WEBVTT - James Beard: Food Legend

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<v Speaker 1>Hey, everyone, we want to announce that we have our

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<v Speaker 1>final three shows of the year on the books August

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<v Speaker 1>twelfth in Orlando, Florida, September sixth in Nashville, Tennessee, and

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<v Speaker 1>winding it up right here in Atlanta September ninth.

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<v Speaker 2>They're going to be great, just great, great, great great.

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<v Speaker 2>So if you want to come see the Stuff you

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<v Speaker 2>Should Know greatness, the last of it for the year,

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<v Speaker 2>you can by going to Stuff you Should Know dot

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<v Speaker 2>com and checking out our tour page or going to

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<v Speaker 2>link tree slash sysk. Either way you'll get links to

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<v Speaker 2>tickets and all the info you need. We'll see you

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<v Speaker 2>starting in August.

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<v Speaker 3>Welcome to Stuff you Should Know, a production of iHeartRadio.

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<v Speaker 2>Hey, I'm welcome to the podcast. I'm Josh, and there's Chuck.

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<v Speaker 2>Jerry's here too, and that makes this Stuff you Should Know.

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<v Speaker 4>Let's see that's right.

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<v Speaker 1>This is about James Beard, the Human and the James

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<v Speaker 1>Beard Foundation and awards. Big thanks to Dave Brus who

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<v Speaker 1>helped us put this together. And I also got a

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<v Speaker 1>lot of stuff from a writer, a bunch of interviews

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<v Speaker 1>in magazine articles on this guy, John Birdsall, who wrote

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<v Speaker 1>a book called The Man Who ate too much about

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<v Speaker 1>James Beard, about James Beard and James Beard through the

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<v Speaker 1>lens of sort of what it was like to be

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<v Speaker 1>a closeted gay man, and then you know, starting in

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<v Speaker 1>the early nineteen hundreds in the United States.

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<v Speaker 2>Yeah, one of the things about the Internet is is

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<v Speaker 2>when something comes along that's kind of definitive, most of

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<v Speaker 2>the stuff that turns up on a search engine is

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<v Speaker 2>interpretation of that. Yeah, it's a bunch of different reviews

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<v Speaker 2>of in this case of a book or think pieces,

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<v Speaker 2>you know, based on the book whatever. But if you

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<v Speaker 2>dig hard enough, you can find like pre you know,

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<v Speaker 2>definitive articles as well. And this is a case of that.

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<v Speaker 2>And it's really interesting to see things that were written

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<v Speaker 2>about James Beard in nineteen eighty ninety seven or yeh,

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<v Speaker 2>twenty ten or whatever, anytime before twenty twenty when John

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<v Speaker 2>Birdsall's book came out, and it's just totally different. It's

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<v Speaker 2>so much more surface level and accepting him as who

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<v Speaker 2>he was basically or taking on face that he was

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<v Speaker 2>who he seemed to be. And then now after that,

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<v Speaker 2>it's like there's meditations on you know, whether he actually

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<v Speaker 2>hated being gay, like a friend said he did or

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<v Speaker 2>did he hate being gay in the mid twentieth century. Like,

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<v Speaker 2>it's just a completely different approach to James Beard. And

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<v Speaker 2>certainly it's a lot more robust and well rounded and thoughtful.

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<v Speaker 2>But in some ways it's like, man, it's too bad

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<v Speaker 2>we can't go back to the happier interpretation of James Beard.

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<v Speaker 2>But that's just not how it goes.

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<v Speaker 1>Yeah, So who we're talking about is, like you said,

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<v Speaker 1>James Beard. If you are into food, if you're into restaurants,

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<v Speaker 1>if you are into cooking shows and reading cookbooks and

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<v Speaker 1>foodie culture, then James Beard is a very big name.

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<v Speaker 1>Because if you get a James Beard Award for your

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<v Speaker 1>podcast or your restaurant critic column or your cookbook or

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<v Speaker 1>most importantly for your restaurant, yeah, or as a chef,

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<v Speaker 1>then that means big. That means fame and fortune and

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<v Speaker 1>all the things that go with winning a major award,

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<v Speaker 1>as if it were a Tony or an Oscar or

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<v Speaker 1>a Emmy or whatever.

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<v Speaker 2>Yeah, because that is generally how it's viewed as the

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<v Speaker 2>Oscars of.

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<v Speaker 1>Food until the Oscar said stop saying that.

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<v Speaker 2>Yeah they did. Apparently. The James Beard Awards were broadcast

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<v Speaker 2>of Food Network in the nineties and they call it

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<v Speaker 2>the culinary Oscars, right, and the Oscars. Yeah, they were like, please,

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<v Speaker 2>please don't do that anymore. We're going to see you.

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<v Speaker 1>Yeah, and we'll get into his early history. But he

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<v Speaker 1>is or was a chef and a cookbook right, and

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<v Speaker 1>a business owner. He was probably the first American celebrity

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<v Speaker 1>chef and really formed the mold for all to follow

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<v Speaker 1>of chef as brand. He had an encyclopedic knowledge of food.

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<v Speaker 1>I saw some cool interviews with different like legendary chefs

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<v Speaker 1>that were like, he knew more about every type of

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<v Speaker 1>food you could imagine and every ingredient on planet Earth

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<v Speaker 1>than anyone that I've ever met. And this is like

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<v Speaker 1>Alice Waters and Jacques Papin and like the legendary chefs

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<v Speaker 1>of the world.

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<v Speaker 4>Yeah.

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<v Speaker 2>Yeah, he's very highly regarded, highly thought of. And what's

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<v Speaker 2>amazing is he was self taught. Basically, he had a

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<v Speaker 2>lot of influences along the way, but he never went

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<v Speaker 2>to any he never had any formal training in cooking.

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<v Speaker 1>Yeah, yet he started what we now call farm to

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<v Speaker 1>table cuisine and New American cuisine because from the very

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<v Speaker 1>beginning he was like, it's just got to taste good.

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<v Speaker 1>It's simple ingredients put together in a non fussy way

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<v Speaker 1>is the way it's best to cook and eat. And

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<v Speaker 1>now that's people are all about that. But that's sort

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<v Speaker 1>of a more recent sort of resurgence of that kind

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<v Speaker 1>of thing.

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<v Speaker 2>Yeah, And I mean if you took him now or

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<v Speaker 2>back then and just fast forwarded him to now, the

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<v Speaker 2>only two differences would be he'd be allowed to be

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<v Speaker 2>out as Carrie and he would have to get both

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<v Speaker 2>of his sleeves fully tatted. Right, That's it, because that's like,

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<v Speaker 2>it's we just finally kind of caught up to his vibe,

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<v Speaker 2>totally established it.

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<v Speaker 1>All right, So should we go back to the beginning.

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<v Speaker 1>Let's all right, let's go back to Portland, Oregon then

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<v Speaker 1>in nineteen oh three. I can't imagine what Portland could

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<v Speaker 1>have possibly been like growing up as a kid in

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<v Speaker 1>the nineteen tens and teens, but.

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<v Speaker 2>There's a lot of horses and rugged people probably so.

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<v Speaker 4>In his own memoir, he.

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<v Speaker 1>Semi accurately just described his life as very idyllic, in

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<v Speaker 1>the sense that from the very beginning he grew up

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<v Speaker 1>eating great food. For a couple of reasons, one or

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<v Speaker 1>for three reasons. Early one is because where he lived

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<v Speaker 1>in Oregon near the coast. They had great fresh seafood

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<v Speaker 1>everywhere and forest everywhere, so these great wild berries and vegetables,

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<v Speaker 1>organic stuff, because that's just everything was basically organic, pre

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<v Speaker 1>mass farming and pesticide. And the other two reasons are

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<v Speaker 1>that his mom, who was an english woman named Elizabeth Beard,

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<v Speaker 1>was very much into good food and like making sure

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<v Speaker 1>her son ate like really great stuff and the finest things.

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<v Speaker 1>Because they had some money in there. He was pretty spoiled. Yeah,

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<v Speaker 1>I think so. And then the other was his who

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<v Speaker 1>ended up being kind of a godfather because apparently his

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<v Speaker 1>dad wasn't a very good guy, which was a Cantonese

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<v Speaker 1>immigrant chef who was the chef of the house name

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<v Speaker 1>jew Lette, who they were very very close and from

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<v Speaker 1>a very early age, James Beard was exposed to Chinese

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<v Speaker 1>and Asian cooking, Cantonese cooking in particular. I believe that

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<v Speaker 1>jew Lette was also a master breadmaker, and Portland has

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<v Speaker 1>one of the oldest China towns in the US. So

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<v Speaker 1>as a young kid, he was being exposed to all

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<v Speaker 1>kinds of great cuisines thanks to the I think live

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<v Speaker 1>in chef.

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<v Speaker 2>Yeah, and if you put those two together you get

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<v Speaker 2>a really good approximation of what he did. He took

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<v Speaker 2>He created American cuisine at a time like when he

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<v Speaker 2>really kind of became a public figure. It was at

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<v Speaker 2>the exact same time that we were learning how to

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<v Speaker 2>make frozen foods and building TV trays, and there's a

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<v Speaker 2>whole g whiz thing to like aluminum foil and stuff

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<v Speaker 2>like that. So he pushed against that and said, no,

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<v Speaker 2>we want fresh stuff, we want seasonal stuff. You don't

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<v Speaker 2>want stuff that was picked six months ago and frozen

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<v Speaker 2>ever since. And a lot of America was like, yeah,

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<v Speaker 2>we dude, this is amazing. This is like the space

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<v Speaker 2>age in the future.

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<v Speaker 4>Sit down.

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<v Speaker 2>And then the other the Giulette influence was to take

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<v Speaker 2>other cultures dishes and americanize them in certain ways, just

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<v Speaker 2>swapping out ingredients, changing the name, and just making it

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<v Speaker 2>that much more approachable. But it's still something that you know,

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<v Speaker 2>it's still an exotic dish, but it's an exotic dish

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<v Speaker 2>that he's explaining the average American cook who's interested can

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<v Speaker 2>go do.

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<v Speaker 4>Yeah, for sure.

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<v Speaker 1>Like I said, his dad was not a great dude,

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<v Speaker 1>wasn't around that much. His mom, who I mentioned, was

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<v Speaker 1>born in England was she ran the family. They had

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<v Speaker 1>a boarding house called the Gladstone in Portland, and she

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<v Speaker 1>ran that and apparently was a perfectionist and very domineering.

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<v Speaker 1>So while she was, you know, orchestrating all these gourmet

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<v Speaker 1>meals for her young son, I get the idea that

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<v Speaker 1>it wasn't the easiest sort of home life with her

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<v Speaker 1>perfectionism and diamondeiring qualities.

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<v Speaker 2>Yeah, but you didn't get that from his memoir, which

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<v Speaker 2>is another good kind of sketch of what he was like.

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<v Speaker 2>He presented himself totally differently as a public figure then,

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<v Speaker 2>I don't want to say totally differently, but much differently,

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<v Speaker 2>especially as he became more and more of a public

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<v Speaker 2>figure right than who he was in real life. He

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<v Speaker 2>was very good at embellishing anecdotes or you know, he

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<v Speaker 2>realized the value of the backstory to a recipe would

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<v Speaker 2>make people want to make it more and then they

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<v Speaker 2>could share that when they cooked it for their friends.

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<v Speaker 4>Yeah.

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<v Speaker 1>He went to Read College there in Portland and ended

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<v Speaker 1>up being asked to leave Read College basically expelled his

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<v Speaker 1>freshman year in nineteen twenty one, because he had a

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<v Speaker 1>couple of affairs with other students and one with a

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<v Speaker 1>professor where apparently some of his roommates actually witnessed this,

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<v Speaker 1>like walked in on them, and they very quietly said,

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<v Speaker 1>you've got to get out of here. And I don't

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<v Speaker 1>know if being gay was illegal in Oregon at the time,

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<v Speaker 1>but it was illegal in some states, and it wouldn't

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<v Speaker 1>surprise me if Orgon was one of them.

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<v Speaker 4>But they said, you got to get out of here.

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<v Speaker 1>And the yearbook hadn't even been published yet, and they

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<v Speaker 1>erased every mention of him in their yearbook before it published.

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<v Speaker 2>Yeah, which, depending on who you ask, either like scarred

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<v Speaker 2>him for life when he secretly held it as a

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<v Speaker 2>mark of shame, and maybe that was one of the

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<v Speaker 2>reasons why he hated being gay, or he just you know,

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<v Speaker 2>rolled with it and moved on. I'm not quite sure

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<v Speaker 2>which is correct, but either way, he still had a

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<v Speaker 2>deep and abiding love for Reid College and left most

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<v Speaker 2>of his estate to Read College after he died.

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<v Speaker 4>Yeah, I'm not I don't know.

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<v Speaker 1>I wonder why that happened, because I know they eventually

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<v Speaker 1>came around once he got famous and were like, oh,

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<v Speaker 1>he's a very famous reading and they gave him an

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<v Speaker 1>honorary degree. Many years later, in nineteen seventy six. But

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<v Speaker 1>I don't know, it still surprises me that he just

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<v Speaker 1>for being there one year that he I don't know,

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<v Speaker 1>left in that kind of endowment.

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<v Speaker 2>Yeah, not even one year. He didn't even make it

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<v Speaker 2>through his freshman year. Yeah, yeah, No, it's surprising because

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<v Speaker 2>he also could have been like, oh you want me

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<v Speaker 2>to be a ready, now, shove it, but he didn't.

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<v Speaker 2>He very he was very pleased to have been given

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<v Speaker 2>an honorary degree. So after college, his little Stanton College,

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<v Speaker 2>he's like, you know what, I want to be an actor,

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<v Speaker 2>maybe an opera singer. My family's pretty wealthy, so I'm

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<v Speaker 2>just going to go to Europe, joining a traveling theater

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<v Speaker 2>company and study my craft in Europe. There he learned,

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<v Speaker 2>I think the hard way that he had a mediocre talent.

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<v Speaker 2>I saw it described, But in like Paris and London

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<v Speaker 2>and some of the great European capitals he found like,

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<v Speaker 2>oh my gosh, there's like these gay communities are just

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<v Speaker 2>barely on the downlow, Like there, you know, they have

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<v Speaker 2>great parties and they have their own bars and places

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<v Speaker 2>to go, like it's totally unlike America. So in that sense,

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<v Speaker 2>I think he learned to appreciate being gay, or at

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<v Speaker 2>least interacting with the gay community for the first time

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<v Speaker 2>there in Europe, which would have been a great education

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<v Speaker 2>for him.

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<v Speaker 4>Yeah.

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<v Speaker 1>And he spent the next I don't know, fifteen or

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<v Speaker 1>so years moving around a lot, still trying to work

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<v Speaker 1>in theater and doing also getting involved in cooking some

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<v Speaker 1>and I think twenty four he moved back to Portland,

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<v Speaker 1>worked as a radio announcer and again joined another theater troupe.

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<v Speaker 1>Twenty seven moved to la for a little while and

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<v Speaker 1>actually got a couple of bit parts in Cecil.

0:12:50.400 --> 0:12:51.480
<v Speaker 4>B de Mille movies.

0:12:51.600 --> 0:12:54.560
<v Speaker 1>Oh yeah, very small part, so you know, kind of

0:12:54.600 --> 0:12:57.120
<v Speaker 1>just like you were saying, he apparently he could sing

0:12:57.160 --> 0:12:57.520
<v Speaker 1>and act.

0:12:57.559 --> 0:12:59.480
<v Speaker 4>It just was, you know, he was right there in

0:12:59.520 --> 0:12:59.840
<v Speaker 4>the middle.

0:13:00.360 --> 0:13:03.200
<v Speaker 1>Yeah, but it wasn't like, oh like he had no

0:13:03.240 --> 0:13:06.200
<v Speaker 1>talent whatsoever, and he was just a rich kid. In

0:13:06.320 --> 0:13:10.200
<v Speaker 1>twenty eight he went back to Portland, more local theater,

0:13:10.440 --> 0:13:12.600
<v Speaker 1>and then started spending a lot of time in Seattle,

0:13:13.520 --> 0:13:17.120
<v Speaker 1>did a semester at Carnegie Tech and Pittsburgh where he

0:13:17.160 --> 0:13:20.240
<v Speaker 1>studied like scenic design and costume design and stuff. So

0:13:20.240 --> 0:13:22.400
<v Speaker 1>he was really still trying to do the theater thing,

0:13:23.280 --> 0:13:24.959
<v Speaker 1>and that's what he was still trying to do when

0:13:24.960 --> 0:13:27.679
<v Speaker 1>he moved to New York in nineteen thirty seven.

0:13:27.920 --> 0:13:28.640
<v Speaker 4>Yeah, and he.

0:13:29.160 --> 0:13:32.400
<v Speaker 2>Didn't aspire to be a chef. He basically did it

0:13:32.440 --> 0:13:35.160
<v Speaker 2>to make ends meet. That's when he started. When he

0:13:35.240 --> 0:13:37.680
<v Speaker 2>was in New York, he fell in with the gay

0:13:37.720 --> 0:13:41.920
<v Speaker 2>community there, which was super underground apparently at the time

0:13:42.360 --> 0:13:45.240
<v Speaker 2>in nineteen nineteen thirties. Even in New York, you couldn't

0:13:45.240 --> 0:13:49.240
<v Speaker 2>even hint that you were gay, like you just did not,

0:13:49.679 --> 0:13:52.439
<v Speaker 2>at least not in public. So you couldn't go out

0:13:52.440 --> 0:13:54.640
<v Speaker 2>to bars because bars didn't want you. They could lose

0:13:54.679 --> 0:13:57.640
<v Speaker 2>their license if they were caught with a gay person

0:13:57.679 --> 0:14:02.440
<v Speaker 2>in their on the premises. So what the gay community

0:14:02.440 --> 0:14:05.040
<v Speaker 2>did in New York was throw private parties at people's houses.

0:14:05.320 --> 0:14:08.160
<v Speaker 2>And what he did was he started hiring himself out

0:14:08.200 --> 0:14:10.760
<v Speaker 2>to cook for these parties. And he got particularly good

0:14:10.800 --> 0:14:15.800
<v Speaker 2>at creating cocktail party food, finger foods, cannapis or dervs,

0:14:15.800 --> 0:14:18.720
<v Speaker 2>that kind of stuff, so much so that he ended

0:14:18.800 --> 0:14:20.960
<v Speaker 2>up making writing his first cookbook on that, which we'll

0:14:20.960 --> 0:14:21.760
<v Speaker 2>talk about in a second.

0:14:22.440 --> 0:14:24.400
<v Speaker 1>Yeah, and this all this New York stuff, this is

0:14:24.440 --> 0:14:27.160
<v Speaker 1>post prohibition, like there were gay bars in New York

0:14:28.760 --> 0:14:31.600
<v Speaker 1>pre prohibition, which I didn't even realize. No, I didn't either,

0:14:31.920 --> 0:14:36.440
<v Speaker 1>but they basically use prohibition once the things started post prohibition,

0:14:36.480 --> 0:14:39.760
<v Speaker 1>once things finally started opening up again, to say, okay,

0:14:39.760 --> 0:14:41.560
<v Speaker 1>but here's the deal, like no more gay bars.

0:14:41.680 --> 0:14:44.200
<v Speaker 2>Yeah, it's just like history. It's crazy. It's just a

0:14:44.240 --> 0:14:47.800
<v Speaker 2>back and forth of progressive and conservative, progressive and conservative

0:14:47.880 --> 0:14:50.320
<v Speaker 2>like a seesaw. It's interesting because you tend to think

0:14:50.320 --> 0:14:53.440
<v Speaker 2>of everything as kind of moving forward. It would be progressiveness.

0:14:53.440 --> 0:14:56.640
<v Speaker 2>But it doesn't always, No, it doesn't.

0:14:57.840 --> 0:15:00.480
<v Speaker 1>You're talking about those cocktail parties in New York where

0:15:00.480 --> 0:15:02.520
<v Speaker 1>he was making food. He ended up meeting a very

0:15:03.880 --> 0:15:06.880
<v Speaker 1>key person in his life named James Cullum, who was

0:15:07.000 --> 0:15:10.640
<v Speaker 1>a wealthy gay socialite, and he said, hey, why don't

0:15:10.640 --> 0:15:12.280
<v Speaker 1>you move in with me. I got a spare room

0:15:12.880 --> 0:15:14.760
<v Speaker 1>and you can kind of be my I thow these

0:15:14.840 --> 0:15:17.000
<v Speaker 1>huge parties and you're great at this, and you can

0:15:17.120 --> 0:15:22.080
<v Speaker 1>kind of be my live in cater chef essentially, And it.

0:15:22.160 --> 0:15:22.760
<v Speaker 4>Was I saw.

0:15:22.800 --> 0:15:25.440
<v Speaker 1>It was like a completely platonic thing. But he moved in.

0:15:26.520 --> 0:15:27.560
<v Speaker 4>Through culumn.

0:15:27.640 --> 0:15:30.520
<v Speaker 1>He was able to work all these other parties, meet

0:15:30.560 --> 0:15:34.400
<v Speaker 1>all the sort of well healed gay New Yorkers with money,

0:15:35.000 --> 0:15:37.480
<v Speaker 1>and like you said, he made quite a name for himself.

0:15:37.720 --> 0:15:39.840
<v Speaker 1>And he was doing this, like you said, with these

0:15:40.680 --> 0:15:44.240
<v Speaker 1>sort of simple or dervs and finger foods, that he

0:15:44.280 --> 0:15:48.080
<v Speaker 1>would make his own. One thing that he's still very

0:15:48.080 --> 0:15:50.040
<v Speaker 1>famous for was his onion sandwich.

0:15:50.160 --> 0:15:50.720
<v Speaker 4>Yeah.

0:15:50.800 --> 0:15:52.840
<v Speaker 1>I looked up this thing. I gotta make one now.

0:15:53.000 --> 0:15:56.080
<v Speaker 2>Really I was not inspired to, Oh.

0:15:55.960 --> 0:15:59.240
<v Speaker 1>Man, I think they looked delicious. I saw Jacqupapine make one.

0:15:59.280 --> 0:16:01.800
<v Speaker 1>Maybe I had some with sure. But you take some

0:16:01.840 --> 0:16:04.680
<v Speaker 1>bryoshe and you cut, like use a biscuit cutter or

0:16:04.680 --> 0:16:07.440
<v Speaker 1>something to cut it into a circle so it doesn't

0:16:07.440 --> 0:16:10.560
<v Speaker 1>have any crust. You cut two of these. You make

0:16:10.640 --> 0:16:14.240
<v Speaker 1>up some homemade mayo ideally or dukes of pure in

0:16:14.280 --> 0:16:16.880
<v Speaker 1>a pinch, and then you spread mayo in each side.

0:16:17.040 --> 0:16:19.800
<v Speaker 1>You slice very thinly. You cut an onion in half,

0:16:19.840 --> 0:16:22.640
<v Speaker 1>and then very thinly slice you know, a half moon

0:16:22.640 --> 0:16:25.240
<v Speaker 1>of onion and a half moon of onion, and put

0:16:25.240 --> 0:16:29.880
<v Speaker 1>those together so it is, you know, covering the whole sandwich.

0:16:29.960 --> 0:16:34.560
<v Speaker 1>And then you spread mayo along the outer rim of

0:16:34.560 --> 0:16:37.200
<v Speaker 1>this sandwich. Once you put it together, and then roll

0:16:37.280 --> 0:16:40.920
<v Speaker 1>that in either chopped parsley or some combination of chopped

0:16:40.920 --> 0:16:43.680
<v Speaker 1>herbs that you like, and it just it looked really

0:16:43.680 --> 0:16:46.480
<v Speaker 1>good and it looks very simple, and everyone goes nuts

0:16:46.480 --> 0:16:48.120
<v Speaker 1>on it. So I've got to try it.

0:16:48.320 --> 0:16:50.560
<v Speaker 2>Okay, Well, let me know how it is, and if

0:16:50.560 --> 0:16:53.640
<v Speaker 2>it is particularly good, I'll try it for sure. And

0:16:53.680 --> 0:16:56.960
<v Speaker 2>it's not like I'm like that's gross. I just I'm like,

0:16:56.960 --> 0:16:58.800
<v Speaker 2>this is missing something that would make me want to

0:16:58.800 --> 0:17:02.680
<v Speaker 2>eat it, like where's the deli meat?

0:17:03.840 --> 0:17:06.920
<v Speaker 1>He apparently wealthy, and this is something birds All wrote

0:17:06.920 --> 0:17:11.000
<v Speaker 1>about that, like wealthy straight parties at the time, they

0:17:11.040 --> 0:17:16.280
<v Speaker 1>had like really fancy stuff like you know, caviare and truffles,

0:17:16.800 --> 0:17:19.760
<v Speaker 1>but the food itself, apparently, and the finger foods and

0:17:19.800 --> 0:17:22.840
<v Speaker 1>sandwiches are all kind of boring, and apparently this stuff

0:17:22.920 --> 0:17:24.680
<v Speaker 1>was just way better and more creative.

0:17:25.119 --> 0:17:30.320
<v Speaker 2>Yeah, so again, he made his name as a catering chef.

0:17:30.359 --> 0:17:34.399
<v Speaker 2>He founded a company called or derv Inc with a

0:17:34.440 --> 0:17:38.119
<v Speaker 2>brother and sister, Bill and Irma Roade, and at the

0:17:38.119 --> 0:17:40.560
<v Speaker 2>same time he learned a lot from these people. He

0:17:40.600 --> 0:17:42.960
<v Speaker 2>also learned a lot from a woman named Jean Wilson

0:17:43.000 --> 0:17:46.879
<v Speaker 2>who was a socialite in New York, and all three

0:17:46.920 --> 0:17:50.640
<v Speaker 2>of them kind of took him under their wing, taught

0:17:50.720 --> 0:17:53.840
<v Speaker 2>him things like the value of like going out and

0:17:53.840 --> 0:17:59.000
<v Speaker 2>finding good ingredients at stores in New York, like how

0:17:59.040 --> 0:18:01.720
<v Speaker 2>to appreciate wine or at least pretend like you understand

0:18:01.760 --> 0:18:06.600
<v Speaker 2>how to appreciate wine. From Bill Road. He learned the

0:18:06.680 --> 0:18:09.440
<v Speaker 2>value of adding a story, a backstory to a dish.

0:18:09.920 --> 0:18:13.800
<v Speaker 2>How important that was. And it was another it was

0:18:14.880 --> 0:18:17.639
<v Speaker 2>if his education came in like peaks and valleys. This

0:18:17.800 --> 0:18:23.160
<v Speaker 2>was another big peak in his culinary education, you could say.

0:18:23.400 --> 0:18:26.000
<v Speaker 2>And he went on in I think nineteen forty, just

0:18:26.040 --> 0:18:28.119
<v Speaker 2>a few years after he started cooking. I think, right,

0:18:28.160 --> 0:18:30.240
<v Speaker 2>didn't you say it was thirty seven that he really started.

0:18:30.800 --> 0:18:32.480
<v Speaker 1>I mean he moved to New York in thirty seven,

0:18:32.560 --> 0:18:35.199
<v Speaker 1>and I think kind of ditched everything else in like

0:18:35.280 --> 0:18:36.280
<v Speaker 1>thirty eight and thirty nine.

0:18:36.320 --> 0:18:39.320
<v Speaker 2>Okay, So in three years he went from teaching himself

0:18:39.359 --> 0:18:42.920
<v Speaker 2>how to cook basically hanging out with New York society

0:18:43.119 --> 0:18:46.600
<v Speaker 2>to writing his first cookbook in nineteen forty, which he

0:18:46.680 --> 0:18:48.720
<v Speaker 2>claimed over written in six weeks.

0:18:48.960 --> 0:18:52.880
<v Speaker 1>Yeah, shortly thereafter. And I guess we'll take a break

0:18:52.880 --> 0:18:57.000
<v Speaker 1>after this. But he was drafted into the army. I

0:18:57.000 --> 0:18:59.360
<v Speaker 1>saw he enlisted and that he was drafted. So I'm

0:18:59.359 --> 0:19:01.080
<v Speaker 1>not sure which is true. But I was all drafted

0:19:01.080 --> 0:19:05.520
<v Speaker 1>more often than enlisted, and UH that ended his catering

0:19:05.560 --> 0:19:08.359
<v Speaker 1>business for a couple of reasons. I think even before

0:19:08.400 --> 0:19:13.080
<v Speaker 1>he was drafted, the food rationing basically ended that catering business.

0:19:13.840 --> 0:19:16.080
<v Speaker 1>But he was drafted in forty two UH into a

0:19:16.240 --> 0:19:20.080
<v Speaker 1>cryptography school and served in the US Seaman Service in

0:19:20.160 --> 0:19:24.080
<v Speaker 1>places like Brazil and Puerto Rico and Panama and France.

0:19:24.160 --> 0:19:27.280
<v Speaker 1>So he's in a way still kind of continuing his

0:19:27.320 --> 0:19:30.520
<v Speaker 1>food education by living in these places with awesome food.

0:19:30.560 --> 0:19:31.680
<v Speaker 2>Man, that's super interesting.

0:19:32.600 --> 0:19:34.960
<v Speaker 4>Should we take that break, Yeah, let's all right. We'll

0:19:35.000 --> 0:19:36.680
<v Speaker 4>be right back with Moron James.

0:19:36.440 --> 0:19:50.320
<v Speaker 3>Bear Stoffy, Josh, I want to learn about a terris

0:19:50.359 --> 0:19:52.840
<v Speaker 3>ort and college Taradactyl, how to take a berger bout

0:19:52.880 --> 0:19:55.879
<v Speaker 3>fractalk Is Khan, that's a little hunt, the Lizzie Boarders,

0:19:57.040 --> 0:20:00.280
<v Speaker 3>plane everything, and Josi.

0:20:03.320 --> 0:20:04.359
<v Speaker 4>Sport up. Jerry.

0:20:05.320 --> 0:20:10.640
<v Speaker 2>All right, So I mentioned Gene Wilson, Bill and Irma Road.

0:20:10.760 --> 0:20:16.800
<v Speaker 2>They had a huge impact on his culinary education. I

0:20:16.800 --> 0:20:20.040
<v Speaker 2>should say, nothing formal again, like that was just hanging

0:20:20.080 --> 0:20:22.520
<v Speaker 2>out with the right people who kind of provided this

0:20:22.600 --> 0:20:27.080
<v Speaker 2>and that and sometimes recipes. He co owned the catering

0:20:27.119 --> 0:20:31.440
<v Speaker 2>business with them, but the first chance he got to

0:20:32.040 --> 0:20:35.320
<v Speaker 2>cut them out credit wise, he took in his nineteen

0:20:35.400 --> 0:20:38.720
<v Speaker 2>forty cookbook can or dirves and Cannipates. There's no mention

0:20:38.840 --> 0:20:43.320
<v Speaker 2>of them. There's no mention of any of the order

0:20:43.359 --> 0:20:46.080
<v Speaker 2>of ink, or of their ownership and order of ink,

0:20:46.119 --> 0:20:50.320
<v Speaker 2>I should say. And he kind of, at least in retrospect,

0:20:50.400 --> 0:20:56.040
<v Speaker 2>became a little bit famous for, at the very least

0:20:56.320 --> 0:20:58.800
<v Speaker 2>put it as nicely as possible, not giving credit where

0:20:58.840 --> 0:21:02.439
<v Speaker 2>credit is due, at worst, using people and then burning

0:21:02.480 --> 0:21:05.480
<v Speaker 2>the bridge in an effort to climb ever upward.

0:21:06.280 --> 0:21:09.640
<v Speaker 1>I saw that onion sandwich recipe might have even been

0:21:10.040 --> 0:21:13.520
<v Speaker 1>from the roads. Yeah, I'm not sure about that one

0:21:13.560 --> 0:21:15.720
<v Speaker 1>hundred percent, but that could be an example.

0:21:16.400 --> 0:21:16.800
<v Speaker 4>He wrote.

0:21:17.000 --> 0:21:20.120
<v Speaker 1>He was very prolific, wrote a lot of books. From

0:21:20.200 --> 0:21:23.520
<v Speaker 1>nineteen forty to nineteen eighty three. He had twenty cookbooks,

0:21:24.040 --> 0:21:27.080
<v Speaker 1>including nineteen fifty nine sort of his seminal work, the

0:21:27.160 --> 0:21:31.520
<v Speaker 1>James Beard Cookbook that had it was kind of like

0:21:31.760 --> 0:21:33.840
<v Speaker 1>a kitchen bible, which apparently he wasn't a big fan

0:21:33.880 --> 0:21:36.320
<v Speaker 1>of those kinds of books, and this was not even

0:21:36.359 --> 0:21:38.720
<v Speaker 1>close to his favorite of his own, but it was

0:21:38.760 --> 0:21:41.719
<v Speaker 1>the best selling and had everything in there from how

0:21:41.760 --> 0:21:43.560
<v Speaker 1>to make like a French Castle, aid to how to

0:21:43.600 --> 0:21:48.760
<v Speaker 1>Boil Water, and was I think the first cookbook to

0:21:48.920 --> 0:21:52.399
<v Speaker 1>feature the chef on the cover. It was just unheard

0:21:52.440 --> 0:21:54.800
<v Speaker 1>of to do at the time. It was just you know,

0:21:55.000 --> 0:21:57.200
<v Speaker 1>the joy of cooking or whatever, you just have text

0:21:57.520 --> 0:21:59.280
<v Speaker 1>and he was the first person to put his mug

0:21:59.320 --> 0:22:01.920
<v Speaker 1>on there. And again that's just sort of laid the

0:22:01.960 --> 0:22:05.879
<v Speaker 1>groundwork for chef as brand. He was this really big

0:22:05.920 --> 0:22:08.320
<v Speaker 1>guy who was six ' three weighed over three hundred pounds.

0:22:08.320 --> 0:22:11.199
<v Speaker 1>He eventually was bald and kind of looked like an

0:22:11.280 --> 0:22:17.360
<v Speaker 1>Uncle Fester type, but apparently he just had no self

0:22:17.400 --> 0:22:20.440
<v Speaker 1>consciousness about the way he looked and a bigger person

0:22:20.560 --> 0:22:23.760
<v Speaker 1>like eating a lot, because he ate a ton and

0:22:23.880 --> 0:22:26.280
<v Speaker 1>consistently talked about how much he'd loved to eat a

0:22:26.280 --> 0:22:27.280
<v Speaker 1>lot of food.

0:22:27.119 --> 0:22:29.840
<v Speaker 2>So much so that he had one of the first

0:22:29.880 --> 0:22:34.480
<v Speaker 2>cooking shows, maybe the first televised cooking show in America

0:22:35.119 --> 0:22:37.760
<v Speaker 2>in nineteen forty six. It was titled I Love to Eat.

0:22:38.600 --> 0:22:39.480
<v Speaker 4>That was his catchphrase.

0:22:39.680 --> 0:22:41.960
<v Speaker 2>Yeah, he would say that at the either the end

0:22:42.040 --> 0:22:45.840
<v Speaker 2>of the beginning of everyone. It only ran for a year,

0:22:46.440 --> 0:22:48.280
<v Speaker 2>and from what I could tell, that was his only

0:22:48.480 --> 0:22:50.800
<v Speaker 2>TV show. He made some appearances on other shows like

0:22:50.840 --> 0:22:53.199
<v Speaker 2>The Mike Douglas Show and other stuff like that, but

0:22:53.480 --> 0:22:57.400
<v Speaker 2>that was his TV show. That was his one TV show. Instead,

0:22:57.400 --> 0:23:01.080
<v Speaker 2>he ended up making his his name more with like

0:23:01.160 --> 0:23:03.800
<v Speaker 2>cookbooks and a cooking school and all of that. But

0:23:03.960 --> 0:23:08.160
<v Speaker 2>on that show, apparently you can see the beginnings of

0:23:08.200 --> 0:23:12.080
<v Speaker 2>that chef brand of his, where you know, he had

0:23:12.080 --> 0:23:16.040
<v Speaker 2>a big appetite but only for delicious food, right, so

0:23:16.920 --> 0:23:19.720
<v Speaker 2>he had no problem with eating and eating and eating,

0:23:19.720 --> 0:23:20.800
<v Speaker 2>but it had to.

0:23:20.680 --> 0:23:21.480
<v Speaker 4>Be good food.

0:23:21.520 --> 0:23:23.280
<v Speaker 2>It wasn't going to waste that on any junk.

0:23:24.000 --> 0:23:27.639
<v Speaker 1>Yeah, yeah, for sure. And I looked for clips of

0:23:27.720 --> 0:23:30.320
<v Speaker 1>this show. It's really I found a couple of short ones.

0:23:30.359 --> 0:23:32.800
<v Speaker 1>It's really kind of hard to find stuff because he

0:23:32.840 --> 0:23:34.879
<v Speaker 1>just didn't preserve you know, we've talked about it before

0:23:35.720 --> 0:23:39.120
<v Speaker 1>media like they do now. But I did read in

0:23:39.240 --> 0:23:41.879
<v Speaker 1>one of the birds All interviews where he was saying

0:23:41.880 --> 0:23:45.680
<v Speaker 1>that despite being in the closet, he would drop he said,

0:23:45.960 --> 0:23:47.680
<v Speaker 1>gay men at the time, he said they would drop

0:23:47.720 --> 0:23:50.760
<v Speaker 1>called what they called hat pins. So just little references

0:23:50.840 --> 0:23:53.880
<v Speaker 1>or a little the way they said something to kind

0:23:53.880 --> 0:23:57.119
<v Speaker 1>of as code of like hey I'm gay, like you

0:23:57.640 --> 0:23:59.639
<v Speaker 1>see what I'm putting down here, and he would do

0:23:59.640 --> 0:24:02.600
<v Speaker 1>that on his TV show, and he would drop little

0:24:02.640 --> 0:24:05.959
<v Speaker 1>hat pins just sort of to the gay community at

0:24:06.000 --> 0:24:07.879
<v Speaker 1>least so they.

0:24:07.760 --> 0:24:09.680
<v Speaker 4>Would know that he was gay. But straight people are

0:24:09.720 --> 0:24:11.600
<v Speaker 4>just like this guy's just so fun.

0:24:12.400 --> 0:24:15.639
<v Speaker 2>Yes, I wonder what community does that now, and we don't.

0:24:15.640 --> 0:24:18.600
<v Speaker 4>We're not aware of it now. Who knows.

0:24:19.040 --> 0:24:22.920
<v Speaker 2>I'd be very curious if you know. Right in But yeah,

0:24:23.080 --> 0:24:27.200
<v Speaker 2>apparently was. He was very much like that until that

0:24:27.320 --> 0:24:30.720
<v Speaker 2>first best selling cookbook, that James Beard Cookbook came out.

0:24:31.000 --> 0:24:34.440
<v Speaker 2>I read that any semblance of that was totally stripped out,

0:24:35.040 --> 0:24:42.080
<v Speaker 2>and his brand now was a manly man who loved food,

0:24:42.640 --> 0:24:46.879
<v Speaker 2>and I saw was so is so enthralled by food

0:24:46.920 --> 0:24:51.480
<v Speaker 2>and the good life that he didn't even like a

0:24:51.600 --> 0:24:53.960
<v Speaker 2>relationship with women wasn't even on his radar. He was

0:24:53.960 --> 0:24:56.679
<v Speaker 2>too busy enjoying life kind of thing. Yeah, that was

0:24:56.800 --> 0:25:00.639
<v Speaker 2>kind of how he was presented starting in the late fifties.

0:25:01.400 --> 0:25:05.359
<v Speaker 1>There's a Instagram guy I follow. I can't I wouldn't

0:25:05.359 --> 0:25:08.280
<v Speaker 1>be able to pronounce it anyway, because he's like Danish

0:25:08.359 --> 0:25:10.359
<v Speaker 1>or something. I'm not sure what he is, but he

0:25:10.440 --> 0:25:14.199
<v Speaker 1>lives in the beautiful mountains of one of those Scandinavian countries.

0:25:15.520 --> 0:25:16.040
<v Speaker 4>I don't know.

0:25:16.680 --> 0:25:19.119
<v Speaker 1>But his stuff is great because he cooks sort of

0:25:19.119 --> 0:25:22.760
<v Speaker 1>this like great looking food but in a very tik

0:25:22.840 --> 0:25:24.879
<v Speaker 1>took way. It's like a big he'll cook it on

0:25:24.920 --> 0:25:27.119
<v Speaker 1>a big stone that's been heated by this fire he

0:25:27.200 --> 0:25:30.320
<v Speaker 1>makes himself. But it's like really elevated sort of camping food.

0:25:30.640 --> 0:25:32.600
<v Speaker 1>And he gives stuff to his dog at the end

0:25:32.600 --> 0:25:35.040
<v Speaker 1>of everyone and he never speaks or anything.

0:25:36.359 --> 0:25:37.159
<v Speaker 4>It's all silent.

0:25:37.359 --> 0:25:38.960
<v Speaker 2>Wait a minute, Wait a minute, wait a minute.

0:25:39.320 --> 0:25:40.000
<v Speaker 4>Have you seen this?

0:25:41.000 --> 0:25:42.760
<v Speaker 2>But is he like a kind of like a wild

0:25:42.760 --> 0:25:43.840
<v Speaker 2>man and he lives in a tent.

0:25:44.720 --> 0:25:46.200
<v Speaker 4>He is a wild man in a tent.

0:25:46.400 --> 0:25:49.040
<v Speaker 2>Yes, I have seen it. And he like he'll point

0:25:49.080 --> 0:25:49.640
<v Speaker 2>to stuff.

0:25:50.480 --> 0:25:53.080
<v Speaker 4>Yeah, because he may not speak English.

0:25:53.320 --> 0:25:55.320
<v Speaker 1>But I was just thinking, like nothing would make me

0:25:55.400 --> 0:25:57.840
<v Speaker 1>happier than if at the end of one of these

0:25:57.960 --> 0:26:00.840
<v Speaker 1>like some guy just walks in from the mountains and

0:26:00.880 --> 0:26:02.239
<v Speaker 1>they just start making out of the end.

0:26:02.320 --> 0:26:05.080
<v Speaker 4>Sure, I'd be like, all right, there you go, in,

0:26:05.200 --> 0:26:07.200
<v Speaker 4>there you go, James Beard, do it.

0:26:07.600 --> 0:26:12.119
<v Speaker 1>So we talked about the fact that he he would present,

0:26:12.440 --> 0:26:14.520
<v Speaker 1>you know, sort of fancy foods in a simpler way

0:26:14.640 --> 0:26:17.720
<v Speaker 1>for Americans that may have been intimidated by like you know,

0:26:17.760 --> 0:26:20.840
<v Speaker 1>the classic French cooking and stuff like that. And one

0:26:20.840 --> 0:26:23.440
<v Speaker 1>good example is in his cookbook from nineteen forty nine,

0:26:23.520 --> 0:26:28.120
<v Speaker 1>the Fireside Cookbook, when he basically made what is an

0:26:28.720 --> 0:26:32.520
<v Speaker 1>omelet peissant, which is a French for a peasant omelet,

0:26:33.040 --> 0:26:35.560
<v Speaker 1>but he called it a country omelet, and all he

0:26:35.600 --> 0:26:40.840
<v Speaker 1>did was a country All he did instead of putting

0:26:40.880 --> 0:26:44.080
<v Speaker 1>salted pork belly in this omelet that also has potatoes,

0:26:44.119 --> 0:26:47.919
<v Speaker 1>onions and parsley, was put in smoked bacon, and he

0:26:47.960 --> 0:26:51.280
<v Speaker 1>called it a country omelet, and it just seemed completely American.

0:26:51.560 --> 0:26:55.080
<v Speaker 2>Yeah, that's what he would do. Like he would, I

0:26:55.119 --> 0:26:57.520
<v Speaker 2>guess in the parlance of today, he would appropriate other

0:26:57.600 --> 0:27:01.280
<v Speaker 2>cultures food and alter it just enough to make it Americanized.

0:27:01.640 --> 0:27:05.520
<v Speaker 2>He wasn't doing it from what I could tell, because

0:27:05.520 --> 0:27:07.760
<v Speaker 2>he was unimaginative, because he couldn't come up with his

0:27:07.760 --> 0:27:11.240
<v Speaker 2>own stuff. He was from an appreciation of those other

0:27:11.600 --> 0:27:15.040
<v Speaker 2>culture's dishes, and he was americanizing it not out of

0:27:15.040 --> 0:27:19.240
<v Speaker 2>a disrespect to that culture originating it, but out of

0:27:20.080 --> 0:27:24.480
<v Speaker 2>making it more accessible to American cooks. And in doing

0:27:24.560 --> 0:27:29.240
<v Speaker 2>that he is credited with basically coming up with American cuisine,

0:27:29.880 --> 0:27:33.720
<v Speaker 2>and it's hilarious. But it's so American that American cuisine

0:27:33.760 --> 0:27:37.439
<v Speaker 2>is predicated on other culture's food. And it was a

0:27:37.520 --> 0:27:41.120
<v Speaker 2>huge debt to front to French cooking, and large part

0:27:41.119 --> 0:27:44.399
<v Speaker 2>it's because people like James Beard and James Beard in

0:27:44.400 --> 0:27:48.040
<v Speaker 2>particular took French food and americanized it and made American

0:27:48.520 --> 0:27:50.200
<v Speaker 2>American cuisine in the process.

0:27:50.920 --> 0:27:53.760
<v Speaker 1>Yeah, Dave makes a very good point, like if you

0:27:53.760 --> 0:27:57.040
<v Speaker 1>think of the nineteen sixties, what might be on in

0:27:57.080 --> 0:28:00.920
<v Speaker 1>a recipe book or a menurobably, because like you said,

0:28:00.920 --> 0:28:03.080
<v Speaker 1>that was sort of when TV dinners were all the

0:28:03.160 --> 0:28:05.480
<v Speaker 1>rage and stuff like that, and it just didn't seem

0:28:05.520 --> 0:28:07.480
<v Speaker 1>like there was a lot of attention being paid.

0:28:07.280 --> 0:28:10.280
<v Speaker 4>To real quality like that. But that's all come back

0:28:10.280 --> 0:28:10.920
<v Speaker 4>in a big way.

0:28:11.119 --> 0:28:13.520
<v Speaker 1>And if you read some of his recipes from the

0:28:13.560 --> 0:28:17.200
<v Speaker 1>nineteen sixties, and they say, and he's writing about roasted

0:28:17.200 --> 0:28:20.800
<v Speaker 1>figs and pergudo and sun chokes and savicha and stuff

0:28:20.840 --> 0:28:23.439
<v Speaker 1>like that, Like, I didn't know about any of that

0:28:23.480 --> 0:28:26.680
<v Speaker 1>stuff in the eighties and nineties, even probably, and he

0:28:26.760 --> 0:28:29.359
<v Speaker 1>was writing about the stuff in the nineteen fifties and sixties.

0:28:29.480 --> 0:28:31.800
<v Speaker 2>It started to become a thing in the eighties with

0:28:31.840 --> 0:28:36.800
<v Speaker 2>the yuppies, started to and they can thank James Beard

0:28:36.840 --> 0:28:37.119
<v Speaker 2>for that.

0:28:37.480 --> 0:28:39.200
<v Speaker 4>But you're just thinking of American snacle.

0:28:39.240 --> 0:28:43.800
<v Speaker 2>Well, yeah, I'm totally at what is it? Ah?

0:28:43.960 --> 0:28:47.440
<v Speaker 4>Is it la cirque? No? No, I shouldn't know.

0:28:49.360 --> 0:28:51.240
<v Speaker 2>I don't know. We'll figure it out.

0:28:51.280 --> 0:28:53.680
<v Speaker 4>That scene with the business cards.

0:28:53.680 --> 0:28:56.440
<v Speaker 2>It's great. So yes, but that's exactly what I was

0:28:56.480 --> 0:28:56.920
<v Speaker 2>thinking of.

0:28:58.200 --> 0:28:59.920
<v Speaker 4>But you're right, so yes.

0:29:00.080 --> 0:29:02.920
<v Speaker 2>But before that, like there's an example of him in

0:29:02.920 --> 0:29:06.720
<v Speaker 2>his TV show in nineteen forty five or six talking

0:29:06.720 --> 0:29:09.760
<v Speaker 2>about this exotic oil that people should go route out,

0:29:09.840 --> 0:29:12.040
<v Speaker 2>like it's hard to find, but it's worth it's worth

0:29:12.080 --> 0:29:15.560
<v Speaker 2>the effort. And it was called olive oil. Yeah, and

0:29:15.600 --> 0:29:17.480
<v Speaker 2>like this was like this is a time when that

0:29:17.720 --> 0:29:21.040
<v Speaker 2>was not You could not find that anywhere, maybe in

0:29:21.120 --> 0:29:24.320
<v Speaker 2>like little Italy, but you did not find it like

0:29:24.800 --> 0:29:28.200
<v Speaker 2>mass produced in your grocery store like he used large exactly.

0:29:28.280 --> 0:29:30.840
<v Speaker 2>And one of the reasons why you find it mass

0:29:30.840 --> 0:29:33.280
<v Speaker 2>produced in your grocery store now is because James Beard

0:29:33.280 --> 0:29:36.000
<v Speaker 2>introduced it to America. Like that's the effect that this

0:29:36.080 --> 0:29:40.959
<v Speaker 2>guy had. He's everywhere. His influence is everywhere still today

0:29:41.160 --> 0:29:45.080
<v Speaker 2>and not just still today, Like finally today, his influence

0:29:45.120 --> 0:29:47.560
<v Speaker 2>has really kind of come into full fruition.

0:29:49.160 --> 0:29:49.920
<v Speaker 4>Yeah, agreed.

0:29:50.240 --> 0:29:53.560
<v Speaker 2>I love talking about food.

0:29:52.560 --> 0:29:55.000
<v Speaker 4>And I'm hungry. Should we take that second break?

0:29:55.520 --> 0:29:58.360
<v Speaker 2>Sure, let's go. Let's go get some onion sandwiches.

0:29:58.720 --> 0:30:00.680
<v Speaker 1>All right, well, and we'll talk about the James Beard

0:30:00.720 --> 0:30:03.120
<v Speaker 1>Foundation and his legacy right after this.

0:30:04.600 --> 0:30:06.720
<v Speaker 4>Stoff, Josh.

0:30:07.840 --> 0:30:10.479
<v Speaker 2>Shop stop.

0:30:15.600 --> 0:30:17.800
<v Speaker 3>I want to learn about a Terris Hortan College hoadactyl,

0:30:17.880 --> 0:30:20.000
<v Speaker 3>how to take a perfect movement, all about fractal think

0:30:20.120 --> 0:30:20.480
<v Speaker 3>is gone.

0:30:20.520 --> 0:30:26.680
<v Speaker 4>That's a little hunt the Lizzie and josif we should

0:30:26.760 --> 0:30:30.720
<v Speaker 4>know no word up Jerry.

0:30:31.400 --> 0:30:34.120
<v Speaker 1>Okay, So now we move on. Now that we know

0:30:34.200 --> 0:30:37.120
<v Speaker 1>the man pretty good. Thirty minutes on James Beard, I think.

0:30:37.200 --> 0:30:42.400
<v Speaker 1>So we'll talk about his foundation. In the seventies in

0:30:42.520 --> 0:30:46.480
<v Speaker 1>New York, he bought a townhouse at one sixty seven

0:30:46.600 --> 0:30:51.000
<v Speaker 1>West twelfth Street in Greenwich Village. And now he was

0:30:51.040 --> 0:30:53.080
<v Speaker 1>sort of a little more on the down low. He

0:30:53.240 --> 0:30:57.280
<v Speaker 1>wasn't on TV as much. He wasn't he was still

0:30:57.320 --> 0:30:59.840
<v Speaker 1>writing cookbooks, but he was. He was just a little

0:30:59.880 --> 0:31:03.880
<v Speaker 1>more private. I guess at that point he was free

0:31:04.160 --> 0:31:06.600
<v Speaker 1>in the seventies in New York, especially in Greenwich Village,

0:31:06.680 --> 0:31:10.520
<v Speaker 1>to be a little more out. Although you know, apparently

0:31:10.560 --> 0:31:13.040
<v Speaker 1>he was just sort of a homebody with his longtime

0:31:13.080 --> 0:31:17.720
<v Speaker 1>partner who was a pastry chef, Gino Cofaci, and would

0:31:17.920 --> 0:31:22.000
<v Speaker 1>again throw these great parties, these great holiday meals. In

0:31:22.160 --> 0:31:24.920
<v Speaker 1>nineteen eighty one he started, and this is a big

0:31:25.000 --> 0:31:29.160
<v Speaker 1>part of his legacy today. He founded with a restaurant

0:31:29.240 --> 0:31:34.400
<v Speaker 1>critic Gaale, Green City Meals on Wheels and to date,

0:31:34.840 --> 0:31:38.040
<v Speaker 1>and this is basically it's not officially Meals on Wheels,

0:31:38.080 --> 0:31:41.080
<v Speaker 1>but just a similar thing that covers New York City.

0:31:41.800 --> 0:31:45.320
<v Speaker 1>They have served since nineteen eighty one fifty million meals

0:31:45.840 --> 0:31:47.960
<v Speaker 1>to people who can't get out of the house in

0:31:48.000 --> 0:31:48.320
<v Speaker 1>New York.

0:31:48.640 --> 0:31:51.280
<v Speaker 2>That's amazing. I was like, wait a minute, was this

0:31:51.400 --> 0:31:53.360
<v Speaker 2>the beginning of meals on wheels? And no, no, well

0:31:53.360 --> 0:31:55.240
<v Speaker 2>it's an apparently meals on wheels have been around since

0:31:55.280 --> 0:31:57.440
<v Speaker 2>the forties. Yeah, so I'm sure we talked about in

0:31:57.440 --> 0:31:58.680
<v Speaker 2>our Meals on Wheels episode.

0:31:58.680 --> 0:31:59.760
<v Speaker 4>But still, that's right.

0:32:00.000 --> 0:32:03.120
<v Speaker 2>It's definitely worth tipping your hat to for sure. Absolutely

0:32:03.320 --> 0:32:08.120
<v Speaker 2>so the whole thing started the James Beard Foundation in

0:32:08.240 --> 0:32:13.080
<v Speaker 2>an effort to buy back his Greenwich Village townhouse from

0:32:13.400 --> 0:32:16.040
<v Speaker 2>Reid College. Remember he'd left the bulk of his estate

0:32:16.120 --> 0:32:19.080
<v Speaker 2>to read. And I get the impression as one of

0:32:19.120 --> 0:32:24.440
<v Speaker 2>his students who became a colleague, Peter Cump, who kind

0:32:24.480 --> 0:32:26.640
<v Speaker 2>of took the reins of this and got other people,

0:32:26.720 --> 0:32:30.440
<v Speaker 2>including Julia Child, kind of to champion this cause. And

0:32:30.680 --> 0:32:33.680
<v Speaker 2>it was wildly successful because James Beard died in nineteen

0:32:33.720 --> 0:32:38.000
<v Speaker 2>eighty five and they owned the townhouse by nineteen eighty six,

0:32:38.560 --> 0:32:40.640
<v Speaker 2>so then they were like, okay, what do we do next.

0:32:41.640 --> 0:32:43.000
<v Speaker 1>Yeah, and he, by the way, he lived to be

0:32:43.120 --> 0:32:48.400
<v Speaker 1>eighty one, So despite his his size and how much

0:32:48.560 --> 0:32:51.000
<v Speaker 1>kind of rich foods he ate, eighty one's not too bad,

0:32:51.120 --> 0:32:53.960
<v Speaker 1>not bad at all. Heart failure finally got him. But

0:32:54.880 --> 0:32:57.480
<v Speaker 1>in like you said, they got the James Beard House,

0:32:57.680 --> 0:33:02.320
<v Speaker 1>which they renamed officially James Beard House, still there today.

0:33:02.600 --> 0:33:06.200
<v Speaker 1>And I think their first sort of mission was to

0:33:06.440 --> 0:33:08.520
<v Speaker 1>quote provide a center for the culinary arts and to

0:33:08.600 --> 0:33:12.720
<v Speaker 1>continue to foster interest the interest James Beard inspired in

0:33:12.760 --> 0:33:16.480
<v Speaker 1>all aspects of food, it's preparation, presentation, and of course enjoyment.

0:33:17.400 --> 0:33:20.320
<v Speaker 1>And you know, it was sort of a sort of

0:33:20.360 --> 0:33:22.920
<v Speaker 1>a humble start I think for what ended up being

0:33:22.960 --> 0:33:25.440
<v Speaker 1>a very big deal. And part of that was kind

0:33:25.480 --> 0:33:28.560
<v Speaker 1>of kicked off the very next year, in nineteen eighty seven,

0:33:28.680 --> 0:33:31.680
<v Speaker 1>when Vodyangpak.

0:33:31.040 --> 0:33:33.840
<v Speaker 4>Who is known it's so fun to listen to he is.

0:33:33.960 --> 0:33:36.160
<v Speaker 2>I love hearing that guy talk. And at the time,

0:33:36.360 --> 0:33:40.480
<v Speaker 2>back then he was known as Walter Pagowski. Still is

0:33:40.520 --> 0:33:41.040
<v Speaker 2>that his name?

0:33:42.160 --> 0:33:44.200
<v Speaker 4>Oh god, I believe every joke you tell.

0:33:44.600 --> 0:33:45.720
<v Speaker 2>No, I'm killing it.

0:33:46.400 --> 0:33:47.080
<v Speaker 4>Oh gosh.

0:33:47.920 --> 0:33:51.120
<v Speaker 1>I would love to hear a interview or just a

0:33:51.160 --> 0:33:53.880
<v Speaker 1>conversation between Wolfgang Puck and Werner Hearts.

0:33:54.160 --> 0:33:58.640
<v Speaker 4>Yeah, totally, that would be the best. Bock said, hey,

0:33:58.880 --> 0:34:01.200
<v Speaker 4>can I can I host at your house?

0:34:02.080 --> 0:34:04.800
<v Speaker 1>And they said, sure, you can come and cook at

0:34:04.800 --> 0:34:06.480
<v Speaker 1>the James Beard House and host a dinner. And it

0:34:06.560 --> 0:34:09.359
<v Speaker 1>was a big hit apparently, so he said, why don't

0:34:09.360 --> 0:34:11.600
<v Speaker 1>we do this like once a month, had these big

0:34:11.640 --> 0:34:15.040
<v Speaker 1>dinners prepared by either big famous chefs or someone who's

0:34:15.080 --> 0:34:17.520
<v Speaker 1>up and coming, and all of a sudden, the James

0:34:17.600 --> 0:34:19.960
<v Speaker 1>Beard House itself starts to get its own reputation.

0:34:20.320 --> 0:34:24.919
<v Speaker 2>Yes, but I'll bet a dinner there's at once really

0:34:25.080 --> 0:34:28.400
<v Speaker 2>great and also very trying to hear some of the

0:34:28.480 --> 0:34:30.160
<v Speaker 2>people around the table talking about it.

0:34:30.880 --> 0:34:33.960
<v Speaker 1>Oh man, I want to someone has an end invite

0:34:34.040 --> 0:34:35.719
<v Speaker 1>Josh and I and you, me and Emily to come.

0:34:36.120 --> 0:34:39.040
<v Speaker 2>Okay, yeah, but if I'm sitting there like rolling my eyes.

0:34:39.080 --> 0:34:39.880
<v Speaker 2>Don't get mad.

0:34:41.520 --> 0:34:42.880
<v Speaker 4>The onion sandwich please.

0:34:43.400 --> 0:34:45.520
<v Speaker 2>So this Peter Cump guy, he's like, I'm going to

0:34:45.600 --> 0:34:50.640
<v Speaker 2>memorialize my teacher one way or another. I mentioned Julia

0:34:50.760 --> 0:34:52.840
<v Speaker 2>Child really, I don't know if we said that. She

0:34:53.719 --> 0:34:57.400
<v Speaker 2>and James Beer were very good friends. Yeah, and at

0:34:57.440 --> 0:35:02.200
<v Speaker 2>a time, probably seventies eighties, they were the two most

0:35:02.280 --> 0:35:05.840
<v Speaker 2>well known chefs in America far and away, which is

0:35:05.920 --> 0:35:09.040
<v Speaker 2>remarkable because again, neither one of them were formally trained.

0:35:09.040 --> 0:35:12.720
<v Speaker 2>I think they were both self taught. Yeah, so Julia

0:35:12.840 --> 0:35:14.960
<v Speaker 2>Child's on board, but Peter Cump is really kind of

0:35:15.440 --> 0:35:20.480
<v Speaker 2>running the show here. And they start handing out awards

0:35:21.120 --> 0:35:26.080
<v Speaker 2>pretty quickly after the Beard House is established and the

0:35:26.200 --> 0:35:29.680
<v Speaker 2>Beard Foundation is established. And at the time they give

0:35:29.760 --> 0:35:32.919
<v Speaker 2>the award out for great American chefs, and you could

0:35:33.000 --> 0:35:37.480
<v Speaker 2>expect a certificate, a commemorative chef knife, chef's knife.

0:35:38.040 --> 0:35:40.000
<v Speaker 4>Nice, and that's about.

0:35:39.760 --> 0:35:42.680
<v Speaker 2>It at the time for the first few iterations of

0:35:42.800 --> 0:35:43.800
<v Speaker 2>this award.

0:35:44.600 --> 0:35:47.440
<v Speaker 1>Yeah, like, of course, a little recognition for those in

0:35:47.520 --> 0:35:50.480
<v Speaker 1>the know. But it's not like now where a lot

0:35:50.520 --> 0:35:52.760
<v Speaker 1>of people now are like, it's a James Beard restaurant,

0:35:52.760 --> 0:35:55.239
<v Speaker 1>we got to go there totally like just from people

0:35:55.480 --> 0:35:58.920
<v Speaker 1>watching you know, Food Network and stuff like that in

0:35:59.160 --> 0:35:59.920
<v Speaker 1>nineteen ninety.

0:36:00.880 --> 0:36:02.600
<v Speaker 4>So they just said, bought this house in the.

0:36:03.080 --> 0:36:05.560
<v Speaker 1>Like eighty what do you say, eighty seven, eighty six,

0:36:06.280 --> 0:36:08.239
<v Speaker 1>eighty six, and got things going sort of in the

0:36:08.320 --> 0:36:11.520
<v Speaker 1>late eighties, and then in nineteen ninety the publisher of

0:36:11.680 --> 0:36:16.200
<v Speaker 1>The Who's Who of Cooking in America said, you know what,

0:36:16.239 --> 0:36:20.080
<v Speaker 1>we'd like to sell this property, and come said I'll

0:36:20.160 --> 0:36:23.759
<v Speaker 1>take it and bought the rights to At the time,

0:36:23.840 --> 0:36:27.320
<v Speaker 1>it was sort of the best honors book for top chefs,

0:36:28.200 --> 0:36:31.680
<v Speaker 1>and he said, well, here, let's expand it though, and

0:36:31.800 --> 0:36:33.840
<v Speaker 1>let's not have just chefs, but let's have food at

0:36:33.880 --> 0:36:38.000
<v Speaker 1>critics and restaurants and wine Somlia's and wine people and

0:36:38.880 --> 0:36:42.319
<v Speaker 1>cookbooks and eventually, you know, podcasts and blogs and let's

0:36:42.320 --> 0:36:45.480
<v Speaker 1>give awards for all kinds of things. And eventually that

0:36:45.600 --> 0:36:48.920
<v Speaker 1>became the James Beard Chef and Restaurant Awards that we

0:36:48.960 --> 0:36:49.600
<v Speaker 1>still have today.

0:36:49.719 --> 0:36:52.200
<v Speaker 2>Yeah. I think they actually had them in parallel for

0:36:52.239 --> 0:36:54.000
<v Speaker 2>a little while, and then they shut down the Who's

0:36:54.040 --> 0:36:57.280
<v Speaker 2>Who of Cooking in America because those awards were only

0:36:58.000 --> 0:37:01.160
<v Speaker 2>given out by previous award, so it became kind of

0:37:01.160 --> 0:37:04.040
<v Speaker 2>an ara Borros. It wasn't very expansive. It was very

0:37:04.200 --> 0:37:08.440
<v Speaker 2>tight knit. But the James Beard Chef and Restaurant Awards,

0:37:09.160 --> 0:37:13.239
<v Speaker 2>at the very least were meant to be more far

0:37:14.239 --> 0:37:18.080
<v Speaker 2>looking than the who's who of cooking in America was. Yes,

0:37:18.480 --> 0:37:20.360
<v Speaker 2>whether they achieved that or not depends on who you

0:37:20.440 --> 0:37:24.080
<v Speaker 2>ask in what year you asked it. But eventually, in

0:37:24.160 --> 0:37:29.239
<v Speaker 2>the early nineties it started to become a at least

0:37:29.280 --> 0:37:32.120
<v Speaker 2>that you could see the outlines of the prestigious award

0:37:32.200 --> 0:37:33.040
<v Speaker 2>that it is today.

0:37:34.000 --> 0:37:34.640
<v Speaker 4>Yeah, for sure.

0:37:35.000 --> 0:37:37.680
<v Speaker 1>The first awards in ninety one were held on the

0:37:37.880 --> 0:37:42.400
<v Speaker 1>MS New Yorker Cruise ship, Dinner Cruise Ship and the

0:37:42.520 --> 0:37:46.560
<v Speaker 1>Best Chef, and they give them out I think New York, Texas,

0:37:46.600 --> 0:37:50.080
<v Speaker 1>and California now each have are their own region and

0:37:50.160 --> 0:37:52.440
<v Speaker 1>then everyone else is split up into like Southeast and

0:37:52.520 --> 0:37:53.719
<v Speaker 1>Northeast and stuff like that.

0:37:53.880 --> 0:37:56.280
<v Speaker 4>Can fly over exactly.

0:37:56.760 --> 0:37:59.440
<v Speaker 1>But that first year, see if you recognized any of

0:37:59.480 --> 0:38:02.400
<v Speaker 1>these names. The very first year of those awards, Southeast

0:38:02.480 --> 0:38:04.200
<v Speaker 1>winner was Emerald Legassi.

0:38:05.600 --> 0:38:08.759
<v Speaker 2>Isn't he the one who'd be like, I guarantee No,

0:38:09.480 --> 0:38:10.680
<v Speaker 2>Well then no, I haven't heard of him.

0:38:11.160 --> 0:38:11.960
<v Speaker 4>He's the bam guy.

0:38:12.840 --> 0:38:17.200
<v Speaker 1>The Midwest was Chef Rick Bayliss Bobby Flay one rising

0:38:17.280 --> 0:38:17.879
<v Speaker 1>star chef.

0:38:18.000 --> 0:38:20.960
<v Speaker 2>Wasn't he married to the actor from Law and Order

0:38:21.880 --> 0:38:24.000
<v Speaker 2>Bobby Flaked assistant DA for a while.

0:38:24.680 --> 0:38:26.839
<v Speaker 4>Oh, I don't know, Yeah, maybe that's a yes.

0:38:27.920 --> 0:38:32.440
<v Speaker 1>A chef Nancy Silverton, who was a legend, won Pastry

0:38:32.480 --> 0:38:37.480
<v Speaker 1>Chef in ninety one, then one for her restaurant Campanil

0:38:37.600 --> 0:38:40.919
<v Speaker 1>in two thousand and one, and then one for Best

0:38:41.040 --> 0:38:44.800
<v Speaker 1>Overall Chef in twenty fourteen, so she's a three time winner.

0:38:45.440 --> 0:38:46.359
<v Speaker 4>And if you're wondering who.

0:38:46.280 --> 0:38:49.479
<v Speaker 1>Won Best Outstanding or overall Outstanding Chef that very.

0:38:49.400 --> 0:38:55.719
<v Speaker 4>First year, hey, look at me. It's a really very

0:38:55.800 --> 0:38:56.319
<v Speaker 4>fuss winner.

0:38:56.520 --> 0:38:59.319
<v Speaker 2>Very nice. That's appropriate because he all put the James

0:38:59.360 --> 0:39:00.480
<v Speaker 2>Beard House on the map.

0:39:01.280 --> 0:39:04.200
<v Speaker 1>Oh and also quickly for you wine lovers, Robert Mondavi

0:39:04.840 --> 0:39:08.040
<v Speaker 1>won Outstanding Wine and Spirits Professional that very first year.

0:39:08.480 --> 0:39:09.680
<v Speaker 4>And Mondavi is now.

0:39:09.680 --> 0:39:12.600
<v Speaker 2>Like, you know, a wine led right, and it's hard

0:39:13.000 --> 0:39:15.080
<v Speaker 2>to stop and imagine. But at the time these were

0:39:15.160 --> 0:39:19.279
<v Speaker 2>all like unknowns in America, you know. And I don't

0:39:19.280 --> 0:39:22.880
<v Speaker 2>think it's coincidence that they're all household names now with

0:39:23.280 --> 0:39:27.640
<v Speaker 2>huge brands and huge, mega money making careers behind them

0:39:28.160 --> 0:39:30.680
<v Speaker 2>because of the James Beard Awards, at least in some

0:39:30.920 --> 0:39:31.480
<v Speaker 2>large part.

0:39:32.400 --> 0:39:36.640
<v Speaker 1>Yeah, I think restaurants who have been nominated just nominated

0:39:36.680 --> 0:39:40.560
<v Speaker 1>for a Beard Award says that they typically double their

0:39:40.600 --> 0:39:44.080
<v Speaker 1>reservations and they increase their sales by twenty to twenty

0:39:44.160 --> 0:39:44.640
<v Speaker 1>five percent.

0:39:44.800 --> 0:39:46.759
<v Speaker 2>Not all though. I saw an interview with a guy

0:39:46.840 --> 0:39:49.440
<v Speaker 2>named Jason Wilson who had a restaurant called Crush in

0:39:49.520 --> 0:39:53.839
<v Speaker 2>Seattle back in the mid I think the twenty ten

0:39:53.960 --> 0:39:58.319
<v Speaker 2>or eleven he won Best Chef and he said, Nope,

0:39:58.400 --> 0:40:00.480
<v Speaker 2>it did not have that effect people. We talked about

0:40:00.480 --> 0:40:02.640
<v Speaker 2>it more, but it didn't get more people in the restaurant.

0:40:03.160 --> 0:40:05.080
<v Speaker 2>From what I can tell, though, he was an outlier

0:40:05.160 --> 0:40:05.800
<v Speaker 2>in that respect.

0:40:06.560 --> 0:40:08.120
<v Speaker 1>Yeah, I thought you were going to say he won

0:40:08.239 --> 0:40:12.399
<v Speaker 1>in March of twenty twenty and just couldn't understand why

0:40:12.560 --> 0:40:13.440
<v Speaker 1>people weren't backing up.

0:40:13.480 --> 0:40:16.719
<v Speaker 2>Well, he actually did cite the economic downturn is one

0:40:16.800 --> 0:40:19.200
<v Speaker 2>reason why it wasn't happening, and he was talking about

0:40:19.239 --> 0:40:21.560
<v Speaker 2>the from the two thousand and eight meltdown was still going.

0:40:21.640 --> 0:40:25.040
<v Speaker 2>I remember that was that lasted easily until twenty twelve

0:40:25.160 --> 0:40:28.360
<v Speaker 2>or thirteen, and he won in twenty ten, so he

0:40:28.480 --> 0:40:30.000
<v Speaker 2>had just in there griping.

0:40:31.920 --> 0:40:33.759
<v Speaker 1>So we need to talk about the controversies of the

0:40:33.800 --> 0:40:36.239
<v Speaker 1>Beard Awards though, because they've had a few things that

0:40:36.320 --> 0:40:39.960
<v Speaker 1>happened over the years. Any awards ceremony is going to

0:40:40.040 --> 0:40:44.600
<v Speaker 1>have controversies. That's just how it goes. Anytime you have

0:40:44.680 --> 0:40:48.080
<v Speaker 1>a body of people doling out awards that are meaningful

0:40:48.160 --> 0:40:52.879
<v Speaker 1>and economically impactful, it's going to happen, especially.

0:40:52.600 --> 0:40:55.120
<v Speaker 2>When it's a group of almost exclusively white people.

0:40:55.760 --> 0:40:58.520
<v Speaker 1>Yeah, well that comes up a little later, kind of recently.

0:40:58.640 --> 0:41:01.720
<v Speaker 1>But in two thousand and four, they had a chairman

0:41:02.160 --> 0:41:06.160
<v Speaker 1>named Leonard Pickel I guess senior or junior. I don't

0:41:06.160 --> 0:41:09.279
<v Speaker 1>think it's pronounced pickle p i c k e l.

0:41:09.360 --> 0:41:14.120
<v Speaker 1>And he was convicted of grand larceny I think second

0:41:14.160 --> 0:41:18.720
<v Speaker 1>degree grand larceny for basically stealing about a million dollars

0:41:18.800 --> 0:41:23.040
<v Speaker 1>in cash or you know, expensing things he shouldn't expense

0:41:23.080 --> 0:41:26.319
<v Speaker 1>over a three year period, like those are the foundation's money,

0:41:26.600 --> 0:41:28.880
<v Speaker 1>and they have a lot of you know, scholarships that

0:41:28.960 --> 0:41:31.120
<v Speaker 1>they dole out too, so that's you know, that's a

0:41:31.160 --> 0:41:33.160
<v Speaker 1>big deal if you're stealing from him. He's spent a

0:41:33.200 --> 0:41:34.000
<v Speaker 1>few years in prison.

0:41:34.520 --> 0:41:35.280
<v Speaker 4>The board resigned.

0:41:35.280 --> 0:41:37.400
<v Speaker 1>There were a bunch of journalists who were judges that resigned,

0:41:38.000 --> 0:41:41.920
<v Speaker 1>they came back from that, and then you know, Mario

0:41:42.280 --> 0:41:45.880
<v Speaker 1>Battally comes along, the me Too movement comes along, and

0:41:45.960 --> 0:41:47.680
<v Speaker 1>all of a sudden, there's people that are saying, like,

0:41:47.800 --> 0:41:50.360
<v Speaker 1>wait a minute, a lot of these chefs you're nominating

0:41:50.880 --> 0:41:58.759
<v Speaker 1>and acknowledging are monsters, either literal sexual assault assaulters or

0:41:59.320 --> 0:42:01.920
<v Speaker 1>they're just you know, chefs can be well known for

0:42:02.000 --> 0:42:04.440
<v Speaker 1>being sort of monsters in the kitchen and screaming and

0:42:04.520 --> 0:42:09.120
<v Speaker 1>yelling at people, and you know, they have tempers generally speaking.

0:42:09.760 --> 0:42:13.480
<v Speaker 2>True, but I saw and it makes a lot of sense.

0:42:14.080 --> 0:42:19.400
<v Speaker 2>You can really blame food network producers and other network

0:42:19.480 --> 0:42:25.320
<v Speaker 2>producers who created kitchen based reality shows for perpetuating that

0:42:25.520 --> 0:42:30.160
<v Speaker 2>and making it seem normal and creating that whole generation

0:42:30.360 --> 0:42:33.640
<v Speaker 2>of mean, bullying chefs who would just do that without

0:42:33.680 --> 0:42:38.000
<v Speaker 2>a second thought, thanks to people like Gordon Ramsay doing

0:42:38.080 --> 0:42:40.520
<v Speaker 2>that on TV for year after year after year.

0:42:41.040 --> 0:42:42.479
<v Speaker 4>But they were already doing it in real life.

0:42:42.800 --> 0:42:47.520
<v Speaker 2>Yes, true, but there was there's also always been chefs

0:42:47.560 --> 0:42:51.080
<v Speaker 2>that didn't do that too, and it made it, It

0:42:51.120 --> 0:42:53.960
<v Speaker 2>made it trendy to do that. It just made it

0:42:54.120 --> 0:42:58.399
<v Speaker 2>acceptable for so long that it wasn't until the last

0:42:58.480 --> 0:43:01.040
<v Speaker 2>few years that people really started pushing it back on

0:43:01.160 --> 0:43:03.760
<v Speaker 2>it and said, no, this isn't normal. It's not okay

0:43:03.880 --> 0:43:06.280
<v Speaker 2>for our entire industry to be like this. I shouldn't

0:43:07.080 --> 0:43:11.360
<v Speaker 2>be berated at work every single night. It's not okay.

0:43:11.760 --> 0:43:14.440
<v Speaker 2>And so people finally pushed back on it, and the

0:43:14.520 --> 0:43:17.239
<v Speaker 2>James Beard Awards got caught in the middle of that

0:43:17.320 --> 0:43:20.759
<v Speaker 2>because they've been awarding all these chefs that were really

0:43:20.840 --> 0:43:24.840
<v Speaker 2>troublesome people and mean over the years, all these awards

0:43:24.880 --> 0:43:27.400
<v Speaker 2>award after award after awards, so they were also supporting

0:43:27.480 --> 0:43:30.920
<v Speaker 2>it indirectly, and you can also make a case directly too.

0:43:31.560 --> 0:43:33.840
<v Speaker 2>And so once this was kind of established like this

0:43:34.000 --> 0:43:38.680
<v Speaker 2>is not okay, James Beard Awards, you are the arbiter

0:43:39.000 --> 0:43:42.520
<v Speaker 2>of what is who are good chefs? You got to

0:43:42.600 --> 0:43:44.839
<v Speaker 2>do something about this too, they kind of went back

0:43:44.880 --> 0:43:47.040
<v Speaker 2>and said, Okay, what are we going to do about this?

0:43:47.160 --> 0:43:49.839
<v Speaker 2>We've got to do something because at the very least

0:43:49.880 --> 0:43:53.920
<v Speaker 2>for optics, we can't keep giving these people awards, and

0:43:54.520 --> 0:43:57.680
<v Speaker 2>who knows, maybe they actually do care about the industry

0:43:57.760 --> 0:44:00.919
<v Speaker 2>and the people working in the industry, and in that case,

0:44:00.960 --> 0:44:03.759
<v Speaker 2>they really needed to reconfigure what they were doing and

0:44:03.840 --> 0:44:04.680
<v Speaker 2>reevaluate it.

0:44:05.520 --> 0:44:08.600
<v Speaker 1>Yeah, and it wasn't just you know, monsters in the kitchen,

0:44:08.680 --> 0:44:11.279
<v Speaker 1>but it was a pattern of like, hey, and this

0:44:11.440 --> 0:44:14.200
<v Speaker 1>is this is just the history of the restaurant industry.

0:44:14.239 --> 0:44:19.200
<v Speaker 1>It's like white men are recognized more, they're more at

0:44:19.239 --> 0:44:20.239
<v Speaker 1>least in the past.

0:44:20.239 --> 0:44:21.320
<v Speaker 2>Just the restaurant industry.

0:44:21.400 --> 0:44:21.560
<v Speaker 4>Though.

0:44:22.320 --> 0:44:25.680
<v Speaker 1>Yeah, it's gotten way way better in the last you know,

0:44:25.840 --> 0:44:29.000
<v Speaker 1>ten or fifteen years. But you know, for most of

0:44:29.080 --> 0:44:31.960
<v Speaker 1>restaurant history, it was like white men were the chefs

0:44:31.960 --> 0:44:34.719
<v Speaker 1>and they were running the show. For the most part.

0:44:34.760 --> 0:44:37.000
<v Speaker 1>There were exceptions. Of course, it's gotten way way better

0:44:37.080 --> 0:44:39.719
<v Speaker 1>now there's much more inclusion. In twenty eighteen, the James

0:44:39.760 --> 0:44:43.520
<v Speaker 1>Beard Foundation said, we need to make some real changes

0:44:43.719 --> 0:44:46.640
<v Speaker 1>to a kind of get these bad apples out of

0:44:46.680 --> 0:44:50.640
<v Speaker 1>the nomination process to begin with, and be more inclusive

0:44:50.719 --> 0:44:53.880
<v Speaker 1>and sort of think outside our own, you know, box

0:44:53.920 --> 0:44:55.879
<v Speaker 1>that we've been in for so long about what makes

0:44:55.920 --> 0:44:56.479
<v Speaker 1>a good chef.

0:44:56.719 --> 0:45:00.560
<v Speaker 2>Yeah, totally. So they actually they did do that. They

0:45:00.800 --> 0:45:05.640
<v Speaker 2>made a concerted effort and were kind of successful pretty

0:45:05.680 --> 0:45:09.080
<v Speaker 2>much out of the gate, but they became victims of

0:45:09.200 --> 0:45:15.640
<v Speaker 2>their own ambitions in twenty twenty when they canceled the

0:45:16.320 --> 0:45:18.520
<v Speaker 2>James Beard Awards, not just for twenty twenty, but for

0:45:18.600 --> 0:45:22.360
<v Speaker 2>twenty twenty one, and they blamed it on the COVID pandemic,

0:45:22.640 --> 0:45:25.680
<v Speaker 2>which made sense, but people were also like, well, you know,

0:45:25.760 --> 0:45:27.800
<v Speaker 2>everybody else has been doing this stuff over zoom, Like,

0:45:27.840 --> 0:45:29.400
<v Speaker 2>why would you cancel the whole awards.

0:45:29.960 --> 0:45:30.160
<v Speaker 4>Yeah.

0:45:30.200 --> 0:45:34.040
<v Speaker 2>Apparently an insider in the foundation who was also like

0:45:34.120 --> 0:45:36.840
<v Speaker 2>either a Shepherd, journalist or whatever, came and told everybody

0:45:36.840 --> 0:45:39.200
<v Speaker 2>else that's not why they canceled the awards. They canceled

0:45:39.200 --> 0:45:42.279
<v Speaker 2>the awards because every single person who won this year

0:45:43.160 --> 0:45:46.839
<v Speaker 2>in reality is white. So they just didn't give out

0:45:46.880 --> 0:45:50.759
<v Speaker 2>the awards and that caused a huge stir among everybody

0:45:50.920 --> 0:45:51.800
<v Speaker 2>in the industry.

0:45:52.080 --> 0:45:57.040
<v Speaker 1>You know, Yeah, I mean they covered it up. And

0:45:57.160 --> 0:45:59.160
<v Speaker 1>this was after trying to do the right thing, and

0:46:00.560 --> 0:46:02.880
<v Speaker 1>they canceled, like you said, the next one just because

0:46:02.880 --> 0:46:05.960
<v Speaker 1>they were still sort of reeling from what had happened

0:46:06.120 --> 0:46:09.600
<v Speaker 1>in or they canceled I'm sorry in twenty twenty one

0:46:09.800 --> 0:46:13.160
<v Speaker 1>because they were still reeling from twenty twenty. Finally came

0:46:13.239 --> 0:46:15.279
<v Speaker 1>back last year in twenty twenty two with the first

0:46:15.360 --> 0:46:18.960
<v Speaker 1>awards in I guess three years, and they had a

0:46:19.160 --> 0:46:24.040
<v Speaker 1>total overhaul of the committee and how they judge. They're

0:46:24.040 --> 0:46:26.440
<v Speaker 1>saying that you know, there's an ethics committee now that

0:46:26.640 --> 0:46:31.120
<v Speaker 1>vets nominees just on a personal level, and then also

0:46:31.200 --> 0:46:33.719
<v Speaker 1>said and the way we're judging, like we need to

0:46:34.080 --> 0:46:38.360
<v Speaker 1>think about the criteria in different terms as well moving forward.

0:46:38.680 --> 0:46:41.520
<v Speaker 2>Yeah, they still don't have it figured out because this

0:46:41.680 --> 0:46:49.560
<v Speaker 2>Ethics committee has gotten has become such watchdogs or guard dogs,

0:46:49.560 --> 0:46:53.399
<v Speaker 2>I should say of James Beard Awards that they hire

0:46:53.560 --> 0:46:58.320
<v Speaker 2>private investigators to investigate the nominees. Part of the nomination

0:46:58.480 --> 0:47:02.000
<v Speaker 2>process now is being grill over zoom or probably in

0:47:02.080 --> 0:47:05.880
<v Speaker 2>person now by private investigators working on behalf of the

0:47:05.960 --> 0:47:10.560
<v Speaker 2>James Beard Ethics Committee, and that soured people in and

0:47:10.719 --> 0:47:15.040
<v Speaker 2>of itself. So they've just they're like a pendulum that

0:47:15.680 --> 0:47:18.200
<v Speaker 2>somehow misses the middle every time. It just keeps going

0:47:18.280 --> 0:47:22.080
<v Speaker 2>from once I do another and I think they're on

0:47:22.200 --> 0:47:25.439
<v Speaker 2>the right track. And somebody gave them credit. They said

0:47:25.680 --> 0:47:28.320
<v Speaker 2>one chef said that we're seeing. What we're seeing is

0:47:28.440 --> 0:47:32.360
<v Speaker 2>quote an institution self correct in real time, which is

0:47:32.480 --> 0:47:35.440
<v Speaker 2>you know, that's fair, and maybe they should take off

0:47:35.760 --> 0:47:37.960
<v Speaker 2>another couple of years until they get it figured out.

0:47:38.400 --> 0:47:41.719
<v Speaker 2>But they're trying at least, and they have been successful

0:47:41.760 --> 0:47:44.839
<v Speaker 2>some years, but they just there's just been misstep after

0:47:44.920 --> 0:47:47.279
<v Speaker 2>misstep as they try to figure this out. It's a

0:47:47.440 --> 0:47:51.320
<v Speaker 2>big systemic issue, and they're kind of like the vanguard

0:47:51.360 --> 0:47:53.560
<v Speaker 2>of the whole thing, so people are looking to them

0:47:53.600 --> 0:47:54.759
<v Speaker 2>more than other places too.

0:47:55.719 --> 0:47:59.160
<v Speaker 1>Yeah, there were two incidences this past year in particular

0:47:59.239 --> 0:48:02.960
<v Speaker 1>that made the news. One was that a finalist for

0:48:03.040 --> 0:48:06.960
<v Speaker 1>Best Chef in the South, an Alabama chef named Timothy Hansis,

0:48:07.640 --> 0:48:11.719
<v Speaker 1>was disqualified a month before the awards because they were like,

0:48:11.840 --> 0:48:14.160
<v Speaker 1>he's one of these guys that breaks his staff, even

0:48:14.239 --> 0:48:20.440
<v Speaker 1>yells at customers. He denied this stuff, said, well, it

0:48:20.520 --> 0:48:22.839
<v Speaker 1>sounded like he was like, hey, listen, I'm a passionate guy.

0:48:22.880 --> 0:48:26.480
<v Speaker 1>But this stuff is not how it's being characterized. But

0:48:26.600 --> 0:48:28.520
<v Speaker 1>one of the real problems is they didn't communicate that

0:48:28.640 --> 0:48:31.600
<v Speaker 1>to the committee members that they had disqualified it, like

0:48:31.680 --> 0:48:35.160
<v Speaker 1>they found out about it in the press and a

0:48:35.239 --> 0:48:38.879
<v Speaker 1>lot of other chefs and judges, because I think there's

0:48:38.920 --> 0:48:42.680
<v Speaker 1>like six hundred ultimate judges, the chefs and food writers

0:48:42.719 --> 0:48:45.759
<v Speaker 1>and journalists all over the country. A few of those quit,

0:48:47.080 --> 0:48:51.680
<v Speaker 1>one called it fake virtue signaling, one smashed his previous award,

0:48:52.400 --> 0:48:56.480
<v Speaker 1>another step down in protest. And then this Kentucky chef

0:48:56.600 --> 0:49:00.000
<v Speaker 1>named Sam before was a finalist for Best Chef South East,

0:49:00.960 --> 0:49:04.720
<v Speaker 1>and she said that she was questioned, like given basically

0:49:04.800 --> 0:49:07.960
<v Speaker 1>no notice, questioned over zoomed by these investigators over social

0:49:08.080 --> 0:49:11.880
<v Speaker 1>media posts where she had spoken out against domestic violence

0:49:11.960 --> 0:49:15.040
<v Speaker 1>and sexual assault. And the way this goes the way

0:49:15.080 --> 0:49:18.879
<v Speaker 1>this happens is anonymous tipster's calling in, so you can

0:49:19.200 --> 0:49:21.840
<v Speaker 1>call in and anonymously say anything you want about someone,

0:49:22.400 --> 0:49:25.120
<v Speaker 1>and all of a sudden you're being investigated without any

0:49:25.360 --> 0:49:30.360
<v Speaker 1>like prior, you know, warning of what is even going on.

0:49:30.560 --> 0:49:32.759
<v Speaker 1>So all of a sudden, she's on this zoom and

0:49:32.840 --> 0:49:36.759
<v Speaker 1>they're saying that she was it was targeted harassment and

0:49:36.840 --> 0:49:41.919
<v Speaker 1>bullying because of some tweets that she sent out sort

0:49:41.960 --> 0:49:46.080
<v Speaker 1>of exposing stories of sexual assault, but she never named anybody.

0:49:46.640 --> 0:49:48.200
<v Speaker 1>And she told the people, She's like, how can you

0:49:48.239 --> 0:49:51.400
<v Speaker 1>accuse me of targeted harassment if after an hour you

0:49:51.480 --> 0:49:54.760
<v Speaker 1>still don't know who I'm targeting, Like I didn't name anybody.

0:49:55.400 --> 0:49:58.160
<v Speaker 1>And she was, you know, obviously really upset about this,

0:49:58.320 --> 0:50:01.520
<v Speaker 1>and it just seems like there's too much secrecy around

0:50:02.320 --> 0:50:05.000
<v Speaker 1>how it goes down. These investigations. They don't have a

0:50:05.120 --> 0:50:09.120
<v Speaker 1>real true like day in court for the accused. It's

0:50:09.160 --> 0:50:11.560
<v Speaker 1>just that they're kind of just almost surprised.

0:50:11.600 --> 0:50:13.160
<v Speaker 4>It seems like, and.

0:50:15.320 --> 0:50:16.920
<v Speaker 1>You know, before you know it, then they're not in

0:50:17.040 --> 0:50:19.359
<v Speaker 1>consideration and they're like, well, wait a minute, I didn't

0:50:19.360 --> 0:50:20.360
<v Speaker 1>even get a chance to plead.

0:50:20.200 --> 0:50:20.719
<v Speaker 4>My case in full.

0:50:20.840 --> 0:50:21.919
<v Speaker 2>It sounds kafka esque.

0:50:23.160 --> 0:50:25.800
<v Speaker 1>Yeah, Bourdain has always been very critical.

0:50:25.880 --> 0:50:28.440
<v Speaker 4>He was. He had a lot of bad stuff to

0:50:28.480 --> 0:50:30.000
<v Speaker 4>say about the Beard Words over the years.

0:50:30.000 --> 0:50:33.040
<v Speaker 1>I'm sure, funny stuff, a lot of it about not

0:50:33.160 --> 0:50:35.200
<v Speaker 1>being inclusive and like, who do you think you're kidding

0:50:36.040 --> 0:50:40.080
<v Speaker 1>by saying you're now inclusive? Stuff like that, and it's

0:50:40.239 --> 0:50:42.480
<v Speaker 1>just like he wasn't an award guys. He's kind of

0:50:42.520 --> 0:50:44.600
<v Speaker 1>like the people who bashed the oscars and just like

0:50:45.000 --> 0:50:49.080
<v Speaker 1>just a bunch of industry people, you know self, you know,

0:50:49.160 --> 0:50:50.279
<v Speaker 1>patting each other on the back.

0:50:50.560 --> 0:50:50.759
<v Speaker 4>Yeah.

0:50:51.760 --> 0:50:54.880
<v Speaker 2>I'll always remember a tweet from him at like right

0:50:54.960 --> 0:50:58.120
<v Speaker 2>when Baby Driver came out and everybody was crazy for it.

0:50:58.640 --> 0:51:02.640
<v Speaker 2>All it said was fab driver, but he didn't say

0:51:02.880 --> 0:51:06.960
<v Speaker 2>f and it was just three words that completely undermined

0:51:07.000 --> 0:51:07.839
<v Speaker 2>everybody else.

0:51:08.440 --> 0:51:12.160
<v Speaker 4>It was really kind of masterful ordine. Love that guy.

0:51:13.080 --> 0:51:16.160
<v Speaker 2>So yeah, one thing though, Chuck, just to wrap this

0:51:16.239 --> 0:51:18.920
<v Speaker 2>all up to me, James Beard is still such an

0:51:19.000 --> 0:51:21.359
<v Speaker 2>endigma and confusing. I have no idea what he would

0:51:21.400 --> 0:51:23.720
<v Speaker 2>make of this this award scandal stuff.

0:51:25.239 --> 0:51:27.000
<v Speaker 1>Well, I mean, none of the awards came about until

0:51:27.000 --> 0:51:29.120
<v Speaker 1>he was gone, so he might be like, I don't

0:51:29.120 --> 0:51:30.480
<v Speaker 1>even like the idea of these awards.

0:51:30.480 --> 0:51:31.960
<v Speaker 2>Who who knows not?

0:51:32.239 --> 0:51:34.360
<v Speaker 4>Or maybe he would, Yeah, we don't know.

0:51:35.480 --> 0:51:38.240
<v Speaker 2>If you want to know anything more about James Beard,

0:51:38.320 --> 0:51:40.600
<v Speaker 2>there's a lot out there. You can also start with

0:51:40.680 --> 0:51:44.879
<v Speaker 2>his cookbooks too, which are allegedly quite good. Chuck's gonna

0:51:44.960 --> 0:51:46.960
<v Speaker 2>let all of us know about his onion sandwiches.

0:51:47.520 --> 0:51:48.040
<v Speaker 4>I'm going to do it.

0:51:48.239 --> 0:51:49.840
<v Speaker 2>Since Chucks that I'm going to do it, we've just

0:51:50.000 --> 0:51:51.160
<v Speaker 2>triggered listener mail.

0:51:54.320 --> 0:51:56.880
<v Speaker 1>Oh, by the way, that onion should be a sweet

0:51:57.000 --> 0:51:59.200
<v Speaker 1>white onion, So a idelia.

0:51:58.840 --> 0:51:59.439
<v Speaker 4>Is a great choice.

0:52:00.040 --> 0:52:01.200
<v Speaker 2>Only a sweet yellow onion.

0:52:04.160 --> 0:52:07.880
<v Speaker 1>It is yellow, but maybe the sweet overrides the color.

0:52:09.160 --> 0:52:10.439
<v Speaker 1>What you don't want is a red out again.

0:52:10.880 --> 0:52:12.719
<v Speaker 2>Okay, I could see that. That's a that's a real

0:52:13.200 --> 0:52:14.160
<v Speaker 2>harsh yeah.

0:52:14.680 --> 0:52:17.920
<v Speaker 1>Yeah, all right, I'm gonna call this reality. We did

0:52:18.000 --> 0:52:20.600
<v Speaker 1>that episode is reality real and got a lot.

0:52:20.520 --> 0:52:21.320
<v Speaker 4>Of great feedback on it.

0:52:21.360 --> 0:52:25.719
<v Speaker 1>People seem to enjoy kind of breaking their brains momentarily, Hey, guys,

0:52:25.800 --> 0:52:27.640
<v Speaker 1>just listen to that episode. Thumbs up for daring to

0:52:27.719 --> 0:52:30.560
<v Speaker 1>tackle such a subject that one could get really in

0:52:30.600 --> 0:52:33.560
<v Speaker 1>the weeds about. For example, one could argue that each

0:52:33.600 --> 0:52:36.400
<v Speaker 1>other is humans, reality is different from one another. The

0:52:36.440 --> 0:52:39.920
<v Speaker 1>whole idea of perception is reality, and everyone's perception is

0:52:39.960 --> 0:52:42.840
<v Speaker 1>different than one. Mask must ask what the definition of

0:52:42.880 --> 0:52:46.319
<v Speaker 1>reality is? I kind of talked about that a little

0:52:46.320 --> 0:52:50.680
<v Speaker 1>bit to okay, anyhow, all that aside, one question I

0:52:50.760 --> 0:52:52.640
<v Speaker 1>was never able to understand why it's even a question.

0:52:52.840 --> 0:52:55.680
<v Speaker 1>Is if a tree falls in the woods and no

0:52:55.760 --> 0:52:58.320
<v Speaker 1>one's around to hear it doesn't make a sound. Doesn't

0:52:58.360 --> 0:53:01.040
<v Speaker 1>science tell us that sound is caused by friction and vibration.

0:53:01.640 --> 0:53:03.400
<v Speaker 1>That tree would have to pull off one heck of

0:53:03.480 --> 0:53:07.960
<v Speaker 1>a trick to fall without causing any kind of friction

0:53:08.080 --> 0:53:11.239
<v Speaker 1>and vibration. And furthermore, what makes us so important that

0:53:11.320 --> 0:53:14.160
<v Speaker 1>a tree would put on a friction and vibration show

0:53:15.000 --> 0:53:17.480
<v Speaker 1>only when we're present? Am I missing something here with

0:53:17.560 --> 0:53:21.080
<v Speaker 1>this tree sound issue? I've just never understood why that's

0:53:21.120 --> 0:53:24.360
<v Speaker 1>a question, at least because we are in the presence

0:53:24.480 --> 0:53:28.279
<v Speaker 1>and know about science. But then again, science also can't

0:53:28.320 --> 0:53:31.959
<v Speaker 1>seem to talk some out of the flat earth theory either,

0:53:32.080 --> 0:53:35.480
<v Speaker 1>which is reality for some love the pod. Keep up

0:53:35.480 --> 0:53:38.320
<v Speaker 1>the great work, and that is Corey and Omaha, Nebraska.

0:53:38.480 --> 0:53:43.520
<v Speaker 2>Thanks a lot, Corey. I guess to kind of answer

0:53:43.600 --> 0:53:48.319
<v Speaker 2>that a little bit as best I can. I can't

0:53:48.400 --> 0:53:50.960
<v Speaker 2>even this has been too my brain's broken. Let me

0:53:51.000 --> 0:53:51.680
<v Speaker 2>just stop for well.

0:53:51.680 --> 0:53:53.760
<v Speaker 4>I think you kind of answered it in that episode.

0:53:54.400 --> 0:53:57.880
<v Speaker 2>Yeah, I mean, I guess we do. Yeah. It's funny

0:53:57.920 --> 0:53:59.799
<v Speaker 2>that Corey brings us up because there's something that hit

0:53:59.840 --> 0:54:01.640
<v Speaker 2>me the other day too. Like when we did the

0:54:01.719 --> 0:54:04.560
<v Speaker 2>reality episode, I totally understood everything that we were saying.

0:54:04.960 --> 0:54:06.000
<v Speaker 4>It all made sense to me.

0:54:06.400 --> 0:54:12.319
<v Speaker 2>And then an airplane flew overhead, and I wondered why

0:54:12.440 --> 0:54:15.040
<v Speaker 2>I was witnessing hearing an airplane fly overhead that I

0:54:15.160 --> 0:54:17.640
<v Speaker 2>was not expecting. That has nothing to do with my

0:54:17.760 --> 0:54:19.480
<v Speaker 2>life other than the fact that I can hear it

0:54:19.520 --> 0:54:24.800
<v Speaker 2>and it's flying overhead. Why would that exist? I don't know.

0:54:25.000 --> 0:54:26.440
<v Speaker 2>The best thing I can come up with is that

0:54:26.719 --> 0:54:29.240
<v Speaker 2>it exists for those other people, and they just happen

0:54:29.280 --> 0:54:32.759
<v Speaker 2>to be passing by the space that I'm occupying at

0:54:32.800 --> 0:54:35.279
<v Speaker 2>the time, and I'm within earshot, so it happens for me.

0:54:36.000 --> 0:54:39.480
<v Speaker 2>I don't know. I can't can't quite connect those dots.

0:54:39.560 --> 0:54:41.759
<v Speaker 2>So I kind of get what Corey's saying there.

0:54:42.560 --> 0:54:45.239
<v Speaker 4>Yeah, I get it too. I I don't like to

0:54:45.280 --> 0:54:46.040
<v Speaker 4>think about this stuff.

0:54:46.320 --> 0:54:49.520
<v Speaker 2>I love it. I'll think about it for both of us.

0:54:50.160 --> 0:54:52.520
<v Speaker 2>Oh great, Well, if you want to get in touch

0:54:52.520 --> 0:54:54.320
<v Speaker 2>with this like Corey did and break our brains a

0:54:54.360 --> 0:54:56.759
<v Speaker 2>little further, we love to hear from you. You can

0:54:56.840 --> 0:55:00.640
<v Speaker 2>send us an email to Stuff Podcasts at iHeartRadio dot com.

0:55:04.080 --> 0:55:06.920
<v Speaker 3>Stuff you Should Know is a production of iHeartRadio. For

0:55:07.040 --> 0:55:11.160
<v Speaker 3>more podcasts myheart Radio, visit the iHeartRadio app, Apple Podcasts,

0:55:11.320 --> 0:55:13.120
<v Speaker 3>or wherever you listen to your favorite shows.

0:55:16.000 --> 0:55:16.040
<v Speaker 2>H