1 00:00:01,800 --> 00:00:06,920 Speaker 1: Hey listeners, Nimini here, host of Historical Records. Get ready 2 00:00:06,960 --> 00:00:10,040 Speaker 1: to hear about a historical hero through hip hop. Also 3 00:00:10,320 --> 00:00:13,840 Speaker 1: parents and teachers. You can download a free activity related 4 00:00:13,880 --> 00:00:17,720 Speaker 1: to today's episode by visiting story pirates dot com, slash 5 00:00:18,120 --> 00:00:22,200 Speaker 1: Historical Records and now onto the show. After a few 6 00:00:22,239 --> 00:00:26,160 Speaker 1: words for the grownups. 7 00:00:27,920 --> 00:00:31,800 Speaker 2: Hey listeners, leave from the story Pirates here. I'm one 8 00:00:31,840 --> 00:00:37,560 Speaker 2: of the executive producers of Historical Records. What does executive 9 00:00:37,600 --> 00:00:40,879 Speaker 2: producer mean? I don't actually know, but I wanted to 10 00:00:40,880 --> 00:00:44,040 Speaker 2: take a minute to thank you for listening to Historical Records. 11 00:00:44,320 --> 00:00:46,519 Speaker 2: It has been such a blast to hear from so 12 00:00:46,640 --> 00:00:50,360 Speaker 2: many of you about what you're learning and enjoying about 13 00:00:50,360 --> 00:00:53,840 Speaker 2: the historical figures we've introduced to you so far in 14 00:00:53,920 --> 00:00:57,880 Speaker 2: season one. We're taking a short break during the holidays 15 00:00:57,920 --> 00:01:00,920 Speaker 2: to finish up our final four epis episodes of the season, 16 00:01:01,200 --> 00:01:04,320 Speaker 2: but in the meantime, I thought it would be really 17 00:01:04,360 --> 00:01:07,360 Speaker 2: fun to put out some bonus episodes that feature the 18 00:01:07,440 --> 00:01:11,200 Speaker 2: songs from this season. A lot of times listeners want 19 00:01:11,240 --> 00:01:14,560 Speaker 2: to hear certain songs on repeat, but it can be 20 00:01:14,680 --> 00:01:17,720 Speaker 2: hard or annoying to search through the episodes to find 21 00:01:17,760 --> 00:01:22,120 Speaker 2: out where the songs starts. So with today's episode, you 22 00:01:22,400 --> 00:01:23,399 Speaker 2: don't have to do that. 23 00:01:27,520 --> 00:01:29,800 Speaker 3: Historical records. 24 00:01:30,440 --> 00:01:33,520 Speaker 2: You are now listening to historical. 25 00:01:34,600 --> 00:01:37,559 Speaker 1: To make history, you got to have struggles. To make history, 26 00:01:37,760 --> 00:01:40,640 Speaker 1: you got to show poise. Cannot be quiet loud as 27 00:01:40,640 --> 00:01:42,600 Speaker 1: a riot to make history, you gotta. 28 00:01:42,400 --> 00:01:43,640 Speaker 4: Make some noise. 29 00:01:47,920 --> 00:01:50,840 Speaker 2: One of my favorite things about hip hop is read 30 00:01:50,960 --> 00:01:55,919 Speaker 2: listening to songs so I can analyze and hear all 31 00:01:56,040 --> 00:01:59,200 Speaker 2: of the lyrics. The words can sometimes come pretty fast 32 00:01:59,280 --> 00:02:04,560 Speaker 2: and furious, so re listening and close listening is essential 33 00:02:04,880 --> 00:02:08,800 Speaker 2: to appreciating these incredible artists and the songs that we're 34 00:02:08,800 --> 00:02:11,600 Speaker 2: so proud of. Today, we have for you the first 35 00:02:11,639 --> 00:02:16,600 Speaker 2: two songs from this season. Ida Tarbell and Claudette Colvin. First, 36 00:02:16,880 --> 00:02:20,960 Speaker 2: let's check out Ida, the trailblazing muckraker who basically invented 37 00:02:21,040 --> 00:02:26,000 Speaker 2: investigative journalism by taking down John Rockabella and his company 38 00:02:26,360 --> 00:02:29,880 Speaker 2: Standard Oil. I love this song because there are three 39 00:02:30,080 --> 00:02:34,760 Speaker 2: different characters in it, Ida, Rockabella and the narrator. I 40 00:02:34,840 --> 00:02:37,280 Speaker 2: love how their three voices weave in and out of 41 00:02:37,320 --> 00:02:41,720 Speaker 2: each other, challenging each other, commenting on each other. So 42 00:02:41,840 --> 00:02:44,920 Speaker 2: while you listen, see if you can really track who 43 00:02:44,960 --> 00:02:48,480 Speaker 2: is singing or rapping in every moment and when they 44 00:02:48,520 --> 00:02:51,520 Speaker 2: pass the baton to each other or cut each other off. 45 00:02:51,840 --> 00:02:54,920 Speaker 2: It's really fun to hear multiple perspectives in the same song. 46 00:02:55,160 --> 00:02:57,280 Speaker 2: And if you want to follow along with the lyrics, 47 00:02:57,280 --> 00:03:00,880 Speaker 2: which I definitely recommend, you can find them at story 48 00:03:00,919 --> 00:03:05,760 Speaker 2: pirates dot com slash Historical Records. After this first track, 49 00:03:05,840 --> 00:03:07,520 Speaker 2: I'll be back to point out a couple of things 50 00:03:07,560 --> 00:03:10,680 Speaker 2: I love about our song Claude at Covin. Here's Ida 51 00:03:10,720 --> 00:03:12,160 Speaker 2: Tarbell enjoy. 52 00:03:15,160 --> 00:03:18,000 Speaker 4: This is the story of me I to Tarbell and 53 00:03:18,120 --> 00:03:22,760 Speaker 4: me jahn d Rockefeller and me a narrator. 54 00:03:24,360 --> 00:03:28,040 Speaker 3: Let's begin, Shall we open your mind and imagine the 55 00:03:28,160 --> 00:03:28,840 Speaker 3: time we're. 56 00:03:28,680 --> 00:03:31,799 Speaker 5: In the quality Italian poverty of the rides, which is 57 00:03:31,840 --> 00:03:34,800 Speaker 5: holded by a small corn group monop believe not on 58 00:03:34,840 --> 00:03:37,840 Speaker 5: the game board, they be up inside the boardroom. And 59 00:03:38,000 --> 00:03:40,880 Speaker 5: the newspaper's supposed to be mad are only interested in 60 00:03:40,960 --> 00:03:44,120 Speaker 5: profiting the news to an ad break field of pocket, 61 00:03:44,160 --> 00:03:47,160 Speaker 5: while the poor Gadenfield with braids that's living life day 62 00:03:47,200 --> 00:03:49,920 Speaker 5: to day in the guilded age sun up the century 63 00:03:50,200 --> 00:03:52,880 Speaker 5: nineteen oh one, do your things of power but in 64 00:03:52,960 --> 00:03:56,320 Speaker 5: troubling the long run journalism, Yella and the well control 65 00:03:56,360 --> 00:03:58,920 Speaker 5: by fellas, just like John d Rockefeller man the people 66 00:03:58,960 --> 00:04:01,720 Speaker 5: need a truth telling. Some would sell the an extra 67 00:04:01,760 --> 00:04:04,600 Speaker 5: special writer with the quality is a true from perseverance 68 00:04:04,680 --> 00:04:06,960 Speaker 5: up inside the A fighter for the week two, the 69 00:04:07,000 --> 00:04:09,000 Speaker 5: strong one named Cabida, last. 70 00:04:08,840 --> 00:04:15,360 Speaker 4: Name Tarbell, first name Ia, lifting up the meag like 71 00:04:15,440 --> 00:04:16,240 Speaker 4: a park. 72 00:04:19,600 --> 00:04:22,400 Speaker 3: And suring off nanteism. So where. 73 00:04:25,400 --> 00:04:31,680 Speaker 6: Breaking all the punch. She's a journalistic marble, but making. 74 00:04:31,360 --> 00:04:34,640 Speaker 7: Sure I always stay impartial. When I was a youth, 75 00:04:34,800 --> 00:04:36,960 Speaker 7: my dad was part of the crew of small oil 76 00:04:37,040 --> 00:04:39,680 Speaker 7: well producers using rail to move crude until a dude 77 00:04:39,720 --> 00:04:42,440 Speaker 7: named Rockefeler came through and pulled a cup, made. 78 00:04:42,200 --> 00:04:44,000 Speaker 3: A truce with the trains and soon the crew and 79 00:04:44,040 --> 00:04:44,839 Speaker 3: it was screwed. 80 00:04:45,279 --> 00:04:45,400 Speaker 2: Oh. 81 00:04:45,440 --> 00:04:47,480 Speaker 7: I was mad, but had no way to make come up, 82 00:04:47,520 --> 00:04:49,360 Speaker 7: and was just a young girl in the lower class. 83 00:04:49,520 --> 00:04:50,760 Speaker 3: I was mailing upper crush. 84 00:04:50,800 --> 00:04:52,840 Speaker 5: He had to take the punches, wait with faded breadth 85 00:04:52,920 --> 00:04:53,919 Speaker 5: and other trusts. 86 00:04:53,640 --> 00:04:55,600 Speaker 7: Stunning hard and bide my time till I could throw 87 00:04:55,640 --> 00:04:56,479 Speaker 7: my upper Listen. 88 00:04:56,520 --> 00:05:00,560 Speaker 3: Meanwhile, meet John d ib came a true taking up 89 00:05:00,600 --> 00:05:03,960 Speaker 3: the industry. Some called them Robert Barron because he swindled 90 00:05:04,000 --> 00:05:04,919 Speaker 3: to a massive. 91 00:05:04,680 --> 00:05:06,880 Speaker 4: When most were taken in by my big fortune and 92 00:05:06,920 --> 00:05:07,680 Speaker 4: my charities. 93 00:05:08,040 --> 00:05:11,120 Speaker 7: Yes, my foils sounded Standard Oil, and soon he had 94 00:05:11,160 --> 00:05:14,200 Speaker 7: more money than the royals, while I toil in Paris 95 00:05:14,200 --> 00:05:16,880 Speaker 7: depending her pieces to noble claim. If this quick early 96 00:05:17,040 --> 00:05:18,960 Speaker 7: anybody out there even knew the name? 97 00:05:21,880 --> 00:05:24,240 Speaker 3: Printing up the meat like the park. 98 00:05:27,360 --> 00:05:34,120 Speaker 6: It suing off ronandeism far well, breaking all the mud. 99 00:05:34,240 --> 00:05:36,320 Speaker 6: She's a journalistic marvel. 100 00:05:38,640 --> 00:05:40,720 Speaker 4: But making sure I always stay impartial. 101 00:05:41,680 --> 00:05:47,000 Speaker 5: Aida as a writer wasnacious, adacious, appetite for research, respirations basic. 102 00:05:47,360 --> 00:05:48,760 Speaker 3: Only a matter of time before she. 103 00:05:48,760 --> 00:05:52,960 Speaker 5: Set her best investigated fills on the man from her past. 104 00:05:52,920 --> 00:05:55,640 Speaker 7: John Rockefeller, who do my dad back in the day, 105 00:05:55,680 --> 00:05:58,000 Speaker 7: became the subject of My magazine's next. 106 00:05:57,920 --> 00:06:00,360 Speaker 2: Expans see we got ourselves a showdown now you could 107 00:06:00,360 --> 00:06:03,080 Speaker 2: call it high knew writer with the grubs. 108 00:06:02,680 --> 00:06:04,720 Speaker 3: The big budget Tyhu. 109 00:06:04,279 --> 00:06:08,320 Speaker 5: Night is on the case, learning anything she can learn, documents. 110 00:06:07,760 --> 00:06:10,600 Speaker 4: Photographs, I've even talked to inter the biggest. 111 00:06:10,240 --> 00:06:13,080 Speaker 5: Breaker ride when she interviewed John number two told me 112 00:06:13,120 --> 00:06:14,440 Speaker 5: everything we talked to Henry. 113 00:06:14,440 --> 00:06:15,400 Speaker 3: Oh that's bad news. 114 00:06:15,440 --> 00:06:18,560 Speaker 5: The series came in nineteen parts of Standard Oil's History. 115 00:06:18,200 --> 00:06:19,599 Speaker 3: A backroom Deal's corruption fraud. 116 00:06:19,640 --> 00:06:22,120 Speaker 7: It finally solved the mystery of how dundee to fraud 117 00:06:22,160 --> 00:06:24,000 Speaker 7: it dat I got revenge from my high line and 118 00:06:24,040 --> 00:06:27,720 Speaker 7: taught the world the name of the woman on the byeline. 119 00:06:29,600 --> 00:06:35,800 Speaker 3: Bringing up the league like a bar and sharing off 120 00:06:35,839 --> 00:06:42,240 Speaker 3: right intertisms are well breaking all the muss. She's a 121 00:06:42,320 --> 00:06:44,040 Speaker 3: journalistic marvel. 122 00:06:46,360 --> 00:06:49,040 Speaker 4: But making sure I always stay impartial. 123 00:06:48,920 --> 00:06:51,799 Speaker 3: Results wasn't led to justice the law. I'm more robust 124 00:06:51,880 --> 00:06:54,160 Speaker 3: than the sherman neck. I passed stand and busted all 125 00:06:54,200 --> 00:06:54,920 Speaker 3: the trust up. 126 00:06:55,000 --> 00:06:59,719 Speaker 7: People's trusting journalists adjusted, and the huckster Rockefeller lost his luster. 127 00:07:00,080 --> 00:07:05,640 Speaker 3: A true printing up the meat like the part. 128 00:07:09,160 --> 00:07:11,680 Speaker 5: Taking down the pluocratic cartel. 129 00:07:11,320 --> 00:07:17,520 Speaker 3: No fear breaking all the up. She's a journalistic marvel. 130 00:07:20,320 --> 00:07:22,360 Speaker 4: I guess I wasn't always so impartial. 131 00:07:23,360 --> 00:07:26,640 Speaker 5: Yeah, yeah, she really she really was not that impartial 132 00:07:26,680 --> 00:07:26,960 Speaker 5: at all. 133 00:07:28,360 --> 00:07:31,120 Speaker 3: Yeah, I'm the narrator. I'm saying that she was not impartial, 134 00:07:32,240 --> 00:07:34,040 Speaker 3: and she really did. She really didn't take you down. 135 00:07:34,080 --> 00:07:34,240 Speaker 5: Bro? 136 00:07:34,800 --> 00:07:36,360 Speaker 4: Can we agree you had it coming? 137 00:07:36,440 --> 00:07:42,600 Speaker 3: Though? Yeah? I was corrupt, okay, didn't correct thing it coming. 138 00:07:42,640 --> 00:07:44,680 Speaker 3: I should be in jail forever. 139 00:07:45,160 --> 00:07:47,760 Speaker 2: Yeah, no, of course, i'd I'm with one hundred percent 140 00:07:47,880 --> 00:07:50,080 Speaker 2: agree with you Ida, I had it coming. 141 00:07:53,360 --> 00:07:55,920 Speaker 1: We'll be right back after a few words for the 142 00:07:55,960 --> 00:07:56,880 Speaker 1: grown ups. 143 00:08:01,240 --> 00:08:03,920 Speaker 2: Hey, Lee here again. Now I want to play for 144 00:08:04,000 --> 00:08:08,520 Speaker 2: you our song from episode two Claudette Colvin. Now, this 145 00:08:08,560 --> 00:08:11,559 Speaker 2: is a song where I really recommend checking out the lyrics. 146 00:08:11,560 --> 00:08:15,200 Speaker 2: She'd as you listen, because Nimini is rapping so fast 147 00:08:15,680 --> 00:08:18,680 Speaker 2: and with so much emotion, it could be easy to 148 00:08:18,720 --> 00:08:21,960 Speaker 2: miss some of the words, especially when you start hearing 149 00:08:22,280 --> 00:08:25,400 Speaker 2: the beat. Now what do I mean by beat? It's 150 00:08:25,520 --> 00:08:29,800 Speaker 2: the music that Niminy's rapping over. In this case, the 151 00:08:29,880 --> 00:08:33,280 Speaker 2: beat was made by one of our music supervisors named 152 00:08:33,400 --> 00:08:36,800 Speaker 2: Stroe Elliott, who is a member of the Roots. Here's 153 00:08:36,840 --> 00:08:40,400 Speaker 2: what I recommend. Listen to this song twice in a row. 154 00:08:40,559 --> 00:08:44,480 Speaker 2: The first time, just listen to the beat. Nimini's words 155 00:08:44,520 --> 00:08:47,360 Speaker 2: will flow right over and through you, but put your 156 00:08:47,440 --> 00:08:52,360 Speaker 2: ears primarily on the music behind her words. What instruments 157 00:08:52,360 --> 00:08:55,680 Speaker 2: do you hear? What are the drums doing? The music 158 00:08:55,800 --> 00:08:59,840 Speaker 2: stro made tells the story all its own. Now listen 159 00:09:00,200 --> 00:09:02,920 Speaker 2: second time, this time with the lyric sheet in front 160 00:09:02,960 --> 00:09:07,080 Speaker 2: of you, and focus on the words. How did focusing 161 00:09:07,120 --> 00:09:09,840 Speaker 2: on the music the first time change the way you're 162 00:09:09,840 --> 00:09:14,120 Speaker 2: hearing the words? What emotions do you hear in Nimini's 163 00:09:14,200 --> 00:09:17,920 Speaker 2: voice as she sings and raps. And how does that 164 00:09:18,080 --> 00:09:22,959 Speaker 2: influence your understanding of Claude Atte's story. Remember you can 165 00:09:23,000 --> 00:09:26,240 Speaker 2: find the lyric sheet by visiting story pirates dot com 166 00:09:26,280 --> 00:09:31,440 Speaker 2: slash historical records. Enough for me, enjoy the song. Here's 167 00:09:31,760 --> 00:09:33,080 Speaker 2: Claude at Colvin. 168 00:09:39,720 --> 00:09:40,280 Speaker 3: Claudett. 169 00:09:40,559 --> 00:09:44,599 Speaker 1: That's my name, Miss Alabama, born and raised this Montgomery 170 00:09:44,640 --> 00:09:45,479 Speaker 1: to be specific. 171 00:09:45,720 --> 00:09:47,640 Speaker 4: Hope you don't mind bet on the risks. 172 00:09:48,000 --> 00:09:50,640 Speaker 1: Zero nine, zero five thirty nine, the birthdate of a 173 00:09:50,679 --> 00:09:55,520 Speaker 1: few deleted civil rights activistic catalyst to be Montgomery Bus boycott. 174 00:09:55,120 --> 00:09:55,680 Speaker 3: Began with me. 175 00:09:55,960 --> 00:09:58,000 Speaker 4: Montgomery Bus Boycott. That is correct. 176 00:09:58,120 --> 00:09:59,920 Speaker 1: A lot of people don't know about this juicy tidbit. 177 00:10:00,000 --> 00:10:01,640 Speaker 1: I couldn't be the face of the movement because I 178 00:10:01,679 --> 00:10:04,240 Speaker 1: wasn't ridging because of my complexion. I'm never in the press, 179 00:10:04,360 --> 00:10:07,320 Speaker 1: just thinking I was only fifteen, fellow with my routine. 180 00:10:06,880 --> 00:10:07,720 Speaker 4: And a segregatote. 181 00:10:07,960 --> 00:10:10,080 Speaker 1: Years after that, a curves, I couldn't find work, and 182 00:10:10,120 --> 00:10:12,000 Speaker 1: I moved to New York and got the nurse. 183 00:10:12,040 --> 00:10:20,360 Speaker 3: It began woman nine before it was Claude Corvin and 184 00:10:20,440 --> 00:10:23,160 Speaker 3: the beginning woman. Did you know this? 185 00:10:23,240 --> 00:10:27,120 Speaker 1: You know I wouldn't give up my seat nine months 186 00:10:27,160 --> 00:10:28,120 Speaker 1: before ros. 187 00:10:28,240 --> 00:10:29,440 Speaker 3: He was Claude Gorman. 188 00:10:29,800 --> 00:10:32,760 Speaker 1: Let me start from the beginning. My dad left, Mama's 189 00:10:32,760 --> 00:10:35,720 Speaker 1: wallet was sin me see. I was born Claude dead Austin. 190 00:10:35,840 --> 00:10:37,680 Speaker 1: Then I went to live with my uncle and my aunt, 191 00:10:37,760 --> 00:10:38,920 Speaker 1: and that's how I got the name. 192 00:10:39,040 --> 00:10:39,400 Speaker 3: Colvin. 193 00:10:39,520 --> 00:10:41,400 Speaker 1: Had a little sister e. I was like, oh this 194 00:10:41,600 --> 00:10:44,040 Speaker 1: lost her to poly yoga. Only knows my pain. I 195 00:10:44,120 --> 00:10:46,200 Speaker 1: was so fa yo logically strange. 196 00:10:46,480 --> 00:10:48,120 Speaker 4: Looking to Washington High School. 197 00:10:48,240 --> 00:10:50,440 Speaker 1: I started going there in nineteen fifty two. I was 198 00:10:50,480 --> 00:10:52,440 Speaker 1: in the city, a place I couldn't watch too so 199 00:10:52,559 --> 00:10:54,200 Speaker 1: right in the buses, what I had to do. 200 00:10:54,240 --> 00:10:56,440 Speaker 3: It was nineteen fifty five. I didn't give up my seat. 201 00:10:56,480 --> 00:10:58,600 Speaker 1: They called the police and they arrested in me. But 202 00:10:58,720 --> 00:11:00,640 Speaker 1: I had been learning that by my anth Street and 203 00:11:00,640 --> 00:11:01,520 Speaker 1: then the youth count. 204 00:11:01,480 --> 00:11:02,040 Speaker 4: With ina A. 205 00:11:02,160 --> 00:11:04,640 Speaker 1: Steve pat So what said, I know my constitutional race. 206 00:11:04,679 --> 00:11:06,679 Speaker 1: There was an empty rubberside and he said, this isn't right. 207 00:11:06,760 --> 00:11:08,840 Speaker 1: Jim Cross, that black, consider crossrom the white. 208 00:11:08,880 --> 00:11:10,280 Speaker 4: We always got to be behind. 209 00:11:10,040 --> 00:11:11,959 Speaker 1: Them and this sudd I'm like, put me off the plus. 210 00:11:11,960 --> 00:11:14,240 Speaker 1: I didn't fight work, but I didn't feel fear because 211 00:11:14,240 --> 00:11:15,760 Speaker 1: I was young and tough. To put me in an 212 00:11:15,800 --> 00:11:18,000 Speaker 1: adult fell with no phone call, but my friends went 213 00:11:18,080 --> 00:11:18,880 Speaker 1: to find my mom. 214 00:11:18,800 --> 00:11:26,360 Speaker 3: And it began with me nam before there was Claude Covin, 215 00:11:27,040 --> 00:11:29,680 Speaker 3: and it began with me, did you know? 216 00:11:29,840 --> 00:11:30,240 Speaker 7: Did you know? 217 00:11:31,200 --> 00:11:32,000 Speaker 4: I wouldn't give. 218 00:11:31,920 --> 00:11:38,240 Speaker 3: Up my seat? Name before brother. One year later, we 219 00:11:38,280 --> 00:11:39,200 Speaker 3: had brought a versus Gail. 220 00:11:39,280 --> 00:11:42,280 Speaker 1: I was one of five plaintifs talking about how the 221 00:11:42,320 --> 00:11:44,160 Speaker 1: law had failed out the bust and we wasn't gonna 222 00:11:44,200 --> 00:11:46,640 Speaker 1: take get a federal court. They made that decision, the 223 00:11:46,679 --> 00:11:49,600 Speaker 1: Supreme Court. They made that decision and the bus segregation 224 00:11:49,720 --> 00:11:50,800 Speaker 1: was against the constitution, and. 225 00:11:50,720 --> 00:12:00,200 Speaker 4: They ended the permanent lead. And it began with MENI. 226 00:11:58,480 --> 00:12:04,640 Speaker 1: There was Claude Covin, and the begin with me, I 227 00:12:04,720 --> 00:12:13,280 Speaker 1: wouldn't give up that's my name, Miss Alabama born and. 228 00:12:18,320 --> 00:12:29,520 Speaker 4: Given again with me oh I almost forgot. 229 00:12:29,559 --> 00:12:34,120 Speaker 1: The city of Montgomery, Alabama declared Mark second Claudette Colvin Day. 230 00:12:38,440 --> 00:12:41,320 Speaker 2: Hey Lee again, thanks for listening. We'll be back next 231 00:12:41,360 --> 00:12:44,960 Speaker 2: week with another bonus episode. In the meantime, if you're 232 00:12:45,080 --> 00:12:49,120 Speaker 2: enjoying the show Grown Ups, maybe tell a friend about it. 233 00:12:49,120 --> 00:12:51,000 Speaker 2: It really helps us a lot. 234 00:12:51,640 --> 00:12:52,600 Speaker 7: Bye.