WEBVTT - Iris Smyles Is Trying to Be a Human Again

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<v Speaker 1>This is Alec Baldwin and you're listening to Here's the thing,

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<v Speaker 1>My chance to talk with artists, policymakers and performers, to

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<v Speaker 1>hear their stories, What inspires their creations, what decisions change

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<v Speaker 1>their careers, what relationships influenced their work. A new book

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<v Speaker 1>called Dating Tips for the Unemployed follows its hero Irish Smiles,

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<v Speaker 1>as she haplessly meanders through New York City looking for

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<v Speaker 1>love and work, and then finding darkly humorous ways to

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<v Speaker 1>sabotage that love and work. The book's author is also

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<v Speaker 1>named Irish Smiles. She's earned her reputation as a wickedly

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<v Speaker 1>funny chronicler of disaffection, family dysfunction, and self loathing. Smiles

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<v Speaker 1>was precocious from a very early age, with highbrow literary tastes.

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<v Speaker 1>In the fifth grade, although she found her love for

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<v Speaker 1>the classics via an unexpected inspiration. There were these cartoons

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<v Speaker 1>of Mr Magoo and it was like Mr Magoo does

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<v Speaker 1>the Classics. And there was one adaptation of Moby Dick

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<v Speaker 1>where Mr Magoo plays Ishmael, the lone survivor of the Peaquad,

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<v Speaker 1>who in this case is is seventy year old man

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<v Speaker 1>got blind. And this blind deaf millionaire. He's the only one.

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<v Speaker 1>He's the only one who survives. Anyway, I was so

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<v Speaker 1>taken with it. I was in fifth grade. So I

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<v Speaker 1>went to the library and got the book and I

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<v Speaker 1>was trying to read that, and then my um my

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<v Speaker 1>school teacher saw the book on my desk and started

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<v Speaker 1>laughing at me, which I thought there was a gentler

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<v Speaker 1>way to suggest that maybe it was a bit advanced.

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<v Speaker 1>But I showed him where did you grow up? With

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<v Speaker 1>town in di Cell's Long Island, So that was very

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<v Speaker 1>was a very wooded back then. Because you said you'd

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<v Speaker 1>like to quote go around and climb trees, It wasn't

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<v Speaker 1>really that wooded, but I found the trees and those

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<v Speaker 1>I climbed Um, all three trees that block, you climbed them.

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<v Speaker 1>It was somewhat I mean, there were trees around. It

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<v Speaker 1>was a suburb Um but also Dix Hills. Interesting it

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<v Speaker 1>is where John Coltrane went to die. Um. I found

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<v Speaker 1>that out recently. I'm not sure why he went to

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<v Speaker 1>the no but also and also it's near Um. Speaking

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<v Speaker 1>of literature, I grew up on Ibsen Court, which all

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<v Speaker 1>the streets on my block were named after authors, but

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<v Speaker 1>no one knew, because I think the planners of the

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<v Speaker 1>town had these like high hopes for the people who

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<v Speaker 1>would move in, and instead it was just all of us,

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<v Speaker 1>and it was more mall culture. So um, they thought

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<v Speaker 1>it would be like a bunch of literary right. So,

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<v Speaker 1>for example, I grew up near the Walt Whitman Mall

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<v Speaker 1>because Walt Whitman's birthplaces in Melville. But no one knew

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<v Speaker 1>that Walt Whitman was a poet. So when it came

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<v Speaker 1>time to learn about Walt Whitman in in high school,

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<v Speaker 1>everyone was like, Oh, this guy is named after our mall,

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<v Speaker 1>he must not be that bad. Your parents super brainiac people,

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<v Speaker 1>are they like reading all the time and playing opera

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<v Speaker 1>in the house. And you've been a very culture cultural No, um, no,

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<v Speaker 1>culture culture. No, actually that's not true. Well, my parents

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<v Speaker 1>were working so much when I was growing up. You

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<v Speaker 1>have siblings. I have two older brothers, so you have

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<v Speaker 1>two older brothers and than you. Yes, but my father

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<v Speaker 1>was a big reader and so but we didn't have

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<v Speaker 1>any books in the house because why buy them when

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<v Speaker 1>you could borrow them from the library. So in the

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<v Speaker 1>summertime we would go to the library and like get

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<v Speaker 1>a whole bunch of books on long loan, and then

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<v Speaker 1>we would take them with us to Greece, where my

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<v Speaker 1>mother is from, and read them over there and get

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<v Speaker 1>them ruined on the beach, which always excited me because

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<v Speaker 1>I thought I'm going to bring the books. I brought

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<v Speaker 1>the books back ruined, but I thought I was bringing

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<v Speaker 1>them back with the secret history. And how lucky for

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<v Speaker 1>someone else that happened after they've been all over the world.

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<v Speaker 1>This ordinary water stains on this book some Greece. Now,

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<v Speaker 1>so your own connection which lives on now? Correct? You?

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<v Speaker 1>You you live in Greece part time? Well, I really

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<v Speaker 1>just say that to make myself sound more interesting. How

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<v Speaker 1>much of what you say is just to make you

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<v Speaker 1>sound we're interesting? How much of it is Factum? Very

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<v Speaker 1>little of what I say is to make myself sound

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<v Speaker 1>more interesting. But some of what I write is to

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<v Speaker 1>make myself sound more interesting. So I never would have

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<v Speaker 1>said I live in Greece for part of the time. Um,

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<v Speaker 1>But I did write that in my bio to give

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<v Speaker 1>myself a little extra glamour. Okay, I lived there like

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<v Speaker 1>three or four months of the year. You do, now, Yeah,

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<v Speaker 1>except for right that that right now, I'm here. Now,

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<v Speaker 1>what did your dad do? Um? He well, growing up,

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<v Speaker 1>my parents um had a party store. But did they

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<v Speaker 1>really Yeah? Yeah, I grew up with all sorts of

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<v Speaker 1>I mean I thought that that's what they were into,

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<v Speaker 1>so I really embraced that hard and was really into

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<v Speaker 1>partying for a long time. But it turns out it

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<v Speaker 1>was just like they got into it accidentally. They're just

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<v Speaker 1>you know, business people, so you're doing like a kid's

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<v Speaker 1>party store. Were like they'd sell party supplies and novelty items.

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<v Speaker 1>So like I grew up, there's yeah, a lot of

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<v Speaker 1>would be cushions around my house, like tons. Um, we've

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<v Speaker 1>only recently gotten through all of them, you know. Uh. Yeah,

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<v Speaker 1>I didn't have a lot of Like my parents weren't

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<v Speaker 1>into material objects, so I didn't have which is important

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<v Speaker 1>in suburban Long Island. I didn't have like the best clothes,

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<v Speaker 1>but like on Halloween, I was the best dressed. But

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<v Speaker 1>the only every other year was like a nightmare for me.

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<v Speaker 1>I mean every other time of year, all the kids

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<v Speaker 1>would you know, tease me, but on Halloween, I was

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<v Speaker 1>like I had everything. You're a goddess. Yeah, I don't

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<v Speaker 1>want to see. Were you close to your parents? But

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<v Speaker 1>you think your parents understood you. Did they cultivate sides

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<v Speaker 1>of you that are have kind of evolved Now you're writing.

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<v Speaker 1>Did you show your parents you're writing and did you

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<v Speaker 1>share with them stuff you wrote? Um? No, Well then

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<v Speaker 1>I was. I was always writing a journal, and my

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<v Speaker 1>father asked me once if he could, if he could

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<v Speaker 1>read what I was writing. And so I said, okay,

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<v Speaker 1>but after I die, because you wrote I really want

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<v Speaker 1>to kill my father. It was just that's how it's done.

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<v Speaker 1>You know my posthumous papers, You don't. You don't publish

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<v Speaker 1>your your journal before you die. Although I have published

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<v Speaker 1>a selection of my journal in my upcoming book. I

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<v Speaker 1>just slipped it in there just to promote it. But

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<v Speaker 1>you wrote a journal and you didn't share it with anybody. No,

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<v Speaker 1>that was the whole you know, the whole point of it, um,

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<v Speaker 1>and that it would be published posthumously. But I'm not

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<v Speaker 1>sure about that anymore. I mean, that was my idea

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<v Speaker 1>when I took it up in fourth grade. But you know,

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<v Speaker 1>my legacy as every fourth grader should be concerned with.

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<v Speaker 1>But in retrospect, I'm not sure it's such a I've

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<v Speaker 1>been looking over the pages and I'm not I'm not

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<v Speaker 1>sure if I actually am going to publish them after

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<v Speaker 1>I die, I might have to destroy them. You started

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<v Speaker 1>writing that when you were how old? Fourth grade? I think?

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<v Speaker 1>What kinds of things did you write in fourth grade? Um? Well,

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<v Speaker 1>that's you'll just have to wait. Give us just a

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<v Speaker 1>vague notion of what you vote. Was it all about,

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<v Speaker 1>like you know, today I walked home from school, it

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<v Speaker 1>was cold or was it? Was it beyond that? Was it? Like? Well?

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<v Speaker 1>It changed? So there were sometimes there were crushes, a

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<v Speaker 1>lot of crushes, um, I think, which you might think

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<v Speaker 1>sounds out a lescent, But that's what the romantic poets

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<v Speaker 1>were doing. So there's a long tradition of that sort

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<v Speaker 1>of thing, um, you know. And then I was trying

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<v Speaker 1>to work on my my descriptions for a while, so

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<v Speaker 1>I would describe water and trees, how many patients. Mostly

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<v Speaker 1>it's the good stuff we need to add down. It's volumes. Yeah,

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<v Speaker 1>I don't think. I don't think I'm actually gonna publish

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<v Speaker 1>it any anymore. That was the idea then, though. But

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<v Speaker 1>one time I had when I first came out of

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<v Speaker 1>college and I had started, I had it I wanted

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<v Speaker 1>to be a writer, and so I had written this thing,

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<v Speaker 1>and I had this idea. I told my parents, you know,

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<v Speaker 1>instead of getting a job, I'm going to be a

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<v Speaker 1>columnist because that's really easy. No, it's just what you said,

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<v Speaker 1>what you say, and what's real or no, I mean

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<v Speaker 1>that's I was at the point where I thought, you

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<v Speaker 1>just want to be something and then you do it.

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<v Speaker 1>Um So, so I had read them this thing that

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<v Speaker 1>I had written. I mean, I thought it was funny,

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<v Speaker 1>but their faces kind of just fell because it was

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<v Speaker 1>really depressing. It turns out anyway, the point is, don't

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<v Speaker 1>show your work to your parents. They won't get it

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<v Speaker 1>because they just look at it to sort of like

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<v Speaker 1>figure out what's wrong with you, you know, like some

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<v Speaker 1>kind of Rosetta stone, to like where they failed, rather

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<v Speaker 1>than seeing its literary merit, Like, you know, where they

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<v Speaker 1>failed is pretty much where my writing succeeds, I think.

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<v Speaker 1>And neither of them writers ever. Well, my father is creative,

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<v Speaker 1>so he's he used to write and to do different.

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<v Speaker 1>He has a sort of artistic temperament. When is your

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<v Speaker 1>writing change beyond the journal that we're never going to

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<v Speaker 1>be reading. Um well, I guess I didn't really begin

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<v Speaker 1>writing properly until I was around twenty eight or twenty nine.

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<v Speaker 1>I'm and I was writing before that and fancied myself

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<v Speaker 1>a writer, but I didn't really become I was kind

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<v Speaker 1>of more of a dilettante um. And what changed were

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<v Speaker 1>we in the gap between ten and twenty eight? What

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<v Speaker 1>were you doing? You went to college for what? Oh?

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<v Speaker 1>I went to UM, I went to n y U

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<v Speaker 1>to study acting. Um. What were your feelings about that? Oh?

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<v Speaker 1>It was you know, I wanted to be an actress,

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<v Speaker 1>but there was a lot of time there. I missed academics.

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<v Speaker 1>You know, at especially at n y U, it's a

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<v Speaker 1>conservatory program, so it's a lot of money to be

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<v Speaker 1>pretending to be in a large body of water or

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<v Speaker 1>holding a coffee cup for like hours and hours everything.

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<v Speaker 1>That's exactly the two analogies I always mentioned. People, I say,

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<v Speaker 1>you're hip deep in some viscous substance, and now let's

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<v Speaker 1>change the viscosity and change and change. And then everybody

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<v Speaker 1>wore black clothes and smoked and drank a lot of coffee.

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<v Speaker 1>I did that for two years, principally because studio. Yeah,

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<v Speaker 1>I was in the Strasburg was I really So that's

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<v Speaker 1>why you say hip deep and avy and drinking coffee. Yeah,

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<v Speaker 1>that's what I went to. Who are your teachers? Ms?

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<v Speaker 1>Sandr Marsha No, yes, yes, Jeff he was my teacher.

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<v Speaker 1>Who yes, Yeah, I mean that was that was I

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<v Speaker 1>I enjoyed it. I just um, I just wanted to

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<v Speaker 1>study more things while I was in school, and then

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<v Speaker 1>I kind of got away from it. I think it

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<v Speaker 1>was a very good thing because I guess as an

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<v Speaker 1>actor you have to audition a lot, and I don't

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<v Speaker 1>think you know, I guess that's your real job, not

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<v Speaker 1>actually acting, and for most people, a few people actually

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<v Speaker 1>have the opportunity. I think that's that that's that's potentially right.

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<v Speaker 1>And I also think that the job is really what

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<v Speaker 1>do you do with your stuff when you're not acting? Yeah.

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<v Speaker 1>I always say to people, the task is to find

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<v Speaker 1>out how much you like acting, because you're going to

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<v Speaker 1>get to do so little of it. So what I

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<v Speaker 1>found out when I was at acting school and why

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<v Speaker 1>I stayed with it for two years, is I really

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<v Speaker 1>I had discovered the nightlife in New York City, and

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<v Speaker 1>I had never had a social life in high school

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<v Speaker 1>because I had so many you know, my god, you're

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<v Speaker 1>my doppel gang or keep going, Really, what happened to me?

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<v Speaker 1>I'm in New York. I got a couple of bucks

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<v Speaker 1>in my pocket. My what's party? Yeah? Well it was wasted.

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<v Speaker 1>It was extraordinary. And I mean as a as a

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<v Speaker 1>as a young woman in New York City, you're really

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<v Speaker 1>sort of taken up. And I was weird in high school,

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<v Speaker 1>you know, because I was really too enthusiastic. I was

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<v Speaker 1>involved in all of these extracurricular activitis. And I was

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<v Speaker 1>in the I founded the debate club with one other

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<v Speaker 1>with one other student. He was the president because he

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<v Speaker 1>was a senior, and I was the vice president because

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<v Speaker 1>I was a freshman, and we were the only members.

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<v Speaker 1>That was the club for independent thought. There was the

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<v Speaker 1>drama club, of course, and then I was president of

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<v Speaker 1>my class and um whils. I was in the I

0:11:46.960 --> 0:11:50.400
<v Speaker 1>was in the kick line, the dance team, the swim team.

0:11:50.440 --> 0:11:53.520
<v Speaker 1>I was in running. But then my knees gave out,

0:11:53.840 --> 0:11:58.480
<v Speaker 1>so I was just really busy all the time. Um.

0:11:58.520 --> 0:12:00.640
<v Speaker 1>But then when I came to college, it was like

0:12:01.000 --> 0:12:02.880
<v Speaker 1>all of a sudden, you don't have to do anything.

0:12:02.880 --> 0:12:05.760
<v Speaker 1>You don't you barely have to go to class. There's

0:12:05.800 --> 0:12:08.439
<v Speaker 1>no required of you. Yeah, so I was like oh

0:12:08.520 --> 0:12:10.600
<v Speaker 1>now I can. Just so the real work was at night,

0:12:10.679 --> 0:12:12.640
<v Speaker 1>you know, going out, being out until like five in

0:12:12.640 --> 0:12:17.400
<v Speaker 1>the morning, and um at that time, let's see, there

0:12:17.480 --> 0:12:19.679
<v Speaker 1>was a remember the first time I went to a

0:12:19.800 --> 0:12:24.199
<v Speaker 1>nightclub called Chaos, and it was like the world broke open.

0:12:26.120 --> 0:12:28.640
<v Speaker 1>And and the thing is I was so weird in

0:12:28.720 --> 0:12:30.880
<v Speaker 1>high school. But then all of these men they thought

0:12:30.880 --> 0:12:33.360
<v Speaker 1>I was so sophisticated and interesting. That's what they said.

0:12:33.840 --> 0:12:36.560
<v Speaker 1>I understand, you know, and they were like, you don't

0:12:36.640 --> 0:12:39.520
<v Speaker 1>really you don't seem eighteen. I thought for sure you

0:12:39.520 --> 0:12:41.920
<v Speaker 1>were twenty one. I thought this was that meant I

0:12:41.960 --> 0:12:44.520
<v Speaker 1>was sophisticated. They were just saying, like, I thought you

0:12:44.559 --> 0:12:47.840
<v Speaker 1>were like legal and on the level that I could

0:12:47.880 --> 0:12:50.480
<v Speaker 1>feed you. And I wasn't get in trouble as I'm

0:12:50.520 --> 0:12:56.080
<v Speaker 1>passing you this Manhattan. Yeah, when you stopped going to

0:12:56.120 --> 0:12:59.600
<v Speaker 1>the drama program and you transferred to Gallatin correct and

0:12:59.600 --> 0:13:02.160
<v Speaker 1>when you transferred to Galaton, you study philosophy and literature

0:13:02.840 --> 0:13:06.000
<v Speaker 1>sort of, Yeah, yeah, that's what did they call it

0:13:06.000 --> 0:13:09.400
<v Speaker 1>a Gallaton? They call it individualized studies. So basically you

0:13:09.440 --> 0:13:12.600
<v Speaker 1>could just string together, yeah, would be as many books

0:13:12.640 --> 0:13:15.280
<v Speaker 1>as possible. And then and then when you left in

0:13:15.320 --> 0:13:17.559
<v Speaker 1>your heart. You left acting. You did not only leave

0:13:17.600 --> 0:13:19.360
<v Speaker 1>the acting program. You decided I'm not going to be

0:13:19.360 --> 0:13:21.560
<v Speaker 1>an actress. Did not do that. I want, I figured

0:13:21.600 --> 0:13:24.200
<v Speaker 1>I would be an actress after after college, but I

0:13:24.240 --> 0:13:26.920
<v Speaker 1>just didn't need to do that. Yeah, I could do

0:13:26.960 --> 0:13:29.200
<v Speaker 1>that later, But then the further I got from them,

0:13:29.360 --> 0:13:32.719
<v Speaker 1>she went two years to uh Gallaton and you were

0:13:32.720 --> 0:13:36.120
<v Speaker 1>studying independent thought? Were you writing then? I was? I

0:13:36.160 --> 0:13:39.560
<v Speaker 1>was writing poetry. But you but you discount that and say,

0:13:39.559 --> 0:13:44.920
<v Speaker 1>no serious writing until Why No, I was writing somewhat seriously,

0:13:44.960 --> 0:13:48.200
<v Speaker 1>but I mean I wasn't writing with the kind of

0:13:48.280 --> 0:13:51.000
<v Speaker 1>rigor to really put together a body of work. You know,

0:13:51.040 --> 0:13:55.960
<v Speaker 1>I was dabbling or calling myself a writer, But I mean,

0:13:56.400 --> 0:13:59.120
<v Speaker 1>you really need to put in many many hours, well

0:14:00.280 --> 0:14:05.880
<v Speaker 1>hours every day to be a writer consistently. Um. So

0:14:05.920 --> 0:14:07.760
<v Speaker 1>before that, I just did a lot of drinking and

0:14:07.800 --> 0:14:10.640
<v Speaker 1>talking about writing and then you know, a little writing.

0:14:10.800 --> 0:14:12.520
<v Speaker 1>And when you say you did a lot of drinking,

0:14:12.840 --> 0:14:16.240
<v Speaker 1>was that something that you were doing um with groups

0:14:16.240 --> 0:14:18.439
<v Speaker 1>of people with friends and it was all social and

0:14:18.600 --> 0:14:21.800
<v Speaker 1>carefree and reckless. Or were you like going home and

0:14:21.800 --> 0:14:25.600
<v Speaker 1>cracking open a bottle of old Smuggler and having that

0:14:25.760 --> 0:14:29.640
<v Speaker 1>at four in the morning by yourself or both? Um? Yeah, both.

0:14:30.160 --> 0:14:32.560
<v Speaker 1>I mean I guess when I first started drinking, I

0:14:32.600 --> 0:14:38.960
<v Speaker 1>actually started drinking. Um, I mean yeah, I guess. There

0:14:38.960 --> 0:14:40.960
<v Speaker 1>were a few times where I drank alone, mainly because

0:14:40.960 --> 0:14:43.480
<v Speaker 1>I wanted to make sure that I wasn't doing it

0:14:43.520 --> 0:14:47.440
<v Speaker 1>out of pure pressure. Do I really enjoy this? It

0:14:47.480 --> 0:14:51.120
<v Speaker 1>turns out I did. I don't need you. Yeah, But

0:14:51.240 --> 0:14:53.440
<v Speaker 1>I mean it was both social and you know, and

0:14:53.480 --> 0:14:57.960
<v Speaker 1>then eventually it's just it's great all the time. And

0:14:58.000 --> 0:14:59.840
<v Speaker 1>were you crushing on these men that were trying to

0:14:59.840 --> 0:15:02.520
<v Speaker 1>buy these Manhattan's when you were trying to figure out

0:15:02.520 --> 0:15:05.360
<v Speaker 1>if you were really twenty one years old? Um? Some

0:15:05.480 --> 0:15:07.800
<v Speaker 1>of them I liked. I guess sometimes I just like

0:15:07.920 --> 0:15:10.440
<v Speaker 1>that they liked me. You know, it's always you wanted

0:15:10.480 --> 0:15:17.200
<v Speaker 1>to be adored. Yeah, it doesn't everyone two years at Gallaton.

0:15:17.240 --> 0:15:19.880
<v Speaker 1>So you're done after four years and you leave college

0:15:19.880 --> 0:15:24.720
<v Speaker 1>and you say you want to what. Well, I wanted

0:15:24.760 --> 0:15:27.640
<v Speaker 1>to be a writer obviously at that point. I mean

0:15:27.720 --> 0:15:29.960
<v Speaker 1>I always do that. I always wanted to actress actings

0:15:30.000 --> 0:15:32.520
<v Speaker 1>over No, I still wanted to be an actor, I mean,

0:15:32.600 --> 0:15:34.600
<v Speaker 1>and I had thought maybe I'd be a movie star

0:15:34.680 --> 0:15:38.680
<v Speaker 1>to support my writing, you know, reasonable stuff. There you

0:15:38.760 --> 0:15:41.960
<v Speaker 1>go again and UM and then I then I had

0:15:42.000 --> 0:15:46.880
<v Speaker 1>an idea to maybe be um a business mogul to

0:15:46.960 --> 0:15:50.920
<v Speaker 1>support my acting, which would support the writing. UM, so

0:15:51.640 --> 0:15:55.720
<v Speaker 1>human rights were it was all business mogul movie star. Yeah.

0:15:55.840 --> 0:15:59.400
<v Speaker 1>Well I actually, I mean I did. I was a teacher.

0:15:59.560 --> 0:16:02.640
<v Speaker 1>I talked, I so so, but but I didn't do

0:16:02.680 --> 0:16:05.200
<v Speaker 1>it for any good reason. I mean I had I

0:16:05.240 --> 0:16:08.240
<v Speaker 1>was teaching with Teach for America teachers and teaching fellows

0:16:08.280 --> 0:16:11.000
<v Speaker 1>at a at at a troubled school in the South Bronx.

0:16:11.040 --> 0:16:13.120
<v Speaker 1>How long did you do that? Um? I did it

0:16:13.200 --> 0:16:15.120
<v Speaker 1>for a year and then it was the school was

0:16:15.160 --> 0:16:18.480
<v Speaker 1>taken over by the state, so they got rid of everyone,

0:16:18.520 --> 0:16:20.520
<v Speaker 1>and then I went to UM. Then I went to

0:16:20.520 --> 0:16:24.160
<v Speaker 1>a different school. How many years total teaching to to

0:16:24.160 --> 0:16:26.920
<v Speaker 1>to that? I was teaching middle school? So you took

0:16:26.960 --> 0:16:30.680
<v Speaker 1>two years to teach for no good reason? Well, because

0:16:30.720 --> 0:16:33.320
<v Speaker 1>I think because I needed a job. I mean that

0:16:33.400 --> 0:16:35.560
<v Speaker 1>I didn't have any good intentions that I was going

0:16:35.600 --> 0:16:38.400
<v Speaker 1>to save anyone. But I think this is why I

0:16:38.480 --> 0:16:41.720
<v Speaker 1>lasted at the at this public school, because all of

0:16:41.760 --> 0:16:45.440
<v Speaker 1>the Teach for America fellows quit within a month because

0:16:45.480 --> 0:16:47.360
<v Speaker 1>you know, they were being threatened and things like that.

0:16:47.720 --> 0:16:50.840
<v Speaker 1>So were they being threatened by the students. Yes, both

0:16:50.840 --> 0:16:53.640
<v Speaker 1>of the eventually ended up having to teach Jim too,

0:16:53.680 --> 0:16:55.520
<v Speaker 1>because both of the gym teachers by the end of

0:16:55.520 --> 0:16:58.560
<v Speaker 1>the year were jumped. It was a very rough school

0:17:00.080 --> 0:17:03.040
<v Speaker 1>for your assaulted at all. No, but I was often

0:17:03.160 --> 0:17:07.760
<v Speaker 1>sore from breaking up fights. What was it in your

0:17:07.840 --> 0:17:10.360
<v Speaker 1>in your mind that I thought you thought you were

0:17:10.359 --> 0:17:13.919
<v Speaker 1>you were born to referee fights among middle school children

0:17:13.920 --> 0:17:16.119
<v Speaker 1>in the Bronx. Well, I just needed I mean, I

0:17:16.160 --> 0:17:17.520
<v Speaker 1>just have this image of you being like, you know,

0:17:17.760 --> 0:17:20.199
<v Speaker 1>here here now enough of that, and you're like stepping

0:17:20.200 --> 0:17:23.920
<v Speaker 1>in between like somebody with a broken bottle and a chair. No, actually,

0:17:23.920 --> 0:17:26.760
<v Speaker 1>one time someone did have a chair over another another

0:17:26.840 --> 0:17:30.200
<v Speaker 1>kid's head. That wasn't Actually, that wasn't one time. How

0:17:30.240 --> 0:17:32.600
<v Speaker 1>many fights did you break up during your two year career? Oh?

0:17:32.640 --> 0:17:35.920
<v Speaker 1>It was multiple times a day, right, and then ended

0:17:35.960 --> 0:17:38.560
<v Speaker 1>after two years? Why? Well, in order for me to

0:17:38.680 --> 0:17:41.560
<v Speaker 1>escape to graduate school and you went to graduate school

0:17:41.560 --> 0:17:45.560
<v Speaker 1>were Um? I went to City College to study writing

0:17:45.680 --> 0:17:48.639
<v Speaker 1>for how long? Um? I tried to stretch that out

0:17:48.680 --> 0:17:51.680
<v Speaker 1>as long as possible. Again, I mean that's why I say,

0:17:52.000 --> 0:17:54.720
<v Speaker 1>first of all, The truth is, graduate school is most

0:17:54.720 --> 0:17:56.879
<v Speaker 1>of the time, unless someone's becoming a doctor, it's pretty

0:17:56.920 --> 0:17:59.480
<v Speaker 1>much a shelter for for kids who just don't want

0:17:59.480 --> 0:18:02.639
<v Speaker 1>to grow up. Yeah, And I mean that's why I

0:18:02.640 --> 0:18:04.760
<v Speaker 1>had even considered a PhD, because I was like, I'm

0:18:04.800 --> 0:18:09.600
<v Speaker 1>just gonna make this last forever. Um. But so I

0:18:09.640 --> 0:18:12.600
<v Speaker 1>was there for a few years. I was also teaching

0:18:12.600 --> 0:18:16.440
<v Speaker 1>in the I was teaching undergraduate humanities and creative writing

0:18:16.480 --> 0:18:18.639
<v Speaker 1>at the same time. And all the time you're doing this,

0:18:19.400 --> 0:18:22.920
<v Speaker 1>what's funny to you, what's entertaining to you, what's humored

0:18:22.960 --> 0:18:25.440
<v Speaker 1>to you? What are you reading? What are you watching

0:18:25.560 --> 0:18:28.359
<v Speaker 1>listening to? Did you go to the theater to the

0:18:28.400 --> 0:18:30.880
<v Speaker 1>movies all the time? Well, I was reading. I've I've

0:18:30.880 --> 0:18:33.240
<v Speaker 1>always been reading all of the time. But what were

0:18:33.240 --> 0:18:38.680
<v Speaker 1>you reading? What were you reading that was funny? Um,

0:18:38.720 --> 0:18:40.719
<v Speaker 1>I don't know, perhaps a little bit of Donald barthel

0:18:40.800 --> 0:18:44.280
<v Speaker 1>Me Selene Journey to the End of the Night. I

0:18:44.400 --> 0:18:47.560
<v Speaker 1>never I've never really read anything that's been exclusively funny.

0:18:47.840 --> 0:18:51.680
<v Speaker 1>I like things that are very very serious, but that

0:18:51.720 --> 0:18:55.680
<v Speaker 1>make you laugh consistently, because I think that that's more

0:18:55.760 --> 0:18:58.560
<v Speaker 1>truthful and how life is, or at least that's how

0:18:58.600 --> 0:19:07.320
<v Speaker 1>I experienced life. Um, were your movie cover? Yeah, I

0:19:07.400 --> 0:19:11.119
<v Speaker 1>like to go to the movies alone. That sounds so sad,

0:19:12.520 --> 0:19:15.600
<v Speaker 1>it's perfect. Well, you don't need anybody go to the movies.

0:19:15.640 --> 0:19:17.840
<v Speaker 1>It's you. I don't understand the whole world for the

0:19:17.880 --> 0:19:20.399
<v Speaker 1>people up there on screen. Why do people go with

0:19:20.480 --> 0:19:22.800
<v Speaker 1>other people? They just chew and then they look at

0:19:22.840 --> 0:19:25.400
<v Speaker 1>you and you can hear them breathing. I don't understand

0:19:25.440 --> 0:19:28.880
<v Speaker 1>going to the movies with another person. Um, I love

0:19:28.880 --> 0:19:31.080
<v Speaker 1>going to the movies alone. That's the way to do it.

0:19:31.240 --> 0:19:33.760
<v Speaker 1>And if you can, if you to go in the

0:19:33.840 --> 0:19:35.920
<v Speaker 1>afternoon to a movie that's been out and really for

0:19:35.960 --> 0:19:38.560
<v Speaker 1>a really long time, and you have the whole theater,

0:19:39.200 --> 0:19:41.760
<v Speaker 1>especially in New York City. I mean when I was younger,

0:19:41.800 --> 0:19:43.960
<v Speaker 1>I was living in a very small place. Now it's

0:19:44.000 --> 0:19:47.040
<v Speaker 1>just small, but my early place was very small. So

0:19:47.119 --> 0:19:51.400
<v Speaker 1>you go to this place and it's this huge room

0:19:51.440 --> 0:19:54.399
<v Speaker 1>all to yourself. I mean it's like you're you're like

0:19:54.440 --> 0:20:03.560
<v Speaker 1>a kid for a little Yes, coming up smiles, talks

0:20:03.600 --> 0:20:06.119
<v Speaker 1>about what she used to do with many of her days,

0:20:06.680 --> 0:20:15.119
<v Speaker 1>drink heavily explore the Here's the thing archives. I spoke

0:20:15.160 --> 0:20:18.280
<v Speaker 1>with the late Elaine Stritch, who wasn't a native New Yorker,

0:20:18.320 --> 0:20:21.880
<v Speaker 1>but became one of the city's most iconic residents. When

0:20:21.920 --> 0:20:25.080
<v Speaker 1>she retired and finally left the city, she knew what

0:20:25.160 --> 0:20:28.719
<v Speaker 1>she was going to miss. The personality of human beings

0:20:28.720 --> 0:20:36.600
<v Speaker 1>in New York. They are so opened and second, they're

0:20:36.600 --> 0:20:40.639
<v Speaker 1>not watching what they're doing. They're not you know, they're

0:20:41.440 --> 0:20:44.920
<v Speaker 1>they're not watching their language, They're not watching anything. They're

0:20:45.000 --> 0:20:50.440
<v Speaker 1>just going through life saying what. Yeah, all right, fuck

0:20:50.480 --> 0:20:54.920
<v Speaker 1>you take a listen at Here's the Thing dot org.

0:21:06.480 --> 0:21:09.159
<v Speaker 1>This is Alec Baldwin and you were listening to Here's

0:21:09.200 --> 0:21:13.080
<v Speaker 1>the Thing. Author Irish Smiles is honest about her life.

0:21:13.600 --> 0:21:16.880
<v Speaker 1>Both of her books humorously deal with very real issues

0:21:17.160 --> 0:21:20.840
<v Speaker 1>of alienation and self abuse. Both of these were present

0:21:20.920 --> 0:21:23.280
<v Speaker 1>in her life even when she was in graduate school

0:21:23.560 --> 0:21:27.640
<v Speaker 1>and working jobs on the side. I was teaching creative

0:21:27.680 --> 0:21:31.200
<v Speaker 1>writing and humanities at the at the school to undergraduates,

0:21:31.640 --> 0:21:35.080
<v Speaker 1>and I had picked up some some jobs waitressing and

0:21:35.119 --> 0:21:37.080
<v Speaker 1>as a hostess. But I wasn't good at those so

0:21:38.560 --> 0:21:41.520
<v Speaker 1>because um I had well, I was drinking really heavily.

0:21:42.720 --> 0:21:44.880
<v Speaker 1>Uh so, and then they gave me this brunch. Also,

0:21:44.920 --> 0:21:46.879
<v Speaker 1>I'm just not a good waitress, but they gave me

0:21:46.960 --> 0:21:49.760
<v Speaker 1>this brunch shift, right, So I would go out and

0:21:49.800 --> 0:21:52.080
<v Speaker 1>I would drink until four in the morning or five,

0:21:52.160 --> 0:21:54.879
<v Speaker 1>and then I would have to be there later. And

0:21:55.000 --> 0:21:57.280
<v Speaker 1>usually it was like I don't know, I was coming

0:21:57.280 --> 0:21:59.080
<v Speaker 1>off some kind of bender. And then I had to

0:21:59.320 --> 0:22:02.680
<v Speaker 1>um carry the drinks during brunch, which was really it's

0:22:02.720 --> 0:22:05.680
<v Speaker 1>really hard to carry a tray with drinks, and especially

0:22:05.680 --> 0:22:09.119
<v Speaker 1>when you have the shakes so like that the glasses

0:22:09.119 --> 0:22:12.080
<v Speaker 1>are rattling all over the place unless you drink one

0:22:12.720 --> 0:22:16.600
<v Speaker 1>and and then I mean so every I mean I

0:22:16.640 --> 0:22:19.520
<v Speaker 1>spilled a lot of drinks or sometimes the customers would

0:22:19.520 --> 0:22:23.560
<v Speaker 1>catch them in time, you know, because I would lower

0:22:23.600 --> 0:22:26.920
<v Speaker 1>the I would lower the tray really slowly. Many people

0:22:26.960 --> 0:22:29.000
<v Speaker 1>came there. It was kind of a game see if

0:22:29.040 --> 0:22:31.399
<v Speaker 1>you can catch the drinks when they well. One of

0:22:31.400 --> 0:22:33.400
<v Speaker 1>the games was I was so bad at the job

0:22:33.480 --> 0:22:35.919
<v Speaker 1>that the manager was like, are you sure you should

0:22:35.920 --> 0:22:37.760
<v Speaker 1>be in service? But then every time you tried to

0:22:37.800 --> 0:22:39.960
<v Speaker 1>broach the subject of my quitting, I would start to

0:22:39.960 --> 0:22:42.080
<v Speaker 1>tear up because I was very sensitive and wanted to

0:22:42.119 --> 0:22:44.600
<v Speaker 1>do well. And then it became sort of a game

0:22:44.720 --> 0:22:46.399
<v Speaker 1>like who am I going to quit? Or is he

0:22:46.400 --> 0:22:49.200
<v Speaker 1>going to fire me? The people around you know, like

0:22:49.200 --> 0:22:52.760
<v Speaker 1>like whoever you were close with, friends, family, did they

0:22:52.960 --> 0:22:57.160
<v Speaker 1>know you had a drinking problem? Well it was anybody

0:22:57.400 --> 0:23:01.200
<v Speaker 1>uh trying to intercede there, know, because I was really

0:23:01.240 --> 0:23:03.919
<v Speaker 1>great at drinking. I mean there was. That's why it

0:23:03.920 --> 0:23:06.439
<v Speaker 1>was hard. It was hard to stop. I mean I

0:23:06.520 --> 0:23:09.760
<v Speaker 1>was That's like pretty much that was my main thing.

0:23:09.880 --> 0:23:17.920
<v Speaker 1>That was like my art form partying. Um. Yeah, drink

0:23:17.960 --> 0:23:20.720
<v Speaker 1>at home. Yeah, and maybe have some you know, have some,

0:23:21.600 --> 0:23:23.440
<v Speaker 1>have a friend over. I don't know, it just sort

0:23:23.440 --> 0:23:26.160
<v Speaker 1>of it's not that it would begin. It basically never stopped.

0:23:28.000 --> 0:23:30.480
<v Speaker 1>You know. To say where it begins is like I

0:23:30.520 --> 0:23:37.919
<v Speaker 1>don't know, um birth um. But but so it was

0:23:37.960 --> 0:23:39.679
<v Speaker 1>hard to give up because that was so much of

0:23:39.680 --> 0:23:41.960
<v Speaker 1>my identity and people around me loved it because I

0:23:42.000 --> 0:23:44.400
<v Speaker 1>was always giving parties and I was creating a lot

0:23:44.440 --> 0:23:47.240
<v Speaker 1>of fun. I mean I wasn't a miserable drink. I

0:23:47.280 --> 0:23:50.920
<v Speaker 1>was drunk. I was. It was just hurting me. Um.

0:23:51.000 --> 0:23:52.680
<v Speaker 1>And also I mean the reason that I gave it

0:23:52.760 --> 0:23:57.440
<v Speaker 1>up is because I wanted to become something I wanted.

0:23:57.480 --> 0:23:59.399
<v Speaker 1>I mean I realized that like, you know, you you

0:23:59.480 --> 0:24:01.760
<v Speaker 1>drink and you have created a wonderful time, But what

0:24:01.800 --> 0:24:05.960
<v Speaker 1>do you, what have you made? And so I wanted

0:24:05.960 --> 0:24:08.800
<v Speaker 1>to be a writer. I wanted to make something. So

0:24:08.840 --> 0:24:11.159
<v Speaker 1>when did that change? When you did you decide that

0:24:11.240 --> 0:24:14.800
<v Speaker 1>drinking was not compatible with who you really wanted to be? Well,

0:24:14.840 --> 0:24:17.159
<v Speaker 1>it was really becoming harder and harder to keep doing it,

0:24:17.200 --> 0:24:22.160
<v Speaker 1>I mean physically, Um that hangovers were becoming pretty bad.

0:24:23.000 --> 0:24:25.159
<v Speaker 1>I just started to realize that I was kind of

0:24:26.640 --> 0:24:29.399
<v Speaker 1>I was getting further and further away from anything that

0:24:29.440 --> 0:24:32.360
<v Speaker 1>I ever wanted to do. And I had big dreams

0:24:32.680 --> 0:24:36.639
<v Speaker 1>and I just was not getting anywhere near them. And um,

0:24:36.680 --> 0:24:41.919
<v Speaker 1>I figured, either I have to revise my dreams, my aspirations, um,

0:24:42.040 --> 0:24:44.760
<v Speaker 1>or make a change in my life in order to

0:24:44.840 --> 0:24:48.440
<v Speaker 1>actually accomplish something. And you did make that change. I did,

0:24:48.480 --> 0:24:51.800
<v Speaker 1>and it was kind of the most exciting. I say,

0:24:51.880 --> 0:24:54.520
<v Speaker 1>the biggest adventure and the most exciting time of my

0:24:54.600 --> 0:24:59.479
<v Speaker 1>life was five years I spent I'd completely retired from

0:24:59.560 --> 0:25:04.399
<v Speaker 1>social and I was just kind of writing and living

0:25:04.440 --> 0:25:06.440
<v Speaker 1>like a monk, I mean on the outside of the

0:25:06.680 --> 0:25:12.880
<v Speaker 1>after graduate school. Yeah, year around I was I guess

0:25:14.280 --> 0:25:16.200
<v Speaker 1>when you went into the cave, when I went into

0:25:16.240 --> 0:25:18.200
<v Speaker 1>the cave, And then I kind of came out five

0:25:18.280 --> 0:25:22.639
<v Speaker 1>years later with a book and happily got it published

0:25:22.680 --> 0:25:25.800
<v Speaker 1>and and now I'm sort of, you know, trying to

0:25:25.800 --> 0:25:28.760
<v Speaker 1>be a human again. So what I wonder is when

0:25:28.800 --> 0:25:30.600
<v Speaker 1>you go into this kind of cloister, when you go

0:25:30.600 --> 0:25:33.280
<v Speaker 1>into the cave, why don't you stay there? If it

0:25:33.400 --> 0:25:41.280
<v Speaker 1>was so fruitful, Ultimately you're missing it was great. But

0:25:41.320 --> 0:25:43.600
<v Speaker 1>I don't I think again it was. It was an

0:25:43.600 --> 0:25:46.439
<v Speaker 1>extreme and it's not sustainable in the same way that

0:25:47.080 --> 0:25:49.080
<v Speaker 1>I mean basically, I took everything that I was giving

0:25:49.119 --> 0:25:51.560
<v Speaker 1>to like my drinking and party lifestyle, and put it

0:25:51.600 --> 0:25:56.480
<v Speaker 1>into into work. And I don't think that you know this,

0:25:56.760 --> 0:25:59.080
<v Speaker 1>the pendulum swings and it has to come back another

0:25:59.119 --> 0:26:02.440
<v Speaker 1>another obsession. Yeah, and so it was, it was good.

0:26:02.480 --> 0:26:05.720
<v Speaker 1>But now I'm I'm trying to sort of cultivate some

0:26:05.800 --> 0:26:07.840
<v Speaker 1>kind of balance, and you know, I want to have

0:26:07.960 --> 0:26:11.080
<v Speaker 1>a have a personal life, so I'm trying to figure

0:26:11.080 --> 0:26:15.080
<v Speaker 1>that out. Um, although it's I'm very intense, it would

0:26:15.080 --> 0:26:18.719
<v Speaker 1>be a lot I long for the cave in truth,

0:26:20.040 --> 0:26:24.360
<v Speaker 1>but you know, it's a new challenge to sort of

0:26:24.600 --> 0:26:28.200
<v Speaker 1>be balanced in the middle. Moderate but doesn't sounds like terrible.

0:26:28.240 --> 0:26:30.480
<v Speaker 1>Who wants to be moderate at anything? And you came

0:26:30.480 --> 0:26:34.320
<v Speaker 1>out with the book called iris has free time? What

0:26:34.400 --> 0:26:36.600
<v Speaker 1>do you do? What? What do you do with a book?

0:26:36.840 --> 0:26:39.159
<v Speaker 1>If you're a writer and you write a book and

0:26:39.520 --> 0:26:44.000
<v Speaker 1>your parents aren't at cannap for something and or Simon

0:26:44.040 --> 0:26:49.000
<v Speaker 1>and Schuster and you're you're you're you with all of

0:26:49.040 --> 0:26:51.600
<v Speaker 1>the defining things about who you are? What do you

0:26:51.640 --> 0:26:53.000
<v Speaker 1>do with that book when you're done? Where do you

0:26:53.080 --> 0:26:57.720
<v Speaker 1>go with it? Well, happily I had met um, a

0:26:57.760 --> 0:27:04.360
<v Speaker 1>professor at City College who liked my work and encouraged

0:27:04.359 --> 0:27:07.920
<v Speaker 1>me to keep writing, and so I showed it to him,

0:27:08.040 --> 0:27:11.720
<v Speaker 1>and then he introduced me or referred me to a

0:27:11.760 --> 0:27:15.280
<v Speaker 1>few different agents, which means that they, you know, put

0:27:15.359 --> 0:27:18.000
<v Speaker 1>my cover letter at the top, and then rejected me

0:27:18.080 --> 0:27:20.919
<v Speaker 1>before all of the other all of the other people.

0:27:21.520 --> 0:27:25.000
<v Speaker 1>But then one of them, finally, one of them kind

0:27:25.000 --> 0:27:27.360
<v Speaker 1>of took me, took me on, and so we made

0:27:27.359 --> 0:27:30.600
<v Speaker 1>our way and got the book out um because of

0:27:30.920 --> 0:27:36.479
<v Speaker 1>how it was published by Counterpoint Um. But those meetings

0:27:36.520 --> 0:27:38.160
<v Speaker 1>like for you, when you're pitching a book or you're

0:27:38.160 --> 0:27:42.000
<v Speaker 1>selling a book to them, what's it like for you?

0:27:42.000 --> 0:27:44.600
<v Speaker 1>You know, out of a period of intense isolation, if

0:27:44.640 --> 0:27:46.520
<v Speaker 1>you will, and now you've got to be a bit

0:27:46.560 --> 0:27:50.320
<v Speaker 1>more collaborative. Was that difficult for you to collaborate with them? Um?

0:27:50.359 --> 0:27:54.239
<v Speaker 1>It was terrible. It was how much did they want

0:27:54.240 --> 0:27:56.520
<v Speaker 1>to change your book? Well? I mean, and that was

0:27:56.920 --> 0:27:58.919
<v Speaker 1>that's why it was a little bit of a process.

0:27:58.960 --> 0:28:02.679
<v Speaker 1>In the beginning. I had seen a couple of agents

0:28:02.800 --> 0:28:05.879
<v Speaker 1>who who liked it, but they were like, yes, but

0:28:06.000 --> 0:28:08.080
<v Speaker 1>what we wanted you need to change it all around

0:28:08.080 --> 0:28:10.760
<v Speaker 1>and do this and and so that was really scary

0:28:10.800 --> 0:28:14.840
<v Speaker 1>because after five years you think, well, this is my chance.

0:28:15.000 --> 0:28:17.920
<v Speaker 1>Do I go agree with them or But I didn't

0:28:17.920 --> 0:28:19.560
<v Speaker 1>want to change it. I didn't believe in that. So

0:28:19.600 --> 0:28:23.240
<v Speaker 1>I took a risk and I, um sort of stuck

0:28:23.280 --> 0:28:26.879
<v Speaker 1>to my guns, found another agent, finally found a publisher

0:28:26.920 --> 0:28:31.880
<v Speaker 1>who didn't also didn't want me to change it. Um.

0:28:31.920 --> 0:28:33.320
<v Speaker 1>And it was just sort of the same thing with

0:28:33.359 --> 0:28:36.719
<v Speaker 1>my with my second book. Um, I think you know

0:28:37.000 --> 0:28:40.360
<v Speaker 1>it's an editor is is important, but it has to

0:28:40.440 --> 0:28:43.680
<v Speaker 1>be the right editor. In your first book, did you

0:28:43.720 --> 0:28:50.480
<v Speaker 1>have the right editor to some degree? Even? Sure? Sure woman, yes,

0:28:50.800 --> 0:28:53.560
<v Speaker 1>But I I think that What I mean is that

0:28:54.480 --> 0:28:58.080
<v Speaker 1>lots of people and now I think, especially now there's

0:28:58.160 --> 0:29:00.680
<v Speaker 1>there's this idea of like writing as much more collaborative

0:29:01.440 --> 0:29:03.440
<v Speaker 1>and so a lot of people put their hands on it,

0:29:03.480 --> 0:29:05.400
<v Speaker 1>and I don't think that's a good idea. I think

0:29:05.440 --> 0:29:08.160
<v Speaker 1>that comes from the comes from so many people are

0:29:08.160 --> 0:29:10.760
<v Speaker 1>going to graduate school for writing, and so they have

0:29:10.840 --> 0:29:12.600
<v Speaker 1>this idea that they're going to like work, shop it

0:29:12.720 --> 0:29:15.840
<v Speaker 1>and put it through the committee, and the more eyes

0:29:15.920 --> 0:29:18.640
<v Speaker 1>it has, the better. And I don't think so I

0:29:18.680 --> 0:29:20.480
<v Speaker 1>don't think it should be collaborative at all. I think

0:29:20.520 --> 0:29:24.000
<v Speaker 1>even you know, really can't be Kenneth No, and it

0:29:24.040 --> 0:29:28.120
<v Speaker 1>gets dulled down, and it should be you know, individual

0:29:28.200 --> 0:29:33.160
<v Speaker 1>and full of I mean, I'd rather see you know better,

0:29:33.160 --> 0:29:37.680
<v Speaker 1>that it be imperfect but extravagant than some kind of

0:29:37.720 --> 0:29:42.720
<v Speaker 1>like measured. Yeah, when you've been working on your second book,

0:29:42.880 --> 0:29:44.720
<v Speaker 1>your your second book is coming out. It just came

0:29:44.720 --> 0:29:47.320
<v Speaker 1>out a month ago. And was it the same publishers

0:29:47.800 --> 0:29:53.280
<v Speaker 1>different Hoteon Mifflin Harcourt. Was it better this experience? Um? Different?

0:29:53.640 --> 0:29:58.880
<v Speaker 1>The counterpoint is as an independent publisher, and so I

0:29:59.040 --> 0:30:01.720
<v Speaker 1>was the big fish there, so they you know, really

0:30:01.840 --> 0:30:04.000
<v Speaker 1>gave it a push. But then at the same time,

0:30:04.040 --> 0:30:08.320
<v Speaker 1>because they're an independent publisher, they have less influence. So

0:30:08.400 --> 0:30:11.920
<v Speaker 1>now I'm a small fish at a big house. Um.

0:30:12.160 --> 0:30:18.680
<v Speaker 1>So it's been it's been, uh great. I like them,

0:30:18.680 --> 0:30:21.680
<v Speaker 1>and I'm very excited because Houghton Mifflin is also the

0:30:21.760 --> 0:30:26.120
<v Speaker 1>publisher of cliffs Notes, So I feel like that's one

0:30:26.160 --> 0:30:31.120
<v Speaker 1>step closer to publishing cliff Notes from my own book. Yeah,

0:30:32.160 --> 0:30:36.000
<v Speaker 1>which is important because then people won't even have to

0:30:36.040 --> 0:30:38.640
<v Speaker 1>read my book anymore. They can just you know, study

0:30:38.720 --> 0:30:41.960
<v Speaker 1>up on the symbolism and the foreshadowing, which is important.

0:30:42.520 --> 0:30:46.720
<v Speaker 1>Without actually and just you know, my book could disappear completely.

0:30:46.760 --> 0:30:49.400
<v Speaker 1>The title of your first book was Iris Has Free Time?

0:30:49.480 --> 0:30:52.160
<v Speaker 1>Iris Has Free Time? Came out when two thousand and

0:30:52.200 --> 0:30:55.320
<v Speaker 1>thirteen June, not too long ago. And how would you

0:30:55.760 --> 0:30:58.680
<v Speaker 1>and how would you characterize, if it'll how you've changed

0:30:58.720 --> 0:31:00.720
<v Speaker 1>as a writer since your second came up, which is

0:31:00.720 --> 0:31:07.840
<v Speaker 1>called dating tips for the UM. I think that when

0:31:07.880 --> 0:31:13.000
<v Speaker 1>I right now, I UM. I used to have to

0:31:13.040 --> 0:31:16.080
<v Speaker 1>write a lot more before I found the beginning of something,

0:31:16.240 --> 0:31:19.720
<v Speaker 1>and now I kind of have a better sense of

0:31:19.960 --> 0:31:24.440
<v Speaker 1>you know, I can get there faster, so there's there's

0:31:24.680 --> 0:31:31.200
<v Speaker 1>less wasted. I'm just you know, I guess, yeah, that's it. Yeah,

0:31:31.200 --> 0:31:35.120
<v Speaker 1>I'm getting better with practice. That happens. Where do you

0:31:35.200 --> 0:31:38.520
<v Speaker 1>living now? Oh? I live in UM in New York,

0:31:38.560 --> 0:31:44.040
<v Speaker 1>city over um on the sort of the middle East side,

0:31:44.120 --> 0:31:47.640
<v Speaker 1>which is really nice over there. I moved to around

0:31:47.680 --> 0:31:50.360
<v Speaker 1>Beekman Place, which is I moved there because I'm getting

0:31:50.360 --> 0:31:52.640
<v Speaker 1>on in my years and that's where Anti Maim lived.

0:31:52.680 --> 0:31:54.640
<v Speaker 1>So I feel like I'm entering my main years and

0:31:54.640 --> 0:31:59.080
<v Speaker 1>it's a good place to establish my spinster pad. I

0:31:59.120 --> 0:32:02.200
<v Speaker 1>really like it be a spinsters at a goal. No,

0:32:03.040 --> 0:32:06.600
<v Speaker 1>um no, do you fear that no one will get you?

0:32:07.280 --> 0:32:10.080
<v Speaker 1>Do I fear no one will get me? Um? Yeah,

0:32:10.160 --> 0:32:12.120
<v Speaker 1>I mean I guess I would. I would like to

0:32:12.160 --> 0:32:16.080
<v Speaker 1>meet someone do date? When you date men, Like, when

0:32:16.120 --> 0:32:17.400
<v Speaker 1>you meet a guy that you like, what do you

0:32:17.440 --> 0:32:20.479
<v Speaker 1>typically like about them? Well, that doesn't happen that often,

0:32:21.040 --> 0:32:25.760
<v Speaker 1>I like, but it does happen. Describe that you want

0:32:25.840 --> 0:32:29.520
<v Speaker 1>someone who's clever, funny. No, And I don't generally don't

0:32:29.520 --> 0:32:31.480
<v Speaker 1>go in for for looks. I've noticed I sort of

0:32:31.520 --> 0:32:33.520
<v Speaker 1>have a pattern of dating kind of like a lot

0:32:33.560 --> 0:32:38.720
<v Speaker 1>of like hideous creatures. Yeah, I don't know. I guess

0:32:38.720 --> 0:32:42.040
<v Speaker 1>there was just tend to be more interesting or I

0:32:42.080 --> 0:32:43.960
<v Speaker 1>don't know. I don't think they're hideous, but I mean

0:32:44.000 --> 0:32:49.280
<v Speaker 1>according to the standard, the standard, Um, I mean, they're

0:32:49.280 --> 0:32:52.600
<v Speaker 1>not pretty boys. But you don't care. And I guess

0:32:52.600 --> 0:32:55.840
<v Speaker 1>I noticed a slight pattern. I what I go in

0:32:55.920 --> 0:33:00.680
<v Speaker 1>for is like a man I really like man. No,

0:33:00.680 --> 0:33:03.320
<v Speaker 1>no, no no, because he was again hate. I have a

0:33:03.360 --> 0:33:07.720
<v Speaker 1>real thing against him. Um but no, I don't like

0:33:07.800 --> 0:33:10.320
<v Speaker 1>him either because I don't like all those pretensions to

0:33:10.880 --> 0:33:13.200
<v Speaker 1>intellect and all of that. I don't don't like arrogance.

0:33:13.760 --> 0:33:16.360
<v Speaker 1>But so some I've noticed that I have a pattern

0:33:16.400 --> 0:33:19.239
<v Speaker 1>with sort of like, um, I guess like dummies, you know,

0:33:19.520 --> 0:33:23.640
<v Speaker 1>because sometimes you know, smarter men don't they're not. They

0:33:23.680 --> 0:33:26.040
<v Speaker 1>sometimes they're not they don't know how to handle me.

0:33:27.440 --> 0:33:30.720
<v Speaker 1>They're nervous. But like a guy who's not that bright

0:33:30.880 --> 0:33:35.000
<v Speaker 1>doesn't know enough to be nervous. So he's just so

0:33:35.080 --> 0:33:38.960
<v Speaker 1>he's sort of like you know, just he's just more

0:33:39.120 --> 0:33:43.600
<v Speaker 1>he's just more simple, proactive. Yeah, he's not like doubting,

0:33:43.600 --> 0:33:47.880
<v Speaker 1>he's not worrying and elemental. Yeah. I don't know. I'm

0:33:48.000 --> 0:33:50.440
<v Speaker 1>but you don't care what you're single? No I do.

0:33:50.520 --> 0:33:52.760
<v Speaker 1>I'd like to meet someone. I'd like to meet someone nice.

0:33:53.240 --> 0:33:54.920
<v Speaker 1>I'm gonna be funny if you met your husband going

0:33:54.960 --> 0:33:57.680
<v Speaker 1>to a costume shop somewhere in Minneola. Oh, that sounds

0:33:57.680 --> 0:34:00.560
<v Speaker 1>so romantic. It could be great. Now before we have

0:34:00.640 --> 0:34:04.920
<v Speaker 1>you read something for us, Um, what are your dating

0:34:04.960 --> 0:34:07.120
<v Speaker 1>tips for the unemployed? Because you yourself, I've never really

0:34:07.120 --> 0:34:09.640
<v Speaker 1>been unemployed, have you? You? When you talk about your life,

0:34:10.000 --> 0:34:13.320
<v Speaker 1>that arc is working, working, working and having a job,

0:34:13.360 --> 0:34:16.480
<v Speaker 1>whether it was what you whether it defined you until

0:34:16.520 --> 0:34:18.600
<v Speaker 1>you can get to the point now where you're a writer. Well,

0:34:18.640 --> 0:34:21.240
<v Speaker 1>I've spent Yeah, I've been unemployed. I mean it hasn't

0:34:21.280 --> 0:34:24.960
<v Speaker 1>been even my jobs didn't seem that seriously when you

0:34:25.040 --> 0:34:27.839
<v Speaker 1>had a job, I've always felt unemployed. I guess it's

0:34:27.880 --> 0:34:30.319
<v Speaker 1>the state of life. I think so, And that's why

0:34:30.320 --> 0:34:32.160
<v Speaker 1>I called the book that because it's not all about

0:34:32.200 --> 0:34:35.280
<v Speaker 1>being unemployed. But I think it's, you know, the idea,

0:34:36.000 --> 0:34:38.480
<v Speaker 1>it's it's really I guess if you're trying to date

0:34:38.520 --> 0:34:41.160
<v Speaker 1>when you're unemployed, it's like you're you're a mess, but

0:34:41.200 --> 0:34:43.560
<v Speaker 1>you're trying. You have to make this presentation that you're

0:34:43.800 --> 0:34:46.640
<v Speaker 1>attractive in some way. And I think I've always felt

0:34:47.040 --> 0:34:49.759
<v Speaker 1>that way at my core, even now when people ask

0:34:49.800 --> 0:34:51.600
<v Speaker 1>me what I do, and I thought it would all

0:34:51.640 --> 0:34:54.040
<v Speaker 1>be solved if I could say a writer or a novelist,

0:34:54.440 --> 0:34:57.799
<v Speaker 1>and now I say I'm a writer. And I feel embarrassed,

0:34:57.840 --> 0:34:59.920
<v Speaker 1>and all of a sudden, I feel like I'm law

0:35:00.040 --> 0:35:03.840
<v Speaker 1>dying or it's not true, I'm not writing enough, so

0:35:03.880 --> 0:35:05.520
<v Speaker 1>I don't know if that feeling will ever be over.

0:35:06.360 --> 0:35:09.120
<v Speaker 1>One of your dating tips for the unemployed, Well, um,

0:35:09.160 --> 0:35:12.040
<v Speaker 1>so there's not actually any tips, And I mean the

0:35:12.040 --> 0:35:15.200
<v Speaker 1>book is not actually any tips. It's just it's stories

0:35:15.239 --> 0:35:18.360
<v Speaker 1>that form a novel about, you know, kind of being

0:35:18.840 --> 0:35:23.960
<v Speaker 1>in that awkward period and feeling unformed. But there's one

0:35:24.040 --> 0:35:27.520
<v Speaker 1>piece where there where the character reads an article about

0:35:27.680 --> 0:35:32.920
<v Speaker 1>dating tips for the unemployed, and the tips there there's two. Um,

0:35:33.000 --> 0:35:38.640
<v Speaker 1>it's never date anyone more or less miserable than you. Um,

0:35:38.680 --> 0:35:44.239
<v Speaker 1>that's the one tipa exactly because even if if you

0:35:44.280 --> 0:35:48.279
<v Speaker 1>go with someone who is less miserable than you, then eventually,

0:35:48.320 --> 0:35:49.759
<v Speaker 1>and even if you can fake it for a while,

0:35:49.800 --> 0:35:52.160
<v Speaker 1>eventually they'll find out that you're more miserable and they

0:35:52.360 --> 0:35:55.319
<v Speaker 1>just you have to be miserables date each other. Non

0:35:55.360 --> 0:35:58.640
<v Speaker 1>miserables date each other. How do you determine this is

0:35:58.680 --> 0:36:00.560
<v Speaker 1>the next tip. How do you determine and who is

0:36:00.600 --> 0:36:03.040
<v Speaker 1>a miserable and who is a non miserable? Because everyone

0:36:03.080 --> 0:36:05.680
<v Speaker 1>goes around and presents themselves as a non miserable pretty

0:36:05.760 --> 0:36:11.919
<v Speaker 1>much and about their misery very very few. And one

0:36:11.960 --> 0:36:14.440
<v Speaker 1>way that you can determine that is how people answer

0:36:14.440 --> 0:36:18.440
<v Speaker 1>the question what do you do? So if you answer

0:36:18.560 --> 0:36:21.360
<v Speaker 1>it honestly and you say, I'm an accountant or I

0:36:21.680 --> 0:36:25.200
<v Speaker 1>you know, um, I wait tables, then that person is

0:36:25.320 --> 0:36:28.000
<v Speaker 1>pretty okay with themselves. But if they answer it with

0:36:28.080 --> 0:36:30.560
<v Speaker 1>some sort of clever thing, if they say, like, you know,

0:36:30.760 --> 0:36:33.920
<v Speaker 1>I'm a I'm a I make the toast on the

0:36:34.040 --> 0:36:39.040
<v Speaker 1>astronaut whatever, I'm an astronaut toastmaker. You know, somebody their

0:36:39.080 --> 0:36:42.160
<v Speaker 1>breakfast on the space and they're obviously and they don't

0:36:42.160 --> 0:36:44.799
<v Speaker 1>actually do that, you know, but they respond with like

0:36:44.880 --> 0:36:48.520
<v Speaker 1>too much charm, like compulsive charm, almost defensive charm, like

0:36:48.960 --> 0:36:51.760
<v Speaker 1>actually happy people don't feel the need to be that charming,

0:36:51.800 --> 0:36:53.920
<v Speaker 1>which is why, by the way, why I am so

0:36:53.960 --> 0:37:01.560
<v Speaker 1>adorable and charming, because I've spent years compensating for my misery. Um.

0:37:01.600 --> 0:37:04.400
<v Speaker 1>But so yeah, So that's how you can tell. So

0:37:04.480 --> 0:37:08.480
<v Speaker 1>for example, if someone responds if you say like on

0:37:08.480 --> 0:37:12.239
<v Speaker 1>on social media on Facebook, things like that, if it

0:37:12.239 --> 0:37:17.799
<v Speaker 1>says under occupation, if a person writes blowfish right, then

0:37:18.000 --> 0:37:22.120
<v Speaker 1>that person is definitely miserable. If a person writes Bonds Trader,

0:37:22.560 --> 0:37:25.920
<v Speaker 1>that person is not miserable. So the bonds Trader and

0:37:25.920 --> 0:37:30.399
<v Speaker 1>the blowfish will never work out. That's what you need

0:37:30.440 --> 0:37:33.840
<v Speaker 1>to know. Between Do you have a little extrap you

0:37:33.840 --> 0:37:38.200
<v Speaker 1>want to read? I don't know, let me see what

0:37:38.400 --> 0:37:43.440
<v Speaker 1>to read. Whatever amount you read, it's fantastic just to

0:37:43.600 --> 0:37:48.120
<v Speaker 1>go with. Just do whatever you want to do. Um, okay, well,

0:37:48.200 --> 0:37:51.520
<v Speaker 1>since I mentioned uh, I guess I'll read the family

0:37:51.560 --> 0:38:03.280
<v Speaker 1>politics politics right, yeah, sure, okay. My family is downstairs yelling.

0:38:04.280 --> 0:38:06.600
<v Speaker 1>They're not arguing. That's just how they talk. It's a

0:38:06.640 --> 0:38:09.400
<v Speaker 1>Greek thing, that's what we say. But the truth is,

0:38:09.440 --> 0:38:11.960
<v Speaker 1>when we visit Greece, people remark on how loud we are.

0:38:12.480 --> 0:38:16.799
<v Speaker 1>We respond it's an American thing. I'm in my old

0:38:16.840 --> 0:38:18.879
<v Speaker 1>room at my parents house because I just got into

0:38:18.920 --> 0:38:21.880
<v Speaker 1>a fight with my brother Teddy. He was going on

0:38:21.960 --> 0:38:25.640
<v Speaker 1>about the internet, spelling the end of physical books. Lowering

0:38:25.680 --> 0:38:28.640
<v Speaker 1>his voice to just a yell, he said, in the future,

0:38:28.880 --> 0:38:31.560
<v Speaker 1>no one's gonna want your precious little books, Iris. The

0:38:31.640 --> 0:38:35.160
<v Speaker 1>book will be obsolete. I told him he was wrong,

0:38:35.360 --> 0:38:38.640
<v Speaker 1>that people will always want books. Then he said nan

0:38:38.719 --> 0:38:41.080
<v Speaker 1>nan nan nana, and I lost it and ran upstairs.

0:38:41.719 --> 0:38:44.719
<v Speaker 1>So now I'm up here digging out old swimming trophies

0:38:44.719 --> 0:38:47.920
<v Speaker 1>and dance costumes from under my bed. I have a

0:38:47.960 --> 0:38:52.520
<v Speaker 1>trophy from nineteen ninety two that says highest Achiever. I

0:38:52.640 --> 0:38:54.440
<v Speaker 1>dust it off and think about bringing it back to

0:38:54.480 --> 0:38:57.319
<v Speaker 1>my apartment in Manhattan. Maybe I could turn it into

0:38:57.320 --> 0:39:01.640
<v Speaker 1>a cigarette holder or something. I try on a blue

0:39:01.640 --> 0:39:04.400
<v Speaker 1>ballet costume, and I'm excited to find it still fits.

0:39:05.280 --> 0:39:07.160
<v Speaker 1>I look at myself in the mirror and think about

0:39:07.280 --> 0:39:10.800
<v Speaker 1>Zelda Fitzgerald. She was my age when she took up ballet.

0:39:12.040 --> 0:39:15.240
<v Speaker 1>Taking stock of my reflection, I understand for the first

0:39:15.280 --> 0:39:20.280
<v Speaker 1>time her insanity. I turn in my tutu and notice

0:39:20.360 --> 0:39:23.680
<v Speaker 1>my thighs are thicker than they used to be. I'm

0:39:23.719 --> 0:39:29.000
<v Speaker 1>an oversized child, a monster of wilted potential. I put

0:39:29.040 --> 0:39:30.920
<v Speaker 1>on my point shoes and attempt a few poses in

0:39:31.000 --> 0:39:34.759
<v Speaker 1>front of the mirror. After a while, I changed back

0:39:34.800 --> 0:39:38.640
<v Speaker 1>into my regular clothes and head downstairs. Everyone is standing

0:39:38.640 --> 0:39:41.600
<v Speaker 1>around the kitchen table yelling at the top of their lungs,

0:39:41.960 --> 0:39:45.960
<v Speaker 1>agreeing that Bush has betrayed the party. I hold up

0:39:46.000 --> 0:39:48.480
<v Speaker 1>a hanger with the tutu on it and ask my mom,

0:39:48.719 --> 0:39:52.799
<v Speaker 1>what's the best way to remove wrinkles from tool. What

0:39:52.880 --> 0:39:55.279
<v Speaker 1>do you want with that old thing? Now throw it out?

0:39:56.000 --> 0:39:58.520
<v Speaker 1>No way, I say, I can't believe you had it

0:39:58.560 --> 0:40:00.640
<v Speaker 1>all scrunched up in a bag. I could use it

0:40:00.640 --> 0:40:04.439
<v Speaker 1>for a Halloween costume or my author photo. A web

0:40:04.480 --> 0:40:07.120
<v Speaker 1>magazine is going to publish one of my stories this spring.

0:40:08.320 --> 0:40:11.160
<v Speaker 1>Oh god, she says, steam it. Maybe hang it in

0:40:11.200 --> 0:40:15.759
<v Speaker 1>the shower. I pull out the blue tool. Worry a

0:40:15.800 --> 0:40:18.480
<v Speaker 1>loose sequin. Then sit at the end of the table

0:40:18.520 --> 0:40:22.640
<v Speaker 1>and listen. I don't know how to talk to them.

0:40:22.719 --> 0:40:25.680
<v Speaker 1>All they ever talk about is politics, which I've given up,

0:40:25.920 --> 0:40:29.440
<v Speaker 1>having decided long ago that cultivating opinions about politics is

0:40:29.480 --> 0:40:34.120
<v Speaker 1>against my better interests. I lean right economically, which as

0:40:34.120 --> 0:40:36.240
<v Speaker 1>a writer would put me at odds with the artistic

0:40:36.280 --> 0:40:40.520
<v Speaker 1>and academic communities in which I work. I recognize my

0:40:40.600 --> 0:40:45.719
<v Speaker 1>views are somewhat paradoxical. For example, idealistically speaking, I'm a

0:40:45.800 --> 0:40:50.200
<v Speaker 1>rugged individualist. The government is a necessary evil, I like

0:40:50.320 --> 0:40:54.839
<v Speaker 1>to say, like boyfriends. But practically speaking, were it not

0:40:54.920 --> 0:40:58.200
<v Speaker 1>for my parents, I would need government handouts more than anyone.

0:40:59.040 --> 0:41:03.200
<v Speaker 1>I'm prime welfare material, in fact, trying to assuage my

0:41:03.239 --> 0:41:07.000
<v Speaker 1>father's disappointment in the maccayan candidacy last election. My mother

0:41:07.080 --> 0:41:10.520
<v Speaker 1>told him, on the bright side, if Obama is elected,

0:41:10.760 --> 0:41:15.239
<v Speaker 1>the government will help us support IRIS. It's pretty well

0:41:15.320 --> 0:41:17.840
<v Speaker 1>understood in my family that I can't take care of myself,

0:41:18.160 --> 0:41:20.759
<v Speaker 1>which is why family values are so important to me.

0:41:21.400 --> 0:41:24.160
<v Speaker 1>It's paramount that I marry so as to preserve my

0:41:24.239 --> 0:41:28.160
<v Speaker 1>identity as a rugged individualist. If my parents ever cut

0:41:28.160 --> 0:41:30.160
<v Speaker 1>me loose and I were forced to rely on the

0:41:30.200 --> 0:41:34.399
<v Speaker 1>state for support, my whole ideology would crumble. I don't

0:41:34.440 --> 0:41:37.960
<v Speaker 1>approve of social programs. F DR ruined this country with

0:41:38.040 --> 0:41:40.839
<v Speaker 1>this pink O rescue plan. Let those in need pull

0:41:40.920 --> 0:41:44.080
<v Speaker 1>up their socks, I say, all while dreaming of the

0:41:44.160 --> 0:41:48.040
<v Speaker 1>day that my parents burden me might be transferred to

0:41:48.040 --> 0:41:51.000
<v Speaker 1>a rich husband and I might continue to cultivate my

0:41:51.080 --> 0:42:00.920
<v Speaker 1>pioneer spirit in safety. Fantastic pantest. What's your favorite holiday? Halloween?

0:42:00.960 --> 0:42:08.000
<v Speaker 1>Of course? Are you writing another book now? Um? Yes,

0:42:08.160 --> 0:42:11.080
<v Speaker 1>I'm I'm completing I'm starting a new novel, but I'm

0:42:11.080 --> 0:42:15.440
<v Speaker 1>completing a volume of light verse, sort of called Girls

0:42:15.440 --> 0:42:19.799
<v Speaker 1>Who Wear Glasses. It's poems about you know, love and

0:42:20.360 --> 0:42:27.440
<v Speaker 1>partying and and sex. Um, but they rhyme. It's a

0:42:27.520 --> 0:42:31.360
<v Speaker 1>sort of updated Dorothy Parker Ogden Nash kind of thing rhyming.

0:42:31.400 --> 0:42:36.080
<v Speaker 1>I mean, who doesn't love that Irish smiles. Dating Tips

0:42:36.120 --> 0:42:41.680
<v Speaker 1>for the Unemployed is available in bookstores now. Oh, I

0:42:41.719 --> 0:42:43.719
<v Speaker 1>forgot to give you your prime. Oh my god, I'm

0:42:43.760 --> 0:42:47.040
<v Speaker 1>so glad you reminded me. Okay, now tell tell our

0:42:47.080 --> 0:42:49.400
<v Speaker 1>listeners what exactly it is I'm getting. I won the

0:42:49.440 --> 0:42:53.160
<v Speaker 1>blurb Contest, the National blurb Contest that's right for your book,

0:42:53.320 --> 0:42:55.480
<v Speaker 1>for my book, and the blurb Contest of the The

0:42:55.719 --> 0:42:59.120
<v Speaker 1>award ceremony was held where at the Econo Lodge in

0:42:59.160 --> 0:43:01.719
<v Speaker 1>New York City, in the lobby next to the ice

0:43:01.800 --> 0:43:05.400
<v Speaker 1>machine at six am during their free continental breakfast. I

0:43:05.480 --> 0:43:07.440
<v Speaker 1>was so sorry I couldn't make it. I told you

0:43:07.480 --> 0:43:10.440
<v Speaker 1>I was crushed. I'm sorry you couldn't make it too.

0:43:10.480 --> 0:43:12.839
<v Speaker 1>Did you accept on my behalf? I did? I did?

0:43:13.200 --> 0:43:16.239
<v Speaker 1>May I see it? Yes? Um? So this is your

0:43:16.239 --> 0:43:18.680
<v Speaker 1>whole price package. It comes with it, IRIS has free

0:43:18.719 --> 0:43:22.839
<v Speaker 1>time bag. My god, I mean. And then here's your

0:43:23.239 --> 0:43:30.239
<v Speaker 1>award for your actual blurb. I love it. And of

0:43:30.280 --> 0:43:33.680
<v Speaker 1>course there you know it is a signed copy of

0:43:33.680 --> 0:43:35.719
<v Speaker 1>the book. A signed copy of the book with your

0:43:35.760 --> 0:43:38.120
<v Speaker 1>blurb printed on the back. Now in the book, and

0:43:38.120 --> 0:43:40.200
<v Speaker 1>the book that's been published is my blurb on the

0:43:40.200 --> 0:43:44.480
<v Speaker 1>back of the book. Is not an alternate version. You

0:43:44.719 --> 0:43:46.400
<v Speaker 1>just have these made up for me as a gift.

0:43:46.719 --> 0:43:49.120
<v Speaker 1>I'm on the book. You you've made it. Have you

0:43:49.160 --> 0:43:52.000
<v Speaker 1>ever eaten entimates? Oh? Yes, I love them? Did I

0:43:52.000 --> 0:43:54.040
<v Speaker 1>say I didn't read this book and I didn't have to.

0:43:54.200 --> 0:43:57.239
<v Speaker 1>On the cover it said Irish smiles and that's more

0:43:57.280 --> 0:44:00.960
<v Speaker 1>than enough for me. Like logos for Coca Cola, Frido's

0:44:01.040 --> 0:44:05.600
<v Speaker 1>and antimons Iris's name assures me that what's inside is

0:44:05.640 --> 0:44:11.440
<v Speaker 1>so yummy. This is Alec Baldwin and you're listening to

0:44:11.520 --> 0:44:12.200
<v Speaker 1>here's the thing.