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Speaker 1: Hi.

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Speaker 2: I am Kate Hudson and my name is Oliver Hudson.

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Speaker 2: We wanted to do something that highlighted our relationship and

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Speaker 2: what it's like to be siblings. We are a sibling railvalry. No, no, sibling,

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Speaker 2: you don't do that with your mouth revelry. That's good.

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Speaker 2: Oliver Hudson, reporting live from Rules of Engagement. No, this

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Speaker 2: show is called sibling Revelry. I'm not gonna do much

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Speaker 2: of a preamble here because I'm all preambled out now

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Speaker 2: because we've got Derek Huff waiting in the waiting room.

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Speaker 2: I've known the man for a minute now. He's a

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Speaker 2: good man. He's a handsome man. He's a host, he's

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Speaker 2: a dad, he's a husband. He's the number one judge

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Speaker 2: on DW twos Dancing with the Stars. I think that's

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Speaker 2: how to say it. It works with his sister, there's

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Speaker 2: a lot to talk about, just bringing man, let's get

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Speaker 2: to this ship. Yo. What up?

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Speaker 3: Ah? What's up? Dude?

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Speaker 2: How are you man?

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Speaker 3: How's it going? I'm good man, I'm.

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Speaker 2: Good, good good. We finally made it happen. I'm happy.

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Speaker 2: Thank you for coming on, dude.

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Speaker 3: Thanks brother, I appreciate you.

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Speaker 2: Man, but you've been well, man, you're fucking killing it

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Speaker 2: right now.

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Speaker 3: Dude. I'm just you know, I'm just doing what I can. Man,

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Speaker 3: I know why I can't.

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Speaker 2: I know, I'm with you.

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Speaker 3: Yeah, before I get before I have this baby, and

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Speaker 3: I'm like, and it's all gonna change.

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Speaker 2: No, I know, I know, I know. Well, the hustle

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Speaker 2: is real. But you're doing extra right now. You're the

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Speaker 2: judge on Dancing with the Stars, right, this is what

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Speaker 2: we're doing.

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Speaker 3: Now, Yes, that's right.

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Speaker 2: And your sister is hosting.

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Speaker 3: That's right. Yeah, So you guys ever get.

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Speaker 2: You guys ever get sick if you each other? I mean,

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Speaker 2: you know, it's like you're together all the time. You're

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Speaker 2: doing ship all the time. My sister and I the same.

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Speaker 2: You know, we do this show all the time. But

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Speaker 2: is it ever like all right, Jules, like, let's just

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Speaker 2: take a break.

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Speaker 3: You know, it's funny. Actually it's weird because we actually

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Speaker 3: we like never see each other. Actually don't know, we

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Speaker 3: really don't. We we literally see each other on set

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Speaker 3: like what you see on TV. We don't see each other.

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Speaker 3: She's off in her hosting world over there. Yeah, the

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Speaker 3: judges are over here. So we actually don't even interact

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Speaker 3: when we're on the show. There's a few moments where

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Speaker 3: we do like a few selfies or something during the show,

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Speaker 3: but we like actually never see each other, so it's

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Speaker 3: kind of funny. But we also we kind of give

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Speaker 3: each other like little uh you know, uh, I don't know,

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Speaker 3: kind of rise each other a little bit. You know

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Speaker 3: that's the wrong word, but.

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Speaker 2: Now a whole different words.

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Speaker 3: Yo.

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Speaker 2: Yo, she's got rizz. He's got riz.

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Speaker 3: As I'm learning, I'm trying to keep up.

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Speaker 2: Man up, Well you're so this is number one. This

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Speaker 2: is your baby, Your baby's number one.

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Speaker 3: Number one. Man, this is number one is crazy, I

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Speaker 3: believe at forty years old, and I'm crazy starting.

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Speaker 2: So good for you though, Yeah, man, how many they have?

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Speaker 2: I have three? They just came home. As my dogs

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Speaker 2: are barking, I'm like, I'm like buried in my you know,

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Speaker 2: you're in every house, there's a room that's supposed to

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Speaker 2: be a room of some kind, but it turns into

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Speaker 2: a storage room. Yes, you know, it's just shit everywhere.

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Speaker 3: Yeah, and so.

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Speaker 2: When my kids come home, you know, I've got nowhere

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Speaker 2: to go because I've got nowhere to go. So now

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Speaker 2: I'm in the storage room. Yeah, I'm eighteen, I have

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Speaker 2: fifteen and I have twelve.

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Speaker 3: Amazing. Man, that's incredible. That's amazing.

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Speaker 2: And it's it's nutty. How you feeling. How's it feel?

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Speaker 3: I feel good. It's funny, like I feel like sometimes

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Speaker 3: I'm like in the you know, I'm doing things and

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Speaker 3: then I look over and I see my pregnant wife.

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Speaker 3: Your beautiful belly is starting to hop crazy. He her

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Speaker 3: belly button. Just yesterday, I just noticed it started to

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Speaker 3: starting to kind of.

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Speaker 2: Like spread out a little bit, and I was.

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Speaker 3: Like, whoa, you know, felt the baby kick. Actually, at

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Speaker 3: the time I felt the baby kick, we were watching

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Speaker 3: f one in the movie theater and it was really loud.

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Speaker 3: I was like, man, maybe okay, and then Hailey was like,

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Speaker 3: hey feel and you know, the baby's like hey, keep

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Speaker 3: it down out there.

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Speaker 2: Yeah yeah, but it was.

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Speaker 3: It's amazing. Man, I'm excited about it. I'm excited.

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Speaker 2: I bet, I bet. How do you have any fear? Honestly? Like,

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Speaker 2: is there any fear? Or is it just kind of

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Speaker 2: like you know what, I'm gonna roll with it.

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Speaker 1: No.

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Speaker 3: Like, here's the thing. As I've gotten older, I've realized

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Speaker 3: that I'm I'm a worrier. I worry, and I never

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Speaker 3: really considered myself like that. But after Haley had her

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Speaker 3: you know, her brain surgery. Yeah, I think it just

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Speaker 3: amplified everything a little bit where I'm a little bit

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Speaker 3: more or like cautious. You know, there was a moment

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Speaker 3: when we're about to go on tour, the day that

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Speaker 3: we're about to go back out on tour after she

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Speaker 3: you know, forty percent of her school is missing. You know,

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Speaker 3: she's got this massive plate in her head. She wasn't

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Speaker 3: supposed to survive. We're about to go on tour, We're

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Speaker 3: dancing together. I'm already a nervous wreck, and I just

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Speaker 3: hear a boom in the shower and she had full

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Speaker 3: slipped back and fell in the shower. And I look

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Speaker 3: over and she's like this and she's like it's okay,

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Speaker 3: I caught myself. And I'm like, and it's weird. That

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Speaker 3: moment kind of just as like this to this day.

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Speaker 3: When I get out of the shower, I like, squeeze

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Speaker 3: you the floor, make sure the dope soper conditioner on it.

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Speaker 3: But I'm like already like paranoid about that. So now

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Speaker 3: I'm like okay with the child. Yeah, I have twenty

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Speaker 3: twenty five nieces and nephews, and I am like, you know,

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Speaker 3: covering corners.

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Speaker 2: You've done it, yeah, I know you you you've done

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Speaker 2: it right, You've done the nieces and the nephews, you know.

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Speaker 2: But that that there's always the first one's always nutty

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Speaker 2: because you just wanted to survive, you know what I mean.

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Speaker 2: It's just like, holy shit, what am I doing? You know,

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Speaker 2: in the infant stages anyway, you know, I remember with

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Speaker 2: wild or my first one. You're just so you know,

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Speaker 2: there's a paranoia, there's love and there's paranoia. It's all mixed.

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Speaker 2: All emotions are just mixed together. You know, you're walking,

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Speaker 2: You're going in there every night, like making sure the

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Speaker 2: kid is breathing. Oh my god. And then by the

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Speaker 2: third one, it's just kind of like, okay, I'm sure

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Speaker 2: she'll be fine. I'm sure she'll be fine. You know.

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Speaker 3: Yeah, you got this, you got this here.

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Speaker 2: Yeah.

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Speaker 3: Well, I mean, luckily, like you know, we have a

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Speaker 3: lot of friends and a lot of people who are like, okay,

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Speaker 3: this is what you need. You need like, you know,

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Speaker 3: if you need like to sleep a little bit more

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Speaker 3: night nurse thing, yeah, yeah, which is amazing because I

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Speaker 3: think back to, like, you know, my parents, our parents.

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Speaker 3: I'm sure, yeah, I mean my mom had five kids.

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Speaker 3: I'm like, oh, a night nurse, Like what is that?

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Speaker 3: You know? And you know, so so I feel fortunate

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Speaker 3: that we're able to find a little bit of maybe

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Speaker 3: some relief. We'll see, but I think I'm still gonna

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Speaker 3: be up, like freaking of course.

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Speaker 2: Of course, so with your wife. Man, that's crazy, that's right.

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Speaker 2: I forgot about that when that shit went down. I mean,

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Speaker 2: that is a scary, scary moment for you guys. What

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Speaker 2: was it do? How is it even recognize?

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Speaker 3: We were on stage, we were on stage in front

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Speaker 3: of four thousand people, and we were at the end

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Speaker 3: of the show, and she just was kind of doing

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Speaker 3: this with her eye, like she's kind of like squinting,

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Speaker 3: and she's like and then she starts like she, you know,

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Speaker 3: audibly was making discomfort, you know, noises, like, and I

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Speaker 3: thought it was her neck because you know, this is

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Speaker 3: like a yeah, and so I'm protecting her neck as

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Speaker 3: we're dancing and we're just kind of keep moving forward

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Speaker 3: and you know, show must go on kind of thing,

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Speaker 3: and just protecting her and then we're supposed to come

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Speaker 3: out for this moment and she didn't come out, and

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Speaker 3: I was like, that's weird, and the stage manager she's

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Speaker 3: not coming out. I was like, okay, and then I

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Speaker 3: just you know, you're in front of this audience, so

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Speaker 3: you're just kind of like talking insane things. And the

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Speaker 3: irony of it all was that in that moment, I'm

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Speaker 3: talking about a friend of mine that passed away, and

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Speaker 3: I'm talking about how fragile and precious life is and

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Speaker 3: how it's fleeting, and you know that we cherish the

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Speaker 3: ones that we love, and and meanwhile she's literally dying

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Speaker 3: on the side of the stage.

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Speaker 2: Like actually, in that moment, like it was that.

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Speaker 3: Bad, it was that acute that she was at that

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Speaker 3: point having seizures and she doesn't remember anything she was

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Speaker 3: she was on stage, and then she's you know, all

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Speaker 3: this crazy scary stuff happened, the ambulance rushed into the hospitals,

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Speaker 3: all these different things, and here's a crazy fact. Actually

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Speaker 3: later on, First of all, the doctor was like, you know,

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Speaker 3: it's not good. It's very severe, and even if she survives,

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Speaker 3: because it's that bad, she's she probably isn't gonna be

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Speaker 3: the same person that you know, because you know this

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Speaker 3: kind of brain bleaed, this kind of swelling, paralysis, speech

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Speaker 3: compairamid you know, all these different things. So basically you've

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Speaker 3: lost the person that you knew. And we just got married,

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Speaker 3: by the way, three months three months before that. But

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Speaker 3: the crazy story about this, you know, fortunately she's here.

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Speaker 3: Everything was we had these amazing triumphs. But you know,

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Speaker 3: I talked about that time because it was like the

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Speaker 3: hardest time and one of the best times ever because

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Speaker 3: all of a sudden everything gets kind of wiped clean,

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Speaker 3: and all of a sudden, her getting up to go

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Speaker 3: to the bathroom was like the best day of my life,

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Speaker 3: you know what I mean. It was like, this is

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Speaker 3: the best day of my life. And then her like

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Speaker 3: walking up the stairs was like the biggest triumph I've

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Speaker 3: ever felt. So there's all these amazing like triumphs that

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Speaker 3: you experience and the simplest of things, and then working

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Speaker 3: her way back out to get on stage. And but

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Speaker 3: the crazy thing was real fast was when we were

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Speaker 3: at the theater, we had a decision to make there's

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Speaker 3: a hospital ten minutes away in Washington, DC, and there

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Speaker 3: was a hospital thirty five minutes away. Obviously we're like,

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Speaker 3: let's go to the closest hospital because this is bad.

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Speaker 3: She's something's not good. And her eyes were dilated, one

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Speaker 3: was was huge, one was pinpoint. So it was either

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Speaker 3: a stroke or something brain related. So we in that

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Speaker 3: moment we decided to go to the further hospital that

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Speaker 3: was more about brain but we didn't know and basically

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Speaker 3: down the line, about six months later, the doctor told me,

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Speaker 3: he said, if you would have went to the other hospital,

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Speaker 3: she would have she would have died really, yeah, and

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Speaker 3: because they didn't have they didn't have the resources, they

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Speaker 3: didn't have the things to do the emergency surgery, and

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Speaker 3: by the time they got her somewhere, it would have

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Speaker 3: been too late. So it's like, it's like things. It's

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Speaker 3: like things like that.

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Speaker 2: You're was like, was it was it an aneurysm?

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Speaker 3: No, we actually we don't know exactly what happened, really,

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Speaker 3: but we think we do. At the beginning of that show,

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Speaker 3: we actually hit heads really hard, but we've hit hard,

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Speaker 3: we've hit heads hard before. There's nothing out of the ordinary,

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Speaker 3: but we but our bells were wrong, yeah, and we

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Speaker 3: both were kind of looking at each other. But we

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Speaker 3: think that's what it was because that's the kind of

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Speaker 3: you know, the human toomea was is an impact. It

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Speaker 3: wasn't like so luckily in a way. Luckily it was

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Speaker 3: that because we know what happened and it's not going

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Speaker 3: to happen again all of a sudden.

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Speaker 2: Yeah, Wow, what an experience, man, what an experience. You know.

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Speaker 2: I mean, it's so interesting going back to what you said,

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Speaker 2: which is, you know, usually you know, the person who

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Speaker 2: goes through that situation and has to sort of relearn

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Speaker 2: to walk or those small victories that you're talking about,

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Speaker 2: and how life becomes clear and perspective starts to sort

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Speaker 2: of show itself in a beautiful way. It's usually attributed

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Speaker 2: to the person who had happened to but we don't

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Speaker 2: really hear about sort of the loved ones, you know,

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Speaker 2: and how you yourself had that moment as well, meaning

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Speaker 2: your perspective changed, things shifted for you. You know, life

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Speaker 2: was sort of like you said, the slate was white,

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Speaker 2: was wiped clean, and and it was like, wow, it's

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Speaker 2: it's these small things now that matter.

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Speaker 3: Yeah, I mean, it's it was you know. She she

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Speaker 3: talked about this because she basically was on stage. She blinked,

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Speaker 3: and then she woke to the hospital like what happened

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Speaker 3: and missing half her skull and head shaved and you know,

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Speaker 3: face swelled up, was unrecognizable and seventy staples in her

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Speaker 3: head and and so she missed. She essentially missed like

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Speaker 3: this the scary part if you will, you know, And

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Speaker 3: so she actually we actually, by the way, we actually

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Speaker 3: filmed the documentary about this. He did, and we just

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Speaker 3: actually submitted it to Sundance like three days ago.

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Speaker 2: Amazing.

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Speaker 3: But a good friend of mine, his name is Jason Berg,

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Speaker 3: you know, he's like amazing director, does documentaries, and he

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Speaker 3: when we started to go to dance again, he's like, hey, Cannect,

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Speaker 3: come film this the process because for her dancing again.

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Speaker 3: And so anyway, if we ended up doing it, we

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Speaker 3: went back on tour. She got back out on stage.

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Speaker 3: It was this beautiful, like triumphant moment. It was really beautiful.

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Speaker 3: And but but she really, honestly like the way she

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Speaker 3: moved to this whole thing was unbelievable. Man, she could

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Speaker 3: a smile on her face. There was no like poor me,

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Speaker 3: It was just this is my new reality, this is

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Speaker 3: what it is. And she was really strong for us, you.

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Speaker 2: Know, yeah crazy. So how long was it before she

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Speaker 2: re cut before like an incident, and then recovery and

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Speaker 2: she's dancing again.

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Speaker 3: Well that was the miraculous part because the doctor was like,

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Speaker 3: we're it's going to take four or five months to

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Speaker 3: just get the implant in because your brain is so

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Speaker 3: swelled up. They had to leave the skull off. Yeah

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Speaker 3: for a while. Well he said it. He said it

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Speaker 3: was gonna be for a while. Yeah, And she literally

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Speaker 3: looked at him and she's like, I'm gonna do it

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Speaker 3: two weeks. He's like, uh, huh, okay, you know three

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Speaker 3: months at least, dude, two weeks to the day we

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Speaker 3: took the helmet off and he gasped. He went He

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Speaker 3: was like looking at her like confused, like wait what

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Speaker 3: because obviously the skull concaves and she's got this massive

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Speaker 3: crater in her head, you know, now the brain's come down.

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Speaker 3: And he goes, oh my god, I can't believe this.

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Speaker 3: And he said, I said, well, what do you think.

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Speaker 3: Can we operate you know, tomorrow? He goes, no, it's like,

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Speaker 3: can we operate today? Joe goes, how about tomorrow?

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Speaker 2: I was like, oh shoot, So wow.

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Speaker 3: From the incident to her back on stage was four months.

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Speaker 2: Wow, that's crazy.

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Speaker 3: Yeah, it was pretty extraordinary. And by the way, going

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Speaker 3: back to being.

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Speaker 1: A warrior, yeah yeah, I was. I was like, yeah, yeah,

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Speaker 1: she's got like a full like NFL helmet on and pads,

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Speaker 1: like she's like, I don't want to wear this, and like,

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Speaker 1: I don't care if you're wearing this Eagles helmet.

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Speaker 3: But by the way, that that's also the problem though,

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Speaker 3: is because if you're apprehensive and if you're you're focusing

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Speaker 3: on what's going to go wrong, you're it's gonna go

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Speaker 3: wrong because where you focus goes your energy flows, and

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Speaker 3: like you're focus on the wrong things. And I was like,

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Speaker 3: she told me that, she goes, Babe, you have to

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Speaker 3: you have to come, you have to like trust me.

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Speaker 3: And I was like, oh, okay, okay, yeah yeah, wow yeah.

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Speaker 2: Crazy dude, crazy, crazy, crazy, but amazing. You know really,

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Speaker 2: I mean to have gone through something like that, I mean,

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Speaker 2: even just as far as just a relationship goes, and

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Speaker 2: the depth where you think you think you're you think

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Speaker 2: you're deep, and then you just you can dig even

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Speaker 2: deeper with something like that.

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Speaker 3: It's just yeah, no, man, it was. It was. It

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Speaker 3: was a w We were able to watch this documentary

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Speaker 3: last week at Uta, this slim screening room, and it

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Speaker 3: was like it was it was really beautiful. You know,

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Speaker 3: it was really cool to watch just to sit back

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Speaker 3: and be like, whoa that was that actually happened? And

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Speaker 3: then the thing now about it our our child, you know,

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Speaker 3: on on its way and thinking like wow, they get

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Speaker 3: to see this moment in mom and dad's life, you know.

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Speaker 2: M Yeah, it's pretty cool. So where'd you grow up again? Utah?

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Speaker 2: You grew up in Utah, Utah man, Yeah, and you

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Speaker 2: had multiple siblings, fourth sisters grew up in Utah only boy,

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Speaker 2: you know, where'd you Where were you in the pecking order?

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Speaker 3: Three older sisters? Myself and then Julianne. Yeah, okay, yeah,

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Speaker 3: it was cool surrounded by women, completely surrounded by women. Honestly,

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Speaker 3: like I found as I got older, I was like,

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Speaker 3: I find it really hard to talk to guys, Like

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Speaker 3: it's so much easier to like, I don't know why,

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Speaker 3: I think growing up, I was like, oh talking to Yeah,

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Speaker 3: I talked to a guy. I'm like, how did I

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Speaker 3: do this?

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Speaker 2: I don't know, that's funny, you know, I wonder how

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Speaker 2: do you think that actually sort of affected you? You know,

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Speaker 2: I mean, you grew up with a bunch of sisters.

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Speaker 2: Like for a while, I just had Mom and Kate

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Speaker 2: because Dad was out of the picture and Kurt wasn't

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Speaker 2: there yet. So there's a lot of feminine energy sort

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Speaker 2: of in my early life, and I, you know, I

337
00:17:18,720 --> 00:17:22,840
Speaker 2: can sort of attribute some of my personality to that

338
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Speaker 2: and just the way that I my man. I don't know,

339
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Speaker 2: maybe some sensitivities, maybe just some empathy. I don't know what,

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Speaker 2: but I wonder if you can recognize any part of

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Speaker 2: you that's like, oh well, this is just because I

342
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Speaker 2: grew up around eight hundred chicks.

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Speaker 3: Yeah, so I think for me and later as I

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Speaker 3: got you know, older, actually, you know, I realized as

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Speaker 3: you start to learn about certain like you know, feminine

346
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Speaker 3: energy and mathe energy and all these different types of

347
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Speaker 3: things modalities and stuff, I realized that I definitely lived

348
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Speaker 3: in my I actually lived more in my feminine energy,

349
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Speaker 3: if you will, which I think served me really well,

350
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Speaker 3: and in certain forms of you know, art and you know,

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Speaker 3: dance and creativity. And however, it's funny, but with dancing dancing,

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Speaker 3: actually I feel I was the way I like stepped

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Speaker 3: into my maskuline energy, the way I felt super connected

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Speaker 3: to my body. Like it's like you know, if you

355
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Speaker 3: go play in sports or something like that, you just

356
00:18:25,280 --> 00:18:28,840
Speaker 3: feel like you just connected to something. But as I

357
00:18:28,840 --> 00:18:32,639
Speaker 3: got older, I was like, oh, interesting, like and I

358
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Speaker 3: generally notice it until this guy came into my life.

359
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Speaker 3: It was my sister's husband, and he just was like

360
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Speaker 3: a dude. He was just a dude because I was

361
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Speaker 3: always around like artists and like creatives, and he was

362
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Speaker 3: like fish lift weights, and it was there was something

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Speaker 3: like just like refreshing about like, oh, dang, I think

364
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Speaker 3: I've like I need to like balance this out a

365
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Speaker 3: little bit and just do some like just stuff that

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Speaker 3: isn't like in the world of like creating an art

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Speaker 3: or I just need to like do some just just

368
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Speaker 3: some stuff that just feels disconnected to that to get

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Speaker 3: back into that masculine energy a little bit more and

370
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Speaker 3: then to just some it's more balanced.

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Speaker 2: What did you do did you actually seek out like

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Speaker 2: masculine endeavors.

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Speaker 3: I mean, it's it's not like it's like it's not

374
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Speaker 3: like binary. It's like it's like this is masculine this side.

375
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Speaker 3: But but it did I did feel a sense of like,

376
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Speaker 3: you know, I don't know, it's just like to do

377
00:19:33,520 --> 00:19:38,680
Speaker 3: things that like just felt more grounded. I suppose because

378
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Speaker 3: I can get really like, you know, up here and

379
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Speaker 3: you know, like in this creative space constantly, and it's

380
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Speaker 3: like to turn it off. I gotta do something that's

381
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Speaker 3: just like uh that you know.

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Speaker 2: Yeah, yeah, yeah, yeah, No, that's interesting. No, I know,

383
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Speaker 2: I know what you mean. You know, it's just sort

384
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Speaker 2: of rooting yourself a little bit more in. It's almost

385
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Speaker 2: as quiet as your mind sometimes too, you know.

386
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Speaker 3: Yeah.

387
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Speaker 2: And are you a nature dude?

388
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Speaker 3: Totally totally are Yeah. Yeah, I love the outdoors, I

389
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Speaker 3: mean growing up in Utah.

390
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Speaker 2: Yeah, that's what I figured.

391
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Speaker 3: Yeah, I love I love mountains, and that's that's the

392
00:20:16,520 --> 00:20:18,280
Speaker 3: thing that really like keeps me still. And then I

393
00:20:18,280 --> 00:20:21,320
Speaker 3: lived in London for ten years, so you did. It's

394
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Speaker 3: like city city kid. I went to school there and

395
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Speaker 3: then I went back to Utah. Was like, oh shit,

396
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Speaker 3: Utah is fricken gorgeous.

397
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Speaker 2: Yeah.

398
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Speaker 3: I didn't know why. I didn't realize where I was

399
00:20:31,480 --> 00:20:32,879
Speaker 3: growing up. This is amazing, you know.

400
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Speaker 2: And what were you doing living in London.

401
00:20:35,560 --> 00:20:36,840
Speaker 3: Twelve years old to twenty two?

402
00:20:37,119 --> 00:20:38,360
Speaker 2: Just were you dancing?

403
00:20:38,840 --> 00:20:42,119
Speaker 3: Yeah? I moved in with my coaches a dance coach did, yeah,

404
00:20:42,240 --> 00:20:44,520
Speaker 3: and moved out there by myself.

405
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Speaker 2: At the age of ten.

406
00:20:45,000 --> 00:20:47,920
Speaker 3: You were by yourself like twelve, Yeah, and Julianne was nine.

407
00:20:48,080 --> 00:20:49,960
Speaker 3: She went out to like at nineteen years old. And

408
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Speaker 3: then but we moved in with the family. Mark Ballas

409
00:20:53,720 --> 00:20:56,040
Speaker 3: was on Dancing Stars as well. He was We moved

410
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Speaker 3: in with him and his family, his mom and dad.

411
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Speaker 2: How does that work? Man? Like, you're so young, I

412
00:21:01,560 --> 00:21:05,320
Speaker 2: mean your parents, how do you? Yeah, how do you

413
00:21:05,400 --> 00:21:07,080
Speaker 2: do that? Because they have to raise o their children

414
00:21:07,080 --> 00:21:07,760
Speaker 2: as well? Right?

415
00:21:08,200 --> 00:21:10,000
Speaker 3: Well, you know, it was such a it was such

416
00:21:10,040 --> 00:21:14,399
Speaker 3: a unique time because my my parents were right getting

417
00:21:14,400 --> 00:21:16,879
Speaker 3: a divorce right in that moment, and so that the

418
00:21:16,960 --> 00:21:19,000
Speaker 3: house kind of was like this, like it just kind

419
00:21:19,000 --> 00:21:20,439
Speaker 3: of started to disjoint a little bit.

420
00:21:20,840 --> 00:21:21,639
Speaker 2: Yeah, so we're.

421
00:21:21,560 --> 00:21:23,200
Speaker 3: Kind of floating around a little bit. And also this

422
00:21:23,920 --> 00:21:26,520
Speaker 3: opportunity came and then all of a sudden, we had

423
00:21:26,560 --> 00:21:29,560
Speaker 3: like school and we had goals, we had competitions, we

424
00:21:29,560 --> 00:21:32,119
Speaker 3: had lessons. We had this like sort of like regiment

425
00:21:32,240 --> 00:21:34,879
Speaker 3: and like we want to become a champion. So that

426
00:21:34,960 --> 00:21:39,679
Speaker 3: consistency and that, I don't know, it just it just

427
00:21:39,680 --> 00:21:42,480
Speaker 3: helped us as the young kids, you know. So that's

428
00:21:42,480 --> 00:21:44,960
Speaker 3: where we really crafted and we re formed that like

429
00:21:45,240 --> 00:21:51,520
Speaker 3: dancing core for so many years and then and honestly,

430
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Speaker 3: I thank my mom and dad because that was that

431
00:21:54,320 --> 00:21:56,679
Speaker 3: was hard. It was hard to let us go. It

432
00:21:56,720 --> 00:21:58,560
Speaker 3: was only supposed to be like a few months, and

433
00:21:58,600 --> 00:22:01,080
Speaker 3: then I ended We ended up. And then they're like,

434
00:22:01,080 --> 00:22:02,160
Speaker 3: all right, time to come home.

435
00:22:02,200 --> 00:22:05,919
Speaker 2: And I was like, no, oh really, yeah, You're like

436
00:22:05,920 --> 00:22:07,159
Speaker 2: now we're staying. I'm staying.

437
00:22:07,640 --> 00:22:09,520
Speaker 3: Yeah. I was like I'm about to. I had this

438
00:22:09,640 --> 00:22:11,359
Speaker 3: a competition come up, I got a train, I gotta

439
00:22:11,359 --> 00:22:13,720
Speaker 3: be here and do this. And for ten years it

440
00:22:13,800 --> 00:22:16,000
Speaker 3: was like this fight. Just I wanted to stay and

441
00:22:16,040 --> 00:22:18,199
Speaker 3: they wanted me to come home because like can I

442
00:22:18,280 --> 00:22:22,800
Speaker 3: raise you? You're my child, you know. And now now

443
00:22:22,800 --> 00:22:25,679
Speaker 3: when I see Likenis and nephews, I was like, I

444
00:22:25,800 --> 00:22:27,680
Speaker 3: was that young. I was twelve years old.

445
00:22:27,920 --> 00:22:31,160
Speaker 2: Yeah, shit, my daughter's twelve. And I mean I can't

446
00:22:31,160 --> 00:22:34,320
Speaker 2: even imagine. I mean I would that would be I

447
00:22:34,359 --> 00:22:35,440
Speaker 2: would be crushed.

448
00:22:35,880 --> 00:22:38,520
Speaker 3: Yeah, and so and so I actually have a lot

449
00:22:38,560 --> 00:22:41,520
Speaker 3: of like later in life, I just have a lot

450
00:22:41,560 --> 00:22:46,199
Speaker 3: of like empathy and appreciation for the sacrifice that you know,

451
00:22:46,280 --> 00:22:49,080
Speaker 3: they both had and yeah, you know to allow that,

452
00:22:49,200 --> 00:22:51,639
Speaker 3: you know, essentially because it was a big sacrifice.

453
00:22:51,880 --> 00:22:52,080
Speaker 1: Yeah.

454
00:22:52,200 --> 00:22:55,120
Speaker 2: No, my daughter's obsessed with dance. You know, it's their

455
00:22:55,160 --> 00:22:58,160
Speaker 2: first their first year. She's on the team dance team

456
00:22:58,200 --> 00:23:01,000
Speaker 2: at her at her school, and so she's dancing like

457
00:23:01,040 --> 00:23:04,040
Speaker 2: six days a week, you know, two or three of

458
00:23:04,040 --> 00:23:06,359
Speaker 2: the days like three hours. You know. It's all different

459
00:23:06,520 --> 00:23:11,199
Speaker 2: kinds of dances, lyrical to jazz, to hip hop, the

460
00:23:11,240 --> 00:23:14,159
Speaker 2: whole thing. And so she'll start competing in November. But

461
00:23:14,240 --> 00:23:18,000
Speaker 2: she's just obsessed. And she's so beautiful, her body so beautiful,

462
00:23:18,560 --> 00:23:22,200
Speaker 2: she's so long, and it's just like, I mean, it's

463
00:23:22,200 --> 00:23:25,280
Speaker 2: for me. The pride that you have is just unbelievable.

464
00:23:25,320 --> 00:23:27,480
Speaker 2: And to watch her and how graceful and amazing she

465
00:23:27,640 --> 00:23:28,080
Speaker 2: is and.

466
00:23:28,280 --> 00:23:29,760
Speaker 3: I love that matter. But by the way, it was

467
00:23:29,840 --> 00:23:33,040
Speaker 3: so great about dance, was so great about dance. And

468
00:23:33,080 --> 00:23:34,960
Speaker 3: I'll say this again, a class, if I'm teaching a class,

469
00:23:34,960 --> 00:23:37,680
Speaker 3: and like it doesn't matter if like you know, there'll

470
00:23:37,720 --> 00:23:39,720
Speaker 3: be some people they'll be you know, kids in a class,

471
00:23:39,760 --> 00:23:41,600
Speaker 3: and some this is like what they want to do,

472
00:23:41,640 --> 00:23:43,400
Speaker 3: this is a career and that they'll take that path.

473
00:23:43,760 --> 00:23:45,800
Speaker 3: And some this will be a chapter in the life

474
00:23:45,800 --> 00:23:47,919
Speaker 3: and they'll have a lot of different things, but it's

475
00:23:48,000 --> 00:23:53,560
Speaker 3: never ever, ever, ever wasted because the discipline, the awareness,

476
00:23:54,520 --> 00:23:57,199
Speaker 3: all these things that you learn, you will take with

477
00:23:57,280 --> 00:23:59,320
Speaker 3: you for the rest of your life, no matter what.

478
00:23:59,440 --> 00:24:01,159
Speaker 3: So I always encourage.

479
00:24:00,960 --> 00:24:03,360
Speaker 2: You know, Oh yeah, you know what I love most too.

480
00:24:03,440 --> 00:24:06,080
Speaker 2: I love I love how I love how strict these

481
00:24:06,119 --> 00:24:10,320
Speaker 2: teachers are. Yeah, it's like the only place now because

482
00:24:10,359 --> 00:24:12,719
Speaker 2: I think we're just being coddled to death, you know,

483
00:24:12,880 --> 00:24:16,879
Speaker 2: just generally sure, But it's the only place now where

484
00:24:17,240 --> 00:24:20,639
Speaker 2: like that discipline you can stern. It's like, you know,

485
00:24:21,359 --> 00:24:23,520
Speaker 2: Rieo's in the car doing her hair with the hairsprakes.

486
00:24:23,520 --> 00:24:26,000
Speaker 2: It's ballet, and if hair's out of place, they get

487
00:24:26,240 --> 00:24:29,560
Speaker 2: mad at you. I mean, you know, not overly crazy,

488
00:24:29,640 --> 00:24:31,760
Speaker 2: but I'm saying there's a discipline there. It's like, get

489
00:24:31,800 --> 00:24:34,520
Speaker 2: your shit together. You know, girls, this isn't working You're

490
00:24:34,520 --> 00:24:38,159
Speaker 2: not practicing enough. It's not working out. You have to

491
00:24:38,200 --> 00:24:38,600
Speaker 2: be better.

492
00:24:39,240 --> 00:24:42,360
Speaker 3: Yeah. I think it's great, man. I think having that guidance.

493
00:24:42,400 --> 00:24:44,280
Speaker 3: And like you said, I love what you said too,

494
00:24:44,280 --> 00:24:46,440
Speaker 3: because it is true. We're sort of in this sort

495
00:24:46,440 --> 00:24:51,879
Speaker 3: of you know, the sort of like interesting phase or

496
00:24:51,920 --> 00:24:55,280
Speaker 3: balance of like Okay, what's too hard, what's too strict

497
00:24:55,440 --> 00:24:58,520
Speaker 3: mm hmm, but what's not strict enough, Like it's like

498
00:24:58,560 --> 00:25:01,280
Speaker 3: find that right balance. But I think that it is

499
00:25:01,720 --> 00:25:04,240
Speaker 3: important to have that sort of standard and those like

500
00:25:04,320 --> 00:25:07,080
Speaker 3: sort of like perimeters to work with them. This couldn't

501
00:25:07,080 --> 00:25:09,879
Speaker 3: find because I feel like, you know, if it just

502
00:25:09,920 --> 00:25:13,640
Speaker 3: becomes I'm all about encouraging, I'm all about like sure

503
00:25:14,680 --> 00:25:16,840
Speaker 3: but of course, but that but that, But I look

504
00:25:16,920 --> 00:25:20,040
Speaker 3: back at my teaching and my time, I'm like, it

505
00:25:20,119 --> 00:25:22,240
Speaker 3: was the times when I was like taken to the

506
00:25:22,240 --> 00:25:25,160
Speaker 3: corner being like, hey, you better and told off. That's

507
00:25:25,520 --> 00:25:28,480
Speaker 3: that's when I was like, oh and I figured it out,

508
00:25:28,520 --> 00:25:28,800
Speaker 3: you know.

509
00:25:28,800 --> 00:25:30,680
Speaker 2: Of course. But by the way, its also because you're

510
00:25:30,720 --> 00:25:33,040
Speaker 2: that good, like you're you're too good to just wait

511
00:25:33,160 --> 00:25:35,560
Speaker 2: to just fuck off essentially, you know.

512
00:25:36,040 --> 00:25:38,920
Speaker 3: Yeah, no, that's awesome. I love that, man, I love yeah.

513
00:25:39,000 --> 00:25:41,120
Speaker 2: Yeah, it's great. It's fun. It's fun for me too.

514
00:25:41,240 --> 00:25:44,280
Speaker 2: It's just my only kid who who's actually regimented in

515
00:25:44,400 --> 00:25:47,920
Speaker 2: some sort of athletics into a sport. You know. My

516
00:25:48,080 --> 00:25:51,400
Speaker 2: boys are they down they ski, they downhill, mountain bike,

517
00:25:51,400 --> 00:25:53,919
Speaker 2: they're on dirt bikes, you know, motorcycles, this, this, and that.

518
00:25:53,960 --> 00:25:57,960
Speaker 2: They're heavily into golf now but it's all individual stuff, right.

519
00:25:58,160 --> 00:26:00,600
Speaker 2: They didn't want to play team. You know, there was

520
00:26:00,640 --> 00:26:04,400
Speaker 2: no competition. So she's my she's my first and only

521
00:26:04,440 --> 00:26:07,040
Speaker 2: one now that is competing, and you know she has

522
00:26:07,119 --> 00:26:09,240
Speaker 2: that sort of fire when you when.

523
00:26:09,080 --> 00:26:11,119
Speaker 3: You say competing. Is it a part of the school

524
00:26:11,160 --> 00:26:11,920
Speaker 3: team competition?

525
00:26:12,000 --> 00:26:14,800
Speaker 2: No, school, it's a studio. Yeah.

526
00:26:14,960 --> 00:26:16,680
Speaker 3: Oh so did you go to a convention?

527
00:26:17,200 --> 00:26:19,919
Speaker 2: Yes, she went to a convention last weekend. She was

528
00:26:19,920 --> 00:26:21,040
Speaker 2: in at a convention.

529
00:26:22,000 --> 00:26:24,400
Speaker 3: Car got you got you cool? Cool?

530
00:26:24,440 --> 00:26:24,719
Speaker 2: All right?

531
00:26:24,760 --> 00:26:26,800
Speaker 3: Awesome. No. The reason why I say that because I'm

532
00:26:26,800 --> 00:26:33,760
Speaker 3: literally about to launch a convention competition you are in December. Yeah,

533
00:26:33,760 --> 00:26:34,560
Speaker 3: it's called Ovation.

534
00:26:35,119 --> 00:26:35,919
Speaker 2: Oh that's cool.

535
00:26:36,240 --> 00:26:38,679
Speaker 3: Yeah, so it's sort of the first it's gonna be

536
00:26:38,680 --> 00:26:42,119
Speaker 3: like a sort of a fusion convention competition with like

537
00:26:42,280 --> 00:26:45,280
Speaker 3: contemporary Yeah, Ballerman, Latin.

538
00:26:45,680 --> 00:26:46,600
Speaker 2: Where are you doing it?

539
00:26:46,840 --> 00:26:49,920
Speaker 3: We're doing seven cities the first year. First ones in

540
00:26:50,000 --> 00:26:53,639
Speaker 3: Chicago in December. Yeah, and then we'll do like you know,

541
00:26:53,880 --> 00:26:58,080
Speaker 3: Miami and New York, and then of course Anaheim, Plifornia,

542
00:26:58,200 --> 00:26:59,280
Speaker 3: and then San Diego.

543
00:27:00,160 --> 00:27:02,800
Speaker 2: That's where Rio is an Anaheim for this car thing.

544
00:27:03,240 --> 00:27:05,520
Speaker 3: Yeah, well, dude, this isn't you guys? Do you guys

545
00:27:05,520 --> 00:27:07,639
Speaker 3: should come down. It's it's really it's giving me really

546
00:27:07,880 --> 00:27:11,200
Speaker 3: really really Oh yeah, Tolly Favia. You know Robbie Blue

547
00:27:11,240 --> 00:27:14,080
Speaker 3: who's done like the commercial.

548
00:27:13,680 --> 00:27:16,560
Speaker 2: Yeah yeah, yeah, yeah.

549
00:27:15,520 --> 00:27:17,400
Speaker 3: He just won an Emmy and in a VMA he's

550
00:27:17,480 --> 00:27:18,840
Speaker 3: he's one of the teachers as well.

551
00:27:18,920 --> 00:27:20,960
Speaker 2: Like, yeah, dude, sick.

552
00:27:21,119 --> 00:27:21,600
Speaker 3: Pretty sick.

553
00:27:21,680 --> 00:27:26,480
Speaker 2: Yeah. Oh fun? Yeah, man, so great dude, yeah, will

554
00:27:26,600 --> 00:27:33,760
Speaker 2: I will for sure. So so what how how do

555
00:27:33,800 --> 00:27:35,400
Speaker 2: you get off on dancing? You know what I mean?

556
00:27:35,480 --> 00:27:38,320
Speaker 2: What is it? What is the thing? You know? I

557
00:27:38,320 --> 00:27:42,320
Speaker 2: mean I kind of understand because you know, singing, moving

558
00:27:42,359 --> 00:27:45,920
Speaker 2: your body. I mean there's something that is special about that.

559
00:27:46,080 --> 00:27:49,880
Speaker 2: You know, there's something that's exhilarating about it. But like what,

560
00:27:50,200 --> 00:27:52,119
Speaker 2: how does it still give you a boner? You know,

561
00:27:52,160 --> 00:27:54,080
Speaker 2: like what is that thing where you're just like, God,

562
00:27:54,160 --> 00:27:56,280
Speaker 2: damn it, I just love it so much.

563
00:27:57,080 --> 00:27:59,800
Speaker 3: I mean, I'm gonna be honest with you, man, it's

564
00:28:00,680 --> 00:28:04,040
Speaker 3: it's an I have an interesting relationship with dance now

565
00:28:04,119 --> 00:28:07,600
Speaker 3: in a way because you know, here's the thing as

566
00:28:08,040 --> 00:28:11,879
Speaker 3: it's evolving, it's evolving. Yeah, because when I competed as

567
00:28:11,880 --> 00:28:14,160
Speaker 3: a dancer, I loved it, but it was very much

568
00:28:14,240 --> 00:28:18,080
Speaker 3: like I was training. And but I will say this.

569
00:28:18,119 --> 00:28:20,960
Speaker 3: I will say this as like the thing that I

570
00:28:21,000 --> 00:28:25,040
Speaker 3: love most about it is when I'm actually dancing performing

571
00:28:25,119 --> 00:28:27,880
Speaker 3: like a go on torn I'm dancing. Yeah, I truly

572
00:28:27,960 --> 00:28:32,119
Speaker 3: feel like the most It sounds cheesy, like connected, I

573
00:28:32,119 --> 00:28:35,439
Speaker 3: feel connected to myself because I do have a busy

574
00:28:35,520 --> 00:28:39,680
Speaker 3: ass brain in my brain. But when I'm just dancing

575
00:28:39,720 --> 00:28:41,960
Speaker 3: and the music and the music sinks up and your

576
00:28:42,000 --> 00:28:46,080
Speaker 3: body sync up together and they're doing this, you just

577
00:28:46,240 --> 00:28:49,280
Speaker 3: like you start sounds silly, but like I just like

578
00:28:49,320 --> 00:28:53,120
Speaker 3: start like like things hard and strong, and then I'm

579
00:28:53,520 --> 00:28:57,200
Speaker 3: I'm meaning to shape myself. The bass, you feel the

580
00:28:57,480 --> 00:29:00,680
Speaker 3: drums hit it, that all of that, It just makes

581
00:29:00,720 --> 00:29:05,440
Speaker 3: you feel super just like here and just present and.

582
00:29:05,560 --> 00:29:08,480
Speaker 2: I'm feeling it right now. When you're explaining that, yeah damn,

583
00:29:08,560 --> 00:29:11,040
Speaker 2: I'm like, yeah, I wish I could feel that way.

584
00:29:11,200 --> 00:29:14,720
Speaker 3: No, that's the thing. But on the flip side of that, though,

585
00:29:14,960 --> 00:29:21,200
Speaker 3: we to do the creation process can be fucking torture.

586
00:29:21,360 --> 00:29:23,520
Speaker 3: Like you're just like you're like, oh my god, I

587
00:29:23,520 --> 00:29:25,720
Speaker 3: have no ideas and what is this and this isn't

588
00:29:25,720 --> 00:29:28,560
Speaker 3: good enough? And oh my, you know, there's this expectation,

589
00:29:28,920 --> 00:29:32,160
Speaker 3: like you know, you've won four Emmys and people are

590
00:29:32,160 --> 00:29:34,720
Speaker 3: looking at you like, come on, man, like you're supposed

591
00:29:34,720 --> 00:29:38,200
Speaker 3: to be good. Ah, you know, those spirits have to

592
00:29:38,200 --> 00:29:41,440
Speaker 3: creep in, and I start to get a little bit

593
00:29:41,480 --> 00:29:45,160
Speaker 3: my head about things and sometimes that sort of over

594
00:29:45,200 --> 00:29:48,400
Speaker 3: analysis equals paralys type of thing, you know. But but

595
00:29:48,560 --> 00:29:50,600
Speaker 3: so it's an interesting relationship where when I'm doing it

596
00:29:50,960 --> 00:29:54,600
Speaker 3: m hm, right, got it, but creating it can sometimes be.

597
00:29:54,640 --> 00:29:57,680
Speaker 2: Like yeah, well it's so I mean when you have

598
00:29:57,680 --> 00:30:01,160
Speaker 2: a partner too, there it is so intimate, especially depending

599
00:30:01,200 --> 00:30:03,040
Speaker 2: on what kind of dances you're doing, you know what

600
00:30:03,120 --> 00:30:08,200
Speaker 2: I mean. And you know, it's a it's an interesting

601
00:30:08,600 --> 00:30:10,800
Speaker 2: it's an interesting gig. I know, you're married and all

602
00:30:10,840 --> 00:30:12,440
Speaker 2: this stuff, but like you're marere to do a dancer.

603
00:30:12,720 --> 00:30:15,120
Speaker 2: I mean, when you were connected like that with someone

604
00:30:15,200 --> 00:30:18,600
Speaker 2: and you're flying and you're in sync, there's something so

605
00:30:18,880 --> 00:30:22,760
Speaker 2: like sexy and romantic and about it all, you know,

606
00:30:22,840 --> 00:30:24,520
Speaker 2: And then but you have to kind of separate yourself

607
00:30:24,520 --> 00:30:25,960
Speaker 2: from all that ship I well.

608
00:30:25,920 --> 00:30:29,120
Speaker 3: There is and there isn't because like when you dance

609
00:30:29,200 --> 00:30:32,200
Speaker 3: and when you've grown up dancing and do it, you

610
00:30:32,240 --> 00:30:34,440
Speaker 3: can I mean you might watch it and be like

611
00:30:34,480 --> 00:30:37,840
Speaker 3: oh my gosh, yeah, energy between them. But then I

612
00:30:37,960 --> 00:30:40,360
Speaker 3: might be like, oh, there's no, there's no energy there.

613
00:30:40,480 --> 00:30:42,800
Speaker 3: That was just that's just that's that's just that, that's

614
00:30:42,800 --> 00:30:45,920
Speaker 3: just the movement, the dancing. It's like a very definitely

615
00:30:45,960 --> 00:30:46,640
Speaker 3: separate the two.

616
00:30:47,760 --> 00:30:50,200
Speaker 2: Especially when you're dancing. You dance with your sister too, right,

617
00:30:50,320 --> 00:30:52,440
Speaker 2: I mean, oh yeah, yeah, you know, so that's like

618
00:30:52,680 --> 00:30:54,680
Speaker 2: what's up with that? And that's a whole other thing,

619
00:30:54,800 --> 00:30:56,760
Speaker 2: you know, and way, but that's that's the thing.

620
00:30:56,800 --> 00:31:01,040
Speaker 3: That's the thing is like for me, you know, from

621
00:31:01,040 --> 00:31:03,240
Speaker 3: the outside looking in, when you watch me dancing, like

622
00:31:03,320 --> 00:31:06,160
Speaker 3: it feels really intimate in that kind of way, mm hmm.

623
00:31:06,560 --> 00:31:09,160
Speaker 3: But for us as dances, it's really not. It's just

624
00:31:09,200 --> 00:31:12,640
Speaker 3: like you're you're we're like focused on the mechanics and

625
00:31:13,160 --> 00:31:16,040
Speaker 3: we're focusing on like stretching, and like, you know, there's

626
00:31:16,080 --> 00:31:18,320
Speaker 3: so many, so many things going on in our brain

627
00:31:19,400 --> 00:31:21,920
Speaker 3: about certain things that we're not even thinking about, like

628
00:31:23,200 --> 00:31:26,200
Speaker 3: you know, the you know what I mean, there's too

629
00:31:26,280 --> 00:31:29,960
Speaker 3: much going on in our brains. But yeah, man, it's

630
00:31:29,960 --> 00:31:32,480
Speaker 3: it's uh, it's but on Dancing with the Stars, I

631
00:31:32,480 --> 00:31:34,800
Speaker 3: will say, you know, you get somebody coming out coming

632
00:31:34,800 --> 00:31:37,360
Speaker 3: in there, you know, and all of a sudden, they're

633
00:31:37,360 --> 00:31:38,680
Speaker 3: like learning from you.

634
00:31:38,760 --> 00:31:40,640
Speaker 2: And of course, I mean, like the think how many

635
00:31:40,680 --> 00:31:43,840
Speaker 2: relationships there's been from Dancing with the Stars, only that's

636
00:31:43,840 --> 00:31:45,880
Speaker 2: what those are the ones that we've heard. I mean,

637
00:31:45,920 --> 00:31:48,320
Speaker 2: you know, I mean, I'm sure you have all kinds

638
00:31:48,320 --> 00:31:51,440
Speaker 2: of dirt about the ship that no one knows about

639
00:31:51,480 --> 00:31:53,600
Speaker 2: that goes on, that went on for the billions of

640
00:31:53,640 --> 00:31:55,080
Speaker 2: seasons of Dancing with the Stars.

641
00:31:55,160 --> 00:31:57,760
Speaker 3: Oh, by the way, my favorite is there's this whole

642
00:31:57,800 --> 00:32:00,360
Speaker 3: wave of new you know, it's the numb Umber one

643
00:32:00,360 --> 00:32:01,680
Speaker 3: show on TV, which is insane.

644
00:32:01,960 --> 00:32:03,960
Speaker 2: It's crazy, it will not stop.

645
00:32:04,320 --> 00:32:06,640
Speaker 3: It's insane. It's like this whole new life, the whole

646
00:32:06,640 --> 00:32:09,960
Speaker 3: new fan base and this holyw fan base. They've only

647
00:32:10,000 --> 00:32:13,280
Speaker 3: been watching it for like two years, and there's eighteen

648
00:32:13,360 --> 00:32:15,400
Speaker 3: years of this lore, if you will, that they like

649
00:32:16,080 --> 00:32:19,080
Speaker 3: they're trying to like re learn and hear about. And

650
00:32:19,080 --> 00:32:21,400
Speaker 3: I'm like, oh, the stuff you'll hear about is maybe

651
00:32:21,600 --> 00:32:23,280
Speaker 3: ten percent of what actually went on.

652
00:32:23,440 --> 00:32:24,680
Speaker 2: Oh yeah, oh my god.

653
00:32:24,720 --> 00:32:26,680
Speaker 3: It's crazy, man, it's crazy.

654
00:32:26,800 --> 00:32:29,040
Speaker 2: It's crazy. You're right, though, You're right, because you have

655
00:32:29,080 --> 00:32:31,520
Speaker 2: two professionals together. They've been doing it all their lives.

656
00:32:31,520 --> 00:32:34,680
Speaker 2: They understand the game, they understand the dance, so to speak.

657
00:32:35,080 --> 00:32:37,840
Speaker 2: When you have these sort of celebrities or these Dancing

658
00:32:37,880 --> 00:32:40,440
Speaker 2: with the Star's contestants coming in who are now you know,

659
00:32:40,600 --> 00:32:43,960
Speaker 2: connected like that and feeling things and moving their body

660
00:32:44,040 --> 00:32:48,080
Speaker 2: with someone as they've never moved it before. Yeah, there's

661
00:32:48,240 --> 00:32:51,560
Speaker 2: something that is intoxicating about that. There's no doubt.

662
00:32:51,920 --> 00:32:54,800
Speaker 3: Yeah, there's it's interesting. And listen, it doesn't always like

663
00:32:55,360 --> 00:32:58,840
Speaker 3: it doesn't always like turn into something or anything now, right,

664
00:32:58,880 --> 00:33:02,920
Speaker 3: but but you know it is. It's a unique experience

665
00:33:03,040 --> 00:33:07,200
Speaker 3: to feel guided in something and like you're like, oh,

666
00:33:06,920 --> 00:33:10,320
Speaker 3: I'm at your mercy kind of thing, and it's it's

667
00:33:11,560 --> 00:33:13,200
Speaker 3: in a good way, you know what I mean. In

668
00:33:13,200 --> 00:33:15,280
Speaker 3: a way it's like, oh, I get to actually be

669
00:33:16,400 --> 00:33:20,400
Speaker 3: taught something and it immersed in something every day, seven

670
00:33:20,480 --> 00:33:23,560
Speaker 3: days a week, six hours a day. Like when was

671
00:33:23,600 --> 00:33:26,479
Speaker 3: the last thing you ever got to do that?

672
00:33:27,120 --> 00:33:27,360
Speaker 2: Yeah?

673
00:33:27,880 --> 00:33:31,440
Speaker 3: Like never, never. It's such a unique experience. And I

674
00:33:31,440 --> 00:33:34,200
Speaker 3: think that I think who I said this to. I

675
00:33:34,200 --> 00:33:36,880
Speaker 3: said this one of the contestants the other day because

676
00:33:36,920 --> 00:33:39,640
Speaker 3: they were saying like, oh, yeah, I'm really tired about

677
00:33:39,640 --> 00:33:41,640
Speaker 3: them trying to pins again against each other, and unless

678
00:33:41,640 --> 00:33:44,400
Speaker 3: I said, well, listen, you have to save this moment

679
00:33:44,440 --> 00:33:47,440
Speaker 3: because one it's gonna be over like that. And two,

680
00:33:48,240 --> 00:33:50,680
Speaker 3: you're never going to experience them like this ever. Again,

681
00:33:50,960 --> 00:33:53,440
Speaker 3: It's just just won't. You'll have other amazing opportunities and

682
00:33:53,480 --> 00:33:58,160
Speaker 3: other amazing experiences, but you will never like have this

683
00:33:58,240 --> 00:34:01,080
Speaker 3: sort of intense focus on something for this many hours

684
00:34:01,080 --> 00:34:03,560
Speaker 3: a day, for seven days a week, and then show

685
00:34:03,600 --> 00:34:07,240
Speaker 3: it something new every week in front of millions of people.

686
00:34:08,520 --> 00:34:12,440
Speaker 3: It's such a it's such a unique thing that you

687
00:34:12,520 --> 00:34:13,440
Speaker 3: just need a savor it. Man.

688
00:34:13,480 --> 00:34:15,239
Speaker 2: You need to say, oh, yeah, they asked I think

689
00:34:15,640 --> 00:34:18,560
Speaker 2: a few years back. I think I was We're doing

690
00:34:18,600 --> 00:34:21,759
Speaker 2: a show for ABC. They asked me to do it,

691
00:34:21,760 --> 00:34:24,080
Speaker 2: and I was too scared. I'm like, I can't. That's

692
00:34:24,080 --> 00:34:26,600
Speaker 2: too scary for me. Dude, Like I can't go dance

693
00:34:26,719 --> 00:34:30,560
Speaker 2: in front of people. Yet I'm not right scary.

694
00:34:30,320 --> 00:34:33,520
Speaker 3: I have Anybody's out there, like, whoever is crazy enough

695
00:34:33,560 --> 00:34:35,480
Speaker 3: to get to put themselves through this is like, yeah,

696
00:34:35,640 --> 00:34:36,480
Speaker 3: it's pretty crazy.

697
00:34:36,520 --> 00:34:49,640
Speaker 2: Man. How is it being a judge? You know? And

698
00:34:49,920 --> 00:34:53,439
Speaker 2: what kind of a judge are you? Can you give

699
00:34:53,440 --> 00:34:54,440
Speaker 2: it to him? Can you be like?

700
00:34:54,520 --> 00:34:56,239
Speaker 3: You know what I mean, I'm gonna be I'm be

701
00:34:56,280 --> 00:34:58,200
Speaker 3: honest with you. I'm being honest with you I again,

702
00:34:58,280 --> 00:35:00,640
Speaker 3: because I've been in that position, you know, like I

703
00:35:00,840 --> 00:35:03,680
Speaker 3: really like I have a lot of respect and a

704
00:35:03,719 --> 00:35:06,719
Speaker 3: lot of like empathy and like hey, hey, like you're

705
00:35:06,719 --> 00:35:09,120
Speaker 3: doing good. You got there. And which is interesting because

706
00:35:09,120 --> 00:35:12,359
Speaker 3: of course, Lenn Goodman, who was you know, our head

707
00:35:12,440 --> 00:35:17,319
Speaker 3: judged for so many years. Listen, people would not have

708
00:35:17,400 --> 00:35:20,080
Speaker 3: survived the last few years. I mean we look back

709
00:35:20,080 --> 00:35:21,560
Speaker 3: at some of the comments and the things that they

710
00:35:21,560 --> 00:35:25,600
Speaker 3: had said. Ye were unbelievable and they were for me,

711
00:35:25,640 --> 00:35:30,000
Speaker 3: they were fantastic because it was just like shocking. Now

712
00:35:31,040 --> 00:35:33,120
Speaker 3: I will say this, it's interesting being a judge because

713
00:35:34,400 --> 00:35:37,480
Speaker 3: you know, I'll try to be I try to be encouraging.

714
00:35:37,600 --> 00:35:40,000
Speaker 3: I try to be you know, supportive, and also give

715
00:35:40,080 --> 00:35:43,279
Speaker 3: some practical notes that they can actually work on the

716
00:35:43,320 --> 00:35:45,560
Speaker 3: next week. That's what that's what I would want to hear.

717
00:35:46,239 --> 00:35:47,719
Speaker 3: Give me some clarity, like what do I need to

718
00:35:47,719 --> 00:35:50,160
Speaker 3: work on? You know. I try to give those notes

719
00:35:50,400 --> 00:35:54,200
Speaker 3: in fifteen seconds, which is the partest part, which sometimes

720
00:35:54,239 --> 00:35:56,319
Speaker 3: nothing comes out. I was just like, yeah, great job,

721
00:35:56,480 --> 00:36:02,240
Speaker 3: you know. But it's fun though, because being a judge

722
00:36:02,280 --> 00:36:06,239
Speaker 3: is not a popular position to be because you can

723
00:36:06,280 --> 00:36:10,600
Speaker 3: say something to somebody and then one person says, oh

724
00:36:10,600 --> 00:36:13,160
Speaker 3: my gosh, you're so mean. I hate you. Oh gosh,

725
00:36:13,360 --> 00:36:18,160
Speaker 3: I hate you. Yeah, the same comment below that will

726
00:36:18,200 --> 00:36:21,000
Speaker 3: be like you're too soft and like you're too nice,

727
00:36:21,080 --> 00:36:24,120
Speaker 3: like so you're just like you.

728
00:36:24,000 --> 00:36:26,160
Speaker 2: Can't waitin dude, no, you can't win, and you just

729
00:36:26,160 --> 00:36:27,560
Speaker 2: be you. That's it. That's it.

730
00:36:27,719 --> 00:36:30,600
Speaker 3: By the way, you know, I've had some producers say like, hey,

731
00:36:30,640 --> 00:36:33,040
Speaker 3: can you, like, you know, get in a little bit more,

732
00:36:33,080 --> 00:36:34,600
Speaker 3: And I'm like, guys, I'm gonna be honest with you.

733
00:36:35,160 --> 00:36:37,560
Speaker 3: I'm gonna be me because if I if I try

734
00:36:37,600 --> 00:36:40,200
Speaker 3: to be something I'm not, first of all, people are

735
00:36:40,200 --> 00:36:44,640
Speaker 3: gonna smell it my million, and it's gonna look it's

736
00:36:44,680 --> 00:36:47,239
Speaker 3: gonna look really like tacky. Yeah.

737
00:36:47,400 --> 00:36:49,840
Speaker 2: No, it's true. Yeah. You know if all of a

738
00:36:49,880 --> 00:36:54,759
Speaker 2: sudden you're like that was shit, Like wait a minute,

739
00:36:54,840 --> 00:36:59,799
Speaker 2: what Yeah, because they always always want, you know, the

740
00:37:00,000 --> 00:37:01,759
Speaker 2: I all of judges to have their you want want

741
00:37:01,840 --> 00:37:04,520
Speaker 2: the ones like direct and honest, then the ones that's

742
00:37:04,800 --> 00:37:06,440
Speaker 2: sort of soft and sweet, you know.

743
00:37:06,920 --> 00:37:10,680
Speaker 3: Yeah. Yeah, I'm trying to I try to be like practical. Yeah,

744
00:37:10,680 --> 00:37:12,960
Speaker 3: that's my that's my angle, if you will.

745
00:37:13,280 --> 00:37:17,359
Speaker 2: Yeah, And then extra is this is this a new

746
00:37:17,640 --> 00:37:19,760
Speaker 2: This is a new gig sort of right.

747
00:37:19,680 --> 00:37:23,520
Speaker 3: You're three weeks in, three weeks in, yeah, yeah, three

748
00:37:23,520 --> 00:37:23,920
Speaker 3: weeks in.

749
00:37:24,160 --> 00:37:26,319
Speaker 2: It's this is a great gig, though, you.

750
00:37:26,280 --> 00:37:30,960
Speaker 3: Know what it's It's crazy because when they first came

751
00:37:31,000 --> 00:37:33,280
Speaker 3: to me about it, I was like, I was like what.

752
00:37:33,719 --> 00:37:34,080
Speaker 2: Yeah.

753
00:37:34,120 --> 00:37:37,000
Speaker 3: I was like, nah, I don't seem doing that. And

754
00:37:37,040 --> 00:37:39,759
Speaker 3: then I was like thinking about it. I was first

755
00:37:39,840 --> 00:37:42,359
Speaker 3: I was thinking about having a baby, and I was like, okay, hey,

756
00:37:42,360 --> 00:37:45,680
Speaker 3: it's twenty minutes away. Yeah, okay, I'll be done at

757
00:37:45,840 --> 00:37:48,480
Speaker 3: twelve or one o'clock. I was like, yep, okay, that's

758
00:37:48,560 --> 00:37:51,879
Speaker 3: kind of fun. And and then of course I'm also

759
00:37:51,960 --> 00:37:53,800
Speaker 3: just a fan. I'm like a huge fan of movies.

760
00:37:53,880 --> 00:37:56,879
Speaker 3: I love music, I love I love you know, I'm

761
00:37:56,880 --> 00:38:00,440
Speaker 3: in then saying business, I love it. And so being

762
00:38:00,440 --> 00:38:03,080
Speaker 3: able to interview certain people and get to communicate with

763
00:38:03,120 --> 00:38:04,680
Speaker 3: them and talk with them, and it is really cool.

764
00:38:04,760 --> 00:38:09,880
Speaker 3: But I so much respect already three weeks in for

765
00:38:11,080 --> 00:38:13,280
Speaker 3: you know, Terry Seymour, who I've known for twenty years,

766
00:38:13,320 --> 00:38:17,120
Speaker 3: you know, and interviewing people and talking with them, it's

767
00:38:17,200 --> 00:38:19,880
Speaker 3: like such a skill. So I'm excited about exercising this

768
00:38:19,920 --> 00:38:24,120
Speaker 3: different muscle my first week as far as the interviews go.

769
00:38:24,239 --> 00:38:27,840
Speaker 3: My first week was like Margaret Robbie the Rock and Blunt,

770
00:38:29,160 --> 00:38:32,839
Speaker 3: like Jessica Chef Stay, we saw the Spoonship. I was like,

771
00:38:33,000 --> 00:38:36,760
Speaker 3: I was like, shit, guys in the first week, Oh no,

772
00:38:37,239 --> 00:38:40,120
Speaker 3: that's hard. It was great though, because the one they

773
00:38:40,120 --> 00:38:43,239
Speaker 3: were all really gracious, is really kind and wonderful. But

774
00:38:43,360 --> 00:38:47,680
Speaker 3: I definitely felt like, you know, I learned a lot

775
00:38:47,719 --> 00:38:49,239
Speaker 3: of different moment you know things in there. But there's

776
00:38:49,239 --> 00:38:51,239
Speaker 3: a lot of the best moments that came out of those.

777
00:38:51,280 --> 00:38:53,400
Speaker 3: But the moments that I like, there were genuine questions

778
00:38:53,400 --> 00:38:55,200
Speaker 3: that I actually that I wanted to ask.

779
00:38:55,640 --> 00:38:59,480
Speaker 2: That wasn't like, you know, from the car or you know.

780
00:39:00,360 --> 00:39:02,719
Speaker 3: Yeah, so that was like a good indicator. Was like, okay, cool,

781
00:39:02,760 --> 00:39:05,160
Speaker 3: Like I need to just like trust my instincts in

782
00:39:05,200 --> 00:39:08,280
Speaker 3: those ways. But I will say that the biggest learning

783
00:39:08,280 --> 00:39:15,919
Speaker 3: curve is in the vos, right, bro, I'm in there

784
00:39:16,000 --> 00:39:17,880
Speaker 3: and I'm like, first of all, I'm start reading it

785
00:39:17,920 --> 00:39:20,480
Speaker 3: and you know, his name is Caesar. He's in there.

786
00:39:20,520 --> 00:39:23,040
Speaker 3: He's like, hey, try like he's like a little more

787
00:39:23,160 --> 00:39:24,120
Speaker 3: energy here, like more.

788
00:39:24,000 --> 00:39:26,600
Speaker 2: Energy coming up with dad.

789
00:39:30,040 --> 00:39:33,400
Speaker 3: And I was like, are you sure I sound like

790
00:39:33,400 --> 00:39:35,040
Speaker 3: a I saw like a Muppet or something.

791
00:39:35,120 --> 00:39:36,480
Speaker 2: Yeah.

792
00:39:36,920 --> 00:39:40,120
Speaker 3: But then then you see it in context Sack and

793
00:39:40,160 --> 00:39:43,600
Speaker 3: the clips, and I was like, wow, I'm actually not

794
00:39:43,719 --> 00:39:48,880
Speaker 3: doing enough. Yeah. So then I'm in there now the

795
00:39:48,920 --> 00:39:51,000
Speaker 3: setup was like sitting down doing it at the videos.

796
00:39:51,120 --> 00:39:52,799
Speaker 3: Now I'm standing up. I have a thing up here,

797
00:39:52,800 --> 00:39:58,439
Speaker 3: and I'm like, I'm like, we got I'm like, I'm

798
00:39:58,480 --> 00:40:05,120
Speaker 3: like dancing in there like a crazy person. But it's wild, man,

799
00:40:05,320 --> 00:40:05,840
Speaker 3: that's funny.

800
00:40:05,880 --> 00:40:08,759
Speaker 2: No, it's so true. It's so so true, dude.

801
00:40:08,800 --> 00:40:10,799
Speaker 3: It sounds crazy, but it is funny. There's a lot

802
00:40:10,800 --> 00:40:14,400
Speaker 3: of moments in there where like it goes something something

803
00:40:14,400 --> 00:40:18,680
Speaker 3: in Oliver Hudson and then that goes up and I

804
00:40:18,880 --> 00:40:21,319
Speaker 3: just I just I'm literally feel like Ron Burgundy and

805
00:40:21,360 --> 00:40:24,440
Speaker 3: I'm like, I'm like, is that I mean about that?

806
00:40:24,440 --> 00:40:26,319
Speaker 3: They like trust us? And then it goes into the clip.

807
00:40:26,320 --> 00:40:30,680
Speaker 3: I'm like, oh, that sounds correct. So my grandpa was

808
00:40:30,719 --> 00:40:36,319
Speaker 3: a radio DJ in Spokane, Washington and uh one of

809
00:40:36,320 --> 00:40:38,279
Speaker 3: the few guys who actually got Elvis to come up

810
00:40:38,320 --> 00:40:40,359
Speaker 3: with him and did a radio base is a picture

811
00:40:40,360 --> 00:40:41,840
Speaker 3: of him. So when I was in there, I was

812
00:40:41,920 --> 00:40:44,520
Speaker 3: kind of like I was kind of like channeling my

813
00:40:44,520 --> 00:40:46,279
Speaker 3: grandpa a little bit, like just like kind of that

814
00:40:46,680 --> 00:40:49,840
Speaker 3: radio voice, you know, and yeah, it was kind of

815
00:40:49,840 --> 00:40:51,840
Speaker 3: a cool, cool little moment. But that's that's been a

816
00:40:51,840 --> 00:40:52,839
Speaker 3: big learning curve. Yeah.

817
00:40:52,920 --> 00:40:55,279
Speaker 2: Did you just get a call like, hey, Derek, like

818
00:40:55,480 --> 00:40:58,080
Speaker 2: any interest in and do an extra?

819
00:40:59,160 --> 00:41:02,000
Speaker 3: Yeah? Yeah, yeah, simple, it was just a cold call.

820
00:41:02,040 --> 00:41:04,080
Speaker 3: And I was like, I was like, I was like,

821
00:41:04,120 --> 00:41:05,799
Speaker 3: I don't think so. And then I went and met

822
00:41:05,840 --> 00:41:08,359
Speaker 3: with them and then we just were talking. I was like, yeah,

823
00:41:08,560 --> 00:41:10,600
Speaker 3: that could be kind of fun, okay, all right, and

824
00:41:10,640 --> 00:41:15,440
Speaker 3: then and then it was literally like a cool I

825
00:41:15,440 --> 00:41:19,560
Speaker 3: said yes. And then I think like three four days

826
00:41:19,640 --> 00:41:22,200
Speaker 3: later like cool, You're going in with Margot, Robbie and

827
00:41:22,280 --> 00:41:22,640
Speaker 3: Colin Fare.

828
00:41:22,680 --> 00:41:26,880
Speaker 2: I was like wow. I was like, shit, how do

829
00:41:26,960 --> 00:41:29,319
Speaker 2: you what's the prep on something like that? You know?

830
00:41:29,560 --> 00:41:31,920
Speaker 2: Is it just you get the questions. It's it's pretty

831
00:41:31,920 --> 00:41:33,160
Speaker 2: it's pretty basic.

832
00:41:33,160 --> 00:41:35,560
Speaker 3: You know obviously the questions about the film, yeah, you know,

833
00:41:35,680 --> 00:41:36,600
Speaker 3: and all that stuff.

834
00:41:36,360 --> 00:41:39,040
Speaker 2: Of course, and it's a proper sit down, right, it's

835
00:41:39,080 --> 00:41:39,919
Speaker 2: like that sit down.

836
00:41:40,000 --> 00:41:43,000
Speaker 3: Oh dude, that's the other part of it, is the

837
00:41:43,040 --> 00:41:47,040
Speaker 3: press junket thing. Yeah, so oh yeah, I don't know

838
00:41:47,080 --> 00:41:49,319
Speaker 3: about that stuff. So I go, you know, you go

839
00:41:49,320 --> 00:41:50,920
Speaker 3: to the Four Seasons, you go in there and you

840
00:41:51,040 --> 00:41:53,680
Speaker 3: check in and and first of all, you sit down

841
00:41:53,680 --> 00:41:56,279
Speaker 3: in a dark hallway and like in a in a

842
00:41:56,440 --> 00:42:00,680
Speaker 3: row on these chairs and they're all sitting there. I'm like, guys,

843
00:42:00,680 --> 00:42:02,480
Speaker 3: and you were just going one by one, waiting your

844
00:42:02,520 --> 00:42:05,640
Speaker 3: turn and going for eight minutes and then like I mean,

845
00:42:05,840 --> 00:42:08,880
Speaker 3: and they just jesus. It was dude, I feel like

846
00:42:08,880 --> 00:42:10,960
Speaker 3: a little kid going up the first day of school.

847
00:42:10,960 --> 00:42:13,239
Speaker 3: I was like this, this is terrifying.

848
00:42:14,080 --> 00:42:16,759
Speaker 2: Hell yeah, especially four days after. Yeah, I'll do this gig.

849
00:42:16,800 --> 00:42:20,399
Speaker 2: Here's Margot, Robbie and Colin for like, all right, go ahead.

850
00:42:20,520 --> 00:42:22,560
Speaker 3: Yeah I go and then like, yeah, be better. And

851
00:42:22,600 --> 00:42:23,920
Speaker 3: I already said that. I think I said to him

852
00:42:23,920 --> 00:42:25,600
Speaker 3: was like, hey, by the way, this is my first interview.

853
00:42:25,600 --> 00:42:31,960
Speaker 3: They're like shut up, They're like what like So anyways,

854
00:42:31,960 --> 00:42:34,960
Speaker 3: it was it was cool, man, But I learned. I've

855
00:42:35,000 --> 00:42:37,360
Speaker 3: learned a lot. It's been really neat and uh, like

856
00:42:37,480 --> 00:42:40,560
Speaker 3: I said before, I've been really fortunate because it's kind

857
00:42:40,560 --> 00:42:42,239
Speaker 3: of nice too, is that some of these some of

858
00:42:42,239 --> 00:42:45,880
Speaker 3: these people have they know they know me kind of

859
00:42:45,920 --> 00:42:48,359
Speaker 3: in some way or indirectly, and some someone like.

860
00:42:48,320 --> 00:42:49,719
Speaker 2: We're channing exactly.

861
00:42:49,960 --> 00:42:52,480
Speaker 3: Yeah, like oh bro, we were dancing at that Halloween

862
00:42:52,520 --> 00:42:54,719
Speaker 3: party years ago. Like right, so it kind of is

863
00:42:54,800 --> 00:42:56,040
Speaker 3: nice to break the ice a little bit.

864
00:42:56,120 --> 00:42:58,720
Speaker 2: And well, I think that's why you're such a great hire,

865
00:42:58,920 --> 00:43:01,719
Speaker 2: you know, I mean for a million different reasons. But yes,

866
00:43:01,840 --> 00:43:04,560
Speaker 2: you have relationships. You've been in Hollywood long enough now

867
00:43:04,560 --> 00:43:06,960
Speaker 2: you have relationships with a lot of these people. So

868
00:43:07,000 --> 00:43:10,279
Speaker 2: it's not just some sort of interviewer talking head where

869
00:43:10,320 --> 00:43:12,279
Speaker 2: it's it's like, oh yeah, dude, like what's up. I mean,

870
00:43:12,520 --> 00:43:15,480
Speaker 2: there's a comfortability that happens when being interviewed by someone

871
00:43:15,480 --> 00:43:18,080
Speaker 2: who you you know, yeah, yeah, no.

872
00:43:18,200 --> 00:43:20,720
Speaker 3: For sure, for sure. Man. It's uh, it's so it's

873
00:43:20,760 --> 00:43:22,799
Speaker 3: been cool. It's been cool. But again, it's like a

874
00:43:22,840 --> 00:43:25,560
Speaker 3: lot of I will say this. It's funny that there's

875
00:43:25,560 --> 00:43:28,200
Speaker 3: some moments when I'm talking about some things and I'm like,

876
00:43:28,320 --> 00:43:29,960
Speaker 3: oh no, I don't want to talk about that.

877
00:43:31,600 --> 00:43:35,960
Speaker 1: I know, but you're like it's okay, you know whatever.

878
00:43:36,520 --> 00:43:38,479
Speaker 2: Yeah, oh i'd be I think i'd be fired because

879
00:43:38,480 --> 00:43:40,560
Speaker 2: I'd go down a weird rabbit hole, you know what

880
00:43:40,560 --> 00:43:42,120
Speaker 2: i mean. I'd go way off the questions, be like

881
00:43:42,160 --> 00:43:44,480
Speaker 2: wait a minute, you just said this, and then all

882
00:43:44,520 --> 00:43:46,560
Speaker 2: of a sudden we're off on a different tangent.

883
00:43:46,920 --> 00:43:50,160
Speaker 3: Well, by the way too. Even just like yesterday we were like,

884
00:43:50,280 --> 00:43:53,440
Speaker 3: you know, Channing Channing Tatium and Kristen Dunn's for Ruthman,

885
00:43:53,719 --> 00:43:56,840
Speaker 3: and you know, we're talking and I have, you know,

886
00:43:57,040 --> 00:44:01,520
Speaker 3: like eight questions prepared, all these things and characters and

887
00:44:01,520 --> 00:44:04,440
Speaker 3: and we just talked about parent advice basically because you

888
00:44:04,440 --> 00:44:07,240
Speaker 3: have eight minutes, and you're, oh, that's it. Oh my gosh,

889
00:44:07,280 --> 00:44:08,280
Speaker 3: I asked one question.

890
00:44:09,320 --> 00:44:12,640
Speaker 2: Well, dude, it sounds like you've been amazing. Congratulations on

891
00:44:12,680 --> 00:44:15,480
Speaker 2: the baby coming and all of your successes, and it's

892
00:44:15,520 --> 00:44:17,040
Speaker 2: been great to talk to you. And thank you for

893
00:44:18,000 --> 00:44:18,560
Speaker 2: taking the time.

894
00:44:18,600 --> 00:44:20,640
Speaker 3: Man, I know your course, brother, I appreciate you. Man,

895
00:44:20,680 --> 00:44:21,840
Speaker 3: Thank you so much. Man.

896
00:44:22,080 --> 00:44:23,600
Speaker 2: Yeah, take it easy, man, you.

897
00:44:23,520 --> 00:44:25,439
Speaker 3: See your brother, take care man, all right later.

898
00:44:26,400 --> 00:44:31,560
Speaker 2: What a handsome dude, huh. Just hair's perfect, beard's perfect,

899
00:44:31,880 --> 00:44:37,080
Speaker 2: baby blues shining through, just clean cut, bang bang. I

900
00:44:37,120 --> 00:44:39,000
Speaker 2: got ten years on him, I know. But look at me,

901
00:44:39,600 --> 00:44:42,919
Speaker 2: Look at me, you know, I you know, I look

902
00:44:43,000 --> 00:44:45,239
Speaker 2: like I don't know what I look like. I look

903
00:44:45,320 --> 00:44:50,240
Speaker 2: like a man that was just found in a dumpster,

904
00:44:51,640 --> 00:44:54,200
Speaker 2: you know, who was just sort of taking off the

905
00:44:54,239 --> 00:44:59,640
Speaker 2: street giving headphones in a mic You know what, though

906
00:45:01,719 --> 00:45:07,600
Speaker 2: I am handsome in my own way, do you hear that, Derek,

907
00:45:07,640 --> 00:45:10,720
Speaker 2: I'm handsome in my own way. Just because you're glowing

908
00:45:11,880 --> 00:45:14,799
Speaker 2: and I'm Matt doesn't mean that you're better than me,

909
00:45:15,520 --> 00:45:19,080
Speaker 2: all right, ending bye a