1
00:00:00,080 --> 00:00:01,640
Speaker 1: Would it good be hopefully when it should be as

2
00:00:01,680 --> 00:00:04,120
Speaker 1: your boy and what is DJ e FN.

3
00:00:03,880 --> 00:00:06,039
Speaker 2: And this drink Champs happy, I will make something.

4
00:00:09,400 --> 00:00:12,760
Speaker 1: Right now, Right now, we have not only a queen

5
00:00:13,000 --> 00:00:15,840
Speaker 1: of hip hop, not only a queen of Miami, but

6
00:00:15,920 --> 00:00:17,000
Speaker 1: a queen period.

7
00:00:17,440 --> 00:00:20,200
Speaker 2: When you say the baddest, you gotta say her name.

8
00:00:20,840 --> 00:00:21,560
Speaker 1: I can say the baddest.

9
00:00:21,760 --> 00:00:25,600
Speaker 2: I don't know what you know. So when you say

10
00:00:25,640 --> 00:00:27,920
Speaker 2: the badest, but you gotta say her name. She has

11
00:00:28,000 --> 00:00:30,840
Speaker 2: been working countlessly. She's always been.

12
00:00:30,680 --> 00:00:33,640
Speaker 1: In front of the camera, looking gorgeous, always represented the females.

13
00:00:33,720 --> 00:00:33,879
Speaker 3: Right.

14
00:00:33,960 --> 00:00:36,479
Speaker 2: I am proud to say that in the building right.

15
00:00:36,360 --> 00:00:46,960
Speaker 1: Now with the Drink Chaps, we got the legendary, the iconiceous.

16
00:00:49,240 --> 00:00:50,840
Speaker 2: How long have you been in this game?

17
00:00:50,920 --> 00:00:54,240
Speaker 4: Like, oh wow, I've been doing I've been in the game. Actually,

18
00:00:54,280 --> 00:00:55,840
Speaker 4: I would say, what since the first record with that

19
00:00:55,960 --> 00:00:57,840
Speaker 4: would have the first records recording?

20
00:00:58,040 --> 00:00:59,960
Speaker 2: Yeah, that you ever recorded, period.

21
00:00:59,680 --> 00:01:01,720
Speaker 4: Which is well, now, that's the first record I ever

22
00:01:01,760 --> 00:01:04,320
Speaker 4: recorded period besides this one little thing I had did

23
00:01:04,400 --> 00:01:06,840
Speaker 4: like really really before that, Like I was probably like

24
00:01:06,880 --> 00:01:10,160
Speaker 4: about fifteen, and I had some of my friends used

25
00:01:10,160 --> 00:01:12,480
Speaker 4: to dance for Luke. They were like his backup dancers,

26
00:01:12,520 --> 00:01:14,120
Speaker 4: and we was on the studio. I had sluck in

27
00:01:14,120 --> 00:01:17,120
Speaker 4: the studio and he was doing this song It's your Birthday,

28
00:01:17,360 --> 00:01:18,800
Speaker 4: and it was just everybody was saying their name and

29
00:01:18,840 --> 00:01:20,959
Speaker 4: I just jumped there like Trina, it's your birthday. So

30
00:01:21,319 --> 00:01:22,680
Speaker 4: that got on the song. So that was like something

31
00:01:22,720 --> 00:01:24,160
Speaker 4: I had did a long time ago, but nobody knew

32
00:01:24,160 --> 00:01:27,000
Speaker 4: about it until like way way later. Yeah, but besides

33
00:01:27,000 --> 00:01:29,080
Speaker 4: that recording, yeah, it was a trick for the now record.

34
00:01:29,280 --> 00:01:36,280
Speaker 5: That's a big first record, you know.

35
00:01:38,480 --> 00:01:42,880
Speaker 1: Yeah, I went on what are you Singing? I got

36
00:01:42,880 --> 00:01:45,080
Speaker 1: it in Miami, the going on down there.

37
00:01:45,400 --> 00:01:48,639
Speaker 2: So now it was hip hop always your dream, or.

38
00:01:49,200 --> 00:01:52,000
Speaker 4: It wasn't always my dream. I just like music. I

39
00:01:52,080 --> 00:01:54,200
Speaker 4: just liked I liked more R and B, you know,

40
00:01:54,240 --> 00:01:56,120
Speaker 4: I like melodic. I just liked all the ladies, you know.

41
00:01:56,160 --> 00:01:58,320
Speaker 4: I was like Salt and Pepper fans and the Jackson

42
00:01:58,480 --> 00:02:01,160
Speaker 4: like just all the girls, every girl that came out,

43
00:02:01,200 --> 00:02:02,880
Speaker 4: Like everybody that was out. I just you know, I

44
00:02:02,920 --> 00:02:05,480
Speaker 4: just love the girls. And once it became like hip

45
00:02:05,480 --> 00:02:07,320
Speaker 4: hop and rap and stuff, I mean it was guys,

46
00:02:07,320 --> 00:02:09,440
Speaker 4: it's cool. But I was a girly girl, you know,

47
00:02:09,600 --> 00:02:11,320
Speaker 4: so much more so than like into the guy thing,

48
00:02:11,400 --> 00:02:14,520
Speaker 4: and then just being from Miami, it wasn't like a

49
00:02:14,520 --> 00:02:16,120
Speaker 4: close kind of thing. The only person that was like

50
00:02:16,200 --> 00:02:18,240
Speaker 4: known for like music was Luke and I was too young.

51
00:02:18,280 --> 00:02:20,080
Speaker 4: You can't really be around Luke music. But you know,

52
00:02:20,840 --> 00:02:22,520
Speaker 4: we had a teen club, so that kind of made

53
00:02:22,600 --> 00:02:25,240
Speaker 4: us a pat jam. So you was kind of like.

54
00:02:28,880 --> 00:02:28,919
Speaker 1: It.

55
00:02:29,120 --> 00:02:30,920
Speaker 4: But besides that, like music, when you hear music from

56
00:02:30,960 --> 00:02:33,000
Speaker 4: like out of town artists, we didn't. It was like

57
00:02:33,040 --> 00:02:35,280
Speaker 4: it wasn't our style. Music wasn't booty music or dance

58
00:02:35,360 --> 00:02:36,160
Speaker 4: music and stuff like that.

59
00:02:36,200 --> 00:02:38,839
Speaker 1: So you know, so now like after you came home

60
00:02:38,840 --> 00:02:43,280
Speaker 1: with what your trick, you know, the nigga was, was

61
00:02:43,280 --> 00:02:45,840
Speaker 1: the success immediate or you still it was still a

62
00:02:45,880 --> 00:02:48,040
Speaker 1: grind process to that because I was looking from the

63
00:02:48,040 --> 00:02:50,000
Speaker 1: outside and it looked like Miami just.

64
00:02:49,960 --> 00:02:53,640
Speaker 4: Took it right away. It was scary. It was like

65
00:02:53,840 --> 00:02:55,720
Speaker 4: right away, it was so scary. It was like, yo,

66
00:02:55,800 --> 00:02:57,359
Speaker 4: hold up, I didn't sign up for this, Like I

67
00:02:57,400 --> 00:02:59,040
Speaker 4: didn't want to do this, Like the label was running

68
00:02:59,080 --> 00:03:01,040
Speaker 4: me down, chasing me a of these dudes to stop

69
00:03:01,120 --> 00:03:03,200
Speaker 4: calling my phone. I'm doing a favorite trick, is my guy?

70
00:03:03,440 --> 00:03:05,119
Speaker 4: That's it. I don't want to sign a record deal.

71
00:03:05,480 --> 00:03:07,440
Speaker 4: I don't want to be the first lady slip and slide,

72
00:03:07,520 --> 00:03:10,560
Speaker 4: none of that record. No, no, no, no no. I just

73
00:03:10,560 --> 00:03:12,320
Speaker 4: came to the studio. Trick was like, Yo, come to studio,

74
00:03:12,360 --> 00:03:13,720
Speaker 4: bring your girls. Were gonna have a good time. I'm like,

75
00:03:13,960 --> 00:03:15,320
Speaker 4: who's gonna be the studio. We want to hang out

76
00:03:15,360 --> 00:03:16,720
Speaker 4: with you your guys, you know, and he was like, no,

77
00:03:16,720 --> 00:03:18,040
Speaker 4: we're gonna have fun. I want you to do something.

78
00:03:18,080 --> 00:03:19,920
Speaker 4: I was like what and he was like, you know what.

79
00:03:19,960 --> 00:03:21,919
Speaker 4: I just want you to like talk ship on this record.

80
00:03:22,200 --> 00:03:23,480
Speaker 4: I was like, what do you mean talk shit? He

81
00:03:23,560 --> 00:03:26,000
Speaker 4: was like, just talk ship, like I'm gonna say some crazy,

82
00:03:26,040 --> 00:03:28,359
Speaker 4: crazy stuff and then you you bring your girls. You know,

83
00:03:28,440 --> 00:03:30,680
Speaker 4: y'all got the flip mouth, y'all quick the cussy dude out.

84
00:03:30,680 --> 00:03:32,200
Speaker 4: I just want you to come in here and just

85
00:03:32,280 --> 00:03:34,720
Speaker 4: like talk ship and then that's kind of how it happened.

86
00:03:36,000 --> 00:03:41,000
Speaker 2: Makes that record.

87
00:03:41,240 --> 00:03:43,760
Speaker 4: So the minute he heard that record, I had to

88
00:03:43,840 --> 00:03:48,000
Speaker 4: change my number. He was calling me, like, yes, he

89
00:03:48,080 --> 00:03:50,040
Speaker 4: called he called Trick called it from the studio. He

90
00:03:50,160 --> 00:03:52,080
Speaker 4: was like, that's not training. He was like, ted it is.

91
00:03:52,120 --> 00:03:53,640
Speaker 4: He was like, I'm coming on my way now, and

92
00:03:53,680 --> 00:03:55,680
Speaker 4: I kind of left with my friends before Ted came

93
00:03:55,720 --> 00:03:57,240
Speaker 4: because I didn't want to talk about no music and

94
00:03:57,280 --> 00:04:00,320
Speaker 4: no record label, nothing, and then he just called every

95
00:04:00,360 --> 00:04:02,600
Speaker 4: single day and he was like, no, you have to sign.

96
00:04:02,640 --> 00:04:03,040
Speaker 3: I was like no.

97
00:04:03,080 --> 00:04:04,760
Speaker 4: I was like, what are you talking about? And then

98
00:04:05,120 --> 00:04:07,640
Speaker 4: after that I did a I did Tricks birthday party

99
00:04:08,160 --> 00:04:11,760
Speaker 4: and I don't know. It was like a small little

100
00:04:11,760 --> 00:04:14,800
Speaker 4: club and for Ladadal and it was like this met

101
00:04:14,840 --> 00:04:16,280
Speaker 4: all my friends. We're gonna go to the party show

102
00:04:16,320 --> 00:04:19,080
Speaker 4: him love. And then he decided to perform the song

103
00:04:19,200 --> 00:04:21,000
Speaker 4: and they set me up and made me sneak on

104
00:04:21,000 --> 00:04:22,240
Speaker 4: the stage to do the song. And I just got

105
00:04:22,240 --> 00:04:24,080
Speaker 4: on stage and I had closed my eyes, aren't saying nothing,

106
00:04:24,440 --> 00:04:26,760
Speaker 4: and everybody was going crazy and I was just thinking,

107
00:04:26,839 --> 00:04:30,640
Speaker 4: like what is going on? And then I didn't say

108
00:04:30,680 --> 00:04:32,800
Speaker 4: not one word. The girl said every word of the

109
00:04:32,800 --> 00:04:35,000
Speaker 4: song and my eyes was closed and I was saying

110
00:04:35,000 --> 00:04:37,560
Speaker 4: there like what am I doing? And then after that,

111
00:04:37,560 --> 00:04:38,920
Speaker 4: Trip was like, so you don't want to sign? And

112
00:04:38,960 --> 00:04:41,160
Speaker 4: then we was justin had this conversation and it just

113
00:04:41,240 --> 00:04:43,000
Speaker 4: kind of it just happened like so fast, like I

114
00:04:43,040 --> 00:04:45,159
Speaker 4: remember getting back and the couple of days after I

115
00:04:45,200 --> 00:04:46,560
Speaker 4: was into his office, they was on the phone with

116
00:04:46,560 --> 00:04:48,200
Speaker 4: Atlantic and Atlantic was like fight of New York were

117
00:04:48,240 --> 00:04:51,800
Speaker 4: signing it, and then everything changed. It went like totally different.

118
00:04:51,920 --> 00:04:53,599
Speaker 2: So what was your first love before music?

119
00:04:53,640 --> 00:04:56,320
Speaker 4: Then, well, it wasn't really like the first love. Before

120
00:04:56,320 --> 00:04:58,120
Speaker 4: I did music, I started doing real estate. I got

121
00:04:58,120 --> 00:05:01,159
Speaker 4: my real estate license. I was this company, yeah, called

122
00:05:01,200 --> 00:05:05,680
Speaker 4: eer A Homeland Reality, and yeah, it was just it

123
00:05:05,680 --> 00:05:06,920
Speaker 4: was for me. I was thinking that, hey, I'm gonna

124
00:05:06,920 --> 00:05:08,480
Speaker 4: make money, I'm gonna sell homes. I'm gonna look fly,

125
00:05:08,520 --> 00:05:09,839
Speaker 4: I'm gonna just you know, I'm gonna sell a bunch

126
00:05:09,839 --> 00:05:11,760
Speaker 4: of homes. And I had got signed. I mean, I

127
00:05:11,800 --> 00:05:14,520
Speaker 4: had got a job at this company called eri Homeland Reality,

128
00:05:14,920 --> 00:05:17,119
Speaker 4: and I had worked there for like maybe like a month,

129
00:05:17,720 --> 00:05:20,320
Speaker 4: and I didn't get to sell a home. At first.

130
00:05:20,680 --> 00:05:22,200
Speaker 4: I was like taking people out. I was, you know,

131
00:05:22,200 --> 00:05:23,719
Speaker 4: I had a lot of different customs, a lot of rentals.

132
00:05:23,760 --> 00:05:26,760
Speaker 4: And then right before I was actually about to sell

133
00:05:26,800 --> 00:05:28,360
Speaker 4: a home, that's when the whole thing with Trick, he

134
00:05:28,400 --> 00:05:30,440
Speaker 4: came and called interrupted and I want to do the record,

135
00:05:30,800 --> 00:05:31,960
Speaker 4: and I just never went back.

136
00:05:32,120 --> 00:05:34,640
Speaker 1: Now, it was you ready for the fame, because like

137
00:05:34,640 --> 00:05:36,920
Speaker 1: the way you're describing it right now is like it

138
00:05:37,000 --> 00:05:38,520
Speaker 1: was kind of like a surprise to you, it was

139
00:05:38,560 --> 00:05:40,719
Speaker 1: like a favor for your friend. And then this is

140
00:05:40,960 --> 00:05:44,120
Speaker 1: like how does dealing with fame at that age?

141
00:05:44,160 --> 00:05:46,120
Speaker 4: I mean you know what I mean when it's a

142
00:05:46,120 --> 00:05:48,360
Speaker 4: different kind of thing because I'm like, this is like,

143
00:05:48,400 --> 00:05:50,440
Speaker 4: Miami is my city, so I'm already was a person

144
00:05:50,480 --> 00:05:52,840
Speaker 4: that was already known. I come from like a family

145
00:05:52,880 --> 00:05:54,320
Speaker 4: that's already known in Miami.

146
00:05:54,440 --> 00:05:55,080
Speaker 1: What parter of Miami.

147
00:05:55,080 --> 00:05:58,880
Speaker 4: You're from Liberty City and that's the real Miami. So therefore,

148
00:05:59,560 --> 00:06:01,440
Speaker 4: coming up when people just already know who you are

149
00:06:01,560 --> 00:06:03,080
Speaker 4: and it's just one of the things like you know,

150
00:06:03,120 --> 00:06:05,440
Speaker 4: you're just being called like your daddy's daughter or your

151
00:06:05,440 --> 00:06:07,560
Speaker 4: mom's child and people knowing you from that, and I mean,

152
00:06:07,600 --> 00:06:09,560
Speaker 4: this is fame. So now I'm doing this record trick

153
00:06:09,600 --> 00:06:11,680
Speaker 4: and it's a whole different type of thing because it's

154
00:06:11,720 --> 00:06:14,400
Speaker 4: all over the like, people all over everywhere now like

155
00:06:14,720 --> 00:06:17,080
Speaker 4: who you are besides Miami, and everybody want to meet

156
00:06:17,080 --> 00:06:18,040
Speaker 4: you and they want to see you. And this is

157
00:06:18,120 --> 00:06:20,880
Speaker 4: like whoa And it's like groupies and it's girls and

158
00:06:20,880 --> 00:06:23,040
Speaker 4: it's guys and guys looking more cornya because they're even

159
00:06:23,080 --> 00:06:25,440
Speaker 4: more groupious. It's not going to get weird. Everything is

160
00:06:25,480 --> 00:06:28,080
Speaker 4: just becoming real weird, you know, and it was it

161
00:06:28,160 --> 00:06:30,760
Speaker 4: was just a fast life changing experience.

162
00:06:30,839 --> 00:06:34,359
Speaker 1: Right now. Recently got I kind of say, you like

163
00:06:34,440 --> 00:06:41,239
Speaker 1: had almost like a trick daddy, and and I'm looking

164
00:06:41,360 --> 00:06:43,960
Speaker 1: everywhere and I'm like, wow, it's everywhere.

165
00:06:46,520 --> 00:06:48,680
Speaker 2: First off, it was gorgeous by the way your hair

166
00:06:48,839 --> 00:06:49,160
Speaker 2: was done.

167
00:06:49,200 --> 00:06:50,280
Speaker 1: Everything is looking right.

168
00:06:50,520 --> 00:06:55,720
Speaker 6: I'm like, job, yeah, you looked at you looked at.

169
00:06:55,600 --> 00:06:58,520
Speaker 1: It, and I never seen I never.

170
00:06:58,520 --> 00:07:00,080
Speaker 4: Seen you like you know what. Let me just so

171
00:07:00,200 --> 00:07:02,120
Speaker 4: let me just say this. Well, actually that day I

172
00:07:02,200 --> 00:07:04,680
Speaker 4: was actually doing like some little viral stuff for my album,

173
00:07:04,920 --> 00:07:06,960
Speaker 4: so I was already like coming from that. I was

174
00:07:06,960 --> 00:07:08,599
Speaker 4: coming from a great place, like I was having a

175
00:07:08,600 --> 00:07:09,880
Speaker 4: good time. It was leaving the beach, so it was

176
00:07:09,920 --> 00:07:12,240
Speaker 4: a good moment. And then someone sent me like over

177
00:07:12,280 --> 00:07:15,480
Speaker 4: this whole list of messages from someone posting this girl

178
00:07:15,560 --> 00:07:18,120
Speaker 4: I know her. So I'm looking like, oh, whoa, Like okay,

179
00:07:18,160 --> 00:07:20,960
Speaker 4: so this kind of salty. So then I'm thinking, oh, well,

180
00:07:21,040 --> 00:07:22,960
Speaker 4: let me just write back like yo, what's up, like

181
00:07:23,080 --> 00:07:23,720
Speaker 4: you know my number?

182
00:07:23,840 --> 00:07:24,280
Speaker 3: Hit me up.

183
00:07:24,320 --> 00:07:27,600
Speaker 4: And then that just went until her bitch this and

184
00:07:27,640 --> 00:07:29,400
Speaker 4: bitch that. I'm like, whoa, whoa, whoa, Like that's not

185
00:07:29,400 --> 00:07:31,520
Speaker 4: how we get down. There's never been a bitch conversation

186
00:07:31,600 --> 00:07:33,960
Speaker 4: between me and you, So what's the disrespect, Like, what's

187
00:07:33,960 --> 00:07:35,520
Speaker 4: the problem. And I mean, it was just one of

188
00:07:35,520 --> 00:07:36,880
Speaker 4: them kind of things like I'm just not even a

189
00:07:36,920 --> 00:07:39,760
Speaker 4: person for the riur. I'm I'm not too much of

190
00:07:39,760 --> 00:07:42,480
Speaker 4: a talker. I have very very short patience, like I'm

191
00:07:42,600 --> 00:07:44,320
Speaker 4: zero to one hundred real quick. So it's one of

192
00:07:44,360 --> 00:07:45,760
Speaker 4: the kind of things like you got to step outside

193
00:07:45,800 --> 00:07:48,000
Speaker 4: of this and let people know, don't fucking disrespect you.

194
00:07:48,160 --> 00:07:49,880
Speaker 4: And that was that moment because like you know me,

195
00:07:50,080 --> 00:07:51,640
Speaker 4: I said, pull up, you didn't pull up, So that

196
00:07:51,720 --> 00:07:54,440
Speaker 4: means it's a squash automatic. I'm not really on all

197
00:07:54,440 --> 00:07:56,480
Speaker 4: the extra Yeah, that's not me. I just get money.

198
00:07:56,480 --> 00:07:58,960
Speaker 4: I live my life. I have fun. I travel the world.

199
00:07:58,960 --> 00:07:59,160
Speaker 3: I do.

200
00:07:59,320 --> 00:08:01,160
Speaker 4: I love to do it. You don't like it, that's

201
00:08:01,200 --> 00:08:03,840
Speaker 4: your misery, not mine. So that was one of the moments.

202
00:08:03,880 --> 00:08:06,840
Speaker 4: And right after I was laying in the bed, like

203
00:08:07,000 --> 00:08:08,840
Speaker 4: rolling up and packing the bag, getting ready to go

204
00:08:08,840 --> 00:08:10,640
Speaker 4: to see how to Washington. It was all over. I'm

205
00:08:10,680 --> 00:08:11,600
Speaker 4: back to the normal myself.

206
00:08:11,680 --> 00:08:13,440
Speaker 1: But you had no idea how viral this went.

207
00:08:13,840 --> 00:08:15,440
Speaker 4: I wasn't thinking about it. Then the next day I

208
00:08:15,480 --> 00:08:16,960
Speaker 4: woke come to I was.

209
00:08:19,880 --> 00:08:20,360
Speaker 3: Eye.

210
00:08:20,840 --> 00:08:23,720
Speaker 4: I like, yo, like I woke up, like what is

211
00:08:23,760 --> 00:08:27,160
Speaker 4: going on? Like all in the airport when somebody's greeting

212
00:08:27,160 --> 00:08:33,000
Speaker 4: and classic that was classic enough promo, like I helped

213
00:08:33,040 --> 00:08:35,240
Speaker 4: you out, you know your little famous now hey, you know,

214
00:08:35,320 --> 00:08:36,959
Speaker 4: get your ship off. But just I just don't like

215
00:08:37,000 --> 00:08:38,719
Speaker 4: to disap I'm not a disrespectful person, you know what

216
00:08:38,760 --> 00:08:41,640
Speaker 4: I mean. It's Internet, social media. All this viral stuff

217
00:08:41,679 --> 00:08:44,240
Speaker 4: has made people like get so out of character, you know.

218
00:08:44,440 --> 00:08:47,280
Speaker 4: I mean, like every single day before that was like

219
00:08:47,559 --> 00:08:50,240
Speaker 4: Instagram and Twitter, whatever you see people. You may not

220
00:08:50,400 --> 00:08:51,960
Speaker 4: like a shirt, you don't like a help, you don't

221
00:08:52,000 --> 00:08:54,960
Speaker 4: have to vocally say that. That's like your personal endeavor.

222
00:08:55,200 --> 00:08:57,160
Speaker 4: You don't have to make that publicly known. Now we

223
00:08:57,320 --> 00:08:59,319
Speaker 4: have this thing, Oh I don't like her sock was

224
00:08:59,600 --> 00:09:01,640
Speaker 4: not one was too short. Oh I don't like her sneaker.

225
00:09:02,160 --> 00:09:04,440
Speaker 4: It's so annoying. And it's just one of those kind

226
00:09:04,480 --> 00:09:08,120
Speaker 4: of things. It's always attack, attack, attack black women, always

227
00:09:08,160 --> 00:09:12,120
Speaker 4: attacking black women. Mainly, it's always just so much negativity,

228
00:09:12,200 --> 00:09:14,480
Speaker 4: so much that that's I'll look at this stuff every

229
00:09:14,520 --> 00:09:17,200
Speaker 4: day like everybody else. I would never say anything about

230
00:09:17,240 --> 00:09:19,880
Speaker 4: anybody that's not a positive, a good thing. I don't

231
00:09:19,880 --> 00:09:21,280
Speaker 4: care if I don't like something, I don't wanna keep

232
00:09:21,320 --> 00:09:21,640
Speaker 4: it moving.

233
00:09:21,840 --> 00:09:22,640
Speaker 2: I'm human.

234
00:09:22,679 --> 00:09:25,000
Speaker 4: It's tough. I see I don't like I don't like it.

235
00:09:25,160 --> 00:09:27,000
Speaker 4: I'm like everybody else. But I'm not going to say

236
00:09:27,040 --> 00:09:30,120
Speaker 4: that because that's just so like not necessary. It's like

237
00:09:30,280 --> 00:09:33,480
Speaker 4: out of character as tacky, a's weak, Like I don't

238
00:09:33,520 --> 00:09:35,600
Speaker 4: have the time to do that, you know what I mean?

239
00:09:35,720 --> 00:09:36,840
Speaker 4: So does somebody get.

240
00:09:41,280 --> 00:09:41,920
Speaker 1: It's just not a me.

241
00:09:42,040 --> 00:09:42,560
Speaker 7: You don't hear me.

242
00:09:46,880 --> 00:09:47,200
Speaker 1: Very rare.

243
00:09:47,559 --> 00:09:50,640
Speaker 4: I don't like to bring it over before before you

244
00:09:50,679 --> 00:09:51,880
Speaker 4: know what I mean, So I keep it to a four.

245
00:09:52,080 --> 00:09:54,199
Speaker 4: But I'm just saying, like we have this generation. It

246
00:09:54,400 --> 00:09:56,040
Speaker 4: sucks to me. It's one of the kind of thing

247
00:09:56,120 --> 00:10:01,319
Speaker 4: is the most negative, derogatory, disgusting, hateful, miserable. Why is

248
00:10:01,360 --> 00:10:04,560
Speaker 4: everybody so mad? I'm chilling, I'm flying across the world.

249
00:10:04,640 --> 00:10:07,240
Speaker 4: Life is great. What are you so mad for? We

250
00:10:07,320 --> 00:10:09,760
Speaker 4: got the same twenty four hours. I don't have twenty five.

251
00:10:10,040 --> 00:10:11,880
Speaker 4: I don't have twenty five six and a half. I

252
00:10:12,000 --> 00:10:14,880
Speaker 4: have twenty four, just like you. We both have twenty four.

253
00:10:15,000 --> 00:10:16,880
Speaker 4: Whatever I do on my twenty four is my business.

254
00:10:16,920 --> 00:10:19,040
Speaker 4: What you do is your business. If yours don't add up, baby,

255
00:10:19,080 --> 00:10:22,480
Speaker 4: that's not my problem. I'm sorry, work harder. Nobody cares.

256
00:10:22,720 --> 00:10:24,839
Speaker 4: That's all I know that for my entire life. I've

257
00:10:24,880 --> 00:10:27,520
Speaker 4: been doing this for seventeen years. I do not ask

258
00:10:27,600 --> 00:10:30,120
Speaker 4: anybody for anything. Nobody could never say any of that

259
00:10:30,200 --> 00:10:31,840
Speaker 4: about me. You can hear a lot of things, training

260
00:10:31,880 --> 00:10:33,679
Speaker 4: to train, to train to training. Have the stuff you hear.

261
00:10:33,679 --> 00:10:35,160
Speaker 4: The reason you hear about these people because I put

262
00:10:35,200 --> 00:10:37,080
Speaker 4: you on. It was because of me. People even care

263
00:10:37,200 --> 00:10:39,439
Speaker 4: to talk about you. I still don't ran about you

264
00:10:39,440 --> 00:10:42,199
Speaker 4: because I don't have I'm a pleasant I'm so busy,

265
00:10:42,520 --> 00:10:46,240
Speaker 4: like I'm high in the sky, like chilling, like I'm

266
00:10:46,360 --> 00:10:48,920
Speaker 4: enjoying life. You only get this thing one time when

267
00:10:48,920 --> 00:10:50,960
Speaker 4: you be around people and the situations and stuff has

268
00:10:51,000 --> 00:10:52,920
Speaker 4: been taken away from you, and you realize how important

269
00:10:53,040 --> 00:10:55,319
Speaker 4: this one life. We can get all this like all

270
00:10:55,400 --> 00:10:58,480
Speaker 4: day like tomorrow, but this one life you gotta really

271
00:10:58,559 --> 00:11:01,559
Speaker 4: take care of that, in control of how happy you

272
00:11:01,640 --> 00:11:04,200
Speaker 4: are in this Like I'm not miserable. I'm happy. I'm

273
00:11:04,280 --> 00:11:07,560
Speaker 4: like sailing y'all in flying chilling people speaking another language

274
00:11:07,600 --> 00:11:08,959
Speaker 4: like whoa you love me? I'm at a conser I

275
00:11:08,960 --> 00:11:10,440
Speaker 4: don't even know if you know what I'm talking about.

276
00:11:10,640 --> 00:11:13,800
Speaker 4: But you're streaming, so I'm not on this vibe. I'm

277
00:11:13,880 --> 00:11:14,880
Speaker 4: on a whole nother way.

278
00:11:21,960 --> 00:11:22,120
Speaker 1: You know.

279
00:11:22,240 --> 00:11:22,520
Speaker 4: That's just.

280
00:11:24,240 --> 00:11:26,680
Speaker 1: So let me ask you something. One thing that I see,

281
00:11:26,760 --> 00:11:29,120
Speaker 1: Like you see Drake and Future do albums together. You

282
00:11:29,240 --> 00:11:32,160
Speaker 1: see Jay and Kanye do album together. Why don't more

283
00:11:32,240 --> 00:11:34,280
Speaker 1: females do like collap albums?

284
00:11:34,320 --> 00:11:34,360
Speaker 7: Like?

285
00:11:34,400 --> 00:11:36,720
Speaker 2: What is it true that females and hip hop can't

286
00:11:36,720 --> 00:11:37,120
Speaker 2: get along?

287
00:11:37,559 --> 00:11:46,400
Speaker 4: That? It's definitely caddy mean. Caddy means like caddy just

288
00:11:46,600 --> 00:11:49,439
Speaker 4: mean like girls like women. Women are emotional, you know,

289
00:11:49,720 --> 00:11:53,160
Speaker 4: emotions mean like you. You it's a lot of things

290
00:11:53,240 --> 00:11:56,120
Speaker 4: you may not like about yourself. So when that comes

291
00:11:56,200 --> 00:11:59,400
Speaker 4: and you around other women and you see confidence, that

292
00:11:59,559 --> 00:12:02,280
Speaker 4: kind of makes you salty. That's how I survive. There's

293
00:12:02,320 --> 00:12:03,240
Speaker 4: no caddiness over here.

294
00:12:03,320 --> 00:12:03,640
Speaker 1: Donald.

295
00:12:03,920 --> 00:12:06,480
Speaker 4: I'm always gonna uplift You'm always rooting for you out

296
00:12:06,679 --> 00:12:09,040
Speaker 4: like dang, you look good your but it's popping boot

297
00:12:09,080 --> 00:12:11,000
Speaker 4: sitting up. Everything is looking very youthful.

298
00:12:11,240 --> 00:12:11,719
Speaker 1: I love it.

299
00:12:12,080 --> 00:12:14,520
Speaker 4: Women don't know how to give other women props and credit.

300
00:12:14,559 --> 00:12:15,679
Speaker 4: It's not gonna take away from me.

301
00:12:15,880 --> 00:12:17,760
Speaker 2: That's women in hip hop. Or you think that's women.

302
00:12:17,640 --> 00:12:19,840
Speaker 4: Women in general, and I think that's women in life.

303
00:12:19,920 --> 00:12:22,760
Speaker 2: It's not just I always hear females say like I

304
00:12:22,800 --> 00:12:23,640
Speaker 2: don't mess with girls.

305
00:12:25,240 --> 00:12:27,480
Speaker 4: There's always something. It's all good. When we all at

306
00:12:27,520 --> 00:12:30,480
Speaker 4: the boof somebody come up a little higher than somebody else,

307
00:12:30,559 --> 00:12:32,800
Speaker 4: then somebody ain't gonna like that. And that's just a

308
00:12:32,880 --> 00:12:34,840
Speaker 4: sad thing. I don't understand. Like we could all hang out,

309
00:12:34,880 --> 00:12:37,240
Speaker 4: we could party together, we could drink, smoke club together,

310
00:12:37,280 --> 00:12:39,920
Speaker 4: but we can't get money together. We can't get business together,

311
00:12:40,160 --> 00:12:42,679
Speaker 4: we can't do something that's evolving and growing, and like

312
00:12:42,960 --> 00:12:46,160
Speaker 4: we can't go passport hopping around the country together. I

313
00:12:46,400 --> 00:12:48,280
Speaker 4: just don't understand that was there any.

314
00:12:48,040 --> 00:12:49,839
Speaker 2: Time you ever tried to attempt to work with a

315
00:12:49,880 --> 00:12:50,640
Speaker 2: female artist, and.

316
00:12:50,640 --> 00:12:53,200
Speaker 4: You're just with every female artist almost in this industry.

317
00:12:53,240 --> 00:12:55,920
Speaker 4: So I'm one like kind of exempt from that, only

318
00:12:56,000 --> 00:12:58,320
Speaker 4: because I always embrace everybody. You know, I've done records

319
00:12:58,360 --> 00:13:00,439
Speaker 4: with everybody from Missy to the Brad, to Eve to

320
00:13:01,320 --> 00:13:04,200
Speaker 4: to remy Ma to Nicki Minaj to everybody that's out

321
00:13:04,240 --> 00:13:07,199
Speaker 4: in the game, everybody before mostly all the women that

322
00:13:07,240 --> 00:13:09,120
Speaker 4: came out, I did records because I embraced them, because

323
00:13:09,120 --> 00:13:11,160
Speaker 4: I like them for some reason. Your son, I'm Southern,

324
00:13:11,240 --> 00:13:14,679
Speaker 4: You're New York, You're Cali, your this, your accent, your Caribbean.

325
00:13:15,040 --> 00:13:17,160
Speaker 4: Like I just love that, like and and believe it

326
00:13:17,240 --> 00:13:19,040
Speaker 4: or not, I don't really think all these dudes want

327
00:13:19,040 --> 00:13:20,320
Speaker 4: to sit around and just watch a bunch of dudes

328
00:13:20,320 --> 00:13:20,920
Speaker 4: on TV all day.

329
00:13:20,960 --> 00:13:22,000
Speaker 3: You want to see women.

330
00:13:22,520 --> 00:13:25,679
Speaker 4: You want to see collaboration songs, That's what you really

331
00:13:25,720 --> 00:13:27,920
Speaker 4: want to see. So I don't understand at what point

332
00:13:28,000 --> 00:13:30,960
Speaker 4: women don't really get like, you know, like whoa together?

333
00:13:31,080 --> 00:13:33,640
Speaker 4: We're like, we really run the world, like we run

334
00:13:33,720 --> 00:13:35,679
Speaker 4: these dudes all that all y'all pay attention to that.

335
00:13:35,800 --> 00:13:36,440
Speaker 4: That's a fact that.

336
00:13:39,880 --> 00:13:40,200
Speaker 1: Earlier.

337
00:13:40,280 --> 00:13:42,640
Speaker 2: Now, what did you think of like the Remy Ma and.

338
00:13:42,720 --> 00:13:43,600
Speaker 1: Nicki Minaj thing?

339
00:13:43,760 --> 00:13:45,720
Speaker 4: Like, I don't get into all that because it's always

340
00:13:46,000 --> 00:13:47,800
Speaker 4: like the whole thing, you know. I just feel like,

341
00:13:47,880 --> 00:13:50,280
Speaker 4: you know what, when you got women, people always try

342
00:13:50,320 --> 00:13:52,199
Speaker 4: to put women against each other. It's more of that

343
00:13:52,320 --> 00:13:54,559
Speaker 4: than it is like trying to unite women together, because

344
00:13:54,559 --> 00:13:57,679
Speaker 4: people would definitely love to see more a unity than

345
00:13:57,679 --> 00:13:59,679
Speaker 4: they would like to see that separation. But in this

346
00:13:59,800 --> 00:14:01,640
Speaker 4: generation we have, we don't have that. We have too

347
00:14:01,679 --> 00:14:05,480
Speaker 4: many jealous, envious hateful people that rather see it divide.

348
00:14:05,840 --> 00:14:07,439
Speaker 4: I don't know why. I see so many dudes, so

349
00:14:07,480 --> 00:14:09,200
Speaker 4: many guys. They work together, they don't even like each other.

350
00:14:09,440 --> 00:14:11,240
Speaker 4: I see you work together, shoot video. I see on

351
00:14:11,280 --> 00:14:13,520
Speaker 4: State get in the bag. So why separate the woman

352
00:14:13,559 --> 00:14:16,000
Speaker 4: from doing that meet? I'm not I don't. I don't

353
00:14:16,080 --> 00:14:17,719
Speaker 4: like that. That's one thing I don't like because we're

354
00:14:17,760 --> 00:14:19,960
Speaker 4: all women doing our thing, and you have to be

355
00:14:20,160 --> 00:14:23,120
Speaker 4: independent for yourself, because you can't depend on nobody. Like

356
00:14:23,240 --> 00:14:24,960
Speaker 4: that's my thing. I'm not depending on. I don't care

357
00:14:25,000 --> 00:14:26,600
Speaker 4: who you is, what you got, none of that doesn't

358
00:14:26,600 --> 00:14:28,400
Speaker 4: mean nothing to me. God bless A child has its

359
00:14:28,440 --> 00:14:30,280
Speaker 4: own destiny. I'm gonna have my own period.

360
00:14:30,520 --> 00:14:34,040
Speaker 1: So if you had a chance, right they said to you,

361
00:14:34,200 --> 00:14:36,040
Speaker 1: right now, you get a chance to do an album

362
00:14:36,120 --> 00:14:38,320
Speaker 1: with any female artist there is in the world.

363
00:14:38,720 --> 00:14:39,480
Speaker 2: Who would you pay?

364
00:14:39,680 --> 00:14:41,520
Speaker 4: Oh boy? Now, okay, first of all, this is my

365
00:14:41,560 --> 00:14:47,560
Speaker 4: first trace of us. This is my favorite. But you know,

366
00:14:47,960 --> 00:14:49,840
Speaker 4: like I would, I would, I would say like I

367
00:14:49,880 --> 00:14:53,320
Speaker 4: would look like Rihanna. Rihanna's feisty. She's like a powerhouse.

368
00:14:53,600 --> 00:14:56,200
Speaker 4: She talked that talk. She's unapologetic, you know what I mean.

369
00:14:56,280 --> 00:14:59,080
Speaker 4: She's just like a she's Caribbean like me. She's she's

370
00:14:59,200 --> 00:15:00,640
Speaker 4: just that, you know what I mean. So she I

371
00:15:00,720 --> 00:15:01,000
Speaker 4: love that.

372
00:15:01,240 --> 00:15:02,800
Speaker 1: I would say, you're a Dominican.

373
00:15:03,680 --> 00:15:10,800
Speaker 4: My dad's family is from Dominicans, from Dominican Republic, you

374
00:15:10,880 --> 00:15:20,600
Speaker 4: know what. Let's just say I'm because my mom's family

375
00:15:20,720 --> 00:15:23,400
Speaker 4: is from Nassau, Bahamas. So every time it's always been

376
00:15:23,480 --> 00:15:25,200
Speaker 4: like a kind of battle thing like you're not claiming

377
00:15:25,280 --> 00:15:27,480
Speaker 4: either people. I'm just like, I'm just me. I don't

378
00:15:27,520 --> 00:15:30,640
Speaker 4: want to be in a war for you know, I

379
00:15:30,640 --> 00:15:32,400
Speaker 4: don't want to be in the midst of the people,

380
00:15:32,560 --> 00:15:35,400
Speaker 4: like would say any little thing just because of that.

381
00:15:35,640 --> 00:15:37,880
Speaker 4: So I just try to like, you know, I'm just here.

382
00:15:37,960 --> 00:15:40,440
Speaker 4: I'm born. I love my mom family. I'm just close

383
00:15:40,520 --> 00:15:43,040
Speaker 4: with the young. I don't speak Spanish and I'm not

384
00:15:43,160 --> 00:15:45,280
Speaker 4: close with my father, so I don't really get into that.

385
00:15:45,600 --> 00:15:47,960
Speaker 4: I'm really close to my brothers from my father's side,

386
00:15:48,040 --> 00:15:50,800
Speaker 4: so I love them, but my dad, I'm Behavian, like,

387
00:15:50,960 --> 00:15:53,200
Speaker 4: I love that. That's what my coach or a.

388
00:15:53,240 --> 00:15:55,920
Speaker 2: Person who speaks for the Dominican delegate, Yes, that's.

389
00:15:58,120 --> 00:15:58,600
Speaker 1: We're gonna get you.

390
00:15:58,640 --> 00:16:06,880
Speaker 3: We're gonna you know what.

391
00:16:06,960 --> 00:16:16,280
Speaker 1: I was very shocked. I was like Wow, sus Dominican,

392
00:16:16,360 --> 00:16:18,880
Speaker 1: and that be nice for you to see like that

393
00:16:19,000 --> 00:16:20,880
Speaker 1: culture because like, you know what is crazy for me?

394
00:16:20,960 --> 00:16:24,200
Speaker 1: I was Puerto Rican. I am Puerto Rican, but I

395
00:16:24,320 --> 00:16:26,440
Speaker 1: went to Jamaica one time and I fell in love

396
00:16:26,480 --> 00:16:28,360
Speaker 1: with the island so much. And what happened was I

397
00:16:28,520 --> 00:16:31,040
Speaker 1: was like, yo, you know what, I love this island.

398
00:16:31,120 --> 00:16:33,160
Speaker 1: But when I went to Puerto Rico, it was like

399
00:16:33,240 --> 00:16:34,800
Speaker 1: even though like I was there as a child, it

400
00:16:34,840 --> 00:16:38,200
Speaker 1: felt like like my it felt like I was here before,

401
00:16:38,360 --> 00:16:40,400
Speaker 1: like I like it was. It was an ill feeling

402
00:16:40,440 --> 00:16:42,920
Speaker 1: for me. It changed my whole life. So that's dope.

403
00:16:43,080 --> 00:16:46,640
Speaker 1: But so now you and Trick Daddy doing the album

404
00:16:47,040 --> 00:16:49,440
Speaker 1: before I get into the album thing, you know what

405
00:16:49,560 --> 00:16:51,600
Speaker 1: I like about you and Trick Daddy both is like

406
00:16:52,440 --> 00:16:54,960
Speaker 1: everybody respects y'all everywhere, Like you know what I mean.

407
00:16:55,080 --> 00:16:58,640
Speaker 1: Like one thing about you guys is like the respect

408
00:16:58,760 --> 00:17:03,160
Speaker 1: value is just there was that something that y'all developed though, that.

409
00:17:03,240 --> 00:17:03,880
Speaker 2: Was just something that came.

410
00:17:04,320 --> 00:17:06,320
Speaker 4: I mean, I think for myself, it's just me how

411
00:17:06,400 --> 00:17:07,960
Speaker 4: I roll, like how I carry myself. You know, I

412
00:17:08,119 --> 00:17:09,800
Speaker 4: just do me stay in my lane and keep it moving,

413
00:17:09,880 --> 00:17:13,000
Speaker 4: you know what I mean. I mean this industry is

414
00:17:14,160 --> 00:17:17,600
Speaker 4: it's some snakes system tough. It's just a dirty industry.

415
00:17:17,640 --> 00:17:17,760
Speaker 1: You know.

416
00:17:17,840 --> 00:17:19,520
Speaker 4: You gotta be real strong. You gotta have your feet

417
00:17:19,520 --> 00:17:21,480
Speaker 4: playing the ground to be able to survive, you know.

418
00:17:21,600 --> 00:17:23,760
Speaker 4: And for me, I just stay out of people wait

419
00:17:23,800 --> 00:17:25,159
Speaker 4: and do what I gotta do. And I just keep

420
00:17:25,240 --> 00:17:27,440
Speaker 4: it moving. And I disrespect, but just don't disrespect me.

421
00:17:27,480 --> 00:17:28,960
Speaker 4: And we all good, right, you know. And I mean

422
00:17:29,000 --> 00:17:31,280
Speaker 4: we keep it moving. We're grown, we're adults, and we're

423
00:17:31,359 --> 00:17:34,480
Speaker 4: here to look to live, to make music, and to

424
00:17:34,680 --> 00:17:37,040
Speaker 4: like be here for our families, have fun and you know,

425
00:17:37,160 --> 00:17:39,240
Speaker 4: do things that we probably never thought we'd do. And

426
00:17:39,359 --> 00:17:40,600
Speaker 4: that's just what I do with my life.

427
00:17:41,160 --> 00:17:42,800
Speaker 2: What's your favorite part of the game.

428
00:17:43,400 --> 00:17:44,720
Speaker 4: My favorite part is performing?

429
00:17:45,400 --> 00:17:47,240
Speaker 1: Going to say that for some reason, because you know why.

430
00:17:47,440 --> 00:17:50,240
Speaker 4: I mean, because it's like with records and albums and

431
00:17:50,280 --> 00:17:51,960
Speaker 4: mixtapes and all this stuff. Like when I go to

432
00:17:52,000 --> 00:17:53,639
Speaker 4: these places, if I'm out of the country, I just like,

433
00:17:54,119 --> 00:17:56,880
Speaker 4: and I hear fans that are saying songs they don't

434
00:17:56,880 --> 00:17:59,400
Speaker 4: even speak English. I'm just like, how do you even

435
00:17:59,440 --> 00:17:59,960
Speaker 4: know what I'm talking?

436
00:18:00,040 --> 00:18:00,400
Speaker 6: In the battle.

437
00:18:00,400 --> 00:18:02,560
Speaker 4: If I'm at a concert and there's a deaf person,

438
00:18:02,760 --> 00:18:04,840
Speaker 4: like I have these like a bunch of deaf fans

439
00:18:04,880 --> 00:18:06,919
Speaker 4: that come to all these shows and they do everything

440
00:18:07,000 --> 00:18:09,440
Speaker 4: and like sign language, and I had I had to

441
00:18:09,560 --> 00:18:11,119
Speaker 4: write it and ask her like, how do you know

442
00:18:11,240 --> 00:18:14,720
Speaker 4: what I'm saying? And she says because she googles my

443
00:18:14,880 --> 00:18:17,359
Speaker 4: words and put it in her language and yeah, but

444
00:18:17,440 --> 00:18:20,760
Speaker 4: she can't hear me. Yes, And I was like this

445
00:18:20,880 --> 00:18:22,359
Speaker 4: and I was like wow. And I mean at the

446
00:18:22,440 --> 00:18:24,960
Speaker 4: concert she's doing it in their language while I'm performing,

447
00:18:25,400 --> 00:18:26,879
Speaker 4: and I just be like wow. So that kind of

448
00:18:26,880 --> 00:18:29,040
Speaker 4: stuff I just loved. It was like touching people more

449
00:18:29,160 --> 00:18:31,280
Speaker 4: posed to somebody around a CD or ay never saw

450
00:18:31,320 --> 00:18:32,879
Speaker 4: you before, Like I just like to go out dances,

451
00:18:33,000 --> 00:18:33,440
Speaker 4: wild out.

452
00:18:33,640 --> 00:18:36,080
Speaker 1: Yeah, I think, I think. I think that's beautiful man. Yeah,

453
00:18:38,760 --> 00:18:42,160
Speaker 1: I think as an artist myself, that's like probably because

454
00:18:42,200 --> 00:18:44,320
Speaker 1: it's immediate, like if you like, you get to see

455
00:18:44,359 --> 00:18:44,800
Speaker 1: that love, you.

456
00:18:44,880 --> 00:18:47,080
Speaker 4: Get to see people feeling the energy that not when

457
00:18:47,119 --> 00:18:49,720
Speaker 4: people are just screaming and singing word for word every

458
00:18:49,800 --> 00:18:51,560
Speaker 4: song and you're just like in awe and because the

459
00:18:51,680 --> 00:18:54,160
Speaker 4: song is like ten years ago and you're just like wow,

460
00:18:54,280 --> 00:18:55,520
Speaker 4: Like that's just a beautiful feeling.

461
00:18:55,600 --> 00:18:57,600
Speaker 1: Did you ever imagine you'll be like a role model

462
00:18:57,640 --> 00:19:02,120
Speaker 1: to all. He's not a room the little.

463
00:19:01,960 --> 00:19:04,960
Speaker 2: Girls who really lived by your law, Like it's a

464
00:19:05,000 --> 00:19:05,640
Speaker 2: beautiful thing.

465
00:19:05,880 --> 00:19:09,080
Speaker 4: Yeah, you know what I knew because I was like

466
00:19:09,160 --> 00:19:11,040
Speaker 4: that before I started doing music. All my friends were

467
00:19:11,040 --> 00:19:13,040
Speaker 4: attached to me. All my friends followed me. I was

468
00:19:13,080 --> 00:19:14,959
Speaker 4: the leader. It was my way. I'm gonna go this way.

469
00:19:15,000 --> 00:19:16,680
Speaker 4: If I take the alley, We're taking an alley because

470
00:19:16,680 --> 00:19:18,680
Speaker 4: I know this is the safest route. Everybody's gonna follow me.

471
00:19:18,680 --> 00:19:20,640
Speaker 4: They're gonna trust me because I'm not. I don't really

472
00:19:20,760 --> 00:19:22,520
Speaker 4: like all the mistakes. I don't like the excuses. I

473
00:19:22,640 --> 00:19:24,440
Speaker 4: just like to get right to it. My word is

474
00:19:24,520 --> 00:19:25,840
Speaker 4: my bond. If I say I'm gonna do something, I'm

475
00:19:25,840 --> 00:19:27,639
Speaker 4: gonna do it. And that's just that, you know. So

476
00:19:27,720 --> 00:19:29,320
Speaker 4: when I started doing this, it was just one of

477
00:19:29,320 --> 00:19:31,600
Speaker 4: those things like Okay, I wasn't one of those people

478
00:19:31,680 --> 00:19:34,160
Speaker 4: that was like shopping mixtapes and I mean, I'm new

479
00:19:34,240 --> 00:19:35,840
Speaker 4: and this is the label and this guy's is tricked.

480
00:19:35,840 --> 00:19:37,680
Speaker 4: There's another group that was there, Trait plus six, and

481
00:19:37,760 --> 00:19:39,840
Speaker 4: then here's Rick Ross that it is just like first

482
00:19:39,880 --> 00:19:42,320
Speaker 4: time to the label, but he's not even on and

483
00:19:42,440 --> 00:19:44,800
Speaker 4: he's like with mixtapes and like pushing them on me

484
00:19:44,920 --> 00:19:46,359
Speaker 4: to like take on the roll, and I'm just thinking, like,

485
00:19:46,359 --> 00:19:48,320
Speaker 4: whoa these dudes is grinding. I'm just here chinning like

486
00:19:48,560 --> 00:19:51,520
Speaker 4: the princess, and I'm seeing like how hard you want

487
00:19:51,560 --> 00:19:53,639
Speaker 4: to get your stuff on. I'm just like, I just

488
00:19:53,720 --> 00:19:55,320
Speaker 4: did my one record. I'm good, Like why are you

489
00:19:55,400 --> 00:19:57,320
Speaker 4: doing all this extra struggle. I didn't really get into

490
00:19:57,640 --> 00:19:59,399
Speaker 4: I got on the road and I really understood it,

491
00:19:59,440 --> 00:20:00,960
Speaker 4: like I didn't do that right. I didn't have to

492
00:20:01,080 --> 00:20:03,520
Speaker 4: grind it, So I just I took it serious. You know,

493
00:20:03,560 --> 00:20:05,000
Speaker 4: I want to roll with Trick. I want to roll

494
00:20:05,040 --> 00:20:07,080
Speaker 4: one year we did a tour and you know, Trick

495
00:20:07,160 --> 00:20:10,280
Speaker 4: is Trick. He's lit everybody, the girls is EVERYWAYE me.

496
00:20:10,640 --> 00:20:12,960
Speaker 4: I'm at this time like I don't drink, I don't smoke.

497
00:20:13,000 --> 00:20:15,120
Speaker 4: I'm young, I don't I'm just focused on what I'm doing.

498
00:20:15,359 --> 00:20:17,280
Speaker 4: I'm on stage. I got my three minutes. I'm gonna

499
00:20:17,320 --> 00:20:18,840
Speaker 4: do my three minutes to put my best OUTFI don't

500
00:20:18,880 --> 00:20:20,520
Speaker 4: come out and kill it. Get back to the hotel.

501
00:20:20,520 --> 00:20:22,840
Speaker 4: I'm not doing after. I'm just I'm like not focusing

502
00:20:22,840 --> 00:20:24,840
Speaker 4: because now the label is like, you got a deal,

503
00:20:24,880 --> 00:20:28,359
Speaker 4: we need a new album. This Atlantic album Praig Cowman.

504
00:20:28,400 --> 00:20:31,159
Speaker 4: It's like down on the text message every second and

505
00:20:31,400 --> 00:20:34,639
Speaker 4: Ted is calling every thirty seconds on the dot. So

506
00:20:34,800 --> 00:20:37,680
Speaker 4: I'm thinking about forget about. I'm this now and is

507
00:20:37,840 --> 00:20:40,840
Speaker 4: big one thing. But now these whole people are like saying,

508
00:20:41,119 --> 00:20:43,000
Speaker 4: we need a full album. This is all songs of you.

509
00:20:43,400 --> 00:20:44,840
Speaker 4: So we got it's going to be more than this

510
00:20:44,920 --> 00:20:46,680
Speaker 4: trick than you. Gotta be really serious. So I just

511
00:20:46,760 --> 00:20:48,560
Speaker 4: like stayed in my room like one year on the

512
00:20:48,600 --> 00:20:49,920
Speaker 4: road with them, but just like master it out the

513
00:20:49,960 --> 00:20:51,600
Speaker 4: plan and just like execute yo yo.

514
00:20:51,880 --> 00:20:53,000
Speaker 1: I just received my clothes.

515
00:20:53,080 --> 00:20:53,240
Speaker 5: Man.

516
00:20:53,400 --> 00:20:54,879
Speaker 1: You know, it's like I got a personal style. So

517
00:20:55,000 --> 00:20:57,200
Speaker 1: like I got groovy loo on standbot. You got that

518
00:20:57,320 --> 00:20:59,639
Speaker 1: bomb Fell dot com Bomfell dot com. Don't forget that

519
00:20:59,720 --> 00:21:02,520
Speaker 1: dot You like that outfit? I like that outfit every month,

520
00:21:02,680 --> 00:21:04,600
Speaker 1: every month, twenty five hundred dollars we got.

521
00:21:04,680 --> 00:21:07,800
Speaker 7: We negotiate twenty five dollars off your first purchase for

522
00:21:07,840 --> 00:21:09,280
Speaker 7: all the drink champs already.

523
00:21:10,480 --> 00:21:15,440
Speaker 1: Got bomb Fell dot com Forward slash drink Ballfel dot

524
00:21:15,520 --> 00:21:18,000
Speaker 1: call forward slash drink. Let me get a rose because

525
00:21:18,000 --> 00:21:19,359
Speaker 1: it's mister Lee birthday. Let's do it.

526
00:21:19,520 --> 00:21:22,200
Speaker 7: That's b O N B F E l L dot com,

527
00:21:22,359 --> 00:21:25,000
Speaker 7: Forward slash d r I n K, drink.

528
00:21:24,920 --> 00:21:27,280
Speaker 1: And get personalized. They'll send you the close just for you.

529
00:21:27,480 --> 00:21:29,960
Speaker 1: Bombfel dot com. Let's do it, let's go b got that?

530
00:21:30,600 --> 00:21:33,680
Speaker 1: Did you figure game pigeon hell like like? Because after that?

531
00:21:34,080 --> 00:21:36,159
Speaker 1: Did you think it was hyper sexuality that that was

532
00:21:36,160 --> 00:21:37,080
Speaker 1: supposed to between them?

533
00:21:37,119 --> 00:21:39,200
Speaker 4: I a little bit of it. I just felt like

534
00:21:39,400 --> 00:21:42,080
Speaker 4: I didn't allow them to make me whatever they want

535
00:21:42,160 --> 00:21:43,679
Speaker 4: is you know, sometime they got like I had one

536
00:21:43,720 --> 00:21:45,480
Speaker 4: of these records that I recorded, which is called look

537
00:21:45,520 --> 00:21:47,280
Speaker 4: Back at It. This is a record I did with

538
00:21:47,400 --> 00:21:49,919
Speaker 4: Killer Mike, And this is a record that right now

539
00:21:49,960 --> 00:21:52,240
Speaker 4: today is like when I performed, it's bigger than now.

540
00:21:52,680 --> 00:21:53,960
Speaker 4: And this is a record that I didn't want on

541
00:21:54,000 --> 00:21:55,280
Speaker 4: my album. I was like, I don't want to do

542
00:21:55,359 --> 00:21:57,000
Speaker 4: no records like this. I don't want to do a naw.

543
00:21:57,400 --> 00:21:59,239
Speaker 4: I don't want to care what you guys want. They

544
00:21:59,280 --> 00:22:01,600
Speaker 4: wanted to have this same stereotype. I was like, okay,

545
00:22:01,720 --> 00:22:03,440
Speaker 4: what I'm gonna You want me just go talk dirty again?

546
00:22:03,440 --> 00:22:05,119
Speaker 4: I don't want to do that. And I fought with

547
00:22:05,160 --> 00:22:06,800
Speaker 4: the label. I fought with the label. I fought with them,

548
00:22:06,880 --> 00:22:09,879
Speaker 4: and eventually they of course the records on my album,

549
00:22:09,960 --> 00:22:11,280
Speaker 4: and I told them, Okay, if you give me a

550
00:22:11,359 --> 00:22:13,680
Speaker 4: softer version of a record I want, I'll do this record.

551
00:22:13,720 --> 00:22:16,639
Speaker 4: And I did the record. But realistically, this record right

552
00:22:16,680 --> 00:22:18,359
Speaker 4: now is still one of the biggest records I perform.

553
00:22:18,359 --> 00:22:19,879
Speaker 4: And I'm sitting there and the girls are like screaming

554
00:22:19,920 --> 00:22:21,639
Speaker 4: word for work, and that's the kind of stuff that

555
00:22:21,800 --> 00:22:24,720
Speaker 4: like it amazes me, Like it's one of those things

556
00:22:24,760 --> 00:22:26,920
Speaker 4: like whoa, this is the record that I fought to

557
00:22:26,960 --> 00:22:28,320
Speaker 4: get off of the album. This is the record that

558
00:22:28,359 --> 00:22:31,400
Speaker 4: you guys love verbatily every single word. It's insane.

559
00:22:31,600 --> 00:22:31,879
Speaker 3: Wow.

560
00:22:32,240 --> 00:22:34,040
Speaker 2: So you know, now what do you what are you

561
00:22:34,240 --> 00:22:36,439
Speaker 2: like more independent or major?

562
00:22:38,000 --> 00:22:43,920
Speaker 4: Hmm, Well, now I would just say I would say independent.

563
00:22:43,960 --> 00:22:45,560
Speaker 4: I mean when it comes to business and money and

564
00:22:45,600 --> 00:22:48,080
Speaker 4: yourself and making sure that you're I mean your freedom,

565
00:22:48,119 --> 00:22:53,160
Speaker 4: your creativity, whatever you need to do. Imagine like when

566
00:22:53,200 --> 00:22:55,359
Speaker 4: I started this Atlantic and it's like a big machine

567
00:22:55,400 --> 00:22:57,119
Speaker 4: behind you and you're just sitting there and you're not

568
00:22:57,200 --> 00:22:59,920
Speaker 4: doing nothing because they got like a mafia of people

569
00:23:00,040 --> 00:23:02,480
Speaker 4: doing whatever you need. And then when you don't have that,

570
00:23:02,600 --> 00:23:04,760
Speaker 4: after you do, it's a lot. It's like and you're

571
00:23:04,920 --> 00:23:07,879
Speaker 4: like the room gets smaller and everybody gets you know,

572
00:23:07,920 --> 00:23:09,800
Speaker 4: those hundred people go into like four people and you're

573
00:23:09,800 --> 00:23:11,280
Speaker 4: trying to figure out how you're going to make this work.

574
00:23:11,600 --> 00:23:13,720
Speaker 4: So it's a big difference. You know, it's about you

575
00:23:13,880 --> 00:23:15,240
Speaker 4: and how much you want to work and whatever team

576
00:23:15,280 --> 00:23:17,160
Speaker 4: you put together to make it work, because it's totally

577
00:23:17,240 --> 00:23:19,440
Speaker 4: not the same system and now with record sales that's

578
00:23:19,480 --> 00:23:23,520
Speaker 4: totally in a decline, totally different industry is nothing like before.

579
00:23:23,600 --> 00:23:24,800
Speaker 4: I mean, you could be on a major or a

580
00:23:24,840 --> 00:23:26,919
Speaker 4: major is a major, but that don't mean you're going

581
00:23:26,960 --> 00:23:28,720
Speaker 4: to be selling major records. Because you're on a major.

582
00:23:29,480 --> 00:23:31,840
Speaker 4: Artists they expect you to work ten times harder because

583
00:23:31,840 --> 00:23:33,479
Speaker 4: they don't have to put the work in because all

584
00:23:33,560 --> 00:23:36,280
Speaker 4: of this streaming and social media and Instagram and they

585
00:23:36,440 --> 00:23:38,240
Speaker 4: expect you to do your opposed to back then you

586
00:23:38,280 --> 00:23:40,239
Speaker 4: don't have to do anything. So you know, I mean,

587
00:23:40,320 --> 00:23:41,840
Speaker 4: I definitely think if you're going to do it now

588
00:23:41,960 --> 00:23:44,400
Speaker 4: and for where you are in music and hip hop

589
00:23:44,480 --> 00:23:46,680
Speaker 4: and just sales and just business and money wise, you

590
00:23:46,760 --> 00:23:48,359
Speaker 4: need to be thinking for yourself smart. You got to

591
00:23:48,359 --> 00:23:50,320
Speaker 4: cut out three, four or five middleman and like make

592
00:23:50,359 --> 00:23:51,119
Speaker 4: sure you go after it.

593
00:23:51,200 --> 00:23:54,840
Speaker 1: You know, absolutely absolutely it's just you know what it

594
00:23:55,040 --> 00:23:58,440
Speaker 1: was like. You said, I came from Depth Jam. Yeah, okay, Penalty.

595
00:24:00,520 --> 00:24:02,440
Speaker 2: You know, I was originally signed to Penalty on the

596
00:24:02,480 --> 00:24:03,000
Speaker 2: game when he.

597
00:24:03,080 --> 00:24:04,119
Speaker 1: Was was an independent.

598
00:24:04,560 --> 00:24:07,000
Speaker 2: Then they got picked up as a man with no no, no, no,

599
00:24:07,280 --> 00:24:08,800
Speaker 2: that's my man. It was my man.

600
00:24:09,359 --> 00:24:12,120
Speaker 1: So then I they had major because Tommy Boy had

601
00:24:12,160 --> 00:24:15,960
Speaker 1: an influence. Tommy Boy is a major. No, because Tommy

602
00:24:16,000 --> 00:24:20,080
Speaker 1: Boy was the major that was distributed through Warner, remember, Yeah,

603
00:24:20,240 --> 00:24:23,480
Speaker 1: So then Penalty got all that. So then when I

604
00:24:23,560 --> 00:24:26,760
Speaker 1: go from Penalty and then tom Silverman and Neilvine caught

605
00:24:26,800 --> 00:24:28,200
Speaker 1: their little problem and then.

606
00:24:28,080 --> 00:24:30,920
Speaker 2: I went to Depth Jam. It was like Death Jam

607
00:24:31,119 --> 00:24:31,840
Speaker 2: was a major.

608
00:24:31,920 --> 00:24:34,399
Speaker 1: But I love their grind, meaning like they would they

609
00:24:34,440 --> 00:24:36,360
Speaker 1: would throw me on the road, Like they wouldn't give

610
00:24:36,400 --> 00:24:38,720
Speaker 1: me mad money up front, but they would give me

611
00:24:38,840 --> 00:24:40,600
Speaker 1: mad tour buses and be like you, we're gonna keep

612
00:24:40,600 --> 00:24:42,120
Speaker 1: you on the road for three months at a time

613
00:24:42,440 --> 00:24:45,119
Speaker 1: something that I didn't really know that so my record

614
00:24:45,160 --> 00:24:47,639
Speaker 1: would you know, it would it would come Offselve two

615
00:24:47,720 --> 00:24:48,400
Speaker 1: fifty or whatever.

616
00:24:48,560 --> 00:24:49,880
Speaker 2: And I was a gold dude.

617
00:24:49,920 --> 00:24:51,240
Speaker 1: So they just kept me on the road to just

618
00:24:51,320 --> 00:24:55,040
Speaker 1: keep going goal and then from that to go oh,

619
00:24:55,119 --> 00:25:02,440
Speaker 1: I got to pay for the tour bus. Do you

620
00:25:02,560 --> 00:25:10,640
Speaker 1: remember the first class? It's different.

621
00:25:12,800 --> 00:25:16,600
Speaker 4: Regularly, I would I would honestly agree on that. Like

622
00:25:16,680 --> 00:25:18,440
Speaker 4: when you independ you definitely have to kick out the

623
00:25:18,480 --> 00:25:21,399
Speaker 4: bag and you have to invest into yourself everything because

624
00:25:21,440 --> 00:25:24,440
Speaker 4: even with like an independent partner, it's still like, you know,

625
00:25:24,560 --> 00:25:26,400
Speaker 4: I have a partnership with Neil right now, I'm still

626
00:25:26,480 --> 00:25:29,000
Speaker 4: kicking out the bag. Shout out to Neil, but he knows,

627
00:25:29,080 --> 00:25:30,760
Speaker 4: like you know, you still gotta kick out for radio

628
00:25:30,840 --> 00:25:32,560
Speaker 4: whatever you need because they only gonna do so much

629
00:25:32,640 --> 00:25:35,280
Speaker 4: opposed to if it's major, you ain't got to do

630
00:25:35,400 --> 00:25:37,000
Speaker 4: all that and know, but those are the things. It's

631
00:25:37,040 --> 00:25:39,120
Speaker 4: a different decline, it's a different time now, and that's

632
00:25:39,200 --> 00:25:40,800
Speaker 4: for a lot of new artists that don't really understand

633
00:25:40,840 --> 00:25:42,520
Speaker 4: the game. And everybody want to get on it and

634
00:25:42,600 --> 00:25:44,440
Speaker 4: you and I'm gonna drive Rex and put our independ

635
00:25:44,440 --> 00:25:46,080
Speaker 4: I'm gonna do this whole thing. It's not as easy

636
00:25:46,119 --> 00:25:47,760
Speaker 4: as you think it's gonna be, you know. And one thing,

637
00:25:47,800 --> 00:25:49,440
Speaker 4: if you would have major and if the record is

638
00:25:49,480 --> 00:25:51,320
Speaker 4: not doing they needed to be, it may not be

639
00:25:51,400 --> 00:25:53,800
Speaker 4: good for you. So we gotta it's not.

640
00:25:53,960 --> 00:25:57,359
Speaker 1: Just you know it don't get me wrong. I got

641
00:25:57,440 --> 00:26:01,760
Speaker 1: to grind to be independent. But it's just like sometimes

642
00:26:01,840 --> 00:26:03,960
Speaker 1: I want to have seven different things to do. So

643
00:26:04,200 --> 00:26:08,680
Speaker 1: meaning like, I've been in this game since ninety seven,

644
00:26:10,520 --> 00:26:12,880
Speaker 1: ninety seven, nigga, you talking about give me an extra year?

645
00:26:13,720 --> 00:26:14,960
Speaker 3: Yeah, I had a song.

646
00:26:15,000 --> 00:26:17,400
Speaker 1: I had a song in ninety six. I have a brother,

647
00:26:18,800 --> 00:26:22,879
Speaker 1: a right technically, boy, it's since ninety seven, and it's like, damn,

648
00:26:23,240 --> 00:26:25,280
Speaker 1: this can't be my only income because I want to

649
00:26:25,320 --> 00:26:28,080
Speaker 1: do everything else. So now, but when you independent, you

650
00:26:28,200 --> 00:26:29,879
Speaker 1: can't be independent fifty percent.

651
00:26:30,119 --> 00:26:32,320
Speaker 2: You have to be one hundred million percent. You got

652
00:26:32,440 --> 00:26:33,480
Speaker 2: to call all the DJs.

653
00:26:33,640 --> 00:26:35,960
Speaker 1: I remember being on Death Jam and Mike used to

654
00:26:35,960 --> 00:26:39,280
Speaker 1: say to me, stop talking to these fucking the DJs

655
00:26:39,400 --> 00:26:41,199
Speaker 1: because the DJs will call me and they'd be like, yo,

656
00:26:41,480 --> 00:26:42,480
Speaker 1: you need you need, I need you.

657
00:26:42,560 --> 00:26:44,919
Speaker 2: At this part, I'm like, definitely, I'm there and I'm.

658
00:26:44,800 --> 00:26:47,560
Speaker 1: Never looking at the schedule. I'm talking telling everybody I'm

659
00:26:47,600 --> 00:26:51,840
Speaker 1: at the same guard and the so Mike hoses just say, yo,

660
00:26:51,960 --> 00:26:53,760
Speaker 1: let me speak to them. So when I fuck up,

661
00:26:53,840 --> 00:26:56,080
Speaker 1: they blame me and they don't blame you. Now, were

662
00:26:56,119 --> 00:26:58,560
Speaker 1: you independent, you can't blame whatever.

663
00:27:00,119 --> 00:27:00,520
Speaker 5: Name for that.

664
00:27:00,880 --> 00:27:08,520
Speaker 1: That's why I don't you just spoiled? So let's get

665
00:27:08,560 --> 00:27:10,720
Speaker 1: into this Trick Daddy and treating. I want to know

666
00:27:11,440 --> 00:27:13,360
Speaker 1: what are y'all working on? How does this sound?

667
00:27:13,600 --> 00:27:14,960
Speaker 2: Just do a record a record?

668
00:27:14,960 --> 00:27:16,680
Speaker 4: Smooth Sell is one of those records. I'm this guy

669
00:27:16,880 --> 00:27:19,159
Speaker 4: Ali Coyote. He came in the studio. He was just

670
00:27:19,160 --> 00:27:20,800
Speaker 4: playing about. He's a Jamaican guy, so you know, he

671
00:27:20,840 --> 00:27:22,800
Speaker 4: came with different vibes or whatever. And that's the first

672
00:27:22,800 --> 00:27:24,359
Speaker 4: time me and Trick ever did a record like that.

673
00:27:24,600 --> 00:27:27,400
Speaker 4: You know, even previous after the Now record, I've done

674
00:27:27,440 --> 00:27:29,679
Speaker 4: records on Trick project and it was still more grindy,

675
00:27:29,800 --> 00:27:32,520
Speaker 4: more different Miami. So we want to hear everybody.

676
00:27:32,640 --> 00:27:34,080
Speaker 3: I know that as a.

677
00:27:40,000 --> 00:27:40,800
Speaker 1: Listen say that.

678
00:27:40,880 --> 00:27:42,720
Speaker 4: I'm saying some Trick. Okay, here we go. We're on

679
00:27:42,800 --> 00:27:44,359
Speaker 4: the drum board. I'm over here, Tricks over here. What

680
00:27:44,400 --> 00:27:45,600
Speaker 4: are you gonna do? What kind of record you want

681
00:27:45,640 --> 00:27:47,800
Speaker 4: to do? Trick is in this vibe. He likes an

682
00:27:47,800 --> 00:27:49,800
Speaker 4: old school vibe. He like, I'm like, no, we gotta

683
00:27:49,880 --> 00:27:52,320
Speaker 4: go hardcore for the clubs. You gotta. We're like on

684
00:27:52,440 --> 00:27:55,879
Speaker 4: two different ways, but I'm in control, like he's my

685
00:27:55,920 --> 00:27:57,879
Speaker 4: lead because you know, I knows. So we're just kind

686
00:27:57,920 --> 00:27:59,320
Speaker 4: of just trying to get that record that because it's

687
00:27:59,320 --> 00:28:01,560
Speaker 4: really like we don't want like the Noil record because

688
00:28:01,680 --> 00:28:04,280
Speaker 4: you can't duplicate the record, but we did that already.

689
00:28:04,280 --> 00:28:06,080
Speaker 4: We just want that next explosive record that's going to

690
00:28:06,119 --> 00:28:07,639
Speaker 4: be just a great record that's out there, like the

691
00:28:07,720 --> 00:28:09,879
Speaker 4: next record. And so I mean we got we got

692
00:28:09,960 --> 00:28:10,439
Speaker 4: some records.

693
00:28:10,480 --> 00:28:11,800
Speaker 2: We got in the studio together.

694
00:28:11,920 --> 00:28:15,040
Speaker 4: We're in the studio. He no, no, we in there

695
00:28:15,080 --> 00:28:17,080
Speaker 4: like I'll go. He'll come like, he'll go in first.

696
00:28:17,119 --> 00:28:20,000
Speaker 4: He's tricker, is early, but that lad. Yeah, he's a earlyer.

697
00:28:20,200 --> 00:28:21,720
Speaker 4: He likes to go and he likes to start work

698
00:28:21,760 --> 00:28:23,440
Speaker 4: on this record. Come to the studio, be there in

699
00:28:23,560 --> 00:28:25,080
Speaker 4: like two hours. So that's what he likes to do.

700
00:28:25,200 --> 00:28:28,119
Speaker 4: So I'll come in three hours and then once something there.

701
00:28:28,160 --> 00:28:29,560
Speaker 4: He already started on the record, and then he'll be

702
00:28:29,600 --> 00:28:31,119
Speaker 4: like you feel listen to you like this whatever. Hesed

703
00:28:31,119 --> 00:28:32,080
Speaker 4: to have a couple of records, and I'll be like,

704
00:28:32,240 --> 00:28:33,960
Speaker 4: I don't like this, and I'm not now I'm staying.

705
00:28:33,960 --> 00:28:35,439
Speaker 4: But when I started recording. He likes to go out.

706
00:28:35,480 --> 00:28:37,480
Speaker 4: He said, my friends already smoke too much, you know,

707
00:28:37,560 --> 00:28:39,160
Speaker 4: tricking like the smoke regularly he's just be on his

708
00:28:39,240 --> 00:28:46,840
Speaker 4: own way. So yeah, yeah, So we're in the same studio,

709
00:28:46,960 --> 00:28:48,600
Speaker 4: but we are not in the same studio, and I'm

710
00:28:48,600 --> 00:28:50,800
Speaker 4: mean he's outside somewhere, but you know we're in now together,

711
00:28:50,880 --> 00:28:52,520
Speaker 4: so it's a different it's a good vibe because you

712
00:28:52,560 --> 00:28:54,680
Speaker 4: know we like not and day but the same. You know, like,

713
00:28:54,720 --> 00:28:56,360
Speaker 4: I don't have a problem him. Tricks will come, he's

714
00:28:56,560 --> 00:28:58,480
Speaker 4: like one of those like a loose cannon, but he's

715
00:28:58,520 --> 00:29:01,000
Speaker 4: still in the studio. It's it's like this natural kind

716
00:29:01,000 --> 00:29:03,560
Speaker 4: of family bibleman, you know about like something I expressed

717
00:29:03,560 --> 00:29:04,800
Speaker 4: it aroun I'm mad he'll get in the want to

718
00:29:04,800 --> 00:29:06,640
Speaker 4: start over. So you know it's a good energy.

719
00:29:06,760 --> 00:29:08,440
Speaker 1: Well I'm gonna listen. Let you know, as a pair

720
00:29:08,480 --> 00:29:11,280
Speaker 1: of fan like, I'm so ready for that album. I'm

721
00:29:11,320 --> 00:29:13,480
Speaker 1: so ready for y'all because because to me, that like

722
00:29:14,000 --> 00:29:16,280
Speaker 1: that shows years of loyalty to me. To me, I

723
00:29:16,480 --> 00:29:18,920
Speaker 1: I'm heavy into loyalty. Like so when I see people

724
00:29:19,320 --> 00:29:22,280
Speaker 1: that around people that've been around them for twenty years,

725
00:29:22,400 --> 00:29:24,840
Speaker 1: it always impresses me. Like when I go around jay

726
00:29:24,960 --> 00:29:27,480
Speaker 1: Z and I see you know, Shaka around still and

727
00:29:27,560 --> 00:29:29,400
Speaker 1: I see Ta Ta and I see Lennys and me

728
00:29:29,560 --> 00:29:32,280
Speaker 1: knowing that I seen them together in the nineties. It

729
00:29:32,400 --> 00:29:35,360
Speaker 1: always impresses me, so you know, just that combination. I

730
00:29:35,440 --> 00:29:37,320
Speaker 1: just want to congratulate you on that because I think

731
00:29:37,360 --> 00:29:41,120
Speaker 1: we all got to make a noise for that, just

732
00:29:41,200 --> 00:29:43,800
Speaker 1: to show that loyalty. I think loyalty in this game

733
00:29:44,360 --> 00:29:48,000
Speaker 1: has been I think it hasn't been rewarded so now,

734
00:29:48,160 --> 00:29:51,880
Speaker 1: so people won't make it a major issue, like if

735
00:29:52,280 --> 00:29:54,520
Speaker 1: somebody's beefing or something, they make it a major issue.

736
00:29:54,560 --> 00:29:57,800
Speaker 1: But just somebody just being loyal. Just me and Efen's relationship,

737
00:29:57,840 --> 00:30:02,040
Speaker 1: for instance, he brought me to Miami seventeen years ago,

738
00:30:02,520 --> 00:30:10,520
Speaker 1: let's say twenty or something like that, and we've been

739
00:30:10,640 --> 00:30:12,640
Speaker 1: friends ever, saying, and I think that that's that's the

740
00:30:12,760 --> 00:30:15,240
Speaker 1: part of it, that that people should, you know, drink

741
00:30:15,320 --> 00:30:17,480
Speaker 1: chances we have successful this This is on a oold TV,

742
00:30:17,680 --> 00:30:19,760
Speaker 1: thank y'all. But I don't think that that's not the

743
00:30:20,040 --> 00:30:22,040
Speaker 1: biggest thing that people should focus on. People should focus

744
00:30:22,080 --> 00:30:24,200
Speaker 1: on the relationship and us just sitting down together and

745
00:30:24,360 --> 00:30:26,360
Speaker 1: just you know, quitting what he got to do aside

746
00:30:26,360 --> 00:30:27,760
Speaker 1: and putting or I got to do the side and

747
00:30:27,800 --> 00:30:29,880
Speaker 1: putting hip hop first. Because that's what we did. We

748
00:30:30,000 --> 00:30:31,680
Speaker 1: just want to interview legends. You know what I'm saying.

749
00:30:31,760 --> 00:30:33,840
Speaker 1: We want to give people they flowers or they can

750
00:30:33,880 --> 00:30:36,360
Speaker 1: smell them. You know what I'm saying. They treats while

751
00:30:36,360 --> 00:30:38,840
Speaker 1: they can hell, They thoughts while they can think of,

752
00:30:39,160 --> 00:30:45,480
Speaker 1: and they drinks while they cant drinking. Because so many

753
00:30:45,560 --> 00:30:50,280
Speaker 1: people like like we had did an episode after Prodigy passed,

754
00:30:50,280 --> 00:30:51,880
Speaker 1: and of course we wanted to, you know, do a

755
00:30:51,920 --> 00:30:54,760
Speaker 1: whole episode dedicated to him. But what I said was,

756
00:30:54,880 --> 00:30:57,840
Speaker 1: you know, maybe we should have did that. Why people

757
00:30:57,880 --> 00:31:01,920
Speaker 1: want to lie like it's cool to praise people when

758
00:31:01,920 --> 00:31:03,640
Speaker 1: they're going and we know we have to do that.

759
00:31:03,800 --> 00:31:05,920
Speaker 1: You know we're supposed to do that, but I want

760
00:31:05,960 --> 00:31:09,800
Speaker 1: to make it cool to pray. Let's make that cool.

761
00:31:09,840 --> 00:31:10,480
Speaker 3: You know what I'm saying.

762
00:31:12,000 --> 00:31:15,719
Speaker 1: In hip hop, they don't understand, like you know, when

763
00:31:15,880 --> 00:31:18,800
Speaker 1: when you people get off of their job at a

764
00:31:18,880 --> 00:31:21,520
Speaker 1: record label or get off their job at somewhere, you know,

765
00:31:21,760 --> 00:31:24,080
Speaker 1: when you guys leave their building. You guys could live

766
00:31:24,120 --> 00:31:26,960
Speaker 1: a normal life. We sacrifice our whole life. Like I

767
00:31:27,040 --> 00:31:29,520
Speaker 1: could never say I'm not working. If I leave the house,

768
00:31:30,280 --> 00:31:32,880
Speaker 1: I gotta take a picture, Like somebody's gonna be like, yo,

769
00:31:32,880 --> 00:31:43,760
Speaker 1: what's up. Nigga, I gotta be like, I can't. I

770
00:31:43,880 --> 00:31:46,040
Speaker 1: can't have a bad day, you know what I'm saying,

771
00:31:46,200 --> 00:31:48,440
Speaker 1: Like not in public, I got to stay in home,

772
00:31:48,600 --> 00:31:53,000
Speaker 1: like tell these people, and you're superstar to tell these people.

773
00:31:53,400 --> 00:31:53,520
Speaker 7: You know.

774
00:31:53,760 --> 00:31:55,760
Speaker 4: It's really one of those things, like I'm really one

775
00:31:55,800 --> 00:31:58,400
Speaker 4: of the most passionate people when it comes to that,

776
00:31:58,920 --> 00:32:01,200
Speaker 4: because I'm gonna I'm gonna be honest at six am

777
00:32:01,240 --> 00:32:04,320
Speaker 4: in the morning and the airport, I'm not with the ships.

778
00:32:05,640 --> 00:32:07,800
Speaker 4: I just don't want to be bothered. It's early, like

779
00:32:08,200 --> 00:32:10,200
Speaker 4: the show was over and after the party was mad.

780
00:32:10,280 --> 00:32:11,880
Speaker 4: Lad you know, an hour and a half to get

781
00:32:11,960 --> 00:32:15,360
Speaker 4: to the airport, and I understand you may never see

782
00:32:15,400 --> 00:32:18,520
Speaker 4: me beginning, but it's six am, like like just but

783
00:32:20,040 --> 00:32:22,240
Speaker 4: shades only they don't care. Like the lady was like,

784
00:32:22,240 --> 00:32:23,640
Speaker 4: I don't care if you got a pajamas ahead, but

785
00:32:23,720 --> 00:32:25,520
Speaker 4: I don't care. I'm living another country.

786
00:32:25,720 --> 00:32:25,960
Speaker 3: I'm not.

787
00:32:26,000 --> 00:32:27,320
Speaker 4: I don't care. I'm not gonna post. I know you're

788
00:32:27,320 --> 00:32:29,080
Speaker 4: gonna post a picture. I'm gonna just take it because

789
00:32:29,120 --> 00:32:32,200
Speaker 4: I just look at that, like, you know what if

790
00:32:32,280 --> 00:32:35,080
Speaker 4: I was not like me and I was somewhere and

791
00:32:35,120 --> 00:32:38,240
Speaker 4: I saw Beyonce, I don't care if she had a pimple.

792
00:32:38,320 --> 00:32:40,160
Speaker 4: I don't care if she had paper bags on her feet.

793
00:32:40,320 --> 00:32:42,160
Speaker 4: I want to make I want my picture. I don't care.

794
00:32:42,520 --> 00:32:44,960
Speaker 4: I don't care what's going on. So I'm just always

795
00:32:44,960 --> 00:32:46,240
Speaker 4: at first I try to do my best with that

796
00:32:46,320 --> 00:32:48,320
Speaker 4: because I know, you know, people they you know, they

797
00:32:48,920 --> 00:32:50,240
Speaker 4: want that. You know, you don't know they're gonna see

798
00:32:50,240 --> 00:32:51,560
Speaker 4: you again. They see you the airport, I don't know,

799
00:32:51,680 --> 00:32:53,080
Speaker 4: gona see any see you out at a concert of

800
00:32:53,120 --> 00:32:55,360
Speaker 4: the club and wherever when I'm gonna see you next.

801
00:32:55,400 --> 00:32:57,120
Speaker 4: So so you know, I always try to like salute that.

802
00:32:57,320 --> 00:32:59,800
Speaker 1: I think I only said no one time I was

803
00:33:00,080 --> 00:33:00,400
Speaker 1: on up.

804
00:33:00,480 --> 00:33:00,680
Speaker 2: I was.

805
00:33:05,840 --> 00:33:13,880
Speaker 1: Right, at least finish it'd be real because I understand that,

806
00:33:14,000 --> 00:33:16,360
Speaker 1: and it's like that's just hard for us. Like so

807
00:33:16,680 --> 00:33:19,120
Speaker 1: when you live and you survive in this game for years,

808
00:33:19,360 --> 00:33:21,160
Speaker 1: I feel like you should be saluted. I feel like

809
00:33:21,200 --> 00:33:24,320
Speaker 1: this is on this but now so getting back because

810
00:33:24,360 --> 00:33:27,120
Speaker 1: like like Miami, at this time, all we heard was

811
00:33:27,360 --> 00:33:29,280
Speaker 1: was Booty music right coming from New York.

812
00:33:29,360 --> 00:33:33,320
Speaker 2: Right we heard I'm talking about before her and Trick.

813
00:33:33,440 --> 00:33:34,160
Speaker 4: Right, Luke and.

814
00:33:36,760 --> 00:33:36,880
Speaker 7: Right.

815
00:33:37,000 --> 00:33:39,640
Speaker 1: So then when y'all came, so now I heard I've

816
00:33:39,640 --> 00:33:42,239
Speaker 1: seen Brick Ross do a interview, right, and he was like, yo,

817
00:33:42,400 --> 00:33:45,360
Speaker 1: traina really held him down in the beginning of his career,

818
00:33:45,760 --> 00:33:48,680
Speaker 1: Like and he spoke so highly you let's get into

819
00:33:48,720 --> 00:33:53,040
Speaker 1: that early. What's the name of that record for the movies?

820
00:33:53,360 --> 00:33:54,400
Speaker 6: No, we did.

821
00:33:55,720 --> 00:33:57,720
Speaker 4: Put your left in the game? That was the ice Cube?

822
00:33:59,200 --> 00:33:59,600
Speaker 3: What was it?

823
00:34:01,440 --> 00:34:03,440
Speaker 4: Well, so here's the thing. I'm like, I'm just a

824
00:34:03,560 --> 00:34:05,800
Speaker 4: new girl. Like, okay, Trick is my homie. He's cool.

825
00:34:05,840 --> 00:34:07,440
Speaker 4: Then there's a trade plus six guys. They're like the

826
00:34:07,480 --> 00:34:09,800
Speaker 4: first guy signed the slip and slide way way previous,

827
00:34:09,840 --> 00:34:13,080
Speaker 4: but these are like my guys. See of course every

828
00:34:13,200 --> 00:34:17,239
Speaker 4: society subscriety. Yes, so all these guys like, we're all cool.

829
00:34:17,239 --> 00:34:21,560
Speaker 4: So I'm here, I'm around these guys. And then here's like, okay,

830
00:34:21,600 --> 00:34:23,719
Speaker 4: now there's this new guy ass coming on. But he's

831
00:34:23,760 --> 00:34:26,279
Speaker 4: signed a slipper slide also, but you know, he's from

832
00:34:26,360 --> 00:34:28,239
Speaker 4: care City. Now I'm from Liberty City. But it's a

833
00:34:28,280 --> 00:34:30,239
Speaker 4: Rick Ross. This's a big, fat guy, you know. So

834
00:34:30,800 --> 00:34:33,680
Speaker 4: he's cool though he just reminds me of like my stepdad.

835
00:34:33,719 --> 00:34:35,320
Speaker 4: He's a cool dude. He's from the street. So but

836
00:34:35,480 --> 00:34:37,800
Speaker 4: now I'm on the roll with Trick them, and everybody's

837
00:34:37,800 --> 00:34:40,279
Speaker 4: busy and everybody's nan is popping it. He's the like

838
00:34:40,400 --> 00:34:42,799
Speaker 4: he's not on but on the road. He's like, yo,

839
00:34:42,880 --> 00:34:45,040
Speaker 4: take take the mixtape, like you know, taking a roll.

840
00:34:45,080 --> 00:34:47,279
Speaker 4: And I'm just like why, you know, Okay, I'm gonna

841
00:34:47,280 --> 00:34:49,800
Speaker 4: take it anyway, cause yeah, but I'm gonna take it.

842
00:34:49,800 --> 00:34:51,279
Speaker 4: I don't even know where I'm taking I'm gonna just

843
00:34:51,320 --> 00:34:53,439
Speaker 4: take it because I'm gonna do a show. We're gonna

844
00:34:53,440 --> 00:34:54,920
Speaker 4: throw our shirt. So I'm gonna throw this out anyway

845
00:34:54,960 --> 00:34:57,000
Speaker 4: because somebody gonna listen. And I don't know you're gonna

846
00:34:57,000 --> 00:34:58,719
Speaker 4: blow up next. I don't know why I'm doing I'm

847
00:34:58,719 --> 00:35:00,520
Speaker 4: just doing it because you ask me. Do you a person?

848
00:35:01,040 --> 00:35:01,200
Speaker 7: You know?

849
00:35:01,360 --> 00:35:04,080
Speaker 4: And then it just like once westided, once I came back,

850
00:35:04,120 --> 00:35:05,480
Speaker 4: we started hanging on the studio, and then he just

851
00:35:05,560 --> 00:35:08,080
Speaker 4: always been like, you know, his loyalty's always been like

852
00:35:08,200 --> 00:35:10,759
Speaker 4: so a one, you know, and he always like been

853
00:35:10,880 --> 00:35:13,279
Speaker 4: right there, like from the beginning, and so once it

854
00:35:13,400 --> 00:35:15,440
Speaker 4: was like, okay, I'm taking your mixtapes now, but now

855
00:35:15,600 --> 00:35:18,040
Speaker 4: here it goes. Here's ice Cube Calls and they got

856
00:35:18,080 --> 00:35:20,040
Speaker 4: this record, I mean, they got this this movie and

857
00:35:20,120 --> 00:35:22,000
Speaker 4: it's the soundtrack and it slip a slide, got the record,

858
00:35:22,120 --> 00:35:23,560
Speaker 4: so he want me to do the recor I'm like, okay,

859
00:35:23,600 --> 00:35:25,719
Speaker 4: well record, now you got me. There's Triggers, a couple

860
00:35:25,719 --> 00:35:27,320
Speaker 4: of other artists, but it's like, okay, Tricks already on.

861
00:35:27,440 --> 00:35:29,759
Speaker 4: Everybody's already doing anything, doing shows. I'm gonna give it

862
00:35:29,800 --> 00:35:31,399
Speaker 4: to my boy Ross because he the one like really

863
00:35:31,440 --> 00:35:32,919
Speaker 4: want me to push his mixtape. He want to grind,

864
00:35:33,000 --> 00:35:34,600
Speaker 4: like let me give him the video, like let me

865
00:35:34,640 --> 00:35:34,880
Speaker 4: get in.

866
00:35:36,560 --> 00:35:37,200
Speaker 5: I just knew he was.

867
00:35:37,320 --> 00:35:39,320
Speaker 4: He just was super dope, like he was just he

868
00:35:39,480 --> 00:35:41,440
Speaker 4: just reminded me of just like my life. Like he

869
00:35:41,600 --> 00:35:44,040
Speaker 4: was like like my dad, them like my stepfather, and

870
00:35:44,120 --> 00:35:46,160
Speaker 4: they were just like real street guys. And that was

871
00:35:46,320 --> 00:35:48,719
Speaker 4: where he came from. People he hung around. I knew

872
00:35:48,760 --> 00:35:50,719
Speaker 4: these guys, these guys in the street scanning money. So

873
00:35:50,840 --> 00:35:53,160
Speaker 4: when he started talking and wrapping, his music was about

874
00:35:53,160 --> 00:35:54,200
Speaker 4: the hustle, it was about streets.

875
00:35:54,239 --> 00:35:54,759
Speaker 7: It was just that.

876
00:35:54,960 --> 00:35:57,000
Speaker 4: And coming from Liberty City and knowing the guy from

877
00:35:57,080 --> 00:35:59,760
Speaker 4: Kara City, it's like, you know, a very close connection.

878
00:36:00,120 --> 00:36:02,520
Speaker 4: All these people know each other and so it's like, Okay,

879
00:36:02,640 --> 00:36:04,920
Speaker 4: well Trick's already big, so I don't need to let

880
00:36:04,960 --> 00:36:07,719
Speaker 4: trick do the ice Cube soundtrack. Trick, I already did

881
00:36:07,760 --> 00:36:09,759
Speaker 4: this soundtrack. We already did other stuff, so let me

882
00:36:09,800 --> 00:36:11,320
Speaker 4: give it to my next dude trying to get on

883
00:36:11,480 --> 00:36:13,239
Speaker 4: and it's like, here's raw. So I hit him up, yo,

884
00:36:13,840 --> 00:36:16,360
Speaker 4: let's do I need you to do the record for

885
00:36:16,800 --> 00:36:19,880
Speaker 4: ice Cube movie or whatever? And he's like you serious,

886
00:36:20,160 --> 00:36:21,800
Speaker 4: He's like, yea, all right, come on, get the studio

887
00:36:21,920 --> 00:36:24,239
Speaker 4: right now. Come to the studio. Forty five minutes on. There,

888
00:36:24,280 --> 00:36:27,279
Speaker 4: he's already the song, already working already. And I didn't

889
00:36:27,280 --> 00:36:29,800
Speaker 4: even love this song. I didn't even love The girls

890
00:36:29,920 --> 00:36:32,279
Speaker 4: really love this song and ice Cube. The people that called,

891
00:36:32,320 --> 00:36:34,320
Speaker 4: the producers, everybody, they loved the record. It was perfect

892
00:36:34,360 --> 00:36:36,200
Speaker 4: for the slot for the movie, and it was a

893
00:36:36,239 --> 00:36:38,080
Speaker 4: big record for the for the song, and it was

894
00:36:38,200 --> 00:36:40,040
Speaker 4: just I don't even really honestly look at it. As

895
00:36:40,040 --> 00:36:42,000
Speaker 4: I was putting, like helping him, put like really put

896
00:36:42,080 --> 00:36:44,640
Speaker 4: him on. I just wanted to see him like on

897
00:36:44,760 --> 00:36:46,640
Speaker 4: the road with me and tricked him like everybody else

898
00:36:46,719 --> 00:36:48,400
Speaker 4: on the road, like you know, I like stuff off.

899
00:36:48,440 --> 00:36:49,759
Speaker 4: His men say, we listened to it in a vand

900
00:36:49,800 --> 00:36:51,360
Speaker 4: like while we're driving, So why you can't come on

901
00:36:51,400 --> 00:36:53,239
Speaker 4: the road with us and like, you know, perform. So

902
00:36:53,360 --> 00:36:54,680
Speaker 4: I just looked at it as that like trying to

903
00:36:54,680 --> 00:36:56,040
Speaker 4: help him out and get on and then it was

904
00:36:56,200 --> 00:36:58,000
Speaker 4: just that. And after that he had his tight jerseys,

905
00:36:58,320 --> 00:37:01,400
Speaker 4: came with three jerseys. But the video you know, was

906
00:37:01,440 --> 00:37:03,279
Speaker 4: done by Nick Kustin. Nick Qust was a big, big

907
00:37:03,600 --> 00:37:05,840
Speaker 4: producer and like this is our guy, so like I

908
00:37:05,880 --> 00:37:07,600
Speaker 4: want to help my guy get this look, and that

909
00:37:07,840 --> 00:37:09,200
Speaker 4: was the look and it just happened from them.

910
00:37:09,360 --> 00:37:11,480
Speaker 2: Yeah, did you ever think he would be this big?

911
00:37:11,600 --> 00:37:11,759
Speaker 1: Though?

912
00:37:12,080 --> 00:37:13,840
Speaker 4: I knew because he was so street. He was like

913
00:37:13,960 --> 00:37:16,160
Speaker 4: he he was what he was like, you know what

914
00:37:16,200 --> 00:37:17,880
Speaker 4: I mean. It was not a society, It was real street.

915
00:37:18,040 --> 00:37:20,000
Speaker 4: He came from the dudes that was holding the streets down,

916
00:37:20,160 --> 00:37:22,000
Speaker 4: like when he did this all every day hustling like

917
00:37:22,080 --> 00:37:24,920
Speaker 4: it was the real every I felt that every day

918
00:37:24,920 --> 00:37:26,600
Speaker 4: I hustling because I was hustling, help you get your

919
00:37:26,600 --> 00:37:27,000
Speaker 4: CDs on.

920
00:37:27,040 --> 00:37:27,440
Speaker 1: The road, so.

921
00:37:29,120 --> 00:37:30,560
Speaker 4: You know what I mean, Like it was real. Like

922
00:37:30,640 --> 00:37:32,880
Speaker 4: I know, somebody damn like this is like you did

923
00:37:32,920 --> 00:37:35,320
Speaker 4: a video in front of Karro City. Fleemok, Like that's hustling,

924
00:37:35,360 --> 00:37:37,880
Speaker 4: Like you was really doing that? Like you wasn't. You

925
00:37:37,920 --> 00:37:39,400
Speaker 4: ain't get degreed, like to get on the trick that

926
00:37:39,520 --> 00:37:40,719
Speaker 4: you busted it to get on the road. Like you

927
00:37:40,760 --> 00:37:42,680
Speaker 4: ain't have no records out reddy, you ain't know who

928
00:37:42,719 --> 00:37:44,320
Speaker 4: you was, Like you just want the whole team, but

929
00:37:44,719 --> 00:37:46,640
Speaker 4: you ain't had earned no stripes. So okay, I'm gonna

930
00:37:46,680 --> 00:37:48,840
Speaker 4: help you know, throw our shirts, throw our CDs and

931
00:37:48,920 --> 00:37:50,759
Speaker 4: then bam, he go, I'm gonna help you get this

932
00:37:50,840 --> 00:37:52,520
Speaker 4: one little look it's gonna be a video. Maybe that's

933
00:37:52,520 --> 00:37:55,200
Speaker 4: gonna help people know who you are and it's happening.

934
00:37:55,800 --> 00:37:55,920
Speaker 1: Now.

935
00:37:56,000 --> 00:37:59,040
Speaker 2: What's your relationship with DJ Collin DJ Khalen.

936
00:37:59,239 --> 00:38:01,279
Speaker 4: I love calor call it just been there like from

937
00:38:01,320 --> 00:38:04,560
Speaker 4: the beginning, you know. I just remember like just when

938
00:38:04,560 --> 00:38:06,439
Speaker 4: I first started, like always going to the radio station,

939
00:38:06,600 --> 00:38:08,440
Speaker 4: and like Caler was just one of the ones that

940
00:38:08,600 --> 00:38:11,040
Speaker 4: always was like supporting train the trick and ross, like

941
00:38:11,080 --> 00:38:12,880
Speaker 4: it was just one of the things that from it

942
00:38:13,040 --> 00:38:14,960
Speaker 4: just it kind of was like a natural thing. You

943
00:38:14,960 --> 00:38:16,400
Speaker 4: didn't have to really ask him. He just did it,

944
00:38:16,480 --> 00:38:18,080
Speaker 4: you know. So when Calai would hit me up, hey,

945
00:38:18,160 --> 00:38:19,880
Speaker 4: come to my party, come do this whatever I was,

946
00:38:20,040 --> 00:38:22,120
Speaker 4: I would always show up and it was just always

947
00:38:22,160 --> 00:38:24,800
Speaker 4: the same, like we we always had like a just

948
00:38:24,920 --> 00:38:28,239
Speaker 4: like this real like loyal connection from day one, and

949
00:38:28,320 --> 00:38:31,520
Speaker 4: it always stayed that way, you know, even no matter

950
00:38:31,560 --> 00:38:33,200
Speaker 4: how big he got. Like if I hit Caler, I

951
00:38:33,239 --> 00:38:34,640
Speaker 4: need you to do this like I hit Calien, need

952
00:38:34,719 --> 00:38:37,040
Speaker 4: to do this mixtape intro in Miami, Camis City, will

953
00:38:37,040 --> 00:38:38,720
Speaker 4: do it like right now on my album. He starts

954
00:38:38,760 --> 00:38:40,080
Speaker 4: to intro, all yah, I need you to do this

955
00:38:40,160 --> 00:38:42,480
Speaker 4: intro like DJ cal to talk your talk. I need

956
00:38:42,520 --> 00:38:44,279
Speaker 4: to hit a clog talk. He got to talk at

957
00:38:44,280 --> 00:38:45,839
Speaker 4: all that. You know, It's just one of them kind

958
00:38:45,880 --> 00:38:47,359
Speaker 4: of things like you know, I'm just like again, I'm

959
00:38:47,360 --> 00:38:47,839
Speaker 4: one of the people.

960
00:38:48,000 --> 00:38:48,200
Speaker 7: I'm not.

961
00:38:48,320 --> 00:38:50,120
Speaker 4: I don't I don't bother people. I just do me

962
00:38:50,239 --> 00:38:51,640
Speaker 4: and you know, like this is my man Like but

963
00:38:51,719 --> 00:38:53,320
Speaker 4: I need you to talk on this intro. You always

964
00:38:53,360 --> 00:38:54,880
Speaker 4: come show love and shr support. So that's just how

965
00:38:55,040 --> 00:38:57,319
Speaker 4: he fit. It's always family. I always support him.

966
00:38:57,440 --> 00:38:59,839
Speaker 1: You thought he would be this big off of personality.

967
00:39:00,080 --> 00:39:02,759
Speaker 4: I did because his mouth is that big, like I

968
00:39:02,880 --> 00:39:05,200
Speaker 4: always yeah, he's always been that big. His mouth is

969
00:39:05,520 --> 00:39:08,520
Speaker 4: his mouth is just his his whole lifestyle, his caller

970
00:39:08,600 --> 00:39:10,160
Speaker 4: with his mouth, you know what I mean. He's always

971
00:39:10,200 --> 00:39:13,160
Speaker 4: had that talk. He's always had that that something about

972
00:39:13,239 --> 00:39:16,240
Speaker 4: his voice was just very distinct. It was very different

973
00:39:16,280 --> 00:39:19,279
Speaker 4: from most other DJs on radio. And he always would

974
00:39:19,320 --> 00:39:21,480
Speaker 4: be extra witted and you know, he always would get

975
00:39:21,520 --> 00:39:23,080
Speaker 4: you in the room and he do so much and

976
00:39:23,360 --> 00:39:25,480
Speaker 4: he was entertaining. So I would like to see him now.

977
00:39:26,040 --> 00:39:28,399
Speaker 4: I've been seeing him like that for years, Like I'm

978
00:39:28,440 --> 00:39:30,520
Speaker 4: in the studio him. He's like that now the world

979
00:39:30,640 --> 00:39:31,920
Speaker 4: just really get to see. You know, it's just like

980
00:39:32,040 --> 00:39:33,880
Speaker 4: Cali on steroids.

981
00:39:33,360 --> 00:39:33,839
Speaker 7: You know what I mean.

982
00:39:34,320 --> 00:39:38,720
Speaker 1: Going to be a Trick Dawdy DJ College Ross record.

983
00:39:38,960 --> 00:39:42,600
Speaker 4: Oh wow, we need to get that, though, Trick says, no, no,

984
00:39:44,400 --> 00:39:47,360
Speaker 4: the universe realistically, Trick was already saying that he already

985
00:39:47,360 --> 00:39:49,040
Speaker 4: want He already wonted the record that Kyli was doing

986
00:39:49,120 --> 00:39:50,719
Speaker 4: and you know, get the whole thing with three or

987
00:39:50,760 --> 00:39:52,719
Speaker 4: five miemy. So I don't know how we're going to

988
00:39:52,800 --> 00:39:54,360
Speaker 4: kind of create it with what we're gonna do it,

989
00:39:54,440 --> 00:39:55,520
Speaker 4: but I love.

990
00:40:00,680 --> 00:40:01,040
Speaker 1: Just keep it.

991
00:40:01,680 --> 00:40:03,520
Speaker 4: Yeah, Trick wants that though, so you know, we'll see

992
00:40:03,520 --> 00:40:05,280
Speaker 4: how that works out. Trick I always talking to College,

993
00:40:05,320 --> 00:40:06,279
Speaker 4: so you know he's going to calt.

994
00:40:06,320 --> 00:40:08,319
Speaker 1: I need the record, So yeah, that's dope, man, Let's

995
00:40:08,360 --> 00:40:12,200
Speaker 1: make some noise for that because I love that. I

996
00:40:12,280 --> 00:40:14,080
Speaker 1: love that. I like that union.

997
00:40:16,680 --> 00:40:21,000
Speaker 4: Now remember the sauce cover Source Atlanta.

998
00:40:21,160 --> 00:40:22,160
Speaker 1: You remember the Source cover?

999
00:40:22,440 --> 00:40:22,759
Speaker 2: Who was that?

1000
00:40:22,840 --> 00:40:25,120
Speaker 4: The swim shoot edition Source swim Suit.

1001
00:40:25,680 --> 00:40:27,759
Speaker 1: Was that the first time that ever did that?

1002
00:40:28,040 --> 00:40:28,239
Speaker 4: Yeah?

1003
00:40:28,320 --> 00:40:29,040
Speaker 2: A swim shoot?

1004
00:40:29,719 --> 00:40:29,919
Speaker 4: Yeah?

1005
00:40:30,560 --> 00:40:32,680
Speaker 1: Was it the last time? How many times did they

1006
00:40:32,760 --> 00:40:32,920
Speaker 1: do that?

1007
00:40:33,400 --> 00:40:34,080
Speaker 2: I'm not sure.

1008
00:40:34,239 --> 00:40:36,759
Speaker 1: I'm not sure I think that, but I remember that

1009
00:40:37,000 --> 00:40:40,719
Speaker 1: just being like everywhere like that was like the first viral.

1010
00:40:40,880 --> 00:40:42,319
Speaker 2: Cover hip hop.

1011
00:40:42,800 --> 00:40:43,600
Speaker 6: So how was that?

1012
00:40:44,320 --> 00:40:46,120
Speaker 4: I mean, you know what I was, I was really

1013
00:40:46,239 --> 00:40:49,759
Speaker 4: young at that point. I just I didn't really look

1014
00:40:49,800 --> 00:40:51,399
Speaker 4: at it all like that. I mean, it was all good.

1015
00:40:51,400 --> 00:40:53,440
Speaker 4: Everything was good. The Source magazine and the King's, all

1016
00:40:53,440 --> 00:40:55,040
Speaker 4: theseferent magazines, all of it was just that to me.

1017
00:40:55,480 --> 00:41:00,719
Speaker 4: I wasn't really like I wasn't really like it's fascinated

1018
00:41:00,800 --> 00:41:02,480
Speaker 4: with the facade of all this stuff, you know what

1019
00:41:02,520 --> 00:41:04,879
Speaker 4: I mean. I come from Miami. I'm used to seeing

1020
00:41:04,920 --> 00:41:06,760
Speaker 4: all this. I came from a family with money already.

1021
00:41:06,760 --> 00:41:11,279
Speaker 4: I'm not really impressed by much career. No, my mom

1022
00:41:11,560 --> 00:41:14,520
Speaker 4: she steals everything. She lets me like she have every

1023
00:41:14,640 --> 00:41:18,640
Speaker 4: single thing from everything. Okay, like if anything I missing

1024
00:41:18,719 --> 00:41:20,319
Speaker 4: she had, she.

1025
00:41:22,400 --> 00:41:22,759
Speaker 1: Has that.

1026
00:41:22,880 --> 00:41:24,399
Speaker 4: I'd be like, Mike, what did you get that from.

1027
00:41:24,440 --> 00:41:26,960
Speaker 4: But yeah, you know, I just was like, what it

1028
00:41:27,120 --> 00:41:29,200
Speaker 4: just all started just happening like so fast.

1029
00:41:29,360 --> 00:41:29,520
Speaker 5: You know.

1030
00:41:30,239 --> 00:41:33,960
Speaker 4: I think I never got caught up into the all

1031
00:41:33,960 --> 00:41:36,160
Speaker 4: of it because I was so busy working. I was

1032
00:41:36,200 --> 00:41:39,359
Speaker 4: still I always worked. I never like took mad long times.

1033
00:41:39,400 --> 00:41:41,040
Speaker 4: I would put out my album every two years. My

1034
00:41:41,040 --> 00:41:42,800
Speaker 4: album came my first album came out of two thousand,

1035
00:41:43,000 --> 00:41:44,960
Speaker 4: that was the very first album to matter shit, then

1036
00:41:45,000 --> 00:41:46,480
Speaker 4: two thousand and two, then two thousand and four. It

1037
00:41:46,520 --> 00:41:48,120
Speaker 4: was always be these two year breaks in because I

1038
00:41:48,200 --> 00:41:50,680
Speaker 4: was always performing, traveling, doing so much. So I never

1039
00:41:50,800 --> 00:41:53,400
Speaker 4: really took the time off out of any of it.

1040
00:41:53,520 --> 00:41:55,759
Speaker 4: So I never got caught up in the magazines and

1041
00:41:55,960 --> 00:41:57,960
Speaker 4: the whole thing. And people would be like over and

1042
00:41:57,960 --> 00:41:59,640
Speaker 4: I'll just be like, you know what I mean, I

1043
00:41:59,640 --> 00:42:02,880
Speaker 4: don't know why, just because I wasn't excited about more

1044
00:42:02,920 --> 00:42:05,239
Speaker 4: of that. Like people would be like, oh, somebody has

1045
00:42:05,280 --> 00:42:06,839
Speaker 4: your magazine in the jail house.

1046
00:42:06,840 --> 00:42:09,719
Speaker 3: I'll be like, yeah, you know, like and I.

1047
00:42:11,239 --> 00:42:11,440
Speaker 5: Was like.

1048
00:42:14,200 --> 00:42:16,640
Speaker 4: Okay, But I just I guess I was so much

1049
00:42:16,680 --> 00:42:18,640
Speaker 4: caught up into the performing. I was caught up into

1050
00:42:18,680 --> 00:42:21,920
Speaker 4: the real like reach out and touch and meeting people

1051
00:42:21,960 --> 00:42:23,520
Speaker 4: and entertaining more than anything.

1052
00:42:24,520 --> 00:42:26,600
Speaker 1: It sounds like we have to tell you how much

1053
00:42:26,640 --> 00:42:30,600
Speaker 1: you appreciated their podcast. You are queen, you are always

1054
00:42:30,680 --> 00:42:33,439
Speaker 1: had class, You stayed in these people faced with the music.

1055
00:42:33,480 --> 00:42:36,560
Speaker 1: Whoever doubted you, you proved them haters, You proved them wrong.

1056
00:42:36,719 --> 00:42:38,759
Speaker 1: So we want you to know that you are one.

1057
00:42:38,920 --> 00:42:39,320
Speaker 2: Doubtedly.

1058
00:42:39,400 --> 00:42:41,560
Speaker 1: All we want to interview is legend, and we want

1059
00:42:41,600 --> 00:42:43,640
Speaker 1: you to know undoubtedly you are legend.

1060
00:42:43,680 --> 00:42:49,960
Speaker 2: We were trying to get help, you.

1061
00:42:50,040 --> 00:42:53,000
Speaker 4: Know why, And I said I was gonna do it,

1062
00:42:53,080 --> 00:42:56,120
Speaker 4: but what was one? I was like, what you haven't

1063
00:42:56,120 --> 00:42:57,319
Speaker 4: sit in the room for the people? Are you're gonna

1064
00:42:57,320 --> 00:42:59,080
Speaker 4: talk about what you're one? People? That's gonna be like

1065
00:42:59,600 --> 00:43:04,520
Speaker 4: talking all these rumors and like I just really like

1066
00:43:04,760 --> 00:43:06,640
Speaker 4: I really curve that stuff. I just been like, you know,

1067
00:43:06,680 --> 00:43:09,520
Speaker 4: everybody asked the same old question I'm asking you about,

1068
00:43:09,880 --> 00:43:11,360
Speaker 4: and it is so real, Like you know what, and

1069
00:43:11,600 --> 00:43:13,799
Speaker 4: I remember the time you've been asking even to even

1070
00:43:14,120 --> 00:43:15,680
Speaker 4: when my public is called a couple of days ago.

1071
00:43:15,719 --> 00:43:19,600
Speaker 4: She was like, I was like, Alicia, now you know,

1072
00:43:20,160 --> 00:43:22,080
Speaker 4: but it's noorious. So you know, all right, I'm gonna

1073
00:43:22,080 --> 00:43:29,799
Speaker 4: just give them the benefit of the down because it'd

1074
00:43:29,840 --> 00:43:32,160
Speaker 4: be so much distraction, you know. And the thing for

1075
00:43:32,280 --> 00:43:35,080
Speaker 4: me is like for the past five six years, even

1076
00:43:35,080 --> 00:43:36,839
Speaker 4: when I put out my album before and just eat

1077
00:43:36,880 --> 00:43:38,760
Speaker 4: this stuff. Every time something comes out, it's always distracted,

1078
00:43:38,840 --> 00:43:41,279
Speaker 4: always somebody's beef. So now when I promote my album,

1079
00:43:41,320 --> 00:43:42,880
Speaker 4: we got to talk about such and such beef. Now

1080
00:43:42,920 --> 00:43:44,560
Speaker 4: we got to talk about and it's always that. So

1081
00:43:44,719 --> 00:43:47,279
Speaker 4: you just be drawn. I'm like, I don't. I just

1082
00:43:47,400 --> 00:43:47,719
Speaker 4: curve it.

1083
00:43:47,920 --> 00:43:49,920
Speaker 2: See, I'm an artist too, so get it.

1084
00:43:50,040 --> 00:43:52,040
Speaker 1: I get it. I understand. And that's the thing about

1085
00:43:52,360 --> 00:43:57,680
Speaker 1: this is I think they quote unquote called me a legend.

1086
00:43:57,760 --> 00:44:01,080
Speaker 6: Right you are when they say that about it. Okay,

1087
00:44:07,600 --> 00:44:08,520
Speaker 6: I knew it was coming.

1088
00:44:08,840 --> 00:44:09,760
Speaker 1: I knew it was coming.

1089
00:44:10,160 --> 00:44:12,680
Speaker 2: So that's what that's what we need to promote.

1090
00:44:12,680 --> 00:44:14,560
Speaker 1: We need to keep bigging each other up. This this

1091
00:44:14,760 --> 00:44:17,399
Speaker 1: This is so when at the time, when you think

1092
00:44:17,440 --> 00:44:19,759
Speaker 1: about it, like artists should come here first, artists would

1093
00:44:19,760 --> 00:44:21,439
Speaker 1: come here and say, you know what you know because

1094
00:44:21,480 --> 00:44:23,919
Speaker 1: this is another artist who knows, who understands and gets

1095
00:44:23,920 --> 00:44:25,279
Speaker 1: to know that. I don't want to be talking about

1096
00:44:25,440 --> 00:44:27,879
Speaker 1: you haven't past boyfriends and things like that. That's that's

1097
00:44:28,000 --> 00:44:30,239
Speaker 1: that's not what you're here for. We hip hop, we're

1098
00:44:30,239 --> 00:44:32,040
Speaker 1: gonna keep it hip hop. We're gonna talk about the

1099
00:44:32,120 --> 00:44:35,040
Speaker 1: music and you know what I'm saying, But the artists

1100
00:44:35,080 --> 00:44:37,719
Speaker 1: have to promote the artist because this is now a

1101
00:44:37,840 --> 00:44:42,160
Speaker 1: platform for us where we want our people to to chill.

1102
00:44:42,239 --> 00:44:44,279
Speaker 1: So now let's get back into some music ship, right

1103
00:44:44,360 --> 00:44:46,160
Speaker 1: e fn Come on. I feel like you got some

1104
00:44:46,239 --> 00:44:48,480
Speaker 1: Miami question here.

1105
00:44:48,360 --> 00:44:50,200
Speaker 7: Where she coming from on the female angle, like what

1106
00:44:50,680 --> 00:44:54,640
Speaker 7: advice do you have to female mcs and you know

1107
00:44:54,800 --> 00:44:58,000
Speaker 7: that they're gonna steer females into again going back to

1108
00:44:58,080 --> 00:45:01,480
Speaker 7: the hyper sexual like what are they gonna what do

1109
00:45:01,560 --> 00:45:03,480
Speaker 7: they have to deal with coming into the industry.

1110
00:45:03,760 --> 00:45:05,560
Speaker 4: Well, you know what, It's just it's a lot like

1111
00:45:05,640 --> 00:45:08,359
Speaker 4: it's a male dominated industry for one, and I mean

1112
00:45:08,560 --> 00:45:10,799
Speaker 4: it's it's everybody makes it a whole sexual thing. Whatever.

1113
00:45:10,880 --> 00:45:14,040
Speaker 4: Not being sexy is not a crime. Nobody wants to

1114
00:45:14,080 --> 00:45:17,080
Speaker 4: see an unsexy woman. I mean, as far as however

1115
00:45:17,200 --> 00:45:20,359
Speaker 4: you go, however you live your sexuality or whatever, that's

1116
00:45:20,400 --> 00:45:23,239
Speaker 4: your business. But when it comes to women being expressive,

1117
00:45:23,600 --> 00:45:26,080
Speaker 4: everything that you're doing and you're expressing, every one of

1118
00:45:26,120 --> 00:45:27,640
Speaker 4: these women has living and doing the same thing. I

1119
00:45:27,640 --> 00:45:30,040
Speaker 4: don't know why they all act so Nonchalanta crazy, Like

1120
00:45:30,120 --> 00:45:33,279
Speaker 4: this is all a new blind site. It's not stopping you.

1121
00:45:33,400 --> 00:45:37,279
Speaker 4: Guys are all somewhere pop locking dropping doing whatever you're doing,

1122
00:45:37,400 --> 00:45:39,800
Speaker 4: someone's but judging somebody else, Like, just knock it off already,

1123
00:45:39,840 --> 00:45:41,360
Speaker 4: you know. I just feel like for females, you just

1124
00:45:41,400 --> 00:45:43,440
Speaker 4: got to be strong. You know how hard it is

1125
00:45:43,560 --> 00:45:46,400
Speaker 4: to be a woman and to just be like like

1126
00:45:47,120 --> 00:45:50,080
Speaker 4: just proceved or just to be is there's a misconception

1127
00:45:50,239 --> 00:45:53,560
Speaker 4: because you say whatever you say in a song, or

1128
00:45:53,640 --> 00:45:55,879
Speaker 4: because you wear a dress and it's two inches above

1129
00:45:55,960 --> 00:45:59,000
Speaker 4: the thigh or whatever. That's just an annoying fact. Like

1130
00:45:59,000 --> 00:46:00,520
Speaker 4: everyone don't have to wear the skins all way down

1131
00:46:00,520 --> 00:46:02,880
Speaker 4: to the knees. You don't have to be this, you know, sanctified,

1132
00:46:03,000 --> 00:46:03,720
Speaker 4: the Holy person.

1133
00:46:03,880 --> 00:46:04,120
Speaker 5: You don't.

1134
00:46:04,280 --> 00:46:06,239
Speaker 4: You just have to be a good human being, whether

1135
00:46:06,239 --> 00:46:09,680
Speaker 4: you do in music, sports, TV, magazine, makeup, whatever, just

1136
00:46:09,800 --> 00:46:11,480
Speaker 4: be a good person. And when it comes to this

1137
00:46:11,600 --> 00:46:14,279
Speaker 4: music thing, if you're not a woman and you're very

1138
00:46:14,840 --> 00:46:18,600
Speaker 4: confident and you are and you're this is here as

1139
00:46:18,680 --> 00:46:22,240
Speaker 4: good you, you're definitely will be totally screwed in this industry.

1140
00:46:22,239 --> 00:46:24,439
Speaker 4: You will not survive in this industry. And I'm talking

1141
00:46:24,440 --> 00:46:26,040
Speaker 4: about no matter what I don't care how much money

1142
00:46:26,080 --> 00:46:27,839
Speaker 4: you make in the way you can have all the money,

1143
00:46:28,000 --> 00:46:30,160
Speaker 4: all the money. I have all the money, And there's

1144
00:46:30,200 --> 00:46:32,359
Speaker 4: sometimes I've been at my lowest and the only thing

1145
00:46:32,400 --> 00:46:33,960
Speaker 4: that's kept me up is because I know who I

1146
00:46:34,080 --> 00:46:35,440
Speaker 4: am as a person. And when I look at the

1147
00:46:35,520 --> 00:46:37,600
Speaker 4: thing that has put me to my lowest, I'm looking like, bro,

1148
00:46:37,800 --> 00:46:40,239
Speaker 4: pick yourself up? Are you serious? You feel me? And

1149
00:46:40,320 --> 00:46:42,600
Speaker 4: that's just because I know my worth? And as women

1150
00:46:42,600 --> 00:46:44,799
Speaker 4: where emotion you step outside of your worth, you fall down,

1151
00:46:44,840 --> 00:46:46,759
Speaker 4: you fall in love, you get crazy, whatever you do,

1152
00:46:46,920 --> 00:46:48,759
Speaker 4: but you're still human. You're a woman, You're all of that.

1153
00:46:48,960 --> 00:46:50,320
Speaker 4: But you have to own up to that. You have

1154
00:46:50,400 --> 00:46:52,520
Speaker 4: to believe in that. You have to make you're If

1155
00:46:52,640 --> 00:46:55,080
Speaker 4: nobody can take away who you are and what you

1156
00:46:55,480 --> 00:46:57,320
Speaker 4: are as a person, but you. I don't care what

1157
00:46:57,440 --> 00:46:59,879
Speaker 4: the rumors, the stories. I don't care. If you saw

1158
00:47:00,120 --> 00:47:02,560
Speaker 4: you saw me that wasn't me, I don't care. I'm

1159
00:47:02,680 --> 00:47:05,000
Speaker 4: just saying nobody could take away from you but you.

1160
00:47:05,360 --> 00:47:06,960
Speaker 4: And that's just real fact. And if you don't stand

1161
00:47:07,000 --> 00:47:09,560
Speaker 4: up for yourself and be just you just gotta be

1162
00:47:09,760 --> 00:47:12,160
Speaker 4: like a real you know, a real woman is somebody

1163
00:47:12,200 --> 00:47:16,000
Speaker 4: that's just like unfazed, unbothered. That doesn't mean you don't

1164
00:47:16,000 --> 00:47:17,279
Speaker 4: cry as me, you don't get mad as and you

1165
00:47:17,320 --> 00:47:19,239
Speaker 4: don't go through anything like anybody else. But you just

1166
00:47:19,360 --> 00:47:21,359
Speaker 4: have to be strong and inferior and know that shit

1167
00:47:21,440 --> 00:47:24,600
Speaker 4: happens every single day. It'll pass, You'll get over and

1168
00:47:24,719 --> 00:47:27,200
Speaker 4: keep it moving. Like imagine being a woman in this

1169
00:47:27,320 --> 00:47:31,960
Speaker 4: industry that's so critical, so male dominated, so nasty, so

1170
00:47:33,080 --> 00:47:36,440
Speaker 4: so talked down upon all that for seventeen years, right,

1171
00:47:36,960 --> 00:47:40,680
Speaker 4: for seventeen years, and still can run circles around half

1172
00:47:40,719 --> 00:47:43,640
Speaker 4: of these fucking people in this whole industry and and

1173
00:47:43,719 --> 00:47:46,560
Speaker 4: you still So that's men and women. So that's what

1174
00:47:46,640 --> 00:47:50,160
Speaker 4: I'm saying. So for myself, I've been in situations, relationships,

1175
00:47:50,239 --> 00:47:52,799
Speaker 4: public and unpublished. I'm not a person if something don't

1176
00:47:52,800 --> 00:47:54,400
Speaker 4: work out public or human beings or we could get

1177
00:47:54,400 --> 00:47:55,959
Speaker 4: into it today. We could be the best people today.

1178
00:47:56,000 --> 00:47:58,120
Speaker 4: Tomorrow we may not like each other. Do that mean

1179
00:47:58,160 --> 00:47:59,279
Speaker 4: I have to drag your name and the mother and

1180
00:47:59,280 --> 00:48:00,400
Speaker 4: make you like the worst person of the earth. I

1181
00:48:00,440 --> 00:48:01,880
Speaker 4: don't have to do that because at the end of

1182
00:48:01,880 --> 00:48:03,600
Speaker 4: the day, I still have my life. I keep it moving.

1183
00:48:03,640 --> 00:48:05,080
Speaker 4: You have your life, keep it moving. I don't want

1184
00:48:05,120 --> 00:48:06,200
Speaker 4: to be an enemy. I don't want to hate you,

1185
00:48:06,239 --> 00:48:07,920
Speaker 4: I don't want to be disgusted by you. Just keep

1186
00:48:07,960 --> 00:48:10,799
Speaker 4: it moving because you know what disgusting creature that you are.

1187
00:48:10,880 --> 00:48:12,239
Speaker 4: You know what I mean. So that's just me. You

1188
00:48:12,280 --> 00:48:14,880
Speaker 4: don't hear me bashing people. You don't hear me talking now,

1189
00:48:14,960 --> 00:48:17,480
Speaker 4: I just keep it moving. That's just who I'm just

1190
00:48:17,600 --> 00:48:19,759
Speaker 4: so wazy talk right now.

1191
00:48:20,440 --> 00:48:20,719
Speaker 2: No, no.

1192
00:48:22,560 --> 00:48:23,799
Speaker 4: Record is just one of those records that's just real

1193
00:48:23,880 --> 00:48:25,439
Speaker 4: facts in life. Like there's a lot of fuck boys.

1194
00:48:25,680 --> 00:48:28,640
Speaker 4: And the reason that's the reason because there's so many boys,

1195
00:48:29,000 --> 00:48:30,920
Speaker 4: the reason there's so many fun boys is what made

1196
00:48:30,960 --> 00:48:33,440
Speaker 4: women become like not real women like I come from.

1197
00:48:33,560 --> 00:48:37,799
Speaker 4: I think after my generation, women have totally turned into

1198
00:48:37,960 --> 00:48:39,719
Speaker 4: wanting to be like men. And when I say that,

1199
00:48:39,880 --> 00:48:42,040
Speaker 4: meaning like I feel like there was a time like

1200
00:48:42,160 --> 00:48:44,480
Speaker 4: my friends and the people I grew up under boss.

1201
00:48:44,520 --> 00:48:47,480
Speaker 4: When I say boss, women women that like ran the household,

1202
00:48:47,719 --> 00:48:49,400
Speaker 4: ran the bags, the money, anything the man did, it

1203
00:48:49,480 --> 00:48:51,840
Speaker 4: came through them. That's a real woman. Anything happened, they

1204
00:48:51,920 --> 00:48:54,359
Speaker 4: hell done, they have everything Like this is real woman.

1205
00:48:54,400 --> 00:48:56,640
Speaker 4: I don't know all this generation the foolishness is going on.

1206
00:48:56,840 --> 00:48:58,759
Speaker 4: I don't adapt to all that. I don't play them

1207
00:48:58,800 --> 00:49:00,320
Speaker 4: kind of game. That's why something to work me with

1208
00:49:00,400 --> 00:49:02,480
Speaker 4: the man. I don't care how public figure he is.

1209
00:49:02,680 --> 00:49:04,320
Speaker 4: I'm not trying to tell you now because you already

1210
00:49:04,320 --> 00:49:05,960
Speaker 4: know the clown that you is. I'm gonna just let

1211
00:49:06,000 --> 00:49:07,759
Speaker 4: you live with that. So when I say that, So

1212
00:49:07,920 --> 00:49:11,239
Speaker 4: now with women, my generation of women. As a man,

1213
00:49:11,320 --> 00:49:13,160
Speaker 4: men do whatever they do. It's whatever you do, you

1214
00:49:13,239 --> 00:49:15,640
Speaker 4: do your thing. But at the end of the day,

1215
00:49:16,040 --> 00:49:18,320
Speaker 4: don't be the woman that turned into the man. You

1216
00:49:18,440 --> 00:49:21,000
Speaker 4: cannot be the man. And so because women are starting

1217
00:49:21,040 --> 00:49:24,080
Speaker 4: to do that, men are just turning to boys and

1218
00:49:24,120 --> 00:49:27,719
Speaker 4: women just turning into totally completely idiots. And it's just

1219
00:49:27,800 --> 00:49:30,600
Speaker 4: a disgraced generation that we're living in. I don't like

1220
00:49:30,719 --> 00:49:58,799
Speaker 4: all that kind of stuff. You feel me, No, no, Miami.

1221
00:50:02,440 --> 00:50:04,719
Speaker 2: Love realness going no, no, no, And that's just what

1222
00:50:04,800 --> 00:50:05,719
Speaker 2: we're promoting right here.

1223
00:50:05,800 --> 00:50:09,640
Speaker 1: And like I said, like you're a queen, you're a

1224
00:50:09,760 --> 00:50:13,120
Speaker 1: person that held it down for females. Females, that's I

1225
00:50:13,280 --> 00:50:15,640
Speaker 1: wish there's a lot more female love out there, you

1226
00:50:15,719 --> 00:50:16,120
Speaker 1: know what I mean.

1227
00:50:16,200 --> 00:50:19,040
Speaker 4: It's beautiful females in the industry music R and b

1228
00:50:19,400 --> 00:50:22,360
Speaker 4: rap hip hop, pop is some beautiful females imagine the

1229
00:50:22,520 --> 00:50:25,880
Speaker 4: power that that can. If everybody was like on the

1230
00:50:25,960 --> 00:50:28,759
Speaker 4: same mental it would be it would be it would

1231
00:50:28,800 --> 00:50:31,920
Speaker 4: be it would be crazy. That would be insane.

1232
00:50:32,560 --> 00:50:34,640
Speaker 2: I think, I think, I think, I think.

1233
00:50:36,280 --> 00:50:40,439
Speaker 1: Just make sure Champagne killed people. That is a fact. Yeah,

1234
00:50:40,640 --> 00:50:48,279
Speaker 1: I've seen it in my mind. I want a real shot. Okay,

1235
00:50:48,400 --> 00:50:51,880
Speaker 1: we're gonna take the rock real great, Okay, niggas a

1236
00:50:52,239 --> 00:50:53,560
Speaker 1: niggas ain't have a cold.

1237
00:50:53,719 --> 00:50:53,959
Speaker 3: Dad.

1238
00:50:54,200 --> 00:50:55,120
Speaker 4: We like the regulation.

1239
00:50:55,960 --> 00:50:57,640
Speaker 1: Yeah, you got flavor.

1240
00:50:58,400 --> 00:50:59,720
Speaker 4: I'm just so you don't like flavor.

1241
00:51:00,160 --> 00:51:02,480
Speaker 2: Yeah, and we made sure there was no fresh Vanla.

1242
00:51:03,560 --> 00:51:06,000
Speaker 4: That's cool. I'm not I hate shout out to the

1243
00:51:06,040 --> 00:51:11,720
Speaker 4: fresh Fanela. Everybody's getting That's just me. I just love everybody.

1244
00:51:11,800 --> 00:51:14,279
Speaker 4: Just have a good time. You know what it is.

1245
00:51:14,400 --> 00:51:16,319
Speaker 2: I do not entertain the negativity.

1246
00:51:17,280 --> 00:51:17,840
Speaker 5: It's not you.

1247
00:51:26,440 --> 00:51:31,080
Speaker 1: That's like man, you for real, man like like I

1248
00:51:31,160 --> 00:51:33,640
Speaker 1: got I got homies. Hey, come you want me for.

1249
00:51:35,520 --> 00:51:38,040
Speaker 6: I was like, this is gonna be.

1250
00:51:40,920 --> 00:51:41,200
Speaker 7: Okay.

1251
00:51:41,320 --> 00:51:44,040
Speaker 2: Now listen, this is everybody, everybody your glasses.

1252
00:51:44,120 --> 00:51:45,560
Speaker 4: This is not South Beach. This is to the real

1253
00:51:45,640 --> 00:51:47,080
Speaker 4: Miami three, the Miami.

1254
00:51:48,719 --> 00:51:49,800
Speaker 1: This is to you, to me.

1255
00:51:54,920 --> 00:52:08,240
Speaker 3: You may make mad, let me get together.

1256
00:52:08,680 --> 00:52:11,640
Speaker 2: Okay, So listen, This is to you, sis, thank you.

1257
00:52:11,800 --> 00:52:12,320
Speaker 5: This is to you.

1258
00:52:12,680 --> 00:52:13,320
Speaker 1: You are queen.

1259
00:52:13,440 --> 00:52:13,719
Speaker 4: Thank you.

1260
00:52:13,840 --> 00:52:15,759
Speaker 2: We want you to continue doing it. We want you

1261
00:52:15,760 --> 00:52:16,360
Speaker 2: to continue to.

1262
00:52:16,400 --> 00:52:19,479
Speaker 1: Make these people if whatever they mad at you or whatever,

1263
00:52:19,560 --> 00:52:20,839
Speaker 1: we're gonna continue to be mad.

1264
00:52:21,160 --> 00:52:21,839
Speaker 2: We don't mind.

1265
00:52:22,480 --> 00:52:23,200
Speaker 3: Just to relax.

1266
00:52:23,800 --> 00:52:24,680
Speaker 1: They tell them to relax.

1267
00:52:24,960 --> 00:52:28,520
Speaker 2: H They got to relax, and we're gonna salute you

1268
00:52:28,680 --> 00:52:29,160
Speaker 2: every day.

1269
00:52:29,760 --> 00:52:33,359
Speaker 1: Treeing up the motherfucking queen. Are you taking this down?

1270
00:52:37,760 --> 00:52:40,280
Speaker 1: That is how I know your gangster because you actually

1271
00:52:41,880 --> 00:52:44,759
Speaker 1: to killer girl. Well, anybody that drinks the killer you

1272
00:52:44,800 --> 00:52:45,520
Speaker 1: cut people before.

1273
00:52:45,600 --> 00:52:45,960
Speaker 3: I know this.

1274
00:52:47,000 --> 00:52:51,160
Speaker 2: I know this if especially you, you too beautiful, you

1275
00:52:51,239 --> 00:52:53,640
Speaker 2: like you girls to drink the killer.

1276
00:52:53,760 --> 00:52:55,319
Speaker 1: You stabbed a couple of people.

1277
00:52:55,400 --> 00:52:56,000
Speaker 3: Let's let's talk.

1278
00:52:55,880 --> 00:52:57,319
Speaker 2: About that back in the day.

1279
00:52:58,800 --> 00:53:01,399
Speaker 4: I'm just a very sweeper, something's very respectful. I came

1280
00:53:01,600 --> 00:53:03,440
Speaker 4: like from a real, like real. I came from the

1281
00:53:03,520 --> 00:53:06,360
Speaker 4: last of the real of real of Miami, like the mafia.

1282
00:53:06,520 --> 00:53:08,000
Speaker 4: Like dude, I play. I don't play all the extra

1283
00:53:08,719 --> 00:53:10,440
Speaker 4: I'm not on the wave that this industry stuff. I'm

1284
00:53:10,480 --> 00:53:12,720
Speaker 4: not on the waiver that this is like it's fasad.

1285
00:53:13,160 --> 00:53:14,920
Speaker 4: When you real, you don't do all that.

1286
00:53:15,080 --> 00:53:16,920
Speaker 1: You just do what you do, like you move.

1287
00:53:17,000 --> 00:53:18,880
Speaker 4: How you move, that's how you last, how you last,

1288
00:53:19,000 --> 00:53:21,719
Speaker 4: and that's just how I lasted. For those that thought

1289
00:53:21,719 --> 00:53:23,520
Speaker 4: I could not last, I'm still here because I'm just too.

1290
00:53:23,640 --> 00:53:25,680
Speaker 4: It's a real thing. You know, it's no fake when

1291
00:53:25,680 --> 00:53:27,799
Speaker 4: you fake the mass off, everybody see what's really good?

1292
00:53:27,840 --> 00:53:30,000
Speaker 1: You know, I mean, what was that moment when you realized,

1293
00:53:30,040 --> 00:53:31,960
Speaker 1: because you know, we all have to go through it.

1294
00:53:32,080 --> 00:53:34,880
Speaker 1: We all thought everybody like the rappers, it's who we

1295
00:53:34,960 --> 00:53:36,600
Speaker 1: think they are, who they talk about.

1296
00:53:37,840 --> 00:53:43,160
Speaker 4: You was like, holy, this is doing Yeah, oh it

1297
00:53:43,320 --> 00:53:49,520
Speaker 4: was very what okay, whatever you want to you know

1298
00:53:49,600 --> 00:53:52,440
Speaker 4: what imagine just me like realistically, I came into this

1299
00:53:52,520 --> 00:53:54,680
Speaker 4: industry like thinking like a dude, Like I came around

1300
00:53:54,719 --> 00:53:56,879
Speaker 4: the guys. It's trick Daddy down the CEO and money

1301
00:53:56,960 --> 00:54:00,200
Speaker 4: Mark and I put my boy Ross saw so he

1302
00:54:00,320 --> 00:54:02,600
Speaker 4: was like, I got like all guys, so imagine I'm

1303
00:54:02,600 --> 00:54:06,920
Speaker 4: the only girl. These guys are mad, annoying, they are mad.

1304
00:54:07,239 --> 00:54:08,800
Speaker 4: I'm just like the sister. And I'm just thinking like

1305
00:54:08,880 --> 00:54:09,840
Speaker 4: as a girl.

1306
00:54:09,719 --> 00:54:10,480
Speaker 1: And the horn.

1307
00:54:12,120 --> 00:54:14,080
Speaker 2: There horning when I first came.

1308
00:54:15,800 --> 00:54:18,480
Speaker 4: No, and I'm thinking, imagine me, I'm thinking from the

1309
00:54:18,520 --> 00:54:21,239
Speaker 4: girl in and the guy in and as a girl

1310
00:54:21,760 --> 00:54:24,080
Speaker 4: type of chicks out these that stoop so low to

1311
00:54:24,160 --> 00:54:26,560
Speaker 4: be jumping around from one to the next every second

1312
00:54:26,600 --> 00:54:29,000
Speaker 4: night from the Caribbean.

1313
00:54:29,040 --> 00:54:29,440
Speaker 3: Of course.

1314
00:54:32,360 --> 00:54:35,399
Speaker 1: You all you want papers. I'm so sorry. I wasn't

1315
00:54:35,480 --> 00:54:36,279
Speaker 1: a gentleman at all.

1316
00:54:36,320 --> 00:54:37,640
Speaker 2: I was offered you early.

1317
00:54:37,960 --> 00:54:38,400
Speaker 1: I'm sorry.

1318
00:54:38,440 --> 00:54:40,879
Speaker 2: Look at that check it right, ye, I'm listening.

1319
00:54:41,120 --> 00:54:43,520
Speaker 4: So now here we go. These are the guys. Look

1320
00:54:43,560 --> 00:54:44,080
Speaker 4: at the women.

1321
00:54:45,120 --> 00:54:49,120
Speaker 1: Y we like to get our guests. We celebrate you because.

1322
00:54:52,440 --> 00:54:54,840
Speaker 4: So now from the guys perspective, these are my guys.

1323
00:54:55,280 --> 00:54:57,040
Speaker 4: But these are the guys that's taking advice from me.

1324
00:54:57,560 --> 00:54:59,120
Speaker 4: All these girls are here these hotels to see you

1325
00:54:59,160 --> 00:55:00,759
Speaker 4: guys because of me. They think I'm going to be here.

1326
00:55:00,800 --> 00:55:02,799
Speaker 4: So I'm debates and the reason you guys came, Oh

1327
00:55:02,800 --> 00:55:05,080
Speaker 4: we're gonna see Traina. Yeah, yeah, we're gonna come. But

1328
00:55:05,200 --> 00:55:08,320
Speaker 4: now when Trina's not here, it's just the guys. What

1329
00:55:08,440 --> 00:55:09,880
Speaker 4: do you guys? What are you girls like? What do

1330
00:55:09,920 --> 00:55:11,200
Speaker 4: you guys like? What's going on?

1331
00:55:11,400 --> 00:55:11,440
Speaker 7: Like?

1332
00:55:11,840 --> 00:55:14,120
Speaker 4: I guess, I mean my girls would never be there.

1333
00:55:14,480 --> 00:55:15,400
Speaker 4: We don't roll like that.

1334
00:55:15,760 --> 00:55:19,239
Speaker 2: Because you said something on and all the girls was on.

1335
00:55:19,440 --> 00:55:24,479
Speaker 2: You say, I come.

1336
00:55:24,400 --> 00:55:26,200
Speaker 4: From a bunch of girls. My friends started dancing be

1337
00:55:26,200 --> 00:55:28,080
Speaker 4: all over the place. I come from the streets where

1338
00:55:28,080 --> 00:55:30,480
Speaker 4: there's real girls. I saw so much stuff growing up

1339
00:55:32,000 --> 00:55:32,680
Speaker 4: right next to me.

1340
00:55:33,040 --> 00:55:33,799
Speaker 2: So many girls.

1341
00:55:33,880 --> 00:55:36,920
Speaker 4: Keeps me so grounded and humble to where I'm like

1342
00:55:37,080 --> 00:55:40,200
Speaker 4: my bitches, attack team whoever and run surface around these dudes,

1343
00:55:40,200 --> 00:55:42,000
Speaker 4: grab the bag and keep it moving. So this is

1344
00:55:42,040 --> 00:55:44,920
Speaker 4: real facts. So when it comes to this industry, these

1345
00:55:45,040 --> 00:55:47,959
Speaker 4: dudes are like lane because if I see these girls

1346
00:55:48,000 --> 00:55:51,000
Speaker 4: on y'all, it's over. So I'm just a humble piece

1347
00:55:51,080 --> 00:55:54,000
Speaker 4: of pine because I'm already coming from a good place,

1348
00:55:54,080 --> 00:55:55,839
Speaker 4: a good family. Money, Like I'm not. I didn't come

1349
00:55:55,880 --> 00:55:57,920
Speaker 4: into this, but it's the real thing. People come into

1350
00:55:57,920 --> 00:56:00,839
Speaker 4: this to make money. Of course it's a life changer.

1351
00:56:00,920 --> 00:56:04,279
Speaker 4: I like you turned from one life to like a

1352
00:56:04,360 --> 00:56:07,560
Speaker 4: different life. But my purpose wasn't like pushing CDs and

1353
00:56:07,600 --> 00:56:09,520
Speaker 4: coming in to get money. I'm doing the faith for trick.

1354
00:56:09,560 --> 00:56:12,120
Speaker 4: Now I'm coming. I was really struck because of the fame,

1355
00:56:12,160 --> 00:56:14,080
Speaker 4: because girls was like going crazy. They loved me. They

1356
00:56:14,120 --> 00:56:15,880
Speaker 4: were saying every word of everything that I ski And

1357
00:56:15,920 --> 00:56:17,719
Speaker 4: these are my homegirls that are wild and bust. It

1358
00:56:17,760 --> 00:56:19,560
Speaker 4: wide open and they're loose and this is their life

1359
00:56:19,560 --> 00:56:21,200
Speaker 4: and out right here saying it, and I'm just confused

1360
00:56:21,239 --> 00:56:23,160
Speaker 4: that every word I'm saying, you girls are saying it

1361
00:56:23,280 --> 00:56:25,120
Speaker 4: like even I'm not saying nothing.

1362
00:56:25,200 --> 00:56:26,160
Speaker 1: It's autiful feeling.

1363
00:56:26,320 --> 00:56:28,719
Speaker 4: And I'm watching some of these girls like react in

1364
00:56:28,800 --> 00:56:30,920
Speaker 4: a way in the lyrics. But to these guys like

1365
00:56:31,000 --> 00:56:33,160
Speaker 4: Trick Rossy's money, I'm a girl, I wouldn't even I

1366
00:56:33,200 --> 00:56:35,160
Speaker 4: wouldn't even y'all could never even convince me to come

1367
00:56:35,160 --> 00:56:35,640
Speaker 4: to the hotel.

1368
00:56:35,840 --> 00:56:36,040
Speaker 7: Child.

1369
00:56:36,400 --> 00:56:38,399
Speaker 4: That's just how That's how I am. So I'm looking

1370
00:56:38,440 --> 00:56:40,480
Speaker 4: at it in different ways. I'm from the guy's perspective

1371
00:56:40,520 --> 00:56:43,160
Speaker 4: and a girl's perspective, but I'm putting game on these guys.

1372
00:56:43,239 --> 00:56:45,480
Speaker 4: I'm looking at these girls like I'm still doing these records.

1373
00:56:45,520 --> 00:56:47,160
Speaker 4: Now I gotta put I gotta do my album to

1374
00:56:47,160 --> 00:56:50,440
Speaker 4: put y'all on game, like how to doe? What's game like?

1375
00:56:50,800 --> 00:56:54,480
Speaker 4: Don't get played, don't sell yourself short, don't settle for anything.

1376
00:56:55,239 --> 00:57:01,320
Speaker 1: The girls that wyat that am I mind of watching this.

1377
00:57:01,719 --> 00:57:03,719
Speaker 4: I'm saying now I'm on the roll with Trick, but

1378
00:57:03,760 --> 00:57:07,080
Speaker 4: I got to prepare my album. And now in my album,

1379
00:57:07,200 --> 00:57:09,279
Speaker 4: I'm in my room and I'm in my zone. I'm

1380
00:57:09,320 --> 00:57:11,960
Speaker 4: gonna put girls on game because what I'm saying, hafident.

1381
00:57:12,560 --> 00:57:14,480
Speaker 4: I don't roll like that. My girls we from Miami,

1382
00:57:14,560 --> 00:57:16,080
Speaker 4: from the three or five. We're gonna play them kind

1383
00:57:16,120 --> 00:57:18,840
Speaker 4: of games like we look dead in the hour. We

1384
00:57:18,880 --> 00:57:21,200
Speaker 4: don't play them kind of games like you already lost

1385
00:57:21,200 --> 00:57:23,000
Speaker 4: when you hit the dough. They don't even play with you.

1386
00:57:23,040 --> 00:57:25,040
Speaker 4: Once you and they sit in, they in they phase,

1387
00:57:25,120 --> 00:57:27,120
Speaker 4: they already won. So I'm trying to figure out what

1388
00:57:27,320 --> 00:57:29,680
Speaker 4: all out the country these girls are like lane, Like

1389
00:57:29,760 --> 00:57:32,080
Speaker 4: I could run a whole school of girls and like

1390
00:57:32,320 --> 00:57:34,200
Speaker 4: could run over the industry and everything in the sports

1391
00:57:34,240 --> 00:57:36,560
Speaker 4: world and like get the bags and gold. Sounds like

1392
00:57:37,320 --> 00:57:45,560
Speaker 4: I'm just saying something like I just was trying to understand,

1393
00:57:45,640 --> 00:57:47,240
Speaker 4: like like because I come up from a family, like

1394
00:57:48,280 --> 00:57:50,520
Speaker 4: I'm like a little protected. Like my dad is like

1395
00:57:50,600 --> 00:57:52,520
Speaker 4: a boss. He's a dude in the streets getting a bag.

1396
00:57:52,840 --> 00:57:54,680
Speaker 4: So even the street dude that's getting money, they can't

1397
00:57:54,720 --> 00:57:56,400
Speaker 4: touch me. They scared because they're scared of my dad,

1398
00:57:56,600 --> 00:58:01,280
Speaker 4: my stepdad. So I'm untouchable. So now I'm already I'm

1399
00:58:01,320 --> 00:58:03,840
Speaker 4: in a household full of bosses. Now when I see

1400
00:58:03,880 --> 00:58:07,040
Speaker 4: street dudes, y'all, y'all can't tell me nothing. I'm running

1401
00:58:07,080 --> 00:58:09,520
Speaker 4: circles round. I'm in I'm in this already, so now

1402
00:58:09,600 --> 00:58:12,040
Speaker 4: what are you gonna come like? It gotta you feel me.

1403
00:58:12,120 --> 00:58:13,680
Speaker 4: So I'm already thinking like a dude, because I come

1404
00:58:13,720 --> 00:58:16,280
Speaker 4: from this. I'm around now these dudes. Trick is a

1405
00:58:16,400 --> 00:58:20,080
Speaker 4: loose cannon. Ross is just a boss. He's a fat boy,

1406
00:58:20,160 --> 00:58:22,200
Speaker 4: but he's on it. He's so swaggy, and he got

1407
00:58:22,280 --> 00:58:24,080
Speaker 4: the talk so he could get he could say whatever

1408
00:58:24,120 --> 00:58:26,400
Speaker 4: they gonna CEO and money Mark is a cute dude.

1409
00:58:26,440 --> 00:58:28,520
Speaker 4: So the girl's gonna just I'm looking at these girls

1410
00:58:28,680 --> 00:58:31,400
Speaker 4: like bro like on a whole pimp school like and

1411
00:58:31,480 --> 00:58:34,439
Speaker 4: get y'all together. Was telling me No, I was trying

1412
00:58:34,440 --> 00:58:37,360
Speaker 4: to see why was girls really like excited to like

1413
00:58:37,520 --> 00:58:40,040
Speaker 4: jump off out of a concert and go back with

1414
00:58:40,200 --> 00:58:43,040
Speaker 4: Trick Ross And yeah, like I didn't get that because

1415
00:58:43,040 --> 00:58:44,720
Speaker 4: that's not not how me and my girls back from

1416
00:58:44,760 --> 00:58:45,400
Speaker 4: Miami roll.

1417
00:58:45,840 --> 00:58:46,520
Speaker 7: We not on that.

1418
00:58:46,920 --> 00:58:49,760
Speaker 4: So I'm trying to figure, like, liked that.

1419
00:58:49,800 --> 00:58:52,200
Speaker 2: Part up, Let's let's let that continue to happen.

1420
00:58:53,800 --> 00:59:02,480
Speaker 4: But imagine, so I'm a girl, so I'm thinking like

1421
00:59:02,520 --> 00:59:04,080
Speaker 4: these dudes. I'm looking at some of these girls like yo,

1422
00:59:04,200 --> 00:59:06,480
Speaker 4: min you hurty you so flying like you should come

1423
00:59:06,520 --> 00:59:08,360
Speaker 4: to Miami, like wave.

1424
00:59:08,320 --> 00:59:09,480
Speaker 2: You up like the.

1425
00:59:11,120 --> 00:59:18,400
Speaker 4: Boy, like come on, you know what I'm saying. I

1426
00:59:18,520 --> 00:59:20,360
Speaker 4: was just trying to put game on from the beginning.

1427
00:59:21,040 --> 00:59:22,720
Speaker 4: So that's how I did my album. It was more

1428
00:59:22,800 --> 00:59:24,400
Speaker 4: like putting women up on game that got to get

1429
00:59:24,400 --> 00:59:26,280
Speaker 4: the bag. How did your money save up? Get your

1430
00:59:26,520 --> 00:59:28,720
Speaker 4: you know, get your weight up, like don't depend on nothing.

1431
00:59:28,800 --> 00:59:30,680
Speaker 4: That's how I because I peeped it for my dudes,

1432
00:59:30,720 --> 00:59:32,320
Speaker 4: like these are my brothers. I'm watching you guys. You

1433
00:59:32,400 --> 00:59:34,160
Speaker 4: guys are even much fly, like y'all don't even have

1434
00:59:34,320 --> 00:59:37,400
Speaker 4: lotion on y'all. Y'all, y'all look a little as to

1435
00:59:37,480 --> 00:59:40,000
Speaker 4: the chicks, like come on, like you feel me. I'm

1436
00:59:40,000 --> 00:59:42,200
Speaker 4: a chick, so I'm trying to like I'm trying to

1437
00:59:42,240 --> 00:59:44,280
Speaker 4: figure what's really good. So I'm just you know, I

1438
00:59:44,400 --> 00:59:46,880
Speaker 4: was in the middle of both, like you know, I

1439
00:59:47,040 --> 00:59:49,240
Speaker 4: was trying to me, but I was protected from them.

1440
00:59:49,680 --> 00:59:52,040
Speaker 4: Dudes couldn't get next to me, and I'm just like,

1441
00:59:52,720 --> 00:59:54,560
Speaker 4: dude's lame, like I don't even want you anyway. And

1442
00:59:54,600 --> 00:59:56,320
Speaker 4: these other dudes trying to get through y'all to me,

1443
00:59:56,480 --> 00:59:58,800
Speaker 4: they definitely ain't gonna get through. And I'm looking at all.

1444
00:59:58,880 --> 01:00:01,560
Speaker 4: Y'all these girls are falling. I really like, I need

1445
01:00:01,640 --> 01:00:03,720
Speaker 4: to teach a whole world of school of like how

1446
01:00:03,800 --> 01:00:05,480
Speaker 4: to get it. That's what I was thinking.

1447
01:00:05,640 --> 01:00:09,160
Speaker 1: I'm thinking that too. I think that's the show, you know, So.

1448
01:00:11,280 --> 01:00:15,480
Speaker 2: Now I have to ask, now a single or Trina is.

1449
01:00:15,520 --> 01:00:18,160
Speaker 4: Happy in love and like just living her life to

1450
01:00:18,240 --> 01:00:21,280
Speaker 4: the fullest, like yeah, and on the islands, you know,

1451
01:00:21,520 --> 01:00:23,520
Speaker 4: like you know, just chewing. You know, That's what I

1452
01:00:23,720 --> 01:00:26,240
Speaker 4: like to do. I'm a love lover. I love love.

1453
01:00:26,680 --> 01:00:28,560
Speaker 4: I believe in love. I believe people should be loved.

1454
01:00:28,600 --> 01:00:30,960
Speaker 4: I think there's a lot less love. And I think

1455
01:00:31,000 --> 01:00:33,240
Speaker 4: the reason our generation is so jacked up because it's

1456
01:00:33,240 --> 01:00:35,400
Speaker 4: so much game playing and not enough love. Everybody's playing

1457
01:00:35,400 --> 01:00:37,480
Speaker 4: the game. You know, the game is you tell me something,

1458
01:00:37,520 --> 01:00:39,560
Speaker 4: I tell her, She tell him. Everybody pillow talking a

1459
01:00:39,600 --> 01:00:41,880
Speaker 4: bunch of bullshit, and everybody's living the game. That's not

1460
01:00:41,960 --> 01:00:44,560
Speaker 4: the wave I didn't grow up into that. Everybody start

1461
01:00:44,640 --> 01:00:46,560
Speaker 4: being real, then there'll be a lot less a bunch

1462
01:00:46,600 --> 01:00:46,760
Speaker 4: of that.

1463
01:00:47,040 --> 01:00:47,200
Speaker 7: You know.

1464
01:00:47,880 --> 01:00:55,960
Speaker 4: Fuck boys will disappear, you feel me, So.

1465
01:00:58,360 --> 01:01:06,400
Speaker 1: Just keep making noise, sna lie you came here, you listen.

1466
01:01:10,080 --> 01:01:10,680
Speaker 2: You don't know.

1467
01:01:10,880 --> 01:01:14,040
Speaker 1: I'm so impressed because you know what the real ship is.

1468
01:01:14,440 --> 01:01:16,920
Speaker 1: This is real, this is this is this is why

1469
01:01:16,960 --> 01:01:19,360
Speaker 1: I'm trying to We're trying to do this because we

1470
01:01:19,400 --> 01:01:21,960
Speaker 1: want to promote real ship and this is just it's

1471
01:01:22,040 --> 01:01:25,320
Speaker 1: just a real moment. And this is like ladies got

1472
01:01:25,400 --> 01:01:29,600
Speaker 1: a GM in here and realize because we get ladies.

1473
01:01:30,480 --> 01:01:35,880
Speaker 4: You know why. But you know why because most of

1474
01:01:35,960 --> 01:01:41,040
Speaker 4: these shows it's the blogs. But but but but it

1475
01:01:41,240 --> 01:01:44,840
Speaker 4: falls on that category of blogging of talking of talking

1476
01:01:44,920 --> 01:01:48,720
Speaker 4: ship and gossiping about people. I'm not a gossiper. I'm

1477
01:01:48,760 --> 01:01:50,560
Speaker 4: not a he says. She say. If you want to

1478
01:01:50,600 --> 01:01:53,200
Speaker 4: know something, Trina say it. Guess what called Trina. Don't

1479
01:01:53,240 --> 01:01:56,840
Speaker 4: ask Trina homegirl trying to assistent training of security. Trina's

1480
01:01:56,880 --> 01:01:59,080
Speaker 4: gonna tell you what, Trina say it because that's how

1481
01:01:59,200 --> 01:02:01,160
Speaker 4: I told Nori. Know he told you, and you told

1482
01:02:01,600 --> 01:02:04,240
Speaker 4: man Ceo and it got off twisted. I don't rock

1483
01:02:04,320 --> 01:02:07,640
Speaker 4: with that exactly, you feel me. So it's one of

1484
01:02:07,680 --> 01:02:09,360
Speaker 4: the kind of things like it's the same thing, like

1485
01:02:09,440 --> 01:02:11,320
Speaker 4: these people get up every single day to be negative

1486
01:02:11,320 --> 01:02:12,680
Speaker 4: and they try to tell your life down. They talk

1487
01:02:12,720 --> 01:02:14,480
Speaker 4: about the ship and they just do a bunch of

1488
01:02:14,600 --> 01:02:17,440
Speaker 4: weird It's not cool. You just don't want to be

1489
01:02:17,600 --> 01:02:19,600
Speaker 4: embarrassed or just to be put on the forefront of

1490
01:02:20,160 --> 01:02:21,680
Speaker 4: some ship that they don't feel like talking about me.

1491
01:02:21,800 --> 01:02:23,280
Speaker 4: I'm just I'm loose like with it.

1492
01:02:23,880 --> 01:02:26,040
Speaker 1: Say the thing about our show, I don't know if

1493
01:02:26,040 --> 01:02:28,520
Speaker 1: you ever see, it's something called the Inside the NBA

1494
01:02:28,640 --> 01:02:31,840
Speaker 1: where it's actually Charles Barkley and Charles Barkley and.

1495
01:02:32,280 --> 01:02:33,360
Speaker 2: What's what's the what's my man?

1496
01:02:33,480 --> 01:02:36,280
Speaker 1: Kenny Smith is from left, Rack and Shack and these

1497
01:02:36,360 --> 01:02:38,280
Speaker 1: are all ex basketball players and they.

1498
01:02:38,760 --> 01:02:39,760
Speaker 4: Like them show. They talk too much.

1499
01:02:39,760 --> 01:02:42,640
Speaker 1: They they interview the other basketball players. And what I

1500
01:02:42,720 --> 01:02:44,280
Speaker 1: mean is they're the inside of the NBA.

1501
01:02:44,360 --> 01:02:45,600
Speaker 3: And this is what this is is.

1502
01:02:45,640 --> 01:02:48,240
Speaker 1: Because I'm in hip hop, I ain't gonna go I

1503
01:02:48,240 --> 01:02:50,080
Speaker 1: ain't gonna put no artists where they want to feel,

1504
01:02:50,400 --> 01:02:52,880
Speaker 1: you know, insecure, out of place, or ask them some

1505
01:02:53,000 --> 01:03:01,400
Speaker 1: crazy I asked crazy like it's crazy, you know. Yeah,

1506
01:03:02,080 --> 01:03:03,880
Speaker 1: in your case, I gotta ask how many rappers ask

1507
01:03:04,200 --> 01:03:06,800
Speaker 1: your ass? Let's just throw that out there, No, come

1508
01:03:06,840 --> 01:03:07,640
Speaker 1: on your case?

1509
01:03:07,640 --> 01:03:11,160
Speaker 4: Come on, you know the numbers I counted in the thousands.

1510
01:03:11,560 --> 01:03:14,800
Speaker 4: We we I'm just saying, but what's the purpose though?

1511
01:03:14,840 --> 01:03:15,080
Speaker 1: After that?

1512
01:03:15,120 --> 01:03:17,120
Speaker 4: Because after you I'm not calling. I'm not gonna curve

1513
01:03:17,160 --> 01:03:18,960
Speaker 4: you out this. So what's what what you're really trying

1514
01:03:18,960 --> 01:03:22,040
Speaker 4: to get the greatest ass eater. I'm going to the

1515
01:03:22,120 --> 01:03:26,240
Speaker 4: next that's really good. Let's be very clear. Great ass eater.

1516
01:03:36,200 --> 01:03:39,520
Speaker 4: Oh my god, say you gotta have some substance and

1517
01:03:39,520 --> 01:03:43,240
Speaker 4: stuff that we do. Stuff all happens all the time, everybody, because.

1518
01:03:44,000 --> 01:03:46,840
Speaker 1: Let me describe the moment right now, right now, I

1519
01:03:46,920 --> 01:03:49,400
Speaker 1: still don't know what you're singing that right? So how

1520
01:03:49,400 --> 01:03:50,320
Speaker 1: does the man sing?

1521
01:03:51,720 --> 01:03:55,200
Speaker 2: Let's how does a man approach treating like.

1522
01:03:55,600 --> 01:03:59,520
Speaker 4: Weirdness ships annoying this? So let me tell you somebody

1523
01:03:59,640 --> 01:04:01,320
Speaker 4: for one, let's go. Let's be first. I don't go

1524
01:04:01,400 --> 01:04:03,280
Speaker 4: on dates. I'm not a dater. I don't want to

1525
01:04:03,320 --> 01:04:05,040
Speaker 4: go to no where that's dinners. I don't want you

1526
01:04:05,040 --> 01:04:07,520
Speaker 4: sitting up staring under the lights all dimn asking a

1527
01:04:07,600 --> 01:04:08,800
Speaker 4: thousand million questions.

1528
01:04:09,160 --> 01:04:12,720
Speaker 2: That's like WEIRDOMIDT.

1529
01:04:14,080 --> 01:04:16,600
Speaker 4: Said, I'm so cool people, but that's because you're like

1530
01:04:16,640 --> 01:04:18,920
Speaker 4: people get they're so stuck on like this whole baddest

1531
01:04:18,960 --> 01:04:21,560
Speaker 4: bitch persona so realistic. I'm like a person. My friends

1532
01:04:21,560 --> 01:04:23,880
Speaker 4: there here they testify you come to my house. Friends,

1533
01:04:23,920 --> 01:04:25,600
Speaker 4: all my friends I'm cooking the ship. You see the

1534
01:04:25,680 --> 01:04:28,919
Speaker 4: meals I cook lobster like all kinds of good ship.

1535
01:04:29,000 --> 01:04:31,520
Speaker 4: Like I'm like a Caribbean chef. I treat my friends

1536
01:04:31,600 --> 01:04:33,760
Speaker 4: like royalty. I make sure they're good. When you come

1537
01:04:33,960 --> 01:04:35,320
Speaker 4: as a man, if you're trying to talk to me,

1538
01:04:35,400 --> 01:04:37,520
Speaker 4: it's like the baddest bitch, like quickly like you don't

1539
01:04:37,520 --> 01:04:39,080
Speaker 4: want to You won't see me in the kitchen cooking.

1540
01:04:39,440 --> 01:04:41,360
Speaker 4: You ready to think I'm on the balcony probably like

1541
01:04:41,440 --> 01:04:44,720
Speaker 4: with my lingerie on the champagne, and your visions be

1542
01:04:44,840 --> 01:04:46,560
Speaker 4: so fucked up to you doing the whole moment.

1543
01:04:46,920 --> 01:04:49,040
Speaker 2: I'm just saying, let me tell you what happened to

1544
01:04:49,040 --> 01:04:51,120
Speaker 2: other day. I'm not gonna sit on names.

1545
01:04:52,560 --> 01:04:55,280
Speaker 1: For one of my friends. He meets the girl right

1546
01:04:56,000 --> 01:05:04,880
Speaker 1: and he damn because the check be quiet. The first

1547
01:05:04,920 --> 01:05:07,919
Speaker 1: thing he does is he goes to Instagram. He goes,

1548
01:05:08,240 --> 01:05:10,680
Speaker 1: I can't funk with this bitch, and I'm like, why

1549
01:05:11,520 --> 01:05:15,680
Speaker 1: she's on yachts Niggas is like, hold on, man, I

1550
01:05:15,760 --> 01:05:17,200
Speaker 1: can't show her nothing.

1551
01:05:17,880 --> 01:05:20,920
Speaker 4: Okay, So and that's an intimidation. So what you want

1552
01:05:20,960 --> 01:05:24,520
Speaker 4: to be to be like in a grocery store at

1553
01:05:24,560 --> 01:05:29,880
Speaker 4: the park. But I'm just saying, like the real listening

1554
01:05:29,960 --> 01:05:31,560
Speaker 4: because it don't get me wrong, some of these people,

1555
01:05:31,600 --> 01:05:33,520
Speaker 4: these girls on yacht. I mean, you don't get me wrong.

1556
01:05:33,560 --> 01:05:35,439
Speaker 4: I'm not a hate to do what you gotta do, y'all.

1557
01:05:35,440 --> 01:05:36,880
Speaker 4: I don't care what you did, how you got on there.

1558
01:05:37,160 --> 01:05:40,520
Speaker 2: That's your business, restaurants and ship. He gave up.

1559
01:05:41,200 --> 01:05:44,280
Speaker 4: But that's a weak man. That's being weak though. That's

1560
01:05:44,400 --> 01:05:46,680
Speaker 4: being weak. You're weak because that mean you ain't stepping

1561
01:05:46,720 --> 01:05:48,560
Speaker 4: up to the plate. That means your intimidation game is

1562
01:05:48,600 --> 01:05:50,560
Speaker 4: so low you can't even hand the shorty from the

1563
01:05:51,600 --> 01:05:54,040
Speaker 4: keep it out hunt though. So let's just be very real.

1564
01:06:03,160 --> 01:06:05,800
Speaker 4: Yet they're trying to figure out what she's sailing off

1565
01:06:05,920 --> 01:06:08,120
Speaker 4: because you're trying to figure out what's really good. Don't

1566
01:06:08,120 --> 01:06:10,040
Speaker 4: get intimidated, don't get weak by that. But I mean

1567
01:06:10,400 --> 01:06:12,640
Speaker 4: it is what isn't like the perception that like, just

1568
01:06:12,760 --> 01:06:15,400
Speaker 4: the perspective of what he may think, how you want

1569
01:06:15,440 --> 01:06:17,240
Speaker 4: this yard, who you on this yoad with. I don't

1570
01:06:17,240 --> 01:06:18,960
Speaker 4: see nobody in the background. You know, when you yachting

1571
01:06:18,960 --> 01:06:21,240
Speaker 4: and selling and traveling around the world of things, you know.

1572
01:06:21,800 --> 01:06:25,200
Speaker 1: It's intimidating. Though I agree with him a little bit.

1573
01:06:25,520 --> 01:06:26,520
Speaker 6: I was like you can't.

1574
01:06:26,640 --> 01:06:32,200
Speaker 4: Why maybe she's maybe she's puffing herself like a good friend.

1575
01:06:32,280 --> 01:06:33,720
Speaker 1: I was like, yeah, you can't do that for her?

1576
01:06:35,400 --> 01:06:35,560
Speaker 2: Why?

1577
01:06:40,360 --> 01:06:40,520
Speaker 1: Yeah?

1578
01:06:44,920 --> 01:06:48,800
Speaker 5: Yeah, But it's just that every day for like four months,

1579
01:06:50,800 --> 01:06:53,800
Speaker 5: I don't know what she was and I was up there,

1580
01:06:54,760 --> 01:06:56,120
Speaker 5: she was on the restaurants.

1581
01:06:56,440 --> 01:06:58,120
Speaker 1: It was ain't gonna lie. I was intimidated.

1582
01:06:58,360 --> 01:07:02,160
Speaker 4: That's intimidation. That But why you need to make chicken

1583
01:07:02,160 --> 01:07:03,600
Speaker 4: sitting the bus start waiting for the bus to pick

1584
01:07:03,600 --> 01:07:03,880
Speaker 4: her up.

1585
01:07:04,320 --> 01:07:07,040
Speaker 1: I think men always want to like feel needed.

1586
01:07:08,080 --> 01:07:12,320
Speaker 4: You can writing, but just because you can't, Like you

1587
01:07:14,760 --> 01:07:16,919
Speaker 4: may ride a helicopter, I don't know you can ride something.

1588
01:07:16,960 --> 01:07:22,320
Speaker 4: But hey, I'm trying to figure out what we're going

1589
01:07:22,360 --> 01:07:22,560
Speaker 4: with it.

1590
01:07:23,040 --> 01:07:33,960
Speaker 1: She said to you, that's like, I mean you think

1591
01:07:34,040 --> 01:07:37,320
Speaker 1: women are because Amber Rose and say the same thing

1592
01:07:37,400 --> 01:07:37,840
Speaker 1: straight up.

1593
01:07:38,160 --> 01:07:41,240
Speaker 2: She looked at us and say, listen, she hasn't been

1594
01:07:41,320 --> 01:07:42,680
Speaker 2: on a date for a whole year, and.

1595
01:07:42,720 --> 01:07:44,920
Speaker 4: We're like, what, No, women are like dates because it's

1596
01:07:44,920 --> 01:07:47,120
Speaker 4: like a corny thing. Honestly, So if you got and

1597
01:07:47,200 --> 01:07:50,360
Speaker 4: you want to go, don't. If you're Miami, let's cut

1598
01:07:50,400 --> 01:07:52,760
Speaker 4: the prime one twelve thing out. That's just like very thoughtish.

1599
01:07:52,760 --> 01:07:53,840
Speaker 4: It's very like you want to go on a date.

1600
01:07:53,880 --> 01:07:56,040
Speaker 4: That's very much like very second.

1601
01:07:56,400 --> 01:07:57,720
Speaker 1: What is the first thing?

1602
01:07:57,920 --> 01:07:59,960
Speaker 4: And I'm being honest, I don't really know because I'm

1603
01:08:00,040 --> 01:08:01,640
Speaker 4: out of dat, so I don't know. I don't want

1604
01:08:01,680 --> 01:08:04,200
Speaker 4: to give that advice because if you I haven't met

1605
01:08:04,280 --> 01:08:07,080
Speaker 4: a person, like a new person in so long to

1606
01:08:07,200 --> 01:08:10,360
Speaker 4: where you start asking these questions, and the questions are

1607
01:08:10,840 --> 01:08:12,760
Speaker 4: the past and your life and did you date?

1608
01:08:12,840 --> 01:08:14,959
Speaker 1: This is justice? Who save?

1609
01:08:15,160 --> 01:08:18,200
Speaker 4: And it's one of those things that's very it's and

1610
01:08:18,280 --> 01:08:20,120
Speaker 4: you're at dinner, though, don't be at dinner. You're eating,

1611
01:08:20,160 --> 01:08:22,479
Speaker 4: you're trying to make sure you're girl. Nothing in your tea.

1612
01:08:22,600 --> 01:08:24,160
Speaker 4: You're just talking a bunch of weirdo shit. It's is

1613
01:08:24,200 --> 01:08:27,040
Speaker 4: not a cool thing. And for me, the questions like

1614
01:08:27,439 --> 01:08:29,519
Speaker 4: the staring in the eyes trying to get this. You're

1615
01:08:29,560 --> 01:08:32,680
Speaker 4: looking at the Battles Bitch first album. I just I'm

1616
01:08:32,720 --> 01:08:35,200
Speaker 4: not on that, Like I'm just I'm trying to figure

1617
01:08:35,240 --> 01:08:37,800
Speaker 4: it out, like I don't know, I've always kind of

1618
01:08:37,840 --> 01:08:43,000
Speaker 4: skipped it with just no, I'm straight to like I'm

1619
01:08:43,040 --> 01:08:54,320
Speaker 4: shaking like private jet to the next Like no, no, seriously,

1620
01:08:54,439 --> 01:08:57,920
Speaker 4: I'm just saying, okay, so nowiate you I'm just saying,

1621
01:08:57,960 --> 01:09:00,439
Speaker 4: I'm really just not like the beginning dating. I don't

1622
01:09:00,520 --> 01:09:03,560
Speaker 4: like the weird questions. I don't like all I'm just me.

1623
01:09:03,680 --> 01:09:06,479
Speaker 4: But some of my friends. One of my friends, she.

1624
01:09:06,760 --> 01:09:09,360
Speaker 1: Is she my friends.

1625
01:09:09,479 --> 01:09:11,400
Speaker 4: She is the dainer of the centry. She was going

1626
01:09:11,439 --> 01:09:13,880
Speaker 4: to dinner day every day, like she don't care who

1627
01:09:13,920 --> 01:09:14,840
Speaker 4: it is you take her to dinner.

1628
01:09:14,880 --> 01:09:16,679
Speaker 2: She's describe this moment.

1629
01:09:17,080 --> 01:09:20,360
Speaker 4: She's beautiful. I said, you're my friend at the dinner

1630
01:09:20,439 --> 01:09:22,200
Speaker 4: day because she's gonna talk.

1631
01:09:22,280 --> 01:09:22,720
Speaker 1: She don't care.

1632
01:09:22,800 --> 01:09:23,479
Speaker 4: She's very So.

1633
01:09:26,360 --> 01:09:27,880
Speaker 3: Yeah, I'm not the one.

1634
01:09:27,880 --> 01:09:29,840
Speaker 4: I don't want to start saying. I don't want to

1635
01:09:29,880 --> 01:09:32,880
Speaker 4: start talking about man and stop the trick and back

1636
01:09:32,920 --> 01:09:34,559
Speaker 4: in the day and oh yeah, did you really date

1637
01:09:34,600 --> 01:09:36,760
Speaker 4: when I don't want to get into the questions. I

1638
01:09:36,920 --> 01:09:39,439
Speaker 4: just while you're on the plane, right, I don't care

1639
01:09:39,560 --> 01:09:41,960
Speaker 4: what Smith and Welynsky. I just don't want to deal

1640
01:09:42,000 --> 01:09:44,240
Speaker 4: with it. I just kind of so, I don't really date.

1641
01:09:44,360 --> 01:09:45,880
Speaker 4: I don't know how to even meet nobody.

1642
01:09:45,760 --> 01:09:48,759
Speaker 2: Because to do that work at Costco's.

1643
01:09:49,920 --> 01:09:52,240
Speaker 4: Pilots want of me spacing about Costco and cost I

1644
01:09:52,240 --> 01:09:55,320
Speaker 4: don't even day pilots too much. I'm real, I just

1645
01:09:55,479 --> 01:10:01,080
Speaker 4: really too much. Let me tell you you're going on

1646
01:10:01,360 --> 01:10:03,720
Speaker 4: but Costcos. Let's say that. The thing about a person

1647
01:10:03,760 --> 01:10:07,439
Speaker 4: that at Costcos. They don't get me wrong, it's nothing

1648
01:10:07,520 --> 01:10:09,960
Speaker 4: wrong with that. They just go, you're in depend that

1649
01:10:10,040 --> 01:10:12,080
Speaker 4: you have a job. And I'm a person that loves

1650
01:10:12,120 --> 01:10:15,960
Speaker 4: some discount don't get it twisted. But a Costco's guy

1651
01:10:16,200 --> 01:10:18,360
Speaker 4: would not be able to deal with the pressure of

1652
01:10:18,439 --> 01:10:21,000
Speaker 4: my life. You can't deal with the woman that's traveling

1653
01:10:21,040 --> 01:10:24,280
Speaker 4: around the world four days out of a week, like

1654
01:10:24,840 --> 01:10:27,120
Speaker 4: it's too much of an intimidation. You can't deal with

1655
01:10:27,200 --> 01:10:30,280
Speaker 4: the pressure of where you're working at Costcos from six

1656
01:10:30,400 --> 01:10:33,439
Speaker 4: to twelve midnight, stocking and bagging the sad or whatever.

1657
01:10:33,960 --> 01:10:36,479
Speaker 4: And then I'm somewhere like in London and Europe, and

1658
01:10:36,560 --> 01:10:39,120
Speaker 4: then like den't Mark at Christiania.

1659
01:10:38,760 --> 01:10:41,519
Speaker 1: And just why not Christiania that's where you weed through

1660
01:10:41,560 --> 01:10:41,920
Speaker 1: the park.

1661
01:10:48,280 --> 01:10:51,360
Speaker 4: You don't understand that life. That's a pressure you because

1662
01:10:51,520 --> 01:10:58,040
Speaker 4: we're on different time zones, we're on different and I'm

1663
01:10:58,120 --> 01:11:01,160
Speaker 4: just saying not, but that's what a pressure would be

1664
01:11:01,200 --> 01:11:03,280
Speaker 4: from a regular guy. Because when you get off work,

1665
01:11:03,280 --> 01:11:04,560
Speaker 4: I want to talk to you, I want to see you.

1666
01:11:04,560 --> 01:11:06,639
Speaker 4: Maybe I don't care if it's FaceTime, whatever, I'm performing,

1667
01:11:06,720 --> 01:11:09,160
Speaker 4: you sleep, you off work, you at work, I'm traveling.

1668
01:11:09,160 --> 01:11:10,920
Speaker 4: It's just a it's just one of those things that

1669
01:11:11,040 --> 01:11:13,879
Speaker 4: really don't always connect. And then it could be pressure

1670
01:11:14,000 --> 01:11:17,000
Speaker 4: you you intimidated because I'm around other celebrity people that

1671
01:11:17,080 --> 01:11:19,479
Speaker 4: you really think I'm paying attention to that really I'm

1672
01:11:19,520 --> 01:11:22,120
Speaker 4: not even paying no attention, So I paid. I'm paying

1673
01:11:22,120 --> 01:11:24,400
Speaker 4: attention to these people. Believe it or not, if you

1674
01:11:24,560 --> 01:11:26,160
Speaker 4: was in my shoes, you aren't paying no attention to me.

1675
01:11:26,280 --> 01:11:26,360
Speaker 5: Tha.

1676
01:11:26,640 --> 01:11:29,559
Speaker 4: They're not that special. Just don't understand. Don't get it twisted.

1677
01:11:29,800 --> 01:11:32,519
Speaker 4: A lot of these celebrities, these guys, girls, whoever, they're

1678
01:11:32,560 --> 01:11:35,240
Speaker 4: not that special. It's some regular people that I know,

1679
01:11:35,320 --> 01:11:37,679
Speaker 4: I chill on a regular basis are way more special

1680
01:11:37,720 --> 01:11:40,480
Speaker 4: than these people that are very cocky with these egos

1681
01:11:40,600 --> 01:11:45,960
Speaker 4: and really just nasty, unhumanized people that really ain't worth shit, honestly,

1682
01:11:46,000 --> 01:11:47,280
Speaker 4: you know what I mean. And that's just why that's

1683
01:11:47,280 --> 01:11:49,639
Speaker 4: why I stay so ground, because I'm around regular people

1684
01:11:49,720 --> 01:11:52,800
Speaker 4: that that's real life, and it's a real life thing.

1685
01:11:52,920 --> 01:11:55,760
Speaker 4: It's loyalty, it's longevity, these years after years after years

1686
01:11:55,760 --> 01:11:57,880
Speaker 4: after years. Not the person I met two weeks ago

1687
01:11:57,920 --> 01:11:59,479
Speaker 4: because I was hot, on the charts for number one

1688
01:11:59,520 --> 01:12:02,519
Speaker 4: song and you writing my dick, not you, you know

1689
01:12:02,560 --> 01:12:04,360
Speaker 4: what I mean, the one that's been there from day

1690
01:12:04,400 --> 01:12:05,960
Speaker 4: one when the song wasn't hot on the chot and

1691
01:12:06,000 --> 01:12:07,519
Speaker 4: when you went to the club, they probably said, whoa

1692
01:12:07,560 --> 01:12:09,880
Speaker 4: who is that? Yes to me, that them people, that's

1693
01:12:09,920 --> 01:12:10,920
Speaker 4: the kind of people I roll with.

1694
01:12:11,320 --> 01:12:13,880
Speaker 1: Now, have you ever like let it get to you?

1695
01:12:13,960 --> 01:12:15,639
Speaker 1: Because I let it get to me at one point

1696
01:12:15,720 --> 01:12:17,680
Speaker 1: in your career. Yeah, at one point I was just

1697
01:12:17,960 --> 01:12:19,760
Speaker 1: bugged out of getting broken.

1698
01:12:20,439 --> 01:12:22,920
Speaker 2: No, it's not mine, let's be very clear, little But

1699
01:12:23,360 --> 01:12:24,439
Speaker 2: have you ever let it get to you?

1700
01:12:24,960 --> 01:12:25,519
Speaker 1: Like ever?

1701
01:12:25,840 --> 01:12:26,280
Speaker 2: Like once?

1702
01:12:26,560 --> 01:12:26,720
Speaker 1: Never?

1703
01:12:27,880 --> 01:12:27,920
Speaker 4: Not?

1704
01:12:28,120 --> 01:12:28,439
Speaker 5: You know what?

1705
01:12:28,600 --> 01:12:31,280
Speaker 4: Again? Because I came already from like this Miami thing

1706
01:12:31,360 --> 01:12:33,640
Speaker 4: where people already knew who I was. It was a

1707
01:12:33,640 --> 01:12:36,080
Speaker 4: little bit almost annoying, you know what I mean. I

1708
01:12:36,160 --> 01:12:38,800
Speaker 4: mean annoying who I was. I mean, I'm just I'm

1709
01:12:38,840 --> 01:12:41,840
Speaker 4: not even nobody. I'm just a daughter of a family

1710
01:12:41,960 --> 01:12:44,760
Speaker 4: that's already getting paper who I am somebody. But I'm

1711
01:12:44,840 --> 01:12:46,920
Speaker 4: just the daughter of somebody. I haven't earned those stripes

1712
01:12:46,960 --> 01:12:48,960
Speaker 4: in the streets. I haven't done nothing. I'm not doing

1713
01:12:49,000 --> 01:12:50,000
Speaker 4: anything my family's doing.

1714
01:12:50,040 --> 01:12:50,479
Speaker 1: I'm just me.

1715
01:12:50,920 --> 01:12:53,360
Speaker 4: And just sometimes people know who you are just almost annoying,

1716
01:12:53,520 --> 01:12:55,360
Speaker 4: like you just have this persona you don't even want

1717
01:12:55,400 --> 01:12:56,680
Speaker 4: people to know who you are. You just want to

1718
01:12:56,680 --> 01:12:58,160
Speaker 4: be just a good person to your friends have a

1719
01:12:58,200 --> 01:13:01,080
Speaker 4: good time, and you just have this this this thing

1720
01:13:01,160 --> 01:13:03,400
Speaker 4: that people hold you so high for and you don't

1721
01:13:03,400 --> 01:13:06,000
Speaker 4: even know what's really going on. That's like that alone

1722
01:13:06,120 --> 01:13:06,600
Speaker 4: is not going on.

1723
01:13:06,840 --> 01:13:09,320
Speaker 1: Nobody Somebody's.

1724
01:13:10,720 --> 01:13:13,760
Speaker 4: Like Jesus, Yeah, So you know, it don't really get

1725
01:13:13,760 --> 01:13:13,920
Speaker 4: to me.

1726
01:13:15,880 --> 01:13:17,599
Speaker 1: Dan, that's you, that's your car.

1727
01:13:17,920 --> 01:13:19,800
Speaker 4: I mean, it's one of those kinds of things, you know.

1728
01:13:20,320 --> 01:13:24,720
Speaker 4: I always just try to just stay that's where the

1729
01:13:24,800 --> 01:13:26,360
Speaker 4: people are, you know what I mean, Because as high

1730
01:13:26,360 --> 01:13:27,840
Speaker 4: as I get, I mean, as high as I am,

1731
01:13:27,880 --> 01:13:29,800
Speaker 4: as big as I get, there's the people that's beneath.

1732
01:13:29,840 --> 01:13:31,880
Speaker 4: There's the people that still love me from day one,

1733
01:13:31,880 --> 01:13:34,240
Speaker 4: that's never going to make nowhere near the money I

1734
01:13:34,360 --> 01:13:35,519
Speaker 4: make or be able to do things that I do.

1735
01:13:35,720 --> 01:13:38,679
Speaker 4: So I'm still like there for like for them people

1736
01:13:38,720 --> 01:13:39,840
Speaker 4: I love that, you know what I mean.

1737
01:13:40,120 --> 01:13:43,720
Speaker 1: And So the other day I was with fad Joe

1738
01:13:44,800 --> 01:13:48,679
Speaker 1: and I believe I think Jay calls him and jays

1739
01:13:48,800 --> 01:13:51,040
Speaker 1: as oh no, no, no, no, no. Fat Joe told

1740
01:13:51,080 --> 01:13:53,360
Speaker 1: me that Jay called him when I seen them, and

1741
01:13:53,479 --> 01:13:55,680
Speaker 1: he said that Jay, asking, well.

1742
01:13:55,640 --> 01:13:58,600
Speaker 2: What what makes you keep going? Why the fuck you

1743
01:13:58,720 --> 01:14:03,160
Speaker 2: keep going on this? Why do you keep going?

1744
01:14:03,479 --> 01:14:05,439
Speaker 4: I think it's the energy from the fans of people,

1745
01:14:05,520 --> 01:14:08,680
Speaker 4: you know what, Because sometimes like when I'm I just

1746
01:14:08,800 --> 01:14:12,840
Speaker 4: came back to Miami last night, like midnight, I went

1747
01:14:12,840 --> 01:14:15,040
Speaker 4: straight to the studio. I was doing a record with

1748
01:14:15,840 --> 01:14:17,800
Speaker 4: one of the biggest artists in the game, you know

1749
01:14:17,840 --> 01:14:20,800
Speaker 4: what I mean. And I'm thinking, like, well, I just

1750
01:14:20,880 --> 01:14:24,880
Speaker 4: flew like six hours, I'm tired, I'm over it. But

1751
01:14:24,920 --> 01:14:26,960
Speaker 4: when I got off that plane, that phone call came,

1752
01:14:27,520 --> 01:14:29,519
Speaker 4: the verse was in. It was like, go to the studio,

1753
01:14:30,320 --> 01:14:32,880
Speaker 4: And it's just one of the things that I just

1754
01:14:33,080 --> 01:14:36,120
Speaker 4: love what. I just love the face, I love the people.

1755
01:14:36,240 --> 01:14:39,240
Speaker 4: I just love the excitement. I think I'm so in

1756
01:14:39,400 --> 01:14:42,000
Speaker 4: love with, like being on the road for those four

1757
01:14:42,080 --> 01:14:44,280
Speaker 4: days in these cities that I've never been to, and

1758
01:14:44,400 --> 01:14:49,240
Speaker 4: these people that are screaming every song in another language.

1759
01:14:49,840 --> 01:14:52,000
Speaker 4: Do y'all even know what I'm saying? I don't even

1760
01:14:52,080 --> 01:14:54,960
Speaker 4: know if y'all know, But y'all are so pumped up

1761
01:14:55,120 --> 01:14:59,519
Speaker 4: and crying and talking and losing it. Men and women.

1762
01:15:00,400 --> 01:15:03,120
Speaker 4: I don't have no choice but to be at a hundred,

1763
01:15:03,400 --> 01:15:08,000
Speaker 4: like you understand. So I love that so away now

1764
01:15:08,040 --> 01:15:11,160
Speaker 4: I get back now, and when I'm just home and

1765
01:15:11,240 --> 01:15:14,880
Speaker 4: I'm just in my own beautiful world and I'm not

1766
01:15:14,920 --> 01:15:17,280
Speaker 4: doing anything, I just keep bored. I have so much

1767
01:15:17,280 --> 01:15:20,360
Speaker 4: stuff happening. Oh I'm not working, I'm not entertaining the people.

1768
01:15:20,360 --> 01:15:22,760
Speaker 4: I'm not performing, I'm not exciting the fans. What am

1769
01:15:22,800 --> 01:15:24,600
Speaker 4: I doing. I'm not doing anything. I don't want to

1770
01:15:24,600 --> 01:15:26,680
Speaker 4: get a massage today. I don't want to go in

1771
01:15:26,680 --> 01:15:28,880
Speaker 4: to yacht today. I don't want to chill today. I

1772
01:15:28,920 --> 01:15:30,400
Speaker 4: want to go get on the stage and make the

1773
01:15:30,439 --> 01:15:32,679
Speaker 4: people go crazy. I want to take all my jewey

1774
01:15:32,760 --> 01:15:34,200
Speaker 4: off and jump in the crowd like I just want

1775
01:15:34,240 --> 01:15:36,360
Speaker 4: to go back. Like that's the thing that pumps me up.

1776
01:15:36,400 --> 01:15:37,760
Speaker 4: So I don't know. That's what I love about it

1777
01:15:37,840 --> 01:15:40,559
Speaker 4: more than any of it. Like records, no records, selling,

1778
01:15:40,600 --> 01:15:42,880
Speaker 4: I don't care. It's the fans. It's that the people

1779
01:15:42,960 --> 01:15:45,280
Speaker 4: that when I get in the when I'm taking a picture,

1780
01:15:45,320 --> 01:15:47,559
Speaker 4: you start crying. I'm looking like you got on last year.

1781
01:15:47,560 --> 01:15:49,000
Speaker 4: I'm not messing up my last year, so you need

1782
01:15:49,040 --> 01:15:52,120
Speaker 4: to stop crying and look beautiful. I love that That's

1783
01:15:52,160 --> 01:15:54,400
Speaker 4: the thing that makes I love that like more than anything.

1784
01:15:54,920 --> 01:15:55,840
Speaker 1: That is so dope.

1785
01:15:55,920 --> 01:16:00,560
Speaker 2: Man just makes some noise so dope, you know what?

1786
01:16:01,640 --> 01:16:04,639
Speaker 1: Because I be around certain artists and I see them

1787
01:16:04,680 --> 01:16:06,640
Speaker 1: flip on the flanks for just you know, sneaking a

1788
01:16:06,720 --> 01:16:10,439
Speaker 1: picture and taking a picture, and it's like, how you

1789
01:16:10,600 --> 01:16:13,360
Speaker 1: just describe that? How you just that's so beautiful? Because

1790
01:16:13,439 --> 01:16:16,840
Speaker 1: the thing about it is I always look like this

1791
01:16:17,040 --> 01:16:21,720
Speaker 1: is this is advantage for me because meaning they told

1792
01:16:21,760 --> 01:16:23,599
Speaker 1: me I was supposed to be dad at twenty one,

1793
01:16:24,920 --> 01:16:28,040
Speaker 1: how I was living and for me to be I'm

1794
01:16:28,120 --> 01:16:31,200
Speaker 1: thirty nine. Now I'll be forty September. Don't rush my

1795
01:16:31,240 --> 01:16:41,840
Speaker 1: ship September. September tomorrow's next month, September six. What's Virgo?

1796
01:16:45,520 --> 01:16:45,800
Speaker 7: Virgo?

1797
01:16:46,760 --> 01:16:46,960
Speaker 8: Get it?

1798
01:16:57,760 --> 01:17:06,799
Speaker 1: But listen man if N Miami's mixtape, King Trina, Miami's Queen.

1799
01:17:08,479 --> 01:17:11,439
Speaker 1: We are so proud to have this episode and we

1800
01:17:11,520 --> 01:17:14,120
Speaker 1: wanted to let you know anytime you want to promote

1801
01:17:14,160 --> 01:17:17,080
Speaker 1: anything we write at the Crib. If we at this spot,

1802
01:17:17,120 --> 01:17:20,200
Speaker 1: We're going to be at another spot and that's why spot.

1803
01:17:20,240 --> 01:17:22,320
Speaker 1: But it's gonna be in Miami. Miami is our home.

1804
01:17:22,800 --> 01:17:25,920
Speaker 1: I'm gonna starting a rapp up I'm a rapper from

1805
01:17:26,120 --> 01:17:28,639
Speaker 1: Queen's New York left Rack City ninety seven thirty fifty

1806
01:17:28,640 --> 01:17:32,479
Speaker 1: seven Avenue, Apartment five Corona, New York, one one three

1807
01:17:32,600 --> 01:17:33,880
Speaker 1: six eight, Apartment five E.

1808
01:17:34,400 --> 01:17:38,439
Speaker 2: This is where I'm from. Letter, because you never forget

1809
01:17:38,439 --> 01:17:40,960
Speaker 2: your original address, you know what I mean.

1810
01:17:41,080 --> 01:17:44,120
Speaker 1: So, but I moved to Miami. Miami accepted me, Miami

1811
01:17:44,320 --> 01:17:47,280
Speaker 1: embraced me. Stay home, and I've been out here for

1812
01:17:47,400 --> 01:17:50,880
Speaker 1: over ten years. And yeah, I might be.

1813
01:17:50,880 --> 01:17:52,559
Speaker 3: Going on twelve mo twelve.

1814
01:17:52,680 --> 01:17:54,800
Speaker 4: You like you love Miami. I love It's different from

1815
01:17:54,840 --> 01:17:55,160
Speaker 4: New York.

1816
01:17:55,439 --> 01:17:58,360
Speaker 1: No, because you know why I could relax. I can't

1817
01:17:58,400 --> 01:18:00,759
Speaker 1: relax in New York. A couple of the las Miami.

1818
01:18:01,400 --> 01:18:04,440
Speaker 1: So me being here and there accepting.

1819
01:18:04,160 --> 01:18:08,160
Speaker 2: Us, and me just following your career and just following.

1820
01:18:07,880 --> 01:18:11,680
Speaker 1: What you you guys did in the platform. We want

1821
01:18:11,720 --> 01:18:14,960
Speaker 1: to salute you. We want to let you know that

1822
01:18:15,760 --> 01:18:18,519
Speaker 1: not just Miami, but hip hop loves you and hip

1823
01:18:18,560 --> 01:18:22,280
Speaker 1: hop respects you. Hip hop should always honor you. And

1824
01:18:22,360 --> 01:18:25,040
Speaker 1: if they on you, nowhere else there's drink Champs would

1825
01:18:25,080 --> 01:18:28,880
Speaker 1: be the place that we honor you every single fucking moment, correct,

1826
01:18:31,960 --> 01:18:33,760
Speaker 1: because that's what we got to continue to do. We

1827
01:18:33,840 --> 01:18:35,559
Speaker 1: gotta continue to sport support.

1828
01:18:36,439 --> 01:18:37,120
Speaker 4: I want to say.

1829
01:18:38,560 --> 01:18:39,160
Speaker 1: I was going there.

1830
01:18:39,400 --> 01:18:39,720
Speaker 7: Yeah, you.

1831
01:18:43,360 --> 01:18:45,120
Speaker 4: Say, you know what, I told you a curve. I

1832
01:18:45,160 --> 01:18:47,320
Speaker 4: got curved a couple of times. I curve. I'm the

1833
01:18:47,400 --> 01:18:50,120
Speaker 4: curve yond queen mastery.

1834
01:18:51,360 --> 01:18:52,360
Speaker 2: That's me, you know what.

1835
01:18:52,400 --> 01:18:55,160
Speaker 4: I So when I say that, because you know you

1836
01:18:55,160 --> 01:18:57,559
Speaker 4: don't understand this whole this you know, not God any

1837
01:18:57,840 --> 01:18:59,559
Speaker 4: But the thing about it is the reason I came

1838
01:18:59,600 --> 01:19:01,400
Speaker 4: to this and is out of respect because you are

1839
01:19:01,439 --> 01:19:04,280
Speaker 4: a legend. To respect you and you know you remember

1840
01:19:04,640 --> 01:19:07,120
Speaker 4: you came to I was recording at a studio Circle

1841
01:19:07,200 --> 01:19:09,320
Speaker 4: House a couple of years ago, shooting video. I came

1842
01:19:09,360 --> 01:19:11,400
Speaker 4: back to jump in the video. I don't jump in

1843
01:19:11,439 --> 01:19:14,160
Speaker 4: nobody video. That's out of respects for somebody. Always have

1844
01:19:14,240 --> 01:19:16,760
Speaker 4: been respected and always showed me respect. That's the thing

1845
01:19:16,800 --> 01:19:18,560
Speaker 4: in the game that people don't understand, like it's a

1846
01:19:18,640 --> 01:19:20,880
Speaker 4: respecting and respect goes a long way, you know what

1847
01:19:20,880 --> 01:19:22,120
Speaker 4: I mean. And that's just one of the things that

1848
01:19:22,240 --> 01:19:24,160
Speaker 4: I've just came today because I did this because of that.

1849
01:19:24,280 --> 01:19:25,880
Speaker 4: You know, it wasn't for that, I wouldn't have done it.

1850
01:19:26,040 --> 01:19:27,760
Speaker 1: No, and that and that's the thing about me. The

1851
01:19:27,840 --> 01:19:31,880
Speaker 1: thing about me is that's all I'm about. All I'm

1852
01:19:31,920 --> 01:19:34,120
Speaker 1: about is just like you know, I always have fun.

1853
01:19:34,200 --> 01:19:37,800
Speaker 1: And the thing about me is, you know, I'm dyslexic.

1854
01:19:38,120 --> 01:19:41,320
Speaker 1: I was in the resource rooms in special education. People

1855
01:19:41,479 --> 01:19:47,720
Speaker 1: told me I was literally stupid and I don't care

1856
01:19:47,840 --> 01:19:53,880
Speaker 1: who laughing now, So I said, oh shit, and for

1857
01:19:54,000 --> 01:19:57,080
Speaker 1: me to get money off of words, the exact thing

1858
01:19:57,200 --> 01:19:58,360
Speaker 1: they said, I'm not good at.

1859
01:19:59,160 --> 01:20:01,439
Speaker 2: I always looked like I was playing with house money.

1860
01:20:01,800 --> 01:20:03,000
Speaker 2: So I always looked at it.

1861
01:20:03,120 --> 01:20:05,439
Speaker 1: Like I'm up. Even if I'm down.

1862
01:20:06,439 --> 01:20:08,639
Speaker 3: You paid two dollars for my record.

1863
01:20:10,240 --> 01:20:15,200
Speaker 1: I can't even use words, so so you know, I

1864
01:20:15,360 --> 01:20:17,400
Speaker 1: always looked at it like that, and I always look

1865
01:20:17,680 --> 01:20:19,960
Speaker 1: and then now there's certain people who is book smart,

1866
01:20:19,960 --> 01:20:23,160
Speaker 1: and there certain people is great with literature and words

1867
01:20:23,240 --> 01:20:25,800
Speaker 1: like that. But I because when you yslex it doesn't

1868
01:20:25,840 --> 01:20:28,120
Speaker 1: mean you're stupid. It just means you have to learn

1869
01:20:28,240 --> 01:20:28,879
Speaker 1: this exactly.

1870
01:20:29,200 --> 01:20:32,920
Speaker 2: So I learned different. And what I wanted to do

1871
01:20:33,280 --> 01:20:34,800
Speaker 2: was I said, damn.

1872
01:20:34,960 --> 01:20:36,920
Speaker 1: When me and my partner I got together, I said,

1873
01:20:36,960 --> 01:20:39,120
Speaker 1: you know what, there ain't no hip hop show who

1874
01:20:39,200 --> 01:20:42,320
Speaker 1: big up hip hop? That's big up hippop and he's

1875
01:20:42,439 --> 01:20:45,280
Speaker 1: let's bigger and let's big up our legends. There's so

1876
01:20:45,320 --> 01:20:47,160
Speaker 1: many people that they would get down that people want

1877
01:20:47,200 --> 01:20:49,120
Speaker 1: to tear him down and do not fuck all that.

1878
01:20:49,320 --> 01:20:51,000
Speaker 1: Let's let's big them up.

1879
01:20:51,080 --> 01:20:53,200
Speaker 2: Let's say that it's not fun, let's have Let's have

1880
01:20:53,400 --> 01:20:54,200
Speaker 2: fun with them.

1881
01:20:54,760 --> 01:20:55,760
Speaker 1: Especially if they drink it.

1882
01:20:56,280 --> 01:20:58,559
Speaker 2: Let's have fun with them. So that's the reason why

1883
01:20:58,680 --> 01:21:01,600
Speaker 2: we ain't name it like nineties hip hop show or

1884
01:21:02,120 --> 01:21:03,960
Speaker 2: you know, legend hip hop show.

1885
01:21:04,040 --> 01:21:05,000
Speaker 1: We want to deny.

1886
01:21:05,240 --> 01:21:08,240
Speaker 2: Now it's called a drink Champs, so it throws people all.

1887
01:21:08,520 --> 01:21:10,719
Speaker 1: But this is where we're gonna the people who paved

1888
01:21:10,760 --> 01:21:13,680
Speaker 1: the way, the people who who've earthed they striped. So

1889
01:21:13,800 --> 01:21:16,640
Speaker 1: you know, we're gonna big up everybody and all the

1890
01:21:16,760 --> 01:21:19,280
Speaker 1: new artists. But for now, you know, the new artists

1891
01:21:19,320 --> 01:21:22,680
Speaker 1: have a platform. Let's let's one day. I heard Fat

1892
01:21:22,760 --> 01:21:25,080
Speaker 1: Joe talking about, like yo, he wants to know where

1893
01:21:25,320 --> 01:21:28,160
Speaker 1: you know, all the older artists he can hear their

1894
01:21:28,240 --> 01:21:31,160
Speaker 1: music at, or he could hear something that they doing

1895
01:21:31,280 --> 01:21:36,040
Speaker 1: that besides the traditional radio stations, and fuck it, we

1896
01:21:36,120 --> 01:21:38,640
Speaker 1: don't have to do that. Oh maybe we do, but

1897
01:21:39,200 --> 01:21:41,759
Speaker 1: we're gonna big up our fucking artists while they're fucking alive,

1898
01:21:42,280 --> 01:21:44,320
Speaker 1: and we're gonna continue to do this, and and and

1899
01:21:44,560 --> 01:21:47,479
Speaker 1: we thank you so much Strina for coming in here.

1900
01:21:48,000 --> 01:21:53,439
Speaker 1: You know she took shots, pressuring people to do shots.

1901
01:21:55,240 --> 01:21:59,439
Speaker 1: I respected you. You came through and Yo, listen on

1902
01:21:59,520 --> 01:22:02,320
Speaker 1: the behalf of hip hop, on behalf of you know,

1903
01:22:02,560 --> 01:22:05,880
Speaker 1: Miami as a what is it? What am I called?

1904
01:22:07,640 --> 01:22:17,720
Speaker 1: Honorary MIAMII as a person that just loves hip hop.

1905
01:22:18,520 --> 01:22:20,479
Speaker 1: We want to honor you. We want to say thank

1906
01:22:20,560 --> 01:22:23,519
Speaker 1: you for your continued years and success, your continue years

1907
01:22:23,560 --> 01:22:26,760
Speaker 1: of grinding people in this game. You know, sometimes you

1908
01:22:26,840 --> 01:22:30,320
Speaker 1: could lose and people would just go go away, and

1909
01:22:30,439 --> 01:22:32,400
Speaker 1: then we would miss them so much. Because hip hop,

1910
01:22:32,800 --> 01:22:34,920
Speaker 1: we got to continue. These people are out there sixty

1911
01:22:35,080 --> 01:22:37,479
Speaker 1: seventy eighty years old and rock and roll and the

1912
01:22:37,680 --> 01:22:40,400
Speaker 1: jazz and all that, and they and they respect them.

1913
01:22:40,439 --> 01:22:42,880
Speaker 1: Why we can't have that for here? Who cares if

1914
01:22:43,000 --> 01:22:45,360
Speaker 1: jay Z is ninety four years old and he dropped

1915
01:22:45,360 --> 01:22:47,240
Speaker 1: a joint, you know, that's my brother. I don't mean,

1916
01:22:47,280 --> 01:22:50,080
Speaker 1: I ain't mean it like that. Come on, now, I'm scared.

1917
01:22:51,760 --> 01:22:53,280
Speaker 2: This nigga got every number.

1918
01:22:53,640 --> 01:22:59,439
Speaker 8: Man call me what you just said, I'm sorry meaning

1919
01:22:59,560 --> 01:23:03,639
Speaker 8: like that like that, because he got to to bet

1920
01:23:03,720 --> 01:23:04,200
Speaker 8: he follows.

1921
01:23:05,960 --> 01:23:07,439
Speaker 1: That's my nigger. I love him. But you know what

1922
01:23:07,439 --> 01:23:10,240
Speaker 1: I'm saying, like, why are we ageless in hip hop?

1923
01:23:10,320 --> 01:23:12,760
Speaker 1: Like in hip hop they'll say like, yo, you know

1924
01:23:12,840 --> 01:23:15,400
Speaker 1: this guy hit a certain plateau, so he you know,

1925
01:23:15,680 --> 01:23:20,200
Speaker 1: why is that possible? Like when in rock and rolling

1926
01:23:20,720 --> 01:23:23,600
Speaker 1: and all these other genres of music, people continue to

1927
01:23:23,680 --> 01:23:25,839
Speaker 1: make music and they continue to sell out shows.

1928
01:23:26,800 --> 01:23:28,320
Speaker 2: Why do we have to be limited?

1929
01:23:28,360 --> 01:23:29,600
Speaker 4: I don't know. I know it's a funny thing that

1930
01:23:29,640 --> 01:23:31,400
Speaker 4: always happens to hip hop. Once you get more, like

1931
01:23:31,439 --> 01:23:34,040
Speaker 4: once you've done so many recordsented, and it's always knew

1932
01:23:34,040 --> 01:23:36,519
Speaker 4: people they always think, oh, well, you should stop doing music,

1933
01:23:36,560 --> 01:23:37,920
Speaker 4: or you shouldn't do some of it somebody else. I

1934
01:23:37,920 --> 01:23:40,840
Speaker 4: don't need to understand that, because that doesn't mean you

1935
01:23:40,880 --> 01:23:43,680
Speaker 4: don't love Jenna Jackson. That doesn't mean you don't love

1936
01:23:43,800 --> 01:23:45,720
Speaker 4: all these people that's out before you, because I do.

1937
01:23:45,920 --> 01:23:47,519
Speaker 4: I mean Mary J. Blige on the road right now,

1938
01:23:47,680 --> 01:23:50,320
Speaker 4: killing it, dancing pop lock and dropping it every I

1939
01:23:50,360 --> 01:23:53,240
Speaker 4: can't wait to show come to Miami. I'm there, like ready, Like,

1940
01:23:53,360 --> 01:23:55,280
Speaker 4: who's gonna say Mary J. Blige can't putut an album,

1941
01:23:55,280 --> 01:23:58,720
Speaker 4: put out a record one? Let's let's talk about you.

1942
01:23:59,560 --> 01:24:02,559
Speaker 4: Let me say we're not gonna Beyonce. Like Beyonce, it's

1943
01:24:02,680 --> 01:24:06,320
Speaker 4: all the way until eternity, BC, after BC, whatever gonna

1944
01:24:06,360 --> 01:24:10,640
Speaker 4: come before that, whatever. I like, I'm just gonna say,

1945
01:24:10,680 --> 01:24:12,920
Speaker 4: I'm like the Beyonce stand up, all stands of stands

1946
01:24:12,920 --> 01:24:14,960
Speaker 4: of stands of stands. I'm at the show like like

1947
01:24:15,640 --> 01:24:18,280
Speaker 4: like no makeup on, like in my untrin of gear,

1948
01:24:18,400 --> 01:24:21,040
Speaker 4: like class to do all the routines. So we're on

1949
01:24:21,240 --> 01:24:23,360
Speaker 4: that kind of way when you Beyonce, and it's a

1950
01:24:23,439 --> 01:24:26,040
Speaker 4: time of thing, like she's the person that has paved

1951
01:24:26,040 --> 01:24:27,920
Speaker 4: the way and set the standards so high for women

1952
01:24:28,080 --> 01:24:32,000
Speaker 4: to be like the determined force of dependent and like

1953
01:24:32,920 --> 01:24:35,320
Speaker 4: never giving up no matter. People Like if you talk

1954
01:24:35,360 --> 01:24:38,720
Speaker 4: about Beyonce like you're a pointless, lifeless waste of a

1955
01:24:38,760 --> 01:24:41,600
Speaker 4: social Security number, that's my bag, period. That's how i

1956
01:24:41,680 --> 01:24:44,519
Speaker 4: feel like I'm in control of the I'm just saying

1957
01:24:44,560 --> 01:24:46,800
Speaker 4: you're you're a waste of a social security number. If

1958
01:24:46,800 --> 01:24:49,560
Speaker 4: you talk about Beyonce paved the way for women to

1959
01:24:49,680 --> 01:24:53,200
Speaker 4: be so fearless and so like high and just so

1960
01:24:53,680 --> 01:24:56,559
Speaker 4: like amazing, you know, and and with so much dignity

1961
01:24:56,680 --> 01:24:58,639
Speaker 4: and so much and it's so effortless and just grace

1962
01:24:58,720 --> 01:25:00,960
Speaker 4: and I mean it's beautiful thing, you know what I mean.

1963
01:25:01,040 --> 01:25:02,800
Speaker 4: That's what I would love to see women in the

1964
01:25:02,840 --> 01:25:05,040
Speaker 4: hip hop be that way. You know, because people that

1965
01:25:05,040 --> 01:25:06,920
Speaker 4: are in hip hop that we loved us before us,

1966
01:25:06,960 --> 01:25:09,120
Speaker 4: Like everybody loves clean my teeth. Everybody loves to see

1967
01:25:09,200 --> 01:25:12,280
Speaker 4: like everybody loves Missy Ellie. Everybody loves these people. So

1968
01:25:12,920 --> 01:25:15,080
Speaker 4: who would say if Missy put out album a record,

1969
01:25:15,120 --> 01:25:16,680
Speaker 4: I don't want to hear that. Who who's gonna say

1970
01:25:16,720 --> 01:25:18,479
Speaker 4: she shouldn't put it out? Like what are you talking about?

1971
01:25:18,560 --> 01:25:21,280
Speaker 4: This is a person that's an innovator, like a creator,

1972
01:25:21,479 --> 01:25:23,720
Speaker 4: like a person that's changed the game of music hip hop.

1973
01:25:23,960 --> 01:25:26,920
Speaker 4: Everything is gonna be totally like something to be wrecking

1974
01:25:26,960 --> 01:25:28,120
Speaker 4: with you and you don't say what I'm saying. So

1975
01:25:28,200 --> 01:25:30,559
Speaker 4: you want to see that always, no matter who comes

1976
01:25:30,640 --> 01:25:32,479
Speaker 4: out next after that, you still want to see that.

1977
01:25:32,720 --> 01:25:34,960
Speaker 4: It doesn't mean because somebody knew here, I don't care.

1978
01:25:35,000 --> 01:25:36,400
Speaker 4: I don't want to see Missy. This is a person

1979
01:25:36,400 --> 01:25:38,479
Speaker 4: that's just on the super Bowl, Like, how do you

1980
01:25:38,600 --> 01:25:40,320
Speaker 4: not want to see that? You know what I mean?

1981
01:25:40,400 --> 01:25:43,120
Speaker 4: It's hip hop, It's just a culture. It's just music.

1982
01:25:43,160 --> 01:25:45,840
Speaker 4: It's evolutionary. You cannot change, you cannot take it away

1983
01:25:46,080 --> 01:25:52,320
Speaker 4: no matter how you try, you know, and it is sprite,

1984
01:25:53,439 --> 01:25:56,439
Speaker 4: half and half all upon or whatever.

1985
01:25:57,000 --> 01:25:59,160
Speaker 1: It's just I'm gonna just tell you as a man,

1986
01:25:59,200 --> 01:26:02,000
Speaker 1: when she dropped, it was a real nigga reunion. You

1987
01:26:03,600 --> 01:26:04,680
Speaker 1: gotta get out to you.

1988
01:26:04,640 --> 01:26:08,840
Speaker 4: Gotta get it. But it makes women also be like

1989
01:26:08,960 --> 01:26:11,800
Speaker 4: more secure and more like comforting and more and just

1990
01:26:11,920 --> 01:26:13,840
Speaker 4: be more like on your ship and like just want

1991
01:26:13,840 --> 01:26:16,080
Speaker 4: to have it together. And it's not really about a man.

1992
01:26:16,120 --> 01:26:19,439
Speaker 4: It's about yourself. You gotta understand itself first, because even

1993
01:26:19,479 --> 01:26:21,240
Speaker 4: with a man, you can't do nothing with that. If

1994
01:26:21,280 --> 01:26:23,960
Speaker 4: you're not right within yourself, you gotta mess that whole

1995
01:26:24,000 --> 01:26:26,960
Speaker 4: situation up. If you're not right, it gotta be you first.

1996
01:26:27,160 --> 01:26:31,160
Speaker 4: Everything else gotta follow, period, period.

1997
01:26:32,520 --> 01:26:32,720
Speaker 7: Else.

1998
01:26:36,920 --> 01:26:41,040
Speaker 1: I ain't gonna lie. She's gonna make all girls gonna

1999
01:26:41,280 --> 01:26:45,680
Speaker 1: want to come, because yeah, I ain't gonna like you

2000
01:26:45,720 --> 01:26:48,240
Speaker 1: know that. That's our that's our questions. We ask all

2001
01:26:48,240 --> 01:26:50,560
Speaker 1: the guys like you eat asked, and so you know,

2002
01:26:50,680 --> 01:26:53,240
Speaker 1: some girls probably looked at our Well, it's a.

2003
01:26:53,320 --> 01:26:55,120
Speaker 4: Very intimate thing when you got like a guy showing

2004
01:26:55,160 --> 01:26:56,840
Speaker 4: this guys and you want you want to bring this

2005
01:26:56,960 --> 01:26:59,720
Speaker 4: one girl and all you guys are like hovering around, like.

2006
01:27:04,280 --> 01:27:06,280
Speaker 1: He said, your chair.

2007
01:27:10,400 --> 01:27:12,120
Speaker 4: So see, when you have a woman that comes, you

2008
01:27:12,200 --> 01:27:15,599
Speaker 4: have to be a very strong woman, very secure, confident

2009
01:27:15,680 --> 01:27:17,760
Speaker 4: woman to come and be in the way, to stand

2010
01:27:17,800 --> 01:27:20,000
Speaker 4: in front of all these guys and be thinking they're

2011
01:27:20,000 --> 01:27:22,320
Speaker 4: gonna attack. Everyone can stand for that, you know what

2012
01:27:22,360 --> 01:27:25,000
Speaker 4: I mean. But that's the perspective and the perception of it.

2013
01:27:25,080 --> 01:27:27,360
Speaker 4: So you have to understand that women a little bit more.

2014
01:27:28,560 --> 01:27:31,200
Speaker 4: Guys show you gotta be a beese to handle you guys.

2015
01:27:31,360 --> 01:27:42,600
Speaker 1: Yes, yes, and you have you have you killed this