WEBVTT - For Ian Schrager, Studio 54 Was Just the Start

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<v Speaker 1>This is Alec Baldwin and you're listening to Here's the thing,

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<v Speaker 1>My chance to talk with artists, policy makers, and performers,

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<v Speaker 1>to hear their stories. What inspires their creations, what decisions

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<v Speaker 1>change their careers, what relationships influenced their work. The Vietnam

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<v Speaker 1>War had ended, the AIDS epidemic had not yet begun,

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<v Speaker 1>and a nightclub one night club will forever symbolize the

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<v Speaker 1>glamor and debauchery of that time. If you managed to

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<v Speaker 1>get through the doors of Studio fifty four, you'd find

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<v Speaker 1>yourself among the biggest stars of the day, Warhol, Liza Minnelli,

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<v Speaker 1>Halston Share, Mick Jagger, the midtown Manhattan hotspot pulsed with

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<v Speaker 1>sexual experimentation, drug culture, and yes, disco fever. My guest today.

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<v Speaker 1>Ian Schrager opened Studio fifty four nineteen seventy seven with

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<v Speaker 1>his then partner, the late Deve Rubel. Before becoming a

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<v Speaker 1>club owner. Schraeger, a lawyer with little interest in practicing,

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<v Speaker 1>searched for a business opportunity close to home. You know,

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<v Speaker 1>I didn't realize, you know, what a global capital in

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<v Speaker 1>New York City was, you know, to me, it was

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<v Speaker 1>kind of I lived in New York. It was very provincial.

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<v Speaker 1>I grew up in Brooklyn. And you know what, I well, well,

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<v Speaker 1>what's happened here is New York has kind of followed

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<v Speaker 1>the lead that happened in London. It's become a world capital.

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<v Speaker 1>It's a safe place. People from all over the world

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<v Speaker 1>want to live here, and and and because of that,

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<v Speaker 1>I mean, it's made the real estate prices grow, and

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<v Speaker 1>it's also made a hotel dusty change. When I when

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<v Speaker 1>I first started in the industry, there was sixty thousand

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<v Speaker 1>hotel rooms. Now there's almost a hundred thousand hotel rooms.

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<v Speaker 1>And I and I think it's just completely different. And

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<v Speaker 1>I think what's so funny, because everything is so cyclical,

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<v Speaker 1>is that, you know, I came from Brooklyn. My my

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<v Speaker 1>dream was to come and be in Manhattan. Now everybody's

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<v Speaker 1>in Manhattan, and everybody's dreams go back to Brooklyn. Did

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<v Speaker 1>you did you ever predict that was possible? That I

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<v Speaker 1>had no idea? What you had no idea? And did you?

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<v Speaker 1>Did you? I mean, I hate to see use this

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<v Speaker 1>kind of slang with did you get it on that?

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<v Speaker 1>Did you? Did you head out to Brooklyn Queen's in

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<v Speaker 1>a timely way to develop, did you develop? I totally

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<v Speaker 1>missed it because I thought I left. I had never

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<v Speaker 1>gone back, but I I But you know, it's so

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<v Speaker 1>funny the way these things happened every generation. That's what

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<v Speaker 1>happened to Brooklyn a hundred fifty years ago. And well,

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<v Speaker 1>women started to go to go over there. You got

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<v Speaker 1>two crowded. Here was too expensive for you. People went

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<v Speaker 1>to Brooklyn happening again. And when you grew up with

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<v Speaker 1>your father in real estate, with your father, what your

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<v Speaker 1>father coute matter of factoring he's in the clothing business.

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<v Speaker 1>And did your parents live to see you become the

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<v Speaker 1>success that you've become. No, they didn't. They didn't act

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<v Speaker 1>they That's something you know, I really sanssen to me.

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<v Speaker 1>They didn't get to see me successful. They also didn't

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<v Speaker 1>get to see me go into Studio fifty four, which

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<v Speaker 1>they would not have approved of. They wanted a doctor

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<v Speaker 1>and other things they wouldn't have approved that. They wanted

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<v Speaker 1>a doctor, they wanted a lawyer. But the one thing

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<v Speaker 1>is that I you know, because they died so young,

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<v Speaker 1>I didn't have an opportunity to give back, like say

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<v Speaker 1>with me with my dad. My dad died when I

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<v Speaker 1>was twenty five and he was only fifty five. You know,

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<v Speaker 1>he was very young when he did. I was nineteen.

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<v Speaker 1>My dead was fifty one, and he didn't get to

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<v Speaker 1>see me become successful, which would have given him so

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<v Speaker 1>much joy. Which so the same thing with your dad.

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<v Speaker 1>So you come out of Brooklyn. You went to Syracuse

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<v Speaker 1>undergraduate or undergrad and law undergrad? And where'd you go

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<v Speaker 1>to law school? St? John's? You go to St. John's

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<v Speaker 1>Law school and you and you really don't want to

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<v Speaker 1>be a lawyer. Didn't want to be a lawyer. You

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<v Speaker 1>just were killing time. I didn't know what I wanted

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<v Speaker 1>to do. How could you possibly know what you want

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<v Speaker 1>to do when you were like nineteen or twenty years old?

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<v Speaker 1>I mean, you know, now I went to law school.

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<v Speaker 1>I never worked. And then when the law school was over,

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<v Speaker 1>I said, now, what first job I got was a

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<v Speaker 1>fourteen tho dollars a year and I was filing papers

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<v Speaker 1>as an associate law firm. How long did that last?

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<v Speaker 1>How long were you win? About three and a half years.

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<v Speaker 1>You know, Laura's the kind of profession that I required

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<v Speaker 1>to out of discipline. A lot of years. I got

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<v Speaker 1>bored by it. So I wanted to a nightclub business.

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<v Speaker 1>I read an interview where you said you were driving

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<v Speaker 1>by and you saw people lined up out in front

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<v Speaker 1>of a club, and you thought, that looks like a

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<v Speaker 1>good business to me. Yeah. I mean, do you remember

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<v Speaker 1>what club where it was one? It was on forty

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<v Speaker 1>third Street between um sixth Avenue and Broadway. At that time,

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<v Speaker 1>the whole social millennium was being set by gay clubs,

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<v Speaker 1>not blacks, the way it is now and the way

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<v Speaker 1>it was before then. But then it was gay because

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<v Speaker 1>everything was just emerging sexually, and if you had a

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<v Speaker 1>successful gay club, you were trying to keep all the

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<v Speaker 1>straight people out because once the straight people came to

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<v Speaker 1>gay people left. And that was one of the first

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<v Speaker 1>clubs that I call a fusion club that they're really

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<v Speaker 1>It was gay, and it had that kind of sexual

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<v Speaker 1>electricity in the air that gay clubs at. But there

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<v Speaker 1>was a lot of straight people there and and there

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<v Speaker 1>were people waiting in lines, and all these great people

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<v Speaker 1>were being insulted and try to be turned away because

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<v Speaker 1>everybody just wanted to get in there. That was a

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<v Speaker 1>business I wanted to get into because he were giving nothing,

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<v Speaker 1>offering nothing, and people are paying to get in now

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<v Speaker 1>for people my generation. When I say your name, all

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<v Speaker 1>you have to do is say uh Ian and Steve

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<v Speaker 1>and people will know who the Steve is. But for

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<v Speaker 1>those who don't know, in our listening audience to Steve Rebel,

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<v Speaker 1>who was your the late Steve Rebel? Who was your partner?

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<v Speaker 1>How did you hook up with him? And how did

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<v Speaker 1>you meet him? To birth? We both born in Brooklyn

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<v Speaker 1>and different they were Jason neighborhood, but you know, different

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<v Speaker 1>school districts. We didn't know each other, middle class Brooklyn.

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<v Speaker 1>You know, his his dad was a mailman, his mother

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<v Speaker 1>was a teacher. We went up to school. He was

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<v Speaker 1>a few years older than I. He was up in Syracuse,

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<v Speaker 1>and we just became fast friends from from when we

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<v Speaker 1>when we met. You know, I left after four years.

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<v Speaker 1>He stayed on because it was the Vietnam War. Everybody

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<v Speaker 1>was trying to stay in school. And and when he

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<v Speaker 1>ultimately came back to New York, you know, we stayed

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<v Speaker 1>friends obviously, and and and I repre prevented him. He

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<v Speaker 1>went into the stake business tachmon like for five dollars,

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<v Speaker 1>you could have all the steak and beer you wanted.

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<v Speaker 1>And he went into the restaurant owned Yeah, what was

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<v Speaker 1>it called steakloft stick. It's like unsuccessful undercap for people

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<v Speaker 1>who want to go have steak and soho stake loft

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<v Speaker 1>and so uh. And I represented him, keeping the credits

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<v Speaker 1>off his back because he was under capitalized. And then

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<v Speaker 1>it was during that time that I saw like the

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<v Speaker 1>nightclub thing was just emerging. When it was kind of

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<v Speaker 1>shifting away from you know, going into a nightclub and

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<v Speaker 1>trying to meet people and meet girls and it was

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<v Speaker 1>pick up places and things like that. It was kind

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<v Speaker 1>of evolving into like a gay club kind of scene

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<v Speaker 1>where it was serious, sweaty dancing, you know, and and

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<v Speaker 1>and that's the kind of club that I liked. But

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<v Speaker 1>do you do you ever? I mean, you're married, you've

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<v Speaker 1>got a young kid, you're super successful businessman. Do you

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<v Speaker 1>ever stick your finger in the night club business? Now,

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<v Speaker 1>we'll see what it's like, you know, different. Well, you know,

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<v Speaker 1>there are certain things that never change. Fashion change, but

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<v Speaker 1>there are kind of certain things that never change. You know,

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<v Speaker 1>people always ask me to do nightclubs. I'm not interested.

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<v Speaker 1>I have nothing new to offer. I mean, it's a

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<v Speaker 1>young person's business. You know. When I went into it, it

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<v Speaker 1>it was like a like a garage business. It was

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<v Speaker 1>like making music in a garage or inventing a technology

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<v Speaker 1>company in the garage. Now it's become big business. You

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<v Speaker 1>need a lot of money to do a nightclub. But

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<v Speaker 1>I do them. I still do them when I think

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<v Speaker 1>it'll have a positive impact on a hotel. You do

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<v Speaker 1>I'm doing. I'm doing a couple for the additions, but

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<v Speaker 1>but not big ones, like with studio to two thousand,

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<v Speaker 1>three thousand square feet, but still with dancing at the

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<v Speaker 1>hot sweaty serious dancing where I'm one in Miami, which

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<v Speaker 1>is like probably the nightclub capital in this country, and

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<v Speaker 1>a couple of other places where I have the facility

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<v Speaker 1>sectacular lighting effect I Vegas. It's nothing my competition, you know,

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<v Speaker 1>with spectacular lighting effects, and it still works. Like I

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<v Speaker 1>remember Steve asking me when we did a Platium a

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<v Speaker 1>second nightclub, but people still like to dance, And I

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<v Speaker 1>would say, of course, I like the dancing and dancing

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<v Speaker 1>some sodom and gomor. You just have to kind of

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<v Speaker 1>find what it is that kind of activate you know,

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<v Speaker 1>people and let them, you know, get loose and let

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<v Speaker 1>the head down. What were the other places that were

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<v Speaker 1>the top clubs? Then you guys opened Palladium a couple

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<v Speaker 1>of years later on fourteen Street. When we opened up um,

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<v Speaker 1>when we when we had Studio fifty four, there was

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<v Speaker 1>a kind of Uh, there was a place called Zeno

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<v Speaker 1>with a knockoff. Knockoff was where you went because you

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<v Speaker 1>couldn't get into studio exactly great, you said it, Yeah,

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<v Speaker 1>but but there was some some great, great, great great

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<v Speaker 1>gay place. There's a flamingo, very creative twelve West. Uh.

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<v Speaker 1>This is a cliche office. But when the early eighties

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<v Speaker 1>roll around, did aids kill that culture? Today it's uh,

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<v Speaker 1>it didn't kill it, but a change things because all

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<v Speaker 1>of a sudden, before age, there wasn't anything you couldn't

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<v Speaker 1>do at night, and it went up to their frauning

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<v Speaker 1>and walk away. Sure, it was carefree, it was different

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<v Speaker 1>things things, things were different. But but I think the

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<v Speaker 1>nightclub business got killed not because of age, but but

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<v Speaker 1>but because I think government when they started to regulate it,

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<v Speaker 1>it became so expensive to do a nightclub to comply

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<v Speaker 1>with all that read what you said that we're a

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<v Speaker 1>nightclub to open it, of course to you tens of

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<v Speaker 1>thousands of dollars, now somebody a million. Well because of

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<v Speaker 1>why because if it was because directs and things like that,

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<v Speaker 1>So all of a sudden, young people didn't franchise. I

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<v Speaker 1>did my first nightclub with twenty seven thousand dollars. You know,

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<v Speaker 1>you didn't have to know anything, You didn't have to

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<v Speaker 1>have a lot of money. It was like you roll

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<v Speaker 1>up the carpet, you put on a record player when

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<v Speaker 1>you have a nightclub. And did that stopped? That kind

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<v Speaker 1>of roll all energy stopped. That happened in rock and roll,

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<v Speaker 1>and it happened with technology do when appleca invented in

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<v Speaker 1>the garage and so it changed. The business evolved, and

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<v Speaker 1>so young people can't do it anymore. And that's why

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<v Speaker 1>now in the nightclub business, nobody owns anything anymore. They

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<v Speaker 1>have promoters going around from clubs to clubs because it's

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<v Speaker 1>just too expensive. When you and Reubel decided to go

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<v Speaker 1>into business, what did you think he brought to the

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<v Speaker 1>table and what did he think you broke to the

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<v Speaker 1>Was it kind of a front of the house back

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<v Speaker 1>of the house battery? Oh, it wasn't that simple. It's

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<v Speaker 1>just like with a husband and a wife, nobody really

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<v Speaker 1>knows what goes on except the husband and a wife.

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<v Speaker 1>With a fifty fifty partners. You're not going to share

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<v Speaker 1>a fifty percent with someone that's not making a fifty

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<v Speaker 1>percent contribution. You know. They weren't mutual exclusive fears of influence.

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<v Speaker 1>I mean, he was more of the people person and

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<v Speaker 1>I was more of the creative person, you know. But

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<v Speaker 1>but like, for instance, I might be in the nightclub

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<v Speaker 1>and I would see Steve go get friendly with Austin

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<v Speaker 1>over there, you know, And if I was wanting to

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<v Speaker 1>do something, I would go to Steve and he'd be like,

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<v Speaker 1>my did one man sample survey that he had had

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<v Speaker 1>good instincts and and and it's just so funny that

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<v Speaker 1>the vision of responsibility happened naturally. You know. We we

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<v Speaker 1>had a we had a first night club was in Queens,

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<v Speaker 1>which was about six months before studio. It got killed

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<v Speaker 1>by Son of Sam. I remember the first night we opened,

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<v Speaker 1>Steve went to hang out with the kids at the

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<v Speaker 1>bar and Queen's and I went up into the d

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<v Speaker 1>J boot the play with the Lights. It just kind

0:11:27.200 --> 0:11:30.120
<v Speaker 1>of happened. And that club was called what Enchant of

0:11:30.160 --> 0:11:32.559
<v Speaker 1>Garden and then that died after the Son of Sam shoots.

0:11:32.679 --> 0:11:33.880
<v Speaker 1>It was hord to get people to come in to

0:11:33.920 --> 0:11:36.040
<v Speaker 1>a nightclub and someone was out there killing me on

0:11:36.120 --> 0:11:40.000
<v Speaker 1>the streets and parked cars. Yeah. Now, when you open

0:11:40.080 --> 0:11:43.560
<v Speaker 1>up the studio and you uh were you married at

0:11:43.559 --> 0:11:45.720
<v Speaker 1>the time, when you come to your first wife, how

0:11:45.800 --> 0:11:48.920
<v Speaker 1>soon after your studio for quite a while, so you

0:11:48.920 --> 0:11:50.600
<v Speaker 1>could live that life and out a different boy. But

0:11:50.679 --> 0:11:53.600
<v Speaker 1>you were letting somebody down, crawling in the door at

0:11:53.600 --> 0:11:56.360
<v Speaker 1>eight o'clock in the morning, So it was long night's view.

0:11:56.400 --> 0:11:59.520
<v Speaker 1>You were in it. You weren't somebody who was turned

0:11:59.520 --> 0:12:01.480
<v Speaker 1>into somebody blowing them a kiss and I'm going home

0:12:01.520 --> 0:12:04.000
<v Speaker 1>and you were in bed by one o'clock. No, but

0:12:04.480 --> 0:12:06.680
<v Speaker 1>Steve used to say he stayed too long and I

0:12:06.800 --> 0:12:09.160
<v Speaker 1>left too early. You know what would really happen is

0:12:09.320 --> 0:12:13.800
<v Speaker 1>I stayed two one, two o'clock till the night to thirty,

0:12:13.920 --> 0:12:16.240
<v Speaker 1>sometimes until the night turned the corner and I knew

0:12:16.240 --> 0:12:19.440
<v Speaker 1>it was stable, and then I would grab somebody and

0:12:19.480 --> 0:12:23.560
<v Speaker 1>go home. Now back stairs, Now back then, is it

0:12:23.679 --> 0:12:27.120
<v Speaker 1>safe to say? Another risk of businesses back then with

0:12:27.200 --> 0:12:29.280
<v Speaker 1>the credit cards were not that big back in the Lake.

0:12:30.000 --> 0:12:32.760
<v Speaker 1>It's a cash business. And ultimately that was part of

0:12:32.760 --> 0:12:34.480
<v Speaker 1>the problem, was that it was a cash We didn't

0:12:34.520 --> 0:12:37.480
<v Speaker 1>have any money, you know, There was a movie once

0:12:37.640 --> 0:12:40.360
<v Speaker 1>was to Go the Brings Robbery And after they robbed

0:12:40.360 --> 0:12:42.120
<v Speaker 1>the truck and they were in the room, they're throwing

0:12:42.160 --> 0:12:43.559
<v Speaker 1>the money up in the air. Was one of the

0:12:43.679 --> 0:12:45.560
<v Speaker 1>scenes in the movie touched the way it was with

0:12:45.600 --> 0:12:48.280
<v Speaker 1>Steve and I. We didn't have any money. All of

0:12:48.320 --> 0:12:50.240
<v Speaker 1>a sudden, we were the toast of the town and

0:12:50.400 --> 0:12:53.680
<v Speaker 1>all this money was coming in and it was it was,

0:12:53.760 --> 0:12:57.040
<v Speaker 1>you know, like you couldn't believe it. It wasn't we

0:12:57.080 --> 0:13:00.960
<v Speaker 1>went in it. We weren't motivated by the money. It

0:13:01.080 --> 0:13:03.520
<v Speaker 1>was just the kind of byproduct that kind And I'm trying,

0:13:03.679 --> 0:13:06.760
<v Speaker 1>I'm trying to be generous here insofar as that when

0:13:06.800 --> 0:13:09.440
<v Speaker 1>you get yourself into trouble with taxes and so forth,

0:13:09.480 --> 0:13:12.559
<v Speaker 1>and eventually led to some tough consequences. Was it Did

0:13:12.559 --> 0:13:14.240
<v Speaker 1>you find that it was more difficult back in the

0:13:14.320 --> 0:13:17.520
<v Speaker 1>day when things weren't computerized and things weren't credit cards

0:13:17.520 --> 0:13:20.320
<v Speaker 1>and you have to handle that much cash. We were

0:13:20.360 --> 0:13:23.199
<v Speaker 1>the gang that couldn't shoot straight, you know, we were

0:13:23.280 --> 0:13:28.520
<v Speaker 1>just it was kind of very spontaneous and impulsive. It

0:13:28.640 --> 0:13:31.240
<v Speaker 1>was like a kind of silly, stupid thing. Everybody in

0:13:31.240 --> 0:13:35.400
<v Speaker 1>the whole world knew what was going on and you

0:13:35.440 --> 0:13:38.199
<v Speaker 1>weren't the only ones to say, well, I mean, I

0:13:38.520 --> 0:13:40.600
<v Speaker 1>know this has been brought up to you added infinitum

0:13:40.600 --> 0:13:43.400
<v Speaker 1>about going to prison. You're you're there for thirteen months,

0:13:44.160 --> 0:13:47.920
<v Speaker 1>and where did you go? We were in the mcc

0:13:48.160 --> 0:13:51.079
<v Speaker 1>here for six months, and then we were in Montgomery,

0:13:51.080 --> 0:13:53.360
<v Speaker 1>Alabama for six months. So you say, we who's weed?

0:13:53.440 --> 0:13:55.560
<v Speaker 1>Steve and I so you got to see him pretty regularly.

0:13:55.880 --> 0:13:59.080
<v Speaker 1>What was that like? Oh, it's the worst. I mean,

0:13:59.200 --> 0:14:00.600
<v Speaker 1>you know, we were the only and that were guilty.

0:14:00.679 --> 0:14:03.760
<v Speaker 1>Nobody else in jail was guilty. Uh, it was. It

0:14:03.920 --> 0:14:06.320
<v Speaker 1>was terrible. I mean, you know, like even I mean

0:14:07.160 --> 0:14:09.600
<v Speaker 1>if I would take you and put you in the

0:14:09.640 --> 0:14:13.000
<v Speaker 1>grandest suite in the grandest hotel for a year and

0:14:13.120 --> 0:14:16.640
<v Speaker 1>let you have room service, it's still gonna hate it. Yeah,

0:14:17.360 --> 0:14:21.160
<v Speaker 1>maybe it's just you. You arrived, You are robbed of

0:14:21.240 --> 0:14:24.640
<v Speaker 1>your discretion as a human being a terrible What got

0:14:24.680 --> 0:14:26.640
<v Speaker 1>you through that? I mean you're young, so you're still

0:14:26.640 --> 0:14:29.080
<v Speaker 1>pretty tough. But what did you keep telling yourself to

0:14:29.160 --> 0:14:32.880
<v Speaker 1>keep yourself together? You know? Uh, we would read a

0:14:32.880 --> 0:14:35.120
<v Speaker 1>lot and dream a lot. It was a very very

0:14:35.160 --> 0:14:38.760
<v Speaker 1>tough thing. Being with Steve made it a little bit easier,

0:14:39.480 --> 0:14:42.280
<v Speaker 1>you know, someone who could understand, Yeah, I mean, and

0:14:42.520 --> 0:14:44.920
<v Speaker 1>someone I mean when you're in there with a lot

0:14:44.960 --> 0:14:48.520
<v Speaker 1>of psychopaths, and and and it's just it's just kind

0:14:48.520 --> 0:14:52.240
<v Speaker 1>of difficult. Life is cheap, and you know, and and

0:14:52.240 --> 0:14:54.640
<v Speaker 1>and it was just a very difficult thing. And you know,

0:14:54.680 --> 0:14:58.360
<v Speaker 1>you you try and not let them rob you of

0:14:58.480 --> 0:15:01.680
<v Speaker 1>your enthusiasm for life, from your verb for life. You know,

0:15:01.760 --> 0:15:04.080
<v Speaker 1>you know when you succeeded at that. So by the

0:15:04.120 --> 0:15:05.760
<v Speaker 1>time you're ready to get out of there, by the

0:15:05.800 --> 0:15:09.640
<v Speaker 1>time were you both released at the same time, And

0:15:09.720 --> 0:15:11.640
<v Speaker 1>when at the same time we released the same time,

0:15:11.640 --> 0:15:13.400
<v Speaker 1>we went to a halfway house here and I think

0:15:13.440 --> 0:15:16.120
<v Speaker 1>it was in on seventy nine or something, and on

0:15:16.160 --> 0:15:18.800
<v Speaker 1>the website, and you were there for how long? Three months?

0:15:19.000 --> 0:15:22.000
<v Speaker 1>And then you're free, right And when you were even

0:15:22.080 --> 0:15:26.720
<v Speaker 1>then very tentative and very you know, very tentative, couldn't

0:15:26.720 --> 0:15:29.680
<v Speaker 1>even open a bank account. It was kind of re

0:15:30.040 --> 0:15:34.360
<v Speaker 1>entry and it's tough. So three months you're done with

0:15:34.440 --> 0:15:37.640
<v Speaker 1>the halfway house. So what does the team of Schraeger

0:15:37.680 --> 0:15:42.680
<v Speaker 1>and Rebel, what's the first thing that comes to hotel Hotel? Why,

0:15:42.960 --> 0:15:45.160
<v Speaker 1>you know, when we were in jail, first of all,

0:15:45.200 --> 0:15:48.200
<v Speaker 1>I was reading all these great books, you know, you

0:15:48.280 --> 0:15:51.400
<v Speaker 1>know David Apperstram, you know, the best and the brightest,

0:15:51.480 --> 0:15:54.280
<v Speaker 1>and you know, and and which was a kind of

0:15:54.280 --> 0:15:57.200
<v Speaker 1>study of the rise of the media empire, and and

0:15:57.200 --> 0:16:00.560
<v Speaker 1>and in there a lot of those guys had interludes

0:16:00.600 --> 0:16:04.320
<v Speaker 1>in their life the war, and and and after those

0:16:04.360 --> 0:16:08.360
<v Speaker 1>interlude they all did gain changing switches in their lives,

0:16:08.360 --> 0:16:10.840
<v Speaker 1>and one open to different directions. Well, you know, the

0:16:11.000 --> 0:16:13.840
<v Speaker 1>Bill Pilly decided to CBS after the war, and the

0:16:13.960 --> 0:16:17.160
<v Speaker 1>New York Times up to the anti and so are

0:16:17.160 --> 0:16:22.200
<v Speaker 1>intlude force. But but that's when when Harry Helmsley and

0:16:22.200 --> 0:16:25.800
<v Speaker 1>and and Donald Trump, the newspapers were playing up this

0:16:25.920 --> 0:16:30.000
<v Speaker 1>big rivalry. Uh. Harry Helmsley was doing a hotel and

0:16:30.040 --> 0:16:33.200
<v Speaker 1>fifty one to Madison that was called the Palace, and

0:16:33.280 --> 0:16:37.680
<v Speaker 1>Donald was doing one on on Fort Street, and they

0:16:37.720 --> 0:16:40.720
<v Speaker 1>were playing up the rivalry and that kind of rivalry,

0:16:40.760 --> 0:16:43.080
<v Speaker 1>and the papers sucked me in, boy, and I said, well,

0:16:43.080 --> 0:16:46.440
<v Speaker 1>we can do a better hotel than than both of them.

0:16:46.520 --> 0:16:49.560
<v Speaker 1>And when you say better hotel, weren't you're actually doing

0:16:49.640 --> 0:16:52.280
<v Speaker 1>just a completely different outtel. They're doing big, are they?

0:16:52.680 --> 0:16:54.560
<v Speaker 1>This is safe to say they're still doing the old style,

0:16:56.520 --> 0:16:59.240
<v Speaker 1>and you wanted to do what we liked. We went

0:16:59.320 --> 0:17:01.960
<v Speaker 1>to to a hotel that was that that that it

0:17:02.080 --> 0:17:04.439
<v Speaker 1>wasn't rocket science, was just what kind of hold We

0:17:04.480 --> 0:17:07.760
<v Speaker 1>did a club we liked, and and and and we

0:17:07.800 --> 0:17:10.840
<v Speaker 1>went to do a hotel that manifested who we were

0:17:11.280 --> 0:17:14.560
<v Speaker 1>all popular culture and not my parents, but but but

0:17:14.560 --> 0:17:19.160
<v Speaker 1>but what we liked. No rules, start from scratch. And

0:17:19.280 --> 0:17:21.119
<v Speaker 1>then Morgan was the first hotel and that was on

0:17:21.119 --> 0:17:24.000
<v Speaker 1>one Street A thirty eight and Madison. And so when

0:17:24.200 --> 0:17:28.000
<v Speaker 1>and why that property good story. When we sold Studio

0:17:28.119 --> 0:17:32.680
<v Speaker 1>fifty four, we took back promisory notes. You know, it

0:17:32.760 --> 0:17:35.960
<v Speaker 1>took a very meaga down payment and promisory notes, and

0:17:36.000 --> 0:17:38.840
<v Speaker 1>we were helping the person run the clubs. We get

0:17:38.840 --> 0:17:41.560
<v Speaker 1>a promisory notes paid well, he couldn't pay the promisory notes.

0:17:41.800 --> 0:17:43.760
<v Speaker 1>So when he couldn't pay the promisory notes, we traded

0:17:43.800 --> 0:17:46.720
<v Speaker 1>his promisory note for his interest in the hotel, which

0:17:46.720 --> 0:17:50.879
<v Speaker 1>happened to be Morgan's. And so there was a hotel before.

0:17:51.240 --> 0:17:54.439
<v Speaker 1>It wasn't like a private mansion or something before what

0:17:54.560 --> 0:17:56.080
<v Speaker 1>had it been before? It was a hotel. It was

0:17:56.080 --> 0:17:58.879
<v Speaker 1>a dump was called executive hotel, and it was a

0:17:58.960 --> 0:18:02.440
<v Speaker 1>dumpy hotel, looming house, you know, you know in a

0:18:02.520 --> 0:18:06.399
<v Speaker 1>kind of very how many floors, uh fourteen and you

0:18:06.440 --> 0:18:08.040
<v Speaker 1>took it over and you just hand gratted the whole thing.

0:18:08.080 --> 0:18:11.280
<v Speaker 1>And we did the whole thing. We we we we

0:18:11.359 --> 0:18:15.680
<v Speaker 1>didn't bang on the walls because once you start doing

0:18:15.720 --> 0:18:18.160
<v Speaker 1>that in an old building, you can't have a definitive budget.

0:18:18.600 --> 0:18:21.600
<v Speaker 1>So you know, the rooms are very small. So we

0:18:21.680 --> 0:18:23.960
<v Speaker 1>took the rooms the way we found them, and we

0:18:24.040 --> 0:18:26.199
<v Speaker 1>try to have good design, come up with solutions, and

0:18:26.200 --> 0:18:27.840
<v Speaker 1>we did a lot a lot of tricks. You know,

0:18:27.880 --> 0:18:30.120
<v Speaker 1>we made the furniture, always scaled the furniture down ten

0:18:30.160 --> 0:18:34.080
<v Speaker 1>percent to make the room feel bigger, and etcetera, etcetera.

0:18:34.200 --> 0:18:37.439
<v Speaker 1>And it was a natural hit. Light to Way studio

0:18:37.560 --> 0:18:41.000
<v Speaker 1>was a natural hit. It just it resonated with people

0:18:41.000 --> 0:18:45.040
<v Speaker 1>to day one. And were now before you access the crowd?

0:18:45.119 --> 0:18:50.720
<v Speaker 1>I mean you and rebel owning a nightclub in Queens

0:18:51.040 --> 0:18:53.240
<v Speaker 1>did not give you access to the crowd that came

0:18:53.280 --> 0:18:55.960
<v Speaker 1>to the studio. So how did you access that crowd?

0:18:56.119 --> 0:19:00.720
<v Speaker 1>Who got who to come? You know, it's kind of

0:19:00.760 --> 0:19:05.199
<v Speaker 1>a two pronged approach. We hired a couple of party

0:19:05.240 --> 0:19:09.240
<v Speaker 1>promoters and then Steve went out to conquer the town.

0:19:09.920 --> 0:19:14.720
<v Speaker 1>He was a kind of very people oriented person. When

0:19:14.760 --> 0:19:16.879
<v Speaker 1>you talk to him, you thought you were the only

0:19:16.920 --> 0:19:20.280
<v Speaker 1>person in the world, and etcetera, and etcetera. And so

0:19:21.240 --> 0:19:24.800
<v Speaker 1>a few months before, you know, Steve would do that.

0:19:24.880 --> 0:19:27.600
<v Speaker 1>He'd go to this restaurant that red, president this and

0:19:27.600 --> 0:19:29.840
<v Speaker 1>and meet these people and he was kind of entertaining

0:19:29.840 --> 0:19:31.879
<v Speaker 1>and fund and so on and so forth, and that

0:19:31.960 --> 0:19:35.040
<v Speaker 1>gave us a platform. Then the next thing was is

0:19:35.080 --> 0:19:37.280
<v Speaker 1>that you do a great place and a great product,

0:19:37.320 --> 0:19:40.120
<v Speaker 1>and if it's really really cool, people come. Don't tell

0:19:40.119 --> 0:19:42.080
<v Speaker 1>me how they come the time time from beat out there.

0:19:42.119 --> 0:19:44.359
<v Speaker 1>They know and they beat the door to get to it.

0:19:44.600 --> 0:19:48.679
<v Speaker 1>And then we had a bunch of parties um with

0:19:48.800 --> 0:19:52.200
<v Speaker 1>the right people, you know, Like I remember one time,

0:19:52.600 --> 0:19:54.800
<v Speaker 1>you know, somebody had called we had opened up the

0:19:54.880 --> 0:19:56.960
<v Speaker 1>place and it was nothing like it in New York

0:19:56.960 --> 0:20:00.280
<v Speaker 1>at the time, and and and and somebody called up

0:20:00.280 --> 0:20:02.880
<v Speaker 1>and and Houlston wanted to have a party for Bianca.

0:20:02.920 --> 0:20:05.720
<v Speaker 1>It was on Monday night when we were ordinarily dark,

0:20:06.320 --> 0:20:08.520
<v Speaker 1>and we we we opened up for that night and

0:20:08.560 --> 0:20:13.119
<v Speaker 1>there were more celebrities are about people like we were like,

0:20:13.560 --> 0:20:16.080
<v Speaker 1>you know, the Oa you look right from Mick Jagger

0:20:16.160 --> 0:20:19.560
<v Speaker 1>and Jack on Beset, all the movie people, I mean,

0:20:19.600 --> 0:20:23.800
<v Speaker 1>and and and we had a naked woman. We painted

0:20:23.800 --> 0:20:25.680
<v Speaker 1>a like Lady Gouldive and put her on a white

0:20:25.760 --> 0:20:29.080
<v Speaker 1>horse to come out and give Bianco a birthday cake.

0:20:29.920 --> 0:20:32.240
<v Speaker 1>That picked you went all over the world. This reminds

0:20:32.240 --> 0:20:34.800
<v Speaker 1>me of a quote your at I always used to

0:20:34.840 --> 0:20:38.119
<v Speaker 1>like the Halloween parties, who said in an interview it

0:20:38.240 --> 0:20:40.359
<v Speaker 1>was the one night that anybody could get into Studio

0:20:40.480 --> 0:20:42.960
<v Speaker 1>fifty four. You just had to come up with a

0:20:43.000 --> 0:20:45.800
<v Speaker 1>great costume and you were in. You could not believe

0:20:45.840 --> 0:20:48.560
<v Speaker 1>some of the things that people would wear. I remember

0:20:48.680 --> 0:20:52.960
<v Speaker 1>doing a party inspired by the artist Bosh with midgets

0:20:53.040 --> 0:20:56.760
<v Speaker 1>eating cornish game hens and walking in on a floor

0:20:56.760 --> 0:21:00.399
<v Speaker 1>full of white mice lit with ultra violet light. It

0:21:00.520 --> 0:21:03.600
<v Speaker 1>was just anything goes. Mayhem you said now that picks

0:21:04.960 --> 0:21:09.320
<v Speaker 1>mice finals, so there was. It was anything goes, whatever

0:21:09.359 --> 0:21:12.280
<v Speaker 1>your imagination you could think of. That's a great part

0:21:12.280 --> 0:21:15.800
<v Speaker 1>of the nightclub business. When we did it, it wasn't

0:21:15.840 --> 0:21:21.200
<v Speaker 1>constrained and you could work in any discipline film, music, theater, fashion.

0:21:22.600 --> 0:21:28.159
<v Speaker 1>It's like wide open. When we were in it above

0:21:28.240 --> 0:21:31.280
<v Speaker 1>the dance floor at Studio fifty four hung a giant

0:21:31.400 --> 0:21:34.240
<v Speaker 1>sculpture of the Man in the Moon with an animated

0:21:34.280 --> 0:21:39.400
<v Speaker 1>cocaine spoon that glided down to the moon's nose. Take

0:21:39.440 --> 0:21:43.080
<v Speaker 1>a listen to more conversations in our archives with other

0:21:43.320 --> 0:21:48.320
<v Speaker 1>longtime New Yorkers, like the late Elaine Stretch. About a

0:21:48.400 --> 0:21:51.320
<v Speaker 1>month ago, I really said, I want out of here.

0:21:51.440 --> 0:21:54.000
<v Speaker 1>I want out of New York. I shouldn't live in

0:21:54.080 --> 0:21:57.920
<v Speaker 1>New York anymore. It's not for me anymore. It's too

0:21:58.080 --> 0:22:01.399
<v Speaker 1>fast for me. Or no, it's not too fast. And

0:22:01.440 --> 0:22:04.200
<v Speaker 1>I changed my mind about that. It's not this, it's

0:22:04.280 --> 0:22:09.119
<v Speaker 1>not that, it's just not for me. Take a listen

0:22:09.280 --> 0:22:36.160
<v Speaker 1>at Here's the Thing dot org. This is Alec Baldwin

0:22:36.359 --> 0:22:39.920
<v Speaker 1>and you're listening to Here's the Thing my guest. Ian

0:22:39.960 --> 0:22:44.280
<v Speaker 1>Schrager's current life hardly resembles his days and nights at

0:22:44.320 --> 0:22:47.640
<v Speaker 1>Studio fifty four. Schweger is one of the most important

0:22:47.640 --> 0:22:51.280
<v Speaker 1>hotelier and real estate developers in New York today. He

0:22:51.400 --> 0:22:53.520
<v Speaker 1>and his second wife have a four year old boy.

0:22:53.960 --> 0:22:56.760
<v Speaker 1>He has two daughters from his previous marriage, and he

0:22:56.840 --> 0:22:59.560
<v Speaker 1>prefers to spend his nights at home with his family.

0:23:00.359 --> 0:23:03.000
<v Speaker 1>Life is calmer, but it's not as if Schreeger is

0:23:03.040 --> 0:23:06.280
<v Speaker 1>slowing down. I was just talking to my wife about

0:23:06.320 --> 0:23:08.560
<v Speaker 1>this the other day, you know, I I you know

0:23:08.640 --> 0:23:11.760
<v Speaker 1>that somebody sent me an interesting article on Georgio ALMANI.

0:23:12.200 --> 0:23:16.040
<v Speaker 1>The guy's eighty years old, so incredibly wealthy, still out

0:23:16.040 --> 0:23:19.679
<v Speaker 1>there working every single day. Clint Eastwood eighty three or

0:23:19.680 --> 0:23:24.000
<v Speaker 1>eighty four years old, you know, I mean better, becoming

0:23:24.080 --> 0:23:26.800
<v Speaker 1>more and more and more of a servious, serious filmmaker.

0:23:27.080 --> 0:23:30.480
<v Speaker 1>Why it's not about the money, because you love it.

0:23:30.480 --> 0:23:33.160
<v Speaker 1>It's the way you express yourself and you just truly

0:23:33.160 --> 0:23:35.760
<v Speaker 1>really love it. I feel the same way. I love

0:23:35.800 --> 0:23:39.040
<v Speaker 1>what I do. It never was about the money, and

0:23:39.040 --> 0:23:42.560
<v Speaker 1>and it's putting my name on something. You're doing something

0:23:42.840 --> 0:23:48.040
<v Speaker 1>you're interested in, another creative field fashion, no home film,

0:23:48.320 --> 0:23:52.960
<v Speaker 1>film or theater. Seriously, you would want to when Julian

0:23:53.040 --> 0:23:57.720
<v Speaker 1>Snobble did that film The Diving Bell in the Butterfly

0:23:57.840 --> 0:24:01.959
<v Speaker 1>and it had no knowledge, no schooling, know anything, just

0:24:02.040 --> 0:24:06.040
<v Speaker 1>a really really creative guy. Uh to go into that

0:24:06.119 --> 0:24:09.400
<v Speaker 1>and do it with such credibility and do a real film,

0:24:09.440 --> 0:24:11.560
<v Speaker 1>which had made me want to work with him, to

0:24:11.560 --> 0:24:14.080
<v Speaker 1>do a hotel because maybe people convinced how talent that

0:24:14.200 --> 0:24:17.639
<v Speaker 1>he was. I could see what I do in the

0:24:17.720 --> 0:24:21.560
<v Speaker 1>hotels and what I've done in nightclubs and putting things together.

0:24:21.680 --> 0:24:25.120
<v Speaker 1>And you know, I could see that kind of methodology

0:24:25.200 --> 0:24:29.320
<v Speaker 1>working in the film business or theater business. So after

0:24:29.800 --> 0:24:36.600
<v Speaker 1>the Morgan you dot four two, things start to get

0:24:36.640 --> 0:24:42.080
<v Speaker 1>easier because you eat each time, you have to up

0:24:42.600 --> 0:24:44.760
<v Speaker 1>the ante. I mean, we we we did Morgan to

0:24:44.800 --> 0:24:47.600
<v Speaker 1>It was really big. It Everyone in the industry took note.

0:24:48.640 --> 0:24:50.479
<v Speaker 1>Everyone came to buy it from us and said, you're

0:24:50.520 --> 0:24:53.000
<v Speaker 1>better sell it because somebody's just going to copy you

0:24:53.080 --> 0:24:55.320
<v Speaker 1>and and do it better, and somebody's going to go

0:24:55.359 --> 0:24:57.520
<v Speaker 1>into the business doesn't care about making money, spend more

0:24:57.520 --> 0:25:02.720
<v Speaker 1>money than you. So the challenge for doing Royalton was

0:25:02.760 --> 0:25:07.000
<v Speaker 1>to do a hotel that had a different personality, not

0:25:07.200 --> 0:25:10.239
<v Speaker 1>one that merely looked differently, but one that attracted a

0:25:10.280 --> 0:25:12.440
<v Speaker 1>different kind of person because it had a different fields,

0:25:12.480 --> 0:25:15.800
<v Speaker 1>different vibe. So Morgan's was a kind of quiet, understated,

0:25:15.880 --> 0:25:19.120
<v Speaker 1>introverted hotel. No lobby. You went in there, quietly, went

0:25:19.200 --> 0:25:22.639
<v Speaker 1>up to your room. Royalton was the opposite, a big

0:25:22.800 --> 0:25:26.760
<v Speaker 1>extrovert of scene. You're in the lobby, see and be seen,

0:25:26.880 --> 0:25:29.440
<v Speaker 1>so and so what. So I gave people a choice

0:25:29.480 --> 0:25:32.640
<v Speaker 1>you could stay here, you could stay there. They were

0:25:32.760 --> 0:25:35.920
<v Speaker 1>choosing a hotel because the personality was different, and emic

0:25:35.960 --> 0:25:39.520
<v Speaker 1>goes it look different. So after you do the Morgan

0:25:39.920 --> 0:25:41.600
<v Speaker 1>and people come to you, as you just said, and

0:25:41.640 --> 0:25:44.359
<v Speaker 1>they say, you better sell this because someone's gonna copy

0:25:44.359 --> 0:25:46.879
<v Speaker 1>it and do it better. Do you find now that

0:25:46.920 --> 0:25:49.199
<v Speaker 1>people are taking you seriously because they are trying to

0:25:49.200 --> 0:25:53.119
<v Speaker 1>squeeze you when they are interestingly just just recently, you

0:25:53.160 --> 0:25:58.520
<v Speaker 1>know when when W came out, Up until then, it

0:25:58.720 --> 0:26:02.639
<v Speaker 1>was still thought up that only people who wear black

0:26:03.000 --> 0:26:06.520
<v Speaker 1>and live in Soho come to my hotels. It wasn't

0:26:06.560 --> 0:26:10.600
<v Speaker 1>until W came out, you know whenever, that was a

0:26:10.600 --> 0:26:15.439
<v Speaker 1>while ago, that it gave real credibility. Hey, this is

0:26:15.440 --> 0:26:19.800
<v Speaker 1>a real idea. Now there isn't a hotel company in

0:26:19.840 --> 0:26:22.800
<v Speaker 1>the world that doesn't want to do a boutique hotel.

0:26:23.160 --> 0:26:26.560
<v Speaker 1>And it's the fastest growing segment. There are thousands and

0:26:26.640 --> 0:26:29.119
<v Speaker 1>thousands of versions all over. But it was treated with

0:26:29.280 --> 0:26:34.359
<v Speaker 1>absolute skepticism and dismissively by by because you know why,

0:26:34.400 --> 0:26:36.320
<v Speaker 1>they couldn't They couldn't put it in a box. They

0:26:36.320 --> 0:26:39.880
<v Speaker 1>couldn't understand what it was. Uh So, do you find

0:26:39.920 --> 0:26:43.400
<v Speaker 1>that that major hotel companies not only want you because

0:26:43.400 --> 0:26:46.360
<v Speaker 1>you're doing additions now, is that with Marriott and that

0:26:46.640 --> 0:26:49.159
<v Speaker 1>you're partnering with Maryott to do this addition series. It's

0:26:49.240 --> 0:26:51.200
<v Speaker 1>it's a style of hotel you're gonna do with them.

0:26:51.520 --> 0:26:53.399
<v Speaker 1>Do you find out with that that you wouldn't call

0:26:53.440 --> 0:26:56.719
<v Speaker 1>that a bouktic hotel? I would? You? Would? You know?

0:26:56.800 --> 0:26:59.320
<v Speaker 1>Like to me, I you know, because it's so over you. Steve,

0:26:59.400 --> 0:27:01.320
<v Speaker 1>it's the one that came up with the name boutique.

0:27:01.359 --> 0:27:03.720
<v Speaker 1>By the way, because we were in New York. The

0:27:03.840 --> 0:27:07.960
<v Speaker 1>fashion business is probably the central most important business here

0:27:08.000 --> 0:27:11.040
<v Speaker 1>and uh and when he was trying to explain to

0:27:11.119 --> 0:27:14.040
<v Speaker 1>people what we were trying to do, he said, look,

0:27:14.080 --> 0:27:16.040
<v Speaker 1>all the other hotels are like the Poppin stores. They

0:27:16.119 --> 0:27:18.080
<v Speaker 1>try and be all things to all people. That's kind

0:27:18.080 --> 0:27:22.200
<v Speaker 1>of generic. We have a specific thing to say. We're

0:27:22.320 --> 0:27:25.600
<v Speaker 1>very specific, have a specific attitude will like a boutique.

0:27:26.160 --> 0:27:29.320
<v Speaker 1>And that was the invention and the use of that name,

0:27:29.359 --> 0:27:32.639
<v Speaker 1>which we've lost ownership of. It become part of the

0:27:32.640 --> 0:27:35.520
<v Speaker 1>English language. But Steve really was the first one to

0:27:35.720 --> 0:27:38.679
<v Speaker 1>use that when he tried to when when we were

0:27:38.680 --> 0:27:40.639
<v Speaker 1>promoting mortgage and we're trying to explain to people what

0:27:40.640 --> 0:27:43.280
<v Speaker 1>we were trying to do. So it was Marryott trying

0:27:43.320 --> 0:27:45.919
<v Speaker 1>to take Marryott properties and make them more like a

0:27:45.920 --> 0:27:48.719
<v Speaker 1>boutique hotel, or were they buying other properties that are

0:27:48.760 --> 0:27:51.720
<v Speaker 1>boutique hotels and putting the Marry Up label on both.

0:27:52.400 --> 0:27:57.000
<v Speaker 1>They're doing both. What Marriott realizes that this lifestyle hotel,

0:27:57.600 --> 0:28:00.600
<v Speaker 1>this space is the future of the business. This that

0:28:00.760 --> 0:28:02.960
<v Speaker 1>people are not going to choose a hotel because of

0:28:03.000 --> 0:28:06.399
<v Speaker 1>its location or price points, or because of its loyalty points,

0:28:06.520 --> 0:28:08.920
<v Speaker 1>but they're going to choose a hotel because the experience

0:28:09.040 --> 0:28:14.360
<v Speaker 1>is unique and elevat and so they're getting into that business.

0:28:14.400 --> 0:28:18.320
<v Speaker 1>And I kind of felt that with everyone in the

0:28:18.359 --> 0:28:22.520
<v Speaker 1>world rushing into the boutique space, it was a little

0:28:22.560 --> 0:28:25.080
<v Speaker 1>less interesting for me. So I'm gonna team up with

0:28:25.119 --> 0:28:26.680
<v Speaker 1>a big guy and do a lot of them. Then

0:28:26.680 --> 0:28:29.439
<v Speaker 1>I have had my own brand, Public, which is a

0:28:29.520 --> 0:28:34.679
<v Speaker 1>less expensive, hilly skylized hotel, but a real value proposition,

0:28:34.920 --> 0:28:37.080
<v Speaker 1>which I think is always a cool idea, you know,

0:28:37.160 --> 0:28:40.000
<v Speaker 1>because I always think people, no matter how much money

0:28:40.080 --> 0:28:42.560
<v Speaker 1>they have, they get it when something's something's cool. Now,

0:28:42.560 --> 0:28:44.600
<v Speaker 1>when the world of boutique tells them, they've been people

0:28:44.600 --> 0:28:46.720
<v Speaker 1>who have come to you and said Ian Straker, we

0:28:46.760 --> 0:28:48.680
<v Speaker 1>want you to design a hotel for us, and they

0:28:48.680 --> 0:28:54.120
<v Speaker 1>wanted to have something insane, you know, like Peacock's. You know, No,

0:28:54.480 --> 0:28:57.120
<v Speaker 1>I couldn't do it. I mean I I you know,

0:28:57.200 --> 0:29:01.120
<v Speaker 1>to me, I think that, Um, have you seen some

0:29:01.200 --> 0:29:04.720
<v Speaker 1>hotels like that? Yes? You thought? This is just crazed

0:29:04.760 --> 0:29:06.520
<v Speaker 1>my kind of thing. And I don't think they're really

0:29:06.720 --> 0:29:11.400
<v Speaker 1>sophisticated people. I think it's more Vegas. Yeah, pretty, I

0:29:11.440 --> 0:29:13.479
<v Speaker 1>mean over the top kind of stuff. I I I

0:29:13.560 --> 0:29:17.680
<v Speaker 1>don't think more. I think less is not only more.

0:29:18.400 --> 0:29:20.960
<v Speaker 1>I think it's better. And I think it's a little

0:29:21.000 --> 0:29:23.320
<v Speaker 1>bit like a writer. If you have time, you're gonna

0:29:23.520 --> 0:29:25.960
<v Speaker 1>edit it and bear it down. And I think it's

0:29:26.000 --> 0:29:29.160
<v Speaker 1>more powerful. And I think that that that people who

0:29:29.240 --> 0:29:32.880
<v Speaker 1>have good taste today rather than money, because so many

0:29:32.880 --> 0:29:36.720
<v Speaker 1>people have it. It's really a status temple, you know.

0:29:36.840 --> 0:29:41.000
<v Speaker 1>Leonardo da Vinci says, simplicity is the ultimate sophistication. I

0:29:41.000 --> 0:29:43.320
<v Speaker 1>believe that, and I have I have confidence in in

0:29:43.880 --> 0:29:46.720
<v Speaker 1>the people that that if it's simple and well done,

0:29:47.040 --> 0:29:48.680
<v Speaker 1>they kind of get it and you don't have to

0:29:48.720 --> 0:29:50.880
<v Speaker 1>hit him over and add with marble and gold. Have

0:29:50.960 --> 0:29:52.560
<v Speaker 1>you had people come to you and ask you to

0:29:52.720 --> 0:29:55.480
<v Speaker 1>design private homes for them. Yes, you have, and you

0:29:55.560 --> 0:29:58.280
<v Speaker 1>never never got you know, I would do it if

0:29:58.320 --> 0:30:01.200
<v Speaker 1>I was selling home and the clod those and there

0:30:01.280 --> 0:30:04.080
<v Speaker 1>was some you know something, some kind of financial benefit

0:30:04.120 --> 0:30:06.920
<v Speaker 1>for me and my bar and I. But you know, look,

0:30:07.040 --> 0:30:11.360
<v Speaker 1>I enjoy all of the benefits that come with the money.

0:30:11.840 --> 0:30:14.480
<v Speaker 1>But you can't do what I do for money. I'm

0:30:14.520 --> 0:30:17.320
<v Speaker 1>sure you can't do what you do for money. It's

0:30:17.320 --> 0:30:20.080
<v Speaker 1>a benefit, but it's it's now you're driving force. We're

0:30:20.160 --> 0:30:22.840
<v Speaker 1>so to go from the nightclub business to the hotel business,

0:30:22.840 --> 0:30:25.680
<v Speaker 1>two different businesses obviously, and then is it this is

0:30:25.720 --> 0:30:27.960
<v Speaker 1>it another transition to go into the condominium business and

0:30:27.960 --> 0:30:32.400
<v Speaker 1>their real estate. They're all very related. In the nightclub business,

0:30:32.400 --> 0:30:34.920
<v Speaker 1>your primary goal, if you script it down, you know,

0:30:35.280 --> 0:30:38.280
<v Speaker 1>of all the smoke screens the night clubs, your primary

0:30:38.280 --> 0:30:40.760
<v Speaker 1>goal is to look after people, make sure people have fun,

0:30:41.280 --> 0:30:46.080
<v Speaker 1>elevate the experience, make them comfortable. Same going all business,

0:30:46.440 --> 0:30:50.240
<v Speaker 1>same going to business, you know, and so there is

0:30:50.280 --> 0:30:53.239
<v Speaker 1>a common denominated there were differences in it, you know,

0:30:53.320 --> 0:30:55.560
<v Speaker 1>like the people that work in the nightclub business most

0:30:55.560 --> 0:30:58.080
<v Speaker 1>of the time they look like vampires in the day.

0:30:58.920 --> 0:31:01.040
<v Speaker 1>The you know, most of the time they can't cut

0:31:01.040 --> 0:31:05.160
<v Speaker 1>it during the day. There are differences, but there are many,

0:31:05.200 --> 0:31:09.240
<v Speaker 1>many more similarities that by the Royal quote hospitality businesses,

0:31:09.320 --> 0:31:13.000
<v Speaker 1>because it's it's it's looking at the people. How has

0:31:13.080 --> 0:31:16.000
<v Speaker 1>New York changed totally different? I, you know, like to me,

0:31:16.160 --> 0:31:18.400
<v Speaker 1>I you know, there was two there are two New York's.

0:31:18.560 --> 0:31:21.880
<v Speaker 1>There's one downtown and there's one uptown. You know, I

0:31:21.920 --> 0:31:24.760
<v Speaker 1>think the real New York is Downtown. It's not about

0:31:24.760 --> 0:31:27.040
<v Speaker 1>the restaurants or anything like that. It's just that it

0:31:27.120 --> 0:31:31.240
<v Speaker 1>feels more like a village down there. Uptown it's kind

0:31:31.280 --> 0:31:37.520
<v Speaker 1>of anonymous, it's intense, it's a hostility there. I it's

0:31:37.560 --> 0:31:40.360
<v Speaker 1>it's no different than London, except the architecture is different.

0:31:41.640 --> 0:31:45.040
<v Speaker 1>I if it doesn't have a personality to me, you know,

0:31:45.480 --> 0:31:48.040
<v Speaker 1>you know, I think we we've had a real dichotomy

0:31:48.080 --> 0:31:51.440
<v Speaker 1>now between uptown and downtown. You know, in the seventies

0:31:51.480 --> 0:31:53.560
<v Speaker 1>and eighties when we were bumping around, you know, downtown

0:31:53.680 --> 0:31:55.200
<v Speaker 1>is really when you went down to hung out and

0:31:55.280 --> 0:31:58.240
<v Speaker 1>have fun. It's not like that now. And then now

0:31:58.320 --> 0:32:01.360
<v Speaker 1>you live down there, it's a different city. And I

0:32:01.400 --> 0:32:04.120
<v Speaker 1>think New Yorkers most of the time New Yorkers don't

0:32:04.160 --> 0:32:07.320
<v Speaker 1>live uptown. There were Farigners. You know, rem coolhouse. It's

0:32:07.320 --> 0:32:09.840
<v Speaker 1>a great architect, says to meet me. Good keep it.

0:32:09.840 --> 0:32:13.120
<v Speaker 1>Don't live in London. It's only Fargners live who lived there.

0:32:13.320 --> 0:32:16.760
<v Speaker 1>I think that's happening, you know now with New York.

0:32:16.840 --> 0:32:18.480
<v Speaker 1>I think if you want to see the way in

0:32:18.520 --> 0:32:20.920
<v Speaker 1>New York is you just look at London because it's

0:32:21.000 --> 0:32:24.720
<v Speaker 1>on that same continuum. I mean, obviously there's there's benefits

0:32:24.720 --> 0:32:27.320
<v Speaker 1>to both. But I lived up there for twenty five years.

0:32:27.760 --> 0:32:29.600
<v Speaker 1>I did too, I lived up there. I used to

0:32:29.640 --> 0:32:31.400
<v Speaker 1>say that, you know, I live up down, I go

0:32:31.440 --> 0:32:34.200
<v Speaker 1>downtown to a restaurant. You live in the park. No,

0:32:34.480 --> 0:32:36.400
<v Speaker 1>I lived on the Park a while, but you know,

0:32:36.560 --> 0:32:38.840
<v Speaker 1>when I didn't have money all the time to live there.

0:32:39.080 --> 0:32:40.680
<v Speaker 1>You know, I lived on the Upper east Side. Then

0:32:40.720 --> 0:32:43.000
<v Speaker 1>I moved to the West Side, and I moved back

0:32:43.080 --> 0:32:45.520
<v Speaker 1>to the east Side, and then I eventually, you know,

0:32:45.640 --> 0:32:50.440
<v Speaker 1>what's the longest you've ever lived one place? Now, I'm

0:32:50.560 --> 0:32:52.680
<v Speaker 1>I'm I've been living in the same apartment now for

0:32:52.760 --> 0:32:55.520
<v Speaker 1>ten years? Is it getting aunty? Do you like to move? Well?

0:32:55.720 --> 0:32:58.400
<v Speaker 1>Do my two projects so we may move. My kids

0:32:58.400 --> 0:33:01.040
<v Speaker 1>are leaving for school. And one question I want to

0:33:01.080 --> 0:33:03.880
<v Speaker 1>ask you is were you close with your dad and

0:33:03.920 --> 0:33:06.640
<v Speaker 1>he died when you were how old you were nineteen?

0:33:06.880 --> 0:33:09.800
<v Speaker 1>Were you closer through bell? Yes? Where were you when

0:33:09.800 --> 0:33:12.920
<v Speaker 1>he died by his bed? You were? So you were

0:33:12.960 --> 0:33:15.560
<v Speaker 1>still that close right to the end. You were best

0:33:15.600 --> 0:33:18.280
<v Speaker 1>friends with him, and you were there he We took

0:33:18.360 --> 0:33:24.600
<v Speaker 1>him to the hospital. We watched the monitor numbers sinks terrible.

0:33:25.480 --> 0:33:28.560
<v Speaker 1>And then your dad not in your life and your

0:33:28.600 --> 0:33:34.280
<v Speaker 1>partner gone. He died in nineteen nine. Who's been your

0:33:34.320 --> 0:33:37.720
<v Speaker 1>mentor or who's been your trusted advisor for the last

0:33:38.040 --> 0:33:41.760
<v Speaker 1>five years? You know? By myself now? You don't have

0:33:41.840 --> 0:33:44.360
<v Speaker 1>my wife, you know, and I have some good friends,

0:33:45.080 --> 0:33:47.360
<v Speaker 1>but you know that it's it's a it's a loss

0:33:47.400 --> 0:33:49.840
<v Speaker 1>when you buy yourself. You know, it's good to have

0:33:50.040 --> 0:33:54.440
<v Speaker 1>somebody to bounce things off of. It. It keeps you moral, comfistrated.

0:33:55.000 --> 0:33:59.360
<v Speaker 1>It almost operates like our conscience. You know, it's it's tough.

0:34:00.000 --> 0:34:02.400
<v Speaker 1>I'm bombed by myself now. You don't have a partner.

0:34:02.520 --> 0:34:05.160
<v Speaker 1>Who's you're someone you consulted. You don't have friends that

0:34:05.200 --> 0:34:09.120
<v Speaker 1>I asked questions, but no one replaced rebel. No, you

0:34:09.280 --> 0:34:11.960
<v Speaker 1>never have a friend or a part like that. Lucky

0:34:12.040 --> 0:34:18.000
<v Speaker 1>to have that. Um, you're married now and you've been

0:34:18.000 --> 0:34:21.359
<v Speaker 1>married the tier your current wife for how long you've

0:34:21.360 --> 0:34:23.000
<v Speaker 1>been with for eight years? And you have a five

0:34:23.080 --> 0:34:27.680
<v Speaker 1>year old child almost almost five? Boy? You have a boy.

0:34:28.040 --> 0:34:31.759
<v Speaker 1>Finally you have two girls from your and she has

0:34:31.800 --> 0:34:33.759
<v Speaker 1>to you know, you and I are the same. I've

0:34:33.760 --> 0:34:35.040
<v Speaker 1>got a girl, and then I had a girl, and

0:34:35.040 --> 0:34:37.920
<v Speaker 1>now I'm having a boy in July. What a pleasure?

0:34:37.960 --> 0:34:40.200
<v Speaker 1>Tell me, what's it been like? What's it like having

0:34:40.280 --> 0:34:43.400
<v Speaker 1>a son? When we're definitely in the in the in

0:34:43.440 --> 0:34:46.960
<v Speaker 1>the night, we're in the seventh inning. Here we're with

0:34:47.040 --> 0:34:50.960
<v Speaker 1>a girl. Everything's too tight, too low, too much to everything.

0:34:51.480 --> 0:34:53.200
<v Speaker 1>It's just I used to think when I used to

0:34:53.200 --> 0:34:55.440
<v Speaker 1>go to kindergarten and the nursery school, and all the

0:34:55.520 --> 0:34:57.960
<v Speaker 1>boys will be bouncing off the wall, and I do

0:34:58.000 --> 0:35:00.480
<v Speaker 1>with my girl, she'd be sitting at the desperately stats boar.

0:35:00.520 --> 0:35:03.040
<v Speaker 1>I got a maid in a shade. But it reverses

0:35:05.080 --> 0:35:08.799
<v Speaker 1>the boys I I identify. We wrestle. I don't know

0:35:08.800 --> 0:35:12.080
<v Speaker 1>whether it's my where I am in life, my age.

0:35:12.560 --> 0:35:15.520
<v Speaker 1>I don't love him more than my daughters, but it's

0:35:15.560 --> 0:35:23.640
<v Speaker 1>just into what's he like to do wrestle, soccer, you know, soldiers,

0:35:23.880 --> 0:35:28.560
<v Speaker 1>thanks superheroes. You know, I can kind of relate swords.

0:35:29.400 --> 0:35:31.920
<v Speaker 1>It's it's amazing. My son comes into my bedroom sometimes

0:35:32.120 --> 0:35:34.880
<v Speaker 1>the sword to me and a sword dam in the morning.

0:35:34.880 --> 0:35:38.319
<v Speaker 1>The first thing, here is your sword, I present you.

0:35:38.520 --> 0:35:41.799
<v Speaker 1>Here's your weapon. And and what's it like for you

0:35:41.880 --> 0:35:44.400
<v Speaker 1>in your work and the and the balance? Is it

0:35:44.440 --> 0:35:47.120
<v Speaker 1>different for you? Now? I got the balance now finally.

0:35:47.200 --> 0:35:50.000
<v Speaker 1>Unfortunately it took me this long to figure it out.

0:35:50.680 --> 0:35:52.440
<v Speaker 1>You know, I gave up a lot for the work.

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<v Speaker 1>You know, it was very very important to me, and

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<v Speaker 1>I kind of didn't have the capacity all the time.

0:35:59.480 --> 0:36:02.160
<v Speaker 1>And so to me, you know, I worked very odd.

0:36:02.200 --> 0:36:05.120
<v Speaker 1>But you know I I don't work pass four five o'clock.

0:36:05.520 --> 0:36:08.520
<v Speaker 1>I don't work on the weekends. I take vacations. I

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<v Speaker 1>just when I come home, I play with my family.

0:36:10.920 --> 0:36:13.799
<v Speaker 1>And I think the secret isn't balanced. I think if

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<v Speaker 1>you're going to really be happy, you need everything. You

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<v Speaker 1>need a good wife, you need a good work, you

0:36:17.920 --> 0:36:19.759
<v Speaker 1>need a good family, need to go to abby, you

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<v Speaker 1>need a good grange. You need it all. Ian Schrager's

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<v Speaker 1>attempt to have it all appears to be working. This month,

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<v Speaker 1>he'll open his fourth boutique hotel, this time in partnership

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<v Speaker 1>with Marriott. You can visit the New York Edition Hotel

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<v Speaker 1>on Madison Avenue, a short walk from Schrager's very first hotel, Morgan's.

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<v Speaker 1>This is Alec Baldwin you're listening to. Here's the Thing

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<v Speaker 1>four