1 00:00:11,760 --> 00:00:16,840 Speaker 1: And his Drink Chans motherfucking podcast. He's a legendary Queen's rapper. 2 00:00:17,000 --> 00:00:19,840 Speaker 1: He's like, that's your boy in nor He's a Miami 3 00:00:19,920 --> 00:00:23,200 Speaker 1: hip hop pioneer. Up is d j e FN. Together 4 00:00:23,400 --> 00:00:26,320 Speaker 1: they drinking up with some of the biggest players in 5 00:00:26,400 --> 00:00:30,960 Speaker 1: the most professional, unprofessional podcast and yet number one sorts 6 00:00:30,960 --> 00:00:34,680 Speaker 1: for drunk fast, drink Chess, motherfuckings New year Z. That's 7 00:00:35,200 --> 00:00:45,240 Speaker 1: time for Drink Champs, trick up, motherfuck mother what it 8 00:00:45,280 --> 00:00:47,159 Speaker 1: could be? Hoping it should be? This is your boy 9 00:00:47,320 --> 00:00:49,120 Speaker 1: n A O n A what up is d J 10 00:00:49,280 --> 00:00:51,720 Speaker 1: e F? And this is gonna Tammy crazy Hall. I 11 00:00:51,720 --> 00:01:00,320 Speaker 1: don't know what he's said. And right now, when you 12 00:01:00,360 --> 00:01:03,760 Speaker 1: talk about lyrics, when you talk about a guy I've seen, 13 00:01:04,120 --> 00:01:06,039 Speaker 1: you know come on the scene, it was crazy. It 14 00:01:06,120 --> 00:01:07,960 Speaker 1: was like burst on the scene and it was it 15 00:01:08,080 --> 00:01:10,360 Speaker 1: was nothing like it like I mean, it was really 16 00:01:10,400 --> 00:01:13,160 Speaker 1: really nothing like it at the time, especially being from Queens. 17 00:01:13,560 --> 00:01:16,039 Speaker 1: Then it became a part of a legendary group. I 18 00:01:16,080 --> 00:01:18,640 Speaker 1: mean every week I called it like Karen Events. He 19 00:01:18,680 --> 00:01:21,600 Speaker 1: was on a clue tape being disrespectful and to let 20 00:01:21,600 --> 00:01:24,160 Speaker 1: you know who wanted basketball, who wanted like he was 21 00:01:24,240 --> 00:01:27,160 Speaker 1: keeping up with the current events. The man has kept 22 00:01:27,240 --> 00:01:30,240 Speaker 1: he was signed, the track master, signed, the nas the 23 00:01:30,520 --> 00:01:34,280 Speaker 1: business with the biggest people in the world. The man 24 00:01:34,440 --> 00:01:38,200 Speaker 1: is still here, still repping that q B, still going harsh, 25 00:01:38,200 --> 00:01:39,880 Speaker 1: still with the hardest boss in the world. And you 26 00:01:39,880 --> 00:01:41,560 Speaker 1: just gotta tell him you want to record with somebody else, 27 00:01:41,640 --> 00:01:44,640 Speaker 1: her body And if you don't know to talk about 28 00:01:44,800 --> 00:01:52,960 Speaker 1: my man, you made yester. Now, now they were gonna 29 00:01:53,000 --> 00:01:54,480 Speaker 1: take this around the world. We're gonna take this from 30 00:01:54,480 --> 00:01:56,800 Speaker 1: the top. Let's take it from the top. Now, you 31 00:01:57,000 --> 00:02:04,000 Speaker 1: be original, right, what block that we from we're talking about? Okay, yeah, 32 00:02:04,240 --> 00:02:07,080 Speaker 1: and that's that is technically the hell right yeah, ok yeah, 33 00:02:07,360 --> 00:02:10,200 Speaker 1: the store the block that got the stores in right, yeah, yeah, 34 00:02:10,520 --> 00:02:12,200 Speaker 1: the only block to get the stores. And no, no, 35 00:02:12,320 --> 00:02:16,480 Speaker 1: I mean the Everett that's like, yeah, the street you 36 00:02:16,480 --> 00:02:19,680 Speaker 1: know Vernon Vernon Day, that's Cheka from the poll that 37 00:02:19,720 --> 00:02:21,880 Speaker 1: was just considered burning, right, yeah, but I mean there's 38 00:02:21,919 --> 00:02:30,079 Speaker 1: technically no stores on the block. Tell yeah, put it 39 00:02:30,120 --> 00:02:35,040 Speaker 1: on the store in my mind. Yeah, well so Tennis Street. 40 00:02:35,240 --> 00:02:37,919 Speaker 1: Let's you're gonna we don't pop bottle ace with everybody. 41 00:02:38,000 --> 00:02:40,200 Speaker 1: But you're a very special guy. You know what I'm said. 42 00:02:40,240 --> 00:02:42,440 Speaker 1: We're gonna pop a bottle of ace? What motherfucker nas 43 00:02:42,560 --> 00:02:48,359 Speaker 1: is that? Okay? Is that? Okay? Okay, okay, tell me 44 00:02:48,160 --> 00:02:50,200 Speaker 1: tell you. So let's let's say it from the beginning. 45 00:02:50,840 --> 00:02:53,840 Speaker 1: When did you start rhynning? I start rhyming since a 46 00:02:53,919 --> 00:02:57,280 Speaker 1: kid man. I was the dude that like that just 47 00:02:57,360 --> 00:03:00,520 Speaker 1: loved every record and like, um, I would just like 48 00:03:00,600 --> 00:03:02,200 Speaker 1: change the words of the records, like you know, I 49 00:03:02,200 --> 00:03:06,239 Speaker 1: mean to make my own little records, my own little 50 00:03:06,280 --> 00:03:07,799 Speaker 1: records of it. Yeah, you know what I mean. And 51 00:03:08,200 --> 00:03:11,400 Speaker 1: in my house we had record places. There wasn't turntables. 52 00:03:11,400 --> 00:03:13,400 Speaker 1: I was treating them like turn tables because I was like, 53 00:03:13,480 --> 00:03:15,560 Speaker 1: you know, my pops had a lot of records at 54 00:03:15,560 --> 00:03:19,800 Speaker 1: the time, and I would try I would miss up 55 00:03:19,840 --> 00:03:24,400 Speaker 1: a lot of needles and like that. Remember you mightn't 56 00:03:24,440 --> 00:03:27,320 Speaker 1: really have a j oh, that's a good question. I 57 00:03:27,360 --> 00:03:29,919 Speaker 1: don't really have a you know, I don't really know. 58 00:03:30,240 --> 00:03:32,600 Speaker 1: But I was like I love the blends. I loved 59 00:03:33,639 --> 00:03:36,320 Speaker 1: you know what I mean. So um rap was like 60 00:03:36,560 --> 00:03:38,320 Speaker 1: real easy to me. It was like, yo, that was 61 00:03:38,360 --> 00:03:40,040 Speaker 1: the ship, you know what I'm saying. I don't really 62 00:03:40,040 --> 00:03:41,720 Speaker 1: had no name yet. I was like that was the 63 00:03:41,760 --> 00:03:43,720 Speaker 1: hard paull like that we can't make your name and 64 00:03:44,040 --> 00:03:46,480 Speaker 1: like that. But but you know what I mean, hip 65 00:03:46,520 --> 00:03:50,040 Speaker 1: hop just just hip hop because for me it was 66 00:03:50,120 --> 00:03:51,680 Speaker 1: like I did a little bit of all of it. 67 00:03:52,040 --> 00:03:54,000 Speaker 1: You know, I was a kid that could do the 68 00:03:54,000 --> 00:03:59,960 Speaker 1: Buffiti and he was. I spent on my saying roster music. 69 00:04:03,240 --> 00:04:05,560 Speaker 1: But you know when when hip hop was was was 70 00:04:05,720 --> 00:04:08,040 Speaker 1: was becoming some ship I wouldn't you know, we don't 71 00:04:08,040 --> 00:04:09,520 Speaker 1: know who. I don't know if I was gonna be 72 00:04:09,560 --> 00:04:13,280 Speaker 1: the DJ, the rapper. Uh, you know what I'm saying. Ship, 73 00:04:13,320 --> 00:04:17,920 Speaker 1: But but I embodied all of that ship yes, and 74 00:04:17,600 --> 00:04:20,200 Speaker 1: then and then all right, cool, look lootie little shot 75 00:04:20,279 --> 00:04:23,279 Speaker 1: little look a little not shot yet just regular chairs. 76 00:04:23,800 --> 00:04:30,280 Speaker 1: So all right boom. Now when you started Roman, who 77 00:04:30,360 --> 00:04:32,320 Speaker 1: was the people from the Queen's Bridge that was on 78 00:04:32,400 --> 00:04:36,200 Speaker 1: who's here? Like people who looked up to when we 79 00:04:36,279 --> 00:04:40,880 Speaker 1: came up. We've always had like Molly Mars, right, Molly 80 00:04:40,960 --> 00:04:45,920 Speaker 1: Mall was the dude and DJ hot Day that day 81 00:04:46,000 --> 00:04:47,679 Speaker 1: was the dude that was like he brings the speakers 82 00:04:47,680 --> 00:04:50,320 Speaker 1: out and he brings me speakers out. Everybody started coming 83 00:04:50,360 --> 00:04:53,040 Speaker 1: around and you know, it becomes the party, right, So 84 00:04:53,360 --> 00:04:55,200 Speaker 1: we used to use the the part queens bridge was 85 00:04:55,240 --> 00:04:59,920 Speaker 1: right across the street from this big park, so mall 86 00:05:00,120 --> 00:05:01,560 Speaker 1: m all, and these dudes just it used to be 87 00:05:01,640 --> 00:05:05,279 Speaker 1: nothing to come outside and see the em C Shins, 88 00:05:05,360 --> 00:05:09,360 Speaker 1: the Juice crew. There was the Niggers right, so it 89 00:05:09,400 --> 00:05:13,080 Speaker 1: would be like Coogi wrap order about hanging outside outside, 90 00:05:13,080 --> 00:05:16,520 Speaker 1: and now that's outside, these guys walking out. I heard 91 00:05:16,600 --> 00:05:19,400 Speaker 1: Rock did check out my melody. He recorded that one 92 00:05:19,400 --> 00:05:24,960 Speaker 1: of those cane and all these things on your you're 93 00:05:25,000 --> 00:05:27,640 Speaker 1: going to the store, Like holy shit, you know what 94 00:05:27,640 --> 00:05:31,760 Speaker 1: I mean. But it was so dope because videos wasn't 95 00:05:31,839 --> 00:05:34,120 Speaker 1: the ship. So if you reach to the point where 96 00:05:34,200 --> 00:05:40,120 Speaker 1: somebody said, yo, that's such and such, who's especially if 97 00:05:40,120 --> 00:05:41,719 Speaker 1: you had the juke box. If you don't have the jukebox, 98 00:05:41,800 --> 00:05:44,800 Speaker 1: man have that dollar twenty five. You know, watch ain't 99 00:05:44,960 --> 00:05:49,279 Speaker 1: half stepping you. But we used to have these jams 100 00:05:49,279 --> 00:05:51,800 Speaker 1: in the park, you know what I'm saying. We had 101 00:05:51,880 --> 00:05:54,600 Speaker 1: River Park, so you know, at any given time, there 102 00:05:54,680 --> 00:05:56,640 Speaker 1: was like forming some ship in front of me. Like 103 00:05:56,680 --> 00:06:00,680 Speaker 1: it was like the empty Shins, the crack gs, the 104 00:06:00,760 --> 00:06:04,760 Speaker 1: rocks and sean time. You don't do they're all older 105 00:06:04,760 --> 00:06:08,799 Speaker 1: than me. But I was the dude that was watching 106 00:06:08,839 --> 00:06:11,880 Speaker 1: these shows in the park from the tree branch, no exaggeration, 107 00:06:11,960 --> 00:06:14,000 Speaker 1: like I know that if I'm too short to stand 108 00:06:14,080 --> 00:06:17,720 Speaker 1: right here, and they like that, and I know that 109 00:06:17,760 --> 00:06:19,480 Speaker 1: if I moved from this tree branch, I'm not going 110 00:06:19,520 --> 00:06:22,080 Speaker 1: to see the show. But I'm watching the hip hop 111 00:06:22,400 --> 00:06:25,560 Speaker 1: live from the beginning, like you know what I'm saying. 112 00:06:25,560 --> 00:06:28,040 Speaker 1: It was like, holy ship, these guys donna ask you 113 00:06:28,440 --> 00:06:31,839 Speaker 1: a question. So when Shan said hip hop started out 114 00:06:31,839 --> 00:06:34,159 Speaker 1: on the ball, you thought that he really really start. 115 00:06:34,200 --> 00:06:38,240 Speaker 1: I've never been over nowhere else, so I'm like this ship, 116 00:06:39,960 --> 00:06:41,880 Speaker 1: you know what I mean. These guys were dope, but 117 00:06:41,920 --> 00:06:44,960 Speaker 1: they was They were just like you didn't. Like I said, 118 00:06:44,960 --> 00:06:46,880 Speaker 1: it was no video, so you have to like love 119 00:06:47,000 --> 00:06:49,000 Speaker 1: this music right here. And the only way you could 120 00:06:49,040 --> 00:06:53,719 Speaker 1: get it was through the radio, I believe, through a 121 00:06:53,760 --> 00:06:56,480 Speaker 1: Friday or Saturday night, through you know what I mean, 122 00:06:56,520 --> 00:06:59,160 Speaker 1: having the radio and taping this ship. And and I 123 00:06:59,240 --> 00:07:01,040 Speaker 1: was the guy that was the next day to be 124 00:07:01,080 --> 00:07:03,520 Speaker 1: playing songs like yeah, you ain't got this right, hitting 125 00:07:03,560 --> 00:07:05,040 Speaker 1: me good, and I'm you know, I'm playing the only 126 00:07:05,040 --> 00:07:08,640 Speaker 1: reason why I didn't I didn't believe Shan. But the 127 00:07:08,680 --> 00:07:10,960 Speaker 1: only reason why I had cousins always from the Bronx 128 00:07:10,960 --> 00:07:13,320 Speaker 1: that with with with debate that immediately, but like, no, 129 00:07:13,600 --> 00:07:16,400 Speaker 1: it didn't come from me. But the day to Queen's 130 00:07:16,400 --> 00:07:19,640 Speaker 1: Bridge was the first people that was actually doing parties 131 00:07:19,680 --> 00:07:22,280 Speaker 1: on the Queen's side. So I can see where you 132 00:07:22,320 --> 00:07:25,320 Speaker 1: know thought that, and I can see where other people 133 00:07:25,360 --> 00:07:28,960 Speaker 1: from Queens because you know that they with a jam 134 00:07:29,560 --> 00:07:35,840 Speaker 1: and Shan right trying to get on chance and listen, 135 00:07:36,080 --> 00:07:38,880 Speaker 1: we are not avoiding you at all. We got we got. 136 00:07:39,320 --> 00:07:41,080 Speaker 1: But what I'm saying was while I was sharing was 137 00:07:41,120 --> 00:07:44,360 Speaker 1: Sham was the first person I've seen I had style. 138 00:07:45,120 --> 00:07:49,000 Speaker 1: He had like two different color pumas, yeah, big kingos, 139 00:07:49,080 --> 00:07:51,600 Speaker 1: he had rope chains. He was like even though you 140 00:07:51,640 --> 00:07:54,000 Speaker 1: know when the when the ship went on with caress 141 00:07:54,040 --> 00:07:56,240 Speaker 1: One and talking about him and all that suff ship, 142 00:07:56,320 --> 00:07:59,760 Speaker 1: but he would walk around and have the audi and 143 00:08:00,080 --> 00:08:02,040 Speaker 1: he was a definition of what a star was. And 144 00:08:02,160 --> 00:08:04,680 Speaker 1: I didn't know what anything sold. He might not have 145 00:08:04,720 --> 00:08:07,000 Speaker 1: ever made any money from the records, but if you 146 00:08:07,160 --> 00:08:11,120 Speaker 1: looked at mc ship, he was at his time, he 147 00:08:11,160 --> 00:08:17,120 Speaker 1: was with it. What we wanted was the man still 148 00:08:17,120 --> 00:08:20,440 Speaker 1: a man, and he did a lot for us things 149 00:08:20,480 --> 00:08:24,000 Speaker 1: in Queens. Richard win the triple off, so okay, so 150 00:08:24,040 --> 00:08:26,320 Speaker 1: you looked up to right now boom, Now what is 151 00:08:26,360 --> 00:08:29,240 Speaker 1: the point what you said to yourself, I'm gonna actually 152 00:08:29,280 --> 00:08:33,240 Speaker 1: do this professionally because me personally, I'll ride for a 153 00:08:33,280 --> 00:08:35,199 Speaker 1: long time. I ride, probably since I was a leaping 154 00:08:35,360 --> 00:08:37,760 Speaker 1: but I never thought of doing it professionally until I 155 00:08:37,800 --> 00:08:41,160 Speaker 1: was like that. For me, I still wasn't even when 156 00:08:41,200 --> 00:08:43,839 Speaker 1: we were just doing the all these clue tapes, right, 157 00:08:44,160 --> 00:08:50,880 Speaker 1: I still didn't really don't say that I didn't take 158 00:08:50,880 --> 00:08:57,720 Speaker 1: it serious, but I still didn't understand what it takes 159 00:08:57,760 --> 00:09:00,439 Speaker 1: to probably shape the album. I'm still didn't none stand 160 00:09:00,720 --> 00:09:03,160 Speaker 1: how to do I'm doing clue taps, not really knowing 161 00:09:03,200 --> 00:09:05,600 Speaker 1: how to count bars. I just know that my bars 162 00:09:05,640 --> 00:09:12,400 Speaker 1: was kind of fire, you know, So I didn't know 163 00:09:12,600 --> 00:09:15,560 Speaker 1: as far as you can't how you getting on clue 164 00:09:15,600 --> 00:09:19,320 Speaker 1: taps to start, you definitely skip the way off. So 165 00:09:19,600 --> 00:09:21,600 Speaker 1: it had to be a moment prior to that that 166 00:09:21,640 --> 00:09:23,240 Speaker 1: you said, you know, I think I could do this, 167 00:09:23,280 --> 00:09:25,240 Speaker 1: Like what was that? I mean? Because at the time 168 00:09:25,320 --> 00:09:28,680 Speaker 1: dudes was establishing names for themselves right after you already 169 00:09:28,720 --> 00:09:32,480 Speaker 1: had the wave of the h Molly's and all these 170 00:09:32,480 --> 00:09:34,760 Speaker 1: other things. It kind of went quiet for a minute, right, 171 00:09:35,400 --> 00:09:39,960 Speaker 1: And so We're still in school, so I'm learning about 172 00:09:40,000 --> 00:09:42,720 Speaker 1: who's dope that's around me, like you know what I mean? 173 00:09:42,880 --> 00:09:46,080 Speaker 1: Like Yo, the word of spread throughout the hood and 174 00:09:46,120 --> 00:09:49,480 Speaker 1: through school. Who's dope? Like You'll start walking across the 175 00:09:49,480 --> 00:09:51,880 Speaker 1: street to the other side and here, yeah, I heard 176 00:09:52,000 --> 00:09:53,679 Speaker 1: other such as kind of dope. You know what I mean. 177 00:09:53,720 --> 00:09:56,280 Speaker 1: It might not be an official battle, but you might 178 00:09:56,320 --> 00:09:59,680 Speaker 1: go one ahead. What's going on because people are talking 179 00:10:00,000 --> 00:10:03,560 Speaker 1: I'm saying, and I just knew that. I didn't really 180 00:10:03,559 --> 00:10:07,480 Speaker 1: write rhymes, but I can catch it anything like I 181 00:10:07,520 --> 00:10:09,679 Speaker 1: could catch style. I can catch I knew how to 182 00:10:09,760 --> 00:10:11,600 Speaker 1: change the words, so I can catch anything you threw 183 00:10:11,640 --> 00:10:14,720 Speaker 1: at me. So anytime, dudes was kind of like the 184 00:10:14,840 --> 00:10:17,520 Speaker 1: names was building up, I might have said, like a 185 00:10:17,559 --> 00:10:19,280 Speaker 1: little bit of something that I had. It might not 186 00:10:19,320 --> 00:10:21,199 Speaker 1: be a full rhyme, but my rhynd might be. Like 187 00:10:21,200 --> 00:10:24,080 Speaker 1: like I said, so your name starts getting put in 188 00:10:24,080 --> 00:10:27,760 Speaker 1: these circles. I'm still not thinking about taking serious. It's 189 00:10:27,800 --> 00:10:31,280 Speaker 1: still like I still I had all. I still had 190 00:10:31,280 --> 00:10:33,760 Speaker 1: to go through the trials and tribulations of the hood 191 00:10:33,800 --> 00:10:36,079 Speaker 1: before I even could get to that, you know what 192 00:10:36,160 --> 00:10:40,600 Speaker 1: I'm saying. People didn't know me as a rapper. Certain 193 00:10:40,679 --> 00:10:42,920 Speaker 1: dudes in the school, like you know who's who, who 194 00:10:42,920 --> 00:10:45,440 Speaker 1: could carry who has some balls? But I wasn't like 195 00:10:45,480 --> 00:10:47,640 Speaker 1: it was dudes before me. It was like the Cold 196 00:10:47,720 --> 00:10:49,320 Speaker 1: Megan's and all of that, you know what I mean. 197 00:10:49,320 --> 00:10:51,600 Speaker 1: It was these guys that was putting in work on 198 00:10:51,440 --> 00:10:55,200 Speaker 1: it on the street like some real ship. But my 199 00:10:55,280 --> 00:10:58,520 Speaker 1: name was always mentioned in those circles. But still I 200 00:10:58,559 --> 00:11:01,120 Speaker 1: wasn't the first or first how you talked about for 201 00:11:01,240 --> 00:11:05,360 Speaker 1: the second guy you talked about. But it's circular, yes, 202 00:11:06,280 --> 00:11:10,400 Speaker 1: you know what I mean. So um, all right, now 203 00:11:11,559 --> 00:11:13,160 Speaker 1: you did that. What was the person in the new 204 00:11:13,200 --> 00:11:15,840 Speaker 1: era that you started to I know you said cold. 205 00:11:16,200 --> 00:11:17,679 Speaker 1: What was the person let's walked you to say, you 206 00:11:17,760 --> 00:11:19,560 Speaker 1: know what, I could do this the new era from 207 00:11:19,640 --> 00:11:21,920 Speaker 1: from Queen's Bridge or anywhere it could be for a minute, 208 00:11:22,040 --> 00:11:24,319 Speaker 1: well doing front and you know what I mean? It 209 00:11:24,440 --> 00:11:33,680 Speaker 1: was it was when the talks of money being made 210 00:11:33,679 --> 00:11:35,959 Speaker 1: when we're actually making records, when he was actually talking 211 00:11:36,000 --> 00:11:40,520 Speaker 1: about um doing an album called the Firm. It was like, Hey, 212 00:11:40,559 --> 00:11:42,520 Speaker 1: this guy from the hood, my gobs from the hood 213 00:11:42,559 --> 00:11:46,360 Speaker 1: that we kind of we we we didn't let's go 214 00:11:46,400 --> 00:11:49,480 Speaker 1: fast with lem just going buying, all right? Well, how 215 00:11:49,520 --> 00:11:51,120 Speaker 1: did you meet jumping with? That's where that that was 216 00:11:51,160 --> 00:11:54,400 Speaker 1: the condition connection, right, yeah, all right, let's go. Yeah, 217 00:11:54,440 --> 00:11:56,440 Speaker 1: I mean I mean were in the we in the hood. 218 00:11:56,440 --> 00:12:01,319 Speaker 1: We just vibed out, we just connected earlier. Um, it 219 00:12:01,400 --> 00:12:05,000 Speaker 1: was like exciting for me to actually go from the 220 00:12:05,040 --> 00:12:08,960 Speaker 1: transition from recording in people's cribs to go to the studio. 221 00:12:09,559 --> 00:12:14,679 Speaker 1: So fucking with Jung Jung had the opportunity for us 222 00:12:14,720 --> 00:12:17,800 Speaker 1: to actually go in the studio. So this is the 223 00:12:17,800 --> 00:12:21,240 Speaker 1: first time I'm actually hearing how did young know you, Rhyn? Because, um, 224 00:12:21,400 --> 00:12:23,880 Speaker 1: I mean we all have we all with mutual friends, 225 00:12:23,920 --> 00:12:27,360 Speaker 1: we were all we're all from the project. Jungles from Vernon, 226 00:12:27,559 --> 00:12:30,080 Speaker 1: us from Vernon. For people that don't know queens Bridge, 227 00:12:30,280 --> 00:12:32,680 Speaker 1: I know that is the next block Vernon and timp 228 00:12:32,720 --> 00:12:35,360 Speaker 1: Street would be the next block, and the timpt Street 229 00:12:35,360 --> 00:12:38,000 Speaker 1: and Tall Street be the next block. That one little 230 00:12:38,040 --> 00:12:41,199 Speaker 1: block is a whole another word like you know what 231 00:12:41,240 --> 00:12:44,040 Speaker 1: I'm saying. So how did he know you? You Rhyn 232 00:12:44,679 --> 00:12:46,440 Speaker 1: Test Street and he's from Burning Now I think it 233 00:12:46,480 --> 00:12:49,920 Speaker 1: was probably like my dude Killer and probably dudes like 234 00:12:50,160 --> 00:12:55,280 Speaker 1: wiz Killer from Vernon from Okay, but you know what 235 00:12:55,320 --> 00:12:57,560 Speaker 1: I mean, It was association at the time when when 236 00:12:57,640 --> 00:13:04,280 Speaker 1: when Naas was when Nas first came out with his album, 237 00:13:04,920 --> 00:13:08,559 Speaker 1: the guys that was around him were also around me 238 00:13:09,880 --> 00:13:13,240 Speaker 1: and you rhymed back then on that. Yeah, when It 239 00:13:13,440 --> 00:13:16,320 Speaker 1: Matter came out, you already he was already mine, but 240 00:13:16,400 --> 00:13:23,360 Speaker 1: it wasn't But I was not serious until it Mannic 241 00:13:23,440 --> 00:13:25,240 Speaker 1: came out when madd came out, So I gotta get 242 00:13:25,240 --> 00:13:27,560 Speaker 1: my light together, you know what I'm saying. For reals, 243 00:13:27,600 --> 00:13:31,600 Speaker 1: But we've had plenty of conversations prior to making records, 244 00:13:32,480 --> 00:13:36,040 Speaker 1: me and Nas where we didn't sat there, we talked 245 00:13:36,640 --> 00:13:40,000 Speaker 1: and you know, I remember borrowing his Tripical Quests tape 246 00:13:40,120 --> 00:13:45,880 Speaker 1: Tripical Quests came out. I actually borrowed his tape textet 247 00:13:46,280 --> 00:13:52,760 Speaker 1: we will Doead what What's Ale? He came back to 248 00:13:53,080 --> 00:13:55,199 Speaker 1: take came back to the crib to get the tape. 249 00:13:55,240 --> 00:14:00,120 Speaker 1: That's like, you know, we borrowed you take back the 250 00:14:00,160 --> 00:14:02,800 Speaker 1: try bold Quest tape. Now if I'm lying real, you 251 00:14:02,800 --> 00:14:04,720 Speaker 1: know what I'm saying. So we were like this ship 252 00:14:04,760 --> 00:14:07,319 Speaker 1: was always around us. Name of the album, it was 253 00:14:09,160 --> 00:14:17,439 Speaker 1: my favorite favorite instincts travel, people's instinct travel. What's that's 254 00:14:17,480 --> 00:14:19,840 Speaker 1: the name of that's the that's the first one, right, 255 00:14:19,880 --> 00:14:27,680 Speaker 1: that's the first one, you know what I mean. So 256 00:14:27,800 --> 00:14:31,040 Speaker 1: we we were around this ship. We loved this ship, 257 00:14:31,120 --> 00:14:33,360 Speaker 1: you know what I'm saying. So you're saying, you all 258 00:14:33,400 --> 00:14:35,000 Speaker 1: right because I didn't know this. I swear to God, 259 00:14:35,000 --> 00:14:37,920 Speaker 1: I did not know this. So you knew NAS and 260 00:14:38,040 --> 00:14:41,120 Speaker 1: don't do prior to them, even they're really really nice 261 00:14:41,120 --> 00:14:45,200 Speaker 1: because NAS is most of my age. So you know 262 00:14:45,240 --> 00:14:49,320 Speaker 1: what I'm saying. So it's like at the time, I'm 263 00:14:49,360 --> 00:14:51,880 Speaker 1: I'm sucking up. I'm you know what I'm saying. I'm 264 00:14:52,280 --> 00:14:54,560 Speaker 1: doing all kind of getting in trouble and ship like that, 265 00:14:54,800 --> 00:14:57,240 Speaker 1: and the guys that's around and saying, you know what, 266 00:14:57,480 --> 00:14:59,920 Speaker 1: I got somebody that I got faith in two some 267 00:15:00,160 --> 00:15:02,720 Speaker 1: from the block that I think that we should kind 268 00:15:02,720 --> 00:15:06,000 Speaker 1: of like bring him to the studio and try to 269 00:15:06,040 --> 00:15:08,000 Speaker 1: do some ship. They talked about you what they told 270 00:15:08,000 --> 00:15:10,880 Speaker 1: about they're talking about me, you know what they're talking 271 00:15:10,880 --> 00:15:13,640 Speaker 1: about me. So they get me to the studio. We 272 00:15:13,640 --> 00:15:16,360 Speaker 1: started recording. I don't know, I don't remember. Probably was 273 00:15:17,840 --> 00:15:21,520 Speaker 1: shout off DJ Clue that very first shootout joint probably was. 274 00:15:21,560 --> 00:15:23,880 Speaker 1: That was like one of the first records I've ever 275 00:15:23,920 --> 00:15:36,440 Speaker 1: made like that. So thet me so so we went 276 00:15:36,480 --> 00:15:42,560 Speaker 1: into the studio and we should start making little free styles. Right. 277 00:15:43,360 --> 00:15:45,960 Speaker 1: Clue made it open because he gave us the opportunity 278 00:15:46,000 --> 00:15:48,560 Speaker 1: to like to get on these tapes. Right, I'm still 279 00:15:48,560 --> 00:15:52,000 Speaker 1: not really taking it serious, just like because everybody's going 280 00:15:52,040 --> 00:15:54,720 Speaker 1: their way up. There's nobody that's really you know what 281 00:15:54,760 --> 00:15:56,880 Speaker 1: I'm saying. It's kind of different when you when your men, 282 00:15:57,080 --> 00:16:00,240 Speaker 1: like when you spend time with somebody from more and 283 00:16:00,280 --> 00:16:04,040 Speaker 1: they become famous. I'm just still my man from a 284 00:16:04,040 --> 00:16:06,120 Speaker 1: little I'm just supposed to still be my man. Certain 285 00:16:06,160 --> 00:16:10,040 Speaker 1: things change in life. We totally understand that. But at 286 00:16:10,080 --> 00:16:12,040 Speaker 1: that one point, do I look at you as like that? 287 00:16:12,120 --> 00:16:15,480 Speaker 1: Because I got plenty of stories of like why you're 288 00:16:15,520 --> 00:16:18,440 Speaker 1: becoming this stall? We're still right here and if you're 289 00:16:18,480 --> 00:16:23,480 Speaker 1: my man, I'm playing different roles for you that serious. 290 00:16:24,040 --> 00:16:29,960 Speaker 1: But didn't know. I didn't know until I see all 291 00:16:29,960 --> 00:16:32,520 Speaker 1: these other rappers I got told you I was coming 292 00:16:32,560 --> 00:16:35,200 Speaker 1: from being locked up and remember that, so I didn't 293 00:16:35,200 --> 00:16:40,360 Speaker 1: really care what it is. But I didn't realize that 294 00:16:40,400 --> 00:16:42,280 Speaker 1: Clue was giving me the opportunity to be first or 295 00:16:42,320 --> 00:16:53,760 Speaker 1: second on these tapes and me and the locks and ship, 296 00:16:53,800 --> 00:16:56,760 Speaker 1: like that's what these dudes is becoming something, and they 297 00:16:56,800 --> 00:17:02,440 Speaker 1: had these expectations of me. I didn't know because I'm 298 00:17:02,440 --> 00:17:06,840 Speaker 1: following my team's lead. So they're talking about forming some 299 00:17:06,960 --> 00:17:08,960 Speaker 1: big ship that's going on. Who's the team and the 300 00:17:09,080 --> 00:17:13,240 Speaker 1: team at the time. I mean, I'm who's talking. I'm 301 00:17:13,320 --> 00:17:16,879 Speaker 1: coming into the game, into the studio, still being a 302 00:17:16,960 --> 00:17:20,119 Speaker 1: part of NAS. So whatever he's shoying to for him, 303 00:17:20,400 --> 00:17:22,080 Speaker 1: I'm not sure what he's shying the form, but I'm 304 00:17:22,119 --> 00:17:24,480 Speaker 1: a part of that, you know what I'm saying. So 305 00:17:25,520 --> 00:17:27,800 Speaker 1: we're running around, they're talking about doing the firm, and 306 00:17:27,840 --> 00:17:32,960 Speaker 1: he's picking these other rappers that I've never known met before, 307 00:17:33,160 --> 00:17:37,560 Speaker 1: but you heard of. They're becoming, they're becoming stars there 308 00:17:37,600 --> 00:17:40,840 Speaker 1: their own people in their own right. But I was 309 00:17:40,880 --> 00:17:45,680 Speaker 1: pulled into this game because as a reaction, Okay, let's 310 00:17:45,680 --> 00:17:47,439 Speaker 1: take a shot before we go there, I feel like 311 00:17:47,440 --> 00:17:49,840 Speaker 1: you want to go to them. We're gonna talk about whatever. 312 00:17:49,920 --> 00:17:53,479 Speaker 1: But it's not like your typical ship, you know what 313 00:17:53,480 --> 00:18:01,879 Speaker 1: I'm saying, Because all right, the hold I remember, let 314 00:18:01,880 --> 00:18:04,840 Speaker 1: me go on. I'm bringing back because when I was 315 00:18:04,960 --> 00:18:09,520 Speaker 1: doing these clue joints, I'm recording these clue joints every 316 00:18:09,560 --> 00:18:12,440 Speaker 1: every time crew comes out. I'm I'm on these tapes right, 317 00:18:12,520 --> 00:18:14,560 Speaker 1: but how did it get to the Clue joints? Though 318 00:18:14,800 --> 00:18:17,320 Speaker 1: the guy's clue was kind of because Clue was in 319 00:18:17,440 --> 00:18:23,800 Speaker 1: house with Steve down and that, but I'm still not 320 00:18:25,280 --> 00:18:29,640 Speaker 1: I'm stale. I'm sorry you just cut off because one 321 00:18:29,640 --> 00:18:34,240 Speaker 1: a second at this time, I still can't describe the 322 00:18:34,400 --> 00:18:37,240 Speaker 1: buzz that Clue had, like the amount that it meant 323 00:18:37,840 --> 00:18:40,240 Speaker 1: for you to be a number one through five people 324 00:18:40,240 --> 00:18:43,480 Speaker 1: getting signed for Clue. So like at first, like I 325 00:18:43,760 --> 00:18:47,000 Speaker 1: haven't I described when I met you, but when I 326 00:18:47,080 --> 00:18:48,720 Speaker 1: didn't meet you, I think the first three style you 327 00:18:48,800 --> 00:18:50,440 Speaker 1: had with just you by yourself, so no one knew 328 00:18:50,440 --> 00:18:53,280 Speaker 1: your affiliation, no one. It was the second threestyle but 329 00:18:53,359 --> 00:18:56,560 Speaker 1: nows actually set some Adeline or something. I don't remember 330 00:18:56,680 --> 00:19:00,800 Speaker 1: like perfectly, but I remember how step shipped meant to 331 00:19:00,880 --> 00:19:02,560 Speaker 1: the city, so I know him on No, no, no, 332 00:19:02,720 --> 00:19:08,360 Speaker 1: they're got a shot the shot. Let's stay forward, sile side, 333 00:19:08,480 --> 00:19:15,080 Speaker 1: stay listen to you three ten say bad Wana made? 334 00:19:15,560 --> 00:19:32,240 Speaker 1: So so what's happening, what's happening? What's happening? Yeah, okay, 335 00:19:32,280 --> 00:19:37,640 Speaker 1: I can't what's going on? Got sorry? Alright? So bom um, 336 00:19:38,040 --> 00:19:46,320 Speaker 1: all right, So you start doing the coupe tech first one, 337 00:19:46,359 --> 00:19:48,879 Speaker 1: the second one didn't, so you you don't actually know 338 00:19:49,080 --> 00:19:51,600 Speaker 1: what's what's going on because the firm had already been 339 00:19:51,600 --> 00:19:55,159 Speaker 1: started at that time. They had already been starting, okay, 340 00:19:55,600 --> 00:19:59,160 Speaker 1: And I'm not really being so I'm not talking about 341 00:19:59,240 --> 00:20:02,280 Speaker 1: business when it comes down to that, I'm basically the 342 00:20:03,320 --> 00:20:05,280 Speaker 1: guy the shooter. I'm still trying to figure out what 343 00:20:05,440 --> 00:20:07,600 Speaker 1: kind of who I am, what kind of style I have. 344 00:20:07,840 --> 00:20:11,080 Speaker 1: I just know that clue is after I do this take, 345 00:20:11,119 --> 00:20:12,800 Speaker 1: I'm getting a response from the people, you know what 346 00:20:12,840 --> 00:20:14,920 Speaker 1: I'm saying. So it's a little bit bigger from going 347 00:20:15,000 --> 00:20:17,240 Speaker 1: from rapping on the corner. So I went from rapping 348 00:20:17,280 --> 00:20:19,840 Speaker 1: on the corner to wrapping in people's cribs in the 349 00:20:19,920 --> 00:20:22,119 Speaker 1: living rooms in the basements, to now going to the 350 00:20:22,160 --> 00:20:25,960 Speaker 1: studio and actually getting a good sound and ship you 351 00:20:26,000 --> 00:20:28,400 Speaker 1: know what I'm saying, and leaving with tapes and ship 352 00:20:28,520 --> 00:20:30,880 Speaker 1: like that, and so the people in the hood as 353 00:20:30,920 --> 00:20:34,520 Speaker 1: actually starting to talk. It's starting to talk. I'm becoming 354 00:20:34,520 --> 00:20:37,120 Speaker 1: another one of those names that's from the hood, that's 355 00:20:37,280 --> 00:20:40,840 Speaker 1: You've got so many after this freestyle at least, you know, 356 00:20:41,960 --> 00:20:45,439 Speaker 1: in the studio and just doing just being in the studio, 357 00:20:45,800 --> 00:20:51,240 Speaker 1: being being affiliated with Son because he didn't really start 358 00:20:51,280 --> 00:20:55,080 Speaker 1: to do anything for anybody yet outside of life's a 359 00:20:55,160 --> 00:20:57,400 Speaker 1: bit you didn't really he didn't. You know, he's still 360 00:20:57,440 --> 00:21:01,160 Speaker 1: climbing up on his way up. But to actually here that, Yo, 361 00:21:01,280 --> 00:21:05,399 Speaker 1: he got somebody from the hood that's that can actually 362 00:21:05,520 --> 00:21:07,040 Speaker 1: wrap it. And you know what I'm saying. You know 363 00:21:07,040 --> 00:21:08,879 Speaker 1: what I'm saying. And I'm not one of the first people. 364 00:21:09,200 --> 00:21:11,159 Speaker 1: I don't know what the relationship that he has with 365 00:21:11,600 --> 00:21:13,920 Speaker 1: Mega or what he has with all these other guys, 366 00:21:14,160 --> 00:21:17,800 Speaker 1: but I just know that everybody that that hung around 367 00:21:17,960 --> 00:21:20,399 Speaker 1: was kind of old to one kind of cruel to 368 00:21:20,600 --> 00:21:22,159 Speaker 1: you know what I'm saying, one kind of crue I 369 00:21:22,200 --> 00:21:24,760 Speaker 1: didn't understand the business. I didn't understand this, but I 370 00:21:24,840 --> 00:21:26,800 Speaker 1: know that I've been listening to rap for so long 371 00:21:26,960 --> 00:21:28,960 Speaker 1: that I could do this ship too, you know what 372 00:21:29,000 --> 00:21:31,080 Speaker 1: I'm saying. So what happened when they approach you and 373 00:21:31,119 --> 00:21:33,680 Speaker 1: that was what was it? Steve Stout? Is that the 374 00:21:33,680 --> 00:21:36,520 Speaker 1: first person to turn it into business for you? Yeah, 375 00:21:36,520 --> 00:21:38,440 Speaker 1: because that's the first people that I actually got to 376 00:21:38,480 --> 00:21:45,760 Speaker 1: check from. So to Steve Stout, I say, you know 377 00:21:45,760 --> 00:21:47,280 Speaker 1: what I mean, shout out to them. They the ones 378 00:21:47,400 --> 00:21:49,640 Speaker 1: that actually was like because it's not like your hand, 379 00:21:50,480 --> 00:21:52,479 Speaker 1: they put you on a clue tape without you actually 380 00:21:52,480 --> 00:21:55,520 Speaker 1: signing to them. Yes, because I was crazy because clue 381 00:21:55,560 --> 00:21:57,520 Speaker 1: tape us still with like, no, I didn't know what 382 00:21:57,640 --> 00:22:00,040 Speaker 1: this one, what was happening with these clue tapes. I 383 00:22:00,119 --> 00:22:01,840 Speaker 1: just know that when I was going to go see 384 00:22:01,880 --> 00:22:06,320 Speaker 1: my po wan't Jamaica my po fucking We're going in there. 385 00:22:06,359 --> 00:22:08,440 Speaker 1: We're going to record store, one of these little small 386 00:22:08,520 --> 00:22:10,879 Speaker 1: last record stores, and that's when you actually will buy 387 00:22:10,960 --> 00:22:13,600 Speaker 1: the tape just because of certain names was on it, 388 00:22:13,920 --> 00:22:15,320 Speaker 1: you know what I'm saying. But I didn't realize that 389 00:22:15,359 --> 00:22:17,560 Speaker 1: people was buying it because Lean was on it until 390 00:22:17,600 --> 00:22:20,119 Speaker 1: I was meeting these people like oh Ship. But at 391 00:22:20,160 --> 00:22:22,000 Speaker 1: the time, it was almost like ghost space killer when 392 00:22:22,040 --> 00:22:27,440 Speaker 1: I say that in the happening, really the cowboy happen 393 00:22:27,680 --> 00:22:29,320 Speaker 1: the cowboy you know where I think it's from the 394 00:22:29,359 --> 00:22:31,359 Speaker 1: hood making they get they get you know who got it? 395 00:22:31,400 --> 00:22:37,000 Speaker 1: Then when they get a cow cowboy, I got the cowboys. 396 00:22:43,320 --> 00:22:48,240 Speaker 1: So all right, Clue, let's just get into it. I 397 00:22:48,320 --> 00:22:50,840 Speaker 1: think the first time I met you, it's in the 398 00:22:50,960 --> 00:22:59,040 Speaker 1: studio very j blis friend fatal let me tell you 399 00:22:59,080 --> 00:23:04,960 Speaker 1: something to get there. I always heard about this guy, 400 00:23:05,080 --> 00:23:07,880 Speaker 1: but I never was around this guy right here right. 401 00:23:08,359 --> 00:23:13,680 Speaker 1: I knew Capone because Capone was from Queensbridge. So in 402 00:23:13,760 --> 00:23:15,960 Speaker 1: the middle of me getting locked up and doing dumb shit, 403 00:23:16,680 --> 00:23:20,040 Speaker 1: these guys happened to shoot a video on the roof 404 00:23:20,119 --> 00:23:26,760 Speaker 1: of my building. Video was shot on the you know, 405 00:23:26,880 --> 00:23:29,440 Speaker 1: on the roof of my building. So I see these 406 00:23:29,480 --> 00:23:33,280 Speaker 1: guys there. I didn't need him still to me, I know, 407 00:23:33,320 --> 00:23:35,560 Speaker 1: I'm saying. It was still this guy that had this 408 00:23:35,800 --> 00:23:38,199 Speaker 1: this opward style. Nobody didn't know, you know what I mean. 409 00:23:38,280 --> 00:23:43,920 Speaker 1: They thought his name was Jose Luise. I didn't know, 410 00:23:47,200 --> 00:24:01,399 Speaker 1: but I thought on the side this ye about celebrated stories. 411 00:24:02,000 --> 00:24:09,960 Speaker 1: I mean, who I fake? Fake? Oh God, So this 412 00:24:10,119 --> 00:24:13,440 Speaker 1: guy right here making his rounds. I'm still a fan 413 00:24:13,600 --> 00:24:16,640 Speaker 1: of what's going on. And it wasn't until a round 414 00:24:16,680 --> 00:24:18,800 Speaker 1: of time when he was actually doing the firm that 415 00:24:20,200 --> 00:24:22,600 Speaker 1: we was drown in the pot together. So it's like 416 00:24:22,720 --> 00:24:25,440 Speaker 1: I've never been nowhere. So my first time in Miami 417 00:24:26,119 --> 00:24:28,960 Speaker 1: might have been his first time in Miami. Have no 418 00:24:29,200 --> 00:24:32,920 Speaker 1: driver's license. We're just out heads, smoking weed and hanging 419 00:24:32,960 --> 00:24:35,640 Speaker 1: around the fellers and dre and these niggas and ship 420 00:24:35,760 --> 00:24:37,920 Speaker 1: like that your bowl on. I'm saying the very first 421 00:24:37,960 --> 00:24:40,440 Speaker 1: time was before that though, But where was we act 422 00:24:41,040 --> 00:24:44,719 Speaker 1: right track? It was with us married j Bilies when 423 00:24:44,760 --> 00:24:47,000 Speaker 1: that record, when that record came out. So this is this, 424 00:24:47,160 --> 00:24:49,439 Speaker 1: This is what I gotta ask. I gotta ask because 425 00:24:49,680 --> 00:24:53,640 Speaker 1: I know you probably answered this a million times. I'm 426 00:24:53,680 --> 00:24:56,760 Speaker 1: sure you know MEGA probably asked the million times. But 427 00:24:57,040 --> 00:24:59,840 Speaker 1: here's is it on that record? That was the record 428 00:24:59,880 --> 00:25:03,399 Speaker 1: that you went that? Yeah, that was the record. I 429 00:25:03,520 --> 00:25:06,080 Speaker 1: had heard that he was a guy no no please, 430 00:25:06,320 --> 00:25:11,840 Speaker 1: and somebody bullshit gash me told me, yo, he's talking 431 00:25:11,880 --> 00:25:14,440 Speaker 1: about you. Y know, they're talking about you and they're 432 00:25:14,440 --> 00:25:17,320 Speaker 1: shipping on you, and it was managining every record. But 433 00:25:17,400 --> 00:25:25,879 Speaker 1: when he said there they do because all right, so 434 00:25:26,480 --> 00:25:29,959 Speaker 1: that's would happened. Okay, he's saying that when you got 435 00:25:30,000 --> 00:25:32,119 Speaker 1: to the studio, when you have to student, people are 436 00:25:32,119 --> 00:25:33,760 Speaker 1: saying that, or people are saying that price you get 437 00:25:33,840 --> 00:25:36,359 Speaker 1: into the slide. To me, getting that makes sense because 438 00:25:36,400 --> 00:25:38,399 Speaker 1: you know why because I'm the only one that one 439 00:25:38,520 --> 00:25:43,760 Speaker 1: left field on that record. Listen, I was Mary j 440 00:25:43,920 --> 00:25:49,359 Speaker 1: By So here's a jip. I went to the I 441 00:25:49,760 --> 00:25:51,720 Speaker 1: think I went I was too scared to use the 442 00:25:51,760 --> 00:25:53,840 Speaker 1: interns at this time, so I actually went to the 443 00:25:53,880 --> 00:25:56,760 Speaker 1: store or something myself to go grab some more super cigars. 444 00:25:56,840 --> 00:25:58,240 Speaker 1: Like I didn't know how the studio work. I just 445 00:25:58,320 --> 00:26:00,119 Speaker 1: wanted to rhyme, you know what I'm saying, So I 446 00:26:00,160 --> 00:26:02,120 Speaker 1: didn't want to push nobody's buttons. But by the time 447 00:26:02,160 --> 00:26:04,920 Speaker 1: I came back and when I heard I heard I 448 00:26:05,040 --> 00:26:07,560 Speaker 1: heard your ROM, I had thought, this is this is 449 00:26:07,640 --> 00:26:10,159 Speaker 1: that you cleared a twenty year history for me, for 450 00:26:10,280 --> 00:26:15,600 Speaker 1: me personally, because I'm on the record, and prior to that, 451 00:26:16,359 --> 00:26:18,560 Speaker 1: I didn't see them trying to gas he was I said, 452 00:26:18,560 --> 00:26:20,359 Speaker 1: I didn't see the people. I didn't see Nas, I 453 00:26:20,400 --> 00:26:25,360 Speaker 1: didn't see Jungle, I didn't see Steve Stout like suggesting 454 00:26:25,400 --> 00:26:27,840 Speaker 1: that you go at Beta, right, So I didn't see that. 455 00:26:28,440 --> 00:26:30,639 Speaker 1: So as I came back, you know, I've been't had 456 00:26:30,720 --> 00:26:34,520 Speaker 1: my ROM ready. But then when I heard your mom or, 457 00:26:34,840 --> 00:26:36,520 Speaker 1: I don't know. I think you went first for sure, 458 00:26:37,480 --> 00:26:40,120 Speaker 1: and I just didn't know where they come from, where 459 00:26:40,160 --> 00:26:43,680 Speaker 1: it came from, right, Okay, I'm fucking we we did 460 00:26:43,760 --> 00:26:46,840 Speaker 1: the y sound like ben Bleak story was now heard 461 00:26:46,920 --> 00:26:49,040 Speaker 1: that I know that I was going out of town. 462 00:26:49,359 --> 00:26:52,560 Speaker 1: I heard yo this guy's talking about you. He said 463 00:26:52,600 --> 00:26:54,760 Speaker 1: such and stuff. So they even told me some bullshit, 464 00:26:54,880 --> 00:26:56,760 Speaker 1: but I started to cut you. I'm sorry to stop you. 465 00:26:56,920 --> 00:26:59,200 Speaker 1: But at the time, you you wasn't the member of 466 00:26:59,280 --> 00:27:01,760 Speaker 1: the firm yet. You was just yeah, we said. But 467 00:27:01,920 --> 00:27:03,720 Speaker 1: but I felt like they made me feel like I 468 00:27:03,840 --> 00:27:06,440 Speaker 1: was in competition for this, for the for that pos 469 00:27:06,840 --> 00:27:09,160 Speaker 1: they made me feel like I was in kind You mean, 470 00:27:09,280 --> 00:27:14,480 Speaker 1: you didn't know the powers that So I hear this ship, 471 00:27:14,840 --> 00:27:18,680 Speaker 1: I'm tight as a motherfucker. We go to the studio. 472 00:27:18,800 --> 00:27:22,960 Speaker 1: We got everybody in their clues, Mary, everybody in there, 473 00:27:23,200 --> 00:27:26,040 Speaker 1: and I just decided to just use this record right 474 00:27:26,160 --> 00:27:29,359 Speaker 1: here to to to start some bullshit. I don't know 475 00:27:29,600 --> 00:27:33,360 Speaker 1: start that. I'm not even going. I mean, it's over 476 00:27:33,400 --> 00:27:35,080 Speaker 1: come on, I don't know. It was a whole bunch 477 00:27:35,160 --> 00:27:37,320 Speaker 1: of ship. It was. It was. It was a record 478 00:27:37,400 --> 00:27:38,800 Speaker 1: that had so much of us. I don't think it 479 00:27:39,800 --> 00:27:42,240 Speaker 1: so crazy that even when they blocked out Megan's name, 480 00:27:42,359 --> 00:27:44,960 Speaker 1: you still knew it was not because the street start 481 00:27:45,000 --> 00:27:49,000 Speaker 1: talking at that time, Street start talking, what was coming 482 00:27:49,000 --> 00:27:52,160 Speaker 1: on the player? Come on, you know family like Megan knows, 483 00:27:52,240 --> 00:27:53,879 Speaker 1: and come on, we did it with him it Come on, 484 00:27:54,280 --> 00:28:00,720 Speaker 1: this yeah, I got his phone. It was it was 485 00:28:00,760 --> 00:28:03,400 Speaker 1: the people that was sucking over there. I got something 486 00:28:04,680 --> 00:28:09,960 Speaker 1: you want to go Okay, you don't even know. So 487 00:28:10,560 --> 00:28:12,840 Speaker 1: that was it. That was it, and that was just 488 00:28:13,160 --> 00:28:16,720 Speaker 1: enough for me. I thought at the time, UM, just 489 00:28:16,840 --> 00:28:19,840 Speaker 1: speak my piece, right, So when I speak my piece, 490 00:28:20,160 --> 00:28:22,080 Speaker 1: I knew I'm going out of town. I just thought 491 00:28:22,119 --> 00:28:24,119 Speaker 1: about it. I just didn't didn't think about it. So 492 00:28:24,280 --> 00:28:25,960 Speaker 1: once I fucking I went to l A. I had 493 00:28:25,960 --> 00:28:27,760 Speaker 1: to go to l A. And like two days after 494 00:28:27,800 --> 00:28:30,680 Speaker 1: this where you talking about the l A. So this 495 00:28:30,800 --> 00:28:33,040 Speaker 1: is when I go to l A. I get the call. 496 00:28:33,400 --> 00:28:38,640 Speaker 1: Clue just came outside. Oh my god, it's on and 497 00:28:38,800 --> 00:28:41,880 Speaker 1: soon you getting back. It's on. So I'm like what 498 00:28:42,960 --> 00:28:44,280 Speaker 1: you know what I'm saying, I'm still gonna do it 499 00:28:44,360 --> 00:28:47,320 Speaker 1: blind because I didn't feel that I was the aggressive. 500 00:28:47,360 --> 00:28:49,880 Speaker 1: I felt that I was defending myself. I felt that, yo, 501 00:28:50,360 --> 00:28:52,120 Speaker 1: somebody took a shot and take a shot back. Just 502 00:28:52,240 --> 00:28:53,560 Speaker 1: what we do. This is what we do, you know 503 00:28:53,560 --> 00:28:55,959 Speaker 1: what I mean? It's still it still was nothing personal. 504 00:28:56,000 --> 00:29:00,560 Speaker 1: Was just like I'm feeling myself. We both in the spot, 505 00:29:00,680 --> 00:29:02,840 Speaker 1: but we didn't really know. Question your people that was 506 00:29:02,920 --> 00:29:06,920 Speaker 1: telling you that the you I loved going to the studio. 507 00:29:07,000 --> 00:29:08,400 Speaker 1: I didn't think about that. I was like, oh, you 508 00:29:08,400 --> 00:29:10,840 Speaker 1: said this is true, I said, but what's true? But 509 00:29:11,080 --> 00:29:13,200 Speaker 1: but and this is like I said, like I got 510 00:29:13,640 --> 00:29:16,560 Speaker 1: he's on on standby two. This kay, But this is 511 00:29:16,640 --> 00:29:18,720 Speaker 1: real ship. The thing is about it is we can 512 00:29:18,760 --> 00:29:21,200 Speaker 1: only change our future, our passes, our past. We gotta 513 00:29:21,240 --> 00:29:23,840 Speaker 1: live up to our past right now. Of course it's 514 00:29:23,880 --> 00:29:25,920 Speaker 1: so much s. I don't want to what I did. 515 00:29:26,200 --> 00:29:28,360 Speaker 1: I did, I didn't do, you know what I mean. Now, 516 00:29:28,400 --> 00:29:30,880 Speaker 1: it's not about shut up what but I mean, that's 517 00:29:31,160 --> 00:29:33,240 Speaker 1: that's the ship that happened. And that was my mind state. 518 00:29:33,320 --> 00:29:36,040 Speaker 1: I felt like, no, and nobody's gonna take this away 519 00:29:36,080 --> 00:29:39,480 Speaker 1: from me. This is my first time actually flying out 520 00:29:39,520 --> 00:29:42,000 Speaker 1: of state. Just's my actually getting this big check. This, 521 00:29:42,120 --> 00:29:43,560 Speaker 1: you know what I mean, I'm my mind around. I'm 522 00:29:43,560 --> 00:29:45,480 Speaker 1: still in the hood. It's like when you hear when 523 00:29:45,480 --> 00:29:47,160 Speaker 1: you got your check and still it's like I'm still 524 00:29:47,200 --> 00:29:51,960 Speaker 1: boring crack crack. I'm gonna train with in my pocket, 525 00:29:52,120 --> 00:29:57,680 Speaker 1: like you know what I'm saying. Changed my life for real, 526 00:29:57,920 --> 00:30:12,040 Speaker 1: like real ship. I look, I'm in there with the 527 00:30:12,160 --> 00:30:14,760 Speaker 1: money though, you know what I mean. So I felt 528 00:30:14,760 --> 00:30:16,480 Speaker 1: like I had to protect that, you know what I mean. 529 00:30:16,880 --> 00:30:18,800 Speaker 1: It was It was never nine personal or nothing, but 530 00:30:18,880 --> 00:30:20,480 Speaker 1: I felt like, yeah, you ain't gonna take them from this. 531 00:30:20,920 --> 00:30:24,480 Speaker 1: Life is changing. I got the Cowboy because this is 532 00:30:25,120 --> 00:30:30,960 Speaker 1: my acts. It's cause at that time I needed to know. 533 00:30:31,560 --> 00:30:38,440 Speaker 1: I never really knew. I never really knew, like I thought, 534 00:30:38,560 --> 00:30:42,040 Speaker 1: actually you got gas, I thought, or like or not 535 00:30:42,200 --> 00:30:44,560 Speaker 1: you got gas or somebody gas to just to say that, 536 00:30:44,680 --> 00:30:46,280 Speaker 1: let me tell you that I'm not. I was never 537 00:30:46,440 --> 00:30:50,200 Speaker 1: known as the hustler or the crack seller, so my 538 00:30:50,360 --> 00:30:52,360 Speaker 1: name was never gonna be like, oh you heard your 539 00:30:52,480 --> 00:30:55,160 Speaker 1: nature out there that they didn't even really know some 540 00:30:55,240 --> 00:30:57,880 Speaker 1: people but still called me by my real name, So 541 00:30:58,280 --> 00:31:01,600 Speaker 1: you got real name in the world. The head his 542 00:31:01,760 --> 00:31:06,400 Speaker 1: real name sounds like a superhero Jermain Baxter. Sounds like 543 00:31:06,600 --> 00:31:10,480 Speaker 1: they just put on a case and just like, listen, 544 00:31:11,760 --> 00:31:17,000 Speaker 1: the superhero sneature. But when you go to us, I 545 00:31:17,120 --> 00:31:22,600 Speaker 1: even gave you the slim name with that Alder. The 546 00:31:22,680 --> 00:31:25,120 Speaker 1: dudes that I probably met in the game throughout my 547 00:31:25,240 --> 00:31:30,640 Speaker 1: whole career, the most genuine dude's been this guy that's 548 00:31:30,680 --> 00:31:33,320 Speaker 1: been my guy. So our stories are so intertwined. It's 549 00:31:33,320 --> 00:31:35,600 Speaker 1: like he asked me questions that he probably he knows, 550 00:31:36,280 --> 00:31:40,080 Speaker 1: you know not but you know what I mean. But 551 00:31:40,680 --> 00:31:42,600 Speaker 1: that's how we win as far as on that side. 552 00:31:42,680 --> 00:31:45,720 Speaker 1: So we're becoming notorious on the streets as far as 553 00:31:45,800 --> 00:31:49,440 Speaker 1: the clue. They're putting us together, and then all of 554 00:31:49,480 --> 00:31:56,480 Speaker 1: a sudden, boom, the relationship between Son and Mega falls. 555 00:31:56,960 --> 00:31:59,120 Speaker 1: So when that's when that relationship, this is, this is, 556 00:31:59,200 --> 00:32:01,960 Speaker 1: this is, this is It's important, not only important to me, 557 00:32:02,040 --> 00:32:07,240 Speaker 1: but important to the audience because um, at that moment 558 00:32:09,400 --> 00:32:11,680 Speaker 1: was it wasn't you felt obligated to say, you know what, 559 00:32:11,880 --> 00:32:14,360 Speaker 1: this is my team. They put me in this position. 560 00:32:14,680 --> 00:32:16,560 Speaker 1: Let me take that, let me take that. So it's 561 00:32:16,600 --> 00:32:19,560 Speaker 1: like it's like when Charles walking off, somebody gets traded 562 00:32:19,600 --> 00:32:21,960 Speaker 1: to the next team, Like and you with that next team, 563 00:32:22,000 --> 00:32:25,720 Speaker 1: you want an elbow. That's what it was. This is 564 00:32:25,760 --> 00:32:30,560 Speaker 1: the guy, right, what happened is it's the guy placed something. 565 00:32:30,640 --> 00:32:33,840 Speaker 1: This guy that that's that's basically changing your life, right, 566 00:32:33,880 --> 00:32:36,959 Speaker 1: he has the opportunity to change your life. It's not right, 567 00:32:37,560 --> 00:32:40,640 Speaker 1: but he's going through such a transition that I can't 568 00:32:40,640 --> 00:32:45,440 Speaker 1: be with him every day. So somehow I'm getting connected 569 00:32:46,000 --> 00:32:50,080 Speaker 1: more and more every day with jungle right, because it's 570 00:32:50,080 --> 00:32:52,040 Speaker 1: the same. You know, when it's time to be somewhere, 571 00:32:52,440 --> 00:32:55,080 Speaker 1: it's still coming down the chain of the chain of 572 00:32:56,040 --> 00:32:59,160 Speaker 1: the command. We didn't sign papers to say, hey, you 573 00:32:59,560 --> 00:33:01,520 Speaker 1: and this is where you come into play. We didn't. 574 00:33:01,560 --> 00:33:04,000 Speaker 1: We never signed papers to say, hey, you're gonna be 575 00:33:04,120 --> 00:33:08,200 Speaker 1: my manager or this and that. We're become brothers. And 576 00:33:08,280 --> 00:33:10,600 Speaker 1: at the same time, he's forming a bond with you, 577 00:33:12,240 --> 00:33:16,240 Speaker 1: so we both have the same manager or the same 578 00:33:16,320 --> 00:33:18,960 Speaker 1: guy at the same time. So it's only right that 579 00:33:19,760 --> 00:33:22,080 Speaker 1: me and you start bonding. But mind, I'm older than 580 00:33:22,120 --> 00:33:24,400 Speaker 1: you guys, you know what I mean. But we're all 581 00:33:24,520 --> 00:33:27,600 Speaker 1: for the same ship. You guys have a name before me. 582 00:33:28,520 --> 00:33:30,400 Speaker 1: So I'm still a fan. I don't no matter what, 583 00:33:30,520 --> 00:33:32,720 Speaker 1: I still coach your first ship on you because I'm 584 00:33:32,760 --> 00:33:35,400 Speaker 1: a fan of this. But we're becoming brothers now because 585 00:33:35,440 --> 00:33:39,760 Speaker 1: we all are locked in together. I don't think that's 586 00:33:39,760 --> 00:33:45,280 Speaker 1: deserve a shot. Got got that, souther What happened is 587 00:33:46,200 --> 00:33:51,080 Speaker 1: fucking with track Masters. They designed the Bearsville situation. That's later. 588 00:33:51,160 --> 00:33:53,200 Speaker 1: Hold on, you're going to but this is how it happens. 589 00:33:53,800 --> 00:33:56,440 Speaker 1: Keep up with me, y'all, Keep up, look at the shot, 590 00:33:56,560 --> 00:33:59,200 Speaker 1: Keep up with me. It's done. It's done. God, Okay, 591 00:33:59,240 --> 00:34:03,280 Speaker 1: all right, so God, so after this comes out, because 592 00:34:03,400 --> 00:34:06,960 Speaker 1: that bears mil was after that, right yeah, bears filds 593 00:34:07,040 --> 00:34:11,640 Speaker 1: before any like, right before the firm, and that's when 594 00:34:11,640 --> 00:34:16,920 Speaker 1: I will start my solo. Okay, all let's describe how 595 00:34:17,040 --> 00:34:22,160 Speaker 1: crazy bears Field describe out like, Yo, I've never seen 596 00:34:22,239 --> 00:34:24,600 Speaker 1: no ship like this. Like I said, I'm still counting 597 00:34:24,640 --> 00:34:27,359 Speaker 1: the places I'm going. I'm still new feeling, I'm still hood, 598 00:34:27,440 --> 00:34:31,640 Speaker 1: We're still rough around. And they put this, they designed 599 00:34:31,680 --> 00:34:33,920 Speaker 1: it where as we can go to the studio in 600 00:34:34,040 --> 00:34:37,440 Speaker 1: the woods. You don't you can't leave. There's no stores, 601 00:34:37,600 --> 00:34:42,040 Speaker 1: no store. Anything you need is cater to you. Jail yail, 602 00:34:42,239 --> 00:34:50,279 Speaker 1: and it's and it's me Nori in the house. The 603 00:34:50,400 --> 00:34:54,160 Speaker 1: houses houses the house. Half the house is fifty half 604 00:34:54,239 --> 00:34:57,759 Speaker 1: the houses. Me of problems, I got my I got 605 00:34:57,800 --> 00:35:00,239 Speaker 1: my old Listen. What happened is what happen. Know this 606 00:35:00,320 --> 00:35:04,279 Speaker 1: is real ship track masters are so hot and it 607 00:35:04,480 --> 00:35:08,600 Speaker 1: was so important to them that everybody like listen and 608 00:35:09,120 --> 00:35:11,279 Speaker 1: with them. I was the only artist that wasn't on 609 00:35:11,480 --> 00:35:16,320 Speaker 1: track master. I was so connected with the firm and everything, 610 00:35:16,520 --> 00:35:18,680 Speaker 1: and they couldn't keep up with him. First of all, 611 00:35:18,880 --> 00:35:22,279 Speaker 1: they can't control him and making and making his own 612 00:35:25,880 --> 00:35:30,680 Speaker 1: whatever he needs to do. He has that momentum ready. 613 00:35:30,760 --> 00:35:32,759 Speaker 1: We're still coming in like, oh Ship, you know what 614 00:35:32,800 --> 00:35:36,960 Speaker 1: I'm saying. They followed my league, but um, but they 615 00:35:37,080 --> 00:35:39,560 Speaker 1: lead it. They lead it with me, you know. And 616 00:35:39,600 --> 00:35:43,239 Speaker 1: I remember, I remember, I remember listening to him and Polk. 617 00:35:43,280 --> 00:35:45,399 Speaker 1: I will never forget this conversation to have with him. 618 00:35:45,400 --> 00:35:49,000 Speaker 1: I was like, Yo, I needed Street Dreams and they 619 00:35:49,120 --> 00:35:51,640 Speaker 1: was like, Nope, you ain't gonna get that from us. 620 00:35:52,040 --> 00:35:55,239 Speaker 1: And I said, what, you don't know? What's crazy? At 621 00:35:55,280 --> 00:36:00,239 Speaker 1: that time, all the records that nazis to turn down, 622 00:36:00,680 --> 00:36:03,719 Speaker 1: they used to give him The fifty supposed to be 623 00:36:03,840 --> 00:36:06,279 Speaker 1: reconsiectually be like, oh, Ship, I heard that over here, 624 00:36:07,160 --> 00:36:09,040 Speaker 1: but he got a version of it. And he's creating 625 00:36:09,080 --> 00:36:11,799 Speaker 1: whole songs at the time. Remember he was like really 626 00:36:11,880 --> 00:36:14,319 Speaker 1: doing that. They was going at him because that's when 627 00:36:14,360 --> 00:36:16,400 Speaker 1: they're like, yo, why are you singing? Or why you 628 00:36:16,960 --> 00:36:18,879 Speaker 1: know how to how do you know how to ramp? 629 00:36:18,960 --> 00:36:21,040 Speaker 1: And try to harmonize. It was the game was kind 630 00:36:21,080 --> 00:36:23,480 Speaker 1: of different, but he was right there with us, so 631 00:36:23,600 --> 00:36:25,440 Speaker 1: they was kind of trying to fill in the void. 632 00:36:26,400 --> 00:36:28,960 Speaker 1: We're making this firm album that's supposed to be this 633 00:36:29,120 --> 00:36:34,920 Speaker 1: amazing ship. But we have Nori. That's not a firm. Remember, 634 00:36:35,680 --> 00:36:39,000 Speaker 1: we have cannabis, we have guys. That was kind of 635 00:36:39,920 --> 00:36:45,120 Speaker 1: half half him. Yeah, he's on the desperas you know whatever. 636 00:36:45,200 --> 00:36:47,960 Speaker 1: Steve Styling track Masters was hard. They was gonna throw 637 00:36:48,000 --> 00:36:49,719 Speaker 1: our us. But at the same time we were so 638 00:36:50,040 --> 00:36:52,840 Speaker 1: dope they gotta stop you right there, Steve Style Tracks 639 00:36:53,040 --> 00:36:55,040 Speaker 1: is not bring me in Jungle from me in Yeah, 640 00:36:55,160 --> 00:36:58,200 Speaker 1: I got, But what I'm saying is the politics of 641 00:36:58,320 --> 00:37:02,239 Speaker 1: the game before we stopped, you need to say, you know, 642 00:37:02,600 --> 00:37:07,600 Speaker 1: firm O and all of that. Nori was so dope 643 00:37:07,680 --> 00:37:10,560 Speaker 1: that he was part of one of the dopest songs 644 00:37:10,640 --> 00:37:13,279 Speaker 1: on the joint with me. He actually got to ask 645 00:37:13,320 --> 00:37:15,120 Speaker 1: yourself why there was never a video, why there was 646 00:37:15,200 --> 00:37:19,160 Speaker 1: never that. That's a whole another chapter. Face, brother, he's 647 00:37:19,160 --> 00:37:24,680 Speaker 1: trying to So I'm gonna be honest, this is my 648 00:37:25,160 --> 00:37:29,880 Speaker 1: my brother. Like everybody like Yo, I'm gonna tell you 649 00:37:30,000 --> 00:37:34,560 Speaker 1: something I always say. The transition to my solo career 650 00:37:34,960 --> 00:37:37,640 Speaker 1: was I'm leaving like that ship because that did the 651 00:37:37,719 --> 00:37:41,160 Speaker 1: war report. You know, you've got the blunt spreading. Come on, 652 00:37:42,360 --> 00:37:50,279 Speaker 1: about next time. What you want to blunt? You want 653 00:37:50,320 --> 00:37:58,400 Speaker 1: a motherfucking you know, for the for cancer awareness. That's 654 00:37:58,719 --> 00:38:00,040 Speaker 1: chance in there's a little bit of the book. You 655 00:38:00,120 --> 00:38:02,360 Speaker 1: doing that, Yeah, yeah, yeah, you can grow on small. 656 00:38:02,680 --> 00:38:05,480 Speaker 1: We got the more you ain't got, the more you know. Um. 657 00:38:05,960 --> 00:38:10,960 Speaker 1: So I always say, yeah, understand what's going on right here? Yeah? 658 00:38:11,800 --> 00:38:15,200 Speaker 1: Basically right, you know what's gonna So you got you 659 00:38:15,480 --> 00:38:18,200 Speaker 1: up with the speed, right, you have more spread, then 660 00:38:18,280 --> 00:38:20,680 Speaker 1: listen form let's pick up to the side, regular drinks. 661 00:38:24,960 --> 00:38:27,920 Speaker 1: I'm gonna tell you something, this real ship. After the 662 00:38:28,040 --> 00:38:34,200 Speaker 1: War report, I was stuck. It was called music, purgatory music. 663 00:38:38,560 --> 00:38:41,120 Speaker 1: And for those who don't know what purgatory means, purgatory 664 00:38:41,200 --> 00:38:43,040 Speaker 1: is is that place stuff between heat on the hat. 665 00:38:44,080 --> 00:38:46,440 Speaker 1: You're gone. You don't know if you're gonna make it 666 00:38:46,520 --> 00:38:51,279 Speaker 1: back seven Oh you're gonna make it that. I didn't 667 00:38:51,320 --> 00:38:53,160 Speaker 1: really know I was selling crack. I went back to 668 00:38:53,200 --> 00:38:56,960 Speaker 1: Southern cracks, just fucking do what I know now. It 669 00:38:57,120 --> 00:39:01,160 Speaker 1: was actually on the War Pour, the album trying to 670 00:39:01,200 --> 00:39:03,759 Speaker 1: come music making stucks. Calm down that that story is 671 00:39:03,840 --> 00:39:05,520 Speaker 1: up in the air. After the ax nots. When he 672 00:39:05,560 --> 00:39:07,120 Speaker 1: was here, I was there. I was there at night 673 00:39:07,160 --> 00:39:09,879 Speaker 1: when Eat Eat money Backs, Eat money Back. He raised 674 00:39:10,239 --> 00:39:12,400 Speaker 1: the room. And he wasn't credit on the record in 675 00:39:12,480 --> 00:39:14,920 Speaker 1: the official album. Not No, that's not the truth. He 676 00:39:15,000 --> 00:39:17,680 Speaker 1: wasn't credited for album Love My Life. He was being 677 00:39:17,719 --> 00:39:21,480 Speaker 1: one be stuck on that game. Keep behind the real 678 00:39:21,520 --> 00:39:24,879 Speaker 1: fact that I was. So I was trying to figure 679 00:39:24,920 --> 00:39:29,680 Speaker 1: out how this guy, this guy right here was surviving 680 00:39:29,800 --> 00:39:34,840 Speaker 1: all the ship because I come from the ship and 681 00:39:35,040 --> 00:39:40,160 Speaker 1: this motherfucker came in at every time and delivered such 682 00:39:40,160 --> 00:39:43,480 Speaker 1: an energy and such a ship that I always went 683 00:39:43,520 --> 00:39:46,680 Speaker 1: home like scratching my head, like, Yo, how to thank 684 00:39:46,719 --> 00:39:53,640 Speaker 1: your day? I got? Yeah, you know it's me and 685 00:39:53,719 --> 00:39:58,799 Speaker 1: my train of thought was in the album all right. 686 00:39:59,440 --> 00:40:02,480 Speaker 1: So room is that the money bags was on it. 687 00:40:02,960 --> 00:40:06,759 Speaker 1: NAS didn't like that the money bags was took off 688 00:40:06,840 --> 00:40:10,759 Speaker 1: of it and Tray just put on it. So that's 689 00:40:10,800 --> 00:40:14,800 Speaker 1: the room, all right. The rumor was he wanted to 690 00:40:14,880 --> 00:40:16,640 Speaker 1: make it up. He wanted to make it up to us. 691 00:40:16,680 --> 00:40:23,319 Speaker 1: He want to so so he this is the crazy shit. 692 00:40:23,760 --> 00:40:26,920 Speaker 1: He promised me to come to Miami. Firms didn't go 693 00:40:27,040 --> 00:40:29,640 Speaker 1: to Miami. I'm talking about NAS. Yeah, this is for 694 00:40:29,719 --> 00:40:31,440 Speaker 1: the firm out. This is no one to announced the 695 00:40:31,520 --> 00:40:35,080 Speaker 1: firm I'm not sure at this time, but then the 696 00:40:35,160 --> 00:40:38,080 Speaker 1: Firm album actually comes and I remember it was a 697 00:40:38,160 --> 00:40:41,080 Speaker 1: Nature's session. It was a Tuesday, and it was one 698 00:40:41,080 --> 00:40:45,000 Speaker 1: of million percent Nature's session. So because I flew out 699 00:40:45,080 --> 00:40:48,040 Speaker 1: on my own and when I flew there, his Nature's session, 700 00:40:48,520 --> 00:40:51,399 Speaker 1: and that's how I'm leaving became. And I always felt 701 00:40:51,480 --> 00:40:54,239 Speaker 1: like the brol could have been like, man, funk this 702 00:40:54,520 --> 00:40:57,800 Speaker 1: other dude. Let him get out this fucking session. You 703 00:40:57,840 --> 00:41:00,240 Speaker 1: know what I'm saying. Like when the Beatles played Ilied 704 00:41:00,560 --> 00:41:04,040 Speaker 1: played to be I know this obviously me trappeds his credit? 705 00:41:04,200 --> 00:41:08,040 Speaker 1: Did I believes to be your record? I think he 706 00:41:08,200 --> 00:41:10,920 Speaker 1: was running through beats, running through beast they trying to 707 00:41:11,080 --> 00:41:15,680 Speaker 1: because when we start, can we talking about firm Ship? 708 00:41:18,000 --> 00:41:22,279 Speaker 1: In my opinion, the firm Ship was contractually set up 709 00:41:22,320 --> 00:41:25,560 Speaker 1: to kind of like crash right, meaning when I said that, 710 00:41:26,200 --> 00:41:29,680 Speaker 1: because everybody was on different labels when they reached this 711 00:41:29,840 --> 00:41:32,239 Speaker 1: peak and they decided to put the album out on 712 00:41:32,400 --> 00:41:37,920 Speaker 1: Interscope Records, where nobody was on in the Scope Records labels. 713 00:41:38,239 --> 00:41:40,960 Speaker 1: So the labels say, hell, no, you're not gonna deliver album. 714 00:41:41,040 --> 00:41:42,840 Speaker 1: Give it to this label right here, that's not us 715 00:41:42,880 --> 00:41:45,480 Speaker 1: and make money for us. Here's your stipulation. You can 716 00:41:45,520 --> 00:41:47,319 Speaker 1: only be on a certain amount of records. You can 717 00:41:47,360 --> 00:41:49,839 Speaker 1: only probably be on three records. So if you listen 718 00:41:49,880 --> 00:41:53,480 Speaker 1: to the album, the person that's not signed filling all 719 00:41:53,600 --> 00:41:57,040 Speaker 1: the void, which happened to be me. So the outside 720 00:41:57,080 --> 00:41:59,800 Speaker 1: people looked at it if it was like my album, you, 721 00:42:00,040 --> 00:42:02,920 Speaker 1: I mean from from from the way that it was labeled. 722 00:42:03,000 --> 00:42:04,600 Speaker 1: You couldn't just say it was the firm. You have 723 00:42:04,719 --> 00:42:09,560 Speaker 1: to say it's nas Asy Foxy Brown presents the front right. 724 00:42:10,600 --> 00:42:13,560 Speaker 1: And since they did that, and Sony was like, nah, 725 00:42:13,800 --> 00:42:16,040 Speaker 1: you're not nas. You can't deliver another album to in 726 00:42:16,120 --> 00:42:18,439 Speaker 1: the scope. You gotta kind of do this, Yeah, you gotta, 727 00:42:18,480 --> 00:42:21,440 Speaker 1: you gotta do this our way. So I was the 728 00:42:21,480 --> 00:42:23,880 Speaker 1: person that filled in the gap. If it was probably 729 00:42:23,960 --> 00:42:26,000 Speaker 1: called Mega at the time, it might have been called Mega. 730 00:42:26,040 --> 00:42:27,840 Speaker 1: But if Omega wasn't on depth him and they might 731 00:42:27,920 --> 00:42:31,120 Speaker 1: have said the same ship too. I didn't have no paperwork. 732 00:42:31,560 --> 00:42:34,279 Speaker 1: So at this time I'm filling in records and I'm 733 00:42:34,440 --> 00:42:37,279 Speaker 1: vibing with this guy. I got stories with my first 734 00:42:37,320 --> 00:42:40,399 Speaker 1: time in California with this guy. Remember, I remember one 735 00:42:40,440 --> 00:42:43,880 Speaker 1: time I was in the studio and these guys left 736 00:42:44,000 --> 00:42:47,960 Speaker 1: me right him and Jungle left me, and then they 737 00:42:48,040 --> 00:42:50,080 Speaker 1: came back into the studio while I'm still in there 738 00:42:50,160 --> 00:42:53,560 Speaker 1: right in the record with brand new sneakers and branding right, 739 00:42:53,840 --> 00:42:57,000 Speaker 1: and they had my sneakers handing outside the door. So 740 00:42:57,080 --> 00:42:58,800 Speaker 1: they came in like, hey, we weren't shot and we 741 00:42:58,880 --> 00:43:01,920 Speaker 1: were fresh. We got this. I'm like, oh, I can't leave, 742 00:43:01,960 --> 00:43:04,080 Speaker 1: you know, I couldn't leave. There's act like they had 743 00:43:04,120 --> 00:43:06,920 Speaker 1: no speakers for me and fucking boom. Here at the 744 00:43:07,000 --> 00:43:14,360 Speaker 1: rand New Rand New the only hand day. It was 745 00:43:14,400 --> 00:43:17,640 Speaker 1: a party, Dre and I was having a party and 746 00:43:17,800 --> 00:43:20,600 Speaker 1: Nori was the person that said, I want to go 747 00:43:20,680 --> 00:43:23,680 Speaker 1: to Compton. I want to see Compton. I don't care 748 00:43:23,719 --> 00:43:26,960 Speaker 1: if I'm nothing else right, And Jungle goes to this 749 00:43:27,120 --> 00:43:32,239 Speaker 1: party with the same sekers on and the same basketball 750 00:43:32,320 --> 00:43:34,680 Speaker 1: jerseys on. Mean why the whole party got on suits 751 00:43:34,719 --> 00:43:38,000 Speaker 1: and ties. And this guy goes to party in Compton 752 00:43:38,160 --> 00:43:41,720 Speaker 1: comes back talking about, Yo, these guys that shower caps 753 00:43:41,760 --> 00:43:50,000 Speaker 1: on them. Everyone he wanted to know. I used to go. 754 00:43:51,680 --> 00:43:53,680 Speaker 1: I said, what, I want to go and see the 755 00:43:53,760 --> 00:43:58,399 Speaker 1: actual woods. He's like, party, I want to go to those, 756 00:43:59,120 --> 00:44:00,839 Speaker 1: That's what I mean, Like, Yo, this is some real 757 00:44:01,040 --> 00:44:03,840 Speaker 1: this is my brother right here. I don't remember what. 758 00:44:05,040 --> 00:44:08,440 Speaker 1: They're sitting the corners with shower cap. I was like, 759 00:44:08,960 --> 00:44:10,880 Speaker 1: New York, never heard of no ship like that. I 760 00:44:10,920 --> 00:44:12,920 Speaker 1: love it. I love so. But let's just tell these 761 00:44:13,000 --> 00:44:17,440 Speaker 1: guys right, so we walk in. Now, I think you're 762 00:44:17,520 --> 00:44:20,160 Speaker 1: used to this. Now me hearing your story, Now you're 763 00:44:20,200 --> 00:44:22,160 Speaker 1: like a great actor, because I thought like you were 764 00:44:22,280 --> 00:44:24,640 Speaker 1: just used, like because we were sitting there. Dr Dre's 765 00:44:24,680 --> 00:44:27,879 Speaker 1: like this neue nature and I'm looking like holy ship. 766 00:44:28,920 --> 00:44:30,640 Speaker 1: But you know, I'm trying to keep about to say 767 00:44:30,680 --> 00:44:38,080 Speaker 1: I'm not stop. He's rolling joint force. This is real 768 00:44:38,200 --> 00:44:44,680 Speaker 1: ship head just buying handy force every night, every night 769 00:44:44,760 --> 00:44:46,840 Speaker 1: he just got married, you know, shots to Dr Ja. 770 00:44:46,960 --> 00:44:50,920 Speaker 1: I know, I know he's about to get Dr Dre James, Well, 771 00:44:54,520 --> 00:44:58,920 Speaker 1: I gotta shot. Let's take side of the real ship. 772 00:44:59,000 --> 00:45:03,680 Speaker 1: The word about the s it comes from the ship. 773 00:45:04,360 --> 00:45:06,120 Speaker 1: You know what I mean. We're running around trying to 774 00:45:06,920 --> 00:45:10,279 Speaker 1: we're trying to make yourself and ship like that. And 775 00:45:10,360 --> 00:45:13,560 Speaker 1: every night Dr Dre just got married by us. Henny, 776 00:45:14,200 --> 00:45:17,120 Speaker 1: he's rolling us joints and pretty much the ball the 777 00:45:17,400 --> 00:45:19,400 Speaker 1: bullets in our court, you know what I'm saying. But 778 00:45:20,600 --> 00:45:23,680 Speaker 1: Nori comes in. We do I'm leaving. We know it's 779 00:45:23,719 --> 00:45:27,160 Speaker 1: a banger. I know it's a banging because if you 780 00:45:27,280 --> 00:45:30,480 Speaker 1: correct me, if I'm wrong. This is what happened to 781 00:45:30,560 --> 00:45:33,400 Speaker 1: me and my thing. I was my session supposed to 782 00:45:33,440 --> 00:45:36,799 Speaker 1: be Wednesday. I landed on a Tuesday because I had 783 00:45:36,840 --> 00:45:40,560 Speaker 1: to fly to JFK JF Kick Up the Dells Fly 784 00:45:40,880 --> 00:45:45,080 Speaker 1: Tuesday yourself. We had. It was it was that type 785 00:45:45,120 --> 00:45:50,120 Speaker 1: of party we went. It was the session nat just 786 00:45:50,160 --> 00:45:56,080 Speaker 1: finished these clue sessions natives to me. To me, You're 787 00:45:56,120 --> 00:45:57,800 Speaker 1: probably looking at me like I got a name, but 788 00:45:57,840 --> 00:46:00,400 Speaker 1: I'm looking at you like you're the hottest stink in 789 00:46:00,440 --> 00:46:02,160 Speaker 1: the world, Like you know what I'm saying. It's not 790 00:46:02,480 --> 00:46:07,400 Speaker 1: then it's you, So correct me from wrong. In my opinion, 791 00:46:07,719 --> 00:46:11,359 Speaker 1: the drever was playing it and engineering so he said 792 00:46:11,440 --> 00:46:13,239 Speaker 1: he said, I forget what he said. He said, Yo, 793 00:46:13,320 --> 00:46:15,080 Speaker 1: you got something for this, and I was to the 794 00:46:15,160 --> 00:46:18,399 Speaker 1: side and I was like, he was like, I don't 795 00:46:18,440 --> 00:46:20,520 Speaker 1: even know how you announced my name. I know it's wrong, 796 00:46:21,320 --> 00:46:27,120 Speaker 1: Like how Yeah, So I went to that opening to 797 00:46:27,160 --> 00:46:29,920 Speaker 1: go through that. You know what I'm saying things I 798 00:46:30,960 --> 00:46:33,759 Speaker 1: would try to but anyway it might for you tell 799 00:46:33,800 --> 00:46:38,920 Speaker 1: me and this is the reason why this is I'm leaving. 800 00:46:39,000 --> 00:46:44,120 Speaker 1: It wasn't what I'm leaving. There's no band from TV. Yeah, 801 00:46:44,160 --> 00:46:46,879 Speaker 1: I'm leaving. I felt that he bodied it. I'm leaving, 802 00:46:47,360 --> 00:46:52,680 Speaker 1: I think still coming from it from a literal standpoint, 803 00:46:52,760 --> 00:46:55,360 Speaker 1: and he's coming from it from five. He just he 804 00:46:55,520 --> 00:46:58,160 Speaker 1: knows how to just set the vibe. And so that's 805 00:46:58,200 --> 00:47:00,160 Speaker 1: why when it came down the band from TV, when 806 00:47:00,200 --> 00:47:03,600 Speaker 1: we get there, okay, it was time to set the vibe. Like, Yo, 807 00:47:03,760 --> 00:47:07,200 Speaker 1: it's a difference between um ran from dope rhymes and 808 00:47:07,400 --> 00:47:11,440 Speaker 1: like you're creating something that yeah something, let me just 809 00:47:11,480 --> 00:47:16,239 Speaker 1: say this everywhere back and I'm leaving. I'm leaving. Listen. 810 00:47:16,320 --> 00:47:19,120 Speaker 1: At any moment, Nature could have been like, Yo, wait 811 00:47:19,160 --> 00:47:20,960 Speaker 1: a minute, this is my session. This is why I 812 00:47:21,080 --> 00:47:22,960 Speaker 1: funk with you. That's why I love you to this day. 813 00:47:23,480 --> 00:47:25,640 Speaker 1: It's because at any time that was his session. It 814 00:47:25,760 --> 00:47:28,279 Speaker 1: was a Tuesday. My session wasn't to a Wednesday. That's 815 00:47:28,280 --> 00:47:31,960 Speaker 1: when Bloody Money Part two came out. That's what that says. 816 00:47:32,080 --> 00:47:34,840 Speaker 1: I was. I'm saying you. I'm saying, come on, I 817 00:47:35,000 --> 00:47:37,279 Speaker 1: don't get none of this. I forget. I can forgive 818 00:47:37,280 --> 00:47:47,440 Speaker 1: you everything I just did. But so that session with 819 00:47:48,160 --> 00:47:50,759 Speaker 1: Ill Kill You Not, I had these rhymes. The reason 820 00:47:50,800 --> 00:47:52,960 Speaker 1: why I no, we know this and nor we know that? Yo, 821 00:47:53,080 --> 00:47:55,719 Speaker 1: but no we know God why that I can make 822 00:47:55,719 --> 00:47:58,319 Speaker 1: your famous? The reason why I said it, I don't 823 00:47:58,360 --> 00:48:00,360 Speaker 1: think it was. I don't know seeing this the greatest 824 00:48:00,400 --> 00:48:02,640 Speaker 1: live was the reason why I said it because those 825 00:48:02,800 --> 00:48:06,600 Speaker 1: rhymes was originally on the Warry coord album. That was 826 00:48:06,680 --> 00:48:18,360 Speaker 1: a whole record. I m so so from so it 827 00:48:18,520 --> 00:48:31,360 Speaker 1: was crazy. Didn't know it? Yeah right, okay, so so 828 00:48:31,520 --> 00:48:35,239 Speaker 1: yeah yeah, um, so that's the reason was. And I 829 00:48:35,360 --> 00:48:38,239 Speaker 1: remember because I remember, I feel like Dre was right 830 00:48:38,280 --> 00:48:40,480 Speaker 1: there like I did it perfect the first time and 831 00:48:40,560 --> 00:48:42,640 Speaker 1: he was like, you gotta do it over and I 832 00:48:42,800 --> 00:48:45,160 Speaker 1: was like, it's that because it's perfect, but I'm Dr 833 00:48:45,280 --> 00:48:47,520 Speaker 1: Dre and I didn't understand what he meant and I 834 00:48:47,640 --> 00:48:49,919 Speaker 1: did it like several more times or whatever, right, mom. 835 00:48:51,360 --> 00:48:56,440 Speaker 1: The bottom line is that record from me into a 836 00:48:56,600 --> 00:48:58,680 Speaker 1: whole other level. It brom me to it, and it 837 00:48:58,840 --> 00:49:02,080 Speaker 1: was crazy because I was like, you know, coming up 838 00:49:02,120 --> 00:49:04,920 Speaker 1: in and and what we was doing still even though 839 00:49:04,920 --> 00:49:06,960 Speaker 1: I had an album out, but it was like that 840 00:49:07,320 --> 00:49:11,880 Speaker 1: differentiated me from everyone else that record, yes, and I 841 00:49:11,960 --> 00:49:13,279 Speaker 1: was mad. I was like he got me on that 842 00:49:15,080 --> 00:49:17,279 Speaker 1: This is the book runs up to the band from TV. 843 00:49:18,160 --> 00:49:20,480 Speaker 1: So you remember what studio? He is a bad from TV, 844 00:49:21,239 --> 00:49:23,480 Speaker 1: But I don't remember. I had dog was there. I 845 00:49:23,520 --> 00:49:26,080 Speaker 1: remember the night when when we first came to do 846 00:49:26,200 --> 00:49:28,520 Speaker 1: them from TV, which turned into being from TV. That 847 00:49:28,640 --> 00:49:31,080 Speaker 1: wasn't the beat, that's right. It's because of you. That 848 00:49:31,239 --> 00:49:37,680 Speaker 1: wasn't to be like like y'all naked your faith, like, look, 849 00:49:37,719 --> 00:49:40,280 Speaker 1: I gotta do a bega what you want my album? 850 00:49:40,440 --> 00:49:43,319 Speaker 1: Remember you gotta go first. You walked out the room. 851 00:49:43,719 --> 00:49:44,960 Speaker 1: He was like, all right, god, do what you do? 852 00:49:45,480 --> 00:49:47,440 Speaker 1: Boom And I was switting there smoking weed and I 853 00:49:47,480 --> 00:49:48,759 Speaker 1: hack a dog with me and I was like, you 854 00:49:48,800 --> 00:49:51,000 Speaker 1: know what. I wanted to show him that I could 855 00:49:51,080 --> 00:49:53,480 Speaker 1: fucking stop a mudhole and this beach. That's true. I 856 00:49:53,920 --> 00:49:57,399 Speaker 1: know this is true. Listen. I had to Swiss beat 857 00:49:57,400 --> 00:50:00,040 Speaker 1: because you got me, because you got me on. Just 858 00:50:00,200 --> 00:50:03,040 Speaker 1: get you what you did. This is the crazy thing 859 00:50:03,480 --> 00:50:05,919 Speaker 1: we didn't we did. It's Electric Lady, by the way. 860 00:50:07,400 --> 00:50:09,680 Speaker 1: The studio that I wasn't really good in there I was. 861 00:50:09,880 --> 00:50:15,000 Speaker 1: I was doing my studio, Jimmy studio, the studio with 862 00:50:15,080 --> 00:50:19,320 Speaker 1: the cat allerged tout in the world and woke by me. 863 00:50:19,520 --> 00:50:22,839 Speaker 1: And that's not because Jimmy will tell you why why 864 00:50:22,920 --> 00:50:26,360 Speaker 1: I felt a certain way. I'm telling you way because 865 00:50:26,440 --> 00:50:30,920 Speaker 1: because no one else, because because he's right there with me. 866 00:50:31,400 --> 00:50:34,280 Speaker 1: Right But at the same time, he's not just by himself. 867 00:50:34,400 --> 00:50:37,280 Speaker 1: He kind of has a little people. He has shipped 868 00:50:37,280 --> 00:50:40,200 Speaker 1: in perspective, has people like you're gonna do this, You're 869 00:50:40,239 --> 00:50:42,320 Speaker 1: gonna book the studio, You're gonna do this. And I 870 00:50:42,400 --> 00:50:45,600 Speaker 1: didn't have none of that. But some fucking rhymes, man, 871 00:50:45,760 --> 00:50:48,680 Speaker 1: and he had the business sense of it back then. 872 00:50:49,360 --> 00:50:53,880 Speaker 1: So to hear your this, Nick is not making a mistake. 873 00:50:54,080 --> 00:50:56,440 Speaker 1: Why didn't Why do they love him? He's fucking oh man, 874 00:50:56,880 --> 00:50:58,920 Speaker 1: you know he's not the most lirical guy. He got 875 00:50:59,160 --> 00:51:02,560 Speaker 1: he gotta stab but no, that's how he was. We 876 00:51:02,640 --> 00:51:05,920 Speaker 1: came up in that competitive that but and he just 877 00:51:06,080 --> 00:51:08,200 Speaker 1: got me on the last record we did, so I 878 00:51:08,360 --> 00:51:11,200 Speaker 1: have to get him. So now he plays his speech 879 00:51:11,239 --> 00:51:16,960 Speaker 1: and I didn't know this. Swiss comes in, So the 880 00:51:17,000 --> 00:51:19,439 Speaker 1: first beat isn't Swiss, Just to be I believe old 881 00:51:19,480 --> 00:51:23,000 Speaker 1: beats free time. I'm meeting Swiss, just the guy with 882 00:51:23,080 --> 00:51:25,360 Speaker 1: this funnel, Swiss, the guy with the funny notes. He 883 00:51:25,480 --> 00:51:33,360 Speaker 1: was we know you don't don't even saying this. He 884 00:51:33,520 --> 00:51:35,840 Speaker 1: has his ship in the order, he knows producers names, 885 00:51:35,960 --> 00:51:38,319 Speaker 1: he knows he knows certain ships, and I'm like, damn, 886 00:51:38,640 --> 00:51:41,080 Speaker 1: I don't know that. You know, you know he has 887 00:51:41,160 --> 00:51:56,080 Speaker 1: this relationship with people before before back there shot. So 888 00:51:56,239 --> 00:51:58,319 Speaker 1: Swiss comes in and he plays this due and I say, 889 00:51:58,400 --> 00:52:00,880 Speaker 1: you know what, this makes me feel like a superhero. 890 00:52:01,040 --> 00:52:03,920 Speaker 1: This band from TV BET And I'm saying to my man, 891 00:52:04,200 --> 00:52:08,759 Speaker 1: you know what, watch this. Nor leaves the room. I 892 00:52:08,880 --> 00:52:10,960 Speaker 1: write the rhyme this is probably you know what I'm 893 00:52:10,960 --> 00:52:13,160 Speaker 1: feeling it because I like to see with me sometimes 894 00:52:13,160 --> 00:52:15,719 Speaker 1: I was with the beat. Come back in the house. 895 00:52:16,239 --> 00:52:18,880 Speaker 1: He stopped on a second and passing right back. We're 896 00:52:18,920 --> 00:52:22,920 Speaker 1: gonna do three of the fires. I threw away so 897 00:52:23,160 --> 00:52:26,040 Speaker 1: much rhyme because I wrote the rhymes to the beat. 898 00:52:26,520 --> 00:52:31,000 Speaker 1: So I'm mad. I'm mad at this dude. So uh 899 00:52:31,760 --> 00:52:36,600 Speaker 1: like Grace Lapious was of course the street. So I 900 00:52:36,760 --> 00:52:38,759 Speaker 1: go down I go down there, and I remember that's 901 00:52:38,800 --> 00:52:41,000 Speaker 1: Punt's favorite ship. So I just hit point when he's 902 00:52:41,040 --> 00:52:42,600 Speaker 1: on a two way or something like yo, you know, 903 00:52:42,680 --> 00:52:44,880 Speaker 1: we were a course free from Grace Vapious. So the 904 00:52:44,960 --> 00:52:48,560 Speaker 1: punt is an idiot. He fucking I never said comes 905 00:52:48,560 --> 00:52:50,560 Speaker 1: from grace for pious. I just said, you know, just 906 00:52:50,680 --> 00:52:52,360 Speaker 1: you know, I'll just thinking about you. You know what 907 00:52:52,360 --> 00:52:56,480 Speaker 1: I'm said, great pious. So when when Nate I come 908 00:52:56,520 --> 00:53:00,320 Speaker 1: back in and you know, I can see Swiss, he's rest. 909 00:53:01,160 --> 00:53:06,359 Speaker 1: So Swiss only played this is what happened. Swiss only 910 00:53:06,480 --> 00:53:11,160 Speaker 1: played the loop the sample. The actually beat never dropped. 911 00:53:11,600 --> 00:53:14,120 Speaker 1: So the whole time I got nature in there, and 912 00:53:14,160 --> 00:53:16,399 Speaker 1: it's a vibe. I know this nigga now, So it's 913 00:53:16,400 --> 00:53:19,799 Speaker 1: a vibe if he's feeling something he liked, if he's 914 00:53:19,800 --> 00:53:23,680 Speaker 1: feeling something up. So he didn't do that for three beats. 915 00:53:23,719 --> 00:53:26,040 Speaker 1: I don't told him this is a this is I 916 00:53:26,160 --> 00:53:30,880 Speaker 1: think in my mind like doing a little coming on 917 00:53:31,040 --> 00:53:33,680 Speaker 1: like the rider anthems. And I'm like, no, you don't 918 00:53:33,800 --> 00:53:38,200 Speaker 1: like and he's like, you know, I'm wrong. But the 919 00:53:38,400 --> 00:53:42,120 Speaker 1: band from TV came on and he just jumped up 920 00:53:42,719 --> 00:53:45,160 Speaker 1: because he walked to the corner. And that's the moment 921 00:53:45,200 --> 00:53:47,279 Speaker 1: I walked out. I said, he got this. I said 922 00:53:47,320 --> 00:53:50,080 Speaker 1: that the yalla's back on to y'alla and I went 923 00:53:50,480 --> 00:53:56,800 Speaker 1: and subconsciously I see plun I said, I told you 924 00:53:56,920 --> 00:54:00,360 Speaker 1: I was by grade capires like I didn't even bite you. 925 00:54:01,560 --> 00:54:04,800 Speaker 1: I'm thinking that record. I'm thinking that record. What's just 926 00:54:05,000 --> 00:54:07,840 Speaker 1: gonna be me and him. I'm taking me, gonna go 927 00:54:07,960 --> 00:54:10,440 Speaker 1: back and forth, right, So I lay a verse. He 928 00:54:11,239 --> 00:54:13,279 Speaker 1: walks out the room. I feel good about this verse. 929 00:54:13,520 --> 00:54:16,480 Speaker 1: I lay a verse right, and then I go home. 930 00:54:16,640 --> 00:54:18,560 Speaker 1: He has he has paper, he has rhymes on the 931 00:54:18,600 --> 00:54:23,239 Speaker 1: paper already. Yes, I'm gonna just take this home. Money. 932 00:54:23,239 --> 00:54:24,759 Speaker 1: You know, I'm gonna fix it. I'm gonna get it right, 933 00:54:24,800 --> 00:54:26,359 Speaker 1: you know what I mean. So I'm like, alight, cool, 934 00:54:26,480 --> 00:54:32,439 Speaker 1: he gonna go do what he do. Yes, records, all 935 00:54:32,600 --> 00:54:40,480 Speaker 1: these guys are all the pros, right when you know, 936 00:54:40,680 --> 00:54:48,960 Speaker 1: like I said, I got you, I wanted to change. Yeah. Hell, 937 00:54:49,160 --> 00:54:51,640 Speaker 1: he's called me for months. I want to change my verse. 938 00:54:52,000 --> 00:54:53,800 Speaker 1: And they heard and they started me. They got me. 939 00:54:53,880 --> 00:54:55,600 Speaker 1: I was on. I was just doing that. This is 940 00:54:55,680 --> 00:54:58,880 Speaker 1: not exactly this is exactly what that from TV. And 941 00:54:58,920 --> 00:55:01,800 Speaker 1: I'm glad and Jada and God bless me, wish we 942 00:55:01,960 --> 00:55:03,680 Speaker 1: had punt here in camp. But take the same thing. 943 00:55:04,440 --> 00:55:07,719 Speaker 1: What happened was like I said, I didn't like the 944 00:55:07,760 --> 00:55:11,160 Speaker 1: smell of cigarettes. I love smoking cigarettes. I didn't like 945 00:55:11,239 --> 00:55:16,279 Speaker 1: the smell and we we go on the d We 946 00:55:16,400 --> 00:55:20,920 Speaker 1: were the guys that when met him and Jungle only 947 00:55:21,000 --> 00:55:23,799 Speaker 1: brothers came out. Yeah yeah, yeah, that's the only time 948 00:55:24,560 --> 00:55:29,880 Speaker 1: Chill anyway leave. But this time I was like, you 949 00:55:30,000 --> 00:55:32,480 Speaker 1: know what, fucking I went down stair in smoking Bowl 950 00:55:32,480 --> 00:55:34,080 Speaker 1: game when I've seen, like I said, I've seen Grape 951 00:55:34,080 --> 00:55:36,800 Speaker 1: of Pies. I just gave Pun what was considered a 952 00:55:36,880 --> 00:55:38,600 Speaker 1: text back then. I think it's a two way page 953 00:55:38,840 --> 00:55:41,680 Speaker 1: like bo pary Pies. I'm thinking there's seven Grape of 954 00:55:41,719 --> 00:55:43,919 Speaker 1: Pies in the city. I'm not thinking he's gonna narrow 955 00:55:44,000 --> 00:55:46,360 Speaker 1: down to the point that we're the real one. D 956 00:55:50,040 --> 00:55:54,360 Speaker 1: f y. So as Nake starts to feel it, he's correct, 957 00:55:54,440 --> 00:55:58,040 Speaker 1: I've walked out. When I walked out, I've seen Punt. 958 00:55:58,120 --> 00:56:00,920 Speaker 1: I was like, oh shit, But like he's like, I'm 959 00:56:00,960 --> 00:56:02,960 Speaker 1: thinking he just came to a grape pies that was it. 960 00:56:03,040 --> 00:56:05,200 Speaker 1: So I'm like, all right, cool, my LECTI lady went 961 00:56:05,239 --> 00:56:07,200 Speaker 1: back upstairs seeing Nate and I was like, yo, you 962 00:56:07,280 --> 00:56:09,399 Speaker 1: know what I'm gonna get to this wanted to beat 963 00:56:09,440 --> 00:56:12,640 Speaker 1: I was ready for. I had three other rhymes, but 964 00:56:12,800 --> 00:56:15,239 Speaker 1: they were not One of these ships was to this beat. 965 00:56:15,360 --> 00:56:17,560 Speaker 1: For that one. So I listened and I was like, damn, 966 00:56:17,600 --> 00:56:19,360 Speaker 1: you know I can't poke with this right now. So 967 00:56:19,480 --> 00:56:22,080 Speaker 1: I did tell Nick yo one love late left. I 968 00:56:22,160 --> 00:56:24,680 Speaker 1: did not know Poe was coming coming. It comes up. 969 00:56:25,280 --> 00:56:27,280 Speaker 1: He got his own food, butdget no, we're not closing 970 00:56:27,320 --> 00:56:34,080 Speaker 1: the studio session. So I'm like, okay, go down the bowl. 971 00:56:34,800 --> 00:56:37,600 Speaker 1: It's the fastest Puny verse I've ever seen lady in 972 00:56:37,760 --> 00:56:42,239 Speaker 1: my life because pun usually take hours. But I guess 973 00:56:42,320 --> 00:56:46,319 Speaker 1: like he wanted to spa with us. He poked us 974 00:56:46,400 --> 00:56:48,520 Speaker 1: so fat. So I came back and I was like, yo, 975 00:56:50,560 --> 00:56:52,560 Speaker 1: I tell the story mentowns. I'm gonna tell it again. 976 00:56:52,719 --> 00:56:55,120 Speaker 1: And I was like, yo, yo, this record is for 977 00:56:55,200 --> 00:56:57,200 Speaker 1: me a nature man. This is some crazy ship. And 978 00:56:57,280 --> 00:57:04,799 Speaker 1: pun looked at me like you're gonna race ever too. 979 00:57:04,880 --> 00:57:08,759 Speaker 1: So I'm like, that's like you're ever racing her verse. 980 00:57:09,040 --> 00:57:11,640 Speaker 1: He listen to me again. He goes, come on, look 981 00:57:11,680 --> 00:57:13,960 Speaker 1: at me face the first you go to race that 982 00:57:14,120 --> 00:57:17,720 Speaker 1: verse pork chops and apple saut Do you want something 983 00:57:17,760 --> 00:57:20,400 Speaker 1: like how yeah? Your engineer he loosened to the engineer. 984 00:57:20,480 --> 00:57:24,280 Speaker 1: The engineers like he recorded actually is like you know 985 00:57:24,400 --> 00:57:26,680 Speaker 1: you're not gonna make me deleted. He couldn't be recorded, 986 00:57:26,880 --> 00:57:31,920 Speaker 1: so that so okay. Then Cam is that night, right, 987 00:57:34,840 --> 00:57:42,160 Speaker 1: Bama TV. Fun can and they can, and then that's 988 00:57:42,200 --> 00:57:44,600 Speaker 1: the only people we got. The next day Cam. I 989 00:57:44,680 --> 00:57:47,240 Speaker 1: forget why Cam was downtown. I don't know. I just 990 00:57:47,360 --> 00:57:49,600 Speaker 1: called to me, called me, or maybe Punk Carder was like, 991 00:57:49,640 --> 00:57:53,280 Speaker 1: yo're stupid with Norman Cas like he's racing versus Come on, 992 00:57:55,400 --> 00:57:57,400 Speaker 1: they all with you at that time, and I was, 993 00:57:57,880 --> 00:58:01,680 Speaker 1: but I was like, fun the fresh you know, you 994 00:58:01,720 --> 00:58:04,000 Speaker 1: know what I'm doing the whole time, writing a hook 995 00:58:04,160 --> 00:58:07,280 Speaker 1: to it. I'm like, cool, didn't have no hope. I'm 996 00:58:07,320 --> 00:58:10,000 Speaker 1: writing a hook to it. And I'm like damn. I'm 997 00:58:10,040 --> 00:58:15,360 Speaker 1: like the way Nature ended this ship pause and Pun 998 00:58:15,560 --> 00:58:18,680 Speaker 1: just jumped on it, and I'm like damn. And I 999 00:58:18,800 --> 00:58:21,000 Speaker 1: know I can't send this ship to Swiss because I 1000 00:58:21,160 --> 00:58:27,680 Speaker 1: know he he he wants to certainly he's hooking cool. 1001 00:58:28,120 --> 00:58:30,600 Speaker 1: Then Cam came that night. This is the only awkward 1002 00:58:30,720 --> 00:58:34,400 Speaker 1: moment was I had to get Jada and Styles the 1003 00:58:34,600 --> 00:58:37,600 Speaker 1: next day. Yeah, and I didn't know which one was which. 1004 00:58:37,680 --> 00:58:40,120 Speaker 1: And this is crazy because I'm very close to Styles 1005 00:58:40,200 --> 00:58:43,000 Speaker 1: right now. I always tell the story I gave Styles Weed, 1006 00:58:45,760 --> 00:58:50,520 Speaker 1: and this is the time no one smokes personally, he 1007 00:58:50,600 --> 00:58:57,960 Speaker 1: don't pass back. He didn't passed. He didn't so I 1008 00:58:58,080 --> 00:59:01,440 Speaker 1: was like, oh my god, this guy up and but 1009 00:59:01,920 --> 00:59:06,640 Speaker 1: it was history. But that's the thing was banned from TV. 1010 00:59:06,800 --> 00:59:11,280 Speaker 1: Wouldn't have been done if I'm leaving, wouldn't have been secured. 1011 00:59:11,680 --> 00:59:13,560 Speaker 1: And if you would have hated it or me I said, 1012 00:59:13,680 --> 00:59:19,320 Speaker 1: or just said not even hated you gotta said studio, 1013 00:59:20,240 --> 00:59:22,360 Speaker 1: that's not even hate. Like at the end of the day, 1014 00:59:22,360 --> 00:59:24,640 Speaker 1: if you would have said, you don't disrespect you know, 1015 00:59:24,760 --> 00:59:27,280 Speaker 1: norm ain't your book tomorrow like I would have had 1016 00:59:27,320 --> 00:59:30,560 Speaker 1: to have been like, I don't let me big up, 1017 00:59:30,720 --> 00:59:33,320 Speaker 1: pig you up. You could have been like, man, you 1018 00:59:33,400 --> 00:59:37,400 Speaker 1: know what, this is my time. You know what I'm saying. 1019 00:59:37,440 --> 00:59:39,760 Speaker 1: You got a War Report album, Get the fucking prom 1020 00:59:39,800 --> 00:59:41,520 Speaker 1: out of here, like I mean, in the better way 1021 00:59:41,520 --> 00:59:45,320 Speaker 1: you could have said it, just let me have my 1022 00:59:45,440 --> 00:59:47,320 Speaker 1: day and tomorrow you know I come. You were just 1023 00:59:47,400 --> 00:59:49,760 Speaker 1: like yo, I called the vibe and you didn't stop it. 1024 00:59:50,040 --> 00:59:57,880 Speaker 1: For that, I will always be thinking I'm old brothers. 1025 00:59:58,000 --> 01:00:00,440 Speaker 1: Like I said, I will always be thankful interview. But 1026 01:00:00,520 --> 01:00:02,280 Speaker 1: I will always be thinking just saying, you know, I 1027 01:00:02,360 --> 01:00:04,520 Speaker 1: knew that if I ever did this interview due to 1028 01:00:04,600 --> 01:00:08,800 Speaker 1: the fact that me and is stories are sold in 1029 01:00:08,880 --> 01:00:12,520 Speaker 1: the twine. You know what I mean. No matter what 1030 01:00:12,720 --> 01:00:15,400 Speaker 1: if if Sun said the buildings on fire, I'm coming 1031 01:00:15,480 --> 01:00:19,800 Speaker 1: with the holes. That's just how it goes. But I 1032 01:00:19,800 --> 01:00:21,560 Speaker 1: ain't gonna lot though. You remember the time me and 1033 01:00:21,600 --> 01:00:25,880 Speaker 1: now I stole your record. Yeah, I came in there. 1034 01:00:26,560 --> 01:00:29,200 Speaker 1: I came in, I had a session. I walked in 1035 01:00:29,280 --> 01:00:34,160 Speaker 1: the session. Him and Nas have damn the three piece 1036 01:00:34,440 --> 01:00:38,600 Speaker 1: on my beat, and so so I'm like, get the 1037 01:00:38,640 --> 01:00:43,000 Speaker 1: funk out of here. First I left. I left. The 1038 01:00:43,080 --> 01:00:45,840 Speaker 1: guys are going there going hard on my after versus 1039 01:00:46,280 --> 01:00:49,440 Speaker 1: on my joint. I leave the studio, you know, And 1040 01:00:49,720 --> 01:00:51,200 Speaker 1: then they said, Yo, you gotta find a way on 1041 01:00:51,280 --> 01:00:56,960 Speaker 1: this record record. By this time they go, they traded shot. 1042 01:00:58,920 --> 01:01:01,800 Speaker 1: So I had to take one of Nas and one 1043 01:01:02,120 --> 01:01:05,440 Speaker 1: oft get me. Rick, I would tell the story a 1044 01:01:05,520 --> 01:01:08,480 Speaker 1: little bit better. I got you, but it was my 1045 01:01:08,680 --> 01:01:19,600 Speaker 1: sens rights your brother. You know what I'm saying, because 1046 01:01:19,920 --> 01:01:22,440 Speaker 1: because I'm I'm I'm moving around with these guys. You 1047 01:01:22,520 --> 01:01:25,080 Speaker 1: know what I'm saying. And at the same time, you know, 1048 01:01:26,080 --> 01:01:28,280 Speaker 1: these guys are younger than me, but they're making their 1049 01:01:28,480 --> 01:01:31,959 Speaker 1: own lane. They're making their lane every time they're making 1050 01:01:32,000 --> 01:01:35,560 Speaker 1: their own land, and they just took my beat. Lets 1051 01:01:35,560 --> 01:01:38,720 Speaker 1: stop lap, let's just stop laughing. Maybe maybe I can 1052 01:01:45,040 --> 01:01:54,600 Speaker 1: three verses a piece, was like original, I should gonna 1053 01:01:54,640 --> 01:01:57,520 Speaker 1: be got six verses of me like it's like fighting 1054 01:01:59,200 --> 01:02:02,760 Speaker 1: so well that it was again like no, because I 1055 01:02:02,760 --> 01:02:05,800 Speaker 1: ain't gonna lie. I gotta give this a regime up, 1056 01:02:05,880 --> 01:02:09,840 Speaker 1: Steve Stout. NAS track masters when it was an album 1057 01:02:09,960 --> 01:02:12,640 Speaker 1: were supposed to dedicate a whole energy to the album. 1058 01:02:13,280 --> 01:02:15,680 Speaker 1: You know that was that was it? So so what 1059 01:02:15,760 --> 01:02:18,960 Speaker 1: appum was? I just felt like Nate was just he 1060 01:02:19,120 --> 01:02:21,560 Speaker 1: was just didn't want to work that night. But me 1061 01:02:21,680 --> 01:02:23,680 Speaker 1: and NAS didn't even come to work that night. We 1062 01:02:23,800 --> 01:02:27,240 Speaker 1: just came to like chill. But then it's be play 1063 01:02:28,120 --> 01:02:31,360 Speaker 1: it's called and it was fucked up because me and 1064 01:02:31,440 --> 01:02:33,760 Speaker 1: I've never said that to each other at all. It 1065 01:02:33,920 --> 01:02:36,120 Speaker 1: was just a virgo ship. He looked at me. I 1066 01:02:36,160 --> 01:02:40,960 Speaker 1: looked at him. I was like, I wrote four balls 1067 01:02:41,080 --> 01:02:45,880 Speaker 1: already he was and they got but we was waiting 1068 01:02:45,920 --> 01:02:48,960 Speaker 1: for you to get tired to you like they got 1069 01:02:50,560 --> 01:02:53,680 Speaker 1: y'all gonna see yall to the mall type ship bro 1070 01:02:55,840 --> 01:03:03,240 Speaker 1: left right. What I'm saying that I think it's when 1071 01:03:03,240 --> 01:03:06,200 Speaker 1: you leave as the sign and every day. But we 1072 01:03:06,240 --> 01:03:07,919 Speaker 1: just looked like they're gonna keep it going. Just don't 1073 01:03:07,920 --> 01:03:11,200 Speaker 1: worry about the sign. I think it was me. If 1074 01:03:11,240 --> 01:03:13,240 Speaker 1: you look at the regular I think I'm the one 1075 01:03:13,240 --> 01:03:17,320 Speaker 1: of the first sentator, So sorry name if I think 1076 01:03:17,360 --> 01:03:18,840 Speaker 1: it was me. And and now I just looked at me, 1077 01:03:18,920 --> 01:03:22,520 Speaker 1: like what, and I said. We just kept going. And 1078 01:03:22,640 --> 01:03:24,520 Speaker 1: then the next day he was in the studio. Day 1079 01:03:24,640 --> 01:03:29,000 Speaker 1: was the It was amazing. Let's make a look at me, 1080 01:03:32,840 --> 01:03:34,919 Speaker 1: don't right? You know what I'm saying. Like I said, 1081 01:03:34,960 --> 01:03:38,200 Speaker 1: we didn't realize what were building, but we had guys 1082 01:03:38,280 --> 01:03:43,040 Speaker 1: that was basically creating in lane for me, showing me 1083 01:03:43,360 --> 01:03:47,760 Speaker 1: what was supposed to be. That's why twenty years later, motherfuck, 1084 01:03:47,960 --> 01:03:56,000 Speaker 1: we're still broken about it. You can laugh about it. 1085 01:03:56,080 --> 01:03:57,960 Speaker 1: It might be little things that I remember, the little 1086 01:03:58,000 --> 01:04:00,280 Speaker 1: things that he remember. You know. By then, the day 1087 01:04:00,480 --> 01:04:03,400 Speaker 1: I know that if anybody got my back, I got 1088 01:04:03,440 --> 01:04:06,840 Speaker 1: my back. Now I know the answer to this, but 1089 01:04:06,960 --> 01:04:10,520 Speaker 1: for lack of a m you know, the Nazis dropped 1090 01:04:10,520 --> 01:04:14,680 Speaker 1: the album. This album, I forget the name of the record, 1091 01:04:14,760 --> 01:04:20,840 Speaker 1: but want to ask, can you explain to the people. 1092 01:04:20,880 --> 01:04:23,040 Speaker 1: I know the answer, but can you explain to people? 1093 01:04:23,080 --> 01:04:25,320 Speaker 1: I mean, I don't necessarily know the answer. I know 1094 01:04:25,480 --> 01:04:28,480 Speaker 1: that it was it's his call. We're growing, we make 1095 01:04:28,800 --> 01:04:31,600 Speaker 1: records that we want to do. At the time when 1096 01:04:31,640 --> 01:04:35,000 Speaker 1: he was doing, he was wanted to do. UM. I 1097 01:04:35,080 --> 01:04:37,760 Speaker 1: didn't get the call, and I understand that I wasn't 1098 01:04:37,800 --> 01:04:41,480 Speaker 1: a part of the original from that's that's not a 1099 01:04:41,560 --> 01:04:44,320 Speaker 1: part of the original firm talk. So I don't get mad. 1100 01:04:44,800 --> 01:04:48,000 Speaker 1: I would prefer not to have got the call, then 1101 01:04:48,120 --> 01:04:50,640 Speaker 1: to have laid some dope bad ship and heard that yo, 1102 01:04:50,800 --> 01:04:54,360 Speaker 1: they took you off your or some crazy ship. So anytime, 1103 01:04:54,600 --> 01:05:00,040 Speaker 1: any time, anytime my guys strike, we strike. So I 1104 01:05:00,120 --> 01:05:03,160 Speaker 1: have no choice but to be happy because we're Rocket's 1105 01:05:03,200 --> 01:05:04,920 Speaker 1: Queen's bridged back on the map again. You know what 1106 01:05:04,960 --> 01:05:07,480 Speaker 1: I'm saying. It's all kinds of things like that. I 1107 01:05:07,520 --> 01:05:10,440 Speaker 1: don't know what's what, what what happens from this day forward, 1108 01:05:10,600 --> 01:05:12,959 Speaker 1: but I'm not to do that walks around better because 1109 01:05:13,000 --> 01:05:16,080 Speaker 1: when you win, I win because our stories, our time 1110 01:05:16,640 --> 01:05:26,600 Speaker 1: we're together, we're all together, were fact that you see that. Yeah, 1111 01:05:26,640 --> 01:05:28,000 Speaker 1: I can't go I can't tell you what to do 1112 01:05:28,120 --> 01:05:30,480 Speaker 1: with you. It's a business, Calle, This is a business. 1113 01:05:30,800 --> 01:05:32,520 Speaker 1: So at the end of the day, I'm happy for 1114 01:05:32,760 --> 01:05:36,000 Speaker 1: Mega because Mega didn't get the chance to do nothing. 1115 01:05:37,000 --> 01:05:38,440 Speaker 1: You know what I'm saying, none of that ship. And 1116 01:05:38,600 --> 01:05:41,960 Speaker 1: that's my nigger, like for real, for real, I love 1117 01:05:42,080 --> 01:05:44,840 Speaker 1: a shout the Fox, shout to all that. But we 1118 01:05:44,960 --> 01:05:47,120 Speaker 1: all come from the same so we shouldn't be fucking 1119 01:05:47,600 --> 01:05:49,120 Speaker 1: you know what I mean. So I don't know what 1120 01:05:49,280 --> 01:05:51,760 Speaker 1: happens or what they're thinking about doing. Hopefully they're thinking 1121 01:05:51,760 --> 01:05:54,680 Speaker 1: about making bigger music in the future. But for me, 1122 01:05:54,840 --> 01:05:57,520 Speaker 1: I got music. I got my niggas, I got you 1123 01:05:57,560 --> 01:05:58,840 Speaker 1: know what I'm saying. I got my team. I've been 1124 01:05:58,880 --> 01:06:00,560 Speaker 1: teamed up with my dude, so you know, we got 1125 01:06:00,680 --> 01:06:02,400 Speaker 1: about you know what I mean. I got my dude, 1126 01:06:02,440 --> 01:06:04,960 Speaker 1: Men's I got DCM, I got all kind of dudes. 1127 01:06:04,960 --> 01:06:07,200 Speaker 1: I got my dude. You know, we got nonprofit ship. 1128 01:06:07,320 --> 01:06:09,320 Speaker 1: I got my man in large amount. We got we're 1129 01:06:09,360 --> 01:06:11,360 Speaker 1: doing ship, you know what I mean. We're doing things 1130 01:06:11,400 --> 01:06:17,520 Speaker 1: we do we got to do. Like, yeah, we got 1131 01:06:18,000 --> 01:06:21,640 Speaker 1: last we got nonprofit ship going on on on on. 1132 01:06:21,800 --> 01:06:23,840 Speaker 1: I think I told a temption said that, Yo, we 1133 01:06:23,960 --> 01:06:26,800 Speaker 1: got sneaker, sneaker give out. You know, we're giving sneakers 1134 01:06:26,840 --> 01:06:29,440 Speaker 1: out to the kids to all kind of stuff up 1135 01:06:29,480 --> 01:06:31,360 Speaker 1: for the community, all of that, you know what I mean. 1136 01:06:31,440 --> 01:06:32,800 Speaker 1: So we've grown, you know what I mean. We we 1137 01:06:32,920 --> 01:06:36,840 Speaker 1: got grades and all that, but we were we got 1138 01:06:36,880 --> 01:06:39,120 Speaker 1: the great head games. This is that question I bring 1139 01:06:39,160 --> 01:06:41,960 Speaker 1: Alcalou on that. You remember Prodigy got high, my studio 1140 01:06:42,080 --> 01:06:44,800 Speaker 1: fell out and fell as like yo, you know, check 1141 01:06:44,840 --> 01:06:48,840 Speaker 1: it out. God bless even want me to talk about 1142 01:06:48,880 --> 01:06:51,160 Speaker 1: this story. Yeah, one day was in the studio, was 1143 01:06:51,240 --> 01:06:53,439 Speaker 1: just me, him in Prodigy and just you know, shout 1144 01:06:53,440 --> 01:06:55,160 Speaker 1: out and shout out to Prodigy rest in peace and 1145 01:06:55,920 --> 01:06:59,840 Speaker 1: just just front of me and probably staying in back 1146 01:07:00,040 --> 01:07:04,280 Speaker 1: and we're smoking and having a good time. And that 1147 01:07:04,400 --> 01:07:07,400 Speaker 1: one I kept hitting up with that one. Yeah, he 1148 01:07:07,480 --> 01:07:10,040 Speaker 1: kept the cups. He's gonna be the record out of it. 1149 01:07:10,120 --> 01:07:11,760 Speaker 1: Do right, it's me you and me? Right? Is it 1150 01:07:11,840 --> 01:07:14,800 Speaker 1: the record? Yeah? What's it called? Cold Bloody Killer? Cold 1151 01:07:14,800 --> 01:07:23,760 Speaker 1: Bloody Killers are bringing out gonna have it. Ship with Dope, 1152 01:07:23,800 --> 01:07:35,840 Speaker 1: ship bro, super ship Sons with us, hang Hang, shout 1153 01:07:35,880 --> 01:07:37,760 Speaker 1: out my nigga men a shot out, Nino, shout out 1154 01:07:37,840 --> 01:07:42,080 Speaker 1: on the large amount shot shout out track, everybody's shouting out, 1155 01:07:42,880 --> 01:07:48,600 Speaker 1: Sunday shot out, motherfucker ready shot out, come on, sit down, 1156 01:07:48,840 --> 01:07:51,320 Speaker 1: come on, come on, come on, come on, come on, 1157 01:07:51,680 --> 01:07:54,800 Speaker 1: come on, come on, come on, let's do it. I 1158 01:07:54,880 --> 01:07:56,800 Speaker 1: didn't realize because he didn't take the mask. I didn't 1159 01:07:56,800 --> 01:08:04,400 Speaker 1: know with you hanged gave me a pink everything I'm going, 1160 01:08:06,080 --> 01:08:08,560 Speaker 1: Could they be here? Remember that time he was in 1161 01:08:08,600 --> 01:08:13,400 Speaker 1: the studio, um and it was it was you and 1162 01:08:13,520 --> 01:08:17,639 Speaker 1: it was shakes, but it was shaks. I know. I mean, 1163 01:08:18,880 --> 01:08:22,080 Speaker 1: I remember one time I pulled up on two fifth 1164 01:08:22,120 --> 01:08:23,680 Speaker 1: and he was just in the car, lay back like 1165 01:08:23,800 --> 01:08:28,519 Speaker 1: this with the windows down, poking, blump like what they remember. Yeah, yeah, 1166 01:08:28,760 --> 01:08:30,639 Speaker 1: I see. I used to bump into you a little 1167 01:08:30,760 --> 01:08:33,519 Speaker 1: and stuff because I moved like that, moved like that. 1168 01:08:35,160 --> 01:08:37,439 Speaker 1: I used to be like because scram put me onto 1169 01:08:37,479 --> 01:08:42,680 Speaker 1: these Yes, we're back, motherfucking in the flesh. We got 1170 01:08:42,800 --> 01:08:47,400 Speaker 1: the motherfucking legends. Man, I ain't gonna lot of this 1171 01:08:47,439 --> 01:08:51,280 Speaker 1: guy when you talk about he's been down, been here, 1172 01:08:52,080 --> 01:08:55,360 Speaker 1: been around and still doing it and not going. No 1173 01:08:55,520 --> 01:09:02,880 Speaker 1: motherfucker where we got alcalog houck. They don't be assassins. 1174 01:09:05,280 --> 01:09:13,080 Speaker 1: I finally made it. Yeah, I sell a vista, so yo, 1175 01:09:13,200 --> 01:09:15,760 Speaker 1: you've been like when I asked sometimes I asked, I 1176 01:09:16,040 --> 01:09:19,240 Speaker 1: tell people the different errors they've been involved with, Like 1177 01:09:19,360 --> 01:09:22,680 Speaker 1: you've been involved with Everyone's like when did you get 1178 01:09:22,680 --> 01:09:25,240 Speaker 1: started in this game? Well, you know as a kid. 1179 01:09:25,520 --> 01:09:29,120 Speaker 1: You know, my godfather Jose used to run above of 1180 01:09:29,439 --> 01:09:34,559 Speaker 1: reggae shop on Picking and Rockaway called Soul Shock. It's 1181 01:09:34,560 --> 01:09:39,920 Speaker 1: a very legend date New York. Yes, that's my godfather's spot. Yes, 1182 01:09:40,560 --> 01:09:44,360 Speaker 1: Russ and Jose if you know them, I was, that's 1183 01:09:44,400 --> 01:09:46,960 Speaker 1: my godfather. So I used to be in there, like yo, 1184 01:09:47,400 --> 01:09:50,519 Speaker 1: see big Daddy Canes. That's a signic rock him. It 1185 01:09:50,680 --> 01:09:55,799 Speaker 1: was like family, it will all be there everybody Russells sentence, 1186 01:09:56,800 --> 01:09:59,280 Speaker 1: everybody like be at that shot? Literally did you have 1187 01:09:59,320 --> 01:10:01,599 Speaker 1: to even the six something? Now? But that's that's that's 1188 01:10:01,640 --> 01:10:05,519 Speaker 1: some real Daddy came. I mean, I'm just thinking about 1189 01:10:05,560 --> 01:10:07,840 Speaker 1: the artist, Like Daddy came into the roughest hoods and 1190 01:10:07,880 --> 01:10:12,320 Speaker 1: everyone likes the Browns. I'm from brown Yeah, I'm from Brownsfield, 1191 01:10:13,360 --> 01:10:21,479 Speaker 1: Big Daddy. Everybody have a move my solo. I'm Sean 1192 01:10:21,520 --> 01:10:34,880 Speaker 1: Price rest Seance And we were kids, you know, we 1193 01:10:35,000 --> 01:10:37,080 Speaker 1: played in the sand box. That's how I met and 1194 01:10:37,200 --> 01:10:43,400 Speaker 1: we traded. Corlico Castriges really liked yeah vision, Yeah yeah, yeah. 1195 01:10:43,560 --> 01:10:48,679 Speaker 1: He was I didn't have vision go on his house, 1196 01:10:49,040 --> 01:10:51,560 Speaker 1: and he was a kid who was a dream that 1197 01:10:53,080 --> 01:10:56,240 Speaker 1: I didn't have all the carts. So I used to 1198 01:10:56,439 --> 01:10:59,080 Speaker 1: like trade you know what I'm saying with Don, He's like, Yo, 1199 01:10:59,720 --> 01:11:01,720 Speaker 1: let your this one. Now, you let me that. That's 1200 01:11:01,760 --> 01:11:04,000 Speaker 1: how I met him. But hip hop was always in 1201 01:11:04,120 --> 01:11:07,120 Speaker 1: my family's music. No town all that, you know, like 1202 01:11:07,800 --> 01:11:10,960 Speaker 1: you know, just you know, that was like the thing 1203 01:11:11,160 --> 01:11:13,200 Speaker 1: like in the neighborhood. You know, you go to block 1204 01:11:13,320 --> 01:11:17,519 Speaker 1: parties and childen and saying dyke, you know what I'm saying, 1205 01:11:17,640 --> 01:11:21,559 Speaker 1: and you see the DJ's come out my neighborhood from Brooklyn. 1206 01:11:21,640 --> 01:11:24,280 Speaker 1: I'm from East New York Brown. I think the world 1207 01:11:24,360 --> 01:11:31,320 Speaker 1: thought was born that's Brooklyn. It was not until we 1208 01:11:31,320 --> 01:11:40,800 Speaker 1: got a propoc city broken. I'm part of the people. 1209 01:11:41,920 --> 01:11:45,680 Speaker 1: Got to learn that. I know. I know I go 1210 01:11:45,880 --> 01:11:50,240 Speaker 1: from with Mike Tyson, Shannon Briggs from where from from? 1211 01:11:50,600 --> 01:11:59,200 Speaker 1: That's my people's old about this Champion block that's so 1212 01:11:59,400 --> 01:12:02,200 Speaker 1: sick Champ. I went just with Ship the Brigs two 1213 01:12:02,280 --> 01:12:05,240 Speaker 1: days ago and that's my brother. So, like I said, 1214 01:12:05,280 --> 01:12:08,719 Speaker 1: I you know, just to fast forward with nature just said, 1215 01:12:08,960 --> 01:12:10,560 Speaker 1: you know a lot of people know you from the 1216 01:12:10,600 --> 01:12:12,960 Speaker 1: Purple City thing, you know what I'm saying. So, how 1217 01:12:13,000 --> 01:12:15,000 Speaker 1: did you go from like being a Browns reel do 1218 01:12:15,360 --> 01:12:17,960 Speaker 1: to messing purpose? When I moved to the Bronx, my, 1219 01:12:18,280 --> 01:12:20,280 Speaker 1: you know, I had like a crave up there with 1220 01:12:20,439 --> 01:12:22,599 Speaker 1: my little studio. And then that's when I was working 1221 01:12:22,640 --> 01:12:26,720 Speaker 1: with Shawn Price and we um. You know, I had 1222 01:12:26,840 --> 01:12:31,439 Speaker 1: like this little deal with Game Records Jonathan Scheckter this 1223 01:12:31,720 --> 01:12:35,719 Speaker 1: after yeah, yeah, yeah, that's just like when I became atalog. 1224 01:12:35,800 --> 01:12:38,680 Speaker 1: You know, God reinvent yourself in the Chicks on the 1225 01:12:38,760 --> 01:12:40,439 Speaker 1: on the on the cover of the Voteles. Yeah, I 1226 01:12:40,520 --> 01:12:43,479 Speaker 1: was gonna do a reinventional stage. And then me and 1227 01:12:43,600 --> 01:12:46,880 Speaker 1: Sean started doing these little songs together, you know what 1228 01:12:46,920 --> 01:12:48,559 Speaker 1: I mean. He asked me to give him some beats. 1229 01:12:48,640 --> 01:12:51,600 Speaker 1: He started collaborating, and the next thing you know, he 1230 01:12:51,800 --> 01:12:55,800 Speaker 1: um put out on monkey Bars and one song on 1231 01:12:55,920 --> 01:12:59,560 Speaker 1: it was called Rises to the Top. That song was 1232 01:12:59,760 --> 01:13:04,000 Speaker 1: on Grand That photo three was so over seventeen me. 1233 01:13:05,479 --> 01:13:12,200 Speaker 1: Hold on, I'm on that soundtrack to the video game. 1234 01:13:12,280 --> 01:13:16,800 Speaker 1: You know they made um that's the first time they 1235 01:13:16,920 --> 01:13:18,920 Speaker 1: it was. He was able to end the rack and like, 1236 01:13:19,600 --> 01:13:23,000 Speaker 1: you know, go outside the storylines and beat somebody up 1237 01:13:23,120 --> 01:13:27,680 Speaker 1: and do you know you know, you know, so when 1238 01:13:27,680 --> 01:13:30,240 Speaker 1: they had so when they had the when they made 1239 01:13:30,320 --> 01:13:33,559 Speaker 1: the soundtrack, they had to look for hip hop artists 1240 01:13:33,640 --> 01:13:36,479 Speaker 1: and him and me. If you look at it right now, 1241 01:13:36,560 --> 01:13:40,080 Speaker 1: you buy the game right now. My name is on 1242 01:13:40,160 --> 01:13:42,240 Speaker 1: it and his name is on it too. Let me 1243 01:13:42,280 --> 01:13:43,439 Speaker 1: ask you, let me see what it up to you 1244 01:13:43,720 --> 01:13:45,920 Speaker 1: back to it's crazy that treat you really on it? Um, 1245 01:13:46,840 --> 01:13:49,439 Speaker 1: all right? The first album was All Seasons. Yeah, for 1246 01:13:49,680 --> 01:13:52,599 Speaker 1: all Seasons, baby, All Seasons. Now, that was the album 1247 01:13:52,640 --> 01:13:55,720 Speaker 1: he was working on the Bisville all that was. Yeah, 1248 01:13:55,760 --> 01:14:00,360 Speaker 1: that's my very first album. Um, what had happened, you know, 1249 01:14:00,400 --> 01:14:04,360 Speaker 1: because it's sorry to be on that note already, but um, yeah, 1250 01:14:05,479 --> 01:14:08,840 Speaker 1: the album came out in two thousands. But what had 1251 01:14:08,880 --> 01:14:13,640 Speaker 1: happened was the album was finished in so a lot 1252 01:14:13,720 --> 01:14:17,360 Speaker 1: of the so a lot of the songs that came 1253 01:14:17,400 --> 01:14:20,400 Speaker 1: out on the album were actually heard already. They were 1254 01:14:20,560 --> 01:14:24,080 Speaker 1: they were they wound up on mixtapes without the choruses 1255 01:14:24,200 --> 01:14:26,560 Speaker 1: on them, and and and you know, I understand that 1256 01:14:26,640 --> 01:14:29,200 Speaker 1: the game was kind of a little little tricky. It 1257 01:14:29,320 --> 01:14:31,880 Speaker 1: was tricky. So when we put the album out, the 1258 01:14:31,960 --> 01:14:36,840 Speaker 1: songs was already two years old. And so I'm trying 1259 01:14:36,880 --> 01:14:39,640 Speaker 1: to convince the people that it's just dope, and um. 1260 01:14:39,760 --> 01:14:41,200 Speaker 1: We had a lot of problems when it came down 1261 01:14:41,280 --> 01:14:44,600 Speaker 1: to create my first album because it was sample clearances, 1262 01:14:44,840 --> 01:14:49,800 Speaker 1: it was, it was, it was songs that was released premature, 1263 01:14:50,920 --> 01:14:52,840 Speaker 1: it was, it was. It was a lot of you know, 1264 01:14:53,200 --> 01:14:55,720 Speaker 1: crazy ship. So when we put the album out, it 1265 01:14:55,840 --> 01:14:59,439 Speaker 1: was already fighting the battle because the songs had already 1266 01:14:59,479 --> 01:15:02,280 Speaker 1: been heard and some of the songs that I was 1267 01:15:02,400 --> 01:15:06,759 Speaker 1: banking on was either wasn't cleared or they was released 1268 01:15:07,000 --> 01:15:14,200 Speaker 1: or whatever. So so we went from you know, sugar 1269 01:15:14,280 --> 01:15:16,960 Speaker 1: the ship that fast, and went from and went from 1270 01:15:17,200 --> 01:15:20,680 Speaker 1: being this guy that they you know, projecting to be 1271 01:15:20,800 --> 01:15:25,000 Speaker 1: the guy to hold on that dropping the album that 1272 01:15:25,200 --> 01:15:28,280 Speaker 1: we heard already and we said the time like he 1273 01:15:28,360 --> 01:15:31,320 Speaker 1: was better with the games. It was very very very 1274 01:15:31,479 --> 01:15:33,559 Speaker 1: well now about the game with the guys that were 1275 01:15:33,680 --> 01:15:37,640 Speaker 1: kind of I was dealing with. I didn't understand, you know, 1276 01:15:37,840 --> 01:15:40,680 Speaker 1: being able to deliver on time and to to to 1277 01:15:41,479 --> 01:15:45,560 Speaker 1: then it was the business. So I over recorded. I 1278 01:15:45,680 --> 01:15:49,040 Speaker 1: recorded like maybe two albums were from material and some 1279 01:15:49,160 --> 01:15:52,240 Speaker 1: ship wasn't clean and some ship was played already and 1280 01:15:52,840 --> 01:15:55,519 Speaker 1: it was different versions of things. It was a lot 1281 01:15:55,560 --> 01:15:57,000 Speaker 1: of problems when it came down to the mind. So 1282 01:15:57,040 --> 01:15:59,720 Speaker 1: when it finally did land, it was like, hey, I 1283 01:15:59,800 --> 01:16:01,559 Speaker 1: heard just already. It was a lot of a lot 1284 01:16:01,600 --> 01:16:03,880 Speaker 1: of the hype had died down. So it's kind of 1285 01:16:03,960 --> 01:16:07,760 Speaker 1: dating exactly, and so you know we ran into that 1286 01:16:07,840 --> 01:16:09,800 Speaker 1: type of ship. But it was it was you got 1287 01:16:10,760 --> 01:16:14,000 Speaker 1: you ever the time. It was just bit old, just 1288 01:16:14,160 --> 01:16:18,679 Speaker 1: like you know one question. The one thing that problem 1289 01:16:19,000 --> 01:16:20,720 Speaker 1: that was a problem for me when it came down 1290 01:16:20,800 --> 01:16:26,160 Speaker 1: to that was being a current event kind of guy, 1291 01:16:26,479 --> 01:16:33,360 Speaker 1: being shock class. Let's go, yeah, you give me one 1292 01:16:33,479 --> 01:16:38,040 Speaker 1: what you know. The problem the problem that came with 1293 01:16:38,200 --> 01:16:40,639 Speaker 1: that was like since I was like a current event 1294 01:16:40,760 --> 01:16:43,800 Speaker 1: kind of guy, if I waited too long, it got 1295 01:16:43,840 --> 01:16:47,320 Speaker 1: too old. You got too old. You gotta talk. You 1296 01:16:47,360 --> 01:16:51,560 Speaker 1: got certain because that that was that was serious. That 1297 01:16:51,640 --> 01:16:53,080 Speaker 1: was the key to your ship. Like you you were 1298 01:16:53,080 --> 01:16:55,519 Speaker 1: talking about like like like certain things that happened to 1299 01:16:55,560 --> 01:17:02,720 Speaker 1: the balls. So if you got we spend pep. So 1300 01:17:02,880 --> 01:17:04,559 Speaker 1: that was the problem when it came down the same 1301 01:17:04,720 --> 01:17:08,600 Speaker 1: dates and saying certain ships. So you know that that 1302 01:17:08,720 --> 01:17:10,280 Speaker 1: was my ship. I had to learn that. You know, 1303 01:17:10,920 --> 01:17:13,880 Speaker 1: that was cool. This guy right here when you shot 1304 01:17:13,920 --> 01:17:24,000 Speaker 1: that we're gonna don't get your shot shot Booze Brothers, 1305 01:17:24,040 --> 01:17:25,600 Speaker 1: what up. I'm gonna keep you one hundred. But you 1306 01:17:25,680 --> 01:17:30,000 Speaker 1: don't know me, no, like you know me like I 1307 01:17:30,120 --> 01:17:34,200 Speaker 1: come from that demo tape era. You know, you know 1308 01:17:34,360 --> 01:17:37,960 Speaker 1: when you know, just like you know you got me. 1309 01:17:38,400 --> 01:17:41,639 Speaker 1: I never stopped fighting. The industry is like some kind 1310 01:17:41,680 --> 01:17:44,439 Speaker 1: of different brotherhood now and I never stopped fighting. That 1311 01:17:44,600 --> 01:17:49,000 Speaker 1: just what my aunt showed me some equipment whatever it 1312 01:17:49,160 --> 01:17:52,400 Speaker 1: is ntc whatever that was. He was one of those 1313 01:17:52,439 --> 01:17:57,519 Speaker 1: guys that make the beach. And I'm gonna it's a 1314 01:17:57,600 --> 01:17:59,760 Speaker 1: competition at the same time for me, and I'm gonna 1315 01:17:59,800 --> 01:18:02,000 Speaker 1: try to, you know, get it in with you. I'm 1316 01:18:02,000 --> 01:18:04,040 Speaker 1: gonna either calling at you, I'm gonna trying to check 1317 01:18:04,080 --> 01:18:10,720 Speaker 1: you off there. That's where about. And I feel like, 1318 01:18:11,160 --> 01:18:14,120 Speaker 1: you know, I learned that from you know. It's being 1319 01:18:14,280 --> 01:18:16,840 Speaker 1: you know, like you know, shot to Todder for shotting 1320 01:18:16,880 --> 01:18:19,760 Speaker 1: me out on here, shout to Connelly. They know me, 1321 01:18:20,280 --> 01:18:23,240 Speaker 1: they know how I used to be out there waiting 1322 01:18:23,280 --> 01:18:25,920 Speaker 1: a battle. You waiting, You're waiting for you at the 1323 01:18:26,040 --> 01:18:29,280 Speaker 1: end of the stage, and I was hungry cat even 1324 01:18:29,320 --> 01:18:32,880 Speaker 1: with dots effects, you know, like I used to see them. 1325 01:18:33,080 --> 01:18:34,880 Speaker 1: You know at O G. I remember at O G. 1326 01:18:35,520 --> 01:18:38,200 Speaker 1: You know what I'm saying, Like in a bulldog. I 1327 01:18:38,200 --> 01:18:40,400 Speaker 1: remember one times at Cherley City and he was at 1328 01:18:40,439 --> 01:18:42,559 Speaker 1: the Boys Club and I was like black stage, wait 1329 01:18:42,720 --> 01:18:47,479 Speaker 1: just you know, hungry, little kid, little kid, a little kid, 1330 01:18:47,600 --> 01:18:49,120 Speaker 1: you know what I'm saying, And I just wanted to 1331 01:18:49,200 --> 01:18:51,760 Speaker 1: get on you take the hip hopa take it this fall. 1332 01:18:52,120 --> 01:18:55,599 Speaker 1: Yeah something, It's been my dream something since I've been 1333 01:18:55,640 --> 01:18:58,880 Speaker 1: a kid. It's been my dream. Used to used to 1334 01:18:58,920 --> 01:19:01,320 Speaker 1: when Talleng shows of my home, He's like shout the 1335 01:19:01,400 --> 01:19:04,360 Speaker 1: top dollar from Brownsville, like like like he was in 1336 01:19:04,720 --> 01:19:07,360 Speaker 1: Puerto Rican To be clear, Yeah, I mean that's a culture, 1337 01:19:07,400 --> 01:19:17,960 Speaker 1: that's not a race. I'm African. My great great grandmother African. 1338 01:19:18,080 --> 01:19:21,680 Speaker 1: He you know, that's a whole another story. But feel me, 1339 01:19:22,160 --> 01:19:25,080 Speaker 1: I am here. You know, I am who my ancestors are. 1340 01:19:25,479 --> 01:19:27,639 Speaker 1: You know what I mean, we all who are ancestors are. 1341 01:19:27,640 --> 01:19:30,280 Speaker 1: And that's probably the most deepest thing I can say 1342 01:19:30,439 --> 01:19:34,519 Speaker 1: right now, because you know, all this is instill didn't 1343 01:19:34,520 --> 01:19:36,960 Speaker 1: be trying to just trying to make something good out 1344 01:19:37,000 --> 01:19:38,800 Speaker 1: of it. You know, a kid from the ghetto, kid 1345 01:19:38,880 --> 01:19:41,840 Speaker 1: I never had nothing, you know, and I realized, like 1346 01:19:42,520 --> 01:19:44,439 Speaker 1: then so many of us come from that, you know 1347 01:19:44,439 --> 01:19:48,800 Speaker 1: what I'm saying, and shout the Cavia dreams because you know, 1348 01:19:48,920 --> 01:19:54,200 Speaker 1: you don't care that the whole left that that that's 1349 01:19:54,360 --> 01:19:57,840 Speaker 1: that's that's one of my inspirations right there, because he 1350 01:19:58,000 --> 01:20:00,640 Speaker 1: took me in when I had no brothers, nobody, you know, 1351 01:20:00,840 --> 01:20:04,360 Speaker 1: we just street dudes, and you know, like you know, 1352 01:20:04,600 --> 01:20:08,559 Speaker 1: I come from that knowledge, wisdom understanding that one twenty 1353 01:20:08,600 --> 01:20:11,120 Speaker 1: you know what I'm saying, Like that righteous moment in 1354 01:20:11,280 --> 01:20:13,280 Speaker 1: your life when you ain't really got nobody and you 1355 01:20:13,360 --> 01:20:15,880 Speaker 1: gotta find that solution. And there's a lot of people 1356 01:20:15,920 --> 01:20:17,920 Speaker 1: out you're hurting right now. So I'm trying to be 1357 01:20:18,040 --> 01:20:22,720 Speaker 1: that good inspirational obspiration. Whatever I can't do, be that 1358 01:20:22,840 --> 01:20:25,960 Speaker 1: greatness in each other's lives because I did it for PMB. 1359 01:20:26,479 --> 01:20:28,400 Speaker 1: You know when you broke up with E. P. M. D. 1360 01:20:28,520 --> 01:20:30,639 Speaker 1: I wand up making rough rugg in the row form. 1361 01:20:31,120 --> 01:20:33,479 Speaker 1: You know what het in to deal with relativity for 1362 01:20:33,560 --> 01:20:37,080 Speaker 1: a million dollars a lot of positive y in the room. 1363 01:20:42,160 --> 01:20:44,200 Speaker 1: So you said, you said you did MD what he 1364 01:20:44,280 --> 01:20:47,759 Speaker 1: broke up with. Yeah, I've stepped in as the producer 1365 01:20:47,920 --> 01:20:51,439 Speaker 1: and wind up coming in and started producing because it 1366 01:20:51,560 --> 01:20:54,639 Speaker 1: was the main producers. I was producing with Onyx at first, 1367 01:20:54,840 --> 01:21:00,639 Speaker 1: That's what I wanted to talk about doing the beat. 1368 01:21:02,920 --> 01:21:05,479 Speaker 1: After after they felt out with shot skills. God bless 1369 01:21:05,560 --> 01:21:09,280 Speaker 1: your dad, because y'all have get the flamm and all that. 1370 01:21:10,120 --> 01:21:15,600 Speaker 1: I wind up working on last days any vocals. I 1371 01:21:15,680 --> 01:21:19,000 Speaker 1: mean I I was supposed to be signing, honest, I was. 1372 01:21:20,160 --> 01:21:22,680 Speaker 1: I was bounding everybody for them, but at the end 1373 01:21:22,680 --> 01:21:25,639 Speaker 1: of the day, it was like politics with def Jam 1374 01:21:25,760 --> 01:21:28,280 Speaker 1: and them and God blessed depth Dad, J M J. 1375 01:21:28,840 --> 01:21:33,360 Speaker 1: You know, it just happened to me a couple of 1376 01:21:33,520 --> 01:21:36,960 Speaker 1: area arenas because I felt like I was just you know, 1377 01:21:37,600 --> 01:21:39,880 Speaker 1: the bones Malone. You know who he is, Bones bloone, 1378 01:21:39,880 --> 01:21:42,439 Speaker 1: shot the bone baloone. He said, yo At, he made 1379 01:21:42,520 --> 01:21:44,920 Speaker 1: a lot of these dudes great. You got on eight 1380 01:21:44,960 --> 01:21:47,560 Speaker 1: teams and made them great. He was like, I don't know, 1381 01:21:47,800 --> 01:21:50,599 Speaker 1: compare myself to a player that got traded a couple 1382 01:21:50,640 --> 01:21:52,600 Speaker 1: of teams. You know what I'm saying. But like in 1383 01:21:52,640 --> 01:21:56,240 Speaker 1: the NBA stat style of speaking, you know, I've been 1384 01:21:56,280 --> 01:21:59,200 Speaker 1: on a couple of great teams like the Lakers. You 1385 01:21:59,240 --> 01:22:07,040 Speaker 1: know what I was like, I think to be able 1386 01:22:07,120 --> 01:22:09,680 Speaker 1: to wrap and I got him. I got him the 1387 01:22:09,800 --> 01:22:16,080 Speaker 1: championships on his own. You're able to oh yeah, we 1388 01:22:16,120 --> 01:22:18,920 Speaker 1: can't do that. But but the able to be a 1389 01:22:19,000 --> 01:22:23,920 Speaker 1: producers different, you know? And that's you know what I mean? 1390 01:22:24,000 --> 01:22:26,960 Speaker 1: Because I could DJ too. So when you make himples 1391 01:22:27,040 --> 01:22:30,760 Speaker 1: for yourself, do you never think about another producer? Or yes, 1392 01:22:31,080 --> 01:22:34,320 Speaker 1: I work with everybody I can at the accessible moment, 1393 01:22:34,960 --> 01:22:36,600 Speaker 1: if I could reach out to you and I got 1394 01:22:36,720 --> 01:22:39,679 Speaker 1: a vibe because me, you know, we all get weird 1395 01:22:40,320 --> 01:22:45,880 Speaker 1: care at the table. How many of us, even though 1396 01:22:45,920 --> 01:22:47,880 Speaker 1: we love hip hop and we dedicated our life to 1397 01:22:47,960 --> 01:22:52,519 Speaker 1: hip hop, can do hip hop in the house? Can't 1398 01:22:52,600 --> 01:22:55,320 Speaker 1: do hip hop in the house? Well let me you 1399 01:22:55,360 --> 01:22:59,760 Speaker 1: mean by like a house, like, yeah, I can't. I 1400 01:23:01,000 --> 01:23:06,200 Speaker 1: can't dumb and let me tell you something right and 1401 01:23:06,320 --> 01:23:09,160 Speaker 1: still make hipps the way it's supposed to be in 1402 01:23:09,240 --> 01:23:11,320 Speaker 1: the house or what do we need each other? Buster? 1403 01:23:11,520 --> 01:23:15,120 Speaker 1: It is a good example because he is able to 1404 01:23:16,080 --> 01:23:21,200 Speaker 1: not let himself like I think he gotta. He don't 1405 01:23:21,200 --> 01:23:24,479 Speaker 1: even work with older artists. He works with younger artists 1406 01:23:24,560 --> 01:23:27,160 Speaker 1: so he can stay young. You gotta gotta understand the 1407 01:23:27,280 --> 01:23:30,559 Speaker 1: game now, like you gotta. You can't use yesterday's times 1408 01:23:30,600 --> 01:23:33,160 Speaker 1: to win it. You know you can't use yesterday's Memphis 1409 01:23:33,200 --> 01:23:36,519 Speaker 1: to winners today times excuse me, and I get him. 1410 01:23:36,600 --> 01:23:38,439 Speaker 1: I mean, whatever works for you works for you. But 1411 01:23:38,560 --> 01:23:40,280 Speaker 1: if you're in the crib and you got your pro 1412 01:23:40,400 --> 01:23:43,880 Speaker 1: to set up, man utilize because a lot of dudes 1413 01:23:43,920 --> 01:23:46,920 Speaker 1: in Africa that's doing way less than they're doing, and 1414 01:23:47,000 --> 01:23:49,479 Speaker 1: they're doing them how. I just look at me as 1415 01:23:49,520 --> 01:23:52,519 Speaker 1: a person like, look, I used to beat box and 1416 01:23:52,800 --> 01:23:55,439 Speaker 1: wish I had a drum machine. I'm the same dude 1417 01:23:55,960 --> 01:24:00,400 Speaker 1: that's still beat boxing. You want to you don't say 1418 01:24:00,400 --> 01:24:03,479 Speaker 1: one of your biggest records, Ghetto Girl? What's your biggest record? Oh? Man, 1419 01:24:03,479 --> 01:24:06,840 Speaker 1: I got a lot of big records. I mean as 1420 01:24:06,840 --> 01:24:14,439 Speaker 1: a wrapper, yeah. Problem. Well, Ghetto Girl was like my 1421 01:24:14,880 --> 01:24:18,240 Speaker 1: you know, my record that but industry made. It was 1422 01:24:18,520 --> 01:24:22,759 Speaker 1: not what I mean hold on period. It was something 1423 01:24:22,880 --> 01:24:25,760 Speaker 1: that they wanted me to be that I didn't want 1424 01:24:26,360 --> 01:24:28,479 Speaker 1: me to become. It was one of those moments where 1425 01:24:28,520 --> 01:24:30,479 Speaker 1: it was like, oh, this is the record that we're 1426 01:24:30,479 --> 01:24:33,599 Speaker 1: ready to put the dollars behind and I was like, well, 1427 01:24:33,840 --> 01:24:35,880 Speaker 1: I thought you wanted to put it behind the album 1428 01:24:36,600 --> 01:24:40,240 Speaker 1: to trick me. See they trick you. They made you 1429 01:24:40,360 --> 01:24:43,240 Speaker 1: think you a star. Then they did you didn't get 1430 01:24:43,280 --> 01:24:47,160 Speaker 1: your album and then they're like, oh, like, we want 1431 01:24:47,160 --> 01:24:49,200 Speaker 1: to push this sick. They don't want to push the album. 1432 01:24:49,400 --> 01:24:51,280 Speaker 1: They want to push what's gonna make money for them. 1433 01:24:51,320 --> 01:24:53,559 Speaker 1: I didn't know that at the time. I was very 1434 01:24:53,720 --> 01:24:56,879 Speaker 1: very young when I signed that deal. Out eighteen labels 1435 01:24:56,960 --> 01:25:02,439 Speaker 1: came from me through my source mag magazine um unsigned 1436 01:25:02,520 --> 01:25:05,960 Speaker 1: hype like it was like it was like, oh ship grown, 1437 01:25:06,479 --> 01:25:11,559 Speaker 1: I'm like property round, I'm property now because because because 1438 01:25:11,680 --> 01:25:14,920 Speaker 1: the magazine put me in the unsigned hype column. Now 1439 01:25:15,080 --> 01:25:20,479 Speaker 1: old eight scene label Pommy Door, Warner Brothers, Tommy Boy. 1440 01:25:20,720 --> 01:25:23,200 Speaker 1: I went with Tommy Boy, and I should have never 1441 01:25:23,280 --> 01:25:26,439 Speaker 1: did that. On my first sign with with Monica Lench, 1442 01:25:26,720 --> 01:25:28,759 Speaker 1: I signed with them and that was the biggest mistake 1443 01:25:28,840 --> 01:25:35,679 Speaker 1: I ever man in my life. Know what, he's nothing. 1444 01:25:36,040 --> 01:25:40,160 Speaker 1: And then I got back on my grind, released me 1445 01:25:40,720 --> 01:25:44,720 Speaker 1: back on my grind. Then a lady uh signed me. 1446 01:25:45,400 --> 01:25:48,920 Speaker 1: Oh yeah, Sylvia Rohne signed me to East West and 1447 01:25:49,040 --> 01:25:51,640 Speaker 1: that's when I wass gettle girl. And then I was 1448 01:25:51,840 --> 01:25:55,080 Speaker 1: resurrected one year later. How the funk You're gonna get 1449 01:25:55,160 --> 01:25:58,240 Speaker 1: dropped and get a deal later? You know what I mean? 1450 01:26:01,479 --> 01:26:03,320 Speaker 1: I was I would think a lot. I think I 1451 01:26:03,439 --> 01:26:10,120 Speaker 1: love because you gave me another chance. Know that you 1452 01:26:10,200 --> 01:26:12,080 Speaker 1: know I didn't because let me tell you something about 1453 01:26:12,120 --> 01:26:15,640 Speaker 1: this industry. It's way it's way too you know you 1454 01:26:15,720 --> 01:26:19,519 Speaker 1: look at you look at the game or prior artists, 1455 01:26:20,439 --> 01:26:23,640 Speaker 1: look at all Michael Jackson and anybody else's career that 1456 01:26:23,840 --> 01:26:26,640 Speaker 1: came before me, who got us here, who we sampled 1457 01:26:26,680 --> 01:26:29,679 Speaker 1: and ship, what they had to go through. You think 1458 01:26:30,920 --> 01:26:33,280 Speaker 1: I'm grateful that I had to go through this ship 1459 01:26:33,840 --> 01:26:36,240 Speaker 1: because they went through way worship ship and I had to. 1460 01:26:36,920 --> 01:26:40,800 Speaker 1: We're gonna all go through shipness and you know his house, dude, 1461 01:26:40,880 --> 01:26:44,040 Speaker 1: that's how you you you you you show up. You 1462 01:26:44,080 --> 01:26:46,599 Speaker 1: don't gotta live on other people's means in this game. 1463 01:26:48,439 --> 01:26:51,760 Speaker 1: Who who made you part of the who made you 1464 01:26:51,920 --> 01:26:55,200 Speaker 1: feel like he was accepted? Nobody wanted wanted you in 1465 01:26:55,280 --> 01:26:57,720 Speaker 1: the game at the first place, because you know, you 1466 01:26:57,840 --> 01:27:00,400 Speaker 1: look at hip hop when it first started. Ain't want 1467 01:27:00,479 --> 01:27:03,720 Speaker 1: this ship. This ship was a fat f a d 1468 01:27:06,080 --> 01:27:08,360 Speaker 1: that ain't gonna last. They used to say, this ship 1469 01:27:08,520 --> 01:27:12,240 Speaker 1: wasn't gonna last. Remember that real hip hop Like I'm 1470 01:27:12,280 --> 01:27:14,800 Speaker 1: a like a rock and roll artist at the same time, 1471 01:27:14,880 --> 01:27:17,560 Speaker 1: but they say this ship wasn't gonna last. Come on, 1472 01:27:17,760 --> 01:27:23,280 Speaker 1: let let's take a let's take a shot, and Mama 1473 01:27:23,320 --> 01:27:31,519 Speaker 1: wanted to take take take you. I said the same thing. 1474 01:27:32,320 --> 01:27:34,200 Speaker 1: Did you ever feel like you were black ball? And 1475 01:27:34,360 --> 01:27:37,160 Speaker 1: come on, you wanna drink champs as well? No? I didn't. 1476 01:27:37,280 --> 01:27:40,760 Speaker 1: I never felt I was a black ball. Um, I'm 1477 01:27:40,960 --> 01:27:42,160 Speaker 1: you know, I'm a different und to due with. I 1478 01:27:42,240 --> 01:27:45,400 Speaker 1: salute dude from the back. I'm champion. I'm like, yo, 1479 01:27:45,640 --> 01:27:48,120 Speaker 1: let's go, let's win. We're winning no matter what. It's 1480 01:27:48,160 --> 01:27:50,880 Speaker 1: not a really numbers game with me. Um, But I 1481 01:27:51,040 --> 01:27:54,200 Speaker 1: do felt that. I do feel that it was a 1482 01:27:54,360 --> 01:27:58,920 Speaker 1: time since I was dealing with what I was dealing 1483 01:27:59,000 --> 01:28:01,000 Speaker 1: with and the people I was there with that. You know, 1484 01:28:01,240 --> 01:28:03,479 Speaker 1: it's kind of hard when you're dealing with a bigger artist, 1485 01:28:04,600 --> 01:28:07,519 Speaker 1: when you're dealing with an artist that guys that you know, 1486 01:28:08,240 --> 01:28:10,599 Speaker 1: we're just so happened to be linked to somebody that's 1487 01:28:10,680 --> 01:28:13,560 Speaker 1: considered to be one of the Tope sept seas like 1488 01:28:14,120 --> 01:28:17,880 Speaker 1: like like, yeah, it's not like it's some side ship 1489 01:28:18,760 --> 01:28:20,960 Speaker 1: right now. But I want to. I want to. I 1490 01:28:21,200 --> 01:28:25,439 Speaker 1: want to give you the opportunity. Man, I don't want to. 1491 01:28:25,720 --> 01:28:28,040 Speaker 1: You got the opport to listen to me. You're my man. 1492 01:28:29,040 --> 01:28:31,679 Speaker 1: I haven't spoke his son in um like twenty years. 1493 01:28:32,200 --> 01:28:34,240 Speaker 1: I mean, I mean, I'm gonna get the honey. You're 1494 01:28:34,320 --> 01:28:38,080 Speaker 1: my man. I know that that's your man. You know 1495 01:28:38,080 --> 01:28:42,080 Speaker 1: what I'm saying. You have the opportunity to call him 1496 01:28:42,200 --> 01:28:46,000 Speaker 1: right now. You know what I'm saying. He doesn't owe 1497 01:28:46,040 --> 01:28:48,960 Speaker 1: me no explanation, no apologies, no nothing would you do 1498 01:28:49,080 --> 01:28:52,280 Speaker 1: with business, is honey? I keep it a hunted with me. 1499 01:28:52,360 --> 01:28:54,719 Speaker 1: I'm not a better dude. You gave me the alley. 1500 01:28:54,760 --> 01:28:58,680 Speaker 1: You my nigger of a life time. I still get 1501 01:28:58,800 --> 01:29:02,080 Speaker 1: money from what you we did want to Yes, I'm 1502 01:29:02,080 --> 01:29:12,040 Speaker 1: gonna keeping a haunted Can we bring can we bring 1503 01:29:12,160 --> 01:29:16,040 Speaker 1: it back? Let me take the opportunity to do a 1504 01:29:16,120 --> 01:29:18,120 Speaker 1: lot of things. You can do a lot of things. 1505 01:29:18,400 --> 01:29:20,240 Speaker 1: So I'm not the type of person that's I'm not 1506 01:29:20,280 --> 01:29:22,800 Speaker 1: gonna chase you because I'm still doing music, i still 1507 01:29:22,800 --> 01:29:25,519 Speaker 1: have a family, i still have a life. I'm right 1508 01:29:25,680 --> 01:29:30,040 Speaker 1: my fact. I'm okay. Trust me, it's not about that. 1509 01:29:30,439 --> 01:29:33,519 Speaker 1: And you don't only no no, no, no, no nothing. 1510 01:29:33,640 --> 01:29:35,320 Speaker 1: You know what I'm saying. What you do when you win, 1511 01:29:35,880 --> 01:29:39,160 Speaker 1: I win because our story is just tied together. When 1512 01:29:39,200 --> 01:29:41,439 Speaker 1: you win, I win. You know what I'm saying. When 1513 01:29:41,439 --> 01:29:43,120 Speaker 1: you take ahead, I take a head. He said. Let 1514 01:29:43,160 --> 01:29:46,439 Speaker 1: me ask you that what was because if you call 1515 01:29:46,560 --> 01:29:50,880 Speaker 1: my now, what would the answer. I don't know. We're 1516 01:29:50,920 --> 01:29:54,200 Speaker 1: gonna put this end of this right now. Listen to 1517 01:29:56,280 --> 01:29:59,519 Speaker 1: in the moment because no one understands the mega thing 1518 01:30:00,160 --> 01:30:02,759 Speaker 1: we understood because I felt like you took a shot 1519 01:30:03,120 --> 01:30:06,120 Speaker 1: man right let me outside look at it. At the 1520 01:30:06,200 --> 01:30:08,519 Speaker 1: end of the day, I'm insider, but I'm always an 1521 01:30:08,560 --> 01:30:11,840 Speaker 1: outside of because that's your hood, that's y'all ship. So 1522 01:30:12,840 --> 01:30:16,360 Speaker 1: what was the problem? Like I never really knew. Let 1523 01:30:16,439 --> 01:30:19,560 Speaker 1: me tell you something. Um when it came down to 1524 01:30:19,720 --> 01:30:23,960 Speaker 1: being real ship, I don't walk around better and I'm 1525 01:30:24,000 --> 01:30:26,000 Speaker 1: not like I said, what you do is what you 1526 01:30:26,120 --> 01:30:29,439 Speaker 1: do right for the past due to the factory from 1527 01:30:29,479 --> 01:30:33,160 Speaker 1: the same hood, people knows that there's always a little 1528 01:30:33,320 --> 01:30:36,880 Speaker 1: something more than with probably being shown. You know what 1529 01:30:36,880 --> 01:30:42,599 Speaker 1: I'm saying. I don't hold no brudgets. But it wasn't 1530 01:30:42,600 --> 01:30:45,120 Speaker 1: the beginning. I felt that I don't even keep with 1531 01:30:45,200 --> 01:30:47,040 Speaker 1: a hunting. I think what I was supposed to do. 1532 01:30:48,080 --> 01:30:50,000 Speaker 1: I try to hold it down and try to glue 1533 01:30:50,040 --> 01:30:51,400 Speaker 1: ship together and do what I was supposed to do. 1534 01:30:52,400 --> 01:30:55,200 Speaker 1: But in the beginning, UM, I never felt that it 1535 01:30:55,320 --> 01:30:57,160 Speaker 1: was a hundred percent on my side. Anyway, if you 1536 01:30:57,200 --> 01:30:59,240 Speaker 1: look at the actual cover of the front album, I 1537 01:30:59,400 --> 01:31:02,240 Speaker 1: was never really show I'm like kind of blur it out. 1538 01:31:02,320 --> 01:31:04,320 Speaker 1: It was. I don't know. I don't think that I 1539 01:31:04,439 --> 01:31:06,080 Speaker 1: was good. I was supposed to be or I was 1540 01:31:06,080 --> 01:31:10,479 Speaker 1: supposed to actually affect people. But I mean, I'm hip hop. 1541 01:31:10,920 --> 01:31:12,759 Speaker 1: At the end of the day, I'm never going away 1542 01:31:18,920 --> 01:31:20,720 Speaker 1: ever needed me. I mean we could sit down and 1543 01:31:20,800 --> 01:31:22,479 Speaker 1: talk back the end of the day that I don't 1544 01:31:22,479 --> 01:31:24,720 Speaker 1: think the business was set up straight, and I think 1545 01:31:24,920 --> 01:31:27,760 Speaker 1: the hood ship could kind of get wiped away at 1546 01:31:27,800 --> 01:31:30,559 Speaker 1: twenty years. It's twenty years at the end. I don't 1547 01:31:30,560 --> 01:31:33,080 Speaker 1: walk around trying to fucking throw dirt the name and 1548 01:31:33,360 --> 01:31:37,360 Speaker 1: when I went, we come from the same. It will 1549 01:31:37,439 --> 01:31:40,320 Speaker 1: never change. It's beautiful. It's beautiful, you know what I mean. 1550 01:31:40,400 --> 01:31:42,479 Speaker 1: It's not like when and when Sun dropped and when 1551 01:31:42,640 --> 01:31:44,519 Speaker 1: they dropped the album and they did the thing. It's 1552 01:31:44,520 --> 01:31:47,000 Speaker 1: not like they took shots to me and then I respect, 1553 01:31:47,080 --> 01:31:49,400 Speaker 1: I respect. I wanted that ship and I'm really happy 1554 01:31:49,479 --> 01:31:53,479 Speaker 1: from Cold Mega to fucking do with eight million dollars 1555 01:31:54,439 --> 01:31:57,080 Speaker 1: because if we didn't go that way ever heard of me? 1556 01:31:57,960 --> 01:32:00,840 Speaker 1: Meant it for a second, it didn't go and give 1557 01:32:00,880 --> 01:32:02,640 Speaker 1: me the opportunity of a lifetime to do what I do. 1558 01:32:04,320 --> 01:32:08,599 Speaker 1: We brothers, we go through. Do I make senver tying? 1559 01:32:09,240 --> 01:32:14,240 Speaker 1: You got talking girl up to the day, I don't. 1560 01:32:14,240 --> 01:32:17,439 Speaker 1: I don't work around. I'm supporting it. If you win, 1561 01:32:17,520 --> 01:32:20,639 Speaker 1: I win. Come on, brother, let's go. Because we always 1562 01:32:20,680 --> 01:32:23,120 Speaker 1: talked about toys. We always talked about money that could 1563 01:32:23,120 --> 01:32:25,160 Speaker 1: have been made. You could have shut of water. And 1564 01:32:25,320 --> 01:32:26,760 Speaker 1: I think at the end of the day, it's not 1565 01:32:26,800 --> 01:32:28,760 Speaker 1: too many pieces that's missing, you know what I mean. 1566 01:32:28,880 --> 01:32:32,240 Speaker 1: I'm here, I'm telling you. People are a lot of 1567 01:32:32,280 --> 01:32:34,880 Speaker 1: people gonna watch this, you know what I mean. A 1568 01:32:34,960 --> 01:32:37,000 Speaker 1: lot of people gonna watch this, you know I mean. 1569 01:32:37,320 --> 01:32:40,080 Speaker 1: And so whatever whatever, if the cold get made, if 1570 01:32:40,120 --> 01:32:43,200 Speaker 1: it don't get made, I'm good. I'm still gonna make music. 1571 01:32:43,320 --> 01:32:45,400 Speaker 1: Check me out, you know what I mean. Twenty years 1572 01:32:45,439 --> 01:32:47,719 Speaker 1: and a lot of ship. Ain't no love of loss, 1573 01:32:47,840 --> 01:32:49,880 Speaker 1: you know what I mean. That's importantly, that's the most 1574 01:32:49,920 --> 01:32:52,680 Speaker 1: important thing about because you don't saying what we trying 1575 01:32:52,720 --> 01:32:55,800 Speaker 1: to say. Because even me and not even when he 1576 01:32:55,880 --> 01:32:59,680 Speaker 1: sat here, you know, we just didn't avoid our discrepancy, 1577 01:32:59,840 --> 01:33:01,200 Speaker 1: like you know what I'm saying. This is what I'm saying. 1578 01:33:01,240 --> 01:33:03,600 Speaker 1: So I was just trying to say, what was it? Like, 1579 01:33:03,960 --> 01:33:10,519 Speaker 1: you don't say, you don't even that it was amazing ship. 1580 01:33:10,560 --> 01:33:12,439 Speaker 1: You could put your finger on it and say, this 1581 01:33:12,520 --> 01:33:16,280 Speaker 1: is what happened. Because I love niggas like brothers. You 1582 01:33:16,320 --> 01:33:18,200 Speaker 1: know what I'm saying. We were brothers were born, and 1583 01:33:18,640 --> 01:33:20,240 Speaker 1: that's what's said. You know what I mean. I lost 1584 01:33:20,320 --> 01:33:24,240 Speaker 1: my mom's you know what I mean. You know what 1585 01:33:24,280 --> 01:33:26,519 Speaker 1: I mean. But me and John used to hang out 1586 01:33:26,560 --> 01:33:28,719 Speaker 1: in the cred We used to be in his mom's crid. 1587 01:33:28,920 --> 01:33:31,920 Speaker 1: We smoke, me, drink whatever whatever when that that was then, 1588 01:33:32,160 --> 01:33:33,599 Speaker 1: And so if you don't talk about it, you don't 1589 01:33:33,640 --> 01:33:37,439 Speaker 1: have to talk about it. It happened. These are my dudes. 1590 01:33:37,520 --> 01:33:40,479 Speaker 1: I'm grateful for the position that I was put in. 1591 01:33:41,840 --> 01:33:46,000 Speaker 1: This gave me the alley you for life, for life. 1592 01:33:50,439 --> 01:33:53,519 Speaker 1: But I'm gonna they don't have to necessarily be a 1593 01:33:53,680 --> 01:33:56,720 Speaker 1: sad story. I hate when they can talk about it's 1594 01:33:56,760 --> 01:34:01,240 Speaker 1: nothing to talk about me. But I'm going on, what's 1595 01:34:01,360 --> 01:34:06,360 Speaker 1: what's happening. He's still here, still follow me. That's why 1596 01:34:06,680 --> 01:34:10,040 Speaker 1: it's actually got an album out today called the Guards 1597 01:34:17,240 --> 01:34:20,679 Speaker 1: right now see that yall. That's y'all got here. Yeah, 1598 01:34:21,680 --> 01:34:26,920 Speaker 1: fair shows. I love the cameras. It's my naked right here. 1599 01:34:27,520 --> 01:34:29,840 Speaker 1: Show me cracks the biggest in the game. This is 1600 01:34:29,880 --> 01:34:33,200 Speaker 1: my naked right here. You crack. You promised me. I 1601 01:34:33,200 --> 01:34:36,479 Speaker 1: ain't gonna talk about it right now, going to blow up, 1602 01:34:36,560 --> 01:34:44,040 Speaker 1: blow up up three Tis said blow yeah, you know 1603 01:34:44,080 --> 01:34:49,519 Speaker 1: what I mean, be down, Come on, goddamn crack, Come 1604 01:34:49,680 --> 01:34:51,360 Speaker 1: on baby. If you would do to this show, even 1605 01:34:51,360 --> 01:34:56,680 Speaker 1: though it'll give us credit, not real, we would do 1606 01:34:56,840 --> 01:35:04,720 Speaker 1: this show, you'll get credits. Crack. I don't want to 1607 01:35:04,720 --> 01:35:08,160 Speaker 1: shoot on two Yankee shot on too, and my tis 1608 01:35:10,200 --> 01:35:14,639 Speaker 1: anyone Tis Money said out he's my brothers right here. 1609 01:35:15,280 --> 01:35:21,200 Speaker 1: I met a little. He's been actual showing sneak showing. 1610 01:35:21,320 --> 01:35:27,920 Speaker 1: Mandy's been good man sneaking right in the game. Ain't 1611 01:35:27,960 --> 01:35:34,160 Speaker 1: showing man sneaking. Shot Fat Joe like they're cracking. Oh God, 1612 01:35:34,479 --> 01:35:40,040 Speaker 1: cracking a win yo. I love you, my bro, yeah, 1613 01:35:40,280 --> 01:35:43,800 Speaker 1: saying something I don't put up baby, love you, baby, 1614 01:35:43,840 --> 01:35:55,560 Speaker 1: I see you're like he showed like seven pens and 1615 01:35:55,600 --> 01:36:05,599 Speaker 1: sneaking just feel shok track crack crack, yo, But yo, 1616 01:36:06,240 --> 01:36:08,840 Speaker 1: I know I think that ship. I know anybody over in, 1617 01:36:09,240 --> 01:36:12,240 Speaker 1: you know, like on the person level, now the industry level, 1618 01:36:12,600 --> 01:36:14,800 Speaker 1: and that's why it's good. You know, shout to my 1619 01:36:14,880 --> 01:36:18,880 Speaker 1: car evident. You know, I go back. You know she 1620 01:36:19,000 --> 01:36:22,120 Speaker 1: had lection out here to the nation and the brothers 1621 01:36:24,160 --> 01:36:28,040 Speaker 1: Dope Dope DJ man Maker check them out. How someone 1622 01:36:28,120 --> 01:36:30,960 Speaker 1: that just showed up the drink Champce because y'all just 1623 01:36:31,320 --> 01:36:35,439 Speaker 1: like keep the keep it RELI than what the word 1624 01:36:35,520 --> 01:36:38,280 Speaker 1: it means, like I just keep going in. You'll just 1625 01:36:38,400 --> 01:36:40,479 Speaker 1: keep going in. And you know we love that bro 1626 01:36:41,520 --> 01:36:46,400 Speaker 1: hip hop. You know, I don't let go. I gotta 1627 01:36:46,439 --> 01:36:49,479 Speaker 1: throw out the next to nature next to you talking 1628 01:36:49,520 --> 01:36:53,519 Speaker 1: about ship that y'all went through, and I can't let 1629 01:36:53,560 --> 01:37:03,240 Speaker 1: you do that in first you know, my girl, Oh 1630 01:37:04,640 --> 01:37:09,960 Speaker 1: but something say something anyway, I just want to say. 1631 01:37:10,080 --> 01:37:14,560 Speaker 1: Let me just say something. The ship that you contributed 1632 01:37:14,600 --> 01:37:18,640 Speaker 1: to hip hop alcohol eid off Man and thank you. 1633 01:37:18,760 --> 01:37:23,680 Speaker 1: You know, it's unrecognizable, man, it's recognizable. What I mean 1634 01:37:23,760 --> 01:37:26,200 Speaker 1: the man like when I'm in it's unrecognizable with the 1635 01:37:26,560 --> 01:37:28,240 Speaker 1: with the with the with the faith and me just 1636 01:37:28,320 --> 01:37:30,040 Speaker 1: looking at you and your face and your eyes and 1637 01:37:30,120 --> 01:37:33,400 Speaker 1: how much it's the same way hip hop. That's the 1638 01:37:33,520 --> 01:37:37,760 Speaker 1: thing is like, we don't we don't like about you know, 1639 01:37:37,920 --> 01:37:40,040 Speaker 1: the numbers and all that is great, you know what 1640 01:37:40,120 --> 01:37:45,320 Speaker 1: we're calling we care about representing hip hop. I got 1641 01:37:45,400 --> 01:37:48,840 Speaker 1: some more spade um, you know what we care about 1642 01:37:48,880 --> 01:37:51,200 Speaker 1: representing hip hop or keep telling the stories of hip 1643 01:37:51,240 --> 01:37:53,920 Speaker 1: hop and just keeping just keeping that ship. And it's 1644 01:37:53,960 --> 01:37:58,519 Speaker 1: great that this is our arrow is my Yeah, I 1645 01:37:58,720 --> 01:38:00,880 Speaker 1: never got an alcohol beat. You was Hollywood at one point. 1646 01:38:00,880 --> 01:38:09,120 Speaker 1: I'm no, it was sad. I didn't you give me 1647 01:38:09,160 --> 01:38:28,040 Speaker 1: a yea? We got that like a dozen nunstand one beat. 1648 01:38:28,120 --> 01:38:30,800 Speaker 1: I walked to this to day he picked it. But yeah, 1649 01:38:31,080 --> 01:38:37,960 Speaker 1: I called it. I said, I said, hold and no, 1650 01:38:38,240 --> 01:38:43,960 Speaker 1: I ain't even want the bread now, captain trying to 1651 01:38:44,040 --> 01:38:46,360 Speaker 1: make us get to work. I don't worry. I got you. 1652 01:38:46,560 --> 01:38:48,840 Speaker 1: You know you don't know, damn well, let me ask, 1653 01:38:49,000 --> 01:38:50,680 Speaker 1: let me ask nature. So now what did you know? 1654 01:38:50,760 --> 01:38:54,639 Speaker 1: It's because we got Bromance, Yes from the y'all. Y'all 1655 01:38:55,760 --> 01:38:59,040 Speaker 1: now wild Brimlance. That's that's still on the major as well. 1656 01:38:59,560 --> 01:39:02,920 Speaker 1: Now that was independent. That was that was like, yo, 1657 01:39:03,680 --> 01:39:06,920 Speaker 1: we're no longer on a major label. Let me trying 1658 01:39:06,960 --> 01:39:11,040 Speaker 1: to deliver something independent. But I had my dudes all 1659 01:39:11,080 --> 01:39:13,200 Speaker 1: around me because when the first album, I didn't really 1660 01:39:13,280 --> 01:39:16,639 Speaker 1: have features. I had one feature which was was NAS. 1661 01:39:17,200 --> 01:39:20,240 Speaker 1: You know what I'm saying. I had NAS and at 1662 01:39:20,280 --> 01:39:28,240 Speaker 1: that time, what the song ultimate hum track masters? But 1663 01:39:28,360 --> 01:39:30,280 Speaker 1: let me ask, let me ask as a fan. I 1664 01:39:30,439 --> 01:39:32,760 Speaker 1: swear to god, this is not in a r E. 1665 01:39:34,640 --> 01:39:37,320 Speaker 1: When the first album came out and it was just 1666 01:39:37,600 --> 01:39:39,920 Speaker 1: that was it? It was just NAS? Was that something 1667 01:39:40,000 --> 01:39:43,120 Speaker 1: track masters told you that's all your need is NA? NA. 1668 01:39:43,280 --> 01:39:47,760 Speaker 1: I was kind of reading and turned into let me 1669 01:39:48,160 --> 01:39:49,400 Speaker 1: know what I'm talking about someone. I just wanted to 1670 01:39:49,439 --> 01:39:52,160 Speaker 1: be everybody what I'm saying, thinking about answering this because 1671 01:39:53,360 --> 01:39:56,280 Speaker 1: tell the truth. This is like you know I first 1672 01:39:56,320 --> 01:40:01,840 Speaker 1: of all, what's that song? Don't protect nobody start to 1673 01:40:01,880 --> 01:40:04,519 Speaker 1: no one about the numbers that was spent. I was 1674 01:40:04,600 --> 01:40:06,960 Speaker 1: kind of tight. The budget, Yeah, the budget right, the 1675 01:40:07,040 --> 01:40:10,559 Speaker 1: budget part changes one thing, which is your records. Let's 1676 01:40:10,560 --> 01:40:14,960 Speaker 1: just everybody understand what's going on. What it's having a 1677 01:40:15,040 --> 01:40:18,160 Speaker 1: re forecast. That's the word refecast. I love the forecast 1678 01:40:18,200 --> 01:40:21,240 Speaker 1: with the refecast that made you run outcast was the 1679 01:40:21,320 --> 01:40:25,280 Speaker 1: podcast that made you run out? And we boecasts that 1680 01:40:25,680 --> 01:40:29,560 Speaker 1: have to read budget what you're doing. That's that's the 1681 01:40:29,640 --> 01:40:33,360 Speaker 1: second mortgas. That's the second mortgat. The budget that didn't 1682 01:40:33,360 --> 01:40:41,760 Speaker 1: want you to tell this reason you think about the 1683 01:40:41,800 --> 01:40:45,960 Speaker 1: budget days will spend re forecasting, we recreate it, and 1684 01:40:46,520 --> 01:40:49,360 Speaker 1: we'll make a whole other budget for the budget for 1685 01:40:49,479 --> 01:40:52,960 Speaker 1: the new vision. Every forecasting a couple of times that 1686 01:40:53,000 --> 01:40:55,439 Speaker 1: might always went green basically ran out, and you always 1687 01:40:55,479 --> 01:40:59,920 Speaker 1: want green. Green's son. I sat there and watched the funk, 1688 01:41:00,040 --> 01:41:02,000 Speaker 1: and I got a piece of paper that told me 1689 01:41:02,120 --> 01:41:06,960 Speaker 1: that I owed one point something million times only showed 1690 01:41:07,000 --> 01:41:10,920 Speaker 1: me that you're going too fast. Let's all right, what 1691 01:41:11,040 --> 01:41:15,840 Speaker 1: happened to say again? When I finished re forecast and 1692 01:41:16,000 --> 01:41:19,280 Speaker 1: had a kid new money, that means that that means 1693 01:41:19,520 --> 01:41:22,640 Speaker 1: all the days that we sat all the days that 1694 01:41:22,720 --> 01:41:26,519 Speaker 1: we sat there, and all let's say, all the days 1695 01:41:26,520 --> 01:41:30,960 Speaker 1: that we sat there and smoking drunk and probably rented 1696 01:41:31,080 --> 01:41:35,519 Speaker 1: studio equipment that didn't finish the record, and we had 1697 01:41:35,600 --> 01:41:39,479 Speaker 1: food budgets, and we had entourages, and we had the 1698 01:41:39,560 --> 01:41:45,519 Speaker 1: whole ship. Showed me, you have this bill that says 1699 01:41:45,720 --> 01:41:50,960 Speaker 1: you owe one point something million dollars all commerces in 1700 01:41:51,080 --> 01:41:58,120 Speaker 1: the right places, and you're saying to yourself, how because 1701 01:41:58,160 --> 01:42:01,000 Speaker 1: it's mad days. I'm going home. I'm like pitt Off, 1702 01:42:02,040 --> 01:42:05,599 Speaker 1: I got a quite new how you knew? We knew 1703 01:42:06,160 --> 01:42:10,240 Speaker 1: because people weren't raping the budget. I'm being honest. This 1704 01:42:10,320 --> 01:42:15,040 Speaker 1: is what I gotta pick up. Tragedy could trash trash, 1705 01:42:15,280 --> 01:42:21,400 Speaker 1: tragedy could dicty traded us pause sounded crazy, but I 1706 01:42:21,439 --> 01:42:27,040 Speaker 1: didn't know. You know, don't play what studio times, don't 1707 01:42:27,080 --> 01:42:29,640 Speaker 1: play around with it. So we was like what. So 1708 01:42:29,840 --> 01:42:33,160 Speaker 1: we would go in the crib we were sitting there 1709 01:42:33,600 --> 01:42:37,439 Speaker 1: and be like, yo, all right, this is the b alright, cool, yeah, 1710 01:42:37,439 --> 01:42:39,559 Speaker 1: I think it's right to that being poem would sit 1711 01:42:39,640 --> 01:42:41,960 Speaker 1: there right to the whole ship. So by the time 1712 01:42:42,040 --> 01:42:43,960 Speaker 1: we came to the student, we would knock it out. 1713 01:42:44,400 --> 01:42:47,920 Speaker 1: And I knew this because of that studio budget, you're 1714 01:42:47,920 --> 01:42:51,120 Speaker 1: not going into it. This is what I said, one thing, 1715 01:42:51,240 --> 01:42:59,479 Speaker 1: one way, then they don't finish. I got you, I 1716 01:42:59,520 --> 01:43:02,800 Speaker 1: got problems. But so I was like what. And at 1717 01:43:02,880 --> 01:43:05,040 Speaker 1: first I used to be like why we gotta practice 1718 01:43:05,080 --> 01:43:08,400 Speaker 1: and rehearse because that's what it was the mentality back then. 1719 01:43:08,560 --> 01:43:11,599 Speaker 1: And let me tell you something, I respect that ship. 1720 01:43:11,800 --> 01:43:14,800 Speaker 1: I've never been a has studio, but I recorded seven 1721 01:43:14,880 --> 01:43:17,840 Speaker 1: records because I don't know how to play with studios top, 1722 01:43:17,880 --> 01:43:19,400 Speaker 1: but I'm sorry, which was about to say, can I 1723 01:43:20,160 --> 01:43:21,960 Speaker 1: can I get one question? Let me get him and 1724 01:43:22,040 --> 01:43:23,720 Speaker 1: then we come right back to you. I promise you. 1725 01:43:23,840 --> 01:43:27,280 Speaker 1: But we're rocking you. You got your motherfucker's you wrote 1726 01:43:27,320 --> 01:43:31,600 Speaker 1: to you? Baby, were watching you looking good. I recorded 1727 01:43:31,680 --> 01:43:34,720 Speaker 1: this album that I did for track matters for all 1728 01:43:34,880 --> 01:43:41,840 Speaker 1: seasons without having any brahms written. That means this whole 1729 01:43:42,000 --> 01:43:45,560 Speaker 1: album was recorded on the spot. As we go in 1730 01:43:45,640 --> 01:43:48,719 Speaker 1: the studio and smoke some weed. We're recording the classic 1731 01:43:48,840 --> 01:43:56,479 Speaker 1: album without any without you, no week one point. I'll 1732 01:43:56,520 --> 01:43:57,800 Speaker 1: tell you. If you I'll tell you what your bud 1733 01:43:57,880 --> 01:44:03,880 Speaker 1: it was seven hundred thousands. First of alerted you were 1734 01:44:03,880 --> 01:44:06,840 Speaker 1: spending plenty of nights out. We spend plenty of nights 1735 01:44:07,360 --> 01:44:13,320 Speaker 1: having soldio back smash. We haven't we have a right track. 1736 01:44:14,040 --> 01:44:18,360 Speaker 1: We're having yips, we're having fucking monks when we have 1737 01:44:18,479 --> 01:44:22,120 Speaker 1: to what we're spending over money. We haven't spending all 1738 01:44:22,200 --> 01:44:26,960 Speaker 1: kind of money. So um, we were tragedy. He told 1739 01:44:27,120 --> 01:44:31,320 Speaker 1: not to spend up. What I'm saying is thank the tragedy, 1740 01:44:34,680 --> 01:44:43,080 Speaker 1: Thank you tragedy, thank you. The labels weren't fleeting your costs. 1741 01:44:43,160 --> 01:44:47,480 Speaker 1: On top of that, it's a stipulation. It's a stipulation 1742 01:44:47,600 --> 01:44:50,639 Speaker 1: in my contract to say that I'm signed to I'm 1743 01:44:50,680 --> 01:44:53,559 Speaker 1: signed to producers, So it's a stipulation of my contract 1744 01:44:53,600 --> 01:44:55,240 Speaker 1: is saying that I have to have a certain amount 1745 01:44:55,280 --> 01:44:59,240 Speaker 1: of beats from the same producers that that signed me, 1746 01:44:59,400 --> 01:45:01,560 Speaker 1: so I get the money, and having to pass the 1747 01:45:01,640 --> 01:45:05,000 Speaker 1: money off to the same people that gave me the money. 1748 01:45:05,120 --> 01:45:15,120 Speaker 1: Come the love, I'm gonna take care God. I got 1749 01:45:15,200 --> 01:45:17,840 Speaker 1: the money, and it's a stipulation that I have to 1750 01:45:17,920 --> 01:45:19,920 Speaker 1: pass some of his money back to the same people 1751 01:45:20,040 --> 01:45:24,439 Speaker 1: that I got it from after they charged any charging 1752 01:45:25,760 --> 01:45:32,680 Speaker 1: back charging a thousand of beat. The same people that 1753 01:45:32,800 --> 01:45:36,880 Speaker 1: work with Will Smith and Mariah Carry and nays and 1754 01:45:37,320 --> 01:45:39,840 Speaker 1: did you write Kobe Bryant smiles and when it was 1755 01:45:39,880 --> 01:45:44,240 Speaker 1: doing Kobe, they're doing Kobe Bryant. They're doing to the 1756 01:45:44,439 --> 01:45:49,240 Speaker 1: circuits Kobe. No, I didn't get one. I don't get one, 1757 01:45:49,560 --> 01:45:52,160 Speaker 1: but I'm around. You got you got a copy though, 1758 01:45:52,560 --> 01:45:59,080 Speaker 1: but I'm around. I don't think he has one. Went 1759 01:45:59,120 --> 01:46:01,560 Speaker 1: with can't fill last ship. That's my ship, Shine. That 1760 01:46:01,600 --> 01:46:04,519 Speaker 1: is the name of the record, right, Yes, you've forgotten, 1761 01:46:04,600 --> 01:46:07,000 Speaker 1: but shout out to the people that forget the record 1762 01:46:07,040 --> 01:46:12,599 Speaker 1: that got we got pa ship take going for the team. 1763 01:46:12,640 --> 01:46:15,200 Speaker 1: We do what we do and we still keep pushing. 1764 01:46:15,280 --> 01:46:17,320 Speaker 1: You know what I'm saying, and we're here. It's all 1765 01:46:17,600 --> 01:46:20,280 Speaker 1: of stories. So my drink Champs could go five hours, 1766 01:46:20,360 --> 01:46:25,120 Speaker 1: but we didn't here for that. In between both I 1767 01:46:25,200 --> 01:46:29,320 Speaker 1: could drink I support. I don't drink out of I 1768 01:46:29,360 --> 01:46:38,479 Speaker 1: don't want to do something like that support because I 1769 01:46:38,600 --> 01:46:40,599 Speaker 1: can't take take you get the things that I can't 1770 01:46:40,640 --> 01:46:46,519 Speaker 1: do us. But I'm going, I'm saying, but you know, no, no, 1771 01:46:47,920 --> 01:46:52,639 Speaker 1: I think yeah, I don't see an album five songs 1772 01:46:52,760 --> 01:47:03,160 Speaker 1: right now? Has it his studios? Has gonn right now. 1773 01:47:03,360 --> 01:47:06,559 Speaker 1: I came to Miami yesterday and since I've been in Miami, 1774 01:47:06,840 --> 01:47:10,040 Speaker 1: I probably shot like five videos. That's the way to 1775 01:47:10,080 --> 01:47:13,000 Speaker 1: see that should have been happening. The next day I 1776 01:47:13,080 --> 01:47:15,439 Speaker 1: shot five is you don't do that number? Let me ask, 1777 01:47:15,560 --> 01:47:23,680 Speaker 1: Let me ask you. I got to ask you. Get 1778 01:47:23,720 --> 01:47:25,800 Speaker 1: it done. I got straight up to ask you. As 1779 01:47:25,840 --> 01:47:30,759 Speaker 1: a Carol O. The rumor was there could be anybody lyrically, 1780 01:47:32,080 --> 01:47:36,120 Speaker 1: anybody that nys to get on the record wood Speed 1781 01:47:36,200 --> 01:47:43,639 Speaker 1: the lyrically still, but I gotta ask any time before, 1782 01:47:43,720 --> 01:47:46,560 Speaker 1: like nature was lazy a lot of times. Stuff for 1783 01:47:46,680 --> 01:47:48,559 Speaker 1: this the name, that's the that's the that's the theory 1784 01:47:48,600 --> 01:47:51,200 Speaker 1: about me because like I said, due to the fact 1785 01:47:51,320 --> 01:47:55,479 Speaker 1: that I wasn't coming to the studio where pre prepared 1786 01:47:55,720 --> 01:47:58,040 Speaker 1: songs and rhymes, it might take me a minute to 1787 01:47:58,080 --> 01:48:01,280 Speaker 1: write these rhymes in the studio. So this so because 1788 01:48:01,520 --> 01:48:03,679 Speaker 1: because it might took a minute to write this record, 1789 01:48:03,880 --> 01:48:07,200 Speaker 1: they might say nature's lazy. It's not that the nature's lazy, 1790 01:48:07,280 --> 01:48:12,280 Speaker 1: it's just the nature's home situation. It's not really good 1791 01:48:12,479 --> 01:48:16,760 Speaker 1: as far as blocking everything out and and diving into 1792 01:48:16,840 --> 01:48:19,920 Speaker 1: this music. You know, it's not that's not that's not 1793 01:48:20,040 --> 01:48:22,320 Speaker 1: what it is. So but when it comes down to 1794 01:48:22,400 --> 01:48:25,479 Speaker 1: the music, you put me in the room with the best, 1795 01:48:25,640 --> 01:48:30,040 Speaker 1: I become the best. Become the best. You have a 1796 01:48:30,160 --> 01:48:33,000 Speaker 1: freestyle before you ever liked just one of just not 1797 01:48:33,080 --> 01:48:34,920 Speaker 1: one of those guys that's in the circle. Because I 1798 01:48:35,000 --> 01:48:37,200 Speaker 1: felt that I did it for so long by asking 1799 01:48:37,240 --> 01:48:39,360 Speaker 1: the question, do you have a freestyle? If you feel 1800 01:48:39,439 --> 01:48:42,040 Speaker 1: like your brother have seen, can you freestyle? No? You 1801 01:48:42,120 --> 01:48:45,439 Speaker 1: know what it was for me. I've been in the ring, 1802 01:48:46,520 --> 01:48:49,960 Speaker 1: not the ring, but I've been around the best, the 1803 01:48:50,560 --> 01:48:58,200 Speaker 1: goats the best going to the lad and it's fitting it. 1804 01:48:58,600 --> 01:49:02,960 Speaker 1: But how about just having already Yeah, jay Z supposedly 1805 01:49:03,160 --> 01:49:07,360 Speaker 1: right now that comes eminem that's the same thing. You 1806 01:49:07,520 --> 01:49:12,439 Speaker 1: might lay four boss. You got studio time, and you 1807 01:49:12,479 --> 01:49:15,040 Speaker 1: know you're sitting the studio smoke good. You're gonna you're 1808 01:49:15,040 --> 01:49:17,680 Speaker 1: gonna late four at the time. Some So No, let 1809 01:49:17,720 --> 01:49:19,599 Speaker 1: me tell you something because even if I sat at 1810 01:49:19,640 --> 01:49:21,600 Speaker 1: the crib and I pre rote it, I thought it 1811 01:49:21,720 --> 01:49:24,760 Speaker 1: was dope. Once it's time to perform, it is a 1812 01:49:24,880 --> 01:49:27,760 Speaker 1: different kind of ship, bro. It's like playoffs. It's like 1813 01:49:27,960 --> 01:49:32,679 Speaker 1: what's your favorite to perform, favorite record to perform? Yeah, 1814 01:49:32,720 --> 01:49:42,960 Speaker 1: you gotta be bad TV around right now. I can 1815 01:49:43,040 --> 01:49:45,880 Speaker 1: make a round right now. But that's not what I'm 1816 01:49:45,920 --> 01:49:47,960 Speaker 1: gonna do. But I can make a round right now 1817 01:49:48,040 --> 01:49:51,120 Speaker 1: off my head channel with you, sitting at the table 1818 01:49:51,240 --> 01:49:53,439 Speaker 1: with you, and you know what I mean to make 1819 01:49:53,479 --> 01:49:59,240 Speaker 1: the round. Let's see. Let's look. Look, I'm gonna drink 1820 01:49:59,360 --> 01:50:05,679 Speaker 1: Chians next nature. I ain't gotta Rachel, I ain't gotta 1821 01:50:05,760 --> 01:50:08,759 Speaker 1: hate you. I just drink. That's in my nature. Nigga's 1822 01:50:09,160 --> 01:50:12,760 Speaker 1: open bottles to say hate the stage, y'all. Nigg is 1823 01:50:12,800 --> 01:50:15,599 Speaker 1: out here wishing I was here. But ya ain't that page. 1824 01:50:15,760 --> 01:50:20,200 Speaker 1: You ain't that mad. I'm that racket. Somebody past the bracket. 1825 01:50:20,840 --> 01:50:24,080 Speaker 1: Niggas couldn't even wear this type of jacket. Whoa where 1826 01:50:24,160 --> 01:50:26,640 Speaker 1: this type of gazelle nigg is out here trying to 1827 01:50:26,720 --> 01:50:31,160 Speaker 1: propel my nigga. Watch out, y'all, nigga is on my lapelle. 1828 01:50:31,720 --> 01:50:41,280 Speaker 1: Hell that's how it flows. Hell, you got it. Oh, 1829 01:50:45,080 --> 01:51:01,280 Speaker 1: I wanted. I wanted you. If it's about it's about 1830 01:51:01,360 --> 01:51:05,560 Speaker 1: that hunger. You know, you can have that history, you 1831 01:51:05,640 --> 01:51:07,519 Speaker 1: know what I mean? But look look at the Lakers 1832 01:51:08,479 --> 01:51:13,280 Speaker 1: le bronze semon teen. Yeah they beat them young boys. Yeah, 1833 01:51:13,640 --> 01:51:17,280 Speaker 1: you know I watched How do young boys act against 1834 01:51:17,280 --> 01:51:23,760 Speaker 1: the legends? Yeah that dog. Let me tell you something, 1835 01:51:24,320 --> 01:51:31,840 Speaker 1: Ben from TV, little shot Being from TV, I love 1836 01:51:32,479 --> 01:51:38,320 Speaker 1: this little chippy love Yet I'm gonna keeping. I'm gonna 1837 01:51:38,360 --> 01:51:40,400 Speaker 1: keep it on keeping, I'm gonna keep it on it. 1838 01:51:41,160 --> 01:51:46,559 Speaker 1: Being from TV is like a perfect reminder that there 1839 01:51:46,600 --> 01:51:50,000 Speaker 1: are niggers out there that you don't know that can 1840 01:51:50,320 --> 01:52:00,840 Speaker 1: kick you. And I like that because Chris and it's 1841 01:52:00,880 --> 01:52:05,519 Speaker 1: not like nothing is a loss, no nothing, but band 1842 01:52:05,600 --> 01:52:08,040 Speaker 1: from TV is something that there are people out there 1843 01:52:08,160 --> 01:52:11,400 Speaker 1: that they are hungry that they are that move kick 1844 01:52:11,439 --> 01:52:15,280 Speaker 1: you in your ass. Wolves at the gate bottom a shot? 1845 01:52:16,880 --> 01:52:21,760 Speaker 1: How do I see we got you say you got 1846 01:52:21,800 --> 01:52:30,120 Speaker 1: one thing? I would say, no, I love it. Yeah, shot. 1847 01:52:30,280 --> 01:52:32,920 Speaker 1: I don't think he got mama water. You don't know 1848 01:52:33,040 --> 01:52:36,840 Speaker 1: he needed give him my wa I want to just 1849 01:52:36,960 --> 01:52:44,800 Speaker 1: say a memoir. I got remorom party, party, sat this 1850 01:52:44,960 --> 01:52:47,320 Speaker 1: is dope, this is so get a shot because I 1851 01:52:47,400 --> 01:53:02,240 Speaker 1: want your shot. Shot about the shot time. Let's go, baby, Yo, 1852 01:53:03,240 --> 01:53:09,960 Speaker 1: I've a witnessed to your greatness. This is what I want. Hey, Boddy, 1853 01:53:10,040 --> 01:53:13,120 Speaker 1: I need I need anybody to understand this, right head. 1854 01:53:14,960 --> 01:53:19,120 Speaker 1: I come from Brownsville, but I met this man his 1855 01:53:19,240 --> 01:53:22,639 Speaker 1: problem when he was a superstar, biggest superstar and rapping, 1856 01:53:23,200 --> 01:53:27,200 Speaker 1: one of the biggest superstars and rappank. Remember when you 1857 01:53:27,320 --> 01:53:30,760 Speaker 1: did Super Doug and we was in I think we 1858 01:53:30,880 --> 01:53:33,320 Speaker 1: was in Miami at the time, and you was on tory. 1859 01:53:33,479 --> 01:53:37,200 Speaker 1: You had one that you got one last T shirt 1860 01:53:37,320 --> 01:53:39,720 Speaker 1: that said super Doug on it, and that was a 1861 01:53:39,800 --> 01:53:44,200 Speaker 1: whole chore and and I remember that day when you 1862 01:53:44,280 --> 01:53:49,040 Speaker 1: got out the stage and everybody like what what what what? What? What? What? What? What? What? What? 1863 01:53:49,479 --> 01:53:52,000 Speaker 1: What what? And that was just like in the crowd 1864 01:53:52,160 --> 01:53:57,800 Speaker 1: kept doing that ship and it was just like, you know, 1865 01:53:57,880 --> 01:54:01,040 Speaker 1: I leave the energy and I got to witness that 1866 01:54:01,680 --> 01:54:04,920 Speaker 1: you know what I mean? And man, I'm let me 1867 01:54:05,000 --> 01:54:07,280 Speaker 1: ask you something though, this is your this is your 1868 01:54:07,360 --> 01:54:09,080 Speaker 1: this is your day. It's not my day. No, what's 1869 01:54:09,120 --> 01:54:11,880 Speaker 1: your favorite and hip hop? I just wouldn't say that's 1870 01:54:11,880 --> 01:54:15,439 Speaker 1: your favorite hip hop? Hip hop? What's your favorite moment? 1871 01:54:15,439 --> 01:54:17,439 Speaker 1: If you could we live any moment of hip hop? 1872 01:54:17,680 --> 01:54:20,600 Speaker 1: What's the time. But you will go back stand to 1873 01:54:20,720 --> 01:54:24,200 Speaker 1: be clear for him or him watching it or either 1874 01:54:24,760 --> 01:54:28,000 Speaker 1: no for him for you actually, if you will go 1875 01:54:28,120 --> 01:54:29,639 Speaker 1: back and say, you know what, I want to stay 1876 01:54:29,640 --> 01:54:33,640 Speaker 1: in this moment forever. That's a m question that you 1877 01:54:33,760 --> 01:54:35,760 Speaker 1: really dropping on me right now. Let me take a 1878 01:54:35,800 --> 01:54:45,720 Speaker 1: shot before I answer questions up every day. You know 1879 01:54:45,840 --> 01:54:49,680 Speaker 1: what's sad as she went because you shoine like her? 1880 01:54:50,040 --> 01:54:57,840 Speaker 1: But um really like when when the m C toward 1881 01:54:57,880 --> 01:55:02,280 Speaker 1: eighty eight, like, what's try to sneaking Mash Square Garden 1882 01:55:02,400 --> 01:55:07,200 Speaker 1: as a kid, go see the man? I didn't concert. 1883 01:55:08,160 --> 01:55:11,240 Speaker 1: I want to went this is my house? I went, Yeah, 1884 01:55:11,480 --> 01:55:14,320 Speaker 1: I went with the old like t J Swan. T 1885 01:55:14,520 --> 01:55:16,520 Speaker 1: J Swan, that's my favorite move member of the Juice 1886 01:55:16,560 --> 01:55:20,760 Speaker 1: Cup about the hook nigga, the nigga that I wanted 1887 01:55:20,760 --> 01:55:33,120 Speaker 1: to go cet Yeah, I was my SWOOJ make t 1888 01:55:33,240 --> 01:55:35,880 Speaker 1: J had his own set that was my he was 1889 01:55:35,960 --> 01:55:38,800 Speaker 1: like Michael he said, I think he said it was 1890 01:55:38,800 --> 01:55:44,440 Speaker 1: the old set and it was it was this signed 1891 01:55:44,440 --> 01:55:47,200 Speaker 1: to me. I thought, I no, he was, I want 1892 01:55:47,280 --> 01:55:49,800 Speaker 1: to go here that I want it here. I wanted 1893 01:55:49,840 --> 01:55:53,920 Speaker 1: to go here juice to the day was opening up 1894 01:55:53,960 --> 01:56:04,600 Speaker 1: from run DMC. Yeah, the garden C seven you know 1895 01:56:04,840 --> 01:56:08,240 Speaker 1: another you got another eighty eight. You know when we 1896 01:56:08,440 --> 01:56:11,840 Speaker 1: was like fourteen fifteen. How on my level, I'm seventy seven, 1897 01:56:11,880 --> 01:56:15,200 Speaker 1: I'm born, I'm forty three, I'm seventy four. So like 1898 01:56:15,680 --> 01:56:18,160 Speaker 1: I was, I'm a little older. You got dare. Don't 1899 01:56:18,160 --> 01:56:21,280 Speaker 1: feel like an age man. We are seventy five, seventy four, 1900 01:56:21,840 --> 01:56:27,840 Speaker 1: same seventy seven, bro seving mean, it's not that fun, 1901 01:56:28,960 --> 01:56:33,120 Speaker 1: same age prepared continue man, come on, so you know 1902 01:56:33,400 --> 01:56:42,720 Speaker 1: backy like my longs. You know what, I don't take 1903 01:56:42,800 --> 01:56:46,680 Speaker 1: the chance for me. You know a little five seven 1904 01:56:46,840 --> 01:56:55,920 Speaker 1: seventy two, seventy two, and what I did not know 1905 01:56:56,120 --> 01:57:02,480 Speaker 1: my seventy seven seventy I got that signory and I'm 1906 01:57:02,480 --> 01:57:13,560 Speaker 1: still like goodge no Big York Now what they said, 1907 01:57:13,800 --> 01:57:18,320 Speaker 1: Um rush I Kim Bob, Yes, ain't it's like a 1908 01:57:18,400 --> 01:57:24,080 Speaker 1: good listen. It ain't working right, I'm doing fun. Come on, man, 1909 01:57:26,640 --> 01:57:29,080 Speaker 1: A couple of things ago. My daughter turned twenty. Let's 1910 01:57:29,080 --> 01:57:37,280 Speaker 1: shout out for that bro. I got your old what's 1911 01:57:37,320 --> 01:57:40,400 Speaker 1: up with head? Well, maybe make some bro there's a 1912 01:57:40,520 --> 01:57:47,680 Speaker 1: cancer free people just takes yours. I ain't gonna I 1913 01:57:47,720 --> 01:57:49,320 Speaker 1: got those two blunts left for me. It's for me. 1914 01:57:49,560 --> 01:57:56,200 Speaker 1: I'm not gonna love seven two they definitely I'm like 1915 01:57:56,760 --> 01:57:59,480 Speaker 1: I was the old New York City loves man. I 1916 01:57:59,560 --> 01:58:05,520 Speaker 1: gotta have at Philly, switching the type of ship like 1917 01:58:06,320 --> 01:58:10,200 Speaker 1: because some old New York City lungs my dirty dirty 1918 01:58:10,280 --> 01:58:13,120 Speaker 1: like the ship when the ship was fucked up. She 1919 01:58:13,240 --> 01:58:19,200 Speaker 1: didn't right out, Do you still gonna buy? Yeah? You 1920 01:58:19,200 --> 01:58:21,240 Speaker 1: can put me on the spot right now. Of course 1921 01:58:21,280 --> 01:58:24,640 Speaker 1: I didn't. Yeah, of course I did. I'm still you 1922 01:58:24,720 --> 01:58:27,880 Speaker 1: still go buy a Dutch mester? Yeah, I stopped buying 1923 01:58:27,960 --> 01:58:31,640 Speaker 1: Dutch to the table to tell you why I'm in 1924 01:58:32,240 --> 01:58:36,920 Speaker 1: l a like after the Grammy's after these bullshits, and 1925 01:58:37,000 --> 01:58:39,720 Speaker 1: then I go to a seven eleven. I talked about 1926 01:58:39,720 --> 01:58:42,480 Speaker 1: the Mexican Games over there, the plus the christ I 1927 01:58:42,560 --> 01:58:47,120 Speaker 1: walked in seven remember there that one reason I'm like you, 1928 01:58:47,280 --> 01:58:51,040 Speaker 1: I looked like fucking I knew why front, so I'm 1929 01:58:51,080 --> 01:58:53,120 Speaker 1: just I walked through and said, fuck it, I'm you 1930 01:58:53,200 --> 01:58:56,080 Speaker 1: know fun that I ain't didn't running me out of here. 1931 01:58:56,120 --> 01:58:59,360 Speaker 1: I walked through and the guy said, what do you want, sir? 1932 01:59:00,000 --> 01:59:01,920 Speaker 1: That I give like the five pack of those duchess. 1933 01:59:02,680 --> 01:59:05,800 Speaker 1: It was like the whole ship you from New York 1934 01:59:06,000 --> 01:59:13,800 Speaker 1: right themancause, oh yeah, I tho Chris, because you know 1935 01:59:13,920 --> 01:59:21,840 Speaker 1: you don't getting the blood a blood something. The guy 1936 01:59:22,160 --> 01:59:28,880 Speaker 1: in my mind, goddamnit. Everybody doings snap shots, snap shot, 1937 01:59:29,560 --> 01:59:32,200 Speaker 1: night shot, but you got not drink alcohol. It's not shots. 1938 01:59:32,880 --> 01:59:35,840 Speaker 1: Get those champagne. You want another shot, not be no more. 1939 01:59:36,440 --> 01:59:41,080 Speaker 1: You gotta be yes, Salute a little with the bearcoot 1940 01:59:41,080 --> 01:59:43,320 Speaker 1: with the bed, a little with the b Yeah, because 1941 01:59:43,320 --> 01:59:47,360 Speaker 1: it's different, different with your drinking, and then your shot 1942 01:59:47,520 --> 01:59:49,440 Speaker 1: is different. You know you're gonna sit No, no, you're 1943 01:59:49,440 --> 01:59:54,200 Speaker 1: gonna sit with you salute with That's two rule, Broye, 1944 01:59:55,960 --> 02:00:00,560 Speaker 1: Jake Champs, your rules. So what's the Jame mean? J 1945 02:00:00,800 --> 02:00:08,280 Speaker 1: champ culture? You remember that right now there's mad rule 1946 02:00:08,360 --> 02:00:10,280 Speaker 1: but no rules at all. It's mad rules and no 1947 02:00:10,440 --> 02:00:12,560 Speaker 1: rules and all. And you know what one of my 1948 02:00:12,760 --> 02:00:16,400 Speaker 1: rule is, don't respect our fucking left. And you know, 1949 02:00:21,600 --> 02:00:24,640 Speaker 1: I know a long Pep, you've been out here monkey 1950 02:00:24,680 --> 02:00:26,920 Speaker 1: foot and kicking ship and doing the funk that you 1951 02:00:27,000 --> 02:00:29,040 Speaker 1: had to do for so long. I want to tell 1952 02:00:29,040 --> 02:00:31,160 Speaker 1: you I respect you. I'm gonna tell you as a 1953 02:00:31,240 --> 02:00:34,960 Speaker 1: motherfucking same person, from your culture, from your culture, from 1954 02:00:34,960 --> 02:00:37,520 Speaker 1: your coach, I respect everything you did. And I can 1955 02:00:37,600 --> 02:00:42,440 Speaker 1: tell you, guys, and ain't you need for me? And 1956 02:00:42,520 --> 02:00:44,400 Speaker 1: but let me keep finis to figure you out, and 1957 02:00:44,480 --> 02:00:47,080 Speaker 1: let me just tell you something like you, you're supposed 1958 02:00:47,120 --> 02:00:49,080 Speaker 1: to be respect. You're supposed to be a red carpet 1959 02:00:49,120 --> 02:00:52,040 Speaker 1: beat because not only as an artist, you're not only 1960 02:00:52,160 --> 02:00:54,720 Speaker 1: dominating ship as an artist and did certain things an artist, 1961 02:00:54,880 --> 02:00:58,240 Speaker 1: but you're also transitioned to a producer. And then and 1962 02:00:58,360 --> 02:01:00,440 Speaker 1: then you and you did as we do so and 1963 02:01:00,560 --> 02:01:03,600 Speaker 1: the nature the same thing. It's like, yo, bro, you 1964 02:01:03,680 --> 02:01:06,000 Speaker 1: were just throwing in the marsh pit. You don't know 1965 02:01:06,120 --> 02:01:09,040 Speaker 1: what fund you got. You were placing this other guy 1966 02:01:09,160 --> 02:01:11,800 Speaker 1: and but she was on your own side. And then 1967 02:01:11,840 --> 02:01:14,320 Speaker 1: you kept going with the wild grimments. You kept you 1968 02:01:14,480 --> 02:01:16,960 Speaker 1: just kept getting for it. And the thing about it. 1969 02:01:17,120 --> 02:01:19,760 Speaker 1: This man, we want to salute y'all. Bro, This's what 1970 02:01:19,800 --> 02:01:23,560 Speaker 1: I'm saying. It's another shot. Time's another shot. Time. We 1971 02:01:23,720 --> 02:01:31,200 Speaker 1: love y'all. Mother some Yeah, I want you want to 1972 02:01:31,240 --> 02:01:33,160 Speaker 1: say that. I want to say this turn out of 1973 02:01:33,200 --> 02:01:35,720 Speaker 1: my my heart. Yes for a Bouttom of my heart, 1974 02:01:36,120 --> 02:01:44,080 Speaker 1: Yes my heart. Um. Birthday was yesterday. She died of cancer. Um. 1975 02:01:44,600 --> 02:01:47,560 Speaker 1: She was a veteran of the United States by me, 1976 02:01:47,840 --> 02:01:51,960 Speaker 1: respect respect um, you know. And I want to shout 1977 02:01:51,960 --> 02:01:57,400 Speaker 1: out all the homies that we lost, the real homiesies. 1978 02:01:57,760 --> 02:01:59,800 Speaker 1: You know, we lost a lot of people this year. Man. 1979 02:02:01,000 --> 02:02:03,000 Speaker 1: This she had been a breakup car. This year had 1980 02:02:03,080 --> 02:02:07,840 Speaker 1: been really something else. This had been crazy, fucking insane. 1981 02:02:08,520 --> 02:02:13,200 Speaker 1: So it's been unbelievable that I gotta we gotta survive 1982 02:02:13,320 --> 02:02:16,040 Speaker 1: through this ship and everybody in here salute yourself for 1983 02:02:16,160 --> 02:02:22,000 Speaker 1: surviving throughing and helping everybody wear a mask about to 1984 02:02:22,040 --> 02:02:25,200 Speaker 1: get mask. We got mask, you know what I mean, 1985 02:02:25,520 --> 02:02:33,520 Speaker 1: promoted healthy. I've been a hermit. Everybody always put me 1986 02:02:33,600 --> 02:02:37,000 Speaker 1: in outcasting me until now because I was in the 1987 02:02:37,120 --> 02:02:41,440 Speaker 1: crib cooking up beastly like like you like like nor like. 1988 02:02:41,520 --> 02:02:43,920 Speaker 1: It's like even I wish I could work with nas. 1989 02:02:43,960 --> 02:02:47,120 Speaker 1: I wish I could remix Come King's Disease, which I 1990 02:02:47,280 --> 02:02:51,120 Speaker 1: get that acapella and called the crib. Someone might hereless 1991 02:02:51,320 --> 02:02:55,920 Speaker 1: and get through that calling the crib. You know what, 1992 02:02:56,000 --> 02:02:58,840 Speaker 1: because a lot of people upset with them beats. I know, 1993 02:02:59,160 --> 02:03:01,600 Speaker 1: I know you. I know what kind of beats you like. 1994 02:03:02,160 --> 02:03:04,720 Speaker 1: I know what kind of it's not. No, it's not 1995 02:03:04,880 --> 02:03:06,640 Speaker 1: about that. Take a little shot. We have shot that 1996 02:03:07,880 --> 02:03:12,920 Speaker 1: kind of beat. You that's a transport shot. Come on, 1997 02:03:18,120 --> 02:03:27,080 Speaker 1: it's about secret over there. But look, everybody ain't gonna 1998 02:03:27,120 --> 02:03:29,879 Speaker 1: like everything. But I know how to paint the picture. 1999 02:03:30,640 --> 02:03:34,200 Speaker 1: I think this was a dot X And what's the 2000 02:03:34,280 --> 02:03:36,280 Speaker 1: name of the album again, it's called the Gods have 2001 02:03:36,400 --> 02:03:41,320 Speaker 1: a Round Today. Baby, let's do it. So I don't 2002 02:03:41,320 --> 02:03:44,560 Speaker 1: know about from out now right now? Shot to the 2003 02:03:44,680 --> 02:03:47,680 Speaker 1: shot to DJ jab at fat beats. You know I 2004 02:03:51,360 --> 02:03:53,920 Speaker 1: that it was next to Great Papotus too. Yeah it was. 2005 02:03:56,320 --> 02:03:57,760 Speaker 1: They got to store in at l A. They got 2006 02:03:57,840 --> 02:04:01,600 Speaker 1: the story now it's a it's downtown at l A 2007 02:04:01,960 --> 02:04:07,440 Speaker 1: by Scared Row. So anyway, he was like, yo, let's 2008 02:04:07,480 --> 02:04:10,440 Speaker 1: do it. You know, Dot me and Dot you know 2009 02:04:10,760 --> 02:04:15,600 Speaker 1: he just had a baby daughter. Congratulate yes, and had 2010 02:04:15,640 --> 02:04:22,480 Speaker 1: a baby dog. Yeah, you're alcohol. Let me take over 2011 02:04:22,680 --> 02:04:24,560 Speaker 1: right now. Listen, you know what I mean. Niggas and 2012 02:04:24,640 --> 02:04:30,200 Speaker 1: my friends, they dix don't work, they can't they can't 2013 02:04:30,240 --> 02:04:38,800 Speaker 1: produce children. Let me just pointed out disrespect that I 2014 02:04:38,880 --> 02:04:41,200 Speaker 1: don't want to do swich stuff that came by the 2015 02:04:41,240 --> 02:04:50,839 Speaker 1: inflation to start a cod and then number dogs it's diego. 2016 02:04:51,360 --> 02:04:58,600 Speaker 1: These nuts are only fair, only fair id number three. 2017 02:04:59,640 --> 02:05:10,760 Speaker 1: That's just it's the same ship. There's never Let's makes 2018 02:05:11,880 --> 02:05:17,800 Speaker 1: you got about more, can't you? And Eddie gets Eddie 2019 02:05:17,800 --> 02:05:22,600 Speaker 1: gets also makes it looys for Eddie Giggs. He's my brother. 2020 02:05:22,680 --> 02:05:29,640 Speaker 1: I love him and he's kids eight. His chestis ears 2021 02:05:29,680 --> 02:05:32,880 Speaker 1: and beers is crazy and he still makes pieces but 2022 02:05:33,120 --> 02:05:36,400 Speaker 1: he does not busting nuts. This makes his words because 2023 02:05:36,440 --> 02:05:42,240 Speaker 1: he eats. He eats. But you ask you. Let's get right, yeah, 2024 02:05:43,680 --> 02:05:56,080 Speaker 1: let's not even side inside. Let us keep it real. God, 2025 02:05:56,240 --> 02:06:04,200 Speaker 1: look God, who actually I kiss my women everywhere, me, mabe, 2026 02:06:04,280 --> 02:06:06,280 Speaker 1: me going to me, my women, me and my wife. 2027 02:06:06,520 --> 02:06:09,240 Speaker 1: We we got our own personal bites. Am I gonna 2028 02:06:09,280 --> 02:06:11,680 Speaker 1: put it out there, but you know you ate an 2029 02:06:11,680 --> 02:06:18,040 Speaker 1: asser too. I don't do that. No, no, no, no, no, 2030 02:06:18,200 --> 02:06:21,200 Speaker 1: no no, it's not like that. It's not right, kid. 2031 02:06:21,280 --> 02:06:25,200 Speaker 1: You don't ask them to dr change story. Let me 2032 02:06:25,280 --> 02:06:28,400 Speaker 1: tell you something that we still make love to your woman. 2033 02:06:28,680 --> 02:06:32,600 Speaker 1: You got a wife, you got kids. Everybody asked the 2034 02:06:33,080 --> 02:06:35,400 Speaker 1: you're got supposed to if you were a king, you 2035 02:06:35,520 --> 02:06:38,360 Speaker 1: got supposed to. Addressing that shows you never know. You 2036 02:06:38,440 --> 02:06:42,400 Speaker 1: will never know that you love if you love your women, 2037 02:06:43,720 --> 02:06:47,280 Speaker 1: you guys, if that's what you call it, that shouldn't be. 2038 02:06:47,520 --> 02:06:53,320 Speaker 1: Eddie Giggs is not making love to his I'm not. 2039 02:06:53,520 --> 02:06:59,120 Speaker 1: I'm not doing it. That's not ain't radoms. You can't 2040 02:06:59,120 --> 02:07:02,640 Speaker 1: do that in the person right now, like I'm not. 2041 02:07:02,920 --> 02:07:07,160 Speaker 1: I'm forty six, bro, I'm not talking about I'm not gonna. 2042 02:07:07,200 --> 02:07:12,200 Speaker 1: I'm bugging. So I gotta wait, gett I'm okay, I'm sorry, 2043 02:07:12,360 --> 02:07:17,400 Speaker 1: I mean, I'm not. I have your family about I 2044 02:07:17,480 --> 02:07:21,120 Speaker 1: wanted you to keep going, just wanted to be right. 2045 02:07:21,600 --> 02:07:24,240 Speaker 1: Let me sell you something. My girls, so so my 2046 02:07:24,320 --> 02:07:27,480 Speaker 1: girls to the crazy old what to do? My woman 2047 02:07:27,520 --> 02:07:29,360 Speaker 1: is so crazy over me. I don't know what to do. 2048 02:07:30,480 --> 02:07:35,200 Speaker 1: I'm crazy. You got to I'm got to sit up 2049 02:07:36,320 --> 02:07:37,880 Speaker 1: wanting to do in the front of conversation in the 2050 02:07:37,920 --> 02:07:50,040 Speaker 1: middle of Oh that's cool, a little shot moment, not 2051 02:07:50,200 --> 02:07:54,800 Speaker 1: doing whatever the please. So that's all we're like, yo, 2052 02:07:54,840 --> 02:08:03,640 Speaker 1: whatever I gotta do please. Fact says a nigga might 2053 02:08:03,840 --> 02:08:08,040 Speaker 1: go to the left because she gotta go down and 2054 02:08:08,120 --> 02:08:10,840 Speaker 1: she's going me anyway and you have to go down on. 2055 02:08:11,960 --> 02:08:14,920 Speaker 1: It's a trade off. Everything is a train off these days, 2056 02:08:14,960 --> 02:08:30,120 Speaker 1: trained off. The assassin that's going it like it down 2057 02:08:30,200 --> 02:08:32,080 Speaker 1: with him. I'm sorry, you know, it's just going on 2058 02:08:32,520 --> 02:08:39,800 Speaker 1: everything ships control ship, one of these drink exactly right, 2059 02:08:40,960 --> 02:08:46,800 Speaker 1: exactly what you said on that bar. That was very, 2060 02:08:47,040 --> 02:08:50,480 Speaker 1: very very conversation. Somebody my vera because I know that 2061 02:08:50,560 --> 02:08:53,080 Speaker 1: I gotta trade. I gotta give the kid. You have 2062 02:08:53,200 --> 02:08:55,160 Speaker 1: to give the get and he never gets to get 2063 02:08:55,720 --> 02:08:58,720 Speaker 1: to get my friend whatever, he never gets. It's just 2064 02:08:58,800 --> 02:09:00,480 Speaker 1: me and he bit to say, I'm eat your ask 2065 02:09:00,520 --> 02:09:03,240 Speaker 1: for but I suck it. And then he's like he's 2066 02:09:03,240 --> 02:09:06,920 Speaker 1: like pouring hub without without the camp without it's just 2067 02:09:07,040 --> 02:09:12,880 Speaker 1: a hubb Everybody has it in the free comingside. Listen 2068 02:09:13,520 --> 02:09:16,200 Speaker 1: at the end of the day, alcoholic. It's not just nobody. No, 2069 02:09:16,400 --> 02:09:19,560 Speaker 1: we don't say an we haven't fun a lot, I 2070 02:09:19,600 --> 02:09:25,880 Speaker 1: haven't smoked to blowing him in fifteen years. Wait wait 2071 02:09:25,920 --> 02:09:28,760 Speaker 1: wait wait, wait wait wait brothers, my brother's come on man, 2072 02:09:28,880 --> 02:09:38,360 Speaker 1: wait wait wait, let's waiting. Just good bro, Yeah sir, 2073 02:09:39,280 --> 02:09:42,000 Speaker 1: So you know me? Do you know? I just keep 2074 02:09:42,080 --> 02:09:46,040 Speaker 1: making me shout up the book little all the way, 2075 02:09:46,120 --> 02:09:51,440 Speaker 1: all the way. You got me, you got me going? 2076 02:09:52,840 --> 02:09:57,800 Speaker 1: You want me where you got me? Right now, that's 2077 02:09:58,280 --> 02:10:00,360 Speaker 1: a movie, coote, that was a movie, colde. I'm still 2078 02:10:02,880 --> 02:10:05,560 Speaker 1: just listen listen this big. I love you, Thank you 2079 02:10:05,640 --> 02:10:07,600 Speaker 1: for having me. I know your time is money. No, 2080 02:10:07,760 --> 02:10:11,360 Speaker 1: we're waiting for you, and I'm not trying to waste it, 2081 02:10:11,520 --> 02:10:15,600 Speaker 1: but I gotta promote my ships today. What you're going 2082 02:10:15,680 --> 02:10:19,360 Speaker 1: for us? Got an album called the Guards have a 2083 02:10:19,480 --> 02:10:23,080 Speaker 1: robbed Peace to the Guns. Let's keep it real. Let's 2084 02:10:23,160 --> 02:10:30,440 Speaker 1: let's put some drinks. They just your side? Did you ask? 2085 02:10:30,520 --> 02:10:33,560 Speaker 1: Do they just still equal? Because they just still might 2086 02:10:33,600 --> 02:10:40,880 Speaker 1: have a big ege jesus every crette. You know what. 2087 02:10:40,920 --> 02:10:49,320 Speaker 1: I'm stopped smoking cigarette now. I love makes you read April. Yeah. 2088 02:10:50,640 --> 02:10:53,680 Speaker 1: I'm just trying to keep you the thing, you know. Yeah, 2089 02:10:53,760 --> 02:10:55,960 Speaker 1: you know, I love y'all. At drinks, we gonna do 2090 02:10:56,040 --> 02:10:58,680 Speaker 1: we do, we gonna do the drinks. You're gonna do that. 2091 02:10:59,160 --> 02:11:01,840 Speaker 1: But now it s like I just wanted to let 2092 02:11:01,920 --> 02:11:04,200 Speaker 1: you know that I've been in this all my life. 2093 02:11:04,280 --> 02:11:07,120 Speaker 1: I ain't never give you all my life, and I'm 2094 02:11:07,120 --> 02:11:10,040 Speaker 1: still here for you. I'm still going for you and 2095 02:11:10,200 --> 02:11:12,640 Speaker 1: drink chance, and I'm thankful that you got me and 2096 02:11:12,760 --> 02:11:18,560 Speaker 1: y'all nig is epic two both your mind manners love 2097 02:11:18,600 --> 02:11:21,440 Speaker 1: the moment in time. I would love the chance that 2098 02:11:23,040 --> 02:11:29,120 Speaker 1: this is ship. I ain't got no drinking. You're gonna 2099 02:11:29,200 --> 02:11:39,600 Speaker 1: drink dru much. I much already drink that already. I 2100 02:11:39,640 --> 02:11:43,440 Speaker 1: got the champagne cup. You gotta up. That's the champak 2101 02:11:43,480 --> 02:11:49,680 Speaker 1: up like I got so many cups. Got mad? You 2102 02:11:49,760 --> 02:11:55,360 Speaker 1: don't drink stopping together, we get a little every name 2103 02:11:55,800 --> 02:12:01,120 Speaker 1: and hugging from you. Know this is my job. I 2104 02:12:01,240 --> 02:12:04,480 Speaker 1: know I can cook. And I seen you cooking show. 2105 02:12:04,720 --> 02:12:06,720 Speaker 1: I don't have a cooking show. I have a food show. 2106 02:12:07,680 --> 02:12:10,840 Speaker 1: I don't don't cook, burner, you don't want me to cook? 2107 02:12:11,320 --> 02:12:15,720 Speaker 1: I know, Oh I thought it was a cooking show. 2108 02:12:15,800 --> 02:12:18,880 Speaker 1: Though it's a fool show. Like I just eat food. 2109 02:12:18,960 --> 02:12:22,400 Speaker 1: I don't cook. Oh that ship dopest fuck. You go 2110 02:12:22,520 --> 02:12:25,720 Speaker 1: to restaurants and heat likely and you go and then 2111 02:12:25,760 --> 02:12:33,440 Speaker 1: they got a guy up to guys like, y'all have 2112 02:12:33,640 --> 02:12:38,160 Speaker 1: s see I like that show. I was like, oh ship, 2113 02:12:38,520 --> 02:12:43,760 Speaker 1: here to see you. And my girl said like, oh ship, 2114 02:12:43,880 --> 02:12:54,120 Speaker 1: he eats all right, That's what I'm saying. You always 2115 02:12:54,320 --> 02:13:00,840 Speaker 1: was that obspiration. I know who above it. You all 2116 02:13:00,880 --> 02:13:06,240 Speaker 1: you guys, do not let me take yourself. You're my brother, 2117 02:13:11,040 --> 02:13:13,880 Speaker 1: all right, You're my brother, but your inspirations are a 2118 02:13:13,920 --> 02:13:18,640 Speaker 1: lot of brothers, just because no matter what, you refused 2119 02:13:18,640 --> 02:13:21,480 Speaker 1: to be counted out. You do it your way. You 2120 02:13:21,560 --> 02:13:23,720 Speaker 1: know what I'm saying. You do it your way. You 2121 02:13:23,840 --> 02:13:26,560 Speaker 1: represent the culture. You do it your way. My brother 2122 02:13:27,000 --> 02:13:29,600 Speaker 1: were our stories. No matter what, I can't you can't 2123 02:13:29,600 --> 02:13:35,040 Speaker 1: talk about me without talking about you. And by the way, 2124 02:13:35,400 --> 02:13:37,200 Speaker 1: I like you. But I want you to know this. 2125 02:13:37,520 --> 02:13:41,000 Speaker 1: Drink chance and drink chance. We're standing from the two letters. 2126 02:13:41,440 --> 02:13:44,320 Speaker 1: He said, I don't know. This is motherfucking Nations for 2127 02:13:44,520 --> 02:13:50,560 Speaker 1: Queen's Bridge. Aghol this is motherfuck did family alcohol didn't 2128 02:13:51,760 --> 02:13:57,760 Speaker 1: like four different carrots. He's for Brown's real mother to Yeah, 2129 02:13:58,240 --> 02:14:06,200 Speaker 1: got that makes a look for Let me tak to 2130 02:14:07,800 --> 02:14:15,480 Speaker 1: after this. This is this man right here is why 2131 02:14:15,600 --> 02:14:21,320 Speaker 1: New York City got a name courtesy to this man 2132 02:14:21,480 --> 02:14:30,400 Speaker 1: nature him too, you know what I mean, taking a 2133 02:14:30,480 --> 02:14:36,600 Speaker 1: piss Let's let's go album. This is this is the 2134 02:14:36,640 --> 02:14:39,040 Speaker 1: birth of the album by Head. Come on guys studio 2135 02:14:39,120 --> 02:14:46,200 Speaker 1: in the hole to see one of my myum can 2136 02:14:46,240 --> 02:14:48,680 Speaker 1: you get on my obum sneeze. Let's star got a 2137 02:14:48,760 --> 02:14:52,880 Speaker 1: song called Demon Gang can't get on here. I'm sending 2138 02:14:52,960 --> 02:15:03,720 Speaker 1: you recording all this guy's not say what record can't 2139 02:15:04,280 --> 02:15:05,880 Speaker 1: you can use it. You can use it a skinning 2140 02:15:05,880 --> 02:15:07,400 Speaker 1: the album if you want. But if he recorded to 2141 02:15:07,480 --> 02:15:09,400 Speaker 1: get on it with me and we doing a video 2142 02:15:09,520 --> 02:15:15,120 Speaker 1: out here in Miami, wait, if we had it. I 2143 02:15:15,200 --> 02:15:17,400 Speaker 1: mean he's about to love bro, Come on the hip hop. 2144 02:15:18,080 --> 02:15:20,680 Speaker 1: He's hip hop. You got stopped thinking about it? Cool 2145 02:15:20,680 --> 02:15:25,200 Speaker 1: about I love you? If you want you, you got it. 2146 02:15:28,040 --> 02:15:34,200 Speaker 1: That's it's your brother, bro Bro. And yeah, this guy's good. 2147 02:15:34,440 --> 02:15:39,680 Speaker 1: But what song overlooked at the flight and Formation ship. Brother, 2148 02:15:39,800 --> 02:15:43,760 Speaker 1: I gotta get out of here a certain time. No, no, 2149 02:15:43,920 --> 02:15:47,040 Speaker 1: I get out of here tomorrow. He'll do a double 2150 02:15:47,120 --> 02:15:56,120 Speaker 1: lot with you before the nights Day. I'm saying we've 2151 02:15:56,120 --> 02:15:59,160 Speaker 1: seen right, we got those big guys over here that 2152 02:15:59,200 --> 02:16:01,280 Speaker 1: can make it happen. I mean, this guy got me 2153 02:16:01,440 --> 02:16:08,680 Speaker 1: say I love show a double as. Now I'm cops 2154 02:16:09,000 --> 02:16:21,600 Speaker 1: Natan and come right. Okay, yeah, I love these bummers. 2155 02:16:21,680 --> 02:16:25,320 Speaker 1: He's my bus. I have a shot ready. I love 2156 02:16:25,360 --> 02:16:33,720 Speaker 1: the shot tank shot shine to drinking drinking shot. I 2157 02:16:33,879 --> 02:16:40,400 Speaker 1: get your shots shot, Mr Shots shop sad. I want 2158 02:16:40,400 --> 02:16:45,280 Speaker 1: to do this thing because the shots. Heybody want to 2159 02:16:46,240 --> 02:16:48,600 Speaker 1: let's tase here, Mr least not ready for give shot. 2160 02:16:50,040 --> 02:16:56,520 Speaker 1: I'm not like guys about a foo kind of vibe, 2161 02:16:56,600 --> 02:17:02,920 Speaker 1: like I'm gonna do this one time. I don't know. 2162 02:17:03,360 --> 02:17:08,360 Speaker 1: I talking about nature. Nature feels great about his life. 2163 02:17:08,680 --> 02:17:15,039 Speaker 1: I feel great about he almost pretty some creeve right now, 2164 02:17:15,480 --> 02:17:28,880 Speaker 1: what's ye were doing this? Now? You guys are gonna listen. 2165 02:17:28,920 --> 02:17:31,959 Speaker 1: We're going. I was afraid you're going. You guys are connecting. 2166 02:17:32,000 --> 02:17:34,160 Speaker 1: You got to call you when I go to christ Music, 2167 02:17:34,360 --> 02:17:37,359 Speaker 1: I make your job easier. I'm like the White Howard 2168 02:17:37,760 --> 02:17:43,760 Speaker 1: Game four when I'm thinking beat the Nuggets. Oh yo, kids, 2169 02:17:44,120 --> 02:17:49,600 Speaker 1: the bubble can take in the game. I've been in 2170 02:17:49,640 --> 02:17:52,440 Speaker 1: the game. I'm trying to get some mess. Can I 2171 02:17:52,480 --> 02:18:05,680 Speaker 1: get my minutes? Getting minutes, y'all getting minutes gets shames 2172 02:18:05,720 --> 02:18:10,240 Speaker 1: the nugget. I'm you wait out anything you want to 2173 02:18:10,280 --> 02:18:13,400 Speaker 1: get out. You got the way to take this picture, 2174 02:18:13,520 --> 02:18:17,080 Speaker 1: this last one. I love puts everybody for you get 2175 02:18:17,080 --> 02:18:20,039 Speaker 1: out of Okay, want do you want to get out 2176 02:18:20,879 --> 02:18:22,320 Speaker 1: before we get out? You know what we got at 2177 02:18:22,360 --> 02:18:24,600 Speaker 1: it networking. We're doing a lot of ship for the 2178 02:18:24,680 --> 02:18:27,800 Speaker 1: community outside of the rap. What's what's the foord? What's 2179 02:18:27,840 --> 02:18:30,480 Speaker 1: the you said you got? I'm not really sure right now, 2180 02:18:30,640 --> 02:18:32,680 Speaker 1: but you know what I'm saying. If you and I, 2181 02:18:32,800 --> 02:18:38,040 Speaker 1: what is that? You can know? Yours a lot of this. 2182 02:18:39,560 --> 02:18:45,240 Speaker 1: So basically, what's step by the time, say we gotta 2183 02:18:45,400 --> 02:18:52,160 Speaker 1: step out the side? Listens, get the kids. I was 2184 02:18:52,200 --> 02:18:54,960 Speaker 1: a fossed kid. Go vokid. Want to step by the 2185 02:18:55,000 --> 02:19:01,200 Speaker 1: time of my supporting shoes, Sis Hockey, I Choper, send 2186 02:19:01,280 --> 02:19:06,120 Speaker 1: us whatever I'm talking about. Yeah, please send us. We 2187 02:19:06,120 --> 02:19:10,120 Speaker 1: can get the word out. You're giving out sneakers for 2188 02:19:10,200 --> 02:19:12,400 Speaker 1: the hood. You're doing a lot of things for the community. 2189 02:19:13,400 --> 02:19:25,880 Speaker 1: Non profit. Yeah, I'm part of that non profit. You're 2190 02:19:25,879 --> 02:19:29,840 Speaker 1: giving out the community for the kids, for sneakers, all 2191 02:19:29,959 --> 02:19:39,840 Speaker 1: kind of ship that didn't need this a real ship 2192 02:19:40,000 --> 02:19:41,320 Speaker 1: right here. You know what I mean. I mean there's 2193 02:19:41,360 --> 02:19:42,760 Speaker 1: a lot of people out there in need. There is 2194 02:19:42,800 --> 02:19:45,160 Speaker 1: a lot of things. We laugh we joke. We talked 2195 02:19:45,160 --> 02:19:47,720 Speaker 1: about a lot of things but we were trying to do. 2196 02:19:48,680 --> 02:19:53,680 Speaker 1: But it's about thank you, thank you, thank you, Nature Pop. 2197 02:19:53,760 --> 02:19:55,240 Speaker 1: I just want to thank I just want to thank 2198 02:19:55,360 --> 02:19:58,120 Speaker 1: Drinks has for having me me. It's the Diacts album. 2199 02:19:58,440 --> 02:20:01,199 Speaker 1: We got an album out right now, Scored the guards 2200 02:20:01,280 --> 02:20:05,240 Speaker 1: have a ride you know, actually can't be here. He 2201 02:20:05,360 --> 02:20:09,080 Speaker 1: had a baby daughter, you know, shot to his family 2202 02:20:09,640 --> 02:20:12,040 Speaker 1: right now. I just want to thank you know have 2203 02:20:12,320 --> 02:20:15,760 Speaker 1: for having me, you know and my wife putting this 2204 02:20:15,879 --> 02:20:20,960 Speaker 1: all together. Um you of course Mr Noriega and you know, 2205 02:20:21,520 --> 02:20:24,040 Speaker 1: you know, follow me on Instagram and all that and 2206 02:20:24,600 --> 02:20:27,320 Speaker 1: buy my album. Please support to the hip hop movement 2207 02:20:27,440 --> 02:20:30,920 Speaker 1: that still exists today, that that's out here. He liked 2208 02:20:30,959 --> 02:20:33,959 Speaker 1: the Beatles. Baby don't don't no, don't use the needles 2209 02:20:34,080 --> 02:20:51,480 Speaker 1: baby you know. Oh I go on number one, number 2210 02:20:51,520 --> 02:21:00,120 Speaker 1: one shot. Thank you, thank you, yeah, thank you. M 2211 02:21:08,560 --> 02:21:10,960 Speaker 1: Thanks for joining us for another episode of Drink Champs 2212 02:21:11,040 --> 02:21:13,400 Speaker 1: hosted by Yours truly, d J E f N and 2213 02:21:13,600 --> 02:21:15,640 Speaker 1: n O R E. Please make sure to follow us 2214 02:21:15,680 --> 02:21:18,920 Speaker 1: on all our socials. Let's at Drink Champs across all platforms. 2215 02:21:19,480 --> 02:21:22,920 Speaker 1: At the Real noriegon I g at Noriega on Twitter, 2216 02:21:23,360 --> 02:21:26,320 Speaker 1: mine is at Who's Crazy on I g at d 2217 02:21:26,480 --> 02:21:29,039 Speaker 1: j e f N on Twitter, and most importantly, stay 2218 02:21:29,120 --> 02:21:32,080 Speaker 1: up to date with the latest releases, news and merch 2219 02:21:32,280 --> 02:21:34,200 Speaker 1: by going to drink Champs dot com