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Speaker 1: First of all, you don't know me.

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Speaker 2: We all about that high school drama, Girl drama, girl,

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Speaker 2: all about.

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Speaker 1: Them high school queens.

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Speaker 2: We'll take you for a ride, and our comic girl

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Speaker 2: sharing for the right drama, Queens of girl fashion.

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Speaker 1: But your tough girl, you could sit with us.

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Speaker 3: Girl Drama, Queens Drama, Queens Drama, Queens Drama, Drama, Queens Drama, queens.

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Speaker 1: Hello, Hello, Hello, hiomies, guys.

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Speaker 3: I don't even want to say it. I don't even

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Speaker 3: want to say it.

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Speaker 4: Did you cry through the whole episode?

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Speaker 5: Because I did?

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Speaker 1: No, I did.

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Speaker 3: It's not that I wasn't feeling super sentimental. There were

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Speaker 3: a couple of definite, definite moments, but I've just came

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Speaker 3: from a therapy retreats.

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Speaker 1: I have cried a lot this week. I think my

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Speaker 1: buddy's probably cried off.

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Speaker 4: That's actually pretty ray. I was actually watching it. I

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Speaker 4: was in transit, so I was watching it on my phone,

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Speaker 4: and so I was voice noting my notes instead of.

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Speaker 6: Writing them down.

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Speaker 4: So every time I tried to talk about something, i'd

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Speaker 4: be like Logan said, damn it, and I just I

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Speaker 4: kept crying because I was trying to talk about it

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Speaker 4: to myself.

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Speaker 6: It was very embarrassing.

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Speaker 7: Okay, well, with no further ado, let's just rip the

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Speaker 7: bandit off and get into it. Oh god, okay, Gang,

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Speaker 7: you know what we're up to today. It's season nine,

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Speaker 7: episode thirteen, appropriately titled One Tree Hill, aired April fourth,

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Speaker 7: twenty twelve. Synopsis reads in the final chapter of One

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Speaker 7: Tree Hill, the tenth anniversary of Trick brings old faces

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Speaker 7: and new possibilities for the tree Hill family. To celebrate

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Speaker 7: the tenth anniversary, they host a concert at Trick that

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Speaker 7: includes Gavin de Graw, Joy Lenz.

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Speaker 1: And ty Tyler Hill till day.

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Speaker 7: Julian buys Brooks childhood home for them to live in.

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Speaker 7: Nathan and Haley celebrate their tenth wedding anniversary, and Clay

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Speaker 7: and Quinn get married and legally become parents and the

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Speaker 7: fastest least paperwork intensive wedding slash adoption of all time.

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Speaker 1: Wouldn't it be so nice as it was that easy?

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Speaker 3: Just walking to the courthouse and you're like, listen, this

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Speaker 3: kid's mine, so we're just gonna like sign some papers

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Speaker 3: and also can we just get married real quick?

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Speaker 7: Thanks? There was just a lovely person like Bevin there

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Speaker 7: to be like, yeah, could you just sign your name twice. Yeah,

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Speaker 7: good enough for us.

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Speaker 4: Also, I love that Bevin married you guys.

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Speaker 1: Oh so like what a perfect end.

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Speaker 7: Yes, which brings me to one of my questions because

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Speaker 7: obviously she had appeared on the show before this.

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Speaker 1: She was in high school with you, all right, yeah,

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Speaker 1: yeah many times.

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Speaker 3: I mean she well, she was like kind of a

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Speaker 3: Was she officially a regular or was she recurring?

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Speaker 4: I think she became recurring. She was one of our

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Speaker 4: featured extras in the early seasons because Bevan was on

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Speaker 4: the cheer squad with Brooke and Peyton, and then Haley

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Speaker 4: joined and so the cheerleaders really became part of our storyline.

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Speaker 4: And Bevan's just so funny that she then became, you know,

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Speaker 4: an an actor on the show. They would actually write

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Speaker 4: dialogue for her and whatnot, and I think eventually she

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Speaker 4: became a recurring character. But once we do the skip ahead,

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Speaker 4: she's not really in the show. And then she appears

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Speaker 4: in a bit that you know will not shock you

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Speaker 4: Rob where our writers were being very mean to one

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Speaker 4: of our castmates and they had Bevin's character and his

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Speaker 4: character get married, and then of course in this episode

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Speaker 4: they had to take a dig and be like, I really.

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Speaker 6: Hated my husband.

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Speaker 4: I was like, okay, but Bevin's so funny that at

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Speaker 4: least I'm happy that she got you know, she got

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Speaker 4: a great joke out of it.

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Speaker 1: I actually don't remember what you're talking about.

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Speaker 4: Oh okay. So in high school, Joy, you'll remember Tim

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Speaker 4: and Nathan were like best friends and troublemakers. Tim played

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Speaker 4: by Brett Clawell. And then in later seasons you find

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Speaker 4: out I believe it's during the whole Brook and Julian

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Speaker 4: prepping for the wedding because I'm doing like the registry

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Speaker 4: thing and yeah, works at the store, and we find

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Speaker 4: out Bevin married Tim and that they named their son Nathan.

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Speaker 3: I'm completely that. I don't know what did I was

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Speaker 3: I not there for that episode or something.

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Speaker 4: And so that's why it's like a bummer, because you know, yeah,

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Speaker 4: it was such a sweet human And by the way,

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Speaker 4: for our friends at home, he's done so much of

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Speaker 4: the amazing fundraiser work for the show, and like, yeah,

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Speaker 4: with James when they do the basketball fundraisers and stuff, like,

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Speaker 4: Brett always helps to run that. But for some reason, Tim,

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Speaker 4: the character of Tim became kind of.

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Speaker 5: A punging bag.

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Speaker 4: So I literally have in my notes, I'm like, God,

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Speaker 4: I hate the joke for him, but I love the

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Speaker 4: joke for Bevin because she just alluresn't.

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Speaker 1: So I love seeing her. I was such a surprise.

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Speaker 5: Yeah, it was so nice.

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Speaker 7: She was wonderful, And I thought though it was real

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Speaker 7: cheeky of us to give Quinn a line of going Bevin,

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Speaker 7: Yeah we went to high school together. Yeah, like, these

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Speaker 7: fans know better than that. How dare you try to

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Speaker 7: retcon this because every single fan watching is going, you

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Speaker 7: weren't there, Quinn, You.

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Speaker 6: Weren't there, baby.

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Speaker 5: Yeah, it's okay, okay.

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Speaker 1: So funny. Oh there's so much.

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Speaker 3: I mean, I don't even know exactly where to start

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Speaker 3: except the beginning, which is just everybody at Trick, which

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Speaker 3: was so fun. But also I got a little thrown

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Speaker 3: off by the timeline of this episode because we kept

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Speaker 3: bouncing back and forth between Trick and then we were

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Speaker 3: out of Trick in daily life.

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Speaker 1: And Daren outfits.

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Speaker 5: Yeah.

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Speaker 1: Yeah, there's a lot of background.

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Speaker 4: It was an interesting sort of nonlinear choice, and I

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Speaker 4: had a moment I wonder if you guys did when

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Speaker 4: we were going to Karen's cafe in the midst of

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Speaker 4: the concert. Granted, but in my brain I was like, Oh, we're.

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Speaker 6: Doing this is so cute.

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Speaker 4: We're doing an after hours at Karen's. But then I

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Speaker 4: realized we were all in different clothes, so we weren't

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Speaker 4: so it was two nights.

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Speaker 6: I don't know.

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Speaker 4: The timeline made no sense, but the episode was so

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Speaker 4: nostalgic and sweet that I loved it anyway.

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Speaker 1: Yes, loved it.

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Speaker 3: I just we all had several different outfits and then

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Speaker 3: we kept going back to Trick in the same outfit,

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Speaker 3: and yeah, so I was a little thrown.

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Speaker 7: Yeah, it was nice to see all of you watching

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Speaker 7: former or younger versions of yourselves.

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Speaker 1: I loved that.

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Speaker 5: I did too.

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Speaker 7: That was a good touch.

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Speaker 3: I had a hard time starting this episode. I felt

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Speaker 3: like every time I I every shot, every like the

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Speaker 3: River Cord, I had to pause it for a second

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Speaker 3: because I was like, oh, I just wanted to soak

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Speaker 3: this in. And I kept imagining all of the fans

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Speaker 3: at that time, sitting down in twenty twelve and getting

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Speaker 3: together to sit down and watch the finale, and how

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Speaker 3: it would have felt to them to see the River

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Speaker 3: Cord and see young Nathan playing basketball, and then it

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Speaker 3: was it was really smart for them to do this.

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Speaker 3: I was going to say sliding doors, but that's not

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Speaker 3: exactly the right thing. But the word the older self

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Speaker 3: and the younger selfur in the room together, all of

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Speaker 3: us looked exactly the same. By the way, Nature day

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Speaker 3: it was great.

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Speaker 1: Yeah, but I liked that a lot. That device I.

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Speaker 4: Did too, and I really liked as well. It was

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Speaker 4: interesting that they chose to open it on that really

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Speaker 4: really high up wide drone shot of the Cape Fear

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Speaker 4: River over the bridge.

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Speaker 7: You know.

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Speaker 4: It was so it was so pulled back from what

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Speaker 4: we normally do that I was like, Oh my god,

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Speaker 4: we're really they're making this choice of like we're going

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Speaker 4: to come into this little town where we've all spent

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Speaker 4: this time, but we'll start so far out. It's almost

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Speaker 4: like in science class, you know, when they would start

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Speaker 4: on the planet and then start to zoom in and

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Speaker 4: eventually you wind up in New York and like there's

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Speaker 4: the people. They know that video where they're like on

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Speaker 4: the blanket in Central Park. It did something to me

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Speaker 4: right away where I was like, Oh, we're we're really

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Speaker 4: starting wide and we're going to come in and remind

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Speaker 4: ourselves that we've spent ten years in this little place.

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Speaker 4: Together and that it's just a little place like any

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Speaker 4: other little place in the country and maybe in the world,

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Speaker 4: and I don't know it really, it just made me

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Speaker 4: feel so emotional. And then James's voiceover about you know,

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Speaker 4: it's the oldest story in the world, and then it

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Speaker 4: gets to that line some days today.

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Speaker 6: I'm already crying.

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Speaker 5: Yeah, that one. It really got me.

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Speaker 1: Well, I can't lip sync.

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Speaker 7: Well, let's back out before before you poke fun at yourself.

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Speaker 7: The shot of you, the low angle shot of you

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Speaker 7: on stage looking like a freaking badass. That shot happened.

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Speaker 7: I was like, I gotta pose it to write this

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Speaker 7: down because you looked like a fucking star man. It

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Speaker 7: was cool as hell.

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Speaker 4: Yeah.

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Speaker 7: I was also confused because I was like, okay, wait,

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Speaker 7: are we showing time has passed because Joy's hair looks

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Speaker 7: shorter or is this one of those moments where like

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Speaker 7: Joy has decided to cut her hair this week or

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Speaker 7: is it just like tucked in the back? So I

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Speaker 7: would I spent a lot of time focusing on your

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Speaker 7: hair for that song.

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Speaker 6: It was like pinned up right, it was tucked.

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Speaker 1: It was in fact tuck tuck up. Yep, that was

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Speaker 1: cute man.

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Speaker 3: Yeah, I loved. I did really love objectively. I loved

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Speaker 3: the way they shot that. I thought it looked super cool.

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Speaker 3: It was really fun to see. That's so fun. It's like,

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Speaker 3: you know, little Joy, always imagining myself being on stage singing,

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Speaker 3: singing songs and being in a band, and to sort of, yeah,

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Speaker 3: sit back and see that part of my imagination come

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Speaker 3: to life.

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Speaker 1: That's really fun.

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Speaker 5: It's so special.

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Speaker 3: I do really have always struggled with lip syncing, and

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Speaker 3: I was watching this episode and like, Tyler did it,

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Speaker 3: Gavin did it. It was always great, and then mine

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Speaker 3: are always like slightly delayed, and I never know why.

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Speaker 3: And it's not just that song. It's like every song

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Speaker 3: I've ever done the episode, I can't. It's like a

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Speaker 3: long standing mystery in my life why I can't seem

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Speaker 3: to lip sync exactly on the tempo.

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Speaker 4: Well, and for our friends at home, who are like,

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Speaker 4: what do you mean you sing these songs? You know,

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Speaker 4: because we have to shoot these concert scenes. You have

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Speaker 4: to shoot that same song from ten different angles over

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Speaker 4: and over and over and over and over again. Yeah,

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Speaker 4: so they play the track you've recorded so that it's

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Speaker 4: really seamless. In terms of the edit from the wide

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Speaker 4: shots to the close ups they needed all to match,

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Speaker 4: and if you were singing live, you might go longer

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Speaker 4: on a note or have a riff or something. But

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Speaker 4: for yeah, for you as an artist, it's got to

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Speaker 4: be so weird because you're like, this is literally my

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Speaker 4: song and for some reason I can't sing along to it.

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Speaker 3: So that song actually was Patti Griffin's, but I did

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Speaker 3: record it in.

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Speaker 6: That That's what I mean. You like you did it?

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Speaker 7: Yeah, And for what it's worth, I've never once watched

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Speaker 7: you sing on this show and thought like, oh, she's off, Like,

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Speaker 7: so I think that's that's just you. Yeah, I think

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Speaker 7: that's you just being too close to it too to

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Speaker 7: be able to see it objectively, because literally, I've never

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Speaker 7: once and I'm normally like a stickler for little things,

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Speaker 7: I've never once watched him been like.

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Speaker 1: Uh, that's funny.

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Speaker 3: Well, I was all the performances in this episode. That

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Speaker 3: was one of the things I really loved about this

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Speaker 3: that they brought all this l of music that we

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Speaker 3: had threaded throughout the entire show, and they really packed

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Speaker 3: it all in.

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Speaker 1: At the end.

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Speaker 3: Oh my gosh, Tyler's song song ever I'm Dead.

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Speaker 4: He crushed you know. One of the things I really

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Speaker 4: loved too before we move on from the beginning device.

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Speaker 4: There was something so cool about the choice to see

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Speaker 4: high school US and then grown up US and where

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Speaker 4: everyone is right, like Nathan watching himself play basketball and

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Speaker 4: then being this retired professional athlete US watching Haley literally

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Speaker 4: like reading and in her Tutor Girl era, and then

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Speaker 4: cutting to you as a rock star, and there was

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Speaker 4: a there was kind of a little double entendre that

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Speaker 4: I loved, even in the Brook and Julian moment, like

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Speaker 4: Brooke finally had this moment of self worth and agency

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Speaker 4: in high school when she ran for class president, and

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Speaker 4: then it cuts to the high school set and she's

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Speaker 4: watching Julian directing, and that phrase we've all heard a

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Speaker 4: thousand times on set when a director says, cut, we

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Speaker 4: got it, Let's move on.

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Speaker 5: And he says, let's move on.

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Speaker 4: And I literally burst into tears on set because I

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Speaker 4: was like, I'm not ready for this, and I saw

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Speaker 4: it in the take and it's happening to me even now.

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Speaker 4: And there was something just so cool about the then

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Speaker 4: and now, and to Rob's point, you're then and now

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Speaker 4: that upshot of you just like with the lights and

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Speaker 4: the music and the I was like, this is the

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Speaker 4: payoff I've wanted for every single one of these characters,

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Speaker 4: and the payoff felt like it came again and again

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Speaker 4: and again and again through the whole episode.

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Speaker 7: Right, yes, yeah, it's everyone got hero moments GIF. Series

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Speaker 7: finales are so hard, much like a pilot, It is

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Speaker 7: so hard to do a good pilot, and it is

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Speaker 7: even harder to I think, do a widely liked series finale. Yes,

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Speaker 7: and I think we did an exceptional job because it

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Speaker 7: was sort of like I was watching it going, Okay,

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Speaker 7: what is the word I'm looking for, and the best

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Speaker 7: thing I can come up with it it's happy ending

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Speaker 7: porn or it was just like.

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Speaker 3: A happy happy it just did a spittake with her coffee.

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Speaker 6: That's that was the wrong moment to take a.

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Speaker 7: Sip, But like, don't you feel me? Every single scene

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Speaker 7: was someone getting another win and getting something that they've

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Speaker 7: been fighting for, something they deserved, Like there was there

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Speaker 7: was no fat on the episode. Every single beat was

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Speaker 7: a like a gift to the character and to the fans,

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Speaker 7: Like yeah, from start to finish.

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Speaker 3: It also didn't feel like an ending that maybe I

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Speaker 3: should save this for the end, but it just it

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Speaker 3: just didn't feel like an ending that was final. We're

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Speaker 3: so many series finales. It's like they're letting you know,

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Speaker 3: we really are closing this out. But I think the

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Speaker 3: brilliance of that is it kind of keeps people coming

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Speaker 3: back because it doesn't feel also completely final.

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Speaker 4: Yes, it almost felt like you were just seeing us

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Speaker 4: entering into what comes next.

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Speaker 1: Yes, Yes, which we had done so many times before.

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Speaker 5: Yes.

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Speaker 7: Yeah, there was no goodbyes. It was it said it

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Speaker 7: was the expansion of our worlds, like seeing our kids

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Speaker 7: a little bigger, seeing us transition all of a sudden

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Speaker 7: Baker Man is across from Karen's cafe, rather than kind

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Speaker 7: of yeah, like a serious finale is usually like they

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Speaker 7: get off the island, they caught the bad guy. In

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Speaker 7: this case, it was just like, hey man, their world

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Speaker 7: is great and it's getting bigger. See you soon.

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Speaker 4: Just so cool and what I loved to your point, Rob,

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Speaker 4: the hero moments that kept coming. It also felt like,

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Speaker 4: you know, we've had moments in episodes where we're reflecting

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Speaker 4: and saying, gosh, the writing could have been better there.

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Speaker 4: They could have called up any memory or any experience.

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Speaker 4: Every single scene felt like it called up an extra detail,

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Speaker 4: even Joy, you and I hosting the Night at Trick. Hi, everybody,

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Speaker 4: Hi Hayley. That never gets old. Hi everybody, I broke. Oh,

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Speaker 4: it never gets old. Our cafe, this thing that we've built,

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Speaker 4: you know, every little beat that every person had, even

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Speaker 4: watching you know, Mills and Skills in the morning and

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Speaker 4: Mouth launching his new show, and then Skills repeating Jimmy's

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Speaker 4: catchphrase on the air, not just on the river court.

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Speaker 4: Every single moment acknowledged something or you got to see

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Speaker 4: something that maybe you hadn't thought about in a while.

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Speaker 4: Even you know, the four of us walking into Karen's

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Speaker 4: and Skills has all the kids on the roof throwing

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Speaker 4: water balloons at us, and you're like, oh my god,

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Speaker 4: all these moments of our children, you know, getting these

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Speaker 4: torches passed to them. You're right, it's not a single

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Speaker 4: bit of fat. Every single thing gave you a reward.

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Speaker 4: The whole episode felt like a t.

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Speaker 3: I want to know what it felt like for you

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Speaker 3: walking into Peyton's bedroom again. Oh, I feel like I

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Speaker 3: could see it on screen, but I wasn't sure if

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Speaker 3: you told them, like, don't I don't want to go

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Speaker 3: in there, Just like Roll and I'll go in there

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Speaker 3: for the first time. You know how sometimes if you're

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Speaker 3: like the emotion's going to hit and won't I want

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Speaker 3: us to catch it, or if you did your rehearsals

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Speaker 3: and it still just like was so emotional. I don't know,

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Speaker 3: how did that feel?

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Speaker 4: You know, It's really interesting because watching the episode, I

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Speaker 4: got tiery every other minute talking about it with you guys,

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Speaker 4: it's happening to me, and that was really my experience

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Speaker 4: every day on set during the finale, I just couldn't

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Speaker 4: stop crying. Like even when we do the close ups

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Speaker 4: of us at Jamie's basketball game. You know, now that

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Speaker 4: Jamie's a teenager and we're watching him at tree, he'll

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Speaker 4: high like I don't know if you caught you.

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Speaker 6: Know, we're all in slow moo.

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Speaker 4: We're clapping, and one of my eyes literally is doing

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Speaker 4: this because I'm trying not to cry, because they were like, Sophia,

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Speaker 4: you cannot keep crying in every single scene, like you

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Speaker 4: have to stop. You're at a basketball game, You're supposed

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Speaker 4: to be happy. I just couldn't control my emotions during

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Speaker 4: that whole episode, And like, you know, the hallway scene

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Speaker 4: for us walking up to the set of Brooks House

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Speaker 4: and the Red Door. With Julian walking into Peyton's room,

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Speaker 4: it really felt like this very special you know, the

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Speaker 4: magic of a Christmas story almost toured down memory lane.

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Speaker 4: And what was really special for me about going into

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Speaker 4: her room was, you know, and we've all talked about this,

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Speaker 4: there were times when we all finally figured out what

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Speaker 4: was happening kind of in the undercurrent of our show.

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Speaker 4: But there had also been times where we all lost

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Speaker 4: each other a bit because we didn't yet know. We

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Speaker 4: listened to the grown ups and then sort of isolated,

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Speaker 4: And we were at a point near the end of

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Speaker 4: season nine when Hillary and I had uncovered so many

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Speaker 4: things and rebuilt a friendship that felt like it had

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Speaker 4: been stolen from us for a time, and you know,

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Speaker 4: some of the stuff we all figured out by then,

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Speaker 4: like we have every right to be angry about what

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Speaker 4: hit me walking in there as Julian's creating the world

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Speaker 4: of Lucas's novel was Oh, we're gonna We're finally actually

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Speaker 4: gonna honor her. You know, we're not going to hear

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Speaker 4: that they asked Peyton to come to brook and Julian's wedding,

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Speaker 4: and that Hillary turned us down and then years later

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Speaker 4: she was like, nobody ever asked me, Like, they didn't

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Speaker 4: invite me back. You know, they invited Chad back even

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Speaker 4: at a time, but they didn't invite her back.

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Speaker 7: It.

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Speaker 4: I remember, like in muscle memory, how it felt to

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Speaker 4: walk in there and touch all those things and to

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Speaker 4: be talking as Brooke about all the memories she and

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Speaker 4: Peyton had made in that room. But we all made

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Speaker 4: so many memories in that room.

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Speaker 3: You know.

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Speaker 4: One of my favorite scenes we ever shot was you,

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Speaker 4: me and Hillary in that bed talking about surviving things together,

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Speaker 4: and so walking in there, I was like, that character

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Speaker 4: and what she meant to our show, and what she

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Speaker 4: meant to Brook and what she meant to Haley, Like

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Speaker 4: we deserved this moment. We deserve a way to honor

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Speaker 4: our people, and I was so proud that we got that,

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Speaker 4: and it was cool to see it on camera because

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Speaker 4: I don't know, everything in the episode felt meaningful to

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Speaker 4: our characters but also meaningful to us as actors, and

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Speaker 4: that was like one more of those things that felt

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Speaker 4: both character driven and real.

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Speaker 7: Before we get off the opening, which was so beautifully

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Speaker 7: and well done, I got to say I loved how

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Speaker 7: we went. So it's like we're setting this tone of

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Speaker 7: like it's nostalgia, it's good feels. And now here's Chris

403
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Speaker 7: Keller in a stupid beard talking about being on the lamb.

404
00:20:03,280 --> 00:20:05,480
Speaker 7: It was a great way of being like, hey, we're

405
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Speaker 7: gonna pull at your heartstrings, but we're also gonna give

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Speaker 7: you the funnies we like because here comes Keller on

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Speaker 7: the lamb.

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Speaker 3: On the heels of Bigfoot, Haley being like, I still

409
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Speaker 3: can find Bigfoot, and there he is. There he is

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Speaker 3: giant Beard.

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Speaker 7: And just even Tyler is so good at playing a

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Speaker 7: buffoon and a somehow charming lithario like he's he's another

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Speaker 7: one of those just like just teflon Man. He gets

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Speaker 7: material that if you saw on the page, you'd be like,

415
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Speaker 7: whoof all right, how am I gonna sell this? And

416
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Speaker 7: he just turns it into gold because it's obviously he's

417
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Speaker 7: he's playing such a high level of stupid at the

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Speaker 7: opening of this episode and it's so freaking funny. Yeah,

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Speaker 7: And then kudos to the writing. We get to see

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Speaker 7: also him being a good actor and seeing that Chris

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Speaker 7: Keller has depth when he turns down the A and

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Speaker 7: R woman, you know, and then he gets honest with

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Speaker 7: Hailey and he's like, because I don't know, he gets vulnerable,

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Speaker 7: you know, And so it was just it was just

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Speaker 7: great though that the opening to be like, hey, we're

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Speaker 7: not just going to give you feels, We're also going

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Speaker 7: to give you the funnies and everything you've come to

428
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Speaker 7: like about this show. And I thought that was just like,

429
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Speaker 7: that was a great.

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Speaker 4: And to your point, the funny of how hard he

431
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Speaker 4: commits to the bit then was added to by everyone.

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Speaker 6: Being like, how was tour? Thought you were on tour? Like,

433
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Speaker 6: and he's just like, nobody calls me, nobody misses me,

434
00:21:33,880 --> 00:21:34,920
Speaker 6: like what the man?

435
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Speaker 3: And when he takes off his glasses and the beard

436
00:21:38,400 --> 00:21:40,520
Speaker 3: comes off with the glasses.

437
00:21:40,160 --> 00:21:45,520
Speaker 7: Yes, yes, so good. He was left with just that stringy,

438
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Speaker 7: gross mustache.

439
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Speaker 1: Oh so funny.

440
00:21:49,760 --> 00:21:50,680
Speaker 7: Perfect.

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Speaker 3: He's such a star. His performance was so unreal. I

442
00:21:54,840 --> 00:21:57,120
Speaker 3: love that, and also that we get to see Chris

443
00:21:57,160 --> 00:22:01,040
Speaker 3: Keller is actually a real professional. Like he's goofy and

444
00:22:01,080 --> 00:22:03,880
Speaker 3: wild and makes bizarre choices in his life and he's

445
00:22:03,960 --> 00:22:07,840
Speaker 3: a mess, but he is a consummate professional. He knows exactly.

446
00:22:08,119 --> 00:22:12,680
Speaker 3: I mean, that's what why he's become successful. And man,

447
00:22:12,800 --> 00:22:16,119
Speaker 3: that was just so compelling. I was glued to the

448
00:22:16,160 --> 00:22:17,840
Speaker 3: TV every second he was on it.

449
00:22:18,320 --> 00:22:23,920
Speaker 7: Dude, confidence and talent are a sexy combination. Sexy and

450
00:22:24,560 --> 00:22:27,840
Speaker 7: the way he just turned it on and the confidence

451
00:22:27,920 --> 00:22:31,680
Speaker 7: was out of ten and then he just owns the stage.

452
00:22:31,680 --> 00:22:34,280
Speaker 7: And the fact that he's even kind of breaking the

453
00:22:34,320 --> 00:22:37,040
Speaker 7: fourth wall by playing to the camera as much as

454
00:22:37,080 --> 00:22:39,920
Speaker 7: he is. Yeah, so good that you just don't care.

455
00:22:40,560 --> 00:22:44,080
Speaker 4: And the way Pete Kowalski shot it, getting into and

456
00:22:44,320 --> 00:22:47,240
Speaker 4: hands reaching for him, and even the fact that they

457
00:22:47,280 --> 00:22:49,359
Speaker 4: had him look up over the mic. I mean, he

458
00:22:49,960 --> 00:22:52,679
Speaker 4: looked like Elvis, and you know, obviously he played Elvis

459
00:22:52,720 --> 00:22:56,280
Speaker 4: in Walk the Line, but like he leaned into that

460
00:22:57,680 --> 00:23:03,200
Speaker 4: really sexy classic rockabilly rock star thing.

461
00:23:03,359 --> 00:23:05,880
Speaker 1: Which is so funny because he's so goofy yes.

462
00:23:06,040 --> 00:23:09,280
Speaker 4: Yeah, And to see him go from the mustache guy

463
00:23:09,880 --> 00:23:13,480
Speaker 4: to like the hot rock and roll guys saying words

464
00:23:13,480 --> 00:23:14,879
Speaker 4: I shan't repeat that are you know?

465
00:23:14,920 --> 00:23:16,520
Speaker 5: In his song I was like I can't.

466
00:23:16,720 --> 00:23:19,000
Speaker 4: I actually kind of can't look at you, like I'm

467
00:23:19,080 --> 00:23:21,600
Speaker 4: uncomfortable with how sexy you are all.

468
00:23:21,480 --> 00:23:23,080
Speaker 1: Why don't have these feelings?

469
00:23:26,080 --> 00:23:29,840
Speaker 7: Yeah? My my crush on Tyler got even bigger watching this.

470
00:23:29,920 --> 00:23:32,440
Speaker 1: He's a magician and a star yeah, I.

471
00:23:32,400 --> 00:23:36,040
Speaker 7: Mean, man, everyone like there was no there was just

472
00:23:36,240 --> 00:23:41,640
Speaker 7: no weak performance. Like everyone everyone got gifts in the writing,

473
00:23:42,160 --> 00:23:45,199
Speaker 7: and then everyone did the writing a service by really

474
00:23:46,440 --> 00:23:49,919
Speaker 7: playing it beautifully. Yeah, no one was reaching too hard.

475
00:23:50,680 --> 00:23:53,160
Speaker 7: And it was that perfect combo of just good writing

476
00:23:53,320 --> 00:23:57,480
Speaker 7: and good subtle performance and and it just it all sang.

477
00:23:58,520 --> 00:24:03,160
Speaker 3: Your storyline was Shanta and peers are just so unbelievable

478
00:24:03,200 --> 00:24:06,960
Speaker 3: to me, the way that you guys all played off

479
00:24:07,000 --> 00:24:10,520
Speaker 3: of each other and the ease with which you navigated

480
00:24:10,520 --> 00:24:13,560
Speaker 3: that storyline. But when he calls her.

481
00:24:13,359 --> 00:24:16,120
Speaker 6: Mom burst into tears.

482
00:24:16,640 --> 00:24:20,120
Speaker 3: The look on her face, and they just sat there

483
00:24:20,160 --> 00:24:22,560
Speaker 3: with the camera. They didn't go away from it. They

484
00:24:22,640 --> 00:24:24,800
Speaker 3: let us as an audience just sit there and feel

485
00:24:24,800 --> 00:24:28,320
Speaker 3: it with her. That was amazing.

486
00:24:28,760 --> 00:24:31,320
Speaker 4: I loved that we got to sit there with her,

487
00:24:31,840 --> 00:24:37,439
Speaker 4: not only to watch that hit her so beautifully, but

488
00:24:37,520 --> 00:24:40,480
Speaker 4: they let it linger and we got to hear her

489
00:24:40,600 --> 00:24:44,800
Speaker 4: voice over talking about you know, essentially all paraphrase because

490
00:24:44,920 --> 00:24:48,600
Speaker 4: I didn't write the exact line down, but the plans

491
00:24:48,640 --> 00:24:51,280
Speaker 4: don't really matter when the right life happens to you.

492
00:24:52,640 --> 00:24:58,959
Speaker 4: And it was so it was just so special to

493
00:24:59,080 --> 00:25:03,280
Speaker 4: see it. And oh, I don't know that one that

494
00:25:03,560 --> 00:25:04,919
Speaker 4: really really got me.

495
00:25:05,480 --> 00:25:08,800
Speaker 7: And kudos again to the writing that they had her

496
00:25:08,960 --> 00:25:14,639
Speaker 7: on a phone call voicemail with Hayley discussing the wedding

497
00:25:14,720 --> 00:25:18,080
Speaker 7: she thought she wanted exactly and then she heard him

498
00:25:18,119 --> 00:25:21,879
Speaker 7: call her mom and she suddenly realized what was important

499
00:25:21,880 --> 00:25:24,320
Speaker 7: to her, and so that we got to witness that

500
00:25:24,520 --> 00:25:27,760
Speaker 7: moment from start to finish. Yeah, was so beautiful. And

501
00:25:27,800 --> 00:25:30,080
Speaker 7: like they said that they that's that's what you do.

502
00:25:30,240 --> 00:25:32,000
Speaker 7: Like you have a good actor, just trust them, give

503
00:25:32,040 --> 00:25:34,200
Speaker 7: them a moment and we'll see it, you know. And

504
00:25:34,280 --> 00:25:36,800
Speaker 7: that's there's nothing scripted for her there, that's just her

505
00:25:36,840 --> 00:25:40,320
Speaker 7: reacting and playing it beautifully. But oh, that was so good.

506
00:25:40,359 --> 00:25:43,679
Speaker 7: I mean and then even like earlier on when Logan

507
00:25:43,760 --> 00:25:45,560
Speaker 7: says to Clay, like you're already my.

508
00:25:45,560 --> 00:25:47,760
Speaker 3: Dad dad, Oh, that was the next thing I was

509
00:25:47,800 --> 00:25:51,000
Speaker 3: going to say, like you just you guys just broke

510
00:25:51,080 --> 00:25:54,879
Speaker 3: my heart in all the best ways. I loved seeing

511
00:25:54,880 --> 00:25:57,399
Speaker 3: this for Clay. I loved seeing this. I love seeing

512
00:25:57,400 --> 00:26:00,720
Speaker 3: you Rob just being free to final drop into some

513
00:26:00,800 --> 00:26:04,520
Speaker 3: moments that weren't extraordinarily crazy and trying to make it work.

514
00:26:04,640 --> 00:26:06,920
Speaker 3: But like, actually, just you just got to be there

515
00:26:06,960 --> 00:26:11,040
Speaker 3: and be do what you do best. Yes on camera,

516
00:26:11,320 --> 00:26:15,320
Speaker 3: just the total the nuance, the connection with another person

517
00:26:15,800 --> 00:26:18,280
Speaker 3: where you're not also burdened with trying to make some

518
00:26:18,359 --> 00:26:21,920
Speaker 3: extraordinary crazy thing work on the page, you know, which

519
00:26:22,200 --> 00:26:24,280
Speaker 3: you always do, and I feel like we always did that,

520
00:26:24,400 --> 00:26:26,720
Speaker 3: but there's a credit to all of us that we

521
00:26:26,800 --> 00:26:28,760
Speaker 3: kind of had to learn how to figure that out.

522
00:26:29,119 --> 00:26:31,440
Speaker 3: But there's some kind of magic that happens when we're

523
00:26:31,440 --> 00:26:34,320
Speaker 3: not trying to make something strange work and we actually

524
00:26:34,440 --> 00:26:38,200
Speaker 3: just get to drop in we are Yes. I felt

525
00:26:38,200 --> 00:26:39,080
Speaker 3: it so much with you.

526
00:26:39,520 --> 00:26:40,359
Speaker 5: It's so lovely.

527
00:26:40,520 --> 00:26:43,240
Speaker 7: This episode was like all of my favorite stuff of Clay.

528
00:26:43,640 --> 00:26:47,920
Speaker 7: I mean, it was the friendship and love between Clay

529
00:26:47,960 --> 00:26:51,399
Speaker 7: and Quinn, and it was the humor. I mean, one

530
00:26:51,400 --> 00:26:54,680
Speaker 7: of my favorite lines from the episode is when Quinn

531
00:26:54,680 --> 00:26:57,280
Speaker 7: says to Logan when they're waiting for like an hour,

532
00:26:57,440 --> 00:26:59,199
Speaker 7: like lunch break or something that BEVN has to take

533
00:26:59,240 --> 00:27:01,159
Speaker 7: and so they're waiting around and Quinn goes, hey, do

534
00:27:01,160 --> 00:27:03,119
Speaker 7: you want to help me plan my wedding? And he

535
00:27:03,160 --> 00:27:05,320
Speaker 7: think he says yeah, and Clay's like, oh no, he doesn't.

536
00:27:05,359 --> 00:27:08,120
Speaker 7: Then he leans down and he goes, oh few Glogan

537
00:27:08,200 --> 00:27:11,280
Speaker 7: wants to sneak into court and watch crackheads get sentenced.

538
00:27:13,200 --> 00:27:16,879
Speaker 7: That is such a good line. It's the perfect amount

539
00:27:16,920 --> 00:27:17,440
Speaker 7: of dark.

540
00:27:18,080 --> 00:27:18,359
Speaker 3: Yeah.

541
00:27:19,240 --> 00:27:21,080
Speaker 7: I just I was like, this is it, Like that's

542
00:27:21,119 --> 00:27:21,960
Speaker 7: the stuff.

543
00:27:21,640 --> 00:27:23,440
Speaker 1: Man, because that's what Clay would have said.

544
00:27:23,920 --> 00:27:26,200
Speaker 3: You know, this kid's clearly been dealing with a lot anyway,

545
00:27:26,200 --> 00:27:27,800
Speaker 3: he can handle a weird dark joke.

546
00:27:28,280 --> 00:27:31,720
Speaker 7: Yeah, he's been a dad for like seven days, okay

547
00:27:31,760 --> 00:27:33,840
Speaker 7: at this point, maybe like thirty five days, so he

548
00:27:33,960 --> 00:27:37,040
Speaker 7: still doesn't know the boundaries of like what's appropriate at all.

549
00:27:37,080 --> 00:27:40,119
Speaker 7: It's like that was such a perfect moment of like

550
00:27:40,400 --> 00:27:43,520
Speaker 7: he's still figuring it out, but it's just ruthlessly funny.

551
00:27:43,880 --> 00:27:44,320
Speaker 5: Yeah.

552
00:27:44,600 --> 00:27:48,119
Speaker 4: I also loved that they gave you those moments. You

553
00:27:48,359 --> 00:27:53,480
Speaker 4: got to tee up the humor with Logan for his

554
00:27:54,440 --> 00:27:58,439
Speaker 4: emotional reality to gut punch the whole audience. In the

555
00:27:58,480 --> 00:28:00,439
Speaker 4: scene where you're talking about how you want to be

556
00:28:00,480 --> 00:28:02,480
Speaker 4: his dad and you know you just said, he says

557
00:28:02,480 --> 00:28:05,480
Speaker 4: to you, you're already my dad dad. Like the fact

558
00:28:05,520 --> 00:28:08,440
Speaker 4: that you're being awkward and you guys make the whole

559
00:28:08,520 --> 00:28:11,840
Speaker 4: duck joke and Quinn has to be like, okay, hold on.

560
00:28:12,080 --> 00:28:13,360
Speaker 6: Like bring it back to center.

561
00:28:13,760 --> 00:28:16,720
Speaker 4: You know, the the joke about the fugue state and

562
00:28:16,760 --> 00:28:21,240
Speaker 4: the wedding and the whole thing makes him calling her mom.

563
00:28:22,440 --> 00:28:25,199
Speaker 4: I mean, it just it like you're looking left and

564
00:28:25,240 --> 00:28:28,239
Speaker 4: it comes from the right. It's a double surprise. And

565
00:28:28,400 --> 00:28:30,600
Speaker 4: so it's it's not only so fun to see you,

566
00:28:30,760 --> 00:28:33,560
Speaker 4: to Joy's point, do what you do best and be

567
00:28:33,600 --> 00:28:36,400
Speaker 4: able to just be a phenomenal actor who doesn't have

568
00:28:36,480 --> 00:28:40,080
Speaker 4: to jump a shark or do exposition or whatever, but

569
00:28:41,160 --> 00:28:43,920
Speaker 4: they also play to your strengths in this episode so

570
00:28:44,080 --> 00:28:47,920
Speaker 4: well because they let you be who you are Rob,

571
00:28:47,960 --> 00:28:50,400
Speaker 4: who is the guy who literally always tease up the

572
00:28:50,400 --> 00:28:54,160
Speaker 4: best joke, and it just it gave the three of

573
00:28:54,200 --> 00:28:58,560
Speaker 4: you a dynamic that was so enjoyable to watch.

574
00:28:59,360 --> 00:29:02,160
Speaker 7: Thanks friend. Yeah, I loved I loved all that stuff.

575
00:29:02,200 --> 00:29:03,960
Speaker 7: And just before we move on, I want to say

576
00:29:03,960 --> 00:29:08,200
Speaker 7: I loved that Bevin was in the final scene with us. Yeah,

577
00:29:08,240 --> 00:29:10,280
Speaker 7: and the only thing I found myself wanting because as

578
00:29:10,280 --> 00:29:13,160
Speaker 7: soon as I saw her and Skills standing close to

579
00:29:13,200 --> 00:29:17,479
Speaker 7: each other, I was like, Yes, are we gonna tease it?

580
00:29:17,920 --> 00:29:18,160
Speaker 5: Yes?

581
00:29:19,520 --> 00:29:21,160
Speaker 1: Wait that was the implication.

582
00:29:21,280 --> 00:29:24,040
Speaker 4: I thought yes because we felt like, wait, you don't

583
00:29:24,080 --> 00:29:26,240
Speaker 4: know this, but they have a thing in high school.

584
00:29:26,520 --> 00:29:31,480
Speaker 8: What Yes, So that's the callback you haven't seen it. Yes,

585
00:29:31,600 --> 00:29:35,680
Speaker 8: my god, yes, that's creating at the game together. For

586
00:29:35,800 --> 00:29:38,240
Speaker 8: all of us who've you know, seen all nine years

587
00:29:38,320 --> 00:29:40,160
Speaker 8: were like, oh my god, Skills and Bevan are back.

588
00:29:40,560 --> 00:29:43,280
Speaker 7: Ah, that's incredible because I don't know any of that,

589
00:29:43,320 --> 00:29:45,280
Speaker 7: and I watched it and for some reason, I found

590
00:29:45,280 --> 00:29:47,840
Speaker 7: myself rooting for the two of them. Yes, like, am

591
00:29:47,840 --> 00:29:49,680
Speaker 7: I going to see like a handhold here?

592
00:29:49,880 --> 00:29:53,520
Speaker 4: They have such good chemistry, like truly in real life,

593
00:29:53,640 --> 00:29:56,840
Speaker 4: Bevin and Antoine were so fun to watch, you know,

594
00:29:57,080 --> 00:29:59,320
Speaker 4: acting together like they were a couple on the show.

595
00:29:59,520 --> 00:30:00,920
Speaker 6: So yes, your spine, I.

596
00:30:00,840 --> 00:30:02,600
Speaker 3: Can't wait till you find out the other people that

597
00:30:02,840 --> 00:30:03,600
Speaker 3: Skills is with.

598
00:30:05,440 --> 00:30:08,560
Speaker 1: Oh man, okay, oh man, okay.

599
00:30:08,840 --> 00:30:11,040
Speaker 3: I'm When I was watching the thing with Mouth, I

600
00:30:11,040 --> 00:30:12,960
Speaker 3: see him get this check. It's this five hundred, one

601
00:30:13,040 --> 00:30:16,200
Speaker 3: hundred thousand dollars check. And I missed, I don't know,

602
00:30:16,200 --> 00:30:17,280
Speaker 3: I was crinkling paper or something.

603
00:30:17,280 --> 00:30:17,520
Speaker 7: I don't know.

604
00:30:17,560 --> 00:30:19,760
Speaker 3: I missed what he said who the check was from.

605
00:30:19,800 --> 00:30:21,280
Speaker 3: But I didn't rewind it because I thought, oh, they'll

606
00:30:21,320 --> 00:30:23,040
Speaker 3: just say it again, and then they never did.

607
00:30:23,280 --> 00:30:25,880
Speaker 1: Who sent out the check? Dance Scott.

608
00:30:27,040 --> 00:30:32,240
Speaker 4: What Dan left him half a million dollars and all

609
00:30:32,280 --> 00:30:33,920
Speaker 4: it said, was what you do matters?

610
00:30:34,640 --> 00:30:36,800
Speaker 1: Didn't dance send money to his kids too? Or was

611
00:30:36,840 --> 00:30:39,040
Speaker 1: this you just like gave his old fortune to mouth?

612
00:30:39,920 --> 00:30:42,240
Speaker 7: No, I mean if he did, it's off you know,

613
00:30:42,280 --> 00:30:44,280
Speaker 7: off screen that we never find out an audience member.

614
00:30:44,280 --> 00:30:47,680
Speaker 7: But here's my one question is who is is Edward

615
00:30:47,760 --> 00:30:51,560
Speaker 7: Scott like dance proper name or is that a different character.

616
00:30:51,440 --> 00:30:56,480
Speaker 4: Jimmy Edwards and Keith Scott. So he's doing the Edwards

617
00:30:56,720 --> 00:30:58,640
Speaker 4: Scott scholarship, gotcha?

618
00:30:58,840 --> 00:31:02,479
Speaker 7: Okay? Sure for the two people who passes? Okay, okay?

619
00:31:02,560 --> 00:31:06,360
Speaker 1: Yes, whoa dance and mouth a half a mill?

620
00:31:06,840 --> 00:31:07,280
Speaker 5: Yeah?

621
00:31:07,320 --> 00:31:10,680
Speaker 4: That's wild and one of the things I loved because

622
00:31:10,880 --> 00:31:14,000
Speaker 4: it came in in so many portions of the story.

623
00:31:14,080 --> 00:31:17,600
Speaker 4: You know, Joy your your voiceover at the end when

624
00:31:17,600 --> 00:31:21,200
Speaker 4: we're all doing bits of the ending monologue talks about

625
00:31:21,240 --> 00:31:25,479
Speaker 4: ambition and integrity, and Mouse is trying to figure out

626
00:31:25,520 --> 00:31:28,040
Speaker 4: earlier in the episode why Dan left him the money

627
00:31:28,040 --> 00:31:32,040
Speaker 4: of everyone, and he says, you know, he told me

628
00:31:32,080 --> 00:31:35,280
Speaker 4: it mattered that I wouldn't cover these horrible rumors about Nathan,

629
00:31:35,440 --> 00:31:37,840
Speaker 4: you know, getting this other woman pregnant at the time.

630
00:31:37,880 --> 00:31:39,000
Speaker 6: He wouldn't do the story.

631
00:31:39,720 --> 00:31:44,240
Speaker 4: And Antoine is saying to him when they're all talking

632
00:31:44,280 --> 00:31:47,840
Speaker 4: about it. He did this because you did the right thing.

633
00:31:48,560 --> 00:31:53,240
Speaker 4: So Mouse's whole storyline here is about integrity and what

634
00:31:53,400 --> 00:31:58,120
Speaker 4: a gorgeous action to take. You know, half a million

635
00:31:58,160 --> 00:32:01,440
Speaker 4: dollars would change your life. Right, But Mouth doesn't say,

636
00:32:02,000 --> 00:32:05,400
Speaker 4: let me buy a million and I a house. He's like,

637
00:32:05,680 --> 00:32:08,520
Speaker 4: let me start a scholarship and honor the two people

638
00:32:09,120 --> 00:32:13,880
Speaker 4: who also did things that mattered and tell more and like,

639
00:32:13,920 --> 00:32:15,240
Speaker 4: tell more of their stories.

640
00:32:15,280 --> 00:32:15,480
Speaker 7: You know.

641
00:32:15,960 --> 00:32:16,520
Speaker 6: Really great?

642
00:32:16,960 --> 00:32:22,320
Speaker 7: Also, how just awesome that the person to acknowledge and

643
00:32:22,400 --> 00:32:27,360
Speaker 7: reward integrity is the character who probably has lacked at.

644
00:32:27,280 --> 00:32:33,640
Speaker 9: The most the point, yes, wow, At what point did

645
00:32:33,720 --> 00:32:36,880
Speaker 9: Dan decide to call his lawyer and add that into

646
00:32:36,960 --> 00:32:39,400
Speaker 9: his will before he died.

647
00:32:39,280 --> 00:32:40,440
Speaker 1: Or that something he had set up book?

648
00:32:40,520 --> 00:32:43,760
Speaker 4: I have a theory, Oh tell, what what do you remember?

649
00:32:43,840 --> 00:32:47,520
Speaker 4: When Mouth brings clues to Dan on the sound stage,

650
00:32:48,320 --> 00:32:51,640
Speaker 4: before Dan and Julian and Chris Keller really go full

651
00:32:52,160 --> 00:32:57,520
Speaker 4: mission impossible, Mouth brings clues. That's right, And I think

652
00:32:58,360 --> 00:33:02,200
Speaker 4: in my head, if Dan is setting up you know,

653
00:33:02,720 --> 00:33:05,000
Speaker 4: his estate what's left of it.

654
00:33:05,160 --> 00:33:07,000
Speaker 3: Which he would have wanted to do, knowing he was

655
00:33:07,040 --> 00:33:10,440
Speaker 3: walking into a situation where he very well could die, yes.

656
00:33:10,760 --> 00:33:13,840
Speaker 4: You know, knowing that, Yeah, he was going to sacrifice

657
00:33:13,880 --> 00:33:16,200
Speaker 4: himself for his son if it came to that. I

658
00:33:16,240 --> 00:33:18,240
Speaker 4: almost wonder if that was kind of like the last

659
00:33:18,280 --> 00:33:22,640
Speaker 4: tea he crossed in that in that timeline from that

660
00:33:22,760 --> 00:33:24,160
Speaker 4: trailer on the sound stage.

661
00:33:24,560 --> 00:33:27,920
Speaker 3: Mouth's arc was integrity the whole time, actually, the entire

662
00:33:28,080 --> 00:33:30,240
Speaker 3: as far as I'm thinking this entire time on the show.

663
00:33:30,640 --> 00:33:31,880
Speaker 1: Yeah, that's his whole arc.

664
00:33:32,360 --> 00:33:35,320
Speaker 7: Yeah, like we've made we've called him the moral compass

665
00:33:35,320 --> 00:33:40,040
Speaker 7: of the show so many times, and maybe not at

666
00:33:40,040 --> 00:33:43,600
Speaker 7: the first half of season nine, but the rest of

667
00:33:43,640 --> 00:33:43,960
Speaker 7: the time.

668
00:33:44,160 --> 00:33:46,400
Speaker 5: Yeah. Yeah, but yeah, that.

669
00:33:46,400 --> 00:33:48,800
Speaker 7: Was that was great. That was a twist. Also, just

670
00:33:49,160 --> 00:33:51,240
Speaker 7: what a nice way to have Dan be a part

671
00:33:51,280 --> 00:33:55,600
Speaker 7: of this episode with this last act of just of kindness.

672
00:33:56,440 --> 00:33:57,760
Speaker 5: Yeah.

673
00:33:57,920 --> 00:34:02,720
Speaker 4: Yeah, someone who decided to change their legacy, you know,

674
00:34:03,560 --> 00:34:08,000
Speaker 4: who decided to leave it differently in the final hour's

675
00:34:08,560 --> 00:34:14,279
Speaker 4: it's such a beautiful reflection on redemption without you know,

676
00:34:15,880 --> 00:34:18,520
Speaker 4: beating you over the head with it. Yeah, it's like

677
00:34:18,560 --> 00:34:19,680
Speaker 4: a nice little glimmer.

678
00:34:20,160 --> 00:34:23,799
Speaker 7: Yeah, And there's a lot of themes of legacy in

679
00:34:23,840 --> 00:34:26,960
Speaker 7: this episode, and I feel as though it's almost like

680
00:34:27,120 --> 00:34:32,040
Speaker 7: Dan's reckoning of realizing that he he fell short of

681
00:34:32,080 --> 00:34:36,439
Speaker 7: where he wanted to end up, but his efforts could

682
00:34:36,480 --> 00:34:41,759
Speaker 7: be continued on through investing in the right person. So

683
00:34:41,800 --> 00:34:44,120
Speaker 7: it's like maybe he was maybe his contribution to the

684
00:34:44,120 --> 00:34:47,000
Speaker 7: world was net negative, but he was trying to write

685
00:34:47,040 --> 00:34:51,160
Speaker 7: it by supporting someone who could reverse that. Yeah, which

686
00:34:51,160 --> 00:34:56,160
Speaker 7: is beautiful. Yeah uh far less noble and honorable. Let's

687
00:34:56,160 --> 00:34:58,120
Speaker 7: talk about sweet sweet Chase. The storyline.

688
00:34:58,200 --> 00:35:01,000
Speaker 3: I was just going to s okay, wait, first, you

689
00:35:01,239 --> 00:35:06,360
Speaker 3: slapping him in the bar was so perfect, incredible, so perfect.

690
00:35:06,440 --> 00:35:09,759
Speaker 7: Dude. I didn't realize how funny grown men slapping each

691
00:35:09,760 --> 00:35:13,440
Speaker 7: other is until I saw it back to back in

692
00:35:13,480 --> 00:35:15,480
Speaker 7: this scene and I was like, this is I did

693
00:35:15,480 --> 00:35:18,600
Speaker 7: not realize this was a well that is so lary us.

694
00:35:19,200 --> 00:35:22,359
Speaker 3: The fact that they shot that they stayed over your

695
00:35:22,400 --> 00:35:25,200
Speaker 3: shoulder instead of looking at your face and getting your

696
00:35:25,440 --> 00:35:28,520
Speaker 3: reaction on your face. You see him pour the drink,

697
00:35:28,800 --> 00:35:30,799
Speaker 3: you take a sip, and as you take a sip,

698
00:35:30,840 --> 00:35:32,760
Speaker 3: thing like it hits your lips and they go behind

699
00:35:32,800 --> 00:35:35,399
Speaker 3: your shoulder and they just see your arm come out

700
00:35:35,440 --> 00:35:37,360
Speaker 3: of nowhere and smack it in the face.

701
00:35:37,880 --> 00:35:42,920
Speaker 7: Oh my gosh. It was so so funny and obviously,

702
00:35:43,320 --> 00:35:45,600
Speaker 7: like the chase stor line isn't as substantive, but I

703
00:35:45,640 --> 00:35:48,799
Speaker 7: love that we still included it nonetheless because we got it,

704
00:35:48,800 --> 00:35:50,399
Speaker 7: we got to have him be a part of it.

705
00:35:50,440 --> 00:35:54,200
Speaker 7: And it also it added that sort of necessary component

706
00:35:54,239 --> 00:35:58,520
Speaker 7: of levity because there was so much heartfelt storytelling happening. Yeah,

707
00:35:58,560 --> 00:36:01,719
Speaker 7: and I loved the moment it probably, I mean, listen,

708
00:36:01,760 --> 00:36:04,120
Speaker 7: the slapping is probably my favorite, but a close second

709
00:36:04,239 --> 00:36:08,560
Speaker 7: is when Chris and Chase have decided they want to

710
00:36:08,560 --> 00:36:11,520
Speaker 7: spy on the twins. Yeah, and they do the like

711
00:36:11,719 --> 00:36:15,000
Speaker 7: the most just schoolboy move of you stand on my

712
00:36:15,040 --> 00:36:18,640
Speaker 7: shoulders and look in the window, which again a super

713
00:36:18,840 --> 00:36:22,200
Speaker 7: creepy move, but we have two charming, likable guys doing it,

714
00:36:22,280 --> 00:36:24,879
Speaker 7: so like you kind of what it's slide. I love

715
00:36:25,239 --> 00:36:27,880
Speaker 7: that that Chris is like, what are they doing? And

716
00:36:28,040 --> 00:36:30,440
Speaker 7: Chase goes, they're watching a movie and he goes, oh,

717
00:36:30,600 --> 00:36:34,360
Speaker 7: which one? And there's a beat and Stephen plays it

718
00:36:34,400 --> 00:36:36,960
Speaker 7: perfectly where you see him see what movie it is,

719
00:36:37,200 --> 00:36:39,360
Speaker 7: and it registers and he has this little smile and

720
00:36:39,400 --> 00:36:41,520
Speaker 7: he goes, it's the notebook.

721
00:36:43,320 --> 00:36:44,400
Speaker 1: Wet They're sweet?

722
00:36:44,960 --> 00:36:47,520
Speaker 7: Yeah, like the dudes peeping on the girls through a

723
00:36:47,560 --> 00:36:49,359
Speaker 7: window are also sweethearts.

724
00:36:50,920 --> 00:36:54,000
Speaker 4: Yeah, he loves the sweet movie. And I also love

725
00:36:54,080 --> 00:36:56,920
Speaker 4: that he's like they're watching the Notebook and he's so

726
00:36:57,000 --> 00:37:00,680
Speaker 4: touched in and he's like, they're crying, and then they're girls.

727
00:37:01,280 --> 00:37:02,560
Speaker 7: They're girly girls.

728
00:37:03,120 --> 00:37:06,040
Speaker 6: It's like the revelations just keep coming.

729
00:37:06,080 --> 00:37:08,879
Speaker 3: Oh my gosh, I know that was really I mean,

730
00:37:09,200 --> 00:37:12,320
Speaker 3: I was grateful at least we got to see these girls.

731
00:37:12,680 --> 00:37:15,080
Speaker 3: I've hated this Twin storyline the whole time. It just

732
00:37:15,120 --> 00:37:19,759
Speaker 3: feels very objectifying. I don't like it. But seeing the

733
00:37:19,800 --> 00:37:23,239
Speaker 3: girls have an emotional reaction to something rather than being

734
00:37:23,360 --> 00:37:26,240
Speaker 3: exactly what they were joking about, like either either robots

735
00:37:26,360 --> 00:37:28,920
Speaker 3: or they're what was the other thing they said, angels?

736
00:37:29,040 --> 00:37:29,960
Speaker 1: Robots or angels?

737
00:37:30,000 --> 00:37:35,120
Speaker 3: Like, oh, can we get like a more archaic stereotype

738
00:37:35,200 --> 00:37:37,960
Speaker 3: going at least acknowledged it. But then we got to see, Oh,

739
00:37:38,000 --> 00:37:40,479
Speaker 3: these girls have something. There's some real depth there. Even

740
00:37:40,520 --> 00:37:42,480
Speaker 3: for a moment, it felt like the little piece of

741
00:37:42,520 --> 00:37:45,280
Speaker 3: redemption I needed to make it okay.

742
00:37:52,880 --> 00:37:59,000
Speaker 7: And the way that they flee the scene, specifically Stevens

743
00:37:59,080 --> 00:38:02,600
Speaker 7: jump over the book. I remember being there this day

744
00:38:02,880 --> 00:38:04,920
Speaker 7: and he was like, hey watch this, I'm gonna I'm

745
00:38:04,920 --> 00:38:07,680
Speaker 7: going to full blown dolphin on this next take and

746
00:38:07,719 --> 00:38:09,200
Speaker 7: I was like, what's what does that mean?

747
00:38:09,239 --> 00:38:09,759
Speaker 1: What does that mean?

748
00:38:09,880 --> 00:38:12,359
Speaker 7: And he was like, watch and now go back and

749
00:38:12,400 --> 00:38:15,920
Speaker 7: watch it, and you will see any normal person, if

750
00:38:15,960 --> 00:38:18,600
Speaker 7: you are leaping over something, your hands would be up

751
00:38:18,640 --> 00:38:21,920
Speaker 7: in the air ahead of you, you know, to protect yourself. No,

752
00:38:22,440 --> 00:38:25,960
Speaker 7: when he dolphins, those hands stay firmly to his side

753
00:38:26,560 --> 00:38:29,400
Speaker 7: on his hips, and so he is truly like a

754
00:38:29,440 --> 00:38:30,440
Speaker 7: fish out of water.

755
00:38:30,680 --> 00:38:31,480
Speaker 5: Oh my god.

756
00:38:31,880 --> 00:38:33,400
Speaker 7: So if you go back and watch it, it is

757
00:38:33,440 --> 00:38:36,399
Speaker 7: the most I laughed out. Well, I remember this moment.

758
00:38:36,440 --> 00:38:38,080
Speaker 7: I was like, oh shit, this is when he dolphined.

759
00:38:38,560 --> 00:38:41,640
Speaker 7: And if you watch it, it's just it's the stupidest

760
00:38:41,920 --> 00:38:46,920
Speaker 7: and as a result, the funniest dive lovely to see

761
00:38:47,719 --> 00:38:51,000
Speaker 7: Brooke getting the family she has wanted for so long.

762
00:38:51,040 --> 00:38:53,680
Speaker 3: Oh man, that did make me emotional watching you guys

763
00:38:53,719 --> 00:38:55,799
Speaker 3: all with the champagne and then click the button and

764
00:38:55,840 --> 00:38:58,880
Speaker 3: the sales started going in Mom, Dad and Julian and

765
00:38:58,920 --> 00:39:00,319
Speaker 3: you and it's all finally.

766
00:39:01,920 --> 00:39:03,280
Speaker 5: Yeah, and it all shifts.

767
00:39:03,320 --> 00:39:06,440
Speaker 4: And it was really interesting because I remember how special

768
00:39:06,480 --> 00:39:09,680
Speaker 4: it felt. I remember how nice it was to have

769
00:39:09,800 --> 00:39:15,839
Speaker 4: this button with Daphne and Richard and Austin and how

770
00:39:15,920 --> 00:39:19,400
Speaker 4: full circle it comes and the two things I'd forgotten

771
00:39:19,560 --> 00:39:22,399
Speaker 4: that were so touching to me watching it was our

772
00:39:22,480 --> 00:39:25,560
Speaker 4: conversation joy. When you're like, no matter how long it took,

773
00:39:25,600 --> 00:39:28,239
Speaker 4: you finally got the thing you always should have had.

774
00:39:28,840 --> 00:39:32,040
Speaker 4: Your parents are finally acting like your parents. You know,

775
00:39:32,680 --> 00:39:34,680
Speaker 4: things are finally working out.

776
00:39:35,360 --> 00:39:38,320
Speaker 8: And then when.

777
00:39:38,120 --> 00:39:44,960
Speaker 4: It cuts ahead and Julian has brought Brooke home, standing

778
00:39:45,000 --> 00:39:49,160
Speaker 4: in that house, I remember that day, how surreal it

779
00:39:49,320 --> 00:39:53,880
Speaker 4: was to be in there, how lovely and generous the

780
00:39:53,920 --> 00:39:56,440
Speaker 4: family who actually lived in that home was. You know,

781
00:39:56,480 --> 00:39:59,600
Speaker 4: they let us literally move their entire house. Their house

782
00:39:59,640 --> 00:40:04,520
Speaker 4: got we could film and they came by and we

783
00:40:04,560 --> 00:40:07,640
Speaker 4: had tea together on the back porch. But I remember

784
00:40:07,760 --> 00:40:14,239
Speaker 4: standing there, walking around and the words are so spot on,

785
00:40:15,680 --> 00:40:18,719
Speaker 4: and it was again this moment, this sort of reflection

786
00:40:18,800 --> 00:40:20,880
Speaker 4: that felt so right for Brooke, and that felt so

787
00:40:21,040 --> 00:40:25,040
Speaker 4: personal for me of really thinking about the journey of

788
00:40:25,080 --> 00:40:30,319
Speaker 4: the whole last decade and what I didn't expect. I

789
00:40:30,360 --> 00:40:33,640
Speaker 4: felt so excited. You know, we're coming up the path blindfolded.

790
00:40:33,680 --> 00:40:35,640
Speaker 4: I was like, this is the moment, the moment she

791
00:40:35,680 --> 00:40:37,839
Speaker 4: gets her house back. I was like, sot ready for it.

792
00:40:38,560 --> 00:40:43,000
Speaker 4: I forgot what the dialogue was. I remember the feeling,

793
00:40:43,600 --> 00:40:47,040
Speaker 4: but hearing the words come out of my mouth talking

794
00:40:47,040 --> 00:40:49,239
Speaker 4: about how I wished for this before I knew what

795
00:40:49,400 --> 00:40:52,920
Speaker 4: this was, like, I wish for this kind of a happiness.

796
00:40:52,920 --> 00:40:54,120
Speaker 4: I wished for a home.

797
00:40:55,320 --> 00:40:57,600
Speaker 5: Yeah, and it's.

798
00:40:57,400 --> 00:41:01,439
Speaker 4: So surreal to be, you know, ten twelve, however many

799
00:41:01,480 --> 00:41:05,160
Speaker 4: years past it we are, and to go, oh, I've

800
00:41:05,160 --> 00:41:11,000
Speaker 4: only recently learned that lesson, like Brooke Davis learned that lesson.

801
00:41:11,080 --> 00:41:15,480
Speaker 4: She had that experience like so long before I did.

802
00:41:15,520 --> 00:41:18,800
Speaker 4: And suddenly it feels personal to me too, to be like, yeah,

803
00:41:18,040 --> 00:41:22,319
Speaker 4: I had no idea what was in store for me

804
00:41:22,520 --> 00:41:25,520
Speaker 4: or what would actually make me happy until it happened.

805
00:41:25,520 --> 00:41:28,719
Speaker 4: And then I went, WHOA, I could not have predicted this,

806
00:41:29,280 --> 00:41:32,880
Speaker 4: And I watched myself essentially talk about something that feels

807
00:41:32,920 --> 00:41:35,880
Speaker 4: personal to me fifteen years ago on screen.

808
00:41:36,080 --> 00:41:39,799
Speaker 6: I'm telling you, I like my very out of body experience.

809
00:41:39,280 --> 00:41:41,120
Speaker 5: With this entire episode.

810
00:41:41,719 --> 00:41:45,319
Speaker 4: And I don't know, it's just so not to be

811
00:41:45,480 --> 00:41:48,600
Speaker 4: like what we do is so important. It's like we're

812
00:41:48,600 --> 00:41:52,680
Speaker 4: not curing cancer, but there's something really magical about just

813
00:41:52,719 --> 00:41:57,080
Speaker 4: watching humans figure out how to human and grow and

814
00:41:57,120 --> 00:42:00,640
Speaker 4: love and risk And I don't know, I just I

815
00:42:00,680 --> 00:42:02,080
Speaker 4: loved it.

816
00:42:01,520 --> 00:42:04,480
Speaker 3: It's such a privilege to play a character for an

817
00:42:04,480 --> 00:42:07,640
Speaker 3: extended period of time when you get to really watch

818
00:42:08,719 --> 00:42:13,440
Speaker 3: go and walk through these real life experiences, and especially

819
00:42:13,440 --> 00:42:16,440
Speaker 3: to play characters that started out so young and we

820
00:42:16,640 --> 00:42:19,560
Speaker 3: ended up in our late twenties, I guess on the show,

821
00:42:21,160 --> 00:42:23,200
Speaker 3: which is when so many new things start to happen.

822
00:42:23,239 --> 00:42:26,640
Speaker 3: You know, there's obviously massive transition in life between your

823
00:42:26,640 --> 00:42:31,759
Speaker 3: twenties and your thirties, and it really is a privilege

824
00:42:32,200 --> 00:42:36,600
Speaker 3: to get to carry a character for other people to

825
00:42:36,680 --> 00:42:38,719
Speaker 3: be able to watch and relate to and connect with

826
00:42:38,800 --> 00:42:41,480
Speaker 3: in the ways that you're talking about, and also for

827
00:42:41,560 --> 00:42:44,880
Speaker 3: ourselves to look at where we've come.

828
00:42:45,760 --> 00:42:46,080
Speaker 7: Right.

829
00:42:46,800 --> 00:42:51,000
Speaker 3: It's just really beautiful and once a very unique experience.

830
00:42:50,600 --> 00:42:53,480
Speaker 4: It really is, and I think what I'm landing on,

831
00:42:53,560 --> 00:42:56,400
Speaker 4: and thank you you're actually helping me clarify my point.

832
00:42:57,600 --> 00:42:59,279
Speaker 4: And maybe I think about it because we were all

833
00:42:59,360 --> 00:43:00,960
Speaker 4: just you know, so many of us were just in

834
00:43:01,000 --> 00:43:03,799
Speaker 4: Paris together. We get to hear what these journeys have

835
00:43:03,880 --> 00:43:06,640
Speaker 4: meant to the fans, and this was such a surreal

836
00:43:06,680 --> 00:43:09,040
Speaker 4: moment because I was like, oh my god, I'm having

837
00:43:09,560 --> 00:43:12,520
Speaker 4: and experienced fans have told me and all of us

838
00:43:12,600 --> 00:43:16,799
Speaker 4: about about our characters and I'm having it with our

839
00:43:16,880 --> 00:43:19,080
Speaker 4: show with my character.

840
00:43:18,960 --> 00:43:21,000
Speaker 6: Like what is happening?

841
00:43:21,040 --> 00:43:26,760
Speaker 4: It's so cool and I'm gonna cry. I'm really really

842
00:43:26,880 --> 00:43:32,120
Speaker 4: happy we've done this together you guys. Like our show

843
00:43:32,280 --> 00:43:39,280
Speaker 4: was obviously such a gift, but like taking it, taking

844
00:43:39,320 --> 00:43:43,759
Speaker 4: it back and and getting to do this with you guys.

845
00:43:44,880 --> 00:43:46,279
Speaker 6: I just cherished this so much.

846
00:43:46,640 --> 00:43:48,000
Speaker 7: Same friend, me too.

847
00:43:48,520 --> 00:43:53,200
Speaker 6: I love you guys. Oh, I am just a mess today.

848
00:43:54,440 --> 00:43:56,880
Speaker 7: It's again though, it's like legacy.

849
00:43:57,120 --> 00:43:59,760
Speaker 1: Yeah, you know that, like generations and legacy.

850
00:44:00,440 --> 00:44:03,040
Speaker 7: Yeah, you know, we talked about this like at the convention,

851
00:44:03,200 --> 00:44:06,080
Speaker 7: like it's it's it's so cool that we got to

852
00:44:06,160 --> 00:44:09,640
Speaker 7: do We got to make this show, Like this version

853
00:44:09,680 --> 00:44:12,400
Speaker 7: of the show couldn't have been made without us, but

854
00:44:12,560 --> 00:44:15,800
Speaker 7: the legacy of the show would not be possible without

855
00:44:15,800 --> 00:44:17,839
Speaker 7: the fans, you know the fact that like we got

856
00:44:17,840 --> 00:44:20,279
Speaker 7: to have this opportunity. We get to do conventions and

857
00:44:20,280 --> 00:44:21,840
Speaker 7: we get to hear about what it meant to people,

858
00:44:21,920 --> 00:44:24,279
Speaker 7: Like yeah, that legacy is only pop or is only

859
00:44:24,320 --> 00:44:27,520
Speaker 7: possible because of the fans, but like it's everyone wins.

860
00:44:27,800 --> 00:44:28,320
Speaker 5: Yeah.

861
00:44:28,760 --> 00:44:31,880
Speaker 3: Also, isn't it funny to be that young and acting

862
00:44:31,920 --> 00:44:34,600
Speaker 3: out things that were written by people older? Than us

863
00:44:34,640 --> 00:44:37,640
Speaker 3: who have experienced things that we had not yet experienced.

864
00:44:38,000 --> 00:44:42,520
Speaker 3: And now we're watching these things and we've now we're

865
00:44:42,560 --> 00:44:44,200
Speaker 3: old enough, we're as old now as some of the

866
00:44:44,200 --> 00:44:47,200
Speaker 3: writers that we're writing this material for the young verse.

867
00:44:47,320 --> 00:44:50,600
Speaker 1: Yes, it's all so mixed up and meta.

868
00:44:50,800 --> 00:44:52,879
Speaker 3: I really felt that when we were in the all

869
00:44:52,920 --> 00:44:56,600
Speaker 3: in the club and singing along with Gavin with I

870
00:44:56,640 --> 00:44:58,799
Speaker 3: Don't Want to Be, which is a real that was

871
00:44:58,880 --> 00:45:00,920
Speaker 3: really fun to bring in, and this thing that was

872
00:45:00,960 --> 00:45:03,840
Speaker 3: outside the show and now it's in. I kept thinking

873
00:45:03,840 --> 00:45:06,000
Speaker 3: of how just how funny it was that something that's

874
00:45:06,800 --> 00:45:10,279
Speaker 3: not a part of the inside of our Tree Hill world.

875
00:45:10,360 --> 00:45:12,359
Speaker 3: You know, when a world is created, a story world

876
00:45:12,400 --> 00:45:15,800
Speaker 3: is created, that's what you know. None of the characters

877
00:45:15,840 --> 00:45:18,080
Speaker 3: on I'm Gonna Use came to thrones again, but like

878
00:45:18,120 --> 00:45:22,080
Speaker 3: in none of those scenes, in none of those scenes

879
00:45:22,120 --> 00:45:24,879
Speaker 3: were there ever people playing instruments in like the court,

880
00:45:24,920 --> 00:45:26,200
Speaker 3: and they were never going.

881
00:45:26,080 --> 00:45:29,520
Speaker 1: No no, no, no, no, no no, And that just didn't happen.

882
00:45:30,960 --> 00:45:32,719
Speaker 3: The fact that we got to bring that in and

883
00:45:32,760 --> 00:45:35,360
Speaker 3: then all of us were singing along that really that

884
00:45:35,520 --> 00:45:36,239
Speaker 3: touched me too.

885
00:45:36,320 --> 00:45:37,320
Speaker 1: That felt great.

886
00:45:37,440 --> 00:45:42,520
Speaker 4: And to both of your points were connected here. That

887
00:45:43,080 --> 00:45:46,960
Speaker 4: Gavin dropped his voice out, and all of us and

888
00:45:47,040 --> 00:45:50,400
Speaker 4: all of our extras who were by then, some of

889
00:45:50,440 --> 00:45:52,160
Speaker 4: them had been on set with us for ten years,

890
00:45:52,200 --> 00:45:54,840
Speaker 4: who were also fans of our show, who were also

891
00:45:55,040 --> 00:45:56,960
Speaker 4: parts of our crew family.

892
00:45:57,239 --> 00:45:58,480
Speaker 6: We all got.

893
00:45:58,280 --> 00:46:02,160
Speaker 4: To sing together and our crew, everybody, everybody.

894
00:46:02,280 --> 00:46:03,120
Speaker 7: It's crazy.

895
00:46:03,600 --> 00:46:07,160
Speaker 1: I know that day was really so greatly special.

896
00:46:08,360 --> 00:46:13,160
Speaker 7: How great was it getting to see Nathan being such

897
00:46:13,200 --> 00:46:15,799
Speaker 7: a good dad to Jamie on the river court. It's

898
00:46:15,840 --> 00:46:19,520
Speaker 7: all when, you know, because we've spent so much time

899
00:46:20,120 --> 00:46:25,040
Speaker 7: around basketball watching Nathan having a really crap dad. Yeah,

900
00:46:25,080 --> 00:46:28,480
Speaker 7: and it was like watching him break a generational cycle

901
00:46:28,520 --> 00:46:32,120
Speaker 7: in real time when he's like cool, Bud, Hey man,

902
00:46:32,280 --> 00:46:34,600
Speaker 7: if you like this, do it. And if you don't,

903
00:46:34,719 --> 00:46:37,200
Speaker 7: you don't know, you don't know anybody anything.

904
00:46:38,120 --> 00:46:41,120
Speaker 3: That's the biggest arc of the whole show. I realized

905
00:46:41,239 --> 00:46:44,799
Speaker 3: watching in this episode. We talked last time about how

906
00:46:44,880 --> 00:46:47,320
Speaker 3: important Dan was to One Tree Hill and how it

907
00:46:47,320 --> 00:46:49,719
Speaker 3: wouldn't have existed, why we needed his character, but I

908
00:46:50,320 --> 00:46:53,840
Speaker 3: realized watching this, Oh, it was Nathan's redemption story, like

909
00:46:53,920 --> 00:46:56,120
Speaker 3: his arc, or maybe not Redemption's not the right word,

910
00:46:56,120 --> 00:47:00,360
Speaker 3: but like transformation arc and then breaking the general generational highs.

911
00:47:00,600 --> 00:47:02,319
Speaker 1: Yes, that arc.

912
00:47:03,480 --> 00:47:07,400
Speaker 3: What other show starts with the villain, the kid that

913
00:47:07,600 --> 00:47:10,280
Speaker 3: like he was the villain of the show. Nathan Scott

914
00:47:10,800 --> 00:47:12,160
Speaker 3: Dan was also the villain.

915
00:47:11,960 --> 00:47:14,440
Speaker 6: But like, yeah, yeah, Nathan was the worst.

916
00:47:14,640 --> 00:47:17,480
Speaker 3: Nathan was the worst. What other show can you think

917
00:47:17,520 --> 00:47:19,959
Speaker 3: of where the kid that starts at or the person

918
00:47:20,000 --> 00:47:22,719
Speaker 3: that starts out as like hated and the villain ends

919
00:47:22,760 --> 00:47:25,600
Speaker 3: up being like the main character, star of.

920
00:47:25,560 --> 00:47:28,960
Speaker 1: The entire thing, the hero, the hero of the whole thing.

921
00:47:29,800 --> 00:47:33,400
Speaker 7: And Dexter No, I'm just kidding. I've never seen love Dexter.

922
00:47:34,360 --> 00:47:36,759
Speaker 4: One of the things that I loved too. To your

923
00:47:36,800 --> 00:47:43,880
Speaker 4: point about breaking this curse is you watch Nathan break

924
00:47:43,920 --> 00:47:47,600
Speaker 4: a curse with Jamie and it and it does revolve

925
00:47:47,600 --> 00:47:52,080
Speaker 4: around legacy, and you watch Haley passing down one of

926
00:47:52,120 --> 00:47:55,480
Speaker 4: the best parts of our legacy, of our youth. You know,

927
00:47:55,640 --> 00:47:59,800
Speaker 4: they're having their sports moment and Jamie's learning he doesn't

928
00:47:59,800 --> 00:48:02,479
Speaker 4: have to beat himself up over it, and then you're

929
00:48:02,600 --> 00:48:03,920
Speaker 4: passing on the Wishington.

930
00:48:05,920 --> 00:48:08,839
Speaker 3: That was the last scene I shot of the whole show.

931
00:48:10,400 --> 00:48:13,520
Speaker 3: It was really it was beautiful just being up there watching,

932
00:48:13,640 --> 00:48:18,280
Speaker 3: you know, seeing the looking out over the whole city

933
00:48:18,480 --> 00:48:22,400
Speaker 3: and being up there with our crew and with Jackson.

934
00:48:22,920 --> 00:48:25,560
Speaker 7: Were you actually on top of Karen's Cafe.

935
00:48:26,040 --> 00:48:29,600
Speaker 3: No, it's a parking lot, that is Oh that's right,

936
00:48:29,680 --> 00:48:32,319
Speaker 3: it's down the street. It is downtown, but it's it's

937
00:48:32,360 --> 00:48:32,960
Speaker 3: down the street.

938
00:48:33,120 --> 00:48:36,080
Speaker 5: Yeah yeah, yeah, yeah, yeah yeah.

939
00:48:36,120 --> 00:48:39,280
Speaker 3: But it's a spot that we've been from from the pilot.

940
00:48:39,320 --> 00:48:42,840
Speaker 3: I think it was a spot that we yeah.

941
00:48:42,440 --> 00:48:44,640
Speaker 4: Because you guys did mini golf up there, and then

942
00:48:44,680 --> 00:48:47,800
Speaker 4: when Karen's was close over Bros. We did Alex's photo

943
00:48:47,840 --> 00:48:50,840
Speaker 4: shoot up there. We would go and shoot all sorts

944
00:48:50,840 --> 00:48:51,800
Speaker 4: of things up there.

945
00:48:51,840 --> 00:48:54,600
Speaker 3: Water balloons, water balloons, all kinds of stuff.

946
00:48:55,040 --> 00:48:59,840
Speaker 7: Speaking of water, Joy, how cold was the pumped in

947
00:49:00,120 --> 00:49:03,400
Speaker 7: rainwater for your notebook Backyard dance kissing?

948
00:49:03,520 --> 00:49:09,200
Speaker 1: Nice transition, Rob, that was pretty cold.

949
00:49:09,800 --> 00:49:10,799
Speaker 6: It was November.

950
00:49:11,680 --> 00:49:14,560
Speaker 4: Yeah, that's a rough time of year to be outside

951
00:49:14,560 --> 00:49:15,640
Speaker 4: getting wet in Wilmington.

952
00:49:15,880 --> 00:49:18,800
Speaker 7: Dude, you guys sold it. It was fun and beautiful,

953
00:49:18,840 --> 00:49:22,840
Speaker 7: but also I can't ever watch anything like without thinking

954
00:49:22,880 --> 00:49:25,080
Speaker 7: of what it was actually like knowing and I was like, oh,

955
00:49:25,160 --> 00:49:27,560
Speaker 7: these guys were there, they were going through it because

956
00:49:27,719 --> 00:49:29,960
Speaker 7: I know you're getting notes, like have more fun with

957
00:49:30,000 --> 00:49:34,600
Speaker 7: the dancing and your tea, Paul, are you dying of hypothermia.

958
00:49:34,680 --> 00:49:36,040
Speaker 7: Right now, you have fun.

959
00:49:36,520 --> 00:49:37,520
Speaker 1: It was so fun.

960
00:49:37,920 --> 00:49:42,200
Speaker 3: Actually, you give me the sixty seconds. I have a

961
00:49:42,200 --> 00:49:45,200
Speaker 3: little surprise while then Okay.

962
00:49:44,880 --> 00:49:47,680
Speaker 7: See this, this is why you gotta watch on the

963
00:49:47,840 --> 00:49:53,000
Speaker 7: YouTube's for Sophia's cool haircut and whatever Joy is about

964
00:49:53,040 --> 00:49:54,360
Speaker 7: to bring back from the closet.

965
00:49:54,480 --> 00:49:56,560
Speaker 4: You're very sweet to tell me I look cool today.

966
00:49:56,600 --> 00:49:59,040
Speaker 4: All I've been doing is crying into my sweatshirt sleeves.

967
00:49:59,040 --> 00:50:03,040
Speaker 7: So look, lady, stick with it. What do you think

968
00:50:03,160 --> 00:50:04,239
Speaker 7: Joy is going to bring back?

969
00:50:04,640 --> 00:50:05,399
Speaker 5: I don't know.

970
00:50:06,080 --> 00:50:08,760
Speaker 7: Do you think it's going to be the outfit.

971
00:50:08,480 --> 00:50:09,040
Speaker 9: On that day?

972
00:50:09,280 --> 00:50:11,600
Speaker 4: Oh my gosh, I wonder if it's the Crackerjack bracelet

973
00:50:12,800 --> 00:50:16,160
Speaker 4: because that's a runner that's from really early in the show.

974
00:50:25,280 --> 00:50:26,480
Speaker 7: It's the outfit.

975
00:50:26,880 --> 00:50:28,400
Speaker 6: Oh my god, Joy, it's the dress.

976
00:50:28,640 --> 00:50:29,600
Speaker 7: I guess the dress.

977
00:50:30,040 --> 00:50:33,480
Speaker 8: Get out of the dress in the RT.

978
00:50:34,320 --> 00:50:35,719
Speaker 6: Oh my god, cute.

979
00:50:37,040 --> 00:50:45,760
Speaker 7: That was a Beyonce speed wardrobe change hair. Oh my gosh, wow,

980
00:50:46,880 --> 00:50:47,560
Speaker 7: this is it.

981
00:50:47,800 --> 00:50:51,719
Speaker 1: It's got the little stringy hanging out the Oh this

982
00:50:51,760 --> 00:50:52,040
Speaker 1: is the.

983
00:50:52,120 --> 00:50:55,560
Speaker 3: Dress and it was soaking wet, and I'm so glad

984
00:50:55,600 --> 00:50:57,000
Speaker 3: I kept it and brought it home.

985
00:50:57,440 --> 00:50:59,120
Speaker 5: Oh I'm so glad you did too.

986
00:50:59,680 --> 00:51:01,840
Speaker 3: And don't do I have anything in this locket? I

987
00:51:01,880 --> 00:51:05,759
Speaker 3: feel like, no, I meant to put something in, but yeah,

988
00:51:06,040 --> 00:51:08,080
Speaker 3: I have it still and I don't think i've actually

989
00:51:08,120 --> 00:51:12,640
Speaker 3: worn it except sorry, excuse me, since that day that

990
00:51:12,800 --> 00:51:14,040
Speaker 3: day until to day.

991
00:51:14,440 --> 00:51:15,760
Speaker 1: Yeah, this was the dress.

992
00:51:16,080 --> 00:51:18,920
Speaker 3: So it's wool, and it's kind of itchy. I'm allergic

993
00:51:18,960 --> 00:51:23,200
Speaker 3: to wool. But they were like, so this.

994
00:51:24,719 --> 00:51:25,160
Speaker 1: I'm okay.

995
00:51:25,160 --> 00:51:26,879
Speaker 3: It's old enough now I feel like it's been washed,

996
00:51:26,920 --> 00:51:27,879
Speaker 3: so it's still a little cheap.

997
00:51:27,920 --> 00:51:28,440
Speaker 1: It's okay.

998
00:51:28,719 --> 00:51:32,160
Speaker 3: They they said, I was trying to find something else

999
00:51:32,239 --> 00:51:34,839
Speaker 3: and they said, look, it's it's November and it's going

1000
00:51:34,920 --> 00:51:37,240
Speaker 3: to be water and you know what that's like here,

1001
00:51:37,880 --> 00:51:41,239
Speaker 3: So you're probably better off in something that's going to

1002
00:51:41,280 --> 00:51:43,360
Speaker 3: be like thick, a thick fabric.

1003
00:51:44,000 --> 00:51:45,840
Speaker 1: So this is what we picked.

1004
00:51:46,480 --> 00:51:48,279
Speaker 3: Yeah, I think in a weird way it kept me

1005
00:51:48,360 --> 00:51:52,640
Speaker 3: warm because when wool gets wet, it's not like, I

1006
00:51:52,680 --> 00:51:54,400
Speaker 3: don't know, it doesn't do the same thing as cotton,

1007
00:51:54,480 --> 00:51:56,120
Speaker 3: so it kind of still insulated me.

1008
00:51:57,080 --> 00:51:58,719
Speaker 5: Wow, what a great saver.

1009
00:51:59,280 --> 00:52:01,320
Speaker 3: It was a great, great scene that was so fun,

1010
00:52:01,440 --> 00:52:04,920
Speaker 3: such a fun time with James sentimental, knowing that it

1011
00:52:04,960 --> 00:52:06,520
Speaker 3: was the last time we were going to have like

1012
00:52:06,600 --> 00:52:09,439
Speaker 3: a big hate Nathan and Haley romantic moment, which we'd

1013
00:52:09,480 --> 00:52:11,440
Speaker 3: been having with each other for ten years.

1014
00:52:11,840 --> 00:52:12,880
Speaker 5: Yeah, and even.

1015
00:52:12,760 --> 00:52:14,880
Speaker 3: Though there was nothing ever romantic between the two of

1016
00:52:14,960 --> 00:52:17,759
Speaker 3: us off camera, there's still like when you know that

1017
00:52:17,840 --> 00:52:21,800
Speaker 3: you're not going to be spending that kind of intimate

1018
00:52:21,880 --> 00:52:25,279
Speaker 3: time with someone anymore, it's just it's a friendship. It's

1019
00:52:25,320 --> 00:52:27,720
Speaker 3: like there's just something that you know is going to change.

1020
00:52:27,760 --> 00:52:30,560
Speaker 1: And yeah, it was. It was really sweet.

1021
00:52:31,080 --> 00:52:34,120
Speaker 7: I have to say, where does it may sound? I

1022
00:52:34,160 --> 00:52:36,760
Speaker 7: think I felt that because for some reason, like listen,

1023
00:52:36,800 --> 00:52:39,160
Speaker 7: we've all seen each other kiss on camera so many

1024
00:52:39,160 --> 00:52:42,160
Speaker 7: times that it's like whatever, Yeah, but I watched that

1025
00:52:42,239 --> 00:52:44,560
Speaker 7: kiss and I was like, this is a passionate kiss.

1026
00:52:44,560 --> 00:52:46,759
Speaker 7: I watched the way you were holding his head and

1027
00:52:46,800 --> 00:52:49,920
Speaker 7: the way your guys's body language. I was like, ooh,

1028
00:52:49,960 --> 00:52:51,360
Speaker 7: I got a little hot under the collar.

1029
00:52:51,719 --> 00:52:52,240
Speaker 1: It's funny.

1030
00:52:52,239 --> 00:52:55,120
Speaker 3: It's almost like a brotherly like, which obviously you I

1031
00:52:55,120 --> 00:52:58,359
Speaker 3: wouldn't kiss my brother that way, but like, because there's

1032
00:52:58,360 --> 00:53:02,520
Speaker 3: a friendship, it's like it's almost like the kissing is

1033
00:53:02,560 --> 00:53:05,440
Speaker 3: not romantic and you're just it was care.

1034
00:53:05,640 --> 00:53:06,359
Speaker 1: It was just care.

1035
00:53:06,440 --> 00:53:09,600
Speaker 7: Yeah. Yeah, well it read as crazy, sexy, cool, but

1036
00:53:09,640 --> 00:53:12,440
Speaker 7: I'm glad it was a yeah.

1037
00:53:12,600 --> 00:53:15,360
Speaker 4: But I think there's something to your point about that.

1038
00:53:15,680 --> 00:53:19,560
Speaker 4: You know, it's real intimacy is so much more than

1039
00:53:19,680 --> 00:53:26,200
Speaker 4: just about like sexual chemistry. And you guys spent ten

1040
00:53:26,320 --> 00:53:30,160
Speaker 4: years building this love story between Nathan and Haley, and

1041
00:53:30,239 --> 00:53:33,399
Speaker 4: there is there's something so bittersweet when you know it's

1042
00:53:33,440 --> 00:53:38,000
Speaker 4: about to be over. You know, every year we didn't

1043
00:53:38,040 --> 00:53:39,759
Speaker 4: know if we were coming back, but this time we

1044
00:53:39,840 --> 00:53:43,040
Speaker 4: finally knew we weren't. And I felt, to Rob's point,

1045
00:53:43,120 --> 00:53:46,880
Speaker 4: like watching that kiss between you two, I was like,

1046
00:53:47,000 --> 00:53:52,040
Speaker 4: oh my god, there's I can feel the this is

1047
00:53:52,080 --> 00:53:54,160
Speaker 4: going to be the last time, and we want it

1048
00:53:54,200 --> 00:53:57,200
Speaker 4: to look the best it's ever looked like. I could

1049
00:53:57,280 --> 00:53:59,600
Speaker 4: feel it in there. And maybe it's because I know

1050
00:53:59,640 --> 00:54:02,160
Speaker 4: you both so well, but I was like, oh my god,

1051
00:54:02,520 --> 00:54:07,640
Speaker 4: there's something there was like an extra little squeeze or

1052
00:54:07,640 --> 00:54:10,800
Speaker 4: something to it that was so sweet to watch.

1053
00:54:10,840 --> 00:54:13,040
Speaker 3: I mean, that was in my heart. I can't speak

1054
00:54:13,080 --> 00:54:14,880
Speaker 3: for James, but I definitely felt that.

1055
00:54:15,480 --> 00:54:18,359
Speaker 7: Can I tell you a very small but cool win

1056
00:54:18,760 --> 00:54:24,040
Speaker 7: that we almost breezed over at the very end. First

1057
00:54:24,040 --> 00:54:25,680
Speaker 7: of all, I know I've said it, but I love

1058
00:54:25,719 --> 00:54:29,640
Speaker 7: that Baker Man's across the street from Karen's. Perfect loved it.

1059
00:54:30,239 --> 00:54:33,600
Speaker 7: I really like when we see Haley and Nathan lock

1060
00:54:33,680 --> 00:54:37,200
Speaker 7: up and leave Karen's and as they come out, Brook

1061
00:54:37,239 --> 00:54:41,040
Speaker 7: and Julian are leaving baker Man and Julian and his

1062
00:54:41,200 --> 00:54:46,400
Speaker 7: just infinite likability and quirkiness goes cock and Nathan goes,

1063
00:54:46,719 --> 00:54:50,360
Speaker 7: no one does that, Julian, which is how their dynamic

1064
00:54:50,440 --> 00:54:52,839
Speaker 7: has been for so long. And in this case though,

1065
00:54:53,160 --> 00:54:55,840
Speaker 7: Julian gets the win because he goes, actually, we do

1066
00:54:55,880 --> 00:54:58,680
Speaker 7: it every week on the show, and Nathan goes, oh,

1067
00:55:01,480 --> 00:55:06,080
Speaker 7: this is the come up, and Julian deserves man absolutely.

1068
00:55:06,480 --> 00:55:09,279
Speaker 4: And what I love about it too, you know the

1069
00:55:09,360 --> 00:55:13,080
Speaker 4: initial clues that this is a jump ahead frankly, or

1070
00:55:13,120 --> 00:55:14,480
Speaker 4: just that they put extensions in.

1071
00:55:14,440 --> 00:55:14,920
Speaker 5: All of our hair.

1072
00:55:15,000 --> 00:55:15,759
Speaker 1: That's what I was going to say.

1073
00:55:16,080 --> 00:55:17,440
Speaker 6: You and I both had such.

1074
00:55:17,280 --> 00:55:21,960
Speaker 4: Long hair to signify time, and and it's such a

1075
00:55:22,000 --> 00:55:27,160
Speaker 4: gorgeous way to do exposition. Like the show is on

1076
00:55:27,239 --> 00:55:31,560
Speaker 4: the air, it is successful, everyone is happy, and then

1077
00:55:31,600 --> 00:55:36,000
Speaker 4: you realize, oh, Jamie's in high school now you know me,

1078
00:55:36,560 --> 00:55:41,440
Speaker 4: we might be six years into the show, just like

1079
00:55:41,520 --> 00:55:43,920
Speaker 4: we were nine years into Hours, and oh it was

1080
00:55:44,040 --> 00:55:47,240
Speaker 4: just so it was so sweet. It was so special.

1081
00:55:47,600 --> 00:55:50,319
Speaker 4: And then to cut over, you know, even when we're

1082
00:55:50,320 --> 00:55:53,560
Speaker 4: in the montage of the end, you know it's pep

1083
00:55:53,600 --> 00:55:56,560
Speaker 4: Rowley Knight. It's a big it's a big moment. And

1084
00:55:56,640 --> 00:55:59,440
Speaker 4: to cut over and see one of my kids.

1085
00:55:59,280 --> 00:56:05,360
Speaker 3: With Lydia, yes, and Logan, Yes, we see Logan updated Logan.

1086
00:56:05,520 --> 00:56:07,799
Speaker 7: But did you guys was it clear to you that

1087
00:56:07,960 --> 00:56:11,200
Speaker 7: was Logan? Because I remember, yeah, it was for me, okay,

1088
00:56:11,280 --> 00:56:13,319
Speaker 7: because obviously Quinn and I make a face and like

1089
00:56:13,400 --> 00:56:17,160
Speaker 7: smile at him. Yeah, but it just happened so quickly, Okay,

1090
00:56:17,200 --> 00:56:20,480
Speaker 7: all right, I just kind of went liked, is that

1091
00:56:19,719 --> 00:56:21,239
Speaker 7: that is? Yeah?

1092
00:56:21,239 --> 00:56:23,680
Speaker 3: Because he had the same kind of sharp features, like

1093
00:56:23,800 --> 00:56:27,160
Speaker 3: facial features that were very say sharp, but like, yeah,

1094
00:56:27,200 --> 00:56:29,720
Speaker 3: clearly defined. I guess similar similar facial features.

1095
00:56:29,760 --> 00:56:29,960
Speaker 7: Yeah.

1096
00:56:30,040 --> 00:56:32,439
Speaker 6: I actually what was what was that track?

1097
00:56:32,560 --> 00:56:32,799
Speaker 7: For me?

1098
00:56:32,880 --> 00:56:35,280
Speaker 4: What was funny to me? And I liked cutting away,

1099
00:56:35,920 --> 00:56:38,480
Speaker 4: you know, to one of the Baker boys and Lydia

1100
00:56:38,680 --> 00:56:41,719
Speaker 4: because it gave me almost like a like a flashback

1101
00:56:41,800 --> 00:56:46,400
Speaker 4: to Lucas and Haley. What almost didn't track for me

1102
00:56:46,560 --> 00:56:48,280
Speaker 4: rob about the kids is I was like, well, where's

1103
00:56:48,320 --> 00:56:49,080
Speaker 4: my other kid?

1104
00:56:51,360 --> 00:56:53,160
Speaker 6: And there's only one of them? And so which one

1105
00:56:53,239 --> 00:56:53,800
Speaker 6: is it?

1106
00:56:53,840 --> 00:56:56,000
Speaker 4: Like that was funny to me that I was like, oh,

1107
00:56:56,040 --> 00:56:58,640
Speaker 4: I guess, I guess only one of Brooke and Julian's

1108
00:56:58,680 --> 00:56:59,600
Speaker 4: children has come to this.

1109
00:56:59,600 --> 00:57:01,080
Speaker 1: Game getting a hot dog.

1110
00:57:01,280 --> 00:57:01,760
Speaker 5: Whatever.

1111
00:57:02,800 --> 00:57:05,000
Speaker 7: Here's the I was so confused. I didn't realize that

1112
00:57:05,080 --> 00:57:07,200
Speaker 7: was Lydia at all. And I and so I see

1113
00:57:07,200 --> 00:57:08,799
Speaker 7: a boy and a girl, and I'm like, I could

1114
00:57:08,840 --> 00:57:10,440
Speaker 7: have sworn she had two boys.

1115
00:57:10,480 --> 00:57:11,439
Speaker 1: That was my first thought.

1116
00:57:11,600 --> 00:57:14,719
Speaker 7: I'm confused, did we miss an obvious thing lydia? Though

1117
00:57:14,760 --> 00:57:17,600
Speaker 7: obviously yeah, yeah, that makes more sense. I loved in

1118
00:57:17,680 --> 00:57:22,400
Speaker 7: that scene, the reveal that Millie's pregnant, and then I

1119
00:57:22,440 --> 00:57:25,320
Speaker 7: had this moment of going, oh my gosh. You know,

1120
00:57:25,360 --> 00:57:27,400
Speaker 7: it would have been so much better for these two.

1121
00:57:28,360 --> 00:57:31,560
Speaker 7: They should have started off the season with the pregnancy

1122
00:57:31,680 --> 00:57:34,880
Speaker 7: news with Millie, yes, and then let mouth be so

1123
00:57:35,000 --> 00:57:38,760
Speaker 7: stressed about it. Yeah, that she's eating, and then it's like,

1124
00:57:38,800 --> 00:57:41,280
Speaker 7: as she's getting bigger, he's getting bigger, and then it

1125
00:57:41,320 --> 00:57:42,280
Speaker 7: can become about.

1126
00:57:42,000 --> 00:57:43,720
Speaker 6: Like, hey, dude, it would have been so cute.

1127
00:57:43,800 --> 00:57:45,920
Speaker 7: We have a kid. You need to rein it in,

1128
00:57:46,040 --> 00:57:47,440
Speaker 7: you know, like you have to take care of yourself.

1129
00:57:47,960 --> 00:57:50,360
Speaker 7: And I was like, oh, we just it came like

1130
00:57:50,480 --> 00:57:54,280
Speaker 7: nine episodes too late. Nah, but still nice to see

1131
00:57:54,280 --> 00:57:54,800
Speaker 7: them have that.

1132
00:57:55,160 --> 00:57:57,440
Speaker 3: I loved it. And what I really loved about that

1133
00:57:57,480 --> 00:58:00,480
Speaker 3: scene was again the song. We finally got the U

1134
00:58:00,480 --> 00:58:01,840
Speaker 3: two song, One Tree Hill.

1135
00:58:02,320 --> 00:58:02,760
Speaker 5: Finally.

1136
00:58:03,280 --> 00:58:04,160
Speaker 1: That was pretty cool.

1137
00:58:04,560 --> 00:58:07,160
Speaker 5: It was really special. Also, it made me giggle.

1138
00:58:07,760 --> 00:58:10,600
Speaker 4: I mean, I must assume that in the beginning they said,

1139
00:58:10,640 --> 00:58:12,840
Speaker 4: oh no, no, no, no, the show's definitely not named

1140
00:58:12,880 --> 00:58:15,360
Speaker 4: after that song because they didn't want to get into

1141
00:58:15,360 --> 00:58:17,560
Speaker 4: a royalties fight or like license.

1142
00:58:17,600 --> 00:58:18,280
Speaker 1: Is that true?

1143
00:58:18,800 --> 00:58:21,560
Speaker 4: I mean, definitely that was the running thing forever. It

1144
00:58:21,640 --> 00:58:23,000
Speaker 4: was like, no, it has nothing to do with that.

1145
00:58:23,080 --> 00:58:24,240
Speaker 4: It's a total coincidence.

1146
00:58:24,240 --> 00:58:26,400
Speaker 1: Because I was told straight away that was named after

1147
00:58:26,440 --> 00:58:28,080
Speaker 1: the song. I was like, oh.

1148
00:58:27,920 --> 00:58:32,000
Speaker 4: Yeah, but the public line, god, it was, you know,

1149
00:58:32,640 --> 00:58:34,040
Speaker 4: and I'm sure it was a legal thing.

1150
00:58:34,560 --> 00:58:35,520
Speaker 6: So I loved that.

1151
00:58:35,760 --> 00:58:38,560
Speaker 4: Finally, we were like, yeah, obviously the show's named after

1152
00:58:38,600 --> 00:58:40,640
Speaker 4: this incredible song and we have it.

1153
00:58:41,040 --> 00:58:45,200
Speaker 3: Yeah, yeah, yeah, no, they named it after he said

1154
00:58:45,200 --> 00:58:46,920
Speaker 3: they named it after the tree at the top of

1155
00:58:46,960 --> 00:58:49,160
Speaker 3: the hill on Warner Brothers Studios lot.

1156
00:58:49,920 --> 00:58:50,520
Speaker 1: They said.

1157
00:58:51,040 --> 00:58:54,600
Speaker 4: He was like, yeah, okay, every single episode of our

1158
00:58:54,640 --> 00:58:57,520
Speaker 4: show's named after a song. But the title of the

1159
00:58:57,560 --> 00:58:59,840
Speaker 4: title of the show, that's the title of a song.

1160
00:59:00,080 --> 00:59:03,920
Speaker 6: They're just totally unrelated, so silly.

1161
00:59:04,280 --> 00:59:05,520
Speaker 1: Yeah, that's pretty great.

1162
00:59:05,920 --> 00:59:09,520
Speaker 4: But it was awesome to hear that Zinc come in

1163
00:59:10,680 --> 00:59:13,080
Speaker 4: when the lights are going and everyone's in the stands.

1164
00:59:13,120 --> 00:59:14,840
Speaker 4: It all was just really really special.

1165
00:59:15,120 --> 00:59:17,560
Speaker 7: All the music in this episode is the reason it

1166
00:59:17,640 --> 00:59:21,880
Speaker 7: wasn't a fourteen episode season. They're like, you can have

1167
00:59:21,960 --> 00:59:25,720
Speaker 7: your songs and lose an entire episode or no, And

1168
00:59:25,720 --> 00:59:28,680
Speaker 7: they were like, great, fourteen's overrated. Let's do thirteen and have.

1169
00:59:28,720 --> 00:59:30,560
Speaker 6: The good tracks, right, just give us the money for

1170
00:59:30,600 --> 00:59:31,160
Speaker 6: the music.

1171
00:59:31,520 --> 00:59:32,080
Speaker 1: That's right.

1172
00:59:33,080 --> 00:59:35,720
Speaker 7: Well, Gang, it was a ride.

1173
00:59:36,320 --> 00:59:37,400
Speaker 5: It was it was.

1174
00:59:38,160 --> 00:59:40,760
Speaker 3: It was a beautiful ending scene in the cafe with

1175
00:59:40,880 --> 00:59:43,760
Speaker 3: all of us there. I loved all that, that great

1176
00:59:43,800 --> 00:59:46,720
Speaker 3: sort of pan across and all of the everybody having

1177
00:59:46,760 --> 00:59:49,040
Speaker 3: their little moments that tied in directly to everything that

1178
00:59:49,080 --> 00:59:50,680
Speaker 3: was going on. And we even brought Lucas back a

1179
00:59:50,720 --> 00:59:53,440
Speaker 3: little bit with the Julius Caesar tying back in from

1180
00:59:53,480 --> 00:59:56,960
Speaker 3: the pilot. There was, as you said, Rob, there was

1181
00:59:57,000 --> 01:00:00,840
Speaker 3: no fat in the episode. Everything was connected except for

1182
01:00:00,880 --> 01:00:02,920
Speaker 3: the twins. I really feel like that could have lifted out,

1183
01:00:03,080 --> 01:00:04,920
Speaker 3: but that's all right. I have a chip on my

1184
01:00:04,920 --> 01:00:09,720
Speaker 3: shoulder about it. But otherwise everything was so beautiful. It

1185
01:00:09,760 --> 01:00:12,920
Speaker 3: was such a beautifully done Yeah, serious.

1186
01:00:12,880 --> 01:00:14,600
Speaker 4: And I do just want to say, you know, we

1187
01:00:15,400 --> 01:00:19,000
Speaker 4: don't see it in the episode obviously, but one of

1188
01:00:19,040 --> 01:00:24,520
Speaker 4: the most special memories that I have is, you know,

1189
01:00:24,600 --> 01:00:28,240
Speaker 4: the very last day of filming, the very last scene,

1190
01:00:28,800 --> 01:00:32,760
Speaker 4: we were on Julian's set and we did that scene

1191
01:00:32,760 --> 01:00:37,200
Speaker 4: in the hallway the high school lockers, and when we wrapped,

1192
01:00:37,480 --> 01:00:43,000
Speaker 4: when we literally ended our show, hats off. I believe

1193
01:00:43,000 --> 01:00:45,120
Speaker 4: it was Greg Praines who made this decision, who said

1194
01:00:45,160 --> 01:00:49,040
Speaker 4: let's leave the cameras rolling. And they had every single

1195
01:00:49,080 --> 01:00:51,320
Speaker 4: person on set that day, and every single member of

1196
01:00:51,360 --> 01:00:54,560
Speaker 4: the crew. Everyone came in from the office and everyone

1197
01:00:54,720 --> 01:00:58,440
Speaker 4: walked through the hallway and we have it on film.

1198
01:00:58,600 --> 01:01:00,760
Speaker 1: Oh is that in the Oh? I wonder if that's

1199
01:01:00,760 --> 01:01:03,080
Speaker 1: in the thing that we you're talking about, Rob.

1200
01:01:03,320 --> 01:01:04,840
Speaker 7: I didn't watch the last twenty minutes of it.

1201
01:01:04,920 --> 01:01:07,240
Speaker 1: Okay, it might be. I hope it is.

1202
01:01:07,560 --> 01:01:12,240
Speaker 4: It was this like gorgeous processional, like back through the

1203
01:01:12,280 --> 01:01:14,960
Speaker 4: past and into our future that.

1204
01:01:14,840 --> 01:01:17,160
Speaker 3: Makes me emotional just thinking about. I really want to

1205
01:01:17,200 --> 01:01:17,640
Speaker 3: see that.

1206
01:01:17,920 --> 01:01:21,440
Speaker 4: It was really special. It was a really really special

1207
01:01:21,520 --> 01:01:26,479
Speaker 4: day and you know, we we obviously have so much

1208
01:01:27,240 --> 01:01:30,040
Speaker 4: to celebrate and so much love to be rateful for.

1209
01:01:30,160 --> 01:01:32,560
Speaker 4: And I just want to extend so much gratitude to

1210
01:01:32,600 --> 01:01:35,440
Speaker 4: our whole crew, because you know, they were always the

1211
01:01:35,480 --> 01:01:38,160
Speaker 4: people who were unseen in these episodes, but we couldn't

1212
01:01:38,160 --> 01:01:39,120
Speaker 4: have done it without them.

1213
01:01:39,200 --> 01:01:41,120
Speaker 5: And I will.

1214
01:01:41,080 --> 01:01:45,720
Speaker 4: Always cherish getting to do that walk with every single

1215
01:01:46,560 --> 01:01:49,320
Speaker 4: person who helped make our show real.

1216
01:01:49,920 --> 01:01:51,920
Speaker 1: It's amazing, so cool.

1217
01:01:52,200 --> 01:01:53,439
Speaker 7: Can I give an honorable mention?

1218
01:01:53,720 --> 01:01:55,120
Speaker 1: Is it to our hair extensions?

1219
01:01:55,800 --> 01:01:59,160
Speaker 7: It's too that's that's the second honorable mention. No, I

1220
01:01:59,240 --> 01:02:02,480
Speaker 7: just wanted to say that it's an unwrell mention for

1221
01:02:02,560 --> 01:02:06,000
Speaker 7: you two. This has been so much fun for me,

1222
01:02:06,280 --> 01:02:08,200
Speaker 7: you know, I think like you all. This was a

1223
01:02:08,240 --> 01:02:10,840
Speaker 7: show I had initially after leaving, I had no interest

1224
01:02:10,920 --> 01:02:14,520
Speaker 7: in revisiting, and then has come to bear all of

1225
01:02:14,560 --> 01:02:18,680
Speaker 7: these fruits I wasn't expecting, and the best and biggest

1226
01:02:18,680 --> 01:02:21,200
Speaker 7: fruit being the friendships that I now have with a

1227
01:02:21,200 --> 01:02:24,880
Speaker 7: lot of you and this doing this podcast. I just

1228
01:02:25,160 --> 01:02:28,440
Speaker 7: I love the two of you. You're so great and

1229
01:02:28,520 --> 01:02:30,400
Speaker 7: the fact that I now have like a built in

1230
01:02:30,560 --> 01:02:33,760
Speaker 7: reason to like into my calendar every week to like

1231
01:02:33,800 --> 01:02:36,360
Speaker 7: get to see your faces and talk to you. Yeah,

1232
01:02:36,720 --> 01:02:39,720
Speaker 7: and staying current in each other's lives. Has been such

1233
01:02:39,880 --> 01:02:43,840
Speaker 7: a cool gift and a byproduct of this, so thank

1234
01:02:43,880 --> 01:02:46,240
Speaker 7: you for having me on. It has been a treat.

1235
01:02:46,760 --> 01:02:48,560
Speaker 3: I love you, Roy, I love you been such a

1236
01:02:48,600 --> 01:02:51,840
Speaker 3: beautiful experience with you as well. I love getting to

1237
01:02:51,840 --> 01:02:54,440
Speaker 3: know you more and more, and I'm so grateful that

1238
01:02:54,480 --> 01:02:57,200
Speaker 3: it's just not over. Like we'll keep showing up at

1239
01:02:57,200 --> 01:03:00,200
Speaker 3: these conventions for as long as they'll have us. We'll

1240
01:03:00,280 --> 01:03:02,640
Speaker 3: keep I mean, well I will. I don't know about you, but.

1241
01:03:03,760 --> 01:03:05,560
Speaker 1: I hope I get to see you there, and.

1242
01:03:07,080 --> 01:03:09,960
Speaker 3: Hopefully we'll have more reasons to jump on zooms and

1243
01:03:10,000 --> 01:03:13,120
Speaker 3: things and keep talking about this and keep new things happening.

1244
01:03:14,000 --> 01:03:16,480
Speaker 5: Yeah, hell yeah, I love you.

1245
01:03:17,920 --> 01:03:19,800
Speaker 1: At least we've got our live episode.

1246
01:03:20,040 --> 01:03:21,960
Speaker 4: Well great, that makes me feel better because I don't

1247
01:03:21,960 --> 01:03:24,200
Speaker 4: know how to end this episode, so I'll just see

1248
01:03:24,200 --> 01:03:26,000
Speaker 4: you for the next one and then we don't have to.

1249
01:03:26,280 --> 01:03:26,840
Speaker 1: That's great.

1250
01:03:26,960 --> 01:03:29,680
Speaker 7: Let's end it just like the Tree Hill series finale,

1251
01:03:29,760 --> 01:03:31,800
Speaker 7: where like we're not saying goodbye, We're just saying like,

1252
01:03:32,040 --> 01:03:34,120
Speaker 7: I'll see you soon, Yeah, see.

1253
01:03:34,000 --> 01:03:39,680
Speaker 1: You next soon. Hey, thanks for listening.

1254
01:03:39,760 --> 01:03:41,160
Speaker 6: Don't forget to leave us a review.

1255
01:03:41,400 --> 01:03:45,160
Speaker 4: You can also follow us on Instagram at Drama Queen's ot.

1256
01:03:45,720 --> 01:03:49,800
Speaker 3: Or email us at Drama Queens at iHeartRadio dot com.

1257
01:03:50,120 --> 01:03:51,160
Speaker 1: See you next time.

1258
01:03:53,080 --> 01:03:53,760
Speaker 7: All about that.

1259
01:03:53,800 --> 01:03:56,680
Speaker 2: High school drama, Girl, Drama Girl, all about them high

1260
01:03:56,720 --> 01:03:57,520
Speaker 2: school queens.

1261
01:03:58,320 --> 01:04:00,240
Speaker 1: We'll take you for a ride at our pomma

1262
01:04:00,320 --> 01:04:04,720
Speaker 2: Girl Cheering for the Righteens Drama Queensise, my girl of

1263
01:04:05,000 --> 01:04:07,320
Speaker 2: girl fashion, with your tough girl, you could sit with

1264
01:04:07,480 --> 01:04:11,400
Speaker 2: us Girl Drama Queens, Drama Queise, Drama Queens Drama Drama

1265
01:04:11,480 --> 01:04:13,439
Speaker 2: Queens Drama Queens