v Speaker 1>no speakers for me and fucking boom. Here at the

0:43:07.000 --> 0:43:14.360
<v Speaker 1>rand New Rand New the only hand day. It was

0:43:14.400 --> 0:43:17.640
<v Speaker 1>a party, Dre and I was having a party and

0:43:17.800 --> 0:43:20.600
<v Speaker 1>Nori was the person that said, I want to go

0:43:20.680 --> 0:43:23.680
<v Speaker 1>to Compton. I want to see Compton. I don't care

0:43:23.719 --> 0:43:26.960
<v Speaker 1>if I'm nothing else right, And Jungle goes to this

0:43:27.120 --> 0:43:32.239
<v Speaker 1>party with the same sekers on and the same basketball

0:43:32.320 --> 0:43:34.680
<v Speaker 1>jerseys on. Mean why the whole party got on suits

0:43:34.719 --> 0:43:38.000
<v Speaker 1>and ties. And this guy goes to party in Compton

0:43:38.160 --> 0:43:41.720
<v Speaker 1>comes back talking about, Yo, these guys that shower caps

0:43:41.760 --> 0:43:50.000
<v Speaker 1>on them. Everyone he wanted to know. I used to go.

0:43:51.680 --> 0:43:53.680
<v Speaker 1>I said, what, I want to go and see the

0:43:53.760 --> 0:43:58.399
<v Speaker 1>actual woods. He's like, party, I want to go to those,

0:43:59.120 --> 0:44:00.839
<v Speaker 1>That's what I mean, Like, Yo, this is some real

0:44:01.040 --> 0:44:03.840
<v Speaker 1>this is my brother right here. I don't remember what.

0:44:05.040 --> 0:44:08.440
<v Speaker 1>They're sitting the corners with shower cap. I was like,

0:44:08.960 --> 0:44:10.880
<v Speaker 1>New York, never heard of no ship like that. I

0:44:10.920 --> 0:44:12.920
<v Speaker 1>love it. I love so. But let's just tell these

0:44:13.000 --> 0:44:17.440
<v Speaker 1>guys right, so we walk in. Now, I think you're

0:44:17.520 --> 0:44:20.160
<v Speaker 1>used to this. Now me hearing your story, Now you're

0:44:20.200 --> 0:44:22.160
<v Speaker 1>like a great actor, because I thought like you were

0:44:22.280 --> 0:44:24.640
<v Speaker 1>just used, like because we were sitting there. Dr Dre's

0:44:24.680 --> 0:44:27.879
<v Speaker 1>like this neue nature and I'm looking like holy ship.

0:44:28.920 --> 0:44:30.640
<v Speaker 1>But you know, I'm trying to keep about to say

0:44:30.680 --> 0:44:38.080
<v Speaker 1>I'm not stop. He's rolling joint force. This is real

0:44:38.200 --> 0:44:44.680
<v Speaker 1>ship head just buying handy force every night, every night

0:44:44.760 --> 0:44:46.840
<v Speaker 1>he just got married, you know, shots to Dr Ja.

0:44:46.960 --> 0:44:50.920
<v Speaker 1>I know, I know he's about to get Dr Dre James, Well,

0:44:54.520 --> 0:44:58.920
<v Speaker 1>I gotta shot. Let's take side of the real ship.

0:44:59.000 --> 0:45:03.680
<v Speaker 1>The word about the s it comes from the ship.

0:45:04.360 --> 0:45:06.120
<v Speaker 1>You know what I mean. We're running around trying to

0:45:06.920 --> 0:45:10.279
<v Speaker 1>we're trying to make yourself and ship like that. And

0:45:10.360 --> 0:45:13.560
<v Speaker 1>every night Dr Dre just got married by us. Henny,

0:45:14.200 --> 0:45:17.120
<v Speaker 1>he's rolling us joints and pretty much the ball the

0:45:17.400 --> 0:45:19.400
<v Speaker 1>bullets in our court, you know what I'm saying. But

0:45:20.600 --> 0:45:23.680
<v Speaker 1>Nori comes in. We do I'm leaving. We know it's

0:45:23.719 --> 0:45:27.160
<v Speaker 1>a banger. I know it's a banging because if you

0:45:27.280 --> 0:45:30.480
<v Speaker 1>correct me, if I'm wrong. This is what happened to

0:45:30.560 --> 0:45:33.400
<v Speaker 1>me and my thing. I was my session supposed to

0:45:33.440 --> 0:45:36.799
<v Speaker 1>be Wednesday. I landed on a Tuesday because I had

0:45:36.840 --> 0:45:40.560
<v Speaker 1>to fly to JFK JF Kick Up the Dells Fly

0:45:40.880 --> 0:45:45.080
<v Speaker 1>Tuesday yourself. We had. It was it was that type

0:45:45.120 --> 0:45:50.120
<v Speaker 1>of party we went. It was the session nat just

0:45:50.160 --> 0:45:56.080
<v Speaker 1>finished these clue sessions natives to me. To me, You're

0:45:56.120 --> 0:45:57.800
<v Speaker 1>probably looking at me like I got a name, but

0:45:57.840 --> 0:46:00.400
<v Speaker 1>I'm looking at you like you're the hottest stink in

0:46:00.440 --> 0:46:02.160
<v Speaker 1>the world, Like you know what I'm saying. It's not

0:46:02.480 --> 0:46:07.400
<v Speaker 1>then it's you, So correct me from wrong. In my opinion,

0:46:07.719 --> 0:46:11.359
<v Speaker 1>the drever was playing it and engineering so he said

0:46:11.440 --> 0:46:13.239
<v Speaker 1>he said, I forget what he said. He said, Yo,

0:46:13.320 --> 0:46:15.080
<v Speaker 1>you got something for this, and I was to the

0:46:15.160 --> 0:46:18.399
<v Speaker 1>side and I was like, he was like, I don't

0:46:18.440 --> 0:46:20.520
<v Speaker 1>even know how you announced my name. I know it's wrong,

0:46:21.320 --> 0:46:27.120
<v Speaker 1>Like how Yeah, So I went to that opening to

0:46:27.160 --> 0:46:29.920
<v Speaker 1>go through that. You know what I'm saying things I

0:46:30.960 --> 0:46:33.759
<v Speaker 1>would try to but anyway it might for you tell

0:46:33.800 --> 0:46:38.920
<v Speaker 1>me and this is the reason why this is I'm leaving.

0:46:39.000 --> 0:46:44.120
<v Speaker 1>It wasn't what I'm leaving. There's no band from TV. Yeah,

0:46:44.160 --> 0:46:46.879
<v Speaker 1>I'm leaving. I felt that he bodied it. I'm leaving,

0:46:47.360 --> 0:46:52.680
<v Speaker 1>I think still coming from it from a literal standpoint,

0:46:52.760 --> 0:46:55.360
<v Speaker 1>and he's coming from it from five. He just he

0:46:55.520 --> 0:46:58.160
<v Speaker 1>knows how to just set the vibe. And so that's

0:46:58.200 --> 0:47:00.160
<v Speaker 1>why when it came down the band from TV, when

0:47:00.200 --> 0:47:03.600
<v Speaker 1>we get there, okay, it was time to set the vibe. Like, Yo,

0:47:03.760 --> 0:47:07.200
<v Speaker 1>it's a difference between um ran from dope rhymes and

0:47:07.400 --> 0:47:11.440
<v Speaker 1>like you're creating something that yeah something, let me just

0:47:11.480 --> 0:47:16.239
<v Speaker 1>say this everywhere back and I'm leaving. I'm leaving. Listen.

0:47:16.320 --> 0:47:19.120
<v Speaker 1>At any moment, Nature could have been like, Yo, wait

0:47:19.160 --> 0:47:20.960
<v Speaker 1>a minute, this is my session. This is why I

0:47:21.080 --> 0:47:22.960
<v Speaker 1>funk with you. That's why I love you to this day.

0:47:23.480 --> 0:47:25.640
<v Speaker 1>It's because at any time that was his session. It

0:47:25.760 --> 0:47:28.279
<v Speaker 1>was a Tuesday. My session wasn't to a Wednesday. That's

0:47:28.280 --> 0:47:31.960
<v Speaker 1>when Bloody Money Part two came out. That's what that says.

0:47:32.080 --> 0:47:34.840
<v Speaker 1>I was. I'm saying you. I'm saying, come on, I

0:47:35.000 --> 0:47:37.279
<v Speaker 1>don't get none of this. I forget. I can forgive

0:47:37.280 --> 0:47:47.440
<v Speaker 1>you everything I just did. But so that session with

0:47:48.160 --> 0:47:50.759
<v Speaker 1>Ill Kill You Not, I had these rhymes. The reason

0:47:50.800 --> 0:47:52.960
<v Speaker 1>why I no, we know this and nor we know that? Yo,

0:47:53.080 --> 0:47:55.719
<v Speaker 1>but no we know God why that I can make

0:47:55.719 --> 0:47:58.319
<v Speaker 1>your famous? The reason why I said it, I don't

0:47:58.360 --> 0:48:00.360
<v Speaker 1>think it was. I don't know seeing this the greatest

0:48:00.400 --> 0:48:02.640
<v Speaker 1>live was the reason why I said it because those

0:48:02.800 --> 0:48:06.600
<v Speaker 1>rhymes was originally on the Warry coord album. That was

0:48:06.680 --> 0:48:18.360
<v Speaker 1>a whole record. I m so so from so it

0:48:18.520 --> 0:48:31.360
<v Speaker 1>was crazy. Didn't know it? Yeah right, okay, so so

0:48:31.520 --> 0:48:35.239
<v Speaker 1>yeah yeah, um, so that's the reason was. And I

0:48:35.360 --> 0:48:38.239
<v Speaker 1>remember because I remember, I feel like Dre was right

0:48:38.280 --> 0:48:40.480
<v Speaker 1>there like I did it perfect the first time and

0:48:40.560 --> 0:48:42.640
<v Speaker 1>he was like, you gotta do it over and I

0:48:42.800 --> 0:48:45.160
<v Speaker 1>was like, it's that because it's perfect, but I'm Dr

0:48:45.280 --> 0:48:47.520
<v Speaker 1>Dre and I didn't understand what he meant and I

0:48:47.640 --> 0:48:49.919
<v Speaker 1>did it like several more times or whatever, right, mom.

0:48:51.360 --> 0:48:56.440
<v Speaker 1>The bottom line is that record from me into a

0:48:56.600 --> 0:48:58.680
<v Speaker 1>whole other level. It brom me to it, and it

0:48:58.840 --> 0:49:02.080
<v Speaker 1>was crazy because I was like, you know, coming up

0:49:02.120 --> 0:49:04.920
<v Speaker 1>in and and what we was doing still even though

0:49:04.920 --> 0:49:06.960
<v Speaker 1>I had an album out, but it was like that

0:49:07.320 --> 0:49:11.880
<v Speaker 1>differentiated me from everyone else that record, yes, and I

0:49:11.960 --> 0:49:13.279
<v Speaker 1>was mad. I was like he got me on that

0:49:15.080 --> 0:49:17.279
<v Speaker 1>This is the book runs up to the band from TV.

0:49:18.160 --> 0:49:20.480
<v Speaker 1>So you remember what studio? He is a bad from TV,

0:49:21.239 --> 0:49:23.480
<v Speaker 1>But I don't remember. I had dog was there. I

0:49:23.520 --> 0:49:26.080
<v Speaker 1>remember the night when when we first came to do

0:49:26.200 --> 0:49:28.520
<v Speaker 1>them from TV, which turned into being from TV. That

0:49:28.640 --> 0:49:31.080
<v Speaker 1>wasn't the beat, that's right. It's because of you. That

0:49:31.239 --> 0:49:37.680
<v Speaker 1>wasn't to be like like y'all naked your faith, like, look,

0:49:37.719 --> 0:49:40.280
<v Speaker 1>I gotta do a bega what you want my album?

0:49:40.440 --> 0:49:43.319
<v Speaker 1>Remember you gotta go first. You walked out the room.

0:49:43.719 --> 0:49:44.960
<v Speaker 1>He was like, all right, god, do what you do?

0:49:45.480 --> 0:49:47.440
<v Speaker 1>Boom And I was switting there smoking weed and I

0:49:47.480 --> 0:49:48.759
<v Speaker 1>hack a dog with me and I was like, you

0:49:48.800 --> 0:49:51.000
<v Speaker 1>know what. I wanted to show him that I could

0:49:51.080 --> 0:49:53.480
<v Speaker 1>fucking stop a mudhole and this beach. That's true. I

0:49:53.920 --> 0:49:57.399
<v Speaker 1>know this is true. Listen. I had to Swiss beat

0:49:57.400 --> 0:50:00.040
<v Speaker 1>because you got me, because you got me on. Just

0:50:00.200 --> 0:50:03.040
<v Speaker 1>get you what you did. This is the crazy thing

0:50:03.480 --> 0:50:05.919
<v Speaker 1>we didn't we did. It's Electric Lady, by the way.

0:50:07.400 --> 0:50:09.680
<v Speaker 1>The studio that I wasn't really good in there I was.

0:50:09.880 --> 0:50:15.000
<v Speaker 1>I was doing my studio, Jimmy studio, the studio with

0:50:15.080 --> 0:50:19.320
<v Speaker 1>the cat allerged tout in the world and woke by me.

0:50:19.520 --> 0:50:22.839
<v Speaker 1>And that's not because Jimmy will tell you why why

0:50:22.920 --> 0:50:26.360
<v Speaker 1>I felt a certain way. I'm telling you way because

0:50:26.440 --> 0:50:30.920
<v Speaker 1>because no one else, because because he's right there with me.

0:50:31.400 --> 0:50:34.280
<v Speaker 1>Right But at the same time, he's not just by himself.

0:50:34.400 --> 0:50:37.280
<v Speaker 1>He kind of has a little people. He has shipped

0:50:37.280 --> 0:50:40.200
<v Speaker 1>in perspective, has people like you're gonna do this, You're

0:50:40.239 --> 0:50:42.320
<v Speaker 1>gonna book the studio, You're gonna do this. And I

0:50:42.400 --> 0:50:45.600
<v Speaker 1>didn't have none of that. But some fucking rhymes, man,

0:50:45.760 --> 0:50:48.680
<v Speaker 1>and he had the business sense of it back then.

0:50:49.360 --> 0:50:53.880
<v Speaker 1>So to hear your this, Nick is not making a mistake.

0:50:54.080 --> 0:50:56.440
<v Speaker 1>Why didn't Why do they love him? He's fucking oh man,

0:50:56.880 --> 0:50:58.920
<v Speaker 1>you know he's not the most lirical guy. He got

0:50:59.160 --> 0:51:02.560
<v Speaker 1>he gotta stab but no, that's how he was. We

0:51:02.640 --> 0:51:05.920
<v Speaker 1>came up in that competitive that but and he just

0:51:06.080 --> 0:51:08.200
<v Speaker 1>got me on the last record we did, so I

0:51:08.360 --> 0:51:11.200
<v Speaker 1>have to get him. So now he plays his speech

0:51:11.239 --> 0:51:16.960
<v Speaker 1>and I didn't know this. Swiss comes in, So the

0:51:17.000 --> 0:51:19.439
<v Speaker 1>first beat isn't Swiss, Just to be I believe old

0:51:19.480 --> 0:51:23.000
<v Speaker 1>beats free time. I'm meeting Swiss, just the guy with

0:51:23.080 --> 0:51:25.360
<v Speaker 1>this funnel, Swiss, the guy with the funny notes. He

0:51:25.480 --> 0:51:33.360
<v Speaker 1>was we know you don't don't even saying this. He

0:51:33.520 --> 0:51:35.840
<v Speaker 1>has his ship in the order, he knows producers names,

0:51:35.960 --> 0:51:38.319
<v Speaker 1>he knows he knows certain ships, and I'm like, damn,

0:51:38.640 --> 0:51:41.080
<v Speaker 1>I don't know that. You know, you know he has

0:51:41.160 --> 0:51:56.080
<v Speaker 1>this relationship with people before before back there shot. So

0:51:56.239 --> 0:51:58.319
<v Speaker 1>Swiss comes in and he plays this due and I say,

0:51:58.400 --> 0:52:00.880
<v Speaker 1>you know what, this makes me feel like a superhero.

0:52:01.040 --> 0:52:03.920
<v Speaker 1>This band from TV BET And I'm saying to my man,

0:52:04.200 --> 0:52:08.759
<v Speaker 1>you know what, watch this. Nor leaves the room. I

0:52:08.880 --> 0:52:10.960
<v Speaker 1>write the rhyme this is probably you know what I'm

0:52:10.960 --> 0:52:13.160
<v Speaker 1>feeling it because I like to see with me sometimes

0:52:13.160 --> 0:52:15.719
<v Speaker 1>I was with the beat. Come back in the house.

0:52:16.239 --> 0:52:18.880
<v Speaker 1>He stopped on a second and passing right back. We're

0:52:18.920 --> 0:52:22.920
<v Speaker 1>gonna do three of the fires. I threw away so

0:52:23.160 --> 0:52:26.040
<v Speaker 1>much rhyme because I wrote the rhymes to the beat.

0:52:26.520 --> 0:52:31.000
<v Speaker 1>So I'm mad. I'm mad at this dude. So uh

0:52:31.760 --> 0:52:36.600
<v Speaker 1>like Grace Lapious was of course the street. So I

0:52:36.760 --> 0:52:38.759
<v Speaker 1>go down I go down there, and I remember that's

0:52:38.800 --> 0:52:41.000
<v Speaker 1>Punt's favorite ship. So I just hit point when he's

0:52:41.040 --> 0:52:42.600
<v Speaker 1>on a two way or something like yo, you know,

0:52:42.680 --> 0:52:44.880
<v Speaker 1>we were a course free from Grace Vapious. So the

0:52:44.960 --> 0:52:48.560
<v Speaker 1>punt is an idiot. He fucking I never said comes

0:52:48.560 --> 0:52:50.560
<v Speaker 1>from grace for pious. I just said, you know, just

0:52:50.680 --> 0:52:52.360
<v Speaker 1>you know, I'll just thinking about you. You know what

0:52:52.360 --> 0:52:56.480
<v Speaker 1>I'm said, great pious. So when when Nate I come

0:52:56.520 --> 0:53:00.320
<v Speaker 1>back in and you know, I can see Swiss, he's rest.

0:53:01.160 --> 0:53:06.359
<v Speaker 1>So Swiss only played this is what happened. Swiss only

0:53:06.480 --> 0:53:11.160
<v Speaker 1>played the loop the sample. The actually beat never dropped.

0:53:11.600 --> 0:53:14.120
<v Speaker 1>So the whole time I got nature in there, and

0:53:14.160 --> 0:53:16.399
<v Speaker 1>it's a vibe. I know this nigga now, So it's

0:53:16.400 --> 0:53:19.799
<v Speaker 1>a vibe if he's feeling something he liked, if he's

0:53:19.800 --> 0:53:23.680
<v Speaker 1>feeling something up. So he didn't do that for three beats.

0:53:23.719 --> 0:53:26.040
<v Speaker 1>I don't told him this is a this is I

0:53:26.160 --> 0:53:30.880
<v Speaker 1>think in my mind like doing a little coming on

0:53:31.040 --> 0:53:33.680
<v Speaker 1>like the rider anthems. And I'm like, no, you don't

0:53:33.800 --> 0:53:38.200
<v Speaker 1>like and he's like, you know, I'm wrong. But the

0:53:38.400 --> 0:53:42.120
<v Speaker 1>band from TV came on and he just jumped up

0:53:42.719 --> 0:53:45.160
<v Speaker 1>because he walked to the corner. And that's the moment

0:53:45.200 --> 0:53:47.279
<v Speaker 1>I walked out. I said, he got this. I said

0:53:47.320 --> 0:53:50.080
<v Speaker 1>that the yalla's back on to y'alla and I went

0:53:50.480 --> 0:53:56.800
<v Speaker 1>and subconsciously I see plun I said, I told you

0:53:56.920 --> 0:54:00.360
<v Speaker 1>I was by grade capires like I didn't even bite you.

0:54:01.560 --> 0:54:04.800
<v Speaker 1>I'm thinking that record. I'm thinking that record. What's just

0:54:05.000 --> 0:54:07.840
<v Speaker 1>gonna be me and him. I'm taking me, gonna go

0:54:07.960 --> 0:54:10.440
<v Speaker 1>back and forth, right, So I lay a verse. He

0:54:11.239 --> 0:54:13.279
<v Speaker 1>walks out the room. I feel good about this verse.

0:54:13.520 --> 0:54:16.480
<v Speaker 1>I lay a verse right, and then I go home.

0:54:16.640 --> 0:54:18.560
<v Speaker 1>He has he has paper, he has rhymes on the

0:54:18.600 --> 0:54:23.239
<v Speaker 1>paper already. Yes, I'm gonna just take this home. Money.

0:54:23.239 --> 0:54:24.759
<v Speaker 1>You know, I'm gonna fix it. I'm gonna get it right,

0:54:24.800 --> 0:54:26.359
<v Speaker 1>you know what I mean. So I'm like, alight, cool,

0:54:26.480 --> 0:54:32.439
<v Speaker 1>he gonna go do what he do. Yes, records, all

0:54:32.600 --> 0:54:40.480
<v Speaker 1>these guys are all the pros, right when you know,

0:54:40.680 --> 0:54:48.960
<v Speaker 1>like I said, I got you, I wanted to change. Yeah. Hell,

0:54:49.160 --> 0:54:51.640
<v Speaker 1>he's called me for months. I want to change my verse.

0:54:52.000 --> 0:54:53.800
<v Speaker 1>And they heard and they started me. They got me.

0:54:53.880 --> 0:54:55.600
<v Speaker 1>I was on. I was just doing that. This is

0:54:55.680 --> 0:54:58.880
<v Speaker 1>not exactly this is exactly what that from TV. And

0:54:58.920 --> 0:55:01.800
<v Speaker 1>I'm glad and Jada and God bless me, wish we

0:55:01.960 --> 0:55:03.680
<v Speaker 1>had punt here in camp. But take the same thing.

0:55:04.440 --> 0:55:07.719
<v Speaker 1>What happened was like I said, I didn't like the

0:55:07.760 --> 0:55:11.160
<v Speaker 1>smell of cigarettes. I love smoking cigarettes. I didn't like

0:55:11.239 --> 0:55:16.279
<v Speaker 1>the smell and we we go on the d We

0:55:16.400 --> 0:55:20.920
<v Speaker 1>were the guys that when met him and Jungle only

0:55:21.000 --> 0:55:23.799
<v Speaker 1>brothers came out. Yeah yeah, yeah, that's the only time

0:55:24.560 --> 0:55:29.880
<v Speaker 1>Chill anyway leave. But this time I was like, you

0:55:30.000 --> 0:55:32.480
<v Speaker 1>know what, fucking I went down stair in smoking Bowl

0:55:32.480 --> 0:55:34.080
<v Speaker 1>game when I've seen, like I said, I've seen Grape

0:55:34.080 --> 0:55:36.800
<v Speaker 1>of Pies. I just gave Pun what was considered a

0:55:36.880 --> 0:55:38.600
<v Speaker 1>text back then. I think it's a two way page

0:55:38.840 --> 0:55:41.680
<v Speaker 1>like bo pary Pies. I'm thinking there's seven Grape of

0:55:41.719 --> 0:55:43.919
<v Speaker 1>Pies in the city. I'm not thinking he's gonna narrow

0:55:44.000 --> 0:55:46.360
<v Speaker 1>down to the point that we're the real one. D

0:55:50.040 --> 0:55:54.360
<v Speaker 1>f y. So as Nake starts to feel it, he's correct,

0:55:54.440 --> 0:55:58.040
<v Speaker 1>I've walked out. When I walked out, I've seen Punt.

0:55:58.120 --> 0:56:00.920
<v Speaker 1>I was like, oh shit, But like he's like, I'm

0:56:00.960 --> 0:56:02.960
<v Speaker 1>thinking he just came to a grape pies that was it.

0:56:03.040 --> 0:56:05.200
<v Speaker 1>So I'm like, all right, cool, my LECTI lady went

0:56:05.239 --> 0:56:07.200
<v Speaker 1>back upstairs seeing Nate and I was like, yo, you

0:56:07.280 --> 0:56:09.399
<v Speaker 1>know what I'm gonna get to this wanted to beat

0:56:09.440 --> 0:56:12.640
<v Speaker 1>I was ready for. I had three other rhymes, but

0:56:12.800 --> 0:56:15.239
<v Speaker 1>they were not One of these ships was to this beat.

0:56:15.360 --> 0:56:17.560
<v Speaker 1>For that one. So I listened and I was like, damn,

0:56:17.600 --> 0:56:19.360
<v Speaker 1>you know I can't poke with this right now. So

0:56:19.480 --> 0:56:22.080
<v Speaker 1>I did tell Nick yo one love late left. I

0:56:22.160 --> 0:56:24.680
<v Speaker 1>did not know Poe was coming coming. It comes up.

0:56:25.280 --> 0:56:27.280
<v Speaker 1>He got his own food, butdget no, we're not closing

0:56:27.320 --> 0:56:34.080
<v Speaker 1>the studio session. So I'm like, okay, go down the bowl.

0:56:34.800 --> 0:56:37.600
<v Speaker 1>It's the fastest Puny verse I've ever seen lady in

0:56:37.760 --> 0:56:42.239
<v Speaker 1>my life because pun usually take hours. But I guess

0:56:42.320 --> 0:56:46.319
<v Speaker 1>like he wanted to spa with us. He poked us

0:56:46.400 --> 0:56:48.520
<v Speaker 1>so fat. So I came back and I was like, yo,

0:56:50.560 --> 0:56:52.560
<v Speaker 1>I tell the story mentowns. I'm gonna tell it again.

0:56:52.719 --> 0:56:55.120
<v Speaker 1>And I was like, yo, yo, this record is for

0:56:55.200 --> 0:56:57.200
<v Speaker 1>me a nature man. This is some crazy ship. And

0:56:57.280 --> 0:57:04.799
<v Speaker 1>pun looked at me like you're gonna race ever too.

0:57:04.880 --> 0:57:08.759
<v Speaker 1>So I'm like, that's like you're ever racing her verse.

0:57:09.040 --> 0:57:11.640
<v Speaker 1>He listen to me again. He goes, come on, look

0:57:11.680 --> 0:57:13.960
<v Speaker 1>at me face the first you go to race that

0:57:14.120 --> 0:57:17.720
<v Speaker 1>verse pork chops and apple saut Do you want something

0:57:17.760 --> 0:57:20.400
<v Speaker 1>like how yeah? Your engineer he loosened to the engineer.

0:57:20.480 --> 0:57:24.280
<v Speaker 1>The engineers like he recorded actually is like you know

0:57:24.400 --> 0:57:26.680
<v Speaker 1>you're not gonna make me deleted. He couldn't be recorded,

0:57:26.880 --> 0:57:31.920
<v Speaker 1>so that so okay. Then Cam is that night, right,

0:57:34.840 --> 0:57:42.160
<v Speaker 1>Bama TV. Fun can and they can, and then that's

0:57:42.200 --> 0:57:44.600
<v Speaker 1>the only people we got. The next day Cam. I

0:57:44.680 --> 0:57:47.240
<v Speaker 1>forget why Cam was downtown. I don't know. I just

0:57:47.360 --> 0:57:49.600
<v Speaker 1>called to me, called me, or maybe Punk Carder was like,

0:57:49.640 --> 0:57:53.280
<v Speaker 1>yo're stupid with Norman Cas like he's racing versus Come on,

0:57:55.400 --> 0:57:57.400
<v Speaker 1>they all with you at that time, and I was,

0:57:57.880 --> 0:58:01.680
<v Speaker 1>but I was like, fun the fresh you know, you

0:58:01.720 --> 0:58:04.000
<v Speaker 1>know what I'm doing the whole time, writing a hook

0:58:04.160 --> 0:58:07.280
<v Speaker 1>to it. I'm like, cool, didn't have no hope. I'm

0:58:07.320 --> 0:58:10.000
<v Speaker 1>writing a hook to it. And I'm like damn. I'm

0:58:10.040 --> 0:58:15.360
<v Speaker 1>like the way Nature ended this ship pause and Pun

0:58:15.560 --> 0:58:18.680
<v Speaker 1>just jumped on it, and I'm like damn. And I

0:58:18.800 --> 0:58:21.000
<v Speaker 1>know I can't send this ship to Swiss because I

0:58:21.160 --> 0:58:27.680
<v Speaker 1>know he he he wants to certainly he's hooking cool.

0:58:28.120 --> 0:58:30.600
<v Speaker 1>Then Cam came that night. This is the only awkward

0:58:30.720 --> 0:58:34.400
<v Speaker 1>moment was I had to get Jada and Styles the

0:58:34.600 --> 0:58:37.600
<v Speaker 1>next day. Yeah, and I didn't know which one was which.

0:58:37.680 --> 0:58:40.120
<v Speaker 1>And this is crazy because I'm very close to Styles

0:58:40.200 --> 0:58:43.000
<v Speaker 1>right now. I always tell the story I gave Styles Weed,

0:58:45.760 --> 0:58:50.520
<v Speaker 1>and this is the time no one smokes personally, he

0:58:50.600 --> 0:58:57.960
<v Speaker 1>don't pass back. He didn't passed. He didn't so I

0:58:58.080 --> 0:59:01.440
<v Speaker 1>was like, oh my god, this guy up and but

0:59:01.920 --> 0:59:06.640
<v Speaker 1>it was history. But that's the thing was banned from TV.

0:59:06.800 --> 0:59:11.280
<v Speaker 1>Wouldn't have been done if I'm leaving, wouldn't have been secured.

0:59:11.680 --> 0:59:13.560
<v Speaker 1>And if you would have hated it or me I said,

0:59:13.680 --> 0:59:19.320
<v Speaker 1>or just said not even hated you gotta said studio,

0:59:20.240 --> 0:59:22.360
<v Speaker 1>that's not even hate. Like at the end of the day,

0:59:22.360 --> 0:59:24.640
<v Speaker 1>if you would have said, you don't disrespect you know,

0:59:24.760 --> 0:59:27.280
<v Speaker 1>norm ain't your book tomorrow like I would have had

0:59:27.320 --> 0:59:30.560
<v Speaker 1>to have been like, I don't let me big up,

0:59:30.720 --> 0:59:33.320
<v Speaker 1>pig you up. You could have been like, man, you

0:59:33.400 --> 0:59:37.400
<v Speaker 1>know what, this is my time. You know what I'm saying.

0:59:37.440 --> 0:59:39.760
<v Speaker 1>You got a War Report album, Get the fucking prom

0:59:39.800 --> 0:59:41.520
<v Speaker 1>out of here, like I mean, in the better way

0:59:41.520 --> 0:59:45.320
<v Speaker 1>you could have said it, just let me have my

0:59:45.440 --> 0:59:47.320
<v Speaker 1>day and tomorrow you know I come. You were just

0:59:47.400 --> 0:59:49.760
<v Speaker 1>like yo, I called the vibe and you didn't stop it.

0:59:50.040 --> 0:59:57.880
<v Speaker 1>For that, I will always be thinking I'm old brothers.

0:59:58.000 --> 1:00:00.440
<v Speaker 1>Like I said, I will always be thankful interview. But

1:00:00.520 --> 1:00:02.280
<v Speaker 1>I will always be thinking just saying, you know, I

1:00:02.360 --> 1:00:04.520
<v Speaker 1>knew that if I ever did this interview due to

1:00:04.600 --> 1:00:08.800
<v Speaker 1>the fact that me and is stories are sold in

1:00:08.880 --> 1:00:12.520
<v Speaker 1>the twine. You know what I mean. No matter what

1:00:12.720 --> 1:00:15.400
<v Speaker 1>if if Sun said the buildings on fire, I'm coming

1:00:15.480 --> 1:00:19.800
<v Speaker 1>with the holes. That's just how it goes. But I

1:00:19.800 --> 1:00:21.560
<v Speaker 1>ain't gonna lot though. You remember the time me and

1:00:21.600 --> 1:00:25.880
<v Speaker 1>now I stole your record. Yeah, I came in there.

1:00:26.560 --> 1:00:29.200
<v Speaker 1>I came in, I had a session. I walked in

1:00:29.280 --> 1:00:34.160
<v Speaker 1>the session. Him and Nas have damn the three piece

1:00:34.440 --> 1:00:38.600
<v Speaker 1>on my beat, and so so I'm like, get the

1:00:38.640 --> 1:00:43.000
<v Speaker 1>funk out of here. First I left. I left. The

1:00:43.080 --> 1:00:45.840
<v Speaker 1>guys are going there going hard on my after versus

1:00:46.280 --> 1:00:49.440
<v Speaker 1>on my joint. I leave the studio, you know, And

1:00:49.720 --> 1:00:51.200
<v Speaker 1>then they said, Yo, you gotta find a way on

1:00:51.280 --> 1:00:56.960
<v Speaker 1>this record record. By this time they go, they traded shot.

1:00:58.920 --> 1:01:01.800
<v Speaker 1>So I had to take one of Nas and one

1:01:02.120 --> 1:01:05.440
<v Speaker 1>oft get me. Rick, I would tell the story a

1:01:05.520 --> 1:01:08.480
<v Speaker 1>little bit better. I got you, but it was my

1:01:08.680 --> 1:01:19.600
<v Speaker 1>sens rights your brother. You know what I'm saying, because

1:01:19.920 --> 1:01:22.440
<v Speaker 1>because I'm I'm I'm moving around with these guys. You

1:01:22.520 --> 1:01:25.080
<v Speaker 1>know what I'm saying. And at the same time, you know,

1:01:26.080 --> 1:01:28.280
<v Speaker 1>these guys are younger than me, but they're making their

1:01:28.480 --> 1:01:31.959
<v Speaker 1>own lane. They're making their lane every time they're making

1:01:32.000 --> 1:01:35.560
<v Speaker 1>their own land, and they just took my beat. Lets

1:01:35.560 --> 1:01:38.720
<v Speaker 1>stop lap, let's just stop laughing. Maybe maybe I can

1:01:45.040 --> 1:01:54.600
<v Speaker 1>three verses a piece, was like original, I should gonna

1:01:54.640 --> 1:01:57.520
<v Speaker 1>be got six verses of me like it's like fighting

1:01:59.200 --> 1:02:02.760
<v Speaker 1>so well that it was again like no, because I

1:02:02.760 --> 1:02:05.800
<v Speaker 1>ain't gonna lie. I gotta give this a regime up,

1:02:05.880 --> 1:02:09.840
<v Speaker 1>Steve Stout. NAS track masters when it was an album

1:02:09.960 --> 1:02:12.640
<v Speaker 1>were supposed to dedicate a whole energy to the album.

1:02:13.280 --> 1:02:15.680
<v Speaker 1>You know that was that was it? So so what

1:02:15.760 --> 1:02:18.960
<v Speaker 1>appum was? I just felt like Nate was just he

1:02:19.120 --> 1:02:21.560
<v Speaker 1>was just didn't want to work that night. But me

1:02:21.680 --> 1:02:23.680
<v Speaker 1>and NAS didn't even come to work that night. We

1:02:23.800 --> 1:02:27.240
<v Speaker 1>just came to like chill. But then it's be play

1:02:28.120 --> 1:02:31.360
<v Speaker 1>it's called and it was fucked up because me and

1:02:31.440 --> 1:02:33.760
<v Speaker 1>I've never said that to each other at all. It

1:02:33.920 --> 1:02:36.120
<v Speaker 1>was just a virgo ship. He looked at me. I

1:02:36.160 --> 1:02:40.960
<v Speaker 1>looked at him. I was like, I wrote four balls

1:02:41.080 --> 1:02:45.880
<v Speaker 1>already he was and they got but we was waiting

1:02:45.920 --> 1:02:48.960
<v Speaker 1>for you to get tired to you like they got

1:02:50.560 --> 1:02:53.680
<v Speaker 1>y'all gonna see yall to the mall type ship bro

1:02:55.840 --> 1:03:03.240
<v Speaker 1>left right. What I'm saying that I think it's when

1:03:03.240 --> 1:03:06.200
<v Speaker 1>you leave as the sign and every day. But we

1:03:06.240 --> 1:03:07.919
<v Speaker 1>just looked like they're gonna keep it going. Just don't

1:03:07.920 --> 1:03:11.200
<v Speaker 1>worry about the sign. I think it was me. If

1:03:11.240 --> 1:03:13.240
<v Speaker 1>you look at the regular I think I'm the one

1:03:13.240 --> 1:03:17.320
<v Speaker 1>of the first sentator, So sorry name if I think

1:03:17.360 --> 1:03:18.840
<v Speaker 1>it was me. And and now I just looked at me,

1:03:18.920 --> 1:03:22.520
<v Speaker 1>like what, and I said. We just kept going. And

1:03:22.640 --> 1:03:24.520
<v Speaker 1>then the next day he was in the studio. Day

1:03:24.640 --> 1:03:29.000
<v Speaker 1>was the It was amazing. Let's make a look at me,

1:03:32.840 --> 1:03:34.919
<v Speaker 1>don't right? You know what I'm saying. Like I said,

1:03:34.960 --> 1:03:38.200
<v Speaker 1>we didn't realize what were building, but we had guys

1:03:38.280 --> 1:03:43.040
<v Speaker 1>that was basically creating in lane for me, showing me

1:03:43.360 --> 1:03:47.760
<v Speaker 1>what was supposed to be. That's why twenty years later, motherfuck,

1:03:47.960 --> 1:03:56.000
<v Speaker 1>we're still broken about it. You can laugh about it.

1:03:56.080 --> 1:03:57.960
<v Speaker 1>It might be little things that I remember, the little

1:03:58.000 --> 1:04:00.280
<v Speaker 1>things that he remember. You know. By then, the day

1:04:00.480 --> 1:04:03.400
<v Speaker 1>I know that if anybody got my back, I got

1:04:03.440 --> 1:04:06.840
<v Speaker 1>my back. Now I know the answer to this, but

1:04:06.960 --> 1:04:10.520
<v Speaker 1>for lack of a m you know, the Nazis dropped

1:04:10.520 --> 1:04:14.680
<v Speaker 1>the album. This album, I forget the name of the record,

1:04:14.760 --> 1:04:20.840
<v Speaker 1>but want to ask, can you explain to the people.

1:04:20.880 --> 1:04:23.040
<v Speaker 1>I know the answer, but can you explain to people?

1:04:23.080 --> 1:04:25.320
<v Speaker 1>I mean, I don't necessarily know the answer. I know

1:04:25.480 --> 1:04:28.480
<v Speaker 1>that it was it's his call. We're growing, we make

1:04:28.800 --> 1:04:31.600
<v Speaker 1>records that we want to do. At the time when

1:04:31.640 --> 1:04:35.000
<v Speaker 1>he was doing, he was wanted to do. UM. I

1:04:35.080 --> 1:04:37.760
<v Speaker 1>didn't get the call, and I understand that I wasn't

1:04:37.800 --> 1:04:41.480
<v Speaker 1>a part of the original from that's that's not a

1:04:41.560 --> 1:04:44.320
<v Speaker 1>part of the original firm talk. So I don't get mad.

1:04:44.800 --> 1:04:48.000
<v Speaker 1>I would prefer not to have got the call, then

1:04:48.120 --> 1:04:50.640
<v Speaker 1>to have laid some dope bad ship and heard that yo,

1:04:50.800 --> 1:04:54.360
<v Speaker 1>they took you off your or some crazy ship. So anytime,

1:04:54.600 --> 1:05:00.040
<v Speaker 1>any time, anytime my guys strike, we strike. So I

1:05:00.120 --> 1:05:03.160
<v Speaker 1>have no choice but to be happy because we're Rocket's

1:05:03.200 --> 1:05:04.920
<v Speaker 1>Queen's bridged back on the map again. You know what

1:05:04.960 --> 1:05:07.480
<v Speaker 1>I'm saying. It's all kinds of things like that. I

1:05:07.520 --> 1:05:10.440
<v Speaker 1>don't know what's what, what what happens from this day forward,

1:05:10.600 --> 1:05:12.959
<v Speaker 1>but I'm not to do that walks around better because

1:05:13.000 --> 1:05:16.080
<v Speaker 1>when you win, I win because our stories, our time

1:05:16.640 --> 1:05:26.600
<v Speaker 1>we're together, we're all together, were fact that you see that. Yeah,

1:05:26.640 --> 1:05:28.000
<v Speaker 1>I can't go I can't tell you what to do

1:05:28.120 --> 1:05:30.480
<v Speaker 1>with you. It's a business, Calle, This is a business.

1:05:30.800 --> 1:05:32.520
<v Speaker 1>So at the end of the day, I'm happy for

1:05:32.760 --> 1:05:36.000
<v Speaker 1>Mega because Mega didn't get the chance to do nothing.

1:05:37.000 --> 1:05:38.440
<v Speaker 1>You know what I'm saying, none of that ship. And

1:05:38.600 --> 1:05:41.960
<v Speaker 1>that's my nigger, like for real, for real, I love

1:05:42.080 --> 1:05:44.840
<v Speaker 1>a shout the Fox, shout to all that. But we

1:05:44.960 --> 1:05:47.120
<v Speaker 1>all come from the same so we shouldn't be fucking

1:05:47.600 --> 1:05:49.120
<v Speaker 1>you know what I mean. So I don't know what

1:05:49.280 --> 1:05:51.760
<v Speaker 1>happens or what they're thinking about doing. Hopefully they're thinking

1:05:51.760 --> 1:05:54.680
<v Speaker 1>about making bigger music in the future. But for me,

1:05:54.840 --> 1:05:57.520
<v Speaker 1>I got music. I got my niggas, I got you

1:05:57.560 --> 1:05:58.840
<v Speaker 1>know what I'm saying. I got my team. I've been

1:05:58.880 --> 1:06:00.560
<v Speaker 1>teamed up with my dude, so you know, we got

1:06:00.680 --> 1:06:02.400
<v Speaker 1>about you know what I mean. I got my dude,

1:06:02.440 --> 1:06:04.960
<v Speaker 1>Men's I got DCM, I got all kind of dudes.

1:06:04.960 --> 1:06:07.200
<v Speaker 1>I got my dude. You know, we got nonprofit ship.

1:06:07.320 --> 1:06:09.320
<v Speaker 1>I got my man in large amount. We got we're

1:06:09.360 --> 1:06:11.360
<v Speaker 1>doing ship, you know what I mean. We're doing things

1:06:11.400 --> 1:06:17.520
<v Speaker 1>we do we got to do. Like, yeah, we got

1:06:18.000 --> 1:06:21.640
<v Speaker 1>last we got nonprofit ship going on on on on.

1:06:21.800 --> 1:06:23.840
<v Speaker 1>I think I told a temption said that, Yo, we

1:06:23.960 --> 1:06:26.800
<v Speaker 1>got sneaker, sneaker give out. You know, we're giving sneakers

1:06:26.840 --> 1:06:29.440
<v Speaker 1>out to the kids to all kind of stuff up

1:06:29.480 --> 1:06:31.360
<v Speaker 1>for the community, all of that, you know what I mean.

1:06:31.440 --> 1:06:32.800
<v Speaker 1>So we've grown, you know what I mean. We we

1:06:32.920 --> 1:06:36.840
<v Speaker 1>got grades and all that, but we were we got

1:06:36.880 --> 1:06:39.120
<v Speaker 1>the great head games. This is that question I bring

1:06:39.160 --> 1:06:41.960
<v Speaker 1>Alcalou on that. You remember Prodigy got high, my studio

1:06:42.080 --> 1:06:44.800
<v Speaker 1>fell out and fell as like yo, you know, check

1:06:44.840 --> 1:06:48.840
<v Speaker 1>it out. God bless even want me to talk about

1:06:48.880 --> 1:06:51.160
<v Speaker 1>this story. Yeah, one day was in the studio, was

1:06:51.240 --> 1:06:53.439
<v Speaker 1>just me, him in Prodigy and just you know, shout

1:06:53.440 --> 1:06:55.160
<v Speaker 1>out and shout out to Prodigy rest in peace and

1:06:55.920 --> 1:06:59.840
<v Speaker 1>just just front of me and probably staying in back

1:07:00.040 --> 1:07:04.280
<v Speaker 1>and we're smoking and having a good time. And that

1:07:04.400 --> 1:07:07.400
<v Speaker 1>one I kept hitting up with that one. Yeah, he

1:07:07.480 --> 1:07:10.040
<v Speaker 1>kept the cups. He's gonna be the record out of it.

1:07:10.120 --> 1:07:11.760
<v Speaker 1>Do right, it's me you and me? Right? Is it

1:07:11.840 --> 1:07:14.800
<v Speaker 1>the record? Yeah? What's it called? Cold Bloody Killer? Cold

1:07:14.800 --> 1:07:23.760
<v Speaker 1>Bloody Killers are bringing out gonna have it. Ship with Dope,

1:07:23.800 --> 1:07:35.840
<v Speaker 1>ship bro, super ship Sons with us, hang Hang, shout

1:07:35.880 --> 1:07:37.760
<v Speaker 1>out my nigga men a shot out, Nino, shout out

1:07:37.840 --> 1:07:42.080
<v Speaker 1>on the large amount shot shout out track, everybody's shouting out,

1:07:42.880 --> 1:07:48.600
<v Speaker 1>Sunday shot out, motherfucker ready shot out, come on, sit down,

1:07:48.840 --> 1:07:51.320
<v Speaker 1>come on, come on, come on, come on, come on,

1:07:51.680 --> 1:07:54.800
<v Speaker 1>come on, come on, come on, let's do it. I

1:07:54.880 --> 1:07:56.800
<v Speaker 1>didn't realize because he didn't take the mask. I didn't

1:07:56.800 --> 1:08:04.400
<v Speaker 1>know with you hanged gave me a pink everything I'm going,

1:08:06.080 --> 1:08:08.560
<v Speaker 1>Could they be here? Remember that time he was in

1:08:08.600 --> 1:08:13.400
<v Speaker 1>the studio, um and it was it was you and

1:08:13.520 --> 1:08:17.639
<v Speaker 1>it was shakes, but it was shaks. I know. I mean,

1:08:18.880 --> 1:08:22.080
<v Speaker 1>I remember one time I pulled up on two fifth

1:08:22.120 --> 1:08:23.680
<v Speaker 1>and he was just in the car, lay back like

1:08:23.800 --> 1:08:28.519
<v Speaker 1>this with the windows down, poking, blump like what they remember. Yeah, yeah,

1:08:28.760 --> 1:08:30.639
<v Speaker 1>I see. I used to bump into you a little

1:08:30.760 --> 1:08:33.519
<v Speaker 1>and stuff because I moved like that, moved like that.

1:08:35.160 --> 1:08:37.439
<v Speaker 1>I used to be like because scram put me onto

1:08:37.479 --> 1:08:42.680
<v Speaker 1>these Yes, we're back, motherfucking in the flesh. We got

1:08:42.800 --> 1:08:47.400
<v Speaker 1>the motherfucking legends. Man, I ain't gonna lot of this

1:08:47.439 --> 1:08:51.280
<v Speaker 1>guy when you talk about he's been down, been here,

1:08:52.080 --> 1:08:55.360
<v Speaker 1>been around and still doing it and not going. No

1:08:55.520 --> 1:09:02.880
<v Speaker 1>motherfucker where we got alcalog houck. They don't be assassins.

1:09:05.280 --> 1:09:13.080
<v Speaker 1>I finally made it. Yeah, I sell a vista, so yo,

1:09:13.200 --> 1:09:15.760
<v Speaker 1>you've been like when I asked sometimes I asked, I

1:09:16.040 --> 1:09:19.240
<v Speaker 1>tell people the different errors they've been involved with, Like

1:09:19.360 --> 1:09:22.680
<v Speaker 1>you've been involved with Everyone's like when did you get

1:09:22.680 --> 1:09:25.240
<v Speaker 1>started in this game? Well, you know as a kid.

1:09:25.520 --> 1:09:29.120
<v Speaker 1>You know, my godfather Jose used to run above of

1:09:29.439 --> 1:09:34.559
<v Speaker 1>reggae shop on Picking and Rockaway called Soul Shock. It's

1:09:34.560 --> 1:09:39.920
<v Speaker 1>a very legend date New York. Yes, that's my godfather's spot. Yes,

1:09:40.560 --> 1:09:44.360
<v Speaker 1>Russ and Jose if you know them, I was, that's

1:09:44.400 --> 1:09:46.960
<v Speaker 1>my godfather. So I used to be in there, like yo,

1:09:47.400 --> 1:09:50.519
<v Speaker 1>see big Daddy Canes. That's a signic rock him. It

1:09:50.680 --> 1:09:55.799
<v Speaker 1>was like family, it will all be there everybody Russells sentence,

1:09:56.800 --> 1:09:59.280
<v Speaker 1>everybody like be at that shot? Literally did you have

1:09:59.320 --> 1:10:01.599
<v Speaker 1>to even the six something? Now? But that's that's that's

1:10:01.640 --> 1:10:05.519
<v Speaker 1>some real Daddy came. I mean, I'm just thinking about

1:10:05.560 --> 1:10:07.840
<v Speaker 1>the artist, Like Daddy came into the roughest hoods and

1:10:07.880 --> 1:10:12.320
<v Speaker 1>everyone likes the Browns. I'm from brown Yeah, I'm from Brownsfield,

1:10:13.360 --> 1:10:21.479
<v Speaker 1>Big Daddy. Everybody have a move my solo. I'm Sean

1:10:21.520 --> 1:10:34.880
<v Speaker 1>Price rest Seance And we were kids, you know, we

1:10:35.000 --> 1:10:37.080
<v Speaker 1>played in the sand box. That's how I met and

1:10:37.200 --> 1:10:43.400
<v Speaker 1>we traded. Corlico Castriges really liked yeah vision, Yeah yeah, yeah.

1:10:43.560 --> 1:10:48.679
<v Speaker 1>He was I didn't have vision go on his house,

1:10:49.040 --> 1:10:51.560
<v Speaker 1>and he was a kid who was a dream that

1:10:53.080 --> 1:10:56.240
<v Speaker 1>I didn't have all the carts. So I used to

1:10:56.439 --> 1:10:59.080
<v Speaker 1>like trade you know what I'm saying with Don, He's like, Yo,

1:10:59.720 --> 1:11:01.720
<v Speaker 1>let your this one. Now, you let me that. That's

1:11:01.760 --> 1:11:04.000
<v Speaker 1>how I met him. But hip hop was always in

1:11:04.120 --> 1:11:07.120
<v Speaker 1>my family's music. No town all that, you know, like

1:11:07.800 --> 1:11:10.960
<v Speaker 1>you know, just you know, that was like the thing

1:11:11.160 --> 1:11:13.200
<v Speaker 1>like in the neighborhood. You know, you go to block

1:11:13.320 --> 1:11:17.519
<v Speaker 1>parties and childen and saying dyke, you know what I'm saying,

1:11:17.640 --> 1:11:21.559
<v Speaker 1>and you see the DJ's come out my neighborhood from Brooklyn.

1:11:21.640 --> 1:11:24.280
<v Speaker 1>I'm from East New York Brown. I think the world

1:11:24.360 --> 1:11:31.320
<v Speaker 1>thought was born that's Brooklyn. It was not until we

1:11:31.320 --> 1:11:40.800
<v Speaker 1>got a propoc city broken. I'm part of the people.

1:11:41.920 --> 1:11:45.680
<v Speaker 1>Got to learn that. I know. I know I go

1:11:45.880 --> 1:11:50.240
<v Speaker 1>from with Mike Tyson, Shannon Briggs from where from from?

1:11:50.600 --> 1:11:59.200
<v Speaker 1>That's my people's old about this Champion block that's so

1:11:59.400 --> 1:12:02.200
<v Speaker 1>sick Champ. I went just with Ship the Brigs two

1:12:02.280 --> 1:12:05.240
<v Speaker 1>days ago and that's my brother. So, like I said,

1:12:05.280 --> 1:12:08.719
<v Speaker 1>I you know, just to fast forward with nature just said,

1:12:08.960 --> 1:12:10.560
<v Speaker 1>you know a lot of people know you from the

1:12:10.600 --> 1:12:12.960
<v Speaker 1>Purple City thing, you know what I'm saying. So, how

1:12:13.000 --> 1:12:15.000
<v Speaker 1>did you go from like being a Browns reel do

1:12:15.360 --> 1:12:17.960
<v Speaker 1>to messing purpose? When I moved to the Bronx, my,

1:12:18.280 --> 1:12:20.280
<v Speaker 1>you know, I had like a crave up there with

1:12:20.439 --> 1:12:22.599
<v Speaker 1>my little studio. And then that's when I was working

1:12:22.640 --> 1:12:26.720
<v Speaker 1>with Shawn Price and we um. You know, I had

1:12:26.840 --> 1:12:31.439
<v Speaker 1>like this little deal with Game Records Jonathan Scheckter this

1:12:31.720 --> 1:12:35.719
<v Speaker 1>after yeah, yeah, yeah, that's just like when I became atalog.

1:12:35.800 --> 1:12:38.680
<v Speaker 1>You know, God reinvent yourself in the Chicks on the

1:12:38.760 --> 1:12:40.439
<v Speaker 1>on the on the cover of the Voteles. Yeah, I

1:12:40.520 --> 1:12:43.479
<v Speaker 1>was gonna do a reinventional stage. And then me and

1:12:43.600 --> 1:12:46.880
<v Speaker 1>Sean started doing these little songs together, you know what

1:12:46.920 --> 1:12:48.559
<v Speaker 1>I mean. He asked me to give him some beats.

1:12:48.640 --> 1:12:51.600
<v Speaker 1>He started collaborating, and the next thing you know, he

1:12:51.800 --> 1:12:55.800
<v Speaker 1>um put out on monkey Bars and one song on

1:12:55.920 --> 1:12:59.560
<v Speaker 1>it was called Rises to the Top. That song was

1:12:59.760 --> 1:13:04.000
<v Speaker 1>on Grand That photo three was so over seventeen me.

1:13:05.479 --> 1:13:12.200
<v Speaker 1>Hold on, I'm on that soundtrack to the video game.

1:13:12.280 --> 1:13:16.800
<v Speaker 1>You know they made um that's the first time they

1:13:16.920 --> 1:13:18.920
<v Speaker 1>it was. He was able to end the rack and like,

1:13:19.600 --> 1:13:23.000
<v Speaker 1>you know, go outside the storylines and beat somebody up

1:13:23.120 --> 1:13:27.680
<v Speaker 1>and do you know you know, you know, so when

1:13:27.680 --> 1:13:30.240
<v Speaker 1>they had so when they had the when they made

1:13:30.320 --> 1:13:33.559
<v Speaker 1>the soundtrack, they had to look for hip hop artists

1:13:33.640 --> 1:13:36.479
<v Speaker 1>and him and me. If you look at it right now,

1:13:36.560 --> 1:13:40.080
<v Speaker 1>you buy the game right now. My name is on

1:13:40.160 --> 1:13:42.240
<v Speaker 1>it and his name is on it too. Let me

1:13:42.280 --> 1:13:43.439
<v Speaker 1>ask you, let me see what it up to you

1:13:43.720 --> 1:13:45.920
<v Speaker 1>back to it's crazy that treat you really on it? Um,

1:13:46.840 --> 1:13:49.439
<v Speaker 1>all right? The first album was All Seasons. Yeah, for

1:13:49.680 --> 1:13:52.599
<v Speaker 1>all Seasons, baby, All Seasons. Now, that was the album

1:13:52.640 --> 1:13:55.720
<v Speaker 1>he was working on the Bisville all that was. Yeah,

1:13:55.760 --> 1:14:00.360
<v Speaker 1>that's my very first album. Um, what had happened, you know,

1:14:00.400 --> 1:14:04.360
<v Speaker 1>because it's sorry to be on that note already, but um, yeah,

1:14:05.479 --> 1:14:08.840
<v Speaker 1>the album came out in two thousands. But what had

1:14:08.880 --> 1:14:13.640
<v Speaker 1>happened was the album was finished in so a lot

1:14:13.720 --> 1:14:17.360
<v Speaker 1>of the so a lot of the songs that came

1:14:17.400 --> 1:14:20.400
<v Speaker 1>out on the album were actually heard already. They were

1:14:20.560 --> 1:14:24.080
<v Speaker 1>they were they wound up on mixtapes without the choruses

1:14:24.200 --> 1:14:26.560
<v Speaker 1>on them, and and and you know, I understand that

1:14:26.640 --> 1:14:29.200
<v Speaker 1>the game was kind of a little little tricky. It

1:14:29.320 --> 1:14:31.880
<v Speaker 1>was tricky. So when we put the album out, the

1:14:31.960 --> 1:14:36.840
<v Speaker 1>songs was already two years old. And so I'm trying

1:14:36.880 --> 1:14:39.640
<v Speaker 1>to convince the people that it's just dope, and um.

1:14:39.760 --> 1:14:41.200
<v Speaker 1>We had a lot of problems when it came down

1:14:41.280 --> 1:14:44.600
<v Speaker 1>to create my first album because it was sample clearances,

1:14:44.840 --> 1:14:49.800
<v Speaker 1>it was, it was, it was songs that was released premature,

1:14:50.920 --> 1:14:52.840
<v Speaker 1>it was, it was. It was a lot of you know,

1:14:53.200 --> 1:14:55.720
<v Speaker 1>crazy ship. So when we put the album out, it

1:14:55.840 --> 1:14:59.439
<v Speaker 1>was already fighting the battle because the songs had already

1:14:59.479 --> 1:15:02.280
<v Speaker 1>been heard and some of the songs that I was

1:15:02.400 --> 1:15:06.759
<v Speaker 1>banking on was either wasn't cleared or they was released

1:15:07.000 --> 1:15:14.200
<v Speaker 1>or whatever. So so we went from you know, sugar

1:15:14.280 --> 1:15:16.960
<v Speaker 1>the ship that fast, and went from and went from

1:15:17.200 --> 1:15:20.680
<v Speaker 1>being this guy that they you know, projecting to be

1:15:20.800 --> 1:15:25.000
<v Speaker 1>the guy to hold on that dropping the album that

1:15:25.200 --> 1:15:28.280
<v Speaker 1>we heard already and we said the time like he

1:15:28.360 --> 1:15:31.320
<v Speaker 1>was better with the games. It was very very very

1:15:31.479 --> 1:15:33.559
<v Speaker 1>well now about the game with the guys that were

1:15:33.680 --> 1:15:37.640
<v Speaker 1>kind of I was dealing with. I didn't understand, you know,

1:15:37.840 --> 1:15:40.680
<v Speaker 1>being able to deliver on time and to to to

1:15:41.479 --> 1:15:45.560
<v Speaker 1>then it was the business. So I over recorded. I

1:15:45.680 --> 1:15:49.040
<v Speaker 1>recorded like maybe two albums were from material and some

1:15:49.160 --> 1:15:52.240
<v Speaker 1>ship wasn't clean and some ship was played already and

1:15:52.840 --> 1:15:55.519
<v Speaker 1>it was different versions of things. It was a lot

1:15:55.560 --> 1:15:57.000
<v Speaker 1>of problems when it came down to the mind. So

1:15:57.040 --> 1:15:59.720
<v Speaker 1>when it finally did land, it was like, hey, I

1:15:59.800 --> 1:16:01.559
<v Speaker 1>heard just already. It was a lot of a lot

1:16:01.600 --> 1:16:03.880
<v Speaker 1>of the hype had died down. So it's kind of

1:16:03.960 --> 1:16:07.760
<v Speaker 1>dating exactly, and so you know we ran into that

1:16:07.840 --> 1:16:09.800
<v Speaker 1>type of ship. But it was it was you got

1:16:10.760 --> 1:16:14.000
<v Speaker 1>you ever the time. It was just bit old, just

1:16:14.160 --> 1:16:18.679
<v Speaker 1>like you know one question. The one thing that problem

1:16:19.000 --> 1:16:20.720
<v Speaker 1>that was a problem for me when it came down

1:16:20.800 --> 1:16:26.160
<v Speaker 1>to that was being a current event kind of guy,

1:16:26.479 --> 1:16:33.360
<v Speaker 1>being shock class. Let's go, yeah, you give me one

1:16:33.479 --> 1:16:38.040
<v Speaker 1>what you know. The problem the problem that came with

1:16:38.200 --> 1:16:40.639
<v Speaker 1>that was like since I was like a current event

1:16:40.760 --> 1:16:43.800
<v Speaker 1>kind of guy, if I waited too long, it got

1:16:43.840 --> 1:16:47.320
<v Speaker 1>too old. You got too old. You gotta talk. You

1:16:47.360 --> 1:16:51.560
<v Speaker 1>got certain because that that was that was serious. That

1:16:51.640 --> 1:16:53.080
<v Speaker 1>was the key to your ship. Like you you were

1:16:53.080 --> 1:16:55.519
<v Speaker 1>talking about like like like certain things that happened to

1:16:55.560 --> 1:17:02.720
<v Speaker 1>the balls. So if you got we spend pep. So

1:17:02.880 --> 1:17:04.559
<v Speaker 1>that was the problem when it came down the same

1:17:04.720 --> 1:17:08.600
<v Speaker 1>dates and saying certain ships. So you know that that

1:17:08.720 --> 1:17:10.280
<v Speaker 1>was my ship. I had to learn that. You know,

1:17:10.920 --> 1:17:13.880
<v Speaker 1>that was cool. This guy right here when you shot

1:17:13.920 --> 1:17:24.000
<v Speaker 1>that we're gonna don't get your shot shot Booze Brothers,

1:17:24.040 --> 1:17:25.600
<v Speaker 1>what up. I'm gonna keep you one hundred. But you

1:17:25.680 --> 1:17:30.000
<v Speaker 1>don't know me, no, like you know me like I

1:17:30.120 --> 1:17:34.200
<v Speaker 1>come from that demo tape era. You know, you know

1:17:34.360 --> 1:17:37.960
<v Speaker 1>when you know, just like you know you got me.

1:17:38.400 --> 1:17:41.639
<v Speaker 1>I never stopped fighting. The industry is like some kind

1:17:41.680 --> 1:17:44.439
<v Speaker 1>of different brotherhood now and I never stopped fighting. That

1:17:44.600 --> 1:17:49.000
<v Speaker 1>just what my aunt showed me some equipment whatever it

1:17:49.160 --> 1:17:52.400
<v Speaker 1>is ntc whatever that was. He was one of those

1:17:52.439 --> 1:17:57.519
<v Speaker 1>guys that make the beach. And I'm gonna it's a

1:17:57.600 --> 1:17:59.760
<v Speaker 1>competition at the same time for me, and I'm gonna

1:17:59.800 --> 1:18:02.000
<v Speaker 1>try to, you know, get it in with you. I'm

1:18:02.000 --> 1:18:04.040
<v Speaker 1>gonna either calling at you, I'm gonna trying to check

1:18:04.080 --> 1:18:10.720
<v Speaker 1>you off there. That's where about. And I feel like,

1:18:11.160 --> 1:18:14.120
<v Speaker 1>you know, I learned that from you know. It's being

1:18:14.280 --> 1:18:16.840
<v Speaker 1>you know, like you know, shot to Todder for shotting

1:18:16.880 --> 1:18:19.760
<v Speaker 1>me out on here, shout to Connelly. They know me,

1:18:20.280 --> 1:18:23.240
<v Speaker 1>they know how I used to be out there waiting

1:18:23.280 --> 1:18:25.920
<v Speaker 1>a battle. You waiting, You're waiting for you at the

1:18:26.040 --> 1:18:29.280
<v Speaker 1>end of the stage, and I was hungry cat even

1:18:29.320 --> 1:18:32.880
<v Speaker 1>with dots effects, you know, like I used to see them.

1:18:33.080 --> 1:18:34.880
<v Speaker 1>You know at O G. I remember at O G.

1:18:35.520 --> 1:18:38.200
<v Speaker 1>You know what I'm saying, Like in a bulldog. I

1:18:38.200 --> 1:18:40.400
<v Speaker 1>remember one times at Cherley City and he was at

1:18:40.439 --> 1:18:42.559
<v Speaker 1>the Boys Club and I was like black stage, wait

1:18:42.720 --> 1:18:47.479
<v Speaker 1>just you know, hungry, little kid, little kid, a little kid,

1:18:47.600 --> 1:18:49.120
<v Speaker 1>you know what I'm saying, And I just wanted to

1:18:49.200 --> 1:18:51.760
<v Speaker 1>get on you take the hip hopa take it this fall.

1:18:52.120 --> 1:18:55.599
<v Speaker 1>Yeah something, It's been my dream something since I've been

1:18:55.640 --> 1:18:58.880
<v Speaker 1>a kid. It's been my dream. Used to used to

1:18:58.920 --> 1:19:01.320
<v Speaker 1>when Talleng shows of my home, He's like shout the

1:19:01.400 --> 1:19:04.360
<v Speaker 1>top dollar from Brownsville, like like like he was in

1:19:04.720 --> 1:19:07.360
<v Speaker 1>Puerto Rican To be clear, Yeah, I mean that's a culture,

1:19:07.400 --> 1:19:17.960
<v Speaker 1>that's not a race. I'm African. My great great grandmother African.

1:19:18.080 --> 1:19:21.680
<v Speaker 1>He you know, that's a whole another story. But feel me,

1:19:22.160 --> 1:19:25.080
<v Speaker 1>I am here. You know, I am who my ancestors are.

1:19:25.479 --> 1:19:27.639
<v Speaker 1>You know what I mean, we all who are ancestors are.

1:19:27.640 --> 1:19:30.280
<v Speaker 1>And that's probably the most deepest thing I can say

1:19:30.439 --> 1:19:34.519
<v Speaker 1>right now, because you know, all this is instill didn't

1:19:34.520 --> 1:19:36.960
<v Speaker 1>be trying to just trying to make something good out

1:19:37.000 --> 1:19:38.800
<v Speaker 1>of it. You know, a kid from the ghetto, kid

1:19:38.880 --> 1:19:41.840
<v Speaker 1>I never had nothing, you know, and I realized, like

1:19:42.520 --> 1:19:44.439
<v Speaker 1>then so many of us come from that, you know

1:19:44.439 --> 1:19:48.800
<v Speaker 1>what I'm saying, and shout the Cavia dreams because you know,

1:19:48.920 --> 1:19:54.200
<v Speaker 1>you don't care that the whole left that that that's

1:19:54.360 --> 1:19:57.840
<v Speaker 1>that's that's one of my inspirations right there, because he

1:19:58.000 --> 1:20:00.640
<v Speaker 1>took me in when I had no brothers, nobody, you know,

1:20:00.840 --> 1:20:04.360
<v Speaker 1>we just street dudes, and you know, like you know,

1:20:04.600 --> 1:20:08.559
<v Speaker 1>I come from that knowledge, wisdom understanding that one twenty

1:20:08.600 --> 1:20:11.120
<v Speaker 1>you know what I'm saying, Like that righteous moment in

1:20:11.280 --> 1:20:13.280
<v Speaker 1>your life when you ain't really got nobody and you

1:20:13.360 --> 1:20:15.880
<v Speaker 1>gotta find that solution. And there's a lot of people

1:20:15.920 --> 1:20:17.920
<v Speaker 1>out you're hurting right now. So I'm trying to be

1:20:18.040 --> 1:20:22.720
<v Speaker 1>that good inspirational obspiration. Whatever I can't do, be that

1:20:22.840 --> 1:20:25.960
<v Speaker 1>greatness in each other's lives because I did it for PMB.

1:20:26.479 --> 1:20:28.400
<v Speaker 1>You know when you broke up with E. P. M. D.

1:20:28.520 --> 1:20:30.639
<v Speaker 1>I wand up making rough rugg in the row form.

1:20:31.120 --> 1:20:33.479
<v Speaker 1>You know what het in to deal with relativity for

1:20:33.560 --> 1:20:37.080
<v Speaker 1>a million dollars a lot of positive y in the room.

1:20:42.160 --> 1:20:44.200
<v Speaker 1>So you said, you said you did MD what he

1:20:44.280 --> 1:20:47.759
<v Speaker 1>broke up with. Yeah, I've stepped in as the producer

1:20:47.920 --> 1:20:51.439
<v Speaker 1>and wind up coming in and started producing because it

1:20:51.560 --> 1:20:54.639
<v Speaker 1>was the main producers. I was producing with Onyx at first,

1:20:54.840 --> 1:21:00.639
<v Speaker 1>That's what I wanted to talk about doing the beat.

1:21:02.920 --> 1:21:05.479
<v Speaker 1>After after they felt out with shot skills. God bless

1:21:05.560 --> 1:21:09.280
<v Speaker 1>your dad, because y'all have get the flamm and all that.

1:21:10.120 --> 1:21:15.600
<v Speaker 1>I wind up working on last days any vocals. I

1:21:15.680 --> 1:21:19.000
<v Speaker 1>mean I I was supposed to be signing, honest, I was.

1:21:20.160 --> 1:21:22.680
<v Speaker 1>I was bounding everybody for them, but at the end

1:21:22.680 --> 1:21:25.639
<v Speaker 1>of the day, it was like politics with def Jam

1:21:25.760 --> 1:21:28.280
<v Speaker 1>and them and God blessed depth Dad, J M J.

1:21:28.840 --> 1:21:33.360
<v Speaker 1>You know, it just happened to me a couple of

1:21:33.520 --> 1:21:36.960
<v Speaker 1>area arenas because I felt like I was just you know,

1:21:37.600 --> 1:21:39.880
<v Speaker 1>the bones Malone. You know who he is, Bones bloone,

1:21:39.880 --> 1:21:42.439
<v Speaker 1>shot the bone baloone. He said, yo At, he made

1:21:42.520 --> 1:21:44.920
<v Speaker 1>a lot of these dudes great. You got on eight

1:21:44.960 --> 1:21:47.560
<v Speaker 1>teams and made them great. He was like, I don't know,

1:21:47.800 --> 1:21:50.599
<v Speaker 1>compare myself to a player that got traded a couple

1:21:50.640 --> 1:21:52.600
<v Speaker 1>of teams. You know what I'm saying. But like in

1:21:52.640 --> 1:21:56.240
<v Speaker 1>the NBA stat style of speaking, you know, I've been

1:21:56.280 --> 1:21:59.200
<v Speaker 1>on a couple of great teams like the Lakers. You

1:21:59.240 --> 1:22:07.040
<v Speaker 1>know what I was like, I think to be able

1:22:07.120 --> 1:22:09.680
<v Speaker 1>to wrap and I got him. I got him the

1:22:09.800 --> 1:22:16.080
<v Speaker 1>championships on his own. You're able to oh yeah, we

1:22:16.120 --> 1:22:18.920
<v Speaker 1>can't do that. But but the able to be a

1:22:19.000 --> 1:22:23.920
<v Speaker 1>producers different, you know? And that's you know what I mean?

1:22:24.000 --> 1:22:26.960
<v Speaker 1>Because I could DJ too. So when you make himples

1:22:27.040 --> 1:22:30.760
<v Speaker 1>for yourself, do you never think about another producer? Or yes,

1:22:31.080 --> 1:22:34.320
<v Speaker 1>I work with everybody I can at the accessible moment,

1:22:34.960 --> 1:22:36.600
<v Speaker 1>if I could reach out to you and I got

1:22:36.720 --> 1:22:39.679
<v Speaker 1>a vibe because me, you know, we all get weird

1:22:40.320 --> 1:22:45.880
<v Speaker 1>care at the table. How many of us, even though

1:22:45.920 --> 1:22:47.880
<v Speaker 1>we love hip hop and we dedicated our life to

1:22:47.960 --> 1:22:52.519
<v Speaker 1>hip hop, can do hip hop in the house? Can't

1:22:52.600 --> 1:22:55.320
<v Speaker 1>do hip hop in the house? Well let me you

1:22:55.360 --> 1:22:59.760
<v Speaker 1>mean by like a house, like, yeah, I can't. I

1:23:01.000 --> 1:23:06.200
<v Speaker 1>can't dumb and let me tell you something right and

1:23:06.320 --> 1:23:09.160
<v Speaker 1>still make hipps the way it's supposed to be in

1:23:09.240 --> 1:23:11.320
<v Speaker 1>the house or what do we need each other? Buster?

1:23:11.520 --> 1:23:15.120
<v Speaker 1>It is a good example because he is able to

1:23:16.080 --> 1:23:21.200
<v Speaker 1>not let himself like I think he gotta. He don't

1:23:21.200 --> 1:23:24.479
<v Speaker 1>even work with older artists. He works with younger artists

1:23:24.560 --> 1:23:27.160
<v Speaker 1>so he can stay young. You gotta gotta understand the

1:23:27.280 --> 1:23:30.559
<v Speaker 1>game now, like you gotta. You can't use yesterday's times

1:23:30.600 --> 1:23:33.160
<v Speaker 1>to win it. You know you can't use yesterday's Memphis

1:23:33.200 --> 1:23:36.519
<v Speaker 1>to winners today times excuse me, and I get him.

1:23:36.600 --> 1:23:38.439
<v Speaker 1>I mean, whatever works for you works for you. But

1:23:38.560 --> 1:23:40.280
<v Speaker 1>if you're in the crib and you got your pro

1:23:40.400 --> 1:23:43.880
<v Speaker 1>to set up, man utilize because a lot of dudes

1:23:43.920 --> 1:23:46.920
<v Speaker 1>in Africa that's doing way less than they're doing, and

1:23:47.000 --> 1:23:49.479
<v Speaker 1>they're doing them how. I just look at me as

1:23:49.520 --> 1:23:52.519
<v Speaker 1>a person like, look, I used to beat box and

1:23:52.800 --> 1:23:55.439
<v Speaker 1>wish I had a drum machine. I'm the same dude

1:23:55.960 --> 1:24:00.400
<v Speaker 1>that's still beat boxing. You want to you don't say

1:24:00.400 --> 1:24:03.479
<v Speaker 1>one of your biggest records, Ghetto Girl? What's your biggest record? Oh? Man,

1:24:03.479 --> 1:24:06.840
<v Speaker 1>I got a lot of big records. I mean as

1:24:06.840 --> 1:24:14.439
<v Speaker 1>a wrapper, yeah. Problem. Well, Ghetto Girl was like my

1:24:14.880 --> 1:24:18.240
<v Speaker 1>you know, my record that but industry made. It was

1:24:18.520 --> 1:24:22.759
<v Speaker 1>not what I mean hold on period. It was something

1:24:22.880 --> 1:24:25.760
<v Speaker 1>that they wanted me to be that I didn't want

1:24:26.360 --> 1:24:28.479
<v Speaker 1>me to become. It was one of those moments where

1:24:28.520 --> 1:24:30.479
<v Speaker 1>it was like, oh, this is the record that we're

1:24:30.479 --> 1:24:33.599
<v Speaker 1>ready to put the dollars behind and I was like, well,

1:24:33.840 --> 1:24:35.880
<v Speaker 1>I thought you wanted to put it behind the album

1:24:36.600 --> 1:24:40.240
<v Speaker 1>to trick me. See they trick you. They made you

1:24:40.360 --> 1:24:43.240
<v Speaker 1>think you a star. Then they did you didn't get

1:24:43.280 --> 1:24:47.160
<v Speaker 1>your album and then they're like, oh, like, we want

1:24:47.160 --> 1:24:49.200
<v Speaker 1>to push this sick. They don't want to push the album.

1:24:49.400 --> 1:24:51.280
<v Speaker 1>They want to push what's gonna make money for them.

1:24:51.320 --> 1:24:53.559
<v Speaker 1>I didn't know that at the time. I was very

1:24:53.720 --> 1:24:56.879
<v Speaker 1>very young when I signed that deal. Out eighteen labels

1:24:56.960 --> 1:25:02.439
<v Speaker 1>came from me through my source mag magazine um unsigned

1:25:02.520 --> 1:25:05.960
<v Speaker 1>hype like it was like it was like, oh ship grown,

1:25:06.479 --> 1:25:11.559
<v Speaker 1>I'm like property round, I'm property now because because because

1:25:11.680 --> 1:25:14.920
<v Speaker 1>the magazine put me in the unsigned hype column. Now

1:25:15.080 --> 1:25:20.479
<v Speaker 1>old eight scene label Pommy Door, Warner Brothers, Tommy Boy.

1:25:20.720 --> 1:25:23.200
<v Speaker 1>I went with Tommy Boy, and I should have never

1:25:23.280 --> 1:25:26.439
<v Speaker 1>did that. On my first sign with with Monica Lench,

1:25:26.720 --> 1:25:28.759
<v Speaker 1>I signed with them and that was the biggest mistake

1:25:28.840 --> 1:25:35.679
<v Speaker 1>I ever man in my life. Know what, he's nothing.

1:25:36.040 --> 1:25:40.160
<v Speaker 1>And then I got back on my grind, released me

1:25:40.720 --> 1:25:44.720
<v Speaker 1>back on my grind. Then a lady uh signed me.

1:25:45.400 --> 1:25:48.920
<v Speaker 1>Oh yeah, Sylvia Rohne signed me to East West and

1:25:49.040 --> 1:25:51.640
<v Speaker 1>that's when I wass gettle girl. And then I was

1:25:51.840 --> 1:25:55.080
<v Speaker 1>resurrected one year later. How the funk You're gonna get

1:25:55.160 --> 1:25:58.240
<v Speaker 1>dropped and get a deal later? You know what I mean?

1:26:01.479 --> 1:26:03.320
<v Speaker 1>I was I would think a lot. I think I

1:26:03.439 --> 1:26:10.120
<v Speaker 1>love because you gave me another chance. Know that you

1:26:10.200 --> 1:26:12.080
<v Speaker 1>know I didn't because let me tell you something about

1:26:12.120 --> 1:26:15.640
<v Speaker 1>this industry. It's way it's way too you know you

1:26:15.720 --> 1:26:19.519
<v Speaker 1>look at you look at the game or prior artists,

1:26:20.439 --> 1:26:23.640
<v Speaker 1>look at all Michael Jackson and anybody else's career that

1:26:23.840 --> 1:26:26.640
<v Speaker 1>came before me, who got us here, who we sampled

1:26:26.680 --> 1:26:29.679
<v Speaker 1>and ship, what they had to go through. You think

1:26:30.920 --> 1:26:33.280
<v Speaker 1>I'm grateful that I had to go through this ship

1:26:33.840 --> 1:26:36.240
<v Speaker 1>because they went through way worship ship and I had to.

1:26:36.920 --> 1:26:40.800
<v Speaker 1>We're gonna all go through shipness and you know his house, dude,

1:26:40.880 --> 1:26:44.040
<v Speaker 1>that's how you you you you you show up. You

1:26:44.080 --> 1:26:46.599
<v Speaker 1>don't gotta live on other people's means in this game.

1:26:48.439 --> 1:26:51.760
<v Speaker 1>Who who made you part of the who made you

1:26:51.920 --> 1:26:55.200
<v Speaker 1>feel like he was accepted? Nobody wanted wanted you in

1:26:55.280 --> 1:26:57.720
<v Speaker 1>the game at the first place, because you know, you

1:26:57.840 --> 1:27:00.400
<v Speaker 1>look at hip hop when it first started. Ain't want

1:27:00.479 --> 1:27:03.720
<v Speaker 1>this ship. This ship was a fat f a d

1:27:06.080 --> 1:27:08.360
<v Speaker 1>that ain't gonna last. They used to say, this ship

1:27:08.520 --> 1:27:12.240
<v Speaker 1>wasn't gonna last. Remember that real hip hop Like I'm

1:27:12.280 --> 1:27:14.800
<v Speaker 1>a like a rock and roll artist at the same time,

1:27:14.880 --> 1:27:17.560
<v Speaker 1>but they say this ship wasn't gonna last. Come on,

1:27:17.760 --> 1:27:23.280
<v Speaker 1>let let's take a let's take a shot, and Mama

1:27:23.320 --> 1:27:31.519
<v Speaker 1>wanted to take take take you. I said the same thing.

1:27:32.320 --> 1:27:34.200
<v Speaker 1>Did you ever feel like you were black ball? And

1:27:34.360 --> 1:27:37.160
<v Speaker 1>come on, you wanna drink champs as well? No? I didn't.

1:27:37.280 --> 1:27:40.760
<v Speaker 1>I never felt I was a black ball. Um, I'm

1:27:40.960 --> 1:27:42.160
<v Speaker 1>you know, I'm a different und to due with. I

1:27:42.240 --> 1:27:45.400
<v Speaker 1>salute dude from the back. I'm champion. I'm like, yo,

1:27:45.640 --> 1:27:48.120
<v Speaker 1>let's go, let's win. We're winning no matter what. It's

1:27:48.160 --> 1:27:50.880
<v Speaker 1>not a really numbers game with me. Um, But I

1:27:51.040 --> 1:27:54.200
<v Speaker 1>do felt that. I do feel that it was a

1:27:54.360 --> 1:27:58.920
<v Speaker 1>time since I was dealing with what I was dealing

1:27:59.000 --> 1:28:01.000
<v Speaker 1>with and the people I was there with that. You know,

1:28:01.240 --> 1:28:03.479
<v Speaker 1>it's kind of hard when you're dealing with a bigger artist,

1:28:04.600 --> 1:28:07.519
<v Speaker 1>when you're dealing with an artist that guys that you know,

1:28:08.240 --> 1:28:10.599
<v Speaker 1>we're just so happened to be linked to somebody that's

1:28:10.680 --> 1:28:13.560
<v Speaker 1>considered to be one of the Tope sept seas like

1:28:14.120 --> 1:28:17.880
<v Speaker 1>like like, yeah, it's not like it's some side ship

1:28:18.760 --> 1:28:20.960
<v Speaker 1>right now. But I want to. I want to. I

1:28:21.200 --> 1:28:25.439
<v Speaker 1>want to give you the opportunity. Man, I don't want to.

1:28:25.720 --> 1:28:28.040
<v Speaker 1>You got the opport to listen to me. You're my man.

1:28:29.040 --> 1:28:31.679
<v Speaker 1>I haven't spoke his son in um like twenty years.

1:28:32.200 --> 1:28:34.240
<v Speaker 1>I mean, I mean, I'm gonna get the honey. You're

1:28:34.320 --> 1:28:38.080
<v Speaker 1>my man. I know that that's your man. You know

1:28:38.080 --> 1:28:42.080
<v Speaker 1>what I'm saying. You have the opportunity to call him

1:28:42.200 --> 1:28:46.000
<v Speaker 1>right now. You know what I'm saying. He doesn't owe

1:28:46.040 --> 1:28:48.960
<v Speaker 1>me no explanation, no apologies, no nothing would you do

1:28:49.080 --> 1:28:52.280
<v Speaker 1>with business, is honey? I keep it a hunted with me.

1:28:52.360 --> 1:28:54.719
<v Speaker 1>I'm not a better dude. You gave me the alley.

1:28:54.760 --> 1:28:58.680
<v Speaker 1>You my nigger of a life time. I still get

1:28:58.800 --> 1:29:02.080
<v Speaker 1>money from what you we did want to Yes, I'm

1:29:02.080 --> 1:29:12.040
<v Speaker 1>gonna keeping a haunted Can we bring can we bring

1:29:12.160 --> 1:29:16.040
<v Speaker 1>it back? Let me take the opportunity to do a

1:29:16.120 --> 1:29:18.120
<v Speaker 1>lot of things. You can do a lot of things.

1:29:18.400 --> 1:29:20.240
<v Speaker 1>So I'm not the type of person that's I'm not

1:29:20.280 --> 1:29:22.800
<v Speaker 1>gonna chase you because I'm still doing music, i still

1:29:22.800 --> 1:29:25.519
<v Speaker 1>have a family, i still have a life. I'm right

1:29:25.680 --> 1:29:30.040
<v Speaker 1>my fact. I'm okay. Trust me, it's not about that.

1:29:30.439 --> 1:29:33.519
<v Speaker 1>And you don't only no no, no, no, no nothing.

1:29:33.640 --> 1:29:35.320
<v Speaker 1>You know what I'm saying. What you do when you win,

1:29:35.880 --> 1:29:39.160
<v Speaker 1>I win because our story is just tied together. When

1:29:39.200 --> 1:29:41.439
<v Speaker 1>you win, I win. You know what I'm saying. When

1:29:41.439 --> 1:29:43.120
<v Speaker 1>you take ahead, I take a head. He said. Let

1:29:43.160 --> 1:29:46.439
<v Speaker 1>me ask you that what was because if you call

1:29:46.560 --> 1:29:50.880
<v Speaker 1>my now, what would the answer. I don't know. We're

1:29:50.920 --> 1:29:54.200
<v Speaker 1>gonna put this end of this right now. Listen to

1:29:56.280 --> 1:29:59.519
<v Speaker 1>in the moment because no one understands the mega thing

1:30:00.160 --> 1:30:02.759
<v Speaker 1>we understood because I felt like you took a shot

1:30:03.120 --> 1:30:06.120
<v Speaker 1>man right let me outside look at it. At the

1:30:06.200 --> 1:30:08.519
<v Speaker 1>end of the day, I'm insider, but I'm always an

1:30:08.560 --> 1:30:11.840
<v Speaker 1>outside of because that's your hood, that's y'all ship. So

1:30:12.840 --> 1:30:16.360
<v Speaker 1>what was the problem? Like I never really knew. Let

1:30:16.439 --> 1:30:19.560
<v Speaker 1>me tell you something. Um when it came down to

1:30:19.720 --> 1:30:23.960
<v Speaker 1>being real ship, I don't walk around better and I'm

1:30:24.000 --> 1:30:26.000
<v Speaker 1>not like I said, what you do is what you

1:30:26.120 --> 1:30:29.439
<v Speaker 1>do right for the past due to the factory from

1:30:29.479 --> 1:30:33.160
<v Speaker 1>the same hood, people knows that there's always a little

1:30:33.320 --> 1:30:36.880
<v Speaker 1>something more than with probably being shown. You know what

1:30:36.880 --> 1:30:42.599
<v Speaker 1>I'm saying. I don't hold no brudgets. But it wasn't

1:30:42.600 --> 1:30:45.120
<v Speaker 1>the beginning. I felt that I don't even keep with

1:30:45.200 --> 1:30:47.040
<v Speaker 1>a hunting. I think what I was supposed to do.

1:30:48.080 --> 1:30:50.000
<v Speaker 1>I try to hold it down and try to glue

1:30:50.040 --> 1:30:51.400
<v Speaker 1>ship together and do what I was supposed to do.

1:30:52.400 --> 1:30:55.200
<v Speaker 1>But in the beginning, UM, I never felt that it

1:30:55.320 --> 1:30:57.160
<v Speaker 1>was a hundred percent on my side. Anyway, if you

1:30:57.200 --> 1:30:59.240
<v Speaker 1>look at the actual cover of the front album, I

1:30:59.400 --> 1:31:02.240
<v Speaker 1>was never really show I'm like kind of blur it out.

1:31:02.320 --> 1:31:04.320
<v Speaker 1>It was. I don't know. I don't think that I

1:31:04.439 --> 1:31:06.080
<v Speaker 1>was good. I was supposed to be or I was

1:31:06.080 --> 1:31:10.479
<v Speaker 1>supposed to actually affect people. But I mean, I'm hip hop.

1:31:10.920 --> 1:31:12.759
<v Speaker 1>At the end of the day, I'm never going away

1:31:18.920 --> 1:31:20.720
<v Speaker 1>ever needed me. I mean we could sit down and

1:31:20.800 --> 1:31:22.479
<v Speaker 1>talk back the end of the day that I don't

1:31:22.479 --> 1:31:24.720
<v Speaker 1>think the business was set up straight, and I think

1:31:24.920 --> 1:31:27.760
<v Speaker 1>the hood ship could kind of get wiped away at

1:31:27.800 --> 1:31:30.559
<v Speaker 1>twenty years. It's twenty years at the end. I don't

1:31:30.560 --> 1:31:33.080
<v Speaker 1>walk around trying to fucking throw dirt the name and

1:31:33.360 --> 1:31:37.360
<v Speaker 1>when I went, we come from the same. It will

1:31:37.439 --> 1:31:40.320
<v Speaker 1>never change. It's beautiful. It's beautiful, you know what I mean.

1:31:40.400 --> 1:31:42.479
<v Speaker 1>It's not like when and when Sun dropped and when

1:31:42.640 --> 1:31:44.519
<v Speaker 1>they dropped the album and they did the thing. It's

1:31:44.520 --> 1:31:47.000
<v Speaker 1>not like they took shots to me and then I respect,

1:31:47.080 --> 1:31:49.400
<v Speaker 1>I respect. I wanted that ship and I'm really happy

1:31:49.479 --> 1:31:53.479
<v Speaker 1>from Cold Mega to fucking do with eight million dollars

1:31:54.439 --> 1:31:57.080
<v Speaker 1>because if we didn't go that way ever heard of me?

1:31:57.960 --> 1:32:00.840
<v Speaker 1>Meant it for a second, it didn't go and give

1:32:00.880 --> 1:32:02.640
<v Speaker 1>me the opportunity of a lifetime to do what I do.

1:32:04.320 --> 1:32:08.599
<v Speaker 1>We brothers, we go through. Do I make senver tying?

1:32:09.240 --> 1:32:14.240
<v Speaker 1>You got talking girl up to the day, I don't.

1:32:14.240 --> 1:32:17.439
<v Speaker 1>I don't work around. I'm supporting it. If you win,

1:32:17.520 --> 1:32:20.639
<v Speaker 1>I win. Come on, brother, let's go. Because we always

1:32:20.680 --> 1:32:23.120
<v Speaker 1>talked about toys. We always talked about money that could

1:32:23.120 --> 1:32:25.160
<v Speaker 1>have been made. You could have shut of water. And

1:32:25.320 --> 1:32:26.760
<v Speaker 1>I think at the end of the day, it's not

1:32:26.800 --> 1:32:28.760
<v Speaker 1>too many pieces that's missing, you know what I mean.

1:32:28.880 --> 1:32:32.240
<v Speaker 1>I'm here, I'm telling you. People are a lot of

1:32:32.280 --> 1:32:34.880
<v Speaker 1>people gonna watch this, you know what I mean. A

1:32:34.960 --> 1:32:37.000
<v Speaker 1>lot of people gonna watch this, you know I mean.

1:32:37.320 --> 1:32:40.080
<v Speaker 1>And so whatever whatever, if the cold get made, if

1:32:40.120 --> 1:32:43.200
<v Speaker 1>it don't get made, I'm good. I'm still gonna make music.

1:32:43.320 --> 1:32:45.400
<v Speaker 1>Check me out, you know what I mean. Twenty years

1:32:45.439 --> 1:32:47.719
<v Speaker 1>and a lot of ship. Ain't no love of loss,

1:32:47.840 --> 1:32:49.880
<v Speaker 1>you know what I mean. That's importantly, that's the most

1:32:49.920 --> 1:32:52.680
<v Speaker 1>important thing about because you don't saying what we trying

1:32:52.720 --> 1:32:55.800
<v Speaker 1>to say. Because even me and not even when he

1:32:55.880 --> 1:32:59.680
<v Speaker 1>sat here, you know, we just didn't avoid our discrepancy,

1:32:59.840 --> 1:33:01.200
<v Speaker 1>like you know what I'm saying. This is what I'm saying.

1:33:01.240 --> 1:33:03.600
<v Speaker 1>So I was just trying to say, what was it? Like,

1:33:03.960 --> 1:33:10.519
<v Speaker 1>you don't say, you don't even that it was amazing ship.

1:33:10.560 --> 1:33:12.439
<v Speaker 1>You could put your finger on it and say, this

1:33:12.520 --> 1:33:16.280
<v Speaker 1>is what happened. Because I love niggas like brothers. You

1:33:16.320 --> 1:33:18.200
<v Speaker 1>know what I'm saying. We were brothers were born, and

1:33:18.640 --> 1:33:20.240
<v Speaker 1>that's what's said. You know what I mean. I lost

1:33:20.320 --> 1:33:24.240
<v Speaker 1>my mom's you know what I mean. You know what

1:33:24.280 --> 1:33:26.519
<v Speaker 1>I mean. But me and John used to hang out

1:33:26.560 --> 1:33:28.719
<v Speaker 1>in the cred We used to be in his mom's crid.

1:33:28.920 --> 1:33:31.920
<v Speaker 1>We smoke, me, drink whatever whatever when that that was then,

1:33:32.160 --> 1:33:33.599
<v Speaker 1>And so if you don't talk about it, you don't

1:33:33.640 --> 1:33:37.439
<v Speaker 1>have to talk about it. It happened. These are my dudes.

1:33:37.520 --> 1:33:40.479
<v Speaker 1>I'm grateful for the position that I was put in.

1:33:41.840 --> 1:33:46.000
<v Speaker 1>This gave me the alley you for life, for life.

1:33:50.439 --> 1:33:53.519
<v Speaker 1>But I'm gonna they don't have to necessarily be a

1:33:53.680 --> 1:33:56.720
<v Speaker 1>sad story. I hate when they can talk about it's

1:33:56.760 --> 1:34:01.240
<v Speaker 1>nothing to talk about me. But I'm going on, what's

1:34:01.360 --> 1:34:06.360
<v Speaker 1>what's happening. He's still here, still follow me. That's why

1:34:06.680 --> 1:34:10.040
<v Speaker 1>it's actually got an album out today called the Guards

1:34:17.240 --> 1:34:20.679
<v Speaker 1>right now see that yall. That's y'all got here. Yeah,

1:34:21.680 --> 1:34:26.920
<v Speaker 1>fair shows. I love the cameras. It's my naked right here.

1:34:27.520 --> 1:34:29.840
<v Speaker 1>Show me cracks the biggest in the game. This is

1:34:29.880 --> 1:34:33.200
<v Speaker 1>my naked right here. You crack. You promised me. I

1:34:33.200 --> 1:34:36.479
<v Speaker 1>ain't gonna talk about it right now, going to blow up,

1:34:36.560 --> 1:34:44.040
<v Speaker 1>blow up up three Tis said blow yeah, you know

1:34:44.080 --> 1:34:49.519
<v Speaker 1>what I mean, be down, Come on, goddamn crack, Come

1:34:49.680 --> 1:34:51.360
<v Speaker 1>on baby. If you would do to this show, even

1:34:51.360 --> 1:34:56.680
<v Speaker 1>though it'll give us credit, not real, we would do

1:34:56.840 --> 1:35:04.720
<v Speaker 1>this show, you'll get credits. Crack. I don't want to

1:35:04.720 --> 1:35:08.160
<v Speaker 1>shoot on two Yankee shot on too, and my tis

1:35:10.200 --> 1:35:14.639
<v Speaker 1>anyone Tis Money said out he's my brothers right here.

1:35:15.280 --> 1:35:21.200
<v Speaker 1>I met a little. He's been actual showing sneak showing.

1:35:21.320 --> 1:35:27.920
<v Speaker 1>Mandy's been good man sneaking right in the game. Ain't

1:35:27.960 --> 1:35:34.160
<v Speaker 1>showing man sneaking. Shot Fat Joe like they're cracking. Oh God,

1:35:34.479 --> 1:35:40.040
<v Speaker 1>cracking a win yo. I love you, my bro, yeah,

1:35:40.280 --> 1:35:43.800
<v Speaker 1>saying something I don't put up baby, love you, baby,

1:35:43.840 --> 1:35:55.560
<v Speaker 1>I see you're like he showed like seven pens and

1:35:55.600 --> 1:36:05.599
<v Speaker 1>sneaking just feel shok track crack crack, yo, But yo,

1:36:06.240 --> 1:36:08.840
<v Speaker 1>I know I think that ship. I know anybody over in,

1:36:09.240 --> 1:36:12.240
<v Speaker 1>you know, like on the person level, now the industry level,

1:36:12.600 --> 1:36:14.800
<v Speaker 1>and that's why it's good. You know, shout to my

1:36:14.880 --> 1:36:18.880
<v Speaker 1>car evident. You know, I go back. You know she

1:36:19.000 --> 1:36:22.120
<v Speaker 1>had lection out here to the nation and the brothers

1:36:24.160 --> 1:36:28.040
<v Speaker 1>Dope Dope DJ man Maker check them out. How someone

1:36:28.120 --> 1:36:30.960
<v Speaker 1>that just showed up the drink Champce because y'all just

1:36:31.320 --> 1:36:35.439
<v Speaker 1>like keep the keep it RELI than what the word

1:36:35.520 --> 1:36:38.280
<v Speaker 1>it means, like I just keep going in. You'll just

1:36:38.400 --> 1:36:40.479
<v Speaker 1>keep going in. And you know we love that bro

1:36:41.520 --> 1:36:46.400
<v Speaker 1>hip hop. You know, I don't let go. I gotta

1:36:46.439 --> 1:36:49.479
<v Speaker 1>throw out the next to nature next to you talking

1:36:49.520 --> 1:36:53.519
<v Speaker 1>about ship that y'all went through, and I can't let

1:36:53.560 --> 1:37:03.240
<v Speaker 1>you do that in first you know, my girl, Oh

1:37:04.640 --> 1:37:09.960
<v Speaker 1>but something say something anyway, I just want to say.

1:37:10.080 --> 1:37:14.560
<v Speaker 1>Let me just say something. The ship that you contributed

1:37:14.600 --> 1:37:18.640
<v Speaker 1>to hip hop alcohol eid off Man and thank you.

1:37:18.760 --> 1:37:23.680
<v Speaker 1>You know, it's unrecognizable, man, it's recognizable. What I mean

1:37:23.760 --> 1:37:26.200
<v Speaker 1>the man like when I'm in it's unrecognizable with the

1:37:26.560 --> 1:37:28.240
<v Speaker 1>with the with the with the faith and me just

1:37:28.320 --> 1:37:30.040
<v Speaker 1>looking at you and your face and your eyes and

1:37:30.120 --> 1:37:33.400
<v Speaker 1>how much it's the same way hip hop. That's the

1:37:33.520 --> 1:37:37.760
<v Speaker 1>thing is like, we don't we don't like about you know,

1:37:37.920 --> 1:37:40.040
<v Speaker 1>the numbers and all that is great, you know what

1:37:40.120 --> 1:37:45.320
<v Speaker 1>we're calling we care about representing hip hop. I got

1:37:45.400 --> 1:37:48.840
<v Speaker 1>some more spade um, you know what we care about

1:37:48.880 --> 1:37:51.200
<v Speaker 1>representing hip hop or keep telling the stories of hip

1:37:51.240 --> 1:37:53.920
<v Speaker 1>hop and just keeping just keeping that ship. And it's

1:37:53.960 --> 1:37:58.519
<v Speaker 1>great that this is our arrow is my Yeah, I

1:37:58.720 --> 1:38:00.880
<v Speaker 1>never got an alcohol beat. You was Hollywood at one point.

1:38:00.880 --> 1:38:09.120
<v Speaker 1>I'm no, it was sad. I didn't you give me

1:38:09.160 --> 1:38:28.040
<v Speaker 1>a yea? We got that like a dozen nunstand one beat.

1:38:28.120 --> 1:38:30.800
<v Speaker 1>I walked to this to day he picked it. But yeah,

1:38:31.080 --> 1:38:37.960
<v Speaker 1>I called it. I said, I said, hold and no,

1:38:38.240 --> 1:38:43.960
<v Speaker 1>I ain't even want the bread now, captain trying to

1:38:44.040 --> 1:38:46.360
<v Speaker 1>make us get to work. I don't worry. I got you.

1:38:46.560 --> 1:38:48.840
<v Speaker 1>You know you don't know, damn well, let me ask,

1:38:49.000 --> 1:38:50.680
<v Speaker 1>let me ask nature. So now what did you know?

1:38:50.760 --> 1:38:54.639
<v Speaker 1>It's because we got Bromance, Yes from the y'all. Y'all

1:38:55.760 --> 1:38:59.040
<v Speaker 1>now wild Brimlance. That's that's still on the major as well.

1:38:59.560 --> 1:39:02.920
<v Speaker 1>Now that was independent. That was that was like, yo,

1:39:03.680 --> 1:39:06.920
<v Speaker 1>we're no longer on a major label. Let me trying

1:39:06.960 --> 1:39:11.040
<v Speaker 1>to deliver something independent. But I had my dudes all

1:39:11.080 --> 1:39:13.200
<v Speaker 1>around me because when the first album, I didn't really

1:39:13.280 --> 1:39:16.639
<v Speaker 1>have features. I had one feature which was was NAS.

1:39:17.200 --> 1:39:20.240
<v Speaker 1>You know what I'm saying. I had NAS and at

1:39:20.280 --> 1:39:28.240
<v Speaker 1>that time, what the song ultimate hum track masters? But

1:39:28.360 --> 1:39:30.280
<v Speaker 1>let me ask, let me ask as a fan. I

1:39:30.439 --> 1:39:32.760
<v Speaker 1>swear to god, this is not in a r E.

1:39:34.640 --> 1:39:37.320
<v Speaker 1>When the first album came out and it was just

1:39:37.600 --> 1:39:39.920
<v Speaker 1>that was it? It was just NAS? Was that something

1:39:40.000 --> 1:39:43.120
<v Speaker 1>track masters told you that's all your need is NA? NA.

1:39:43.280 --> 1:39:47.760
<v Speaker 1>I was kind of reading and turned into let me

1:39:48.160 --> 1:39:49.400
<v Speaker 1>know what I'm talking about someone. I just wanted to

1:39:49.439 --> 1:39:52.160
<v Speaker 1>be everybody what I'm saying, thinking about answering this because

1:39:53.360 --> 1:39:56.280
<v Speaker 1>tell the truth. This is like you know I first

1:39:56.320 --> 1:40:01.840
<v Speaker 1>of all, what's that song? Don't protect nobody start to

1:40:01.880 --> 1:40:04.519
<v Speaker 1>no one about the numbers that was spent. I was

1:40:04.600 --> 1:40:06.960
<v Speaker 1>kind of tight. The budget, Yeah, the budget right, the

1:40:07.040 --> 1:40:10.559
<v Speaker 1>budget part changes one thing, which is your records. Let's

1:40:10.560 --> 1:40:14.960
<v Speaker 1>just everybody understand what's going on. What it's having a

1:40:15.040 --> 1:40:18.160
<v Speaker 1>re forecast. That's the word refecast. I love the forecast

1:40:18.200 --> 1:40:21.240
<v Speaker 1>with the refecast that made you run outcast was the

1:40:21.320 --> 1:40:25.280
<v Speaker 1>podcast that made you run out? And we boecasts that

1:40:25.680 --> 1:40:29.560
<v Speaker 1>have to read budget what you're doing. That's that's the

1:40:29.640 --> 1:40:33.360
<v Speaker 1>second mortgas. That's the second mortgat. The budget that didn't

1:40:33.360 --> 1:40:41.760
<v Speaker 1>want you to tell this reason you think about the

1:40:41.800 --> 1:40:45.960
<v Speaker 1>budget days will spend re forecasting, we recreate it, and

1:40:46.520 --> 1:40:49.360
<v Speaker 1>we'll make a whole other budget for the budget for

1:40:49.479 --> 1:40:52.960
<v Speaker 1>the new vision. Every forecasting a couple of times that

1:40:53.000 --> 1:40:55.439
<v Speaker 1>might always went green basically ran out, and you always

1:40:55.479 --> 1:40:59.920
<v Speaker 1>want green. Green's son. I sat there and watched the funk,

1:41:00.040 --> 1:41:02.000
<v Speaker 1>and I got a piece of paper that told me

1:41:02.120 --> 1:41:06.960
<v Speaker 1>that I owed one point something million times only showed

1:41:07.000 --> 1:41:10.920
<v Speaker 1>me that you're going too fast. Let's all right, what

1:41:11.040 --> 1:41:15.840
<v Speaker 1>happened to say again? When I finished re forecast and

1:41:16.000 --> 1:41:19.280
<v Speaker 1>had a kid new money, that means that that means

1:41:19.520 --> 1:41:22.640
<v Speaker 1>all the days that we sat all the days that

1:41:22.720 --> 1:41:26.519
<v Speaker 1>we sat there, and all let's say, all the days

1:41:26.520 --> 1:41:30.960
<v Speaker 1>that we sat there and smoking drunk and probably rented

1:41:31.080 --> 1:41:35.519
<v Speaker 1>studio equipment that didn't finish the record, and we had

1:41:35.600 --> 1:41:39.479
<v Speaker 1>food budgets, and we had entourages, and we had the

1:41:39.560 --> 1:41:45.519
<v Speaker 1>whole ship. Showed me, you have this bill that says

1:41:45.720 --> 1:41:50.960
<v Speaker 1>you owe one point something million dollars all commerces in

1:41:51.080 --> 1:41:58.120
<v Speaker 1>the right places, and you're saying to yourself, how because

1:41:58.160 --> 1:42:01.000
<v Speaker 1>it's mad days. I'm going home. I'm like pitt Off,

1:42:02.040 --> 1:42:05.599
<v Speaker 1>I got a quite new how you knew? We knew

1:42:06.160 --> 1:42:10.240
<v Speaker 1>because people weren't raping the budget. I'm being honest. This

1:42:10.320 --> 1:42:15.040
<v Speaker 1>is what I gotta pick up. Tragedy could trash trash,

1:42:15.280 --> 1:42:21.400
<v Speaker 1>tragedy could dicty traded us pause sounded crazy, but I

1:42:21.439 --> 1:42:27.040
<v Speaker 1>didn't know. You know, don't play what studio times, don't

1:42:27.080 --> 1:42:29.640
<v Speaker 1>play around with it. So we was like what. So

1:42:29.840 --> 1:42:33.160
<v Speaker 1>we would go in the crib we were sitting there

1:42:33.600 --> 1:42:37.439
<v Speaker 1>and be like, yo, all right, this is the b alright, cool, yeah,

1:42:37.439 --> 1:42:39.559
<v Speaker 1>I think it's right to that being poem would sit

1:42:39.640 --> 1:42:41.960
<v Speaker 1>there right to the whole ship. So by the time

1:42:42.040 --> 1:42:43.960
<v Speaker 1>we came to the student, we would knock it out.

1:42:44.400 --> 1:42:47.920
<v Speaker 1>And I knew this because of that studio budget, you're

1:42:47.920 --> 1:42:51.120
<v Speaker 1>not going into it. This is what I said, one thing,

1:42:51.240 --> 1:42:59.479
<v Speaker 1>one way, then they don't finish. I got you, I

1:42:59.520 --> 1:43:02.800
<v Speaker 1>got problems. But so I was like what. And at

1:43:02.880 --> 1:43:05.040
<v Speaker 1>first I used to be like why we gotta practice

1:43:05.080 --> 1:43:08.400
<v Speaker 1>and rehearse because that's what it was the mentality back then.

1:43:08.560 --> 1:43:11.599
<v Speaker 1>And let me tell you something, I respect that ship.

1:43:11.800 --> 1:43:14.800
<v Speaker 1>I've never been a has studio, but I recorded seven

1:43:14.880 --> 1:43:17.840
<v Speaker 1>records because I don't know how to play with studios top,

1:43:17.880 --> 1:43:19.400
<v Speaker 1>but I'm sorry, which was about to say, can I

1:43:20.160 --> 1:43:21.960
<v Speaker 1>can I get one question? Let me get him and

1:43:22.040 --> 1:43:23.720
<v Speaker 1>then we come right back to you. I promise you.

1:43:23.840 --> 1:43:27.280
<v Speaker 1>But we're rocking you. You got your motherfucker's you wrote

1:43:27.320 --> 1:43:31.600
<v Speaker 1>to you? Baby, were watching you looking good. I recorded

1:43:31.680 --> 1:43:34.720
<v Speaker 1>this album that I did for track matters for all

1:43:34.880 --> 1:43:41.840
<v Speaker 1>seasons without having any brahms written. That means this whole

1:43:42.000 --> 1:43:45.560
<v Speaker 1>album was recorded on the spot. As we go in

1:43:45.640 --> 1:43:48.719
<v Speaker 1>the studio and smoke some weed. We're recording the classic

1:43:48.840 --> 1:43:56.479
<v Speaker 1>album without any without you, no week one point. I'll

1:43:56.520 --> 1:43:57.800
<v Speaker 1>tell you. If you I'll tell you what your bud

1:43:57.880 --> 1:44:03.880
<v Speaker 1>it was seven hundred thousands. First of alerted you were

1:44:03.880 --> 1:44:06.840
<v Speaker 1>spending plenty of nights out. We spend plenty of nights

1:44:07.360 --> 1:44:13.320
<v Speaker 1>having soldio back smash. We haven't we have a right track.

1:44:14.040 --> 1:44:18.360
<v Speaker 1>We're having yips, we're having fucking monks when we have

1:44:18.479 --> 1:44:22.120
<v Speaker 1>to what we're spending over money. We haven't spending all

1:44:22.200 --> 1:44:26.960
<v Speaker 1>kind of money. So um, we were tragedy. He told

1:44:27.120 --> 1:44:31.320
<v Speaker 1>not to spend up. What I'm saying is thank the tragedy,

1:44:34.680 --> 1:44:43.080
<v Speaker 1>Thank you tragedy, thank you. The labels weren't fleeting your costs.

1:44:43.160 --> 1:44:47.480
<v Speaker 1>On top of that, it's a stipulation. It's a stipulation

1:44:47.600 --> 1:44:50.639
<v Speaker 1>in my contract to say that I'm signed to I'm

1:44:50.680 --> 1:44:53.559
<v Speaker 1>signed to producers, So it's a stipulation of my contract

1:44:53.600 --> 1:44:55.240
<v Speaker 1>is saying that I have to have a certain amount

1:44:55.280 --> 1:44:59.240
<v Speaker 1>of beats from the same producers that that signed me,

1:44:59.400 --> 1:45:01.560
<v Speaker 1>so I get the money, and having to pass the

1:45:01.640 --> 1:45:05.000
<v Speaker 1>money off to the same people that gave me the money.

1:45:05.120 --> 1:45:15.120
<v Speaker 1>Come the love, I'm gonna take care God. I got

1:45:15.200 --> 1:45:17.840
<v Speaker 1>the money, and it's a stipulation that I have to

1:45:17.920 --> 1:45:19.920
<v Speaker 1>pass some of his money back to the same people

1:45:20.040 --> 1:45:24.439
<v Speaker 1>that I got it from after they charged any charging

1:45:25.760 --> 1:45:32.680
<v Speaker 1>back charging a thousand of beat. The same people that

1:45:32.800 --> 1:45:36.880
<v Speaker 1>work with Will Smith and Mariah Carry and nays and

1:45:37.320 --> 1:45:39.840
<v Speaker 1>did you write Kobe Bryant smiles and when it was

1:45:39.880 --> 1:45:44.240
<v Speaker 1>doing Kobe, they're doing Kobe Bryant. They're doing to the

1:45:44.439 --> 1:45:49.240
<v Speaker 1>circuits Kobe. No, I didn't get one. I don't get one,

1:45:49.560 --> 1:45:52.160
<v Speaker 1>but I'm around. You got you got a copy though,

1:45:52.560 --> 1:45:59.080
<v Speaker 1>but I'm around. I don't think he has one. Went

1:45:59.120 --> 1:46:01.560
<v Speaker 1>with can't fill last ship. That's my ship, Shine. That

1:46:01.600 --> 1:46:04.519
<v Speaker 1>is the name of the record, right, Yes, you've forgotten,

1:46:04.600 --> 1:46:07.000
<v Speaker 1>but shout out to the people that forget the record

1:46:07.040 --> 1:46:12.599
<v Speaker 1>that got we got pa ship take going for the team.

1:46:12.640 --> 1:46:15.200
<v Speaker 1>We do what we do and we still keep pushing.

1:46:15.280 --> 1:46:17.320
<v Speaker 1>You know what I'm saying, and we're here. It's all

1:46:17.600 --> 1:46:20.280
<v Speaker 1>of stories. So my drink Champs could go five hours,

1:46:20.360 --> 1:46:25.120
<v Speaker 1>but we didn't here for that. In between both I

1:46:25.200 --> 1:46:29.320
<v Speaker 1>could drink I support. I don't drink out of I

1:46:29.360 --> 1:46:38.479
<v Speaker 1>don't want to do something like that support because I

1:46:38.600 --> 1:46:40.599
<v Speaker 1>can't take take you get the things that I can't

1:46:40.640 --> 1:46:46.519
<v Speaker 1>do us. But I'm going, I'm saying, but you know, no, no,

1:46:47.920 --> 1:46:52.639
<v Speaker 1>I think yeah, I don't see an album five songs

1:46:52.760 --> 1:47:03.160
<v Speaker 1>right now? Has it his studios? Has gonn right now.

1:47:03.360 --> 1:47:06.559
<v Speaker 1>I came to Miami yesterday and since I've been in Miami,

1:47:06.840 --> 1:47:10.040
<v Speaker 1>I probably shot like five videos. That's the way to

1:47:10.080 --> 1:47:13.000
<v Speaker 1>see that should have been happening. The next day I

1:47:13.080 --> 1:47:15.439
<v Speaker 1>shot five is you don't do that number? Let me ask,

1:47:15.560 --> 1:47:23.680
<v Speaker 1>Let me ask you. I got to ask you. Get

1:47:23.720 --> 1:47:25.800
<v Speaker 1>it done. I got straight up to ask you. As

1:47:25.840 --> 1:47:30.759
<v Speaker 1>a Carol O. The rumor was there could be anybody lyrically,

1:47:32.080 --> 1:47:36.120
<v Speaker 1>anybody that nys to get on the record wood Speed

1:47:36.200 --> 1:47:43.639
<v Speaker 1>the lyrically still, but I gotta ask any time before,

1:47:43.720 --> 1:47:46.560
<v Speaker 1>like nature was lazy a lot of times. Stuff for

1:47:46.680 --> 1:47:48.559
<v Speaker 1>this the name, that's the that's the that's the theory

1:47:48.600 --> 1:47:51.200
<v Speaker 1>about me because like I said, due to the fact

1:47:51.320 --> 1:47:55.479
<v Speaker 1>that I wasn't coming to the studio where pre prepared

1:47:55.720 --> 1:47:58.040
<v Speaker 1>songs and rhymes, it might take me a minute to

1:47:58.080 --> 1:48:01.280
<v Speaker 1>write these rhymes in the studio. So this so because

1:48:01.520 --> 1:48:03.679
<v Speaker 1>because it might took a minute to write this record,

1:48:03.880 --> 1:48:07.200
<v Speaker 1>they might say nature's lazy. It's not that the nature's lazy,

1:48:07.280 --> 1:48:12.280
<v Speaker 1>it's just the nature's home situation. It's not really good

1:48:12.479 --> 1:48:16.760
<v Speaker 1>as far as blocking everything out and and diving into

1:48:16.840 --> 1:48:19.920
<v Speaker 1>this music. You know, it's not that's not that's not

1:48:20.040 --> 1:48:22.320
<v Speaker 1>what it is. So but when it comes down to

1:48:22.400 --> 1:48:25.479
<v Speaker 1>the music, you put me in the room with the best,

1:48:25.640 --> 1:48:30.040
<v Speaker 1>I become the best. Become the best. You have a

1:48:30.160 --> 1:48:33.000
<v Speaker 1>freestyle before you ever liked just one of just not

1:48:33.080 --> 1:48:34.920
<v Speaker 1>one of those guys that's in the circle. Because I

1:48:35.000 --> 1:48:37.200
<v Speaker 1>felt that I did it for so long by asking

1:48:37.240 --> 1:48:39.360
<v Speaker 1>the question, do you have a freestyle? If you feel

1:48:39.439 --> 1:48:42.040
<v Speaker 1>like your brother have seen, can you freestyle? No? You

1:48:42.120 --> 1:48:45.439
<v Speaker 1>know what it was for me. I've been in the ring,

1:48:46.520 --> 1:48:49.960
<v Speaker 1>not the ring, but I've been around the best, the

1:48:50.560 --> 1:48:58.200
<v Speaker 1>goats the best going to the lad and it's fitting it.

1:48:58.600 --> 1:49:02.960
<v Speaker 1>But how about just having already Yeah, jay Z supposedly

1:49:03.160 --> 1:49:07.360
<v Speaker 1>right now that comes eminem that's the same thing. You

1:49:07.520 --> 1:49:12.439
<v Speaker 1>might lay four boss. You got studio time, and you

1:49:12.479 --> 1:49:15.040
<v Speaker 1>know you're sitting the studio smoke good. You're gonna you're

1:49:15.040 --> 1:49:17.680
<v Speaker 1>gonna late four at the time. Some So No, let

1:49:17.720 --> 1:49:19.599
<v Speaker 1>me tell you something because even if I sat at

1:49:19.640 --> 1:49:21.600
<v Speaker 1>the crib and I pre rote it, I thought it

1:49:21.720 --> 1:49:24.760
<v Speaker 1>was dope. Once it's time to perform, it is a

1:49:24.880 --> 1:49:27.760
<v Speaker 1>different kind of ship, bro. It's like playoffs. It's like

1:49:27.960 --> 1:49:32.679
<v Speaker 1>what's your favorite to perform, favorite record to perform? Yeah,

1:49:32.720 --> 1:49:42.960
<v Speaker 1>you gotta be bad TV around right now. I can

1:49:43.040 --> 1:49:45.880
<v Speaker 1>make a round right now. But that's not what I'm

1:49:45.920 --> 1:49:47.960
<v Speaker 1>gonna do. But I can make a round right now

1:49:48.040 --> 1:49:51.120
<v Speaker 1>off my head channel with you, sitting at the table

1:49:51.240 --> 1:49:53.439
<v Speaker 1>with you, and you know what I mean to make

1:49:53.479 --> 1:49:59.240
<v Speaker 1>the round. Let's see. Let's look. Look, I'm gonna drink

1:49:59.360 --> 1:50:05.679
<v Speaker 1>Chians next nature. I ain't gotta Rachel, I ain't gotta

1:50:05.760 --> 1:50:08.759
<v Speaker 1>hate you. I just drink. That's in my nature. Nigga's

1:50:09.160 --> 1:50:12.760
<v Speaker 1>open bottles to say hate the stage, y'all. Nigg is

1:50:12.800 --> 1:50:15.599
<v Speaker 1>out here wishing I was here. But ya ain't that page.

1:50:15.760 --> 1:50:20.200
<v Speaker 1>You ain't that mad. I'm that racket. Somebody past the bracket.

1:50:20.840 --> 1:50:24.080
<v Speaker 1>Niggas couldn't even wear this type of jacket. Whoa where

1:50:24.160 --> 1:50:26.640
<v Speaker 1>this type of gazelle nigg is out here trying to

1:50:26.720 --> 1:50:31.160
<v Speaker 1>propel my nigga. Watch out, y'all, nigga is on my lapelle.

1:50:31.720 --> 1:50:41.280
<v Speaker 1>Hell that's how it flows. Hell, you got it. Oh,

1:50:45.080 --> 1:51:01.280
<v Speaker 1>I wanted. I wanted you. If it's about it's about

1:51:01.360 --> 1:51:05.560
<v Speaker 1>that hunger. You know, you can have that history, you

1:51:05.640 --> 1:51:07.519
<v Speaker 1>know what I mean? But look look at the Lakers

1:51:08.479 --> 1:51:13.280
<v Speaker 1>le bronze semon teen. Yeah they beat them young boys. Yeah,

1:51:13.640 --> 1:51:17.280
<v Speaker 1>you know I watched How do young boys act against

1:51:17.280 --> 1:51:23.760
<v Speaker 1>the legends? Yeah that dog. Let me tell you something,

1:51:24.320 --> 1:51:31.840
<v Speaker 1>Ben from TV, little shot Being from TV, I love

1:51:32.479 --> 1:51:38.320
<v Speaker 1>this little chippy love Yet I'm gonna keeping. I'm gonna

1:51:38.360 --> 1:51:40.400
<v Speaker 1>keep it on keeping, I'm gonna keep it on it.

1:51:41.160 --> 1:51:46.559
<v Speaker 1>Being from TV is like a perfect reminder that there

1:51:46.600 --> 1:51:50.000
<v Speaker 1>are niggers out there that you don't know that can

1:51:50.320 --> 1:52:00.840
<v Speaker 1>kick you. And I like that because Chris and it's

1:52:00.880 --> 1:52:05.519
<v Speaker 1>not like nothing is a loss, no nothing, but band

1:52:05.600 --> 1:52:08.040
<v Speaker 1>from TV is something that there are people out there

1:52:08.160 --> 1:52:11.400
<v Speaker 1>that they are hungry that they are that move kick

1:52:11.439 --> 1:52:15.280
<v Speaker 1>you in your ass. Wolves at the gate bottom a shot?

1:52:16.880 --> 1:52:21.760
<v Speaker 1>How do I see we got you say you got

1:52:21.800 --> 1:52:30.120
<v Speaker 1>one thing? I would say, no, I love it. Yeah, shot.

1:52:30.280 --> 1:52:32.920
<v Speaker 1>I don't think he got mama water. You don't know

1:52:33.040 --> 1:52:36.840
<v Speaker 1>he needed give him my wa I want to just

1:52:36.960 --> 1:52:44.800
<v Speaker 1>say a memoir. I got remorom party, party, sat this

1:52:44.960 --> 1:52:47.320
<v Speaker 1>is dope, this is so get a shot because I

1:52:47.400 --> 1:53:02.240
<v Speaker 1>want your shot. Shot about the shot time. Let's go, baby, Yo,

1:53:03.240 --> 1:53:09.960
<v Speaker 1>I've a witnessed to your greatness. This is what I want. Hey, Boddy,

1:53:10.040 --> 1:53:13.120
<v Speaker 1>I need I need anybody to understand this, right head.

1:53:14.960 --> 1:53:19.120
<v Speaker 1>I come from Brownsville, but I met this man his

1:53:19.240 --> 1:53:22.639
<v Speaker 1>problem when he was a superstar, biggest superstar and rapping,

1:53:23.200 --> 1:53:27.200
<v Speaker 1>one of the biggest superstars and rappank. Remember when you

1:53:27.320 --> 1:53:30.760
<v Speaker 1>did Super Doug and we was in I think we

1:53:30.880 --> 1:53:33.320
<v Speaker 1>was in Miami at the time, and you was on tory.

1:53:33.479 --> 1:53:37.200
<v Speaker 1>You had one that you got one last T shirt

1:53:37.320 --> 1:53:39.720
<v Speaker 1>that said super Doug on it, and that was a

1:53:39.800 --> 1:53:44.200
<v Speaker 1>whole chore and and I remember that day when you

1:53:44.280 --> 1:53:49.040
<v Speaker 1>got out the stage and everybody like what what what what? What? What? What? What? What? What? What?

1:53:49.479 --> 1:53:52.000
<v Speaker 1>What what? And that was just like in the crowd

1:53:52.160 --> 1:53:57.800
<v Speaker 1>kept doing that ship and it was just like, you know,

1:53:57.880 --> 1:54:01.040
<v Speaker 1>I leave the energy and I got to witness that

1:54:01.680 --> 1:54:04.920
<v Speaker 1>you know what I mean? And man, I'm let me

1:54:05.000 --> 1:54:07.280
<v Speaker 1>ask you something though, this is your this is your

1:54:07.360 --> 1:54:09.080
<v Speaker 1>this is your day. It's not my day. No, what's

1:54:09.120 --> 1:54:11.880
<v Speaker 1>your favorite and hip hop? I just wouldn't say that's

1:54:11.880 --> 1:54:15.439
<v Speaker 1>your favorite hip hop? Hip hop? What's your favorite moment?

1:54:15.439 --> 1:54:17.439
<v Speaker 1>If you could we live any moment of hip hop?

1:54:17.680 --> 1:54:20.600
<v Speaker 1>What's the time. But you will go back stand to

1:54:20.720 --> 1:54:24.200
<v Speaker 1>be clear for him or him watching it or either

1:54:24.760 --> 1:54:28.000
<v Speaker 1>no for him for you actually, if you will go

1:54:28.120 --> 1:54:29.639
<v Speaker 1>back and say, you know what, I want to stay

1:54:29.640 --> 1:54:33.640
<v Speaker 1>in this moment forever. That's a m question that you

1:54:33.760 --> 1:54:35.760
<v Speaker 1>really dropping on me right now. Let me take a

1:54:35.800 --> 1:54:45.720
<v Speaker 1>shot before I answer questions up every day. You know

1:54:45.840 --> 1:54:49.680
<v Speaker 1>what's sad as she went because you shoine like her?

1:54:50.040 --> 1:54:57.840
<v Speaker 1>But um really like when when the m C toward

1:54:57.880 --> 1:55:02.280
<v Speaker 1>eighty eight, like, what's try to sneaking Mash Square Garden

1:55:02.400 --> 1:55:07.200
<v Speaker 1>as a kid, go see the man? I didn't concert.

1:55:08.160 --> 1:55:11.240
<v Speaker 1>I want to went this is my house? I went, Yeah,

1:55:11.480 --> 1:55:14.320
<v Speaker 1>I went with the old like t J Swan. T

1:55:14.520 --> 1:55:16.520
<v Speaker 1>J Swan, that's my favorite move member of the Juice

1:55:16.560 --> 1:55:20.760
<v Speaker 1>Cup about the hook nigga, the nigga that I wanted

1:55:20.760 --> 1:55:33.120
<v Speaker 1>to go cet Yeah, I was my SWOOJ make t

1:55:33.240 --> 1:55:35.880
<v Speaker 1>J had his own set that was my he was

1:55:35.960 --> 1:55:38.800
<v Speaker 1>like Michael he said, I think he said it was

1:55:38.800 --> 1:55:44.440
<v Speaker 1>the old set and it was it was this signed

1:55:44.440 --> 1:55:47.200
<v Speaker 1>to me. I thought, I no, he was, I want

1:55:47.280 --> 1:55:49.800
<v Speaker 1>to go here that I want it here. I wanted

1:55:49.840 --> 1:55:53.920
<v Speaker 1>to go here juice to the day was opening up

1:55:53.960 --> 1:56:04.600
<v Speaker 1>from run DMC. Yeah, the garden C seven you know

1:56:04.840 --> 1:56:08.240
<v Speaker 1>another you got another eighty eight. You know when we

1:56:08.440 --> 1:56:11.840
<v Speaker 1>was like fourteen fifteen. How on my level, I'm seventy seven,

1:56:11.880 --> 1:56:15.200
<v Speaker 1>I'm born, I'm forty three, I'm seventy four. So like

1:56:15.680 --> 1:56:18.160
<v Speaker 1>I was, I'm a little older. You got dare. Don't

1:56:18.160 --> 1:56:21.280
<v Speaker 1>feel like an age man. We are seventy five, seventy four,

1:56:21.840 --> 1:56:27.840
<v Speaker 1>same seventy seven, bro seving mean, it's not that fun,

1:56:28.960 --> 1:56:33.120
<v Speaker 1>same age prepared continue man, come on, so you know

1:56:33.400 --> 1:56:42.720
<v Speaker 1>backy like my longs. You know what, I don't take

1:56:42.800 --> 1:56:46.680
<v Speaker 1>the chance for me. You know a little five seven

1:56:46.840 --> 1:56:55.920
<v Speaker 1>seventy two, seventy two, and what I did not know

1:56:56.120 --> 1:57:02.480
<v Speaker 1>my seventy seven seventy I got that signory and I'm

1:57:02.480 --> 1:57:13.560
<v Speaker 1>still like goodge no Big York Now what they said,

1:57:13.800 --> 1:57:18.320
<v Speaker 1>Um rush I Kim Bob, Yes, ain't it's like a

1:57:18.400 --> 1:57:24.080
<v Speaker 1>good listen. It ain't working right, I'm doing fun. Come on, man,

1:57:26.640 --> 1:57:29.080
<v Speaker 1>A couple of things ago. My daughter turned twenty. Let's

1:57:29.080 --> 1:57:37.280
<v Speaker 1>shout out for that bro. I got your old what's

1:57:37.320 --> 1:57:40.400
<v Speaker 1>up with head? Well, maybe make some bro there's a

1:57:40.520 --> 1:57:47.680
<v Speaker 1>cancer free people just takes yours. I ain't gonna I

1:57:47.720 --> 1:57:49.320
<v Speaker 1>got those two blunts left for me. It's for me.

1:57:49.560 --> 1:57:56.200
<v Speaker 1>I'm not gonna love seven two they definitely I'm like

1:57:56.760 --> 1:57:59.480
<v Speaker 1>I was the old New York City loves man. I

1:57:59.560 --> 1:58:05.520
<v Speaker 1>gotta have at Philly, switching the type of ship like

1:58:06.320 --> 1:58:10.200
<v Speaker 1>because some old New York City lungs my dirty dirty

1:58:10.280 --> 1:58:13.120
<v Speaker 1>like the ship when the ship was fucked up. She

1:58:13.240 --> 1:58:19.200
<v Speaker 1>didn't right out, Do you still gonna buy? Yeah? You

1:58:19.200 --> 1:58:21.240
<v Speaker 1>can put me on the spot right now. Of course

1:58:21.280 --> 1:58:24.640
<v Speaker 1>I didn't. Yeah, of course I did. I'm still you

1:58:24.720 --> 1:58:27.880
<v Speaker 1>still go buy a Dutch mester? Yeah, I stopped buying

1:58:27.960 --> 1:58:31.640
<v Speaker 1>Dutch to the table to tell you why I'm in

1:58:32.240 --> 1:58:36.920
<v Speaker 1>l a like after the Grammy's after these bullshits, and

1:58:37.000 --> 1:58:39.720
<v Speaker 1>then I go to a seven eleven. I talked about

1:58:39.720 --> 1:58:42.480
<v Speaker 1>the Mexican Games over there, the plus the christ I

1:58:42.560 --> 1:58:47.120
<v Speaker 1>walked in seven remember there that one reason I'm like you,

1:58:47.280 --> 1:58:51.040
<v Speaker 1>I looked like fucking I knew why front, so I'm

1:58:51.080 --> 1:58:53.120
<v Speaker 1>just I walked through and said, fuck it, I'm you

1:58:53.200 --> 1:58:56.080
<v Speaker 1>know fun that I ain't didn't running me out of here.

1:58:56.120 --> 1:58:59.360
<v Speaker 1>I walked through and the guy said, what do you want, sir?

1:59:00.000 --> 1:59:01.920
<v Speaker 1>That I give like the five pack of those duchess.

1:59:02.680 --> 1:59:05.800
<v Speaker 1>It was like the whole ship you from New York

1:59:06.000 --> 1:59:13.800
<v Speaker 1>right themancause, oh yeah, I tho Chris, because you know

1:59:13.920 --> 1:59:21.840
<v Speaker 1>you don't getting the blood a blood something. The guy

1:59:22.160 --> 1:59:28.880
<v Speaker 1>in my mind, goddamnit. Everybody doings snap shots, snap shot,

1:59:29.560 --> 1:59:32.200
<v Speaker 1>night shot, but you got not drink alcohol. It's not shots.

1:59:32.880 --> 1:59:35.840
<v Speaker 1>Get those champagne. You want another shot, not be no more.

1:59:36.440 --> 1:59:41.080
<v Speaker 1>You gotta be yes, Salute a little with the bearcoot

1:59:41.080 --> 1:59:43.320
<v Speaker 1>with the bed, a little with the b Yeah, because

1:59:43.320 --> 1:59:47.360
<v Speaker 1>it's different, different with your drinking, and then your shot

1:59:47.520 --> 1:59:49.440
<v Speaker 1>is different. You know you're gonna sit No, no, you're

1:59:49.440 --> 1:59:54.200
<v Speaker 1>gonna sit with you salute with That's two rule, Broye,

1:59:55.960 --> 2:00:00.560
<v Speaker 1>Jake Champs, your rules. So what's the Jame mean? J

2:00:00.800 --> 2:00:08.280
<v Speaker 1>champ culture? You remember that right now there's mad rule

2:00:08.360 --> 2:00:10.280
<v Speaker 1>but no rules at all. It's mad rules and no

2:00:10.440 --> 2:00:12.560
<v Speaker 1>rules and all. And you know what one of my

2:00:12.760 --> 2:00:16.400
<v Speaker 1>rule is, don't respect our fucking left. And you know,

2:00:21.600 --> 2:00:24.640
<v Speaker 1>I know a long Pep, you've been out here monkey

2:00:24.680 --> 2:00:26.920
<v Speaker 1>foot and kicking ship and doing the funk that you

2:00:27.000 --> 2:00:29.040
<v Speaker 1>had to do for so long. I want to tell

2:00:29.040 --> 2:00:31.160
<v Speaker 1>you I respect you. I'm gonna tell you as a

2:00:31.240 --> 2:00:34.960
<v Speaker 1>motherfucking same person, from your culture, from your culture, from

2:00:34.960 --> 2:00:37.520
<v Speaker 1>your coach, I respect everything you did. And I can

2:00:37.600 --> 2:00:42.440
<v Speaker 1>tell you, guys, and ain't you need for me? And

2:00:42.520 --> 2:00:44.400
<v Speaker 1>but let me keep finis to figure you out, and

2:00:44.480 --> 2:00:47.080
<v Speaker 1>let me just tell you something like you, you're supposed

2:00:47.120 --> 2:00:49.080
<v Speaker 1>to be respect. You're supposed to be a red carpet

2:00:49.120 --> 2:00:52.040
<v Speaker 1>beat because not only as an artist, you're not only

2:00:52.160 --> 2:00:54.720
<v Speaker 1>dominating ship as an artist and did certain things an artist,

2:00:54.880 --> 2:00:58.240
<v Speaker 1>but you're also transitioned to a producer. And then and

2:00:58.360 --> 2:01:00.440
<v Speaker 1>then you and you did as we do so and

2:01:00.560 --> 2:01:03.600
<v Speaker 1>the nature the same thing. It's like, yo, bro, you

2:01:03.680 --> 2:01:06.000
<v Speaker 1>were just throwing in the marsh pit. You don't know

2:01:06.120 --> 2:01:09.040
<v Speaker 1>what fund you got. You were placing this other guy

2:01:09.160 --> 2:01:11.800
<v Speaker 1>and but she was on your own side. And then

2:01:11.840 --> 2:01:14.320
<v Speaker 1>you kept going with the wild grimments. You kept you

2:01:14.480 --> 2:01:16.960
<v Speaker 1>just kept getting for it. And the thing about it.

2:01:17.120 --> 2:01:19.760
<v Speaker 1>This man, we want to salute y'all. Bro, This's what

2:01:19.800 --> 2:01:23.560
<v Speaker 1>I'm saying. It's another shot. Time's another shot. Time. We

2:01:23.720 --> 2:01:31.200
<v Speaker 1>love y'all. Mother some Yeah, I want you want to

2:01:31.240 --> 2:01:33.160
<v Speaker 1>say that. I want to say this turn out of

2:01:33.200 --> 2:01:35.720
<v Speaker 1>my my heart. Yes for a Bouttom of my heart,

2:01:36.120 --> 2:01:44.080
<v Speaker 1>Yes my heart. Um. Birthday was yesterday. She died of cancer. Um.

2:01:44.600 --> 2:01:47.560
<v Speaker 1>She was a veteran of the United States by me,

2:01:47.840 --> 2:01:51.960
<v Speaker 1>respect respect um, you know. And I want to shout

2:01:51.960 --> 2:01:57.400
<v Speaker 1>out all the homies that we lost, the real homiesies.

2:01:57.760 --> 2:01:59.800
<v Speaker 1>You know, we lost a lot of people this year. Man.

2:02:01.000 --> 2:02:03.000
<v Speaker 1>This she had been a breakup car. This year had

2:02:03.080 --> 2:02:07.840
<v Speaker 1>been really something else. This had been crazy, fucking insane.

2:02:08.520 --> 2:02:13.200
<v Speaker 1>So it's been unbelievable that I gotta we gotta survive

2:02:13.320 --> 2:02:16.040
<v Speaker 1>through this ship and everybody in here salute yourself for

2:02:16.160 --> 2:02:22.000
<v Speaker 1>surviving throughing and helping everybody wear a mask about to

2:02:22.040 --> 2:02:25.200
<v Speaker 1>get mask. We got mask, you know what I mean,

2:02:25.520 --> 2:02:33.520
<v Speaker 1>promoted healthy. I've been a hermit. Everybody always put me

2:02:33.600 --> 2:02:37.000
<v Speaker 1>in outcasting me until now because I was in the

2:02:37.120 --> 2:02:41.440
<v Speaker 1>crib cooking up beastly like like you like like nor like.

2:02:41.520 --> 2:02:43.920
<v Speaker 1>It's like even I wish I could work with nas.

2:02:43.960 --> 2:02:47.120
<v Speaker 1>I wish I could remix Come King's Disease, which I

2:02:47.280 --> 2:02:51.120
<v Speaker 1>get that acapella and called the crib. Someone might hereless

2:02:51.320 --> 2:02:55.920
<v Speaker 1>and get through that calling the crib. You know what,

2:02:56.000 --> 2:02:58.840
<v Speaker 1>because a lot of people upset with them beats. I know,

2:02:59.160 --> 2:03:01.600
<v Speaker 1>I know you. I know what kind of beats you like.

2:03:02.160 --> 2:03:04.720
<v Speaker 1>I know what kind of it's not. No, it's not

2:03:04.880 --> 2:03:06.640
<v Speaker 1>about that. Take a little shot. We have shot that

2:03:07.880 --> 2:03:12.920
<v Speaker 1>kind of beat. You that's a transport shot. Come on,

2:03:18.120 --> 2:03:27.080
<v Speaker 1>it's about secret over there. But look, everybody ain't gonna

2:03:27.120 --> 2:03:29.879
<v Speaker 1>like everything. But I know how to paint the picture.

2:03:30.640 --> 2:03:34.200
<v Speaker 1>I think this was a dot X And what's the

2:03:34.280 --> 2:03:36.280
<v Speaker 1>name of the album again, it's called the Gods have

2:03:36.400 --> 2:03:41.320
<v Speaker 1>a Round Today. Baby, let's do it. So I don't

2:03:41.320 --> 2:03:44.560
<v Speaker 1>know about from out now right now? Shot to the

2:03:44.680 --> 2:03:47.680
<v Speaker 1>shot to DJ jab at fat beats. You know I

2:03:51.360 --> 2:03:53.920
<v Speaker 1>that it was next to Great Papotus too. Yeah it was.

2:03:56.320 --> 2:03:57.760
<v Speaker 1>They got to store in at l A. They got

2:03:57.840 --> 2:04:01.600
<v Speaker 1>the story now it's a it's downtown at l A

2:04:01.960 --> 2:04:07.440
<v Speaker 1>by Scared Row. So anyway, he was like, yo, let's

2:04:07.480 --> 2:04:10.440
<v Speaker 1>do it. You know, Dot me and Dot you know

2:04:10.760 --> 2:04:15.600
<v Speaker 1>he just had a baby daughter. Congratulate yes, and had

2:04:15.640 --> 2:04:22.480
<v Speaker 1>a baby dog. Yeah, you're alcohol. Let me take over

2:04:22.680 --> 2:04:24.560
<v Speaker 1>right now. Listen, you know what I mean. Niggas and

2:04:24.640 --> 2:04:30.200
<v Speaker 1>my friends, they dix don't work, they can't they can't

2:04:30.240 --> 2:04:38.800
<v Speaker 1>produce children. Let me just pointed out disrespect that I

2:04:38.880 --> 2:04:41.200
<v Speaker 1>don't want to do swich stuff that came by the

2:04:41.240 --> 2:04:50.839
<v Speaker 1>inflation to start a cod and then number dogs it's diego.

2:04:51.360 --> 2:04:58.600
<v Speaker 1>These nuts are only fair, only fair id number three.

2:04:59.640 --> 2:05:10.760
<v Speaker 1>That's just it's the same ship. There's never Let's makes

2:05:11.880 --> 2:05:17.800
<v Speaker 1>you got about more, can't you? And Eddie gets Eddie

2:05:17.800 --> 2:05:22.600
<v Speaker 1>gets also makes it looys for Eddie Giggs. He's my brother.

2:05:22.680 --> 2:05:29.640
<v Speaker 1>I love him and he's kids eight. His chestis ears

2:05:29.680 --> 2:05:32.880
<v Speaker 1>and beers is crazy and he still makes pieces but

2:05:33.120 --> 2:05:36.400
<v Speaker 1>he does not busting nuts. This makes his words because

2:05:36.440 --> 2:05:42.240
<v Speaker 1>he eats. He eats. But you ask you. Let's get right, yeah,

2:05:43.680 --> 2:05:56.080
<v Speaker 1>let's not even side inside. Let us keep it real. God,

2:05:56.240 --> 2:06:04.200
<v Speaker 1>look God, who actually I kiss my women everywhere, me, mabe,

2:06:04.280 --> 2:06:06.280
<v Speaker 1>me going to me, my women, me and my wife.

2:06:06.520 --> 2:06:09.240
<v Speaker 1>We we got our own personal bites. Am I gonna

2:06:09.280 --> 2:06:11.680
<v Speaker 1>put it out there, but you know you ate an

2:06:11.680 --> 2:06:18.040
<v Speaker 1>asser too. I don't do that. No, no, no, no, no,

2:06:18.200 --> 2:06:21.200
<v Speaker 1>no no, it's not like that. It's not right, kid.

2:06:21.280 --> 2:06:25.200
<v Speaker 1>You don't ask them to dr change story. Let me

2:06:25.280 --> 2:06:28.400
<v Speaker 1>tell you something that we still make love to your woman.

2:06:28.680 --> 2:06:32.600
<v Speaker 1>You got a wife, you got kids. Everybody asked the

2:06:33.080 --> 2:06:35.400
<v Speaker 1>you're got supposed to if you were a king, you

2:06:35.520 --> 2:06:38.360
<v Speaker 1>got supposed to. Addressing that shows you never know. You

2:06:38.440 --> 2:06:42.400
<v Speaker 1>will never know that you love if you love your women,

2:06:43.720 --> 2:06:47.280
<v Speaker 1>you guys, if that's what you call it, that shouldn't be.

2:06:47.520 --> 2:06:53.320
<v Speaker 1>Eddie Giggs is not making love to his I'm not.

2:06:53.520 --> 2:06:59.120
<v Speaker 1>I'm not doing it. That's not ain't radoms. You can't

2:06:59.120 --> 2:07:02.640
<v Speaker 1>do that in the person right now, like I'm not.

2:07:02.920 --> 2:07:07.160
<v Speaker 1>I'm forty six, bro, I'm not talking about I'm not gonna.

2:07:07.200 --> 2:07:12.200
<v Speaker 1>I'm bugging. So I gotta wait, gett I'm okay, I'm sorry,

2:07:12.360 --> 2:07:17.400
<v Speaker 1>I mean, I'm not. I have your family about I

2:07:17.480 --> 2:07:21.120
<v Speaker 1>wanted you to keep going, just wanted to be right.

2:07:21.600 --> 2:07:24.240
<v Speaker 1>Let me sell you something. My girls, so so my

2:07:24.320 --> 2:07:27.480
<v Speaker 1>girls to the crazy old what to do? My woman

2:07:27.520 --> 2:07:29.360
<v Speaker 1>is so crazy over me. I don't know what to do.

2:07:30.480 --> 2:07:35.200
<v Speaker 1>I'm crazy. You got to I'm got to sit up

2:07:36.320 --> 2:07:37.880
<v Speaker 1>wanting to do in the front of conversation in the

2:07:37.920 --> 2:07:50.040
<v Speaker 1>middle of Oh that's cool, a little shot moment, not

2:07:50.200 --> 2:07:54.800
<v Speaker 1>doing whatever the please. So that's all we're like, yo,

2:07:54.840 --> 2:08:03.640
<v Speaker 1>whatever I gotta do please. Fact says a nigga might

2:08:03.840 --> 2:08:08.040
<v Speaker 1>go to the left because she gotta go down and

2:08:08.120 --> 2:08:10.840
<v Speaker 1>she's going me anyway and you have to go down on.

2:08:11.960 --> 2:08:14.920
<v Speaker 1>It's a trade off. Everything is a train off these days,

2:08:14.960 --> 2:08:30.120
<v Speaker 1>trained off. The assassin that's going it like it down

2:08:30.200 --> 2:08:32.080
<v Speaker 1>with him. I'm sorry, you know, it's just going on

2:08:32.520 --> 2:08:39.800
<v Speaker 1>everything ships control ship, one of these drink exactly right,

2:08:40.960 --> 2:08:46.800
<v Speaker 1>exactly what you said on that bar. That was very,

2:08:47.040 --> 2:08:50.480
<v Speaker 1>very very conversation. Somebody my vera because I know that

2:08:50.560 --> 2:08:53.080
<v Speaker 1>I gotta trade. I gotta give the kid. You have

2:08:53.200 --> 2:08:55.160
<v Speaker 1>to give the get and he never gets to get

2:08:55.720 --> 2:08:58.720
<v Speaker 1>to get my friend whatever, he never gets. It's just

2:08:58.800 --> 2:09:00.480
<v Speaker 1>me and he bit to say, I'm eat your ask

2:09:00.520 --> 2:09:03.240
<v Speaker 1>for but I suck it. And then he's like he's

2:09:03.240 --> 2:09:06.920
<v Speaker 1>like pouring hub without without the camp without it's just

2:09:07.040 --> 2:09:12.880
<v Speaker 1>a hubb Everybody has it in the free comingside. Listen

2:09:13.520 --> 2:09:16.200
<v Speaker 1>at the end of the day, alcoholic. It's not just nobody. No,

2:09:16.400 --> 2:09:19.560
<v Speaker 1>we don't say an we haven't fun a lot, I

2:09:19.600 --> 2:09:25.880
<v Speaker 1>haven't smoked to blowing him in fifteen years. Wait wait

2:09:25.920 --> 2:09:28.760
<v Speaker 1>wait wait, wait wait wait brothers, my brother's come on man,

2:09:28.880 --> 2:09:38.360
<v Speaker 1>wait wait wait, let's waiting. Just good bro, Yeah sir,

2:09:39.280 --> 2:09:42.000
<v Speaker 1>So you know me? Do you know? I just keep

2:09:42.080 --> 2:09:46.040
<v Speaker 1>making me shout up the book little all the way,

2:09:46.120 --> 2:09:51.440
<v Speaker 1>all the way. You got me, you got me going?

2:09:52.840 --> 2:09:57.800
<v Speaker 1>You want me where you got me? Right now, that's

2:09:58.280 --> 2:10:00.360
<v Speaker 1>a movie, coote, that was a movie, colde. I'm still

2:10:02.880 --> 2:10:05.560
<v Speaker 1>just listen listen this big. I love you, Thank you

2:10:05.640 --> 2:10:07.600
<v Speaker 1>for having me. I know your time is money. No,

2:10:07.760 --> 2:10:11.360
<v Speaker 1>we're waiting for you, and I'm not trying to waste it,

2:10:11.520 --> 2:10:15.600
<v Speaker 1>but I gotta promote my ships today. What you're going

2:10:15.680 --> 2:10:19.360
<v Speaker 1>for us? Got an album called the Guards have a

2:10:19.480 --> 2:10:23.080
<v Speaker 1>robbed Peace to the Guns. Let's keep it real. Let's

2:10:23.160 --> 2:10:30.440
<v Speaker 1>let's put some drinks. They just your side? Did you ask?

2:10:30.520 --> 2:10:33.560
<v Speaker 1>Do they just still equal? Because they just still might

2:10:33.600 --> 2:10:40.880
<v Speaker 1>have a big ege jesus every crette. You know what.

2:10:40.920 --> 2:10:49.320
<v Speaker 1>I'm stopped smoking cigarette now. I love makes you read April. Yeah.

2:10:50.640 --> 2:10:53.680
<v Speaker 1>I'm just trying to keep you the thing, you know. Yeah,

2:10:53.760 --> 2:10:55.960
<v Speaker 1>you know, I love y'all. At drinks, we gonna do

2:10:56.040 --> 2:10:58.680
<v Speaker 1>we do, we gonna do the drinks. You're gonna do that.

2:10:59.160 --> 2:11:01.840
<v Speaker 1>But now it s like I just wanted to let

2:11:01.920 --> 2:11:04.200
<v Speaker 1>you know that I've been in this all my life.

2:11:04.280 --> 2:11:07.120
<v Speaker 1>I ain't never give you all my life, and I'm

2:11:07.120 --> 2:11:10.040
<v Speaker 1>still here for you. I'm still going for you and

2:11:10.200 --> 2:11:12.640
<v Speaker 1>drink chance, and I'm thankful that you got me and

2:11:12.760 --> 2:11:18.560
<v Speaker 1>y'all nig is epic two both your mind manners love

2:11:18.600 --> 2:11:21.440
<v Speaker 1>the moment in time. I would love the chance that

2:11:23.040 --> 2:11:29.120
<v Speaker 1>this is ship. I ain't got no drinking. You're gonna

2:11:29.200 --> 2:11:39.600
<v Speaker 1>drink dru much. I much already drink that already. I

2:11:39.640 --> 2:11:43.440
<v Speaker 1>got the champagne cup. You gotta up. That's the champak

2:11:43.480 --> 2:11:49.680
<v Speaker 1>up like I got so many cups. Got mad? You

2:11:49.760 --> 2:11:55.360
<v Speaker 1>don't drink stopping together, we get a little every name

2:11:55.800 --> 2:12:01.120
<v Speaker 1>and hugging from you. Know this is my job. I

2:12:01.240 --> 2:12:04.480
<v Speaker 1>know I can cook. And I seen you cooking show.

2:12:04.720 --> 2:12:06.720
<v Speaker 1>I don't have a cooking show. I have a food show.

2:12:07.680 --> 2:12:10.840
<v Speaker 1>I don't don't cook, burner, you don't want me to cook?

2:12:11.320 --> 2:12:15.720
<v Speaker 1>I know, Oh I thought it was a cooking show.

2:12:15.800 --> 2:12:18.880
<v Speaker 1>Though it's a fool show. Like I just eat food.

2:12:18.960 --> 2:12:22.400
<v Speaker 1>I don't cook. Oh that ship dopest fuck. You go

2:12:22.520 --> 2:12:25.720
<v Speaker 1>to restaurants and heat likely and you go and then

2:12:25.760 --> 2:12:33.440
<v Speaker 1>they got a guy up to guys like, y'all have

2:12:33.640 --> 2:12:38.160
<v Speaker 1>s see I like that show. I was like, oh ship,

2:12:38.520 --> 2:12:43.760
<v Speaker 1>here to see you. And my girl said like, oh ship,

2:12:43.880 --> 2:12:54.120
<v Speaker 1>he eats all right, That's what I'm saying. You always

2:12:54.320 --> 2:13:00.840
<v Speaker 1>was that obspiration. I know who above it. You all

2:13:00.880 --> 2:13:06.240
<v Speaker 1>you guys, do not let me take yourself. You're my brother,

2:13:11.040 --> 2:13:13.880
<v Speaker 1>all right, You're my brother, but your inspirations are a

2:13:13.920 --> 2:13:18.640
<v Speaker 1>lot of brothers, just because no matter what, you refused

2:13:18.640 --> 2:13:21.480
<v Speaker 1>to be counted out. You do it your way. You

2:13:21.560 --> 2:13:23.720
<v Speaker 1>know what I'm saying. You do it your way. You

2:13:23.840 --> 2:13:26.560
<v Speaker 1>represent the culture. You do it your way. My brother

2:13:27.000 --> 2:13:29.600
<v Speaker 1>were our stories. No matter what, I can't you can't

2:13:29.600 --> 2:13:35.040
<v Speaker 1>talk about me without talking about you. And by the way,

2:13:35.400 --> 2:13:37.200
<v Speaker 1>I like you. But I want you to know this.

2:13:37.520 --> 2:13:41.000
<v Speaker 1>Drink chance and drink chance. We're standing from the two letters.

2:13:41.440 --> 2:13:44.320
<v Speaker 1>He said, I don't know. This is motherfucking Nations for

2:13:44.520 --> 2:13:50.560
<v Speaker 1>Queen's Bridge. Aghol this is motherfuck did family alcohol didn't

2:13:51.760 --> 2:13:57.760
<v Speaker 1>like four different carrots. He's for Brown's real mother to Yeah,

2:13:58.240 --> 2:14:06.200
<v Speaker 1>got that makes a look for Let me tak to

2:14:07.800 --> 2:14:15.480
<v Speaker 1>after this. This is this man right here is why

2:14:15.600 --> 2:14:21.320
<v Speaker 1>New York City got a name courtesy to this man

2:14:21.480 --> 2:14:30.400
<v Speaker 1>nature him too, you know what I mean, taking a

2:14:30.480 --> 2:14:36.600
<v Speaker 1>piss Let's let's go album. This is this is the

2:14:36.640 --> 2:14:39.040
<v Speaker 1>birth of the album by Head. Come on guys studio

2:14:39.120 --> 2:14:46.200
<v Speaker 1>in the hole to see one of my myum can

2:14:46.240 --> 2:14:48.680
<v Speaker 1>you get on my obum sneeze. Let's star got a

2:14:48.760 --> 2:14:52.880
<v Speaker 1>song called Demon Gang can't get on here. I'm sending

2:14:52.960 --> 2:15:03.720
<v Speaker 1>you recording all this guy's not say what record can't

2:15:04.280 --> 2:15:05.880
<v Speaker 1>you can use it. You can use it a skinning

2:15:05.880 --> 2:15:07.400
<v Speaker 1>the album if you want. But if he recorded to

2:15:07.480 --> 2:15:09.400
<v Speaker 1>get on it with me and we doing a video

2:15:09.520 --> 2:15:15.120
<v Speaker 1>out here in Miami, wait, if we had it. I

2:15:15.200 --> 2:15:17.400
<v Speaker 1>mean he's about to love bro, Come on the hip hop.

2:15:18.080 --> 2:15:20.680
<v Speaker 1>He's hip hop. You got stopped thinking about it? Cool

2:15:20.680 --> 2:15:25.200
<v Speaker 1>about I love you? If you want you, you got it.

2:15:28.040 --> 2:15:34.200
<v Speaker 1>That's it's your brother, bro Bro. And yeah, this guy's good.

2:15:34.440 --> 2:15:39.680
<v Speaker 1>But what song overlooked at the flight and Formation ship. Brother,

2:15:39.800 --> 2:15:43.760
<v Speaker 1>I gotta get out of here a certain time. No, no,

2:15:43.920 --> 2:15:47.040
<v Speaker 1>I get out of here tomorrow. He'll do a double

2:15:47.120 --> 2:15:56.120
<v Speaker 1>lot with you before the nights Day. I'm saying we've

2:15:56.120 --> 2:15:59.160
<v Speaker 1>seen right, we got those big guys over here that

2:15:59.200 --> 2:16:01.280
<v Speaker 1>can make it happen. I mean, this guy got me

2:16:01.440 --> 2:16:08.680
<v Speaker 1>say I love show a double as. Now I'm cops

2:16:09.000 --> 2:16:21.600
<v Speaker 1>Natan and come right. Okay, yeah, I love these bummers.

2:16:21.680 --> 2:16:25.320
<v Speaker 1>He's my bus. I have a shot ready. I love

2:16:25.360 --> 2:16:33.720
<v Speaker 1>the shot tank shot shine to drinking drinking shot. I

2:16:33.879 --> 2:16:40.400
<v Speaker 1>get your shots shot, Mr Shots shop sad. I want

2:16:40.400 --> 2:16:45.280
<v Speaker 1>to do this thing because the shots. Heybody want to

2:16:46.240 --> 2:16:48.600
<v Speaker 1>let's tase here, Mr least not ready for give shot.

2:16:50.040 --> 2:16:56.520
<v Speaker 1>I'm not like guys about a foo kind of vibe,

2:16:56.600 --> 2:17:02.920
<v Speaker 1>like I'm gonna do this one time. I don't know.

2:17:03.360 --> 2:17:08.360
<v Speaker 1>I talking about nature. Nature feels great about his life.

2:17:08.680 --> 2:17:15.039
<v Speaker 1>I feel great about he almost pretty some creeve right now,

2:17:15.480 --> 2:17:28.880
<v Speaker 1>what's ye were doing this? Now? You guys are gonna listen.

2:17:28.920 --> 2:17:31.959
<v Speaker 1>We're going. I was afraid you're going. You guys are connecting.

2:17:32.000 --> 2:17:34.160
<v Speaker 1>You got to call you when I go to christ Music,

2:17:34.360 --> 2:17:37.359
<v Speaker 1>I make your job easier. I'm like the White Howard

2:17:37.760 --> 2:17:43.760
<v Speaker 1>Game four when I'm thinking beat the Nuggets. Oh yo, kids,

2:17:44.120 --> 2:17:49.600
<v Speaker 1>the bubble can take in the game. I've been in

2:17:49.640 --> 2:17:52.440
<v Speaker 1>the game. I'm trying to get some mess. Can I

2:17:52.480 --> 2:18:05.680
<v Speaker 1>get my minutes? Getting minutes, y'all getting minutes gets shames

2:18:05.720 --> 2:18:10.240
<v Speaker 1>the nugget. I'm you wait out anything you want to

2:18:10.280 --> 2:18:13.400
<v Speaker 1>get out. You got the way to take this picture,

2:18:13.520 --> 2:18:17.080
<v Speaker 1>this last one. I love puts everybody for you get

2:18:17.080 --> 2:18:20.039
<v Speaker 1>out of Okay, want do you want to get out

2:18:20.879 --> 2:18:22.320
<v Speaker 1>before we get out? You know what we got at

2:18:22.360 --> 2:18:24.600
<v Speaker 1>it networking. We're doing a lot of ship for the

2:18:24.680 --> 2:18:27.800
<v Speaker 1>community outside of the rap. What's what's the foord? What's

2:18:27.840 --> 2:18:30.480
<v Speaker 1>the you said you got? I'm not really sure right now,

2:18:30.640 --> 2:18:32.680
<v Speaker 1>but you know what I'm saying. If you and I,

2:18:32.800 --> 2:18:38.040
<v Speaker 1>what is that? You can know? Yours a lot of this.

2:18:39.560 --> 2:18:45.240
<v Speaker 1>So basically, what's step by the time, say we gotta

2:18:45.400 --> 2:18:52.160
<v Speaker 1>step out the side? Listens, get the kids. I was

2:18:52.200 --> 2:18:54.960
<v Speaker 1>a fossed kid. Go vokid. Want to step by the

2:18:55.000 --> 2:19:01.200
<v Speaker 1>time of my supporting shoes, Sis Hockey, I Choper, send

2:19:01.280 --> 2:19:06.120
<v Speaker 1>us whatever I'm talking about. Yeah, please send us. We

2:19:06.120 --> 2:19:10.120
<v Speaker 1>can get the word out. You're giving out sneakers for

2:19:10.200 --> 2:19:12.400
<v Speaker 1>the hood. You're doing a lot of things for the community.

2:19:13.400 --> 2:19:25.880
<v Speaker 1>Non profit. Yeah, I'm part of that non profit. You're

2:19:25.879 --> 2:19:29.840
<v Speaker 1>giving out the community for the kids, for sneakers, all

2:19:29.959 --> 2:19:39.840
<v Speaker 1>kind of ship that didn't need this a real ship

2:19:40.000 --> 2:19:41.320
<v Speaker 1>right here. You know what I mean. I mean there's

2:19:41.360 --> 2:19:42.760
<v Speaker 1>a lot of people out there in need. There is

2:19:42.800 --> 2:19:45.160
<v Speaker 1>a lot of things. We laugh we joke. We talked

2:19:45.160 --> 2:19:47.720
<v Speaker 1>about a lot of things but we were trying to do.

2:19:48.680 --> 2:19:53.680
<v Speaker 1>But it's about thank you, thank you, thank you, Nature Pop.

2:19:53.760 --> 2:19:55.240
<v Speaker 1>I just want to thank I just want to thank

2:19:55.360 --> 2:19:58.120
<v Speaker 1>Drinks has for having me me. It's the Diacts album.

2:19:58.440 --> 2:20:01.199
<v Speaker 1>We got an album out right now, Scored the guards

2:20:01.280 --> 2:20:05.240
<v Speaker 1>have a ride you know, actually can't be here. He

2:20:05.360 --> 2:20:09.080
<v Speaker 1>had a baby daughter, you know, shot to his family

2:20:09.640 --> 2:20:12.040
<v Speaker 1>right now. I just want to thank you know have

2:20:12.320 --> 2:20:15.760
<v Speaker 1>for having me, you know and my wife putting this

2:20:15.879 --> 2:20:20.960
<v Speaker 1>all together. Um you of course Mr Noriega and you know,

2:20:21.520 --> 2:20:24.040
<v Speaker 1>you know, follow me on Instagram and all that and

2:20:24.600 --> 2:20:27.320
<v Speaker 1>buy my album. Please support to the hip hop movement

2:20:27.440 --> 2:20:30.920
<v Speaker 1>that still exists today, that that's out here. He liked

2:20:30.959 --> 2:20:33.959
<v Speaker 1>the Beatles. Baby don't don't no, don't use the needles

2:20:34.080 --> 2:20:51.480
<v Speaker 1>baby you know. Oh I go on number one, number

2:20:51.520 --> 2:21:00.120
<v Speaker 1>one shot. Thank you, thank you, yeah, thank you. M

2:21:08.560 --> 2:21:10.960
<v Speaker 1>Thanks for joining us for another episode of Drink Champs

2:21:11.040 --> 2:21:13.400
<v Speaker 1>hosted by Yours truly, d J E f N and

2:21:13.600 --> 2:21:15.640
<v Speaker 1>n O R E. Please make sure to follow us

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