WEBVTT - Scream Queens ("My Way" S1 EP 7) 0:00:05.760 --> 0:00:09.400 Still the Place with Laura Layton, Courtney Thorn Smith. 0:00:09.440 --> 0:00:12.480 And Daphne's Aniga and iHeartRadio podcast. 0:00:13.800 --> 0:00:17.320 Guys, this is the first time we've done like not 0:00:17.440 --> 0:00:19.599 sitting in the same room and we have to wave 0:00:19.640 --> 0:00:20.840 from a distance there a little. 0:00:22.160 --> 0:00:24.120 I know, I got spoiled see you, guys, but this 0:00:24.160 --> 0:00:26.600 is going to be very exciting as an adventuress. 0:00:26.760 --> 0:00:27.800 We'll be in person again. 0:00:28.160 --> 0:00:29.360 We will when we have a guest. 0:00:29.800 --> 0:00:32.199 Hey, I have to ask, are you guys having a 0:00:32.240 --> 0:00:33.960 lot of spiders at your house right now? 0:00:34.320 --> 0:00:36.280 So many spiders. 0:00:36.000 --> 0:00:37.400 Might have so much everything. 0:00:37.520 --> 0:00:38.960 Okay, so it's not just my house. 0:00:39.320 --> 0:00:42.920 No, there was an article recently it's an extra crazy 0:00:43.240 --> 0:00:46.600 spider year this year for la Yeah, maybe all the rain. 0:00:46.880 --> 0:00:48.879 I save them all. I put them all in a 0:00:48.920 --> 0:00:51.800 glass with a little envelope and then and sometimes I 0:00:51.840 --> 0:00:53.199 have to do two or three at a time and 0:00:53.520 --> 0:00:55.200 like put it outside. Oh. 0:00:55.200 --> 0:00:58.400 I was going to say, save their lives. 0:00:58.600 --> 0:01:02.440 I don't deserve it, Spiker, Yeah, I don't save them. 0:01:02.200 --> 0:01:05.040 Like for a project later or anything. So David, at 0:01:05.040 --> 0:01:05.399 the end. 0:01:05.319 --> 0:01:08.080 Of the day, did you say an ovelope? You put 0:01:08.160 --> 0:01:09.000 them in an envelope? 0:01:09.480 --> 0:01:12.120 No, I said, I put a glass over it and 0:01:12.160 --> 0:01:16.000 I slide an envelope or piece of paper. I take 0:01:16.040 --> 0:01:18.000 them out, but there are so many that I have 0:01:18.080 --> 0:01:19.400 to do two or three at the time. 0:01:19.720 --> 0:01:20.639 There are so many. 0:01:21.080 --> 0:01:22.920 Yeah, I'm having the kind of like if I'm the 0:01:22.959 --> 0:01:25.560 first person out the door in the morning, like I 0:01:25.640 --> 0:01:28.520 really have to check the door frame so that there's 0:01:28.520 --> 0:01:30.960 not one dangling right in front my face, like mouth 0:01:31.040 --> 0:01:32.759 level that I'm going to walk right into it. 0:01:32.840 --> 0:01:36.800 Right and there looking like like Georgie wanted. Georgie just 0:01:36.800 --> 0:01:42.120 came in. She want to say this, sister. But I 0:01:42.160 --> 0:01:44.200 took him out the other day and they walked through 0:01:44.240 --> 0:01:48.680 a web and she had a huge spider on her head. 0:01:49.200 --> 0:01:50.040 Oh my god. 0:01:50.600 --> 0:01:53.680 Yeah, I'm not a fan, but I'm glad it's not 0:01:53.760 --> 0:01:56.520 just my house because I was literally like this morning, 0:01:56.600 --> 0:02:00.720 like you know, like clearing the doorways before fighter or everywhere. 0:02:00.720 --> 0:02:02.520 I'm glad it's yeah, sorry. 0:02:02.360 --> 0:02:04.440 It's not just you. I'll find the article and send 0:02:04.440 --> 0:02:05.000 it to you guys. 0:02:05.360 --> 0:02:08.560 Yeah, well, I hope the season passes soon because it's 0:02:08.560 --> 0:02:11.160 a little disconcerting to walk, yeah, right into them. 0:02:12.600 --> 0:02:15.600 It's fun to escape it all though the yard. It's 0:02:15.600 --> 0:02:19.920 fun to escape it with our Melrose Place with our gig. 0:02:20.040 --> 0:02:22.160 Yeah, so I gotta say, so, this is my second 0:02:22.160 --> 0:02:24.680 time watching this episode because, as you guys know, I 0:02:24.840 --> 0:02:27.600 watched the wrong episode last week because they switch it 0:02:27.720 --> 0:02:30.480 on whatever I'm watching it on, they switch these two episodes. 0:02:31.160 --> 0:02:33.400 It was even better on the second time. I watched 0:02:33.440 --> 0:02:35.000 it again today, just you refresh. 0:02:35.200 --> 0:02:37.960 This is a really solid episode. I totally agree. All 0:02:38.000 --> 0:02:41.760 the stories were like intriguing and juicy, and the relationships 0:02:41.800 --> 0:02:44.600 were really full, and I don't know, I really thought 0:02:44.639 --> 0:02:48.360 it was a solid for everybody, for all the characters, 0:02:48.360 --> 0:02:49.520 you know, real even. 0:02:49.720 --> 0:02:51.880 Yeah, it feels like it's gelling and we're getting very 0:02:51.880 --> 0:02:53.320 close to when you guys come. 0:02:53.120 --> 0:02:57.840 On, very get in there. We're like enjoying it. 0:02:57.840 --> 0:03:05.520 Halfway to Dashney. Things get left up, but we're still 0:03:05.560 --> 0:03:09.040 in this sphace where the episodes are very self contained. 0:03:09.040 --> 0:03:13.120 The storylines are self contained and sort of wrapped up 0:03:13.200 --> 0:03:16.280 near the you know, at the end, the storylines come 0:03:16.320 --> 0:03:20.000 to a little neat conclusion, which is an indication of 0:03:20.080 --> 0:03:23.600 the early tone of the show. Sure so, yeah, so 0:03:23.880 --> 0:03:26.720 we're on Melrose Place, episode number seven. 0:03:28.080 --> 0:03:30.440 Dix. If you're on Amazon, you're very confused. 0:03:32.400 --> 0:03:37.800 To confuse everybody. The title however, is called My Way, 0:03:38.640 --> 0:03:44.840 And this episode opens on a wide open mouth screaming 0:03:45.400 --> 0:03:49.320 a horror movie scream, and we pull out to find 0:03:49.440 --> 0:03:53.400 that we are inside of Sandy's mouth as she's screaming 0:03:54.040 --> 0:03:59.120 lovely teeth I mean, full commitment, and she is in 0:03:59.160 --> 0:04:02.480 the middle of an audition for clearly some sort of 0:04:03.280 --> 0:04:05.480 horror movie where she's required to scream, and there's a 0:04:05.520 --> 0:04:09.520 bunch of people in room, the casting people and the producers, 0:04:09.560 --> 0:04:11.680 and it's super awkward for Sandy. 0:04:12.680 --> 0:04:14.800 And didn't that bring you back to that when they're 0:04:14.840 --> 0:04:20.240 just so disinterested, like they really sued it, disinterested working. 0:04:20.560 --> 0:04:23.600 It was so painful, and like just like that's how 0:04:23.680 --> 0:04:27.280 auditions can be, right, I mean absolutely, And. 0:04:27.200 --> 0:04:29.000 Then she goes, can I do the next scene? And 0:04:29.000 --> 0:04:32.680 they're like, oh, we cut that scene. Yeah, I read it. 0:04:33.000 --> 0:04:35.200 I thought I had a meaty part. No, we got that. 0:04:36.040 --> 0:04:38.920 What they really just wanted is to see how good 0:04:38.920 --> 0:04:41.400 her scream was. And we're going to find out that 0:04:41.600 --> 0:04:44.760 pretty much, they just wanted her to scream well and 0:04:44.800 --> 0:04:50.000 to look good because so blonde. Yeah, so, anyway, auditions 0:04:50.000 --> 0:04:52.440 are humilie. Have you guys ever done a horror movie? 0:04:53.000 --> 0:04:53.120 Oh? 0:04:53.240 --> 0:04:55.120 Yeah, I started with a horror movie. And I have 0:04:55.920 --> 0:04:57.400 a little bit of a story if you give me 0:04:57.440 --> 0:05:01.520 a second. And my first horror film was Paramount, and 0:05:01.560 --> 0:05:04.000 they flew me to Texas where we shot it. It was 0:05:04.040 --> 0:05:07.160 called The Initiation. It took place in of course, a 0:05:07.160 --> 0:05:12.080 sorority horror film. And I remember doing the scene. So 0:05:12.120 --> 0:05:14.440 I was the lead of it. And I when there 0:05:14.480 --> 0:05:17.719 was a shower scene, this like communal shower scene. I 0:05:17.880 --> 0:05:21.360 put on a tube top. I put on like masking tape. 0:05:21.560 --> 0:05:24.159 I wrapped the towel around it. I pretty much think, I, 0:05:24.600 --> 0:05:27.200 you know, safety pinded and clamped it. I was just 0:05:27.320 --> 0:05:30.600 like me in the shower post shower. And there were 0:05:30.640 --> 0:05:33.640 the extras, and then there was this discussion about this 0:05:33.720 --> 0:05:37.599 extra being topless in the back, and I went around 0:05:37.640 --> 0:05:40.440 and I was telling all the girls, you know, you know, 0:05:40.520 --> 0:05:42.200 you don't have to do this. If you don't want to, 0:05:42.279 --> 0:05:44.359 you do not have to do this, like trying to 0:05:44.400 --> 0:05:46.880 talk her out of doing this topless shower scene. I 0:05:46.920 --> 0:05:50.040 wanted to save her dignity. I mean, if Sandy were there, 0:05:50.040 --> 0:05:51.760 I would have been there going, Nope, you don't have 0:05:51.800 --> 0:05:53.320 to do this is my first movie. I don't know 0:05:53.360 --> 0:05:55.240 if she had to do it or not, but just 0:05:55.320 --> 0:05:59.560 felt creepy. So she ended up doing it, I think, 0:06:00.560 --> 0:06:04.640 and I was like, oh god, poor thing. And then 0:06:04.839 --> 0:06:08.960 you know, but I was very protective in those early days. Anyway, 0:06:08.960 --> 0:06:12.400 that was my That was one of my first experience 0:06:12.720 --> 0:06:13.239 was that. 0:06:13.200 --> 0:06:17.400 Horror film off of Sandy's Scream. We cut to Billy 0:06:17.440 --> 0:06:20.560 and Allison in the apartment, and Billy is bummed out 0:06:20.640 --> 0:06:23.880 because he tells Alison the paper has gone out of business. 0:06:23.880 --> 0:06:27.600 He's now out of a job. He assumes perhaps lack 0:06:27.640 --> 0:06:31.800 of advertising, and he says, why does the apartment look different. 0:06:31.800 --> 0:06:35.000 Allison reveals that she's been cleaning the apartment, at which 0:06:35.000 --> 0:06:37.680 time Billy panics and he thinks, wait, wait, I had 0:06:37.720 --> 0:06:41.520 something important. Did you throw away a little napkin? And 0:06:41.560 --> 0:06:43.559 she's like, well, yeah, I was cleaning. It looked like junk, 0:06:44.520 --> 0:06:47.480 and he was writing the idea for a short story 0:06:47.600 --> 0:06:50.160 down this cocktail napkin that has now been cleaned and 0:06:50.240 --> 0:06:50.799 thrown away. 0:06:50.880 --> 0:06:54.200 So yes, and Allison does that terrible thing where you 0:06:54.240 --> 0:06:57.440 know I remember reading recently, Be careful of people who 0:06:57.520 --> 0:07:01.000 blame you for a problem they create, like my threw 0:07:01.040 --> 0:07:02.760 it away, and I'm like, well, you shouldn't have written 0:07:02.800 --> 0:07:09.320 it so messily, like Alison, sorry, just say you're sorry. 0:07:09.720 --> 0:07:14.120 Yeah, Well, he's upset and she's off to work, and 0:07:14.360 --> 0:07:17.800 so as she leaves, the phone rings and it goes 0:07:18.000 --> 0:07:23.200 to the answering machine and it is Billy's mother and 0:07:23.320 --> 0:07:26.240 she's leaving a message saying we're expecting you and Allison 0:07:26.280 --> 0:07:28.840 and Palm Springs, don't forget it's your father's birthday. We're 0:07:28.840 --> 0:07:33.640 expecting as to be there. So from there we go 0:07:33.680 --> 0:07:36.280 to Michael and Jean's apartment and we do sort of 0:07:36.280 --> 0:07:39.800 bring this storyline back where we're they're starting to prepare 0:07:39.840 --> 0:07:42.720 for the baby since Jane is pregnant, and Michael is 0:07:42.760 --> 0:07:45.600 trying to move furniture, trying to measure and find out 0:07:45.600 --> 0:07:47.360 where the best place for the crib might be. 0:07:47.280 --> 0:07:49.840 And being very sweet, like I have to say, right, 0:07:49.960 --> 0:07:52.120 like he's been sort of dismissive, but suddenly now that 0:07:52.160 --> 0:07:54.560 she's pregnant, he's being very sweet and wanting to shape 0:07:54.640 --> 0:07:55.800 very good care of her, which. 0:07:55.600 --> 0:07:59.160 I really so excited and gung ho, Yeah, you're so sweet, so. 0:07:59.040 --> 0:08:02.120 Happy and enthusiastic to figure out a little. 0:08:01.840 --> 0:08:04.840 Overly, so she's not even showing she just found out 0:08:04.840 --> 0:08:07.360 she's pregnant and he's moving furniture to fit the cribbon. 0:08:07.880 --> 0:08:09.520 I know. It's really cute though. 0:08:09.440 --> 0:08:12.200 And she's like, I'm not. I'm not that I can 0:08:12.240 --> 0:08:15.520 move something. I can help. I can, and but he 0:08:15.600 --> 0:08:18.960 goes to try to move the dresser and hurts himself. 0:08:19.200 --> 0:08:20.800 I'm I gotta ask. 0:08:21.240 --> 0:08:22.080 He's moving the. 0:08:22.080 --> 0:08:26.120 Dresser with his hands on the dresser and with his 0:08:26.240 --> 0:08:28.640 upper body, and yet he hurts his ankle and he 0:08:28.640 --> 0:08:31.800 had to rewind it and go back because he hurts 0:08:31.800 --> 0:08:34.040 his ankle so badly that he flings himself on the 0:08:34.080 --> 0:08:35.640 bed and she's like, oh, no, oh, no, you know, 0:08:35.720 --> 0:08:38.400 are you okay? We must go to the hospital. I thought, well, 0:08:38.440 --> 0:08:41.400 that wow, that serious injury. They're off to the hospital 0:08:41.440 --> 0:08:42.800 for this, and I had to rewind it and go 0:08:43.200 --> 0:08:44.160 He didn't even touch. 0:08:44.000 --> 0:08:49.160 His he must have missed step off camp angle. 0:08:49.360 --> 0:08:52.200 I think, yeah, maybe the take where he hurt his 0:08:52.240 --> 0:08:55.719 ankle maybe wasn't the take that they used. Maybe yeah, so, 0:08:56.520 --> 0:08:58.959 but I thought that was pretty funny. He was very 0:08:59.000 --> 0:09:00.640 hurt and she was very con and so off they 0:09:00.640 --> 0:09:04.040 go to the hospital to handle this injury. And then 0:09:04.040 --> 0:09:06.760 we cut back to D and D and Billy is 0:09:06.840 --> 0:09:10.559 showing up at Allison's work to bring her flowers to apologize. 0:09:10.559 --> 0:09:12.440 I have to say I was pretty impressed with Alison 0:09:12.480 --> 0:09:15.160 on those phones, like that's so good. I'm not a 0:09:15.160 --> 0:09:17.840 great prop actress, so I was pretty impressed with work 0:09:17.880 --> 0:09:18.520 in this phone. 0:09:19.000 --> 0:09:21.160 It's the apparently you are because you were. I was 0:09:21.200 --> 0:09:23.480 impressed with the same thing you were answering your. 0:09:24.280 --> 0:09:27.040 Talking to him for years you had that were you 0:09:27.080 --> 0:09:29.280 did you get better at it? Was it awkward for you? 0:09:29.480 --> 0:09:31.640 I don't even remember it? So I was like, oh, 0:09:31.720 --> 0:09:33.079 look at me, prop act I was. 0:09:33.040 --> 0:09:35.160 Really, oh, yeah, you like, I'm not as bad as I. 0:09:35.120 --> 0:09:39.280 Thought, because because the hard thing is and people might 0:09:39.280 --> 0:09:42.080 not realize, like nobody's actually talking on the other end 0:09:42.120 --> 0:09:44.000 of the phone, and you as the actress need to 0:09:44.160 --> 0:09:46.640 like fake this phone call like somebody's saying something to 0:09:46.679 --> 0:09:49.080 you in your ear, which they're not. And then also 0:09:49.120 --> 0:09:51.000 the person across the desk, which is Billy, he's talking 0:09:51.000 --> 0:09:53.120 to you and he's presenting flowers. There's a lot going on, 0:09:53.160 --> 0:09:54.319 and you were juggling. 0:09:53.960 --> 0:09:56.520 Pushing the right button, all that whole thing. 0:09:56.600 --> 0:09:58.400 Yeah, yes, which is why I like to not have 0:09:58.440 --> 0:10:00.960 any props and just talk to people while I'm sitting 0:10:01.000 --> 0:10:03.520 down and in this I had a lot going on. 0:10:03.640 --> 0:10:05.920 It was a lot, and you sold it girls, great, 0:10:06.200 --> 0:10:09.400 thank you. We all noticed the very same thing, and 0:10:09.720 --> 0:10:11.720 this is what we sold it better than Michael sold 0:10:11.800 --> 0:10:15.040 break in his ankle. Well, it's yeah, but all these 0:10:15.040 --> 0:10:18.520 things are hard. It's hard to fake an injury too. 0:10:18.600 --> 0:10:19.880 It is true, It's so true. 0:10:20.000 --> 0:10:25.480 Those are tough things. Screaming is hard and so uh yeah. 0:10:25.480 --> 0:10:28.120 So Billy is apologizing and he brings her He says, 0:10:28.160 --> 0:10:31.840 I knew roses were your favorite. However, he's brought carnations 0:10:32.320 --> 0:10:37.880 and but that's where he pops the question of hey, 0:10:37.920 --> 0:10:39.640 you want to go to Palm Springs with me for 0:10:39.720 --> 0:10:40.520 the weekend. 0:10:40.280 --> 0:10:42.360 And he does say, they asked me to bring a friend, 0:10:42.880 --> 0:10:46.200 and you're my friend. But even so, like going away 0:10:46.200 --> 0:10:48.040 for a weekend, that's a big step. 0:10:48.360 --> 0:10:52.640 Yeah, yeah, I love how you guys are again since 0:10:52.640 --> 0:10:55.520 I wasn't there, but I love seeing how this whole 0:10:55.520 --> 0:10:58.439 progression of you guys are still friends, you're still on 0:10:58.480 --> 0:11:02.360 there for just the friends stage. And so he's saying, 0:11:02.600 --> 0:11:05.240 I told him, you know you're a friend, and you're like, okay, 0:11:05.320 --> 0:11:07.800 I'll go as a friend. And you know, this is 0:11:07.840 --> 0:11:10.440 like you can see it all developing and what's going 0:11:10.480 --> 0:11:13.360 on here, which is cool. It's kind of a it's 0:11:13.400 --> 0:11:16.559 a very cool sort of setup for drama. 0:11:16.760 --> 0:11:19.040 Yeah, it's very sweet, like I can I can see 0:11:19.040 --> 0:11:19.920 the chemistry already. 0:11:19.920 --> 0:11:22.000 It's very so, yeah, you can see where it's headed, 0:11:22.080 --> 0:11:24.560 and it's you know, obviously Billie's said something to his 0:11:24.720 --> 0:11:28.160 parents to have them say, oh, bring Alison, and yeah, 0:11:28.760 --> 0:11:31.160 it's all very cute and we all are here for it. 0:11:31.160 --> 0:11:34.360 We want to see it happen. So from there we 0:11:34.440 --> 0:11:37.280 go to Shooters where Sandy is serving beers and Jake 0:11:37.320 --> 0:11:40.360 wants to hear about the audition and she's like, not 0:11:40.559 --> 0:11:44.240 optimistic about it at all. Ronda comes in and Sandy 0:11:44.240 --> 0:11:45.920 wants to know if anybody has called, if she got 0:11:45.920 --> 0:11:47.880 any messages, because she's waiting to hear about the audition, 0:11:48.280 --> 0:11:50.400 and Ronda sort of teases he at first and says, no, no, 0:11:50.520 --> 0:11:52.640 nobody called, and then she's like, no except for the 0:11:52.679 --> 0:11:55.720 one message that says you got the bard And they're all. 0:11:55.679 --> 0:11:57.880 Very excited for and don't you feel like Jake is 0:11:57.920 --> 0:12:01.319 really turning it on Like that feels like really intense 0:12:01.360 --> 0:12:02.520 flirting between the two of them. 0:12:02.559 --> 0:12:04.880 To me, I get Yeah. I thought there was a 0:12:04.880 --> 0:12:06.719 lot of juice between them in this episode all the 0:12:06.760 --> 0:12:09.640 way through, which I liked. I like there, Yeah, we'll 0:12:09.640 --> 0:12:10.480 see as we go on. 0:12:10.720 --> 0:12:13.920 This is the relationship that maybe they're you know, headed towards. 0:12:13.920 --> 0:12:16.520 So yeah, I mean I was wondering if it was 0:12:18.760 --> 0:12:21.000 Grant and Amy making that choice, if it was in 0:12:21.000 --> 0:12:24.640 the script, like did they choose to play this thing? 0:12:25.280 --> 0:12:28.320 So shooters, uh, Jake and Sandy were noticing there's all 0:12:28.320 --> 0:12:31.200 of a sudden a little flirty vibe with them. Maybe that's, 0:12:31.280 --> 0:12:33.520 you know, a sign of things to come. But we 0:12:33.600 --> 0:12:36.680 find out that Sandy's just gotten this job and that. 0:12:36.760 --> 0:12:37.640 Was a sweet moment. 0:12:38.120 --> 0:12:41.840 Yeah, because Ronda heard it on the voice message. 0:12:42.160 --> 0:12:46.800 They remember answering the answering remember signs, Yes, like you 0:12:46.800 --> 0:12:49.120 couldn't wait to get home to check the answering machine, you. 0:12:49.200 --> 0:12:52.800 Know, Yeah, important news would be left on your tape. 0:12:52.880 --> 0:12:55.160 Yeah, yeah, and you'd have to go home and wait 0:12:55.200 --> 0:12:57.560 to see I remember that so clearly. 0:12:57.800 --> 0:13:01.200 Yeah, or like if you the call, you know, like 0:13:02.080 --> 0:13:04.640 it has to be that's the only way to know 0:13:04.679 --> 0:13:06.520 that you missed the call is somebody has to choose 0:13:06.559 --> 0:13:10.480 to leave the message. Yes, and so nice that she 0:13:10.520 --> 0:13:12.800 heard it that way that they left them as a 0:13:12.840 --> 0:13:20.480 john her machine for it. Then from there, Lily and 0:13:20.520 --> 0:13:25.320 Alison are driving to Palm Springs and Billy informs her 0:13:25.480 --> 0:13:28.480 upon arriving that, oh, by the way, it's just going 0:13:28.520 --> 0:13:30.360 to be the two of us. I know it's my 0:13:30.440 --> 0:13:32.440 dad's birthday weekend, and I told you it was a thing, 0:13:32.480 --> 0:13:34.320 but it's just going to be the two of us. 0:13:34.400 --> 0:13:38.160 And Alison is pissed, and she says she wouldn't missed. 0:13:38.200 --> 0:13:41.560 However, I remember that outfit and I really liked it, 0:13:41.559 --> 0:13:43.600 and had on the white shorts and that blue and 0:13:43.600 --> 0:13:45.720 white top which I remember, and the boots. Did you 0:13:45.800 --> 0:13:49.520 notice like those boots I had on with the shorts 0:13:49.600 --> 0:13:52.840 and that I remember that outfit had that detail. 0:13:52.880 --> 0:13:55.320 Don't you remember how big those were? That like little 0:13:55.320 --> 0:13:58.160 flower kind of sewn in detail. 0:13:58.280 --> 0:13:59.120 They'll applicate thing. 0:13:59.200 --> 0:14:02.040 I did the application. Yeah, Oh, those were so big. 0:14:02.080 --> 0:14:04.560 I love I remember the boots. I remember just loving 0:14:04.559 --> 0:14:05.080 that outfit. 0:14:05.720 --> 0:14:07.520 Well, you looked a door. Do you remember where you 0:14:07.559 --> 0:14:10.480 shot it? Did you guys go out to Palm Springs? 0:14:10.520 --> 0:14:11.960 Probably not somewhere. 0:14:11.600 --> 0:14:14.880 In an apartment building in the probably Santa Cia. I 0:14:14.880 --> 0:14:16.800 was going to say the Valley, but maybe Santa Crita. 0:14:17.160 --> 0:14:19.280 Yeah, yeah, because it looked like a little like cul 0:14:19.320 --> 0:14:23.280 de sac, you know, like complex, right right, you pull 0:14:23.320 --> 0:14:25.520 a little condo complex. Yeah, yeah, so it could have 0:14:25.520 --> 0:14:28.360 been lots of places. Probably wasn't. Actually, there's a lot 0:14:28.400 --> 0:14:30.920 of those here in southern California, like all over there, 0:14:31.160 --> 0:14:35.440 so many. Yeah, and so Allison's upset because she doesn't 0:14:35.440 --> 0:14:37.520 want to send the wrong message, like, hey, wait, you 0:14:37.560 --> 0:14:39.040 know you told me I was just coming as your friend, 0:14:39.040 --> 0:14:40.400 and I wouldn't have come if it was just us. This 0:14:40.480 --> 0:14:44.760 is kind of awkward. And then sure enough when Billy's 0:14:44.800 --> 0:14:49.960 parents come to the door, Uh, it's clear that. Oh, 0:14:50.000 --> 0:14:52.320 by the way, I also told my parents that you're 0:14:52.360 --> 0:14:53.760 my girlfriend in. 0:14:53.720 --> 0:14:56.840 The door open. Yeah, but yeah, that was a brief, 0:14:56.880 --> 0:14:58.200 little palm spring scene. 0:14:58.520 --> 0:15:01.440 Yeah, so that's that's our That's where Alison learns that 0:15:01.560 --> 0:15:04.800 Billy has told his parents that Alison is his girlfriend, 0:15:05.400 --> 0:15:09.080 and again she's upset by that. So then we're back 0:15:09.120 --> 0:15:11.160 in the apartment where Sandy is studying her lines and 0:15:11.280 --> 0:15:14.000 Ronda's music is too loud for her, so she asks 0:15:14.120 --> 0:15:18.720 Ronda to leave the apartment. That's annoying for Ronda. Sandy 0:15:18.760 --> 0:15:22.280 reveals she has eight lines and three screams. 0:15:23.800 --> 0:15:25.640 But I did notice that because there's no one there 0:15:25.680 --> 0:15:27.840 to say to her. There are no small parts, only 0:15:27.880 --> 0:15:30.600 small actors when they're going to tell her, you don't 0:15:30.640 --> 0:15:32.000 count your line, Sweetene. 0:15:32.520 --> 0:15:37.400 Yeah, and did you notice that by this episode, Sandy's 0:15:37.400 --> 0:15:38.600 accent is completely gone? 0:15:38.960 --> 0:15:39.360 Mm hmm. 0:15:39.800 --> 0:15:41.920 And I thought I was paying attention. I thought it 0:15:41.960 --> 0:15:43.720 was sort of fading. I thought she was sort of 0:15:43.720 --> 0:15:46.600 fading it out. There's a hint gradually, but by the 0:15:46.640 --> 0:15:48.080 next episode there's none. 0:15:48.560 --> 0:15:52.960 Yeah, I felt like it was pretty pretty not present 0:15:53.360 --> 0:15:56.400 in this one, which I think makes it just makes 0:15:56.440 --> 0:15:58.480 it easier. It just felt more comfortable. 0:15:58.560 --> 0:16:00.760 I feel like it came back a little when she 0:16:00.920 --> 0:16:04.320 was with Jake seen later in the courtyard. It kind 0:16:04.320 --> 0:16:07.240 of comes when she does this, you know, Damsel in 0:16:07.320 --> 0:16:10.280 distress or this kind of Hollywood stole that thing. She could, yeah, 0:16:10.320 --> 0:16:13.600 yet into it. But but I didn't even think about 0:16:13.600 --> 0:16:17.280 it this time watching it. Yeah, I did notice. If 0:16:17.280 --> 0:16:21.920 we can just go talk about the the the apartment itself, 0:16:22.080 --> 0:16:25.240 you know, it's very Rhonda. There's a lot of sort 0:16:25.240 --> 0:16:28.400 of like ethnic African fabric, and you know, of course 0:16:28.400 --> 0:16:32.760 her wardrobes kind of like that all funky, and but 0:16:33.600 --> 0:16:37.880 I just overall noticed how everybody's apartment was very different 0:16:38.560 --> 0:16:41.960 and full and colorful and distinctive, you know, like the 0:16:42.080 --> 0:16:47.000 Michael and Jane they had all this stuff in the kitchen, 0:16:47.120 --> 0:16:50.120 all foods and supplies, where these girls there was nothing 0:16:50.120 --> 0:16:53.760 in the refrigerator really except for the cake that they're 0:16:53.760 --> 0:16:56.440 gonna eat. But I just noticed like each apartment was 0:16:56.600 --> 0:16:59.560 very distinctive, which I Yeah, our set designer was wonderful. 0:16:59.560 --> 0:17:02.840 I'm going to remember her name. She decorated my first house. 0:17:03.480 --> 0:17:04.680 Oh that's reallyazing. 0:17:04.880 --> 0:17:08.000 Yeah, I was remembering that that first house I had 0:17:08.000 --> 0:17:10.000 on North Nole, and like Callywood, I bought it because 0:17:10.000 --> 0:17:13.040 it was up the street from the house rought Andrews 0:17:13.040 --> 0:17:16.240 shared with his four roommates. And that's how I found. 0:17:16.280 --> 0:17:17.960 I was driving home from his house one day and 0:17:18.000 --> 0:17:20.960 I saw this house a quarter of a mile from 0:17:20.960 --> 0:17:23.960 the house where he lived. And then she did the decorating. 0:17:24.000 --> 0:17:25.520 To me, she was wonderful. I'm going to look up 0:17:25.520 --> 0:17:25.800 her name. 0:17:25.840 --> 0:17:28.080 As we said, Oh that's great. Did it look like 0:17:28.480 --> 0:17:31.280 any of the apartments. 0:17:30.160 --> 0:17:33.159 Like no, but it really it felt very me so 0:17:33.359 --> 0:17:36.199 what we're trying. She's really good at seeing a personality 0:17:36.240 --> 0:17:39.359 and putting it together. Yeah, I loved that house. Yeah, 0:17:39.359 --> 0:17:40.320 she did a great job. 0:17:40.640 --> 0:17:42.960 Very cool. Well, that's the thing about the sets, because 0:17:42.960 --> 0:17:46.680 they would just have like a one bedroom apartment as 0:17:46.760 --> 0:17:49.800 like a blank slate, and then they would dress it 0:17:49.880 --> 0:17:51.840 for whatever scenes they were shooting that day. They would 0:17:51.920 --> 0:17:55.680 dress it for if it was Ronda's apartment or if 0:17:55.720 --> 0:17:59.600 it was Matt's apartment, like whoever's apartment was a one bedroom, 0:17:59.640 --> 0:18:03.040 they would redress. When when Sydney had an apartment, it 0:18:03.119 --> 0:18:07.119 was not always that space was not always Sydney's. The 0:18:07.240 --> 0:18:09.720 interior of it r It's just according to what set 0:18:09.760 --> 0:18:11.399 decorating was there. So it was really cool that they 0:18:11.400 --> 0:18:15.199 could really completely change a space with because if you. 0:18:15.240 --> 0:18:17.080 Look if you're out in the courtyard and you look 0:18:17.119 --> 0:18:19.760 at the exterior of all the apartments, all of them 0:18:19.800 --> 0:18:22.879 are not full apartments like Joe's. When you're on the 0:18:23.000 --> 0:18:25.359 courtyard and you look up to where I moved into 0:18:25.400 --> 0:18:29.000 where Ronda and Sandy I believe live now, it's just 0:18:29.000 --> 0:18:31.200 a facade, that's just a door. There's nothing behind there. 0:18:31.240 --> 0:18:35.320 So they actually had to borrow another apartment that was 0:18:35.359 --> 0:18:38.960 fully there, So they did that, and they had to 0:18:39.040 --> 0:18:40.600 have a good memory of what goes. 0:18:40.440 --> 0:18:42.640 Now, So which one were you? Because the first flour 0:18:42.680 --> 0:18:46.679 apartments were all working apartments and upstairs were all just facades. 0:18:47.160 --> 0:18:50.040 So when you were in your apartment, which downstairs apartment 0:18:50.080 --> 0:18:52.320 did you use? Because it might have been because it 0:18:52.359 --> 0:18:55.080 was right below. Yeah, but yours was full of makes sense. 0:18:55.280 --> 0:18:58.640 Yeah, it might have been Jakes. I've never remember going 0:18:58.640 --> 0:19:01.480 into what was you know, Michael and James and using 0:19:01.520 --> 0:19:04.359 that as mine. Ever, it was a mind out that 0:19:04.520 --> 0:19:07.320 was yours. Yeah, okay, of course you okay, we're not 0:19:07.359 --> 0:19:10.440 going to go too far ahead, but yeah, but interesting 0:19:10.600 --> 0:19:12.880 it's how they, you know, interchange these spaces that are 0:19:12.960 --> 0:19:14.800 just sets that it's. 0:19:14.680 --> 0:19:18.680 All in the decor, yeah, to make them individual. So yeah, 0:19:18.720 --> 0:19:22.200 so Sandy's you know, she's trying to study, and she's anxious, 0:19:22.240 --> 0:19:24.680 and she's asking Ronda to be quieter and actually maybe 0:19:24.720 --> 0:19:27.200 you could just leave, And she doesn't even want Randa 0:19:27.240 --> 0:19:29.040 to use her phone because she thinks she won't answer 0:19:29.080 --> 0:19:31.280