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Speaker 1: Cancelation Island by John Cameron Mitchell and Michael Cavadillas, a

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Speaker 1: Topic Studios production, recorded in front of a live audience

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Speaker 1: at the Bellhouse, Brooklyn, New York.

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Speaker 2: Good morning, citizens of Renewal. It's an exciting day. Each

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Speaker 2: curate gets their first private session with their assigned curator.

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Speaker 2: I wish I could sit on all of them, but

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Speaker 2: I've got a lot to do today. Curators enjoy getting

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Speaker 2: to know your curates, and curates enjoy getting to know yourselves.

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Speaker 3: We can't find her, Kilcu Please.

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Speaker 2: Sorry, citizens, Let's focus on the present moment rather than

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Speaker 2: the past events or future fears. See you at lunch.

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Speaker 4: Okay, so you can't find her.

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Speaker 3: No, Claude has been combing the island, but there are

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Speaker 3: a lot of capes.

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Speaker 5: Keep looking, so, Ki, are you the kind of girl

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Speaker 5: who hates her pussy? You know what's all this agender

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Speaker 5: crap about?

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Speaker 6: This is extremely uncomfortable for you, Carl, isn't it?

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Speaker 7: Yeah? Yeah? This chair is built for a child.

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Speaker 8: You are a real laugh riot.

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Speaker 6: I'm sure that came in handy when your parents were

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Speaker 6: screaming at each other and you needed to diffuse the tension.

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Speaker 6: Oh please, Or maybe the joke's distracted from your repulsive appearance.

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Speaker 6: Excuse me, shut up what I said? Shut up, or

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Speaker 6: I will have you sent back.

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Speaker 7: You can't.

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Speaker 6: I have the contract you signed right here. It says

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Speaker 6: I own you. I just tell Karen you're being abusive

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Speaker 6: and you're heading back at a cargo.

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Speaker 8: Hold good.

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Speaker 6: I'm going to start by telling you a bit about myself.

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Speaker 6: I believe that deprivation is the key to harmony and havepiness.

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Speaker 6: I believe we can help the world by wanting less,

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Speaker 6: doing less, getting less.

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Speaker 7: You know that's stupid.

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Speaker 5: Try everything, eat everything, fuck everything.

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Speaker 7: That's my motto.

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Speaker 6: That was Alexander the Great's philosophy too. You know, when

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Speaker 6: he conquered India, he encountered a group of Yogis sitting

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Speaker 6: on a cliff, meditating all day, wanting for little and

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Speaker 6: he was fascinated by their lack of fear. And when

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Speaker 6: he threatened to kill them, they just shrugged.

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Speaker 4: And that is how they won.

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Speaker 7: That's the end of the story.

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Speaker 6: What happened next Alexander pushed them off the cliff, but

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Speaker 6: they still won.

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Speaker 5: Has anyone expressed interest in optioning you.

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Speaker 3: Carl, I'm not ip.

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Speaker 6: You can't buy my life, right so you cannot adapt,

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Speaker 6: co opt, or corrupt me. I am the future, and

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Speaker 6: the future will not be monetized.

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Speaker 7: Oh that's stupid.

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Speaker 5: Capitalism is all about selling the future to people, and

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Speaker 5: of course you've been very busy soliciting millions for your

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Speaker 5: do nothing campaign for a non existent future. Maybe you

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Speaker 5: should try crowdsourcing your first orgasm, which you clearly have

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Speaker 5: in it.

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Speaker 7: You just hit me.

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Speaker 6: That's correct, Carl. There are no laws on cancelation island.

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Speaker 3: Callina. Please sit. I'm really looking forward to working with.

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Speaker 8: You, Thanks Kirk, but I have to be honest with you.

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Speaker 8: I don't feel comfortable with this. I don't think I

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Speaker 8: can have you as my curator. Why not, Well, there's

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Speaker 8: a power imbalance, obviously, What do you mean. I'm a

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Speaker 8: white bodied person, you're a black bodied person. You're servicing me.

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Speaker 8: It feels offensive.

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Speaker 3: I mean that sounds kind of hot to me. But

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Speaker 3: who's getting offended?

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Speaker 8: Obviously you are?

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Speaker 3: Nay it.

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Speaker 8: Well, Conversely, as a male bodied person, you're definitely oppressing

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Speaker 8: me right now, assuming the role of an authority figure

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Speaker 8: dominating me, telling me what to do.

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Speaker 3: Well, maybe that evens out.

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Speaker 8: Maybe, But if my body is oppressing yours, and your

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Speaker 8: body is oppressing.

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Speaker 3: Mind any bodies. I should have booked the conference room.

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Speaker 8: That's not funny, Kirk. I think you're being lazy with

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Speaker 8: your transness.

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Speaker 3: So you calling me a lazy black man.

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Speaker 8: I apologize. It's just that I believe one of the

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Speaker 8: responsibilities of trans identity is challenging received notions of patriarchal

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Speaker 8: gender roles. And I don't think you're holding space for

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Speaker 8: the nuances of intersectionality here either.

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Speaker 3: I don't know what any of that means.

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Speaker 8: How can you say that you're just giving aid and

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Speaker 8: comfort to the Biggotyanda?

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Speaker 3: No, I am a black trans man. I know me,

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Speaker 3: and I think you need to chill. Let's just start over, Okay,

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Speaker 3: can we just I don't go outside and take a walk.

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Speaker 4: Okay, Wow, it's so beautiful here.

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Speaker 3: Yeah, Karen really picked a great place. So do your

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Speaker 3: friends know you're here?

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Speaker 8: Oh no, No, they've been really busy. They've been trying

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Speaker 8: to No, they don't. They all hate me. Yeah, you

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Speaker 8: should hate me too.

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Speaker 9: What.

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Speaker 3: Okay? Is it racist to assume he was coming for

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Speaker 3: you because he was a black man. Yeah, but I

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Speaker 3: mean most cases it's not racist versus un racist. Clena

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Speaker 3: there are shades of gray.

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Speaker 8: Are you calling me a racist?

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Speaker 3: Nice one? But really most of your story is just

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Speaker 3: paranoia and frantic virtue signaling.

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Speaker 8: You think so well, I sure feel like I'm drowning,

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Speaker 8: not waving.

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Speaker 3: That's Stevie Smith, right, yeah, yeah, No one ever gets

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Speaker 3: my poetry references.

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Speaker 8: She's my favorite poet.

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Speaker 4: There is a God in whom I do not believe

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Speaker 4: yet to this God, my love stretches.

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Speaker 3: Wow, I feel that way. I grew up in the church.

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Speaker 8: Really me too.

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Speaker 3: The guilt don't go away, does it?

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Speaker 7: No?

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Speaker 8: It rots?

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Speaker 3: Or maybe it like fermits like Kimchi.

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Speaker 8: I love Kimchi. M You really think I don't deserve

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Speaker 8: what happened to me?

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Speaker 3: The biggest problem in America is nobody deserves what's happening

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Speaker 3: to them, and we're all guilty until proven rich.

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Speaker 8: Oh oh, I understand. So I'm evil because I'm rich. Okay,

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Speaker 8: I get it now, this is fine.

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Speaker 3: What happened to lead up to this?

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Speaker 8: What do you mean? I mean?

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Speaker 3: Like?

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Speaker 7: Who are you?

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Speaker 3: What are your parents like? And you know when did

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Speaker 3: you know that you were a woman?

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Speaker 8: Oh that's easy. I always knew I was, and my

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Speaker 8: folks have always been so supportive of my transition that

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Speaker 8: they fought the fucking governor on it. My mom won

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Speaker 8: an award from GLAD.

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Speaker 3: So, like, how do they feel about your cancelation?

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Speaker 8: I mean, I haven't been able to exactly get them

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Speaker 8: on the phone since they're helping women get out of Afghanistan,

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Speaker 8: so they.

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Speaker 3: My parents don't talk to me either.

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Speaker 8: I know I'm a horrible person.

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Speaker 3: Oh god, what the fuck? Girl?

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Speaker 8: I don't see how anyone can be a good person today.

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Speaker 8: All they can be.

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Speaker 3: Is right, clean up? You're beautiful?

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Speaker 8: Oh? Well, sure are you?

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Speaker 3: I know that's worst stuff we have in common.

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Speaker 8: Thank you, Kirk.

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Speaker 3: I think this is a great start, Lena. You stay

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Speaker 3: here and enjoy the beach, collect some shells and wet

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Speaker 3: your feet, but stay close so I can see you. Okay, okay, cool?

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Speaker 10: Bye bye Kirk. Oh, Kirk, fuck me?

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Speaker 8: I think I love you.

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Speaker 3: Kelly. Hi, Kirk, how are you?

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Speaker 11: Oh?

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Speaker 2: I'm fine. I love how quiet it is. I'm excited

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Speaker 2: to start my new life here.

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Speaker 3: Well it's only Tim, Kelly.

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Speaker 2: H Why it's so beautiful. I went for a walk

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Speaker 2: down to the beach.

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Speaker 3: You know you're supposed to have a companion when you

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Speaker 3: leave the compound. We still haven't found Chris Well.

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Speaker 2: I found a companion on the beach. There was this

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Speaker 2: little gecko all alone. It was staring at me with

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Speaker 2: really big eyes, like human baby eyes, and I thought

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Speaker 2: maybe she was separated from her flock or pot or murder.

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Speaker 2: I was thinking about embalming her alive in molten Lo

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Speaker 2: site to make a bolo tie, but she was so cute,

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Speaker 2: so instead I sang her this song my cousins and

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Speaker 2: I used to sing whenever we couldn't find each other.

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Speaker 2: I can't remember the tune or the words, but I

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Speaker 2: can sing it for you if you like.

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Speaker 3: Hi, That's a lovely song.

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Speaker 2: But Aunt Kelly would put on the blindfold and then

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Speaker 2: once we were all lost, she'd have us sing this

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Speaker 2: song to try to find each other, and then if

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Speaker 2: we did, she'd put the ball eggs in her out.

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Speaker 2: It was fun. We have to try to sing with

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Speaker 2: the ball gags. That sounds awful, CALLI why. It's one

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Speaker 2: of the happiest memories of my life. Really, our parents

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Speaker 2: didn't let us go outside a lot.

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Speaker 3: Kelly. I'd like to talk a little bit about why

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Speaker 3: you're here and how.

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Speaker 2: Are you me. I feel that you are sad too. Oh,

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Speaker 2: I'm sorry for what I think. I'm really stressing you out.

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Speaker 2: I'm sorry.

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Speaker 3: You don't have to apologize.

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Speaker 2: I won't. I'll never do it again.

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Speaker 3: Wait, I'm nuts.

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Speaker 2: Okay, Kurt, Yes, were we both just triggered. Callina told

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Speaker 2: me about triggering and it sounds weird but cool.

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Speaker 3: Yes, there will be some triggering in here, but everything

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Speaker 3: will remain confidential. Okay, Now we should really talk about

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Speaker 3: your cancelation. Well all right, okay, so you don't dispute

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Speaker 3: the incidents that led to your cancelation.

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Speaker 2: Yes, no, yes, I'm guilty.

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Speaker 3: Can you describe how the videos have affected your family?

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Speaker 2: Well, our little girl Kim stumbled onto the video where

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Speaker 2: I cartwheeled down the aisle of a Korean church and

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Speaker 2: then vomit ups and one time's on the altar. I

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Speaker 2: feel terrible because people said one Times aren't Korean. I

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Speaker 2: should have done more research.

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Speaker 3: Tell me about your husband.

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Speaker 2: Ken's been so good to me. I don't know who

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Speaker 2: would have taken me. If he hadn't, I'd probably still

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Speaker 2: be working in the applicat department at Michael's. I love

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Speaker 2: putting things on other things, so does Ken. But usually

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Speaker 2: he's putting things on me.

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Speaker 3: So you've been having marital tensions.

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Speaker 2: I guess we have the usual problems. You know, the

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Speaker 2: other women.

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Speaker 3: He cheats on you.

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Speaker 2: No, he brings other women over that he puts on me. Now,

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Speaker 2: I hate to say this, but they weren't very attractive.

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Speaker 2: I'm sorry. Is that looks he is?

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Speaker 3: No, Kelly, Oh it's not. Was there consent?

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Speaker 2: What?

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Speaker 11: Was it?

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Speaker 3: Tacit?

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Speaker 11: What?

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Speaker 3: Okay? It sounds like you do a lot of stuff

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Speaker 3: for other people. What do you like to do?

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Speaker 2: I love embombing reptiles in molten Leoside.

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Speaker 7: Great.

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Speaker 3: I think we need to find more things that you

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Speaker 3: like to do, so when you return you have more

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Speaker 3: of a foundation of self worth.

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Speaker 2: Oh I have to go back.

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Speaker 7: Not just yet.

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Speaker 2: Cool?

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Speaker 3: Okay.

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Speaker 2: I could have sex with you if you want.

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Speaker 3: What. No, Charlie, I don't want to.

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Speaker 2: Oh God, you're mad at me.

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Speaker 3: I'm not. I'm not okay now, Kellie, I don't know

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Speaker 3: if I'm qualified. Yes, I'm just gonna give you a

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Speaker 3: hug right now. Nothing else needs to come after that, Okay.

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Speaker 2: Nothing else, just a hug.

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Speaker 11: Okay.

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Speaker 7: Actually, why don't you start the hug?

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Speaker 2: Okay?

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Speaker 9: Mm hmmm.

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Speaker 10: Hm.

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Speaker 3: Okay, Kelly. Uh, that's let's allow the hug tender. How

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Speaker 3: how did that feel good?

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Speaker 2: But can you make sounds? I've watched your videos, you're famous.

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Speaker 2: They're so relaxing. Can you make the sounds like you're

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Speaker 2: tasting something delicious? Uh? Okay, oh oh yes, yes, yes,

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Speaker 2: that's it. That's it. That's good.

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Speaker 7: Hey, Kirk.

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Speaker 2: Tired, I am exhausted.

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Speaker 6: It's nice they have this curator's lounge out we here

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00:14:07,120 --> 00:14:09,160
Speaker 6: right the fuck?

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Speaker 11: Kirk?

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Speaker 6: I am really freaked out about Chris's disappearance.

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00:14:14,720 --> 00:14:18,080
Speaker 3: Yeah, it's so weird, but I think Chris just built

255
00:14:18,280 --> 00:14:19,760
Speaker 3: this rehab is a lot.

256
00:14:20,640 --> 00:14:24,640
Speaker 6: Yeah, especially first sessions mine Elizabeth Carl.

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Speaker 3: He's a tough nut.

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Speaker 6: Yeah, he's definitely trying to bait me. I think he's

259
00:14:29,080 --> 00:14:30,800
Speaker 6: trying to get me to explode so you can get

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Speaker 6: a softer curator.

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Speaker 3: Oh like me.

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00:14:34,080 --> 00:14:37,600
Speaker 6: No, I wasn't insinuating.

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Speaker 3: Don't worry. I'm a proud soft boy. I guess I'm

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Speaker 3: a hard one.

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Speaker 11: Hey.

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Speaker 3: You know, I've been thinking something about CALLI just doesn't

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Speaker 3: add up. I mean, she's so sweet.

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Speaker 2: But those videos are wild.

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Speaker 3: Yeah, but you should watch them again. They just they

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00:14:55,880 --> 00:14:58,800
Speaker 3: look sort of unreal. I mean I make a lot

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Speaker 3: of video content and her seems staged.

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Speaker 6: What they were posted by bystanders, weren't they?

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Speaker 2: I guess what.

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Speaker 6: Do you think about Karen?

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Speaker 3: What do you mean?

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00:15:11,440 --> 00:15:16,120
Speaker 6: Well, she's been a famous wellness guru for what ten

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00:15:16,200 --> 00:15:19,440
Speaker 6: years now? But I couldn't find anything about her before

278
00:15:19,520 --> 00:15:28,040
Speaker 6: she was forty. I think she changed her name to Karen. Well, yeah,

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Speaker 6: I did some research and I'm pretty sure her name

280
00:15:31,000 --> 00:15:35,640
Speaker 6: was Joy Granta before and there was some shit that

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00:15:35,800 --> 00:15:38,600
Speaker 6: happened to a Joy granted, but I didn't have time.

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Speaker 8: I just wish I could get on Wi Fi.

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Speaker 3: Do you have an issue with authority figures?

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Speaker 6: I'm not your curate, Kirk, I know, but I probably

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00:15:50,920 --> 00:15:55,360
Speaker 6: do have an issue with authority. It all goes back

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Speaker 6: to mom.

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00:15:56,720 --> 00:15:59,000
Speaker 3: What fact doesn't have a narcissistic mom?

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00:16:00,400 --> 00:16:03,760
Speaker 6: Yeah, thanks for seeing me, Kirk.

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00:16:06,440 --> 00:16:14,359
Speaker 3: So you're consciously celibate? Yeah, what a fucking waste, Kirky dog.

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00:16:25,520 --> 00:16:28,400
Speaker 2: So this is the curates lounge. It's so comfy. The

291
00:16:28,480 --> 00:16:31,160
Speaker 2: other curatees don't seem to want to talk to me, though.

292
00:16:31,560 --> 00:16:34,360
Speaker 2: Is it possible to be canceled by canceled people?

293
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Speaker 8: Everybody loves a packing mortar?

294
00:16:36,800 --> 00:16:39,400
Speaker 2: Yeah? Did I tell you about the big I geto

295
00:16:39,840 --> 00:16:43,400
Speaker 2: or maybe it was a baby iguana. It looked so

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00:16:43,680 --> 00:16:46,800
Speaker 2: sad but happy, like Kirk. I think I heard it loud.

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Speaker 8: I'm sorry, I'm sorry. I can't hear you. Carl is

298
00:16:49,600 --> 00:16:53,480
Speaker 8: making a racket. Oh my god, can you keep it down?

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Speaker 7: Are you talking to me?

300
00:16:54,760 --> 00:16:56,480
Speaker 8: Can you go do that somewhere else?

301
00:16:56,560 --> 00:16:58,080
Speaker 7: I'm not doing anything.

302
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Speaker 5: I'm just constipated.

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00:17:00,160 --> 00:17:00,640
Speaker 7: Relax.

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Speaker 8: Don't fucking gaslight me, you disgusting toad.

305
00:17:04,280 --> 00:17:07,560
Speaker 7: Lick me, then lick the psychopathic toad.

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00:17:07,640 --> 00:17:08,560
Speaker 8: You don't shut up?

307
00:17:08,640 --> 00:17:09,200
Speaker 9: What?

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00:17:09,359 --> 00:17:11,520
Speaker 7: Whoa what are you gonna do? Lady? If that's what

309
00:17:11,560 --> 00:17:12,240
Speaker 7: you really are?

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00:17:13,320 --> 00:17:14,480
Speaker 8: What did you just call me?

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00:17:15,760 --> 00:17:20,800
Speaker 3: You? Oh my goodness, fuck off, I'm out of here.

312
00:17:23,240 --> 00:17:28,720
Speaker 2: Let's follow him. What come on? Oh my god, what's

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00:17:28,760 --> 00:17:29,399
Speaker 2: he doing?

314
00:17:30,359 --> 00:17:31,520
Speaker 8: What the fuck.

315
00:17:32,720 --> 00:17:34,760
Speaker 2: Is he doing into his own hand?

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00:17:37,200 --> 00:17:37,280
Speaker 11: You?

317
00:17:38,280 --> 00:17:45,600
Speaker 8: I'm gonna throw up. Is that a phone? I can't

318
00:17:45,640 --> 00:17:48,080
Speaker 8: believe he smuggled a phone up his ass.

319
00:17:50,520 --> 00:17:53,439
Speaker 7: It's me get me jonas.

320
00:17:53,359 --> 00:17:54,320
Speaker 2: He has service.

321
00:17:54,440 --> 00:17:55,919
Speaker 8: It must be a satellite phone.

322
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Speaker 9: Hurry up.

323
00:17:56,800 --> 00:17:58,240
Speaker 2: Maybe he's talking to that lady.

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Speaker 8: Jesus, he didn't even wipe it off.

325
00:18:00,119 --> 00:18:01,359
Speaker 2: You know, the one who disappeared.

326
00:18:02,680 --> 00:18:04,240
Speaker 8: Do you think you let me check my email.

327
00:18:04,640 --> 00:18:06,399
Speaker 2: Oh we better go before he sees us.

328
00:18:10,040 --> 00:18:11,280
Speaker 11: This is Jonah speaking.

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00:18:11,720 --> 00:18:12,800
Speaker 7: I know you, moron.

330
00:18:13,040 --> 00:18:15,119
Speaker 11: Hello, mister Carl, How can I help you?

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00:18:15,280 --> 00:18:16,400
Speaker 7: I need to get out of here.

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00:18:16,680 --> 00:18:18,440
Speaker 11: Everyone misses you, mister Carl.

333
00:18:18,720 --> 00:18:21,320
Speaker 7: No, they don't send my yacht, Sir.

334
00:18:21,440 --> 00:18:23,280
Speaker 11: I would, but I don't know where you.

335
00:18:23,200 --> 00:18:24,800
Speaker 7: Are on the island.

336
00:18:25,640 --> 00:18:25,760
Speaker 2: Uh.

337
00:18:26,320 --> 00:18:29,480
Speaker 5: It doesn't have a name, but it's in the eastern

338
00:18:29,720 --> 00:18:33,600
Speaker 5: nipple of the Gulf. What how do you not know

339
00:18:33,640 --> 00:18:34,280
Speaker 5: where I am.

340
00:18:34,640 --> 00:18:37,520
Speaker 11: I just booked the flight to New Orleans dated the rest.

341
00:18:37,320 --> 00:18:42,240
Speaker 5: Well triangulate between New Orleans, can Coon and Havana.

342
00:18:42,400 --> 00:18:43,360
Speaker 11: There's nothing there.

343
00:18:43,480 --> 00:18:45,480
Speaker 7: I'm standing on it for Fox's sake.

344
00:18:45,720 --> 00:18:48,040
Speaker 11: No islands for hundreds of miles. Sir.

345
00:18:48,280 --> 00:18:50,639
Speaker 5: It used to be a CIA black site.

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00:18:50,760 --> 00:18:53,920
Speaker 11: You want me to call the CIA Jonas. Yes, mister Carl,

347
00:18:54,280 --> 00:18:55,359
Speaker 11: it's made Jonas.

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00:18:55,520 --> 00:18:57,080
Speaker 7: Listen, you simpering faggot.

349
00:18:57,160 --> 00:19:00,679
Speaker 11: Sir, I'm a sexual but not a romantic.

350
00:19:01,520 --> 00:19:06,080
Speaker 5: Just send my yacht to the eastern International waters of

351
00:19:06,200 --> 00:19:09,119
Speaker 5: the Gulf. Tell them to track me on my sat

352
00:19:09,200 --> 00:19:10,440
Speaker 5: phone copied.

353
00:19:10,240 --> 00:19:15,880
Speaker 11: After sir, what, sir? I do have something you need

354
00:19:15,920 --> 00:19:16,199
Speaker 11: to know?

355
00:19:16,760 --> 00:19:23,280
Speaker 7: What Jonas? Mother freaking flaming fuck?

356
00:19:30,880 --> 00:19:32,440
Speaker 3: How did you sleep last night? CALLI.

357
00:19:32,760 --> 00:19:35,240
Speaker 2: Oh, like a baby, I dreamed about a tall drink

358
00:19:35,280 --> 00:19:35,879
Speaker 2: of water.

359
00:19:36,520 --> 00:19:38,800
Speaker 3: Oh, a gentleman.

360
00:19:38,440 --> 00:19:42,200
Speaker 2: No, a tall glass full of water. It was about

361
00:19:42,240 --> 00:19:44,400
Speaker 2: forty feet high and pretty wide, and everyone in town

362
00:19:44,480 --> 00:19:46,320
Speaker 2: was very worried it was gonna break and we'd all

363
00:19:46,359 --> 00:19:48,840
Speaker 2: die in the flood. There was a crack in it,

364
00:19:49,000 --> 00:19:51,359
Speaker 2: and this mean kid kept tapping it and making the

365
00:19:51,359 --> 00:19:53,119
Speaker 2: crack bigger. So I called nine to eleven.

366
00:19:53,920 --> 00:19:55,679
Speaker 3: Okay, did that work?

367
00:19:56,359 --> 00:19:56,560
Speaker 11: No?

368
00:19:56,640 --> 00:19:58,680
Speaker 2: Because then all my teeth fell out and the operator

369
00:19:58,720 --> 00:20:01,240
Speaker 2: couldn't understand me. And then the operator was my father,

370
00:20:01,480 --> 00:20:03,720
Speaker 2: and he said, Kelly, you stupid bitch. You don't even

371
00:20:03,760 --> 00:20:06,000
Speaker 2: know how to talk. That's when I remember I had

372
00:20:06,040 --> 00:20:08,919
Speaker 2: offered to watch my sister's bird, Kevin, but I couldn't

373
00:20:08,920 --> 00:20:11,760
Speaker 2: remember where i'd put Kevin or where I'd put my sister.

374
00:20:12,000 --> 00:20:14,119
Speaker 2: And then a giant iguana tried to impregnate me.

375
00:20:15,200 --> 00:20:19,399
Speaker 3: Uh, you know, I wanted to ask you about something. Yes,

376
00:20:20,200 --> 00:20:22,280
Speaker 3: you see, I've been going over your videos.

377
00:20:22,359 --> 00:20:25,199
Speaker 2: Yeah, I was having a really bad week. Were you

378
00:20:25,640 --> 00:20:26,080
Speaker 2: What do you mean?

379
00:20:26,880 --> 00:20:29,640
Speaker 3: Well, I have to say they seem staged.

380
00:20:29,960 --> 00:20:32,720
Speaker 2: Uh, why why would I do that?

381
00:20:33,000 --> 00:20:35,800
Speaker 3: I didn't say you staged them? Okay, But when you're

382
00:20:35,840 --> 00:20:39,200
Speaker 3: at the maternity ward, the synagogue and the gay men's

383
00:20:40,640 --> 00:20:41,040
Speaker 3: what do you.

384
00:20:40,960 --> 00:20:42,719
Speaker 2: Call it, the gay men's Health Chorus.

385
00:20:43,080 --> 00:20:46,399
Speaker 3: Yeah, well, it seemed like the bystander's reactions to what

386
00:20:46,440 --> 00:20:51,240
Speaker 3: you were doing wasn't believable. And the camera movements are well,

387
00:20:51,240 --> 00:20:52,480
Speaker 3: they're similar in all of them.

388
00:20:52,600 --> 00:20:54,000
Speaker 2: Oh, no, you're mad at me.

389
00:20:54,400 --> 00:20:55,359
Speaker 3: I'm just confused.

390
00:20:55,680 --> 00:20:59,480
Speaker 2: Well, there is a good explanation for all of this, Kirk,

391
00:20:59,680 --> 00:21:06,359
Speaker 2: great callie, Sorry, I saw a bird.

392
00:21:08,760 --> 00:21:11,200
Speaker 3: I just think you should start telling me now.

393
00:21:12,400 --> 00:21:16,919
Speaker 2: Okay, So here's the story. My husband Ken is usually

394
00:21:17,000 --> 00:21:18,840
Speaker 2: very nice, but at night he grinds his teeth and

395
00:21:18,920 --> 00:21:22,080
Speaker 2: jerks around in his sleep. And my teenage daughter Courtney

396
00:21:22,080 --> 00:21:25,000
Speaker 2: tries to explain these concepts to me, about the structural

397
00:21:25,040 --> 00:21:27,359
Speaker 2: injustice and how the past is not the past is

398
00:21:27,359 --> 00:21:29,160
Speaker 2: actually the present we have to judge it that way.

399
00:21:29,200 --> 00:21:33,040
Speaker 2: And well, I'm not interested. Those people are dead, okay.

400
00:21:33,520 --> 00:21:35,760
Speaker 2: And Regina keeps the window open behind my desk at

401
00:21:35,760 --> 00:21:37,960
Speaker 2: the library, and I have allergies, and she keeps saying,

402
00:21:38,000 --> 00:21:39,760
Speaker 2: I just need to eat local bee pollen, which is

403
00:21:39,760 --> 00:21:42,159
Speaker 2: exactly what I'm allergic to. But if she would just

404
00:21:42,280 --> 00:21:44,240
Speaker 2: close the window, it would all be problems.

405
00:21:44,280 --> 00:21:48,399
Speaker 3: Solved, Callie, none of this explains why you needed to

406
00:21:48,520 --> 00:21:49,520
Speaker 3: make these videos.

407
00:21:49,680 --> 00:21:52,000
Speaker 2: Don't you understand I needed to get away from everyone.

408
00:21:52,240 --> 00:21:53,639
Speaker 3: Why didn't you just speak up?

409
00:21:53,720 --> 00:21:54,240
Speaker 6: I didn't want to.

410
00:21:54,240 --> 00:21:58,639
Speaker 2: Hurt anybody's feelings. Okay, So I googled fake videos and

411
00:21:58,680 --> 00:22:00,960
Speaker 2: found someone on eight or nine Chan, one of the

412
00:22:01,080 --> 00:22:04,399
Speaker 2: chans who worked for something called Project Veritas, and he

413
00:22:04,440 --> 00:22:06,840
Speaker 2: had his own production company, and he thought we should

414
00:22:06,880 --> 00:22:08,959
Speaker 2: make some deep fake videos that were so awful that

415
00:22:09,000 --> 00:22:11,040
Speaker 2: no one would come near me. He just shot me

416
00:22:11,080 --> 00:22:13,840
Speaker 2: with like a million cameras and did some face replacement

417
00:22:14,119 --> 00:22:16,240
Speaker 2: and I wasn't sure about it, but he was having

418
00:22:16,280 --> 00:22:19,400
Speaker 2: such a good time shooting them, and he did for free, tally,

419
00:22:19,560 --> 00:22:20,480
Speaker 2: that is insane.

420
00:22:20,640 --> 00:22:21,159
Speaker 9: You know it.

421
00:22:21,359 --> 00:22:24,399
Speaker 2: You are mad at me, but I think you would

422
00:22:24,400 --> 00:22:25,200
Speaker 2: do the same thing.

423
00:22:25,680 --> 00:22:30,320
Speaker 3: No, I wouldn't. I would try to address the issue.

424
00:22:30,440 --> 00:22:35,159
Speaker 2: That's so mean. You're speaking from a position of a

425
00:22:35,280 --> 00:22:41,160
Speaker 2: privilege as a person who's happy.

426
00:22:41,280 --> 00:22:43,400
Speaker 3: You don't know me, CALLI, I know it.

427
00:22:43,920 --> 00:22:46,000
Speaker 2: Why can't you tell me that you're unhappy? I thought

428
00:22:46,000 --> 00:22:48,919
Speaker 2: we were friends and why can't you just hold me

429
00:22:49,119 --> 00:22:50,040
Speaker 2: like yesterday?

430
00:22:50,880 --> 00:22:53,480
Speaker 3: That was a mistake, Calli, And I'm not being mean.

431
00:22:53,680 --> 00:22:57,119
Speaker 3: I'm talking about you being honest with the people you love.

432
00:22:57,359 --> 00:23:00,840
Speaker 2: Well, I gave them the loving gift of a decision

433
00:23:00,920 --> 00:23:05,280
Speaker 2: to hate me instead of feeling like I rejected them.

434
00:23:05,320 --> 00:23:06,640
Speaker 3: So you canceled yourself.

435
00:23:06,840 --> 00:23:08,240
Speaker 2: Yes, I have that right.

436
00:23:09,600 --> 00:23:11,440
Speaker 3: You realize you don't really belong here.

437
00:23:11,520 --> 00:23:14,960
Speaker 2: Oh, Kirk, please don't tell Karen. I am so happy here.

438
00:23:15,480 --> 00:23:18,920
Speaker 2: I met a gecko, I saw a bird.

439
00:23:19,560 --> 00:23:24,440
Speaker 3: I won't say anything, but I do think that this

440
00:23:24,560 --> 00:23:27,240
Speaker 3: lie is going to become more and more of a burden,

441
00:23:28,040 --> 00:23:30,359
Speaker 3: and we'll have to deal with that in time.

442
00:23:30,440 --> 00:23:34,639
Speaker 2: In time, Will you hold me in time? Just in time?

443
00:23:34,840 --> 00:23:39,600
Speaker 3: Call you're my curatey and you're my manity.

444
00:23:40,480 --> 00:23:42,960
Speaker 2: Oh my goodness, is the throw up sound?

445
00:23:44,920 --> 00:23:47,719
Speaker 3: Please let me in clean up?

446
00:23:47,840 --> 00:23:48,840
Speaker 7: What are you doing here?

447
00:23:49,000 --> 00:23:49,920
Speaker 8: The sound is thinking?

448
00:23:50,119 --> 00:23:57,720
Speaker 3: Aution sits back? Come on in, Ki, Kirk.

449
00:23:58,000 --> 00:23:59,399
Speaker 8: I'm scared hold me.

450
00:24:00,160 --> 00:24:00,879
Speaker 2: Was about to hold me?

451
00:24:01,320 --> 00:24:04,000
Speaker 6: Guys, I feel a little dizzy myself.

452
00:24:04,960 --> 00:24:05,640
Speaker 7: I got you guy.

453
00:24:06,040 --> 00:24:10,160
Speaker 3: Oh thank you, Kirk. I really could have hurt myself.

454
00:24:10,400 --> 00:24:11,480
Speaker 2: Oh I feel faint.

455
00:24:11,520 --> 00:24:21,040
Speaker 7: To Kirk, catch me, Karen.

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00:24:21,080 --> 00:24:23,000
Speaker 9: We're coming the caves, but there are a lot of them,

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00:24:23,040 --> 00:24:25,160
Speaker 9: so the hounds.

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Speaker 2: Sorry, I should take this more seriously.

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00:24:28,880 --> 00:24:30,679
Speaker 3: Oh my god, you're Dusty, let.

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00:24:30,520 --> 00:24:31,440
Speaker 2: Me clean you off.

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00:24:31,520 --> 00:24:35,760
Speaker 9: Okay, we found this near the storage rooms. That's Chris's scarf, yes,

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00:24:35,880 --> 00:24:38,080
Speaker 9: and there's blood on it. She may have been attacked

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00:24:38,560 --> 00:24:39,040
Speaker 9: or killed.

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00:24:39,160 --> 00:24:43,280
Speaker 2: My god, who could possibly want to do that? In

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00:24:43,320 --> 00:24:45,320
Speaker 2: any case, I don't want to alarm everyone. Could we

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00:24:45,400 --> 00:24:47,520
Speaker 2: just keep the scarf quiet till we know more?

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00:24:47,520 --> 00:24:48,760
Speaker 9: Claude, you're the boss?

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00:24:49,000 --> 00:24:49,399
Speaker 2: Thank you?

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00:24:51,119 --> 00:24:51,840
Speaker 3: Oh Claude?

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00:24:52,280 --> 00:24:54,680
Speaker 2: Are you available for a weight training session? All the

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00:24:54,760 --> 00:24:56,439
Speaker 2: stress has really tightened me up?

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00:24:58,480 --> 00:24:59,960
Speaker 9: How about we get Chriss back?

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00:25:00,160 --> 00:25:00,520
Speaker 3: First?

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00:25:00,920 --> 00:25:17,280
Speaker 2: Of course? Hello, is anyone there?

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00:25:22,160 --> 00:25:23,280
Speaker 3: I'm shit? Who's that?

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00:25:30,520 --> 00:25:30,800
Speaker 11: Please?

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00:25:30,840 --> 00:25:32,320
Speaker 3: Take off this blind fault?

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00:25:37,400 --> 00:25:38,119
Speaker 6: Are you kay?

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00:25:38,240 --> 00:25:38,880
Speaker 2: No?

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00:25:38,880 --> 00:25:39,160
Speaker 11: No?

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00:25:39,800 --> 00:25:40,560
Speaker 1: I'm Chris.

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00:25:41,320 --> 00:25:42,359
Speaker 2: Can you want tie me?

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00:25:45,400 --> 00:25:46,040
Speaker 4: Are you kay?

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00:25:46,200 --> 00:25:52,159
Speaker 3: I'm not I'm Chris cats What do you want?

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Speaker 9: Are you kay?

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00:26:15,359 --> 00:26:21,080
Speaker 1: Cancelation Island A Topic Studios and iHeart Podcasts production written

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Speaker 1: by John Cameron Mitchell and Michael Kevdias, directed by John

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00:26:24,960 --> 00:26:30,080
Speaker 1: Cameron Mitchell, Produced by Christy Gressman, starring Holly Hunter as Karen,

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Speaker 1: Josh Pice as Carl, Aaron Marky as kai k, Todd

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00:26:35,080 --> 00:26:39,080
Speaker 1: Freeman as Claude, Murphy, Taylor Smith as Collina, just As

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Speaker 1: Singleton as Kirk, Mary Testa as Chris Joe Firestone as Callie,

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Speaker 1: Mia Pack as Kyoko, Joseph Keckler as Cale, Maria, Mercedes

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00:26:50,000 --> 00:26:55,560
Speaker 1: Galupo as Carmen, Micah Stock as Casper, Dalmis Garcia as Keky,

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00:26:55,920 --> 00:27:01,240
Speaker 1: Michael Kevidias as Jonas, and Josh Nate Davila Peppo, Veronica

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00:27:01,240 --> 00:27:08,240
Speaker 1: Guadalupe as Pepa. Audio producer Vincent Cascion. Executive producers Michael Kevdias,

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00:27:08,440 --> 00:27:12,439
Speaker 1: John Cameron Mitchell and for iHeart Podcasts Noel Brown and

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00:27:12,560 --> 00:27:18,520
Speaker 1: Nikki Ettore. Composer Lucas Carey. Original song Wait written by

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00:27:18,520 --> 00:27:22,560
Speaker 1: Brett Every and John Cameron Mitchell. Additional music by Vincent Cascion.

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00:27:23,480 --> 00:27:27,880
Speaker 1: Executive in charge of production Jenny Medusa. Recording produced by

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00:27:28,000 --> 00:27:32,320
Speaker 1: Will Stanton, Live production manager Amanda Harris, recorded live in

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00:27:32,359 --> 00:27:34,920
Speaker 1: front of an audience by Will Stanton and Sam Torres.

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00:27:35,480 --> 00:27:40,719
Speaker 1: Live sound by Max Kaufman. Script supervisor Rachel Cole Reader

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00:27:40,840 --> 00:27:45,240
Speaker 1: Stephen Winter, Production coordinator Nick Boyd, Assistant to the director,

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00:27:45,359 --> 00:27:51,200
Speaker 1: Guthrie McCarty, Vaschon Production assistant Brandon Harris, artwork Ricardo de

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00:27:51,320 --> 00:27:57,200
Speaker 1: Signo for Topic Studios Podcasts, Christy Gressman, Adam Cecil, Michelle Lance,

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00:27:57,640 --> 00:28:04,680
Speaker 1: Post production Ethan Lytmmunications, Jeanie Ketis, Dan Goldberg Marketing, Jen Robertson,

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00:28:04,920 --> 00:28:09,280
Speaker 1: Mark Chan, Business and legal affairs, Alex Jiga, Ryan Mack,

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00:28:09,640 --> 00:28:19,280
Speaker 1: zach Locke, Trevor Paul Production Finance, Vince Gonzales, Beatrice Chisholm,