1 00:00:03,120 --> 00:00:06,400 Speaker 1: The level of brutality is something I don't think that 2 00:00:06,559 --> 00:00:07,960 Speaker 1: even I was prepared for. 3 00:00:08,960 --> 00:00:12,319 Speaker 2: Did this really happen? Did I do this? Or was 4 00:00:12,360 --> 00:00:14,120 Speaker 2: this a fever dream? 5 00:00:14,880 --> 00:00:17,639 Speaker 1: I can only imagine the horror that she experienced in 6 00:00:17,680 --> 00:00:18,280 Speaker 1: those moments. 7 00:00:24,920 --> 00:00:29,080 Speaker 3: This is the Idaho Massacre, a production of KAT Studios 8 00:00:29,320 --> 00:00:37,600 Speaker 3: and iHeartRadio, Season three, Episode three, The Unsealed Files. I'm 9 00:00:37,600 --> 00:00:41,280 Speaker 3: Courtney Armstrong, a producer at KAT Studios with Stephanie Leideger 10 00:00:41,479 --> 00:00:47,680 Speaker 3: and Gabriel Castillo. For nearly three years, much of the 11 00:00:47,720 --> 00:00:52,800 Speaker 3: case against Brian Coberger has remained sealed, hidden behind reactions, 12 00:00:53,040 --> 00:00:58,480 Speaker 3: legal arguments, and courtroom silence. But now that silence is breaking. 13 00:01:00,320 --> 00:01:02,960 Speaker 3: Shortly after the convicted killer was led off to begin 14 00:01:03,040 --> 00:01:07,800 Speaker 3: his life sentence, hundreds of pages of investigative documents were unsealed, 15 00:01:10,880 --> 00:01:13,720 Speaker 3: giving us our most detailed look yet into the case 16 00:01:13,760 --> 00:01:18,280 Speaker 3: that stunned the country. The evidence, the interviews, and more 17 00:01:18,319 --> 00:01:22,040 Speaker 3: information on the chilling timeline of what unfolded in the hours, 18 00:01:22,160 --> 00:01:28,759 Speaker 3: days and weeks surrounding the murders of Madison, Mogen, Kaylei Gonzalvez, Xanakernodle, 19 00:01:29,200 --> 00:01:34,680 Speaker 3: and Ethan Chapin. What do these newly revealed documents tell 20 00:01:34,760 --> 00:01:37,679 Speaker 3: us how do they change our perception of what went 21 00:01:37,760 --> 00:01:41,399 Speaker 3: on that faithful night and what questions do they raise 22 00:01:41,440 --> 00:01:46,920 Speaker 3: about motive, surveillance and intent. Today we're diving into what 23 00:01:46,959 --> 00:01:50,400 Speaker 3: investigators walked into on that faithful day and what a 24 00:01:50,440 --> 00:01:53,440 Speaker 3: camean in terms of a possible target in this case. 25 00:01:55,320 --> 00:01:59,920 Speaker 3: Here's forensic expert Joseph Scott Morgan with our producer Alison Bankston. 26 00:02:01,680 --> 00:02:04,360 Speaker 4: When you were going through these documents, what stood out 27 00:02:04,360 --> 00:02:06,920 Speaker 4: the most to you and what surprised you the most? 28 00:02:07,040 --> 00:02:10,200 Speaker 4: What jumped out at you forensically level. 29 00:02:09,919 --> 00:02:14,720 Speaker 1: Of brutality for me because it sounds horribly naive, but 30 00:02:15,400 --> 00:02:18,040 Speaker 1: for me, I think I'd always hoped that it wasn't 31 00:02:18,040 --> 00:02:20,560 Speaker 1: going to be as bad as it has turned out 32 00:02:20,600 --> 00:02:23,400 Speaker 1: to be. I should have known better as an old 33 00:02:23,400 --> 00:02:27,400 Speaker 1: death investigator and a forensic scientist, given all the hundreds 34 00:02:27,440 --> 00:02:30,799 Speaker 1: and hundreds of deaths that I worked as a practitioner, 35 00:02:30,960 --> 00:02:33,640 Speaker 1: all the cases I've covered in the media, I was 36 00:02:33,800 --> 00:02:38,720 Speaker 1: not prepared for what was the big reveal. For an investigator, 37 00:02:39,160 --> 00:02:41,920 Speaker 1: this is one of the tough parts. You have to 38 00:02:41,960 --> 00:02:46,920 Speaker 1: be able to shield yourself from this creeping sensation that 39 00:02:47,000 --> 00:02:49,280 Speaker 1: you know you've got destroyed lives in front of you. 40 00:02:49,280 --> 00:02:52,000 Speaker 1: You cannot let your guard down in this environment relative 41 00:02:52,040 --> 00:02:54,600 Speaker 1: to the task that is at hand. You have to 42 00:02:54,680 --> 00:02:57,760 Speaker 1: focus like a laser. You have to be prepared before 43 00:02:57,800 --> 00:03:00,160 Speaker 1: you go into that dwelling, before you go into the 44 00:03:00,200 --> 00:03:02,960 Speaker 1: individual rooms, of what your plan is, what you're going 45 00:03:03,040 --> 00:03:04,920 Speaker 1: to do when you walk in, because if you go 46 00:03:05,040 --> 00:03:08,000 Speaker 1: in and you're out of sorts in any way, it 47 00:03:08,040 --> 00:03:11,480 Speaker 1: really has potential to train wreck the entire investigation. 48 00:03:11,720 --> 00:03:14,440 Speaker 4: Right absolutely, Joseph, Can you tell us you know about 49 00:03:14,440 --> 00:03:17,560 Speaker 4: what these investigators found that morning. Of course we knew 50 00:03:17,600 --> 00:03:20,560 Speaker 4: some of this from the affidavit and previously released documents, 51 00:03:20,560 --> 00:03:23,040 Speaker 4: but you know, these new documents give us an even 52 00:03:23,120 --> 00:03:26,560 Speaker 4: deeper glimpse into what the investigators really truly walked into. 53 00:03:26,639 --> 00:03:29,160 Speaker 4: And it's just horrifying. 54 00:03:29,880 --> 00:03:33,480 Speaker 1: When investigators come onto any scene, Okay, you're going to 55 00:03:33,560 --> 00:03:37,040 Speaker 1: do what's referred to Traditionally, it's referred to as the walkthrough. 56 00:03:37,360 --> 00:03:40,560 Speaker 1: You're observing the scene initially to get this kind of 57 00:03:40,720 --> 00:03:45,920 Speaker 1: overview to understand what you're up against. They enter on 58 00:03:45,960 --> 00:03:49,000 Speaker 1: the ground floor. There's two bedrooms downstairs in a bath. 59 00:03:49,560 --> 00:03:54,120 Speaker 1: They usend the staircase and land on this second floor, 60 00:03:54,360 --> 00:03:58,280 Speaker 1: but on the second floor, you've got this kind of 61 00:03:58,360 --> 00:04:05,000 Speaker 1: great room combination of where the kitchen and the dining 62 00:04:05,040 --> 00:04:09,200 Speaker 1: area is. Xena and Ethan were on the second floor. 63 00:04:09,440 --> 00:04:12,880 Speaker 1: We learned that Xana was laying on the floor of 64 00:04:13,160 --> 00:04:17,520 Speaker 1: her room in a prone position. They see cast off 65 00:04:17,640 --> 00:04:21,640 Speaker 1: on the walls. Cast off means a very dynamic environment. 66 00:04:21,760 --> 00:04:26,200 Speaker 1: So when I teach I talk about blood deposition, imagine 67 00:04:26,200 --> 00:04:29,279 Speaker 1: taking a paintbrush and dipping it into a bucket of 68 00:04:29,320 --> 00:04:31,640 Speaker 1: paint and then slinging it over your shoulder, like with 69 00:04:31,680 --> 00:04:35,080 Speaker 1: a flick of the wrist. The room is not painted 70 00:04:35,080 --> 00:04:40,599 Speaker 1: in blood. However, it's almost as if you've taken an instrument, 71 00:04:41,000 --> 00:04:43,720 Speaker 1: dipped it into the blood, and then thrown it like this, 72 00:04:44,000 --> 00:04:47,480 Speaker 1: And so the cast off is thereabouts. That's one of 73 00:04:47,520 --> 00:04:50,640 Speaker 1: the first things that they actually notice other than the bodies. 74 00:04:50,880 --> 00:04:55,760 Speaker 1: And that's an indication of violence, but it's an indication 75 00:04:55,920 --> 00:05:00,440 Speaker 1: of the dynamics that the violence. It's not like the 76 00:05:00,520 --> 00:05:06,839 Speaker 1: individual that perpetrated this crime was simply stabbing Xana. Okay, 77 00:05:07,080 --> 00:05:09,720 Speaker 1: Like if you think about the motion of the sewing 78 00:05:09,760 --> 00:05:13,960 Speaker 1: machine needle going up and down, it's driving the knife 79 00:05:14,000 --> 00:05:18,760 Speaker 1: in and then with great force bringing the knife back. Okay, 80 00:05:18,920 --> 00:05:22,719 Speaker 1: So that it literally cast off blood so that it 81 00:05:22,800 --> 00:05:28,680 Speaker 1: is deposited on various surfaces. Just from that bit alone, 82 00:05:29,000 --> 00:05:32,440 Speaker 1: in that initial observation, they knew that there was tremendous 83 00:05:32,560 --> 00:05:36,240 Speaker 1: violence that was going on in here. She's got fifty 84 00:05:36,720 --> 00:05:40,640 Speaker 1: plus stab ones. The two to the heart, the one 85 00:05:40,680 --> 00:05:44,000 Speaker 1: to the right lung, and the rest of them are 86 00:05:44,040 --> 00:05:49,479 Speaker 1: being described as mostly defensive. If you think about what 87 00:05:49,520 --> 00:05:52,400 Speaker 1: she's doing and what she's going through, she's trying well. 88 00:05:52,440 --> 00:05:55,440 Speaker 1: First off, she's trying to survive, but she's putting up 89 00:05:55,440 --> 00:05:58,200 Speaker 1: a fight. She's trying to get him off of her, 90 00:05:58,800 --> 00:06:02,159 Speaker 1: trying to put as much distance between herself and him. 91 00:06:02,839 --> 00:06:06,000 Speaker 1: She knows what's happening to her. And remember, she was awake. 92 00:06:07,000 --> 00:06:10,640 Speaker 1: She was awake. I can only imagine the horror you know, 93 00:06:10,720 --> 00:06:12,320 Speaker 1: that she experienced in those moments. 94 00:06:17,920 --> 00:06:21,560 Speaker 3: After Brian Coberger was sentenced, the court unsealed hundreds of 95 00:06:21,600 --> 00:06:26,560 Speaker 3: pages of investigative documents, some revealing new details about what 96 00:06:26,600 --> 00:06:29,680 Speaker 3: the police found at the scene that November morning and 97 00:06:29,839 --> 00:06:34,240 Speaker 3: the extent of the injuries each victim suffered. These files 98 00:06:34,279 --> 00:06:37,200 Speaker 3: offer a rare and chilling glimpse into the final moments 99 00:06:37,240 --> 00:06:42,520 Speaker 3: of Madison Mogan Callie Gonzalvez, Xanakernodle, and Ethan Chapin. 100 00:06:46,320 --> 00:06:52,279 Speaker 1: After this brutality has been exacted on Xanna and they're 101 00:06:52,320 --> 00:06:55,720 Speaker 1: bearing witness to it, you move over as an investigator 102 00:06:55,839 --> 00:07:02,400 Speaker 1: and you see diametrically opposing Ethan's body in the bed. Well, 103 00:07:02,800 --> 00:07:06,840 Speaker 1: if we are to believe what has been said, he's 104 00:07:06,839 --> 00:07:10,680 Speaker 1: not moved, he's static in the bed. And listen, early 105 00:07:10,720 --> 00:07:13,400 Speaker 1: on there were all kinds of wild things flying about. 106 00:07:13,800 --> 00:07:16,440 Speaker 1: You know, I even heard somebody say that he was 107 00:07:17,560 --> 00:07:20,160 Speaker 1: found in the doorway. Well, we know that that's a 108 00:07:20,200 --> 00:07:24,960 Speaker 1: complete fallacy. You know, that didn't happen. He died in 109 00:07:24,960 --> 00:07:29,120 Speaker 1: that bed, in that spot. And of course, the level 110 00:07:29,120 --> 00:07:32,080 Speaker 1: of brutality, and I'm not saying in any what Please 111 00:07:32,080 --> 00:07:37,360 Speaker 1: don't misconstrue. I'm not saying that Ethan's death was not brutal, 112 00:07:37,440 --> 00:07:40,560 Speaker 1: because it was. But when you compare the if you're 113 00:07:40,600 --> 00:07:44,800 Speaker 1: just comparing injuries, what we saw with Xana in that 114 00:07:44,960 --> 00:07:49,120 Speaker 1: environment is completely different than what we see with Ethan 115 00:07:49,960 --> 00:07:53,800 Speaker 1: where he's laying in the bed. There has been an 116 00:07:53,840 --> 00:07:58,600 Speaker 1: indication that there may have been arterial spray with him, 117 00:07:59,000 --> 00:08:01,920 Speaker 1: and what that means is that if you and this 118 00:08:01,960 --> 00:08:06,880 Speaker 1: is a rather robust area where he has been stabbed. 119 00:08:07,440 --> 00:08:09,800 Speaker 1: And the reason you get the arterial sprays that the 120 00:08:09,800 --> 00:08:14,280 Speaker 1: heart is still pumping. It's tremendous force. This vessel itself, 121 00:08:14,840 --> 00:08:20,960 Speaker 1: the CROTD is actually what supplies the brain with blood, 122 00:08:21,000 --> 00:08:23,400 Speaker 1: and out of all the organs in the body, the 123 00:08:23,440 --> 00:08:28,000 Speaker 1: brain demands the most blood. I think that he would 124 00:08:28,080 --> 00:08:31,480 Speaker 1: probably lose consciousness relatively quickly. 125 00:08:33,640 --> 00:08:36,880 Speaker 3: After exiting Xanna's room, investigators make their way to the 126 00:08:36,920 --> 00:08:40,959 Speaker 3: third floor, where Madison Mogan and Kelly Gonsalvez live. 127 00:08:42,760 --> 00:08:47,360 Speaker 1: They go down to Kayley's old room and there's nobody 128 00:08:47,440 --> 00:08:51,439 Speaker 1: in there. They make their way down to Maddie's room. 129 00:08:52,160 --> 00:08:57,960 Speaker 1: They observe these two young friends covered in a pink 130 00:08:58,040 --> 00:09:00,840 Speaker 1: blanket and the blanket is super sad trade of blood. 131 00:09:01,480 --> 00:09:06,440 Speaker 1: So they had they remained under that blanket or was 132 00:09:06,480 --> 00:09:10,000 Speaker 1: a blanket placed on them by someone else. I don't 133 00:09:10,040 --> 00:09:13,199 Speaker 1: have an answer to that. When you look at the 134 00:09:13,240 --> 00:09:19,920 Speaker 1: injuries that have been revealed regarding Maddie, it's very brief. 135 00:09:20,559 --> 00:09:23,520 Speaker 1: She only had sharp force injuries. I mean, like sad Ones, 136 00:09:24,040 --> 00:09:26,120 Speaker 1: I don't think that she did fight back. We don't 137 00:09:26,120 --> 00:09:29,640 Speaker 1: have any evidence of defensive injuries on her at all. 138 00:09:30,240 --> 00:09:33,840 Speaker 1: Merely what they talked about with Maddie is that she's 139 00:09:33,880 --> 00:09:37,920 Speaker 1: got a left lung laceration and then it migrates from 140 00:09:38,000 --> 00:09:42,760 Speaker 1: a left lung laceration to a liver laceration. They're only 141 00:09:42,760 --> 00:09:47,320 Speaker 1: identifying those two injuries. I'll be fascinated to see if 142 00:09:47,640 --> 00:09:52,199 Speaker 1: something else came about. But the least amount of damage 143 00:09:52,240 --> 00:09:57,040 Speaker 1: I think our trauma is Maddie is right there with 144 00:09:57,240 --> 00:09:59,880 Speaker 1: I think Ethan running a close second in that cond 145 00:10:05,920 --> 00:10:11,599 Speaker 1: Kaylee bought probably equal to the level that Xana did downstairs. 146 00:10:12,280 --> 00:10:16,679 Speaker 1: What's so striking about Kaylee, though, is the level of 147 00:10:16,880 --> 00:10:21,160 Speaker 1: violence that was exacted upon her. She's got multiple stab 148 00:10:21,200 --> 00:10:24,600 Speaker 1: wounds all over her body. But I think the thing 149 00:10:24,640 --> 00:10:28,760 Speaker 1: that really has caught people's attention, and this is you know, 150 00:10:28,880 --> 00:10:31,280 Speaker 1: kind of borne out relative to what we're hearing now 151 00:10:31,320 --> 00:10:36,080 Speaker 1: from the Truanta documents, is that there's a tremendous amount 152 00:10:36,080 --> 00:10:41,000 Speaker 1: of disfigurement. He lingered with her, because you don't just 153 00:10:41,040 --> 00:10:44,680 Speaker 1: have stab wounds, you've got blunt force trauma. She was 154 00:10:44,720 --> 00:10:48,560 Speaker 1: traumatized to the point with blunt force trauma that she 155 00:10:48,679 --> 00:10:52,720 Speaker 1: had hemorrhage that is literally inside of the sack surrounding 156 00:10:52,720 --> 00:10:56,240 Speaker 1: her brain. And so you're literally bleeding out in your brain. 157 00:10:56,840 --> 00:11:00,280 Speaker 1: We do know that she's got signs of asphyxia, which 158 00:11:00,320 --> 00:11:04,400 Speaker 1: means some way her airway was blocked. She's struggling. She's struggling, 159 00:11:04,480 --> 00:11:07,960 Speaker 1: and she's fighting while he's trying to perhaps keep her 160 00:11:08,040 --> 00:11:12,040 Speaker 1: quiet at the same time he's trying to murder her. 161 00:11:12,640 --> 00:11:14,720 Speaker 1: She's not doing what he wants her to do, and 162 00:11:14,760 --> 00:11:18,800 Speaker 1: that is die. She's fighting back, and so that's why 163 00:11:18,880 --> 00:11:23,400 Speaker 1: you get this disfigurement with the knife being utilized to 164 00:11:23,480 --> 00:11:26,839 Speaker 1: stab her or the knife being utilized to punch her with. 165 00:11:27,240 --> 00:11:30,160 Speaker 1: It's in this confusion as well that we think about 166 00:11:30,679 --> 00:11:34,960 Speaker 1: depositing of the sheath that's found adjacent to her leg, 167 00:11:35,480 --> 00:11:38,800 Speaker 1: and this furious thing that's going on here. He forgets 168 00:11:38,800 --> 00:11:41,400 Speaker 1: about the sheath. All he knows is he wants to 169 00:11:41,480 --> 00:11:44,760 Speaker 1: extricate himself from this environment so that he can put 170 00:11:44,800 --> 00:11:48,400 Speaker 1: as much distance between himself and the horror that he 171 00:11:48,480 --> 00:11:53,360 Speaker 1: has subjected these individuals to. In total, Kaylee had twenty 172 00:11:53,440 --> 00:11:54,480 Speaker 1: plus stab wounds. 173 00:11:55,160 --> 00:11:58,360 Speaker 4: The brutality of Kelly's wounds, you know, which are just awful. 174 00:11:58,440 --> 00:12:01,440 Speaker 4: Could this suggests that she was the target? You know, 175 00:12:01,480 --> 00:12:03,680 Speaker 4: I know there's been some speculation out there that Mattie 176 00:12:03,760 --> 00:12:06,640 Speaker 4: was the target. People think maybe Brian Colberger met her 177 00:12:06,679 --> 00:12:09,280 Speaker 4: at the Matta Greek where she worked. But after seeing 178 00:12:09,360 --> 00:12:11,599 Speaker 4: these new documents and just reading about the brutality of 179 00:12:11,679 --> 00:12:15,000 Speaker 4: Kaylee's wounds, I'm curious of being this changes. 180 00:12:14,760 --> 00:12:20,640 Speaker 1: Things between Kayley and Mattie. Guys say I'd list more 181 00:12:20,720 --> 00:12:28,000 Speaker 1: toward Kaylee because of disfigurement, brutality, blunt force, trauma, suffocation, 182 00:12:28,640 --> 00:12:32,360 Speaker 1: or occlusion of airway. However, one thing that kind of 183 00:12:32,559 --> 00:12:35,880 Speaker 1: muddies the waters here is that both these individuals were 184 00:12:36,440 --> 00:12:40,120 Speaker 1: occupied in the same space, allegedly in a bed together. 185 00:12:40,800 --> 00:12:45,120 Speaker 1: So you cannot completely discount that this individual who's already 186 00:12:45,120 --> 00:12:49,160 Speaker 1: being driven by sexual urges and has potential for violence, 187 00:12:49,160 --> 00:12:52,240 Speaker 1: has been studying violence. He's going to get mighty angry 188 00:12:52,320 --> 00:12:54,560 Speaker 1: if somebody's going to get in between him and his 189 00:12:54,640 --> 00:12:57,080 Speaker 1: actual target. So if you take that same logic and 190 00:12:57,120 --> 00:13:00,760 Speaker 1: apply it to Kaylee, suddenly she becomes not the target 191 00:13:00,880 --> 00:13:05,679 Speaker 1: of any kind of sexual motivation. That's pure anger that 192 00:13:05,720 --> 00:13:08,520 Speaker 1: you're seeing. You've got in the way of what I 193 00:13:08,559 --> 00:13:11,880 Speaker 1: wanted to do. It may have disrupted the whole damn thing. 194 00:13:12,800 --> 00:13:15,480 Speaker 1: He's made mistakes all along the way. You can see 195 00:13:15,480 --> 00:13:19,040 Speaker 1: where he's trying to commit the perfect crime, but maybe 196 00:13:19,080 --> 00:13:21,839 Speaker 1: his observational skills were not as keen as he thought 197 00:13:21,840 --> 00:13:25,000 Speaker 1: that they should be, or that he perceived himself to be. 198 00:13:25,559 --> 00:13:28,240 Speaker 1: He didn't expect to find her there. But I got 199 00:13:28,280 --> 00:13:30,880 Speaker 1: to tell you, I don't know that we will ever know. 200 00:13:31,280 --> 00:13:34,679 Speaker 1: People can speculate about this all they want, but these 201 00:13:34,720 --> 00:13:37,800 Speaker 1: two young ladies died in such close proximity to one 202 00:13:37,840 --> 00:13:41,679 Speaker 1: another that any kind of post mortem data like changes 203 00:13:41,679 --> 00:13:43,760 Speaker 1: in the body, with Roger mortis and all those sorts 204 00:13:43,760 --> 00:13:47,640 Speaker 1: of things and post mortal avidity, that data is worthless. 205 00:13:47,720 --> 00:13:50,640 Speaker 1: You're not going to be able to ascertain anything from that. 206 00:13:50,760 --> 00:13:51,400 Speaker 1: I don't think. 207 00:13:54,679 --> 00:13:56,720 Speaker 3: Let's stop here for a break. We'll be back in 208 00:13:56,760 --> 00:14:08,520 Speaker 3: a moment. Welcome back to the Idaho massacre. We've been 209 00:14:08,559 --> 00:14:13,840 Speaker 3: reviewing newly released documents following Brian Coberger. Sentencing forensic expert 210 00:14:13,920 --> 00:14:17,719 Speaker 3: Joseph Scott Morgan just walked us through what investigators uncovered 211 00:14:17,760 --> 00:14:21,720 Speaker 3: about the injuries to all four victims. It's a disturbing 212 00:14:21,880 --> 00:14:26,560 Speaker 3: and sobering account. We're now joined by crime analyst Body Moven, 213 00:14:26,760 --> 00:14:30,520 Speaker 3: an expert in analyzing complex data, along with our producer 214 00:14:30,600 --> 00:14:34,000 Speaker 3: Alison Bankston to dive deeper into more of the documents 215 00:14:34,040 --> 00:14:36,120 Speaker 3: released in this massive evidence dump. 216 00:14:39,760 --> 00:14:42,480 Speaker 4: So you've been through all these documents, there's just so 217 00:14:42,560 --> 00:14:44,960 Speaker 4: much to unpack, and you know there's even more to come. 218 00:14:45,480 --> 00:14:46,680 Speaker 5: There's a lot in there actually. 219 00:14:47,160 --> 00:14:49,480 Speaker 4: Right aside from learning more about what police found that 220 00:14:49,560 --> 00:14:51,880 Speaker 4: night and the victim's injuries, I also was pretty intrigued 221 00:14:51,880 --> 00:14:53,840 Speaker 4: by getting more into on Dylan's full statement. 222 00:14:54,240 --> 00:14:55,760 Speaker 5: I thought that was very interesting. 223 00:14:58,040 --> 00:15:01,040 Speaker 3: As a reminder, Dylan Morton was one of the two 224 00:15:01,120 --> 00:15:07,360 Speaker 3: roommates who survived the attack. According to the Affidavid, around 225 00:15:07,360 --> 00:15:09,880 Speaker 3: four am on the night of the murders, she saw 226 00:15:09,920 --> 00:15:13,200 Speaker 3: a figure dressed in black wearing a mask that covered 227 00:15:13,200 --> 00:15:16,400 Speaker 3: his mouth and nose. He was outside of her bedroom 228 00:15:16,480 --> 00:15:19,160 Speaker 3: on the second floor, and she described him as having 229 00:15:19,160 --> 00:15:23,920 Speaker 3: bushy eyebrows and a slight but athletic build. Dylan froze 230 00:15:23,920 --> 00:15:26,520 Speaker 3: in shock as the man walked past her and out 231 00:15:26,520 --> 00:15:27,040 Speaker 3: of the house. 232 00:15:31,600 --> 00:15:36,000 Speaker 2: This is so weird. This is very weird. Dylan's statement 233 00:15:36,080 --> 00:15:39,720 Speaker 2: to Moscow Police Department. She said she believed Maddie and 234 00:15:39,800 --> 00:15:44,040 Speaker 2: Kaylee arrived home around one thirty or two. She said 235 00:15:44,040 --> 00:15:47,040 Speaker 2: that nothing weird had happened during the night. She describes 236 00:15:47,120 --> 00:15:50,280 Speaker 2: being woken up around four anywhere between four and four twenty, 237 00:15:50,320 --> 00:15:53,760 Speaker 2: which of course is when the event occurs, you know, 238 00:15:53,840 --> 00:15:57,120 Speaker 2: in the home. Dylan is insistent, and she says it 239 00:15:57,200 --> 00:16:00,000 Speaker 2: three times that she heard Kaylee go up the stairs 240 00:16:00,160 --> 00:16:03,240 Speaker 2: with Murphy and then immediately come back down halfway down 241 00:16:03,240 --> 00:16:06,240 Speaker 2: the stairs and say someone's here, and then go back up. 242 00:16:06,920 --> 00:16:10,800 Speaker 2: The police believe Xana is the one who said someone's here. 243 00:16:10,960 --> 00:16:15,040 Speaker 2: Dylan is insisting it was Kaylee. Dylan said she opened 244 00:16:15,080 --> 00:16:18,000 Speaker 2: the door when she cried out to Kaylee, then closed 245 00:16:18,040 --> 00:16:20,640 Speaker 2: the door because she was scared. She said who she 246 00:16:20,680 --> 00:16:23,120 Speaker 2: thought was Kaylee, but could have been Xana crying in 247 00:16:23,160 --> 00:16:26,600 Speaker 2: the bathroom. Dylan said she then heard a man's voice 248 00:16:26,640 --> 00:16:30,200 Speaker 2: say it's okay, I'm going to help you. Dylan said 249 00:16:30,200 --> 00:16:32,080 Speaker 2: it was weird because the statement was not in a 250 00:16:32,160 --> 00:16:35,120 Speaker 2: nice way, and the voice was one she had never 251 00:16:35,160 --> 00:16:38,680 Speaker 2: heard before. She would have recognized it if it was Ethan. Right, 252 00:16:39,240 --> 00:16:42,000 Speaker 2: we got some leaked audio from the Dateline episode. Right 253 00:16:42,800 --> 00:16:45,240 Speaker 2: in the PCA, which is a probable Cause affidavit that 254 00:16:45,240 --> 00:16:46,600 Speaker 2: we've had for years. 255 00:16:47,080 --> 00:16:48,080 Speaker 5: It describes the. 256 00:16:48,120 --> 00:16:51,920 Speaker 2: Leaked audio and it says, you know that there's scream, 257 00:16:52,440 --> 00:16:54,280 Speaker 2: there's like a I can't remember if it says a 258 00:16:54,320 --> 00:16:57,280 Speaker 2: whimper or scream and then a thud. And when we 259 00:16:57,320 --> 00:17:00,080 Speaker 2: got the audio from the dateline leak, of course, so 260 00:17:00,080 --> 00:17:02,000 Speaker 2: I had to listen to it over and over and 261 00:17:02,040 --> 00:17:07,280 Speaker 2: over again. And I can't help but create what I'm 262 00:17:07,280 --> 00:17:28,439 Speaker 2: hearing in my own mind. Yes, I can't help it. 263 00:17:28,480 --> 00:17:36,439 Speaker 2: Here Ethan help me, and then a thud. And then 264 00:17:36,520 --> 00:17:40,880 Speaker 2: weeks later we get the document dump and we learn 265 00:17:41,160 --> 00:17:43,720 Speaker 2: that he says this, don't worry, I'm going to help you, 266 00:17:43,880 --> 00:17:47,480 Speaker 2: very menacingly, and I can't help but think Ethan helped me, 267 00:17:48,160 --> 00:17:50,800 Speaker 2: and he catches up to her, don't worry, I'm going 268 00:17:50,840 --> 00:17:53,520 Speaker 2: to help you, and then we hear the thud and 269 00:17:53,520 --> 00:17:54,679 Speaker 2: that's Sannah hitting the floor. 270 00:17:55,200 --> 00:17:55,840 Speaker 5: Oh my god. 271 00:17:57,240 --> 00:17:59,959 Speaker 2: I don't know it makes sense. It might not be, 272 00:18:00,400 --> 00:18:03,040 Speaker 2: it might not be, you know, but this is the chatter. 273 00:18:03,200 --> 00:18:05,960 Speaker 2: This is what people are talking about from the document ump. 274 00:18:06,160 --> 00:18:09,320 Speaker 2: But those two kind of go hand in hand. Ethan 275 00:18:09,400 --> 00:18:11,360 Speaker 2: helped me, and don't worry, I'm gonna help you. I'm 276 00:18:11,400 --> 00:18:13,280 Speaker 2: the one that's going to help you. You don't need him. 277 00:18:13,680 --> 00:18:17,280 Speaker 2: I'm the one that's gonna help you. It's very menacing 278 00:18:17,320 --> 00:18:21,520 Speaker 2: and I mean awful to think about and poor Xanna. Okay, so, 279 00:18:22,000 --> 00:18:25,080 Speaker 2: Dylan said when she saw the suspect, said she believed 280 00:18:25,080 --> 00:18:27,960 Speaker 2: the suspect was white, but not remember eyebrow, collar or 281 00:18:28,119 --> 00:18:31,359 Speaker 2: what his eyes looked like. He saw her and just left. 282 00:18:31,720 --> 00:18:34,200 Speaker 2: Dylan was asked how long she believed it was from 283 00:18:34,200 --> 00:18:36,720 Speaker 2: the time Kayleie said someone is here to when she 284 00:18:36,800 --> 00:18:39,879 Speaker 2: saw the suspect. Dylan said she thought it was about 285 00:18:39,920 --> 00:18:42,800 Speaker 2: ten or twenty minutes. Dylan said the suspect was between 286 00:18:42,800 --> 00:18:46,040 Speaker 2: her bedroom door and the kitchen, so he was kind 287 00:18:46,040 --> 00:18:50,080 Speaker 2: of like walking in that little u turn away from 288 00:18:50,280 --> 00:18:53,920 Speaker 2: Xanna's room to the kitchen. Dylan said she remembered watching 289 00:18:53,960 --> 00:18:58,000 Speaker 2: the suspect go out the kitchen door and leave. Dylan 290 00:18:58,080 --> 00:19:00,560 Speaker 2: said at this time she closed her door and locked 291 00:19:00,560 --> 00:19:01,679 Speaker 2: it as fast as she could. 292 00:19:02,119 --> 00:19:04,679 Speaker 5: She said the suspect did not walk toward her or 293 00:19:04,720 --> 00:19:07,240 Speaker 5: say anything. I'm terrifying. 294 00:19:10,600 --> 00:19:12,639 Speaker 3: Let's stop here for a break. We'll be back in 295 00:19:12,680 --> 00:19:22,159 Speaker 3: a moment. After Dylan Mortensen came face to face with 296 00:19:22,200 --> 00:19:25,879 Speaker 3: Brian Coburger, a man in black clothing, wearing a mask 297 00:19:25,960 --> 00:19:29,199 Speaker 3: and walking straight out of her house, she immediately slammed 298 00:19:29,200 --> 00:19:35,560 Speaker 3: her bedroom door shut and locked it. Terrified and Confused, 299 00:19:36,000 --> 00:19:38,800 Speaker 3: she texted her roommates to see if anyone else was awake. 300 00:19:40,119 --> 00:19:44,920 Speaker 3: Only Bethany Funk responded. Dylan then ran down to Bethany's 301 00:19:45,000 --> 00:19:47,600 Speaker 3: room on the first floor, still unsure of what she 302 00:19:47,680 --> 00:19:51,080 Speaker 3: had seen and not fully grasping the horror that had 303 00:19:51,160 --> 00:19:55,439 Speaker 3: unfolded just feet away. The two roommates ended up falling 304 00:19:55,440 --> 00:19:59,760 Speaker 3: asleep in the same room. Around eleven am, Dylan texted 305 00:19:59,800 --> 00:20:02,920 Speaker 3: her friend Emily, asking if she and her boyfriend Hunter 306 00:20:03,119 --> 00:20:07,199 Speaker 3: could come over to check on things. She said she 307 00:20:07,320 --> 00:20:09,800 Speaker 3: was scared that she'd seen a strange man inside the 308 00:20:09,800 --> 00:20:12,720 Speaker 3: house the night before and still didn't know what was happening. 309 00:20:14,280 --> 00:20:19,040 Speaker 3: What Hunter saw when he arrived would change everything. Here's 310 00:20:19,080 --> 00:20:23,480 Speaker 3: crime analyst Body Movin speaking with producer Alison Bankston about 311 00:20:23,480 --> 00:20:25,240 Speaker 3: what Hunter walked into that day. 312 00:20:27,400 --> 00:20:31,120 Speaker 2: Another thing we learned in the documents, the first one. 313 00:20:31,200 --> 00:20:36,840 Speaker 2: It mentions how Hunter arrives un scene at one one 314 00:20:36,840 --> 00:20:39,760 Speaker 2: two two King Road the morning the victims were discovered, 315 00:20:40,359 --> 00:20:42,879 Speaker 2: and he entered the code into the front door and 316 00:20:42,960 --> 00:20:45,919 Speaker 2: went in and he found Dylan and Bethany in Bethany's 317 00:20:45,960 --> 00:20:47,720 Speaker 2: room right there at the bottom floor, right where the 318 00:20:47,760 --> 00:20:50,119 Speaker 2: door is. Hunter said he went up the stairs and 319 00:20:50,240 --> 00:20:53,960 Speaker 2: immediately went to Zana's room. Hunter said he approached the door, 320 00:20:54,320 --> 00:20:58,159 Speaker 2: it was only partially open. Hunter said he then opened 321 00:20:58,200 --> 00:21:01,280 Speaker 2: it and he saw Xana in the room. Hunter said 322 00:21:01,320 --> 00:21:03,880 Speaker 2: he thought at first they had been drunk and left 323 00:21:03,880 --> 00:21:07,280 Speaker 2: a mess. Hunter said when he stood there for a moment, 324 00:21:07,840 --> 00:21:10,919 Speaker 2: he began to realize what he was seeing. Bethany and 325 00:21:11,000 --> 00:21:14,560 Speaker 2: Dylan were uncontrollably crying. Hunter said he told them to 326 00:21:14,560 --> 00:21:17,560 Speaker 2: get out of the house and call law enforcement, something 327 00:21:17,560 --> 00:21:20,240 Speaker 2: that was massively traumatic. First of all, he took on 328 00:21:20,359 --> 00:21:23,840 Speaker 2: all of this alone. Ethan was his best friend, and 329 00:21:23,960 --> 00:21:26,679 Speaker 2: Emily and Xanna were very close, and they all they 330 00:21:26,680 --> 00:21:29,600 Speaker 2: were like the the you know double date crew, right, 331 00:21:30,200 --> 00:21:33,440 Speaker 2: they were always like the couple like Ethan and Xana 332 00:21:33,840 --> 00:21:36,119 Speaker 2: and Hunter and Emily. I mean, can you imagine finding 333 00:21:36,160 --> 00:21:38,640 Speaker 2: your best friend in the condition and her girlfriend, who 334 00:21:38,640 --> 00:21:40,760 Speaker 2: you're your girlfriend is like best friends with. It's just 335 00:21:41,200 --> 00:21:41,800 Speaker 2: it's tragic. 336 00:21:41,840 --> 00:21:42,280 Speaker 5: But Hunter. 337 00:21:42,920 --> 00:21:46,960 Speaker 2: Hunter really kept Ethan's dignity intact, do you know what 338 00:21:47,040 --> 00:21:51,000 Speaker 2: I mean? Like he has really respected Ethan and he's 339 00:21:51,080 --> 00:21:54,440 Speaker 2: never given any graphic details, and I really respect that 340 00:21:54,480 --> 00:21:54,880 Speaker 2: from him. 341 00:21:55,240 --> 00:21:56,440 Speaker 5: He's never come out and said. 342 00:21:56,240 --> 00:21:58,359 Speaker 2: Oh, yeah, you know, there's blood everywhere. You know, he 343 00:21:58,440 --> 00:22:01,480 Speaker 2: was never he's iver done that. He's really respected at 344 00:22:01,560 --> 00:22:04,879 Speaker 2: Ethan's integrity, and I think that's he's a friend for forever. 345 00:22:05,760 --> 00:22:08,320 Speaker 4: That's so true. He really truly is such a hero. 346 00:22:08,440 --> 00:22:13,040 Speaker 4: His strength is amazing. His account that that morning also 347 00:22:13,080 --> 00:22:14,480 Speaker 4: brings up another interesting document. 348 00:22:14,560 --> 00:22:19,359 Speaker 2: Right, Yes, when Hunter arrives around eleven am, he said 349 00:22:19,640 --> 00:22:22,159 Speaker 2: he entered the code to get into the house. But 350 00:22:22,520 --> 00:22:25,479 Speaker 2: we learned that a witness was walking his dog, and 351 00:22:25,520 --> 00:22:27,600 Speaker 2: it appears that he works at the University of Idaho 352 00:22:27,640 --> 00:22:30,520 Speaker 2: because they went to the University of Idaho to interview him. 353 00:22:30,920 --> 00:22:33,359 Speaker 2: He was walking his dog that morning and it was 354 00:22:33,440 --> 00:22:36,760 Speaker 2: around eight or nine am, and he saw the front 355 00:22:36,760 --> 00:22:40,120 Speaker 2: door wide open, and he walked his dog for about 356 00:22:40,160 --> 00:22:43,400 Speaker 2: an hour, and when he passed the house again closer 357 00:22:43,400 --> 00:22:46,439 Speaker 2: to eleven am, the door was still wide open. And 358 00:22:46,440 --> 00:22:49,280 Speaker 2: it's interesting because we know Brian Coberger went back into 359 00:22:49,320 --> 00:22:50,840 Speaker 2: the vicinity of the house that morning. 360 00:22:51,480 --> 00:22:53,960 Speaker 4: Yes, at around nine am, his phone was pinging in 361 00:22:54,000 --> 00:22:54,480 Speaker 4: that area. 362 00:22:54,960 --> 00:22:57,840 Speaker 2: He was there for nine minutes. Where was he We 363 00:22:57,880 --> 00:23:00,239 Speaker 2: don't know did he get out. I can't imagine that 364 00:23:00,280 --> 00:23:02,760 Speaker 2: he got out of his car in broad daylight and 365 00:23:02,880 --> 00:23:04,879 Speaker 2: walked to that front door, and he doesn't have the 366 00:23:04,880 --> 00:23:06,399 Speaker 2: coat anyway, so how would he have opened it? 367 00:23:06,480 --> 00:23:06,720 Speaker 5: Right? 368 00:23:07,200 --> 00:23:07,480 Speaker 3: Right? 369 00:23:07,880 --> 00:23:10,680 Speaker 2: But did he go through the slider and come out 370 00:23:10,720 --> 00:23:11,960 Speaker 2: the front door and leave it open? 371 00:23:12,119 --> 00:23:15,040 Speaker 5: I who knows? We do know that he didn't go 372 00:23:15,080 --> 00:23:16,880 Speaker 5: get the sheet, though, we do know that. 373 00:23:17,080 --> 00:23:19,600 Speaker 4: I mean, the timing works there. I think you're right 374 00:23:19,600 --> 00:23:22,600 Speaker 4: that I can't really like imagine him because he was 375 00:23:22,640 --> 00:23:24,800 Speaker 4: really stupid of him to go back in the first place, 376 00:23:24,840 --> 00:23:27,000 Speaker 4: But to get out of the car is like next level. 377 00:23:27,200 --> 00:23:29,120 Speaker 2: Yeah. I mean a lot of people think he went 378 00:23:29,200 --> 00:23:32,360 Speaker 2: back that morning to just look at police activity. We 379 00:23:32,480 --> 00:23:36,240 Speaker 2: know that he was monitoring police activity on the scanner 380 00:23:36,480 --> 00:23:38,919 Speaker 2: from the documents. We know that, you know, and he 381 00:23:38,960 --> 00:23:41,920 Speaker 2: wasn't hearing anything like nothing's going on? Did this did 382 00:23:41,920 --> 00:23:44,879 Speaker 2: I did this really happen? Did I do this? Or 383 00:23:45,000 --> 00:23:47,480 Speaker 2: was I was this a fever dream? Did he go 384 00:23:47,560 --> 00:23:50,040 Speaker 2: back to the house to see if he really had 385 00:23:50,040 --> 00:23:53,280 Speaker 2: done it? And did he actually go into the home? Wow? 386 00:23:53,520 --> 00:23:56,959 Speaker 4: Yeah? And another document made it seem like he maybe 387 00:23:57,040 --> 00:24:00,760 Speaker 4: had even been in the area before, right, that someone 388 00:24:00,760 --> 00:24:03,159 Speaker 4: may have seen someone who looks like him there before. 389 00:24:03,760 --> 00:24:07,200 Speaker 2: We also learned from the documents that a woman who 390 00:24:07,280 --> 00:24:11,600 Speaker 2: lives very near the home, saw somebody lurking at her backyard, 391 00:24:11,720 --> 00:24:14,879 Speaker 2: and it was interesting because of the clothing he was wearing. 392 00:24:14,920 --> 00:24:17,040 Speaker 2: He was like kind of dressed up a little bit. 393 00:24:17,480 --> 00:24:20,560 Speaker 2: And we know that Brian Coburger at WSU when he 394 00:24:20,600 --> 00:24:22,919 Speaker 2: was a teaching aid kind of you know, buttoned up 395 00:24:22,920 --> 00:24:25,080 Speaker 2: his shirt all the way, you know, from that thumbs 396 00:24:25,160 --> 00:24:27,080 Speaker 2: up photo exactly. 397 00:24:27,320 --> 00:24:30,400 Speaker 4: Yes, as a reminder, Brian Coburger, he took a selfie 398 00:24:30,440 --> 00:24:32,480 Speaker 4: at around ten thirty am on the morning of the 399 00:24:32,520 --> 00:24:35,920 Speaker 4: murders and he's all dressed up and he has his 400 00:24:36,000 --> 00:24:38,520 Speaker 4: thumb up and he's taken his selfie in the bathroom. 401 00:24:38,920 --> 00:24:41,520 Speaker 2: Yeah, and she was She's pretty convinced it was him. 402 00:24:41,760 --> 00:24:44,200 Speaker 2: She's pretty convinced it was him, and she chased him off. 403 00:24:44,280 --> 00:24:47,240 Speaker 5: It kind of creepy. Additionally, we learned. 404 00:24:47,000 --> 00:24:49,960 Speaker 2: That Kaylee saw a dark figure staring at her from 405 00:24:49,960 --> 00:24:52,880 Speaker 2: the tree line when she took her dog Murphy out 406 00:24:52,920 --> 00:24:55,960 Speaker 2: to pete. This occurred about a month prior to the murders. 407 00:24:56,240 --> 00:24:58,560 Speaker 4: Ah, it's so creepy because we know his cellphone was 408 00:24:58,560 --> 00:25:00,760 Speaker 4: in the area twenty three times before the murders. But 409 00:25:01,320 --> 00:25:03,280 Speaker 4: I always just kind of assumed that he staked his 410 00:25:03,359 --> 00:25:06,160 Speaker 4: car kind of drove around, but these new stories about 411 00:25:06,200 --> 00:25:09,320 Speaker 4: him being out and about they'd make it so much. 412 00:25:09,200 --> 00:25:12,520 Speaker 2: Cleepier, I know, and it's so terrifying to think that 413 00:25:12,600 --> 00:25:15,400 Speaker 2: the literal Boogeyman broke into this home. 414 00:25:18,200 --> 00:25:22,000 Speaker 3: Throughout this season, we'll continue digging into these documents piece 415 00:25:22,040 --> 00:25:25,960 Speaker 3: by piece to see what they reveal, what they suggest, 416 00:25:26,640 --> 00:25:29,000 Speaker 3: and what they can tell us about how Brian Koberger 417 00:25:29,119 --> 00:25:33,720 Speaker 3: took four innocent lives. Next time, we're turning to newly 418 00:25:33,800 --> 00:25:37,040 Speaker 3: released records about his time as a teaching assistant at 419 00:25:37,080 --> 00:25:41,439 Speaker 3: Washington State University and the unusual ways he crossed paths 420 00:25:41,560 --> 00:25:45,919 Speaker 3: with law enforcement while the investigation was still unfolding, and 421 00:25:46,000 --> 00:25:49,320 Speaker 3: if these documents are any indication, the story is far 422 00:25:49,320 --> 00:25:56,360 Speaker 3: from over. More on that next time. For more information 423 00:25:56,440 --> 00:25:59,600 Speaker 3: on the case and relevant photos, follow us on Instagram 424 00:25:59,600 --> 00:26:04,199 Speaker 3: at Case Underscore Studios. The Idaho Massacre is produced by 425 00:26:04,200 --> 00:26:10,240 Speaker 3: Stephanie Leideker, Alison Bankston, Gabriel Castillo, and me Courtney Armstrong. 426 00:26:10,960 --> 00:26:14,840 Speaker 3: Editing and sound designed by Jeff Toois. Music by Jared Aston. 427 00:26:15,800 --> 00:26:19,280 Speaker 3: The Idaho Massacre is a production of Kat Studios and iHeartRadio. 428 00:26:19,920 --> 00:26:24,400 Speaker 3: For more podcasts like this, visit the iHeartRadio app Apple podcasts, 429 00:26:24,640 --> 00:26:26,840 Speaker 3: or wherever you listen to your favorite shows.