WEBVTT - TGI-The Pilot

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<v Speaker 1>Welcome everybody to Podlet's world. I am saying he official

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<v Speaker 1>a PANGALORENS. And I am right or Strong a k a.

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<v Speaker 1>Shawn Hunter, and I am Wilfred l a k A.

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<v Speaker 1>Eric Matthews. How are you guys doing? You're ready to

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<v Speaker 1>ready to jump into the fight. Yeah, this was this

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<v Speaker 1>was an interesting experience. Um, it's funny though, like I

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<v Speaker 1>don't know how you guys feel, but I definitely remember

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<v Speaker 1>the pilot. Well, actually this is probably a different Well obviously, Daniel,

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<v Speaker 1>you weren't in the pilot, so it's a whole different thing.

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<v Speaker 1>But I shot the pilot two different times, and so

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<v Speaker 1>we did it before you were cast, Will and there

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<v Speaker 1>was a different Dad. So and in any case, the

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<v Speaker 1>pilot I actually remember more than probably any other episode.

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<v Speaker 1>So it was very bizarre to no lines, Like I

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<v Speaker 1>could actually like hear lines and be like, oh my gosh,

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<v Speaker 1>I have I remember that, but then also completely not

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<v Speaker 1>understand like what the show was about, because I was

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<v Speaker 1>still just very much a kid in the midst of

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<v Speaker 1>a show, you know. So there's a lot to talk about. Well,

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<v Speaker 1>let me let me tell everybody exactly what the pilot

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<v Speaker 1>episode was. It was season one episode one otherwise known

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<v Speaker 1>as one oh one um, and it was called the Pilot. Uh.

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<v Speaker 1>It first aired Septembe and uh. The episode is that

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<v Speaker 1>Corey is caught listening to the Phillies game in class

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<v Speaker 1>while Mr Feenie is trying to teach the class about love.

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<v Speaker 1>So they're talking about Romeo and Juliet and he is

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<v Speaker 1>listening to the Phillies game in headphones. Eric decides to

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<v Speaker 1>take his girlfriend on their very first day to the

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<v Speaker 1>Phillies game instead of Corey. So Corey is furious and

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<v Speaker 1>thinks that love is ruining his life, and he decides

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<v Speaker 1>to live in his treehouse. And um, that was my

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<v Speaker 1>watch hitting the very angrily, um passionate. He lives in

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<v Speaker 1>his treehouse that happens to overlook the backyard of their

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<v Speaker 1>neighbor and suffle online as to whether it's a side

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<v Speaker 1>yard or sideyard or the backyard. Right, Okay, we will

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<v Speaker 1>get into it then. Um. So he Corey's treehouse overlooked

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<v Speaker 1>the backyard of Mr Phoene's backyard because very important to

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<v Speaker 1>the show. Mr Peoenie is Corey's next door neighbor. And

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<v Speaker 1>uh and so yeah, well, how did you feel watching

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<v Speaker 1>the pilot? Um? Okay, So it made me very, very

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<v Speaker 1>anxious to go back into the world. I don't know

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<v Speaker 1>why I have no read I no reason. I can

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<v Speaker 1>pop up in my head immediately as to why I

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<v Speaker 1>was so anxious, pressing, pressing, play, But I was um.

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<v Speaker 1>And then as I got into the episode, I realized

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<v Speaker 1>one of the reasons why I didn't want to watch it,

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<v Speaker 1>and it's because I am the worst um And it's

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<v Speaker 1>not And again, it's not used to say. Well you

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<v Speaker 1>used to say to me. He'd be like, I didn't

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<v Speaker 1>learn how to act until the second season. Dude, I

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<v Speaker 1>said that and I believed it. But this was worst

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<v Speaker 1>because you've been saying this since we were Yeah, since

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<v Speaker 1>to act. But I was like, no, will's great, No,

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<v Speaker 1>it was I was by far the worst actor for

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<v Speaker 1>the entire episode, Lily, everybody was nailing their jokes. I

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<v Speaker 1>was laughing out loud at certain points, and then I

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<v Speaker 1>would come on the screen it was like, hey, what

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<v Speaker 1>am I doing with my hands? Which I had no

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<v Speaker 1>I was like, I will, I will walk this way

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<v Speaker 1>because I was told to walk this way. And then

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<v Speaker 1>it was like, say, oh, I will get into it.

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<v Speaker 1>It was no care came to be fair but I

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<v Speaker 1>could have invented something. You had four lines and were

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<v Speaker 1>the by far writer. I'm saying this, you were by

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<v Speaker 1>far the best actor on the episode, by far, the

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<v Speaker 1>best actor on the episode. And I'm including the adults,

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<v Speaker 1>maybe Bill, because Bill was Bill and you knew what

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<v Speaker 1>Bill was going to get and he was brilliant. You

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<v Speaker 1>guys are crazy. I was like, what am I doing? Look,

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<v Speaker 1>you were you were all. That's the thing is you

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<v Speaker 1>were already Sean, like you had that the character was

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<v Speaker 1>already there. You could tell there was some angst you had.

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<v Speaker 1>You were the only one who was natural in your

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<v Speaker 1>line readings, especially in the cafeteria scenes, like Sean was

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<v Speaker 1>already there. And then there was the rest of the show,

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<v Speaker 1>and it was like it was weird. That's funny because

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<v Speaker 1>I guess in a lot of ways, Sean was an

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<v Speaker 1>easy like I mean, you know, Sean was was it

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<v Speaker 1>was so easy to not be Corey, you know what

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<v Speaker 1>I mean, Like is so definedt and he's so anxious

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<v Speaker 1>and he's so like just outwardly freaked out about everything.

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<v Speaker 1>That to have his best friend be like reserved and

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<v Speaker 1>kind of cool, like it was an easy Like he

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<v Speaker 1>was such a good foil, do you know what I mean? Like, well,

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<v Speaker 1>he was an eleven year old stand up comic, right, right,

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<v Speaker 1>That's what it was. That's what I realized when I

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<v Speaker 1>was watching it. It was like, oh, the show is

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<v Speaker 1>about an eleven year old stand up trying to go

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<v Speaker 1>to school, which is what it seemed like to me,

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<v Speaker 1>like all like he was doing bits the whole time, totally,

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<v Speaker 1>and he does this thing that that was so funny,

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<v Speaker 1>like to not to realize now he you know, he

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<v Speaker 1>has that like uh and this is a classic Michael

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<v Speaker 1>Jacob's creator of the show. This is a classic thing

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<v Speaker 1>that he does as a writer and as in in

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<v Speaker 1>person too, where he sort of has a character just

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<v Speaker 1>state exactly the obvious with so much cynicism, like well,

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<v Speaker 1>I just hate everybody all the time. And like how

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<v Speaker 1>didn't the eleven year old say that was so funny?

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<v Speaker 1>Like it's so cute, right, And it's like I just realized,

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<v Speaker 1>like oh that, like Ben, I always thought that was something.

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<v Speaker 1>Well here in general, I was amazed at how much

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<v Speaker 1>of the show what Boy Meets World became, was already there.

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<v Speaker 1>I was blown away by how much was encoded into

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<v Speaker 1>the pilot because I truly believed in my head after

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<v Speaker 1>all these years that the show developed and changed, it

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<v Speaker 1>became this thing, which it did. I mean, it definitely grew,

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<v Speaker 1>but you could see the heart was there in the pilot,

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<v Speaker 1>and that was truly Uh. I did not expect that.

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<v Speaker 1>I really thought that the pilot was going to be like,

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<v Speaker 1>what is the show? And instead I was like, oh no,

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<v Speaker 1>it was all there, Like there was so much of

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<v Speaker 1>the show, was there? Yeah, I thought there were so many.

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<v Speaker 1>First of all, I'm not in the pilot. I do

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<v Speaker 1>not appear until episode four, so I truthfully don't remember.

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<v Speaker 1>I'm assuming I did watch it when the show aired

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<v Speaker 1>in in because I probably sat with my family to

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<v Speaker 1>watch the show that I knew I was going to

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<v Speaker 1>be on, But I don't have really a memory of

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<v Speaker 1>watching the pilot. Um, but I was amazed at how

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<v Speaker 1>much like all of the different layers. Like now, when

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<v Speaker 1>you watch a pilot, it's very much let's just meet

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<v Speaker 1>the characters. But this the storyline of Corey is learning

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<v Speaker 1>about love in school because of Romeo and Juliet, and

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<v Speaker 1>then love impacts his own life inside his family's home

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<v Speaker 1>because he's going to a baseball game that he's very

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<v Speaker 1>excited about with his older brother, and then he gets

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<v Speaker 1>ditched by his older brother, so now love means, you know,

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<v Speaker 1>something bad to him. Then he gets reminded that he

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<v Speaker 1>once ditched somebody he loved, that as he got older,

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<v Speaker 1>he may have ditched his father. He learns about that,

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<v Speaker 1>and then he sees Mr Feenie possibly get ditched and

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<v Speaker 1>hurt by love. And then in the end he realizes

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<v Speaker 1>he could have a different impact on his sister's relationship

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<v Speaker 1>to what love means. Like that is, and that's so

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<v Speaker 1>many different layers of of deep storyline for want a

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<v Speaker 1>kid show and to a pilot and a pilot in

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<v Speaker 1>which not that much actually happens. I mean, it's not

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<v Speaker 1>like he runs away and joins a circus. Here he

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<v Speaker 1>goes to the backyard, but it has such emotional stakes.

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<v Speaker 1>And I guess that's what I mean, is that the

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<v Speaker 1>tone of the show, the seriousness of it. You know,

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<v Speaker 1>like there's a period where there's not a laugh for

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<v Speaker 1>like a good ten twelve minutes where you know Mr

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<v Speaker 1>Feenie and Corey have that scene and detention that is

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<v Speaker 1>just pure wonderful writing and acting. I mean, Bill is

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<v Speaker 1>so good, He's I could not believe how amazing Bill

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<v Speaker 1>Daniels is in the show, and you realize that was

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<v Speaker 1>the defining character, and I, you know, this is we

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<v Speaker 1>have to tell this story, which is that um the pilot.

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<v Speaker 1>When we shot the pilot, when you guys weren't there,

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<v Speaker 1>we did a table read and the network hated it,

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<v Speaker 1>and the network immediately made Michael rewrite it. And Bill

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<v Speaker 1>Daniels said, I'm not doing this kids show and threatened

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<v Speaker 1>to quit. And Michael Jacobs rewrote the pilot from start

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<v Speaker 1>to finish. It was a completely different script. I would

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<v Speaker 1>love to get my hands on it. It's still involved

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<v Speaker 1>Romeo and Julia, but it did not have any of

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<v Speaker 1>this other stuff. And Michael Jacobs, the lore is that

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<v Speaker 1>he wrote it in one night, and I think that

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<v Speaker 1>might be who rewrote the entire pilot, only keeping certain

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<v Speaker 1>jokes and certain themes the Romeo and Juliet. But what

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<v Speaker 1>they delivered the next day was essentially, what what is

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<v Speaker 1>this pilot? And it's I think it's really really good.

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<v Speaker 1>And I was blown away by Bill's performance and his

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<v Speaker 1>commitment and the tonal shifts the fact that it starts

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<v Speaker 1>off as the sort of Dennis the Menace e God

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<v Speaker 1>that you know, that wiley kid and the grumpy teacher,

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<v Speaker 1>and then it goes somewhere else. It goes somewhere truly

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<v Speaker 1>deep and meaningful. It explores all those relationships, like you said,

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<v Speaker 1>the dad, the mom, the sister, the brother. And the

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<v Speaker 1>original pitch for this show, which everyone kind of forgets,

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<v Speaker 1>was what would it be like if the if instead

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<v Speaker 1>of following the older brother on Growing Pains, they followed

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<v Speaker 1>the middle brother. It was Growing Pains if it was

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<v Speaker 1>the middle of Because Growing Pains was a hit show

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<v Speaker 1>and Michael Jacobs was a, you know, an established television creator,

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<v Speaker 1>they wanted to create a show for Ben Savage, so

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<v Speaker 1>they partnered Ben and Michael and Michael then went to

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<v Speaker 1>the network to create a show for Ben Um with

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<v Speaker 1>his partners of Time, April Kelly Um, and the two

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<v Speaker 1>of them came up with the show, which was, let's

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<v Speaker 1>instead of doing the typical thing that's on television right now,

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<v Speaker 1>which is focusing on the older brother and a family

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<v Speaker 1>of younger kids, let's focus on the middle kid who

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<v Speaker 1>gets lost. And that's exactly what the pilot is, right.

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<v Speaker 1>He gets lost between his relationships with his teacher, who

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<v Speaker 1>also happens to be his neighbor. He gets lost with

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<v Speaker 1>his relationship with his dad, his sister, he's in between,

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<v Speaker 1>he's in that stuff, and it's such a great place

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<v Speaker 1>for a character to to sort of have to work

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<v Speaker 1>out from. One of the things that amazed me when

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<v Speaker 1>I was watching it was the genius that is, forget

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<v Speaker 1>Bill Daniel's performance, which is next level, the next level,

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<v Speaker 1>it's ridiculous, but the genius of having such a well

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<v Speaker 1>written teacher to where you can teach on a show,

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<v Speaker 1>I mean meaning all the shows that you watch, especially

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<v Speaker 1>kids shows. It was like the dad would in part

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<v Speaker 1>a lesson, or the mom would in part a lesson,

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<v Speaker 1>or one of his friends he'd learned something that we

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<v Speaker 1>boy means world literally had a teacher who could take

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<v Speaker 1>the lessons that he's teaching in school and teach them

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<v Speaker 1>so you could apply them to life. And it never

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<v Speaker 1>been done like that was always the teacher was always

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<v Speaker 1>the buffoon. Yeah, No, it was amazing. It sets this

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<v Speaker 1>structure up that I think existed throughout point each world,

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<v Speaker 1>but certainly in the early years, where you can you

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<v Speaker 1>can deliver abstract ideas, abstract lessons like in the mouth

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<v Speaker 1>of Finie. You can have things very declaratively stated love

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<v Speaker 1>means this, sometimes this happens in life, whatever, the sort

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<v Speaker 1>of you know, declarative abstract concept and then you have

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<v Speaker 1>that intention with Corey's messy life or all of our

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<v Speaker 1>messy lives. And and that's just a great structure for

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<v Speaker 1>a sitcom, right, because it allows you to sort of

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<v Speaker 1>make a thesis statement like this is the episode about

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<v Speaker 1>love and all its permutations and Mr Feedie is going

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<v Speaker 1>to always be right and and it's it's very almost

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<v Speaker 1>biblical in a sense. Right. It's like you have this

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<v Speaker 1>like abstract testament idea of like this is the lesson,

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<v Speaker 1>this is the rule about life, and Mr Phoeney can

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<v Speaker 1>sort of say it, and then you have just like

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<v Speaker 1>these little sketches of scenes where Corey is going, none

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<v Speaker 1>of this makes sense. What are you talking about? How

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<v Speaker 1>do I relate love to my brother and love to

0:12:11.440 --> 0:12:13.720
<v Speaker 1>my little sister and loved And he does and that's

0:12:13.760 --> 0:12:16.400
<v Speaker 1>just and you as the audience are inside of that

0:12:16.440 --> 0:12:19.280
<v Speaker 1>process and you're able to enjoy Corey, but you're also

0:12:19.280 --> 0:12:21.040
<v Speaker 1>able to sort of record in the back of your

0:12:21.080 --> 0:12:23.480
<v Speaker 1>mind like oh yeah, like there's there's there's something more

0:12:23.520 --> 0:12:25.200
<v Speaker 1>important going on here that I need to think about

0:12:26.120 --> 0:12:29.960
<v Speaker 1>it also showed though I thought it is very strange

0:12:29.960 --> 0:12:33.079
<v Speaker 1>because it also again we should talk about this little bit.

0:12:33.080 --> 0:12:37.400
<v Speaker 1>So there was an original pilot that was shot without myself,

0:12:37.440 --> 0:12:41.440
<v Speaker 1>without William Russ. They recast a couple of people. William

0:12:41.520 --> 0:12:46.120
<v Speaker 1>Russ is rusty, Rusty Rusty, Alan Matthew, Alan Matthews and

0:12:46.120 --> 0:12:48.840
<v Speaker 1>Matt McCoy was the original Dad I'll never forget that.

0:12:48.920 --> 0:12:53.480
<v Speaker 1>And Harry I'm gonna do this this poor man uh

0:12:53.520 --> 0:12:56.760
<v Speaker 1>An injustice. I want to say Brandish or brand She

0:12:57.040 --> 0:13:00.480
<v Speaker 1>was same, a fine actor. Just we've talked about this

0:13:00.520 --> 0:13:02.920
<v Speaker 1>in several things where he was recast because he just

0:13:02.960 --> 0:13:05.480
<v Speaker 1>wasn't tall enough. That's all it was. He was literally

0:13:05.520 --> 0:13:07.240
<v Speaker 1>the same size as Ben already. They knew Ben was

0:13:07.240 --> 0:13:09.040
<v Speaker 1>going to grow and they wanted somebody to be you're

0:13:09.040 --> 0:13:12.120
<v Speaker 1>a kid actor. They're always concerned with how tall, how

0:13:12.160 --> 0:13:14.520
<v Speaker 1>tall you are, because if you outgrow the people that

0:13:14.559 --> 0:13:16.199
<v Speaker 1>are supposed to be older than you, or you get

0:13:16.240 --> 0:13:19.319
<v Speaker 1>taller than the adults, are ruins because you're usually playing

0:13:19.360 --> 0:13:21.480
<v Speaker 1>younger than yourself. I remember one of our conventions I

0:13:21.559 --> 0:13:25.040
<v Speaker 1>ran into a fellow child actor grown up and they

0:13:25.040 --> 0:13:27.000
<v Speaker 1>were like, why would we all turn out so short,

0:13:27.080 --> 0:13:29.400
<v Speaker 1>and I'm like, because being short when you're a child

0:13:29.400 --> 0:13:32.199
<v Speaker 1>actor is such a benefit because you can be ten

0:13:32.280 --> 0:13:34.679
<v Speaker 1>years old and play eight or seven, you can be

0:13:34.760 --> 0:13:37.880
<v Speaker 1>older and play so you end up casting short people

0:13:37.920 --> 0:13:41.200
<v Speaker 1>shorter kids. And yeah anyway, so yeah, so that's what happened.

0:13:41.200 --> 0:13:45.400
<v Speaker 1>They they recast, and so we the pilot, if memory serves,

0:13:46.400 --> 0:13:51.240
<v Speaker 1>Reshooting the pilot was actually for me episode two because

0:13:51.280 --> 0:13:56.360
<v Speaker 1>the first thing that we did was episode two one

0:13:56.440 --> 0:14:00.880
<v Speaker 1>yeah one, uh was, which will be the next episode

0:14:00.880 --> 0:14:03.320
<v Speaker 1>we watched, was actually the first episode that I ever shot.

0:14:03.960 --> 0:14:07.960
<v Speaker 1>So going back to the pilot, the pilot wasn't even

0:14:08.080 --> 0:14:10.760
<v Speaker 1>my audition scene. Like my audition scene was from that

0:14:10.840 --> 0:14:15.559
<v Speaker 1>first episode, So going back and shooting it again was

0:14:15.559 --> 0:14:18.120
<v Speaker 1>was very strange, I know for you guys, because you're like, oh,

0:14:18.120 --> 0:14:19.480
<v Speaker 1>we've done this already, and then it was like, well,

0:14:19.480 --> 0:14:24.280
<v Speaker 1>we've got to go back and shoot the first episode second, uh,

0:14:24.440 --> 0:14:26.680
<v Speaker 1>to get everything kind of on the on the line.

0:14:26.720 --> 0:14:29.280
<v Speaker 1>But they also kind of saw where some of the

0:14:29.400 --> 0:14:31.880
<v Speaker 1>show was going to go because if memory serves, Lee

0:14:31.960 --> 0:14:34.360
<v Speaker 1>Norris is in the opening title credits, but he's not

0:14:34.440 --> 0:14:36.920
<v Speaker 1>in the episode. Yeah. Well, we had banked probably three

0:14:37.040 --> 0:14:39.640
<v Speaker 1>or four episodes before anything aired, So he was a

0:14:39.760 --> 0:14:42.680
<v Speaker 1>regular and was in the opening title sequence, which we

0:14:42.720 --> 0:14:46.080
<v Speaker 1>can talk about, the wonderful opening title sequence. Yes, let's please,

0:14:46.480 --> 0:14:49.880
<v Speaker 1>because should we start with the cold open? Yes, okay,

0:14:49.960 --> 0:14:56.440
<v Speaker 1>let's start with Corey feeney uh and me and Chauncey

0:14:56.600 --> 0:14:59.440
<v Speaker 1>Leo Pardy yep, who was the other best friend at

0:14:59.440 --> 0:15:01.360
<v Speaker 1>the time in the let. Originally, Corey was supposed to

0:15:01.400 --> 0:15:04.200
<v Speaker 1>have two best friends, Chauncey lor Party you guys might

0:15:04.280 --> 0:15:07.240
<v Speaker 1>remember from the sand Lot and um what else. He

0:15:07.280 --> 0:15:09.400
<v Speaker 1>was also did a bunch. Yeah, he ended up working

0:15:09.400 --> 0:15:11.760
<v Speaker 1>a lot, but it didn't end up standing on our show.

0:15:11.800 --> 0:15:14.200
<v Speaker 1>I think he was originally supposed to be another regular

0:15:14.240 --> 0:15:17.240
<v Speaker 1>best friend. And then throughout the first season, and we'll

0:15:17.280 --> 0:15:21.280
<v Speaker 1>talk about this, we kept replacing uh, the other best friends.

0:15:21.320 --> 0:15:24.120
<v Speaker 1>We went through several Yeah, it was gonna be Corey

0:15:24.240 --> 0:15:28.640
<v Speaker 1>and his two best friends, and Writer was one of

0:15:28.680 --> 0:15:30.920
<v Speaker 1>those best friends. And then there was like a rotating

0:15:31.360 --> 0:15:34.600
<v Speaker 1>third friend. Well, let's just say it. Michael just kept

0:15:34.640 --> 0:15:36.720
<v Speaker 1>firing all the kids that that were I mean, but

0:15:36.760 --> 0:15:38.600
<v Speaker 1>it's true. I mean, if we're gonna be talking about it,

0:15:38.720 --> 0:15:40.960
<v Speaker 1>we called it the death chair, the chair that Chauncey

0:15:41.040 --> 0:15:44.280
<v Speaker 1>is sitting in there, and it was every kid they

0:15:44.280 --> 0:15:46.640
<v Speaker 1>brought in. Some of them didn't even make it to that.

0:15:46.680 --> 0:15:48.840
<v Speaker 1>We've we've talked about this in the first episode we

0:15:48.880 --> 0:15:51.480
<v Speaker 1>did didn't even make it to this. The second run

0:15:51.520 --> 0:15:54.240
<v Speaker 1>thing that's that's not technically the death chair because we rearranged.

0:15:54.320 --> 0:15:56.560
<v Speaker 1>I think in the next episode it will the cafeteria

0:15:56.640 --> 0:16:01.160
<v Speaker 1>changes where different formation and then that him the death chair. Okay,

0:16:01.240 --> 0:16:03.800
<v Speaker 1>just who ever sat in the chair was gone. Keep

0:16:03.840 --> 0:16:06.360
<v Speaker 1>an eye on the death chair. So it's a simple,

0:16:06.440 --> 0:16:09.880
<v Speaker 1>simple little scene. We introduced Corey and Mr Feeney, who,

0:16:09.960 --> 0:16:12.880
<v Speaker 1>like their characters, are immediately well established. I thought, you know,

0:16:12.960 --> 0:16:15.600
<v Speaker 1>it's just so funny. I also just was astounded at

0:16:15.640 --> 0:16:20.320
<v Speaker 1>how direct everybody is with child, like Mr Fini's just mean,

0:16:21.240 --> 0:16:23.440
<v Speaker 1>it's just a brat. I was like, Oh, we're going

0:16:23.600 --> 0:16:26.400
<v Speaker 1>bold strokes, like right out of the gate. And then

0:16:26.440 --> 0:16:43.520
<v Speaker 1>that opening credit sequence it is so dated. Oh my god, Bunkers, Well,

0:16:43.600 --> 0:16:45.880
<v Speaker 1>I'm sorry, you want to talk about dated Before we

0:16:45.920 --> 0:16:47.840
<v Speaker 1>even get to that, can we talk about how the

0:16:47.880 --> 0:16:53.400
<v Speaker 1>big joke was a Steve Lawrence joke? Yeah, what exactly

0:16:54.520 --> 0:16:58.000
<v Speaker 1>what this is? Jo? No, no, no, Steve Lawrence was

0:16:58.800 --> 0:17:01.440
<v Speaker 1>he was he would come on and do like the

0:17:01.600 --> 0:17:05.160
<v Speaker 1>Steven eaty kind of things, and he was always late night.

0:17:05.200 --> 0:17:07.679
<v Speaker 1>They would bring him on and it was like, so

0:17:07.800 --> 0:17:11.280
<v Speaker 1>the build up of the joke between these three eleven

0:17:11.359 --> 0:17:15.199
<v Speaker 1>year old the latest, the latest, and it's like and

0:17:15.240 --> 0:17:17.320
<v Speaker 1>when you so you've gotten eleven year old throwing out

0:17:17.320 --> 0:17:21.720
<v Speaker 1>a Steve Lawrence joke and everyone going Steve Lawrence, it's

0:17:25.040 --> 0:17:28.040
<v Speaker 1>that's because I had no clue what I'm nobody did,

0:17:28.119 --> 0:17:30.960
<v Speaker 1>nor did anybody who watched the show. I will guarantee

0:17:31.000 --> 0:17:32.680
<v Speaker 1>you there was not a kid in America that went

0:17:32.800 --> 0:17:36.600
<v Speaker 1>they nailed that Steve Lawrence joke like that never happened

0:17:36.680 --> 0:17:39.679
<v Speaker 1>because it was just the most random, like are you

0:17:39.760 --> 0:17:42.159
<v Speaker 1>kidding me? They're doing a Steve Lawrence. Then during the

0:17:42.200 --> 0:17:45.919
<v Speaker 1>opening credits, which that song so Ray Colcord did the

0:17:45.960 --> 0:17:49.080
<v Speaker 1>music for Boys were all seven years he took a

0:17:49.080 --> 0:17:51.600
<v Speaker 1>couple of years ago. May He rest in peace. Was

0:17:51.640 --> 0:17:55.679
<v Speaker 1>just the sweetest, nicest man, and so you could do

0:17:55.720 --> 0:17:57.760
<v Speaker 1>any type of music you wanted him to. They would

0:17:57.760 --> 0:17:59.280
<v Speaker 1>bring him on and be like, well we're doing on

0:17:59.400 --> 0:18:01.600
<v Speaker 1>rock and roll show this, and he'd like immediately just

0:18:01.600 --> 0:18:07.000
<v Speaker 1>write and write a song. But that that theme song,

0:18:07.320 --> 0:18:10.480
<v Speaker 1>it's so long, and it just keeps going and going

0:18:10.480 --> 0:18:13.119
<v Speaker 1>through all these like transitions and like I just couldn't believe.

0:18:13.200 --> 0:18:15.879
<v Speaker 1>And then there's like literally a roller blade like coming

0:18:15.960 --> 0:18:18.480
<v Speaker 1>in and smacking Cory in the head, and it's like,

0:18:18.560 --> 0:18:21.720
<v Speaker 1>what iss off the band aid? Like he's gonna the

0:18:21.760 --> 0:18:23.800
<v Speaker 1>color It's like, you could not if you if you

0:18:23.920 --> 0:18:26.719
<v Speaker 1>hired a creative now to be like, go make the

0:18:26.760 --> 0:18:30.119
<v Speaker 1>most nineties open credits you can, they would pick that

0:18:30.160 --> 0:18:34.000
<v Speaker 1>color palette, those outfits and those computer graphics. Oh yeah.

0:18:34.920 --> 0:18:37.320
<v Speaker 1>Well it was also the start of obviously, with with

0:18:37.720 --> 0:18:39.560
<v Speaker 1>being called boy Meats World. It was the start of

0:18:39.640 --> 0:18:43.040
<v Speaker 1>us doing every photo shoot and every everything holding a globe.

0:18:43.960 --> 0:18:46.720
<v Speaker 1>We're always throwing a globe. Always here's your world, Like

0:18:46.760 --> 0:18:49.200
<v Speaker 1>all right, here we go. But I I distinctly remember

0:18:49.320 --> 0:18:52.679
<v Speaker 1>two things about the opening title sequence. I remember lying

0:18:52.720 --> 0:18:54.800
<v Speaker 1>on the They're like, we're gonna shoot the opening title sequence.

0:18:54.840 --> 0:18:56.879
<v Speaker 1>Now I thought they'd pull stuff from the show. They didn't.

0:18:56.880 --> 0:18:58.560
<v Speaker 1>They're like, all right, just lie on the bed and

0:18:58.600 --> 0:19:00.760
<v Speaker 1>flip through a magazine. But look up at us as

0:19:00.800 --> 0:19:03.800
<v Speaker 1>you're doing it. And I was like, so why am

0:19:03.840 --> 0:19:06.600
<v Speaker 1>I Why am I flipping through? And as this is,

0:19:06.640 --> 0:19:08.480
<v Speaker 1>you know, my first episode ever. So I'm not asking

0:19:08.520 --> 0:19:11.560
<v Speaker 1>any questions, but like that makes sense, Okay, got it. Um,

0:19:11.600 --> 0:19:14.040
<v Speaker 1>So I'm not looking at the magazine as I'm flipping

0:19:14.080 --> 0:19:17.080
<v Speaker 1>through it. And then the other thing I remember is Betsy.

0:19:17.200 --> 0:19:21.040
<v Speaker 1>Betsy was so funny she did that Betsy Rando played,

0:19:21.080 --> 0:19:25.520
<v Speaker 1>played Amy Matthews. She um finished it, and we when

0:19:25.520 --> 0:19:27.680
<v Speaker 1>we all got together to watch the pilot. I think

0:19:27.680 --> 0:19:29.560
<v Speaker 1>we all got together to watch the pilot. Maybe we're

0:19:29.680 --> 0:19:32.280
<v Speaker 1>some episode where we all got together to watch. And

0:19:32.480 --> 0:19:34.840
<v Speaker 1>she looked at me right as her scene she puts

0:19:34.880 --> 0:19:37.040
<v Speaker 1>the band aid on his head and she gives him

0:19:37.040 --> 0:19:38.720
<v Speaker 1>this look as she walks away, and she turns to

0:19:38.720 --> 0:19:40.920
<v Speaker 1>me in such a Hollywood way. She goes, that's my

0:19:41.040 --> 0:19:44.159
<v Speaker 1>please watch our show look. And it was just the

0:19:44.200 --> 0:19:46.480
<v Speaker 1>way she said it was so cool because she was

0:19:46.520 --> 0:19:47.960
<v Speaker 1>if you look at she gives this big smile and

0:19:48.000 --> 0:19:50.439
<v Speaker 1>she's like, oh, Corey, like this big kind of please

0:19:50.480 --> 0:19:53.240
<v Speaker 1>watch our show. And it was just every time I

0:19:53.280 --> 0:19:55.679
<v Speaker 1>watched that opening title sequence, it's so funny. You're like

0:19:55.800 --> 0:20:01.120
<v Speaker 1>throwing the paper airplane. And there was only two lines

0:20:01.240 --> 0:20:03.880
<v Speaker 1>in the script describing Sean. You know, you don't really

0:20:03.880 --> 0:20:07.560
<v Speaker 1>get much character description, but it was the thin, sly

0:20:07.880 --> 0:20:10.440
<v Speaker 1>best friend of Corey. That's kind of all we had

0:20:10.480 --> 0:20:13.280
<v Speaker 1>to go on. But you know, like I said earlier,

0:20:13.320 --> 0:20:16.600
<v Speaker 1>being you know, being being any sort of savvy or

0:20:16.680 --> 0:20:20.400
<v Speaker 1>like calm in the face of ben savages. Cory just

0:20:20.640 --> 0:20:22.800
<v Speaker 1>instantly created a character. But I do remember they wanted

0:20:22.800 --> 0:20:24.520
<v Speaker 1>me to be a troublemaker. That was like early on

0:20:24.600 --> 0:20:26.800
<v Speaker 1>discuss so like, yeah, when they give they gave me

0:20:26.880 --> 0:20:29.640
<v Speaker 1>a paper airplane and said just throw it like you're

0:20:29.680 --> 0:20:31.960
<v Speaker 1>gonna hit somebody and get away with it. So that's

0:20:32.000 --> 0:20:34.680
<v Speaker 1>my getting away with it. So when when did you

0:20:34.720 --> 0:20:38.639
<v Speaker 1>guys meet verse? And how long was it between the

0:20:38.640 --> 0:20:41.560
<v Speaker 1>first time you met and filming the pilot we all

0:20:41.600 --> 0:20:44.640
<v Speaker 1>now know as the pilot. I remember the exact moment

0:20:44.680 --> 0:20:47.880
<v Speaker 1>I met, I met you two. Oh my gosh, okay, writer,

0:20:48.160 --> 0:20:51.160
<v Speaker 1>you go first, let me hear from your POV. Should

0:20:51.160 --> 0:20:57.120
<v Speaker 1>we turn off Will's headphones? Yea. So we met in

0:20:57.160 --> 0:21:00.760
<v Speaker 1>the photo shoot for the season. Every season they would

0:21:00.760 --> 0:21:02.720
<v Speaker 1>have a photo shoot where they gathered the regular cast

0:21:02.760 --> 0:21:04.919
<v Speaker 1>together and get that season set of photos. They do

0:21:05.000 --> 0:21:07.960
<v Speaker 1>individual photos and the whole cast together. And we had

0:21:07.960 --> 0:21:09.520
<v Speaker 1>already shot the piety. It was now the show had

0:21:09.560 --> 0:21:12.040
<v Speaker 1>been picked up for thirteen episodes, which was half a season,

0:21:12.320 --> 0:21:14.479
<v Speaker 1>and they brought us, you know, we all were supposed

0:21:14.480 --> 0:21:16.360
<v Speaker 1>to meet, and we were in the makeup pair room

0:21:16.520 --> 0:21:21.640
<v Speaker 1>of the of the uh photo shot. Yeah, and just

0:21:21.840 --> 0:21:24.640
<v Speaker 1>immediately Will and I started talking into not shut up.

0:21:25.040 --> 0:21:27.800
<v Speaker 1>It was like I remember, we talked music. We talked

0:21:27.880 --> 0:21:32.160
<v Speaker 1>counting Crows day one, most nineties thing ever. We talked

0:21:32.200 --> 0:21:34.240
<v Speaker 1>because you were you were really into them and I

0:21:34.320 --> 0:21:37.040
<v Speaker 1>had just discovered them. We talked um, we talked about

0:21:37.080 --> 0:21:39.040
<v Speaker 1>we were both leaving at the oak Woods. I remember

0:21:39.040 --> 0:21:42.120
<v Speaker 1>immediately knowing that we were going to be neighbors and friends.

0:21:42.359 --> 0:21:44.560
<v Speaker 1>And I mean, I just you were older. You were

0:21:44.600 --> 0:21:47.919
<v Speaker 1>the coolest, coolest kid I had ever met, coolest person.

0:21:48.440 --> 0:21:51.400
<v Speaker 1>You had your own car, what was aras? I still

0:21:51.440 --> 0:21:54.760
<v Speaker 1>have it? A GTS I still have. And then you

0:21:54.800 --> 0:21:57.280
<v Speaker 1>had a sub Wolfer in it yea. And I think

0:21:57.320 --> 0:21:59.640
<v Speaker 1>like week one, not day one, but like week one

0:22:00.080 --> 0:22:05.640
<v Speaker 1>brought me in and played Paul's boutique, Paul Paul Revere

0:22:05.760 --> 0:22:08.320
<v Speaker 1>Two Boys, Yes, Paul Revere by Beas Two Boys, which

0:22:08.359 --> 0:22:11.919
<v Speaker 1>has this crazy bass sound that goes and it just

0:22:11.960 --> 0:22:13.760
<v Speaker 1>like blew my ears out. And we're sitting in the

0:22:13.800 --> 0:22:15.680
<v Speaker 1>car and I was just like, if I could ever

0:22:16.119 --> 0:22:19.080
<v Speaker 1>be sixteen, have a car and a subwoffer and be

0:22:19.200 --> 0:22:22.639
<v Speaker 1>as cool as Wilfred l Oh, my god, Yeah, you

0:22:22.720 --> 0:22:25.920
<v Speaker 1>were the best dude. I remember that exact. I was saying,

0:22:25.920 --> 0:22:27.840
<v Speaker 1>I'll never forget it. I was sitting in the makeup chair.

0:22:27.880 --> 0:22:29.480
<v Speaker 1>I was so excited to be there. I turned to

0:22:29.480 --> 0:22:32.040
<v Speaker 1>my left and there are. So I had met Ben

0:22:32.440 --> 0:22:35.480
<v Speaker 1>at the audition, So Ben came to the screen test,

0:22:35.880 --> 0:22:40.359
<v Speaker 1>and the screen test was between myself, your brother, older brother, Shiloh,

0:22:40.440 --> 0:22:43.160
<v Speaker 1>and Jason Marsden, who is still one of my best

0:22:43.200 --> 0:22:45.440
<v Speaker 1>friends this day and and played Jason Marsin on the show.

0:22:45.440 --> 0:22:47.919
<v Speaker 1>So I had met Ben before, but there you were.

0:22:47.960 --> 0:22:50.080
<v Speaker 1>I turned, I'm I can I can picture it. I

0:22:50.119 --> 0:22:53.080
<v Speaker 1>can picture what I'm wearing. I'm in jeans and the

0:22:53.119 --> 0:22:55.440
<v Speaker 1>shirt that I passed the poster every day. It's hanging

0:22:55.440 --> 0:22:57.600
<v Speaker 1>on my way, got the tight eye shirt on. Remember, yes,

0:22:57.640 --> 0:22:59.600
<v Speaker 1>you have the tied eye shirt on. And I turned,

0:23:00.119 --> 0:23:02.359
<v Speaker 1>and you know, I'm turning to my left and there

0:23:02.400 --> 0:23:04.560
<v Speaker 1>you are, and we started the first conversation. I'm still

0:23:04.560 --> 0:23:06.600
<v Speaker 1>sitting in the chair and the thing that scared me

0:23:06.640 --> 0:23:09.000
<v Speaker 1>the most about that day is I just met Rusty

0:23:09.000 --> 0:23:10.800
<v Speaker 1>had just met everybody for the first time. You and

0:23:10.840 --> 0:23:14.320
<v Speaker 1>I got along instantly, and then they're like, all right,

0:23:14.359 --> 0:23:16.400
<v Speaker 1>we're gonna put you all together for pictures. And they

0:23:16.400 --> 0:23:18.880
<v Speaker 1>put us all together and I put my arm up

0:23:18.920 --> 0:23:22.359
<v Speaker 1>around Bill Daniels Mr. Feenie, and he turned to me

0:23:22.359 --> 0:23:24.840
<v Speaker 1>and he went, don't touch Foenie. And I really shot

0:23:24.880 --> 0:23:27.520
<v Speaker 1>my hand back down and I was like, so now,

0:23:27.640 --> 0:23:30.760
<v Speaker 1>all of the pictures Bill that it was amazing, the

0:23:30.800 --> 0:23:34.360
<v Speaker 1>pictures so convoluted because it's like, was he in character

0:23:35.560 --> 0:23:37.919
<v Speaker 1>because he's not wrong, Like you shouldn't have your arm

0:23:37.960 --> 0:23:39.840
<v Speaker 1>around feeding you were trying to just be like friendly.

0:23:41.400 --> 0:23:43.920
<v Speaker 1>It's not wrong. But it's also so classic Bill to

0:23:44.040 --> 0:23:47.639
<v Speaker 1>just be kind of grumpy. Don't touch Poenie, don't just

0:23:47.760 --> 0:23:50.360
<v Speaker 1>like that, And every single picture that they have now

0:23:50.440 --> 0:23:53.399
<v Speaker 1>my hands are in my pockets and I am like,

0:23:53.480 --> 0:23:56.719
<v Speaker 1>I'm not touching anyone ever again. It was It was

0:23:56.800 --> 0:24:00.119
<v Speaker 1>amazing that first photoshoot day. Yeah, that was that is

0:24:00.119 --> 0:24:02.880
<v Speaker 1>are our intro to each other and to the world,

0:24:03.000 --> 0:24:05.720
<v Speaker 1>and it was Yeah, it was crazy. It was crazy.

0:24:05.960 --> 0:24:11.800
<v Speaker 1>So writer did Shilo audition to play Eric. Yeah, he screwed. Actually,

0:24:11.840 --> 0:24:14.879
<v Speaker 1>he ended up not doing the network test. So Shilo.

0:24:15.200 --> 0:24:16.760
<v Speaker 1>The reason I got Boy Meets the World is because

0:24:16.760 --> 0:24:20.400
<v Speaker 1>Shilo had tested for the reason I was first brought

0:24:20.480 --> 0:24:23.119
<v Speaker 1>into audition for Boy Mets World because my my older brother, Shilo,

0:24:23.359 --> 0:24:25.639
<v Speaker 1>He's only eighteen months older than me, so we we

0:24:25.640 --> 0:24:27.639
<v Speaker 1>always kind of went out for similar parts, or we

0:24:27.680 --> 0:24:30.520
<v Speaker 1>are not that far apart. He had network tested for

0:24:30.600 --> 0:24:34.200
<v Speaker 1>Michael Jacob's previous show called Almost Hone, almost didn't get

0:24:34.200 --> 0:24:38.119
<v Speaker 1>the part, but between myself, Shilo, and Jason Marks so

0:24:38.359 --> 0:24:42.120
<v Speaker 1>so because of Shilo's association, I got brought in to

0:24:42.240 --> 0:24:45.160
<v Speaker 1>audition for Boy Meat's World, I ended up getting the part. Meanwhile,

0:24:45.160 --> 0:24:47.800
<v Speaker 1>Shilo went off and did a pilot on another network

0:24:48.160 --> 0:24:50.879
<v Speaker 1>with Ed Dector and John Straus, who became writers on

0:24:50.880 --> 0:24:53.359
<v Speaker 1>our show. They created a show called odd Man Out,

0:24:53.520 --> 0:24:56.680
<v Speaker 1>which also got rebooted five years later. Whatever, that's a

0:24:56.680 --> 0:24:58.520
<v Speaker 1>whole another story. But my brother was a star of

0:24:58.520 --> 0:25:01.520
<v Speaker 1>his own pilot and end that show did not get

0:25:01.560 --> 0:25:03.800
<v Speaker 1>picked up. And when you're a kid actor and you're

0:25:03.880 --> 0:25:07.320
<v Speaker 1>you're you're in demand, all the show's pounce like if

0:25:07.359 --> 0:25:09.840
<v Speaker 1>you're if your contract didn't get picked up. So Shilo

0:25:10.400 --> 0:25:12.960
<v Speaker 1>got asked to come in and audition for Eric. He

0:25:13.000 --> 0:25:14.880
<v Speaker 1>never actually did it. They asked him to screen test

0:25:14.920 --> 0:25:18.320
<v Speaker 1>for Eric or he got offered a show on NBC

0:25:18.480 --> 0:25:20.720
<v Speaker 1>We're called The Mommy's where he could just be one

0:25:20.720 --> 0:25:22.680
<v Speaker 1>of the sons on the Mom's, the older teenage son.

0:25:23.240 --> 0:25:25.760
<v Speaker 1>And he looked at the equation and you know, my

0:25:25.800 --> 0:25:27.880
<v Speaker 1>parents and we're all like, this is crazy, Like writer

0:25:27.960 --> 0:25:29.199
<v Speaker 1>is going to be on this TV show? Do we

0:25:29.200 --> 0:25:31.879
<v Speaker 1>want Hilotte audition to be on the same TV show?

0:25:32.119 --> 0:25:34.320
<v Speaker 1>And it was like, no, you just take the offer

0:25:34.400 --> 0:25:36.199
<v Speaker 1>on this other show. But of course that made our

0:25:36.240 --> 0:25:38.440
<v Speaker 1>lives incredibly complicated because that meant my mom had to

0:25:38.480 --> 0:25:41.560
<v Speaker 1>shuttle between two different sets. So yeah, so he ended

0:25:41.640 --> 0:25:43.280
<v Speaker 1>up not audition. And I'm not sure if they brought

0:25:43.280 --> 0:25:45.080
<v Speaker 1>in a third person or if it just ended up

0:25:45.119 --> 0:25:48.520
<v Speaker 1>being you and Jason Will, but Chilotte did not finally

0:25:48.560 --> 0:25:51.640
<v Speaker 1>being the two I think he so I met him

0:25:51.720 --> 0:25:53.520
<v Speaker 1>the first time because it was the three of us

0:25:53.600 --> 0:25:56.680
<v Speaker 1>reading okay, so maybe okay, so maybe he you know,

0:25:56.760 --> 0:26:00.600
<v Speaker 1>I don't know if he actually almost almost for Almost Home,

0:26:00.680 --> 0:26:03.480
<v Speaker 1>we did that and then it was I. It was

0:26:03.520 --> 0:26:05.959
<v Speaker 1>then between Jason and I because Shilo we heard had

0:26:05.960 --> 0:26:09.000
<v Speaker 1>Shilo had dropped out quote unquote of going to Boy

0:26:09.000 --> 0:26:11.200
<v Speaker 1>Meats Role. But again it was down you talked before

0:26:11.200 --> 0:26:12.640
<v Speaker 1>about how small a world it is. It was down

0:26:12.680 --> 0:26:14.760
<v Speaker 1>to the three of us twice in a row, and

0:26:14.920 --> 0:26:17.960
<v Speaker 1>Jason got got Boy Met Are, Jason got Almost Home,

0:26:18.000 --> 0:26:21.399
<v Speaker 1>and then I got Boy Meets World um, and Shilo

0:26:21.520 --> 0:26:25.040
<v Speaker 1>was doing the Mommy So yeah, so it was it

0:26:25.160 --> 0:26:28.600
<v Speaker 1>worked out. But I was with my dad in in

0:26:28.720 --> 0:26:31.120
<v Speaker 1>Los Angeles and I did not think I got the part.

0:26:31.240 --> 0:26:33.639
<v Speaker 1>I was a terrible read. Ben was there. Ben came

0:26:33.680 --> 0:26:36.040
<v Speaker 1>in and read with us. I was awful, and my

0:26:36.160 --> 0:26:37.680
<v Speaker 1>dad said, well, what do you want to do, kiddo?

0:26:37.840 --> 0:26:39.920
<v Speaker 1>You know, like, it's what do you want? I went.

0:26:40.080 --> 0:26:43.040
<v Speaker 1>I remember the Ripley's Believe It or Not Museum in Hollywood,

0:26:43.359 --> 0:26:44.639
<v Speaker 1>and I was like, I want to go to the Rippley.

0:26:44.720 --> 0:26:46.520
<v Speaker 1>He's like, all right, fine, So we went there, and

0:26:46.800 --> 0:26:49.040
<v Speaker 1>until about ten years ago it was actually there. Across

0:26:49.080 --> 0:26:50.959
<v Speaker 1>the street from the Ripleys Believe It or Not Museum,

0:26:51.080 --> 0:26:54.200
<v Speaker 1>there was a bank of what was called um pay

0:26:54.280 --> 0:26:56.280
<v Speaker 1>phones kids, where you actually had to put in money

0:26:56.760 --> 0:27:00.680
<v Speaker 1>and dial a number and uh somebody else. KL five

0:27:00.760 --> 0:27:02.639
<v Speaker 1>four thousand appeared on the other How can I connect

0:27:02.680 --> 0:27:06.240
<v Speaker 1>your call? S appeared on the other side. And um,

0:27:06.280 --> 0:27:08.280
<v Speaker 1>I called my agent and my dad said, just call

0:27:08.320 --> 0:27:09.600
<v Speaker 1>your agent. Tell me you didn't get it, and we're

0:27:09.600 --> 0:27:11.399
<v Speaker 1>going back home. And I called my agent, said, you

0:27:11.520 --> 0:27:13.680
<v Speaker 1>got it. It's been picked up. You've got to you've

0:27:13.680 --> 0:27:15.240
<v Speaker 1>got to move to l A. And my dad and

0:27:15.240 --> 0:27:17.520
<v Speaker 1>I ran through the Ripley's Beauter not Museum and then

0:27:17.560 --> 0:27:18.919
<v Speaker 1>went and found the oak Wood because I had to

0:27:18.920 --> 0:27:21.760
<v Speaker 1>live in l A like two weeks later, something ridiculous

0:27:21.760 --> 0:27:24.000
<v Speaker 1>like that. And that was thirty years ago. So it

0:27:24.080 --> 0:27:26.959
<v Speaker 1>happened very quickly once it happened, and then you're at

0:27:27.000 --> 0:27:28.720
<v Speaker 1>the photo shoot, and then you're friends with writer and

0:27:28.760 --> 0:27:30.400
<v Speaker 1>then you've got this going, and then you're in front

0:27:30.440 --> 0:27:32.520
<v Speaker 1>of the audience and it's just it's then you're going

0:27:32.600 --> 0:27:35.240
<v Speaker 1>It's so the photo shoot happened before you, guys ever

0:27:35.280 --> 0:27:37.679
<v Speaker 1>even had a rehearsal day. Yeah. Yeah, yeah, it was

0:27:37.720 --> 0:27:40.280
<v Speaker 1>like a week before the week I guess. Okay, So

0:27:40.320 --> 0:27:42.720
<v Speaker 1>then by the time you get to rehearsal and you're

0:27:42.760 --> 0:27:46.359
<v Speaker 1>starting this this pilot episode, are you guys already feeling

0:27:46.600 --> 0:27:50.359
<v Speaker 1>like friends and family, like it's all you've already started

0:27:50.359 --> 0:27:54.679
<v Speaker 1>a bond. I mean, Will and I definitely yeah, I

0:27:54.760 --> 0:27:59.199
<v Speaker 1>remember Ben and I did not start upon Ben was

0:27:59.280 --> 0:28:03.400
<v Speaker 1>really into sport and I was not. And I remember

0:28:03.560 --> 0:28:06.399
<v Speaker 1>like a lot of the first early episodes, you know,

0:28:06.480 --> 0:28:09.240
<v Speaker 1>he he wanted to play basketball, like with the other kids,

0:28:09.240 --> 0:28:10.959
<v Speaker 1>and and there were always other kids because you had

0:28:11.080 --> 0:28:14.280
<v Speaker 1>extras to um. But but so I remember during the pilot,

0:28:14.320 --> 0:28:17.600
<v Speaker 1>and but also Ben was working a lot because he

0:28:17.680 --> 0:28:19.320
<v Speaker 1>was in so many you watch this pilot, He's in

0:28:19.400 --> 0:28:21.800
<v Speaker 1>so many scenes in every scene, and that's a lot

0:28:21.880 --> 0:28:24.280
<v Speaker 1>for a kid, So he would be gone. He was

0:28:24.280 --> 0:28:26.439
<v Speaker 1>sort of distanced, you know, like and and yeah, like

0:28:26.480 --> 0:28:28.440
<v Speaker 1>I said, he was very much in his own world.

0:28:28.520 --> 0:28:31.159
<v Speaker 1>He was very um. I remember him being just working

0:28:31.240 --> 0:28:33.439
<v Speaker 1>and being busy and needing to learn his lines and

0:28:33.480 --> 0:28:35.679
<v Speaker 1>also going to school. And he was sort of at

0:28:35.720 --> 0:28:38.280
<v Speaker 1>that point Hollywood royalty for us, you know, like because

0:28:38.280 --> 0:28:40.560
<v Speaker 1>his brother's show had been such a hit. He was

0:28:40.600 --> 0:28:43.160
<v Speaker 1>also the person who like knew what we were doing

0:28:43.200 --> 0:28:45.600
<v Speaker 1>more than any of us. Um. And so you know,

0:28:45.680 --> 0:28:47.440
<v Speaker 1>I know I didn't really connect with Ben. I would

0:28:47.440 --> 0:28:50.480
<v Speaker 1>say until like episode four or five did we start

0:28:50.520 --> 0:28:52.480
<v Speaker 1>really getting to know each other. I think in part

0:28:52.520 --> 0:28:54.760
<v Speaker 1>because I was just one of these other kids, you know,

0:28:54.880 --> 0:28:57.160
<v Speaker 1>like I wasn't part of the family. I think Will

0:28:57.240 --> 0:28:59.080
<v Speaker 1>you probably connected with Ben because you were part of

0:28:59.240 --> 0:29:01.640
<v Speaker 1>at the time the show, you know, it was it

0:29:01.720 --> 0:29:04.040
<v Speaker 1>wasn't supposed to be a school show. It was supposed

0:29:04.040 --> 0:29:06.520
<v Speaker 1>to be a family show, and so the priority was

0:29:06.560 --> 0:29:10.120
<v Speaker 1>given to the show, you know, the parents and you

0:29:10.160 --> 0:29:13.040
<v Speaker 1>Will and Lily, and so that was sort of more

0:29:13.160 --> 0:29:15.920
<v Speaker 1>the like core group. I was like an outsider. It

0:29:16.000 --> 0:29:18.160
<v Speaker 1>was like me and Chauncey Leo party who's then gone,

0:29:18.400 --> 0:29:20.200
<v Speaker 1>and then like you know, whoever else they brought in

0:29:20.240 --> 0:29:23.360
<v Speaker 1>that week that could potentially stay. But yeah, so it

0:29:23.400 --> 0:29:25.400
<v Speaker 1>was really I was just lucky to have Will, like

0:29:25.400 --> 0:29:27.800
<v Speaker 1>I know, we bonded right away. And then I love

0:29:27.920 --> 0:29:30.200
<v Speaker 1>school like I loved I already loved school, and I

0:29:30.240 --> 0:29:34.080
<v Speaker 1>loved my studio teacher David Colmbs. David David Colmbs, Yes,

0:29:34.240 --> 0:29:35.960
<v Speaker 1>David Colmbs. And he had been brought on because he

0:29:35.960 --> 0:29:38.440
<v Speaker 1>had taught Fred Savage on on Boy, I mean on

0:29:38.520 --> 0:29:41.240
<v Speaker 1>Wonder Years, so they brought him on and um, just

0:29:41.280 --> 0:29:44.800
<v Speaker 1>a genius spoke five languages, could teach on these subject

0:29:45.080 --> 0:29:46.960
<v Speaker 1>He was a personal tutor to the kids of the

0:29:46.960 --> 0:29:49.760
<v Speaker 1>Shaw of Iran remember us. He was a very eccentric,

0:29:49.920 --> 0:29:53.600
<v Speaker 1>interesting dude. And we'll have plenty of David Combs stories

0:29:53.600 --> 0:29:55.960
<v Speaker 1>I'm sure throughout the years, but for me, he was

0:29:56.040 --> 0:29:59.520
<v Speaker 1>really like just immediately, he was so smart and we

0:29:59.680 --> 0:30:01.920
<v Speaker 1>just imediately bonded. So I loved school and I love

0:30:01.960 --> 0:30:05.480
<v Speaker 1>hanging out with Will. Um. Yeah, it was, but it

0:30:05.520 --> 0:30:08.640
<v Speaker 1>felt very comfortable automatically. It's it. But you're right though,

0:30:09.080 --> 0:30:13.440
<v Speaker 1>it wasn't Corey and Sean. That wasn't a thing yet. Um,

0:30:13.480 --> 0:30:15.920
<v Speaker 1>you know it was. It wasn't until several episodes later,

0:30:15.960 --> 0:30:18.240
<v Speaker 1>which we'll talk about where you know, especially when Danielle

0:30:18.280 --> 0:30:20.440
<v Speaker 1>joined the cast, where it was really like, oh, this

0:30:20.520 --> 0:30:23.400
<v Speaker 1>is the show, Like that's when that's when the whole

0:30:23.400 --> 0:30:25.320
<v Speaker 1>thing kind of changed. And it was until then it

0:30:25.400 --> 0:30:30.800
<v Speaker 1>was us in those very strange clothes, um, which which

0:30:30.840 --> 0:30:33.280
<v Speaker 1>were just very I mean, that was one of the

0:30:33.280 --> 0:30:35.480
<v Speaker 1>things that struck me as we're you know, if we

0:30:35.520 --> 0:30:37.160
<v Speaker 1>get back, as we get back into the episode, so

0:30:37.160 --> 0:30:40.160
<v Speaker 1>we're past the opening title sequence, and opening to me

0:30:40.240 --> 0:30:44.000
<v Speaker 1>sounds like a right like music you would hear in

0:30:44.080 --> 0:30:48.840
<v Speaker 1>line at Disneylands, yes, exactly, or you're in a carousel

0:30:48.960 --> 0:30:50.719
<v Speaker 1>just going around and by the fifth time you're like,

0:30:50.760 --> 0:30:54.520
<v Speaker 1>stop that song. Y. Yeah. So this episode was written

0:30:54.560 --> 0:30:59.680
<v Speaker 1>by Michael Jacobs and April Kelly. Does anyone remember April Kelly?

0:30:59.720 --> 0:31:03.479
<v Speaker 1>I do, Yes, I do too, Okay, I remember her

0:31:03.520 --> 0:31:07.000
<v Speaker 1>little dog, yeah, and her Ferrari. Remember she'd always drive

0:31:07.040 --> 0:31:09.320
<v Speaker 1>up to the Ferrari. I think I met I think,

0:31:09.360 --> 0:31:12.360
<v Speaker 1>I do think I met April Kelly early on. I

0:31:12.400 --> 0:31:14.200
<v Speaker 1>do remember her. I remember what she looks like, and

0:31:14.200 --> 0:31:16.960
<v Speaker 1>I can picture an outfit. But then April Kelly just

0:31:17.040 --> 0:31:19.800
<v Speaker 1>kind of disappeared. She was here the whole first season,

0:31:19.880 --> 0:31:22.320
<v Speaker 1>wasn't she the first season? Yeah? And then she left

0:31:22.320 --> 0:31:24.640
<v Speaker 1>after the first season, and uh, as far as I know,

0:31:24.760 --> 0:31:28.600
<v Speaker 1>left the industry, but her name is on every episode

0:31:29.760 --> 0:31:32.920
<v Speaker 1>and she got paid for every single episode. Okay. And

0:31:32.920 --> 0:31:34.600
<v Speaker 1>then another thing I wanted to talk about is that

0:31:34.680 --> 0:31:38.320
<v Speaker 1>this episode, the pilot episode, was directed by John Tracy.

0:31:38.360 --> 0:31:41.880
<v Speaker 1>But then I'm pretty sure this is the only episode

0:31:41.920 --> 0:31:44.840
<v Speaker 1>of season one John Tracy directed. No, he came back.

0:31:44.880 --> 0:31:49.400
<v Speaker 1>He came back. Maybe couldn't because season one was all

0:31:49.520 --> 0:31:53.560
<v Speaker 1>David David David Trainer. Yeah, and David Trainer is a

0:31:53.680 --> 0:31:56.840
<v Speaker 1>legendary television director. John is too, but David is best

0:31:56.880 --> 0:31:59.120
<v Speaker 1>known for he did every single episode of that that

0:31:59.240 --> 0:32:02.280
<v Speaker 1>seventies show. Um, yeah, I have some great David Trainer

0:32:02.320 --> 0:32:04.560
<v Speaker 1>stories as we get into the season. But David David

0:32:04.640 --> 0:32:08.360
<v Speaker 1>was incredible. John I remember just being very funny, thick

0:32:08.520 --> 0:32:11.760
<v Speaker 1>Boston accent um, and he would he would yell and

0:32:11.800 --> 0:32:13.920
<v Speaker 1>sort of shout and like tell everybody way to go.

0:32:14.480 --> 0:32:17.600
<v Speaker 1>And his brother Kevin Tracy was also on the show,

0:32:18.120 --> 0:32:21.840
<v Speaker 1>UM as a camera coordinator. I believe now, at first,

0:32:21.880 --> 0:32:23.920
<v Speaker 1>if you look at the pilot episode, it's I noticed this.

0:32:24.080 --> 0:32:25.520
<v Speaker 1>It says the first thing. It says he was the

0:32:25.560 --> 0:32:29.320
<v Speaker 1>stage manager the first episode, Wow, okay, which he was

0:32:29.360 --> 0:32:31.520
<v Speaker 1>By the time I had gotten there, he already wasn't.

0:32:31.560 --> 0:32:33.160
<v Speaker 1>But I guess for that first episode he was the

0:32:33.160 --> 0:32:37.040
<v Speaker 1>stage And so does anyone know why John only directed

0:32:37.040 --> 0:32:39.200
<v Speaker 1>the pilot and not anymore in that first season? Was

0:32:39.240 --> 0:32:41.080
<v Speaker 1>there a story there? If there is, do we not

0:32:41.120 --> 0:32:44.360
<v Speaker 1>know it? Um? I think I think that's pretty typical.

0:32:44.760 --> 0:32:47.600
<v Speaker 1>I think it was typical for somebody to direct the

0:32:47.600 --> 0:32:49.880
<v Speaker 1>pilot and then move on, because the goal is a

0:32:49.920 --> 0:32:52.160
<v Speaker 1>director is to direct as many pilots as possible, not

0:32:52.200 --> 0:32:54.200
<v Speaker 1>to get stuck on a series, because when you direct

0:32:54.240 --> 0:32:58.280
<v Speaker 1>a pilot, you make money on every episode for the

0:32:58.280 --> 0:33:00.840
<v Speaker 1>rest of that show's life. So didn't need to in

0:33:00.880 --> 0:33:03.280
<v Speaker 1>a way, you know, like but I don't remember if

0:33:03.320 --> 0:33:05.400
<v Speaker 1>there was a reason that John did not come back.

0:33:05.520 --> 0:33:08.280
<v Speaker 1>But David Trayner was truly a genius. He was like

0:33:08.280 --> 0:33:13.120
<v Speaker 1>a classically trained Shakespearean theater director, and he really defined

0:33:13.280 --> 0:33:15.120
<v Speaker 1>the tone and the and the look and the field

0:33:15.120 --> 0:33:17.880
<v Speaker 1>of the show. So I think probably what happened is

0:33:17.960 --> 0:33:20.200
<v Speaker 1>David Trayner came on and they gave him the entire

0:33:20.240 --> 0:33:23.200
<v Speaker 1>first season in his contract. They said, like he probably said,

0:33:23.240 --> 0:33:25.920
<v Speaker 1>if I'm coming to do your you know show, and

0:33:25.960 --> 0:33:28.560
<v Speaker 1>you want my talents, I have to do X many episodes,

0:33:28.600 --> 0:33:30.960
<v Speaker 1>if not the whole season, like a certain guaranteed amount.

0:33:31.160 --> 0:33:33.280
<v Speaker 1>And so that's probably what kicked in. And then they

0:33:33.320 --> 0:33:36.640
<v Speaker 1>just had David Traynor, which was wonderful because he really

0:33:36.680 --> 0:33:40.200
<v Speaker 1>set an incredible environment for all of us. But in

0:33:40.240 --> 0:33:42.719
<v Speaker 1>my head, he is he's seven feet tall. I mean,

0:33:42.760 --> 0:33:48.440
<v Speaker 1>I remember him being six six seven. I think he was,

0:33:48.480 --> 0:33:51.640
<v Speaker 1>I mean he was, yeah, and he's so very thin. Yeah,

0:33:52.120 --> 0:33:54.760
<v Speaker 1>And so the way he walked across stage, he could

0:33:54.760 --> 0:33:57.080
<v Speaker 1>like go that you know, that cavernous stage with sound

0:33:57.120 --> 0:33:59.160
<v Speaker 1>stage we talked about, he could do the length of

0:33:59.160 --> 0:34:02.000
<v Speaker 1>it in what felt four stripes. It was it was

0:34:02.080 --> 0:34:04.840
<v Speaker 1>it was crazy and he I'll never forget what feeling

0:34:04.880 --> 0:34:07.600
<v Speaker 1>like such a dope because, um, we were doing the

0:34:07.640 --> 0:34:09.800
<v Speaker 1>first first episode, which turned out to be the second

0:34:09.800 --> 0:34:13.359
<v Speaker 1>episode that's aired, um, and uh I said something like, well,

0:34:13.400 --> 0:34:14.719
<v Speaker 1>you know how I did it in the audition and

0:34:14.719 --> 0:34:17.520
<v Speaker 1>in front of everybody's like, yeah, who cares how you

0:34:17.520 --> 0:34:19.440
<v Speaker 1>did it in the audition. I just remember being like, oh,

0:34:19.480 --> 0:34:21.160
<v Speaker 1>man like and he was never mean about he did

0:34:21.200 --> 0:34:22.480
<v Speaker 1>it with a smile on his face, but it was like,

0:34:22.520 --> 0:34:24.120
<v Speaker 1>oh jeez, I'm just gonna keep my mouth shutting do

0:34:24.120 --> 0:34:28.600
<v Speaker 1>what I'm told. Uh. So it was such a strange

0:34:29.120 --> 0:34:32.239
<v Speaker 1>environment to go because again it was just like you,

0:34:32.880 --> 0:34:35.400
<v Speaker 1>I didn't know any of any of of of making

0:34:35.400 --> 0:34:37.480
<v Speaker 1>television like this none. This is not how we did

0:34:37.480 --> 0:34:39.640
<v Speaker 1>any of the Nickelodeon stuff. So everyone just assumed I

0:34:39.719 --> 0:34:41.080
<v Speaker 1>knew what I was doing. And then it's just kind

0:34:41.080 --> 0:34:43.200
<v Speaker 1>of you're just going yeah. I mean, it's like David

0:34:43.560 --> 0:34:45.360
<v Speaker 1>started and you're just going that's David. Trayner would have

0:34:45.400 --> 0:34:46.880
<v Speaker 1>been the first person to teach us some of the

0:34:46.880 --> 0:34:49.600
<v Speaker 1>basics of sitcom acting, which are you don't have a

0:34:49.640 --> 0:34:52.080
<v Speaker 1>fourth wall and you have to like like, for instance,

0:34:52.120 --> 0:34:54.040
<v Speaker 1>you always have to stand, like if you're having a

0:34:54.040 --> 0:34:56.759
<v Speaker 1>conversation with somebody, you have to stand with your shoulders

0:34:56.800 --> 0:34:59.480
<v Speaker 1>open so the camera can see your entire fits. So

0:34:59.520 --> 0:35:02.080
<v Speaker 1>it's like if you notice everybody on Sitcom's kind of

0:35:02.160 --> 0:35:04.799
<v Speaker 1>stands at like an awkward angle to each other and

0:35:04.840 --> 0:35:07.440
<v Speaker 1>it feels weird. We make it look normal because you

0:35:07.480 --> 0:35:08.840
<v Speaker 1>get used to it as an actor and you but

0:35:09.280 --> 0:35:11.120
<v Speaker 1>you have to sort of force your body to do

0:35:11.200 --> 0:35:13.799
<v Speaker 1>something that's not natural, and you're not turning. You have

0:35:13.840 --> 0:35:16.279
<v Speaker 1>to turn the right way so you don't like you

0:35:16.280 --> 0:35:18.880
<v Speaker 1>don't square fifty fifty with people, you turn us slightly

0:35:18.920 --> 0:35:20.920
<v Speaker 1>out and then like, yeah, if you're gonna be talking

0:35:20.960 --> 0:35:22.839
<v Speaker 1>to somebody over to your right, you gotta make sure

0:35:22.880 --> 0:35:24.600
<v Speaker 1>you don't turn your head away from the car, like

0:35:24.640 --> 0:35:26.600
<v Speaker 1>all these basic things that of course, if you're a

0:35:26.800 --> 0:35:29.840
<v Speaker 1>season theater actor like Bill Daniels, you just know. But

0:35:29.920 --> 0:35:31.360
<v Speaker 1>for us, we had to be taught that, Like you

0:35:31.400 --> 0:35:33.680
<v Speaker 1>have to tell kids, like, it's not like you're really

0:35:33.719 --> 0:35:36.000
<v Speaker 1>talking to this person, you're performing talking to this person.

0:35:36.239 --> 0:35:37.719
<v Speaker 1>Here's the way to do that, you know. And I

0:35:37.760 --> 0:35:40.080
<v Speaker 1>remember David Trainer was so good at all those little

0:35:40.080 --> 0:35:43.200
<v Speaker 1>tricks and teaching us the basics of sitcom acting. Yeah,

0:35:43.560 --> 0:35:45.760
<v Speaker 1>So the first scene that we see after the cold

0:35:45.800 --> 0:35:49.200
<v Speaker 1>open is and and then the intro we see Corey listening.

0:35:49.200 --> 0:35:52.000
<v Speaker 1>It's they're performing Romeo and Juliet at the front of

0:35:52.000 --> 0:35:56.320
<v Speaker 1>the class and Corey is listening to the Phillies game. Um.

0:35:56.480 --> 0:35:59.080
<v Speaker 1>In this scene is the first time I really noticed

0:35:59.480 --> 0:36:04.920
<v Speaker 1>the how loud the laughs were. And I couldn't tell

0:36:05.200 --> 0:36:09.000
<v Speaker 1>if it was if it were those the sounds they

0:36:09.040 --> 0:36:11.839
<v Speaker 1>collected from the live studio audience or was the laugh

0:36:11.920 --> 0:36:14.759
<v Speaker 1>track just that loud because the laughs sound like they're

0:36:14.800 --> 0:36:18.280
<v Speaker 1>in your ear. I've heard this about Boy Meant World before,

0:36:18.520 --> 0:36:21.040
<v Speaker 1>like that that has an extremely loud laugh track compared

0:36:21.760 --> 0:36:23.719
<v Speaker 1>it does. And I think that is true, you know,

0:36:23.760 --> 0:36:27.200
<v Speaker 1>I mean, like, yeah, I think for whatever reason, you know,

0:36:27.840 --> 0:36:30.080
<v Speaker 1>maybe it's maybe it was a creative choice or somewhere

0:36:30.080 --> 0:36:32.560
<v Speaker 1>along the line, the show just got cranked up because

0:36:32.600 --> 0:36:35.120
<v Speaker 1>it is very loud. And yeah, I mean there, I'm

0:36:35.160 --> 0:36:39.280
<v Speaker 1>sure that there was some adherence to the genuine laughter,

0:36:39.840 --> 0:36:43.520
<v Speaker 1>but there was also a machine making the laughter sounds like. Also,

0:36:43.560 --> 0:36:46.080
<v Speaker 1>they didn't know us, the audience didn't know us yet,

0:36:46.120 --> 0:36:48.719
<v Speaker 1>So for the first few episodes, I think it's mostly

0:36:48.840 --> 0:36:51.520
<v Speaker 1>laugh track. I think until we aired, it was really

0:36:51.560 --> 0:36:53.719
<v Speaker 1>mostly laugh track because then you get fans, and then

0:36:53.719 --> 0:36:56.400
<v Speaker 1>the fans come in. But until then, Michael used always

0:36:56.480 --> 0:36:59.440
<v Speaker 1>he would always tell me that I'd say something or hey,

0:36:59.480 --> 0:37:01.279
<v Speaker 1>that joke, did land that whatever, and he always look

0:37:01.320 --> 0:37:03.759
<v Speaker 1>at me and goes To this day, I still can

0:37:03.800 --> 0:37:06.479
<v Speaker 1>hear him in my in my head saying, don't worry,

0:37:06.520 --> 0:37:09.480
<v Speaker 1>I have a machine that thinks you're hysterical. And so

0:37:09.680 --> 0:37:11.279
<v Speaker 1>that's what he would say, I have a machine that

0:37:11.320 --> 0:37:14.440
<v Speaker 1>thinks you're hysterical. And it's like, okay, well that's Can

0:37:14.480 --> 0:37:18.760
<v Speaker 1>we talk very briefly about the girl who is lying

0:37:18.960 --> 0:37:25.880
<v Speaker 1>on the on the desk. She was amazing, yes, and

0:37:25.920 --> 0:37:28.680
<v Speaker 1>why did we never see her again? Because she was

0:37:28.760 --> 0:37:30.959
<v Speaker 1>the best other than you, she was the best child

0:37:31.000 --> 0:37:33.880
<v Speaker 1>actor of the lot. Yeah. We used to quote her

0:37:33.920 --> 0:37:36.239
<v Speaker 1>for years. I remember Ben and I would say after

0:37:36.280 --> 0:37:38.080
<v Speaker 1>each other, you touched me with that knife, you better

0:37:37.920 --> 0:37:43.480
<v Speaker 1>be great. I remember I literally wrote that down. I'm

0:37:43.480 --> 0:37:45.440
<v Speaker 1>taking notes and I'm like, why did she disappear? She

0:37:45.520 --> 0:37:48.520
<v Speaker 1>was awesome? Like it's just a revolving cast those first

0:37:48.560 --> 0:37:51.120
<v Speaker 1>few episodes, you know, like and it's true, like you

0:37:51.160 --> 0:37:54.319
<v Speaker 1>want the thing about a show like this is you're

0:37:54.440 --> 0:37:56.880
<v Speaker 1>when you're you know, and this is to Michael's credit,

0:37:57.120 --> 0:37:59.120
<v Speaker 1>you don't want to make too many decisions ahead of

0:37:59.160 --> 0:38:01.279
<v Speaker 1>time ESPEC show when it comes to cast. You wanted

0:38:01.320 --> 0:38:04.120
<v Speaker 1>to be an ensemble. You need to see where there's chemistry.

0:38:04.160 --> 0:38:07.680
<v Speaker 1>And I think that that is in part of physical thing. Chemistry,

0:38:07.719 --> 0:38:10.440
<v Speaker 1>Like you need to like do these people just work together?

0:38:10.480 --> 0:38:12.319
<v Speaker 1>Do they respond to one of do they make each

0:38:12.360 --> 0:38:14.719
<v Speaker 1>other smile? Is there a twinkle in the eye when

0:38:14.719 --> 0:38:16.960
<v Speaker 1>two people? Sometimes it's just not there, you know, and

0:38:17.040 --> 0:38:19.200
<v Speaker 1>sometimes like and I think that they you know, we

0:38:19.280 --> 0:38:21.799
<v Speaker 1>can't keep trying these first four or five episodes. You're

0:38:21.800 --> 0:38:24.160
<v Speaker 1>gonna see this, you know, some kids come in with

0:38:24.239 --> 0:38:26.360
<v Speaker 1>two lines, one kid coming and then like somebody like

0:38:26.440 --> 0:38:28.760
<v Speaker 1>Leonora's can't comes in and it's just the dynamic clicks.

0:38:28.880 --> 0:38:31.480
<v Speaker 1>Or when Danielle when you came in it was magical.

0:38:31.760 --> 0:38:34.000
<v Speaker 1>It was more magical and it was like, oh. And

0:38:34.040 --> 0:38:36.240
<v Speaker 1>that was also the same episode where they finally fired

0:38:36.239 --> 0:38:38.839
<v Speaker 1>the third best friend. And I remember David Trayner, great

0:38:38.880 --> 0:38:42.000
<v Speaker 1>director and so supportive. They gave me all of this

0:38:42.080 --> 0:38:44.080
<v Speaker 1>guy's part. So I showed up for work that day

0:38:44.080 --> 0:38:46.080
<v Speaker 1>and my part went from like two lines to like

0:38:46.360 --> 0:38:48.799
<v Speaker 1>five scenes and a whole bunch of work on, and

0:38:48.800 --> 0:38:51.680
<v Speaker 1>I was so nervous, and David Traynor grabbed me and

0:38:51.719 --> 0:38:53.479
<v Speaker 1>pulled me in front of the whole crew and say,

0:38:53.520 --> 0:38:56.920
<v Speaker 1>can I just say, for the record, this is long overdue.

0:38:57.160 --> 0:39:00.000
<v Speaker 1>Can everybody give writer a big round of applause? Remember

0:39:00.120 --> 0:39:02.880
<v Speaker 1>was going to do this this week and he deserves it,

0:39:02.960 --> 0:39:05.400
<v Speaker 1>and everybody applauded the whole crew, and I remember just

0:39:05.480 --> 0:39:08.200
<v Speaker 1>being like, Okay, I got this. And you know, that

0:39:08.239 --> 0:39:10.200
<v Speaker 1>was the episode that the show came together, because I

0:39:10.200 --> 0:39:12.439
<v Speaker 1>remember with the audience that week and we'll talk about

0:39:12.480 --> 0:39:14.200
<v Speaker 1>it when we get to it, but like they reacted

0:39:14.280 --> 0:39:16.759
<v Speaker 1>so much to the Tapanga character in contrast to the

0:39:16.760 --> 0:39:19.000
<v Speaker 1>Corey character and in contrast with the Seawn. It just

0:39:19.040 --> 0:39:21.440
<v Speaker 1>all came together. That's when the show started. We had

0:39:21.480 --> 0:39:23.440
<v Speaker 1>episodes before, but that is when the show started, in

0:39:23.480 --> 0:39:26.800
<v Speaker 1>my opinion, and because it wasn't just Corey and Topanga,

0:39:26.960 --> 0:39:29.000
<v Speaker 1>but it was also Corey Sewn. I mean that was

0:39:29.239 --> 0:39:31.320
<v Speaker 1>the show then evolved and became We've talked about the

0:39:31.320 --> 0:39:33.239
<v Speaker 1>two boy meets worlds where then Eric kind of had

0:39:33.280 --> 0:39:37.040
<v Speaker 1>his own thing going on, and but the three of you, especially,

0:39:37.640 --> 0:39:40.080
<v Speaker 1>that was the start, and that was you know, you're right,

0:39:40.120 --> 0:39:43.040
<v Speaker 1>it was kind of getting there took took a few episodes,

0:39:43.120 --> 0:39:45.239
<v Speaker 1>but once it did, then it was kind of often. No,

0:39:45.360 --> 0:39:47.520
<v Speaker 1>this is clearly a show about a teacher and a student.

0:39:47.760 --> 0:39:52.399
<v Speaker 1>And yeah, this episode absolutely compelling. I cannot believe how

0:39:52.440 --> 0:39:55.560
<v Speaker 1>compelling Bill Daniels was. He's so good, I mean, now

0:39:55.920 --> 0:40:00.680
<v Speaker 1>so good. You guysn't notice he's shaking his handshaking. I

0:40:00.760 --> 0:40:03.680
<v Speaker 1>didn't notice it. I remember, I remember from when I

0:40:03.760 --> 0:40:05.480
<v Speaker 1>was a kid, and I remember seeing it, but I

0:40:05.520 --> 0:40:07.320
<v Speaker 1>did not notice it in the episode. I noticed in

0:40:07.360 --> 0:40:09.560
<v Speaker 1>the episode because Ben and I were obsessed with it,

0:40:09.640 --> 0:40:12.560
<v Speaker 1>because of course we were scared kids, and he was scary.

0:40:12.719 --> 0:40:16.840
<v Speaker 1>He was this professor, intimidating, and he had a professional manner.

0:40:16.920 --> 0:40:19.600
<v Speaker 1>He would show up memorized. He was so old school,

0:40:19.840 --> 0:40:22.560
<v Speaker 1>you know, we knew him from night writer or whatever.

0:40:22.600 --> 0:40:25.360
<v Speaker 1>We had like visions of this great actor, and on

0:40:25.520 --> 0:40:27.759
<v Speaker 1>tape night when the audience showed up, we could tell

0:40:27.800 --> 0:40:30.400
<v Speaker 1>that he was nervous. Maybe he wasn't, maybe he was

0:40:30.440 --> 0:40:32.360
<v Speaker 1>just shaking hands. I don't know. I mean that happens

0:40:32.360 --> 0:40:34.960
<v Speaker 1>to actors. But I remember Ben and I being obsessed

0:40:35.000 --> 0:40:37.000
<v Speaker 1>with that, and like whispering to each other. Did you

0:40:37.040 --> 0:40:39.480
<v Speaker 1>see his hands are shaking? And in some ways, I

0:40:39.520 --> 0:40:42.000
<v Speaker 1>think it made us feel better because it was like, oh,

0:40:42.040 --> 0:40:45.200
<v Speaker 1>if this guy who was so scary to us, Mr Feenie,

0:40:46.120 --> 0:40:48.960
<v Speaker 1>if he's nervous, it's okay that we're nervous, you know.

0:40:49.160 --> 0:40:51.759
<v Speaker 1>In fact, it's almost cooler that we're not shaking. You know,

0:40:51.800 --> 0:40:53.880
<v Speaker 1>we can sort of have this authority as kids, like,

0:40:54.239 --> 0:40:56.040
<v Speaker 1>look at us, We're we're cool with the audience. I

0:40:56.080 --> 0:40:58.759
<v Speaker 1>remember that so distinctly, and like just hit me like

0:40:58.800 --> 0:41:01.719
<v Speaker 1>a lightning flash. When I saw Bill's handshake, I think

0:41:01.719 --> 0:41:03.560
<v Speaker 1>it's in this this scene because of the way he

0:41:03.600 --> 0:41:05.799
<v Speaker 1>grabbed a radio, I could see his handshake. I was like, oh,

0:41:05.840 --> 0:41:09.280
<v Speaker 1>that's right. I remember just always watching that. Does anybody

0:41:09.360 --> 0:41:10.799
<v Speaker 1>now that is one of the questions I had. Does

0:41:10.840 --> 0:41:13.879
<v Speaker 1>anybody know how old Bill was when we started? Well,

0:41:14.000 --> 0:41:16.919
<v Speaker 1>ninety three, the year was ninety three? He is now

0:41:19.760 --> 0:41:26.959
<v Speaker 1>so twenty nine years right, yeah, exactly thirty from five

0:41:27.000 --> 0:41:29.680
<v Speaker 1>would be sixty five and then add one sixty six.

0:41:29.960 --> 0:41:31.399
<v Speaker 1>How much of the pie do I get to eat?

0:41:31.560 --> 0:41:35.319
<v Speaker 1>Is the question? Um? So okay, alright, so all right,

0:41:35.440 --> 0:41:38.839
<v Speaker 1>he's already like sixty mid mid sixties. Okay, by that

0:41:38.880 --> 0:41:42.719
<v Speaker 1>time he looked great. By the way, the young girl

0:41:42.760 --> 0:41:46.280
<v Speaker 1>playing Juliet is named Kristen Moore. She deserves her flowers.

0:41:47.280 --> 0:41:49.920
<v Speaker 1>The young talent we we didn't get to see again,

0:41:49.960 --> 0:41:52.520
<v Speaker 1>her name is Kristin Moore. So she was phenomenal. She

0:41:52.640 --> 0:41:55.040
<v Speaker 1>really was great. She had a couple of lines. If

0:41:55.080 --> 0:41:57.319
<v Speaker 1>you get if you get one line and you get

0:41:57.320 --> 0:41:59.840
<v Speaker 1>a solid laugh on the one line, you get that

0:42:00.080 --> 0:42:03.319
<v Speaker 1>pretty impressive. Absolutely, so that was great. So in the

0:42:03.400 --> 0:42:06.440
<v Speaker 1>scene Ben gets detention. We learned that Ben gets detention

0:42:06.520 --> 0:42:08.839
<v Speaker 1>and then Corey gets detention. It's gonna be really hard

0:42:08.880 --> 0:42:11.440
<v Speaker 1>for us to go back and forth between Ben and I.

0:42:11.440 --> 0:42:12.640
<v Speaker 1>I will do it all the time. I'll try to

0:42:12.680 --> 0:42:14.799
<v Speaker 1>correct myself when I do what should we call them? Should?

0:42:14.800 --> 0:42:16.800
<v Speaker 1>We should? We just stick with character never going to

0:42:16.840 --> 0:42:18.880
<v Speaker 1>be able to do We're never going We're gonna go

0:42:18.920 --> 0:42:21.400
<v Speaker 1>in and out both the time. So Corey gets detention,

0:42:21.760 --> 0:42:27.440
<v Speaker 1>he goes home, and this is where we meet Eric Matthews. Yes,

0:42:27.520 --> 0:42:29.839
<v Speaker 1>we do well. First, can we just very quickly talk

0:42:29.880 --> 0:42:32.640
<v Speaker 1>about how times have changed? And they showed a knife

0:42:32.719 --> 0:42:36.560
<v Speaker 1>fight in school essentially, I mean, doesn't it immediately cut

0:42:36.600 --> 0:42:39.600
<v Speaker 1>to shooting. That's later we're shooting at the video shooting

0:42:39.600 --> 0:42:42.400
<v Speaker 1>at the video game, but it's it's somebody holding somebody

0:42:42.400 --> 0:42:44.719
<v Speaker 1>else down on a desk, trying to stab him, and

0:42:44.760 --> 0:42:46.799
<v Speaker 1>the principle comes over like okay, I mean it's like

0:42:46.840 --> 0:42:51.160
<v Speaker 1>it's a different time. Um. But then we meet Eric Matthews.

0:42:51.320 --> 0:42:55.960
<v Speaker 1>Yeah yourself, dude, you were great. No, No, I was not.

0:42:56.440 --> 0:42:59.440
<v Speaker 1>Why do you think you're so? It was because the scene,

0:42:59.480 --> 0:43:01.680
<v Speaker 1>the scene at the end. So the first scene, it's

0:43:01.719 --> 0:43:06.279
<v Speaker 1>not it's very stiff, obviously, and I have no idea

0:43:06.320 --> 0:43:08.400
<v Speaker 1>what to do with my hands, and it's very awkward

0:43:08.840 --> 0:43:10.920
<v Speaker 1>the first scene. But the seconds the scene where I

0:43:10.920 --> 0:43:13.680
<v Speaker 1>come back and I'm acting, and I'm like, news flash,

0:43:13.960 --> 0:43:18.600
<v Speaker 1>I'm not cool. It's the worst thing ever. You're so

0:43:18.680 --> 0:43:22.000
<v Speaker 1>hard on yourself, like sit, kids, sit, come acting. It

0:43:22.040 --> 0:43:25.680
<v Speaker 1>wasn't much better overall, but it was just in this show.

0:43:25.719 --> 0:43:28.279
<v Speaker 1>I mean I remember literally like I finished it last

0:43:28.320 --> 0:43:31.200
<v Speaker 1>night and I was like, every single person in that

0:43:31.200 --> 0:43:33.640
<v Speaker 1>show was better than me, every single one. I think

0:43:33.640 --> 0:43:36.360
<v Speaker 1>you're just way too hard on yourself. Because I better.

0:43:36.520 --> 0:43:38.400
<v Speaker 1>I don't get me wrong, I certainly got better, but

0:43:38.520 --> 0:43:42.360
<v Speaker 1>that first episode that was painful for me too. It

0:43:42.400 --> 0:43:46.479
<v Speaker 1>was like I am acting now and I have to stay.

0:43:46.600 --> 0:43:49.279
<v Speaker 1>The only thing I'm missing is literally looking down for

0:43:49.320 --> 0:43:51.400
<v Speaker 1>the tea on the ground to where to put my feet,

0:43:51.400 --> 0:43:53.080
<v Speaker 1>because they they give you these little tea marks to

0:43:53.080 --> 0:43:55.480
<v Speaker 1>where mark. You're just uncomfortable, dude, But it doesn't really

0:43:55.480 --> 0:43:58.600
<v Speaker 1>play that way. I'm sure you're you're projecting your discomfort.

0:43:59.120 --> 0:44:00.759
<v Speaker 1>I don't know. I just met that. Like I said,

0:44:00.800 --> 0:44:02.919
<v Speaker 1>the writers didn't know who Eric was. You were sort

0:44:02.960 --> 0:44:08.360
<v Speaker 1>of a stock old all the deeds and one I

0:44:08.400 --> 0:44:11.000
<v Speaker 1>remember the only the only time I was ever mentioned

0:44:11.040 --> 0:44:13.319
<v Speaker 1>in a review at all at the very beginning. So

0:44:13.360 --> 0:44:15.680
<v Speaker 1>we did. There was one table read we did where

0:44:15.719 --> 0:44:17.640
<v Speaker 1>we had just aired. It was the table read right

0:44:17.640 --> 0:44:22.760
<v Speaker 1>after we first came out, and Michael read um reviews

0:44:23.080 --> 0:44:26.400
<v Speaker 1>in front of everybody. Oh I remember the reviews. The

0:44:26.440 --> 0:44:30.080
<v Speaker 1>one he said about Bill Daniels was for thirty years.

0:44:30.080 --> 0:44:33.120
<v Speaker 1>Oh no, what about Bill Daniels was great? He said, uh,

0:44:33.160 --> 0:44:35.880
<v Speaker 1>you know Bill Daniels. Mr comes to Mr Feeney and

0:44:35.920 --> 0:44:40.120
<v Speaker 1>then the quote ended with a great actor stoops and

0:44:40.200 --> 0:44:42.440
<v Speaker 1>I remember Bill putting his head in his hands and

0:44:42.480 --> 0:44:46.520
<v Speaker 1>all of us laughing, and Bill probably felt. And two

0:44:46.520 --> 0:44:49.040
<v Speaker 1>Emmys for st elsewhere at this right and he's coming

0:44:49.080 --> 0:44:51.200
<v Speaker 1>onto this kids show he must have felt, and a

0:44:51.280 --> 0:44:54.080
<v Speaker 1>sitcom to like, he had not done multi camera sitcom,

0:44:54.160 --> 0:44:56.480
<v Speaker 1>and like, you have to remember, this is hard for

0:44:56.560 --> 0:44:58.560
<v Speaker 1>people to wrap their heads around these days. But back then,

0:44:58.920 --> 0:45:01.960
<v Speaker 1>you were either a TV actor or a film and

0:45:02.000 --> 0:45:05.239
<v Speaker 1>if you were actor or stage of course, but Bill

0:45:05.719 --> 0:45:07.920
<v Speaker 1>was kind of all of those things. But TV was

0:45:08.000 --> 0:45:10.279
<v Speaker 1>kind of the lowest here. If you wanted if you

0:45:10.280 --> 0:45:12.360
<v Speaker 1>wanted to make no money but do quality work, you

0:45:12.360 --> 0:45:15.359
<v Speaker 1>were a theater actor. You wanted to you know, if

0:45:15.400 --> 0:45:18.200
<v Speaker 1>you wanted to be famously the best was movie actors.

0:45:18.400 --> 0:45:21.040
<v Speaker 1>And then for being a TV actor, especially a multi

0:45:21.040 --> 0:45:25.320
<v Speaker 1>camera sits, a sitcom TV actor, and then a show

0:45:25.520 --> 0:45:27.960
<v Speaker 1>sitcom TV actor, Oh my god, he was. It was

0:45:28.080 --> 0:45:32.879
<v Speaker 1>like working the drive through. Can I read you a review? Please? Okay? So?

0:45:33.080 --> 0:45:37.680
<v Speaker 1>David zero Wick of The Baltimore Sun wrote, predicting Nielsen's

0:45:37.680 --> 0:45:40.920
<v Speaker 1>success for Boy Meets World, dot dot dot is not

0:45:41.040 --> 0:45:45.080
<v Speaker 1>a particularly daring or incisive call. It's mainly based on

0:45:45.160 --> 0:45:49.359
<v Speaker 1>scheduling and stars. Then he continued, forget quality, these are

0:45:49.440 --> 0:45:52.680
<v Speaker 1>kids were programming for on Friday nights. Here's where you

0:45:52.719 --> 0:45:54.960
<v Speaker 1>have to give ABC some credit for going an extra

0:45:55.040 --> 0:45:58.400
<v Speaker 1>mile and adding William Daniels to the cast as Corey's nemesis,

0:45:58.560 --> 0:46:02.720
<v Speaker 1>his sixth grade teacher, Mr. Peenie. The confrontation between the Hey,

0:46:02.760 --> 0:46:05.120
<v Speaker 1>I'm just a kid Corey and the arch and starch

0:46:05.160 --> 0:46:08.000
<v Speaker 1>Feenie makes this series something an adult doesn't have to

0:46:08.040 --> 0:46:12.239
<v Speaker 1>feel ashamed of watching amazing. He ultimately gave it two

0:46:12.320 --> 0:46:14.560
<v Speaker 1>and a half stars out of four, but said I

0:46:14.600 --> 0:46:18.320
<v Speaker 1>won't argue with anyone who wants to give it three stars. Okay,

0:46:18.640 --> 0:46:21.239
<v Speaker 1>there's something that's better, because that's gonna say. I think

0:46:21.280 --> 0:46:23.520
<v Speaker 1>the only one I heard was that with that I

0:46:23.560 --> 0:46:25.840
<v Speaker 1>was mentioned at all was the older brother is a

0:46:25.880 --> 0:46:29.440
<v Speaker 1>cardboard cutout prop. That's the only one I remembers, kind

0:46:29.440 --> 0:46:34.560
<v Speaker 1>of just stand in for Yeah, no, I play the

0:46:34.719 --> 0:46:37.319
<v Speaker 1>r you are archetypal older brother. Yeah. I mean, in

0:46:37.360 --> 0:46:39.960
<v Speaker 1>some ways we all are in these early days, except

0:46:40.040 --> 0:46:43.360
<v Speaker 1>for Ben and Bill, you know, which was a great dynamic.

0:46:43.480 --> 0:46:46.279
<v Speaker 1>It was a dynamic, great dynamic between the two of them,

0:46:46.320 --> 0:46:49.440
<v Speaker 1>It really was. But um, I just remember shooting in

0:46:50.080 --> 0:46:52.319
<v Speaker 1>that bedroom scene, and if I'm I could be wrong,

0:46:52.360 --> 0:46:54.200
<v Speaker 1>I was thinking about this last night, but I think

0:46:54.280 --> 0:46:59.360
<v Speaker 1>our beds constantly switch alight, which is whatever the episode

0:46:59.440 --> 0:47:01.120
<v Speaker 1>was was like, now that's Corey's bed, well, now that's

0:47:01.200 --> 0:47:04.000
<v Speaker 1>Eric's bed. Now that's Corey's bed, Now that's Eric's bed, um,

0:47:04.040 --> 0:47:06.840
<v Speaker 1>And it just kind of went back and forth over

0:47:06.880 --> 0:47:09.800
<v Speaker 1>and over, and it was always like entrances and exits.

0:47:09.800 --> 0:47:12.960
<v Speaker 1>Man like Eric walked into room, do not move hands,

0:47:13.280 --> 0:47:16.480
<v Speaker 1>say Corey line walk out of room? Can we get

0:47:16.520 --> 0:47:21.520
<v Speaker 1>to scene three? Can we please please? Scene three? We

0:47:21.560 --> 0:47:24.719
<v Speaker 1>go downstairs, We've got the parents. Yeah, we meet the

0:47:24.719 --> 0:47:27.400
<v Speaker 1>family for the first time. We finally meet the family

0:47:27.520 --> 0:47:32.719
<v Speaker 1>and uh a full house reference. Yes, it was. Yeah,

0:47:32.800 --> 0:47:37.200
<v Speaker 1>so I thought we didn't do that to like season five,

0:47:37.360 --> 0:47:40.359
<v Speaker 1>but no, it's really funny that. Yeah, it's like, oh

0:47:40.400 --> 0:47:44.320
<v Speaker 1>my god. I couldn't believe it. And Lilly was Lily.

0:47:44.600 --> 0:47:49.040
<v Speaker 1>I remember Lily as kind of being like, jeez, it's weird.

0:47:49.120 --> 0:47:52.160
<v Speaker 1>She's just spouting the lines and it's not to me.

0:47:52.200 --> 0:47:53.840
<v Speaker 1>It was like, oh, it's not really work. When you

0:47:53.880 --> 0:47:57.440
<v Speaker 1>watch it, she's adorable and hitting some pretty great beats.

0:47:57.800 --> 0:48:00.279
<v Speaker 1>What was the line at the end where she said

0:48:00.320 --> 0:48:04.680
<v Speaker 1>where she says, I'm I remember. I don't even remember

0:48:04.719 --> 0:48:07.160
<v Speaker 1>because I wasn't there for the pilot obviously, so I

0:48:07.239 --> 0:48:09.720
<v Speaker 1>don't remember ever hearing Lily say it, but I remember

0:48:09.800 --> 0:48:11.799
<v Speaker 1>that she one of the things she says, a line

0:48:11.840 --> 0:48:14.640
<v Speaker 1>she says during the tea party with Ben at the end.

0:48:15.080 --> 0:48:19.160
<v Speaker 1>You guys all quoted, you repeated the way she said

0:48:19.160 --> 0:48:21.880
<v Speaker 1>it all the time, and I think I wrote it,

0:48:21.960 --> 0:48:25.319
<v Speaker 1>you know which one? Oh my gosh, I'm gonna need

0:48:25.320 --> 0:48:28.160
<v Speaker 1>to find it. But it was like, I'm I'm not

0:48:28.280 --> 0:48:32.000
<v Speaker 1>telling there. She had some reading during that line. Gosh,

0:48:32.040 --> 0:48:33.600
<v Speaker 1>I wish I wrote it down, but I I hear

0:48:34.000 --> 0:48:36.640
<v Speaker 1>Ben and writer saying we used to make fun of

0:48:36.640 --> 0:48:39.719
<v Speaker 1>her voice because it was some Yeah, well, you know,

0:48:39.760 --> 0:48:42.080
<v Speaker 1>it's so funny what you like. I totally remember what

0:48:42.120 --> 0:48:44.680
<v Speaker 1>you were saying. Will about there was the same because

0:48:44.680 --> 0:48:46.959
<v Speaker 1>when you're it's hard to remember that. When you're a kid,

0:48:47.280 --> 0:48:49.080
<v Speaker 1>a lot of what you do is compare yourself to

0:48:49.120 --> 0:48:52.880
<v Speaker 1>other kids, and especially younger ones, and you're so proud

0:48:52.920 --> 0:48:55.759
<v Speaker 1>of yourself for not being that dumb younger kid. And

0:48:55.840 --> 0:48:58.799
<v Speaker 1>I remember comparing myself to Lily and thinking, well, she's

0:48:58.800 --> 0:49:02.640
<v Speaker 1>not a real actor, wish, but she's like five, she's

0:49:02.680 --> 0:49:05.239
<v Speaker 1>good and she's amazing. And I was like, but I

0:49:05.360 --> 0:49:07.279
<v Speaker 1>remember being so smug, and I think that was part

0:49:07.280 --> 0:49:10.360
<v Speaker 1>of being twelve, or I was so Ben was only twelve,

0:49:10.600 --> 0:49:12.439
<v Speaker 1>and I think it was part of our like, well,

0:49:12.520 --> 0:49:14.759
<v Speaker 1>at least we're not just like you know, because it

0:49:14.840 --> 0:49:16.640
<v Speaker 1>was hard. It's hard to get a six year old

0:49:16.640 --> 0:49:19.160
<v Speaker 1>to say lines and to stand you have anything right.

0:49:19.200 --> 0:49:20.520
<v Speaker 1>I mean, I look, I have a seven year old,

0:49:20.600 --> 0:49:23.200
<v Speaker 1>I know, and like so the idea that she was

0:49:23.239 --> 0:49:26.200
<v Speaker 1>able to deliver what she was doing is incredible. But

0:49:26.239 --> 0:49:29.040
<v Speaker 1>at the time, I was just so proud of myself

0:49:29.080 --> 0:49:31.399
<v Speaker 1>for being like, well, I know how to read and

0:49:32.000 --> 0:49:34.399
<v Speaker 1>hit my marks and I know how to really how

0:49:34.440 --> 0:49:37.200
<v Speaker 1>to read. Isn't that ridiculous, But that's what you do

0:49:37.239 --> 0:49:38.759
<v Speaker 1>when you're a kid. You're just so proud of like

0:49:39.000 --> 0:49:42.799
<v Speaker 1>ninety six year old exactly. No, she was. But that's

0:49:42.800 --> 0:49:44.359
<v Speaker 1>the thing I look back at that now. She was

0:49:44.480 --> 0:49:46.920
<v Speaker 1>exactly what she was supposed to be. She was adorable,

0:49:47.000 --> 0:49:50.040
<v Speaker 1>she was hitting the lines, and she was a great

0:49:50.080 --> 0:49:53.279
<v Speaker 1>foil to Ben. And that that the scenes where she

0:49:53.360 --> 0:49:55.239
<v Speaker 1>just all of a sudden where she will get into it,

0:49:55.280 --> 0:49:56.920
<v Speaker 1>but where she grabs the doll and throws it and

0:49:56.920 --> 0:49:59.399
<v Speaker 1>then just offers him the chair, all that stuff is great. Yeah.

0:49:59.440 --> 0:50:01.520
<v Speaker 1>I mean, I I think this is a really great

0:50:01.560 --> 0:50:04.080
<v Speaker 1>opening scene too, for Betsy and Rusty, Amy and Allen

0:50:04.520 --> 0:50:09.359
<v Speaker 1>talk about two like wonderful parent characters. Like just right

0:50:09.440 --> 0:50:12.400
<v Speaker 1>off the bat, they have a great dynamic. You feel

0:50:12.440 --> 0:50:14.200
<v Speaker 1>the love in this family. Just want to be part

0:50:14.239 --> 0:50:17.360
<v Speaker 1>of the family. Yeah, immediate. It's like it's so comforting,

0:50:17.480 --> 0:50:19.919
<v Speaker 1>it's so welcoming, and yet it still has that level

0:50:19.960 --> 0:50:22.880
<v Speaker 1>of irony, right like self awareness. That's that's like the

0:50:23.200 --> 0:50:26.080
<v Speaker 1>sort of boy meets World. Michael Jacob's magic is that,

0:50:26.480 --> 0:50:28.880
<v Speaker 1>you know, it does the predictable thing, the very sweet

0:50:28.920 --> 0:50:32.320
<v Speaker 1>loving but then everybody is just just sarcastic and ironic enough,

0:50:32.600 --> 0:50:35.200
<v Speaker 1>just like singing each other enough, you know, and like

0:50:35.520 --> 0:50:39.040
<v Speaker 1>especially Rusty as the dad is just you know when

0:50:39.080 --> 0:50:41.760
<v Speaker 1>when when you come for this big like Corey moment

0:50:41.800 --> 0:50:44.040
<v Speaker 1>where he later where he's like, Dad, I left you,

0:50:44.120 --> 0:50:46.040
<v Speaker 1>and like the way the Rusty just kind of plays

0:50:46.040 --> 0:50:49.240
<v Speaker 1>it off like I'm cool man. It's good. Yeah, it's

0:50:49.320 --> 0:50:52.520
<v Speaker 1>per they did. But it's also it's such a typical

0:50:52.560 --> 0:50:55.479
<v Speaker 1>thing in in sitcoms about kids, and it was done

0:50:55.520 --> 0:50:57.439
<v Speaker 1>here too, but it was done in a much I thought,

0:50:57.560 --> 0:50:59.360
<v Speaker 1>a better way, better written way. At the end of

0:50:59.360 --> 0:51:01.440
<v Speaker 1>the day, it just comes down to the writing. There's

0:51:01.600 --> 0:51:04.879
<v Speaker 1>there's always the sense of someday you'll you'll understand kid,

0:51:05.080 --> 0:51:07.440
<v Speaker 1>Like you get that in every show. Someday You'll understand kid.

0:51:07.520 --> 0:51:10.560
<v Speaker 1>But it didn't come off like that with this episode.

0:51:10.640 --> 0:51:14.000
<v Speaker 1>It wasn't it was like, it wasn't other people telling

0:51:14.040 --> 0:51:18.600
<v Speaker 1>I mean, even though it was it was Corey. It's personalized,

0:51:18.760 --> 0:51:20.839
<v Speaker 1>like it becomes this journey with me and that's like,

0:51:20.880 --> 0:51:22.759
<v Speaker 1>we'll get into it. But when you see Phoeny get

0:51:22.880 --> 0:51:26.839
<v Speaker 1>ditched on his dinner, it's like, oh, he's humanized and

0:51:26.880 --> 0:51:28.960
<v Speaker 1>he you know, he's no and and for Corey to

0:51:29.000 --> 0:51:32.160
<v Speaker 1>have it's it's exactly played out so that like you'll

0:51:32.160 --> 0:51:34.880
<v Speaker 1>know when you're older, is played out in story and right,

0:51:34.960 --> 0:51:36.600
<v Speaker 1>that's what I mean. So it's not that kind of

0:51:36.600 --> 0:51:38.799
<v Speaker 1>sitting them down. You'll figure this out when you're Can

0:51:38.840 --> 0:51:41.319
<v Speaker 1>we eventually talk about Phoene just making a salad. We'll

0:51:41.320 --> 0:51:44.160
<v Speaker 1>get to that, okay. Um. So in this scene though,

0:51:44.200 --> 0:51:46.480
<v Speaker 1>this is this is the scene where we find out

0:51:46.560 --> 0:51:49.960
<v Speaker 1>that the family already knows that Corey has detention, and

0:51:50.000 --> 0:51:52.080
<v Speaker 1>he's like, how do you possibly already know that? And

0:51:52.120 --> 0:51:55.600
<v Speaker 1>now we find out as the audience, Oh, he stuck

0:51:55.640 --> 0:51:58.400
<v Speaker 1>his head over the side of the fence and told

0:51:58.440 --> 0:52:00.520
<v Speaker 1>me and you learn as the audience. And by the way,

0:52:00.560 --> 0:52:02.160
<v Speaker 1>that's all they say. It's not made a big deal

0:52:02.200 --> 0:52:05.680
<v Speaker 1>about like drafts. The teacher lives next door. It's just

0:52:05.760 --> 0:52:09.200
<v Speaker 1>that's it. The audience learns, Oh, Phoeney stuck his head

0:52:09.239 --> 0:52:11.719
<v Speaker 1>over the fence. He lives next door, so that the

0:52:11.800 --> 0:52:14.000
<v Speaker 1>side of us on the side fence. That's what we

0:52:14.080 --> 0:52:17.560
<v Speaker 1>learned right from there, which is pretty amazing. Their backyards

0:52:18.360 --> 0:52:22.880
<v Speaker 1>to each other. Who ms directly opposite the front door.

0:52:23.080 --> 0:52:25.520
<v Speaker 1>You go into the front door on the left side,

0:52:26.000 --> 0:52:28.920
<v Speaker 1>through to the kitchen and go into the backyard. Then

0:52:28.960 --> 0:52:32.279
<v Speaker 1>they're not neighbors. He lives, he lives behind them. It's

0:52:32.280 --> 0:52:35.120
<v Speaker 1>still a neighbor, my friend. I guess, alright, you get

0:52:35.120 --> 0:52:46.959
<v Speaker 1>the same four we have. So then we go back

0:52:47.000 --> 0:52:50.359
<v Speaker 1>to school. We learned about detention. We go back to school. Now,

0:52:50.480 --> 0:52:53.400
<v Speaker 1>this scene I thought was a little was really interesting,

0:52:53.440 --> 0:52:56.080
<v Speaker 1>so I thought it was going to again watching it

0:52:56.120 --> 0:52:59.919
<v Speaker 1>for the first time in twenty nine years, maybe maybe

0:53:00.000 --> 0:53:01.719
<v Speaker 1>the first time ever. I don't have a memory of it.

0:53:02.560 --> 0:53:08.040
<v Speaker 1>I thought. When Corey says to Sean, hey, should we

0:53:08.120 --> 0:53:12.239
<v Speaker 1>go to the game on Friday? Let's go, And Sean says, well,

0:53:12.239 --> 0:53:14.799
<v Speaker 1>what about detention and he's like, don't worry about that.

0:53:14.920 --> 0:53:16.680
<v Speaker 1>In my head, I thought, oh, now the rest of

0:53:16.719 --> 0:53:19.040
<v Speaker 1>the episode is going to be he ditches detention. They

0:53:19.080 --> 0:53:22.760
<v Speaker 1>come up with a scheme to go get tickets. No,

0:53:22.760 --> 0:53:29.440
<v Speaker 1>none of that. And uh. Also the first first forgotten

0:53:29.880 --> 0:53:34.160
<v Speaker 1>sibling is reference I talk, I make a joke about core.

0:53:34.400 --> 0:53:38.600
<v Speaker 1>Uh Chauncey's character being an only child. Yeah, like he's

0:53:38.680 --> 0:53:41.319
<v Speaker 1>lucky to be an only child because he has bought

0:53:41.440 --> 0:53:43.279
<v Speaker 1>a hot launcher. I don't know what or he brings it.

0:53:43.360 --> 0:53:46.000
<v Speaker 1>I don't know, but I but I was immediately Wait,

0:53:46.120 --> 0:53:48.920
<v Speaker 1>so Sean was already established as not an only child,

0:53:48.960 --> 0:53:52.520
<v Speaker 1>which then gets completely forgotten as the seasons go on. Right, yeah,

0:53:52.560 --> 0:53:54.520
<v Speaker 1>so you you didn't like your lunch because you must

0:53:54.560 --> 0:53:57.480
<v Speaker 1>have been I'm assuming the second child. So second child

0:53:57.520 --> 0:53:59.920
<v Speaker 1>problems you get forgotten because there are too many other

0:54:00.000 --> 0:54:02.000
<v Speaker 1>things to think about. And Chauncey has a delicious lunch

0:54:02.040 --> 0:54:06.040
<v Speaker 1>because he's an only child. Um, but yeah, just the

0:54:06.040 --> 0:54:08.239
<v Speaker 1>opposite of girl, I'm sorry, I always wanted to buy

0:54:08.239 --> 0:54:10.960
<v Speaker 1>my lunch, Like if somebody made you lunch that like,

0:54:11.000 --> 0:54:12.680
<v Speaker 1>you wanted to buy lunch a school, didn't you. It's

0:54:12.680 --> 0:54:14.920
<v Speaker 1>a whole different thing. I'm just I'm just that's it

0:54:14.960 --> 0:54:16.200
<v Speaker 1>was a weird joke to me because I was like,

0:54:16.200 --> 0:54:18.239
<v Speaker 1>I would rather have bought lunch at school than have

0:54:18.320 --> 0:54:21.560
<v Speaker 1>the sandwich that I felt like. I thought, Yeah, but

0:54:21.600 --> 0:54:24.239
<v Speaker 1>I don't know, I think that's a class distinction that's

0:54:24.280 --> 0:54:27.759
<v Speaker 1>different in cities than suburbs. Maybe, I guess may think

0:54:27.800 --> 0:54:30.000
<v Speaker 1>if yeah, I think if you're in the city, your

0:54:30.080 --> 0:54:32.160
<v Speaker 1>your parents just pay the cheap launch or you get

0:54:32.160 --> 0:54:34.920
<v Speaker 1>the free lunch, and then if you have really loving parents,

0:54:34.920 --> 0:54:39.600
<v Speaker 1>they like make your lunch. But it's like which you are,

0:54:39.680 --> 0:54:43.040
<v Speaker 1>like vegetarian crappy was like such a source of ship.

0:54:43.680 --> 0:54:46.439
<v Speaker 1>Oh man, I would always get the hot pizza lunch

0:54:46.480 --> 0:54:56.799
<v Speaker 1>at the exactly anyway something shiny um. Yeah, So that

0:54:56.800 --> 0:54:59.799
<v Speaker 1>that whole. But Danielle talked about this at the very

0:54:59.840 --> 0:55:03.000
<v Speaker 1>big getting about continuity for our show, and it was

0:55:03.120 --> 0:55:06.200
<v Speaker 1>just all over the place all the time of who

0:55:06.239 --> 0:55:08.560
<v Speaker 1>had siblings, who didn't have siblings, where did you live,

0:55:08.560 --> 0:55:10.960
<v Speaker 1>who did you live with all this stuff. Writer had

0:55:11.000 --> 0:55:13.279
<v Speaker 1>a very good point, to Michael's credit, you don't really

0:55:13.320 --> 0:55:17.280
<v Speaker 1>want to get attached to anything. And if in sitcom land,

0:55:17.400 --> 0:55:20.760
<v Speaker 1>if something is funny, that is king whatever is funny,

0:55:20.840 --> 0:55:23.480
<v Speaker 1>and so if it made sense to have a joke

0:55:23.840 --> 0:55:27.600
<v Speaker 1>that Writer is not as well taken care of because

0:55:27.640 --> 0:55:31.239
<v Speaker 1>he's got siblings, make that joke, and five episodes from now,

0:55:31.280 --> 0:55:32.840
<v Speaker 1>we want to say that Writer is an only child,

0:55:32.880 --> 0:55:36.239
<v Speaker 1>will do that too. That's I mean, that's the evolution

0:55:36.280 --> 0:55:39.040
<v Speaker 1>of Sean too, because like, you know, I took over

0:55:39.239 --> 0:55:41.960
<v Speaker 1>for some other actor and they gave me a sister

0:55:42.080 --> 0:55:44.560
<v Speaker 1>for that episode. Then they forgot about it, and then

0:55:44.600 --> 0:55:46.799
<v Speaker 1>it was really just like one trailer park joke that

0:55:46.880 --> 0:55:48.840
<v Speaker 1>established that Sean lived at a trailer park. And I

0:55:48.880 --> 0:55:50.560
<v Speaker 1>will find it. I can't wait to see it because

0:55:50.600 --> 0:55:52.560
<v Speaker 1>I remember it was just like an offline It was

0:55:52.640 --> 0:55:55.480
<v Speaker 1>just an offhand, like one line joke that then became

0:55:55.560 --> 0:55:59.400
<v Speaker 1>this like recurring joke that then became the drama. The

0:55:59.440 --> 0:56:01.840
<v Speaker 1>central draw of Shawn's life is that he's so poor

0:56:01.960 --> 0:56:04.160
<v Speaker 1>and that his parents have abandoned him at different times,

0:56:04.160 --> 0:56:06.600
<v Speaker 1>and that he you know, complicated, and that we ended

0:56:06.640 --> 0:56:10.600
<v Speaker 1>up developing this entire history out of what really started

0:56:10.640 --> 0:56:13.239
<v Speaker 1>as they make fun of the poor kid joke at

0:56:13.280 --> 0:56:15.640
<v Speaker 1>some point, you know, And I can't wait to see it.

0:56:15.960 --> 0:56:18.799
<v Speaker 1>All right, let's go to the treehouse. Yes, I don't

0:56:18.800 --> 0:56:20.719
<v Speaker 1>think I ever. That's the one thing that went through

0:56:20.760 --> 0:56:22.319
<v Speaker 1>my head is I don't think I ever got to

0:56:22.360 --> 0:56:24.719
<v Speaker 1>do a single scene in that treehouse. No, I don't.

0:56:24.760 --> 0:56:27.040
<v Speaker 1>I don't think I did really either. It wasn't very big,

0:56:27.280 --> 0:56:29.440
<v Speaker 1>but by the way, we don't use tree houses enough

0:56:29.480 --> 0:56:32.720
<v Speaker 1>on shows. It was beautiful, so cool, really cool, really

0:56:33.080 --> 0:56:36.120
<v Speaker 1>really cool, really different for a set, Like I thought

0:56:36.160 --> 0:56:38.640
<v Speaker 1>it looked great. I just was like, why don't Why

0:56:38.760 --> 0:56:41.600
<v Speaker 1>is there not another one of these? So I watched

0:56:41.760 --> 0:56:45.440
<v Speaker 1>this episode with my son, Um, and uh, maybe now

0:56:45.560 --> 0:56:47.799
<v Speaker 1>is a good time. I recorded a conversation with him

0:56:47.800 --> 0:56:49.480
<v Speaker 1>before and after, and the reason I bring it up

0:56:49.520 --> 0:56:52.120
<v Speaker 1>is because I think I didn't get this on tape

0:56:52.160 --> 0:56:57.000
<v Speaker 1>when we were we talked on with my microphone. But uh,

0:56:57.080 --> 0:56:59.120
<v Speaker 1>he was blown away by the idea that everything was

0:56:59.160 --> 0:57:02.000
<v Speaker 1>shot inside. When I told him that, like, even when

0:57:02.000 --> 0:57:05.360
<v Speaker 1>we're in the treehouse that's on a stage, we are inside,

0:57:05.360 --> 0:57:07.200
<v Speaker 1>and he could not get over that. That was like

0:57:07.280 --> 0:57:09.640
<v Speaker 1>the most shocking thing that ever happened. It was like, wait,

0:57:09.680 --> 0:57:11.480
<v Speaker 1>so you never went I was like, no, dude, that's

0:57:11.520 --> 0:57:13.920
<v Speaker 1>the way he should film a TV show. It's everything inside.

0:57:14.080 --> 0:57:16.960
<v Speaker 1>And this scene was especially confounding because you're outside in

0:57:16.960 --> 0:57:20.320
<v Speaker 1>the treehouse. And I guess, like, maybe we assume everybody

0:57:20.360 --> 0:57:23.000
<v Speaker 1>knows that, but probably not, especially not kids. Right when

0:57:23.000 --> 0:57:24.840
<v Speaker 1>they watch a show, they believe in the reality of

0:57:25.000 --> 0:57:29.320
<v Speaker 1>its outdoors. Um. But yeah, she has never seen an

0:57:29.360 --> 0:57:31.680
<v Speaker 1>episode of Boy Meats World, right, Not completely true. He

0:57:31.680 --> 0:57:34.680
<v Speaker 1>had watched one episode after we had done a taping.

0:57:34.920 --> 0:57:38.960
<v Speaker 1>We did one of these charity rewatches last year, and

0:57:39.040 --> 0:57:41.240
<v Speaker 1>so it was cute up on Disney Plus. So the

0:57:41.280 --> 0:57:43.560
<v Speaker 1>next time he turned on Disney Plus there was an episode.

0:57:43.560 --> 0:57:45.480
<v Speaker 1>He was like, let's watch your show, and we did,

0:57:45.520 --> 0:57:49.080
<v Speaker 1>and it's from like fifth season. I had no recollection

0:57:49.080 --> 0:57:50.480
<v Speaker 1>of it. He thought it was so weird and he

0:57:50.520 --> 0:57:53.000
<v Speaker 1>never wanted to do it again. But now he's been

0:57:53.000 --> 0:57:57.200
<v Speaker 1>watching sitcoms, he's been watching multi camera shows, and I

0:57:57.280 --> 0:57:59.520
<v Speaker 1>realized it's kind of appropriate for him to watch it,

0:57:59.600 --> 0:58:02.560
<v Speaker 1>and so I sat down with Indie. I asked him

0:58:02.560 --> 0:58:05.320
<v Speaker 1>a little bit before we started, and then we talked

0:58:05.320 --> 0:58:08.400
<v Speaker 1>a little after. Um, and so I put it together

0:58:08.400 --> 0:58:11.000
<v Speaker 1>a couple of minutes. Um, and this is a clip

0:58:11.040 --> 0:58:15.400
<v Speaker 1>I am calling too much shirts great, what do you

0:58:15.440 --> 0:58:19.400
<v Speaker 1>think the show is about? A dude? What are your

0:58:19.440 --> 0:58:23.000
<v Speaker 1>favorite TV shows right now? I don't already have like

0:58:23.080 --> 0:58:27.440
<v Speaker 1>a favorite right now? Nicky Ricky, Dicky and Tricky and

0:58:27.720 --> 0:58:33.280
<v Speaker 1>Dawn the Heat Nicky Ricky, Ticky and Dawn, And I've

0:58:33.320 --> 0:58:36.680
<v Speaker 1>already finished. What about thunder Man's? Did you finish the

0:58:36.680 --> 0:58:42.440
<v Speaker 1>thunder Man's? Yes? So I mostly watch Terry Kids A

0:58:42.440 --> 0:58:45.560
<v Speaker 1>big hit. Well, I think maybe that's a good indication

0:58:45.600 --> 0:58:47.640
<v Speaker 1>that you'll like this show. But I haven't seen it

0:58:47.680 --> 0:58:50.880
<v Speaker 1>for thirty years, so I don't know how I'm going

0:58:50.920 --> 0:58:52.439
<v Speaker 1>to feel about it. What do you think I'm gonna

0:58:52.480 --> 0:58:57.840
<v Speaker 1>look like? He is? So? Thanks man? No, yeah, I

0:58:57.840 --> 0:58:59.400
<v Speaker 1>don't think I had freckles by that time. I had

0:58:59.400 --> 0:59:01.200
<v Speaker 1>freckles when I was your age, but they were gone

0:59:01.200 --> 0:59:05.280
<v Speaker 1>by the time I started the show and was shiny makeup?

0:59:06.120 --> 0:59:09.920
<v Speaker 1>Were you and maup? Get back to you and let's

0:59:09.920 --> 0:59:20.880
<v Speaker 1>watch it. Any initial thoughts into it? Was good? You

0:59:20.920 --> 0:59:24.720
<v Speaker 1>didn't laugh? I never do that to any of them.

0:59:24.840 --> 0:59:28.480
<v Speaker 1>What was good about it? I don't know. I did

0:59:28.560 --> 0:59:32.040
<v Speaker 1>thank you with it? Oh? Yeah, sorry? Was your favorite part? Yes,

0:59:32.280 --> 0:59:34.320
<v Speaker 1>I have a small part, though I didn't really do much.

0:59:35.160 --> 0:59:38.120
<v Speaker 1>He did it a lot. What did they do? He did?

0:59:38.120 --> 0:59:41.400
<v Speaker 1>Said high? And you had the same spot every time

0:59:41.440 --> 0:59:45.439
<v Speaker 1>you talked in the cafeteria. We never liked got up. Well,

0:59:45.440 --> 0:59:47.360
<v Speaker 1>I was in the classroom to Yeah, but you will

0:59:47.480 --> 0:59:51.160
<v Speaker 1>always sitting whenever you talked to you was sitting, That's true.

0:59:51.200 --> 0:59:53.360
<v Speaker 1>I don't think I stand in the entire pilot. I

0:59:53.440 --> 0:59:56.200
<v Speaker 1>thought I sounded weird. My voice sounded like shaky to me.

0:59:56.840 --> 0:59:59.240
<v Speaker 1>I like, all right, what did you think of a

0:59:59.320 --> 1:00:04.840
<v Speaker 1>storyline with Corey? He's the main kid? He was all

1:00:04.880 --> 1:00:09.440
<v Speaker 1>about him? What are you talking about? You saw me?

1:00:09.520 --> 1:00:14.640
<v Speaker 1>I'm just sitting there only about you know. Come on?

1:00:14.680 --> 1:00:16.560
<v Speaker 1>What about the teacher? What do you think of him?

1:00:16.680 --> 1:00:21.240
<v Speaker 1>He was weird? Why because he musta Do you think

1:00:21.240 --> 1:00:25.840
<v Speaker 1>he's a good teacher? Why not? He's mean? Oh he

1:00:25.840 --> 1:00:29.720
<v Speaker 1>thought he was mean? Huh Yeah? Well what about the parents?

1:00:29.760 --> 1:00:32.640
<v Speaker 1>Did you think they were good parents? Yeah? But you did? Dad?

1:00:32.720 --> 1:00:42.360
<v Speaker 1>You're cheesy? Cheesy? What way you just think? What about Will?

1:00:42.440 --> 1:00:44.240
<v Speaker 1>What about Will? Is the older brother? Was how is

1:00:44.280 --> 1:00:47.880
<v Speaker 1>he me? He thought he was mean to? Did it

1:00:47.880 --> 1:00:51.400
<v Speaker 1>look like Will looks now? No? Yeah, it doesn't look

1:00:51.400 --> 1:00:54.280
<v Speaker 1>anything like him. All right? What did you think of

1:00:54.280 --> 1:00:59.600
<v Speaker 1>our clothes and stuff? Do you watch shirts? Shirts? Yeah?

1:01:00.080 --> 1:01:05.520
<v Speaker 1>They were really big, weren't they. Does it seem like

1:01:05.600 --> 1:01:11.040
<v Speaker 1>old fashioned? Yeah? Really? Did it feel like like that's

1:01:11.080 --> 1:01:15.959
<v Speaker 1>what it's like to be a kid these days? Too cool? Well,

1:01:16.000 --> 1:01:20.000
<v Speaker 1>do you do you think you'd want to watch anymore? Sure? Yeah,

1:01:20.040 --> 1:01:21.480
<v Speaker 1>And I have to say he has been begging to

1:01:21.520 --> 1:01:26.000
<v Speaker 1>watch it every Phoenies mean interesting that you picked up

1:01:26.040 --> 1:01:28.520
<v Speaker 1>the Phoenies mean kind of he did, because Phoenie is.

1:01:29.320 --> 1:01:31.400
<v Speaker 1>I was amazed at how strict he is and how

1:01:31.520 --> 1:01:34.400
<v Speaker 1>like authoritarian and but yeah, it was so funny to

1:01:34.480 --> 1:01:37.200
<v Speaker 1>realize that that my son was really seen it through

1:01:37.240 --> 1:01:41.200
<v Speaker 1>Corey's eyes. And actually the fact that he didn't even recognize,

1:01:41.360 --> 1:01:44.000
<v Speaker 1>like he didn't even know Corey's name, I think as

1:01:44.040 --> 1:01:46.200
<v Speaker 1>an indicator that he just saw Ben as a sort

1:01:46.200 --> 1:01:48.200
<v Speaker 1>of avatar, do you know what I mean? He put

1:01:48.280 --> 1:01:50.720
<v Speaker 1>himself in Ben's shoes, like he he thought the brother

1:01:50.840 --> 1:01:54.040
<v Speaker 1>was mean, the teacher was mean, because that's how Corey

1:01:54.080 --> 1:01:56.360
<v Speaker 1>sees the world, right, like that's how it starts. And

1:01:56.360 --> 1:01:59.120
<v Speaker 1>he didn't you know, he's seven, so he's still kind

1:01:59.120 --> 1:02:01.360
<v Speaker 1>of in the zone where I think if he's introduced

1:02:01.360 --> 1:02:04.280
<v Speaker 1>to a character and they're like Mr Masters, get off

1:02:04.280 --> 1:02:07.000
<v Speaker 1>of my face, which is like what Phoene says to him,

1:02:07.120 --> 1:02:08.640
<v Speaker 1>He's like, he's not gonna get come back from that

1:02:08.760 --> 1:02:11.600
<v Speaker 1>very easily. Now I have a question, was he right?

1:02:11.760 --> 1:02:14.760
<v Speaker 1>Did you not stand throughout the entire episode? I think so. Yeah.

1:02:14.760 --> 1:02:16.320
<v Speaker 1>After he said that, I was like, I don't. I'm

1:02:16.360 --> 1:02:18.240
<v Speaker 1>only sitting in the cafeteria and sit in the classroom.

1:02:18.320 --> 1:02:20.600
<v Speaker 1>So yeah, And I think it's like that for the

1:02:20.640 --> 1:02:24.600
<v Speaker 1>first season until until the Coreys altern of the Friends episodes,

1:02:24.640 --> 1:02:26.880
<v Speaker 1>I'm always just like, you know, I mean, in a

1:02:26.880 --> 1:02:28.800
<v Speaker 1>weird way. I was sort of like this, what are

1:02:28.800 --> 1:02:35.040
<v Speaker 1>the characters in the Muppets whether on the box watching? Yeah,

1:02:35.040 --> 1:02:36.680
<v Speaker 1>I was kind of like that, right, Like I was

1:02:36.720 --> 1:02:39.240
<v Speaker 1>just Coreries like sidekick in the cafeteria while we eat,

1:02:39.240 --> 1:02:41.400
<v Speaker 1>because I just remember always having to eat and act

1:02:41.680 --> 1:02:45.000
<v Speaker 1>the worst. You're good at it, though you are a

1:02:45.080 --> 1:02:48.720
<v Speaker 1>great eat too much. I actually ate if you watch

1:02:48.800 --> 1:02:50.920
<v Speaker 1>Bill Daniels, he's just like push his stuff around on

1:02:50.920 --> 1:02:53.400
<v Speaker 1>his plate. That that's an actor thing. That's an active thing.

1:02:53.440 --> 1:02:55.920
<v Speaker 1>You see that in every show. I literally watched it

1:02:56.080 --> 1:02:59.360
<v Speaker 1>last night in mash where all the characters are pushing

1:02:59.400 --> 1:03:01.720
<v Speaker 1>around the That is like a big actor thing. You

1:03:01.800 --> 1:03:03.880
<v Speaker 1>just use you move your fork, but you don't actually

1:03:03.920 --> 1:03:08.520
<v Speaker 1>eat smart and you're just chowing down. Michael rationalized that

1:03:08.600 --> 1:03:10.560
<v Speaker 1>once why you were doing that is because you were

1:03:10.600 --> 1:03:12.240
<v Speaker 1>poor and it's the only place you got food. And

1:03:12.240 --> 1:03:14.160
<v Speaker 1>You're like, it sounds like a rationalization. He's like, yeah,

1:03:14.200 --> 1:03:17.360
<v Speaker 1>I just made that up. Yeah, I I find a

1:03:17.360 --> 1:03:19.400
<v Speaker 1>moment where I don't have to speak for a while

1:03:19.480 --> 1:03:21.960
<v Speaker 1>and then take a bite there so that in the

1:03:22.000 --> 1:03:24.480
<v Speaker 1>background somewhere people see that I am eating. It makes

1:03:24.480 --> 1:03:25.920
<v Speaker 1>you think that I must be eating the rest of

1:03:25.960 --> 1:03:27.640
<v Speaker 1>the time. But then that's the only time I really neat.

1:03:28.440 --> 1:03:30.560
<v Speaker 1>But I'm not in the pilot, so what do I know.

1:03:31.880 --> 1:03:34.000
<v Speaker 1>It depended. It depended on the episode and how fat

1:03:34.040 --> 1:03:35.880
<v Speaker 1>I was towards the end, where I was very, very fat.

1:03:35.920 --> 1:03:37.680
<v Speaker 1>I'd eat whatever they put in front of me. But

1:03:38.880 --> 1:03:43.560
<v Speaker 1>so Phoene serves himself a salad which for two people,

1:03:43.720 --> 1:03:45.840
<v Speaker 1>A salad for two which is what he made. By

1:03:45.960 --> 1:03:49.480
<v Speaker 1>the way, it was the starter. I think he had

1:03:49.520 --> 1:03:58.320
<v Speaker 1>a multiple course meal. Yeah, by the greens. There was

1:03:58.360 --> 1:04:00.440
<v Speaker 1>nothing else in the salad. He didn't even slice a tomato.

1:04:00.560 --> 1:04:04.680
<v Speaker 1>The man for I mean, it was like, help us.

1:04:04.800 --> 1:04:07.040
<v Speaker 1>I'm pretty sure it was supposed to imply that he

1:04:07.160 --> 1:04:10.920
<v Speaker 1>had a full meal, and it was. It was the starter.

1:04:11.280 --> 1:04:14.320
<v Speaker 1>Now I have a question, have we has has. I

1:04:14.360 --> 1:04:16.200
<v Speaker 1>know it was obviously the pilot, so it's the first time.

1:04:16.240 --> 1:04:21.720
<v Speaker 1>But was that angle into Phoene's house ever used again? No, never,

1:04:22.080 --> 1:04:25.040
<v Speaker 1>We never saw that again, kind of peeking into Phoenie's home. No,

1:04:25.200 --> 1:04:27.520
<v Speaker 1>there's a scene later where I think Ben and him

1:04:27.560 --> 1:04:30.280
<v Speaker 1>sit outside of Phoenie's home and have tea together or

1:04:30.440 --> 1:04:33.880
<v Speaker 1>talk coming up. And but those were even very few

1:04:33.880 --> 1:04:36.480
<v Speaker 1>and far between. You went in the house once when

1:04:36.480 --> 1:04:38.640
<v Speaker 1>it became the with the de lou to see how

1:04:38.680 --> 1:04:40.000
<v Speaker 1>lickt it is. I mean, you guys are in the

1:04:40.000 --> 1:04:45.200
<v Speaker 1>house once. That's the one time we got to see

1:04:45.240 --> 1:04:47.880
<v Speaker 1>inside Phoenie's houses when Corey and I turned his house

1:04:47.880 --> 1:04:49.240
<v Speaker 1>into a B and B, and I remember it was

1:04:49.360 --> 1:04:51.840
<v Speaker 1>really excited to finally be and it suddenly had two stories,

1:04:51.880 --> 1:04:54.760
<v Speaker 1>which doesn't I don't think makes sense based on the outside.

1:04:54.760 --> 1:04:57.080
<v Speaker 1>But yes, but that is that's the only time we

1:04:57.120 --> 1:05:01.400
<v Speaker 1>actually saw that from into the you know, into Phoene's

1:05:01.400 --> 1:05:03.080
<v Speaker 1>home was just that time of the pilot. Okay, I

1:05:03.080 --> 1:05:05.000
<v Speaker 1>was curious about Yeah, I don't think we'd ever seen

1:05:05.040 --> 1:05:06.720
<v Speaker 1>that again. And I thought that looked really great too.

1:05:06.840 --> 1:05:09.800
<v Speaker 1>We have another uh he Corey makes a comment in

1:05:09.840 --> 1:05:13.640
<v Speaker 1>this treehouse scene about America's Funniest Home Teacher, and I

1:05:13.720 --> 1:05:15.640
<v Speaker 1>was like, wow, in the scene in this episode we

1:05:15.680 --> 1:05:19.840
<v Speaker 1>have a full house reference and an America's Funniest Home video. Yeah, yeah,

1:05:20.000 --> 1:05:21.280
<v Speaker 1>he didn't The only thing he didn't do is turn

1:05:21.320 --> 1:05:23.280
<v Speaker 1>to the camera and go watch us on ABC Friday

1:05:23.360 --> 1:05:25.400
<v Speaker 1>at eight. I mean it was like they did. They

1:05:25.400 --> 1:05:26.840
<v Speaker 1>threw it in where they could. Well, if you keep

1:05:26.880 --> 1:05:28.880
<v Speaker 1>it in the family, that makes sense. So this is

1:05:28.920 --> 1:05:31.200
<v Speaker 1>the scene where we all of a sudden our heart

1:05:31.240 --> 1:05:33.800
<v Speaker 1>strings pull for Phoenie and we realized that he has

1:05:33.840 --> 1:05:36.920
<v Speaker 1>been stood up and that he is a little heartbroken

1:05:36.960 --> 1:05:41.320
<v Speaker 1>about it. And now we've humanized this very stern teacher.

1:05:42.000 --> 1:05:45.400
<v Speaker 1>Um and yeah. Then the next scene we're in with

1:05:45.560 --> 1:05:49.160
<v Speaker 1>UH with Betsy and and well I guess Amy and

1:05:49.240 --> 1:05:52.680
<v Speaker 1>Corey Uh in the bedroom and this is where she

1:05:52.960 --> 1:05:57.760
<v Speaker 1>tells him that they're bringing in a renter too little scene,

1:05:58.680 --> 1:06:01.880
<v Speaker 1>So you guys will did you notice the thing? What's

1:06:01.920 --> 1:06:04.080
<v Speaker 1>the what's the switching of the beds? No? No, no,

1:06:04.920 --> 1:06:09.480
<v Speaker 1>But Ben used to always say, we never wrote not

1:06:09.520 --> 1:06:12.320
<v Speaker 1>only that, but it's also the duck hunt gun has

1:06:12.440 --> 1:06:14.520
<v Speaker 1>no chord in one scene, and then the next scene

1:06:14.520 --> 1:06:17.240
<v Speaker 1>has a chord and it is plugged in. So Ben,

1:06:17.280 --> 1:06:20.120
<v Speaker 1>could I say, how come come? So whenever they wrote

1:06:20.160 --> 1:06:23.720
<v Speaker 1>the line how come the first season, he goes and

1:06:25.040 --> 1:06:27.320
<v Speaker 1>we used to tease him so much like comb you

1:06:27.360 --> 1:06:31.640
<v Speaker 1>say it like that best second used to always bug

1:06:32.440 --> 1:06:35.880
<v Speaker 1>literally wrote that down. And that's why the second I

1:06:35.920 --> 1:06:38.000
<v Speaker 1>heard it, it was like all the memories came flashy

1:06:38.040 --> 1:06:41.400
<v Speaker 1>back of you just being like, then, who come you see?

1:06:41.680 --> 1:06:45.920
<v Speaker 1>H oh my god, yeah that was that, and the

1:06:46.040 --> 1:06:48.640
<v Speaker 1>and the belt pulling which must have come later. He

1:06:48.680 --> 1:06:50.600
<v Speaker 1>did this like kind of always grabbing at his belt

1:06:50.640 --> 1:06:53.480
<v Speaker 1>to pull up his pants. That plus hokem ye, oh

1:06:53.520 --> 1:06:56.840
<v Speaker 1>my god, oh my gosh, he'll keep it. We'll keep

1:06:56.840 --> 1:06:59.400
<v Speaker 1>a hol comb tally going on the first season, I

1:06:59.440 --> 1:07:01.360
<v Speaker 1>didn't know to sit and now now I'm going to

1:07:01.400 --> 1:07:05.040
<v Speaker 1>pay attention to it. Uh So we learned that, you know,

1:07:05.120 --> 1:07:07.960
<v Speaker 1>Corey once abandoned his dad as he got a little older,

1:07:08.160 --> 1:07:13.480
<v Speaker 1>and get adding in another layer makes Corey think. And

1:07:13.480 --> 1:07:15.080
<v Speaker 1>then we get into the next scene, which is the

1:07:15.120 --> 1:07:18.120
<v Speaker 1>detention scene, which to me is just of every scene

1:07:18.160 --> 1:07:23.040
<v Speaker 1>in this show was such a standout because of Bill Daniels.

1:07:23.120 --> 1:07:30.520
<v Speaker 1>I I what and what luck that we had Bill Daniels. Seriously,

1:07:30.600 --> 1:07:32.560
<v Speaker 1>I mean not only that, because we also know that

1:07:32.600 --> 1:07:34.520
<v Speaker 1>there was for a while we weren't going to have

1:07:34.600 --> 1:07:36.400
<v Speaker 1>him and he was going to leave. And the fact

1:07:36.400 --> 1:07:39.280
<v Speaker 1>that leave that for Bill to tell us. To hear

1:07:39.320 --> 1:07:41.840
<v Speaker 1>that from Bill, I wanted for that story. But he

1:07:42.000 --> 1:07:45.360
<v Speaker 1>is so compelling. Now, did anyone else have a problem?

1:07:45.360 --> 1:07:47.200
<v Speaker 1>And I get why they did it. I totally get

1:07:47.200 --> 1:07:49.200
<v Speaker 1>why they did it, and it was necessary to do it.

1:07:49.240 --> 1:07:51.080
<v Speaker 1>But the fact that he's such a stern teacher and

1:07:51.160 --> 1:07:55.840
<v Speaker 1>there's nobody else in detention. Again, I got why they

1:07:55.840 --> 1:07:58.400
<v Speaker 1>did it. They wanted the scene just between Feenie and Corey.

1:07:58.440 --> 1:08:00.200
<v Speaker 1>I totally understand that that's what it needed to be,

1:08:00.640 --> 1:08:02.320
<v Speaker 1>but I found it it's to me, it was like,

1:08:02.400 --> 1:08:05.720
<v Speaker 1>there's no the entire school, there's nobody else in detention

1:08:05.800 --> 1:08:08.120
<v Speaker 1>but Corey. Oh, you know, it's funny. I didn't think

1:08:08.120 --> 1:08:10.280
<v Speaker 1>about it as being that this is the detention for

1:08:10.320 --> 1:08:13.760
<v Speaker 1>the entire school. It was just his class, just for

1:08:13.760 --> 1:08:17.840
<v Speaker 1>Phoene's class, and that there were other teachers running other

1:08:17.920 --> 1:08:20.599
<v Speaker 1>detentions in the school. That's what I didn't think about

1:08:20.600 --> 1:08:23.479
<v Speaker 1>it as such a spectacular scene. It's amazing. You know,

1:08:23.560 --> 1:08:25.840
<v Speaker 1>the real risk of this scene is that there's not

1:08:25.880 --> 1:08:28.920
<v Speaker 1>a laugh for you know, five minutes straight and and

1:08:28.960 --> 1:08:31.639
<v Speaker 1>that you know you're going to dip into sentimentality, which

1:08:31.680 --> 1:08:34.600
<v Speaker 1>I think Boy Meat's World did very often. But I

1:08:34.640 --> 1:08:39.040
<v Speaker 1>couldn't believe how how serious it was and how willing

1:08:39.240 --> 1:08:42.479
<v Speaker 1>it was to become a drama show essentially for an

1:08:42.479 --> 1:08:47.320
<v Speaker 1>extended scene between two characters and man like that. Like

1:08:47.320 --> 1:08:49.040
<v Speaker 1>like I said, when we started, I could not believe

1:08:49.080 --> 1:08:51.160
<v Speaker 1>how much of boy Meat's World is already encoded in

1:08:51.160 --> 1:08:53.080
<v Speaker 1>this episode. And I think it's because of this scene.

1:08:53.280 --> 1:08:55.000
<v Speaker 1>I mean, they must have just knew they had nailed

1:08:55.000 --> 1:08:57.080
<v Speaker 1>it when they shot the scene and you could see

1:08:57.080 --> 1:08:59.240
<v Speaker 1>it and be like, oh, this is I want to

1:08:59.439 --> 1:09:02.160
<v Speaker 1>endlessly watch these people change each other. You know, we

1:09:02.280 --> 1:09:04.720
<v Speaker 1>Bill doesn't speak at the beginning. That's the amazing part

1:09:04.720 --> 1:09:07.080
<v Speaker 1>about it is Bill doesn't speak. You know that Ben

1:09:07.160 --> 1:09:10.360
<v Speaker 1>is doing his kind of stick and and Bill is

1:09:10.400 --> 1:09:13.000
<v Speaker 1>doing everything while staring down at the page, and it

1:09:13.280 --> 1:09:17.000
<v Speaker 1>still works. It's the bench stick is actually one of

1:09:17.040 --> 1:09:20.120
<v Speaker 1>my favorite parts because, as Ryder mentioned at the very

1:09:20.160 --> 1:09:23.480
<v Speaker 1>opening of the show, Corey's character is a little braddy

1:09:23.520 --> 1:09:27.280
<v Speaker 1>and you're a little bit like, is this a likable kid?

1:09:27.800 --> 1:09:30.720
<v Speaker 1>And one of the things I loved is that you

1:09:30.760 --> 1:09:34.000
<v Speaker 1>see him push the button and keep pushing the envelope

1:09:34.040 --> 1:09:36.719
<v Speaker 1>and pushing the envelope, and then even though he's out

1:09:36.800 --> 1:09:40.080
<v Speaker 1>the door, he comes back in like I'm never gonna leave,

1:09:40.200 --> 1:09:43.320
<v Speaker 1>Like you and I both know you're in control. I'm

1:09:43.360 --> 1:09:46.559
<v Speaker 1>still ultimately a good kid. And I don't know. Yeah,

1:09:46.600 --> 1:09:48.720
<v Speaker 1>and you did and you didn't even need to say it.

1:09:48.800 --> 1:09:51.560
<v Speaker 1>You you saw it, you knew it. You now already

1:09:51.680 --> 1:09:55.720
<v Speaker 1>love and know this kid is a good kid. Um,

1:09:55.800 --> 1:09:57.680
<v Speaker 1>I don't know. I just I loved it. I love

1:09:57.720 --> 1:10:01.240
<v Speaker 1>that beginning part. And then when Phoenie finds out that

1:10:01.320 --> 1:10:04.080
<v Speaker 1>Corey was spying on him or that had seen him

1:10:04.479 --> 1:10:09.920
<v Speaker 1>and that he was stood up, the change, the sternness

1:10:10.560 --> 1:10:13.360
<v Speaker 1>with which Bill does that scene, it was I mean,

1:10:13.400 --> 1:10:17.160
<v Speaker 1>it was just so compelling. I was absolutely eyes glued

1:10:17.240 --> 1:10:22.120
<v Speaker 1>to the TV. But also perfect teacher where he uses it.

1:10:22.160 --> 1:10:24.600
<v Speaker 1>He turned it into a teachable moment. I'm going to

1:10:24.680 --> 1:10:27.360
<v Speaker 1>take this moment and I'm going to teach what I

1:10:27.400 --> 1:10:29.559
<v Speaker 1>tried to teach you with Romeo and Juliet. I am

1:10:29.600 --> 1:10:31.880
<v Speaker 1>now going to teach you right here because of this.

1:10:31.960 --> 1:10:34.599
<v Speaker 1>And it was it's such a great turn and it's

1:10:34.640 --> 1:10:38.080
<v Speaker 1>such it's it's it just shows such depth of the

1:10:38.120 --> 1:10:40.880
<v Speaker 1>Phoenie character, which is, while you spied on me, you

1:10:40.920 --> 1:10:42.280
<v Speaker 1>think this happened in my life. I'm not going to

1:10:42.360 --> 1:10:44.200
<v Speaker 1>explain what happened in my life. I'm gonna use this

1:10:44.280 --> 1:10:46.680
<v Speaker 1>to teach you about something. And it was just it's

1:10:46.680 --> 1:10:50.280
<v Speaker 1>set the stage for every every other teachable Phoenie moment

1:10:50.600 --> 1:10:52.760
<v Speaker 1>that you still have, which is another question we always get,

1:10:53.000 --> 1:10:55.280
<v Speaker 1>which is what what moment you know, what did you

1:10:55.400 --> 1:10:57.160
<v Speaker 1>learn from Bill or what did you learn from Phoenie?

1:10:57.200 --> 1:10:59.280
<v Speaker 1>And it was always moments like this where it's that

1:10:59.360 --> 1:11:03.440
<v Speaker 1>teachable and it was incredible. Just one of my favorite lines, ironically,

1:11:03.760 --> 1:11:08.960
<v Speaker 1>is when he says during Bill's monologue moment, he says,

1:11:09.400 --> 1:11:12.439
<v Speaker 1>you come and you go. You come into my class

1:11:12.439 --> 1:11:14.559
<v Speaker 1>and then you leave me. And you know, he's basically

1:11:14.560 --> 1:11:16.759
<v Speaker 1>saying like I only get you for one year, which

1:11:16.920 --> 1:11:20.719
<v Speaker 1>turns out to another when Elevation show. But yeah, he says,

1:11:20.800 --> 1:11:22.439
<v Speaker 1>you know, the time spent with me, I don't know

1:11:22.479 --> 1:11:25.160
<v Speaker 1>if you learn anything or not. And it's like, if

1:11:25.200 --> 1:11:26.960
<v Speaker 1>only we could tell them, like, you know, you're gonna

1:11:26.960 --> 1:11:28.360
<v Speaker 1>be there for seven years, You're gonna be going to

1:11:28.400 --> 1:11:31.479
<v Speaker 1>college with these kids. But he's also he's talking about

1:11:31.479 --> 1:11:33.000
<v Speaker 1>I mean, he's were at the end of the day.

1:11:33.040 --> 1:11:35.559
<v Speaker 1>You have to remember we're doing a kid show, which

1:11:35.600 --> 1:11:37.519
<v Speaker 1>is what t G I F was and what this

1:11:37.560 --> 1:11:40.520
<v Speaker 1>was specifically geared towards. And one of the main characters

1:11:40.880 --> 1:11:44.600
<v Speaker 1>is talking about Shakespeare and Chaucer and some of the

1:11:44.640 --> 1:11:48.400
<v Speaker 1>greatest poets and writers of all time and using that

1:11:48.439 --> 1:11:51.800
<v Speaker 1>as a teachable It was again the idea of the

1:11:51.880 --> 1:11:54.960
<v Speaker 1>teachable moment coming from a teacher, which is something that

1:11:55.000 --> 1:11:57.280
<v Speaker 1>the joy that Boy Meets World could do as opposed

1:11:57.280 --> 1:11:59.320
<v Speaker 1>to I learned the lesson from my dad. I learned

1:11:59.320 --> 1:12:00.880
<v Speaker 1>the lesson from my mom. It's just kind of you've

1:12:00.880 --> 1:12:03.599
<v Speaker 1>seen it before or the teacher was a buffoon. So

1:12:03.720 --> 1:12:06.880
<v Speaker 1>the teacher teaching is just such a wonderful thing to

1:12:06.880 --> 1:12:08.960
<v Speaker 1>watch all all the time. So yeah, that was I'm

1:12:08.960 --> 1:12:10.880
<v Speaker 1>like you, Daniel, I just I couldn't move my eyes

1:12:10.880 --> 1:12:14.240
<v Speaker 1>away from that scene because incredible, amazing, amazing. Okay, So

1:12:14.280 --> 1:12:16.600
<v Speaker 1>then Corey goes back to the house and he apologizes

1:12:16.680 --> 1:12:19.320
<v Speaker 1>to his dad for ditching him, and writer, you mentioned

1:12:19.360 --> 1:12:24.799
<v Speaker 1>it briefly earlier, but the the how casual Rusty is about,

1:12:25.439 --> 1:12:29.000
<v Speaker 1>Oh what you know, No, that's cool. I I get it.

1:12:29.000 --> 1:12:32.120
<v Speaker 1>It's the circle of life. Um, he's just just what

1:12:32.280 --> 1:12:35.439
<v Speaker 1>a he's such a cool dad. Yeah he was, which

1:12:35.479 --> 1:12:38.320
<v Speaker 1>is why I think my son called him cheesy because

1:12:38.320 --> 1:12:40.920
<v Speaker 1>he was cheesy because he's probably taking a dig at

1:12:40.960 --> 1:12:43.559
<v Speaker 1>me in that moment. Like, Dad, you try and be cheesy,

1:12:43.640 --> 1:12:45.320
<v Speaker 1>You try and be cool like that all the time,

1:12:45.800 --> 1:12:50.240
<v Speaker 1>and I fail. Yeah. I love this scene, and I

1:12:50.320 --> 1:12:54.320
<v Speaker 1>love how Rusty is so relaxed and like not precious

1:12:54.360 --> 1:12:57.679
<v Speaker 1>about anything, as Rusty always is such an amazing actor.

1:12:58.040 --> 1:13:01.120
<v Speaker 1>And then Lily so good, like he's just wonderful. And

1:13:01.160 --> 1:13:03.240
<v Speaker 1>that's such a cute scene. You can see Corey finally

1:13:03.320 --> 1:13:06.280
<v Speaker 1>changing right, like he's doing the things now, he's talking

1:13:06.280 --> 1:13:08.680
<v Speaker 1>to his dad, he's hanging out with his sister. It's

1:13:08.680 --> 1:13:10.680
<v Speaker 1>a It's a really great little scene. I thought, I'm

1:13:10.720 --> 1:13:13.160
<v Speaker 1>not a huge fan of of of Runners. I get

1:13:13.200 --> 1:13:15.559
<v Speaker 1>that not all runners are good, but I wish that

1:13:15.640 --> 1:13:19.080
<v Speaker 1>the no, don't hug me was a thing that kept going.

1:13:19.200 --> 1:13:20.960
<v Speaker 1>I thought that was a great moment and I thought

1:13:20.960 --> 1:13:24.559
<v Speaker 1>that's one that could have come back later in the show. No,

1:13:24.760 --> 1:13:26.360
<v Speaker 1>I think that's the only time it happened, and I

1:13:26.360 --> 1:13:29.880
<v Speaker 1>think it was great. So yeah, yeah, Well the next

1:13:29.880 --> 1:13:33.160
<v Speaker 1>scene we have Corey and Eric get to resolve their

1:13:33.360 --> 1:13:38.759
<v Speaker 1>little conflict. Corey encourages Eric to call his date Heather

1:13:39.360 --> 1:13:42.120
<v Speaker 1>um and which I think is really sweet. It's a

1:13:42.200 --> 1:13:44.639
<v Speaker 1>nice little wrap up that now he wants his brother

1:13:44.680 --> 1:13:46.320
<v Speaker 1>to be happy. He wants him to have that, even

1:13:46.360 --> 1:13:48.360
<v Speaker 1>if it means pain for himself. He wants his brother

1:13:48.400 --> 1:13:51.599
<v Speaker 1>to be happy. And then he goes downstairs and he

1:13:51.720 --> 1:13:57.120
<v Speaker 1>has tea with his little sister and it's it is

1:13:57.160 --> 1:13:59.840
<v Speaker 1>so cute. Was she tosses the doll. I love that.

1:14:00.040 --> 1:14:01.800
<v Speaker 1>I thought that was such a wonderful moment where she

1:14:01.880 --> 1:14:04.320
<v Speaker 1>just tosses the dollars like the doll because if you

1:14:04.400 --> 1:14:06.920
<v Speaker 1>go back in the entire episode, a lot of scenes

1:14:07.000 --> 1:14:09.360
<v Speaker 1>she's cradling it like a baby and feeding it and

1:14:09.400 --> 1:14:11.479
<v Speaker 1>it's the most important thing to her, Corey, do you

1:14:11.560 --> 1:14:13.000
<v Speaker 1>want it up there? To keep you saying? And the

1:14:13.040 --> 1:14:14.599
<v Speaker 1>second she gets a chance to be with her brother,

1:14:14.680 --> 1:14:16.760
<v Speaker 1>she discards it and here's the chair for you. It

1:14:16.800 --> 1:14:20.439
<v Speaker 1>was great, Yeah, yeah, I love it. It's a very

1:14:20.439 --> 1:14:22.320
<v Speaker 1>cute scene between the two of them. And then we

1:14:22.400 --> 1:14:25.280
<v Speaker 1>learned in the tag. I thought this was very funny

1:14:25.320 --> 1:14:28.840
<v Speaker 1>that in the tag we learn oh you thought Mr

1:14:28.920 --> 1:14:33.040
<v Speaker 1>Feeney was stood up. Absolutely not. He's not a loser,

1:14:33.360 --> 1:14:37.559
<v Speaker 1>you know nothing at all. It wasn't a date. It

1:14:37.680 --> 1:14:42.680
<v Speaker 1>was his sister. I thought that was a really I

1:14:42.760 --> 1:14:44.880
<v Speaker 1>was going to travel a very long way for a

1:14:45.000 --> 1:14:50.639
<v Speaker 1>really light meal. It's like, hey, George, I drove six hours.

1:14:50.680 --> 1:14:53.360
<v Speaker 1>Could you have thrown some chicken in this? Like? Thanks? Please?

1:14:53.840 --> 1:14:58.880
<v Speaker 1>Just greens something. Yeah, I thought it was just it's

1:14:58.960 --> 1:15:01.599
<v Speaker 1>very It's funny to me, like he that they could.

1:15:01.600 --> 1:15:03.320
<v Speaker 1>They didn't want to leave it that he did actually

1:15:03.320 --> 1:15:06.840
<v Speaker 1>get stood up. They wanted to clarify he didn't. Well.

1:15:06.880 --> 1:15:09.240
<v Speaker 1>I think it was also it was also kind of

1:15:09.280 --> 1:15:12.400
<v Speaker 1>clarifying that at eleven, you know, think you know, you

1:15:12.439 --> 1:15:15.000
<v Speaker 1>don't really know. That's a good It brings us back

1:15:15.040 --> 1:15:17.200
<v Speaker 1>to where Corey started, which is that he knows nothing.

1:15:17.200 --> 1:15:19.280
<v Speaker 1>He knows nothing. You got to come back next week

1:15:19.320 --> 1:15:22.559
<v Speaker 1>to see him learn again something else about we all

1:15:22.640 --> 1:15:25.880
<v Speaker 1>learn together. Yes, Well, speaking of which, we will be

1:15:25.920 --> 1:15:28.360
<v Speaker 1>back next week. We will be watching the next episode,

1:15:28.360 --> 1:15:31.360
<v Speaker 1>which is season one, episode two. It's called on the

1:15:31.400 --> 1:15:35.439
<v Speaker 1>Fence and yeah, I'm I'm excited to see it. I

1:15:35.439 --> 1:15:37.679
<v Speaker 1>I feel like I was very interested in the pilot.

1:15:37.720 --> 1:15:39.600
<v Speaker 1>I thought the pilot was way better than I was

1:15:39.640 --> 1:15:42.599
<v Speaker 1>expecting it to be too, and so I'm thrilled. I'm

1:15:42.600 --> 1:15:44.880
<v Speaker 1>thrilled to see what this next episode was, which we've

1:15:44.920 --> 1:15:46.960
<v Speaker 1>learned in this episode. Will that is actually the first

1:15:46.960 --> 1:15:50.240
<v Speaker 1>episode you guys all taped together. I think so, yeah,

1:15:50.280 --> 1:15:52.400
<v Speaker 1>I think this was the one. So I'm excited to

1:15:52.479 --> 1:15:55.680
<v Speaker 1>excited to watch that. And uh, yeah, you guys have

1:15:55.720 --> 1:15:58.519
<v Speaker 1>any closing thoughts, I think we I think just saying

1:15:58.680 --> 1:16:01.120
<v Speaker 1>it was a lot better than I remember it being,

1:16:01.160 --> 1:16:03.840
<v Speaker 1>and I'm glad it was. It was. Yeah, it was

1:16:03.880 --> 1:16:06.599
<v Speaker 1>a great episode. And man, Bill Daniels can act. That's

1:16:06.600 --> 1:16:09.679
<v Speaker 1>what That's what I took away from this. Will sign

1:16:09.760 --> 1:16:15.200
<v Speaker 1>us off. We love you all, pod dismissed. Pod Beats

1:16:15.240 --> 1:16:18.080
<v Speaker 1>World is an I heart podcast producer hosted by Daniel Fisher,

1:16:18.160 --> 1:16:21.360
<v Speaker 1>Wilford Hill and Righter Strong. Executive producers Jensen Carpet and

1:16:21.360 --> 1:16:25.120
<v Speaker 1>Amy Sugarman, Executive in charge of production, Daniel Romo, producer

1:16:25.160 --> 1:16:29.240
<v Speaker 1>and editor, Tara suit Batch, producer, Lorraine Gurez, engineer and

1:16:29.240 --> 1:16:32.200
<v Speaker 1>Boy Meets World super fan Easton Allen. Our theme song

1:16:32.280 --> 1:16:34.839
<v Speaker 1>is by Kyle Morton of Typhoon. Follow us on Instagram

1:16:34.840 --> 1:16:36.920
<v Speaker 1>at pod Meats World show or email us at Pod

1:16:36.960 --> 1:16:41.240
<v Speaker 1>meets World Show at gmail dot com.