1 00:00:00,200 --> 00:00:03,199 Speaker 1: Yes, Hello, this is John Jerryman. And you all remember 2 00:00:03,240 --> 00:00:07,480 Speaker 1: me from my theater work with Margaret Gray and certainly 3 00:00:07,920 --> 00:00:13,080 Speaker 1: the famous songs that I made famous by, you know, 4 00:00:13,160 --> 00:00:15,640 Speaker 1: being with Margaret in the theater. Songs like I Wonder 5 00:00:15,760 --> 00:00:20,239 Speaker 1: what the King is doing tonight, you know those kinds 6 00:00:20,239 --> 00:00:23,079 Speaker 1: of songs. Margaret's looking at me like I'm saying, you're 7 00:00:23,079 --> 00:00:26,400 Speaker 1: looking at me, Margaret, as if someone put a bonnet, 8 00:00:26,600 --> 00:00:28,600 Speaker 1: put on a tie, and put a pair of pants 9 00:00:28,600 --> 00:00:31,680 Speaker 1: on a cow turn. What are you crying? No, I'm 10 00:00:31,680 --> 00:00:35,560 Speaker 1: not crying. I'm disappointed. And so get a backstage pass 11 00:00:35,600 --> 00:00:37,840 Speaker 1: to the world famous Phil Henry Show and you'll find 12 00:00:37,880 --> 00:00:41,600 Speaker 1: out why thousands, if not hundreds, are saying the World 13 00:00:41,640 --> 00:00:45,160 Speaker 1: Famous Phil Henry Show is the greatest value online other 14 00:00:45,240 --> 00:00:49,800 Speaker 1: than porn. Margaret, this is John Jerryman, Margaret, John, just 15 00:00:49,880 --> 00:00:53,400 Speaker 1: hold on. Margaret and I were, but you were in Camelot. 16 00:00:53,560 --> 00:00:59,280 Speaker 1: I yes, I understudied Claire Bouvey Rece Wilbon. That's a man. 17 00:01:00,160 --> 00:01:01,920 Speaker 1: It was a man, but he was playing Guinevere. 18 00:01:02,520 --> 00:01:04,920 Speaker 2: So my god, that's a man. 19 00:01:05,160 --> 00:01:07,520 Speaker 1: Yes, it was a man, but he was he was 20 00:01:07,520 --> 00:01:11,320 Speaker 1: playing Guinevere. It was a short week and a lot 21 00:01:11,319 --> 00:01:14,320 Speaker 1: of things happened we'd had that party. Well, I know 22 00:01:14,440 --> 00:01:17,440 Speaker 1: some people were not able to I guess it was 23 00:01:17,480 --> 00:01:21,240 Speaker 1: at your house. You were the one that fed them 24 00:01:21,240 --> 00:01:24,440 Speaker 1: the drink. John Jerryman had a party of his house 25 00:01:24,440 --> 00:01:28,360 Speaker 1: the week that we've debuted Camelot in Philadelphia, and let's 26 00:01:28,440 --> 00:01:30,360 Speaker 1: just say that he had put something in the drink. 27 00:01:30,360 --> 00:01:31,840 Speaker 3: What did you put in the drink? But it was 28 00:01:31,880 --> 00:01:36,840 Speaker 3: a lucigenic, isn't it, John, step out of it. Yes, 29 00:01:36,959 --> 00:01:39,360 Speaker 3: Yes it was, Yes, it was a lucid Jenny, it was. 30 00:01:39,959 --> 00:01:45,720 Speaker 3: It was a precursor to molly. What are you talking about? 31 00:01:45,840 --> 00:01:48,520 Speaker 1: I'm telling you that it was a kind of a 32 00:01:48,680 --> 00:01:53,360 Speaker 1: stimulant that induced hallucination. I think it was along the 33 00:01:53,360 --> 00:01:55,880 Speaker 1: lines of STP. Since when are you conversing with these 34 00:01:55,960 --> 00:01:57,480 Speaker 1: kinds of drugs? And why were you giving these two 35 00:01:57,480 --> 00:02:00,000 Speaker 1: people that were unsuspecting. That's a lot of questions. While 36 00:02:00,880 --> 00:02:04,360 Speaker 1: I resent and I resent, I resent myself for having 37 00:02:04,400 --> 00:02:07,800 Speaker 1: done it. I'm bitterly angry at myself and I resent 38 00:02:07,840 --> 00:02:10,400 Speaker 1: myself for having note, but I'm also resentful of you 39 00:02:10,560 --> 00:02:12,519 Speaker 1: for bringing this up. Well, this is a very big 40 00:02:12,520 --> 00:02:15,240 Speaker 1: week for Phil Henry. He's going to New York. He's 41 00:02:15,280 --> 00:02:18,560 Speaker 1: going to perform in the play the Pitch. They'll be rehearsing, 42 00:02:18,880 --> 00:02:21,079 Speaker 1: they'll be working very, very hard. Now, this is Tom 43 00:02:21,120 --> 00:02:23,800 Speaker 1: Alpers play. Yes, I've heard of it. It ran for 44 00:02:23,800 --> 00:02:25,919 Speaker 1: three years in Los Angeles, and I think it's going 45 00:02:25,919 --> 00:02:28,440 Speaker 1: to do very well in New York. Of course it will. 46 00:02:29,080 --> 00:02:32,000 Speaker 1: But he needs all of his concentration, he needs all 47 00:02:32,040 --> 00:02:32,919 Speaker 1: of his powers of. 48 00:02:32,880 --> 00:02:37,840 Speaker 2: Recollection, and he needs to reboot. 49 00:02:38,600 --> 00:02:39,680 Speaker 1: Well, he needs to refresh. 50 00:02:39,840 --> 00:02:44,360 Speaker 2: He needs to refresh, reboot, re revitalize, revitalize. 51 00:02:44,440 --> 00:02:48,880 Speaker 1: Yes, and so we're here tonight to honor the theater 52 00:02:50,200 --> 00:02:52,919 Speaker 1: and sing a song that we both know. Now, they 53 00:02:52,960 --> 00:02:55,480 Speaker 1: told me that last night there was a man singing 54 00:02:56,440 --> 00:03:02,520 Speaker 1: that was major Elvis Newton, Major Elvis Newton. Well, well 55 00:03:02,520 --> 00:03:05,880 Speaker 1: what I'm They said, he sang bad. 56 00:03:05,960 --> 00:03:07,840 Speaker 2: They said it was full of profanity. 57 00:03:07,960 --> 00:03:10,160 Speaker 1: Let's forget about what happened last night. Let's think about 58 00:03:10,160 --> 00:03:14,880 Speaker 1: tonight tonight, and what we are hoping for Phil is 59 00:03:14,919 --> 00:03:19,639 Speaker 1: a successful run in the Pitch. Oh, I wonder what 60 00:03:19,680 --> 00:03:23,000 Speaker 1: the King is doing tonight. What merriment is the King 61 00:03:23,240 --> 00:03:30,919 Speaker 1: pursuing tonight? Is that it? That's all I remember? Just said, Fuck, yeah, 62 00:03:30,960 --> 00:03:31,800 Speaker 1: I just said fuck. 63 00:03:32,560 --> 00:03:35,360 Speaker 4: The world famous Phil Hendry Show brought to you by 64 00:03:35,480 --> 00:03:38,640 Speaker 4: the world Famous Phil Hendry Show. Backstage pass. Get a 65 00:03:38,640 --> 00:03:41,160 Speaker 4: subscription today for a month or for a year, and 66 00:03:41,200 --> 00:03:45,240 Speaker 4: when you do, you'll be happier, exponentially happier than ever before. 67 00:03:45,760 --> 00:03:47,880 Speaker 4: For a month, it's less than ten dollars. For one year, 68 00:03:47,960 --> 00:03:49,720 Speaker 4: less than seven dollars a month. 69 00:03:49,760 --> 00:03:50,200 Speaker 1: Think of that. 70 00:03:50,560 --> 00:03:53,120 Speaker 4: God, I just you know, they asked me to do 71 00:03:53,120 --> 00:03:54,840 Speaker 4: these commercials that I think on I think, what am 72 00:03:54,840 --> 00:03:57,200 Speaker 4: I doing? Why am I sitting here? Why aren't I 73 00:03:57,240 --> 00:04:00,400 Speaker 4: out running out? Getting a backstage pass to the Phil 74 00:04:00,400 --> 00:04:03,000 Speaker 4: Henry Show, The world Famous Phil Henry Show at Phil 75 00:04:03,040 --> 00:04:04,160 Speaker 4: Henryshow dot Com. 76 00:04:04,440 --> 00:04:06,800 Speaker 1: The greatest value online other than porn. 77 00:04:10,040 --> 00:04:12,840 Speaker 4: This is the world FAO's Phil Henry Shown. 78 00:04:13,400 --> 00:04:15,520 Speaker 1: We can't play that because it's copyright protected, but the 79 00:04:15,520 --> 00:04:19,159 Speaker 1: first few bars we were allowed. Now you, I'm Margaret Gray, 80 00:04:19,400 --> 00:04:22,760 Speaker 1: I'm John Jerryman, and this is the world Famous Phil 81 00:04:22,760 --> 00:04:26,080 Speaker 1: Henry Show. Phil is getting himself ready for two very 82 00:04:26,200 --> 00:04:28,680 Speaker 1: important months in the state of New York, in the 83 00:04:28,680 --> 00:04:31,240 Speaker 1: city of New York, in the borough of New York, 84 00:04:31,640 --> 00:04:33,960 Speaker 1: in the mindset that is New York, in the New 85 00:04:34,080 --> 00:04:35,280 Speaker 1: York that is the New York. 86 00:04:35,400 --> 00:04:37,600 Speaker 2: He's going to be there, not you he. 87 00:04:38,320 --> 00:04:40,960 Speaker 1: To appear in the play the Pitch in the play 88 00:04:41,000 --> 00:04:44,200 Speaker 1: The Pitch, the pay to appear in the play The Pitch. Yes, 89 00:04:44,839 --> 00:04:47,560 Speaker 1: and a great opportunity for philm And we were just 90 00:04:47,600 --> 00:04:50,960 Speaker 1: here now reminiscing Margaret and I on our days in 91 00:04:51,080 --> 00:04:53,240 Speaker 1: the theater when John and I were in the theater. 92 00:04:53,320 --> 00:04:57,480 Speaker 1: As I mentioned, I understood, I understudied. I didn't always understand. Oh, 93 00:04:57,560 --> 00:04:58,320 Speaker 1: I know what you're saying. 94 00:04:58,760 --> 00:05:04,359 Speaker 2: Claire bouveays, this is how she talks. She'd go, I know, 95 00:05:05,520 --> 00:05:05,920 Speaker 2: I don't. 96 00:05:05,760 --> 00:05:07,480 Speaker 1: Know what's wrong with her, but I don't think it 97 00:05:07,520 --> 00:05:09,680 Speaker 1: was drugs. It might have been drink or something. But 98 00:05:10,040 --> 00:05:11,880 Speaker 1: leny of people doing man making fun of a lady? 99 00:05:13,000 --> 00:05:14,919 Speaker 1: Who is that? What do you want, Bud? 100 00:05:15,080 --> 00:05:16,599 Speaker 5: You making fun of people? You make it fun of 101 00:05:16,600 --> 00:05:19,160 Speaker 5: the lady and everything we're talking about. 102 00:05:19,279 --> 00:05:23,000 Speaker 4: Oh boy, Margaret, you're talking about Claire Bouvey, but you're 103 00:05:23,040 --> 00:05:23,719 Speaker 4: mocking the woman. 104 00:05:24,279 --> 00:05:27,760 Speaker 1: How she speaks dees with you and who's this general 105 00:05:27,760 --> 00:05:28,360 Speaker 1: Galen Shaw? 106 00:05:29,120 --> 00:05:31,520 Speaker 4: Well, I've never heard of you. I've never heard of you, Jack, 107 00:05:32,279 --> 00:05:34,279 Speaker 4: and will just thank you to bun out. I'm in 108 00:05:34,320 --> 00:05:37,000 Speaker 4: the middle of doing a show I was contracted to 109 00:05:37,040 --> 00:05:38,800 Speaker 4: do the Phil Henry show. We're in the middle of it, 110 00:05:38,960 --> 00:05:41,040 Speaker 4: and you are sticking your big bazoo in the middle 111 00:05:41,040 --> 00:05:43,359 Speaker 4: of this. Hold on for just a minute, John, General, 112 00:05:43,920 --> 00:05:45,480 Speaker 4: we're talking about Claire Bouvey. 113 00:05:45,920 --> 00:05:48,280 Speaker 1: I don't know. I don't know who Claire Bouve is, 114 00:05:48,640 --> 00:05:52,000 Speaker 1: but as Bud said, she's deserving of some respect and 115 00:05:52,080 --> 00:05:54,599 Speaker 1: not to talk to her like she's a thing. Talking 116 00:05:54,600 --> 00:05:56,440 Speaker 1: about her like she's some kind of a thing at 117 00:05:56,440 --> 00:05:59,640 Speaker 1: the aquarium to just go hey when it leaps up 118 00:05:59,680 --> 00:06:02,240 Speaker 1: and gets a fish in its mouth, that's a terrible 119 00:06:02,279 --> 00:06:03,800 Speaker 1: way to talk to me. Well, you're the one that 120 00:06:03,839 --> 00:06:05,120 Speaker 1: did it. That, may I say? 121 00:06:05,279 --> 00:06:08,200 Speaker 2: You're General? I'm General Shaw, Yes, I'm John Jerry. 122 00:06:08,200 --> 00:06:10,560 Speaker 1: But I know that you're the guy that you're the 123 00:06:10,600 --> 00:06:12,440 Speaker 1: guy that you're the guy that's got the old ladies 124 00:06:12,480 --> 00:06:14,800 Speaker 1: at the Old Folks Home sticking their hands up your pants. 125 00:06:14,920 --> 00:06:18,039 Speaker 1: That's that. Yeah, you got it right. That's the hell 126 00:06:18,080 --> 00:06:21,560 Speaker 1: that I live in. You understand. Well, oh wait a minute, now, 127 00:06:21,560 --> 00:06:23,799 Speaker 1: you you listened to me. I'd listened to you long enough. 128 00:06:24,400 --> 00:06:26,120 Speaker 1: That's the hell I live in. I got an old 129 00:06:26,120 --> 00:06:30,240 Speaker 1: bag trying to stick her hands down my pants. Well, 130 00:06:30,240 --> 00:06:32,120 Speaker 1: there are worst things, oh are that I'd like to know, 131 00:06:32,960 --> 00:06:37,000 Speaker 1: because I'm telling you right now, that is the worst. 132 00:06:37,560 --> 00:06:41,640 Speaker 1: All right, John, Margaret, just butt out the uh uh. 133 00:06:41,839 --> 00:06:45,000 Speaker 5: Other than talk to me like that, you putts Martin 134 00:06:45,080 --> 00:06:46,320 Speaker 5: god mis Green bell at him. 135 00:06:46,440 --> 00:06:47,080 Speaker 1: No, I didn't. 136 00:06:47,080 --> 00:06:49,960 Speaker 5: She didn't touch me, you said, you mean it sound realistic? 137 00:06:50,160 --> 00:06:52,680 Speaker 1: Did she? Did she touch you at all? Yeah? She 138 00:06:52,720 --> 00:06:59,120 Speaker 1: was touching my nuts? Oh now I'm gonna ah. 139 00:06:58,240 --> 00:07:01,120 Speaker 2: Yeah that that I really did. Straight shut to. 140 00:07:01,080 --> 00:07:08,080 Speaker 1: The ball, sack lah ah ah ah. 141 00:07:08,160 --> 00:07:11,160 Speaker 4: I want some ice. I'm just kidding. I never touched him. 142 00:07:11,880 --> 00:07:14,520 Speaker 4: Here comes Phil. Oh great, what are you guys doing. 143 00:07:15,240 --> 00:07:17,480 Speaker 4: We're reminiscing about Philadelphia so far? 144 00:07:17,560 --> 00:07:19,320 Speaker 1: I heard you. Did you really hit this guy in 145 00:07:19,360 --> 00:07:19,760 Speaker 1: the nuts? 146 00:07:20,520 --> 00:07:20,680 Speaker 6: No? 147 00:07:20,760 --> 00:07:21,200 Speaker 2: I didn't. 148 00:07:21,240 --> 00:07:24,160 Speaker 1: Are you listening all right, but I'm listening to you 149 00:07:24,240 --> 00:07:30,040 Speaker 1: talking some smack? Get out of here, Phil. I have 150 00:07:30,160 --> 00:07:34,520 Speaker 1: often walked down the street before, but my feet have 151 00:07:34,640 --> 00:07:38,800 Speaker 1: almost barely touched the street before as I walk along 152 00:07:39,240 --> 00:07:41,480 Speaker 1: down the street. I don't think we should sing. 153 00:07:41,920 --> 00:07:42,600 Speaker 2: I don't either know. 154 00:07:42,960 --> 00:07:45,920 Speaker 1: My voice is not in shape and anything that we 155 00:07:45,960 --> 00:07:49,440 Speaker 1: sing tonight, even as bad as we sing, because even 156 00:07:49,480 --> 00:07:52,280 Speaker 1: if we sing poorly, we make all these other rodents 157 00:07:52,280 --> 00:07:53,640 Speaker 1: sound rodents. 158 00:07:54,240 --> 00:07:57,240 Speaker 2: That's right, Sorry, that's exactly right. 159 00:07:58,040 --> 00:08:00,400 Speaker 1: We make them sound like what We make them sound 160 00:08:00,240 --> 00:08:02,520 Speaker 1: like rodents, like they got a mouthful of lettuce. 161 00:08:03,840 --> 00:08:05,400 Speaker 4: You're let's say, of the Phil Henry Show. 162 00:08:05,800 --> 00:08:09,920 Speaker 1: I'm Margaret Gray, I'm John Jerryman. We are very excited 163 00:08:09,920 --> 00:08:13,320 Speaker 1: to bring on Brad butt Suck tonight, who had appeared 164 00:08:13,720 --> 00:08:14,640 Speaker 1: on stage with us. 165 00:08:14,640 --> 00:08:16,640 Speaker 5: What but mister Andrey's gonna have to hear about it. 166 00:08:17,280 --> 00:08:19,200 Speaker 5: Hear about what Brad butt suck. 167 00:08:20,480 --> 00:08:21,280 Speaker 2: It's a real guy. 168 00:08:21,360 --> 00:08:25,280 Speaker 1: That's his real Margaret, you know, Phil, would you butt out? 169 00:08:25,440 --> 00:08:26,160 Speaker 2: I have to know. 170 00:08:26,840 --> 00:08:28,520 Speaker 1: Is that a real guy? Yes, it's a real guy. 171 00:08:28,560 --> 00:08:29,920 Speaker 1: You think I just come out. Oh here's a guy 172 00:08:29,960 --> 00:08:34,959 Speaker 1: named Brad butt Suck, Miss Henry, I can tell you yes, 173 00:08:35,000 --> 00:08:37,280 Speaker 1: and we're about to interview him. He'll give you some 174 00:08:37,320 --> 00:08:40,160 Speaker 1: background in detail. He's a real person. That's his real 175 00:08:40,240 --> 00:08:45,120 Speaker 1: last name. Yes, he might have changed it for theatrical purposes. Well, 176 00:08:45,160 --> 00:08:47,480 Speaker 1: that's what I'm talking about. But he went back to 177 00:08:47,480 --> 00:08:50,160 Speaker 1: the original butt suck. That's the family name. He changed 178 00:08:50,160 --> 00:08:51,680 Speaker 1: it I think to what Brown? 179 00:08:51,920 --> 00:08:54,520 Speaker 2: Yeah it was it was Brad Brown or Brown, Brad 180 00:08:54,600 --> 00:08:56,319 Speaker 2: something Brown? 181 00:08:57,920 --> 00:08:59,400 Speaker 1: You done? Yes, I'm done. 182 00:09:00,559 --> 00:09:02,960 Speaker 2: Let's bring on our good friend, Brad butt Suck. 183 00:09:03,640 --> 00:09:08,120 Speaker 1: Brad butt Suck joins us from his home in Colliga, Pennsylvania. 184 00:09:08,240 --> 00:09:10,840 Speaker 1: Brad always always a great pleasure to talk with you. 185 00:09:11,240 --> 00:09:16,000 Speaker 6: Thank you, Mijeri, and always Juchu John runs her talk 186 00:09:16,080 --> 00:09:17,439 Speaker 6: with you. 187 00:09:17,440 --> 00:09:20,360 Speaker 1: You know, we're always excited to talk with you, Brad, 188 00:09:20,400 --> 00:09:25,080 Speaker 1: because you've covered so much Broadway, so many exciting things. 189 00:09:25,320 --> 00:09:27,000 Speaker 1: Are you in the middle of something right now? 190 00:09:27,720 --> 00:09:36,520 Speaker 6: No, I'm Russian Corps shakh Brad. 191 00:09:37,120 --> 00:09:41,800 Speaker 1: We recall when you were on stage performing in boo Abia. 192 00:09:42,559 --> 00:09:45,920 Speaker 1: Remember that one was Caroline Bouve before she had to 193 00:09:45,920 --> 00:09:46,400 Speaker 1: bow out? 194 00:09:46,880 --> 00:09:47,920 Speaker 6: Yes, are you remember? 195 00:09:48,920 --> 00:09:51,439 Speaker 2: And you played the You played the part of nest 196 00:09:51,880 --> 00:09:52,360 Speaker 2: what was his. 197 00:09:52,320 --> 00:09:57,400 Speaker 6: Name, Nescafe no Nestlei. His name was es. He probably 198 00:09:57,440 --> 00:10:01,880 Speaker 6: didn't like it, tell your child shadow like a chaka, but. 199 00:10:01,880 --> 00:10:03,000 Speaker 1: It was not the chocolate bar. 200 00:10:06,160 --> 00:10:08,880 Speaker 2: So you played that part and you did it beautifully 201 00:10:08,920 --> 00:10:12,240 Speaker 2: and it blew everyone away and pardon my language, it 202 00:10:12,480 --> 00:10:15,199 Speaker 2: just blew everyone off the stage. 203 00:10:15,720 --> 00:10:17,560 Speaker 6: I see that very big now. 204 00:10:18,160 --> 00:10:21,400 Speaker 1: Uh. Now, you're the only man I know, Brad who's 205 00:10:21,480 --> 00:10:25,360 Speaker 1: won two Tony's. You won the one Tony for uh 206 00:10:25,480 --> 00:10:28,760 Speaker 1: A Bouvier or boh, what's the name of the play again? 207 00:10:29,559 --> 00:10:32,520 Speaker 6: There was another one in or toy for yes, Well, 208 00:10:32,520 --> 00:10:36,400 Speaker 6: do you see your ssule? I was I was thinking 209 00:10:36,440 --> 00:10:39,760 Speaker 6: to you assholes? Would remember who you who you call? 210 00:10:40,240 --> 00:10:40,760 Speaker 1: Did you hear that? 211 00:10:41,040 --> 00:10:41,319 Speaker 6: What are you? 212 00:10:41,400 --> 00:10:42,520 Speaker 1: Who are you calling? An asshole? 213 00:10:43,480 --> 00:10:48,440 Speaker 6: I'm sorry, but I'm gonna talking here to do? He said, 214 00:10:51,679 --> 00:10:56,640 Speaker 6: he said, he said, I'm sorry, John, I'm really sorry. 215 00:10:56,800 --> 00:10:57,839 Speaker 1: What is what is the point of that? 216 00:10:58,280 --> 00:10:59,319 Speaker 2: Are you having a bad night? 217 00:11:00,240 --> 00:11:03,199 Speaker 6: It is kind of a bad because I tried. I kid, 218 00:11:03,280 --> 00:11:05,360 Speaker 6: I was here, let's go and play poker with the guys. 219 00:11:05,720 --> 00:11:07,800 Speaker 6: I was gonna have a guys night out. It turned 220 00:11:07,800 --> 00:11:10,000 Speaker 6: out my wife didn't go to worst I'm stuck here 221 00:11:10,040 --> 00:11:10,320 Speaker 6: with her. 222 00:11:10,559 --> 00:11:12,720 Speaker 1: All right, Well you're stuck with your wife and your wife, 223 00:11:12,760 --> 00:11:16,640 Speaker 1: by the way, brad butt Sock's wife, Evelyn clowned it down. 224 00:11:17,440 --> 00:11:18,280 Speaker 1: A wonderful woman. 225 00:11:18,760 --> 00:11:24,320 Speaker 6: Yes, he's a wonderful woman, and I've always let sue her. Okay, 226 00:11:24,480 --> 00:11:24,920 Speaker 6: I know, So. 227 00:11:25,040 --> 00:11:26,920 Speaker 1: Why why are you begrudging her a night out? 228 00:11:27,160 --> 00:11:29,400 Speaker 6: Because I'm stuck here these assholes? 229 00:11:32,520 --> 00:11:34,760 Speaker 2: We like you to watch the language if you wouldn't mind, Brad. 230 00:11:35,480 --> 00:11:38,040 Speaker 1: Okay, we're talking with brad butt Sock, one of the 231 00:11:38,080 --> 00:11:41,640 Speaker 1: great Broadway stars, and he's giving us some background on 232 00:11:41,720 --> 00:11:44,679 Speaker 1: his domestic situation. But let's go back, Brad, to when 233 00:11:44,720 --> 00:11:46,439 Speaker 1: you were really knocking it out of the park. There 234 00:11:47,000 --> 00:11:52,920 Speaker 1: the year nineteen ninety nine. The place, the place, Hoogie's 235 00:11:53,000 --> 00:11:57,120 Speaker 1: Theater in the Lower Main in Philadelphia. Do you remember? 236 00:11:57,120 --> 00:11:57,959 Speaker 1: We know where I'm going with this. 237 00:11:58,480 --> 00:12:01,080 Speaker 6: I say tell you and you sang a great song. 238 00:12:01,240 --> 00:12:05,120 Speaker 1: It was in the play entitled would Row Wilson. If 239 00:12:05,160 --> 00:12:07,520 Speaker 1: I never hear his name again, it'll be too soon. 240 00:12:07,920 --> 00:12:09,160 Speaker 6: I remember it. 241 00:12:10,559 --> 00:12:12,280 Speaker 1: It won the Tony, and you won the Tony for 242 00:12:12,360 --> 00:12:16,160 Speaker 1: Best Actor, primarily for your performance in the song I'm 243 00:12:16,200 --> 00:12:18,120 Speaker 1: wood Row Wilson. Does anyone really care? 244 00:12:18,760 --> 00:12:18,920 Speaker 6: Yes? 245 00:12:19,920 --> 00:12:21,240 Speaker 1: Can you do a couple of lines for us? 246 00:12:21,280 --> 00:12:24,040 Speaker 6: There? A couple of lines, you know what I mean? 247 00:12:24,480 --> 00:12:26,760 Speaker 1: Yes, a couple of lines of the of the song. 248 00:12:27,240 --> 00:12:30,439 Speaker 6: Oh oh oh, I heard we're talking about it. 249 00:12:31,760 --> 00:12:38,560 Speaker 5: Okay, could you yeah, mister buttsuck storton cocaine? I mean yeah, yeah, yeah, 250 00:12:38,559 --> 00:12:39,079 Speaker 5: you can't do that. 251 00:12:39,400 --> 00:12:39,959 Speaker 6: I really saw. 252 00:12:41,320 --> 00:12:43,079 Speaker 1: All right, I'll count you down. Let's hear it. This 253 00:12:43,240 --> 00:12:49,640 Speaker 1: is Brad Butt Suck from our wonderful, wonderful play. From 254 00:12:49,720 --> 00:12:53,880 Speaker 1: our wonderful, wonderful play, I'm wood Row Wilson. Does anyone 255 00:12:54,120 --> 00:12:57,240 Speaker 1: really honestly think I was a good president? Hit it? 256 00:12:58,600 --> 00:13:03,720 Speaker 6: I'm Woodrow will say, does anyone care if I did 257 00:13:03,800 --> 00:13:09,160 Speaker 6: a good job? I'm there, I'm We're ro Wilson and 258 00:13:09,360 --> 00:13:13,240 Speaker 6: you are to put our songs and jailer wonder you 259 00:13:14,240 --> 00:13:22,000 Speaker 6: you're not with Roe Wilson. You're not even Frederic. You're 260 00:13:22,040 --> 00:13:26,760 Speaker 6: not wood Roe Wilson. You're not even he he she 261 00:13:27,280 --> 00:13:33,960 Speaker 6: me he you wood Row Wilson, not me, your Woodrow Wilson, 262 00:13:34,840 --> 00:13:39,120 Speaker 6: Me me, your wood Ro Wilson. Top of the team. 263 00:13:40,160 --> 00:13:44,839 Speaker 6: We here making this up as you go along. Yes, yeah, yes, yes, 264 00:13:44,920 --> 00:13:45,600 Speaker 6: I am sorry. 265 00:13:46,160 --> 00:13:47,079 Speaker 1: Well what's the point of that? 266 00:13:47,440 --> 00:13:51,160 Speaker 6: I'm sorry, I don't I don't remember the lyrics of 267 00:13:51,200 --> 00:13:51,600 Speaker 6: the song. 268 00:13:52,720 --> 00:13:55,480 Speaker 1: All right, well well is that what the lyrics to 269 00:13:55,520 --> 00:13:58,680 Speaker 1: the song is? That is it? Is it actually a song? 270 00:13:59,480 --> 00:14:01,199 Speaker 6: This is why you can't get these og So you 271 00:14:01,280 --> 00:14:03,440 Speaker 6: wanna let us changing your saying? 272 00:14:04,400 --> 00:14:08,599 Speaker 2: I said, is that the song? You meanly about me? 273 00:14:10,400 --> 00:14:12,680 Speaker 6: You don't have many you even. 274 00:14:13,960 --> 00:14:17,280 Speaker 1: The wonder if Phil Henry Show backstage pass get it now, 275 00:14:17,880 --> 00:14:19,960 Speaker 1: get it now before it goes. It's there, it goes, 276 00:14:20,000 --> 00:14:20,680 Speaker 1: it's it's gone. 277 00:14:21,120 --> 00:14:23,640 Speaker 4: The world famous Phil Hendra Show a philindreyshow dot Com 278 00:14:24,000 --> 00:14:25,920 Speaker 4: The Greatest value online other than porn. 279 00:14:26,600 --> 00:14:34,080 Speaker 6: I'm Wrejoe Wilson. See he, I'm Wordrow Wilson. Misree, I'm 280 00:14:34,080 --> 00:14:40,680 Speaker 6: Wdrow Wilson. Guy, miss the legend, Woodrow Wilson. Where are 281 00:14:40,760 --> 00:14:47,600 Speaker 6: you heading? Woodrow Wilson letters me, Woodrow Wilson. He he 282 00:14:48,000 --> 00:14:52,240 Speaker 6: he Woodrow Wilson, Woodrow Wilson. Fuck this? 283 00:14:55,440 --> 00:14:55,800 Speaker 1: Where is? 284 00:14:56,040 --> 00:14:57,880 Speaker 2: Excuse me? Is is bred butt suck? 285 00:14:57,920 --> 00:15:01,000 Speaker 6: There? He's not about me? 286 00:15:02,240 --> 00:15:02,800 Speaker 1: What happened? 287 00:15:03,280 --> 00:15:04,880 Speaker 6: Well? I was sticking of the song and then this 288 00:15:04,920 --> 00:15:08,080 Speaker 6: guy said, write the lecal lyrics. Put to the lyrics 289 00:15:08,120 --> 00:15:10,800 Speaker 6: a late he took the lyrics. 290 00:15:10,920 --> 00:15:11,480 Speaker 1: What did you say? 291 00:15:11,760 --> 00:15:12,360 Speaker 6: Yes? He is. 292 00:15:14,800 --> 00:15:17,560 Speaker 4: Phil Henry should be arriving in New York right now. 293 00:15:17,960 --> 00:15:23,320 Speaker 6: I'm Wderald Wilson. Oh, it's Phil Henry is in Oh well, 294 00:15:23,400 --> 00:15:27,880 Speaker 6: Phil Henry is in New York. It's Phil Henry. I 295 00:15:28,040 --> 00:15:34,680 Speaker 6: hope he likes pork. It's Phil Henry. He's in New York, York. Pork, 296 00:15:34,840 --> 00:15:39,800 Speaker 6: dork fork Nork, Paul. This is brad Butt sucks saying 297 00:15:39,840 --> 00:15:42,840 Speaker 6: the world flame is Phil Henry. So he's exceptionally produced 298 00:15:42,840 --> 00:15:47,560 Speaker 6: by Phil Henry for Shampay Incorporated. Alright preserved on podcast one, 299 00:15:47,960 --> 00:15:51,040 Speaker 6: joining us to Next time for another Phil Henry show.