WEBVTT - New Year, New Q&A Episode

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<v Speaker 1>On the Bechdel Cast.

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<v Speaker 2>The questions asked if movies have women and them, are

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<v Speaker 2>all their discussions just boyfriends and husbands or do they

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<v Speaker 2>have individualism? It's the patriarchy, zeph and best start changing

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<v Speaker 2>it with the Bechdel Cast.

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<v Speaker 3>Happy New Year, listeners of the Bechdel Cast.

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<v Speaker 1>It's me Caitlin, it's me Jamie, and we are entering,

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<v Speaker 1>if you can believe it, the tenth year of the

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<v Speaker 1>Bechdel Cast. And as you can tell, the show started

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<v Speaker 1>in November twenty sixteen. Coincidence but telling. And yeah, things

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<v Speaker 1>are better for women than ever. Yeah, gender issues have

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<v Speaker 1>been resolved.

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<v Speaker 3>Look, we solved them.

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<v Speaker 1>Look we're here to do a Q and A episode.

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<v Speaker 1>I'm just sorry we didn't fix it.

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<v Speaker 3>We didn't fix it.

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<v Speaker 1>We're doing our best bet year. Yeah. Yeah, we're just

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<v Speaker 1>two people. So we have done this a number of

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<v Speaker 1>times over the years. We haven't done it in at

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<v Speaker 1>least three years, is that right? The last time we

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<v Speaker 1>did it. It's been a while in which we sort

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<v Speaker 1>of put the call out for questions to our Matreon community,

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<v Speaker 1>if you're not aware, hot Plug. For many years now,

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<v Speaker 1>we've had a Patreon aka Matreon where for five dollars

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<v Speaker 1>a month, you can get two bonus episodes of the podcast,

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<v Speaker 1>as well as access to our well over two hundred

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<v Speaker 1>episodes of back catalog that goes back many, many years.

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<v Speaker 1>And so we asked the Matreon community for questions around

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<v Speaker 1>the show as we head into our tenth year. Lots

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<v Speaker 1>of changes, lots to reflect on, and as is common

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<v Speaker 1>in the incredible Matron community, they showed up, and they

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<v Speaker 1>showed up in a big way.

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<v Speaker 3>Yes, we received many, many questions. Unfortunately we won't have

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<v Speaker 3>time to get to all of them, but we've selected

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<v Speaker 3>a few questions that we will answer on this little

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<v Speaker 3>Q and A episode and I'm excited to dive in.

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<v Speaker 3>But yeah, it's uh, it's been eighty four years, yeah,

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<v Speaker 3>in the podcast, and there's a lot to reflect on.

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<v Speaker 1>So I mean I think, yeah, maybe in dog years. No,

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<v Speaker 1>it's been seventy dog years. Oh god, let's not think

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<v Speaker 1>about that.

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<v Speaker 3>Yeah, we don't have to. But why don't we start

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<v Speaker 3>with a question from Sophia. Okay, this is when we

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<v Speaker 3>I believe have answered before.

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<v Speaker 1>But not for a while. I feel like, not for

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<v Speaker 1>a while, is it it? Yeah? I'd like to hear

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<v Speaker 1>our respective versions of this story. All eighty four years later.

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<v Speaker 3>Right, So the question is, how did you guys meet.

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<v Speaker 1>Wow, meet cute.

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<v Speaker 3>We had to meet cute. I don't remember a ton

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<v Speaker 3>of the details. I know that it was at a

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<v Speaker 3>comedy show in Boston, probably like thirteen or more years ago.

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<v Speaker 1>Wow, maybe, yeah, I guess, like because I yeah, I'm

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<v Speaker 1>guessing like twenty between twenty twelve and twenty fourteen would

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<v Speaker 1>have been when this was happening. Yeah.

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<v Speaker 3>Yes, And we were at a stand up show and

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<v Speaker 3>I met you and I thought you were super funny.

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<v Speaker 3>And then I saw you at various other shows, either

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<v Speaker 3>stand up or sketch, and I was like, Wow, Jamie's

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<v Speaker 3>so funny. I want to be her friend. I felt

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<v Speaker 3>the same. And then we moved to LA within a

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<v Speaker 3>year of each other. Then years past, and then we

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<v Speaker 3>and then we didn't become friends really, or at least

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<v Speaker 3>we didn't hang out until we were both living in

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<v Speaker 3>LA a few years later. Then I asked if you

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<v Speaker 3>wanted to do a podcast with me? Yeah, and arrested.

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<v Speaker 1>History this very podcast. I remember seeing you, I don't

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<v Speaker 1>remember specifically when we met. I remember doing shows together,

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<v Speaker 1>but I remember I don't know why. My specific memory

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<v Speaker 1>of you when before we were friends. Was because I

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<v Speaker 1>used to work at the box office of now defunct

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<v Speaker 1>comedy theater Improv Boston in Cambridge, Massachusetts, and I have

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<v Speaker 1>a strong memory of like, I think you were going

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<v Speaker 1>into a show, you were hanging out in the lobby

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<v Speaker 1>with people, and I was working at the box office,

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<v Speaker 1>and I was like, Wow, she's cool, and that was

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<v Speaker 1>the whole that's that's the whole story.

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<v Speaker 3>And you were so true to think that.

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<v Speaker 1>I was right. I was, My instincts were spot on.

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<v Speaker 1>And then years passed in but it was nice. I mean,

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<v Speaker 1>I really feel like, I mean, in the now that

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<v Speaker 1>we've both been in LA for over a decade, it

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<v Speaker 1>like really was a life changing link up, truly.

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<v Speaker 3>Life altering in the best possible way. Yes, yeah, okay.

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<v Speaker 3>Next question from Kira asks how would you describe the

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<v Speaker 3>Bechdel Casts different eras since it started. This could pertain

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<v Speaker 3>to the show's overall vibe or what it meant to

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<v Speaker 3>you in the moment.

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<v Speaker 1>I love a Taylor Swiftian question. I mean, I guess

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<v Speaker 1>for me, I feel like the show has both grown

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<v Speaker 1>with the times. I feel like, especially because we talk

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<v Speaker 1>about from time to time, like older episodes that the

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<v Speaker 1>Bechdel Cast are like embarrassing, we don't like them, and

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<v Speaker 1>that can be very true, I think objectively, if I

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<v Speaker 1>was listening to the show and it was not us,

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<v Speaker 1>I do feel like a lot of our growth is

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<v Speaker 1>reflective of ourselves as individuals and you know, putting in

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<v Speaker 1>the work and all that stuff, and also so much

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<v Speaker 1>of what we've learned from our guests over the years.

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<v Speaker 1>But I think it also is kind of reflective of

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<v Speaker 1>the times of like part of why listening to a

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<v Speaker 1>twenty eighteen Bechdel Cast episode doesn't feel great is because

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<v Speaker 1>it's a past version of ourselves that knew less than

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<v Speaker 1>we do now.

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<v Speaker 3>Absolutely, Yeah, I was thinking about it in terms of like,

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<v Speaker 3>like first we were in our hobby era where we

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<v Speaker 3>were just doing the show as a hobby.

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<v Speaker 1>Actively losing money. We were Yeah, I think I remember

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<v Speaker 1>when we started the show, we each paid Is this right?

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<v Speaker 1>We were each paying like one hundred and twenty five

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<v Speaker 1>dollars a month to host this show and pay Aristotle

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<v Speaker 1>for like stuff because we had free so lower drop

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<v Speaker 1>listeners we had and correct me if I'm aroun Kaitlyn,

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<v Speaker 1>we had free recording space at your employer which is

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<v Speaker 1>now condos.

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<v Speaker 3>Yes, the Nerdest Showroom is where I was the program director.

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<v Speaker 3>That was a comedy venue and then also in that

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<v Speaker 3>space was a podcast studio.

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<v Speaker 1>Upstairs, which was really cool. I mean I missed that

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<v Speaker 1>space a lot.

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<v Speaker 3>Oh rip Nerds. So many good memories.

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<v Speaker 1>But luckily the community has endured and we're all still

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<v Speaker 1>even though I wasn't actually, but I felt like I

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<v Speaker 1>was there anyways, you were a part of the community.

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<v Speaker 1>I was in the building frequently, but that was when

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<v Speaker 1>Aristotle Acevedo was but he was kind of doing it.

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<v Speaker 1>He was helping produce the show, and he was also

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<v Speaker 1>our our engineering sound engineer. Yeah, yeah, for years, and

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<v Speaker 1>so we were working with him. And also at the

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<v Speaker 1>time this feels so ancient history now, we were like

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<v Speaker 1>paying to host the podcast on Libson. Do you remember that, Yeah,

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<v Speaker 1>because we had to just pay a monthly fee or

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<v Speaker 1>something and a website fee and like just random small

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<v Speaker 1>hosting fees we had to pay like during the first year.

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<v Speaker 3>Yeah, And after that we started up our Patreon aka Matreon.

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<v Speaker 1>That was like a full year later though. That was

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<v Speaker 1>late twenty seventeen.

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<v Speaker 3>For sure, and then it was maybe a year ish,

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<v Speaker 3>maybe a little less than a year after that that

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<v Speaker 3>we got picked up by a network how stuff works,

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<v Speaker 3>so that I think transitioned us into our next era almost.

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<v Speaker 1>Yeah, I guess, yeah, I guess from like indie podcast

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<v Speaker 1>to network show, right, which is an interesting like Again,

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<v Speaker 1>it's so particular because I guess I was thinking about

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<v Speaker 1>it in our like in our personal place with like

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<v Speaker 1>progressive issues and feminism, which has also very aligned with

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<v Speaker 1>you know, when you're listening to a back to the

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<v Speaker 1>Cast episode, please show us grace and look at the

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<v Speaker 1>date it was released. Yeah, because we have taken many

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<v Speaker 1>l's over the years and rightfully so, and you know,

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<v Speaker 1>and we appreciate your patients with us and all that.

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<v Speaker 1>And then and then also like I guess I wasn't

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<v Speaker 1>even thinking of it, like literally the growth in the

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<v Speaker 1>podcast industry, because I remember, for a while, I want

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<v Speaker 1>to say, until like twenty eighteen ninety, the first couple

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<v Speaker 1>of years we had the podcast, I was having the

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<v Speaker 1>time of my life. I was always having so much fun.

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<v Speaker 1>We were meeting all these really cool people.

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<v Speaker 3>You were drinking a lot of Mike's hard lemonade at

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<v Speaker 3>the time. That was its own era.

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<v Speaker 1>Well, I was the Mike's hard Lemonade era was like

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<v Speaker 1>Jamie was twenty four and going through something, but also like,

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<v Speaker 1>did you ever feel like I was like kind of

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<v Speaker 1>like I felt a little ashamed to be like I

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<v Speaker 1>have a podcast, and everyone was like, uh, okay, what

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<v Speaker 1>the fuck is that? Like, it's just so weird to

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<v Speaker 1>think about, because I think in the early years of

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<v Speaker 1>our podcast, it was just not a mainstream thing. It

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<v Speaker 1>was still very niche I mean the fact that our show,

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<v Speaker 1>to my knowledge, was really the only show of its

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<v Speaker 1>kind and it was two white women talking about movies

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<v Speaker 1>like that didn't exist. That's absurd. I don't know, it's

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<v Speaker 1>just like so weird to think about.

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<v Speaker 3>Yeah, I guess because so many people I knew, and

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<v Speaker 3>by that I mean so many comedians I knew had

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<v Speaker 3>a podcast. I was like, yeah, podcasts are huge right now,

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<v Speaker 3>but you know, you're right, Like it.

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<v Speaker 1>Wasn't like the comedy community I was in at the time,

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<v Speaker 1>Like I have a specific memory, and obviously they shall

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<v Speaker 1>remain nameless, and I certainly am the only person in

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<v Speaker 1>this conversation that remembers us. But I felt it like

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<v Speaker 1>I was talking about having a podcast. It was like

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<v Speaker 1>I enjoy podcasting, but like my mom doesn't know what

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<v Speaker 1>it is, and like I feel like I don't know,

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<v Speaker 1>Like I love our listeners, but I don't really know

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<v Speaker 1>who's listening, and like I don't know how to explain

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<v Speaker 1>the job. And they said to me, well, having a podcast,

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<v Speaker 1>isn't that embarrassing, And it was like, oh, which is

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<v Speaker 1>first of all untrue. Having a podcast is embarrassing, And

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<v Speaker 1>second of all, that same person two years later had

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<v Speaker 1>one of the most boring podcasts I've ever heard that

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<v Speaker 1>last of last the year, so you know, it's just weird.

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<v Speaker 1>And then with the network stuff, yeah, like I guess

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<v Speaker 1>we are on iHeart podcast now, But it was because

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<v Speaker 1>a much smaller network we originally signed with got consumed

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<v Speaker 1>by a larger network, and that's happened. We've seen that

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<v Speaker 1>happen many, many many times to like our peers of like, god,

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<v Speaker 1>I mean, this is like probably boring if you don't

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<v Speaker 1>care about the inside podcast stuff. But like, but how

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<v Speaker 1>like Earwolf was like this independent network that was sold

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<v Speaker 1>to Sirius XM, and like there were so many examples

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<v Speaker 1>of that, and our show was sort of you know,

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<v Speaker 1>taken on that journey, taken taken on that journey.

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<v Speaker 3>Shout out to the movie taken question Mark, just kidding

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<v Speaker 3>take it.

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<v Speaker 1>Yes, we're going to a YouTube concert in Paris. And

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<v Speaker 1>then something wild happened. Forgot we signed with House Stuff Works.

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<v Speaker 3>I forgot that's what it was. Yeah, but yeah, and

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<v Speaker 3>then like, I feel like the pandemic era was its

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<v Speaker 3>own thing too, where we went from recording every single

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<v Speaker 3>episode in a studio to having to pretty quickly, you know, adjust,

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<v Speaker 3>And I think it was a pretty easy transition for us.

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<v Speaker 3>But you know, we were recording from home and that

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<v Speaker 3>made like editing a little different, and recording was obviously different.

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<v Speaker 3>But then it also opened up doors to remote.

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<v Speaker 1>Yes that were international, and yeah, like which is why

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<v Speaker 1>I mean, not all podcasts have not all podcasts have

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<v Speaker 1>done I mean like every I don't know, like the

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<v Speaker 1>industry is so and podcasts can be anything now, but

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<v Speaker 1>you know a lot of podcasts have returned to recording

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<v Speaker 1>in person. We've stayed remote in part because it's like

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<v Speaker 1>cool to have international guests. It's cool to have guests

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<v Speaker 1>that don't live in the exact same city. And I

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<v Speaker 1>feel like it's enabled us to have like a wider

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<v Speaker 1>range of perspectives because we love la but you know

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<v Speaker 1>that really kind of limits the types of perspectives that

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<v Speaker 1>we're getting and yeah, we're super We're super lucky. It's yeah,

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<v Speaker 1>that was another big shift, and I think like going

0:12:49.720 --> 0:12:51.800
<v Speaker 1>back to the earlier days, like I think there was

0:12:52.200 --> 0:12:54.679
<v Speaker 1>I don't know, I feel like it was maybe two

0:12:54.800 --> 0:12:57.760
<v Speaker 1>years around the time we switched to a network that

0:12:58.320 --> 0:13:00.680
<v Speaker 1>we were not a research for. We were like primarily

0:13:00.679 --> 0:13:03.200
<v Speaker 1>a comedy podcast to start. We were not doing a

0:13:03.240 --> 0:13:05.840
<v Speaker 1>ton of research. It was a lot of off the

0:13:05.880 --> 0:13:09.160
<v Speaker 1>top of the head kind of stuff. And you know,

0:13:09.240 --> 0:13:12.079
<v Speaker 1>it's like we're still not we're not writing a dissertation

0:13:12.240 --> 0:13:15.000
<v Speaker 1>for every episode, and we do occasionally get things wrong,

0:13:15.120 --> 0:13:17.440
<v Speaker 1>and you know, we're not saying that the research is

0:13:17.920 --> 0:13:22.480
<v Speaker 1>above reproach, but research being a priority in the show

0:13:22.960 --> 0:13:26.439
<v Speaker 1>was not an original part. And also do you remember

0:13:26.640 --> 0:13:30.840
<v Speaker 1>I sometimes forget this how part of the original thing

0:13:31.640 --> 0:13:34.880
<v Speaker 1>was that like Caitlin's seen a lot of movies, Jamie's said,

0:13:35.040 --> 0:13:39.480
<v Speaker 1>no movies, like but that kind of went away pretty early.

0:13:39.520 --> 0:13:42.400
<v Speaker 1>We were like playing games.

0:13:42.080 --> 0:13:45.040
<v Speaker 3>A if you get yeah, I mean, I think that

0:13:45.280 --> 0:13:50.720
<v Speaker 3>made sense for our initial launch almost as a as

0:13:50.760 --> 0:13:52.520
<v Speaker 3>a premise almost because like for.

0:13:52.480 --> 0:13:55.360
<v Speaker 1>Me, podcasts were more like that too than like with

0:13:55.600 --> 0:13:56.920
<v Speaker 1>like segments, you know.

0:13:57.320 --> 0:14:00.360
<v Speaker 3>Segments and then yeah, and also the we're coming at

0:14:00.360 --> 0:14:02.920
<v Speaker 3>it from different perspectives, like I've seen a bunch of movies,

0:14:03.040 --> 0:14:05.439
<v Speaker 3>you hadn't seen that many. I mean that was kind

0:14:05.440 --> 0:14:07.480
<v Speaker 3>of part of the conceit of the show for me,

0:14:07.559 --> 0:14:10.240
<v Speaker 3>where I was like, I grew up with so many

0:14:10.280 --> 0:14:15.520
<v Speaker 3>movies that I know are full of harmful, reductive tropes

0:14:15.640 --> 0:14:18.880
<v Speaker 3>and are sexist and racists and all this stuff, and

0:14:18.960 --> 0:14:21.400
<v Speaker 3>I wanted this podcast as a way to sort of

0:14:21.440 --> 0:14:24.880
<v Speaker 3>like reconcile that, yeah, and be like, Okay, well is

0:14:24.880 --> 0:14:27.000
<v Speaker 3>it okay if I still like these movies, if I'm

0:14:27.120 --> 0:14:31.800
<v Speaker 3>acknowledging why they're maybe not so great and so, which

0:14:31.840 --> 0:14:32.160
<v Speaker 3>is like.

0:14:32.280 --> 0:14:34.560
<v Speaker 1>I think a lot of podcasts like I mean, not

0:14:34.640 --> 0:14:36.720
<v Speaker 1>that we like invented that, but I think it is

0:14:36.760 --> 0:14:40.280
<v Speaker 1>like a dynamic that to this day is like used.

0:14:40.320 --> 0:14:43.240
<v Speaker 1>I think it just I didn't mind it, but just

0:14:43.280 --> 0:14:45.560
<v Speaker 1>after the show ran for a couple of years, I

0:14:46.000 --> 0:14:48.320
<v Speaker 1>could no longer say I hadn't seen many movies. I

0:14:48.320 --> 0:14:51.920
<v Speaker 1>had seen many movies, and so I mean it never

0:14:52.080 --> 0:14:53.920
<v Speaker 1>like we never decided for it to go aw. I

0:14:53.960 --> 0:14:55.560
<v Speaker 1>feel like it just kind of naturally same with the

0:14:55.560 --> 0:14:57.320
<v Speaker 1>games where we're just like, oh, I think we're having

0:14:57.400 --> 0:15:01.440
<v Speaker 1>enough fun just talking about this, or movies that, Oh,

0:15:01.520 --> 0:15:04.560
<v Speaker 1>here's a change. We've always done live shows. I think

0:15:04.600 --> 0:15:07.400
<v Speaker 1>our live show model has changed over the years a

0:15:07.440 --> 0:15:11.840
<v Speaker 1>little bit. It's, I mean, relatively similar. The biggest thing

0:15:11.960 --> 0:15:15.600
<v Speaker 1>that we've changed is that we used to cover movies

0:15:15.640 --> 0:15:20.720
<v Speaker 1>that were really depressing at shows or like really dense,

0:15:20.960 --> 0:15:23.920
<v Speaker 1>and then it would be like fight Club, Yes, yes,

0:15:24.040 --> 0:15:26.320
<v Speaker 1>which is we stand by the episode, you know, like

0:15:26.400 --> 0:15:28.680
<v Speaker 1>it was and we had a wonderful guest. The audience

0:15:28.760 --> 0:15:30.280
<v Speaker 1>was great, but you could feel a moment in the

0:15:30.320 --> 0:15:32.160
<v Speaker 1>show where it was like either you or I were

0:15:32.200 --> 0:15:36.160
<v Speaker 1>like reading like three paragraphs of like theory and we're like, oh,

0:15:36.720 --> 0:15:40.360
<v Speaker 1>we actually have to mostly choose fun movies, which feels

0:15:40.360 --> 0:15:43.040
<v Speaker 1>so obvious, but we learned it the hard way and

0:15:43.840 --> 0:15:47.000
<v Speaker 1>more than once, I think they a couple of those

0:15:47.000 --> 0:15:50.400
<v Speaker 1>times being like, oh, people like this episode, but they

0:15:50.440 --> 0:15:53.680
<v Speaker 1>maybe don't want to like be like drinking a beer

0:15:54.000 --> 0:15:56.520
<v Speaker 1>and hanging out with their friends while they're listening to

0:15:56.600 --> 0:15:58.360
<v Speaker 1>us talk about Fight Club. I don't know.

0:15:58.520 --> 0:16:01.120
<v Speaker 3>And that's why we did a sh Shrek Tannic tour.

0:16:01.560 --> 0:16:04.720
<v Speaker 1>Yeah, and like a Barbie movie tour. And actually this

0:16:04.840 --> 0:16:08.280
<v Speaker 1>kind of gets to a question coming up later. Movies

0:16:08.280 --> 0:16:10.280
<v Speaker 1>that are also like fun to like dress up with

0:16:10.440 --> 0:16:12.600
<v Speaker 1>and like make mrich for, and like I really want

0:16:12.640 --> 0:16:15.880
<v Speaker 1>to do a Wicked tour, and like, like there are

0:16:15.920 --> 0:16:18.880
<v Speaker 1>certain movies that we save because they would be really

0:16:18.920 --> 0:16:20.080
<v Speaker 1>fun live shows.

0:16:20.480 --> 0:16:21.720
<v Speaker 3>Yeah, for sure, Star Wars.

0:16:21.720 --> 0:16:24.800
<v Speaker 1>We just did our Star Wars prequels tour, So yeah,

0:16:24.840 --> 0:16:28.720
<v Speaker 1>we didn't know that you shouldn't talk about a really

0:16:28.760 --> 0:16:32.280
<v Speaker 1>depressing movie for two hours in front of a kind

0:16:32.320 --> 0:16:34.800
<v Speaker 1>of hostage situation live and learn.

0:16:35.240 --> 0:16:40.560
<v Speaker 3>Yeah, so true. Next question comes from Kelly asks how

0:16:40.600 --> 0:16:43.240
<v Speaker 3>do you find your guests? Do they come to you

0:16:43.440 --> 0:16:45.520
<v Speaker 3>or do you go to them? I know a fair

0:16:45.520 --> 0:16:48.800
<v Speaker 3>amount of them are fellow podcasters themselves that you're friends with,

0:16:49.240 --> 0:16:52.480
<v Speaker 3>But what about the others, Well, Kelly, it's a mix,

0:16:52.760 --> 0:16:55.600
<v Speaker 3>it's a mix. It depends. Sometimes the guests reach out

0:16:55.600 --> 0:17:00.240
<v Speaker 3>to us or their reps contact us, and if they

0:17:00.240 --> 0:17:02.479
<v Speaker 3>seem like a good fit for the show, then we

0:17:02.520 --> 0:17:08.080
<v Speaker 3>invite them on. Sometimes we will reach out to someone

0:17:08.080 --> 0:17:10.600
<v Speaker 3>who we would like to have as a guest.

0:17:10.640 --> 0:17:14.480
<v Speaker 1>Because we're like fans, or because I mean, sometimes we'll

0:17:14.960 --> 0:17:17.720
<v Speaker 1>so I guess a question that I've seen presented by

0:17:17.800 --> 0:17:22.080
<v Speaker 1>listeners over the years is do guests pick their own movies?

0:17:22.119 --> 0:17:27.320
<v Speaker 1>And the answer is, for at least the last five years, yes,

0:17:27.800 --> 0:17:31.359
<v Speaker 1>Like that model has changed over time. There was a

0:17:31.400 --> 0:17:35.320
<v Speaker 1>time where we would approach specific guests about specific movies.

0:17:35.359 --> 0:17:37.840
<v Speaker 1>I think the only exception to that now is if

0:17:37.880 --> 0:17:39.960
<v Speaker 1>there is a movie that we would really like to

0:17:40.000 --> 0:17:44.960
<v Speaker 1>cover and there is a writer who has written about

0:17:45.000 --> 0:17:47.840
<v Speaker 1>that movie and is someone that we know has a

0:17:47.840 --> 0:17:51.080
<v Speaker 1>really strong opinion on that movie that we would like

0:17:51.160 --> 0:17:53.680
<v Speaker 1>to explore with them, we'll invite them on the show.

0:17:53.720 --> 0:17:58.000
<v Speaker 1>There's definitely a handful of examples like that, but by

0:17:58.119 --> 0:18:00.880
<v Speaker 1>and large, anytime you hear I guess in the show,

0:18:01.000 --> 0:18:04.440
<v Speaker 1>especially this deep in like a returning guest, it's almost

0:18:04.480 --> 0:18:08.480
<v Speaker 1>always like in the like last two minutes of recording,

0:18:08.520 --> 0:18:10.600
<v Speaker 1>we're like, all right, you know, come back anytime you want.

0:18:11.000 --> 0:18:13.960
<v Speaker 1>And then it will be I'm thinking of like Shelley

0:18:14.040 --> 0:18:16.040
<v Speaker 1>Nicole about how I feel like at the end of

0:18:16.040 --> 0:18:18.640
<v Speaker 1>recording with Shelley, she's always like, Okay, well, next time

0:18:18.680 --> 0:18:21.280
<v Speaker 1>I want to do this, this or this, and then yeah,

0:18:21.480 --> 0:18:23.440
<v Speaker 1>we'll hit her up or she'll hit us up, and

0:18:23.480 --> 0:18:25.240
<v Speaker 1>then we'll do this, this or this or like, you know,

0:18:25.480 --> 0:18:28.040
<v Speaker 1>with repeating guests, it's we always want to make sure

0:18:28.080 --> 0:18:32.359
<v Speaker 1>that guests are covering movies that they are excited to

0:18:32.440 --> 0:18:32.960
<v Speaker 1>talk about.

0:18:33.200 --> 0:18:36.080
<v Speaker 3>Yeah, we don't want to like project a particular movie

0:18:36.200 --> 0:18:40.320
<v Speaker 3>onto a guest unless they've specifically written about it or

0:18:40.359 --> 0:18:44.959
<v Speaker 3>posted about it or but otherwise, Yeah, it's like it

0:18:45.040 --> 0:18:48.960
<v Speaker 3>is almost entirely guests picking the movie that they cover

0:18:49.080 --> 0:18:49.480
<v Speaker 3>with us.

0:18:49.800 --> 0:18:52.399
<v Speaker 1>Right. And then, because the show has been on for

0:18:52.400 --> 0:18:56.960
<v Speaker 1>so long, there are now podcast publicists who reach out

0:18:57.000 --> 0:18:59.879
<v Speaker 1>to us when someone has a new show launching or

0:19:00.119 --> 0:19:04.480
<v Speaker 1>promoting something, And if it's someone who were interested in

0:19:04.560 --> 0:19:07.040
<v Speaker 1>having on the show, or like someone we're a fan

0:19:07.080 --> 0:19:08.639
<v Speaker 1>of or someone who's been on the show before, we'll

0:19:08.680 --> 0:19:12.000
<v Speaker 1>say yes and we'll find a thing. So the answer

0:19:12.240 --> 0:19:15.720
<v Speaker 1>is kind of all of the above. We still very

0:19:15.760 --> 0:19:19.280
<v Speaker 1>often reach out to people who we just are fans

0:19:19.280 --> 0:19:21.800
<v Speaker 1>of and would like to have on the show to

0:19:22.680 --> 0:19:26.320
<v Speaker 1>have we have, you know, our like kind of common

0:19:26.400 --> 0:19:30.320
<v Speaker 1>stable of returning guests, And yeah, we're trying to keep

0:19:30.520 --> 0:19:33.119
<v Speaker 1>a mix of like familiar voices and new voices on

0:19:33.160 --> 0:19:34.240
<v Speaker 1>the show for sure.

0:19:35.680 --> 0:19:39.480
<v Speaker 3>Next question comes from Sammy. What Hollywood trends of the

0:19:39.600 --> 0:19:43.120
<v Speaker 3>twenty twenties do you like or dislike?

0:19:44.119 --> 0:19:47.000
<v Speaker 1>What is what's your? What's your? What comes immediately to

0:19:47.040 --> 0:19:49.879
<v Speaker 1>mind for you? I'm like, I need to for me

0:19:50.000 --> 0:19:54.000
<v Speaker 1>pray on this. I appreciate, huh. I appreciate a couple

0:19:54.000 --> 0:19:57.960
<v Speaker 1>of things. The resurgence of lower.

0:19:57.640 --> 0:20:00.680
<v Speaker 3>Budget indie comedies, which feel like the kind of went

0:20:00.720 --> 0:20:06.000
<v Speaker 3>away in like the twenty tens, maybe even earlier. Yeah,

0:20:06.040 --> 0:20:11.240
<v Speaker 3>at least ones that got theatrical releases and are also

0:20:12.400 --> 0:20:13.800
<v Speaker 3>funny not to be bitchy, but.

0:20:14.520 --> 0:20:16.480
<v Speaker 1>No, I mean there was a lot of like I think,

0:20:17.040 --> 0:20:20.320
<v Speaker 1>kind of focus grouped comedies in the twenty tens.

0:20:20.359 --> 0:20:22.680
<v Speaker 3>Definitely, there's like the back half of the twenty tens. Yeah, yeah,

0:20:22.720 --> 0:20:29.879
<v Speaker 3>like studio notes, like high budget but like bad premise. Yeah, comedies.

0:20:30.160 --> 0:20:33.959
<v Speaker 3>But in the past few years, movies that have come

0:20:34.000 --> 0:20:36.480
<v Speaker 3>out that I've really loved and I've thought were hilarious,

0:20:36.600 --> 0:20:42.400
<v Speaker 3>such as Dix the Musical, Twinless, Sorry Baby, Theater Camp,

0:20:42.960 --> 0:20:47.920
<v Speaker 3>a handful of others. So I appreciate that. I also

0:20:48.000 --> 0:20:54.320
<v Speaker 3>appreciate that more movies are addressing class in a way

0:20:54.359 --> 0:20:58.119
<v Speaker 3>that felt like class was also kind of ignored in

0:20:58.880 --> 0:21:05.679
<v Speaker 3>the better part of the early twentieth century. Twenty first

0:21:05.960 --> 0:21:08.560
<v Speaker 3>twenty first century is that's so true.

0:21:09.359 --> 0:21:09.639
<v Speaker 1>It is.

0:21:10.200 --> 0:21:13.480
<v Speaker 3>Look, you're just like keep going, thank you so much.

0:21:13.640 --> 0:21:15.560
<v Speaker 3>And we've talked about a few of these movies recently,

0:21:15.640 --> 0:21:22.080
<v Speaker 3>and you know, their execution happens at rates of varying success.

0:21:22.280 --> 0:21:26.840
<v Speaker 3>But I appreciate that, like filmmakers are being like, hey,

0:21:26.880 --> 0:21:30.040
<v Speaker 3>maybe the billionaire class, maybe they're really bad.

0:21:30.440 --> 0:21:34.920
<v Speaker 1>I have mixed feelings on that subgenre. Yeah, but I mean,

0:21:35.000 --> 0:21:38.360
<v Speaker 1>I totally agree with you. I think that the circumstances

0:21:38.400 --> 0:21:43.800
<v Speaker 1>that have led to lower budget movies getting theatrical releases

0:21:44.359 --> 0:21:48.400
<v Speaker 1>is interesting. I mean, the positive thing for the twenty

0:21:48.440 --> 0:21:54.880
<v Speaker 1>twenties is the collapse of franchises. I think we were

0:21:55.080 --> 0:21:58.840
<v Speaker 1>really in the trenches with the aimless franchises in the

0:21:58.840 --> 0:22:01.480
<v Speaker 1>twenty tents and in the tw twenties they stopped making money,

0:22:01.600 --> 0:22:04.800
<v Speaker 1>so they stopped making them. And you know, there's plenty

0:22:04.960 --> 0:22:08.000
<v Speaker 1>to be worried about in the twenty twenties. I think

0:22:08.119 --> 0:22:14.520
<v Speaker 1>the trend I dislike is labor issues for those that

0:22:14.560 --> 0:22:17.600
<v Speaker 1>are like I guess the strikes of twenty twenty three

0:22:17.840 --> 0:22:22.440
<v Speaker 1>were extremely important, the WGA and SAG strikes. However, they

0:22:22.480 --> 0:22:28.040
<v Speaker 1>have not really the ways that studios and the industry

0:22:28.080 --> 0:22:31.280
<v Speaker 1>has responded to those strikes has been to double down

0:22:31.359 --> 0:22:35.320
<v Speaker 1>in AI and not to you know, find ways to

0:22:35.320 --> 0:22:42.080
<v Speaker 1>circumvent the winds made by those respective strikes into just

0:22:42.520 --> 0:22:45.480
<v Speaker 1>like fine, we don't need you. And what that's resulted

0:22:45.520 --> 0:22:49.480
<v Speaker 1>in is a tremendous amount of dog shit. I feel

0:22:49.480 --> 0:22:51.639
<v Speaker 1>like it's kind, I mean little less relevant to our

0:22:51.680 --> 0:22:54.040
<v Speaker 1>show because I'm thinking a lot about TV, but like,

0:22:54.640 --> 0:22:59.080
<v Speaker 1>how so much TV, Like the quality of TV I

0:22:59.080 --> 0:23:04.720
<v Speaker 1>think is like really because of how poorly the industry

0:23:05.280 --> 0:23:11.920
<v Speaker 1>responded to crucial workers asking for basic protections. I think

0:23:11.920 --> 0:23:15.240
<v Speaker 1>that also applies to the podcasting industry. But I do

0:23:15.440 --> 0:23:17.879
<v Speaker 1>think that one of the like you're saying, Gaitlin, like,

0:23:17.880 --> 0:23:22.240
<v Speaker 1>one of the positive cast offs of that is that

0:23:22.640 --> 0:23:26.000
<v Speaker 1>it's like I don't know if like people blame consumers,

0:23:26.080 --> 0:23:29.040
<v Speaker 1>like or the industry blames consumers so consistently in a

0:23:29.080 --> 0:23:31.960
<v Speaker 1>way that just like doesn't scan because people always want

0:23:32.000 --> 0:23:36.239
<v Speaker 1>to see good stories and like good movies, and like

0:23:36.480 --> 0:23:39.040
<v Speaker 1>all of the movies you listed are great examples of

0:23:39.080 --> 0:23:43.360
<v Speaker 1>that that are like it's amazing they're getting theatrically released,

0:23:43.359 --> 0:23:48.240
<v Speaker 1>but they're not being properly promoted in all situations, And like,

0:23:48.760 --> 0:23:51.240
<v Speaker 1>I don't know, I'm very glad that there are still

0:23:52.119 --> 0:23:56.160
<v Speaker 1>places for people to go for like original stories, because

0:23:56.160 --> 0:23:59.080
<v Speaker 1>I think people seem really burnt out on franchise stories

0:24:00.040 --> 0:24:02.680
<v Speaker 1>and that original stories are like being actively asked for

0:24:02.840 --> 0:24:07.240
<v Speaker 1>by everybody now, Like people get it, and it's cool

0:24:07.280 --> 0:24:11.320
<v Speaker 1>to see directors and storytellers like hit their stride and

0:24:11.680 --> 0:24:13.600
<v Speaker 1>be able to like make cool stuff that people are

0:24:13.640 --> 0:24:17.520
<v Speaker 1>able to see. It frustrates me that it seems like,

0:24:18.640 --> 0:24:20.960
<v Speaker 1>unless it's profitable, it's always going to try to be thwarted.

0:24:21.080 --> 0:24:24.520
<v Speaker 1>But like people are finding ways, and I think that's

0:24:25.119 --> 0:24:27.720
<v Speaker 1>really cool. And I feel like in response to a

0:24:27.760 --> 0:24:31.960
<v Speaker 1>lot of how shitty the last couple of years have

0:24:32.040 --> 0:24:36.200
<v Speaker 1>felt in the industry, whether it's like the like how

0:24:36.280 --> 0:24:41.680
<v Speaker 1>horrible people were treated after necessarily striking after like blacklists

0:24:41.760 --> 0:24:45.399
<v Speaker 1>around speaking out about gaza, like, there's just been a

0:24:45.440 --> 0:24:51.040
<v Speaker 1>lot of hits. But I like that, you know, people

0:24:51.040 --> 0:24:54.280
<v Speaker 1>are responding by like fuck you, let's make something and

0:24:54.280 --> 0:24:57.760
<v Speaker 1>and and that people want to see those stories. So yeah,

0:24:57.840 --> 0:25:03.200
<v Speaker 1>the industry is still fucking sucks shit, yes, but people

0:25:03.240 --> 0:25:06.719
<v Speaker 1>are making really cool stuff anyways, and movie lovers are

0:25:06.760 --> 0:25:08.160
<v Speaker 1>finding it and that's cool.

0:25:09.880 --> 0:25:11.679
<v Speaker 3>Let's take a quick break and then we will be

0:25:11.760 --> 0:25:29.080
<v Speaker 3>back with more questions. Next question comes from l is

0:25:29.119 --> 0:25:33.480
<v Speaker 3>it more fun to cover actually good movies or really

0:25:33.600 --> 0:25:36.919
<v Speaker 3>bad movies? Listening to the two of you shredding a

0:25:36.960 --> 0:25:39.720
<v Speaker 3>horrendous movie is always fun, but I wonder if it's

0:25:39.800 --> 0:25:45.280
<v Speaker 3>also fun for you. The answer is I fucking love it.

0:25:45.480 --> 0:25:50.119
<v Speaker 3>I have a blast covering horrible movies, even though we

0:25:50.200 --> 0:25:54.000
<v Speaker 3>might so grown and grumble when say, oh, I can't

0:25:54.040 --> 0:25:58.240
<v Speaker 3>believe you requested b movie, or.

0:25:58.240 --> 0:26:02.120
<v Speaker 1>We love the hereuse. We just wrapped our episode on

0:26:02.320 --> 0:26:05.280
<v Speaker 1>shark Tail and we were like me, it's a part

0:26:05.280 --> 0:26:10.800
<v Speaker 1>of the performance. Everyone we love watching dog shit. Yeah,

0:26:10.840 --> 0:26:12.840
<v Speaker 1>that's the end of the sense it's fun. I mean,

0:26:12.920 --> 0:26:17.480
<v Speaker 1>I think they're they're equally fun, like it is also amazing.

0:26:17.880 --> 0:26:22.960
<v Speaker 1>We recently recorded an episode with returning guests Angelica Jade Bastian,

0:26:23.000 --> 0:26:27.840
<v Speaker 1>who's like just the coolest person in the world. It's

0:26:28.040 --> 0:26:31.080
<v Speaker 1>coming out in the near future. It's about Whatever Happened

0:26:31.080 --> 0:26:34.119
<v Speaker 1>to Baby Jane, which is a great movie. And I

0:26:34.240 --> 0:26:38.560
<v Speaker 1>leave recording those episodes feeling like, yes, let's make art.

0:26:38.800 --> 0:26:42.879
<v Speaker 1>Art is amazing. Yes, I love talking to people about

0:26:43.119 --> 0:26:46.440
<v Speaker 1>cool art. And and then I also leave with a

0:26:46.560 --> 0:26:49.120
<v Speaker 1>very different kind of high when we talked about Sharktail

0:26:49.160 --> 0:26:52.639
<v Speaker 1>for three hours, so it's like you kind of can't lose.

0:26:52.760 --> 0:26:55.919
<v Speaker 1>It's honestly, the harder part is when we're we're not

0:26:56.000 --> 0:26:58.159
<v Speaker 1>the tougher episodes. I think that the episodes where you

0:26:58.240 --> 0:27:00.960
<v Speaker 1>leave with less less of a natural high, like it

0:27:01.000 --> 0:27:01.760
<v Speaker 1>was fine.

0:27:01.960 --> 0:27:05.400
<v Speaker 3>Yeah, you know, yeah, those mid mid movies.

0:27:05.760 --> 0:27:08.440
<v Speaker 1>Yeah, but talking about shitty movies, it's the best.

0:27:08.640 --> 0:27:11.400
<v Speaker 3>I truly love it. The worst the movie the funner

0:27:11.640 --> 0:27:12.200
<v Speaker 3>I have.

0:27:12.640 --> 0:27:16.480
<v Speaker 1>In most cases. Yeah, Like I mean, I'm still riding

0:27:16.560 --> 0:27:19.760
<v Speaker 1>high on that shark tail, on that shark tail fume

0:27:20.040 --> 0:27:23.840
<v Speaker 1>from earlier, maybe Martin Scorsese Pufferfish.

0:27:25.880 --> 0:27:30.520
<v Speaker 3>The Titanic is a main character almost, Yeah, the sunken Titanic,

0:27:30.720 --> 0:27:32.679
<v Speaker 3>if that's the prime location in the movie.

0:27:32.760 --> 0:27:34.520
<v Speaker 1>If that's not an ad for the Matriarch, I don't

0:27:34.560 --> 0:27:35.800
<v Speaker 1>know what is exactly.

0:27:37.000 --> 0:27:41.160
<v Speaker 3>Okay. Next question comes from Amy. Have there been any

0:27:41.200 --> 0:27:45.440
<v Speaker 3>moments in your podcast discussions that have changed your perspective

0:27:45.600 --> 0:27:48.879
<v Speaker 3>on a movie or genre? If so, could you please

0:27:48.960 --> 0:27:50.120
<v Speaker 3>share more about this.

0:27:50.880 --> 0:27:54.080
<v Speaker 1>I think through talking to you and other guests, I

0:27:54.320 --> 0:27:57.440
<v Speaker 1>have an I went into I think I have like

0:27:57.600 --> 0:27:59.719
<v Speaker 1>I had at the beginning of the Backfield cast, kind

0:27:59.760 --> 0:28:04.199
<v Speaker 1>of like more traditionally feminine taste in movies, which I

0:28:04.200 --> 0:28:06.160
<v Speaker 1>think it was like a lot of our early dynamic

0:28:06.320 --> 0:28:08.720
<v Speaker 1>is I love musicals and rom coms, and you tended

0:28:08.760 --> 0:28:11.440
<v Speaker 1>to love action to venture, and I have a lot

0:28:11.440 --> 0:28:17.240
<v Speaker 1>more appreciation for genres like action like horror, which I

0:28:17.280 --> 0:28:21.120
<v Speaker 1>feel like it's just like gotten really, you know, mainstreamified

0:28:21.160 --> 0:28:23.800
<v Speaker 1>in the last ten years, and I've like been unable

0:28:23.840 --> 0:28:28.480
<v Speaker 1>to deny it, and even sci fi because I mean,

0:28:29.200 --> 0:28:32.560
<v Speaker 1>since this podcast started writing, it started writing, I've became

0:28:32.600 --> 0:28:35.720
<v Speaker 1>a star Trek writer briefly. So I think that the

0:28:35.800 --> 0:28:40.440
<v Speaker 1>podcast has broadened my perspective and like made me sit

0:28:40.640 --> 0:28:44.160
<v Speaker 1>with movies I would not normally make myself watch, and

0:28:44.640 --> 0:28:46.560
<v Speaker 1>it's like in a good way. Like I feel like

0:28:46.600 --> 0:28:51.720
<v Speaker 1>it has like expanded my understanding of movies and what

0:28:51.840 --> 0:28:54.880
<v Speaker 1>I like. So I think it's been great for me

0:28:54.920 --> 0:28:55.479
<v Speaker 1>in that way.

0:28:55.680 --> 0:28:59.280
<v Speaker 3>Yeah, honestly, same because I mean, to your point, we

0:28:59.360 --> 0:29:05.520
<v Speaker 3>had different tastes in genres, and I was consistently pooh

0:29:05.520 --> 0:29:10.800
<v Speaker 3>poohing rom coms especially. I feel like, sure, yeah, I

0:29:10.840 --> 0:29:15.440
<v Speaker 3>did not really engage with and you know, it's not

0:29:15.840 --> 0:29:19.880
<v Speaker 3>my favorite genre still, but I see them for the

0:29:19.960 --> 0:29:21.440
<v Speaker 3>merit that they have.

0:29:22.120 --> 0:29:22.880
<v Speaker 1>Yeah, I'm trying to.

0:29:22.840 --> 0:29:25.120
<v Speaker 3>Think of specific movies that have that. I like kind

0:29:25.160 --> 0:29:28.520
<v Speaker 3>of came in with a preconceived notion and then like

0:29:29.240 --> 0:29:33.440
<v Speaker 3>had my mind kind of blown by our discussion. I'm

0:29:33.480 --> 0:29:36.680
<v Speaker 3>sure there are examples of this, but unfortunately I no

0:29:36.760 --> 0:29:38.880
<v Speaker 3>longer have a functioning memory.

0:29:39.400 --> 0:29:41.200
<v Speaker 1>Well, I think that there's just been a lot of

0:29:41.240 --> 0:29:44.720
<v Speaker 1>examples over the years of like me going in being

0:29:44.720 --> 0:29:46.880
<v Speaker 1>like I'm not going to be into this based on genre,

0:29:47.000 --> 0:29:50.960
<v Speaker 1>and then I've left very surprised and like excited.

0:29:51.360 --> 0:29:57.520
<v Speaker 3>Yeah, next question comes from Rory. How do you feel

0:29:57.600 --> 0:30:02.080
<v Speaker 3>about separating the artist the art i e. The movie,

0:30:02.160 --> 0:30:05.440
<v Speaker 3>and the individuals who made it. Have your views on

0:30:05.520 --> 0:30:10.720
<v Speaker 3>this changed over time? This is a great question that

0:30:10.760 --> 0:30:15.800
<v Speaker 3>I have very complicated feelings about, still sure where you know,

0:30:16.200 --> 0:30:20.000
<v Speaker 3>there are movies that I especially ones that I have

0:30:20.080 --> 0:30:26.880
<v Speaker 3>nostalgia for, in nostalgia can be a pesky emotion, but

0:30:27.600 --> 0:30:31.840
<v Speaker 3>there are movies that were made by bad people or

0:30:31.880 --> 0:30:36.600
<v Speaker 3>that star bad people that I grew up with, and

0:30:36.960 --> 0:30:40.719
<v Speaker 3>I have a hard time letting those go, and I

0:30:40.720 --> 0:30:45.200
<v Speaker 3>don't want to necessarily give those movies up. But I mean,

0:30:45.240 --> 0:30:49.239
<v Speaker 3>the whole kind of premise of this podcast is, you know,

0:30:49.400 --> 0:30:53.920
<v Speaker 3>acknowledging the things that are problematic about a movie, and

0:30:54.000 --> 0:30:58.400
<v Speaker 3>that might include who is behind the camera or in

0:30:58.440 --> 0:31:02.600
<v Speaker 3>front of the camera and acknowledging that and talking about

0:31:02.600 --> 0:31:07.080
<v Speaker 3>it and talking through it. So that's something at least

0:31:07.840 --> 0:31:10.040
<v Speaker 3>that we do because a lot of people don't even

0:31:10.280 --> 0:31:12.280
<v Speaker 3>get to that step of acknowledging well.

0:31:12.280 --> 0:31:14.320
<v Speaker 1>And I think a lot of people too. And again

0:31:14.360 --> 0:31:17.080
<v Speaker 1>this isn't like I'm not thinking of anything in particular,

0:31:17.160 --> 0:31:22.160
<v Speaker 1>but like I think that there is a common sort

0:31:22.200 --> 0:31:25.960
<v Speaker 1>of conflation that I've been guilty of myself. So I'm

0:31:25.960 --> 0:31:28.080
<v Speaker 1>not saying that we've never done this on this show,

0:31:28.120 --> 0:31:31.920
<v Speaker 1>because I think we definitely have. But like conflating acknowledgement

0:31:32.360 --> 0:31:36.959
<v Speaker 1>with throat in the trash, it's completely culturally useless. And

0:31:37.040 --> 0:31:39.880
<v Speaker 1>I've I mean, there's like creators that I really enjoy

0:31:40.000 --> 0:31:45.760
<v Speaker 1>who really tense up at the acknowledgement, even if it's like, well, no,

0:31:45.840 --> 0:31:51.920
<v Speaker 1>I like this movie, but like we can't not acknowledge right,

0:31:52.040 --> 0:31:53.360
<v Speaker 1>Like I don't know.

0:31:53.520 --> 0:31:59.000
<v Speaker 3>Well, to your point, like people's mileage varies on this significantly,

0:31:59.560 --> 0:32:03.360
<v Speaker 3>where people if anyone has been you know, outed as

0:32:03.360 --> 0:32:05.800
<v Speaker 3>a predator and they made a movie or they started

0:32:05.880 --> 0:32:10.600
<v Speaker 3>a movie, people will completely disengage with those movies and

0:32:11.120 --> 0:32:13.280
<v Speaker 3>refuse to watch them. And that's fair.

0:32:13.160 --> 0:32:15.520
<v Speaker 1>Totally, I mean, and there are certain I think it's

0:32:15.560 --> 0:32:18.920
<v Speaker 1>so tricky because there are I mean, like this is

0:32:19.040 --> 0:32:22.720
<v Speaker 1>the most obvious example, but like I don't want to

0:32:22.760 --> 0:32:25.680
<v Speaker 1>cover Woody Allen movies on this show, Like I don't

0:32:25.680 --> 0:32:28.320
<v Speaker 1>want to think about him. I don't want to engage

0:32:28.400 --> 0:32:32.880
<v Speaker 1>with his work because he is so completely repugnant. But

0:32:32.920 --> 0:32:35.360
<v Speaker 1>I do think a part of it, for me at least,

0:32:35.440 --> 0:32:40.440
<v Speaker 1>is that you can feel that in the art. To me, totally,

0:32:40.640 --> 0:32:43.360
<v Speaker 1>you can feel why I don't want to engage with

0:32:43.400 --> 0:32:46.520
<v Speaker 1>his work in the stories he tells. Yeah, when that's

0:32:46.600 --> 0:32:49.960
<v Speaker 1>not true, I think is when it gets again I'm

0:32:49.960 --> 0:32:53.120
<v Speaker 1>not thinking of anyone in particular besides fucking Woody Allen.

0:32:53.200 --> 0:32:56.320
<v Speaker 1>But like, I think that when it where it feels harder,

0:32:57.200 --> 0:33:00.400
<v Speaker 1>is like if it is specifically, if it's like an

0:33:00.480 --> 0:33:04.200
<v Speaker 1>actor who did not write or direct the movie, right,

0:33:04.280 --> 0:33:07.520
<v Speaker 1>that can feel very tricky. And I mean, there's no

0:33:07.600 --> 0:33:10.280
<v Speaker 1>wrong way to approach this. They really it's like a

0:33:10.360 --> 0:33:13.800
<v Speaker 1>very personal thing. And I think that it certainly, like

0:33:13.800 --> 0:33:16.480
<v Speaker 1>when I was younger, I was a lot more like

0:33:16.880 --> 0:33:18.760
<v Speaker 1>I don't know, I guess unnuanced in how I thought

0:33:18.760 --> 0:33:22.320
<v Speaker 1>about it, and and I'm not even like mad that

0:33:22.440 --> 0:33:24.320
<v Speaker 1>I felt that way. I was like, yeah, good for her,

0:33:24.640 --> 0:33:28.000
<v Speaker 1>you know, like fuck that guy, fuck that movie. But

0:33:28.560 --> 0:33:30.720
<v Speaker 1>it's I don't know, yeah, it's just like a very

0:33:30.760 --> 0:33:34.040
<v Speaker 1>individual thing, and it's like it's it's hard for me

0:33:34.120 --> 0:33:36.240
<v Speaker 1>to like, especially if it's like whatever, someone that you

0:33:36.320 --> 0:33:38.440
<v Speaker 1>volunteer with, someone who gives back to their community, someone

0:33:38.440 --> 0:33:41.560
<v Speaker 1>who really considers other people, and they're like, but I

0:33:41.640 --> 0:33:45.240
<v Speaker 1>really enjoy X movie. You're like, well, I'm not gonna

0:33:45.240 --> 0:33:49.200
<v Speaker 1>say like you're a bad person. What I mean like, yeah.

0:33:49.120 --> 0:33:52.440
<v Speaker 3>Yeah, for sure. I think a hard and fast line

0:33:52.520 --> 0:33:58.400
<v Speaker 3>for me is I will not spend money on movies. Yes, yeah,

0:33:58.480 --> 0:34:00.320
<v Speaker 3>bad people are involved with.

0:34:00.320 --> 0:34:02.960
<v Speaker 1>You have to steal it, you have to dot ru.

0:34:03.360 --> 0:34:07.560
<v Speaker 3>Luckily I already own on DVD many movies made by

0:34:07.600 --> 0:34:11.200
<v Speaker 3>problematic people that I like, Yeah, I won't spend money.

0:34:11.239 --> 0:34:14.280
<v Speaker 3>I won't like go to like if there's a screening

0:34:14.280 --> 0:34:17.360
<v Speaker 3>of that movie. I won't spend money on a ticket.

0:34:17.520 --> 0:34:21.200
<v Speaker 3>I won't rent a movie or buy digitally, like, I

0:34:22.360 --> 0:34:23.480
<v Speaker 3>won't spend money.

0:34:24.280 --> 0:34:27.520
<v Speaker 1>That's I think like an excellent sort of like standard

0:34:27.640 --> 0:34:30.239
<v Speaker 1>bearer for it. Because it's like you cannot help the

0:34:30.320 --> 0:34:33.560
<v Speaker 1>movies that affect you, and you can't help how people

0:34:33.560 --> 0:34:36.279
<v Speaker 1>in your life feel about you feeling that way. Like

0:34:36.360 --> 0:34:40.000
<v Speaker 1>I think that over time, even in like our friend group,

0:34:40.040 --> 0:34:43.520
<v Speaker 1>it's like there's just like disagreement on certain movies, certain

0:34:43.560 --> 0:34:49.040
<v Speaker 1>cultural figures. I've gotten into it with partners too, of like, well,

0:34:49.440 --> 0:34:51.799
<v Speaker 1>I don't really like watching this person's work because of this,

0:34:52.040 --> 0:34:54.640
<v Speaker 1>and they're like, well, I, you know, like they don't

0:34:54.640 --> 0:34:57.239
<v Speaker 1>feel the same way. It doesn't make either of us

0:34:57.280 --> 0:35:01.520
<v Speaker 1>bad people, you know, Like, like, especially especially around the

0:35:01.520 --> 0:35:04.640
<v Speaker 1>Mean Too movement, I feel like I felt very I mean,

0:35:04.640 --> 0:35:07.719
<v Speaker 1>I felt very, very strongly about a lot. But it

0:35:07.800 --> 0:35:12.680
<v Speaker 1>was it's so hard because I we were obviously like

0:35:12.760 --> 0:35:16.160
<v Speaker 1>we were a show as that movement was kind of unfolding,

0:35:16.600 --> 0:35:18.799
<v Speaker 1>and we were very much in conversation with it, and

0:35:19.760 --> 0:35:22.279
<v Speaker 1>it was very I don't know, for me at least,

0:35:22.320 --> 0:35:26.040
<v Speaker 1>it was like a very cathartic time to be recording

0:35:26.200 --> 0:35:28.680
<v Speaker 1>because it felt like, you know, we've been working on

0:35:28.680 --> 0:35:32.120
<v Speaker 1>the show for over a year at that point, and

0:35:32.200 --> 0:35:36.040
<v Speaker 1>we'd been you know, in the world for much longer,

0:35:36.080 --> 0:35:39.440
<v Speaker 1>and it was very cathartic to feel like people are

0:35:39.480 --> 0:35:43.440
<v Speaker 1>finally taking the kind of issues that we have seriously.

0:35:44.080 --> 0:35:47.000
<v Speaker 1>And I think that that energy and that Catharsis was

0:35:47.080 --> 0:35:51.800
<v Speaker 1>so like, wow, things have changed. That when they didn't

0:35:51.840 --> 0:35:54.920
<v Speaker 1>actually change and then when they actually started to actively regress,

0:35:55.800 --> 0:35:58.040
<v Speaker 1>it's like, Okay, well what do we do now? You know,

0:35:58.239 --> 0:36:02.160
<v Speaker 1>Like I don't know, it's so tricky because it's like

0:36:02.200 --> 0:36:04.440
<v Speaker 1>it in a world where it's like you want to

0:36:04.480 --> 0:36:11.000
<v Speaker 1>remain consistent and steady in your personal convictions and also

0:36:11.200 --> 0:36:15.200
<v Speaker 1>not prevent conversations from starting from people who do not

0:36:15.280 --> 0:36:17.160
<v Speaker 1>feel one to one exactly as you do. And I

0:36:17.200 --> 0:36:18.800
<v Speaker 1>know that that's a tricky thing because I'm not saying

0:36:18.800 --> 0:36:21.040
<v Speaker 1>like we should all hang out with our Republicans and

0:36:21.120 --> 0:36:23.040
<v Speaker 1>blah blah blah, Like that's not what I'm saying. It's

0:36:23.040 --> 0:36:25.400
<v Speaker 1>just like part of what I love about this podcast

0:36:25.520 --> 0:36:29.600
<v Speaker 1>is that it is a place to actually talk about

0:36:29.600 --> 0:36:33.400
<v Speaker 1>this stickier stuff in a way that isn't like, I

0:36:33.440 --> 0:36:37.040
<v Speaker 1>don't know, in a way that feels safe and good

0:36:37.320 --> 0:36:39.800
<v Speaker 1>and I don't know separating the art from the artists,

0:36:39.880 --> 0:36:43.319
<v Speaker 1>The answer is, oh fucking no. I mean there's I

0:36:43.320 --> 0:36:47.200
<v Speaker 1>think it's different for everybody, and I think Caitlin, your

0:36:47.960 --> 0:36:50.560
<v Speaker 1>rule is like if you have an issue with an artist,

0:36:51.280 --> 0:36:53.879
<v Speaker 1>don't give them money. Don't give them money.

0:36:53.640 --> 0:36:58.080
<v Speaker 3>Because in a capitalist society, money is the language that

0:36:58.239 --> 0:37:01.279
<v Speaker 3>speaks the loudest. So if you withhold your money, if

0:37:01.280 --> 0:37:03.680
<v Speaker 3>you spend it somewhere else, like, these are the things

0:37:03.719 --> 0:37:07.200
<v Speaker 3>that end up, unfortunately mattering at the end of the day.

0:37:07.440 --> 0:37:10.440
<v Speaker 3>And as long as we live in a capitalist healthscape.

0:37:10.560 --> 0:37:13.640
<v Speaker 1>And also just like prioritize, I think a lot of

0:37:13.800 --> 0:37:16.719
<v Speaker 1>like it's important what you say, it's more important what

0:37:16.800 --> 0:37:20.319
<v Speaker 1>you do. So I think that there's whatever, Like I'm

0:37:20.320 --> 0:37:23.640
<v Speaker 1>thinking more like peak Twitter before everyone, you know, before

0:37:23.640 --> 0:37:28.279
<v Speaker 1>a fascist spot and everyone fucked off. But stating you're like,

0:37:28.640 --> 0:37:31.680
<v Speaker 1>it's it's important to state your personal convictions is just

0:37:31.680 --> 0:37:33.840
<v Speaker 1>as important to act those out in the real world.

0:37:34.200 --> 0:37:36.480
<v Speaker 1>And so is it a more productive use of your

0:37:36.520 --> 0:37:39.399
<v Speaker 1>time to go volunteer in your community then to get

0:37:39.400 --> 0:37:43.520
<v Speaker 1>into it with a stranger online. About separating the art

0:37:43.560 --> 0:37:47.560
<v Speaker 1>form the artist in a very specific case, like frankly, yes,

0:37:48.040 --> 0:37:53.120
<v Speaker 1>like go outside and do something and like I and

0:37:53.120 --> 0:37:55.520
<v Speaker 1>and make your own art too, like you know it.

0:37:56.320 --> 0:37:56.719
<v Speaker 3>I don't know.

0:37:56.840 --> 0:38:00.040
<v Speaker 1>Sometimes it just feels like I don't want to I

0:38:00.040 --> 0:38:02.680
<v Speaker 1>don't want to think about Woody Allen anymore? You know,

0:38:03.120 --> 0:38:05.120
<v Speaker 1>I want to debate. Oh can we watch Anny Hall?

0:38:05.280 --> 0:38:09.279
<v Speaker 1>I watching that ship? We love Diane Keaton, So we

0:38:09.360 --> 0:38:12.480
<v Speaker 1>covered the Family Stone. It's honestly that fucking simple.

0:38:14.760 --> 0:38:22.160
<v Speaker 3>Fy yep, Okay, next question comes from Donna. I'man what's

0:38:22.200 --> 0:38:26.080
<v Speaker 3>been your favorite movie you two covered this year? What's

0:38:26.120 --> 0:38:30.239
<v Speaker 3>been your favorite movie you saw this year? These are

0:38:30.280 --> 0:38:33.920
<v Speaker 3>definitely different answers, same answer for me. Oh wait, what's

0:38:33.960 --> 0:38:38.759
<v Speaker 3>your answers favorite movie I saw this year? I have

0:38:38.800 --> 0:38:42.560
<v Speaker 3>a few, okay, and I'm gonna I'm gonna stick to

0:38:42.600 --> 0:38:44.560
<v Speaker 3>ones that came out this year as well.

0:38:44.760 --> 0:38:46.840
<v Speaker 1>Just everybody says like, and I'm gonna sing them in

0:38:47.000 --> 0:38:47.600
<v Speaker 1>a rap.

0:38:49.719 --> 0:38:52.120
<v Speaker 3>No, I'm gonna stick to the ones that came out

0:38:52.120 --> 0:38:52.760
<v Speaker 3>this year.

0:38:53.440 --> 0:38:53.760
<v Speaker 1>Okay.

0:38:53.880 --> 0:38:57.840
<v Speaker 3>I loved like I mentioned, Sorry Baby and Twinless. I

0:38:57.920 --> 0:39:02.799
<v Speaker 3>loved Sinners. I really enjoyed Weapons. Hell yeah, I really

0:39:02.880 --> 0:39:06.759
<v Speaker 3>enjoyed one battle after another. I'm sure I'm forgetting some.

0:39:07.120 --> 0:39:10.960
<v Speaker 3>But oh and I just saw Marty Supreme and by

0:39:11.040 --> 0:39:13.080
<v Speaker 3>came out this year, I mean came out in twenty

0:39:13.120 --> 0:39:19.080
<v Speaker 3>twenty five favorite movies we've covered on the podcast this year,

0:39:19.560 --> 0:39:22.000
<v Speaker 3>and I will clarify that these are not necessarily my

0:39:22.040 --> 0:39:24.640
<v Speaker 3>favorite from a Bechdel cast lens. These aren't movies that

0:39:24.680 --> 0:39:27.880
<v Speaker 3>I'm like, wow, they fared so well on the nipple scale,

0:39:28.360 --> 0:39:32.879
<v Speaker 3>But these are just personal favorites of mine. Dracula, The

0:39:33.520 --> 0:39:38.480
<v Speaker 3>Francis Ford Coppola, One Shawshank, Redemption, Holes, Oh Brother, Where

0:39:38.480 --> 0:39:41.200
<v Speaker 3>Are Though? Those were three movies from my birthday month,

0:39:41.360 --> 0:39:43.760
<v Speaker 3>so stands to reason that they're some of my favorites.

0:39:44.520 --> 0:39:47.319
<v Speaker 3>We covered the Before trilogy this year this year, Yes,

0:39:47.560 --> 0:39:49.680
<v Speaker 3>that was a big one for me, and then also

0:39:49.880 --> 0:39:54.640
<v Speaker 3>Banshee's of Venisharin Yay, how about you, Jamie, So reason

0:39:54.760 --> 0:39:57.200
<v Speaker 3>I think you've prepared for this episode worth early than I.

0:39:57.280 --> 0:39:59.719
<v Speaker 3>So I did not have a prepared list locked in letted.

0:39:59.760 --> 0:40:01.880
<v Speaker 1>I think for me it is off the top of

0:40:01.880 --> 0:40:04.280
<v Speaker 1>the head. The same answer for both questions. A favorite

0:40:04.280 --> 0:40:06.040
<v Speaker 1>movie I saw for the first time this year. Favorite

0:40:06.040 --> 0:40:10.480
<v Speaker 1>movie we covered this year both Amadaas Wow, kind of

0:40:10.560 --> 0:40:15.719
<v Speaker 1>no contest. Amadea's Fucked My Shit Up this year. I

0:40:15.800 --> 0:40:21.000
<v Speaker 1>really enjoyed getting into men being bitches Cannon this year

0:40:21.400 --> 0:40:24.640
<v Speaker 1>to the point where I wrote my own and we're

0:40:24.680 --> 0:40:27.920
<v Speaker 1>making it. I really yeah. Amadea's was really stuck with

0:40:28.000 --> 0:40:32.359
<v Speaker 1>B movies that we covered this year or I saw

0:40:32.440 --> 0:40:35.800
<v Speaker 1>for the first time. I also really liked Sorry Baby,

0:40:35.840 --> 0:40:37.840
<v Speaker 1>I really liked. If I had likes, I'd kick you.

0:40:38.400 --> 0:40:42.720
<v Speaker 1>Thought that movie fucking ripped. Although it is a stressful watch.

0:40:44.080 --> 0:40:47.440
<v Speaker 1>I really enjoyed covering whatever Happened to Baby Jane, recently

0:40:48.200 --> 0:40:50.640
<v Speaker 1>seeing ry Lane for the first time, seeing the Before

0:40:50.680 --> 0:40:54.200
<v Speaker 1>trilogy for the first time. Those are really good. I'm

0:40:54.239 --> 0:40:56.520
<v Speaker 1>just like scrolling through my letterbox, I'm like, what else

0:40:56.520 --> 0:41:00.480
<v Speaker 1>did I really love this year? No Other Land was terrific?

0:41:01.080 --> 0:41:01.840
<v Speaker 3>Ah?

0:41:01.880 --> 0:41:02.680
<v Speaker 1>What the hell?

0:41:03.800 --> 0:41:04.040
<v Speaker 3>Oh?

0:41:04.200 --> 0:41:06.400
<v Speaker 1>And a great documentary that if you ever get the

0:41:06.440 --> 0:41:08.600
<v Speaker 1>chance to see it, you should. It hasn't been widely

0:41:08.640 --> 0:41:11.160
<v Speaker 1>released yet, but I hosted a screening Is So Good

0:41:11.200 --> 0:41:15.439
<v Speaker 1>called American Theater. It was really really good. I saw

0:41:15.600 --> 0:41:17.640
<v Speaker 1>Mikey and Nikki for the first time this year. That

0:41:17.800 --> 0:41:21.000
<v Speaker 1>was really fun. I really really I feel like, Yeah,

0:41:21.200 --> 0:41:24.600
<v Speaker 1>I saw Sinners and shin Godzilla the same week. That

0:41:24.800 --> 0:41:25.600
<v Speaker 1>was awesome.

0:41:25.760 --> 0:41:27.920
<v Speaker 3>Yes, Shin Godzilla. I saw that this year too.

0:41:28.080 --> 0:41:31.920
<v Speaker 1>Really really enjoyed it. Yeah. I don't know, I had

0:41:31.920 --> 0:41:34.719
<v Speaker 1>a fun I had a fun movie year. Yeah, But

0:41:34.800 --> 0:41:38.160
<v Speaker 1>I think I think for me all time movie that

0:41:38.200 --> 0:41:40.839
<v Speaker 1>we covered and I saw for the first time. It's

0:41:41.000 --> 0:41:46.440
<v Speaker 1>gotta be Amadaeus from fucking nineteen eighty or whatever, that

0:41:46.680 --> 0:41:49.040
<v Speaker 1>forty five year old movie. It fucked my shit up

0:41:49.080 --> 0:41:53.719
<v Speaker 1>this year. I loved those two bitches facing off. I

0:41:53.760 --> 0:41:54.840
<v Speaker 1>loved this so bitchy.

0:41:55.320 --> 0:42:03.160
<v Speaker 3>Yeah, awesome. Next question comes from Maren. What's a movie

0:42:03.320 --> 0:42:07.600
<v Speaker 3>that you would like to recover from earlier in the

0:42:07.640 --> 0:42:12.360
<v Speaker 3>podcast to speak back to our first or second question

0:42:12.840 --> 0:42:16.400
<v Speaker 3>on this episode. You know, things from the first couple years,

0:42:18.360 --> 0:42:21.239
<v Speaker 3>kind of anything from that era and.

0:42:21.160 --> 0:42:23.600
<v Speaker 1>We and to be clear, that's nothing against our guests,

0:42:23.600 --> 0:42:25.680
<v Speaker 1>we just didn't know what we were doing yet.

0:42:25.760 --> 0:42:27.040
<v Speaker 3>We were little babies.

0:42:27.360 --> 0:42:30.200
<v Speaker 1>I would love to recover the Wizard of Oz same, yeah,

0:42:30.239 --> 0:42:33.960
<v Speaker 1>especially in light of wick Head so true.

0:42:34.239 --> 0:42:37.160
<v Speaker 3>A couple others that come to mind would be clueless.

0:42:37.640 --> 0:42:39.040
<v Speaker 1>Yeah, they'd be fun to cover again.

0:42:39.080 --> 0:42:43.320
<v Speaker 3>I think Mean Girls. I think Dirty Dancing deserves a recover.

0:42:43.680 --> 0:42:48.839
<v Speaker 1>Dirty Dancing as our first live show. Yes, maybe film

0:42:48.920 --> 0:42:53.520
<v Speaker 1>and Louise American Psycho we covered pretty early in our matrearch.

0:42:53.600 --> 0:42:57.120
<v Speaker 1>I would love to recover that. Yeah. I think that

0:42:57.200 --> 0:42:59.560
<v Speaker 1>there's just like a lot of movies from our first

0:42:59.760 --> 0:43:02.880
<v Speaker 1>two three years that we would be able to speak

0:43:02.920 --> 0:43:06.959
<v Speaker 1>to more intelligently. Now that would hopefully be and also,

0:43:07.000 --> 0:43:11.280
<v Speaker 1>of course Titanic again, well, well again again.

0:43:11.440 --> 0:43:17.360
<v Speaker 3>Among the questions that matrons submitted, people also threw in

0:43:17.360 --> 0:43:23.359
<v Speaker 3>a few different movie requests. So if people listening right now,

0:43:23.360 --> 0:43:26.719
<v Speaker 3>if you have any specific movies you're desperate to hear

0:43:26.800 --> 0:43:30.960
<v Speaker 3>us talk about, any specific guests, please always give us

0:43:31.000 --> 0:43:36.200
<v Speaker 3>your recommendations. But at least one person was like, what

0:43:36.520 --> 0:43:39.680
<v Speaker 3>happened to your annual Titanic episode? You didn't do one

0:43:39.680 --> 0:43:40.680
<v Speaker 3>in twenty twenty five.

0:43:41.239 --> 0:43:45.040
<v Speaker 1>Look, times were hard, it was bad. No, we we

0:43:45.640 --> 0:43:48.239
<v Speaker 1>fucked up. Frankly, we fucked up twenty twenty six.

0:43:48.520 --> 0:43:50.480
<v Speaker 3>It won't happen again, never again.

0:43:50.760 --> 0:43:55.239
<v Speaker 1>It won't happen again, and we are sorry we failed you. Yeah, yeah,

0:43:55.239 --> 0:43:57.680
<v Speaker 1>I think really like you name it from the first

0:43:57.680 --> 0:44:01.440
<v Speaker 1>couple of years. We we do it again if it

0:44:01.480 --> 0:44:04.200
<v Speaker 1>was a movie we felt strongly enough about. Because we're

0:44:04.239 --> 0:44:08.440
<v Speaker 1>just different people. We don't know those people, those bitches,

0:44:09.080 --> 0:44:13.279
<v Speaker 1>those bitches couldn't even read got we gotta do it again?

0:44:13.800 --> 0:44:20.040
<v Speaker 3>We do Okay, next question, there's only a few left.

0:44:20.680 --> 0:44:24.080
<v Speaker 3>This comes from Dora. Are there any specific movies you

0:44:24.440 --> 0:44:27.400
<v Speaker 3>would not cover on the cast?

0:44:27.840 --> 0:44:28.040
<v Speaker 1>Oh?

0:44:28.080 --> 0:44:29.239
<v Speaker 3>And if so, why.

0:44:29.239 --> 0:44:33.640
<v Speaker 1>I'm gonna separate whoa double separation incoming. I'm gonna separate

0:44:33.680 --> 0:44:35.719
<v Speaker 1>this from separating the art from the artists. There are

0:44:35.719 --> 0:44:39.600
<v Speaker 1>certain like specifically like directors and writers whose work we

0:44:39.640 --> 0:44:42.359
<v Speaker 1>are just completely disinterested in. But I'm going to more

0:44:42.360 --> 0:44:45.920
<v Speaker 1>focus on I think that there are occasionally there are

0:44:45.920 --> 0:44:48.000
<v Speaker 1>movies that one of us will pitch the other that

0:44:48.080 --> 0:44:50.680
<v Speaker 1>the other will say no to because it's too annoying.

0:44:50.960 --> 0:44:53.440
<v Speaker 1>There are some movies that, like you have reviews. There

0:44:53.440 --> 0:44:55.239
<v Speaker 1>have been movies I've refused. I'm trying to think of

0:44:55.239 --> 0:44:58.120
<v Speaker 1>what they are though. Okay, I think you always say

0:44:58.120 --> 0:45:00.560
<v Speaker 1>no to the Polar Express. You're like any anything else,

0:45:00.840 --> 0:45:04.600
<v Speaker 1>anything but the Polar Expressed. You just rejected it last month,

0:45:04.640 --> 0:45:05.960
<v Speaker 1>even though I'm pretty sure it won.

0:45:08.440 --> 0:45:11.239
<v Speaker 3>We should have covered it next year, I promise. Look,

0:45:11.280 --> 0:45:11.760
<v Speaker 3>I promise.

0:45:12.120 --> 0:45:15.680
<v Speaker 1>I know next year we're doing is. We don't have

0:45:15.760 --> 0:45:16.200
<v Speaker 1>to do it.

0:45:16.280 --> 0:45:19.799
<v Speaker 3>Here's the thing. To me, anything is fair game. And

0:45:19.880 --> 0:45:24.880
<v Speaker 3>even if I again grown and grumble about a specific movie,

0:45:25.640 --> 0:45:30.359
<v Speaker 3>there's very little that's off the table for me. But yeah,

0:45:30.360 --> 0:45:32.560
<v Speaker 3>I know there have been times where I'm like, hey, Jamie,

0:45:33.680 --> 0:45:35.759
<v Speaker 3>and it's not even movies that I like. Well, first

0:45:35.800 --> 0:45:38.520
<v Speaker 3>of all, I was like we should cover Anaconda to

0:45:38.680 --> 0:45:42.040
<v Speaker 3>line up with the reboot that's coming out, and you

0:45:42.080 --> 0:45:44.160
<v Speaker 3>did not seem interested in that, even though I've never

0:45:44.200 --> 0:45:44.799
<v Speaker 3>even seen them.

0:45:44.960 --> 0:45:47.880
<v Speaker 1>Well, I also, I think I also don't because we

0:45:48.000 --> 0:45:49.839
<v Speaker 1>used to cover a lot of like movies that were

0:45:49.840 --> 0:45:52.239
<v Speaker 1>being rebooted. But I feel like reboots don't even do

0:45:52.360 --> 0:45:53.839
<v Speaker 1>well at the box office. So I'm like, I don't

0:45:53.840 --> 0:45:55.360
<v Speaker 1>want to watch a movie I don't like for a

0:45:55.400 --> 0:45:56.640
<v Speaker 1>movie no one's gonna see.

0:45:56.880 --> 0:45:58.960
<v Speaker 3>Well, let me tell you something. I took it upon

0:45:58.960 --> 0:46:04.720
<v Speaker 3>myself to watch the original Anaconda for what, well, for fun,

0:46:05.120 --> 0:46:07.760
<v Speaker 3>and it was very fun. It rocked.

0:46:07.960 --> 0:46:10.440
<v Speaker 1>I'm sure I would actually like it. Well. Something I

0:46:10.520 --> 0:46:14.000
<v Speaker 1>recently rejected was you were like to celebrate the release

0:46:14.040 --> 0:46:15.440
<v Speaker 1>of what is it?

0:46:15.600 --> 0:46:15.839
<v Speaker 3>Uh?

0:46:16.640 --> 0:46:18.640
<v Speaker 1>I'm dying up here now. That was a TV show?

0:46:18.680 --> 0:46:22.200
<v Speaker 1>What was it called? Is this thing on? It's being on?

0:46:22.280 --> 0:46:24.600
<v Speaker 3>The will arn't a stand up comedy movie.

0:46:24.760 --> 0:46:26.680
<v Speaker 1>I said a hard note to any movies about stand

0:46:26.719 --> 0:46:28.680
<v Speaker 1>up comedians because they make my skin crawl.

0:46:28.960 --> 0:46:30.959
<v Speaker 3>Yeah, I can't do it, and that's fair.

0:46:31.080 --> 0:46:31.719
<v Speaker 1>I can't do it.

0:46:31.800 --> 0:46:34.719
<v Speaker 3>Even though there's that one with Sally Field that I

0:46:34.760 --> 0:46:36.280
<v Speaker 3>think would give us a lot to talk about.

0:46:36.320 --> 0:46:39.040
<v Speaker 1>But I respect, I would be open to a Sally

0:46:39.200 --> 0:46:42.120
<v Speaker 1>Field Jewry because I feel like we've actually, like Sally

0:46:42.120 --> 0:46:44.440
<v Speaker 1>Field has been it because she was also in Fucking

0:46:45.680 --> 0:46:49.160
<v Speaker 1>is It norma normal gene right, like the Big the

0:46:49.200 --> 0:46:52.480
<v Speaker 1>Big Labor movie. Like she she has such a great filmography.

0:46:52.560 --> 0:46:54.080
<v Speaker 1>Maybe that's a good matreand theme.

0:46:54.239 --> 0:46:55.880
<v Speaker 3>Okay, Sally Field March.

0:46:56.239 --> 0:47:00.919
<v Speaker 1>Sally Sally Field March. Because Natalie Portman is been discontinued

0:47:00.960 --> 0:47:04.480
<v Speaker 1>on our on our show, It's I kind of like

0:47:04.600 --> 0:47:07.320
<v Speaker 1>movies that that one of us is just like, ugh, ugh,

0:47:07.760 --> 0:47:10.919
<v Speaker 1>life's too short. Life's too short to watch movies about

0:47:10.920 --> 0:47:12.880
<v Speaker 1>stand ups and or the Polar Express.

0:47:13.280 --> 0:47:18.799
<v Speaker 3>You're not wrong? Okay. That brings us to the next

0:47:18.880 --> 0:47:24.680
<v Speaker 3>question that Michelle asks as a certifiable Wicked Stan When

0:47:24.719 --> 0:47:27.960
<v Speaker 3>are y'all gonna cover the movies Jamie.

0:47:27.840 --> 0:47:34.399
<v Speaker 1>To tour tour? I mean, well, I guess this takes

0:47:34.440 --> 0:47:37.560
<v Speaker 1>us back to the previous question. I would be so

0:47:37.719 --> 0:47:41.919
<v Speaker 1>much fun. Our outfits would be so fun. I yeah,

0:47:42.160 --> 0:47:44.560
<v Speaker 1>I mean, we're we've got to cover Wicked one way

0:47:44.640 --> 0:47:47.160
<v Speaker 1>or another. I'd love it to be at a live show.

0:47:47.239 --> 0:47:51.600
<v Speaker 1>But if if you disagree, then then then name a

0:47:51.640 --> 0:47:55.799
<v Speaker 1>more fun movie about two women. Then We're Wicked that

0:47:55.840 --> 0:47:59.520
<v Speaker 1>we haven't covered already, because what is it? Any other

0:47:59.600 --> 0:48:03.719
<v Speaker 1>billion dollar movies about two women? Right now? Not thinking of.

0:48:03.719 --> 0:48:07.040
<v Speaker 3>Any pondering interesting.

0:48:09.120 --> 0:48:13.000
<v Speaker 1>I just want to dress up like Glinda, and so

0:48:13.120 --> 0:48:17.920
<v Speaker 1>that is. And I also love Wicked one, and I

0:48:17.960 --> 0:48:20.879
<v Speaker 1>will not be sharing my opinions on Wicked for good

0:48:20.960 --> 0:48:23.399
<v Speaker 1>unless I'm being paid to do it. But Wicked one,

0:48:23.719 --> 0:48:28.200
<v Speaker 1>I think is amazing. Cynthia Rivo, are in a grande?

0:48:28.239 --> 0:48:32.400
<v Speaker 1>Come on, It's just like the first musical movie in

0:48:32.719 --> 0:48:36.480
<v Speaker 1>like a decade where they cast people who can sing

0:48:37.160 --> 0:48:44.759
<v Speaker 1>without computer assistance. Jonathan Bailey, are you joking? One of

0:48:44.800 --> 0:48:48.279
<v Speaker 1>the hotest been on the face of the planet. I

0:48:48.280 --> 0:48:51.400
<v Speaker 1>don't like Jeff Goldblum's performance. No, I'm just doing the

0:48:51.440 --> 0:48:56.560
<v Speaker 1>episode now. Jeff Goldblum I find very grading in most settings.

0:48:56.920 --> 0:49:02.000
<v Speaker 1>Michelle Yo frankly does a bad job. Cynthia Arianna, Jonathan Bailey,

0:49:02.280 --> 0:49:06.840
<v Speaker 1>Bone Yang Bone Yang, John Cheu, forever and ever and

0:49:06.960 --> 0:49:14.480
<v Speaker 1>ever like it's Wicked, It's Wicked even SpongeBob. Why not

0:49:15.360 --> 0:49:18.279
<v Speaker 1>even SpongeBob? What do you mean You'll have to wait

0:49:18.280 --> 0:49:20.880
<v Speaker 1>for the Wicked episode for me to tell you about

0:49:21.080 --> 0:49:23.680
<v Speaker 1>SpongeBob's connection to wicked. Whoa, I can't wait to tell

0:49:23.719 --> 0:49:24.160
<v Speaker 1>you about it.

0:49:24.280 --> 0:49:28.680
<v Speaker 3>Okay, we'll see. This brings us to the next segment.

0:49:29.719 --> 0:49:34.759
<v Speaker 3>It's called the Shrek section or the Shrektion because we

0:49:34.880 --> 0:49:38.839
<v Speaker 3>got several questions pertaining to Shrek, and I think it's

0:49:38.840 --> 0:49:42.200
<v Speaker 3>probably because, of course, the image that I included with

0:49:42.400 --> 0:49:46.880
<v Speaker 3>this post on our Matreon asking for questions was an

0:49:46.960 --> 0:49:51.080
<v Speaker 3>image of Shrek and donkeys. I have to imagine that's

0:49:51.120 --> 0:49:54.960
<v Speaker 3>what influenced many of these questions, but I'm not mad

0:49:54.960 --> 0:49:57.759
<v Speaker 3>about it. First question from Will Okay, when will you

0:49:57.800 --> 0:50:01.360
<v Speaker 3>two be writing the screenplay for a fem freeboot of Shrek?

0:50:02.120 --> 0:50:06.760
<v Speaker 1>I'm pretty sure that was Shrek two? But uh, will

0:50:06.960 --> 0:50:11.080
<v Speaker 1>we will, we will, We've it's it's it's already, it's

0:50:11.080 --> 0:50:12.560
<v Speaker 1>in the works. It's in the works.

0:50:12.640 --> 0:50:15.719
<v Speaker 3>Yeah, we've got a question from Kate. Would you do

0:50:15.960 --> 0:50:20.360
<v Speaker 3>a commentary for Shrek and Shrek two? I think that

0:50:20.400 --> 0:50:22.759
<v Speaker 3>would be like super fun, the way that we did

0:50:22.840 --> 0:50:26.000
<v Speaker 3>that Titanic commentary that one time years ago.

0:50:26.280 --> 0:50:28.200
<v Speaker 1>Yeah, we used to, like, I mean we we we

0:50:28.200 --> 0:50:30.279
<v Speaker 1>were kind of setting our ways on the Matreon right

0:50:30.280 --> 0:50:32.680
<v Speaker 1>now where we do two original episodes which people like.

0:50:32.760 --> 0:50:35.040
<v Speaker 1>But A was like, I kind of missed that period

0:50:35.080 --> 0:50:37.359
<v Speaker 1>of time where we would occasionally kind of mix it up,

0:50:37.400 --> 0:50:39.680
<v Speaker 1>do a commentary, do something I would be I would

0:50:39.680 --> 0:50:45.560
<v Speaker 1>be down, especially Shrek two, Shrek April Shripril.

0:50:45.080 --> 0:50:50.200
<v Speaker 3>Shry for real, Shrek Shreptember Shrep.

0:50:50.239 --> 0:50:51.200
<v Speaker 1>Okay, now we're talking.

0:50:51.360 --> 0:50:53.799
<v Speaker 3>Now we're talking. Now we're talking. Okay. Next question from

0:50:53.920 --> 0:50:56.880
<v Speaker 3>Joe of the two of you, who is Shrek and

0:50:56.960 --> 0:50:57.800
<v Speaker 3>who is Donkey?

0:50:58.360 --> 0:51:01.600
<v Speaker 1>I mean, wow, I don't know. All my answers are evasive,

0:51:01.719 --> 0:51:05.040
<v Speaker 1>like it depends on the day. I think we both

0:51:05.360 --> 0:51:10.080
<v Speaker 1>are both we contain multitudes. I'm trying to think of

0:51:10.120 --> 0:51:13.400
<v Speaker 1>who in the Shrek franchise would be my ideal, Like,

0:51:13.480 --> 0:51:15.560
<v Speaker 1>who would I want people to be like you remind

0:51:15.600 --> 0:51:18.800
<v Speaker 1>me of this person from Shrek? Probably no one. Honestly,

0:51:18.960 --> 0:51:20.800
<v Speaker 1>I'd be disappointed to be like you remind me of

0:51:20.840 --> 0:51:21.800
<v Speaker 1>a character from Shrek.

0:51:22.120 --> 0:51:24.640
<v Speaker 3>I couldn't want to be gingy Oh.

0:51:24.960 --> 0:51:26.960
<v Speaker 1>I don't even know. I mean I kind of am

0:51:27.040 --> 0:51:29.879
<v Speaker 1>like I love Farkwaad. I don't want people to think

0:51:29.920 --> 0:51:33.919
<v Speaker 1>of me as a Farkuad type, but I love fark Wood.

0:51:34.200 --> 0:51:35.120
<v Speaker 3>He's pretty cool.

0:51:35.320 --> 0:51:38.840
<v Speaker 1>He's pretty cool, And I love Sparkwad's mom.

0:51:39.040 --> 0:51:41.640
<v Speaker 3>I don't know, Wait do we meet Parkwad's mom?

0:51:42.000 --> 0:51:44.120
<v Speaker 1>Did we not meet Parks? This is why we had

0:51:44.160 --> 0:51:46.160
<v Speaker 1>to do that? We have to do this. Maybe I

0:51:46.280 --> 0:51:47.319
<v Speaker 1>just totally made that up.

0:51:47.400 --> 0:51:50.759
<v Speaker 3>We got we got a fast track Shreptember, shrep Timber.

0:51:51.520 --> 0:51:53.840
<v Speaker 1>I want to be one of the scary Shrek babies.

0:51:54.080 --> 0:51:56.239
<v Speaker 1>I want to be the Shrek baby. Oh god, I

0:51:56.239 --> 0:51:58.560
<v Speaker 1>think I want Shrek to be my dad? Oh wait,

0:51:58.760 --> 0:52:02.440
<v Speaker 1>what is that character from Shrek for that says something funny?

0:52:03.719 --> 0:52:08.880
<v Speaker 1>I'm talking about the roar that one. I love that.

0:52:09.000 --> 0:52:11.799
<v Speaker 1>You say you knew what I was saying. Yes, yes,

0:52:12.600 --> 0:52:17.600
<v Speaker 1>the kid in Shrek for that says that be okay?

0:52:17.680 --> 0:52:22.320
<v Speaker 3>Yeah yeah, So hopefully that answers your question, Joe. Next

0:52:22.400 --> 0:52:30.920
<v Speaker 3>and final question of the Shrek dishrection, Mary, fuck kill Shrek, Titanic,

0:52:31.320 --> 0:52:32.920
<v Speaker 3>Christmas Prince franchise.

0:52:33.480 --> 0:52:35.880
<v Speaker 1>Oh kill Christmas Prince easy?

0:52:36.120 --> 0:52:38.239
<v Speaker 3>I think so yeah, yeah, yeah.

0:52:38.239 --> 0:52:40.160
<v Speaker 1>Fuck Shrek. Marry Titanic for me?

0:52:40.239 --> 0:52:43.319
<v Speaker 3>I think, see I would fuck Titanic Mary, Shrek, Well.

0:52:43.320 --> 0:52:45.640
<v Speaker 1>Yeah, because I guess you marry Titanic. It's like, well,

0:52:45.719 --> 0:52:47.000
<v Speaker 1>what are you guys gonna do together?

0:52:48.280 --> 0:52:51.200
<v Speaker 3>But with Shrek, it's an endless adventure.

0:52:50.920 --> 0:52:54.400
<v Speaker 1>With Shrek, and you know he's a he's a good partner.

0:52:54.920 --> 0:52:57.160
<v Speaker 1>He's been married for twenty five years.

0:52:57.280 --> 0:52:59.160
<v Speaker 3>Wow. Yeah, true, he's.

0:52:58.960 --> 0:53:01.439
<v Speaker 1>Been He's Yeah, I mean like he as we saw

0:53:01.440 --> 0:53:04.680
<v Speaker 1>in Trek four. You know that he has his issues, but.

0:53:04.840 --> 0:53:07.400
<v Speaker 3>Well and in Shrek three, and in Shrek two and

0:53:07.520 --> 0:53:09.440
<v Speaker 3>in Shrek one he has his issues.

0:53:09.760 --> 0:53:11.279
<v Speaker 1>But I mean as a husband. I guess it's the

0:53:11.360 --> 0:53:14.840
<v Speaker 1>Shrek's two, three, and four where we learned about Shrek's

0:53:15.520 --> 0:53:20.359
<v Speaker 1>ability to be a husband. Yeah, I guess that that

0:53:20.520 --> 0:53:23.320
<v Speaker 1>does make sense. Marrying Titanic feels kind of like a

0:53:24.120 --> 0:53:29.799
<v Speaker 1>lost cause in a way. But although although although, going

0:53:29.800 --> 0:53:31.879
<v Speaker 1>off of the fact that we just covered Sharktail, if

0:53:31.880 --> 0:53:34.560
<v Speaker 1>I married the Titanic, I would just end up living

0:53:34.560 --> 0:53:38.200
<v Speaker 1>with the Italian sharks in Shark Taale because they move

0:53:38.239 --> 0:53:41.720
<v Speaker 1>in to the shipwreck of the Titanic. Or even better,

0:53:42.120 --> 0:53:47.279
<v Speaker 1>is what is that Italian? Speaking of Italy, the Italian

0:53:47.840 --> 0:53:51.960
<v Speaker 1>animated ripoff of an American tale, Anastasia and Titanic that

0:53:52.040 --> 0:53:53.319
<v Speaker 1>came out in nineteen ninety eight.

0:53:53.360 --> 0:53:56.200
<v Speaker 3>Oh, the Legend of Titanic, the Legend of Titanic.

0:53:56.280 --> 0:53:59.440
<v Speaker 1>And then I could marry that big.

0:53:59.200 --> 0:54:02.080
<v Speaker 3>Octopus you mean tentacles.

0:54:02.440 --> 0:54:09.160
<v Speaker 1>Tentacles, Yes, Tentacles, the octopus who famously saved all the

0:54:09.200 --> 0:54:11.480
<v Speaker 1>passengers of the Titanic from dying.

0:54:11.640 --> 0:54:15.880
<v Speaker 3>Yeah, by holding the broken and half Titanic, holding it

0:54:15.920 --> 0:54:16.520
<v Speaker 3>back together.

0:54:16.920 --> 0:54:19.239
<v Speaker 1>Everyone evacuated with the plenty of.

0:54:19.160 --> 0:54:22.120
<v Speaker 3>Boats that they had the exact right number of boats.

0:54:21.920 --> 0:54:26.359
<v Speaker 1>And then tragically was pulled to the bottom when Dentles died.

0:54:26.920 --> 0:54:28.960
<v Speaker 1>It was so funny when Tentacles died.

0:54:29.640 --> 0:54:30.680
<v Speaker 3>Great, what was the question?

0:54:31.320 --> 0:54:35.920
<v Speaker 1>Yeah, I'm with you, kill Christmas Print, fuck Titanic, Mary Shrek.

0:54:36.160 --> 0:54:43.360
<v Speaker 3>Yeah, all right, And then the last question curtails is

0:54:43.400 --> 0:54:48.200
<v Speaker 3>that the right word dovetails maybe into a plug for

0:54:48.320 --> 0:54:50.719
<v Speaker 3>something that we don't know all the details of yet,

0:54:50.880 --> 0:54:56.400
<v Speaker 3>but we're announcing intent exactly. The question comes from Nancy asks,

0:54:56.520 --> 0:55:01.640
<v Speaker 3>are y'all doing another tour again soon? Slash, will you

0:55:01.719 --> 0:55:04.760
<v Speaker 3>be coming to the New York City, New Jersey area?

0:55:05.239 --> 0:55:08.719
<v Speaker 3>And then several other people asked will we come back

0:55:08.760 --> 0:55:12.360
<v Speaker 3>to the UK at any point? Will we come to Australia.

0:55:12.760 --> 0:55:16.799
<v Speaker 3>Those questions were not too sure about. But because we're

0:55:16.960 --> 0:55:20.879
<v Speaker 3>entering our ten years of doing the podcast, we are

0:55:21.040 --> 0:55:25.239
<v Speaker 3>planning a ten year anniversary tour that is not going

0:55:25.239 --> 0:55:28.080
<v Speaker 3>to be about Wicked. No, I don't know.

0:55:28.680 --> 0:55:31.080
<v Speaker 1>I mean, I'm just saying a couple of it could

0:55:31.080 --> 0:55:33.040
<v Speaker 1>be about Wicked. They don't have to be about Wicked.

0:55:34.120 --> 0:55:36.560
<v Speaker 1>We'll see, we'll see, but we will go on a

0:55:36.600 --> 0:55:38.880
<v Speaker 1>ten year tour. We will announce the details when we

0:55:38.960 --> 0:55:42.200
<v Speaker 1>have them. It'll probably be later in the year because

0:55:42.239 --> 0:55:44.759
<v Speaker 1>that's when our ten year anniversary is is later in

0:55:44.800 --> 0:55:48.040
<v Speaker 1>the year. But we were very excited we've done I

0:55:48.080 --> 0:55:49.440
<v Speaker 1>think in the last couple of years we've done a

0:55:49.520 --> 0:55:51.279
<v Speaker 1>number of shorter tours, but this would be kind of

0:55:51.480 --> 0:55:55.040
<v Speaker 1>a Beefer a beef here ten year celebration tour. Then

0:55:55.239 --> 0:55:56.799
<v Speaker 1>I'm very excited for.

0:55:57.120 --> 0:55:59.640
<v Speaker 3>So am I. Yeah, we have to hammer out all

0:55:59.680 --> 0:56:04.680
<v Speaker 3>the detail hills still, but we will keep listeners abreast.

0:56:06.800 --> 0:56:12.360
<v Speaker 1>Yeah, we've and with that, that concludes our Q and

0:56:12.440 --> 0:56:15.160
<v Speaker 1>A episode, our first in a couple of years. Thank

0:56:15.160 --> 0:56:18.920
<v Speaker 1>you so much to all of our matrons who submitted questions.

0:56:19.040 --> 0:56:21.560
<v Speaker 1>Sorry that we weren't able to get to everybody's And

0:56:21.719 --> 0:56:24.919
<v Speaker 1>if you were like, hey, why couldn't I submit a question,

0:56:25.000 --> 0:56:27.319
<v Speaker 1>it's because you're not a member of the Matreon and

0:56:28.080 --> 0:56:32.480
<v Speaker 1>ultimately you have to get on that. It's patreon dot com,

0:56:32.520 --> 0:56:35.360
<v Speaker 1>slash bexel Cast. It is five dollars a month. It

0:56:35.400 --> 0:56:39.279
<v Speaker 1>is the best way to directly support the show and

0:56:39.320 --> 0:56:44.319
<v Speaker 1>its continuation and our ability to pay our guests all

0:56:44.320 --> 0:56:47.080
<v Speaker 1>this other good stuff. There are plenty of benefits to

0:56:47.160 --> 0:56:52.360
<v Speaker 1>becoming a matron, including not just access to the episodes themselves.

0:56:52.440 --> 0:56:54.640
<v Speaker 1>There's over two hundred and there's two new months every month,

0:56:54.719 --> 0:56:57.320
<v Speaker 1>but you also have access to our community and to

0:56:57.480 --> 0:56:59.839
<v Speaker 1>vote and polls, and to submit questions, and to get

0:57:00.040 --> 0:57:03.640
<v Speaker 1>exclusive merch at shows, and to sometimes get early ticket links.

0:57:03.640 --> 0:57:06.279
<v Speaker 1>If you're interested in going to the ten year tour,

0:57:06.320 --> 0:57:10.879
<v Speaker 1>we will make tickets available to matrons first. So if

0:57:10.920 --> 0:57:14.360
<v Speaker 1>you've been wondering, oh, I don't know this five dollars,

0:57:14.400 --> 0:57:15.200
<v Speaker 1>what do I do with it?

0:57:15.280 --> 0:57:17.760
<v Speaker 3>A price that has never increased, by the way, No,

0:57:17.920 --> 0:57:20.320
<v Speaker 3>you look around, we see inflation and we say no,

0:57:20.440 --> 0:57:21.280
<v Speaker 3>not us.

0:57:21.080 --> 0:57:24.320
<v Speaker 1>And Patreon keeps getting us to change the policy. But frankly,

0:57:24.400 --> 0:57:27.560
<v Speaker 1>it's it's always been five dollars and uh, yeah, it's

0:57:27.560 --> 0:57:30.720
<v Speaker 1>been five dollars for eight years. Honey, Please join us

0:57:30.760 --> 0:57:34.840
<v Speaker 1>over there. We really love our community, and yeah, we're

0:57:35.120 --> 0:57:38.720
<v Speaker 1>very grateful to have that community and to have all

0:57:38.760 --> 0:57:42.000
<v Speaker 1>of our listeners. We love all of our listeners equally.

0:57:42.520 --> 0:57:43.360
<v Speaker 3>It's true, but we do.

0:57:43.360 --> 0:57:47.600
<v Speaker 1>Love the Matrons just more. It's okay. Do you have.

0:57:47.560 --> 0:57:50.320
<v Speaker 3>Anything you want to plug, Jamie.

0:57:52.360 --> 0:57:55.880
<v Speaker 1>Not in the short term. Yeah, no, this this year,

0:57:56.040 --> 0:57:59.960
<v Speaker 1>I am. I think when this episode releases, I will

0:58:00.080 --> 0:58:03.280
<v Speaker 1>be shooting my first feature, which I'm very excited about

0:58:03.320 --> 0:58:07.800
<v Speaker 1>me So yeah, I guess stay tuned for me to

0:58:07.840 --> 0:58:10.919
<v Speaker 1>tell you what happens with that, and that I will

0:58:10.920 --> 0:58:14.880
<v Speaker 1>have a new book, my first novel coming out in

0:58:14.920 --> 0:58:18.880
<v Speaker 1>the summer of twenty twenty seven. It is currently titled

0:58:18.920 --> 0:58:22.480
<v Speaker 1>The Tower, but I am told that that title will change,

0:58:22.560 --> 0:58:25.479
<v Speaker 1>so I will let you. So I have just like, hey,

0:58:25.520 --> 0:58:27.200
<v Speaker 1>here are things that I've made, but I don't know

0:58:27.240 --> 0:58:28.640
<v Speaker 1>what they're called, and I don't know when you'll be

0:58:28.680 --> 0:58:31.560
<v Speaker 1>able to have them. Follow me on Instagram. I guess

0:58:31.760 --> 0:58:35.160
<v Speaker 1>Jimmy Christ Superstar, that's what I got. That's what I got, Kitly,

0:58:35.280 --> 0:58:36.360
<v Speaker 1>what about you?

0:58:36.360 --> 0:58:39.440
<v Speaker 3>You can also follow me on Instagram at Caitlin Durante.

0:58:39.760 --> 0:58:42.400
<v Speaker 3>And the main thing I want to plug is I

0:58:42.440 --> 0:58:45.800
<v Speaker 3>have another round of my screenwriting classes coming up. I

0:58:45.800 --> 0:58:49.200
<v Speaker 3>have several new sections, some of them are sold out

0:58:49.240 --> 0:58:54.720
<v Speaker 3>already brag. But my intro to screenwriting class at the

0:58:54.720 --> 0:58:57.720
<v Speaker 3>time of this recording still has a few spots left

0:58:57.760 --> 0:59:04.680
<v Speaker 3>and it starts on oh, what's the date, January seventeenth,

0:59:05.160 --> 0:59:09.520
<v Speaker 3>so there's still some time if those spots are still

0:59:09.680 --> 0:59:12.919
<v Speaker 3>available by the time you're listening to this. You can

0:59:13.200 --> 0:59:17.760
<v Speaker 3>find information about all of my classes on my website,

0:59:17.880 --> 0:59:22.720
<v Speaker 3>Caitlindurante dot com. But yeah, I teach basically two screenwriting classes.

0:59:22.760 --> 0:59:26.040
<v Speaker 3>One is an introductory class, and then one is a

0:59:26.040 --> 0:59:29.840
<v Speaker 3>workshopping class. And that's for people who have taken my

0:59:29.960 --> 0:59:33.200
<v Speaker 3>intro class or who already have some prior knowledge of

0:59:33.440 --> 0:59:37.440
<v Speaker 3>screenwriting and have a project that they're wanting to start

0:59:37.640 --> 0:59:39.640
<v Speaker 3>or that they're currently working on that you would bring

0:59:39.720 --> 0:59:42.640
<v Speaker 3>into the group and do table reads and then get

0:59:42.640 --> 0:59:48.280
<v Speaker 3>feedback from myself and your classmates. So those are my

0:59:48.320 --> 0:59:50.160
<v Speaker 3>screenwriting classes that people.

0:59:49.920 --> 0:59:52.320
<v Speaker 1>Should take all the time.

0:59:53.440 --> 0:59:56.040
<v Speaker 3>Hell yeah, But yeah, that's pretty much it from me.

0:59:56.160 --> 0:59:59.000
<v Speaker 3>Thank you so much, listeners. Thanks again to the matrons

0:59:59.000 --> 1:00:02.640
<v Speaker 3>who submitted questions. Thanks to the matrons in general. Thank

1:00:02.680 --> 1:00:07.000
<v Speaker 3>you to the entire Bechdel Cast community. Yes we love you,

1:00:07.360 --> 1:00:13.240
<v Speaker 3>and we'll be back next week with your regularly scheduled programming.

1:00:13.720 --> 1:00:20.440
<v Speaker 1>Love you, bye bye. The Bechdel Cast is a production

1:00:20.520 --> 1:00:24.680
<v Speaker 1>of iHeartMedia hosted and produced by me Jamie Loftus.

1:00:24.560 --> 1:00:28.040
<v Speaker 3>And me Caitlyn Dorante. The podcast is also produced by

1:00:28.160 --> 1:00:29.640
<v Speaker 3>Sophie Lichtermann and.

1:00:29.680 --> 1:00:32.880
<v Speaker 1>Edited by Caitlyn Durrante. Ever heard of Them? That's me

1:00:33.440 --> 1:00:36.600
<v Speaker 1>and our logo and merch and all of our artwork

1:00:36.680 --> 1:00:40.240
<v Speaker 1>in fact are designed by Jamie Loftis, Ever heard of her?

1:00:40.400 --> 1:00:43.400
<v Speaker 1>Oh My God? And our theme song, by the way,

1:00:43.560 --> 1:00:45.320
<v Speaker 1>was composed by Mike Kaplan.

1:00:45.160 --> 1:00:48.320
<v Speaker 3>With vocals by Katherine Voskrasinski.

1:00:47.840 --> 1:00:50.680
<v Speaker 1>Iconic and a special thanks to the one and only

1:00:51.040 --> 1:00:52.320
<v Speaker 1>Aristotle Acevedo.

1:00:52.840 --> 1:00:56.600
<v Speaker 3>For more information about the podcast, please visit Linktree Slash

1:00:56.720 --> 1:00:57.480
<v Speaker 3>Bechdel Cast