WEBVTT - Money, POWER, Respect with Marcus Callender

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<v Speaker 1>We're just too unapologetically black women with an opinion. Who

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<v Speaker 1>talks back? What's up, y'all? Thank you for tuning in

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<v Speaker 1>for a new episode that we talked back, A show

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<v Speaker 1>dedicated to you, nigga's and these holes. It's your co host,

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<v Speaker 1>a J Holiday. What's out? Tim? Hey girl, Hey y'all,

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<v Speaker 1>it's me Tim Vam. I love y'all. Thank y'all for tuning.

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<v Speaker 1>Ay J. How's your weekend? It's a me mighty hole.

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<v Speaker 1>I was showing up this weekend. I don't do much, um,

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<v Speaker 1>just dinner, drinks. That's about it, saying I didn't uh.

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<v Speaker 1>I didn't hang out until Sunday. I came outside a

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<v Speaker 1>little bit on a couple of spots. But this weekend

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<v Speaker 1>was real chill, taking it easy because next weekend it's

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<v Speaker 1>Super Bowls. It's let it's Reana Bowl right now. I

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<v Speaker 1>do want the Eagles to win, Okay, I feel like

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<v Speaker 1>they are. They got out your good energy, so yeah, yeah, um,

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<v Speaker 1>I don't know, I don't know. I don't know. I

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<v Speaker 1>have any place in particular. I'll find someplace, but then

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<v Speaker 1>I'm pretty sure a few people gonna be having some

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<v Speaker 1>Super Bowl parties. I could pull up all right, I

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<v Speaker 1>want to go get all the Super Bowl food. Just

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<v Speaker 1>all I can have is meat and vegetables, though in cheese,

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<v Speaker 1>I can't have anything sweet or bread or I know

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<v Speaker 1>I funked up last night though I'm out of cutosis.

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<v Speaker 1>I know I am today. I'm starting back over now.

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<v Speaker 1>I can't do a super restrictive diet like that. I

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<v Speaker 1>have tried, Jesus Christ. I mean, the most restrictive thing

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<v Speaker 1>I think, and it's just not restrictive anymore, is just

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<v Speaker 1>like stop, you know, eating meat, like big, big, big meats.

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<v Speaker 1>Other than that, I'll just try to cut back because

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<v Speaker 1>if it, you need a chocolate your cookie every now

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<v Speaker 1>and then. Alright, so let me see what we got

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<v Speaker 1>going on there this week and stupid internet news the

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<v Speaker 1>sins of a week. It's Black History Month, and like

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<v Speaker 1>Malcolm X once said, the white man will try to

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<v Speaker 1>satisfy us with symbolic victories rather than economic equity and

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<v Speaker 1>real justice. That's when Malcolm X once said, and here

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<v Speaker 1>we are in and we got schools in New York

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<v Speaker 1>City serving our children chicken and waffles and watermelons. I

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<v Speaker 1>like that ship. I that ship. I'm sorry. I love chicken.

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<v Speaker 1>I love waffles and I love watermelon. I would have

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<v Speaker 1>been so happy at school with that meal. Yeah, but

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<v Speaker 1>serve it every day, have it, serve it as a

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<v Speaker 1>delicacy once a month or something. I don't know why

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<v Speaker 1>you wait till Black History Month to serve that to

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<v Speaker 1>the students. M hmm, all right. It's kind of like,

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<v Speaker 1>damned if you do damned if you don't like how

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<v Speaker 1>do you how do you want to celebrate Black History?

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<v Speaker 1>It was I feel like we want the check I

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<v Speaker 1>just told you with Malcolm mar An elementary school. At

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<v Speaker 1>an elementary school, they thought that they probably thought it

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<v Speaker 1>was a fun way to incorporate something that black people

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<v Speaker 1>enjoy for Black History. You are assuming that all black

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<v Speaker 1>people enjoy. I don't need chicken. I don't eat fried chicken.

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<v Speaker 1>When I get the waffles, I might get fried shrimp

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<v Speaker 1>on the side. White people eat that ship too, What

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<v Speaker 1>are you talking about? They're gonna eat it on Black

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<v Speaker 1>History money on the first day in school with these

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<v Speaker 1>everybody else And watermelon And if I wish people would

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<v Speaker 1>go look into the history as to why black people

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<v Speaker 1>are associated with watermelon, it really wasn't because we just

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<v Speaker 1>enjoyed watermelon. That was one of our main crops, especially

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<v Speaker 1>in the South. It made black people a lot of

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<v Speaker 1>money selling watermelon, and that would include selling watermelon to

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<v Speaker 1>white people. Everybody likes a nice cold watermelon slice on

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<v Speaker 1>a goddamn Sunday when it's hot outside. That is that

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<v Speaker 1>should not be like you was so happy to have

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<v Speaker 1>it at school, though I would have been so happy,

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<v Speaker 1>all right, So y'all. New York school apologizes for Sara

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<v Speaker 1>watermelon chicken and waffles on the first day of Black

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<v Speaker 1>History Month after complaints it reinforced negative stereotypes of food.

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<v Speaker 1>Vendor issued an apology after the lunch they gave students

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<v Speaker 1>at Knack Middle School on the first day of Black

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<v Speaker 1>History Month was deemed in sensitive. I agree lunch, excuse me,

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<v Speaker 1>lunch of chicken and waffles with watermelon for dessert, which

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<v Speaker 1>a student claimed reinforced negative African American stereotypes. A student,

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<v Speaker 1>a middle school student, had to correct adults man, waffles stupid, stupid,

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<v Speaker 1>and then you got down in Miami. Down in Miami,

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<v Speaker 1>they decorated a police car. Okay, now that was just stupid.

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<v Speaker 1>Now that's stupid. But the chicken and waffles ain't stupid.

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<v Speaker 1>This is what chicken and waffles is so Florida State

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<v Speaker 1>Representative Dottie Joseph says that the Miami police car misses

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<v Speaker 1>the mark on celebrating Black History Month by highlighting the

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<v Speaker 1>wrong continent. It was the wrong continent on the goddamn ship.

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<v Speaker 1>But yeah, we need money. We don't need um even

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<v Speaker 1>with Juneteenth. I'm trying to figure out who even though

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<v Speaker 1>Juneteenth is important, Juneteenth was mainly down in Texas, right

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<v Speaker 1>because there were black people down there who didn't know

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<v Speaker 1>they were free. M But there's a lot of black

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<v Speaker 1>people in the South period that chose to remain on

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<v Speaker 1>plantations because they didn't know what to do next after

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<v Speaker 1>being freed. But to make that a national uh holiday,

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<v Speaker 1>I don't know who wanted that. I would prefer reparations.

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<v Speaker 1>So they keep giving us these symbols as opposed to

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<v Speaker 1>giving us real while celebrating Juneteenth. But I agree, we

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<v Speaker 1>want the money in the holiday. Yeah, it's just all

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<v Speaker 1>it's awesome bullshit. You know, every other group of people

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<v Speaker 1>you got the Holocaust, you even have And we talked

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<v Speaker 1>about this last year during the pandemic, how the Asian

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<v Speaker 1>community they got all these moneys in the COVID nineteen

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<v Speaker 1>hate crime bill. We're get nothing. We never get anything.

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<v Speaker 1>We just got the anti lynching bill passed in Mattel

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<v Speaker 1>Anti lynching bill passed. Either it was last year or

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<v Speaker 1>it's not. We need we need some real life, um

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<v Speaker 1>economic advancement at this point, and they ain't trying to

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<v Speaker 1>give it to us. So what's next? I say, force?

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<v Speaker 1>But anyway next? Yeah, because Matil died in very long

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<v Speaker 1>time ago in our lifetime, we're just now seeing an

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<v Speaker 1>anti lynching bill. Why because black people are still being

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<v Speaker 1>lynched in three that's a fact. Mm hmm yep. Happy

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<v Speaker 1>Black History monthy guys. What else happened? Yeah? The Grammys

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<v Speaker 1>this weekend. I missed it. I was out eating and

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<v Speaker 1>in the city. I don't ever watch it anyway. I'll

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<v Speaker 1>catch a little clips and highlights online, but it's not

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<v Speaker 1>something like I gotta see the Grammys. I should be

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<v Speaker 1>looking boring as hell. But I watched some people that

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<v Speaker 1>I knew who went, you know, I watched their stories

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<v Speaker 1>and ship like that. Um, that's about it. Are you

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<v Speaker 1>gonna do our batty of the week for Black History Month? Yeah?

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<v Speaker 1>Might as well. Why are we talking about the Grammys?

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<v Speaker 1>So listen the Batty of the Week. This week goes

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<v Speaker 1>to Viola Davis. Okay, Viola Davis Jones only seventeen other

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<v Speaker 1>people who have won an Emmy, a Grammy, Oscar and

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<v Speaker 1>a Tony completing the ego feature um And she did

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<v Speaker 1>a speech yesterday at the Grammys, Beautiful, Beautiful, Beautiful. She said,

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<v Speaker 1>the only thing I could think to do was to

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<v Speaker 1>go back to the beginning of my story, because I

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<v Speaker 1>think that once you tell your story over and over again,

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<v Speaker 1>you start to hear it and you start to think, Okay,

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<v Speaker 1>how did I get here? It's it's always the journey,

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<v Speaker 1>m right. People always think it's like the end goal.

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<v Speaker 1>Is this the actual journey to get to where you're going?

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<v Speaker 1>That matters, that's most important. Absolutely, Congratulations Viola Davis. You

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<v Speaker 1>are the Batty of the week. We salute your girl,

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<v Speaker 1>Batty who talks back. So I want to talk about

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<v Speaker 1>this balloon. Tell me that was floating over the United

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<v Speaker 1>States for about a week apparently, and it was just

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<v Speaker 1>shot down. When was that Friday? Yes? What took them

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<v Speaker 1>so long to shoot the damn throwing down is what

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<v Speaker 1>I need to know. China said. Look, China got rebuttaled

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<v Speaker 1>after they shot that balloon. And down. China said it

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<v Speaker 1>is cool when they do it. It's a problem with

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<v Speaker 1>I do it. Fo China says it reserves the right

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<v Speaker 1>to deal with similar situations after US jet shoot down

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<v Speaker 1>suspective spy balloon. The thing is, I don't believe that

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<v Speaker 1>the balloon was a spy balloon. China conspire on us

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<v Speaker 1>in so many other ways, which they do a k

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<v Speaker 1>a TikTok and all these other things. Devices are made

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<v Speaker 1>in China. Everything we deal with right now is made

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<v Speaker 1>in China. So if China wanted to spire on us,

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<v Speaker 1>they would not have to put a balloon in the air.

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<v Speaker 1>That was symbolism, is what that was like. Play with us,

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<v Speaker 1>We're pulling up. That's how I felt about the balloon

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<v Speaker 1>in the air. It was just symbolism, symbolism for what

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<v Speaker 1>we can pull up. We will pull up. That's what

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<v Speaker 1>it looked like to me, because we know they can

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<v Speaker 1>if they really want to spy on us, they can

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<v Speaker 1>do that in many other ways, and they do do it.

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<v Speaker 1>They have all of our information. Did you let's go

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<v Speaker 1>send a balloon over there? But that's what they're saying.

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<v Speaker 1>We're having a party. Yeah, obviously this is nothing abnormal. Obviously,

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<v Speaker 1>this is stuff that maybe the United States has done

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<v Speaker 1>in the past, two little threatening, little reminders that will

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<v Speaker 1>pull up. It's symbolism. So with China is saying, Okay,

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<v Speaker 1>y'all shot our shut down. They reserve the right to

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<v Speaker 1>do that next time, y'all pull up on the territory.

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<v Speaker 1>I don't want. Ain't gonna lie. I think it's inevitable.

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<v Speaker 1>At this point, they're gearing up huge. They're gearing up

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<v Speaker 1>to I saw an article. I don't know how true

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<v Speaker 1>it is. I didn't do any deep research, but they're

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<v Speaker 1>gearing up to um invade Taiwan. Yeah, and then I

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<v Speaker 1>got nothing to do with us. Well, we can't mind

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<v Speaker 1>our business because the United Nations and stuff like that.

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<v Speaker 1>So just like we in Ukraine right now sending more

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<v Speaker 1>weapons and more tanks and ship like that over there,

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<v Speaker 1>the United States don't mind our minded business. And then

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<v Speaker 1>they'd be fun them both sides of the war. So

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<v Speaker 1>like that's like me, you're fighting with somebody else. I'm

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<v Speaker 1>gonna give you money and empower them at the same time.

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<v Speaker 1>What's the the Swiss, that's who we need to be.

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<v Speaker 1>Like the Swiss don't mind, they fun, They mind they

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<v Speaker 1>fucking all the fun up things you can think of

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<v Speaker 1>starts in Switzerland for sure. You know, people be like, oh,

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<v Speaker 1>we're gonna put in a Swiss bank, that's where all

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<v Speaker 1>the secrets are at. But they don't funk with no.

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<v Speaker 1>But they don't get in nobody's ship, not publicly. But

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<v Speaker 1>their hands being everything is what I'm saying, their hands

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<v Speaker 1>literally being everything in history. Switzerland has something to do

0:11:36.920 --> 0:11:39.800
<v Speaker 1>with every fucking thing. I like that. I like to

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<v Speaker 1>say when people like, what do you think, I'm like,

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<v Speaker 1>I'm like the Swiss, you know, the ship, but you

0:11:45.840 --> 0:11:54.480
<v Speaker 1>starting ship behind the scenes, bitch starting ship. Yeah, that's

0:11:54.559 --> 0:11:56.520
<v Speaker 1>it's wild man, It's a wild time. And I just

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<v Speaker 1>think that we may see war in our lifetime we

0:11:59.360 --> 0:12:03.360
<v Speaker 1>make another one. I mean our knows that I'm talking

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<v Speaker 1>about on American school, that American soil, I think. So,

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<v Speaker 1>you know, and what makes me scared about that balloon

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<v Speaker 1>being over? Uh? You know Charlotte in South Carolina. You know,

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<v Speaker 1>Charlotte is the number two banking hub in the United

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<v Speaker 1>States Myrtle Beach. Think about that. How close Charleston is.

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<v Speaker 1>We have a naval base, Fort Bragg, Fort Jason, all

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<v Speaker 1>the bases on Charleston and the banking Hub. Mm hmmm

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<v Speaker 1>mm yeah, they know what they're doing to Jamaica. Yeah,

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<v Speaker 1>that's why I want citizenship in another country. You're gonna

0:12:40.800 --> 0:12:42.640
<v Speaker 1>gonna be having that sh it out. But I really

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<v Speaker 1>want to go to Barbados. I want citizens citizenship in Barbados. Yeah,

0:12:47.120 --> 0:12:55.520
<v Speaker 1>you're gonna have to get you wanted them in. All right, y'all,

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<v Speaker 1>we got someone really interesting and very special on our show.

0:12:59.160 --> 0:13:02.720
<v Speaker 1>We are gonna tell Wu Tang claiming there ain't nothing

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<v Speaker 1>to cream get the money dollar dollar, Hell, y'all do

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<v Speaker 1>like that? Not on my OUs. All right, we'll be

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<v Speaker 1>right back, y'all. All right, y'all, So listen. Today's guest

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<v Speaker 1>has starred in some of your favorite films and television

0:13:26.800 --> 0:13:31.200
<v Speaker 1>series like The Brakes, Power, and he's currently starting on

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<v Speaker 1>the Hulu's drama series Wu Tang in American Saga Ray Ray.

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<v Speaker 1>I mean, Marcus Callender, welcome to We Talked Back. What's up? Hey, Marcus?

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<v Speaker 1>Thank you for joining us, Thank you, thank you for

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<v Speaker 1>having me. Yes, all right, I just gotta say this,

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<v Speaker 1>all right, there's characters and movies and shows that when

0:13:54.120 --> 0:13:56.520
<v Speaker 1>you see them in real life, you're gonna be like, yeah,

0:13:56.760 --> 0:13:59.960
<v Speaker 1>we got smoked because of what you did on that show, right,

0:14:00.720 --> 0:14:03.040
<v Speaker 1>And I always felt like if I ever saw you,

0:14:03.360 --> 0:14:05.800
<v Speaker 1>I was gonna have to throw hands because you're killing

0:14:05.880 --> 0:14:07.600
<v Speaker 1>rain Now, man, how are you gonna kill the baby?

0:14:08.600 --> 0:14:16.560
<v Speaker 1>I mean, she she had it coming, she had to go,

0:14:16.920 --> 0:14:19.720
<v Speaker 1>She had to go. Do you have like weirdos like

0:14:19.800 --> 0:14:21.280
<v Speaker 1>me come up to you and be mad at you

0:14:21.360 --> 0:14:27.200
<v Speaker 1>for real life? Sometimes you can't from real life? Yeah? Yeah, yeah, honestly,

0:14:27.200 --> 0:14:30.480
<v Speaker 1>it happens quite often, honestly, you know what I mean,

0:14:30.520 --> 0:14:33.800
<v Speaker 1>Like though, you know, because first because I think people

0:14:33.960 --> 0:14:36.280
<v Speaker 1>had you know, they kind of have this image in

0:14:36.400 --> 0:14:39.840
<v Speaker 1>their head as to like who I am. So sometimes

0:14:39.840 --> 0:14:43.240
<v Speaker 1>when they see me in person, you know, you know,

0:14:43.280 --> 0:14:46.280
<v Speaker 1>because it's I'm just me. I'm just being regular. So

0:14:46.320 --> 0:14:48.160
<v Speaker 1>it kind of throws them off because in their head

0:14:48.200 --> 0:14:50.960
<v Speaker 1>they're like, wait, you're supposed to be this me, motherfucker,

0:14:51.040 --> 0:14:55.360
<v Speaker 1>that's right exactly. But then when they meet me, it's like,

0:14:55.400 --> 0:14:58.280
<v Speaker 1>I'm pretty cool, I'm pretty chill, you know what I'm saying.

0:14:58.320 --> 0:15:03.080
<v Speaker 1>So it's like it's that initial oh ship, that's you,

0:15:02.720 --> 0:15:06.760
<v Speaker 1>that girl? Right. If I had a dollar for every

0:15:06.760 --> 0:15:09.720
<v Speaker 1>time somebody asked me why to kill that girl? Yeah,

0:15:11.920 --> 0:15:14.480
<v Speaker 1>on the internet. The Internet's how crazy? Was the Internet's

0:15:14.520 --> 0:15:18.680
<v Speaker 1>going on? You? You know, stupid ship. I don't remember

0:15:18.720 --> 0:15:20.480
<v Speaker 1>that was that was like years ago, but there was

0:15:20.520 --> 0:15:24.480
<v Speaker 1>definitely like funny memes and a lot of people onto

0:15:24.520 --> 0:15:26.520
<v Speaker 1>my comments like Yo, I'm gonna get you like if

0:15:26.560 --> 0:15:28.400
<v Speaker 1>I ever see you out, you know what I'm saying.

0:15:28.480 --> 0:15:31.560
<v Speaker 1>So all right, So I took acting classes a few

0:15:31.640 --> 0:15:33.600
<v Speaker 1>years back, and I had to do like this scene

0:15:33.600 --> 0:15:36.560
<v Speaker 1>where I had to like like getting my emotions right

0:15:36.600 --> 0:15:39.200
<v Speaker 1>and get sad so I could do the scene, and

0:15:39.400 --> 0:15:41.520
<v Speaker 1>I couldn't get out of that sadness. Like after it

0:15:41.600 --> 0:15:43.920
<v Speaker 1>was over, I went home and I was sad all

0:15:44.000 --> 0:15:47.040
<v Speaker 1>day and I was like, damn, like I'm holding onto that.

0:15:47.440 --> 0:15:50.000
<v Speaker 1>Do you like, do you walk away from it just

0:15:50.040 --> 0:15:52.480
<v Speaker 1>like the scene is over? You just kill the kid?

0:15:52.840 --> 0:15:55.320
<v Speaker 1>You know? Do you just walk like, oh, let's go

0:15:55.400 --> 0:15:59.160
<v Speaker 1>have Starbucks now? Or how does that? I mean? I

0:15:59.200 --> 0:16:02.560
<v Speaker 1>remember that that night we shot that scene. It was

0:16:02.680 --> 0:16:05.400
<v Speaker 1>it was probably like it was like three or four

0:16:05.440 --> 0:16:08.479
<v Speaker 1>in the morning honestly when we shot that scene in particular,

0:16:09.160 --> 0:16:12.720
<v Speaker 1>and it was super cold outside. Um, but for me,

0:16:13.000 --> 0:16:15.000
<v Speaker 1>like I don't, yeah, I don't really take it home

0:16:15.120 --> 0:16:17.880
<v Speaker 1>like that, Like once once they cut, I could let

0:16:17.880 --> 0:16:22.840
<v Speaker 1>it go. Well yeah, but then you got some you know,

0:16:23.560 --> 0:16:26.040
<v Speaker 1>no offense. But you've got some actors that like, oh

0:16:26.240 --> 0:16:28.680
<v Speaker 1>I need to eat, breathe, and sleep the road, which

0:16:28.760 --> 0:16:33.480
<v Speaker 1>is cool, but you know this, it's called acting for

0:16:33.520 --> 0:16:36.520
<v Speaker 1>a reason, right, you know what I'm saying. So you know,

0:16:36.760 --> 0:16:39.440
<v Speaker 1>now that's not to say like I don't you know,

0:16:39.800 --> 0:16:42.720
<v Speaker 1>do my best to like you know, internalized things. We

0:16:42.880 --> 0:16:46.480
<v Speaker 1>just kind of make um, these characters real for myself,

0:16:46.560 --> 0:16:48.960
<v Speaker 1>you know what I'm saying. Like one of my a

0:16:49.000 --> 0:16:51.840
<v Speaker 1>strong philosophy of mine is that, honestly, I feel like

0:16:53.000 --> 0:16:57.560
<v Speaker 1>every character lives somewhere inside you. What makes it different

0:16:57.680 --> 0:17:00.560
<v Speaker 1>is that you know, like no one in the world

0:17:00.680 --> 0:17:03.120
<v Speaker 1>is like you. You know what I'm saying. So my

0:17:03.280 --> 0:17:05.479
<v Speaker 1>version of Ray Ray might be different from say, your

0:17:05.600 --> 0:17:07.639
<v Speaker 1>version of Ray, Like you know what I'm saying. So

0:17:07.840 --> 0:17:10.239
<v Speaker 1>for me, I always look at it as okay, so

0:17:10.320 --> 0:17:14.160
<v Speaker 1>what how would I approach this situation or like what

0:17:14.880 --> 0:17:18.280
<v Speaker 1>how can I make this scenario real for myself? Which

0:17:18.359 --> 0:17:23.040
<v Speaker 1>is gonna make it um unique and specific, you know

0:17:23.040 --> 0:17:25.120
<v Speaker 1>what I'm saying, Because we don't want to like generalize

0:17:25.119 --> 0:17:28.520
<v Speaker 1>things because then you know, there's nothing interesting about that.

0:17:29.400 --> 0:17:32.720
<v Speaker 1>So for me, like, you know, working on that character

0:17:34.000 --> 0:17:37.760
<v Speaker 1>was actually kind of fun to tap into that evil.

0:17:38.320 --> 0:17:41.960
<v Speaker 1>I guess you know what I'm saying. It was a

0:17:42.000 --> 0:17:47.440
<v Speaker 1>lot of fun. It was fun. It's crazy, it's kind

0:17:47.440 --> 0:17:50.359
<v Speaker 1>of fun. It's kind of fun, Like I know, you

0:17:50.440 --> 0:17:55.240
<v Speaker 1>want to touch the rekas right. He see, he was

0:17:55.280 --> 0:17:57.639
<v Speaker 1>the one that was really supposed to get it, you

0:17:57.680 --> 0:17:59.840
<v Speaker 1>know what I'm saying, Like he was really the one.

0:18:00.520 --> 0:18:02.359
<v Speaker 1>But you know, his sister guy in the way, she

0:18:02.440 --> 0:18:08.600
<v Speaker 1>knew too much. All right, So I went on social

0:18:08.640 --> 0:18:12.359
<v Speaker 1>media and you don't post a lot. You don't post

0:18:12.400 --> 0:18:15.000
<v Speaker 1>a lot at all. You're like me, I don't. I

0:18:15.040 --> 0:18:18.640
<v Speaker 1>hate I honestly hate having having I feel like now

0:18:18.680 --> 0:18:21.639
<v Speaker 1>I have to share my life more because of this podcast,

0:18:21.720 --> 0:18:25.800
<v Speaker 1>but it's not something I enjoyed. Are you similar in

0:18:25.840 --> 0:18:30.160
<v Speaker 1>that way or why are you so like not? Okay? Yeah,

0:18:30.320 --> 0:18:32.760
<v Speaker 1>I think for me, I mean like I'm just kind

0:18:32.760 --> 0:18:36.919
<v Speaker 1>of I'm just using pretty much a private person just

0:18:37.000 --> 0:18:41.439
<v Speaker 1>in general. But um, I actually am on like a

0:18:41.480 --> 0:18:43.879
<v Speaker 1>similar path, like I did tell myself, like, okay, like

0:18:43.960 --> 0:18:49.440
<v Speaker 1>maybe I should uh start posting more being more sociable.

0:18:49.600 --> 0:18:52.359
<v Speaker 1>I mean, I ain't about to be brand new with it.

0:18:52.560 --> 0:18:54.080
<v Speaker 1>You know what I'm saying. I'm gonna still be me,

0:18:54.840 --> 0:18:58.160
<v Speaker 1>but I just you know, let you in a little more.

0:18:58.680 --> 0:19:02.000
<v Speaker 1>You know, you know what you mean, you know, because

0:19:02.040 --> 0:19:05.359
<v Speaker 1>because I get it. You know, some people, you know,

0:19:05.440 --> 0:19:07.760
<v Speaker 1>they look at you know, they look at people on

0:19:08.160 --> 0:19:10.280
<v Speaker 1>you know, the platform that I'm on and doing what

0:19:10.320 --> 0:19:13.320
<v Speaker 1>I'm doing. You know, for some people it's inspiration and

0:19:13.400 --> 0:19:15.480
<v Speaker 1>for some people it's you know, for them it's how.

0:19:15.760 --> 0:19:18.040
<v Speaker 1>You know, because I get a lot of questions about

0:19:18.080 --> 0:19:20.520
<v Speaker 1>like yo, bro, like how did you get into the industry,

0:19:20.640 --> 0:19:22.439
<v Speaker 1>or like how do you get on the show and

0:19:22.480 --> 0:19:25.000
<v Speaker 1>things of that nature. So I know that you know,

0:19:25.280 --> 0:19:28.920
<v Speaker 1>probably be good too. Just give a little insight as

0:19:28.960 --> 0:19:33.119
<v Speaker 1>to like what I'd be doing. Nothing crazy though, you

0:19:33.119 --> 0:19:36.040
<v Speaker 1>know what I'm saying, nothing crazy for those for those

0:19:36.080 --> 0:19:42.600
<v Speaker 1>who were my close friends, they know what's going on. Yeah,

0:19:42.760 --> 0:19:46.720
<v Speaker 1>I'm notorious for my close friend activities. I'm a little

0:19:46.760 --> 0:19:53.320
<v Speaker 1>notorious for green green circle stories. The green circle stories.

0:19:53.400 --> 0:19:55.760
<v Speaker 1>Y'all know what. Y'all know what's good the time? It

0:19:55.880 --> 0:19:58.399
<v Speaker 1>is because you know, I travel a lot. You know

0:19:58.400 --> 0:20:00.840
<v Speaker 1>what I'm saying, things happen in different like a rapper,

0:20:00.920 --> 0:20:06.480
<v Speaker 1>you'd be out here acting like la No, I'm still

0:20:07.080 --> 0:20:12.320
<v Speaker 1>I'm still low key with it a little bit. Distant loving. Yeah,

0:20:12.400 --> 0:20:14.639
<v Speaker 1>that's like a Marvin Gay song, Distant Lover? Is that

0:20:14.680 --> 0:20:17.240
<v Speaker 1>how you came over that? There you go? Yeah, I'm so.

0:20:17.280 --> 0:20:19.760
<v Speaker 1>I'm a big Marvin Gay fan. Marvin Gay is my

0:20:19.800 --> 0:20:24.360
<v Speaker 1>favorite artist of all time. Um, I love Marvin Gay everything,

0:20:24.440 --> 0:20:28.680
<v Speaker 1>Marvin fun with um. So it was just a play

0:20:28.720 --> 0:20:32.359
<v Speaker 1>on the song distant loving. Okay, you got a girl.

0:20:33.720 --> 0:20:36.520
<v Speaker 1>It's a player on the song distant Lover. Sorry, um,

0:20:36.640 --> 0:20:38.520
<v Speaker 1>just in it. But if you think about it, that's

0:20:38.560 --> 0:20:43.840
<v Speaker 1>literally what social media is. Just in love it, you

0:20:43.840 --> 0:20:46.040
<v Speaker 1>know what I mean? Because we're because we're looking at

0:20:46.160 --> 0:20:50.880
<v Speaker 1>pictures and videos from a distance, we're not necessarily there,

0:20:50.600 --> 0:20:53.359
<v Speaker 1>and we're liking them. You know what I'm saying, loving it? Okay,

0:20:53.400 --> 0:21:02.440
<v Speaker 1>hearten it. I mean a woman somewhere like I love

0:21:02.480 --> 0:21:11.600
<v Speaker 1>you bit in l a you know. Look, I don't

0:21:11.680 --> 0:21:16.800
<v Speaker 1>I don't know, I don't know. Right. Look, So since

0:21:16.840 --> 0:21:20.960
<v Speaker 1>we're herewhere here, I got a question about one of

0:21:21.000 --> 0:21:23.879
<v Speaker 1>your relationships because I watched one of your interviews on YouTube.

0:21:24.960 --> 0:21:31.160
<v Speaker 1>Uh it was my mind your Business or something like that,

0:21:32.080 --> 0:21:35.280
<v Speaker 1>Mind your Business. It was you and two other guys

0:21:35.359 --> 0:21:38.520
<v Speaker 1>y'all was outside. I heard iren's fire trucks. I don't

0:21:38.520 --> 0:21:45.560
<v Speaker 1>know what the fun Oh those are my Yes, those

0:21:45.600 --> 0:21:47.520
<v Speaker 1>are my guys. Those are my guys. Okay, So you

0:21:47.600 --> 0:21:51.480
<v Speaker 1>and your guys you're talking about you were talking about

0:21:51.520 --> 0:21:53.320
<v Speaker 1>how you had an old lady in New York that

0:21:53.400 --> 0:21:56.359
<v Speaker 1>was supposed to move with you when you picked up

0:21:56.400 --> 0:21:58.560
<v Speaker 1>and moved to l A, but you got the check

0:21:59.520 --> 0:22:04.000
<v Speaker 1>and you dipped out on her. Ask wit, hold on,

0:22:04.040 --> 0:22:09.840
<v Speaker 1>hold on a second, hold on, hold on, hold on

0:22:09.880 --> 0:22:14.760
<v Speaker 1>a second. Wait, wait, let me gather. So I mentioned

0:22:14.800 --> 0:22:18.400
<v Speaker 1>what now what I do? All right? So right, this

0:22:18.480 --> 0:22:21.479
<v Speaker 1>is after you shot Raina. Wait wait, wait, just for

0:22:21.480 --> 0:22:25.520
<v Speaker 1>the people, just so the people know that's a podcast

0:22:25.640 --> 0:22:29.280
<v Speaker 1>where they give you could you drink as as the

0:22:29.359 --> 0:22:31.560
<v Speaker 1>interview goes, just so you know, so you know what

0:22:31.560 --> 0:22:33.320
<v Speaker 1>I'm saying. I might have got a little loose with

0:22:33.359 --> 0:22:36.920
<v Speaker 1>the tone. So you gotta remind me if you was

0:22:37.040 --> 0:22:39.080
<v Speaker 1>my ex nigger, I was trying to smack your ass

0:22:39.119 --> 0:22:44.080
<v Speaker 1>after that interview. Let's just be clear. So he was saying,

0:22:44.080 --> 0:22:45.520
<v Speaker 1>to let me tell you what this nigga was saying.

0:22:45.840 --> 0:22:50.440
<v Speaker 1>So this nigga was saying, he basically said, okay, after

0:22:50.560 --> 0:22:54.440
<v Speaker 1>Raina after he shot Raina checks got kind of funny

0:22:54.520 --> 0:22:58.159
<v Speaker 1>a little bit. Nigger got an epiphany talking to his

0:22:58.320 --> 0:23:03.320
<v Speaker 1>manager for a little bit for months, and his old

0:23:03.400 --> 0:23:05.640
<v Speaker 1>lady was holding her apartment down, but he only knew

0:23:05.640 --> 0:23:08.600
<v Speaker 1>her for about three months, right, but she had the

0:23:08.640 --> 0:23:12.200
<v Speaker 1>house holding her apartment down. He goes back to New York,

0:23:13.000 --> 0:23:16.840
<v Speaker 1>they get the check out. All of a sudden, relationship

0:23:16.920 --> 0:23:21.720
<v Speaker 1>went down to dream. He moves to l A without

0:23:21.760 --> 0:23:27.760
<v Speaker 1>his old lady, and he smashed a bit, and he

0:23:27.920 --> 0:23:34.000
<v Speaker 1>smashed the bitch that she'd been asking him about. Damn, Marcus, Damn,

0:23:34.400 --> 0:23:41.480
<v Speaker 1>you're doing it like da hungry greedy asked Marcus. Marcus. See,

0:23:41.480 --> 0:23:46.120
<v Speaker 1>this's what I'm saying. That's why I don't let you'all

0:23:46.160 --> 0:23:50.600
<v Speaker 1>niggas no ship because of ship like this. Okay, uh,

0:23:50.720 --> 0:23:54.080
<v Speaker 1>let me let me explain myself. You you fucked up

0:23:54.080 --> 0:23:58.439
<v Speaker 1>the story a little bit. Some women do. But first

0:23:58.440 --> 0:24:02.240
<v Speaker 1>of it, we don't think you're a bad person. That

0:24:02.320 --> 0:24:05.439
<v Speaker 1>was what happened. This is what happened. Yes, I was.

0:24:05.520 --> 0:24:09.280
<v Speaker 1>I wasn't a relationship. This was years ago, Mike. This

0:24:09.320 --> 0:24:14.320
<v Speaker 1>was a no no no, no, no, no no no,

0:24:14.880 --> 0:24:17.720
<v Speaker 1>right before the pandemic. That wasn't like two thousand and

0:24:18.320 --> 0:24:20.479
<v Speaker 1>Rain ain't been dead. That that was no, no, no,

0:24:20.600 --> 0:24:25.040
<v Speaker 1>that was like in twenty sixteen. Okay, that was in

0:24:27.320 --> 0:24:33.640
<v Speaker 1>Um that was no, no, no, no, I'm bugging, I'm

0:24:33.680 --> 0:24:43.560
<v Speaker 1>bugging like so any who. Uh, yes, I wasn't a relationship, Um,

0:24:43.600 --> 0:24:47.800
<v Speaker 1>but me shooting Rain or the whole power situation, that

0:24:47.920 --> 0:24:51.120
<v Speaker 1>wasn't the reason we broke up. The relationship was on

0:24:51.160 --> 0:24:54.879
<v Speaker 1>the outskirts anyway. Um, we had talked about moving to

0:24:55.080 --> 0:24:57.200
<v Speaker 1>l A together, but I knew in my heart of

0:24:57.280 --> 0:25:00.040
<v Speaker 1>heart that that was a trip that I needed to

0:25:00.119 --> 0:25:02.679
<v Speaker 1>do solo dolo, and I think I was right about that,

0:25:02.720 --> 0:25:08.400
<v Speaker 1>Like it paid off. But yeah, unfortunately our relationship did

0:25:08.440 --> 0:25:11.879
<v Speaker 1>not last. And yes, it just so happened to be

0:25:11.920 --> 0:25:15.840
<v Speaker 1>around the time when when the when the whole rain

0:25:15.920 --> 0:25:18.959
<v Speaker 1>of ship was going on. So you know, everything happens

0:25:19.000 --> 0:25:21.520
<v Speaker 1>for a reason, you know what I mean? I mean,

0:25:21.600 --> 0:25:24.320
<v Speaker 1>you know her and I you don't talk anymore. But

0:25:24.440 --> 0:25:28.960
<v Speaker 1>I'm sure she's great. I'm sure she's great, she's loving,

0:25:29.359 --> 0:25:36.240
<v Speaker 1>I'm sure she's great. Got funnier ship. So I saw

0:25:36.280 --> 0:25:40.600
<v Speaker 1>that you were right in a play called Spades. Yeah,

0:25:41.520 --> 0:25:45.080
<v Speaker 1>how's that go? How's that? Already wrote it? Um, I'm

0:25:45.119 --> 0:25:48.479
<v Speaker 1>actually in the process of trying to get it produced,

0:25:48.520 --> 0:25:54.880
<v Speaker 1>but I want to produce it independently because um, along

0:25:54.920 --> 0:25:59.520
<v Speaker 1>with putting up this play, I'm also really trying to

0:25:59.600 --> 0:26:04.480
<v Speaker 1>like a rate this um idea of what it means

0:26:04.520 --> 0:26:06.880
<v Speaker 1>for us as black people to go to the theater,

0:26:07.119 --> 0:26:10.160
<v Speaker 1>right because I feel like, say, I feel like theater

0:26:10.280 --> 0:26:12.280
<v Speaker 1>kind of has a bad rep when it comes to

0:26:12.359 --> 0:26:15.240
<v Speaker 1>like us going to the theater because you know, you

0:26:15.320 --> 0:26:18.959
<v Speaker 1>go to Broadway shows is predominantly white folks in the audience.

0:26:19.000 --> 0:26:21.679
<v Speaker 1>Even if you do off Broadway, it's predominantly white folks

0:26:21.680 --> 0:26:24.600
<v Speaker 1>in the audience. But I also think a large part

0:26:24.640 --> 0:26:26.679
<v Speaker 1>of that has to do with like this just shows

0:26:26.680 --> 0:26:29.000
<v Speaker 1>that's just ain't for us, you know what I'm saying,

0:26:29.119 --> 0:26:32.240
<v Speaker 1>Either it's not for us, or it's a lot of

0:26:32.280 --> 0:26:35.639
<v Speaker 1>like if it is written by a black person. A

0:26:35.680 --> 0:26:38.040
<v Speaker 1>lot of the time, the plays that are written by

0:26:38.280 --> 0:26:41.080
<v Speaker 1>black people that get produced on those on a scale

0:26:41.119 --> 0:26:45.119
<v Speaker 1>like that, it's like trauma related, which in my opinion,

0:26:45.200 --> 0:26:47.080
<v Speaker 1>white folks love to go to the theater and watch

0:26:47.119 --> 0:26:49.399
<v Speaker 1>black folks in trauma, you know what I mean, They

0:26:49.480 --> 0:26:56.760
<v Speaker 1>love to right right exactly crying boo hoo about oh no,

0:26:56.840 --> 0:26:58.920
<v Speaker 1>you know what I'm saying, Woe is me? I say,

0:26:59.000 --> 0:27:01.960
<v Speaker 1>funk all of that. You know what I mean. We

0:27:01.960 --> 0:27:06.600
<v Speaker 1>we live, breathe, that's every day. So for for me, yo,

0:27:07.640 --> 0:27:09.920
<v Speaker 1>just tell me a story. What happened today? You know

0:27:09.920 --> 0:27:12.320
<v Speaker 1>what I'm saying. Tell me your story. And with with Space.

0:27:12.440 --> 0:27:16.639
<v Speaker 1>So basically, Space is about a group of friends, four

0:27:16.680 --> 0:27:19.560
<v Speaker 1>friends that uh well three of them. They all went

0:27:19.600 --> 0:27:23.560
<v Speaker 1>to college together, real close friends. Um. They get together

0:27:23.600 --> 0:27:26.200
<v Speaker 1>on a Friday night for a game of space. Right,

0:27:26.880 --> 0:27:32.080
<v Speaker 1>we love us some space? Do you play space? Yeah? Yeah, Okay,

0:27:33.960 --> 0:27:38.760
<v Speaker 1>I need to know. And that's the exactly So that's

0:27:38.800 --> 0:27:41.040
<v Speaker 1>the energy, that's the energy of the play. Right. So

0:27:41.080 --> 0:27:44.080
<v Speaker 1>it's a Friday night, takes place in harm It actually

0:27:44.160 --> 0:27:46.240
<v Speaker 1>takes place in two thousand and thirteen, so it's a

0:27:46.320 --> 0:27:49.200
<v Speaker 1>it's a period piece, I guess, um takes place in

0:27:49.280 --> 0:27:51.600
<v Speaker 1>Hall on Friday night. They're getting together for a game

0:27:51.640 --> 0:27:57.080
<v Speaker 1>of space. What's different about tonight is that Corey just

0:27:57.200 --> 0:28:01.080
<v Speaker 1>lost her virginity to another character named on three days

0:28:01.160 --> 0:28:04.280
<v Speaker 1>prior to this Space game. Now they're all twenty three

0:28:04.359 --> 0:28:09.600
<v Speaker 1>years old, fresh out of college, figuring it out, their actors, artists,

0:28:10.119 --> 0:28:12.239
<v Speaker 1>they're just living in New York and that that New

0:28:12.320 --> 0:28:14.520
<v Speaker 1>York City life, trying to figure it out. Right, So

0:28:14.640 --> 0:28:18.440
<v Speaker 1>Cory is low Sufforginity three days prior to Andre. It's

0:28:18.480 --> 0:28:20.920
<v Speaker 1>the first time she's seeing this nigga since they haven't

0:28:20.920 --> 0:28:23.639
<v Speaker 1>really spoken, and j has been kind of ducking and

0:28:23.720 --> 0:28:26.840
<v Speaker 1>dodging her. He's been on some nigga ship. So now

0:28:27.040 --> 0:28:30.280
<v Speaker 1>they're getting together for the space game. On top of that,

0:28:30.480 --> 0:28:34.200
<v Speaker 1>another character named Gil whose house they're at this nigga

0:28:34.200 --> 0:28:37.080
<v Speaker 1>don't went and invited one of his co workers for

0:28:37.160 --> 0:28:39.160
<v Speaker 1>this game of space. Now you know how it is

0:28:39.200 --> 0:28:43.480
<v Speaker 1>with a new space partner. I don't know you like that.

0:28:43.920 --> 0:28:49.520
<v Speaker 1>I don't trust you, right you betting Irene. So so

0:28:49.600 --> 0:28:52.400
<v Speaker 1>now you've got a new space partner. But not only

0:28:52.440 --> 0:28:54.120
<v Speaker 1>is she a new space partner, show they don't know

0:28:54.160 --> 0:28:57.520
<v Speaker 1>how to play, she says she did, but she don't

0:28:57.520 --> 0:28:59.360
<v Speaker 1>really know how to play. On top of that, she's

0:28:59.400 --> 0:29:01.640
<v Speaker 1>way old than the three of them. She bought in

0:29:01.680 --> 0:29:04.680
<v Speaker 1>her thirties hanging out with these twenty something year olds.

0:29:04.960 --> 0:29:08.880
<v Speaker 1>On top of that, herr Andre got a little something

0:29:08.880 --> 0:29:15.200
<v Speaker 1>and something. So that's what the play is about. Oh

0:29:15.240 --> 0:29:19.880
<v Speaker 1>that sounds good, Oh it's good. So so the idea

0:29:20.240 --> 0:29:22.880
<v Speaker 1>is so the idea is like, not only do I

0:29:22.880 --> 0:29:25.560
<v Speaker 1>want to put this play up because I just think

0:29:25.600 --> 0:29:28.400
<v Speaker 1>it will be I just think people will will really

0:29:28.480 --> 0:29:31.560
<v Speaker 1>enjoy it. It's also it's what I'm trying to curate

0:29:31.600 --> 0:29:33.120
<v Speaker 1>for the night, you know what I mean, Like it'll

0:29:33.160 --> 0:29:35.680
<v Speaker 1>be dope, Like you come in and like, yo, maybe

0:29:36.000 --> 0:29:38.640
<v Speaker 1>you know before the show starts, like there's a little

0:29:39.000 --> 0:29:41.320
<v Speaker 1>there's you know, some tables in the libby. Get a

0:29:41.360 --> 0:29:43.680
<v Speaker 1>little space gate, go and get the camaraderie. Gonna get

0:29:43.680 --> 0:29:47.440
<v Speaker 1>a drink. I love to get a space that's smoking friendly. Yeah,

0:29:47.960 --> 0:29:50.160
<v Speaker 1>I watch the PA walk one up. You know what

0:29:50.200 --> 0:29:53.400
<v Speaker 1>I'm saying. I want that call and response vibe. You

0:29:53.440 --> 0:29:55.640
<v Speaker 1>know what I'm saying, because that's that's I want the

0:29:55.680 --> 0:29:57.479
<v Speaker 1>audience to feel like they're in the living room with

0:29:57.560 --> 0:30:00.800
<v Speaker 1>them at this space game because she's getting crazy. Yeah,

0:30:00.800 --> 0:30:03.560
<v Speaker 1>but you know sometimes space table can get dangerous though

0:30:03.720 --> 0:30:08.240
<v Speaker 1>it can't exactly. So you already got the You already

0:30:08.280 --> 0:30:11.720
<v Speaker 1>got the energy of what a space bread a Spades

0:30:11.840 --> 0:30:16.120
<v Speaker 1>game brings on top of the layers of Lightwait, Corey

0:30:16.920 --> 0:30:21.920
<v Speaker 1>ain't seen this, nigga, since what I wanted? Why is

0:30:22.400 --> 0:30:25.400
<v Speaker 1>core three just losing her virginity. It just gave it away.

0:30:25.400 --> 0:30:28.400
<v Speaker 1>So oh that comes up and that you gotta you

0:30:28.400 --> 0:30:31.760
<v Speaker 1>gotta watch. Yeah, that's probably be pressing her since da

0:30:31.920 --> 0:30:37.040
<v Speaker 1>was eighteen, just to get the fly and then you know,

0:30:37.320 --> 0:30:39.320
<v Speaker 1>you know how it is when you're young man, you

0:30:39.360 --> 0:30:48.200
<v Speaker 1>know sometimes you you know. So yeah, I think it

0:30:48.200 --> 0:30:51.200
<v Speaker 1>will be dope. Um. So it actually took me five

0:30:51.280 --> 0:30:54.520
<v Speaker 1>years to write it. Um. So now that it's written,

0:30:54.600 --> 0:30:58.240
<v Speaker 1>it's just it's um. It's the process of getting produced,

0:30:58.240 --> 0:31:01.239
<v Speaker 1>which is has been a a long process. But at

0:31:01.240 --> 0:31:02.600
<v Speaker 1>the end of the day, I'm trying. I want to

0:31:02.640 --> 0:31:05.680
<v Speaker 1>do it right. I'm also gonna direct it myself too.

0:31:05.840 --> 0:31:10.240
<v Speaker 1>So so you're a trained that's being So do you

0:31:10.320 --> 0:31:17.440
<v Speaker 1>prefer theater or a screen or you know, moving? Um uh,

0:31:17.520 --> 0:31:20.160
<v Speaker 1>I think both are really good. But you know, the

0:31:20.480 --> 0:31:25.200
<v Speaker 1>theater always wins for me. Man, it's nothing like it,

0:31:25.400 --> 0:31:29.760
<v Speaker 1>you know, because it's it's it's live, and it's it's

0:31:29.840 --> 0:31:34.080
<v Speaker 1>fresh every night. Um. And it's just it keeps you

0:31:34.080 --> 0:31:36.840
<v Speaker 1>on your toes. To me, that's where you learn how

0:31:36.880 --> 0:31:38.600
<v Speaker 1>to act. If you don't know how to do it

0:31:38.640 --> 0:31:41.720
<v Speaker 1>on stage, I can't, I can't. I can't funk with you,

0:31:41.760 --> 0:31:44.200
<v Speaker 1>no offense. You know, say, my favorite actors know how

0:31:44.240 --> 0:31:47.120
<v Speaker 1>to do it on screen and on the stage just

0:31:47.200 --> 0:31:51.440
<v Speaker 1>as good. There's no oh they're better on screen because no,

0:31:51.600 --> 0:31:55.000
<v Speaker 1>this it's not that on screen acting is bad. It's

0:31:55.000 --> 0:31:57.960
<v Speaker 1>actually like you know, if you if you can master

0:31:58.160 --> 0:32:02.640
<v Speaker 1>that as well, it's a really beautiful craft. But you know,

0:32:02.760 --> 0:32:04.680
<v Speaker 1>in my opinion, you should be able to do both.

0:32:04.760 --> 0:32:06.640
<v Speaker 1>You should be able to know how to act for

0:32:06.720 --> 0:32:10.160
<v Speaker 1>the camera and then turn around and go do a

0:32:10.160 --> 0:32:12.800
<v Speaker 1>show eight uh and turn around and go do a

0:32:12.800 --> 0:32:17.080
<v Speaker 1>show eight shows a week. You know. Yeah, So how

0:32:17.080 --> 0:32:19.440
<v Speaker 1>old were you when you knew? Yeah, how old were

0:32:19.480 --> 0:32:21.240
<v Speaker 1>you when you knew you wanted to be an actor? Like?

0:32:21.720 --> 0:32:27.440
<v Speaker 1>Was there something you always grew sixty years old? Um?

0:32:27.480 --> 0:32:29.920
<v Speaker 1>I was sixteen. I mean, when I think back about

0:32:30.000 --> 0:32:32.080
<v Speaker 1>just how I was as a kid, I was always

0:32:32.320 --> 0:32:34.560
<v Speaker 1>naturally a performer. Like I was one of those kids

0:32:34.640 --> 0:32:36.960
<v Speaker 1>where when I was at home waiting for my mom

0:32:37.000 --> 0:32:39.160
<v Speaker 1>to come back from work, I was, you know, I

0:32:39.200 --> 0:32:42.160
<v Speaker 1>had to imagine every friends. I would, you know, make

0:32:42.240 --> 0:32:45.680
<v Speaker 1>up little shows. I had this little this little um,

0:32:45.720 --> 0:32:49.760
<v Speaker 1>this little wooden this little wooden thing that I would

0:32:49.800 --> 0:32:52.600
<v Speaker 1>stand up on and brush my teeth and like I

0:32:52.600 --> 0:32:54.920
<v Speaker 1>would use it like that would be my little platform

0:32:55.000 --> 0:32:57.720
<v Speaker 1>and ship. UM. But I didn't really get into it

0:32:57.840 --> 0:32:59.840
<v Speaker 1>till I was sixteen. I had a teacher name is

0:33:00.120 --> 0:33:03.520
<v Speaker 1>m and shout out to miss Ballman Um who basically,

0:33:03.960 --> 0:33:07.560
<v Speaker 1>you know, recognized the gift that I had. And UM,

0:33:07.600 --> 0:33:10.640
<v Speaker 1>it just so happened that they were auditioning Raising in

0:33:10.680 --> 0:33:14.560
<v Speaker 1>the Sun at my at my school, UM, and I

0:33:14.600 --> 0:33:17.480
<v Speaker 1>audistioned forward, I got the lead, and I've been acting

0:33:17.560 --> 0:33:22.560
<v Speaker 1>literally ever since then. I caught the bug, as they say,

0:33:23.040 --> 0:33:25.640
<v Speaker 1>you spoke of your mother and I saw that you

0:33:25.680 --> 0:33:33.640
<v Speaker 1>were named after Marcus Garvey. Yes, yeah, yeah I did.

0:33:34.360 --> 0:33:36.560
<v Speaker 1>Oh yeah, yeah, you know what. I think I posted it.

0:33:36.800 --> 0:33:39.280
<v Speaker 1>I think I posted that. I'm out of posted that.

0:33:39.360 --> 0:33:45.600
<v Speaker 1>But yeah, So, UM, are your parents very politically inclined?

0:33:45.680 --> 0:33:50.360
<v Speaker 1>Is there any like organizations that you you black panthers?

0:33:51.040 --> 0:33:55.000
<v Speaker 1>I would I wouldn't say that. UM. So Marcus Garvey

0:33:55.080 --> 0:33:59.880
<v Speaker 1>is Jamaican, My dad is Jamaican. Um Um. But also

0:34:00.200 --> 0:34:02.800
<v Speaker 1>if you don't know about Marcus Garvey, he's definitely worth

0:34:02.840 --> 0:34:07.240
<v Speaker 1>doing the research on. Very powerful leader. Back in the day,

0:34:07.520 --> 0:34:11.920
<v Speaker 1>UM he started something in Harlem called um UM. They

0:34:12.000 --> 0:34:15.080
<v Speaker 1>called it Garvey is UM and he had people that

0:34:15.120 --> 0:34:19.000
<v Speaker 1>followed his work called Garvey. Yikes. His whole ideology was, Yo,

0:34:19.560 --> 0:34:21.879
<v Speaker 1>they don't want us here anyway, so let's go home,

0:34:21.960 --> 0:34:25.280
<v Speaker 1>back to Africa where we that's our spot. So his

0:34:25.280 --> 0:34:30.319
<v Speaker 1>his whole thing was about bringing black people back home. Um,

0:34:30.400 --> 0:34:33.680
<v Speaker 1>but he is Jamaican. Um, so I think that's probably

0:34:33.719 --> 0:34:37.120
<v Speaker 1>where my You know what also inspired my dad to

0:34:37.360 --> 0:34:40.000
<v Speaker 1>name me that. I actually just came back from Jamaica

0:34:40.080 --> 0:34:43.800
<v Speaker 1>for vacation, and like, you know what I learned there too,

0:34:43.960 --> 0:34:48.239
<v Speaker 1>was that Bob Marley was also like a big admirer

0:34:48.800 --> 0:34:52.239
<v Speaker 1>of Marcus Garvey. Like in his room he has a

0:34:52.320 --> 0:34:56.480
<v Speaker 1>huge portrait of um Um Hill Selassie, which is who

0:34:56.840 --> 0:35:01.759
<v Speaker 1>um he prayed to, and um Marcus Garvey. So when

0:35:01.760 --> 0:35:04.640
<v Speaker 1>I found that out, I was like, okay, where So, yes,

0:35:04.719 --> 0:35:08.120
<v Speaker 1>I am named after Mr Marcus Garvey. We're gonna have

0:35:08.160 --> 0:35:09.719
<v Speaker 1>a real quick commercial and then when we come back,

0:35:09.719 --> 0:35:13.160
<v Speaker 1>we're going to get into Wootang. Okay, all right, let's second,

0:35:13.200 --> 0:35:20.120
<v Speaker 1>y'all we'll be back, so I want to get into Wootang. Right.

0:35:20.200 --> 0:35:23.200
<v Speaker 1>So I know you're from Brooklyn, New York. Were you

0:35:23.360 --> 0:35:30.680
<v Speaker 1>a big Wu Tang fan growing up? Nah? Yeah? Like

0:35:30.719 --> 0:35:33.480
<v Speaker 1>the age the age difference, you know, I mean a

0:35:33.520 --> 0:35:37.040
<v Speaker 1>little younger, Yeah, I mean a little yeah, a little bit.

0:35:37.040 --> 0:35:39.720
<v Speaker 1>I mean they were out when I was kid, for sure.

0:35:40.200 --> 0:35:42.480
<v Speaker 1>But I was the reason I was an incident is well,

0:35:42.920 --> 0:35:44.879
<v Speaker 1>when I was younger, I didn't really listen to rap

0:35:44.960 --> 0:35:48.799
<v Speaker 1>music like that. Um uh. And on top of that,

0:35:48.880 --> 0:35:52.400
<v Speaker 1>I remember that album cover that it always kind of

0:35:52.440 --> 0:35:56.320
<v Speaker 1>looked a little scary to me, like what's what's this about?

0:35:56.400 --> 0:36:00.040
<v Speaker 1>You know what I'm saying? Um So, yeah, never to

0:36:00.080 --> 0:36:03.480
<v Speaker 1>get different. They were different, they were different, they were

0:36:03.640 --> 0:36:06.719
<v Speaker 1>very different. Um So I never really got into them

0:36:06.760 --> 0:36:10.160
<v Speaker 1>as a kid at all. Um. It wasn't until like

0:36:10.239 --> 0:36:13.160
<v Speaker 1>doing the show that I really started to like Hold.

0:36:13.239 --> 0:36:17.400
<v Speaker 1>I mean even prior to doing the show, like I

0:36:17.480 --> 0:36:20.080
<v Speaker 1>was a big Ray Kwon fan, Like only Built for

0:36:20.120 --> 0:36:24.080
<v Speaker 1>Cuban Lynx is the album I really enjoyed. Um. But

0:36:24.280 --> 0:36:29.200
<v Speaker 1>in doing artists right exactly, in doing the show, you know,

0:36:29.239 --> 0:36:31.520
<v Speaker 1>I got an opportunity to learn a lot about them

0:36:31.520 --> 0:36:34.439
<v Speaker 1>and hear a whole bunch of these songs. So I'm

0:36:34.440 --> 0:36:36.760
<v Speaker 1>definitely a fan. I got a big old Wutang tattoo

0:36:36.800 --> 0:36:45.640
<v Speaker 1>on my leg now so big that So you played

0:36:45.640 --> 0:36:48.600
<v Speaker 1>the executive producer on Ultang, But did you have to

0:36:48.600 --> 0:36:51.960
<v Speaker 1>sit down with Power himself, like to learn his mannerisms

0:36:51.960 --> 0:36:54.120
<v Speaker 1>and things and to learn how he moves or like,

0:36:54.280 --> 0:36:58.520
<v Speaker 1>I guess, how did you ultimately become Power? Okay, uh

0:36:58.560 --> 0:37:02.279
<v Speaker 1>so the beautiful thing is that, Um well, first of all,

0:37:02.400 --> 0:37:05.120
<v Speaker 1>it real lifed. Me and Power are actually really close.

0:37:05.520 --> 0:37:10.760
<v Speaker 1>Um we definitely um formed the friendship outside of the show.

0:37:11.320 --> 0:37:15.960
<v Speaker 1>Um but before before I started filming it, I didn't

0:37:15.960 --> 0:37:18.759
<v Speaker 1>know who Power was, you know, because Power is you know,

0:37:19.520 --> 0:37:21.560
<v Speaker 1>he's a He's a background kind of dude. You know

0:37:21.560 --> 0:37:23.439
<v Speaker 1>what I'm saying. He's not you know, he's not really

0:37:23.480 --> 0:37:26.480
<v Speaker 1>one for flashy. Him and I have actually pretty similar

0:37:26.640 --> 0:37:28.560
<v Speaker 1>in you know, because you mentioned like I don't post

0:37:28.560 --> 0:37:31.440
<v Speaker 1>on social media. Him and I like kind of similar

0:37:31.520 --> 0:37:34.160
<v Speaker 1>like that. You know, we we we chilled, you know

0:37:34.160 --> 0:37:36.760
<v Speaker 1>what I'm saying. But if you know, you know, um

0:37:36.840 --> 0:37:40.120
<v Speaker 1>so I didn't know much about him. I looked up

0:37:40.160 --> 0:37:43.480
<v Speaker 1>some interviews that's about like two or three on YouTube.

0:37:43.480 --> 0:37:47.440
<v Speaker 1>It wasn't even that much. But my whole time, like

0:37:47.520 --> 0:37:50.319
<v Speaker 1>going through the audition process to like, you know, my

0:37:50.360 --> 0:37:53.239
<v Speaker 1>screen tests, all of that, I didn't look up. I

0:37:53.560 --> 0:37:55.680
<v Speaker 1>hadn't looked up anything. I was just going off of

0:37:55.719 --> 0:37:58.600
<v Speaker 1>what I was doing so mynd I'm like, Okay, clearly

0:37:58.600 --> 0:38:01.959
<v Speaker 1>what I'm bringing they like it. This is working because

0:38:02.000 --> 0:38:04.080
<v Speaker 1>I didn't want to like get in my head, like

0:38:04.080 --> 0:38:05.480
<v Speaker 1>I didn't want to look him up, and then like

0:38:05.600 --> 0:38:07.000
<v Speaker 1>all of a sudden, I'm in my head and I'm

0:38:07.040 --> 0:38:09.000
<v Speaker 1>like trying to do him. I'm just I was just

0:38:09.040 --> 0:38:13.800
<v Speaker 1>going in based off of my instinct from reading the role. Mhm,

0:38:14.120 --> 0:38:18.920
<v Speaker 1>get the role. I looked up the interviews and I'm like, oh, ship, Okay,

0:38:19.360 --> 0:38:22.239
<v Speaker 1>I kind of see why they cast me, as I

0:38:22.320 --> 0:38:26.239
<v Speaker 1>get it. Him and him and I off Rip have

0:38:26.520 --> 0:38:31.120
<v Speaker 1>similar we have a similar energy, you know what I mean? Um.

0:38:31.200 --> 0:38:34.120
<v Speaker 1>And then I didn't actually meet him in real life

0:38:34.160 --> 0:38:38.840
<v Speaker 1>until we were about seven episodes in season one, until

0:38:38.880 --> 0:38:41.560
<v Speaker 1>I actually met him, Like everybody else had met who

0:38:41.600 --> 0:38:43.359
<v Speaker 1>they were playing, and I was like the only one.

0:38:43.400 --> 0:38:45.719
<v Speaker 1>I'm like, yo, what am I gonna be? Power? You

0:38:45.719 --> 0:38:49.439
<v Speaker 1>know what I'm saying. But in knowing power and how

0:38:49.480 --> 0:38:52.000
<v Speaker 1>he moves, it makes sense that yeah, I was the

0:38:52.080 --> 0:38:53.759
<v Speaker 1>last one of you know what I'm saying, because he

0:38:53.920 --> 0:38:56.919
<v Speaker 1>you know, he got a yeah, you know, he gotta

0:38:56.920 --> 0:38:58.840
<v Speaker 1>scoop it out, you know what I'm saying. As he

0:39:00.120 --> 0:39:03.160
<v Speaker 1>right as as he likes support. As he likes to say,

0:39:03.400 --> 0:39:05.360
<v Speaker 1>he had to send a couple of kites out, you

0:39:05.440 --> 0:39:09.520
<v Speaker 1>know what I mean. So he met me. We met

0:39:09.640 --> 0:39:12.279
<v Speaker 1>on set. Actually he actually surprised me. I was I

0:39:12.280 --> 0:39:16.839
<v Speaker 1>adn't expecting to be there. We got on the phone. Um,

0:39:17.080 --> 0:39:18.640
<v Speaker 1>we got on the phone because we we had to

0:39:18.719 --> 0:39:21.120
<v Speaker 1>pause production because it was raining crazy, So we got

0:39:21.160 --> 0:39:23.360
<v Speaker 1>on the phone for a little bit and our first

0:39:23.400 --> 0:39:26.799
<v Speaker 1>conversation we spoke for like three hours, just chopping it. Yeah,

0:39:26.920 --> 0:39:30.160
<v Speaker 1>just chopping it up, you know what I mean. New York,

0:39:30.239 --> 0:39:36.520
<v Speaker 1>New York, you know, you know what's said. That's another

0:39:36.560 --> 0:39:41.560
<v Speaker 1>thing about Power. Power is a big hand gesture kind

0:39:41.600 --> 0:39:44.080
<v Speaker 1>of person. He'll smack you on the arm a lot

0:39:44.120 --> 0:39:47.719
<v Speaker 1>when he's talking, like yo, yo. Um. So we got

0:39:47.719 --> 0:39:50.080
<v Speaker 1>on the phone. We spoke for like three hours. Next

0:39:50.120 --> 0:39:53.120
<v Speaker 1>thing you know, he was on set. So he came

0:39:53.400 --> 0:39:55.799
<v Speaker 1>to my trailer and we was just chopping it up,

0:39:55.840 --> 0:39:58.000
<v Speaker 1>and it was like yo, like oh ship, like this

0:39:58.080 --> 0:40:00.960
<v Speaker 1>is this is power, Like this this is the dude

0:40:01.040 --> 0:40:04.080
<v Speaker 1>I'm playing. That's crazy, you know what I'm saying. So

0:40:04.160 --> 0:40:06.560
<v Speaker 1>in my head I'm just like yo, I hope I'm

0:40:06.600 --> 0:40:10.120
<v Speaker 1>doing a good job. I hope I'm did he ever

0:40:10.160 --> 0:40:12.120
<v Speaker 1>say like, na, nigga, that ain't me. Don't do it

0:40:12.160 --> 0:40:14.120
<v Speaker 1>like that, do it no no, no, no, no no no

0:40:14.120 --> 0:40:17.600
<v Speaker 1>no no never never. I think from and and and

0:40:17.920 --> 0:40:21.200
<v Speaker 1>I'm really thankful of that because from from Jump he

0:40:21.360 --> 0:40:24.040
<v Speaker 1>trusted me. From Jump, he just kind of was like, yo,

0:40:24.160 --> 0:40:26.680
<v Speaker 1>like do your thing. You know what I'm saying, I'm

0:40:26.719 --> 0:40:30.239
<v Speaker 1>gonna I'm gonna just watch season one goes by. But

0:40:30.360 --> 0:40:32.719
<v Speaker 1>in season one you don't see my character too much

0:40:32.800 --> 0:40:37.160
<v Speaker 1>because you don't see my character that in season two

0:40:37.280 --> 0:40:42.239
<v Speaker 1>when we realized exactly exactly, cause I mean, because that's

0:40:42.239 --> 0:40:50.680
<v Speaker 1>the thing in Growing up Power he knew he knew, um,

0:40:50.800 --> 0:40:53.800
<v Speaker 1>but his man's was like Ray, Ray kwas was his man's.

0:40:53.960 --> 0:40:57.320
<v Speaker 1>You know what I'm saying exactly, Ray was his man's.

0:40:57.600 --> 0:40:59.640
<v Speaker 1>He knew ris it through you know what. I'm also

0:40:59.760 --> 0:41:02.600
<v Speaker 1>fun fact me and Risen went to the same elementary

0:41:02.600 --> 0:41:06.680
<v Speaker 1>school in Brooklyn. Three shout out to that. That's some ship.

0:41:07.200 --> 0:41:11.799
<v Speaker 1>Um so um yeah. Growing up Ray was more his

0:41:11.880 --> 0:41:14.560
<v Speaker 1>man's than Risen. So that's why you don't really see

0:41:14.960 --> 0:41:18.160
<v Speaker 1>Power season one because it's like powers off doing his

0:41:18.280 --> 0:41:22.160
<v Speaker 1>own thing. Because Power Power was already a boss from that,

0:41:23.320 --> 0:41:25.160
<v Speaker 1>you know what I'm saying, which is why he was

0:41:25.200 --> 0:41:27.839
<v Speaker 1>able to contribute what he did. When you saw season two,

0:41:27.840 --> 0:41:30.280
<v Speaker 1>when he dropped that money, he was already he already

0:41:30.320 --> 0:41:34.360
<v Speaker 1>had that, um but it was like that decision to

0:41:34.440 --> 0:41:41.320
<v Speaker 1>like make that cross over. So before we started season two, Um, luckily,

0:41:41.440 --> 0:41:44.200
<v Speaker 1>you know, due to the pandemic, you know, we kind

0:41:44.239 --> 0:41:47.359
<v Speaker 1>of got delayed in filming and all of that, and

0:41:47.440 --> 0:41:50.479
<v Speaker 1>that allowed for me and Power to like talk a lot.

0:41:50.600 --> 0:41:53.960
<v Speaker 1>We was on the phone almost every day, um, but

0:41:54.160 --> 0:41:56.880
<v Speaker 1>just as but not even just on something like yo,

0:41:57.120 --> 0:41:58.719
<v Speaker 1>this is how I talked, this is what I do.

0:41:58.960 --> 0:42:02.279
<v Speaker 1>Study me. We just really got along like that, you

0:42:02.280 --> 0:42:04.120
<v Speaker 1>know what I'm saying. So it's just we was always

0:42:04.120 --> 0:42:07.520
<v Speaker 1>on the phone talking and I got an opportunity. Um.

0:42:07.560 --> 0:42:11.160
<v Speaker 1>So he does pop up sometimes for who with in

0:42:11.160 --> 0:42:13.680
<v Speaker 1>different cities. So I got to go to a couple

0:42:13.719 --> 0:42:15.840
<v Speaker 1>of them, I did. You know, he didn't want in Miami,

0:42:16.040 --> 0:42:17.880
<v Speaker 1>didn't want in d C, didn't want in l A.

0:42:17.960 --> 0:42:20.200
<v Speaker 1>And I went to all of those. So in that

0:42:20.280 --> 0:42:22.360
<v Speaker 1>time too, I just got to spend a lot of

0:42:22.400 --> 0:42:25.080
<v Speaker 1>time with him, just you know, be around him, see

0:42:25.160 --> 0:42:27.680
<v Speaker 1>certain mannerisms and you know, just kind of take them

0:42:27.680 --> 0:42:32.160
<v Speaker 1>in and study it. Um. So yeah, I got some

0:42:32.239 --> 0:42:34.840
<v Speaker 1>time with him, but it didn't feel like it was

0:42:35.000 --> 0:42:38.239
<v Speaker 1>organic still, Like it didn't feel like, oh, this is

0:42:38.320 --> 0:42:44.759
<v Speaker 1>I'm only hanging out with you because I was right.

0:42:44.800 --> 0:42:47.440
<v Speaker 1>We was kicking and shooting and ship and just in

0:42:47.480 --> 0:42:49.680
<v Speaker 1>the back of my mind, I'm like, okay, world, I

0:42:49.840 --> 0:42:52.719
<v Speaker 1>keep that, you know, I'm yeah, you know, even a

0:42:52.840 --> 0:42:58.160
<v Speaker 1>small I'm big on details. Yeah, just that. Yeah, that's it.

0:42:58.480 --> 0:43:03.520
<v Speaker 1>That how he smoll sweed. Uh, how he even counts money,

0:43:03.600 --> 0:43:05.760
<v Speaker 1>you know what I'm saying, because Nigga's like that count

0:43:05.840 --> 0:43:08.319
<v Speaker 1>money in a certain kind of way. They don't want to.

0:43:08.960 --> 0:43:12.080
<v Speaker 1>It's you know what I'm saying. So it's like even

0:43:12.120 --> 0:43:15.560
<v Speaker 1>getting that you know what I'm saying, all of that ship,

0:43:15.760 --> 0:43:19.680
<v Speaker 1>you know. And I remember meeting some of his people's

0:43:19.840 --> 0:43:22.320
<v Speaker 1>after season two and they're like, yo, you got powered

0:43:22.320 --> 0:43:25.200
<v Speaker 1>down pat Yo, Like Yo, I thought I was watching

0:43:25.239 --> 0:43:28.840
<v Speaker 1>power on TV. Yo he put the battery and you

0:43:28.840 --> 0:43:34.520
<v Speaker 1>know you appreciate you know what I mean. So, um,

0:43:34.719 --> 0:43:39.120
<v Speaker 1>but we're not that far off from each other, you

0:43:39.160 --> 0:43:43.120
<v Speaker 1>know what I'm saying. So it wasn't. It wasn't. I

0:43:43.120 --> 0:43:50.000
<v Speaker 1>wouldn't say easy. It just wasn't. It felt it felt

0:43:50.239 --> 0:43:52.600
<v Speaker 1>it felt almost second nature a little bit, you know

0:43:52.600 --> 0:43:54.959
<v Speaker 1>what I'm saying, Like, yeah, like we don't dress the same,

0:43:55.360 --> 0:43:57.200
<v Speaker 1>you know what I'm saying that maybe like we walk

0:43:57.320 --> 0:44:01.760
<v Speaker 1>slightly differently, but it's like our my set, it's very similar.

0:44:02.360 --> 0:44:04.799
<v Speaker 1>So like how I approached you know, even some of

0:44:04.840 --> 0:44:07.280
<v Speaker 1>the dialogue is just it was just like, oh word,

0:44:07.320 --> 0:44:10.520
<v Speaker 1>like I I understand this. I feel the same way too,

0:44:10.600 --> 0:44:13.960
<v Speaker 1>you know what I mean? Yeah, So a lot of

0:44:13.960 --> 0:44:15.799
<v Speaker 1>that were a lot of the group members on set

0:44:15.840 --> 0:44:22.600
<v Speaker 1>when you guys were recording, like Rizzin Rizzon was there sometimes,

0:44:22.640 --> 0:44:27.680
<v Speaker 1>but they were very, very very hands off, which I

0:44:27.760 --> 0:44:32.120
<v Speaker 1>thought was a good idea because at the end of

0:44:32.120 --> 0:44:34.480
<v Speaker 1>the day, you know, everyone was cast for a reason.

0:44:34.960 --> 0:44:37.400
<v Speaker 1>Even if they don't look like the person that they're playing,

0:44:37.760 --> 0:44:42.400
<v Speaker 1>everybody at least had the spirit, the vibe, you know

0:44:42.440 --> 0:44:45.640
<v Speaker 1>what I mean, Like everybody felt like their character, know

0:44:45.680 --> 0:44:48.319
<v Speaker 1>what I'm saying. So you met rizz though, right a

0:44:48.360 --> 0:44:50.719
<v Speaker 1>bunch of times? So that is it the guy who

0:44:50.719 --> 0:44:56.800
<v Speaker 1>plays his character, Aston Sanders, Is that how Rizzin acts

0:44:56.800 --> 0:45:07.839
<v Speaker 1>in real life? Come on? She was like, Yo, I've

0:45:07.840 --> 0:45:10.840
<v Speaker 1>been watching and I'm worried about that nigga, Like that

0:45:10.840 --> 0:45:17.040
<v Speaker 1>that real you gotta ask you, gotta asks you, So

0:45:17.120 --> 0:45:19.279
<v Speaker 1>you don't know how he felt about his character, Like,

0:45:19.320 --> 0:45:21.360
<v Speaker 1>I know you know some inside ship who felt what

0:45:21.480 --> 0:45:29.000
<v Speaker 1>way about who played them? No, I was like, is

0:45:29.040 --> 0:45:34.840
<v Speaker 1>this real? It's happening? No, dick that that guy is

0:45:34.880 --> 0:45:39.680
<v Speaker 1>a good actor though, asking Sanders, So, I'm assuming maybe

0:45:39.680 --> 0:45:42.040
<v Speaker 1>he studied. It must be right and that must be

0:45:42.120 --> 0:45:43.960
<v Speaker 1>how it was if that's what he was doing. Do

0:45:43.960 --> 0:45:47.040
<v Speaker 1>you have any more questions? I have a question overall?

0:45:47.120 --> 0:45:49.839
<v Speaker 1>So I hear a lot of actors say that, you know,

0:45:49.920 --> 0:45:52.040
<v Speaker 1>some of the characters that they play helped them grow

0:45:52.200 --> 0:45:55.120
<v Speaker 1>as a person. Is there any character that you played

0:45:55.239 --> 0:45:59.520
<v Speaker 1>that like, really like changed you just by being this character?

0:46:01.080 --> 0:46:10.560
<v Speaker 1>Mm hmm that's a good question. Um uh, that's a

0:46:10.560 --> 0:46:15.920
<v Speaker 1>good question. Um, has a character changed me as a person?

0:46:17.680 --> 0:46:20.279
<v Speaker 1>You're like, no, you ain't become a murderer, right, we

0:46:20.320 --> 0:46:26.120
<v Speaker 1>know you hopefully. Um that's a good question. I got

0:46:26.200 --> 0:46:29.800
<v Speaker 1>a theory about niggas in Hollywood. Now, what is it spelling?

0:46:29.840 --> 0:46:32.120
<v Speaker 1>Why you think about it's easy for them? Like, I

0:46:32.160 --> 0:46:34.440
<v Speaker 1>don't know why we think that people like celebrities and

0:46:34.440 --> 0:46:36.680
<v Speaker 1>should are exempt from real life ship, like they could

0:46:36.719 --> 0:46:42.720
<v Speaker 1>be serial killers, you know, and nobody would ever serial killer.

0:46:43.880 --> 0:46:47.759
<v Speaker 1>It's some crazy nigga. UM, But I can't believe that

0:46:47.880 --> 0:46:52.880
<v Speaker 1>was the theory. I thought that I just described the

0:46:52.920 --> 0:46:56.520
<v Speaker 1>serial killers too. Should they can depended out of cities. Yeah,

0:46:58.800 --> 0:47:06.000
<v Speaker 1>it's kind of weird that you think about. That's the point, Um,

0:47:06.040 --> 0:47:11.799
<v Speaker 1>I would say, I would say Um. I mean, I

0:47:11.800 --> 0:47:17.040
<v Speaker 1>would say Power, Playing power UM has definitely Um has

0:47:17.080 --> 0:47:21.200
<v Speaker 1>had a huge impact in my life because just even

0:47:21.280 --> 0:47:25.359
<v Speaker 1>playing that role, understanding who power is, that's the thing

0:47:25.400 --> 0:47:28.920
<v Speaker 1>to like power and and and I talked to him

0:47:28.920 --> 0:47:32.040
<v Speaker 1>about this too too, Like Yo, like you gotta tell

0:47:32.120 --> 0:47:34.200
<v Speaker 1>your story because there's a lot of people that need

0:47:34.239 --> 0:47:37.120
<v Speaker 1>to hear this side, you know what I mean. Like

0:47:37.280 --> 0:47:39.319
<v Speaker 1>because not every you don't gotta be a rapple all

0:47:39.360 --> 0:47:42.080
<v Speaker 1>the time, you know what I mean. There's also another

0:47:42.160 --> 0:47:45.080
<v Speaker 1>lane too, where you know, you could be the person

0:47:45.239 --> 0:47:47.520
<v Speaker 1>putting up the bread. You could be the person that's

0:47:47.719 --> 0:47:50.560
<v Speaker 1>that's putting shipped together, starting the label start, you know

0:47:50.600 --> 0:47:55.360
<v Speaker 1>what I mean. There's executive positions in the music industry

0:47:55.360 --> 0:48:01.400
<v Speaker 1>and not just performing all the time, but in playing power. UM.

0:48:01.960 --> 0:48:05.160
<v Speaker 1>One thing I love about Power in real life he's

0:48:05.200 --> 0:48:09.120
<v Speaker 1>the same way everywhere he goes. He's not like he

0:48:09.160 --> 0:48:13.520
<v Speaker 1>don't switch up, you know, change how he talks depending

0:48:13.560 --> 0:48:16.760
<v Speaker 1>on who he's talking to. He's the same person everywhere

0:48:16.800 --> 0:48:20.840
<v Speaker 1>he goes. And I just find that very admirable because,

0:48:21.480 --> 0:48:24.200
<v Speaker 1>you know, I think one of the most beautiful things

0:48:24.239 --> 0:48:26.960
<v Speaker 1>we could do as human beings, as human beings, is

0:48:27.040 --> 0:48:29.520
<v Speaker 1>be ourselves. You know what I'm saying, no matter what

0:48:29.640 --> 0:48:31.920
<v Speaker 1>the scenario and so who you're talking to, what the

0:48:31.960 --> 0:48:35.160
<v Speaker 1>situation is, um. And I think that that, you know,

0:48:35.239 --> 0:48:41.640
<v Speaker 1>that was something really big UM that I take from him,

0:48:41.719 --> 0:48:43.920
<v Speaker 1>you know what I'm saying, Like, not that I felt

0:48:43.960 --> 0:48:46.880
<v Speaker 1>like I was not being myself, but if anything, it

0:48:47.000 --> 0:48:50.160
<v Speaker 1>just it inspires me to tap into that even more,

0:48:50.520 --> 0:48:52.799
<v Speaker 1>you know what I'm saying. There was a period and

0:48:52.920 --> 0:48:56.160
<v Speaker 1>you know, this was a this was a side effect

0:48:56.239 --> 0:48:59.040
<v Speaker 1>of you know, going to drama school. There was a

0:48:59.080 --> 0:49:02.000
<v Speaker 1>period where I didn't want people to necessarily know I

0:49:02.040 --> 0:49:04.120
<v Speaker 1>was from New York or I was from Brooklyn. Like

0:49:04.400 --> 0:49:08.120
<v Speaker 1>I would try to put on like a neutral accent

0:49:09.000 --> 0:49:12.400
<v Speaker 1>so that you don't know, you know, because I'm an

0:49:12.440 --> 0:49:15.520
<v Speaker 1>actor and you're not supposed to know where I'm really

0:49:15.560 --> 0:49:20.680
<v Speaker 1>fun funk all of that. I'm from Brooklyn, born and raised.

0:49:20.719 --> 0:49:24.080
<v Speaker 1>I'm a Brooklyn as nigger, Okay, and I'm proud of it,

0:49:24.160 --> 0:49:25.920
<v Speaker 1>you know what I'm saying. So it's like, you know,

0:49:26.200 --> 0:49:29.239
<v Speaker 1>and that's something I embraced no matter what, you know,

0:49:29.360 --> 0:49:31.560
<v Speaker 1>what role I take on or you know what I'm saying,

0:49:31.600 --> 0:49:34.239
<v Speaker 1>Like I mean, obviously, if it's a specific character that's

0:49:34.280 --> 0:49:37.080
<v Speaker 1>not from Brooklyn and I gotta tap into that, that's

0:49:37.080 --> 0:49:40.000
<v Speaker 1>a different story. But who I am is Marcus Calendar.

0:49:41.000 --> 0:49:43.239
<v Speaker 1>I'm from New York. I'm from Brooklyn. And you know,

0:49:43.280 --> 0:49:46.200
<v Speaker 1>if you know anything about New Yorker's I should tell

0:49:46.239 --> 0:49:57.480
<v Speaker 1>you a lotus just got to say about what you

0:49:57.560 --> 0:50:06.760
<v Speaker 1>know Brooklyn. I don't know, girl is known for something.

0:50:06.840 --> 0:50:12.000
<v Speaker 1>What is Brooklyn known for? Uh? Fly? I thought that

0:50:15.719 --> 0:50:18.400
<v Speaker 1>they want to be known for that, But everybody know

0:50:18.480 --> 0:50:20.839
<v Speaker 1>Brooklyn is the flyes because we don't try that hard,

0:50:21.120 --> 0:50:24.680
<v Speaker 1>all of them they try hard on speaking of flyingness,

0:50:24.719 --> 0:50:29.120
<v Speaker 1>you did a random act of flying? Yell, how was

0:50:29.160 --> 0:50:31.399
<v Speaker 1>that experience? Because I used to watch that a smoke.

0:50:31.480 --> 0:50:35.320
<v Speaker 1>I'd be like, Yo, that's a perfect that's the trip

0:50:35.440 --> 0:50:41.319
<v Speaker 1>all you gotta smoke watching? Um that was that was

0:50:42.160 --> 0:50:46.600
<v Speaker 1>a wild experience actually filming that. Um, I'm in it

0:50:46.680 --> 0:50:48.440
<v Speaker 1>for like a second. I'm not. I don't even do

0:50:48.560 --> 0:50:52.440
<v Speaker 1>anything crazy and it, but um, just even being a

0:50:52.480 --> 0:50:55.600
<v Speaker 1>part of that. What was also cool was that, like, um,

0:50:55.640 --> 0:50:57.399
<v Speaker 1>a friend of mine when I went to school with

0:50:57.680 --> 0:51:00.960
<v Speaker 1>is the choreographer on the show. It was cool to like,

0:51:01.040 --> 0:51:04.719
<v Speaker 1>you know kind of right exactly. It was a nice

0:51:04.719 --> 0:51:08.279
<v Speaker 1>little full circle moment. Um. Yeah, No, that show was

0:51:08.400 --> 0:51:12.000
<v Speaker 1>That show was wild. That's a wild show. Terence is

0:51:12.040 --> 0:51:16.399
<v Speaker 1>really cool. Um, he was fun to work with. But yeah,

0:51:16.400 --> 0:51:19.399
<v Speaker 1>it's it's it's an interesting show. Season one is very

0:51:19.400 --> 0:51:22.400
<v Speaker 1>different from season two. And you weren't Compton straight to

0:51:22.480 --> 0:51:26.239
<v Speaker 1>Compton too, right? I was, I was, But there's a

0:51:26.280 --> 0:51:34.719
<v Speaker 1>there's a whole story behind Okay, So basically what was

0:51:34.760 --> 0:51:36.520
<v Speaker 1>that in two thousand and like what was that like

0:51:37.960 --> 0:51:42.160
<v Speaker 1>or something like that? Um, So I tested to play

0:51:42.360 --> 0:51:48.240
<v Speaker 1>Dr Dre initially, that was my initial relationship with that movie.

0:51:48.640 --> 0:51:52.239
<v Speaker 1>I was. I was up to play Dr Dre in it. Um.

0:51:52.520 --> 0:51:55.000
<v Speaker 1>I did the screen test and everything I thought it

0:51:55.080 --> 0:51:58.200
<v Speaker 1>went really well. Um, you know, I am waiting to

0:51:58.200 --> 0:52:00.799
<v Speaker 1>find out if I get the role. Next thing, you know,

0:52:01.600 --> 0:52:08.839
<v Speaker 1>Billboard publishers that I had the role. Right. The problem is,

0:52:09.560 --> 0:52:12.120
<v Speaker 1>didn't nobody tell me that. They didn't tell me that

0:52:12.640 --> 0:52:13.840
<v Speaker 1>you know what I'm saying, So I hear it. You know,

0:52:13.880 --> 0:52:16.399
<v Speaker 1>I'm reaching out to my managers like, yo, like, how

0:52:16.440 --> 0:52:20.239
<v Speaker 1>did that happen? It's on the internet that I've been

0:52:20.320 --> 0:52:24.120
<v Speaker 1>cast to play Dr Dre but they didn't. Why does

0:52:24.160 --> 0:52:27.520
<v Speaker 1>Billboard know before I do? I don't sound right, you

0:52:27.560 --> 0:52:30.640
<v Speaker 1>know what I'm saying. So, but like all these you know,

0:52:30.680 --> 0:52:33.359
<v Speaker 1>because once you know, say, like a Billboard breaks that

0:52:33.440 --> 0:52:36.440
<v Speaker 1>kind of news, basically all the other outlets take the

0:52:36.480 --> 0:52:39.239
<v Speaker 1>same information and posted as well. So it was all

0:52:39.280 --> 0:52:41.680
<v Speaker 1>over the place. So my friends is hit him like, yo,

0:52:41.760 --> 0:52:44.120
<v Speaker 1>you goot to be Dr Dre. So Yo, that's crazy,

0:52:44.840 --> 0:52:47.879
<v Speaker 1>and I'm like, wait, hold on, I don't know yet

0:52:48.080 --> 0:52:53.719
<v Speaker 1>they didn't. I don't know, long behole. I'm on Instagram.

0:52:53.760 --> 0:52:56.040
<v Speaker 1>You see my relationship with Instagram. Here this ship. I'm

0:52:56.080 --> 0:52:59.440
<v Speaker 1>on Instagram. You know what I'm saying. I scrolled So

0:52:59.520 --> 0:53:02.320
<v Speaker 1>the guy that plays uh Dr Dre in the film,

0:53:02.360 --> 0:53:06.480
<v Speaker 1>Corey Hawkins, is a friend of mine. So I'm scrolling

0:53:06.920 --> 0:53:11.440
<v Speaker 1>and I get to his page. He's an l in

0:53:11.719 --> 0:53:15.120
<v Speaker 1>l A with the sun in his face, looking refreshed.

0:53:15.719 --> 0:53:20.759
<v Speaker 1>I'm like, wait, looking like Dre. Right, So I'm right, wait,

0:53:20.800 --> 0:53:25.680
<v Speaker 1>hold on, if he's in l A right now. Damn,

0:53:25.840 --> 0:53:31.280
<v Speaker 1>my heart dropped. Yo. That was like my first experience

0:53:31.800 --> 0:53:37.920
<v Speaker 1>in learning how the industry could be very tough, meaning

0:53:38.000 --> 0:53:43.200
<v Speaker 1>like nobody reached out on something like Yo, that was awful.

0:53:43.680 --> 0:53:45.600
<v Speaker 1>We should you know that new shouldn't have came out.

0:53:45.640 --> 0:53:48.560
<v Speaker 1>It just nothing ever happened at the sort. What they

0:53:48.640 --> 0:53:51.680
<v Speaker 1>did do was offer me that role and straight out

0:53:51.680 --> 0:53:53.720
<v Speaker 1>of compa. It's a small role. I'm in the scene

0:53:53.760 --> 0:53:56.680
<v Speaker 1>where the recording um boys in the hood for the

0:53:56.760 --> 0:54:00.279
<v Speaker 1>first time, and I'm a part of the rap from

0:54:00.280 --> 0:54:04.160
<v Speaker 1>New York. So it's a it was a nice moment.

0:54:04.160 --> 0:54:06.520
<v Speaker 1>Shout out to f Gary Gray, the director. It was

0:54:06.560 --> 0:54:08.560
<v Speaker 1>a nice moment where you know, you could get a

0:54:08.560 --> 0:54:11.399
<v Speaker 1>little screen time and ship you know what I mean,

0:54:12.160 --> 0:54:16.960
<v Speaker 1>right right right. There was still no We're sorry. It

0:54:17.000 --> 0:54:24.680
<v Speaker 1>wasn't verbally said, but um yeah, so that's that's that's

0:54:24.960 --> 0:54:27.120
<v Speaker 1>and I just told you all the short version of it.

0:54:27.239 --> 0:54:29.680
<v Speaker 1>So that's how I ended up in the film. But

0:54:29.840 --> 0:54:32.400
<v Speaker 1>um all and on I love that movie. Like I was,

0:54:32.440 --> 0:54:34.239
<v Speaker 1>I ain't gonna lie, like I was salty that I

0:54:34.280 --> 0:54:37.399
<v Speaker 1>didn't get the role, especially and how I found out

0:54:37.440 --> 0:54:40.400
<v Speaker 1>that I didn't get it. But you know. Once I

0:54:40.440 --> 0:54:42.719
<v Speaker 1>saw the film, you know, it was it was all good.

0:54:42.920 --> 0:54:45.040
<v Speaker 1>That's one thing about me I'm gonna give credit credit

0:54:45.320 --> 0:54:48.600
<v Speaker 1>is do regardless. You know what I'm saying, You hater, Marcus,

0:54:48.640 --> 0:54:50.799
<v Speaker 1>I ain't know, Hayter. I saw it three times in

0:54:50.840 --> 0:54:55.560
<v Speaker 1>the theater. It's good. It was really good. All right. Now,

0:54:55.600 --> 0:54:58.120
<v Speaker 1>I want to give your business real quick, and we're

0:54:58.120 --> 0:55:02.000
<v Speaker 1>gonna let you go in a minute. Back to distant loving.

0:55:03.000 --> 0:55:08.680
<v Speaker 1>Have you ever been in a long distance relationship? Yeah?

0:55:08.200 --> 0:55:13.399
<v Speaker 1>Are you in with now? No? No, I don't do

0:55:13.440 --> 0:55:20.759
<v Speaker 1>those anymore. Why Uh, it's too especially like with my

0:55:20.840 --> 0:55:24.600
<v Speaker 1>lifestyle is too it's too hard. It's too it's a

0:55:24.640 --> 0:55:29.000
<v Speaker 1>lot of extra effort and work. Um not that I

0:55:29.040 --> 0:55:31.959
<v Speaker 1>don't want to put an extra effort and work, but

0:55:32.880 --> 0:55:40.680
<v Speaker 1>I you other people, No, no, no, no, no, no

0:55:40.680 --> 0:55:43.920
<v Speaker 1>no no, it's just it would have to make sense.

0:55:44.040 --> 0:55:47.720
<v Speaker 1>It would have to make sense, you know what I'm saying. Also,

0:55:47.800 --> 0:55:49.880
<v Speaker 1>you know you know what I'm gonna do. What I'm

0:55:49.920 --> 0:55:52.120
<v Speaker 1>gonna do on on the on the on the nights.

0:55:52.200 --> 0:55:53.919
<v Speaker 1>You know what I'm saying, Like like y'all, I don't

0:55:53.920 --> 0:55:57.399
<v Speaker 1>know people get you know what I'm saying. I want

0:55:57.400 --> 0:56:04.000
<v Speaker 1>to say yeah, that's cool. But you know, ain't nothing

0:56:04.040 --> 0:56:11.040
<v Speaker 1>like the real thing one mom, and ain't nothing like exactly.

0:56:11.480 --> 0:56:15.160
<v Speaker 1>So you know, it's it's it's cool. I think it.

0:56:15.680 --> 0:56:17.680
<v Speaker 1>In order for me to be in a long distance

0:56:17.719 --> 0:56:20.600
<v Speaker 1>it would have to make sense, you know what I'm saying, Like,

0:56:20.760 --> 0:56:24.120
<v Speaker 1>it'll have to make sense, like I if I dated

0:56:24.160 --> 0:56:26.000
<v Speaker 1>on one in l A, that will make sense because

0:56:26.000 --> 0:56:28.759
<v Speaker 1>I'm there all the time anyway, you know what I'm saying. So,

0:56:29.239 --> 0:56:33.640
<v Speaker 1>but I still prefer not long distance. I prefer that

0:56:33.680 --> 0:56:38.200
<v Speaker 1>if possible. So you so you single? Now the ladies

0:56:38.239 --> 0:56:46.719
<v Speaker 1>want to know. Yeah, yeah, yeah I'm single. Somebody think

0:56:46.760 --> 0:56:50.319
<v Speaker 1>that your girlfriend? Why is that like that? Because you

0:56:50.320 --> 0:56:58.279
<v Speaker 1>don't sound too show exactly. I'm just saying like that.

0:56:58.719 --> 0:57:05.040
<v Speaker 1>I didn't saying like exactly that. I mean, look, is

0:57:05.080 --> 0:57:08.759
<v Speaker 1>there somebody that I really really enjoy spending time with

0:57:08.880 --> 0:57:12.560
<v Speaker 1>right now? Yes? There is, um And you know, we

0:57:14.000 --> 0:57:16.960
<v Speaker 1>were gonna see, we're gonna see how that blossoms. So far.

0:57:17.000 --> 0:57:20.360
<v Speaker 1>It's it's really nice so far, So we're gonna see

0:57:20.400 --> 0:57:24.000
<v Speaker 1>how that blossoms. Technically, technically, I am saying, yet, are

0:57:24.000 --> 0:57:28.200
<v Speaker 1>you for a marriage? They see the value in marriage?

0:57:30.560 --> 0:57:33.479
<v Speaker 1>I do, But there was a time when I did it,

0:57:33.800 --> 0:57:36.440
<v Speaker 1>meaning so I didn't grow up, I didn't grow up

0:57:36.440 --> 0:57:39.880
<v Speaker 1>in the two parent household. So for me, it's literally

0:57:39.960 --> 0:57:41.800
<v Speaker 1>foreign to me. Like I don't even I don't even

0:57:41.840 --> 0:57:44.000
<v Speaker 1>know what that looks like. So for a long time,

0:57:45.080 --> 0:57:49.160
<v Speaker 1>I wasn't really that wasn't really something I looked at

0:57:49.360 --> 0:57:51.720
<v Speaker 1>as a goal, you know what I'm saying. I definitely

0:57:51.720 --> 0:57:54.360
<v Speaker 1>want to have kids for show. I definitely want to

0:57:54.360 --> 0:57:57.760
<v Speaker 1>have children, but I was cool with having kids without

0:57:57.760 --> 0:58:01.240
<v Speaker 1>the marriage. That was very fine with that. Um. But

0:58:01.720 --> 0:58:04.600
<v Speaker 1>you know, in conversations that I've had with people who

0:58:04.680 --> 0:58:09.240
<v Speaker 1>are either married or um have grown up with parents

0:58:09.280 --> 0:58:12.120
<v Speaker 1>that are married, it kind of changed my perspective a

0:58:12.200 --> 0:58:14.640
<v Speaker 1>little bit in the sense that like, yeah, it can

0:58:15.120 --> 0:58:17.240
<v Speaker 1>there's there's a lot of benefit to that, you know

0:58:17.320 --> 0:58:19.640
<v Speaker 1>what I mean. Um, So you know, I'm you know,

0:58:19.680 --> 0:58:22.560
<v Speaker 1>I'm getting a little older now, so it's like, yeah,

0:58:22.600 --> 0:58:27.160
<v Speaker 1>that's that's that's I'm definitely dating with intention, Like you know,

0:58:27.200 --> 0:58:29.640
<v Speaker 1>if i'm if if i'm if I'm seeing you, like

0:58:30.320 --> 0:58:33.560
<v Speaker 1>if if we get together, if I you know, if

0:58:33.560 --> 0:58:35.920
<v Speaker 1>you become my girlfriend, I'm definitely looking at you as

0:58:36.000 --> 0:58:40.800
<v Speaker 1>somebody who, um, I see potentially being a wife. Absolutely so.

0:58:40.840 --> 0:58:43.040
<v Speaker 1>All right, we have this segment on our show called

0:58:43.320 --> 0:58:48.320
<v Speaker 1>Dumbing Story or SIMP series. Right, easy way to say this,

0:58:55.320 --> 0:58:58.680
<v Speaker 1>and it's a time when people share a time where

0:58:58.680 --> 0:59:02.640
<v Speaker 1>they got played by the opposite sex. Can you think

0:59:02.680 --> 0:59:04.440
<v Speaker 1>of a time where a chick like you was like,

0:59:04.560 --> 0:59:09.360
<v Speaker 1>damn had to do it like that. You don't stemmed

0:59:09.400 --> 0:59:13.240
<v Speaker 1>once or twice. Let us know everybody has and don't

0:59:13.280 --> 0:59:19.640
<v Speaker 1>tell us no where I got played. Yeah, um, let

0:59:19.640 --> 0:59:21.880
<v Speaker 1>me see, don't talk about the ninth grade. Every time

0:59:21.880 --> 0:59:23.720
<v Speaker 1>I nigga on here, they'd be like, yeah, when I

0:59:23.760 --> 0:59:27.200
<v Speaker 1>was because girl stole my candy, you know, like NY

0:59:27.280 --> 0:59:32.880
<v Speaker 1>could tell us some real ship. Damn, Like you said,

0:59:33.280 --> 0:59:36.600
<v Speaker 1>they'll be trying to put that ship so far back

0:59:36.680 --> 0:59:42.000
<v Speaker 1>far in the back of their mind. Remember, oh, you

0:59:42.080 --> 0:59:44.480
<v Speaker 1>flew somebody out and then they left with your homies.

0:59:44.800 --> 0:59:49.280
<v Speaker 1>She actually for money, but it was really fun to

0:59:49.360 --> 0:59:58.600
<v Speaker 1>get something. They got a jail. I would say, like, um,

0:59:58.920 --> 1:00:00.720
<v Speaker 1>I mean the only thing I could think right now

1:00:00.880 --> 1:00:03.240
<v Speaker 1>is there was a young lady I was This was

1:00:03.280 --> 1:00:05.720
<v Speaker 1>a couple of years ago. Um, this was like right

1:00:05.760 --> 1:00:08.400
<v Speaker 1>before I started from the root tank. Actually, there was

1:00:08.440 --> 1:00:12.120
<v Speaker 1>this young lady I was very interested in. Um, and

1:00:12.160 --> 1:00:15.720
<v Speaker 1>I thought we was on a good accord, but she

1:00:15.880 --> 1:00:20.760
<v Speaker 1>kind of she kind of ghosted me basically, Um, I

1:00:20.800 --> 1:00:25.400
<v Speaker 1>was on my way to the airport. We're on facetimepor

1:00:25.640 --> 1:00:29.040
<v Speaker 1>keep oh like hit me when you you know, when

1:00:29.080 --> 1:00:31.600
<v Speaker 1>you land and all that. I hit her up when

1:00:31.600 --> 1:00:36.560
<v Speaker 1>I land. Nothing, called her again. Nothing. She goes to me.

1:00:36.720 --> 1:00:38.760
<v Speaker 1>She knows who she is too, because I've seen a

1:00:38.880 --> 1:00:42.840
<v Speaker 1>sense you saw her. According to her, I stopped talking

1:00:42.840 --> 1:00:44.800
<v Speaker 1>to her. You know, like that's another thing you'll like

1:00:44.880 --> 1:00:49.080
<v Speaker 1>to do. You'll like to do it a little switcher. Ya. No,

1:00:49.240 --> 1:00:54.640
<v Speaker 1>I did it. She didn't go to me like it

1:00:54.640 --> 1:01:01.040
<v Speaker 1>ain't a ghost. Okay, I didn't go you know, I'm

1:01:01.040 --> 1:01:03.440
<v Speaker 1>gonna use I'm gonna use that one to let me

1:01:03.560 --> 1:01:06.640
<v Speaker 1>use that one. Oh no, we don't count we are. Sayah,

1:01:06.840 --> 1:01:09.320
<v Speaker 1>I'm gonna use that one to you said it, Yeah,

1:01:09.520 --> 1:01:13.040
<v Speaker 1>you said because y'all, yeah, y'all be on some other

1:01:13.080 --> 1:01:17.760
<v Speaker 1>ship and women y'all like we don't we uh, we

1:01:17.840 --> 1:01:22.240
<v Speaker 1>probably do like a mutual ghost. Oftentimes either were friends

1:01:22.280 --> 1:01:24.320
<v Speaker 1>on your ass or we don't talk to you no more.

1:01:24.400 --> 1:01:29.560
<v Speaker 1>But men they're gonna snatch you first then then disappear,

1:01:29.920 --> 1:01:32.320
<v Speaker 1>or friends on you. I don't do that no more,

1:01:35.920 --> 1:01:42.040
<v Speaker 1>I don't do that. That was the That was the old.

1:01:42.560 --> 1:01:45.080
<v Speaker 1>Oh you know what I'm saying now if I know

1:01:45.160 --> 1:01:47.360
<v Speaker 1>it's not going on, what or if I know, like, yeah,

1:01:47.360 --> 1:01:50.360
<v Speaker 1>I'm not feeling that this ain't gonna work, I don't

1:01:50.360 --> 1:01:53.440
<v Speaker 1>even want to do you tell her though? Are you

1:01:53.520 --> 1:01:56.840
<v Speaker 1>just ghost But if we didn't smash, it s not ghosting? Right,

1:01:56.960 --> 1:01:59.520
<v Speaker 1>it's not so she didn't she didn't go what if?

1:01:59.520 --> 1:02:01.360
<v Speaker 1>But what if you've been talking for a couple of months?

1:02:01.400 --> 1:02:03.760
<v Speaker 1>Are you still in smash? But like the report has

1:02:03.800 --> 1:02:11.360
<v Speaker 1>been there and you stopped talking just out of that Definitely,

1:02:13.880 --> 1:02:15.640
<v Speaker 1>as long as I didn't give my coochie up, I

1:02:15.680 --> 1:02:19.480
<v Speaker 1>do not feel like I got Really you can you

1:02:19.520 --> 1:02:22.720
<v Speaker 1>can have feelings for somebody without having sex sex. Yeah,

1:02:22.720 --> 1:02:28.040
<v Speaker 1>that's what I feel like. Ultimate see for me the

1:02:28.080 --> 1:02:31.280
<v Speaker 1>mindset I'm in that I mean obviously, like, if there's

1:02:31.320 --> 1:02:34.600
<v Speaker 1>somebody who like this is the relationship we have where

1:02:34.680 --> 1:02:37.120
<v Speaker 1>you know, we just funking around and ship. If that's

1:02:37.160 --> 1:02:41.320
<v Speaker 1>the case, that's the case. But for me, if I'm interested,

1:02:41.320 --> 1:02:44.600
<v Speaker 1>if I'm really interested in somebody, oh, I need to

1:02:44.640 --> 1:02:47.240
<v Speaker 1>get to know you first. I need to see what's

1:02:47.280 --> 1:02:49.680
<v Speaker 1>good because yo, sex is always better when you like

1:02:49.760 --> 1:02:53.320
<v Speaker 1>the person right or for it or for it even

1:02:53.360 --> 1:02:56.080
<v Speaker 1>if like oh, they don't do it, like, it's still

1:02:56.120 --> 1:02:58.640
<v Speaker 1>popping because you like the person. You know what I'm saying,

1:02:58.680 --> 1:03:02.200
<v Speaker 1>Like this is somebody like I like to cuddle. I

1:03:02.240 --> 1:03:04.560
<v Speaker 1>wanna I want to I want to cuddle left, I wanna.

1:03:04.720 --> 1:03:07.280
<v Speaker 1>Know what I'm saying, If I'm not feeling you like that,

1:03:07.600 --> 1:03:09.480
<v Speaker 1>You're gonna see a different side of me, you know

1:03:09.520 --> 1:03:15.240
<v Speaker 1>what I'm saying. So, um, if you develop a relationship

1:03:15.320 --> 1:03:18.440
<v Speaker 1>with somebody, getting to know somebody, you know what I'm saying,

1:03:19.000 --> 1:03:22.320
<v Speaker 1>and then all of a sudden, you stopped talking, that's

1:03:22.320 --> 1:03:26.640
<v Speaker 1>still a ghost You still ghosted. We didn't have sex,

1:03:26.800 --> 1:03:32.320
<v Speaker 1>but there's intimacy there. Like, right, did what does she

1:03:32.400 --> 1:03:35.760
<v Speaker 1>say when you sorry? She said, I stopped talking? She

1:03:35.920 --> 1:03:41.479
<v Speaker 1>just basically bullshit? Yeah, and then I then I saw

1:03:41.520 --> 1:03:44.760
<v Speaker 1>her I with her fucking boyfriend and ship. I said,

1:03:44.800 --> 1:03:51.800
<v Speaker 1>that's your man. Alright, cool, you know what I'm saying.

1:03:52.080 --> 1:03:56.720
<v Speaker 1>Everything happens for a reason. Everything happens for a reason, Marcus,

1:03:56.800 --> 1:03:59.840
<v Speaker 1>Tell everybody where they can find you, tell them about

1:03:59.840 --> 1:04:02.160
<v Speaker 1>this show where they can watch it. All that good stuff.

1:04:02.200 --> 1:04:06.720
<v Speaker 1>What you got coming up next? Everything. So um, think

1:04:06.760 --> 1:04:10.200
<v Speaker 1>of social media wise, you can find me on uh

1:04:10.320 --> 1:04:15.240
<v Speaker 1>at at distant loving on Instagram is one word um.

1:04:15.280 --> 1:04:19.320
<v Speaker 1>That's also my um my tag on Twitter too, it's

1:04:19.400 --> 1:04:23.720
<v Speaker 1>at distant loving. Um. What I got coming up next?

1:04:23.760 --> 1:04:27.480
<v Speaker 1>I'm actually writing a movie right now. I'm a co

1:04:27.600 --> 1:04:31.160
<v Speaker 1>writer on the film, so that's kind of like yeah, yeah,

1:04:31.240 --> 1:04:34.320
<v Speaker 1>So that's kind of been my main focus right now.

1:04:35.120 --> 1:04:38.440
<v Speaker 1>Woo Tank is coming out February fifteen. Make sure you're

1:04:38.520 --> 1:04:41.440
<v Speaker 1>tuned into that on Hulu. Season three, our final season,

1:04:41.640 --> 1:04:50.840
<v Speaker 1>by the way, perfect for that that. You know what

1:04:50.840 --> 1:04:53.200
<v Speaker 1>I'm saying, And we dropped and we drop. We're gonna

1:04:53.240 --> 1:04:56.840
<v Speaker 1>drop three episodes from when it comes episodes to watch.

1:04:59.440 --> 1:05:01.720
<v Speaker 1>Thank you so much, Marcus for join us. You give

1:05:01.800 --> 1:05:04.000
<v Speaker 1>us a really good interview. Thank you, Thank you for

1:05:04.040 --> 1:05:07.080
<v Speaker 1>having me. All Right, we're coming send us information for

1:05:07.160 --> 1:05:10.280
<v Speaker 1>your party because I'm turning up. Yeah, I'm gonna send it.

1:05:10.280 --> 1:05:13.000
<v Speaker 1>I'm gonna send it. It's a Nigeria spin find me

1:05:13.040 --> 1:05:23.120
<v Speaker 1>a little something something out there time the Mail Attractive Dance.

1:05:26.480 --> 1:05:29.600
<v Speaker 1>All right, y'all listen. So if you enjoyed this episode,

1:05:29.640 --> 1:05:32.200
<v Speaker 1>please tune in every Thursday on your I Heart Radio

1:05:32.280 --> 1:05:34.760
<v Speaker 1>Apple wherever the fun you get your podcast that this

1:05:34.800 --> 1:05:37.840
<v Speaker 1>is your co host A J. Holiday two point oh

1:05:38.080 --> 1:05:40.560
<v Speaker 1>on Instagram's follow me down if you won't get on.

1:05:41.160 --> 1:05:44.160
<v Speaker 1>What's up Sam, y'all, it's me official Tam Bam. Follow

1:05:44.200 --> 1:05:46.480
<v Speaker 1>me on Instagram. I love y'all. Thank y'all for tuning in.

1:05:46.720 --> 1:05:49.480
<v Speaker 1>Remember to speak now and never hold your piece.