WEBVTT - #474 - Drew Parker on Opening for Luke Combs Before He Was Famous

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<v Speaker 1>I got a call, like on a Friday afternoon from

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<v Speaker 1>the promoter. It's like, hey, my opener backed out. I'll

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<v Speaker 1>pay you a hundred bucks to come up here. It's like, yeah,

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<v Speaker 1>who am I opening for a new guy that just

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<v Speaker 1>like moved to Nashville. His name's Luke COLEMs And I

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<v Speaker 1>was like, okay, cool. I didn't know who Luke was

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<v Speaker 1>at the time. Episode four seventy four. It's Drew Parker.

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<v Speaker 1>I like this guy.

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<v Speaker 2>Not that I don't like everybody, but some people you

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<v Speaker 2>just kind of click with and you can just have

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<v Speaker 2>a conversation and it just feels like kind of normal,

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<v Speaker 2>like you could just like two I didn't know him,

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<v Speaker 2>but like two buddies just talking for a while. I

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<v Speaker 2>kind of got this with Drew, and I felt like

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<v Speaker 2>I felt like we could have done like two hours.

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<v Speaker 1>Yeah, like you hang out with them after. Yeah we didn't,

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<v Speaker 1>by the way, No, but I think I could have. Yeah,

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<v Speaker 1>I think I could have. His instagram is Drew Parker. Plays.

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<v Speaker 2>His full length album, Camouflage Cowboy, came out this summer.

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<v Speaker 2>His single is Love the Leaving, which is climbing. I

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<v Speaker 2>don't know where it is on a chart right now.

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<v Speaker 2>I know that we play it a little bit, and

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<v Speaker 2>I end up telling him in this like, hey, we're

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<v Speaker 2>gonna help you out a little bit because it's a

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<v Speaker 2>good song.

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<v Speaker 1>He's from Georgia. He started singing in church like a

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<v Speaker 1>lot of folks do. He's written big, big, big songs.

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<v Speaker 2>But I'll let you hear the story about that and

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<v Speaker 2>how one of these songs, like major artists wanted to

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<v Speaker 2>cut it and he had to go, no, I'm gonna

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<v Speaker 2>keep this one, which is crazy because if any of

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<v Speaker 2>these major artists cut it, he makes a lot of money.

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<v Speaker 2>He basically gave up money for the chance to possibly

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<v Speaker 2>make some money for himself.

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<v Speaker 1>Yeah, it's a tough call.

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<v Speaker 2>It's a tough call, I know, especially as writers too,

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<v Speaker 2>like his writers he wrote it with, They're.

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<v Speaker 1>Like, no, give it to them. So yeah, yeah, yeah,

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<v Speaker 1>So I like Drew Parker. Check it out here. He

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<v Speaker 1>is episode four seventy four. Drew.

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<v Speaker 2>I just got a text about fourteen minutes ago. Be

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<v Speaker 2>nice to Drew. He's a bud that's from Gator. Harrison.

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<v Speaker 2>How do you know Gator like typical radio stuff or

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<v Speaker 2>do you guys like have any history of doing anything

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<v Speaker 2>social golf?

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<v Speaker 1>Golf? Yeah, really. Hell, we live both on the same

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<v Speaker 1>side of town, so.

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<v Speaker 2>Oh man, it's forever going. I'll go play golf a

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<v Speaker 2>gator and it's like a fifty minute drive. It's out

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<v Speaker 2>there with any traffic, and.

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<v Speaker 1>I'm farther like I live farther out than that. Do

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<v Speaker 1>you have like do you look like a property guy?

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<v Speaker 1>You have a property? I mean I don't, but I

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<v Speaker 1>there's plenty around me that I hope so big.

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<v Speaker 2>I thought it had to be on a property, Like

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<v Speaker 2>I saw you drive up and I was like, is

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<v Speaker 2>that a truck on top of another truck?

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<v Speaker 1>And it was not. It was just your truck.

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<v Speaker 2>Now, when you buy that truck, do you buy it

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<v Speaker 2>lifted that much already or did you lift it yourself?

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<v Speaker 2>Or is it not lifted at all?

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<v Speaker 1>It's it has like like a one and a half

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<v Speaker 1>inch list.

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<v Speaker 2>You gotta be kidding me, I swear, Okay, how big

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<v Speaker 2>of the tires? Thirty seven minutes tars, Mike, It's a monster, right,

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<v Speaker 2>It's huge. Okay, So what am I not getting? Because

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<v Speaker 2>I don't know anything about cars?

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<v Speaker 1>What I don't know? I'm like big on the it

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<v Speaker 1>looks like a glorified truck. Honestly, it's yeah, but it's huge.

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<v Speaker 1>It is big. Yeah, it's huge. Yeah, you know, might

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<v Speaker 1>have to you know, pull a buddy out of the

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<v Speaker 1>pitch or something. I don't know, a little wench for that.

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<v Speaker 1>But I mean, this is like my dream truck. This

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<v Speaker 1>is like what I like. Well, it's just I mean,

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<v Speaker 1>I wouldn't say that this is exactly my dream truck

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<v Speaker 1>because they didn't. This truck didn't exist when I when

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<v Speaker 1>you were eleven, right exactly. But it's like now it's

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<v Speaker 1>what I envisioned I would have loved when I was eleven.

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<v Speaker 2>This is that meaning like, you're doing good enough now

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<v Speaker 2>you can just go get whatever truck you want.

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<v Speaker 1>Uh no, this will be.

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<v Speaker 2>This I mean is if I'm asking the question, you

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<v Speaker 2>have to be it's not humble to answer it.

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<v Speaker 1>It is like if that's like I just.

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<v Speaker 2>Bought my freaking dream car. Yeah, the first time, and

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<v Speaker 2>it's awesome and I love it.

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<v Speaker 1>Yeah, but I couldn't do it again. I couldn't go

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<v Speaker 1>do it again. I couldn't go get another You need to, No,

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<v Speaker 1>I don't. Oh yeah, so yeah this is yeah, this

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<v Speaker 1>is it. That's cool.

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<v Speaker 2>Yeah, I'll have it to the world's fall off. Oh

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<v Speaker 2>I'll trade mine in about a year.

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<v Speaker 1>But no, this is yeah yeah, yeah, uh so what

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<v Speaker 1>is Covington, Georgia like very small town suburb of Atlanta.

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<v Speaker 1>It's definitely, you know, it's kind of expanded. Atlanta's kind

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<v Speaker 1>of expanded there. Now it's not the same talent it

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<v Speaker 1>was when I was growing up.

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<v Speaker 2>How suburban? How long does it take to get out

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<v Speaker 2>of Atlanta to a forty five minutes? But yeah, I

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<v Speaker 2>mean it's not the exact same talent it was when

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<v Speaker 2>I was growing up. When I was growing up there

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<v Speaker 2>there was only one high school.

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<v Speaker 1>When I was a kid, An there's like three west

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<v Speaker 1>size was your high school? Six hundred? I have any okay,

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<v Speaker 1>so not big? Mine was.

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<v Speaker 2>We were single A, then went to double A. I

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<v Speaker 2>don't know what the class we would be.

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<v Speaker 1>We were like we were actually four A. In my

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<v Speaker 1>senior year. She played ball, but I was. I played baseball.

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<v Speaker 1>I was the first full graduated class. So my freshman

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<v Speaker 1>year it was a brand new school. Oh dang, yeah,

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<v Speaker 1>I was the first class with her. We had a

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<v Speaker 1>school wasn't ours. We had a school that was brand new.

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<v Speaker 1>It was called Center Point.

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<v Speaker 2>There were a brand new school, but they struggle in

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<v Speaker 2>athletics for a while because they were a brand new

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<v Speaker 2>school and I don't know, just a bunch of random

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<v Speaker 2>kids that went there. They didn't have any history, right

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<v Speaker 2>and any tradition.

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<v Speaker 1>Did you guys have any experience that, Yeah, very much so.

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<v Speaker 1>But my senior year we went to a final four

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<v Speaker 1>in state in baseball and then got molly wopped, just

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<v Speaker 1>destroyed by a team of Atlanta. Did you play any

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<v Speaker 1>like pro ball players that later turned pro? Not that well.

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<v Speaker 1>I played like Jason Hayward's younger brother, but I don't

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<v Speaker 1>think he was like, well, that's funny. I mean, Jason Hayward.

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<v Speaker 2>I'm a big Cups fan, So yeah, Hayward's yeah, big

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<v Speaker 2>part of the reason that we did anything back in

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<v Speaker 2>the day in sixteen.

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<v Speaker 1>So I remember playing his brother. There was some other guy.

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<v Speaker 1>There was a guy that hit an absolute mammoth of

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<v Speaker 1>a home run off of me that went and played somewhere,

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<v Speaker 1>and I think he owes a lot of that to

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<v Speaker 1>me because there were tons of scouts there watching him,

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<v Speaker 1>and I just.

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<v Speaker 2>That's so funny that he said Jason Hayward, And I'm like, wow,

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<v Speaker 2>younger brother, that's funny.

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<v Speaker 1>When did you move to Nashale. Oh what year twenty fifteen,

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<v Speaker 1>September twenty fifteen. I guess he's been here a little

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<v Speaker 1>bit nine years.

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<v Speaker 2>Let's talk music, because I got a lot of stuff

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<v Speaker 2>to talk about. What do you wanna do first? You

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<v Speaker 2>want to do the greatest hits? What do you want

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<v Speaker 2>to do?

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<v Speaker 1>You? This is the greatest hits? Okay, got a.

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<v Speaker 2>Grammy nominee nomination for doing this with Luke Combs. You

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<v Speaker 2>guys met back like Rome.

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<v Speaker 1>Yeah, we met in a bar in Rome, Georgia, Georgia.

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<v Speaker 1>Was he playing the bar? He was? I was opening.

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<v Speaker 1>I got a call, like on a Friday afternoon from

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<v Speaker 1>the promoter. It's like, hey, my opener backed out. I'll

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<v Speaker 1>pay you a hundred bucks to come up here. I

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<v Speaker 1>was like, yeah, who am I opening for? He was like, well,

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<v Speaker 1>it's this new guy that just like moved to Nashville.

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<v Speaker 1>His name's Luke Combs. And I was like, okay, cool.

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<v Speaker 1>I didn't know who Luke was at the time, but

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<v Speaker 1>we opened that show that night and we just hit

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<v Speaker 1>it off. And he was like, man, I just moved

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<v Speaker 1>to Nashville. You should come up there and let's write songs.

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<v Speaker 1>And I had never written a song before and I was,

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<v Speaker 1>but I was like, well, this seems like my ticket

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<v Speaker 1>to Nashville, because I'd always wanted to go. I was like,

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<v Speaker 1>this seems like my ticket. So I was like absolutely.

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<v Speaker 1>So for the next nine months, I drove back and

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<v Speaker 1>forth from Georgia to Nashville and wrote songs. What was

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<v Speaker 1>that drive? Three hundred miles? Did you have a normal job?

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<v Speaker 1>I did? I have a degree in radiology. Wow. So

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<v Speaker 1>that nine months, I like was sending like resumes to

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<v Speaker 1>try to get a job at a hospital up here,

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<v Speaker 1>and it took nine months, but I finally did. And

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<v Speaker 1>then that's when I moved.

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<v Speaker 2>I think, if I'm doing my research here, you have,

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<v Speaker 2>as far as radiologists go, the biggest truck ever, any

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<v Speaker 2>radiologist ever, largest radiologist truck.

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<v Speaker 1>Yeah. Why did you go into radiology? It was so

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<v Speaker 1>I did like joint enrollment, like my junior senior ye

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<v Speaker 1>of high school, which was like half college half high

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<v Speaker 1>school credits or whatever was it? Because you were so ahead.

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<v Speaker 1>I mean, it's okay, well I really don't remember. I

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<v Speaker 1>think so, but it allowed for me to have this

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<v Speaker 1>opportunity to be able to go, you know, take two

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<v Speaker 1>classes at the college. The local Community College in Covington.

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<v Speaker 1>So when I got out, I had this plan that

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<v Speaker 1>I was going to go play music. Moved to Nashville

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<v Speaker 1>one day, so I like kind of looked into what

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<v Speaker 1>are the credits that I've earned at this point that

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<v Speaker 1>I can get through something quickly? Right when like radiology

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<v Speaker 1>was like one of the ones that popped up. Were

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<v Speaker 1>you interested in that? Did you know really what it was?

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<v Speaker 1>I liked the medical field. I thought it was like

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<v Speaker 1>an easy place to get a job. I mean, my

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<v Speaker 1>whole plan was to wind up here in the music business.

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<v Speaker 1>What was going to get me their quick, quickest and

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<v Speaker 1>to help me pay my rent.

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<v Speaker 2>Only person that's ever come in to said the medical

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<v Speaker 2>industry is what was going to get me to Nashville

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<v Speaker 2>to write song. You're the only person that's ever happened

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<v Speaker 2>probably so so.

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<v Speaker 1>And you did that. You did radiology for a little bit.

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<v Speaker 1>I did so. I got here in twenty fifteen and

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<v Speaker 1>worked at a hospital in Nashville, and I worked there

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<v Speaker 1>until the week I had first number one in twenty twenty.

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<v Speaker 2>That's a wild story that's extremely versatile of you can

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<v Speaker 2>you look at my ankle, you well, you don't have

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<v Speaker 2>the equipment oh kind of makes for your ankle.

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<v Speaker 1>Yeah, uh no, I don't have the equipment.

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<v Speaker 2>But if you did, oh I did, if christ did

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<v Speaker 2>you put the thing on? Where you have to like

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<v Speaker 2>where the did you? You have to run out of

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<v Speaker 2>the room right Like they're like, yeah, you're supposed to.

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<v Speaker 1>But really, I mean, here's the thing. Man, It's like

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<v Speaker 1>takes too much. Like really you're supposed to go get help,

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<v Speaker 1>like where the thing? But man, when you're like patients

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<v Speaker 1>are like coming in and out like a lots of fast,

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<v Speaker 1>you're gonna get backed up. You're just kind of like,

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<v Speaker 1>all right, well this will be quicker if I just

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<v Speaker 1>don't go ask for helping take the risk of ready. Yeah,

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<v Speaker 1>but my kids all you know, the two kids I

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<v Speaker 1>have have all their fingers and toes. So I think

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<v Speaker 1>we've made it out alive. Talk to me.

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<v Speaker 2>So you're in Rome, Georgia with Luke Combs. How many

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<v Speaker 2>people do you think are at the show that night?

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<v Speaker 1>I've always said that there was sixty people at the

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<v Speaker 1>show that night. I've been told that that is false,

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<v Speaker 1>but I'm that's close. Were you the only support? Was

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<v Speaker 1>it you? Then, Luke? No? There was another guy, h

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<v Speaker 1>Jacob Bryant and do you meet Luke pre or post

0:10:14.880 --> 0:10:17.640
<v Speaker 1>pre pre show? And then we hung out post show

0:10:18.400 --> 0:10:19.680
<v Speaker 1>and we just hit it off. I mean we just

0:10:19.720 --> 0:10:23.800
<v Speaker 1>had the same interest. It was like kind of like sports,

0:10:23.840 --> 0:10:25.840
<v Speaker 1>like we just found you know, we just liked all

0:10:25.880 --> 0:10:26.480
<v Speaker 1>the same things.

0:10:27.320 --> 0:10:30.040
<v Speaker 2>And so he says, hey, here's my information, and like

0:10:30.120 --> 0:10:31.760
<v Speaker 2>it's not like he was killing it right he was.

0:10:31.960 --> 0:10:34.320
<v Speaker 1>He was far from finger quotes Luke Comb's oh not

0:10:34.360 --> 0:10:34.920
<v Speaker 1>even close.

0:10:35.320 --> 0:10:37.640
<v Speaker 2>But what was he able to lend you as far

0:10:37.679 --> 0:10:41.280
<v Speaker 2>as like advice or he already lived here, so you

0:10:41.320 --> 0:10:43.520
<v Speaker 2>had like a buddy or someone you could like rely

0:10:43.640 --> 0:10:44.400
<v Speaker 2>on to be here?

0:10:44.440 --> 0:10:46.559
<v Speaker 1>Like what was that? Well? I just knew that there

0:10:46.600 --> 0:10:50.520
<v Speaker 1>was some confidence there that I couldn't. I mean, it's

0:10:50.520 --> 0:10:53.400
<v Speaker 1>also like you hear somebody that you're like a massive

0:10:53.440 --> 0:10:55.360
<v Speaker 1>fan of and you're like, okay, that guy's good, and

0:10:55.679 --> 0:10:57.560
<v Speaker 1>the person that you think is good is telling you

0:10:57.559 --> 0:11:00.000
<v Speaker 1>you're good. So you're like, okay, well there's a little

0:11:00.120 --> 0:11:02.640
<v Speaker 1>validation there. He respected your music as well.

0:11:02.760 --> 0:11:05.520
<v Speaker 2>Yeah, that's pretty cool because even before he blew up,

0:11:05.520 --> 0:11:07.559
<v Speaker 2>you would hear him sing and you would go, oh, yeah,

0:11:07.559 --> 0:11:08.040
<v Speaker 2>he's really good.

0:11:08.080 --> 0:11:08.400
<v Speaker 1>I remember.

0:11:08.400 --> 0:11:09.959
<v Speaker 2>But it was like the first time that I heard

0:11:10.000 --> 0:11:12.719
<v Speaker 2>him sing. It was like, again, this is before he

0:11:12.920 --> 0:11:15.960
<v Speaker 2>even had an hit song. He was in studio and

0:11:16.000 --> 0:11:19.000
<v Speaker 2>he sings so violently, but he's a pure singer. At

0:11:19.000 --> 0:11:21.160
<v Speaker 2>the same time, he's incredible. It's one of those rare

0:11:21.600 --> 0:11:24.160
<v Speaker 2>where someone can go extremely hard. It's like oh, but

0:11:24.320 --> 0:11:26.640
<v Speaker 2>also like what do you want him to sing?

0:11:26.960 --> 0:11:27.760
<v Speaker 1>Like? It doesn't matter.

0:11:27.880 --> 0:11:29.760
<v Speaker 2>Yeah, he doesn't get the credit for being like a

0:11:29.760 --> 0:11:33.760
<v Speaker 2>pure vocalist because of how aggressive he sings, and also

0:11:33.760 --> 0:11:35.600
<v Speaker 2>just because he looks like a normal dude. But I

0:11:35.600 --> 0:11:37.400
<v Speaker 2>remember thinking that and if he thought I was good,

0:11:37.440 --> 0:11:38.760
<v Speaker 2>which he did not think I was a good singer,

0:11:38.760 --> 0:11:40.280
<v Speaker 2>so I don't know I have the same then I

0:11:40.280 --> 0:11:41.440
<v Speaker 2>think that would give me confidence.

0:11:41.480 --> 0:11:43.319
<v Speaker 1>And you felt that way about yourself, Yeah, I mean

0:11:43.360 --> 0:11:46.120
<v Speaker 1>it did. And I knew that he, you know, had

0:11:46.200 --> 0:11:48.360
<v Speaker 1>offered the invite to come to Nashville to write songs.

0:11:49.280 --> 0:11:52.959
<v Speaker 1>I knew that that's kind of not an inn and

0:11:53.040 --> 0:11:54.480
<v Speaker 1>tell him, but like, that's kind of where you start,

0:11:54.600 --> 0:11:57.520
<v Speaker 1>like when you get to hear right songs. So here's

0:11:57.559 --> 0:12:00.880
<v Speaker 1>a guy that lives in Nashville doing what I want

0:12:00.920 --> 0:12:03.839
<v Speaker 1>to do, who is inviting me to write songs, and

0:12:03.880 --> 0:12:06.720
<v Speaker 1>so I take that opportunity. What was home like for

0:12:06.760 --> 0:12:09.800
<v Speaker 1>you growing up? Your parents? Were they together? They? Yep,

0:12:10.480 --> 0:12:14.320
<v Speaker 1>very supportive, very involved. I mean so music for me

0:12:14.360 --> 0:12:18.320
<v Speaker 1>started when I was like ten, singing in church and

0:12:18.360 --> 0:12:21.720
<v Speaker 1>like traveling all over the Southeast. My dad would get

0:12:21.720 --> 0:12:25.760
<v Speaker 1>off work on Friday and we'd pack my mom's expedition

0:12:25.920 --> 0:12:28.960
<v Speaker 1>with like sound equipment and we'd go sing at a

0:12:29.040 --> 0:12:31.360
<v Speaker 1>church or I would go sing at a church a

0:12:31.400 --> 0:12:32.480
<v Speaker 1>family and it was just me.

0:12:32.679 --> 0:12:35.640
<v Speaker 2>Oh so they were just being supportive. Yeah, so how

0:12:35.679 --> 0:12:38.800
<v Speaker 2>at ten? Why at ten did you want to start

0:12:38.840 --> 0:12:41.440
<v Speaker 2>singing in church? Did you have like friends that sang,

0:12:41.640 --> 0:12:43.400
<v Speaker 2>a youth director that sang? Like how did you get

0:12:43.400 --> 0:12:43.800
<v Speaker 2>involved there?

0:12:43.840 --> 0:12:45.440
<v Speaker 1>There was this guy in my church that sang and

0:12:45.480 --> 0:12:48.240
<v Speaker 1>he would literally go sit up set up sound equipment

0:12:48.240 --> 0:12:50.439
<v Speaker 1>in the Arby's parking lot and sing on like Friday nights.

0:12:50.920 --> 0:12:52.960
<v Speaker 1>And my parents would go up there and we'd like

0:12:53.360 --> 0:12:55.480
<v Speaker 1>spend Friday nights in the Arby's parking lot watching this

0:12:55.480 --> 0:12:57.840
<v Speaker 1>guy sing. And so he like introduced me to the

0:12:57.880 --> 0:13:01.079
<v Speaker 1>stage there. And so it's just like thing that developed

0:13:03.040 --> 0:13:04.880
<v Speaker 1>and just one thing led to another, and my parents,

0:13:05.080 --> 0:13:07.560
<v Speaker 1>you know, always I wouldn't say they pushed me to

0:13:07.559 --> 0:13:10.040
<v Speaker 1>do it. But they saw that, you know, it was

0:13:10.080 --> 0:13:12.280
<v Speaker 1>something I wanted to do, and they whatever it took

0:13:12.280 --> 0:13:14.320
<v Speaker 1>for me to be able to do that super encouraging.

0:13:14.480 --> 0:13:18.120
<v Speaker 1>Oh very are they so proud of you now? I'd

0:13:18.120 --> 0:13:21.160
<v Speaker 1>like to think so. Yeah, I think so because I.

0:13:21.040 --> 0:13:24.680
<v Speaker 2>Think that would be pretty cool to have somebody that

0:13:24.720 --> 0:13:26.719
<v Speaker 2>you know and love kind of risk it.

0:13:26.800 --> 0:13:27.040
<v Speaker 1>All.

0:13:27.240 --> 0:13:30.560
<v Speaker 2>This is a wild industry where almost nobody makes it,

0:13:31.000 --> 0:13:33.199
<v Speaker 2>and if you do make it, you know, making it

0:13:33.240 --> 0:13:35.160
<v Speaker 2>is if you actually make its just paying your bills

0:13:35.520 --> 0:13:35.800
<v Speaker 2>like that.

0:13:36.160 --> 0:13:38.679
<v Speaker 1>That's been my goal, that's all. That's the only thing

0:13:38.720 --> 0:13:40.640
<v Speaker 1>that's ever been My goal is to provide for my

0:13:40.679 --> 0:13:43.440
<v Speaker 1>family doing what I love. So whatever that meant.

0:13:43.520 --> 0:13:46.480
<v Speaker 2>Anybody that can do an art they love and support

0:13:46.520 --> 0:13:49.520
<v Speaker 2>themselves like to me, that's making it.

0:13:49.559 --> 0:13:49.880
<v Speaker 1>That's it.

0:13:50.440 --> 0:13:52.280
<v Speaker 2>And the fact that you've been able to because you

0:13:52.280 --> 0:13:54.360
<v Speaker 2>said you hadn't written you hadn't really written in these songs, right,

0:13:54.600 --> 0:13:57.520
<v Speaker 2>not really? And again we're doing the greatest hits before

0:13:57.520 --> 0:13:59.000
<v Speaker 2>we get to specific stuff about you.

0:13:59.280 --> 0:14:00.360
<v Speaker 1>But it's like.

0:14:00.760 --> 0:14:04.600
<v Speaker 2>All the songs that you now have written, you know,

0:14:04.720 --> 0:14:08.240
<v Speaker 2>with and for Luke, were you sitting in rooms with

0:14:08.360 --> 0:14:13.320
<v Speaker 2>people that had written the way Nashville writes or were.

0:14:13.120 --> 0:14:15.720
<v Speaker 1>Just you and Luke writing and he was learning. How

0:14:15.760 --> 0:14:18.520
<v Speaker 1>it was like it was me and Luke and other

0:14:18.640 --> 0:14:20.040
<v Speaker 1>folks that he had met the same way he had

0:14:20.080 --> 0:14:23.480
<v Speaker 1>met me in a sense. I mean we were just

0:14:23.560 --> 0:14:26.120
<v Speaker 1>learning together really, and we were just writing songs that

0:14:26.240 --> 0:14:29.000
<v Speaker 1>we would want to listen to. You know. It wasn't

0:14:29.800 --> 0:14:33.040
<v Speaker 1>We never never felt like we were chasing anything, which

0:14:33.080 --> 0:14:33.640
<v Speaker 1>is interesting.

0:14:33.720 --> 0:14:36.600
<v Speaker 2>But do you remember like learning the formula meaning Okay,

0:14:36.640 --> 0:14:39.080
<v Speaker 2>we're gonna we're gonna sit down, and this is very concept.

0:14:39.080 --> 0:14:40.960
<v Speaker 2>It's a very concept first town more so than a

0:14:40.960 --> 0:14:45.840
<v Speaker 2>melody town, right, and we're gonna go uh verse chorus,

0:14:46.800 --> 0:14:53.000
<v Speaker 2>uh bridge or verse bridge core, whatever the case, and going, oh,

0:14:53.040 --> 0:14:54.800
<v Speaker 2>this kind of makes sense. Now there's a formula. I

0:14:54.800 --> 0:14:57.000
<v Speaker 2>never really looked at song. Its like a formula, like

0:14:57.080 --> 0:14:58.600
<v Speaker 2>did you learn that when you hear or were you

0:14:58.680 --> 0:15:00.480
<v Speaker 2>just listening to enough song to sing enough songs that

0:15:00.520 --> 0:15:03.040
<v Speaker 2>you kind of understood that anyway, even before you you

0:15:03.080 --> 0:15:03.680
<v Speaker 2>wrote anything.

0:15:03.840 --> 0:15:06.480
<v Speaker 1>Yeah, I think just by listening to other songs and

0:15:06.560 --> 0:15:11.360
<v Speaker 1>kind of just learning that way. But there's so many

0:15:11.360 --> 0:15:13.240
<v Speaker 1>different it was. I was always like a stickler on

0:15:13.480 --> 0:15:16.160
<v Speaker 1>like rhymes and like you know, finding them the right

0:15:16.200 --> 0:15:19.560
<v Speaker 1>place to land and like the phrasing of the thing.

0:15:19.720 --> 0:15:21.960
<v Speaker 1>But I think that was, you know, from the music

0:15:22.000 --> 0:15:22.600
<v Speaker 1>that I grew.

0:15:22.480 --> 0:15:24.840
<v Speaker 2>Up on, Like prechorses were always trippy to me, because

0:15:24.840 --> 0:15:27.160
<v Speaker 2>I never even thought of such a thing, right, the

0:15:27.240 --> 0:15:28.840
<v Speaker 2>new choruses and I knew that.

0:15:28.880 --> 0:15:31.080
<v Speaker 1>I was like, oh, pre chorus. Pre chorus is just

0:15:31.120 --> 0:15:32.720
<v Speaker 1>the thing that helps you like the end of your

0:15:32.800 --> 0:15:35.240
<v Speaker 1>verse doesn't quite carry you into the chorus. So you're

0:15:35.280 --> 0:15:37.080
<v Speaker 1>just like, well, we need to make something up that

0:15:37.120 --> 0:15:40.680
<v Speaker 1>gets us to the chorus. Yeah, but we can repeat that.

0:15:40.800 --> 0:15:43.680
<v Speaker 2>People will also sing, did you let's take Luke out

0:15:43.680 --> 0:15:46.640
<v Speaker 2>of this rite with anybody where you're like, holy crap.

0:15:46.640 --> 0:15:49.360
<v Speaker 1>I think I just took a lesson in writing early on.

0:15:51.680 --> 0:15:55.000
<v Speaker 1>Like Ben Hayslip, Yeah, he was one of the guys

0:15:55.000 --> 0:16:01.400
<v Speaker 1>that wrote with me early on. There was a few,

0:16:01.440 --> 0:16:02.760
<v Speaker 1>but I mean for the most part, it was just

0:16:02.840 --> 0:16:03.880
<v Speaker 1>people that I was meeting.

0:16:04.400 --> 0:16:07.080
<v Speaker 2>You go into the song rounds and you know, I

0:16:07.080 --> 0:16:09.480
<v Speaker 2>feel like I've been fortunate in my time here. Like

0:16:09.560 --> 0:16:14.360
<v Speaker 2>so we launched, we semi launched like a secret project.

0:16:14.880 --> 0:16:17.280
<v Speaker 2>And what do I know about songwriting? Nothing except for

0:16:17.360 --> 0:16:22.640
<v Speaker 2>I wrote comedy songs right, very different. I can write verse, chorus,

0:16:22.680 --> 0:16:25.000
<v Speaker 2>bridge chorus, chorus, chorus, chorus, as long as it's funny,

0:16:25.040 --> 0:16:27.840
<v Speaker 2>it doesn't matter, and as long as it grows. But me,

0:16:28.600 --> 0:16:32.320
<v Speaker 2>Ross Kapperman, Nicole Gallian we got together and we're like,

0:16:32.320 --> 0:16:37.560
<v Speaker 2>we're going to create this cartoon kind of like the

0:16:37.760 --> 0:16:42.240
<v Speaker 2>Mike who is a feel good the Gorillas, the Gorillas,

0:16:42.280 --> 0:16:44.760
<v Speaker 2>kind of like kind of the Gorilla. Actually, what it

0:16:44.760 --> 0:16:46.360
<v Speaker 2>happened was I'd seen a thing in like sixty minutes.

0:16:46.400 --> 0:16:47.760
<v Speaker 1>We're in Japan. They have a hologram.

0:16:47.840 --> 0:16:50.200
<v Speaker 2>It does like ten to at once, and I'm like, oh,

0:16:50.240 --> 0:16:51.280
<v Speaker 2>this is how we make money.

0:16:51.600 --> 0:16:52.200
<v Speaker 1>Holy cas.

0:16:52.280 --> 0:16:53.360
<v Speaker 2>So I went to Ross and I was like, well,

0:16:53.440 --> 0:16:56.040
<v Speaker 2>let's let's write a bunch of songs. Not really knowing

0:16:56.040 --> 0:16:58.440
<v Speaker 2>anything other than writing comedy songs. I was like, let's

0:16:58.440 --> 0:17:00.640
<v Speaker 2>we're gonna build this hologram and it's going to open

0:17:00.680 --> 0:17:02.520
<v Speaker 2>for everybody at once, and we're gonna sit home account

0:17:02.520 --> 0:17:03.040
<v Speaker 2>our money.

0:17:04.040 --> 0:17:07.080
<v Speaker 1>That's brilliant, and so he was like, let's go.

0:17:07.480 --> 0:17:09.040
<v Speaker 2>And so we got in a call and we went

0:17:09.080 --> 0:17:11.560
<v Speaker 2>and wrote every week everywhere, and I remember just going, oh,

0:17:11.600 --> 0:17:13.480
<v Speaker 2>I had no idea, Like I thought I.

0:17:13.440 --> 0:17:15.080
<v Speaker 1>Had an idea, and I knew music. I knew how

0:17:15.080 --> 0:17:15.399
<v Speaker 1>to write that.

0:17:15.880 --> 0:17:20.240
<v Speaker 2>But just like the precision of like really talented songaters

0:17:20.280 --> 0:17:22.919
<v Speaker 2>and you're one of those now. But when I was

0:17:23.040 --> 0:17:26.520
<v Speaker 2>newly kind of adopted into let's write this stuff, I

0:17:26.560 --> 0:17:27.760
<v Speaker 2>was just like, oh, I had no idea you could

0:17:27.760 --> 0:17:30.080
<v Speaker 2>do so many things with songs and concepts and turning

0:17:30.119 --> 0:17:33.800
<v Speaker 2>meanings around and flipping things like I got a big lesson, And.

0:17:33.800 --> 0:17:36.439
<v Speaker 1>I don't know where that came from for me, Like

0:17:37.040 --> 0:17:39.760
<v Speaker 1>that's kind of always been like what fires me up

0:17:39.840 --> 0:17:41.840
<v Speaker 1>is like trying to find an idea that can be flipped.

0:17:43.359 --> 0:17:44.959
<v Speaker 1>You know. Now we get in rooms and we're like, well,

0:17:45.000 --> 0:17:47.159
<v Speaker 1>let's not do the We don't there's no reason for

0:17:47.240 --> 0:17:48.919
<v Speaker 1>us to do the trick, you know what I mean,

0:17:50.119 --> 0:17:51.880
<v Speaker 1>like make it mean something else, but saying the same

0:17:51.880 --> 0:17:54.800
<v Speaker 1>thing the whole time. But that's fun to me. That's

0:17:54.840 --> 0:17:57.040
<v Speaker 1>like a you know, it's like a puzzle, putting a

0:17:57.040 --> 0:18:01.320
<v Speaker 1>puzzle together in more ways than ones. So but I don't,

0:18:01.320 --> 0:18:06.760
<v Speaker 1>I don't. I think it just honestly learning. We were

0:18:06.760 --> 0:18:07.639
<v Speaker 1>all learning together.

0:18:07.720 --> 0:18:10.320
<v Speaker 2>To be honest with you, that's fine because again there's

0:18:10.359 --> 0:18:12.119
<v Speaker 2>not a lot of pressure there. There was none that

0:18:12.240 --> 0:18:16.480
<v Speaker 2>was learning, you know, there was we didn't have publishing deals.

0:18:16.920 --> 0:18:18.879
<v Speaker 2>I met a guy there was a guy he was

0:18:18.880 --> 0:18:21.640
<v Speaker 2>teaching like a music class at Uga and Athens.

0:18:21.920 --> 0:18:25.520
<v Speaker 1>I didn't go there, but I didn't. I grew up

0:18:25.560 --> 0:18:28.480
<v Speaker 1>not far from there. But he was a songwriter, Like

0:18:28.520 --> 0:18:31.040
<v Speaker 1>he wrote some Reeven McIntyre hits back in the day,

0:18:32.320 --> 0:18:34.639
<v Speaker 1>and I cold like emailed him one day and I

0:18:34.680 --> 0:18:38.439
<v Speaker 1>was like, hey, man, I'm a new songwriter, like looking

0:18:38.440 --> 0:18:45.200
<v Speaker 1>for advice, honestly, and I remember him specifically saying, find

0:18:45.280 --> 0:18:48.320
<v Speaker 1>someone that you believe in and write as many songs

0:18:48.320 --> 0:18:51.879
<v Speaker 1>as you can with them. What I didn't realize is

0:18:51.920 --> 0:18:54.760
<v Speaker 1>I was already doing that with Luke. And I mean

0:18:54.800 --> 0:18:57.040
<v Speaker 1>it wasn't until years later that I kind of realized

0:18:57.080 --> 0:18:59.439
<v Speaker 1>that the device he had given me something that I

0:18:59.480 --> 0:19:02.120
<v Speaker 1>was already doing. That's super Bowl. He responded like that, though,

0:19:02.400 --> 0:19:05.080
<v Speaker 1>yeah it was. I mean what incredible advice. I mean

0:19:05.080 --> 0:19:08.359
<v Speaker 1>it's advice that I give today, Like, find somebody you

0:19:08.400 --> 0:19:12.160
<v Speaker 1>would bet everything on and just go write a bunch

0:19:12.160 --> 0:19:12.800
<v Speaker 1>of songs with them.

0:19:13.480 --> 0:19:16.200
<v Speaker 2>I wonder your direction because you move here obviously you're

0:19:16.200 --> 0:19:18.880
<v Speaker 2>a singer and your writing and you're an artist, and

0:19:18.920 --> 0:19:21.800
<v Speaker 2>you're in the Luke camp before it's officially been a camp,

0:19:21.840 --> 0:19:23.640
<v Speaker 2>Like it's just a couple of tenths before it turned

0:19:23.680 --> 0:19:27.440
<v Speaker 2>into a full fledged camp because Luke's success took off.

0:19:29.440 --> 0:19:30.760
<v Speaker 2>Were you like, all right, we're just gonna be the

0:19:30.800 --> 0:19:33.840
<v Speaker 2>engine on this thing for a little bit. Yeah, for sure,

0:19:33.960 --> 0:19:36.840
<v Speaker 2>more so than I'm gonna take and go. Because it

0:19:36.920 --> 0:19:39.200
<v Speaker 2>is a grind to be an artist, a new artist,

0:19:39.240 --> 0:19:41.720
<v Speaker 2>because you have to do radio tour, you have to

0:19:41.920 --> 0:19:44.399
<v Speaker 2>You've got to be gone a lot, making no money.

0:19:44.920 --> 0:19:48.359
<v Speaker 2>But now the group that you had cultivated with like

0:19:48.440 --> 0:19:51.880
<v Speaker 2>minded people, they're all enjoyed writing together. That started to hit,

0:19:51.920 --> 0:19:54.320
<v Speaker 2>That started to hit. Did you make a conscious decision

0:19:54.359 --> 0:19:56.880
<v Speaker 2>of all right, I'm still gonna play, but I can't

0:19:56.920 --> 0:19:59.119
<v Speaker 2>really go and pursue this full artist thing because I

0:19:59.160 --> 0:20:00.600
<v Speaker 2>really believe what we're doing now and I want to

0:20:00.600 --> 0:20:01.600
<v Speaker 2>get out of it what I can.

0:20:01.840 --> 0:20:06.520
<v Speaker 1>Yeah, that was definitely part of it, But it was

0:20:06.560 --> 0:20:10.440
<v Speaker 1>also just I was still learning and preparing myself for

0:20:10.880 --> 0:20:13.719
<v Speaker 1>who exactly I wanted to be as an artist. And

0:20:15.160 --> 0:20:17.119
<v Speaker 1>I mean that being an artist is exactly what I

0:20:17.160 --> 0:20:19.359
<v Speaker 1>moved here for. I wanted to sing, and I wanted

0:20:19.359 --> 0:20:21.080
<v Speaker 1>to play shows, and I wanted to be an artist.

0:20:21.760 --> 0:20:23.920
<v Speaker 1>Songwriting was like a gift that I discovered God and

0:20:24.000 --> 0:20:25.760
<v Speaker 1>given me, like kind of after I got here. It

0:20:25.880 --> 0:20:31.119
<v Speaker 1>just kind of happened, right, And but once the started

0:20:31.160 --> 0:20:34.840
<v Speaker 1>having cuts and that kind of thing, it's you kind

0:20:34.840 --> 0:20:36.920
<v Speaker 1>of go through your head of like, okay, now, which

0:20:37.200 --> 0:20:40.520
<v Speaker 1>do I really want this thing? Or is this good enough?

0:20:41.359 --> 0:20:44.399
<v Speaker 1>And ultimately I decided that how bad I wanted to

0:20:44.440 --> 0:20:48.600
<v Speaker 1>be an artist. And but I still think about those moments,

0:20:48.600 --> 0:20:52.359
<v Speaker 1>and there's a pivotal moments of like holding onto a

0:20:52.400 --> 0:20:56.320
<v Speaker 1>song or you know, letting a song go. But yeah,

0:20:56.359 --> 0:20:58.480
<v Speaker 1>it was. It was a fun time and still is

0:20:58.520 --> 0:21:02.480
<v Speaker 1>a fun time to be in in that the songwriting

0:21:02.480 --> 0:21:06.000
<v Speaker 1>process writing songs for other folks too. You mostly write

0:21:06.000 --> 0:21:10.320
<v Speaker 1>for yourself now, no really, I mean when I was

0:21:10.359 --> 0:21:13.480
<v Speaker 1>working on this record, I mean I was writing pretty

0:21:13.480 --> 0:21:15.920
<v Speaker 1>hard for myself. But that was the first time I'd

0:21:15.920 --> 0:21:19.080
<v Speaker 1>ever really written for myself, even like all the EPs

0:21:19.119 --> 0:21:21.000
<v Speaker 1>that I'd put out, that was just me writing songs,

0:21:21.440 --> 0:21:23.480
<v Speaker 1>just trying to write a good song, and if it

0:21:23.520 --> 0:21:26.520
<v Speaker 1>wound up with somebody, that was fine, and if it didn't,

0:21:26.560 --> 0:21:29.720
<v Speaker 1>it was you know, I's gonna be able to record it.

0:21:30.320 --> 0:21:32.960
<v Speaker 3>Let's take a quick pause for a message from our sponsor,

0:21:41.800 --> 0:21:44.040
<v Speaker 3>and we're back on the Bobby Cast.

0:21:44.520 --> 0:21:47.320
<v Speaker 2>A couple of things that stand out to me from

0:21:47.480 --> 0:21:52.240
<v Speaker 2>what you just said, the maturity to go I'm still

0:21:52.280 --> 0:21:55.919
<v Speaker 2>finding myself as an artist because I did not have

0:21:55.960 --> 0:21:58.119
<v Speaker 2>never had that. I'm just like, I know who I am.

0:21:58.160 --> 0:21:59.760
<v Speaker 2>I'm about to find it who I am. I'm lowering

0:21:59.760 --> 0:22:03.440
<v Speaker 2>my head and going full speed speed into everything. And

0:22:03.800 --> 0:22:05.120
<v Speaker 2>what you just said, you were like, I'm still kind

0:22:05.119 --> 0:22:07.600
<v Speaker 2>of finding myself as an artist. So I was here

0:22:07.640 --> 0:22:09.359
<v Speaker 2>and you were investing time in learning how to write,

0:22:09.960 --> 0:22:11.960
<v Speaker 2>like that feels pretty mature for somebody that was in

0:22:12.000 --> 0:22:14.120
<v Speaker 2>their twenties, because I thought added all figured out.

0:22:14.240 --> 0:22:17.399
<v Speaker 1>Yeah, I mean, I have my wife to think for

0:22:17.400 --> 0:22:19.000
<v Speaker 1>a lot of that. I mean, I've been married pretty

0:22:19.040 --> 0:22:25.520
<v Speaker 1>much ever since I got to town, so I didn't

0:22:25.560 --> 0:22:29.480
<v Speaker 1>have anything that I had to say. I mean, I

0:22:29.720 --> 0:22:32.520
<v Speaker 1>really didn't, and I was just kind of preparing myself

0:22:32.800 --> 0:22:34.919
<v Speaker 1>for those moments and making sure that that's exactly what

0:22:34.960 --> 0:22:36.639
<v Speaker 1>I wanted to do. And I mean it kind of

0:22:36.640 --> 0:22:38.679
<v Speaker 1>goes back to I wanted to be able to provide

0:22:38.680 --> 0:22:40.840
<v Speaker 1>for my family. Well, when you're getting cuts for other

0:22:40.960 --> 0:22:44.280
<v Speaker 1>artists and getting radio singles, I mean it's easy to go, Okay,

0:22:44.320 --> 0:22:48.040
<v Speaker 1>well I'm providing for my family doing this. But now

0:22:48.119 --> 0:22:49.800
<v Speaker 1>is it what I want to do? And you know,

0:22:49.920 --> 0:22:52.960
<v Speaker 1>having the success as a songwriter kind of freed up

0:22:53.920 --> 0:22:56.200
<v Speaker 1>being able to go not make any money being an artist.

0:22:57.400 --> 0:23:00.480
<v Speaker 2>When you quit your job in the hospital, what did

0:23:00.520 --> 0:23:02.639
<v Speaker 2>you need to happen and what did happen for you

0:23:02.680 --> 0:23:03.600
<v Speaker 2>to be able to do that?

0:23:06.640 --> 0:23:09.600
<v Speaker 1>So it was I made a deal with the boss

0:23:09.640 --> 0:23:11.359
<v Speaker 1>at the hospital that if I ever got a number

0:23:11.359 --> 0:23:13.160
<v Speaker 1>one song, that I would come work one more shift

0:23:13.160 --> 0:23:15.399
<v Speaker 1>and then I'd be done. That's an awesome deal. Yeah,

0:23:15.440 --> 0:23:17.560
<v Speaker 1>and I'm telling you this right now. Her name is

0:23:17.560 --> 0:23:21.600
<v Speaker 1>Tracy Lienberger, the greatest boss that has ever walked the

0:23:21.640 --> 0:23:24.879
<v Speaker 1>face of the earth. Anytime I needed off to go

0:23:24.880 --> 0:23:27.560
<v Speaker 1>play a show for a hundred bucks, she would let me.

0:23:27.600 --> 0:23:29.880
<v Speaker 1>I mean it was she was the best. So I'd

0:23:29.880 --> 0:23:33.520
<v Speaker 1>made this deal with her. March twenty second of twenty twenty,

0:23:35.119 --> 0:23:39.239
<v Speaker 1>I got my first number one homemade by Jacoben. I

0:23:39.280 --> 0:23:41.480
<v Speaker 1>called my boss. I said, hey, I'll be there tomorrow,

0:23:42.080 --> 0:23:44.159
<v Speaker 1>but that's gonna be it. I got my first number one.

0:23:44.240 --> 0:23:47.479
<v Speaker 1>She was like, congratulations, she's tracking it with you by

0:23:47.520 --> 0:23:51.200
<v Speaker 1>an each other. Yeah she knew, I mean yeah, and

0:23:51.240 --> 0:23:53.640
<v Speaker 1>the whole I mean, even the folks I worked with

0:23:53.640 --> 0:23:56.919
<v Speaker 1>were like cheered me on, you know, and so I

0:23:56.960 --> 0:23:58.560
<v Speaker 1>called her. I'm like, hey, I'll be there tomorrow and

0:23:58.600 --> 0:24:00.560
<v Speaker 1>that's let's gonna be it for me. And worked like

0:24:01.119 --> 0:24:04.080
<v Speaker 1>second shift, so I would go in at like from

0:24:04.119 --> 0:24:09.400
<v Speaker 1>three pm to eleven. And so that day, Monday, I'm

0:24:09.400 --> 0:24:11.520
<v Speaker 1>getting ready to go work my last shift of the hospital.

0:24:11.560 --> 0:24:14.040
<v Speaker 1>I'm in my bedroom putting scrubs on. By the way,

0:24:14.080 --> 0:24:16.399
<v Speaker 1>this is March of twenty twenty. I mean, working in

0:24:16.400 --> 0:24:20.800
<v Speaker 1>the medical field was chaos and I'm putting my scrubs on.

0:24:21.119 --> 0:24:24.200
<v Speaker 1>My wife walks in the bedroom and tells me that

0:24:24.240 --> 0:24:27.760
<v Speaker 1>she is going into labor. So I had to call

0:24:27.800 --> 0:24:30.600
<v Speaker 1>my boss and say, actually, I am on my way

0:24:30.640 --> 0:24:33.720
<v Speaker 1>to the hospital, but it's not to work. And dude,

0:24:34.280 --> 0:24:36.280
<v Speaker 1>the boss met me at my car, helped me and

0:24:36.280 --> 0:24:39.040
<v Speaker 1>my wife get into the hospital. And I never I

0:24:39.080 --> 0:24:41.760
<v Speaker 1>still owe her technically that last shift. But that's a

0:24:41.800 --> 0:24:42.479
<v Speaker 1>great story.

0:24:42.680 --> 0:24:46.680
<v Speaker 2>Yeah, Homemade I changed Jake's life.

0:24:46.840 --> 0:24:48.240
<v Speaker 1>It really did change mind too.

0:24:48.480 --> 0:24:51.520
<v Speaker 2>Yeah. It's such a great song and I can speak

0:24:51.560 --> 0:24:58.680
<v Speaker 2>to it. I'm we're close to that family, and Jake

0:24:58.760 --> 0:25:02.679
<v Speaker 2>had a ton of success, and I think Jake was

0:25:02.720 --> 0:25:05.160
<v Speaker 2>then trying to find himself as an artist. He'd That

0:25:05.240 --> 0:25:07.840
<v Speaker 2>song kind of put him back on in a major way.

0:25:08.359 --> 0:25:10.200
<v Speaker 2>And I remember the first time that he played it,

0:25:10.640 --> 0:25:12.200
<v Speaker 2>I was like, oh, God, dang, and.

0:25:12.280 --> 0:25:13.560
<v Speaker 1>That it's a trick. You did the trick in it too.

0:25:13.560 --> 0:25:14.159
<v Speaker 1>You don't talk about it.

0:25:15.560 --> 0:25:20.160
<v Speaker 2>It's homemade, but homemade and it was such a big

0:25:20.200 --> 0:25:21.840
<v Speaker 2>song for his career still is.

0:25:23.359 --> 0:25:23.840
<v Speaker 1>But I guess.

0:25:23.920 --> 0:25:25.679
<v Speaker 2>I mean, I've never spoken to you about that, So

0:25:25.720 --> 0:25:29.520
<v Speaker 2>tell me the story about that song, if there is one.

0:25:29.760 --> 0:25:32.760
<v Speaker 2>Who was it a note in a phone that somebody

0:25:32.760 --> 0:25:35.520
<v Speaker 2>brought in one of these like this is so good?

0:25:35.640 --> 0:25:37.080
<v Speaker 2>Or was it just one that just you just sent

0:25:37.119 --> 0:25:38.480
<v Speaker 2>off to the publisher like who knows?

0:25:38.640 --> 0:25:42.000
<v Speaker 1>Yeah. I had Jared Mullins and Ben Goldsmith on my

0:25:42.000 --> 0:25:44.320
<v Speaker 1>calendar that day and I had never written with either

0:25:44.359 --> 0:25:48.400
<v Speaker 1>of them, And so we get there and Jared's like, hey,

0:25:48.400 --> 0:25:52.600
<v Speaker 1>I got this idea called homemade, and I mean just

0:25:52.680 --> 0:25:56.280
<v Speaker 1>immediately I was like, oh, thank you Jesus, Like this

0:25:56.520 --> 0:25:59.320
<v Speaker 1>is I mean, I think every good song starts with

0:25:59.359 --> 0:26:02.119
<v Speaker 1>a great idea. And I immediately knew. And I was like,

0:26:03.640 --> 0:26:06.960
<v Speaker 1>homemade me love a dirt road, and he was like yes,

0:26:07.520 --> 0:26:08.800
<v Speaker 1>And so then I knew that we were on the

0:26:08.800 --> 0:26:10.639
<v Speaker 1>same page about what this idea was supposed to be.

0:26:11.600 --> 0:26:13.440
<v Speaker 1>So we start working on it. We write like a

0:26:13.560 --> 0:26:16.680
<v Speaker 1>verse and a chorus, and if you listen to that course,

0:26:16.760 --> 0:26:20.440
<v Speaker 1>it says homemade fifty billion times in it. So getting

0:26:20.480 --> 0:26:22.199
<v Speaker 1>those to like land in the pocket in the right

0:26:22.240 --> 0:26:24.080
<v Speaker 1>place was like kind of hard and like tripping us

0:26:24.119 --> 0:26:27.880
<v Speaker 1>up a little bit. And we had the whole lyrics,

0:26:28.200 --> 0:26:30.200
<v Speaker 1>the melody was pretty much mapped out, but it wasn't

0:26:30.200 --> 0:26:32.520
<v Speaker 1>like nailed, and we were like struggling pretty good on it,

0:26:33.240 --> 0:26:37.320
<v Speaker 1>and Jared Mullins goes, hey, I was with Bobby Pinson

0:26:37.400 --> 0:26:39.760
<v Speaker 1>last night. What if I call him to come help us?

0:26:40.280 --> 0:26:43.240
<v Speaker 1>And I was like, I mean, I'm a new writer,

0:26:43.320 --> 0:26:45.720
<v Speaker 1>and tell him pretty much. And I'm like, Bobby Penson, Yeah,

0:26:46.000 --> 0:26:49.280
<v Speaker 1>get him over here. I've never written with him, but

0:26:49.400 --> 0:26:54.080
<v Speaker 1>obviously a hero writer of mine, you know, yes, funny guy.

0:26:54.600 --> 0:26:57.560
<v Speaker 1>So he gets he was actually bush hogging. He was like,

0:26:57.600 --> 0:26:59.440
<v Speaker 1>send me the send me the work tape. So Jared

0:26:59.440 --> 0:27:01.560
<v Speaker 1>sent him the work tape of what we had versus chorus.

0:27:02.000 --> 0:27:03.560
<v Speaker 1>He called Jared back and said I'm on my way,

0:27:04.320 --> 0:27:08.679
<v Speaker 1>and he got there and we finished it. It was

0:27:08.720 --> 0:27:11.840
<v Speaker 1>a crazy moment in my personal life with my wife.

0:27:12.160 --> 0:27:14.639
<v Speaker 1>I was there. I had never written a song. I

0:27:14.720 --> 0:27:17.879
<v Speaker 1>mean usually it's like, you know, maybe on average, I

0:27:17.920 --> 0:27:20.840
<v Speaker 1>would say three hours to write a song. Well, this

0:27:20.880 --> 0:27:24.080
<v Speaker 1>started at like maybe ten or eleven AM. And at

0:27:24.359 --> 0:27:27.800
<v Speaker 1>nine pm we were still there and my wife's like,

0:27:27.960 --> 0:27:31.080
<v Speaker 1>where you at. I'm like writing. She's like writing, you

0:27:31.080 --> 0:27:33.159
<v Speaker 1>don't ever write this song. I was like, I'm writing,

0:27:33.200 --> 0:27:36.840
<v Speaker 1>I'm writing a hit song. And so we left that

0:27:36.960 --> 0:27:39.760
<v Speaker 1>night with a demo and the full song done, and

0:27:40.040 --> 0:27:42.040
<v Speaker 1>I think it went on hold that night, but not

0:27:42.119 --> 0:27:45.879
<v Speaker 1>with Jake, and it was kind of a crazy it

0:27:46.000 --> 0:27:48.159
<v Speaker 1>like got passed around town and can you can you

0:27:48.200 --> 0:27:50.400
<v Speaker 1>say who? Chris Young? I think was the first guy.

0:27:50.400 --> 0:27:52.200
<v Speaker 2>He would have sounded a good singing Yeah, yeah.

0:27:53.240 --> 0:27:55.720
<v Speaker 1>I mean I was excited. Yeah. And then Jake was

0:27:55.760 --> 0:27:58.000
<v Speaker 1>like heard it, found out about it, and he was like,

0:27:58.040 --> 0:27:59.880
<v Speaker 1>I will cut this tomorrow if I can have it,

0:28:00.040 --> 0:28:06.960
<v Speaker 1>and he pretty much did. You wrote for eleven twelve hours.

0:28:07.040 --> 0:28:09.119
<v Speaker 2>Nineteen eleven twelve hours, you're right, and mostly it's three

0:28:09.160 --> 0:28:09.639
<v Speaker 2>four hours.

0:28:09.680 --> 0:28:09.840
<v Speaker 1>Right.

0:28:10.640 --> 0:28:14.200
<v Speaker 2>Were you grinding away at it because you believed it

0:28:14.560 --> 0:28:16.640
<v Speaker 2>so much? Or were you grinding away at it because

0:28:16.640 --> 0:28:18.680
<v Speaker 2>you wanted to finish it? And it was there a

0:28:18.720 --> 0:28:20.840
<v Speaker 2>time when you ever, because I'll get especially writing.

0:28:20.880 --> 0:28:21.840
<v Speaker 1>It doesn't matter what I'm writing.

0:28:23.080 --> 0:28:26.080
<v Speaker 2>If I'm minuted enough, I start to lose what I've lost,

0:28:26.119 --> 0:28:28.640
<v Speaker 2>if it even feels good anymore, and I've got to go.

0:28:28.760 --> 0:28:30.879
<v Speaker 2>I just have to believe my instincts at the beginning

0:28:30.880 --> 0:28:32.600
<v Speaker 2>of this and finish it, even though I don't even

0:28:32.680 --> 0:28:33.239
<v Speaker 2>understand why.

0:28:34.200 --> 0:28:35.960
<v Speaker 1>I do that a lot, and that's you know, that's

0:28:36.000 --> 0:28:38.720
<v Speaker 1>a tough thing. This was different. I knew that this was.

0:28:38.800 --> 0:28:41.640
<v Speaker 1>I never had a hit, so I guess I didn't know,

0:28:41.720 --> 0:28:44.360
<v Speaker 1>but it just this had all the right pieces. To me.

0:28:44.440 --> 0:28:47.040
<v Speaker 1>The melody felt like a hit, and.

0:28:47.000 --> 0:28:48.640
<v Speaker 2>The guys felt that way too, or they wouldn't have

0:28:48.680 --> 0:28:50.760
<v Speaker 2>said for sure the whole day, and I wouldn't the

0:28:50.800 --> 0:28:51.400
<v Speaker 2>whole time.

0:28:51.760 --> 0:28:53.600
<v Speaker 1>It wasn't like we were writing the song for nine

0:28:53.680 --> 0:28:55.920
<v Speaker 1>or ten hours. We left with a demo and we

0:28:55.920 --> 0:28:59.040
<v Speaker 1>were like, we perfected that demo that we sent to

0:28:59.280 --> 0:29:02.320
<v Speaker 1>passed around, you know, So you know, I had sang

0:29:02.360 --> 0:29:05.720
<v Speaker 1>the whole song. We had played all the guitar parts

0:29:05.720 --> 0:29:08.120
<v Speaker 1>for it, done all like the cool background things, so

0:29:08.360 --> 0:29:10.160
<v Speaker 1>like part of it was like us doing that part

0:29:10.200 --> 0:29:10.520
<v Speaker 1>of it too.

0:29:10.520 --> 0:29:12.760
<v Speaker 2>So you spent all day doing that when you could

0:29:12.760 --> 0:29:14.280
<v Speaker 2>have done it four different days.

0:29:14.760 --> 0:29:16.560
<v Speaker 1>We could have come back the next week and sure

0:29:16.560 --> 0:29:19.320
<v Speaker 1>and done the demo, but we were like, this has

0:29:19.400 --> 0:29:23.040
<v Speaker 1>to be somebody needs this right now. You had that

0:29:23.080 --> 0:29:28.600
<v Speaker 1>feeling since it's just like, yeah, I have with a

0:29:28.640 --> 0:29:30.560
<v Speaker 1>song that's already out, with a song that I just

0:29:30.640 --> 0:29:35.880
<v Speaker 1>recorded that went on it. It's a song called Love

0:29:35.920 --> 0:29:40.040
<v Speaker 1>the Leaving, which that's like, that's like your career song,

0:29:40.320 --> 0:29:41.640
<v Speaker 1>you think it is. I think, so that's what I

0:29:41.640 --> 0:29:45.760
<v Speaker 1>read about you. Well, what so my record was done,

0:29:46.920 --> 0:29:49.560
<v Speaker 1>no room for any more songs. I wrote Love the Leaving.

0:29:51.440 --> 0:29:54.160
<v Speaker 1>My record's done. So as a songwriter, I start pitching around.

0:29:54.800 --> 0:29:57.720
<v Speaker 1>It goes hol on hold within like two hours with

0:29:57.800 --> 0:29:59.120
<v Speaker 1>three different artists.

0:29:59.520 --> 0:30:01.920
<v Speaker 2>How does that how to three artists? Because there's no

0:30:01.920 --> 0:30:03.400
<v Speaker 2>communication that somebody's put it on hold?

0:30:04.440 --> 0:30:07.160
<v Speaker 1>Pretty much it happens. I mean, dude, it happened so fast.

0:30:07.200 --> 0:30:07.880
<v Speaker 1>Can you say who?

0:30:08.240 --> 0:30:08.360
<v Speaker 2>Uh?

0:30:08.440 --> 0:30:12.120
<v Speaker 1>Yeah, I don't mind. Uh Nate Smith, Luke Holmes, and

0:30:12.240 --> 0:30:17.880
<v Speaker 1>Morgan Wallen. Oh my god, that was my reaction.

0:30:18.760 --> 0:30:21.480
<v Speaker 2>Like you're talking about first Luke and Morgan right tier

0:30:21.520 --> 0:30:24.080
<v Speaker 2>one And Nate Smith is on such a run.

0:30:25.080 --> 0:30:27.760
<v Speaker 1>This was like the week after he's coming off like

0:30:27.920 --> 0:30:30.560
<v Speaker 1>ten week number one, So all three of those put

0:30:30.560 --> 0:30:33.640
<v Speaker 1>it on hold yeah, and and I was thrilled to death.

0:30:33.640 --> 0:30:35.520
<v Speaker 1>I was like, oh man, I did it that. We

0:30:35.560 --> 0:30:37.680
<v Speaker 1>did it again. I'm like talking to my co writers

0:30:37.720 --> 0:30:41.120
<v Speaker 1>like cause you don't, I mean, because that's get to

0:30:41.120 --> 0:30:44.200
<v Speaker 1>do it again. Also listen, that's your co writers are

0:30:44.240 --> 0:30:47.360
<v Speaker 1>like we got three, I mean we were we were

0:30:47.480 --> 0:30:51.040
<v Speaker 1>a money moon. This felt like a guaranteed it. Okay,

0:30:51.080 --> 0:30:52.800
<v Speaker 1>so how did it? How did How did I get

0:30:52.800 --> 0:30:58.000
<v Speaker 1>back to you? I had a meeting with my label

0:30:58.360 --> 0:31:02.400
<v Speaker 1>and I don't even really know why, but I played

0:31:02.400 --> 0:31:06.080
<v Speaker 1>them the song and I was like, but I can't

0:31:06.080 --> 0:31:08.320
<v Speaker 1>record it. It's one of these guys is going to record it.

0:31:09.400 --> 0:31:11.680
<v Speaker 1>And the head of my label is like, you have

0:31:11.760 --> 0:31:14.000
<v Speaker 1>to record this. This is a career song. This is

0:31:14.040 --> 0:31:18.440
<v Speaker 1>the one. And I was like, man, who said that.

0:31:18.800 --> 0:31:23.800
<v Speaker 1>Chris Lacey, she's great, incredible. I mean, I needed somebody

0:31:23.800 --> 0:31:24.440
<v Speaker 1>to convince me that.

0:31:24.440 --> 0:31:25.960
<v Speaker 2>I just canceled lunch with her like two weeks ago

0:31:26.320 --> 0:31:28.920
<v Speaker 2>because I had freaking sinus infection and I don't have lunch

0:31:28.920 --> 0:31:29.400
<v Speaker 2>with anybody.

0:31:29.560 --> 0:31:31.440
<v Speaker 1>I don't even like lunch. I don't even like I

0:31:31.480 --> 0:31:32.520
<v Speaker 1>don't even like food.

0:31:32.280 --> 0:31:35.440
<v Speaker 2>With another human, like my food by myself and I

0:31:35.480 --> 0:31:37.120
<v Speaker 2>like enjoy Chris so much.

0:31:37.240 --> 0:31:43.080
<v Speaker 1>Yeah, she's great, She's great, great. I mean she she

0:31:43.320 --> 0:31:45.360
<v Speaker 1>and she talked through the whole thing with me. She

0:31:45.440 --> 0:31:49.920
<v Speaker 1>was like why not And it goes back to the

0:31:49.960 --> 0:31:53.960
<v Speaker 1>whole thing I want to provide for my family, and

0:31:54.120 --> 0:31:56.840
<v Speaker 1>I'm like going through my head with her, like I've

0:31:56.840 --> 0:31:59.920
<v Speaker 1>got to go tell my wife that one of these

0:32:00.040 --> 0:32:02.080
<v Speaker 1>three biggest artists is not going to record it because

0:32:02.080 --> 0:32:05.480
<v Speaker 1>I'm going to record it. I was like, I'm the unproven,

0:32:06.240 --> 0:32:11.000
<v Speaker 1>they're the proven. I've also got to go tell two

0:32:11.080 --> 0:32:15.200
<v Speaker 1>songwriters who were over the moon about the three biggest artists.

0:32:15.800 --> 0:32:18.479
<v Speaker 1>That would be what I would think would be difficult

0:32:18.520 --> 0:32:21.400
<v Speaker 1>because I didn't know how to tell them because they're thinking, wow,

0:32:21.440 --> 0:32:22.280
<v Speaker 1>look at these three guys.

0:32:22.280 --> 0:32:23.640
<v Speaker 2>They were going to cut our song. We just wrote it,

0:32:23.640 --> 0:32:24.960
<v Speaker 2>and you're going to go to them and go, no,

0:32:25.000 --> 0:32:28.200
<v Speaker 2>I'm going to cut it now, dude. I was terrified.

0:32:29.360 --> 0:32:31.240
<v Speaker 1>So, I mean, me and her talking to this whole thing,

0:32:31.280 --> 0:32:33.120
<v Speaker 1>and I was like, I need the weekend to think

0:32:33.120 --> 0:32:35.440
<v Speaker 1>about this, Like I really did. I knew it was

0:32:35.480 --> 0:32:39.640
<v Speaker 1>a hit song, and I texted Luke and I was like, hey, man,

0:32:40.200 --> 0:32:41.840
<v Speaker 1>I need to like talk to you about something like,

0:32:43.640 --> 0:32:45.240
<v Speaker 1>I know you love this song and I would love

0:32:45.240 --> 0:32:46.480
<v Speaker 1>for you to record it, and I think you would

0:32:46.520 --> 0:32:50.000
<v Speaker 1>make it a mega hit. But do you think I'd

0:32:50.000 --> 0:32:52.320
<v Speaker 1>be crazy for me recording And he was like, dude,

0:32:52.400 --> 0:32:56.440
<v Speaker 1>I don't know why the heck you weren't going to

0:32:56.480 --> 0:33:00.560
<v Speaker 1>record it to begin with. And I mean we had

0:33:00.560 --> 0:33:02.520
<v Speaker 1>a long conversation. He's like, man, the artist thing, it's

0:33:02.560 --> 0:33:04.479
<v Speaker 1>a fleeting thing. You gotta grab it while you can,

0:33:04.680 --> 0:33:07.040
<v Speaker 1>like and with this song, like you have to do that.

0:33:08.960 --> 0:33:12.360
<v Speaker 1>So like that helped me talking to my wife about it.

0:33:12.400 --> 0:33:15.640
<v Speaker 1>I mean, it helped me. It's cool that he's a

0:33:15.640 --> 0:33:17.320
<v Speaker 1>friend too, not just someone who has your song on

0:33:17.400 --> 0:33:20.640
<v Speaker 1>hold that's a star, Oh no, no, yeah, it's like that's

0:33:20.680 --> 0:33:23.400
<v Speaker 1>a cool thing, yeah, because.

0:33:23.240 --> 0:33:26.000
<v Speaker 2>Otherwise, let's say it's Jimmy Johnston who has your song

0:33:26.160 --> 0:33:27.360
<v Speaker 2>is a big and you're like, I want to like,

0:33:27.600 --> 0:33:29.200
<v Speaker 2>I don't know, man, I think it's wise to let

0:33:29.200 --> 0:33:31.600
<v Speaker 2>the star have it because he's not your friend for sure. Yeah,

0:33:31.640 --> 0:33:33.720
<v Speaker 2>that's really cool that Luke does that as a friend. Yep,

0:33:33.760 --> 0:33:34.680
<v Speaker 2>he still got two to go.

0:33:34.920 --> 0:33:37.800
<v Speaker 1>Yeah, And and he was like, I mean, he was like, man,

0:33:37.800 --> 0:33:40.520
<v Speaker 1>we're we're gonna write plenty of some more songs like

0:33:42.800 --> 0:33:45.200
<v Speaker 1>but yeah, then I had to call my co writers,

0:33:45.760 --> 0:33:51.280
<v Speaker 1>And I can't tell you how great these two guys are,

0:33:51.360 --> 0:33:56.960
<v Speaker 1>Lindsay Rhymes and Matt Rodgers. They couldn't have been more

0:33:57.000 --> 0:34:02.760
<v Speaker 1>gracious to say, man, yeah, I mean they both literally said, man,

0:34:02.800 --> 0:34:06.120
<v Speaker 1>it would be awesome to have a hit song. I

0:34:06.120 --> 0:34:08.880
<v Speaker 1>mean they have. One of them has a hit with

0:34:08.960 --> 0:34:12.439
<v Speaker 1>Nate Smith. They both have other hits. You know, neither

0:34:12.440 --> 0:34:14.520
<v Speaker 1>one of them I've ever had a cut with Morgan

0:34:14.760 --> 0:34:16.680
<v Speaker 1>or Luke, So like they were looking forward to that.

0:34:17.239 --> 0:34:19.040
<v Speaker 1>They were like, yeah, man, we'd love to have that,

0:34:20.480 --> 0:34:23.520
<v Speaker 1>but what happened in that room that day happened with us,

0:34:23.600 --> 0:34:26.160
<v Speaker 1>And like, I don't think there could be a bigger

0:34:26.160 --> 0:34:28.120
<v Speaker 1>torch bear for the song than you, and they like

0:34:28.239 --> 0:34:32.520
<v Speaker 1>mint it and so like that really helped a lot

0:34:32.560 --> 0:34:34.840
<v Speaker 1>to know that they were like supportive of this decision,

0:34:34.880 --> 0:34:37.279
<v Speaker 1>because I don't know that if I was on the

0:34:37.280 --> 0:34:41.000
<v Speaker 1>flip side, it would be hard for me if I

0:34:41.080 --> 0:34:46.440
<v Speaker 1>was just songwriter in the in the place. So I

0:34:46.480 --> 0:34:48.360
<v Speaker 1>can't say enough good things about those guys.

0:34:49.160 --> 0:34:51.200
<v Speaker 2>Also, your boss of the hospital's pretty freaking awesome. I

0:34:51.280 --> 0:34:53.320
<v Speaker 2>can't really shake that either. The best it's like I

0:34:53.400 --> 0:34:57.319
<v Speaker 2>quit just kidding here. I am, but I can't pick

0:34:57.360 --> 0:35:01.040
<v Speaker 2>up a shift Camouflage Cowboy that you know, it's the

0:35:01.080 --> 0:35:04.560
<v Speaker 2>full length album. You're on Camouflage now, Yeah, how much

0:35:04.560 --> 0:35:05.840
<v Speaker 2>your wardrobe BSEd Camouflage.

0:35:06.920 --> 0:35:09.879
<v Speaker 1>It's a good bit. It's a good bit. It's it's

0:35:09.960 --> 0:35:12.960
<v Speaker 1>more of a it's a talking point for me at

0:35:12.960 --> 0:35:15.280
<v Speaker 1>this point, Like it was always a kind of something

0:35:15.320 --> 0:35:23.439
<v Speaker 1>I know, war but you know, I wrote a song

0:35:23.480 --> 0:35:26.960
<v Speaker 1>by myself, the title track for this record, called Camouflage Cowboy.

0:35:27.640 --> 0:35:30.440
<v Speaker 1>It's like the first time that I've ever even like that.

0:35:30.600 --> 0:35:32.360
<v Speaker 1>I played this song for my wife and she's like,

0:35:32.400 --> 0:35:36.359
<v Speaker 1>what is this about. I was like, well, when you

0:35:36.400 --> 0:35:40.719
<v Speaker 1>talk about some stuff, and I mean, it's the most

0:35:40.800 --> 0:35:42.600
<v Speaker 1>vulnerable I've ever been in a song, Like, you know,

0:35:42.719 --> 0:35:46.319
<v Speaker 1>just the struggle of leaving to go on the road

0:35:46.360 --> 0:35:49.440
<v Speaker 1>and coming back home and being strong for your family

0:35:49.520 --> 0:35:51.440
<v Speaker 1>and you know you're trying to provide for them, and

0:35:53.320 --> 0:35:55.279
<v Speaker 1>you know you got to tell them by because you're

0:35:55.280 --> 0:35:57.000
<v Speaker 1>doing the right thing by providing for them, but you're

0:35:57.040 --> 0:35:58.960
<v Speaker 1>also leaving them at the same time. Like the weight

0:35:59.000 --> 0:36:00.600
<v Speaker 1>that that carries of like I feel like I'm doing

0:36:00.640 --> 0:36:02.120
<v Speaker 1>the right thing, but I'm also doing the wrong thame

0:36:02.120 --> 0:36:05.080
<v Speaker 1>because I'm leaving them. And when you're you know, your

0:36:05.160 --> 0:36:08.120
<v Speaker 1>daughter's like crying because you're getting on a bus. It's like,

0:36:08.800 --> 0:36:11.560
<v Speaker 1>I mean, that's the part you know, nobody talks about

0:36:11.640 --> 0:36:13.600
<v Speaker 1>or tells you about when you sign up for this,

0:36:13.719 --> 0:36:17.440
<v Speaker 1>you know. And so that was kind of what I

0:36:17.520 --> 0:36:19.759
<v Speaker 1>was writing it when I was writing about this song.

0:36:21.280 --> 0:36:23.680
<v Speaker 2>There's a him at the very last track, one of

0:36:23.719 --> 0:36:25.839
<v Speaker 2>the last tracks, like maybe last track, yeah, last track,

0:36:25.840 --> 0:36:28.200
<v Speaker 2>traditional Ham. Other than that, when I was looking at

0:36:28.239 --> 0:36:31.560
<v Speaker 2>the notes, I think, did you write all but one

0:36:31.600 --> 0:36:33.200
<v Speaker 2>of the songs too?

0:36:33.480 --> 0:36:35.680
<v Speaker 1>I didn't write. I always like it when someone.

0:36:35.440 --> 0:36:39.080
<v Speaker 2>Who is a really great songwriter takes a couple of

0:36:39.120 --> 0:36:41.279
<v Speaker 2>cuts that they didn't write, Like, I feel like that

0:36:41.480 --> 0:36:46.440
<v Speaker 2>is so respectful to the songwriting community. Can also understand

0:36:46.440 --> 0:36:48.080
<v Speaker 2>when someone goes, I want to write all my own songs.

0:36:48.280 --> 0:36:49.279
<v Speaker 1>Oh for sure, both those.

0:36:49.320 --> 0:36:51.319
<v Speaker 2>But I always there's like a little bit of me like,

0:36:51.600 --> 0:36:56.480
<v Speaker 2>really appreciate somebody that is a really successful songwriter who

0:36:56.520 --> 0:36:59.279
<v Speaker 2>finds a song they like that represents them that they

0:36:59.280 --> 0:36:59.759
<v Speaker 2>didn't write.

0:36:59.760 --> 0:37:03.879
<v Speaker 1>And I love this. I'm gonna put it on my Yeah.

0:37:03.880 --> 0:37:08.840
<v Speaker 1>I've never I've never truly like cared whether I wrote

0:37:08.840 --> 0:37:11.799
<v Speaker 1>my own songs or not. I mean, if I think

0:37:11.840 --> 0:37:14.160
<v Speaker 1>if I say something that I want to say good enough,

0:37:14.160 --> 0:37:16.200
<v Speaker 1>then I'll record it. But if something, if somebody else

0:37:16.239 --> 0:37:17.960
<v Speaker 1>wrote a song said it better than I could say it,

0:37:18.440 --> 0:37:19.480
<v Speaker 1>I have no problem doing that.

0:37:20.880 --> 0:37:23.839
<v Speaker 2>One of these songs speak for you as good as

0:37:23.840 --> 0:37:25.759
<v Speaker 2>you could have spoken for yourself once that you didn't write.

0:37:25.800 --> 0:37:28.759
<v Speaker 1>Oh yeah, look don't live around here. I mean, that's

0:37:28.800 --> 0:37:32.960
<v Speaker 1>just something I would like say. I remember, like growing up,

0:37:33.040 --> 0:37:34.960
<v Speaker 1>my mom was like if she ever heard me, like

0:37:35.000 --> 0:37:37.640
<v Speaker 1>say something about being lucky, She's like, son, we're not lucky,

0:37:37.680 --> 0:37:41.160
<v Speaker 1>we're blessed. And I was like true. And when I

0:37:41.200 --> 0:37:44.879
<v Speaker 1>heard the song, I was like I could just hear

0:37:44.920 --> 0:37:48.360
<v Speaker 1>my mom like just saying that, and so it was

0:37:48.640 --> 0:37:51.359
<v Speaker 1>you know, that was something that I was like, man, dad,

0:37:51.440 --> 0:37:53.239
<v Speaker 1>gum it. It's one of those ideas I wish I

0:37:53.280 --> 0:37:53.880
<v Speaker 1>had to come up with.

0:37:53.920 --> 0:37:57.040
<v Speaker 2>You know, if I watch a comedian it's really good

0:37:57.520 --> 0:37:59.359
<v Speaker 2>and I'm like, oh my god, I felt that it's

0:37:59.360 --> 0:38:00.960
<v Speaker 2>just not how to say it like that right.

0:38:01.080 --> 0:38:02.160
<v Speaker 1>One of the but I can't, I think, is I

0:38:02.160 --> 0:38:03.080
<v Speaker 1>can't steal their joke.

0:38:03.120 --> 0:38:06.560
<v Speaker 2>I'd love to, but it's like yeah, It's like sometimes

0:38:06.600 --> 0:38:08.600
<v Speaker 2>somebody says something that you've been thinking that you just

0:38:08.680 --> 0:38:10.160
<v Speaker 2>haven't been able to formulate in the.

0:38:10.200 --> 0:38:15.080
<v Speaker 1>Exact and it's like, oh, that's it. That's super cool.

0:38:15.080 --> 0:38:18.160
<v Speaker 2>Again, so much respect for a songwriter that goes that

0:38:18.239 --> 0:38:19.799
<v Speaker 2>song speaks for me. I don't know, it doesn't need

0:38:19.840 --> 0:38:21.839
<v Speaker 2>to be a song written by me. Yeah, that's really cool.

0:38:23.520 --> 0:38:25.759
<v Speaker 1>With your record? Now, Mike, where is this? Where's your song?

0:38:25.800 --> 0:38:28.280
<v Speaker 1>You know where it is? Now? Is it? Is it

0:38:28.320 --> 0:38:31.400
<v Speaker 1>on the chart? I mean it's like it's new, brand new.

0:38:31.440 --> 0:38:34.080
<v Speaker 2>Yeah, yeah, it's like seventy so but like how many

0:38:34.200 --> 0:38:37.160
<v Speaker 2>how many weeks has it officially been? Isn't even being

0:38:37.200 --> 0:38:39.520
<v Speaker 2>really worked yet? And I'm not in the music part

0:38:39.560 --> 0:38:41.600
<v Speaker 2>of this world, so I'd have to be told. I

0:38:41.600 --> 0:38:44.320
<v Speaker 2>would like, how are they feeling about it on that side?

0:38:44.400 --> 0:38:47.360
<v Speaker 1>Well, I mean it's just everything's slow, is you know

0:38:47.400 --> 0:38:50.080
<v Speaker 1>what I'm being told? You know, once we get through summer,

0:38:50.400 --> 0:38:53.799
<v Speaker 1>you know, yeah, I do know that, Like there are

0:38:53.840 --> 0:38:56.640
<v Speaker 1>some places that it's researching well already, So like I

0:38:56.640 --> 0:38:59.160
<v Speaker 1>feel like once it gets to the place where everybody

0:38:59.600 --> 0:39:01.560
<v Speaker 1>starts for searching it, that's at least this is what

0:39:01.560 --> 0:39:02.160
<v Speaker 1>I'm being told.

0:39:02.440 --> 0:39:04.640
<v Speaker 2>What do you mean to do because I think it's

0:39:04.680 --> 0:39:08.000
<v Speaker 2>a great song. The problem that I get into there

0:39:08.040 --> 0:39:10.440
<v Speaker 2>gets to be a point. And I don't really have

0:39:10.480 --> 0:39:13.400
<v Speaker 2>any rules. I don't program music, but sometimes I just

0:39:13.440 --> 0:39:14.759
<v Speaker 2>like a song and'll be like, I'm just gonna play

0:39:14.760 --> 0:39:16.920
<v Speaker 2>it for a while, and I've had some decent success.

0:39:16.960 --> 0:39:19.319
<v Speaker 2>But the where the issue for me gets when someone

0:39:19.320 --> 0:39:22.880
<v Speaker 2>gets up to about forty thirty if I play it

0:39:22.920 --> 0:39:26.759
<v Speaker 2>like on my radio show. And I haven't been in

0:39:26.800 --> 0:39:28.920
<v Speaker 2>the music world for a bit, but I was like

0:39:29.000 --> 0:39:31.040
<v Speaker 2>music director years ago, and like, I understand how the

0:39:31.040 --> 0:39:34.279
<v Speaker 2>crap works, and trust me, it's a crap, not music.

0:39:34.400 --> 0:39:38.000
<v Speaker 2>Just have the system, right, Yeah, If I play the song,

0:39:38.880 --> 0:39:40.960
<v Speaker 2>it freaking spikes the crap out of it, and the

0:39:41.080 --> 0:39:44.160
<v Speaker 2>next week if it doesn't meet that spike, everyone's like,

0:39:44.280 --> 0:39:49.040
<v Speaker 2>oh god, the arrows down. So it puts me in

0:39:49.040 --> 0:39:51.920
<v Speaker 2>this precarious situation sometimes because there are things that I

0:39:52.080 --> 0:39:54.000
<v Speaker 2>really like and like to support, which is why I'm

0:39:54.040 --> 0:39:56.200
<v Speaker 2>glad you're here, because I like the song a lots

0:39:57.280 --> 0:39:58.879
<v Speaker 2>and I'm happy I like play it a little bit,

0:39:59.120 --> 0:40:00.719
<v Speaker 2>but I never want to get to the point where

0:40:00.719 --> 0:40:02.520
<v Speaker 2>it's like arrow up, arrow down.

0:40:03.280 --> 0:40:06.879
<v Speaker 1>I don't know, what do you mean? To do you listen, dude,

0:40:06.880 --> 0:40:10.120
<v Speaker 1>the fact that you're like cognizant of this and like

0:40:10.400 --> 0:40:13.600
<v Speaker 1>and know that, like what that means for us, even

0:40:13.640 --> 0:40:15.920
<v Speaker 1>when you do like a song, but you're still like, yeah,

0:40:15.960 --> 0:40:18.399
<v Speaker 1>but I love this and I won't I don't want

0:40:18.400 --> 0:40:20.760
<v Speaker 1>to hurt anyone percent. Bye.

0:40:21.040 --> 0:40:24.920
<v Speaker 2>And that's like being a supporter because at times with

0:40:26.680 --> 0:40:28.880
<v Speaker 2>the I will use the words and rely true the

0:40:28.880 --> 0:40:29.959
<v Speaker 2>power that I have.

0:40:30.200 --> 0:40:33.799
<v Speaker 1>Occasionally that can happen. Yeah right, yeah, So like what

0:40:33.800 --> 0:40:35.160
<v Speaker 1>do you want because they're not you're really going to

0:40:35.160 --> 0:40:37.719
<v Speaker 1>look at arrow is at seventy? Right?

0:40:37.360 --> 0:40:37.400
<v Speaker 4>No?

0:40:38.080 --> 0:40:40.640
<v Speaker 1>Right? Yeah, so I would like to play it a

0:40:40.680 --> 0:40:42.120
<v Speaker 1>little bit? Would you like me to play it a

0:40:42.160 --> 0:40:44.920
<v Speaker 1>little bit? Yeah? Okay, I mean yeah. And I think

0:40:45.239 --> 0:40:46.719
<v Speaker 1>the reason that I say that is because I just

0:40:46.719 --> 0:40:47.480
<v Speaker 1>want people to hear it.

0:40:47.480 --> 0:40:50.920
<v Speaker 2>Okay, that's because I think if people hear it, I

0:40:50.920 --> 0:40:52.040
<v Speaker 2>think people should hear it too.

0:40:52.400 --> 0:40:53.960
<v Speaker 1>But I never want to be like, oh, I guess

0:40:54.000 --> 0:40:56.759
<v Speaker 1>so you screwed today. I'm like, dude, that wouldn't you

0:40:56.760 --> 0:40:59.160
<v Speaker 1>wouldn't that would I would never think that. And it's

0:40:59.160 --> 0:41:00.960
<v Speaker 1>also not thirties, And when it gets there.

0:41:00.840 --> 0:41:04.720
<v Speaker 2>It gets to be different, right because then everyone's looking

0:41:04.719 --> 0:41:07.760
<v Speaker 2>at arrows on charts, and if it's not trending upward,

0:41:08.160 --> 0:41:10.480
<v Speaker 2>then people are looking for reasons to bail out of it.

0:41:10.560 --> 0:41:12.399
<v Speaker 1>To have your parents got to come watch you play

0:41:12.400 --> 0:41:15.239
<v Speaker 1>with Luke on the stadium. Yeah they've they've seen me

0:41:15.239 --> 0:41:18.279
<v Speaker 1>a few times in a state, like in this old

0:41:18.320 --> 0:41:23.280
<v Speaker 1>Stadium tour. Yeah, they came to Jacksonville, I think this year.

0:41:26.640 --> 0:41:31.200
<v Speaker 1>But yeah, I mean, I mean, I can't say enough

0:41:31.360 --> 0:41:32.839
<v Speaker 1>about them. I mean, if I play at the grand

0:41:32.880 --> 0:41:35.560
<v Speaker 1>Ole operatly, no matter what's going on, they are there.

0:41:35.960 --> 0:41:38.160
<v Speaker 1>They haven't missed and like growing up, they didn't miss

0:41:38.200 --> 0:41:40.279
<v Speaker 1>a single show. And I think the hard part for

0:41:40.320 --> 0:41:43.640
<v Speaker 1>them was like when they got to where they couldn't

0:41:43.640 --> 0:41:45.319
<v Speaker 1>go to every show. I don't think that like kind

0:41:45.320 --> 0:41:47.960
<v Speaker 1>of like bothered them a little bit. So anytime I

0:41:48.000 --> 0:41:49.680
<v Speaker 1>play the grand Ole Oppery, they have not missed a

0:41:49.719 --> 0:41:52.279
<v Speaker 1>single one of those. Even when I'm like like, y'all

0:41:52.400 --> 0:41:56.080
<v Speaker 1>got stuff going on, you know what I mean, Like, uh,

0:41:56.280 --> 0:41:58.359
<v Speaker 1>me and my wife we have a newborn month old

0:41:58.360 --> 0:42:02.480
<v Speaker 1>baby at home, and came up for that. And then

0:42:02.560 --> 0:42:05.399
<v Speaker 1>the very next Saturday, I was playing at the ground

0:42:05.480 --> 0:42:08.040
<v Speaker 1>Operay and they came back up really and I was like, dang,

0:42:08.920 --> 0:42:11.280
<v Speaker 1>drive it. Yeah, that's that's labor.

0:42:11.600 --> 0:42:11.839
<v Speaker 3>Yeah.

0:42:12.719 --> 0:42:15.320
<v Speaker 1>I mean, uh so, I got a couple of thoughts.

0:42:15.480 --> 0:42:18.799
<v Speaker 2>One, let's just let's put it in the National count down,

0:42:18.960 --> 0:42:22.920
<v Speaker 2>like made a note already, Okay, so we're gonna love that. Yeah,

0:42:23.160 --> 0:42:25.880
<v Speaker 2>it'd be a big That's awesome, man. A bunch of

0:42:25.880 --> 0:42:29.560
<v Speaker 2>countries do that too, like not America, other countries. I

0:42:29.560 --> 0:42:34.640
<v Speaker 2>mean obviously other countries, but you know what I mean. Secondly,

0:42:35.680 --> 0:42:38.400
<v Speaker 2>when you have your first artist number one, how beautiful

0:42:38.400 --> 0:42:39.919
<v Speaker 2>would it be to play in that Arby's parking lot?

0:42:40.680 --> 0:42:44.799
<v Speaker 1>Oh dude? As for as for social media content, like

0:42:44.920 --> 0:42:47.880
<v Speaker 1>it's the greatest. That would be awesome because and it's

0:42:47.920 --> 0:42:50.160
<v Speaker 1>not even so much about everybody from Nashville. In fact,

0:42:50.200 --> 0:42:52.120
<v Speaker 1>the Arby's is in the parking lot of the kmart

0:42:52.120 --> 0:42:55.200
<v Speaker 1>where I met round Clasco too. Same like little Spot

0:42:55.280 --> 0:42:57.279
<v Speaker 1>fact could probably left out of the media. I clipped there,

0:42:57.320 --> 0:43:00.839
<v Speaker 1>but so but but still, I like, how cool would

0:43:00.840 --> 0:43:02.560
<v Speaker 1>that be? And you tell this, you know, it's like

0:43:03.000 --> 0:43:04.240
<v Speaker 1>it was on American Idol for a bunch.

0:43:04.080 --> 0:43:05.759
<v Speaker 2>Of years, and you know we do these packages or

0:43:05.760 --> 0:43:08.600
<v Speaker 2>it's like this person, it's like they used to come

0:43:08.600 --> 0:43:10.759
<v Speaker 2>and watch play and then you play to like.

0:43:10.719 --> 0:43:12.840
<v Speaker 1>Your home would be legit. It would be awesome.

0:43:12.880 --> 0:43:15.799
<v Speaker 2>Man, like social media legit content. You can't start thinking

0:43:15.800 --> 0:43:18.160
<v Speaker 2>about it yet because you you'll jinx it. I gotta

0:43:18.200 --> 0:43:19.520
<v Speaker 2>do it on a flatbed trailer though?

0:43:19.560 --> 0:43:22.600
<v Speaker 1>Thing? Did he play a flatbed trailer? See?

0:43:22.600 --> 0:43:25.040
<v Speaker 2>I would watch that content, and I don't watch a

0:43:25.080 --> 0:43:25.640
<v Speaker 2>lot of content.

0:43:28.280 --> 0:43:30.160
<v Speaker 1>The Bobby Cast will be right back.

0:43:32.160 --> 0:43:42.760
<v Speaker 4>M hm, this is the Bobby Cast my TikTok?

0:43:42.840 --> 0:43:44.520
<v Speaker 2>What do you you're on TikTok? I mean I know

0:43:44.560 --> 0:43:45.920
<v Speaker 2>you're on it, but I mean do you do you

0:43:45.960 --> 0:43:47.960
<v Speaker 2>spend time on it? Like watching it?

0:43:48.200 --> 0:43:52.880
<v Speaker 1>Do what pops up in your algorithm? Oh? Like probably

0:43:53.000 --> 0:43:57.440
<v Speaker 1>video game stuff? What do you call duty okay? Or Nascar?

0:43:57.640 --> 0:44:01.280
<v Speaker 1>I'm a massive Nascar fann.

0:44:00.280 --> 0:44:05.360
<v Speaker 2>Is nineties wrestling Wow, a bunch of I like to

0:44:05.400 --> 0:44:08.680
<v Speaker 2>collect baseball cards, basketball cards, that's what That's what we

0:44:08.680 --> 0:44:09.120
<v Speaker 2>did yesterday.

0:44:09.120 --> 0:44:12.799
<v Speaker 1>We flew to Baltimore for a baseball card event. Let's

0:44:12.840 --> 0:44:15.160
<v Speaker 1>see what's that? That's awesome?

0:44:16.719 --> 0:44:17.000
<v Speaker 2>Yeah?

0:44:17.320 --> 0:44:20.040
<v Speaker 1>Well was it did just let you down? It wasn't

0:44:20.080 --> 0:44:22.240
<v Speaker 1>what you were hoping it would be, or you didn't

0:44:22.320 --> 0:44:24.759
<v Speaker 1>get what you may have gone to get a little

0:44:24.760 --> 0:44:26.680
<v Speaker 1>bit of all that, like a prize possession you thought

0:44:26.760 --> 0:44:28.360
<v Speaker 1>might be there, and it just wasn't there. There was

0:44:28.360 --> 0:44:31.600
<v Speaker 1>no possession I was looking for. Gotcha.

0:44:31.239 --> 0:44:33.400
<v Speaker 2>I'm going to keep it real with you here. I

0:44:33.520 --> 0:44:35.000
<v Speaker 2>like talking with you, by the way, which is not

0:44:35.040 --> 0:44:37.800
<v Speaker 2>often the case. It's not that I don't like talking

0:44:37.800 --> 0:44:39.640
<v Speaker 2>to people, but there's some people I'm just like, Oh,

0:44:39.640 --> 0:44:41.480
<v Speaker 2>this is cool. I'm having a good time hanging out.

0:44:41.560 --> 0:44:44.200
<v Speaker 2>So yeah, I actually don't mind telling a couple.

0:44:44.000 --> 0:44:49.560
<v Speaker 1>Of these stories. I bought a box of cards, like

0:44:49.600 --> 0:44:50.680
<v Speaker 1>a big box of cards.

0:44:50.840 --> 0:44:55.560
<v Speaker 2>Now my story grew very poor, had no money. Now

0:44:55.600 --> 0:44:58.520
<v Speaker 2>I have money, and it's weird and awesome, and so

0:44:58.560 --> 0:45:00.960
<v Speaker 2>I opened it up and it's amazing. We're going with

0:45:01.000 --> 0:45:02.759
<v Speaker 2>I got a John F. Kennedy autograph in there, and

0:45:02.800 --> 0:45:08.600
<v Speaker 2>it's like big, massive players and old players signed it

0:45:08.680 --> 0:45:11.200
<v Speaker 2>is really cool box cards and there's an invitation on it,

0:45:11.360 --> 0:45:15.400
<v Speaker 2>like the Willie Wonka Golden Ticket. It was really a

0:45:15.440 --> 0:45:17.759
<v Speaker 2>golden ticket and a thing. So I'm like, I says,

0:45:17.800 --> 0:45:19.440
<v Speaker 2>you come to this party. We're not gonna tell you

0:45:19.480 --> 0:45:21.920
<v Speaker 2>when or where it is. And so I'm just like

0:45:22.000 --> 0:45:24.040
<v Speaker 2>waiting for an email or something there say email of

0:45:24.040 --> 0:45:26.279
<v Speaker 2>this at top. So I email it and then like

0:45:26.280 --> 0:45:30.279
<v Speaker 2>a month later I get an email going, Okay, you

0:45:30.360 --> 0:45:31.360
<v Speaker 2>are coming to this party.

0:45:31.360 --> 0:45:34.560
<v Speaker 1>It's in Baltimore, it's on this day. It's at Camden Yards.

0:45:35.200 --> 0:45:38.279
<v Speaker 1>Be here. It's just kind of like or not, but

0:45:38.320 --> 0:45:40.400
<v Speaker 1>be there. So I'm like, it's gonna be awesome. You're

0:45:40.400 --> 0:45:43.200
<v Speaker 1>gonna meet cal Riveken, the whole thing. Meet him. I'm like,

0:45:43.239 --> 0:45:51.480
<v Speaker 1>make out with him whatever and so, and I'm pumped.

0:45:51.480 --> 0:45:53.959
<v Speaker 2>And my best friend is Eddie, who's on my radio show,

0:45:53.960 --> 0:45:56.359
<v Speaker 2>and we weren't a little comedy duo together to play music,

0:45:56.760 --> 0:45:59.080
<v Speaker 2>and I don't want to go by myself. But there's

0:45:59.080 --> 0:46:02.120
<v Speaker 2>no plus one. It's a it's a one. It's like

0:46:02.160 --> 0:46:05.000
<v Speaker 2>it's like welly wonka. It's like you get one ticket.

0:46:05.120 --> 0:46:07.040
<v Speaker 2>So I get on eBay and I buy I find

0:46:07.080 --> 0:46:10.279
<v Speaker 2>a ticket, not cheap, find ticket, and I'm like, Eddie,

0:46:10.360 --> 0:46:10.719
<v Speaker 2>let's go.

0:46:10.840 --> 0:46:11.960
<v Speaker 1>So we flew right for the show.

0:46:11.960 --> 0:46:17.040
<v Speaker 2>We flew up to Baltimore and we go and they're

0:46:17.040 --> 0:46:18.920
<v Speaker 2>like they're not telling you where it is, and all

0:46:19.000 --> 0:46:22.040
<v Speaker 2>they finally get email. It's like those celebrity weddings were

0:46:22.040 --> 0:46:23.759
<v Speaker 2>like they don't tell you where they're getting married until

0:46:23.760 --> 0:46:27.560
<v Speaker 2>everybody gets to a like a central location. Yeah, and

0:46:27.600 --> 0:46:30.080
<v Speaker 2>so they're like it's this place, going this entrance at

0:46:30.080 --> 0:46:35.239
<v Speaker 2>Camden Yards, and like, I'm so excited, and in the

0:46:35.280 --> 0:46:38.640
<v Speaker 2>email it's like, must wear dress shoes, can't wear tennis shoes.

0:46:38.680 --> 0:46:39.920
<v Speaker 1>Well, we didn't pack anything.

0:46:40.120 --> 0:46:42.759
<v Speaker 2>We're literally in tennis shoes and like it said, we're

0:46:42.920 --> 0:46:45.479
<v Speaker 2>button up, so we didn't and but we're another wrong shoes.

0:46:45.480 --> 0:46:46.920
<v Speaker 2>So now we're having a debate going to Marshalls to

0:46:46.920 --> 0:46:48.920
<v Speaker 2>buy some shoes just to get into this thing.

0:46:48.960 --> 0:46:50.160
<v Speaker 1>We're like, screwt, We're not doing it.

0:46:50.680 --> 0:46:52.759
<v Speaker 2>We go Luckily we didn't buy shoes because there're a

0:46:52.760 --> 0:46:54.600
<v Speaker 2>few people in tennis shoes. We go up to this

0:46:54.680 --> 0:46:58.000
<v Speaker 2>room and there's no air conditioning. There's like they only

0:46:58.000 --> 0:47:00.279
<v Speaker 2>had like a one hundred of these boxes anyway, and

0:47:00.320 --> 0:47:05.680
<v Speaker 2>it's like a bunch of us eating finger roll chips

0:47:05.680 --> 0:47:08.800
<v Speaker 2>of hoys and nowhere. Condition waited for an hour to

0:47:08.840 --> 0:47:10.680
<v Speaker 2>get put into the main room. And I'm like this

0:47:10.680 --> 0:47:14.120
<v Speaker 2>Willy Walker sucks the elevator.

0:47:14.239 --> 0:47:17.799
<v Speaker 1>Yeah, like what does she? Michael Mike like purple, how

0:47:17.800 --> 0:47:20.399
<v Speaker 1>does she the grape? The blueber? Yeah, something like give

0:47:20.400 --> 0:47:23.520
<v Speaker 1>me something to do like that. Where's the Chocolate River, Yes, yeah,

0:47:23.640 --> 0:47:24.239
<v Speaker 1>chocolate River.

0:47:24.520 --> 0:47:26.160
<v Speaker 2>And so finally they let us in and we go

0:47:26.160 --> 0:47:27.960
<v Speaker 2>sit at these tables and they and they give us

0:47:28.000 --> 0:47:30.239
<v Speaker 2>the food and we're eating and then they bring out

0:47:30.440 --> 0:47:32.040
<v Speaker 2>and I thought it was going to be like Jeter

0:47:33.640 --> 0:47:38.080
<v Speaker 2>or insert any super famous cal Ripken was one because

0:47:38.120 --> 0:47:40.359
<v Speaker 2>we went to Baltimore and listen, athlete Rushman and a gun

0:47:40.360 --> 0:47:42.760
<v Speaker 2>her Henters and are massive stars of the last three years.

0:47:43.160 --> 0:47:44.880
<v Speaker 2>But I really thought it was. And then they started

0:47:45.000 --> 0:47:46.880
<v Speaker 2>just going, all right, who wants to ask some questions?

0:47:47.200 --> 0:47:50.000
<v Speaker 2>So they put her food down whatever, and I'm like,

0:47:50.040 --> 0:47:55.560
<v Speaker 2>I don't really want to. They're like kids, but the

0:47:55.680 --> 0:47:58.480
<v Speaker 2>great baseball players. But it's crazy as we get older,

0:47:59.440 --> 0:48:02.359
<v Speaker 2>they stay the same. No, they're like twenty four, twenty

0:48:02.840 --> 0:48:04.560
<v Speaker 2>six years old, and so I only have a question

0:48:04.560 --> 0:48:04.839
<v Speaker 2>for them.

0:48:05.120 --> 0:48:06.040
<v Speaker 1>I'm all good on a question.

0:48:06.880 --> 0:48:10.080
<v Speaker 2>So I'm eating my meat and because I got beef,

0:48:10.600 --> 0:48:12.880
<v Speaker 2>and so they're like and so I'm like, screw it,

0:48:12.920 --> 0:48:15.359
<v Speaker 2>I'm gonna ask a question because ed Eddie's just like,

0:48:15.560 --> 0:48:17.239
<v Speaker 2>ask a question, be funny and we'll record it for

0:48:17.280 --> 0:48:19.279
<v Speaker 2>the show. And so they both were in the All

0:48:19.280 --> 0:48:22.000
<v Speaker 2>Star Game this past like two weeks ago.

0:48:22.440 --> 0:48:24.120
<v Speaker 1>I played in the Celebrity All Star Game. I won

0:48:24.160 --> 0:48:25.000
<v Speaker 1>the MVP of the game.

0:48:25.760 --> 0:48:27.560
<v Speaker 2>In the celebrity game, and I was gonna be like,

0:48:27.560 --> 0:48:29.360
<v Speaker 2>as a fellow All Star and ask him a question,

0:48:29.480 --> 0:48:31.640
<v Speaker 2>but be totally serious, to be a stupid because I

0:48:31.680 --> 0:48:33.120
<v Speaker 2>was gonna be like, did you get to see my tape?

0:48:33.280 --> 0:48:35.000
<v Speaker 2>You know from I played two days before? You probably

0:48:35.040 --> 0:48:36.719
<v Speaker 2>saw all the tape. It never even came to me

0:48:36.760 --> 0:48:37.200
<v Speaker 2>for a question.

0:48:38.400 --> 0:48:43.359
<v Speaker 1>So we left. That was it. That was it. Tell

0:48:43.400 --> 0:48:43.960
<v Speaker 1>me you wouldn't.

0:48:44.080 --> 0:48:46.560
<v Speaker 2>I should write a song about that. I should call

0:48:46.600 --> 0:48:54.680
<v Speaker 2>it Baltimore Blues. Ooh, Baltimore or less Baltimore but less, Yeah,

0:48:55.239 --> 0:48:57.040
<v Speaker 2>baltless Baltimore.

0:48:56.640 --> 0:49:00.200
<v Speaker 1>Balton more or less. Yeah, I didn't Baltimore, but I

0:49:00.239 --> 0:49:02.680
<v Speaker 1>don't know. I suck anyway. That's what I did yesterday.

0:49:03.160 --> 0:49:04.520
<v Speaker 1>And so came back here.

0:49:05.880 --> 0:49:09.520
<v Speaker 2>Almost canceled this because I was so sad, but then

0:49:09.640 --> 0:49:11.080
<v Speaker 2>I'm glad you then it it was like Drue's a

0:49:11.080 --> 0:49:14.239
<v Speaker 2>good guy, and I was like, all right, that's cool,

0:49:14.360 --> 0:49:16.400
<v Speaker 2>that's cool. I'll do it then, But yeah, no, I like,

0:49:16.480 --> 0:49:18.920
<v Speaker 2>so my algorithms a lot of baseball card stuff. But

0:49:18.920 --> 0:49:20.399
<v Speaker 2>I collecked the cards as a kid then never really

0:49:20.400 --> 0:49:22.920
<v Speaker 2>collected again, oh until like the last few years. And

0:49:22.960 --> 0:49:25.160
<v Speaker 2>now I just I get obsessed with it. Everything if

0:49:25.160 --> 0:49:27.399
<v Speaker 2>I get into anything, I have an obsession with it.

0:49:27.800 --> 0:49:30.120
<v Speaker 1>Do you have that tendency at all? Oh? Yeah, If

0:49:30.200 --> 0:49:34.080
<v Speaker 1>I commit to something, I'm like way in, like more

0:49:34.120 --> 0:49:36.960
<v Speaker 1>than I should be, Like you're in. Like in twenty twenty,

0:49:38.320 --> 0:49:41.880
<v Speaker 1>I bought like a NASCAR racing simulator and got like

0:49:42.200 --> 0:49:46.960
<v Speaker 1>way into that. Can you compete online? Yeah? Yeah, that's

0:49:47.000 --> 0:49:51.480
<v Speaker 1>cool and it's awesome because it's like legit competition. Does

0:49:51.560 --> 0:49:54.400
<v Speaker 1>Caine have one of those? Uh think so you he

0:49:54.440 --> 0:49:56.280
<v Speaker 1>was talking about like he hurt his hand or something?

0:49:56.640 --> 0:50:00.319
<v Speaker 1>Was it Caine? Mike was telling me, I think one

0:50:00.760 --> 0:50:04.279
<v Speaker 1>remembers so and he was saying, like you get in

0:50:04.320 --> 0:50:06.880
<v Speaker 1>it and it's a it's legit. This is way more legitimate.

0:50:06.920 --> 0:50:10.319
<v Speaker 1>But you get do you get tired driving it? Or

0:50:10.400 --> 0:50:12.400
<v Speaker 1>is it? Like I would never commit to like probably

0:50:12.440 --> 0:50:15.839
<v Speaker 1>those really long races. I mean you can do. I'm

0:50:15.840 --> 0:50:18.279
<v Speaker 1>more like a maybe a fifty lapper kind of guy.

0:50:18.800 --> 0:50:20.680
<v Speaker 2>Like I think if you make a really bad crash

0:50:20.680 --> 0:50:23.439
<v Speaker 2>and ship like break your leg, like you should really

0:50:23.440 --> 0:50:24.839
<v Speaker 2>commit like it would I.

0:50:24.760 --> 0:50:27.160
<v Speaker 1>Mean the wheel is like the feedback in the wheel

0:50:27.280 --> 0:50:29.439
<v Speaker 1>is like strong enough it could like take your risk.

0:50:29.480 --> 0:50:32.720
<v Speaker 1>Could you be a race car driver? I've been told

0:50:32.719 --> 0:50:34.600
<v Speaker 1>by some race car drivers that I would be all right,

0:50:35.239 --> 0:50:37.239
<v Speaker 1>that's cool is that movie? I don't know that I

0:50:37.320 --> 0:50:40.440
<v Speaker 1>have the balls to do that though, Like like on

0:50:40.600 --> 0:50:41.320
<v Speaker 1>the thing, it's.

0:50:41.200 --> 0:50:44.440
<v Speaker 2>Like fine, like the where you have to make it's like, okay,

0:50:44.520 --> 0:50:46.200
<v Speaker 2>if we gotta go, we're gonna take the risk and go.

0:50:46.360 --> 0:50:48.880
<v Speaker 1>Right, because I mean, like on the game is there's

0:50:49.000 --> 0:50:51.919
<v Speaker 1>there's no punishment for wrecking, which is why they should

0:50:51.960 --> 0:50:55.160
<v Speaker 1>like break your legs exactly, like to really make it count.

0:50:55.040 --> 0:50:55.800
<v Speaker 5>At fire to it.

0:50:55.920 --> 0:50:59.880
<v Speaker 1>Yeah, yeah, yeah. Have you driven a car? I have

0:51:00.160 --> 0:51:02.640
<v Speaker 1>driven a race car. Yeah, it's cool. Yeah, it was good.

0:51:02.920 --> 0:51:05.920
<v Speaker 1>I think I did like one hundred and sixty seven

0:51:06.080 --> 0:51:08.719
<v Speaker 1>hours hard. Where did you do that? Atlanta Motor Speedway.

0:51:08.880 --> 0:51:10.920
<v Speaker 2>There's a track here, And I went out and drove

0:51:11.960 --> 0:51:13.319
<v Speaker 2>a long time ago Borchette's car.

0:51:13.320 --> 0:51:13.799
<v Speaker 1>I don't even why.

0:51:13.800 --> 0:51:15.160
<v Speaker 2>I don't even like driving car. I don't even drive

0:51:15.200 --> 0:51:18.160
<v Speaker 2>in my car. And he's like, do you want to drive?

0:51:18.320 --> 0:51:20.120
<v Speaker 2>And he put the suit on me, and I got

0:51:20.120 --> 0:51:22.120
<v Speaker 2>a thing and I was flying. I was like, how

0:51:22.120 --> 0:51:23.920
<v Speaker 2>fast was I going? He was like sixty two?

0:51:24.920 --> 0:51:27.440
<v Speaker 1>But it just it was just hard to drive, like

0:51:27.520 --> 0:51:30.360
<v Speaker 1>it was physically hard to drive. I thought, I was flying.

0:51:30.360 --> 0:51:31.719
<v Speaker 2>I don't think I was even breaking the speed less

0:51:32.719 --> 0:51:34.440
<v Speaker 2>when I was driving the thing.

0:51:34.640 --> 0:51:37.960
<v Speaker 1>Yeah, that's cool. You have favorite driver. I really don't.

0:51:38.760 --> 0:51:39.880
<v Speaker 1>I have drivers I don't like.

0:51:41.040 --> 0:51:42.640
<v Speaker 2>We've had some come in on the show, and I

0:51:42.920 --> 0:51:44.759
<v Speaker 2>don't know much about Nascar. I'm a massive sports guy

0:51:44.760 --> 0:51:46.760
<v Speaker 2>and we do a sports a couple of different sports shows,

0:51:46.800 --> 0:51:49.600
<v Speaker 2>but I don't know much about driving. Do you want

0:51:49.600 --> 0:51:51.839
<v Speaker 2>to save the drivers you don't like because it doesn't

0:51:51.840 --> 0:51:53.160
<v Speaker 2>mean you don't like them as a person, but you

0:51:53.160 --> 0:51:56.200
<v Speaker 2>don't like who they are publicly.

0:51:55.920 --> 0:51:58.400
<v Speaker 1>Right, You don't have to, don't. Yeah, I don't. I

0:51:58.440 --> 0:51:58.719
<v Speaker 1>don't know.

0:51:58.719 --> 0:52:02.560
<v Speaker 2>I was doing his show once and I wish I

0:52:02.640 --> 0:52:06.160
<v Speaker 2>knew that. Will you look up to Chris Hart show

0:52:06.200 --> 0:52:07.520
<v Speaker 2>that I did or Kevin Hart show?

0:52:07.520 --> 0:52:07.920
<v Speaker 1>Excuse me?

0:52:08.280 --> 0:52:10.360
<v Speaker 2>And there was a so I did a show and

0:52:10.440 --> 0:52:15.000
<v Speaker 2>Kevin Kevin Hart was hosting it, and there was a

0:52:15.080 --> 0:52:15.840
<v Speaker 2>race car driver I don't know.

0:52:16.000 --> 0:52:16.680
<v Speaker 1>I didn't know who he was.

0:52:18.239 --> 0:52:20.480
<v Speaker 2>And we're all on zooms in different places, like a

0:52:20.480 --> 0:52:23.200
<v Speaker 2>trivia game. I think it was on Peacock or something.

0:52:24.080 --> 0:52:26.279
<v Speaker 2>I didn't know who the guy was, and I didn't

0:52:26.320 --> 0:52:29.919
<v Speaker 2>say I didn't know. I'm just so stupid with race

0:52:29.960 --> 0:52:33.480
<v Speaker 2>car drivers and the camera comes on and I'm like

0:52:34.800 --> 0:52:36.920
<v Speaker 2>just me. I'm like, god, d you got a huge house, Like,

0:52:36.960 --> 0:52:38.720
<v Speaker 2>what in the world do you do for a living?

0:52:38.960 --> 0:52:43.600
<v Speaker 2>I gotta say that, right, And he's got He doesn't

0:52:43.600 --> 0:52:45.360
<v Speaker 2>know if I'm kidding or not, so he doesn't know

0:52:45.440 --> 0:52:49.680
<v Speaker 2>to be insulted or not. That's great, And I'm about

0:52:49.680 --> 0:52:52.000
<v Speaker 2>to find out who it is. If you, yeah, let

0:52:52.000 --> 0:52:54.080
<v Speaker 2>me know, Mike, whenever you writ let you, I could

0:52:54.080 --> 0:52:54.520
<v Speaker 2>guess who.

0:52:54.600 --> 0:52:56.440
<v Speaker 1>Was go out on the name of the show. I'm

0:52:56.440 --> 0:52:58.160
<v Speaker 1>trying to find whose house it was because he wasn't

0:52:58.200 --> 0:52:58.920
<v Speaker 1>on the show with you.

0:52:58.960 --> 0:53:02.919
<v Speaker 2>Right, he was current, right, we were competing against each other.

0:53:03.160 --> 0:53:05.080
<v Speaker 2>And here's how I knew, because I didn't know if

0:53:05.080 --> 0:53:08.360
<v Speaker 2>we were competing against other notables.

0:53:08.400 --> 0:53:09.600
<v Speaker 1>I'm not saying famous. I don't.

0:53:09.640 --> 0:53:12.439
<v Speaker 2>I'm not famous. I'm like fractionally known. You have it, Okay,

0:53:12.440 --> 0:53:14.640
<v Speaker 2>don't say it, yeah, don't say yet. How I knew

0:53:14.680 --> 0:53:16.759
<v Speaker 2>he was somebody? His wife sat down and she was

0:53:16.800 --> 0:53:18.759
<v Speaker 2>way hotter than him, and I was like, oh, big,

0:53:18.800 --> 0:53:21.560
<v Speaker 2>hell is somebody like I knew he was somebody, Like

0:53:22.680 --> 0:53:23.480
<v Speaker 2>who do you think it was?

0:53:24.680 --> 0:53:27.000
<v Speaker 1>It didn't have the greatest person. I don't know him?

0:53:27.280 --> 0:53:31.479
<v Speaker 1>Was it Denny Hamlin. No, but when, but when I would?

0:53:31.520 --> 0:53:33.520
<v Speaker 1>I don't think I wanted to be his friend. After

0:53:33.560 --> 0:53:35.560
<v Speaker 1>doing the show with him, I don't wait to know

0:53:35.600 --> 0:53:36.520
<v Speaker 1>who this was now.

0:53:36.440 --> 0:53:38.680
<v Speaker 2>Again this was this is his public He definitely could

0:53:38.680 --> 0:53:41.120
<v Speaker 2>be awesome behind the scenes and we were competing against

0:53:41.120 --> 0:53:41.480
<v Speaker 2>each other.

0:53:41.560 --> 0:53:42.759
<v Speaker 1>But I remember going, I don't think I want to

0:53:42.760 --> 0:53:43.200
<v Speaker 1>be his friend.

0:53:44.280 --> 0:53:46.319
<v Speaker 2>Any other guesses you don't have to guess because it'll

0:53:46.360 --> 0:53:47.680
<v Speaker 2>put you in the spot if you guess, and it's

0:53:47.760 --> 0:53:49.800
<v Speaker 2>like somebody you don't like, you can say.

0:53:49.600 --> 0:53:51.120
<v Speaker 1>No, I want to know, and then I want to react.

0:53:51.200 --> 0:54:03.040
<v Speaker 5>Okay, go ahead, he's one of them, ye should That

0:54:03.080 --> 0:54:04.640
<v Speaker 5>guy and I didn't hit it off very well, but

0:54:04.680 --> 0:54:08.160
<v Speaker 5>again we were on computers and it just because he's.

0:54:08.040 --> 0:54:10.359
<v Speaker 1>Kind of he's like the hit he's like the one

0:54:10.400 --> 0:54:14.680
<v Speaker 1>of the heels of the sport so and definitely owns it.

0:54:14.760 --> 0:54:17.480
<v Speaker 1>I just mentioned d yes, if he's a if he's

0:54:17.520 --> 0:54:18.880
<v Speaker 1>a hill, some of that hill stuff could be on

0:54:18.880 --> 0:54:22.960
<v Speaker 1>purpose in market that's so funny. Yeah, that's what it was.

0:54:23.760 --> 0:54:25.480
<v Speaker 2>I remember I thought I was like, this guy, what

0:54:25.600 --> 0:54:27.160
<v Speaker 2>in the world do is he because you know, he

0:54:27.320 --> 0:54:28.960
<v Speaker 2>just wearing normal clothes and a button up and his

0:54:29.040 --> 0:54:32.959
<v Speaker 2>shirt he got like his hair's combed, and I'm like, dang,

0:54:33.080 --> 0:54:35.399
<v Speaker 2>you got columns because you can see the columns right

0:54:36.440 --> 0:54:39.320
<v Speaker 2>in my mouth. I'm just like, you're making some money

0:54:39.320 --> 0:54:39.719
<v Speaker 2>over there.

0:54:39.760 --> 0:54:41.759
<v Speaker 1>Whatever did you do? And he I did.

0:54:41.880 --> 0:54:44.400
<v Speaker 2>I thought maybe he thought I knew who he was,

0:54:45.080 --> 0:54:47.719
<v Speaker 2>and I probably should have because he's way more known

0:54:47.719 --> 0:54:50.120
<v Speaker 2>than I am. But I was just making a like,

0:54:50.160 --> 0:54:52.239
<v Speaker 2>sayd some stuff, and that's what it was. And we

0:54:52.280 --> 0:54:54.239
<v Speaker 2>had to beat I beat him. Yeah, yeah, it was

0:54:54.239 --> 0:54:57.359
<v Speaker 2>a tribut killed him. Oh, I would be terrible. We've

0:54:57.400 --> 0:54:59.959
<v Speaker 2>had some nice guys come in though to the show.

0:55:00.440 --> 0:55:03.480
<v Speaker 2>I don't know any of their names. Yeah, Mike, you.

0:55:03.440 --> 0:55:05.120
<v Speaker 1>Know the drivers have come in. Joey Logano.

0:55:05.640 --> 0:55:08.000
<v Speaker 2>Joey Logano, I don't know if he's mean or not.

0:55:08.680 --> 0:55:12.280
<v Speaker 2>You don't like him. He was super nice to me, really,

0:55:12.920 --> 0:55:15.799
<v Speaker 2>because I have no It would be like if you know,

0:55:15.840 --> 0:55:17.640
<v Speaker 2>Diamond Dallas Page or Roman Reigns or one of the

0:55:17.640 --> 0:55:19.759
<v Speaker 2>wrestlers came in without knowing what their gimmick is.

0:55:20.960 --> 0:55:23.200
<v Speaker 1>Joey Logano came in. It was super cool, and I

0:55:23.239 --> 0:55:25.440
<v Speaker 1>was like, oh, wonder what people don't like him? And

0:55:25.480 --> 0:55:28.360
<v Speaker 1>said my friends told me, Yeah, yeah, a lot of

0:55:28.360 --> 0:55:30.959
<v Speaker 1>it was his style, his his uh he's like another

0:55:31.040 --> 0:55:33.400
<v Speaker 1>Hill of the sport. Yeah yeah, yeah, which I like,

0:55:34.080 --> 0:55:36.880
<v Speaker 1>I'm all four, yeah, you need him, you need but

0:55:36.920 --> 0:55:38.400
<v Speaker 1>you don't have to like him, right, I just like

0:55:38.480 --> 0:55:40.040
<v Speaker 1>rooting for the guy who they don't like.

0:55:40.640 --> 0:55:44.120
<v Speaker 2>Give me another one. Ryan Blaney, Yeah he was.

0:55:44.239 --> 0:55:46.680
<v Speaker 1>He was like chill, yeah, great dude. He was like eleven,

0:55:46.920 --> 0:55:49.680
<v Speaker 1>yeah right, Rosney very young. Yeah. He was like, I

0:55:49.719 --> 0:55:54.759
<v Speaker 1>got armpit hair today and we were like, what that's it? Yeah? Yeah,

0:55:54.760 --> 0:55:57.680
<v Speaker 1>I don't know, but those guys are They're athletes, they

0:55:57.719 --> 0:56:00.680
<v Speaker 1>are dude, They're work at the the way they have

0:56:00.719 --> 0:56:03.200
<v Speaker 1>to work out, and they're it's insane. It's crazy.

0:56:03.440 --> 0:56:04.799
<v Speaker 2>I never really thought that until I got in the

0:56:04.800 --> 0:56:07.759
<v Speaker 2>car went sixty two once and I was like, these

0:56:07.800 --> 0:56:13.160
<v Speaker 2>guys are awesome. Camouflage cowboy is out. Love to leave

0:56:13.239 --> 0:56:14.680
<v Speaker 2>and I'm gonna play it a little bit, but I'm

0:56:14.680 --> 0:56:15.960
<v Speaker 2>not gonna play it a whole lot. I'm not gonna

0:56:15.960 --> 0:56:17.359
<v Speaker 2>put it. I'm not gonna put it to number one,

0:56:19.280 --> 0:56:22.279
<v Speaker 2>and then I'm gonna sit off of it a little bit.

0:56:22.560 --> 0:56:26.759
<v Speaker 2>Because another cool thing that happens to is I don't know,

0:56:26.800 --> 0:56:28.840
<v Speaker 2>I think we're on like two hundred and fifty stations

0:56:28.840 --> 0:56:31.400
<v Speaker 2>and we're we have a nice little footprint as well

0:56:31.400 --> 0:56:34.600
<v Speaker 2>where people will pay attention sometimes and maybe it helps

0:56:34.600 --> 0:56:38.000
<v Speaker 2>too with people just going oh yeah, because sometimes it's

0:56:38.000 --> 0:56:40.360
<v Speaker 2>just about getting stuff in front of people and they

0:56:40.400 --> 0:56:41.680
<v Speaker 2>don't even know they like it yet.

0:56:41.880 --> 0:56:44.719
<v Speaker 1>And that's that's why my answer to can you play it?

0:56:44.840 --> 0:56:47.239
<v Speaker 1>Is yes, I just want people to hear it, and

0:56:47.280 --> 0:56:49.480
<v Speaker 1>if it's ever like Bobby chill out, let me know,

0:56:49.719 --> 0:56:51.719
<v Speaker 1>I wouldn't tell you that because I'm gonna cover it

0:56:51.760 --> 0:56:53.839
<v Speaker 1>and put it out myself my own too.

0:56:54.080 --> 0:56:57.560
<v Speaker 2>Please do I really enjoyed spending time with you, Drew,

0:56:57.600 --> 0:56:59.960
<v Speaker 2>you too, man. You guys can follow Drew on Instagram.

0:57:00.120 --> 0:57:02.200
<v Speaker 2>Mentioned it before Drew even came in, But it's Drew

0:57:02.239 --> 0:57:05.279
<v Speaker 2>Parker plays Drew Parker. Being such a common name, you

0:57:05.280 --> 0:57:08.279
<v Speaker 2>couldn't just get Drew Parker. Oh, I couldn't have.

0:57:08.320 --> 0:57:10.000
<v Speaker 1>You tried to get it. And the guy that has

0:57:10.040 --> 0:57:13.000
<v Speaker 1>it is like he always like comments on my stuff,

0:57:13.160 --> 0:57:16.360
<v Speaker 1>and I think that maybe a long time controlling. That's hilarious.

0:57:16.360 --> 0:57:18.760
<v Speaker 1>A long time ago. I tried to like get it

0:57:18.760 --> 0:57:20.520
<v Speaker 1>from him. I think he's actually a fan.

0:57:20.640 --> 0:57:23.720
<v Speaker 2>That's Kyle Busch, Like, yeah, yes, he's kind of was

0:57:23.760 --> 0:57:24.920
<v Speaker 2>in trouble for no reason.

0:57:25.880 --> 0:57:29.440
<v Speaker 1>Uh, if he's a fan, how many followers do you have?

0:57:29.920 --> 0:57:31.680
<v Speaker 2>No, it'd be really cool if he's a fan, because

0:57:31.680 --> 0:57:33.560
<v Speaker 2>you could give him a VIP experience and then trade

0:57:33.560 --> 0:57:34.880
<v Speaker 2>it out for him. I don't think he's I don't

0:57:34.880 --> 0:57:37.600
<v Speaker 2>think he's willing to do it. Uh, Drew Parker music

0:57:37.640 --> 0:57:39.800
<v Speaker 2>dot com and then the same mistiktok. And the thing

0:57:39.920 --> 0:57:42.880
<v Speaker 2>is with any of the social media platforms, now you

0:57:42.960 --> 0:57:46.920
<v Speaker 2>must have the same name everywhere, even if Drew Parker existed.

0:57:47.200 --> 0:57:48.160
<v Speaker 1>Yeah, I wouldn't go do it.

0:57:48.200 --> 0:57:49.720
<v Speaker 2>I know I felt the same way because I could

0:57:49.720 --> 0:57:51.920
<v Speaker 2>have got Bobby Bones and a couple but the people

0:57:52.800 --> 0:57:54.160
<v Speaker 2>who wants to name those of Bobby Bones.

0:57:54.160 --> 0:57:54.880
<v Speaker 1>It's a stupid name.

0:57:55.000 --> 0:57:57.320
<v Speaker 2>But there were a couple of people that were using it,

0:57:58.520 --> 0:57:59.880
<v Speaker 2>and so I had to be mister Bobby Bones so

0:58:00.240 --> 0:58:05.000
<v Speaker 2>universally and mister Bobby But I feel so like adult

0:58:05.680 --> 0:58:10.280
<v Speaker 2>mister acknowledge my misterness where I wish it were just

0:58:10.320 --> 0:58:14.080
<v Speaker 2>like at Bobby Bones at Drew Parker plays. And I'm

0:58:14.120 --> 0:58:16.000
<v Speaker 2>looking forward to seeing the success of the song. I

0:58:16.080 --> 0:58:19.160
<v Speaker 2>love the story. I have two stories that I loved,

0:58:19.200 --> 0:58:21.160
<v Speaker 2>and then we'll end on this. I love the story

0:58:21.240 --> 0:58:26.400
<v Speaker 2>of you're writing this song and kind of the emotional

0:58:26.400 --> 0:58:29.200
<v Speaker 2>and mental anguish that you had to go through because

0:58:29.240 --> 0:58:31.520
<v Speaker 2>you believed in it so much, you had to take

0:58:32.080 --> 0:58:35.680
<v Speaker 2>a step back to hopefully take four forward. And sometimes,

0:58:35.960 --> 0:58:37.840
<v Speaker 2>and a lot of times, that's really the hardest part

0:58:37.920 --> 0:58:40.600
<v Speaker 2>about what anyone has to do, because again, you get

0:58:40.640 --> 0:58:43.760
<v Speaker 2>to just made your money and going this.

0:58:43.760 --> 0:58:47.600
<v Speaker 1>This life is full of the music. Life is full

0:58:47.640 --> 0:58:49.920
<v Speaker 1>of crazy decisions that you gotta make, and like weighing

0:58:50.600 --> 0:58:52.240
<v Speaker 1>what you're going to do, and.

0:58:52.160 --> 0:58:53.560
<v Speaker 2>Then I love that you said I'm gonna have a

0:58:53.640 --> 0:58:55.920
<v Speaker 2>number one and I'm gonna quit the next day, and

0:58:55.960 --> 0:58:58.840
<v Speaker 2>your boss is awesome, and then you got to play

0:58:58.840 --> 0:59:00.120
<v Speaker 2>in the Army's parking line when it goes on.

0:59:00.360 --> 0:59:02.600
<v Speaker 1>Yep. Yeah, uh, good to see you, Drew, you too,

0:59:02.600 --> 0:59:03.480
<v Speaker 1>males as having me.

0:59:03.960 --> 0:59:05.160
<v Speaker 2>We decided to put this at the end of the

0:59:05.200 --> 0:59:08.800
<v Speaker 2>podcast because we get into sports pretty heavily. This actually

0:59:08.840 --> 0:59:10.960
<v Speaker 2>happened earlier in and Mike and I had to talk

0:59:10.960 --> 0:59:12.439
<v Speaker 2>after and we were like, if people don't like sports

0:59:12.480 --> 0:59:15.160
<v Speaker 2>and they just love country music, they're gonna be kind

0:59:15.200 --> 0:59:16.800
<v Speaker 2>of bored by this part. But I also think this

0:59:16.840 --> 0:59:18.120
<v Speaker 2>is why Drew and I kind of hit it off

0:59:18.120 --> 0:59:20.680
<v Speaker 2>so quick. Yeah, because we're both big sports guys. So

0:59:21.000 --> 0:59:22.919
<v Speaker 2>if you didn't want to hear that, you can listen

0:59:22.920 --> 0:59:25.240
<v Speaker 2>to it. Now here is Drew Parker and I just

0:59:25.240 --> 0:59:25.920
<v Speaker 2>talk in sports.

0:59:26.640 --> 0:59:29.200
<v Speaker 1>Did you think you would be a ballplayer? I mean

0:59:29.240 --> 0:59:31.280
<v Speaker 1>it was a as a kid. Yeah. I wanted to

0:59:31.640 --> 0:59:33.200
<v Speaker 1>what was the age where you realized you weren't going

0:59:33.280 --> 0:59:36.480
<v Speaker 1>to be a ball player? Senior year of high school?

0:59:36.920 --> 0:59:39.040
<v Speaker 2>I asked, because you're I look at you and think

0:59:39.080 --> 0:59:43.000
<v Speaker 2>former athlete. Oh thanks, You're welcome to the compliment. Yeah,

0:59:43.240 --> 0:59:45.680
<v Speaker 2>And because there are guys like you that are annoying

0:59:45.680 --> 0:59:47.160
<v Speaker 2>to me because you're like really good at what you

0:59:47.200 --> 0:59:48.320
<v Speaker 2>do and you used to be good athletes.

0:59:48.400 --> 0:59:49.800
<v Speaker 1>So it's like I just.

0:59:50.000 --> 0:59:52.840
<v Speaker 2>Don't like that because I wasn't really either. It was

0:59:52.880 --> 0:59:54.720
<v Speaker 2>a fine athlete and really wasn't good at what I

0:59:54.760 --> 0:59:56.640
<v Speaker 2>was doing then, but like you come across as an

0:59:56.640 --> 0:59:58.640
<v Speaker 2>Athlete's why I was asking, like the sports stuff. Do

0:59:58.720 --> 1:00:01.640
<v Speaker 2>you ever get out and just go like hnny balls?

1:00:02.280 --> 1:00:06.000
<v Speaker 1>Um? Not really? I mean I like, I love to

1:00:06.000 --> 1:00:10.240
<v Speaker 1>play golf, now do you need to compete? Oh? Yeah, man,

1:00:10.320 --> 1:00:13.840
<v Speaker 1>me too? You play pickball? Do you ever play pickball? No?

1:00:14.000 --> 1:00:16.600
<v Speaker 1>I never have? You probably pretty good. I mean i'd

1:00:16.640 --> 1:00:18.280
<v Speaker 1>whoop be it, but only because I've been paying a while.

1:00:18.280 --> 1:00:20.760
<v Speaker 1>But then you catch up, right, Yeah, I mean I'll definitely.

1:00:20.840 --> 1:00:22.960
<v Speaker 1>That's something that I've watched and been like, I think

1:00:23.040 --> 1:00:27.520
<v Speaker 1>I could do that. Yeah, like basketball is too that's

1:00:27.520 --> 1:00:31.960
<v Speaker 1>too crazy for me. Basketball. I'll listen to this. Do

1:00:31.960 --> 1:00:33.960
<v Speaker 1>you ever get you get hurt? Howll do you? I'm

1:00:34.000 --> 1:00:37.040
<v Speaker 1>thirty two, You're not there yet? Do I get? Well?

1:00:37.120 --> 1:00:38.640
<v Speaker 1>You're not there yet. It doesn't matter what you said.

1:00:38.680 --> 1:00:40.800
<v Speaker 1>You sleep in the shower this morning. My back's hurting.

1:00:41.000 --> 1:00:45.880
<v Speaker 2>You're you're inching on being in that level. About thirty

1:00:45.960 --> 1:00:49.640
<v Speaker 2>six is when things start to just you don't need

1:00:49.680 --> 1:00:51.280
<v Speaker 2>to do much to injure it, but then it doesn't

1:00:51.320 --> 1:00:52.880
<v Speaker 2>heal back the same. You got about three or four

1:00:52.920 --> 1:00:55.600
<v Speaker 2>really good years in you. Yeah, like about thirty six

1:00:55.640 --> 1:00:58.120
<v Speaker 2>thirty sevens when I just didn't heal anymore and I

1:00:58.160 --> 1:01:00.840
<v Speaker 2>just signed up for like a two day thirty and

1:01:00.960 --> 1:01:06.920
<v Speaker 2>up University of Arkansas basketball like camp where you go

1:01:06.960 --> 1:01:09.160
<v Speaker 2>two days with like coach col Well, I don't eve

1:01:09.160 --> 1:01:10.200
<v Speaker 2>play basketball, but I was like.

1:01:10.240 --> 1:01:12.560
<v Speaker 1>Let's do it. Like it's just it's just stupid stuff.

1:01:12.600 --> 1:01:13.840
<v Speaker 2>Or I know I'm gonna come back, and so you

1:01:13.840 --> 1:01:15.440
<v Speaker 2>feel like you're gonna have to prepare for that, like

1:01:15.600 --> 1:01:17.240
<v Speaker 2>go get in shape for that.

1:01:17.880 --> 1:01:20.000
<v Speaker 1>Oh yeah, I have more feel I will dedicate my

1:01:20.040 --> 1:01:20.480
<v Speaker 1>life to it.

1:01:20.560 --> 1:01:23.800
<v Speaker 2>Yeah, Like I went and played in the Major League Baseball,

1:01:23.840 --> 1:01:27.480
<v Speaker 2>like the celebrity All Star Game this year, and so

1:01:27.560 --> 1:01:29.120
<v Speaker 2>I joined a softball league just so I could get

1:01:29.120 --> 1:01:29.919
<v Speaker 2>ready for the one game.

1:01:29.960 --> 1:01:31.480
<v Speaker 1>That's awesome. And you know what, you know what happened

1:01:31.480 --> 1:01:33.360
<v Speaker 1>to your boy? You want MVP at the whole game.

1:01:33.840 --> 1:01:35.120
<v Speaker 1>Let's go, dude. That's right.

1:01:35.160 --> 1:01:39.120
<v Speaker 2>Like three weeks ago, I dedicated to my my softball team. See,

1:01:39.240 --> 1:01:42.600
<v Speaker 2>but now everything still hurts and it's been like three weeks. Yeah,

1:01:42.880 --> 1:01:46.120
<v Speaker 2>so you look like an athlete. You're from the South.

1:01:46.360 --> 1:01:47.720
<v Speaker 2>I figured you played some ball. Were you a big

1:01:47.720 --> 1:01:48.240
<v Speaker 2>Braves fan?

1:01:48.440 --> 1:01:52.960
<v Speaker 1>Massive? Yeah? I was like, who were your guys? I mean,

1:01:53.080 --> 1:01:57.880
<v Speaker 1>I'm a like Chipper Jones, Chippery Greg Maddox, Andrew Jones.

1:01:58.800 --> 1:02:00.919
<v Speaker 2>I was a big Cups fan. I'm a little older

1:02:00.920 --> 1:02:02.520
<v Speaker 2>than you, Suvemember when he played for the Cubs. Right,

1:02:02.640 --> 1:02:04.200
<v Speaker 2>did you follow baseball religiously?

1:02:04.680 --> 1:02:07.240
<v Speaker 1>I do? Yeah. I went to sid Yeah, I went

1:02:07.280 --> 1:02:09.400
<v Speaker 1>to Houston on the Braves won the World Series A.

1:02:09.400 --> 1:02:11.880
<v Speaker 2>Couple years ago, I went to I'm a big Cubs fan.

1:02:12.000 --> 1:02:13.400
<v Speaker 2>We won the World Series of Cleveland. I went and

1:02:13.440 --> 1:02:15.600
<v Speaker 2>watch us play Cleveland game too, and lost. Its terrible.

1:02:16.440 --> 1:02:18.040
<v Speaker 2>We'll just geek out on sports for a second because

1:02:18.040 --> 1:02:20.000
<v Speaker 2>I have a lot of stuff. Talk to you about music, Leyeah,

1:02:20.320 --> 1:02:22.040
<v Speaker 2>like I like it when somebody likes to talk about

1:02:22.040 --> 1:02:24.200
<v Speaker 2>things I like talk about right, and mostly it's like

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<v Speaker 2>write a song.

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<v Speaker 1>Number one.

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<v Speaker 2>Went to watch the Cubs. Cubs famial whole life. We sucked.

1:02:33.920 --> 1:02:36.520
<v Speaker 2>At least you guys went to like a lot of

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<v Speaker 2>nlcs and a lot even when you were not winning

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<v Speaker 2>World Series.

1:02:41.480 --> 1:02:43.400
<v Speaker 1>Oh for sure. Yeah, at least you were close. We

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<v Speaker 1>sucked my whole life.

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<v Speaker 2>Yeah, so we go to Cleveland and we lose, and

1:02:46.280 --> 1:02:49.560
<v Speaker 2>it's brutal. This is twenty sixteen. When'd you move here?

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<v Speaker 2>Twenty fifteen? Okay, I remember this, Yeah, I remember seeing you.

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<v Speaker 2>I remember like that guy's been here one year. I

1:02:53.720 --> 1:02:55.120
<v Speaker 2>said that about you when I saw you on the street.

1:02:55.320 --> 1:02:58.560
<v Speaker 2>Think he's been one one year. The CMA's were happening

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<v Speaker 2>that year, and it was the first time I'd ever

1:02:59.640 --> 1:03:02.120
<v Speaker 2>been in Vine. I did to be on the show

1:03:02.200 --> 1:03:04.280
<v Speaker 2>as a presenter. I just beg for anybody to give

1:03:04.280 --> 1:03:05.920
<v Speaker 2>me a shot on television. I'd been doing a lot

1:03:05.920 --> 1:03:09.520
<v Speaker 2>of local stuff and like cable stuff and you'll appreciate

1:03:09.520 --> 1:03:13.120
<v Speaker 2>this being a baseball fan. And the CMAS finally said, hey,

1:03:13.120 --> 1:03:15.880
<v Speaker 2>why don't you come present on the CMAS. And I'm like,

1:03:16.160 --> 1:03:19.360
<v Speaker 2>let's go. Finally somebody accepts me for what I really am.

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<v Speaker 2>A true talent. That's what I remember, the true talent

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<v Speaker 2>that I am. And it was Game seven, Cubs in

1:03:26.400 --> 1:03:31.640
<v Speaker 2>Indians same night I turned down the CMAS. I was like,

1:03:31.680 --> 1:03:34.280
<v Speaker 2>I'm not, I can't. I'm awaited my whole life. So

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<v Speaker 2>I did not go to the CMAS. It was my

1:03:36.080 --> 1:03:40.160
<v Speaker 2>first time my national television did not And so that

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<v Speaker 2>game was Game seven, it went to extra innings, it

1:03:44.280 --> 1:03:46.640
<v Speaker 2>rained away. Thank god the Cubs won or would have

1:03:46.640 --> 1:03:48.800
<v Speaker 2>been one of the worst decisions in my life. Yeah,

1:03:48.840 --> 1:03:51.200
<v Speaker 2>it was a tough one, but there was no way

1:03:51.240 --> 1:03:52.200
<v Speaker 2>I was going to miss.

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<v Speaker 1>Good for you.

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<v Speaker 2>You guys just want another one recently for you, like three.

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<v Speaker 1>Years ago, two years ago, Yeah, twenty twenty one, you went.

1:04:00.760 --> 1:04:03.200
<v Speaker 1>That's when I went, Yeah, what did you go to? Set?

1:04:03.360 --> 1:04:04.880
<v Speaker 1>Did you go to? The final game? Was the last

1:04:04.880 --> 1:04:09.680
<v Speaker 1>game we wanted in Houston. I mean, it was every

1:04:09.800 --> 1:04:12.400
<v Speaker 1>childhood dream that I've I mean just culminated right there

1:04:12.400 --> 1:04:14.560
<v Speaker 1>in Houston, Texas. Do you meet you met those guys?

1:04:14.880 --> 1:04:18.840
<v Speaker 1>Have you ever met Chippert? I've never met Chipper. I've

1:04:18.880 --> 1:04:23.760
<v Speaker 1>met one Brave in my life or no too, Ryan

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<v Speaker 1>Klesko back in the day, he lived in Covington. Awesome,

1:04:26.520 --> 1:04:29.520
<v Speaker 1>he lived in Covington. And so I've seen him in

1:04:29.560 --> 1:04:31.640
<v Speaker 1>the Kmart parking lot. So you met him in the

1:04:31.640 --> 1:04:33.680
<v Speaker 1>parking lot, not even like any games, No, it was

1:04:33.680 --> 1:04:36.960
<v Speaker 1>like Kmart parking lot in Covington. Did you stop him? Yeah,

1:04:37.080 --> 1:04:40.959
<v Speaker 1>you get an autographing I did somewhere. Big guy, Yeah, really

1:04:40.960 --> 1:04:44.040
<v Speaker 1>big guy. And then there's a few of the current

1:04:44.080 --> 1:04:47.120
<v Speaker 1>players I have met and you just said one. You

1:04:47.120 --> 1:04:49.720
<v Speaker 1>said a few, Well, I just I've met aj Mintor

1:04:49.800 --> 1:04:52.520
<v Speaker 1>he's a pitcher. Yeah, but you know a few of

1:04:52.520 --> 1:04:55.720
<v Speaker 1>the other ones. Yeah. Yeah, was in Baltimore yesterday.

1:04:57.000 --> 1:04:59.760
<v Speaker 2>And Adley Rushman and Gunner Henderson were doing anything and

1:04:59.760 --> 1:05:01.920
<v Speaker 2>they're ballers now, And I thought I was gonna be

1:05:01.960 --> 1:05:02.440
<v Speaker 2>cal Ripkin.

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<v Speaker 1>It's not. I know, days are going.

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<v Speaker 2>We flew up there and thought cal Ripkin was gonna

1:05:07.440 --> 1:05:10.360
<v Speaker 2>be speaking, and it's cool. Those two guys are legit

1:05:10.480 --> 1:05:12.120
<v Speaker 2>ball players now right, But I thought I was gonna

1:05:12.120 --> 1:05:12.640
<v Speaker 2>be cal ripkin.

1:05:12.960 --> 1:05:14.400
<v Speaker 1>I was a little disappointing. Yeah.

1:05:14.760 --> 1:05:16.520
<v Speaker 2>So other than that, I'm done talking about sports. But

1:05:16.520 --> 1:05:18.400
<v Speaker 2>I'm happy to know if you like sports.

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<v Speaker 1>I do. I love sports. How good a golfer? Are

1:05:20.120 --> 1:05:26.200
<v Speaker 1>you terrible? I'm serious? What do you consider terrible? Then?

1:05:26.600 --> 1:05:30.240
<v Speaker 1>Can you break ninety? Yeah? Okay, you're right, you're good.

1:05:30.240 --> 1:05:31.480
<v Speaker 1>You're pretty goading. Yeah.

1:05:31.600 --> 1:05:33.320
<v Speaker 2>Some of these guys here annoyt because they played to

1:05:33.320 --> 1:05:34.720
<v Speaker 2>play a lot, and they play a lot on the road.

1:05:35.200 --> 1:05:38.760
<v Speaker 2>Oh yeah, some of them even like Luke, you know,

1:05:38.960 --> 1:05:39.960
<v Speaker 2>take somebody out with him.

1:05:40.160 --> 1:05:44.040
<v Speaker 1>Yeah, yeah, for sure. Uh. I mean I've gotten better

1:05:44.080 --> 1:05:47.560
<v Speaker 1>if if I if I were able to play more often, yeah,

1:05:47.640 --> 1:05:49.880
<v Speaker 1>you know, I think I could get better. I mean

1:05:49.920 --> 1:05:53.840
<v Speaker 1>I have shot like in the low eighties and high

1:05:53.920 --> 1:05:58.800
<v Speaker 1>seventies like once. You've broken eighty one time, like one time,

1:05:58.840 --> 1:06:00.800
<v Speaker 1>and I don't even know ever broke And I've played

1:06:00.920 --> 1:06:04.000
<v Speaker 1>longer than you. Yeaha keep rubbing it in, firshould be

1:06:04.040 --> 1:06:05.640
<v Speaker 1>cluscal at Kmart. Now you broke eighty.

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<v Speaker 3>God, dang dude, thanks for listening to a Bobby cast production.