1 00:00:00,200 --> 00:00:04,439 Speaker 1: Brought to you by the all new Toyota Corolla. Welcome 2 00:00:04,480 --> 00:00:07,400 Speaker 1: to you stuff you should know from house stuff Works 3 00:00:07,440 --> 00:00:17,320 Speaker 1: dot com. Hey and happy Halloween, and welcome to the podcast. 4 00:00:17,760 --> 00:00:20,599 Speaker 1: I'm Josh Clark. Go do what you're about to do, 5 00:00:20,720 --> 00:00:28,880 Speaker 1: Chuckers and Jerry. Jerry's saying, uh, you put the three 6 00:00:28,880 --> 00:00:31,680 Speaker 1: of us together, me Josh Clark, there Chuck Bryant, and 7 00:00:31,720 --> 00:00:35,640 Speaker 1: there Jarry. And you've got stuff you know, the Halloween edition. 8 00:00:36,240 --> 00:00:38,159 Speaker 1: We got a big old tub of candy corn here 9 00:00:38,280 --> 00:00:41,040 Speaker 1: we got have you have you tried Starburst candy corn? 10 00:00:42,520 --> 00:00:45,600 Speaker 1: My goodness, I don't like candy corn and I like 11 00:00:45,680 --> 00:00:49,040 Speaker 1: Star Wars candy corn? Is it Starburster? Is it candy corn? 12 00:00:49,200 --> 00:00:54,160 Speaker 1: It's candy corn with star Warst flavors, but not Starburst texture. 13 00:00:54,280 --> 00:00:57,280 Speaker 1: No candy corn texture. Okay, some mad scientists threw it 14 00:00:57,320 --> 00:01:01,160 Speaker 1: all together. Interesting. Yeah, I'll try it. You got one? 15 00:01:01,960 --> 00:01:03,960 Speaker 1: I have a warm one in my pockets, been in 16 00:01:04,000 --> 00:01:06,440 Speaker 1: there for a few days. Perfect. Here you go, soften 17 00:01:06,480 --> 00:01:11,840 Speaker 1: it up there, that's delicious. Make a chewing Yeah, it's 18 00:01:12,319 --> 00:01:18,119 Speaker 1: straw strawberry and lin. Yeah, it's exactly right. Chuck. Uh. Yeah, 19 00:01:18,200 --> 00:01:20,560 Speaker 1: So we've got candy corn. It's a Halloween edition, and 20 00:01:20,680 --> 00:01:24,399 Speaker 1: we hope you enjoyed our Halloween episode, our story. That's 21 00:01:24,400 --> 00:01:26,320 Speaker 1: probably that's probably my favorite thing of the year that 22 00:01:26,400 --> 00:01:32,759 Speaker 1: in Christmas episode, we're gonna get cracking on the Christmas extravaganza. Yeah, work, 23 00:01:32,880 --> 00:01:35,200 Speaker 1: running out of stories, I'd probably and I got one 24 00:01:35,240 --> 00:01:37,759 Speaker 1: up my sleeve. I got an idea. Yeah, yeah, otherwise 25 00:01:37,760 --> 00:01:40,399 Speaker 1: we can just make stuff up. Yeah, you know. Yeah, 26 00:01:40,480 --> 00:01:43,440 Speaker 1: and then everything worked out okay because it was Christmas 27 00:01:43,920 --> 00:01:49,800 Speaker 1: the end, Chuck. Yes, have you ever heard of the 28 00:01:49,960 --> 00:01:55,120 Speaker 1: Winchester Mystery House? I have, Indeed, I have to, thank God, 29 00:01:55,280 --> 00:01:58,560 Speaker 1: because that'd be a surprise. If I was completely unprepared, 30 00:01:58,920 --> 00:02:01,200 Speaker 1: it would be I would be surprised. I can tell 31 00:02:01,200 --> 00:02:03,520 Speaker 1: you that. Uh yeah, I've heard of it. I've never 32 00:02:03,560 --> 00:02:06,600 Speaker 1: been there, but I would like to go for sure 33 00:02:06,720 --> 00:02:09,080 Speaker 1: and check it out. I might. I might do that 34 00:02:09,120 --> 00:02:11,920 Speaker 1: next time I'm in the Bay area, I might venture 35 00:02:12,000 --> 00:02:14,400 Speaker 1: towards San Jose to check this thing out. Yes, well, 36 00:02:14,480 --> 00:02:16,320 Speaker 1: I've already cleared it with you me that we're going 37 00:02:16,400 --> 00:02:19,040 Speaker 1: next time we're in the San Francisco area. Great, how 38 00:02:19,040 --> 00:02:23,079 Speaker 1: far always San Jose from San Francisco, I don't close, right, 39 00:02:23,600 --> 00:02:25,400 Speaker 1: Do you know the way to San Jose. I do 40 00:02:25,480 --> 00:02:28,440 Speaker 1: not know the way to San Jose apparently, um, but 41 00:02:29,040 --> 00:02:30,760 Speaker 1: if I could find my way there, we would find 42 00:02:30,760 --> 00:02:33,680 Speaker 1: the Winchester Mystery House, because apparently it sticks out like 43 00:02:33,720 --> 00:02:38,160 Speaker 1: a sore thumb. Um. It was originally in some pretty 44 00:02:38,240 --> 00:02:42,320 Speaker 1: rural area, and over time, the the acreage a hundred 45 00:02:42,320 --> 00:02:45,320 Speaker 1: and sixty two acres is what the Winchester House grounds 46 00:02:45,360 --> 00:02:49,040 Speaker 1: eventually covered, has been whittled away and now it's just 47 00:02:49,080 --> 00:02:53,480 Speaker 1: like the suburbs with this enormous Victorian mansion situated in 48 00:02:53,520 --> 00:02:56,320 Speaker 1: the middle of it. Yeah. And when we say enormous, 49 00:02:56,360 --> 00:03:01,040 Speaker 1: we mean enormous um supposedly about a hundred in sixty rooms. 50 00:03:01,919 --> 00:03:04,799 Speaker 1: Even though and I think this is part of building 51 00:03:04,880 --> 00:03:09,519 Speaker 1: up the lore, some say they cannot be counted because 52 00:03:09,560 --> 00:03:12,120 Speaker 1: you will get lost in the house and never get 53 00:03:12,120 --> 00:03:16,760 Speaker 1: an accurate count and never escaped. I say that's hoke 54 00:03:17,080 --> 00:03:20,160 Speaker 1: hokem because hey, if you can put a man on 55 00:03:20,200 --> 00:03:22,600 Speaker 1: the moon, you can count the rooms in a house. Yeah. 56 00:03:22,639 --> 00:03:24,600 Speaker 1: And what do you suggest using a post it note? 57 00:03:24,680 --> 00:03:27,639 Speaker 1: Just put a post it note up and yeah, you 58 00:03:27,680 --> 00:03:29,760 Speaker 1: don't even need to write that. And that's the very 59 00:03:29,800 --> 00:03:32,160 Speaker 1: presence of a post it note indicates you're you've been 60 00:03:32,160 --> 00:03:35,400 Speaker 1: there before, and counter all the post it notes right. 61 00:03:35,480 --> 00:03:37,680 Speaker 1: You could just you could write the numbers on them. 62 00:03:37,720 --> 00:03:39,720 Speaker 1: Even better, you wouldn't even have to count them. You 63 00:03:39,840 --> 00:03:42,320 Speaker 1: just write one and then keep in mind the last 64 00:03:42,360 --> 00:03:44,440 Speaker 1: number you wrote down the right, the next number that 65 00:03:44,480 --> 00:03:46,840 Speaker 1: comes after that on the next post it note, right, 66 00:03:46,880 --> 00:03:48,120 Speaker 1: and you know what we should do. It would be 67 00:03:48,120 --> 00:03:50,360 Speaker 1: funny if we did a little video series where you 68 00:03:50,360 --> 00:03:52,360 Speaker 1: and I a big smart guys, tried to do this 69 00:03:52,400 --> 00:03:55,000 Speaker 1: and we kept getting confused. I would watch that, Yeah, 70 00:03:55,080 --> 00:03:56,560 Speaker 1: I would watch that over and over, and then we 71 00:03:56,600 --> 00:03:59,280 Speaker 1: find the lost wine cellar and everything's kind of peters 72 00:03:59,320 --> 00:04:03,800 Speaker 1: out from there. Alright, So what we're talking about, well, 73 00:04:03,880 --> 00:04:05,760 Speaker 1: let's clue those of you who don't know what we're 74 00:04:05,800 --> 00:04:08,800 Speaker 1: talking about in we're talking about the Winchester Mystery House, 75 00:04:09,240 --> 00:04:12,200 Speaker 1: which was, as Chuck said, an enormous mansion of an 76 00:04:12,200 --> 00:04:16,479 Speaker 1: indeterminate number of rooms. I think they estimate a hundred 77 00:04:16,480 --> 00:04:20,080 Speaker 1: and sixty. But even um, the state of California, on 78 00:04:20,120 --> 00:04:24,160 Speaker 1: their tourism website says, um it is an odd dwelling 79 00:04:24,240 --> 00:04:28,080 Speaker 1: with an unknown number of rooms. A tourism website said 80 00:04:28,120 --> 00:04:31,680 Speaker 1: that yes, because there's a tourist attraction exactly. They're trying to, 81 00:04:31,880 --> 00:04:35,159 Speaker 1: you know, draw people in with the mystery of the 82 00:04:35,200 --> 00:04:38,200 Speaker 1: mystery house. Yeah. And the whole thing was the brainchild 83 00:04:38,320 --> 00:04:43,080 Speaker 1: and the result of a four ft tennant little uh 84 00:04:43,240 --> 00:04:46,839 Speaker 1: firecracker nicknamed the Belle of New Haven in her day, 85 00:04:47,400 --> 00:04:53,400 Speaker 1: named Sarah Party who became Sarah Party Winchester. Yeah, new Haven, Connecticut. 86 00:04:53,680 --> 00:04:58,520 Speaker 1: She's born in eighteen thirty nine, not new Haven, New Jersey. Um, 87 00:04:58,640 --> 00:05:01,880 Speaker 1: and she was. It's very smart, spoke four languages, can 88 00:05:01,920 --> 00:05:06,400 Speaker 1: play the piano like a champ with her elbows. Yeah, 89 00:05:06,600 --> 00:05:10,920 Speaker 1: she's beloved. Um. She married in eighteen sixty two William 90 00:05:10,960 --> 00:05:15,279 Speaker 1: Winchester of the Winchester Repeating Arms Company. Because it's a 91 00:05:15,279 --> 00:05:17,760 Speaker 1: big part of the story, it is they developed what 92 00:05:17,839 --> 00:05:20,280 Speaker 1: was known as the Repeater, the repeating rifle, which is 93 00:05:20,760 --> 00:05:24,480 Speaker 1: the coolest rifle ever. The Lone Ranger head one did 94 00:05:24,520 --> 00:05:27,480 Speaker 1: he according to the Lone Ranger placet that I had, 95 00:05:27,640 --> 00:05:29,839 Speaker 1: he did. I believe that he mainly used the old 96 00:05:29,920 --> 00:05:34,599 Speaker 1: revolver though. Yeah, and um the cudgel. Yeah, the rifle 97 00:05:34,760 --> 00:05:37,599 Speaker 1: famous for the rifleman used the repeater for sure. The 98 00:05:37,640 --> 00:05:40,800 Speaker 1: Lone Ranger did too, Okay, Um, But basically it was 99 00:05:40,839 --> 00:05:44,320 Speaker 1: a revolutionary gun that you could fire really quickly. Um. 100 00:05:44,440 --> 00:05:47,240 Speaker 1: And yeah, you could fire once every three seconds, which 101 00:05:47,279 --> 00:05:51,320 Speaker 1: is pretty amazingly fast for a rifle. Especially. It was 102 00:05:51,360 --> 00:05:53,279 Speaker 1: the gun that won the West, and it was the 103 00:05:53,320 --> 00:05:56,400 Speaker 1: gun that helped the Northern troops defeat the Southern troops 104 00:05:56,400 --> 00:05:58,440 Speaker 1: in the Civil War. And when the west depends on 105 00:05:58,480 --> 00:06:03,919 Speaker 1: your vantage point, yes, it was the The westward expansion 106 00:06:03,960 --> 00:06:07,560 Speaker 1: took place at the barrel of the Winchester repeating rifle. M. 107 00:06:08,720 --> 00:06:13,160 Speaker 1: So she marries William Winchester, heir to that fortune. Uh. 108 00:06:13,160 --> 00:06:16,719 Speaker 1: They started family in eighteen sixty six and very very 109 00:06:16,760 --> 00:06:22,240 Speaker 1: tragically lost their lone daughter, Annie in infancy, and it 110 00:06:22,320 --> 00:06:26,240 Speaker 1: was something that Sarah never recovered from. Basically, No, it 111 00:06:26,360 --> 00:06:29,359 Speaker 1: was a pretty sad thing to see if apparently the 112 00:06:29,560 --> 00:06:32,520 Speaker 1: child um was alive for either twenty eight days or 113 00:06:32,560 --> 00:06:35,880 Speaker 1: forty two days, I guess, depending on who you ask. Um. 114 00:06:35,960 --> 00:06:37,760 Speaker 1: So she made it the term she was born, and 115 00:06:37,800 --> 00:06:40,520 Speaker 1: then she died of a wasting disease called mora asthmus, 116 00:06:40,920 --> 00:06:44,080 Speaker 1: which is a disease of malnutrition. So no matter what 117 00:06:44,120 --> 00:06:46,640 Speaker 1: they fed her, she just wasn't taking in the nutrients 118 00:06:47,000 --> 00:06:50,280 Speaker 1: and she died of malnutrition. And at the time mora 119 00:06:50,279 --> 00:06:54,240 Speaker 1: asthmus was still mysterious, so it seemed like, what the 120 00:06:54,279 --> 00:06:57,200 Speaker 1: heck just happened to my kid? I'm feeding the kid. Also, 121 00:06:57,839 --> 00:07:01,159 Speaker 1: here I go right along the edge of completely losing 122 00:07:01,160 --> 00:07:04,240 Speaker 1: my sanity forever, and I'll never be quite the same again. 123 00:07:04,360 --> 00:07:06,960 Speaker 1: But I'm gonna come back a little bit. And then 124 00:07:06,960 --> 00:07:09,600 Speaker 1: when I do a few years later, my husband's gonna 125 00:07:09,680 --> 00:07:12,760 Speaker 1: die an early death at age forty three, fifteen years 126 00:07:12,800 --> 00:07:15,920 Speaker 1: later to be exact. And um, which, by the way, 127 00:07:16,160 --> 00:07:19,440 Speaker 1: can I take a second here? Somebody wrote in, and 128 00:07:19,440 --> 00:07:21,480 Speaker 1: I don't. I can't find the email, but they wrote in. 129 00:07:21,600 --> 00:07:26,960 Speaker 1: For our Dying podcast, we mentioned life expectancy and we 130 00:07:27,080 --> 00:07:29,680 Speaker 1: said that, um, you know, we made the assumption that 131 00:07:29,760 --> 00:07:33,120 Speaker 1: people used to um only lived at like age thirty 132 00:07:33,200 --> 00:07:36,320 Speaker 1: or something like that, because the average life expectancy was 133 00:07:36,360 --> 00:07:40,560 Speaker 1: so low. And this this person pointed out that that's 134 00:07:40,560 --> 00:07:44,280 Speaker 1: not the case. That people typically live to old age 135 00:07:44,320 --> 00:07:47,640 Speaker 1: like they live now. But the infanmortality rate was so 136 00:07:47,720 --> 00:07:51,760 Speaker 1: high that if you took all of the infant deaths 137 00:07:51,800 --> 00:07:53,920 Speaker 1: and all the people who survived it and put it together, 138 00:07:54,200 --> 00:07:58,160 Speaker 1: you had an average life expectancy of thirty. So it's 139 00:07:58,160 --> 00:08:00,840 Speaker 1: not like everyone's dying in their forties. They were dying 140 00:08:00,880 --> 00:08:03,680 Speaker 1: in their ones and twos exactly. So if you made 141 00:08:03,680 --> 00:08:05,920 Speaker 1: it out of your ones and twos, you would probably 142 00:08:05,960 --> 00:08:09,040 Speaker 1: live a pretty long life. So that was the discrepancy 143 00:08:09,080 --> 00:08:11,760 Speaker 1: that I never understood until the person wrote in. So, 144 00:08:11,800 --> 00:08:15,240 Speaker 1: whoever wrote in, thanks for writing that in. You didn't 145 00:08:15,240 --> 00:08:19,640 Speaker 1: catch your name or anything. I don't know. Uh so 146 00:08:19,920 --> 00:08:22,360 Speaker 1: where are we? She she's lost her daughter, she's lost 147 00:08:22,360 --> 00:08:26,760 Speaker 1: her husband, she's very distraught. Um goes and sees a medium, 148 00:08:26,800 --> 00:08:29,600 Speaker 1: which was a big deal at the time. Yeah, in Boston, 149 00:08:29,640 --> 00:08:32,360 Speaker 1: a man named Adam Coots, and which was strange that 150 00:08:32,400 --> 00:08:37,240 Speaker 1: it was a male medium. It is because you know ladies, um, 151 00:08:37,280 --> 00:08:40,640 Speaker 1: which is why they're all called lady so and so right, 152 00:08:40,720 --> 00:08:45,480 Speaker 1: you know, uh yeah, like you know, oh Madam, yeah, 153 00:08:45,559 --> 00:08:49,720 Speaker 1: or madam or like Lady Charlotte or whatever. Um, Lady Charlotte, 154 00:08:49,760 --> 00:08:52,160 Speaker 1: who I go too. That's why I buzz marketed her. No, 155 00:08:52,440 --> 00:08:56,640 Speaker 1: you don't, do you really know? Because see Lady Adam. Um. 156 00:08:56,840 --> 00:08:59,960 Speaker 1: So anyway, she goes and sees Lady Adam, and he said, 157 00:09:00,040 --> 00:09:04,720 Speaker 1: as you're gonna be haunted by ghosts for the rest 158 00:09:04,760 --> 00:09:08,520 Speaker 1: of your life because you married into a fortune of 159 00:09:08,840 --> 00:09:12,960 Speaker 1: killing and murdering with that Winchester rifle. Yea, So remember haunting. 160 00:09:12,960 --> 00:09:15,040 Speaker 1: You remember I said it was important that she married 161 00:09:15,200 --> 00:09:21,199 Speaker 1: um Mr Winchester. Right here, William. The Winchester family supposedly 162 00:09:21,200 --> 00:09:24,800 Speaker 1: had a curse, according to Lady Adam, that all of 163 00:09:24,800 --> 00:09:28,760 Speaker 1: the people who had died at the at the other 164 00:09:28,920 --> 00:09:33,880 Speaker 1: end of the Winchester rifle now haunted the family, and 165 00:09:33,920 --> 00:09:36,280 Speaker 1: they had a listed demands that Sarah was going to 166 00:09:36,400 --> 00:09:38,760 Speaker 1: have to put up with or else she would be 167 00:09:38,840 --> 00:09:42,080 Speaker 1: gotten by the spirits too. And that's where the house 168 00:09:42,720 --> 00:09:46,280 Speaker 1: was born. Basically, Yeah, the guy said, these spirits need 169 00:09:46,320 --> 00:09:47,880 Speaker 1: a house, so you're gonna have to build a house 170 00:09:47,920 --> 00:09:51,240 Speaker 1: for him. More and more people are dying from the 171 00:09:51,240 --> 00:09:54,679 Speaker 1: the rifle that your husband's family created every day, so 172 00:09:54,720 --> 00:09:56,640 Speaker 1: you're gonna have to make it a big house. And 173 00:09:56,720 --> 00:10:00,480 Speaker 1: you can never cease construction. If you cease construction, you'll die. 174 00:10:01,040 --> 00:10:03,760 Speaker 1: And there's two different interpretations here, and they're not quite 175 00:10:03,760 --> 00:10:07,240 Speaker 1: sure how Sarah Winchester interpreted it. But whether if she 176 00:10:07,280 --> 00:10:10,880 Speaker 1: stopped construction she would die, or if she kept construction 177 00:10:11,000 --> 00:10:14,520 Speaker 1: going she would live forever, eternal life. Because the people 178 00:10:14,559 --> 00:10:16,560 Speaker 1: who are into spiritualism, we're into that whole thing a 179 00:10:16,600 --> 00:10:21,840 Speaker 1: lot too. But either way, she had her her walking papers, 180 00:10:21,840 --> 00:10:25,800 Speaker 1: her instructions, um, and she decided to take them out 181 00:10:25,840 --> 00:10:29,520 Speaker 1: west and follow her husband, who who she believed was 182 00:10:29,600 --> 00:10:32,880 Speaker 1: leading her, who supposedly told her all this through the medium, 183 00:10:32,960 --> 00:10:37,360 Speaker 1: and headed towards California. Yeah, she visited head a Nissan 184 00:10:37,400 --> 00:10:41,400 Speaker 1: Menlo Park and eventually found a property three miles west 185 00:10:41,400 --> 00:10:45,480 Speaker 1: of San Jose and the Santa Clara Valley there, and 186 00:10:45,559 --> 00:10:47,200 Speaker 1: she said, you know what, I'm gonna buy this land. 187 00:10:47,280 --> 00:10:49,640 Speaker 1: I'm gonna take this house and I'm going to build 188 00:10:49,679 --> 00:10:54,880 Speaker 1: on it until forever. And Um, Lady Adam had a 189 00:10:56,360 --> 00:11:00,440 Speaker 1: his cousin was a contractor. That's not true. That would 190 00:11:00,440 --> 00:11:02,440 Speaker 1: have been great though. Yeah, It's like, so you have 191 00:11:02,520 --> 00:11:08,760 Speaker 1: to build and NonStop. Here's my cousin, John Hanson. John 192 00:11:08,800 --> 00:11:12,600 Speaker 1: Hanson was in fact or foreman. Uh even though Ms 193 00:11:13,000 --> 00:11:16,439 Speaker 1: Mrs Winchester was her own architect, So hold on. So 194 00:11:17,360 --> 00:11:21,640 Speaker 1: Mrs Winchester, um, who's just really slightly off a rocker 195 00:11:21,760 --> 00:11:24,199 Speaker 1: now at the loss of her child and her husband 196 00:11:24,679 --> 00:11:29,040 Speaker 1: has instructions that she is to move west start building 197 00:11:29,440 --> 00:11:32,880 Speaker 1: forever a huge house to how's the ghosts of all 198 00:11:32,920 --> 00:11:35,280 Speaker 1: the people who have died at the hands of her 199 00:11:35,800 --> 00:11:39,920 Speaker 1: um husband's company's rifles. That's where we're at right now. 200 00:11:40,360 --> 00:11:49,600 Speaker 1: Before we're going further, let's um, let's do a message break, Okay, 201 00:11:49,640 --> 00:11:52,680 Speaker 1: before we left, UM, I sort of hinted that she 202 00:11:53,640 --> 00:11:56,600 Speaker 1: was her own architect, and she was. Not only did 203 00:11:56,640 --> 00:11:59,200 Speaker 1: you hint it, you said it. Not only was she 204 00:11:59,400 --> 00:12:03,079 Speaker 1: her own arc deck. But see, she supposedly got instructions 205 00:12:03,120 --> 00:12:06,920 Speaker 1: on building through seances, right, And she had an architect 206 00:12:06,960 --> 00:12:10,440 Speaker 1: at first, but she fired him later on, apparently, I think, 207 00:12:10,480 --> 00:12:14,040 Speaker 1: because he wouldn't listen to her, and she's like, look, 208 00:12:14,080 --> 00:12:16,480 Speaker 1: I'm getting instructions from the other side, paler, are you 209 00:12:16,520 --> 00:12:19,200 Speaker 1: getting instructions from the side? No, Well, then we go 210 00:12:19,360 --> 00:12:23,480 Speaker 1: my way. So she had a seance room, and here's 211 00:12:23,480 --> 00:12:26,160 Speaker 1: how she would conduct her seance. Would try and trick 212 00:12:26,240 --> 00:12:31,480 Speaker 1: the ghosts into not following her and disrupting the seance um. 213 00:12:31,520 --> 00:12:35,440 Speaker 1: So she would set up for the seance room. Um. 214 00:12:35,559 --> 00:12:39,240 Speaker 1: She would traverse basically a labyrinth of rooms and hallways 215 00:12:39,360 --> 00:12:41,440 Speaker 1: like she would push a button and a panel would 216 00:12:41,440 --> 00:12:45,080 Speaker 1: fly up. She would step quickly into their shut the door. 217 00:12:46,160 --> 00:12:48,760 Speaker 1: She would open a window to that place, climb out 218 00:12:49,760 --> 00:12:52,240 Speaker 1: onto like a flight of outdoor steps that took her 219 00:12:52,240 --> 00:12:54,920 Speaker 1: down a story come back inside like through a window. 220 00:12:55,480 --> 00:12:59,000 Speaker 1: And she was basically trying to to lose these spirits 221 00:12:59,040 --> 00:13:01,800 Speaker 1: that she felt like we're tailing her until she could 222 00:13:01,800 --> 00:13:05,640 Speaker 1: finally get into her comforting science room where she would 223 00:13:05,720 --> 00:13:08,800 Speaker 1: receive instruction on what to build next. And then when 224 00:13:08,880 --> 00:13:11,320 Speaker 1: she got into a sance room, which was the Blue room. 225 00:13:11,360 --> 00:13:12,960 Speaker 1: It was at the center of the house and I 226 00:13:13,000 --> 00:13:16,360 Speaker 1: think the second floor. Um, she would get instructions I 227 00:13:16,400 --> 00:13:20,200 Speaker 1: think from her husband supposedly and then also a spirit 228 00:13:20,720 --> 00:13:25,280 Speaker 1: caretaker named Clyde, and she would get the instructions. At twelve, 229 00:13:25,360 --> 00:13:27,400 Speaker 1: there would be a bell rung. That's when the spirits 230 00:13:27,480 --> 00:13:31,000 Speaker 1: arrived at to another bell would ring, signaling their exit. 231 00:13:31,240 --> 00:13:33,400 Speaker 1: And she would do this every night and then in 232 00:13:33,400 --> 00:13:37,200 Speaker 1: the morning she would go meet the foreman Hanson, John Hanson, 233 00:13:37,360 --> 00:13:39,760 Speaker 1: and say here's what you guys do today, and he 234 00:13:39,800 --> 00:13:43,360 Speaker 1: would go, all right, but we should say that all 235 00:13:43,400 --> 00:13:46,120 Speaker 1: through the night, including at midnight at two and the 236 00:13:46,160 --> 00:13:49,079 Speaker 1: time when she was sleeping after the science and before 237 00:13:49,120 --> 00:13:53,160 Speaker 1: she met Hanson, there was construction going on. Yeah, and um, 238 00:13:53,360 --> 00:13:56,360 Speaker 1: like it was twenty four hours a day, sixty five 239 00:13:56,400 --> 00:13:59,800 Speaker 1: days a year, including Sundays, including holidays, there was all 240 00:14:00,240 --> 00:14:04,680 Speaker 1: somebody doing construction on that house. Yeah. She she apparently 241 00:14:04,720 --> 00:14:07,520 Speaker 1: like as long as she could hear those hammers nailing nails, 242 00:14:07,640 --> 00:14:12,880 Speaker 1: then she felt at ease. Um. She would uh design 243 00:14:13,000 --> 00:14:15,920 Speaker 1: rooms that would be built on top of other rooms. 244 00:14:15,960 --> 00:14:20,080 Speaker 1: She would build rooms apparently to get to those hundred 245 00:14:20,120 --> 00:14:22,840 Speaker 1: and sixty rooms. They estimate they may have built five 246 00:14:22,960 --> 00:14:26,040 Speaker 1: or six hundred over the span of those years. Right, 247 00:14:26,120 --> 00:14:28,360 Speaker 1: Because if there was something that got in the way, 248 00:14:28,440 --> 00:14:30,960 Speaker 1: she would either build around it have it torn down. 249 00:14:31,520 --> 00:14:35,760 Speaker 1: Sometimes there was even um it was even less explicable 250 00:14:35,840 --> 00:14:37,720 Speaker 1: why a room would get torn down, but she would 251 00:14:37,760 --> 00:14:39,760 Speaker 1: just order it torn down, even though say they've been 252 00:14:39,800 --> 00:14:42,160 Speaker 1: working on at a month up to that point. Yeah. 253 00:14:42,240 --> 00:14:45,240 Speaker 1: And the whole trick to all this is to pay well. Um, 254 00:14:45,320 --> 00:14:47,960 Speaker 1: if you weren't paying well, then you probably would have 255 00:14:47,960 --> 00:14:50,000 Speaker 1: had dudes walking off the job being like, you're crazy lady, 256 00:14:50,000 --> 00:14:53,000 Speaker 1: I'm out of here. Right. She paid double the day rate, yeah, 257 00:14:53,040 --> 00:14:58,080 Speaker 1: which is three bucks three Yeah, And so the construction 258 00:14:58,160 --> 00:15:00,400 Speaker 1: dudes were happy to keep working on this. What they 259 00:15:00,440 --> 00:15:04,760 Speaker 1: thought was this crazy old lady's plans um and they frustrating, 260 00:15:04,800 --> 00:15:07,640 Speaker 1: but that you know, they were getting rich or not rich, 261 00:15:07,720 --> 00:15:10,080 Speaker 1: but they were doubling their money, right, And I think 262 00:15:10,320 --> 00:15:13,000 Speaker 1: over time to Chuck, like, I get the impression that 263 00:15:13,040 --> 00:15:16,520 Speaker 1: the people who worked for her, both the construction workers 264 00:15:16,840 --> 00:15:19,400 Speaker 1: who you know, I mean like there would be once 265 00:15:19,440 --> 00:15:21,720 Speaker 1: they came, they didn't leave unless they were fired because 266 00:15:21,760 --> 00:15:26,360 Speaker 1: the money was so good. Um, so when you work 267 00:15:26,440 --> 00:15:30,000 Speaker 1: for some crazy old lady for twelve, fifteen, twenty years 268 00:15:30,080 --> 00:15:32,880 Speaker 1: or whatever, like, you're gonna start to develop a sense 269 00:15:32,920 --> 00:15:36,280 Speaker 1: of loyalty. And they they she was very much protected 270 00:15:36,760 --> 00:15:40,280 Speaker 1: from the outside world by these people because her neighbors 271 00:15:40,280 --> 00:15:43,280 Speaker 1: thought she was a total whacko, maybe a little evil 272 00:15:43,320 --> 00:15:44,960 Speaker 1: who knows what's going on? And she was very she 273 00:15:45,040 --> 00:15:48,600 Speaker 1: lived in seclusion. She always wore black, she always wore 274 00:15:48,640 --> 00:15:51,680 Speaker 1: a veil. Yeah, she uh. One of the first things 275 00:15:51,680 --> 00:15:54,840 Speaker 1: she did was had built a private had a private 276 00:15:54,880 --> 00:15:58,040 Speaker 1: planet around the entire house. But she was also very 277 00:15:58,120 --> 00:16:00,960 Speaker 1: kind of children, especially or friends would have them over 278 00:16:01,000 --> 00:16:03,640 Speaker 1: for ice cream. So it's not like she was some awful, 279 00:16:03,680 --> 00:16:08,480 Speaker 1: mean old person. She was just mysterious and liked her 280 00:16:08,520 --> 00:16:11,560 Speaker 1: privacy mainly. Yeah, And apparently once she moved into town, 281 00:16:12,120 --> 00:16:15,560 Speaker 1: um a lot of the local charities started getting anonymous 282 00:16:15,640 --> 00:16:19,000 Speaker 1: donations that they never got before. She and she of 283 00:16:19,000 --> 00:16:20,960 Speaker 1: course she didn't need all the glory, but she was 284 00:16:21,000 --> 00:16:23,800 Speaker 1: still very charitable woman. Yeah, she had a bunch of money. Um. 285 00:16:23,840 --> 00:16:27,600 Speaker 1: The reason she was able to pay double was a 286 00:16:27,600 --> 00:16:30,720 Speaker 1: big inheritance obviously about twenty million bucks and a lot 287 00:16:30,760 --> 00:16:35,000 Speaker 1: of stock in the Winchester Company, and um, it afforded her. 288 00:16:35,040 --> 00:16:37,920 Speaker 1: They guessed about a thousand dollars a day to spend 289 00:16:37,960 --> 00:16:42,680 Speaker 1: on construction, which it's like twenty grand now and change 290 00:16:42,840 --> 00:16:46,360 Speaker 1: a day day. And this is good money, mostly prior 291 00:16:46,440 --> 00:16:49,560 Speaker 1: to the era of the income tax. So like that 292 00:16:49,640 --> 00:16:53,040 Speaker 1: was all hers. Um. I mean, she ended up spending 293 00:16:53,040 --> 00:16:55,520 Speaker 1: I think five point five million on the house in 294 00:16:56,000 --> 00:17:00,360 Speaker 1: nineteen dollars. That's a lot of dough, it really is. 295 00:17:00,440 --> 00:17:02,080 Speaker 1: But she didn't have anything else to do with it 296 00:17:02,120 --> 00:17:06,880 Speaker 1: except give it away to orphans. That's true. So, um, 297 00:17:07,240 --> 00:17:11,600 Speaker 1: all of this construction led to some very strange design decisions. 298 00:17:11,680 --> 00:17:13,159 Speaker 1: And we should say this is probably a pretty good 299 00:17:13,200 --> 00:17:17,680 Speaker 1: point to say, Mrs Winchester didn't leave any diaries, any journals, 300 00:17:18,080 --> 00:17:22,040 Speaker 1: She was never interviewed. Uh. All we can say for 301 00:17:22,160 --> 00:17:25,040 Speaker 1: sure is that she went to a medium in Boston, 302 00:17:25,119 --> 00:17:27,679 Speaker 1: received these instructions that she had to build the house 303 00:17:27,680 --> 00:17:31,800 Speaker 1: to appease the spirits, and that's what she did. Everything 304 00:17:31,840 --> 00:17:36,200 Speaker 1: else is kind of conjecture, like her motivations. Beyond that, 305 00:17:36,240 --> 00:17:38,840 Speaker 1: the details of her motivations and what she thought and believed, 306 00:17:39,400 --> 00:17:43,439 Speaker 1: um is conjectures. We should probably say that, um, And 307 00:17:43,480 --> 00:17:48,000 Speaker 1: there's a lot of room for misunderstanding. Like the staircases 308 00:17:48,080 --> 00:17:50,959 Speaker 1: that she built had lots of steps and they were 309 00:17:51,000 --> 00:17:53,640 Speaker 1: like two inches high. Well, the reason that she did 310 00:17:53,680 --> 00:17:56,280 Speaker 1: that was because she had very bad arthritis, and those 311 00:17:56,320 --> 00:17:59,200 Speaker 1: are the only types of stairs that she could um climb. 312 00:17:59,520 --> 00:18:01,560 Speaker 1: But they would also double back all of a sudden, 313 00:18:01,600 --> 00:18:03,919 Speaker 1: or go around in crazy circles of A lot of 314 00:18:03,920 --> 00:18:05,800 Speaker 1: people say that she thought that you could kind of 315 00:18:05,840 --> 00:18:08,560 Speaker 1: screw with the spirits and throw them off your trail. 316 00:18:08,800 --> 00:18:11,240 Speaker 1: I guess on your way to the sance room. Um, 317 00:18:11,280 --> 00:18:14,800 Speaker 1: by having stairs constructed like that. At any rate, there's 318 00:18:14,840 --> 00:18:19,240 Speaker 1: a lot of weird design elements in this huge mansion. Yeah. 319 00:18:19,280 --> 00:18:23,160 Speaker 1: The switchback stairs, um were seven flights that rose only 320 00:18:23,240 --> 00:18:27,000 Speaker 1: nine ft forty four steps total. She had stairs that 321 00:18:27,000 --> 00:18:30,639 Speaker 1: would go down leading two stairs that went up stairs 322 00:18:30,640 --> 00:18:34,000 Speaker 1: that would go into a ceiling, chimneys that would stop 323 00:18:34,040 --> 00:18:38,680 Speaker 1: short of the ceiling. Ah, you know, hidden doorways covered 324 00:18:38,760 --> 00:18:42,879 Speaker 1: up stairwells. It was just sort of a big beautiful 325 00:18:42,960 --> 00:18:45,720 Speaker 1: mess of design. There was a there were doors that 326 00:18:45,840 --> 00:18:49,320 Speaker 1: led from the inside out to the outside, but it 327 00:18:49,359 --> 00:18:51,320 Speaker 1: would just be a sheer drop if you stepped out 328 00:18:51,359 --> 00:18:53,800 Speaker 1: the door, like that last step as a doozy right. Um. 329 00:18:54,040 --> 00:18:56,399 Speaker 1: There was an inside door in the sance room, a 330 00:18:56,480 --> 00:18:59,879 Speaker 1: closet door that opened up onto the kitchen sink another 331 00:19:00,160 --> 00:19:04,520 Speaker 1: story below. Um, there was a corridor behind a cabinet 332 00:19:04,560 --> 00:19:07,960 Speaker 1: that went along the backside of thirty rooms. It's just 333 00:19:08,160 --> 00:19:10,399 Speaker 1: all sorts of neat stuff. There's the very famous stairs 334 00:19:10,440 --> 00:19:14,040 Speaker 1: that lead to nowhere. Yeah, there were cabinets or only 335 00:19:14,080 --> 00:19:18,160 Speaker 1: like two inches deep. Um. There was a grand ballroom, 336 00:19:18,200 --> 00:19:20,040 Speaker 1: and you know, it wasn't all just wacky stuff. It 337 00:19:20,119 --> 00:19:24,280 Speaker 1: was like really gorgeous design in places. Um. The grand 338 00:19:24,280 --> 00:19:26,359 Speaker 1: ballroom was built without nails, which was a feat of 339 00:19:26,400 --> 00:19:31,400 Speaker 1: engineering in itself and was gorgeous, but never used because 340 00:19:31,560 --> 00:19:35,880 Speaker 1: of an earthquake that was pretty significant in her life 341 00:19:35,880 --> 00:19:39,480 Speaker 1: in nineteen o six, there was an earthquake that Um. 342 00:19:39,520 --> 00:19:41,520 Speaker 1: She was known for sleeping in different rooms every night 343 00:19:41,800 --> 00:19:44,159 Speaker 1: so she wouldn't be found out by the ghosts, and 344 00:19:44,200 --> 00:19:46,840 Speaker 1: she was actually trapped in the Daisy room and not 345 00:19:46,960 --> 00:19:49,679 Speaker 1: found for a little while by her employees because they 346 00:19:49,680 --> 00:19:51,919 Speaker 1: didn't know where she was after this earthquake. Cabin right. 347 00:19:51,920 --> 00:19:53,919 Speaker 1: Not only did the ghosts not know where she was sleeping, 348 00:19:54,000 --> 00:19:56,639 Speaker 1: her servants didn't either, So she was in there for 349 00:19:56,680 --> 00:19:59,520 Speaker 1: a few hours and it f freaked her out. Oh, 350 00:19:59,520 --> 00:20:01,960 Speaker 1: I'm sure, because despite the fact that it had like 351 00:20:02,040 --> 00:20:05,560 Speaker 1: totally killed a lot of people in ravaged San Francisco 352 00:20:05,600 --> 00:20:07,520 Speaker 1: and burned it down, she took it as a sign 353 00:20:07,600 --> 00:20:10,080 Speaker 1: that the ghosts were mad at her um, that they 354 00:20:10,119 --> 00:20:13,680 Speaker 1: were afraid that construction was nearing an end, and so 355 00:20:13,720 --> 00:20:16,200 Speaker 1: to appease them, she boarded up a lot of the 356 00:20:16,320 --> 00:20:21,000 Speaker 1: damaged um interior so that it could never be repaired 357 00:20:21,320 --> 00:20:24,680 Speaker 1: and then therefore the house could never be finished. We 358 00:20:24,720 --> 00:20:26,920 Speaker 1: should also say that by this time the house had 359 00:20:26,920 --> 00:20:30,320 Speaker 1: reached seven stories, and the earthquake was so bad it 360 00:20:30,440 --> 00:20:33,320 Speaker 1: knocked off the top three I believe. Yeah, she ended 361 00:20:33,359 --> 00:20:36,960 Speaker 1: up sealing the front thirty rooms of the home, uh, 362 00:20:37,040 --> 00:20:39,800 Speaker 1: including the front entrance to the home. These like grand 363 00:20:39,880 --> 00:20:43,840 Speaker 1: front doors that they had just put in. Apparently only 364 00:20:43,880 --> 00:20:46,440 Speaker 1: three people the two guys that put in the door 365 00:20:46,560 --> 00:20:48,680 Speaker 1: and her were the only people to walk through them. 366 00:20:48,720 --> 00:20:52,359 Speaker 1: Before she sealed them off forever Um. What she had 367 00:20:52,400 --> 00:20:57,520 Speaker 1: a beautiful tiffany stained glass window installed and then built 368 00:20:57,520 --> 00:20:59,639 Speaker 1: a wall behind it so no light could shine through it. 369 00:21:00,000 --> 00:21:01,520 Speaker 1: You can only see it from the outside, and I'm 370 00:21:01,560 --> 00:21:04,640 Speaker 1: sure it looks kind of dull. And then after the 371 00:21:04,800 --> 00:21:08,600 Speaker 1: earthquake earthquake, which I say freaked her out, supposedly she 372 00:21:08,640 --> 00:21:11,119 Speaker 1: went and lived on a houseboat in San Francisco Bay 373 00:21:11,160 --> 00:21:14,720 Speaker 1: for six years. And then when she came back there 374 00:21:14,800 --> 00:21:19,760 Speaker 1: was it was different Like before, there wasn't necessarily much 375 00:21:19,760 --> 00:21:22,280 Speaker 1: of a plan and so like if she ran into 376 00:21:22,280 --> 00:21:24,680 Speaker 1: trouble architecturally, she just teared the thing down or build 377 00:21:24,720 --> 00:21:28,200 Speaker 1: around the problem. This was like a different kind of 378 00:21:28,400 --> 00:21:33,440 Speaker 1: frenetic pace and it was just like build whatever wherever Um. 379 00:21:33,480 --> 00:21:36,280 Speaker 1: After the earthquake really got to her, just like crazy 380 00:21:36,359 --> 00:21:39,480 Speaker 1: person building. Yeah, alright, Chuckers, before we go any further, 381 00:21:39,480 --> 00:21:50,639 Speaker 1: how about another message break? Okay, So back to it, Um, 382 00:21:50,800 --> 00:21:56,280 Speaker 1: here's some numbers for you. Forty seven fireplaces, seventeen chimneys, uh, 383 00:21:56,400 --> 00:22:00,840 Speaker 1: two basements, six kitchens, ten thousand window panes, and four 384 00:22:00,920 --> 00:22:04,040 Speaker 1: hundred and sixty seven doorways and only two mirrors in 385 00:22:04,040 --> 00:22:07,560 Speaker 1: the whole house because of course, ghosts are afraid of 386 00:22:07,560 --> 00:22:11,160 Speaker 1: their own reflection, and apparently that staff would sneak hand 387 00:22:11,200 --> 00:22:14,080 Speaker 1: mirrors so they can occasionally see what they look like 388 00:22:14,640 --> 00:22:16,720 Speaker 1: after getting out of the shower. But she didn't want 389 00:22:16,720 --> 00:22:18,840 Speaker 1: have anything to do with the mirrors though. Yeah. She 390 00:22:19,040 --> 00:22:23,119 Speaker 1: Um also supposedly would fire staff who saw her without 391 00:22:23,119 --> 00:22:26,960 Speaker 1: her veil on. Apparently her butler, UM and her niece 392 00:22:27,000 --> 00:22:29,080 Speaker 1: were the only people who could see her without a vail. 393 00:22:29,520 --> 00:22:32,160 Speaker 1: And if you saw her without a vail, no hard feelings, 394 00:22:32,200 --> 00:22:36,320 Speaker 1: but you're cute. So we've talked a lot about the 395 00:22:36,359 --> 00:22:38,640 Speaker 1: fact that she worked as her own designer and made 396 00:22:38,640 --> 00:22:42,080 Speaker 1: all these weird, terrible choices that made no sense. But 397 00:22:42,119 --> 00:22:44,639 Speaker 1: we also mentioned earlier she was a very smart lady. 398 00:22:45,080 --> 00:22:49,640 Speaker 1: So she actually learned over the years more about design 399 00:22:50,440 --> 00:22:54,000 Speaker 1: and architecture and got better at it um and developed 400 00:22:54,000 --> 00:22:57,080 Speaker 1: a skill. And she actually had some innovations in her 401 00:22:57,119 --> 00:23:01,119 Speaker 1: home that were brand new at the time. Um. For instance, 402 00:23:01,920 --> 00:23:03,720 Speaker 1: they say she was the first person to use wool 403 00:23:03,800 --> 00:23:07,480 Speaker 1: for insulation. Yeah, it's pretty cool. Uh. They had carbide 404 00:23:07,520 --> 00:23:10,919 Speaker 1: gas lights in the house that had their own gas 405 00:23:11,000 --> 00:23:14,439 Speaker 1: manufacturing plant for the estate, which is brand new, and 406 00:23:14,520 --> 00:23:18,639 Speaker 1: she had electric push buttons installed to turn the lights 407 00:23:18,640 --> 00:23:22,200 Speaker 1: on and off. She had an inside crank to open 408 00:23:22,200 --> 00:23:26,000 Speaker 1: and close outside window shutters. First person to do that. 409 00:23:26,000 --> 00:23:30,000 Speaker 1: That eventually became the norm. Uh what else she had? 410 00:23:30,040 --> 00:23:31,960 Speaker 1: She I guess it was sort of green at the time. 411 00:23:32,720 --> 00:23:34,800 Speaker 1: She had drip pans under the windows and a zinc 412 00:23:34,880 --> 00:23:38,880 Speaker 1: sub floor in the north conservatory, so when you watered plants, 413 00:23:39,560 --> 00:23:42,640 Speaker 1: the runoff from those plants would be captured by drain 414 00:23:42,680 --> 00:23:45,640 Speaker 1: pipes for the garden below it. It's pretty cool. And 415 00:23:45,720 --> 00:23:49,119 Speaker 1: she had something called the annunciator, which is a servant 416 00:23:49,119 --> 00:23:52,359 Speaker 1: call system allowed her to summon servants from anywhere in 417 00:23:52,359 --> 00:23:54,639 Speaker 1: the house and it would drop a little card to 418 00:23:54,680 --> 00:23:58,320 Speaker 1: show the servant which room she was in at the time. 419 00:23:57,440 --> 00:24:01,199 Speaker 1: That's awesome, So it wasn't just crazy weird steps that 420 00:24:01,280 --> 00:24:04,160 Speaker 1: lead to nowhere. There were actually some innovations at the time. 421 00:24:04,240 --> 00:24:07,160 Speaker 1: And it's it's a gorgeous Victorian like when you look 422 00:24:07,200 --> 00:24:10,119 Speaker 1: at it, really really beautiful house. Yeah, and apparently the 423 00:24:10,240 --> 00:24:13,800 Speaker 1: construction by the time she died took up six acres 424 00:24:14,680 --> 00:24:19,200 Speaker 1: six acres of the house, not just the the grounds, 425 00:24:19,320 --> 00:24:21,320 Speaker 1: because the grounds are like a hundred and sixty acres 426 00:24:21,960 --> 00:24:27,120 Speaker 1: um And when she she dies, finally it's ao And 427 00:24:27,200 --> 00:24:30,760 Speaker 1: apparently the legend has it that she died at a 428 00:24:30,840 --> 00:24:34,040 Speaker 1: time when construction stopped. The workman took a break or 429 00:24:34,080 --> 00:24:38,080 Speaker 1: something to play cards and never started back up again 430 00:24:38,119 --> 00:24:41,680 Speaker 1: because they discovered that she died in her bed sleeping 431 00:24:42,119 --> 00:24:46,960 Speaker 1: ino and um. Right afterwards, she left up everything to 432 00:24:47,440 --> 00:24:51,040 Speaker 1: basically her nieces and nephews, and one of her nieces 433 00:24:51,080 --> 00:24:52,640 Speaker 1: I think, the only one who was allowed to see 434 00:24:52,680 --> 00:24:55,119 Speaker 1: without a veil, came in and was like, let's just 435 00:24:55,200 --> 00:24:59,480 Speaker 1: auction this stuff off, and um, it took six weeks 436 00:24:59,520 --> 00:25:02,960 Speaker 1: supposed to to get everything out of the house because 437 00:25:03,000 --> 00:25:05,720 Speaker 1: there was that much stuff and it was that difficult 438 00:25:05,720 --> 00:25:07,760 Speaker 1: to find your way out and you really got into 439 00:25:07,800 --> 00:25:10,680 Speaker 1: the interior. Yeah, and some really valuable things too that 440 00:25:10,720 --> 00:25:14,359 Speaker 1: were locked away in storage that were never even uh used, 441 00:25:14,480 --> 00:25:18,560 Speaker 1: like you know, furniture and furnishings, just sitting and wait. Basically, 442 00:25:18,840 --> 00:25:22,560 Speaker 1: didn't you say that there's a wine seller that's lost. Yeah, 443 00:25:22,560 --> 00:25:26,119 Speaker 1: I think they can't find the wine seller to this day, 444 00:25:26,160 --> 00:25:29,360 Speaker 1: which also sounds a little like lower to me. It does. 445 00:25:29,440 --> 00:25:31,919 Speaker 1: Why can't you find the wine seller? I don't know, 446 00:25:31,960 --> 00:25:36,119 Speaker 1: it's lost. Uh. It is a popular tourist attraction today 447 00:25:36,280 --> 00:25:42,640 Speaker 1: and um still being renovated and maintained. Apparently it's continually 448 00:25:42,680 --> 00:25:45,679 Speaker 1: being painted. The exterior is all year long. They finished 449 00:25:45,680 --> 00:25:49,359 Speaker 1: painting it and they start once again because it takes 450 00:25:50,200 --> 00:25:53,080 Speaker 1: sixty five days to complete the job. I would imagine. So, 451 00:25:53,240 --> 00:25:55,840 Speaker 1: and it's been a tourist attracting almost since she died. 452 00:25:55,960 --> 00:25:59,200 Speaker 1: Like the house was sold to a group of investors 453 00:25:59,240 --> 00:26:02,320 Speaker 1: who wanted to it as a tourist attraction UM for 454 00:26:02,440 --> 00:26:06,240 Speaker 1: a hundred and thirty five thousand dollars, even though she 455 00:26:06,320 --> 00:26:09,879 Speaker 1: dropped five point five million into it. UM and again like, 456 00:26:09,920 --> 00:26:12,119 Speaker 1: if you're interested in this, you can go check out 457 00:26:12,200 --> 00:26:16,359 Speaker 1: the Winchester Mystery House in San Jose. UM. They have 458 00:26:16,400 --> 00:26:19,960 Speaker 1: a website. I just imagine you type in Winchester Mystery House, 459 00:26:20,240 --> 00:26:24,720 Speaker 1: but also look up UM something called Mrs Winchester's House. 460 00:26:25,200 --> 00:26:29,920 Speaker 1: It's a documentary from nine kpi X I think is 461 00:26:29,960 --> 00:26:33,680 Speaker 1: a San Francisco television station. It's narrated by Lilian Gish. 462 00:26:33,680 --> 00:26:36,320 Speaker 1: It's just a half hour long, but it's really spooky 463 00:26:36,480 --> 00:26:39,720 Speaker 1: and black and white and just interesting. It's a neat one, 464 00:26:40,000 --> 00:26:43,640 Speaker 1: very cool. Yeah, check that out, all right, So we're going, okay, 465 00:26:44,000 --> 00:26:46,840 Speaker 1: let's go before that though, Chuck Um, if everybody wants 466 00:26:46,840 --> 00:26:49,080 Speaker 1: to read this article, you can type in Winchester mystery 467 00:26:49,119 --> 00:26:50,840 Speaker 1: House in the search bar at how stuff works dot 468 00:26:50,920 --> 00:26:53,600 Speaker 1: com and we'll bring this up. And I said search bar, 469 00:26:53,840 --> 00:26:57,120 Speaker 1: So that means it's time for a listener mail. Yeah, 470 00:26:57,160 --> 00:27:02,119 Speaker 1: I'm gonna call this a sexuality call back. I just 471 00:27:02,160 --> 00:27:04,720 Speaker 1: listen to your A sexual podcast. Guys, found it very interesting. 472 00:27:05,200 --> 00:27:07,480 Speaker 1: One thing really caught my attention. You said a sexuals 473 00:27:07,480 --> 00:27:10,840 Speaker 1: were classified there's a separate group outside the range of 474 00:27:10,920 --> 00:27:15,160 Speaker 1: homosexual to heterosexual. I think it could be different. So 475 00:27:15,280 --> 00:27:18,560 Speaker 1: Paul is proposing an idea here, instead of the range 476 00:27:18,600 --> 00:27:20,800 Speaker 1: being in number line with a subgroup that doesn't fit, 477 00:27:21,119 --> 00:27:23,760 Speaker 1: it should be more like a coordinate plane. Not all 478 00:27:24,040 --> 00:27:27,160 Speaker 1: people are equally sexual. I'm sure you know people who 479 00:27:27,160 --> 00:27:29,800 Speaker 1: don't really think about sex often, and then people who 480 00:27:29,800 --> 00:27:32,760 Speaker 1: it dominates a large portion of their lives. That made 481 00:27:32,800 --> 00:27:34,439 Speaker 1: me think that it could be a coordinate plane with 482 00:27:34,880 --> 00:27:38,679 Speaker 1: homo and hetero on the left and right, and a 483 00:27:38,800 --> 00:27:44,440 Speaker 1: sexual too extremely sexual. I want to say nymphomaniacal even 484 00:27:44,760 --> 00:27:46,920 Speaker 1: but I feel like nymphomania is more complicated than a 485 00:27:47,000 --> 00:27:49,680 Speaker 1: born sexuality, or at least we don't know enough about it. 486 00:27:49,720 --> 00:27:52,320 Speaker 1: To say whether it is. Yeah, so what is describing 487 00:27:52,359 --> 00:27:55,159 Speaker 1: as like a plus sign? Yes, the sexual orientation on 488 00:27:55,240 --> 00:27:57,880 Speaker 1: left and right, and then the intensity of your sexuality 489 00:27:57,920 --> 00:28:01,000 Speaker 1: going up and down exactly, so you can have uh, 490 00:28:01,520 --> 00:28:07,800 Speaker 1: high homosexuality, low heterosexuality, and so on exactly. It's a 491 00:28:07,840 --> 00:28:10,800 Speaker 1: good idea. I've actually seen that elsewhere to coordinate plane. 492 00:28:10,840 --> 00:28:12,639 Speaker 1: It just makes sense. He says, that way all the 493 00:28:12,680 --> 00:28:15,800 Speaker 1: people could be accurately plotted. It's to some degree at least, 494 00:28:16,400 --> 00:28:18,679 Speaker 1: not saying it would count for everything perfectly, but I 495 00:28:18,680 --> 00:28:21,600 Speaker 1: think it would clarified a bit more. Anyways, I'd love 496 00:28:21,640 --> 00:28:25,320 Speaker 1: to know your thoughts on that idea. You just got them. Yeah, 497 00:28:25,400 --> 00:28:27,439 Speaker 1: has it been done before or have you read about that? 498 00:28:27,800 --> 00:28:29,800 Speaker 1: I have not. I do not know. I saw in 499 00:28:29,800 --> 00:28:34,480 Speaker 1: a paper somewhere somebody proposing that similar thing that it's 500 00:28:34,600 --> 00:28:40,520 Speaker 1: um who was it the the sex study yer Kinsey 501 00:28:40,840 --> 00:28:45,720 Speaker 1: Kin Yeah that he Yeah, Um, they really kind of 502 00:28:45,760 --> 00:28:50,480 Speaker 1: missed a really obvious aspect of intensity rather than just orientation. 503 00:28:50,720 --> 00:28:53,880 Speaker 1: It just stuck the orientation dummy. It's a good idea. 504 00:28:54,400 --> 00:28:59,200 Speaker 1: I agree. So Paul of Uniontown p a ah, we 505 00:28:59,200 --> 00:29:00,960 Speaker 1: we think it's a swell Get to work on it. 506 00:29:01,440 --> 00:29:05,480 Speaker 1: Go Paul if you can call it the Paul Paul's 507 00:29:05,600 --> 00:29:12,719 Speaker 1: sexual plane. Paul's a one sexual plane and a girl. Yeah, uh, 508 00:29:13,000 --> 00:29:16,520 Speaker 1: that's good. Thank you, Paul, Thank you for that. And 509 00:29:16,560 --> 00:29:22,200 Speaker 1: if you like, Paul has some great thoughts ideas on 510 00:29:22,360 --> 00:29:25,959 Speaker 1: things that we've talked about, more expansive ideas. UM, we 511 00:29:26,000 --> 00:29:28,120 Speaker 1: want to hear them because we like that kind of stuff. 512 00:29:28,320 --> 00:29:30,600 Speaker 1: You can tweet to us at s Y s K podcast. 513 00:29:30,880 --> 00:29:33,240 Speaker 1: You can join us on Facebook dot com slash Stuff 514 00:29:33,280 --> 00:29:35,200 Speaker 1: you Should Know. You can send us an email to 515 00:29:35,320 --> 00:29:38,760 Speaker 1: Stuff Podcast at Discovery dot com and hey, guys, come 516 00:29:38,800 --> 00:29:41,000 Speaker 1: hang out with us at our website Stuff you Should 517 00:29:41,040 --> 00:29:48,480 Speaker 1: Have dot com for more on this and thousands of 518 00:29:48,480 --> 00:29:58,400 Speaker 1: other topics. Is it how Stuff works dot Com. 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