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Speaker 1: A year later, I go to Chris' house. He's like,

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Speaker 1: big bro, I'm doing the tour. I said, what tour?

3
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Speaker 1: He said, me and Usher. I said, let me tell

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Speaker 1: you something. I don't ask you for much. But if

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Speaker 1: I'm not on this tour, I know where you live.

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Speaker 2: Yo, listen, this is Joe Crack the Don.

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Speaker 3: You know who it is, your boy Jada.

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Speaker 4: The Joe and Jada show, every show legendary, every show iconic.

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Speaker 3: We doing, it's not even. Obliterating. We obliterating.

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Speaker 2: What's the shit? Summa cum laude. Summa cum laude on you,

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Speaker 2: bitch ass. Let me tell you something.

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Speaker 3: It's early. Yo, can I get, hold on. All right.

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Speaker 3: You know what we're doing. You know how we're doing it.

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Speaker 4: Every guest, everybody that comes to the set sits on

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Speaker 4: the blue couch. You know it's going to be something special,

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Speaker 4: something iconic, somebody with a lot of history, somebody that

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Speaker 4: added a lot.

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Speaker 3: Of value to the culture.

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Speaker 4: When you think of today's guests, you think of R &

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Speaker 4: B that's been soundtracking your life for over 20 years.

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Speaker 4: Multi-Grammy nominated singer, songwriter, producer, actor, trainer, workout beast, and entrepreneur.

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Speaker 4: He's got a stack of Billboard number one adult R &

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Speaker 4: B hits. He's written and produced. Clear your ears for this.

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Speaker 3: Beyonce.

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Speaker 4: Rest in peace, the great Aaliyah. Jamie Foxx. Kelly Rowland.

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Speaker 4: He went toe-to-toe with Tyrese in the highest rated versus

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Speaker 4: battles ever. He made a song on the spot about

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Speaker 4: a turtleneck. He can never be done ever again. He

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Speaker 4: made his Broadway debut in Hell's Kitchen. He's on tour

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Speaker 4: with Usher and Chris Breezy right now. And his 11th

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Speaker 4: studio album drops this Friday. For maybe I deserve to

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Speaker 4: please don't go.

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Speaker 3: Maybe I deserve.

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Speaker 2: To yes.

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Speaker 4: He's the one and only Hank Mason North.

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Speaker 5: Yeah.

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Speaker 2: Yeah.

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Speaker 6: Yeah.

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Speaker 3: I got to steal that whole audio. That's what we do.

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Speaker 3: On the show. That's going to start my whole show.

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Speaker 3: Every show.

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Speaker 2: I know we big in you. How would you big

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Speaker 2: me up on an inch? Like, could you do one

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Speaker 2: for me?

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Speaker 3: Just us? On our next evergreen. You got me what?

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Speaker 3: I'm a late. I'm a late. I'm putting that shit

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Speaker 3: on our album. Of course you should. Come on now.

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Speaker 3: The voice is iconic. That's what it is. You need that.

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Speaker 4: But it's the accolades. It's the way I'm delivering them.

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Speaker 3: Yeah, yeah, yeah. I want to focus on.

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Speaker 4: I'm talking about stuff that you did and it make

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Speaker 4: you feel like you forgot or make you feel.

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Speaker 3: That much better. It just sounds different.

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Speaker 4: No doubt.

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Speaker 3: It just sound different. You know what I'm saying?

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Speaker 2: Do you forget or it just feels better when somebody

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Speaker 2: brings it up? Or does every artist really know what

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Speaker 2: they did in the game? Or do you forget?

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Speaker 1: I think there are moments where you kind of want

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Speaker 1: to pop it and live in it.

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Speaker 3: But I'm so forward conscious. You know what I mean?

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Speaker 1: That I don't like to settle in to anything that

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Speaker 1: I've done.

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Speaker 3: No, I did this. I did that.

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Speaker 1: No, I don't do them anniversaries and all that. Today,

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Speaker 1: nobody cares. Like, they want to know what you got today.

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Speaker 1: And is it going to affect tomorrow? What I see

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Speaker 1: is chrome hearts.

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Speaker 2: Whole lot of Chromie, $ 10, 000.

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Speaker 3: Jeans, and a fucking 36. 26.

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Speaker 2: $ 26, 000 jeans and a.

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Speaker 1: Fucking six-pack that I.

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Speaker 3: Wish I had. Yo, Osepican, give me the six-pack. I'm

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Speaker 3: not going to give you that. Yeah, I'm going to

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Speaker 3: hold that. Yo, Osepican. I'm going to save that.

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Speaker 2: You know, if I had a six-pack, I'd be sitting there, baby.

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Speaker 2: Y'all deserve it for no reason. Should be like, yo,

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Speaker 2: fuck wrong with him. I'm Carl Diesel.

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Speaker 3: Oh, boss.

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Speaker 5: No, no.

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Speaker 3: You're talking about yourself. It's cool. No, yo. Damn.

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Speaker 2: Trigger IP.

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Speaker 3: Yo. I'm just happy to be here.

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Speaker 7: So I'm just.

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Speaker 2: No.

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Speaker 3: I just got them ready.

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Speaker 7: Damn.

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Speaker 3: Don't worry. It's coming. It's coming. It's coming. It's what?

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Speaker 3: It's what?

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Speaker 7: Jesus.

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Speaker 4: The flag.

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Speaker 3: I'm the flag master. You can't throw flags at me.

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Speaker 3: I'm explaining. Let it begin. I'm telling you. Get your

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Speaker 3: flag back. Yo, Tank.

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Speaker 2: Yo, Tank, let me explain something to you. This man here. So,

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Speaker 2: you know, Joe Crack, I'm realizing I'm a little crazy, right?

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Speaker 2: I just, like, I'm figuring this.

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Speaker 7: No, a lot.

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Speaker 3: Man, we should go out to dinner for that. Yo,

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Speaker 3: I'm figuring I'm crazy, right?

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Speaker 2: We do our first live show, Joe and Jada in Baltimore,

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Speaker 2: sold out 5,000 people. The whole stadium is sold out.

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Speaker 2: And I noticed the minute I start talking, they all start,

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Speaker 2: they waiting for some shit. Like they're like, they know

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Speaker 2: he crazy. They made me, listen, we come in here.

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Speaker 2: We know the show lit, but we got to, you know,

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Speaker 2: it's close quarters for me. I go back home.

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Speaker 3: I'm chilling.

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Speaker 2: We never did it in front of the audience. He goes,

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Speaker 2: every show legendary. The whole crowd goes, every show iconic.

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Speaker 2: Sold out.

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Speaker 3: Sold out. Here's six. Five thousand. Build some more. We

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Speaker 3: love it.

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Speaker 2: So I'm just like this, and I notice, yo, they

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Speaker 2: think I'm crazy. Like, I'm looking at their response. I said, damn,

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Speaker 2: they think I'm fried for real. Like, I'm just trying

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Speaker 2: to entertain the people, bro. I'm not fried, right?

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Speaker 1: Well, you know, you're not fried, brother, but there's entertainment

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Speaker 1: in terms of you telling the story, and then there's

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Speaker 1: not entertainment that you actually did the story.

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Speaker 3: That's the part where it gets the little... It's a

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Speaker 3: little murky.

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Speaker 7: Amen.

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Speaker 2: Yo, Tank, man, you've been on a streak. If they

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Speaker 2: call it adult R & B, last I checked, you

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Speaker 2: just had number ones, number ones, number ones, number ones.

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Speaker 3: Yeah, them shits out the park.

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Speaker 2: Is that like guaranteed you're going to put out a

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Speaker 2: number one? At this point, it's feeling like.

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Speaker 3: That, right? No, there's no guarantee, man. But, you know,

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Speaker 3: you don't. For me, I don't move unless it feels

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Speaker 3: like it's going to be that. You know what I mean?

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Speaker 1: And so I have my feeling about a thing. But,

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Speaker 1: you know, I got great people around me. You know,

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Speaker 1: I got Ken Wilson.

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Speaker 3: I got Lulu.

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Speaker 1: I got guys around me that are like, we got one.

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Speaker 1: Or I don't know about this one. You know what

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Speaker 1: I'm saying? And I take that information to heart.

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Speaker 3: You know what I mean?

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Speaker 1: It's not just me. So when we move and press

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Speaker 1: the button. It's a united front. The team says we

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Speaker 1: got it.

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Speaker 3: And we going.

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Speaker 7: We all in.

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Speaker 3: All in.

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Speaker 7: All in.

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Speaker 3: I think that's what a lot of artists say they lack.

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Speaker 2: Hmm.

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Speaker 4: I don't know if it's the fear to have that

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Speaker 4: right team around you to say, yay, nay, I don't

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Speaker 4: know about this one, this, that.

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Speaker 3: Dudes don't want to get fired. They don't want to

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Speaker 3: get their change repossessed. So they're just agreeing with everything.

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Speaker 4: And it's messing up, it's messing shit up.

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Speaker 1: You got to be willing to be challenged in order

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Speaker 1: to grow.

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Speaker 3: Right?

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Speaker 1: And so the minute, the minute, your word is law

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Speaker 1: and that's all that matters.

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Speaker 3: It's over. It's over. Because there's only so much you

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Speaker 3: can teach yourself. Right?

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Speaker 1: So you just try to do your best to surround

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Speaker 1: yourself with people who have a common goal.

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Speaker 3: I always take it back to MJ.

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Speaker 4: Nice as he was, he needed Scotty, Tony Coolcoats, You.

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Speaker 3: Always need a team. You always, LeBron needed a team. Always,

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Speaker 3: you saw Tony Kukoc? No, no, no. You told me

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Speaker 3: bumping Kukoc at the bagel spot. No, you need it.

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Speaker 3: You gotta have it. I got a bigger chance bumping

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Speaker 3: into Brian Scalabrini out here in Boston.

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Speaker 1: Yeah, team, and I'm an athlete, so for me, it's like,

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Speaker 1: it's always been about crew. Like, how can we build

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Speaker 1: a team and take over the world? That's just where

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Speaker 1: I come from.

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Speaker 3: All right. Man, you did that one join over from Maxwell.

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Speaker 3: You had the Can't Let It Show. How'd that one go?

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Speaker 3: The woman.

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Speaker 7: She been crying but I just can't let it show.

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Speaker 2: She been crying but can't stop thinking. Yeah.

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Speaker 3: When I tell you I own Maxwell.

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Speaker 5: Yeah.

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Speaker 3: You had to get that. You make him do that?

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Speaker 2: I make him do that in the middle of the

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Speaker 2: party everywhere.

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Speaker 3: That nigga see me, he run on the other side

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Speaker 3: of the party. He like, yo, let me go, Fat Joe. Yo, yo, yo,

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Speaker 3: hold up, yo, Mac.

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Speaker 2: I get the crowd. Yo, Mac, hit him with that.

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Speaker 2: He's like, then he start die.

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Speaker 3: He killed it.

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Speaker 2: Man.

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Speaker 1: Yeah, I'm from DMV, so he had the whole DMV

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Speaker 1: in a chokehold with that ring.

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Speaker 2: That man, he was out there in Baltimore the other day.

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Speaker 2: That's DMV. DMV is Maryland, D.C., and Virginia.

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Speaker 3: Praise God. Lord have mercy on us. Let me tell

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Speaker 3: you something.

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Speaker 2: That man had that video where he was swimming in

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Speaker 2: the concrete.

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Speaker 3: You remember that shit?

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Speaker 5: Yeah.

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Speaker 3: That had to be a million dollar video, right? He's

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Speaker 3: swimming in the fucking concrete. Before AI. Yeah.

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Speaker 7: CGI.

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Speaker 3: I didn't get it, but I respect it. You didn't

207
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Speaker 3: see it?

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Speaker 2: No, I didn't get it. He didn't give a fuck.

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Speaker 2: He said he made them spend a million dollars.

210
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Speaker 3: Why is he swimming in the concrete? He don't care.

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Speaker 3: What's that? No. What's the reference? Yo, we got the

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Speaker 3: money to swim in the concrete. He didn't give a fuck.

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Speaker 3: Just do it. Just fucking do it.

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Speaker 2: Yeah. He was swimming in the concrete. I said, yo,

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Speaker 2: that shit great. That's back when videos used to really...

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Speaker 2: When they come out with a video, he got an

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Speaker 2: elephant chasing him. You know, oh man, they just spent

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Speaker 2: a million dollars for no... Buster took it. Buster had

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Speaker 2: the most expensive videos.

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Speaker 4: Janet Jackson used the liquid metal for the Terminator movie.

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Speaker 4: The same technology. Sylvia Roemus just said, here go the checkbook.

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Speaker 3: And this No, I use... In my Slowly video, I

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Speaker 3: use the Matrix proof. Oh, my God. So that I

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Speaker 3: can climb, scale the walls, fall from the ceiling, and

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Speaker 3: do all the shit. See? Nothing. They gave you the checkbook. Yeah.

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Speaker 2: You know, I finally had the heart to watch Matrix.

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Speaker 2: I'm coming back from Romania.

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Speaker 3: What do you mean, heart? And I watched... Nah, because.

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Speaker 2: I don't know if y'all realize.

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Speaker 3: Yo, this shit, do you want to talk reality or hip-hop?

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Speaker 2: Like, right now, the news and everything I'm watching, they

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Speaker 2: saying that A.I. is going to take over the world.

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Speaker 2: They saying they're going to kill us all, the AI.

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Speaker 2: If you look at The Matrix, the whole shit is

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Speaker 2: about AI 20-some years ago. So I'm scared of shit

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Speaker 2: like that. So I finally threw it on, and I

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Speaker 2: was looking at The Matrix. I said, yo, they talking

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Speaker 2: about AI 20 years ago. I think some movies definitely

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Speaker 2: prepare us for the future.

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Speaker 3: 100%. Right?

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Speaker 4: Everything they put in a movie, they got already.

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Speaker 3: It's all a pre- It showed us about A.I. 10

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Speaker 3: years ago. Now they got A.I. It's all possible. Don't

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Speaker 3: be scared.

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Speaker 1: Joe, you can't be scared of it because you're going

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Speaker 1: to need the information in order to understand how to

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Speaker 1: deal with it.

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Speaker 2: I don't know how you're going to deal with it

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Speaker 2: when you got robots killing people.

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Speaker 3: Whether we like it or not, it's happening.

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Speaker 5: Wow.

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Speaker 3: Like those two-inch reels we used to record on?

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Speaker 2: Yeah.

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Speaker 3: They gone.

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Speaker 1: I remember when the first Pro Tools rig was rolled

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Speaker 1: into the studio and I was like, I'm never using that.

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Speaker 3: That's not how you make music.

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Speaker 4: Gotta get with the program.

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Speaker 3: You know what's crazy?

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Speaker 2: The other day I seen my man DJ Jazzy J

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Speaker 2: from Zulu Nation, one of the original, maybe first three DJs.

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Speaker 2: He let me do my first album in the studio

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Speaker 2: for little to no money. And He was like, yo,

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Speaker 2: it wouldn't be no Rick Rubin from Jazzy J. It

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Speaker 2: wouldn't be somebody else from Jazzy J. Actually, would they

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Speaker 2: be a Fat Joe if it wasn't for that? I

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Speaker 2: had to go in the comments real quick and be like, no, no, no.

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Speaker 2: There would not be no Fat Joe if it wasn't

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Speaker 2: for Jazzy J. And, you know, that man, he had

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Speaker 2: the brills. He was cutting shit. Nah, we was making him.

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Speaker 3: Work in a....

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Speaker 2: Man, I would like, I got to get Jazzy J

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Speaker 2: for like a Fat Joe documentary because I want to

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Speaker 2: know what Fat Joe was like at 18 years old.

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Speaker 2: He could probably describe me better than I could describe

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Speaker 2: me in the studio. He probably was like, well, Joe,

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Speaker 2: you know, you were an asshole.

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Speaker 3: You were this, you were that. I need that type

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Speaker 3: of shit. Who you worked.

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Speaker 2: With early in the game that you might have forgot

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Speaker 2: to like... You wanted to answer who he forgot? Not

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Speaker 2: who he forgot, but somebody who played a pivotal part in.

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Speaker 3: Your career, but, you know, like, I ain't going to lie.

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Speaker 2: Jazzy J, living legend, he got overlooked in the Fat

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Speaker 2: Joe documentaries and all that.

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Speaker 3: That's why the minute, I.

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Speaker 2: Know, but the minute I seen that, I'm never going

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Speaker 2: to try to play. I immediately went, no, no, no, no. Jazzy,

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Speaker 2: love you, brother. Like, you was there. Like, there's no

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Speaker 2: way around it. Like, who you that might get overlooked?

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Speaker 3: Jerome Jefferson.

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Speaker 1: This was the first, like, producer producer that i worked

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Speaker 1: with it knew what he was that knew what he

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Speaker 1: was doing like i'm a church musician you know i'm

295
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Speaker 1: saying so you know back then when you were producing

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Speaker 1: there was this thing called polyphony right and with polyphony

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Speaker 1: in terms of the midi you can only play so

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Speaker 1: many notes so many functions can be happening at the

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Speaker 1: same time or things will start canceling out and write

300
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Speaker 1: certain parts of the instrument, certain notes that you're playing

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Speaker 1: on the piano or the string, then I would just

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Speaker 1: play heavy string, heavy piano, heavy organ, give me the brass,

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Speaker 1: heavy brass, and stupid just be canceling.

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Speaker 3: He's like, no, no, no, you can't do that. He said,

305
00:14:44,560 --> 00:14:46,040
Speaker 3: first of all, let's.

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Speaker 1: Make that 12-note chord a four-note chord or a five-note chord.

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Speaker 1: Now you got room for your string. Let's just do

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Speaker 1: the strings with freestyles. All right, now you can throw

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Speaker 1: your lead on. okay, now back that down, throw some

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Speaker 1: reverb on this. And he was showing me how to

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Speaker 1: work the little board, but he was doing it all

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Speaker 1: on the one inch, right? So he would just let

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Speaker 1: me use his studio. He produced a song for Tony

314
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Speaker 1: Thompson called Handle Our Business. Let's go home and handle

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Speaker 1: our business.

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Speaker 3: Somebody can look at that.

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Speaker 1: Oh, let's do it right. And he played that for me.

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Speaker 1: When he played it for me, I was like, oh,

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Speaker 1: I'm not a producer. I'm just a musician.

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Speaker 3: But he taught you.

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Speaker 1: He showed me how to start producing because it's way

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Speaker 1: different than being a musician.

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Speaker 3: Way different.

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Speaker 1: That was my intro to you're a good musician, but

325
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Speaker 1: you're not a good producer. I was like, oh, that

326
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Speaker 1: sent me on the journey to figure out how to produce. And,

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Speaker 1: you know, then I started to study you know, really

328
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Speaker 1: dive into studying Babyface and studying Devante and studying Timbaland

329
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Speaker 1: and Trackmasters and all these guys just trying to figure out.

330
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Speaker 2: Babyface had the game in the Chocos and then Timbaland

331
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Speaker 2: came with that new sound.

332
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Speaker 3: Timbaland wrecked me. Tim wrecked me. Tim wrecked me. Everything

333
00:16:16,350 --> 00:16:18,970
Speaker 3: that I didn't know I needed. Because Babyface and them

334
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Speaker 3: had that shit.

335
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Speaker 1: Babyface was, they were, they were musical, right? Timbaland was musical,

336
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Speaker 1: but he introduced me to sounds.

337
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Speaker 2: Right?

338
00:16:31,770 --> 00:16:36,690
Speaker 1: Different sonics, different things that you can use to make music.

339
00:16:37,350 --> 00:16:42,010
Speaker 1: Not the traditional instrument, but just banging on a wall

340
00:16:42,050 --> 00:16:45,080
Speaker 1: or banging on a window or banging on a teacup. Like,

341
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Speaker 1: this is what Timbaland really does. He goes in the

342
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Speaker 1: booth with just anything.

343
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Speaker 2: These sample people are almost like the landlords in New

344
00:16:53,520 --> 00:16:56,220
Speaker 2: York where you can't afford the rent. You put out

345
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Speaker 2: an album, you independent. They is charging so much nowadays.

346
00:17:01,680 --> 00:17:04,729
Speaker 2: And they don't want the money with Coop. They want 50%

347
00:17:04,730 --> 00:17:10,110
Speaker 2: of your song. They want like, they are highway robbering

348
00:17:10,310 --> 00:17:11,950
Speaker 2: right now to sample people.

349
00:17:12,150 --> 00:17:14,510
Speaker 3: Yes. It makes it so almost, it's like you can't

350
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Speaker 3: afford the rent.

351
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Speaker 2: Like, you know, you trying to open a business in

352
00:17:17,930 --> 00:17:19,800
Speaker 2: New York and you can't afford the rent?

353
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Speaker 3: You can't make enough money? These shit's crazy, bro. Every

354
00:17:23,540 --> 00:17:29,350
Speaker 3: day I get a new sample, 17,000, 20,000, this. I'm like, fuck.

355
00:17:29,570 --> 00:17:31,850
Speaker 2: You know who I met at the Jay-Z documentary? The

356
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Speaker 2: girl who did the, I'm feeling it. When their eyes

357
00:17:34,890 --> 00:17:38,459
Speaker 2: and get into that. You know, how are you giving

358
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Speaker 2: the lies?

359
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Speaker 3: She stopped me. She was like, yo, Joe, nice to

360
00:17:41,060 --> 00:17:41,800
Speaker 3: meet you. This and that.

361
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Speaker 7: I was like, all right.

362
00:17:43,040 --> 00:17:45,180
Speaker 3: She was like, you know what I did. I said, what?

363
00:17:45,200 --> 00:17:47,460
Speaker 3: She was like, I'm feeling it. I'm running it out.

364
00:17:47,480 --> 00:17:50,410
Speaker 3: She sound like the record. I was like, oh, shit.

365
00:17:50,470 --> 00:17:54,830
Speaker 3: She is the sample. She's the hook. She did the hook. Yeah, yeah.

366
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Speaker 3: She was crazy.

367
00:17:55,670 --> 00:17:59,070
Speaker 2: Yeah. You know, I met back in the day, too,

368
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Speaker 2: the girl who used to do the death rolls in

369
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Speaker 2: the house.

370
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Speaker 3: Long Beach!

371
00:18:04,880 --> 00:18:08,660
Speaker 2: God damn! Yo, that shit crazy. Like, when you hear

372
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Speaker 2: somebody that you listen.

373
00:18:10,119 --> 00:18:10,600
Speaker 3: To this shit every day.

374
00:18:10,619 --> 00:18:13,000
Speaker 1: You've been hearing the vocal for years and ages.

375
00:18:13,040 --> 00:18:15,930
Speaker 3: Like, imagine the girl from doing it with L.L. She

376
00:18:15,970 --> 00:18:18,490
Speaker 3: came out of nowhere right now and started going, you know,

377
00:18:18,609 --> 00:18:22,150
Speaker 3: doing it well. You'd be like, oh, shit, that's... Yeah.

378
00:18:22,650 --> 00:18:26,190
Speaker 1: Yeah unsung heroes but sometimes that rent is worth it

379
00:18:26,210 --> 00:18:27,770
Speaker 1: you know i'm saying like my song i got not

380
00:18:27,790 --> 00:18:31,750
Speaker 1: got out now called yes i did interpolation of flowetry

381
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Speaker 1: um say yes and i've sampled that too and not

382
00:18:36,619 --> 00:18:40,399
Speaker 1: not a not a cheap venture oh by no means

383
00:18:41,359 --> 00:18:47,340
Speaker 1: none but in the interest of being part of that

384
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Speaker 1: musical universe and making great music and continuing the legacy

385
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Speaker 1: of what that is, hey, man, that's the cost of

386
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Speaker 1: doing business.

387
00:18:55,350 --> 00:18:56,670
Speaker 3: Let me tell you something. Yeah, it is.

388
00:18:56,890 --> 00:19:00,010
Speaker 2: You know who did this? People don't look at him.

389
00:19:00,250 --> 00:19:03,790
Speaker 3: Wale got this one joint. Yeah. Wale, I think he

390
00:19:03,869 --> 00:19:09,490
Speaker 3: sampled that Gopal. Guapale. We're going to... That shit incredible.

391
00:19:09,600 --> 00:19:16,619
Speaker 3: I don't know. Gopel, it's crazy. Who is Gopel? Gopel.

392
00:19:17,100 --> 00:19:19,540
Speaker 3: Who in the fuck is Gopel? How the hell am

393
00:19:19,600 --> 00:19:23,119
Speaker 3: I supposed to know? Wapole. Wapole. If you know what

394
00:19:23,140 --> 00:19:28,010
Speaker 3: you're talking about. Let me tell you something. Gopel is crazy. No.

395
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Speaker 3: Her song is legend. That song, the original song.

396
00:19:32,590 --> 00:19:34,750
Speaker 4: It should be legend enough for you to not call

397
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Speaker 4: her Gopel.

398
00:19:39,310 --> 00:19:41,070
Speaker 3: How much legend is you?

399
00:19:41,270 --> 00:19:41,610
Speaker 2: Oh, pal.

400
00:19:41,750 --> 00:19:52,280
Speaker 3: That's sick. This guy's name, that's when he's fried.

401
00:19:52,520 --> 00:19:55,260
Speaker 4: He ain't really fried until it's time to say a

402
00:19:55,359 --> 00:19:58,220
Speaker 4: name or this summa cum laude.

403
00:19:57,900 --> 00:19:58,800
Speaker 3: Or something like that.

404
00:19:58,840 --> 00:20:03,139
Speaker 4: His shit goes off the highway or to the shoulder.

405
00:20:04,720 --> 00:20:05,639
Speaker 3: I try to.

406
00:20:05,500 --> 00:20:07,639
Speaker 2: Tell my family shit.

407
00:20:07,900 --> 00:20:09,850
Speaker 3: I try to tell my family shit like that.

408
00:20:09,900 --> 00:20:11,700
Speaker 2: Like, I don't get it right. I'm not trying to

409
00:20:11,740 --> 00:20:14,450
Speaker 2: be funny. I don't get it right. Thanksgiving dinner, I

410
00:20:14,470 --> 00:20:18,430
Speaker 2: don't get it right. But back to what you were saying, though.

411
00:20:18,450 --> 00:20:22,610
Speaker 2: That song, incredible.

412
00:20:22,730 --> 00:20:23,050
Speaker 7: Wale.

413
00:20:23,170 --> 00:20:25,770
Speaker 3: Oh, no, no, no. That song with Wale. That thing.

414
00:20:28,170 --> 00:20:30,389
Speaker 1: I was so upset when he came out with that song.

415
00:20:30,590 --> 00:20:32,650
Speaker 1: You was like, damn, we never thought it out. No,

416
00:20:32,710 --> 00:20:35,359
Speaker 1: I thought of it. Wapolet came onto our pod, and

417
00:20:35,400 --> 00:20:38,480
Speaker 1: I was like, I'm just letting you know, at some point,

418
00:20:38,520 --> 00:20:39,840
Speaker 1: I'm going to sample your song.

419
00:20:40,480 --> 00:20:42,409
Speaker 3: I'm letting you know right now. She said, do it,

420
00:20:42,420 --> 00:20:44,379
Speaker 3: do it. Yeah, she can't wait. But Wale is a

421
00:20:44,400 --> 00:20:51,320
Speaker 3: variant of R & B. You know what I'm saying?

422
00:20:51,340 --> 00:20:54,320
Speaker 3: He's got a different... He's got that energy. You know

423
00:20:54,340 --> 00:20:54,740
Speaker 3: what I'm saying?

424
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Speaker 7: He's in that lane.

425
00:20:55,160 --> 00:20:58,480
Speaker 3: He's in that lane. It's very woman-folk friendly. You know

426
00:20:58,510 --> 00:21:00,430
Speaker 3: what I'm saying? He makes good music. And he did

427
00:21:00,450 --> 00:21:02,390
Speaker 3: such a great job. With R & B. He makes

428
00:21:02,430 --> 00:21:04,389
Speaker 3: good R & B collaborating.

429
00:21:04,390 --> 00:21:04,430
Speaker 2: 100%.

430
00:21:04,430 --> 00:21:09,220
Speaker 3: I love it. Great one. Yeah. No, I love it.

431
00:21:09,690 --> 00:21:14,470
Speaker 4: For all the real ones out there, we keeping it 1800.

432
00:21:14,470 --> 00:21:18,860
Speaker 3: What's it like being on the tour with Brown? Raymond

433
00:21:18,920 --> 00:21:19,460
Speaker 3: and Brown.

434
00:21:20,310 --> 00:21:25,910
Speaker 4: What's the backstage energy like? What's going on that the

435
00:21:25,950 --> 00:21:28,830
Speaker 4: people don't see? Because I know it's a lot. I've

436
00:21:28,869 --> 00:21:31,689
Speaker 4: been back there. We've been back there.

437
00:21:31,869 --> 00:21:38,080
Speaker 3: It's crazy. It's nice, though. It's nice. It's safe. It's

438
00:21:38,160 --> 00:21:41,219
Speaker 3: safe and it's sexy. No doubt. That's a great way

439
00:21:41,260 --> 00:21:41,840
Speaker 3: to describe it.

440
00:21:41,920 --> 00:21:44,020
Speaker 1: Here's my thing about this tour, right? I'm going to

441
00:21:44,040 --> 00:21:48,050
Speaker 1: argue probably the greatest tour For sure the greatest R &

442
00:21:47,810 --> 00:21:48,670
Speaker 1: B tour of all time.

443
00:21:48,869 --> 00:21:49,090
Speaker 7: Ever.

444
00:21:49,410 --> 00:21:50,550
Speaker 3: Yeah, yeah. It's not even close.

445
00:21:50,850 --> 00:21:51,250
Speaker 7: All right.

446
00:21:51,690 --> 00:21:54,649
Speaker 2: Because they stop me when I say what I'm going

447
00:21:54,690 --> 00:21:54,909
Speaker 2: to say.

448
00:21:54,930 --> 00:21:57,149
Speaker 3: But I'm going to say, is Michael Jackson R & B?

449
00:21:57,609 --> 00:22:01,070
Speaker 2: Because that guy Dre argues with me for hours.

450
00:22:01,490 --> 00:22:04,600
Speaker 3: He don't put Prince or Michael.

451
00:22:04,260 --> 00:22:05,580
Speaker 2: Jackson in R & B.

452
00:22:05,640 --> 00:22:11,369
Speaker 3: Like, I've had... Oh, he's old enough.

453
00:22:12,050 --> 00:22:15,449
Speaker 2: We've had six-hour-long arguments.

454
00:22:15,510 --> 00:22:20,470
Speaker 3: What'd he put on you? When I say arguments, they own...

455
00:22:20,609 --> 00:22:21,790
Speaker 3: I don't know. Where you put him?

456
00:22:22,410 --> 00:22:24,330
Speaker 2: Where you put Michael Jackson and Prince?

457
00:22:25,200 --> 00:22:26,880
Speaker 3: Answer the question, Tank. No, I'm going to answer it.

458
00:22:26,960 --> 00:22:30,890
Speaker 3: Let him answer it! There are certain guys that are

459
00:22:31,150 --> 00:22:35,730
Speaker 3: genre-less guys. They're their own ecosystem. They went so much.

460
00:22:35,810 --> 00:22:38,350
Speaker 4: They duct taped themselves to a rocket so much they

461
00:22:38,390 --> 00:22:38,659
Speaker 4: made a.

462
00:22:38,670 --> 00:22:39,230
Speaker 7: Yes!

463
00:22:39,570 --> 00:22:41,090
Speaker 3: They can do anything. Beyonce!

464
00:22:41,210 --> 00:22:45,530
Speaker 2: Like, Chris Brown can do anything. But I look at

465
00:22:45,550 --> 00:22:47,350
Speaker 2: Chris Brown as an R & B guy. He makes

466
00:22:47,410 --> 00:22:50,449
Speaker 2: pop hits, everything. His foundation, all of the foundations are

467
00:22:50,570 --> 00:22:52,890
Speaker 2: R & B. That's what I was saying.

468
00:22:52,970 --> 00:22:54,790
Speaker 1: All of the foundations are R & B.

469
00:22:54,830 --> 00:22:55,530
Speaker 3: Came from there.

470
00:22:55,930 --> 00:22:59,430
Speaker 1: But it starts there, and the building just, it just

471
00:22:59,550 --> 00:23:02,970
Speaker 1: keeps going. Like, there's nothing like, Usher has, he got

472
00:23:03,050 --> 00:23:06,130
Speaker 1: four on the floor. He's got, like, Chris Brown got,

473
00:23:06,390 --> 00:23:07,950
Speaker 1: Chris Brown has number ones rapping.

474
00:23:08,630 --> 00:23:08,890
Speaker 2: Yeah.

475
00:23:08,910 --> 00:23:09,450
Speaker 7: Mm-hmm.

476
00:23:10,270 --> 00:23:12,990
Speaker 2: And then he has four on the floor EDM house.

477
00:23:13,010 --> 00:23:15,710
Speaker 2: These guys are the biggest. No, you talking to the

478
00:23:15,730 --> 00:23:17,090
Speaker 2: wrong guy. We with you.

479
00:23:17,230 --> 00:23:21,000
Speaker 1: These guys are different. Like Michael Jackson, like Prince. These

480
00:23:21,060 --> 00:23:23,060
Speaker 1: guys are different and we want to own them.

481
00:23:23,970 --> 00:23:25,470
Speaker 3: You know what I'm saying? Because they are brothers. They

482
00:23:25,490 --> 00:23:28,070
Speaker 3: were too big for us to own. They're in another strategy.

483
00:23:28,090 --> 00:23:30,990
Speaker 3: We can't box them in to one thing. Like, we can't.

484
00:23:31,050 --> 00:23:34,010
Speaker 3: There's no chart they can't live on. Yo, that's what happened.

485
00:23:34,090 --> 00:23:36,609
Speaker 3: Drake had that same argument. I was arguing.

486
00:23:36,650 --> 00:23:38,650
Speaker 2: I was like, yo, I got Prince, R & B.

487
00:23:38,710 --> 00:23:42,440
Speaker 2: Prince ain't R & B. He's bigger than this. Joe

488
00:23:42,460 --> 00:23:45,520
Speaker 2: don't get thrown off the show. Don't say it on

489
00:23:45,560 --> 00:23:50,220
Speaker 2: Joe and Jada. Nah, we had like a six-hour argument. Because,

490
00:23:50,980 --> 00:23:53,770
Speaker 2: but the origins is on me. He described it perfectly.

491
00:23:53,930 --> 00:23:54,130
Speaker 7: Yeah.

492
00:23:58,080 --> 00:24:01,660
Speaker 2: Everybody knows I'm New York all day. And for me,

493
00:24:02,060 --> 00:24:06,100
Speaker 2: that means the next. The fandom goes way, way back.

494
00:24:06,280 --> 00:24:08,680
Speaker 2: It's something you got to grow up with. Something your

495
00:24:08,720 --> 00:24:13,950
Speaker 2: family puts in your DNA. And eventually, something you pass down.

496
00:24:14,109 --> 00:24:18,449
Speaker 4: And that's what 1800 to Killin' Fanatics Club legacy is

497
00:24:18,570 --> 00:24:23,109
Speaker 4: all about. Celebrating the teams, traditions, and stories fans across

498
00:24:23,170 --> 00:24:26,350
Speaker 4: the country carry from one generation to the next.

499
00:24:26,730 --> 00:24:29,450
Speaker 2: No matter who you root for you can be part

500
00:24:29,490 --> 00:24:32,129
Speaker 2: of it head to the club legacy site sign up

501
00:24:32,170 --> 00:24:39,139
Speaker 2: for 30% off a purchase of $ 100 or more at fanatics.com.

502
00:24:37,940 --> 00:24:43,060
Speaker 4: Purchase an eligible 1800 tequila cocktail or bottle upload your

503
00:24:43,100 --> 00:24:46,880
Speaker 4: receipt and you can earn fan cash towards fanatics.

504
00:24:46,420 --> 00:24:49,359
Speaker 2: Gift and we want to hear your story submit a

505
00:24:49,460 --> 00:24:52,720
Speaker 2: short video telling us how your fandom has been passed

506
00:24:52,780 --> 00:24:55,740
Speaker 2: down your family your team your legacy.

507
00:24:56,160 --> 00:25:00,540
Speaker 4: Ten fans will win $ 1, 800, and one grand prize winner

508
00:25:00,680 --> 00:25:05,080
Speaker 4: can win up to $ 18, 000.

509
00:25:03,240 --> 00:25:03,560
Speaker 3: Woo!

510
00:25:03,780 --> 00:25:07,200
Speaker 2: Winners are announced in January. So wherever you are, whoever

511
00:25:07,240 --> 00:25:09,640
Speaker 2: you're riding for, tell your story.

512
00:25:10,119 --> 00:25:11,720
Speaker 3: Keep the legacy going.

513
00:25:11,720 --> 00:25:15,560
Speaker 4: 1,800 Tequila and Fanatics Club legacy.

514
00:25:18,119 --> 00:25:22,060
Speaker 2: We came out for the guys, and man, it was

515
00:25:22,119 --> 00:25:23,290
Speaker 2: stadiums of.

516
00:25:25,450 --> 00:25:27,280
Speaker 3: That shit is crazy. Different kind of energy.

517
00:25:27,300 --> 00:25:29,439
Speaker 2: And they was in the rain and they was doing

518
00:25:29,520 --> 00:25:31,880
Speaker 2: backflips and all that with the rain.

519
00:25:32,080 --> 00:25:34,879
Speaker 3: The water's rain. I was nervous. That was my nervous,

520
00:25:35,320 --> 00:25:40,780
Speaker 3: probably my most nervous. Really? Yeah. Because Usher made me

521
00:25:40,859 --> 00:25:41,840
Speaker 3: nervous from the beginning.

522
00:25:42,440 --> 00:25:46,530
Speaker 4: We did Joe and Jada in his dressing room early

523
00:25:46,570 --> 00:25:49,950
Speaker 4: in the day. And before we even started to interview him, yo,

524
00:25:49,970 --> 00:25:54,139
Speaker 4: you got your NAMs? Yeah, I ain't bring him to

525
00:25:54,180 --> 00:25:57,520
Speaker 4: Joe and Jada, but I got my in. He like, yo, bro,

526
00:25:57,960 --> 00:26:01,850
Speaker 4: you better have them. This ain't like no other. This

527
00:26:01,950 --> 00:26:05,130
Speaker 4: shit right here. He told me, trust me, I just

528
00:26:05,470 --> 00:26:08,830
Speaker 4: messed up two shows. I'm like, now the whole interview,

529
00:26:08,890 --> 00:26:12,560
Speaker 4: I'm there. I really want to, I'm scared to do this.

530
00:26:13,930 --> 00:26:16,869
Speaker 4: And we went to the rehearsal, and even at the rehearsal,

531
00:26:16,890 --> 00:26:19,970
Speaker 4: it was still, I'm like, this is a different kind

532
00:26:20,030 --> 00:26:25,830
Speaker 4: of stage. The stage was like the concourse. And he's like, yo,

533
00:26:25,850 --> 00:26:27,429
Speaker 4: I need you to come all the way. I'm going

534
00:26:27,450 --> 00:26:32,240
Speaker 4: to be up there. Start your verse and end it all.

535
00:26:32,040 --> 00:26:34,180
Speaker 3: The way down. I said, oh, shit.

536
00:26:34,400 --> 00:26:37,720
Speaker 1: The problem is, first of all, the size of the PA, right?

537
00:26:38,180 --> 00:26:40,179
Speaker 1: And then how far in front of it you are.

538
00:26:41,200 --> 00:26:41,460
Speaker 2: Right?

539
00:26:41,820 --> 00:26:41,980
Speaker 3: So.

540
00:26:43,020 --> 00:26:45,359
Speaker 1: Mario told me the same thing. He was like, bro,

541
00:26:45,380 --> 00:26:47,459
Speaker 1: make sure you're in your ears. And I'm like, I'm

542
00:26:47,520 --> 00:26:49,619
Speaker 1: always in my ears, nigga. I'm in my ears, nigga.

543
00:26:49,700 --> 00:26:51,590
Speaker 1: I know what I'm doing. He's like this, yeah, but

544
00:26:51,619 --> 00:26:53,830
Speaker 1: Tank is, you know, adorable.

545
00:26:53,930 --> 00:26:56,110
Speaker 3: He said, don't worry. He said, don't worry. You'll see.

546
00:26:56,270 --> 00:26:59,869
Speaker 1: And I got out there and I said, great ears.

547
00:27:00,550 --> 00:27:02,790
Speaker 1: And I'm like, you only got one ear. But I'm like,

548
00:27:03,869 --> 00:27:06,250
Speaker 1: what the fuck is going on? Because I've sang in

549
00:27:06,310 --> 00:27:09,149
Speaker 1: a stadium before, but I've never sang in front of

550
00:27:09,170 --> 00:27:12,820
Speaker 1: the PA. where I'm getting the PA and then it's

551
00:27:13,150 --> 00:27:15,439
Speaker 1: bouncing back and doing all of this.

552
00:27:15,920 --> 00:27:18,720
Speaker 2: And I said, try doing the World Series, Yankee Stadium.

553
00:27:19,619 --> 00:27:25,800
Speaker 2: That motherfucker was like... I was in the world of shit.

554
00:27:26,020 --> 00:27:29,230
Speaker 2: And you know the music, it ain't a DJ. So

555
00:27:29,250 --> 00:27:31,790
Speaker 2: the shit keep going. So I was.

556
00:27:31,970 --> 00:27:34,909
Speaker 3: Fucked from the first song. So I'm fucked the whole-

557
00:27:35,030 --> 00:27:36,170
Speaker 3: Once you lose.

558
00:27:35,950 --> 00:27:38,369
Speaker 4: The track, you never can catch it.

559
00:27:38,430 --> 00:27:41,370
Speaker 3: It's like an old lady.

560
00:27:41,390 --> 00:27:44,270
Speaker 2: How about the next record coming and you already fucked

561
00:27:44,350 --> 00:27:45,369
Speaker 2: up prematurely.

562
00:27:46,330 --> 00:27:48,760
Speaker 3: You know you in the world of shit. The whole shit.

563
00:27:49,230 --> 00:27:51,380
Speaker 3: You never catching that shit. You think you can go

564
00:27:51,480 --> 00:27:53,219
Speaker 3: old school and make up the difference and take out

565
00:27:53,340 --> 00:27:55,680
Speaker 3: one ear. And that's the worst thing you can do.

566
00:27:55,720 --> 00:27:58,619
Speaker 3: Now you, now you leaping behind the joey.

567
00:27:59,320 --> 00:28:02,220
Speaker 1: Usher helped me early because I was trying to find

568
00:28:02,260 --> 00:28:04,320
Speaker 1: it the first few shows. I wasn't doing bad. I

569
00:28:05,540 --> 00:28:07,660
Speaker 1: would just go back to the monitors like, I just,

570
00:28:08,160 --> 00:28:10,240
Speaker 1: I can't figure it out. And they would throw extra

571
00:28:10,290 --> 00:28:12,050
Speaker 1: gate on my mic and the gate, you know, just

572
00:28:12,390 --> 00:28:15,770
Speaker 1: keeps it from so much outside noise, you know, penetrating

573
00:28:15,790 --> 00:28:19,790
Speaker 1: the microphone or what have you. And so, Usher was like, bro,

574
00:28:20,590 --> 00:28:22,810
Speaker 1: put a click on it. He said, put a click

575
00:28:23,550 --> 00:28:25,470
Speaker 1: in it. Double time the click. He said, I got

576
00:28:25,490 --> 00:28:27,490
Speaker 1: the same thing. You'll be fine. And once I put

577
00:28:27,530 --> 00:28:31,609
Speaker 1: that double time click in, I was like, ah, so here's,

578
00:28:31,930 --> 00:28:33,690
Speaker 1: here's where I am. So even if I get like

579
00:28:34,530 --> 00:28:36,840
Speaker 1: so much energy and I get to going crazy and

580
00:28:36,880 --> 00:28:38,680
Speaker 1: I get to click, if I just.

581
00:28:38,600 --> 00:28:42,700
Speaker 3: Stop and take a second to listen, I'll hear that. Gotcha. Gotcha.

582
00:28:42,720 --> 00:28:44,520
Speaker 3: You know what I'm saying? It'll lock in. But stadium

583
00:28:44,560 --> 00:28:46,160
Speaker 3: life is, stadium life is different, bro.

584
00:28:46,180 --> 00:28:49,780
Speaker 1: Like we've never seen anything Like this, like we've never

585
00:28:49,840 --> 00:28:54,840
Speaker 1: seen two guys with this kind of legendary catalog, this

586
00:28:54,880 --> 00:28:59,460
Speaker 1: type of individual success, right? Nobody needing nobody. Put all

587
00:28:59,600 --> 00:29:02,160
Speaker 1: egos aside. Put all egos aside and say, hey, man,

588
00:29:02,200 --> 00:29:05,229
Speaker 1: let's do something for the culture. Let's do something for

589
00:29:05,270 --> 00:29:08,290
Speaker 1: the world that nobody's ever seen. And then these other

590
00:29:08,310 --> 00:29:11,330
Speaker 1: three guys that we don't need, Tank, Mario and Eric Bellinger.

591
00:29:12,010 --> 00:29:15,209
Speaker 1: Bring them too. That's like, let's... Y'all much needed. You

592
00:29:15,230 --> 00:29:16,950
Speaker 1: know what, Thor?

593
00:29:17,210 --> 00:29:20,620
Speaker 2: You know what, Thor, never happened that I really wanted

594
00:29:20,650 --> 00:29:22,600
Speaker 2: to happen was the need to bring Kim and Chris.

595
00:29:23,320 --> 00:29:25,320
Speaker 3: Well, little Kim and Foxy would have been... That would

596
00:29:25,340 --> 00:29:27,400
Speaker 3: have been crazy. That would have been nuts. That would

597
00:29:27,420 --> 00:29:34,510
Speaker 3: have been crazy. I was going to say, Thor was announced. Nah, stop. Stop. Listen, listen.

598
00:29:34,590 --> 00:29:36,950
Speaker 2: Once it would have happened, like, just think if it

599
00:29:37,130 --> 00:29:38,969
Speaker 2: would have happened, how crazy that would have been.

600
00:29:42,560 --> 00:29:45,640
Speaker 4: I don't think dipsetting was supposed to happen. Versus made

601
00:29:45,700 --> 00:29:47,330
Speaker 4: it not happen when Jim said it.

602
00:29:47,500 --> 00:29:51,360
Speaker 3: What was your fault? Billy badass. No, no, no. Take

603
00:29:51,420 --> 00:29:55,060
Speaker 3: the blame for that. Jada, take the blame for that.

604
00:29:55,080 --> 00:29:57,320
Speaker 3: Did you ever know? No, no, no. Take the blame

605
00:29:57,340 --> 00:29:59,700
Speaker 3: for that. It was supposed to be a hell of

606
00:29:59,780 --> 00:30:03,500
Speaker 3: a talk. It was set up. It didn't make sense. No,

607
00:30:03,520 --> 00:30:07,420
Speaker 3: that was a cum laude. It wasn't that. It was

608
00:30:07,480 --> 00:30:09,870
Speaker 3: a cum laude. We don't got in for the lady.

609
00:30:09,900 --> 00:30:14,810
Speaker 9: Who the fuck is these niggas? Drop my shit. Something

610
00:30:14,890 --> 00:30:19,710
Speaker 9: about a gang. Some gang terminology. And then the promoters

611
00:30:19,750 --> 00:30:24,570
Speaker 9: just start in real time. But the talk was announced.

612
00:30:25,260 --> 00:30:29,440
Speaker 9: Anita Baker and Babyface. I don't know what happened. It

613
00:30:29,460 --> 00:30:30,220
Speaker 9: never happened.

614
00:30:30,580 --> 00:30:33,270
Speaker 1: But no, they did some dates. Yeah, but it... It

615
00:30:33,290 --> 00:30:34,550
Speaker 1: didn't go all the way. I think there were just

616
00:30:34,590 --> 00:30:35,370
Speaker 1: some technical things.

617
00:30:35,430 --> 00:30:38,530
Speaker 3: Something didn't happen. It didn't, yeah. That I wanted that to.

618
00:30:38,530 --> 00:30:41,170
Speaker 3: Wanted it. Bad. Holy shit.

619
00:30:41,670 --> 00:30:44,310
Speaker 1: But I think it's like moments like these in history,

620
00:30:44,350 --> 00:30:47,470
Speaker 1: like for me, I was going one way or another.

621
00:30:48,520 --> 00:30:49,380
Speaker 3: You know what I mean?

622
00:30:49,420 --> 00:30:51,260
Speaker 1: When Mark, Mark Pitts talked to me about this tour

623
00:30:51,320 --> 00:30:52,520
Speaker 1: back when they were doing Breezy Ball.

624
00:30:52,540 --> 00:30:53,720
Speaker 3: And he was like, man, I got an idea. I

625
00:30:53,740 --> 00:30:55,500
Speaker 3: think it'd be crazy. I was like, what is that?

626
00:30:56,160 --> 00:30:58,810
Speaker 1: He was like, Breezy and Usher. I was like, you

627
00:30:58,830 --> 00:31:01,010
Speaker 1: going to be able to pull that off? I said,

628
00:31:01,030 --> 00:31:03,930
Speaker 1: these are two guys that's doing their own thing. Usher

629
00:31:03,970 --> 00:31:07,290
Speaker 1: got the residency, just did the arena tour. Breezy is

630
00:31:07,390 --> 00:31:10,330
Speaker 1: on stadiums all around the world. Like, you going to bring,

631
00:31:10,530 --> 00:31:13,170
Speaker 1: bring that together? And he was like, we're going to

632
00:31:13,210 --> 00:31:15,540
Speaker 1: talk about it. So a year later, I go to

633
00:31:15,580 --> 00:31:17,600
Speaker 1: Chris's house. He's like, He's like, big bro, I'm doing

634
00:31:17,620 --> 00:31:20,580
Speaker 1: the tour. I said, what tour? He said, me and Usher.

635
00:31:20,860 --> 00:31:22,820
Speaker 1: I said, let me tell you something. I don't ask

636
00:31:22,840 --> 00:31:25,910
Speaker 1: you for much. But if I'm not on this tour,

637
00:31:26,630 --> 00:31:31,930
Speaker 1: I know where you live. I'm here at your house.

638
00:31:32,490 --> 00:31:33,510
Speaker 1: I threatened Usher the same way.

639
00:31:34,350 --> 00:31:34,820
Speaker 3: In Atlanta.

640
00:31:35,080 --> 00:31:39,160
Speaker 2: And he said, I ran into him at Tricky's studio.

641
00:31:39,720 --> 00:31:41,760
Speaker 1: And I said, Chris was like, so bro, you want

642
00:31:41,780 --> 00:31:43,180
Speaker 1: to open? I said, no, I don't want to open.

643
00:31:43,640 --> 00:31:47,440
Speaker 1: Absolutely not. when the lights come on, that's when I

644
00:31:47,460 --> 00:31:49,420
Speaker 1: want to be on stage. I want to see the background.

645
00:31:51,090 --> 00:31:54,470
Speaker 1: Because while everybody getting their concessions and trying to find

646
00:31:54,510 --> 00:31:57,250
Speaker 1: their seat, getting merch, I'm not going to be doing

647
00:31:57,290 --> 00:31:58,730
Speaker 1: my best work.

648
00:31:59,070 --> 00:32:01,890
Speaker 3: No, sir. When the lights come on, when it gets

649
00:32:01,930 --> 00:32:04,320
Speaker 3: dark outside, that's when I want to be on stage.

650
00:32:04,460 --> 00:32:08,220
Speaker 2: But I can't lie to you. We all want that,

651
00:32:08,260 --> 00:32:09,900
Speaker 2: but sometimes you got to play your role.

652
00:32:10,100 --> 00:32:10,660
Speaker 3: And by me.

653
00:32:13,750 --> 00:32:15,910
Speaker 1: Buy me just wanting to be of service. I was like, bro,

654
00:32:15,930 --> 00:32:17,330
Speaker 1: just give me a bunk. You ain't got to pay me.

655
00:32:17,530 --> 00:32:19,330
Speaker 1: Give me the top bunk on the right. I'll go

656
00:32:19,370 --> 00:32:23,110
Speaker 1: for free. I'm not missing history. It turns into, well,

657
00:32:23,130 --> 00:32:24,730
Speaker 1: big bro, I can't just have y'all out there and

658
00:32:24,750 --> 00:32:26,660
Speaker 1: y'all not do nothing, man. Do at least two or

659
00:32:26,670 --> 00:32:28,430
Speaker 1: three of your songs. Like, we're going to give you

660
00:32:28,450 --> 00:32:31,660
Speaker 1: a moment to do that. I said, bro, whatever, if

661
00:32:31,960 --> 00:32:34,400
Speaker 1: you want me to do that, I will do that.

662
00:32:34,660 --> 00:32:36,239
Speaker 1: He said, man, I said, I said, I'm going to just,

663
00:32:36,360 --> 00:32:37,820
Speaker 1: I'm going to let you know, I'm going to do

664
00:32:37,860 --> 00:32:39,660
Speaker 1: my thing though. If you, you know, I'm going to

665
00:32:39,680 --> 00:32:41,080
Speaker 1: do my thing. I think he said, man, go crazy.

666
00:32:41,840 --> 00:32:43,100
Speaker 1: I said, my shirt will be off. I don't know

667
00:32:43,140 --> 00:32:44,830
Speaker 1: if you, It's a killer.

668
00:32:45,870 --> 00:32:46,310
Speaker 3: During life.

669
00:32:46,810 --> 00:32:49,820
Speaker 1: And so now it turns, it goes from, you know,

670
00:32:50,580 --> 00:32:53,140
Speaker 1: us just singing backgrounds, which I was totally fine with.

671
00:32:53,900 --> 00:32:54,860
Speaker 3: I'm good with that.

672
00:32:54,920 --> 00:32:59,000
Speaker 2: I've sang backgrounds for many artists, from Babyface to Jamie Foxx, live,

673
00:32:59,480 --> 00:33:01,540
Speaker 2: on TV, behind the microphone.

674
00:33:01,620 --> 00:33:04,280
Speaker 3: Luther Vandross, my favorite singer of all time, was a

675
00:33:04,320 --> 00:33:08,340
Speaker 3: background singer. I don't have a problem. Luther background every song.

676
00:33:08,360 --> 00:33:14,430
Speaker 3: I thought you did backgrounds for Lou Foxx. I'm going

677
00:33:14,470 --> 00:33:17,370
Speaker 3: to do that shit. I thought you did. Luther started

678
00:33:17,430 --> 00:33:21,690
Speaker 3: off backgrounds. I seen that. All the greats. All the greats.

679
00:33:21,970 --> 00:33:22,800
Speaker 3: I started singing.

680
00:33:22,930 --> 00:33:26,540
Speaker 2: Every record we ever thought we'd like, Luther was in

681
00:33:26,560 --> 00:33:27,780
Speaker 2: the background.

682
00:33:27,300 --> 00:33:30,480
Speaker 3: Singing that shit. Michael Jackson even sang backgrounds. From what?

683
00:33:30,540 --> 00:33:34,650
Speaker 2: Mama Used to Say or something? He sang backgrounds? He

684
00:33:34,670 --> 00:33:38,030
Speaker 2: sang backgrounds on... Some Motown. What's the song?

685
00:33:39,790 --> 00:33:46,730
Speaker 3: Somebody's watching me. Somebody's watching me. Well, he wrote that song, though, too.

686
00:33:46,770 --> 00:33:51,620
Speaker 3: You got Michael's voice on your song. Big time. All

687
00:33:51,650 --> 00:33:51,900
Speaker 3: I do?

688
00:33:51,920 --> 00:33:54,400
Speaker 2: Yeah, all I do, Stevie Wonder? That's what the greats do.

689
00:33:55,180 --> 00:33:56,640
Speaker 2: I started off with Ginuwine and Leah.

690
00:33:56,740 --> 00:34:01,640
Speaker 3: Backgrounds. If Michael can sing backgrounds, I can sing backgrounds.

691
00:34:01,660 --> 00:34:03,560
Speaker 7: Eddie Murphy. He sang backgrounds for Eddie Murphy.

692
00:34:03,940 --> 00:34:09,050
Speaker 3: Proud. Party all the time. Yeah, he doing that. You

693
00:34:09,070 --> 00:34:11,029
Speaker 3: can hear Mike. I was just about to say that.

694
00:34:11,050 --> 00:34:13,049
Speaker 3: He went in there and made that shit a hit

695
00:34:13,110 --> 00:34:15,670
Speaker 3: for Eddie. And he sang backgrounds for Kenny Rogers. Kenny Rogers. Oh,

696
00:34:15,670 --> 00:34:16,810
Speaker 3: he sang backgrounds for Kenny Rogers.

697
00:34:16,830 --> 00:34:19,739
Speaker 7: Going back to Alabama, he sang. We need.

698
00:34:19,760 --> 00:34:23,680
Speaker 3: What he sang background for? Kenny Rogers. Sweet Home Alabama?

699
00:34:24,239 --> 00:34:27,980
Speaker 3: Going back to Alabama with Kenny Rogers. That's a fucking hit.

700
00:34:28,420 --> 00:34:36,509
Speaker 3: Sweet home Alabama. That shit is a hit. That's not

701
00:34:36,550 --> 00:34:39,469
Speaker 3: the same song. It's not the same song. Nah, it's not.

702
00:34:39,530 --> 00:34:41,270
Speaker 3: You know I'm Friday.

703
00:34:41,390 --> 00:34:48,840
Speaker 2: I thought I heard you say the same thing.

704
00:34:49,380 --> 00:34:51,360
Speaker 1: We love it. Me, Mario, Eric, man, we having the

705
00:34:51,380 --> 00:34:55,899
Speaker 1: time of our lives, man. And we're able to use

706
00:34:55,960 --> 00:35:00,129
Speaker 1: that to our advantage. Like, listen, I could be self-serving

707
00:35:00,170 --> 00:35:02,710
Speaker 1: and go perform in front of my 5,000, 7,000 people.

708
00:35:02,730 --> 00:35:06,430
Speaker 3: Fact. But why don't I be of service and perform

709
00:35:06,489 --> 00:35:10,590
Speaker 3: in front of 80,000 to 70,000 people? Yeah, yeah, yeah, yeah, yeah. Nah, nah, nah.

710
00:35:10,680 --> 00:35:12,540
Speaker 2: And launch an album off of that.

711
00:35:12,600 --> 00:35:16,660
Speaker 1: Launch singles off of that. Do meet and greets and

712
00:35:16,940 --> 00:35:19,560
Speaker 1: go visit radio and all of these things while I'm

713
00:35:19,760 --> 00:35:22,340
Speaker 1: part of one of the biggest moments ever in history.

714
00:35:22,950 --> 00:35:24,580
Speaker 3: Come on, man. This is a no-brainer.

715
00:35:25,500 --> 00:35:31,359
Speaker 2: I think as a society, what happened, brother? You don't

716
00:35:31,420 --> 00:35:32,980
Speaker 2: even know what I'm about to say.

717
00:35:33,140 --> 00:35:35,339
Speaker 3: I'm trying to hear what you're trying to say so

718
00:35:35,360 --> 00:35:36,319
Speaker 3: I can understand.

719
00:35:37,180 --> 00:35:42,360
Speaker 2: As a society, in 2026, I think the fans are

720
00:35:42,420 --> 00:35:45,580
Speaker 2: so spoiled where they take everything for granted. Even if

721
00:35:45,620 --> 00:35:47,510
Speaker 2: they go and they know this is sold out, this

722
00:35:47,530 --> 00:35:50,690
Speaker 2: is this, I don't think they understand the magnitude of

723
00:35:52,310 --> 00:35:58,150
Speaker 2: Chris Brown, Usher, same stage, doing the biggest hits in

724
00:35:58,210 --> 00:36:01,489
Speaker 2: the world. The only two people could do that is

725
00:36:01,610 --> 00:36:04,790
Speaker 2: Prince and Michael. That was the only tour that we

726
00:36:04,830 --> 00:36:08,270
Speaker 2: would have been like, ah, I don't know. Prince and Michael, like,

727
00:36:08,469 --> 00:36:11,870
Speaker 2: it's really a big deal. And, you know, everybody gets

728
00:36:11,930 --> 00:36:16,339
Speaker 2: everything nowadays. Like, they just take everything for granted. Everything's like, ah,

729
00:36:16,380 --> 00:36:17,240
Speaker 2: it's supposed to happen.

730
00:36:17,320 --> 00:36:17,960
Speaker 3: It's regular.

731
00:36:18,000 --> 00:36:20,279
Speaker 1: And they're viewing it through the wrong lens, too, if

732
00:36:20,300 --> 00:36:23,529
Speaker 1: you ask me. Like, Usher and Chris Brown are two

733
00:36:23,570 --> 00:36:28,259
Speaker 1: different generations, right? Two different styles of artists, which is

734
00:36:28,300 --> 00:36:32,430
Speaker 1: the reason the tour is great. Usher's supposed to be Usher,

735
00:36:32,830 --> 00:36:35,490
Speaker 1: the refined gentleman that he is with what he does.

736
00:36:36,030 --> 00:36:40,550
Speaker 1: And Chris is supposed to be The young, fiery, alien.

737
00:36:40,590 --> 00:36:44,050
Speaker 1: They don't give a fuck. They killing that fucking talk.

738
00:36:44,330 --> 00:36:48,149
Speaker 1: And that separation is what you come to the tour for.

739
00:36:48,210 --> 00:36:52,260
Speaker 1: You get to get two different worlds and they collide.

740
00:36:52,360 --> 00:36:53,000
Speaker 3: It's incredible.

741
00:36:53,060 --> 00:36:53,279
Speaker 10: Nah.

742
00:36:53,440 --> 00:36:57,120
Speaker 1: It's incredible. I'm saying let's stop comparing the two and

743
00:36:57,160 --> 00:36:57,940
Speaker 1: let's just start.

744
00:36:57,760 --> 00:37:02,380
Speaker 3: Appreciating the two. Appreciate the facts. Start appreciating. That was important.

745
00:37:02,440 --> 00:37:05,000
Speaker 3: It's not a battle. That was important. Man. I'm going

746
00:37:05,020 --> 00:37:07,980
Speaker 3: to switch the whole thing. What was Broadway? What's theater?

747
00:37:08,410 --> 00:37:14,690
Speaker 4: From doing all the performances and your artistry and stadiums, arenas, this, that.

748
00:37:14,790 --> 00:37:17,360
Speaker 3: What is a Broadway? What is that like?

749
00:37:17,640 --> 00:37:20,339
Speaker 1: I never imagined doing Broadway because I had heard all

750
00:37:20,360 --> 00:37:21,440
Speaker 1: these horror stories about it.

751
00:37:22,100 --> 00:37:22,640
Speaker 3: You know what I'm saying?

752
00:37:22,660 --> 00:37:25,660
Speaker 1: Just in terms of like the pay, the facility, like

753
00:37:25,900 --> 00:37:28,859
Speaker 1: all of this. Somebody just painted a bad picture for me, right?

754
00:37:28,900 --> 00:37:30,779
Speaker 1: I'm like, man, Broadway don't sound like nothing I want

755
00:37:30,800 --> 00:37:33,120
Speaker 1: to do. And I'd already done other acting, TV, and

756
00:37:33,160 --> 00:37:35,620
Speaker 1: film stuff like that. And so my guy, Jay, hit me.

757
00:37:35,620 --> 00:37:37,240
Speaker 1: He was like, man, what do you think about Broadway?

758
00:37:37,260 --> 00:37:41,040
Speaker 1: I was like, I don't think anything about Bronwyn. He's like, well, man,

759
00:37:41,340 --> 00:37:45,480
Speaker 1: Alicia's looking for you. I was like, Alicia who? He's like, Keys.

760
00:37:45,540 --> 00:37:48,570
Speaker 1: I said, well, I at least got to take her call.

761
00:37:48,610 --> 00:37:49,610
Speaker 1: You know what I'm saying?

762
00:37:49,680 --> 00:37:50,250
Speaker 3: Fuck that.

763
00:37:50,570 --> 00:37:53,549
Speaker 1: Let me see what you're talking about. And so they

764
00:37:53,590 --> 00:37:56,830
Speaker 1: have this play, Hell's Kitchen. And she's like, you know,

765
00:37:57,070 --> 00:37:59,589
Speaker 1: I was like, I don't really know. And they were like, well,

766
00:38:00,090 --> 00:38:03,750
Speaker 1: she only wants to see you in person. I'm like, okay,

767
00:38:03,770 --> 00:38:06,370
Speaker 1: starting to get excited. You know what I'm saying? Felicia Key,

768
00:38:06,390 --> 00:38:09,760
Speaker 1: when they start with like little nuances like that, like

769
00:38:10,340 --> 00:38:12,800
Speaker 1: they want to see people, you know what I'm saying?

770
00:38:13,000 --> 00:38:15,120
Speaker 1: But they only want to see you in person. I said,

771
00:38:15,160 --> 00:38:19,000
Speaker 1: you know what? Okay, I'm starting to feel good about myself, right?

772
00:38:19,360 --> 00:38:22,319
Speaker 1: So me and Lulu fly out there, but I'm like, Lulu,

773
00:38:22,780 --> 00:38:26,910
Speaker 1: let's go a day before and see the show first

774
00:38:26,969 --> 00:38:28,890
Speaker 1: before I go in to do the audition and all

775
00:38:28,910 --> 00:38:32,430
Speaker 1: the cool stuff. And when I saw the show, I

776
00:38:32,450 --> 00:38:35,589
Speaker 1: looked at the show and I was like, wow, if,

777
00:38:36,390 --> 00:38:39,430
Speaker 1: if there was ever a show that I would do

778
00:38:39,640 --> 00:38:42,540
Speaker 1: on Broadway, it's this one.

779
00:38:42,900 --> 00:38:46,480
Speaker 3: Cause it was just, it was lined up. It was

780
00:38:46,540 --> 00:38:50,460
Speaker 3: just musically. It was just, it was just out of control.

781
00:38:50,480 --> 00:38:52,660
Speaker 1: I mean, it's our hits and then just, you know,

782
00:38:53,180 --> 00:38:55,170
Speaker 1: and I, and I was battling for, I was battling

783
00:38:55,190 --> 00:38:56,230
Speaker 1: with it for a second.

784
00:38:56,250 --> 00:38:56,770
Speaker 3: You know what I'm saying?

785
00:38:56,830 --> 00:38:58,950
Speaker 1: Even after doing the audition and all of that, me

786
00:38:59,010 --> 00:39:01,089
Speaker 1: and Lulu was talking, I was just like, I was like,

787
00:39:01,140 --> 00:39:04,609
Speaker 1: I don't know. Am I getting enough out of what

788
00:39:04,670 --> 00:39:06,810
Speaker 1: that is to go where I'm trying to go? And

789
00:39:06,989 --> 00:39:11,189
Speaker 1: he said, yes, you are. I called Charlie Mack. Charlie

790
00:39:11,210 --> 00:39:13,530
Speaker 1: Mack called me out of the blue. I was like, bro, listen,

791
00:39:14,590 --> 00:39:16,730
Speaker 1: I got this opportunity for Broadway. He said, what the

792
00:39:16,750 --> 00:39:18,430
Speaker 1: fuck are we talking about? He didn't even finish.

793
00:39:19,550 --> 00:39:21,730
Speaker 3: And I was like, okay, okay, got it.

794
00:39:21,730 --> 00:39:25,660
Speaker 1: And those were my marching orders. And so when I

795
00:39:25,660 --> 00:39:28,100
Speaker 1: do something, I i do it the whole way like

796
00:39:28,120 --> 00:39:31,239
Speaker 1: when i'm in i'm all the way and so we

797
00:39:31,260 --> 00:39:33,680
Speaker 1: got into rehearsals they say yeah we got about three

798
00:39:33,719 --> 00:39:36,660
Speaker 1: weeks dedicated for rehearsals for you like i won't eat

799
00:39:36,680 --> 00:39:40,060
Speaker 1: that long nailed it um and then get to the

800
00:39:40,120 --> 00:39:44,220
Speaker 1: show and one of the greatest moments in my career

801
00:39:44,280 --> 00:39:47,480
Speaker 1: man being part of that show being part of um,

802
00:39:47,660 --> 00:39:51,000
Speaker 1: Alicia's world, man, meeting so many good people who I

803
00:39:51,040 --> 00:39:51,940
Speaker 1: now call family.

804
00:39:52,800 --> 00:39:54,550
Speaker 3: You know what I mean? Like it, it wasn't just,

805
00:39:55,390 --> 00:39:56,790
Speaker 3: it wasn't just Broadway.

806
00:39:56,830 --> 00:40:01,469
Speaker 1: Like it was like, you know, family, God adding, adding

807
00:40:01,510 --> 00:40:03,390
Speaker 1: to my tribe, you know what I'm saying? And what

808
00:40:03,410 --> 00:40:05,810
Speaker 1: was crazy is that Alicia was like, man, I had

809
00:40:05,830 --> 00:40:08,170
Speaker 1: this feeling that it was you, but I didn't know

810
00:40:08,210 --> 00:40:08,810
Speaker 1: if you could act.

811
00:40:10,030 --> 00:40:12,299
Speaker 3: And I'm like, I'm like, wow.

812
00:40:12,440 --> 00:40:13,640
Speaker 1: So we went through all of that and you didn't

813
00:40:13,660 --> 00:40:14,900
Speaker 1: even know if I could act or not. She's like,

814
00:40:14,920 --> 00:40:16,520
Speaker 1: I had no idea. She's like, but something in my

815
00:40:16,560 --> 00:40:19,799
Speaker 1: spirit told me that it was you. And so, you know,

816
00:40:20,120 --> 00:40:22,960
Speaker 1: from there, it was just like the layups and the

817
00:40:23,000 --> 00:40:27,529
Speaker 1: lobs just started. They just started happening because, you know,

818
00:40:27,670 --> 00:40:29,690
Speaker 1: when you do right by people, you know, that's how

819
00:40:29,730 --> 00:40:32,029
Speaker 1: that energy spreads, man. And so, you know, I went

820
00:40:32,070 --> 00:40:34,350
Speaker 1: in there and gave them everything I had twice.

821
00:40:34,770 --> 00:40:37,330
Speaker 3: I called to come back. When my first turn was.

822
00:40:37,290 --> 00:40:39,549
Speaker 1: Over, I was like, hey, man, if I get some

823
00:40:39,570 --> 00:40:40,490
Speaker 1: more time, that'd be great.

824
00:40:41,110 --> 00:40:42,049
Speaker 3: Let me come back in there.

825
00:40:42,730 --> 00:40:46,029
Speaker 1: And so, you know, from there we get, you know,

826
00:40:46,350 --> 00:40:49,250
Speaker 1: Swiss blesses me with, you know, with the verses he,

827
00:40:49,670 --> 00:40:53,629
Speaker 1: you know, from Latanya and Swiss Tyler Perry that gets me,

828
00:40:53,850 --> 00:40:56,550
Speaker 1: you know, the movie of the gospel Christmas that drops

829
00:40:56,570 --> 00:40:58,910
Speaker 1: this year. And then from there, you know, it, it

830
00:40:59,050 --> 00:41:02,810
Speaker 1: rolls over into Hulu and, and, and, and Ramla Muhammad

831
00:41:02,850 --> 00:41:06,920
Speaker 1: and reasonable doubt. And so these things just start, lining up, man. And,

832
00:41:07,010 --> 00:41:09,820
Speaker 1: you know, it starts there. It starts at Broadway, man.

833
00:41:10,090 --> 00:41:10,760
Speaker 1: It starts there.

834
00:41:10,950 --> 00:41:11,390
Speaker 7: Yeah, yeah, yeah.

835
00:41:11,660 --> 00:41:14,739
Speaker 4: Another one for you. What was your preparation like for

836
00:41:14,760 --> 00:41:16,640
Speaker 4: the verses with Tyrese?

837
00:41:17,840 --> 00:41:18,160
Speaker 3: Or did.

838
00:41:19,920 --> 00:41:20,220
Speaker 2: Well.

839
00:41:21,320 --> 00:41:25,560
Speaker 3: How'd you prep? How'd you prep for that? My prep

840
00:41:25,760 --> 00:41:27,820
Speaker 3: is what it always is, man. You got to rehearse.

841
00:41:28,640 --> 00:41:31,400
Speaker 3: You got to rehearse. I'm a rehearser.

842
00:41:31,420 --> 00:41:32,000
Speaker 2: Mm-hmm.

843
00:41:32,700 --> 00:41:35,900
Speaker 1: I learned that from being musical director, you know, in church,

844
00:41:36,060 --> 00:41:40,739
Speaker 1: you know, for choirs, for On the Road with Ginuwine, Aaliyah. Like,

845
00:41:41,900 --> 00:41:44,010
Speaker 1: that's what I know. Did you know he was going

846
00:41:44,030 --> 00:41:47,250
Speaker 1: to wear a turtleneck? Listen, I said this. I said,

847
00:41:47,270 --> 00:41:49,969
Speaker 1: let's focus on the music, brother. I said, because if

848
00:41:50,030 --> 00:41:54,629
Speaker 1: it goes into any other area, you know that's what

849
00:41:54,690 --> 00:41:54,989
Speaker 1: I do.

850
00:41:55,050 --> 00:41:59,930
Speaker 3: I do stand-up comedy. I don't. Let's just do the music.

851
00:42:00,510 --> 00:42:01,290
Speaker 3: And he kicked it off.

852
00:42:02,630 --> 00:42:06,260
Speaker 1: And when you're, when you're a comedian, like when you're

853
00:42:06,280 --> 00:42:10,740
Speaker 1: just in the moment, things will just, things will happen.

854
00:42:10,760 --> 00:42:13,020
Speaker 3: Like I just said, a layup will just be look.

855
00:42:13,200 --> 00:42:17,190
Speaker 3: Oh my God. Look at this turtle. Look at it.

856
00:42:17,219 --> 00:42:24,480
Speaker 1: Just staring me in the face, begging, begging for some attention.

857
00:42:25,120 --> 00:42:27,880
Speaker 1: And comedy does that. So, you know, I wanted it

858
00:42:27,920 --> 00:42:31,120
Speaker 1: to be about the music, but you know, I do

859
00:42:31,160 --> 00:42:33,200
Speaker 1: other things. So for me, like going into the verses,

860
00:42:34,430 --> 00:42:36,890
Speaker 1: it honestly, for me, wasn't about Tyrese going into the verses.

861
00:42:37,510 --> 00:42:40,690
Speaker 1: Going into the verses was, you know, an opportunity to

862
00:42:40,730 --> 00:42:43,250
Speaker 1: show the world what I actually do. You know, Swiss

863
00:42:43,290 --> 00:42:46,640
Speaker 1: and Tim giving millions and millions of viewers to put

864
00:42:46,700 --> 00:42:49,580
Speaker 1: my catalog on display. You know what I'm saying? Okay,

865
00:42:49,620 --> 00:42:52,560
Speaker 1: I'm a singer, songwriter, and producer. and I'm going to

866
00:42:52,580 --> 00:42:54,759
Speaker 1: put all of these things on display. Like, he could

867
00:42:54,780 --> 00:42:57,400
Speaker 1: have played whatever songs he wanted to play. I already

868
00:42:57,440 --> 00:42:58,120
Speaker 1: knew what I was going to play.

869
00:42:58,140 --> 00:43:00,340
Speaker 2: You know, that verse is, man, is the bigger thing,

870
00:43:00,380 --> 00:43:06,419
Speaker 2: because I'm immediately thinking of Joe the Singer and Donnell Jones, right?

871
00:43:06,700 --> 00:43:08,200
Speaker 3: Mm-hmm.

872
00:43:08,620 --> 00:43:14,100
Speaker 2: Donnell Jones, he got some of the coldest songs in

873
00:43:14,140 --> 00:43:16,500
Speaker 2: the world, but Joe the Singer got probably one of

874
00:43:16,540 --> 00:43:19,920
Speaker 2: the greatest voices in the world.

875
00:43:19,960 --> 00:43:21,070
Speaker 3: Yeah, I didn't like that one.

876
00:43:21,810 --> 00:43:22,430
Speaker 7: Right?

877
00:43:23,170 --> 00:43:25,070
Speaker 3: But I knew before they even started it.

878
00:43:25,200 --> 00:43:25,640
Speaker 4: Yeah.

879
00:43:25,780 --> 00:43:28,420
Speaker 1: I tell you, I'm a Donnell Jones fan. Listen, Donnell

880
00:43:28,440 --> 00:43:30,779
Speaker 1: Jones has the classic R & B album.

881
00:43:31,219 --> 00:43:34,620
Speaker 3: I left my baby girl in Texas. The classic. We're

882
00:43:34,640 --> 00:43:38,160
Speaker 3: gonna be coming home. It's just a difference in entities.

883
00:43:38,420 --> 00:43:40,750
Speaker 1: Joe is, like you said, one of the greatest singers

884
00:43:40,910 --> 00:43:42,410
Speaker 1: we've ever had.

885
00:43:42,870 --> 00:43:46,210
Speaker 2: I was worried for Donnell Jones before that shit even started.

886
00:43:46,270 --> 00:43:47,230
Speaker 3: I was like, yo.

887
00:43:47,790 --> 00:43:48,529
Speaker 7: Turtle neck.

888
00:43:52,469 --> 00:43:54,860
Speaker 3: I've been trying to let that joke die down for

889
00:43:54,880 --> 00:43:55,299
Speaker 3: a long time.

890
00:43:55,380 --> 00:43:58,900
Speaker 4: It's never going to leave. That shit's forever, dog. Because,

891
00:43:58,960 --> 00:44:01,560
Speaker 4: you know, Versus is forever. Versus is forever.

892
00:44:01,640 --> 00:44:02,100
Speaker 3: It's forever.

893
00:44:02,160 --> 00:44:07,790
Speaker 1: Shout out to Tim and Swizz. That was an incredible moment.

894
00:44:08,489 --> 00:44:09,390
Speaker 1: Incredible moment.

895
00:44:09,410 --> 00:44:12,009
Speaker 2: You loved it. You felt like you was going to

896
00:44:12,030 --> 00:44:14,669
Speaker 2: a boxing match? Because when I did Versus, I felt

897
00:44:14,690 --> 00:44:16,810
Speaker 2: like I was actually going to a... It was the

898
00:44:16,890 --> 00:44:21,870
Speaker 2: closest thing to going to a boxing match.

899
00:44:22,650 --> 00:44:27,700
Speaker 3: In the music world, we call it shed, right? Shed? Shedding. Shedding.

900
00:44:28,480 --> 00:44:30,380
Speaker 3: And in boxing, sparring, right?

901
00:44:30,560 --> 00:44:33,540
Speaker 1: Where a bunch of musicians and singers and everybody get

902
00:44:33,580 --> 00:44:35,739
Speaker 1: together and we just go at it. You know what

903
00:44:35,800 --> 00:44:38,720
Speaker 1: I'm saying? That's where I'm from. That's how I was built.

904
00:44:39,650 --> 00:44:41,290
Speaker 1: you know, in the fine arts building and how we're

905
00:44:41,330 --> 00:44:46,430
Speaker 1: going to bird. A hundred percent. And so it's, it's keyboards,

906
00:44:46,450 --> 00:44:49,030
Speaker 1: it's drums, it's mics, it's everybody. And everybody's just going

907
00:44:49,070 --> 00:44:51,180
Speaker 1: back and forth, going back and forth, going back and forth.

908
00:44:51,480 --> 00:44:53,400
Speaker 1: So that's what I'm preparing for. Cause that's what I'm

909
00:44:53,480 --> 00:44:55,980
Speaker 1: used to. You know what I'm saying? Used to animals

910
00:44:56,360 --> 00:45:00,200
Speaker 1: getting to it. That's my world though. That's not his.

911
00:45:00,400 --> 00:45:02,299
Speaker 1: He knows the world too. Cause our first time meeting,

912
00:45:02,320 --> 00:45:05,250
Speaker 1: we had a sing off. You and Tyrese. Our first

913
00:45:05,290 --> 00:45:08,529
Speaker 1: time meeting, we had a sing-off. Tyrese got that.

914
00:45:08,590 --> 00:45:12,360
Speaker 3: I like that. Yeah, no, no, he got it.

915
00:45:12,380 --> 00:45:16,279
Speaker 1: Listen, whatever you think about him, crazy or not, that

916
00:45:16,300 --> 00:45:17,060
Speaker 1: nigga can fucking sing.

917
00:45:17,340 --> 00:45:17,720
Speaker 3: Facts.

918
00:45:17,880 --> 00:45:21,820
Speaker 2: Yeah, I don't think he's crazy. That nigga can fucking sing.

919
00:45:22,040 --> 00:45:24,630
Speaker 2: You know what I'm saying? So we went in at

920
00:45:24,700 --> 00:45:28,170
Speaker 2: our first day meeting, we had a sing-off. We need

921
00:45:28,210 --> 00:45:32,750
Speaker 2: to establish some dominance here. Who's the singer here? Yeah,

922
00:45:32,790 --> 00:45:33,340
Speaker 2: I cut into him.

923
00:45:33,390 --> 00:45:36,950
Speaker 3: He know. He know. He know. He know.

924
00:45:38,840 --> 00:45:40,460
Speaker 2: But there's no discredit there.

925
00:45:40,600 --> 00:45:42,299
Speaker 3: No doubt. That nigga's a monster. That's my dog.

926
00:45:42,460 --> 00:45:44,779
Speaker 4: What song you wrote for somebody that you wish you

927
00:45:44,820 --> 00:45:47,319
Speaker 4: kept for yourself? Or is there any songs you wrote

928
00:45:47,900 --> 00:45:48,740
Speaker 4: for someone that.

929
00:45:48,640 --> 00:45:50,819
Speaker 3: You're like, damn, I should have talked to him?

930
00:45:51,500 --> 00:45:53,899
Speaker 1: There's no song that I've ever written that I wish

931
00:45:53,940 --> 00:45:57,080
Speaker 1: I kept for myself. Because every song that I wrote,

932
00:45:57,800 --> 00:46:01,400
Speaker 1: I wrote with the intention of of giving it to

933
00:46:01,460 --> 00:46:04,740
Speaker 1: that person, right? Like, say when I wrote O for Omarion,

934
00:46:05,820 --> 00:46:09,859
Speaker 1: I'm looking at Omarion, he's in this space where he's

935
00:46:09,940 --> 00:46:13,050
Speaker 1: graduating from a boy to a man, and that's a

936
00:46:13,110 --> 00:46:16,649
Speaker 1: tricky space coming out of a boy group to navigate that.

937
00:46:16,730 --> 00:46:21,190
Speaker 1: And music in general. Man, I said, you know what'll

938
00:46:21,210 --> 00:46:23,969
Speaker 1: get you there? I said, Omarion, you need a song

939
00:46:24,010 --> 00:46:27,379
Speaker 1: called O. We need to let let these women know

940
00:46:27,420 --> 00:46:30,160
Speaker 1: that you out here, you can make them say, oh,

941
00:46:30,480 --> 00:46:32,180
Speaker 1: you can really do that to them.

942
00:46:32,980 --> 00:46:35,040
Speaker 3: Yeah, let's do it. And chords.

943
00:46:35,060 --> 00:46:40,219
Speaker 1: You know what I mean? Naked for Marcus Houston. Same

944
00:46:40,260 --> 00:46:42,359
Speaker 1: kind of thing. I'm like, okay, these guys have been

945
00:46:42,390 --> 00:46:47,189
Speaker 1: huge stars as kids. How do we turn you into

946
00:46:47,350 --> 00:46:52,030
Speaker 1: men to where women adore you now? And that's the science,

947
00:46:52,270 --> 00:46:55,800
Speaker 1: you know, behind that. The the show for kelly roland

948
00:46:56,300 --> 00:46:59,660
Speaker 1: um ghetto for kelly roland like we're in the studio

949
00:46:59,680 --> 00:47:03,920
Speaker 1: and i'm just like yeah this is you you can

950
00:47:03,960 --> 00:47:06,090
Speaker 1: do this this is you you're gonna kill this you

951
00:47:06,110 --> 00:47:07,629
Speaker 1: know what i'm saying it's like so all of those

952
00:47:07,670 --> 00:47:09,890
Speaker 1: my jamie foxx you know what i mean uh from

953
00:47:09,969 --> 00:47:14,209
Speaker 1: vip the song i wrote vip was actually i wrote

954
00:47:14,230 --> 00:47:16,910
Speaker 1: it it's his party i'm in his party and i'm

955
00:47:16,969 --> 00:47:21,080
Speaker 1: watching him make everybody feel like they're the most important

956
00:47:21,260 --> 00:47:22,719
Speaker 1: person in the world.

957
00:47:22,840 --> 00:47:26,500
Speaker 3: Every person, oh, when you get here, I'm like, who's that?

958
00:47:27,540 --> 00:47:31,520
Speaker 3: It's nobody. But that's how Jamie rocks. Ain't no ropes.

959
00:47:31,719 --> 00:47:32,560
Speaker 3: Ain't no nothing.

960
00:47:32,640 --> 00:47:36,060
Speaker 2: It's like the A-list celebrity and the guy who washes

961
00:47:36,100 --> 00:47:36,640
Speaker 2: the cars.

962
00:47:36,680 --> 00:47:40,540
Speaker 3: They're all, and now everybody in my room. Man, Jamie

963
00:47:40,600 --> 00:47:43,760
Speaker 3: Foxx got some of that. You see what I'm saying?

964
00:47:44,020 --> 00:47:46,320
Speaker 1: I went in the studio while the party was happening

965
00:47:46,400 --> 00:47:50,029
Speaker 1: and wrote that. And I thought it was my song.

966
00:47:50,050 --> 00:47:51,850
Speaker 1: And then Jamie heard it. He was like, you know,

967
00:47:51,870 --> 00:47:55,239
Speaker 1: I'm gonna need that, right? Big bang, take a little bang.

968
00:47:55,280 --> 00:47:58,940
Speaker 1: It happens all the time. But all of those moments, man,

969
00:47:59,780 --> 00:48:02,060
Speaker 1: you know, I'm a tailor. You know what I'm saying?

970
00:48:02,080 --> 00:48:04,060
Speaker 1: When I'm putting a suit together, like, I want to

971
00:48:04,110 --> 00:48:08,649
Speaker 1: know your measurements.

972
00:48:16,350 --> 00:48:20,450
Speaker 3: On a big, boom, JoeAndJayTheShow.com.

973
00:48:20,469 --> 00:48:23,790
Speaker 4: You can get the little Cole Ford t-shirt with a

974
00:48:23,810 --> 00:48:24,270
Speaker 4: hoodie tag.

975
00:48:24,610 --> 00:48:28,830
Speaker 2: It's my favorite right there. I need an extra large. JoeAndJayTheShow.com.

976
00:48:28,870 --> 00:48:39,180
Speaker 2: Go there and get it. This guy, Jamie Foxx, used

977
00:48:39,200 --> 00:48:40,259
Speaker 2: to take over Prime 112.

978
00:48:40,239 --> 00:48:40,319
Speaker 5: Woo!

979
00:48:42,530 --> 00:48:43,170
Speaker 3: Talk about.

980
00:48:43,469 --> 00:48:46,899
Speaker 2: And perform every night, tell jokes every night, and sing

981
00:48:46,960 --> 00:48:47,779
Speaker 2: every night while he.

982
00:48:47,739 --> 00:48:50,100
Speaker 3: Was shooting the movie out there. Miami Vice. It was

983
00:48:50,160 --> 00:48:51,760
Speaker 3: like Miami Vice. He was out there.

984
00:48:52,120 --> 00:48:55,200
Speaker 2: That boy Jamie was out in Prom 112 shutting that

985
00:48:55,260 --> 00:48:56,000
Speaker 2: shit down.

986
00:48:56,060 --> 00:49:00,529
Speaker 3: The best. Every night. He's the best. The greatest entertainer

987
00:49:00,570 --> 00:49:02,890
Speaker 3: of all time. Yeah, he might be. He might be.

988
00:49:02,910 --> 00:49:06,610
Speaker 3: No might. Comedy. No might. Acting, singing, not.

989
00:49:06,630 --> 00:49:07,210
Speaker 7: Jamie's the best.

990
00:49:07,270 --> 00:49:12,720
Speaker 3: In any room. White, black, Athena, don't matter.

991
00:49:13,040 --> 00:49:13,340
Speaker 7: Yeah.

992
00:49:13,760 --> 00:49:17,130
Speaker 3: Russian, I don't care what room he's in. He's going

993
00:49:17,150 --> 00:49:20,500
Speaker 3: to light it up. That's a fact. I've seen him

994
00:49:20,520 --> 00:49:22,950
Speaker 3: do it. I've taken all the notes. I have all

995
00:49:22,969 --> 00:49:24,490
Speaker 3: the notes. Yeah.

996
00:49:25,430 --> 00:49:27,509
Speaker 2: He got some ill stories too. We got to get

997
00:49:27,550 --> 00:49:30,140
Speaker 2: Jamie on the show. You get Oh, yeah, he got

998
00:49:30,160 --> 00:49:30,620
Speaker 2: a full appointment.

999
00:49:30,640 --> 00:49:32,400
Speaker 3: Yeah. He got a full appointment.

1000
00:49:32,719 --> 00:49:34,980
Speaker 2: Yeah, yeah, because he did the party in his house

1001
00:49:35,300 --> 00:49:37,500
Speaker 2: and they told him Suge Knight is in the front.

1002
00:49:37,620 --> 00:49:38,380
Speaker 3: Yeah, yeah, he got that.

1003
00:49:38,440 --> 00:49:41,589
Speaker 2: He ran out and he got big property. So he

1004
00:49:41,620 --> 00:49:46,489
Speaker 2: runs maybe fucking for 20 minutes, jumps over the gate

1005
00:49:46,550 --> 00:49:48,210
Speaker 2: and Suge is in the back. I knew your bitch

1006
00:49:48,290 --> 00:49:51,570
Speaker 2: ass was coming out back. Yo, he got some stories,

1007
00:49:51,610 --> 00:49:54,589
Speaker 2: Jamie Foxx. He been out there in that L.A.

1008
00:49:54,650 --> 00:49:57,730
Speaker 3: And that shit. Used to do all the stand-up for

1009
00:49:57,750 --> 00:50:00,480
Speaker 3: all the gangsters in the hood. Absolutely.

1010
00:50:00,900 --> 00:50:03,259
Speaker 2: You can go down there and get to it. They

1011
00:50:03,300 --> 00:50:07,300
Speaker 2: all know him. Jamie's the man. I'm glad he's back, man,

1012
00:50:07,480 --> 00:50:13,310
Speaker 2: and he's doing his thing, man. That was actually my favorite.

1013
00:50:14,150 --> 00:50:17,270
Speaker 2: My last favorite stand-up comedy is when he came back

1014
00:50:17,450 --> 00:50:18,270
Speaker 2: on that Netflix.

1015
00:50:18,310 --> 00:50:20,150
Speaker 3: Yeah, it was special. I was talking about him in

1016
00:50:20,170 --> 00:50:22,830
Speaker 3: the hospital. That shit was special, right? It was special.

1017
00:50:23,190 --> 00:50:25,650
Speaker 2: Because when you're thinking, yo, man, we might have lost

1018
00:50:25,670 --> 00:50:28,770
Speaker 2: the talent like that. And then he came back and

1019
00:50:28,810 --> 00:50:32,629
Speaker 2: did his thing. That, that, that people don't understand how

1020
00:50:32,690 --> 00:50:34,990
Speaker 2: much goes into that.

1021
00:50:35,710 --> 00:50:36,330
Speaker 3: You know what I mean?

1022
00:50:36,489 --> 00:50:39,129
Speaker 1: What, what he's going through to find, to find your

1023
00:50:39,190 --> 00:50:41,529
Speaker 1: way back to just, first of all, living a normal

1024
00:50:41,590 --> 00:50:46,020
Speaker 1: life to be able to live properly. You know what

1025
00:50:46,060 --> 00:50:48,020
Speaker 1: I'm saying? With everything that comes along with that. But

1026
00:50:48,080 --> 00:50:52,739
Speaker 1: then now to get back to work, you know, in

1027
00:50:52,820 --> 00:50:58,390
Speaker 1: front of people and, and prayerfully, have that same effect,

1028
00:50:59,450 --> 00:51:03,169
Speaker 1: still have that same glow, still have the same presentation.

1029
00:51:03,469 --> 00:51:05,790
Speaker 3: Like, that shit is bad. That shit's hard, man. And

1030
00:51:05,810 --> 00:51:06,770
Speaker 3: he did it. Hard as hell.

1031
00:51:06,810 --> 00:51:08,710
Speaker 2: Yo, we got a song? We got a song off

1032
00:51:08,730 --> 00:51:12,260
Speaker 2: the new album or no? I got plenty of songs

1033
00:51:12,320 --> 00:51:12,720
Speaker 2: on my phone.

1034
00:51:12,739 --> 00:51:14,360
Speaker 3: What do you mean? No, we need a song off

1035
00:51:14,380 --> 00:51:16,600
Speaker 3: the new album. That's what I'm talking about. What do

1036
00:51:16,620 --> 00:51:16,939
Speaker 3: you mean?

1037
00:51:17,300 --> 00:51:20,140
Speaker 4: We want to play one that you planning on going

1038
00:51:20,160 --> 00:51:22,460
Speaker 4: to orbit because this is out of here.

1039
00:51:22,580 --> 00:51:25,420
Speaker 3: Come on, baby. Listen, I keep it on me, man.

1040
00:51:26,310 --> 00:51:26,590
Speaker 7: Huh?

1041
00:51:26,650 --> 00:51:29,710
Speaker 3: Rick? Like Rick James, bitch? I'm going to play Rick first.

1042
00:51:29,930 --> 00:51:33,010
Speaker 3: Featuring Remy Ma. No doubt. Holy shit, I didn't even

1043
00:51:33,030 --> 00:51:35,719
Speaker 3: know that. Yeah, yeah, yeah. Why not? Some things I

1044
00:51:35,739 --> 00:51:36,500
Speaker 3: don't know, huh?

1045
00:51:36,520 --> 00:51:36,879
Speaker 7: Why not?

1046
00:51:36,920 --> 00:51:40,480
Speaker 3: Yeah, yeah, yeah. Some things I don't know, huh? We

1047
00:51:40,500 --> 00:51:43,600
Speaker 3: need your blessing, Joe. We need your blessing. Don't change

1048
00:51:43,620 --> 00:51:45,569
Speaker 3: a hell of a drug. Woo, crank.

1049
00:51:46,010 --> 00:51:50,090
Speaker 7: It's on my mind.

1050
00:51:50,870 --> 00:51:54,410
Speaker 5: Do the million just to watch you because I got time.

1051
00:51:55,280 --> 00:51:57,930
Speaker 5: It's a million reasons I can tell you so we

1052
00:51:57,950 --> 00:51:58,930
Speaker 5: can catch the wave.

1053
00:51:59,489 --> 00:52:00,330
Speaker 7: Go all in.

1054
00:52:00,989 --> 00:52:06,270
Speaker 5: Know you got the moves. Show me something. Bless and

1055
00:52:06,310 --> 00:52:11,430
Speaker 5: curse all on your body. Let me work all on

1056
00:52:11,469 --> 00:52:12,489
Speaker 5: your body.

1057
00:52:12,890 --> 00:52:15,260
Speaker 7: If it go up, then it's a party. You're dangerous,

1058
00:52:15,320 --> 00:52:18,480
Speaker 7: don't hurt nobody. You make me high.

1059
00:52:40,489 --> 00:52:42,310
Speaker 3: You know my name.

1060
00:52:43,250 --> 00:52:45,430
Speaker 5: Never mind who the fuck you thought I was or

1061
00:52:45,450 --> 00:52:49,910
Speaker 5: later came. Can't nobody stand the way I does it

1062
00:52:49,950 --> 00:52:53,640
Speaker 5: when I bring down the rain. It's no stopping. They

1063
00:52:53,660 --> 00:52:58,980
Speaker 5: can't follow you. You a goddess walking. Bless them curves

1064
00:52:59,060 --> 00:53:00,500
Speaker 5: all on your body.

1065
00:53:01,580 --> 00:53:07,640
Speaker 7: Let me work all on your body. If it go up,

1066
00:53:07,680 --> 00:53:09,160
Speaker 7: then it's a party.

1067
00:53:11,210 --> 00:53:13,600
Speaker 5: Don't hurt nobody.

1068
00:53:15,300 --> 00:53:16,630
Speaker 7: You make me high.

1069
00:53:33,010 --> 00:53:36,390
Speaker 11: He said, I'm so crazy. And he really want to

1070
00:53:36,430 --> 00:53:38,870
Speaker 11: give it to me, baby. Never mind who the fuck

1071
00:53:38,910 --> 00:53:40,950
Speaker 11: you thought I was. I bet your man know what

1072
00:53:41,070 --> 00:53:44,259
Speaker 11: my name be. If it goes up, then it's a party.

1073
00:53:44,300 --> 00:53:46,480
Speaker 11: More potent than any drug you ever put in your body.

1074
00:53:46,600 --> 00:53:48,879
Speaker 11: And I can have it if he got it. He

1075
00:53:48,980 --> 00:53:51,700
Speaker 11: set his minds anytime I want it. Got big brown

1076
00:53:51,820 --> 00:53:54,359
Speaker 11: eyes and a cute physique. It's not too big, not

1077
00:53:54,460 --> 00:53:57,280
Speaker 11: too petite. He talk me through it. He's super sweet.

1078
00:53:57,450 --> 00:54:00,750
Speaker 11: He supervise. He a super freak. And I'm so cold.

1079
00:54:00,790 --> 00:54:01,850
Speaker 11: Might need a cold.

1080
00:54:01,890 --> 00:54:02,830
Speaker 4: He come with flowers.

1081
00:54:02,910 --> 00:54:05,549
Speaker 11: Don't need no rose If he say so I don't

1082
00:54:05,610 --> 00:54:07,790
Speaker 11: say no Now tell him What happens when I go

1083
00:54:07,830 --> 00:54:08,490
Speaker 11: down low.

1084
00:54:08,350 --> 00:54:13,319
Speaker 8: You make me high.

1085
00:54:15,120 --> 00:54:40,600
Speaker 6: That shit You make me high Head out in the back.

1086
00:54:40,640 --> 00:54:41,980
Speaker 6: Come on now.

1087
00:54:42,000 --> 00:54:45,660
Speaker 3: Come on now. Come on now. That was a smoke.

1088
00:54:45,680 --> 00:54:48,700
Speaker 3: Come on now. Come on now.

1089
00:54:49,880 --> 00:54:50,120
Speaker 2: Rick.

1090
00:54:50,400 --> 00:54:51,960
Speaker 3: That was beautiful. You got to pay a little money

1091
00:54:52,000 --> 00:54:55,040
Speaker 3: for it. Beautiful. Something that's going to cost you. It's

1092
00:54:55,060 --> 00:54:57,220
Speaker 3: going to cost you. How would you touch some samples

1093
00:54:57,260 --> 00:55:01,590
Speaker 3: like that? Let's play something. I'm going to play another one. Shit,

1094
00:55:01,930 --> 00:55:02,190
Speaker 3: we're here.

1095
00:55:02,210 --> 00:55:03,630
Speaker 1: We go to other worlds, man. They got to know

1096
00:55:03,650 --> 00:55:05,390
Speaker 1: we travel the world, right? They got to know we

1097
00:55:05,410 --> 00:55:09,029
Speaker 1: do that, right? This is Highlight featuring Charlie Wilson and MK.

1098
00:55:09,870 --> 00:55:11,450
Speaker 3: Oh, take it.

1099
00:55:11,489 --> 00:55:19,620
Speaker 2: You make me feel like I mismanaged your love.

1100
00:55:39,340 --> 00:55:43,800
Speaker 10: I wish I was more about us.

1101
00:55:43,900 --> 00:55:45,240
Speaker 7: Ready now, I'm listening.

1102
00:55:45,300 --> 00:55:46,359
Speaker 2: Heavy on my soul.

1103
00:55:46,420 --> 00:56:02,620
Speaker 10: Maybe it's the time that's been outside us. To be

1104
00:56:02,700 --> 00:56:07,880
Speaker 10: a highlight, to get fun, to take more pride in us.

1105
00:56:08,140 --> 00:56:12,070
Speaker 10: Shades of brightest, lights of shooting stars.

1106
00:56:12,170 --> 00:56:14,730
Speaker 7: Can we find this?

1107
00:56:14,830 --> 00:56:15,370
Speaker 4: What I wouldn't do.

1108
00:56:39,239 --> 00:56:44,339
Speaker 7: Come on, Charlie.

1109
00:57:07,910 --> 00:57:13,250
Speaker 3: Heavy on my soul. Maybe it's the time.

1110
00:57:13,090 --> 00:57:15,870
Speaker 10: I spent outside.

1111
00:57:15,890 --> 00:57:22,440
Speaker 3: Losing all your trust. What I wouldn't do. To be

1112
00:57:22,520 --> 00:57:25,400
Speaker 3: your highlight. To give honor.

1113
00:57:26,140 --> 00:57:28,080
Speaker 2: Take more pride in us.

1114
00:57:28,120 --> 00:57:29,460
Speaker 3: Shine the brightest.

1115
00:57:30,160 --> 00:57:32,050
Speaker 1: Light to shooting stars.

1116
00:57:32,070 --> 00:57:35,890
Speaker 2: Can we find this? What I wouldn't do for you.

1117
00:57:47,240 --> 00:57:49,600
Speaker 3: I'm going to play one more. Let's go, baby. Oh,

1118
00:57:49,640 --> 00:57:51,780
Speaker 3: he's here. Come on, man. We in Ibiza. We in

1119
00:57:51,820 --> 00:57:52,500
Speaker 3: San Tropez.

1120
00:57:52,540 --> 00:57:53,200
Speaker 7: We everywhere.

1121
00:57:53,220 --> 00:57:55,980
Speaker 3: He's going for the other money right there. That one

1122
00:57:56,020 --> 00:57:57,600
Speaker 3: right there was the other.

1123
00:57:57,620 --> 00:57:58,240
Speaker 2: The other.

1124
00:57:58,500 --> 00:58:02,700
Speaker 3: Yes. Monaco vibe. Monaco vibe. That was the Monaco. This

1125
00:58:02,800 --> 00:58:05,110
Speaker 3: one is. It's going to be out there Thursday. You know,

1126
00:58:05,120 --> 00:58:07,830
Speaker 3: I'm headed out of way. But yeah, yeah. You know.

1127
00:58:07,850 --> 00:58:10,430
Speaker 1: This one is a single right now. You know, her

1128
00:58:10,450 --> 00:58:12,950
Speaker 1: cracking the top five. Going to hit that number one prayerfully.

1129
00:58:12,970 --> 00:58:13,030
Speaker 7: Um.

1130
00:58:14,390 --> 00:58:17,030
Speaker 2: Oh, no, it's gone, number one. That's what you play

1131
00:58:17,090 --> 00:58:19,920
Speaker 2: right now. Thank you, Flowtree, for the love. I appreciate

1132
00:58:19,960 --> 00:58:21,580
Speaker 2: you for letting me borrow from the universe.

1133
00:58:22,000 --> 00:58:24,500
Speaker 3: This is yes. This is that bad. All you got

1134
00:58:24,520 --> 00:58:28,140
Speaker 3: to do is say yes. Let's go, man. Single.

1135
00:58:29,800 --> 00:58:35,880
Speaker 7: All you got to do is say, say yes.

1136
00:58:35,900 --> 00:58:39,760
Speaker 3: Oh, oh, oh.

1137
00:58:40,760 --> 00:58:40,920
Speaker 2: Yeah.

1138
00:58:43,510 --> 00:58:46,180
Speaker 7: Last night, it felt like we.

1139
00:58:46,040 --> 00:58:48,240
Speaker 6: Was floating in the ocean.

1140
00:58:48,320 --> 00:58:52,560
Speaker 8: It felt like we was touching in the open. Like

1141
00:58:52,660 --> 00:58:55,480
Speaker 8: we was getting seasick from the motion.

1142
00:58:55,760 --> 00:59:00,060
Speaker 3: Slow ride. Last night, we.

1143
00:58:59,920 --> 00:59:03,500
Speaker 7: Did some things I didn't even know you liked. You

1144
00:59:03,560 --> 00:59:07,140
Speaker 7: just let me be, we enabled up a fire. I'll

1145
00:59:07,180 --> 00:59:09,100
Speaker 7: give you more if you give me a grill.

1146
00:59:10,030 --> 00:59:14,590
Speaker 8: You love the way I'm whipping.

1147
00:59:14,650 --> 00:59:18,210
Speaker 7: You just can't turn it off. The way that water dripping.

1148
00:59:18,330 --> 00:59:20,990
Speaker 8: I might just take it far and just see how

1149
00:59:21,030 --> 00:59:21,650
Speaker 8: you feel.

1150
00:59:21,910 --> 00:59:24,130
Speaker 7: You want to try. I'll do it right. I'll make

1151
00:59:24,230 --> 00:59:25,550
Speaker 7: it fly. I'll change your life.

1152
00:59:25,630 --> 00:59:27,530
Speaker 8: And all you gotta do is say yes.

1153
00:59:30,750 --> 00:59:32,060
Speaker 7: Tell me how you want it.

1154
00:59:32,070 --> 00:59:33,830
Speaker 3: That's all you got to do.

1155
00:59:33,870 --> 00:59:34,760
Speaker 7: Say yes.

1156
00:59:34,780 --> 00:59:37,340
Speaker 3: That's all you got to do is say yes.

1157
00:59:37,700 --> 00:59:39,780
Speaker 7: If you want the rest, say yes.

1158
00:59:39,980 --> 00:59:44,220
Speaker 8: All you got to do is say yes.

1159
00:59:44,520 --> 00:59:46,919
Speaker 7: I'm going to take my time and I slide while

1160
00:59:46,940 --> 00:59:59,320
Speaker 7: we grind it. So, so, so, so, so, so, so.

1161
00:59:59,480 --> 01:00:01,260
Speaker 3: So, so good.

1162
01:00:01,420 --> 01:00:04,380
Speaker 7: I could stay up in that place forever if it

1163
01:00:04,460 --> 01:00:07,620
Speaker 7: feel like this. We could be the best of friends

1164
01:00:07,720 --> 01:00:09,300
Speaker 7: if I had one wish.

1165
01:00:09,320 --> 01:00:11,880
Speaker 10: I just want to know if you're going to let

1166
01:00:11,920 --> 01:00:12,900
Speaker 10: me run it.

1167
01:00:13,060 --> 01:00:16,500
Speaker 7: Let me take control. That's the way I want it.

1168
01:00:16,700 --> 01:00:17,900
Speaker 7: Just give me the gold.

1169
01:00:19,860 --> 01:00:24,170
Speaker 8: Put you on the wall with your crawl for it crazy.

1170
01:00:25,610 --> 01:00:28,330
Speaker 7: You love the way I'm whipping. You just can't turn

1171
01:00:28,410 --> 01:00:30,570
Speaker 7: it off. The way that water drips.

1172
01:00:30,630 --> 01:00:33,740
Speaker 8: I might just take it far and just say how

1173
01:00:33,760 --> 01:00:34,700
Speaker 8: you feel.

1174
01:00:34,720 --> 01:00:36,860
Speaker 7: You want to try, I'll do it right. I'll make

1175
01:00:36,960 --> 01:00:38,260
Speaker 7: it fly. I'll change your life.

1176
01:00:38,360 --> 01:00:42,500
Speaker 8: And all you gotta do is say yes.

1177
01:00:43,510 --> 01:00:46,910
Speaker 7: Tell me how you want it then straighten it. Keep

1178
01:00:46,950 --> 01:00:56,980
Speaker 7: me talking, wanna hear it. All you gotta do is say, yeah.

1179
01:00:57,040 --> 01:00:59,810
Speaker 7: I'm gonna take my time with a slide while we

1180
01:00:59,870 --> 01:01:06,900
Speaker 7: grind it. And say, yeah.

1181
01:01:06,980 --> 01:01:08,220
Speaker 8: And say, yeah.

1182
01:01:08,280 --> 01:01:11,460
Speaker 5: Baby, I don't ever want to do the most without it.

1183
01:01:11,520 --> 01:01:14,600
Speaker 7: I don't want to get to taking off your clothes

1184
01:01:14,640 --> 01:01:18,750
Speaker 7: without it. I'm just waiting on permission. I won't go

1185
01:01:18,770 --> 01:01:22,130
Speaker 7: without it. I just got one condition and I'm all

1186
01:01:22,150 --> 01:01:22,810
Speaker 7: about it.

1187
01:01:22,850 --> 01:01:26,210
Speaker 8: Baby, I don't ever want to do the most without it.

1188
01:01:26,230 --> 01:01:27,370
Speaker 2: I don't want.

1189
01:01:27,170 --> 01:01:29,610
Speaker 7: To get to taking off your clothes without it.

1190
01:01:30,160 --> 01:01:34,050
Speaker 8: I'm just waiting on permission, I won't fall without it.

1191
01:01:34,060 --> 01:01:39,820
Speaker 7: I just got one condition, and I'm on the palace.

1192
01:01:39,980 --> 01:01:41,580
Speaker 7: All you gotta do is say yes.

1193
01:01:41,680 --> 01:01:45,580
Speaker 8: Tell me how you want it, then say yes. Keep

1194
01:01:45,620 --> 01:01:48,020
Speaker 8: me talking, wanna hear what you say next.

1195
01:01:48,040 --> 01:01:48,480
Speaker 2: Say yes.

1196
01:01:48,600 --> 01:01:50,280
Speaker 7: All you gotta do is say yes.

1197
01:01:57,340 --> 01:02:01,060
Speaker 9: If you want the best.

1198
01:02:01,620 --> 01:02:04,580
Speaker 7: If you want the best.

1199
01:02:05,060 --> 01:02:09,230
Speaker 3: If you want the best. If you want the best.

1200
01:02:09,450 --> 01:02:13,930
Speaker 3: If you want the best. If you want the best. No,

1201
01:02:13,950 --> 01:02:15,910
Speaker 3: but that's all you got to do is say yes.

1202
01:02:15,930 --> 01:02:16,530
Speaker 3: Just say yes.

1203
01:02:16,590 --> 01:02:19,470
Speaker 2: It's the difference of a girl, a woman dealing with

1204
01:02:19,490 --> 01:02:22,370
Speaker 2: a man that could get the job done and one

1205
01:02:22,390 --> 01:02:25,590
Speaker 2: that just can't. because all you got to do is

1206
01:02:25,650 --> 01:02:30,520
Speaker 2: say yes. The opportunities are limitless. Just give me permission.

1207
01:02:30,860 --> 01:02:34,000
Speaker 3: Yeah, just say yes. Just give me permission. Yo, you crazy. Yo,

1208
01:02:34,020 --> 01:02:37,730
Speaker 3: this ain't that. That ain't this. It's crack and kiss,

1209
01:02:37,790 --> 01:02:39,930
Speaker 3: God damn it. Make some noise for Tank, baby.