WEBVTT - Advice for Spectating at the Masters

0:00:00.040 --> 0:00:02.800
<v Speaker 1>I miss a green for example, I'm already upset. When

0:00:02.800 --> 0:00:04.920
<v Speaker 1>I find my ball in the bunker, I'm really upset.

0:00:05.000 --> 0:00:05.880
<v Speaker 1>And when I find my.

0:00:05.840 --> 0:00:08.920
<v Speaker 2>Ball in a frid Egg, Friday Egg, the dreaded Frida Egg,

0:00:09.039 --> 0:00:11.880
<v Speaker 2>Frida Egg, Frida Egg Egg, Frida Egg, Bride Egg, Lie,

0:00:11.920 --> 0:00:35.600
<v Speaker 2>I'm about ready to run off of the hump. Hello

0:00:35.680 --> 0:00:38.040
<v Speaker 2>and welcome to the Friday Egg Podcast. My name is

0:00:38.080 --> 0:00:41.599
<v Speaker 2>Garrett Morrison, and today we have a special episode for

0:00:41.720 --> 0:00:46.520
<v Speaker 2>you all about Augusta National and the Masters, specifically about

0:00:46.560 --> 0:00:51.040
<v Speaker 2>the spectating experience at Augusta National. And I think that

0:00:51.120 --> 0:00:54.760
<v Speaker 2>we're going to revolve our discussion a little bit around

0:00:54.920 --> 0:00:56.920
<v Speaker 2>sort of the first time experience if you haven't been

0:00:56.960 --> 0:01:00.320
<v Speaker 2>there before and you're going. This is a set of

0:01:00.560 --> 0:01:04.840
<v Speaker 2>recommendations and ideas for that. And to help me with this,

0:01:05.120 --> 0:01:08.880
<v Speaker 2>I have three guests today. This is an unusual format

0:01:08.920 --> 0:01:11.760
<v Speaker 2>for the Frida Egg podcast. So we have Andy Johnson,

0:01:12.120 --> 0:01:15.800
<v Speaker 2>the founder of the Frida Egg. We have Brendan Porath,

0:01:16.000 --> 0:01:19.760
<v Speaker 2>who is Andy Johnson's co host on the Shotgun Start

0:01:19.800 --> 0:01:22.960
<v Speaker 2>podcast and the most recent employee of the Frida Egg,

0:01:22.959 --> 0:01:27.360
<v Speaker 2>which we're very excited about. Title there's no title, Yeah,

0:01:27.560 --> 0:01:29.880
<v Speaker 2>so have we we haven't decided on a title at

0:01:29.920 --> 0:01:30.520
<v Speaker 2>all for Brendan.

0:01:30.560 --> 0:01:32.559
<v Speaker 3>Then huh, employee works.

0:01:32.600 --> 0:01:37.039
<v Speaker 4>I was thinking, like managing managing director emeritus.

0:01:37.040 --> 0:01:38.399
<v Speaker 3>I don't know anything you want.

0:01:38.319 --> 0:01:41.640
<v Speaker 2>To I'm managing editor, and Brendan's coming in here and

0:01:41.680 --> 0:01:47.400
<v Speaker 2>trying to claim managing director emeritus. Er all right? And

0:01:47.440 --> 0:01:50.520
<v Speaker 2>then finally we have Michael Wolfe with us. Michael Wolfe,

0:01:50.600 --> 0:01:53.680
<v Speaker 2>who may be better known as Bama Bearcat on Twitter,

0:01:54.320 --> 0:01:59.080
<v Speaker 2>is a golf history savant and in particular somebody who

0:01:59.120 --> 0:02:01.800
<v Speaker 2>knows a lot about the history of the Masters and

0:02:01.840 --> 0:02:05.920
<v Speaker 2>Augusta National. So very excited to have Michael Wolfe with

0:02:06.000 --> 0:02:06.480
<v Speaker 2>us today.

0:02:06.720 --> 0:02:08.600
<v Speaker 5>I was excited at too, until I just learned that

0:02:08.639 --> 0:02:10.320
<v Speaker 5>I'm the only person in this room right now.

0:02:10.360 --> 0:02:11.440
<v Speaker 6>Not like it's not getting.

0:02:11.200 --> 0:02:14.960
<v Speaker 2>Papers, this is already going off the rails. Well, we'll

0:02:15.040 --> 0:02:17.000
<v Speaker 2>we'll figure out the payment later. Maybe maybe there will

0:02:17.040 --> 0:02:18.840
<v Speaker 2>be some dinner tonight or something like that.

0:02:18.960 --> 0:02:22.120
<v Speaker 7>I mean, who knows, maybe you'll get payment for you know,

0:02:22.240 --> 0:02:23.160
<v Speaker 7>from something else.

0:02:24.200 --> 0:02:27.440
<v Speaker 6>Delicious Elijah Craig, Bob who knows you.

0:02:27.400 --> 0:02:30.360
<v Speaker 1>Already got a sip of that? That seems like enough

0:02:30.400 --> 0:02:32.799
<v Speaker 1>people would do that for the Well.

0:02:32.840 --> 0:02:35.639
<v Speaker 2>Thank you for working in the sponsor of the episode. Michael,

0:02:35.639 --> 0:02:38.840
<v Speaker 2>that's very professional of you. So our basic idea here

0:02:38.880 --> 0:02:42.880
<v Speaker 2>today is to go through some recommendations for the experience

0:02:43.080 --> 0:02:47.240
<v Speaker 2>at Augusta National, and those recommendations can be whatever you

0:02:47.280 --> 0:02:50.000
<v Speaker 2>guys want, essentially, and then at the end of the

0:02:50.040 --> 0:02:54.160
<v Speaker 2>podcast we'll talk about our favorite spots at Augusta. So

0:02:54.360 --> 0:02:58.720
<v Speaker 2>that's the basic idea. Why don't we start with Michael. Michael,

0:02:58.760 --> 0:03:02.800
<v Speaker 2>what is your number one recommendation for somebody who's going

0:03:02.840 --> 0:03:05.400
<v Speaker 2>to go be a spectator at Augusta National.

0:03:06.200 --> 0:03:06.519
<v Speaker 6>Sure?

0:03:06.639 --> 0:03:09.640
<v Speaker 5>So, the Masters, like they do with everything, They've got

0:03:09.680 --> 0:03:12.880
<v Speaker 5>a great website and if you click on Spectator Information,

0:03:12.960 --> 0:03:15.440
<v Speaker 5>it'll give you tips on how to get here and

0:03:15.440 --> 0:03:17.720
<v Speaker 5>how to park and everything. The first tip would be

0:03:17.800 --> 0:03:20.240
<v Speaker 5>to follow those directions. This is not a place where

0:03:20.280 --> 0:03:22.080
<v Speaker 5>you're going to outsmart them. They've been doing this for

0:03:22.120 --> 0:03:26.600
<v Speaker 5>a long time. Use the parking. It's free, it's well organized.

0:03:27.400 --> 0:03:30.440
<v Speaker 5>Just trust the process, don't try to get fancy and

0:03:30.919 --> 0:03:32.440
<v Speaker 5>work around it. So I would say the first thing

0:03:32.560 --> 0:03:35.760
<v Speaker 5>is parking. But then the most important part I would

0:03:35.800 --> 0:03:38.720
<v Speaker 5>say of that tip is you're gonna see big signs

0:03:38.720 --> 0:03:40.080
<v Speaker 5>when you get in the parking that say leave your

0:03:40.120 --> 0:03:42.680
<v Speaker 5>phone in the car, that's very unusual for most of

0:03:42.760 --> 0:03:45.560
<v Speaker 5>us these days, and it takes a little thinking if

0:03:45.640 --> 0:03:48.120
<v Speaker 5>you are with a group of people, and particularly if

0:03:48.160 --> 0:03:51.160
<v Speaker 5>you're not all arriving at the same time. So the

0:03:51.160 --> 0:03:53.720
<v Speaker 5>first thing, first and foremost, everybody needs to know what

0:03:53.760 --> 0:03:56.960
<v Speaker 5>each other's phone numbers are. We don't know everybody's phone

0:03:57.000 --> 0:03:59.320
<v Speaker 5>numbers anymore. But if you don't have your phone and

0:03:59.360 --> 0:04:02.080
<v Speaker 5>you've got a content tacked them down the line, and

0:04:02.120 --> 0:04:03.800
<v Speaker 5>you don't you don't have your contacts to look up.

0:04:03.840 --> 0:04:05.280
<v Speaker 6>So you gotta know what people's phone numbers are.

0:04:05.360 --> 0:04:07.440
<v Speaker 5>So write down whoever you're with, and you gotta get

0:04:07.440 --> 0:04:08.640
<v Speaker 5>a hold of what their phone numbers are.

0:04:09.120 --> 0:04:10.040
<v Speaker 6>And then.

0:04:11.200 --> 0:04:14.120
<v Speaker 5>Because their phone's out on the course to call, you're

0:04:14.120 --> 0:04:15.840
<v Speaker 5>gonna need and then you're gonna need a coordinator. So

0:04:15.840 --> 0:04:18.360
<v Speaker 5>you're gonna need to figure out whether it's somebody's cell

0:04:18.400 --> 0:04:21.360
<v Speaker 5>phone or somebody's answering machine, or somebody's friend who's at

0:04:21.360 --> 0:04:24.240
<v Speaker 5>home and not with everybody, somebody that everybody can call

0:04:24.320 --> 0:04:26.400
<v Speaker 5>from the course if there's a rain delay or whatever

0:04:26.680 --> 0:04:29.080
<v Speaker 5>that can tell you where everybody else is, or just

0:04:29.200 --> 0:04:30.839
<v Speaker 5>messages that everybody can access.

0:04:31.240 --> 0:04:34.120
<v Speaker 7>You're gonna you sound like you're making this out to

0:04:34.160 --> 0:04:37.040
<v Speaker 7>be you know, like a this sounds like a chore.

0:04:37.160 --> 0:04:39.800
<v Speaker 1>I I might, you know, I might turned out.

0:04:39.760 --> 0:04:42.679
<v Speaker 5>The master well and then the simplest then is also

0:04:42.720 --> 0:04:45.479
<v Speaker 5>a place to meet. So if everybody hasn't been before,

0:04:45.600 --> 0:04:47.640
<v Speaker 5>you may not know where to go to meet.

0:04:47.880 --> 0:04:49.640
<v Speaker 6>You've got to establish. Okay, if we get.

0:04:49.520 --> 0:04:50.840
<v Speaker 5>Lost, or if one person wants to go to the

0:04:50.839 --> 0:04:53.040
<v Speaker 5>merchandise tent, or if just two cars are arriving with

0:04:53.160 --> 0:04:55.720
<v Speaker 5>groups of people from different parts of the country at

0:04:55.720 --> 0:04:59.440
<v Speaker 5>different times, where are we gonna meet up? Figure that

0:04:59.480 --> 0:05:01.640
<v Speaker 5>out for It's important because you can't text each other

0:05:01.680 --> 0:05:03.479
<v Speaker 5>when you get there, so you gotta have a spot.

0:05:03.520 --> 0:05:05.160
<v Speaker 5>And it's going to be crowded, so you got to

0:05:05.200 --> 0:05:07.760
<v Speaker 5>be very specific in where to meet. You can't just

0:05:07.760 --> 0:05:09.560
<v Speaker 5>say let's meet on the twelfth hole. You got to

0:05:09.600 --> 0:05:11.760
<v Speaker 5>say we're gonna meet in front of the beer only

0:05:11.839 --> 0:05:13.119
<v Speaker 5>line in the concession stand.

0:05:13.120 --> 0:05:14.520
<v Speaker 2>But been there?

0:05:14.600 --> 0:05:16.920
<v Speaker 1>Here's the thing, what if you haven't been there?

0:05:17.000 --> 0:05:18.880
<v Speaker 5>So I'm gonna give you a couple of places right

0:05:18.920 --> 0:05:20.120
<v Speaker 5>now where everybody can meet.

0:05:20.240 --> 0:05:24.280
<v Speaker 7>And the other thing about it is, I can't stress

0:05:24.320 --> 0:05:28.279
<v Speaker 7>this enough. Everybody, Oh, let's meet up, Oh, let's meet up.

0:05:28.440 --> 0:05:32.680
<v Speaker 7>Oh in this this is the hardest part about going

0:05:32.680 --> 0:05:35.320
<v Speaker 7>to the Masters is meeting up with people, yes, and

0:05:35.400 --> 0:05:38.880
<v Speaker 7>different parties. This is this is you know, in somewhat

0:05:39.320 --> 0:05:41.880
<v Speaker 7>essential because people arrive at different times like you.

0:05:42.160 --> 0:05:46.159
<v Speaker 5>And and adding to the degree of difficulty, every single

0:05:46.200 --> 0:05:51.400
<v Speaker 5>person who comes to watch the Masters dresses alike. Everybody's

0:05:51.400 --> 0:05:54.640
<v Speaker 5>wearing the same khaki shorts or navy blue pants and

0:05:54.720 --> 0:05:56.320
<v Speaker 5>the same Great Bee dratty golf shirts.

0:05:56.360 --> 0:06:02.839
<v Speaker 2>So, oh wow, I've tried to get especially a non

0:06:02.920 --> 0:06:04.800
<v Speaker 2>brand something.

0:06:05.720 --> 0:06:07.600
<v Speaker 5>And then, last but not least, if you're gonna meet

0:06:07.640 --> 0:06:09.200
<v Speaker 5>someplace and you're a green on a time, you gotta

0:06:09.200 --> 0:06:11.440
<v Speaker 5>be wearing a watch because if you're like me and

0:06:11.480 --> 0:06:13.520
<v Speaker 5>you just look at your phone for the time and

0:06:13.560 --> 0:06:15.279
<v Speaker 5>your phone is in your car, that ain't gonna help.

0:06:15.320 --> 0:06:17.760
<v Speaker 5>So everybody's got to have a watch, and everybody's got

0:06:17.800 --> 0:06:19.839
<v Speaker 5>to have a plan for where you're meeting and when,

0:06:19.839 --> 0:06:22.120
<v Speaker 5>and you got to be as specific as possible because

0:06:22.120 --> 0:06:23.920
<v Speaker 5>there's gonna be a thousand other people in that same

0:06:23.960 --> 0:06:26.839
<v Speaker 5>spot and they're all gonna be wearing khaki shorts in

0:06:26.880 --> 0:06:27.680
<v Speaker 5>a white cul shirt.

0:06:28.040 --> 0:06:29.680
<v Speaker 4>And you got to be cushion. You got to have

0:06:29.720 --> 0:06:31.760
<v Speaker 4>cushion on the time. So if they say ten thirty.

0:06:31.839 --> 0:06:34.280
<v Speaker 4>You gotta nobody, you know, you wait till ten forty

0:06:34.680 --> 0:06:37.240
<v Speaker 4>and you know, be specific, pick out a few landmarks.

0:06:37.800 --> 0:06:38.160
<v Speaker 3>It is.

0:06:38.240 --> 0:06:40.560
<v Speaker 4>It's very hard plant it all in advance, you know,

0:06:40.600 --> 0:06:42.680
<v Speaker 4>and have those numbers because there are phones on the course.

0:06:43.080 --> 0:06:45.919
<v Speaker 2>This is like a set of skills that people don't

0:06:45.960 --> 0:06:49.039
<v Speaker 2>have anymore, and so that that's it's It's really funny

0:06:49.080 --> 0:06:51.240
<v Speaker 2>how when you go there, it's almost like an elementary

0:06:51.279 --> 0:06:52.520
<v Speaker 2>school field trip.

0:06:52.720 --> 0:06:55.360
<v Speaker 1>I'll tell you what, though, it is liberating.

0:06:55.440 --> 0:06:58.360
<v Speaker 7>I was I was riding the media that we we

0:06:58.400 --> 0:07:01.279
<v Speaker 7>get like a shuttle from the the press center. It's

0:07:01.320 --> 0:07:03.919
<v Speaker 7>the press shuttle, I guess, the press center to the

0:07:04.080 --> 0:07:06.720
<v Speaker 7>to the course. It's it's a ways away, you know,

0:07:06.720 --> 0:07:08.440
<v Speaker 7>it's at the end of the range, so you know,

0:07:08.480 --> 0:07:10.800
<v Speaker 7>and I'm sitting on the back of this cart and

0:07:10.880 --> 0:07:15.080
<v Speaker 7>some nice lady that was that was uh she she

0:07:15.320 --> 0:07:17.640
<v Speaker 7>we stopped to drop somebody at the range and she's like, god,

0:07:17.680 --> 0:07:20.160
<v Speaker 7>he look so relaxed, and I go, you know, I'm

0:07:20.160 --> 0:07:23.080
<v Speaker 7>not walking around with a bundle of anxiety in my pocket.

0:07:23.320 --> 0:07:26.960
<v Speaker 7>You know, this is this is delightful. I knew at

0:07:27.000 --> 0:07:29.680
<v Speaker 7>that point when I left, It's like I'm just out

0:07:29.720 --> 0:07:32.160
<v Speaker 7>here you know, and I think that's one of the

0:07:32.240 --> 0:07:34.840
<v Speaker 7>great things. But I don't have a watch. I didn't

0:07:34.840 --> 0:07:37.160
<v Speaker 7>bring one. I have one, but I didn't bring one

0:07:37.160 --> 0:07:40.080
<v Speaker 7>because I'm an idiot. But that also has allowed me

0:07:40.120 --> 0:07:43.000
<v Speaker 7>a little bit more freedom. But you know, the uh,

0:07:43.480 --> 0:07:45.640
<v Speaker 7>this is this is a it's a great you know,

0:07:45.800 --> 0:07:48.520
<v Speaker 7>everybody hates it, but once you're out there, the way

0:07:48.560 --> 0:07:52.240
<v Speaker 7>you take in everything, it really adds to the experience.

0:07:52.560 --> 0:07:56.160
<v Speaker 2>Well, it makes you think how many other opportunities we

0:07:56.200 --> 0:07:59.600
<v Speaker 2>should take to separate ourselves from our phones, and it

0:07:59.640 --> 0:08:02.840
<v Speaker 2>makes you wish that there were more kind of required

0:08:03.280 --> 0:08:04.200
<v Speaker 2>moments to do that.

0:08:04.640 --> 0:08:05.840
<v Speaker 3>Yeah, absolutely, I would.

0:08:05.880 --> 0:08:08.200
<v Speaker 4>I think it heightens your senses overall. Right, you're not

0:08:08.320 --> 0:08:10.800
<v Speaker 4>looking at your phone, You're just not looking. You're not

0:08:10.880 --> 0:08:13.320
<v Speaker 4>scrolling your phone the whole time. It heightens your senses.

0:08:13.360 --> 0:08:16.160
<v Speaker 4>It heightens your awareness of the course of what's happening

0:08:16.160 --> 0:08:18.800
<v Speaker 4>in front of you, of the people you're with. I'd

0:08:18.840 --> 0:08:23.200
<v Speaker 4>add to Andy's segment sentiment about liberating because like there

0:08:23.240 --> 0:08:24.080
<v Speaker 4>are just meetups that.

0:08:24.040 --> 0:08:26.680
<v Speaker 3>Aren't going to happen. It's kind of great, right, you

0:08:26.840 --> 0:08:28.080
<v Speaker 3>know that there are.

0:08:28.000 --> 0:08:31.680
<v Speaker 4>People in town that theoretically you probably would have to

0:08:31.680 --> 0:08:33.560
<v Speaker 4>meet up with or might meet up with if you

0:08:33.559 --> 0:08:35.960
<v Speaker 4>had all of your phones out there, right, and it's

0:08:36.000 --> 0:08:37.360
<v Speaker 4>just like you go in there and it's like, well,

0:08:37.920 --> 0:08:39.920
<v Speaker 4>that's not going to happen. I know they're here, we

0:08:40.000 --> 0:08:41.760
<v Speaker 4>talked about it. It's just not going to happen. We

0:08:41.800 --> 0:08:44.160
<v Speaker 4>didn't set it up. And so it's liberating in that

0:08:44.200 --> 0:08:47.480
<v Speaker 4>way that it kind of shrinks the circle, if that's right,

0:08:47.760 --> 0:08:50.480
<v Speaker 4>you know, and maybe that's anti social in a way,

0:08:50.559 --> 0:08:53.559
<v Speaker 4>but it just sort of shrinks the sort of distraction

0:08:53.760 --> 0:08:56.280
<v Speaker 4>and it heightens your senses of everything else.

0:08:56.720 --> 0:08:59.480
<v Speaker 7>The one thing I will say though about that is like,

0:08:59.640 --> 0:09:04.080
<v Speaker 7>meet up don't happen, but then organically things do happen

0:09:04.360 --> 0:09:06.360
<v Speaker 7>because of the nature of the golf course.

0:09:06.400 --> 0:09:11.280
<v Speaker 1>It's it's it's an this huge property. Everybody's in awe.

0:09:11.160 --> 0:09:16.400
<v Speaker 7>Of this massive, seemingly massive property, but it's really small.

0:09:17.040 --> 0:09:18.240
<v Speaker 1>It's really packed together.

0:09:18.840 --> 0:09:21.120
<v Speaker 7>You wrote a great article about the art of the

0:09:21.240 --> 0:09:24.080
<v Speaker 7>Roars a few years ago, and what the art of

0:09:24.120 --> 0:09:27.040
<v Speaker 7>the roars is is that there are greens that are

0:09:27.120 --> 0:09:27.760
<v Speaker 7>super close.

0:09:27.880 --> 0:09:30.280
<v Speaker 1>They're all the greens are packed together. They're jammed together.

0:09:30.360 --> 0:09:31.520
<v Speaker 1>That's why it gets so loud.

0:09:32.000 --> 0:09:34.920
<v Speaker 7>And that's one of the great things about it is

0:09:34.960 --> 0:09:38.880
<v Speaker 7>that you might you have best intentions to meet people

0:09:39.000 --> 0:09:41.840
<v Speaker 7>and things fall through and you talk about it, and

0:09:42.200 --> 0:09:45.160
<v Speaker 7>there's a good likelihood that you run into that person

0:09:45.280 --> 0:09:48.240
<v Speaker 7>because it's just like kind of quaint and intimate in

0:09:48.280 --> 0:09:48.640
<v Speaker 7>a way.

0:09:49.040 --> 0:09:51.760
<v Speaker 2>Well, this helps me understand why the Big Tree is

0:09:51.800 --> 0:09:52.960
<v Speaker 2>so important.

0:09:53.520 --> 0:09:54.560
<v Speaker 1>Oh, the big trees.

0:09:55.840 --> 0:09:57.719
<v Speaker 7>Not everybody could get to the Big Tree, and the

0:09:57.760 --> 0:09:59.760
<v Speaker 7>Big Tree is like the ultimate.

0:10:00.679 --> 0:10:02.439
<v Speaker 3>This is yeah, but.

0:10:02.440 --> 0:10:05.480
<v Speaker 1>It's it's the easy if if you it makes meeting

0:10:05.679 --> 0:10:07.400
<v Speaker 1>at the Big Tree super easy.

0:10:07.880 --> 0:10:11.480
<v Speaker 7>Michael, let's get to your your meeting spots.

0:10:11.600 --> 0:10:16.440
<v Speaker 5>Okay, so you want to Everything around the clubhouse is

0:10:16.480 --> 0:10:18.640
<v Speaker 5>kind of it's a madhouse. There's just a lot of

0:10:18.679 --> 0:10:20.880
<v Speaker 5>people coming and going. Obviously the first he's there, the

0:10:20.880 --> 0:10:23.080
<v Speaker 5>tenth tees there, that's where the players are coming out.

0:10:23.520 --> 0:10:26.679
<v Speaker 5>If you can avoid meeting at the clubhouse, try to

0:10:26.720 --> 0:10:30.280
<v Speaker 5>avoid it. If it's unavoidable to meet at the clubhouse, okay,

0:10:30.360 --> 0:10:32.839
<v Speaker 5>and you've never been there before, then then the spot

0:10:32.880 --> 0:10:34.960
<v Speaker 5>that you're gonna want to meet at, which is in

0:10:35.040 --> 0:10:38.520
<v Speaker 5>that area, is what everyone would refer to as the

0:10:38.520 --> 0:10:42.360
<v Speaker 5>big scoreboard. And the big scoreboard is to the right

0:10:42.640 --> 0:10:44.640
<v Speaker 5>of the first t Okay, so it's right when you

0:10:44.640 --> 0:10:47.000
<v Speaker 5>walk on the property and it's not the Big score

0:10:47.040 --> 0:10:48.160
<v Speaker 5>but that she's on the eighteenth green.

0:10:48.200 --> 0:10:49.440
<v Speaker 6>It's this is a scoreboard.

0:10:49.800 --> 0:10:51.679
<v Speaker 5>It's it's on the right hand side of the first

0:10:51.679 --> 0:10:55.120
<v Speaker 5>fairway and it's kind of close to the merchandise and

0:10:55.160 --> 0:10:57.240
<v Speaker 5>the food and everything, and there's kind of a picnic area.

0:10:57.320 --> 0:10:59.559
<v Speaker 5>But but it's called the Big Scoreboard because it literally

0:10:59.600 --> 0:11:02.200
<v Speaker 5>has every score for every hole.

0:11:02.040 --> 0:11:02.960
<v Speaker 6>For every player.

0:11:03.000 --> 0:11:05.840
<v Speaker 5>So it's got the entire field on a scoreboard and

0:11:05.880 --> 0:11:08.760
<v Speaker 5>they record the scores like old fashioned, you know, box

0:11:08.840 --> 0:11:11.680
<v Speaker 5>by box for everyone that's in the field. And it's

0:11:11.800 --> 0:11:15.000
<v Speaker 5>far enough away from the crowds that if you have

0:11:15.080 --> 0:11:16.760
<v Speaker 5>to meet in that area, then that's the spot to

0:11:16.800 --> 0:11:18.920
<v Speaker 5>meet at. The other place that I like to meet

0:11:18.960 --> 0:11:21.320
<v Speaker 5>at that I think is good, I try I would

0:11:21.360 --> 0:11:22.600
<v Speaker 5>try to avoid twelve thirteen.

0:11:22.640 --> 0:11:23.480
<v Speaker 6>It's just too crowded.

0:11:23.720 --> 0:11:26.520
<v Speaker 5>But a nice tea box where you'll be able to

0:11:26.559 --> 0:11:28.720
<v Speaker 5>find your friends right away and see them and they'll

0:11:28.720 --> 0:11:30.040
<v Speaker 5>be able to see you because it's.

0:11:29.840 --> 0:11:30.800
<v Speaker 6>Just never that crowded.

0:11:31.320 --> 0:11:34.560
<v Speaker 5>Is there's a spot behind the fourth t where you

0:11:34.600 --> 0:11:36.560
<v Speaker 5>can meet friends, and that also has the advantage of

0:11:36.600 --> 0:11:38.040
<v Speaker 5>you can see a lot that's going on in that area.

0:11:38.160 --> 0:11:39.319
<v Speaker 6>So there's a spot.

0:11:39.360 --> 0:11:41.160
<v Speaker 5>It's kind of hard to get to, but it's up

0:11:41.160 --> 0:11:42.480
<v Speaker 5>on a hill and you'll be able to see your

0:11:42.480 --> 0:11:43.679
<v Speaker 5>friends and they'll be able to spot to you from

0:11:43.679 --> 0:11:44.240
<v Speaker 5>a while away.

0:11:44.520 --> 0:11:47.960
<v Speaker 6>And there's never anybody up there. So I would say big.

0:11:47.760 --> 0:11:50.360
<v Speaker 5>Scoreboard to the right of the first T if you're

0:11:50.360 --> 0:11:51.720
<v Speaker 5>on that side of the property. If you're on the

0:11:51.720 --> 0:11:54.679
<v Speaker 5>other side of the property. My personal favorite is right

0:11:54.679 --> 0:11:55.480
<v Speaker 5>behind the fourth T.

0:11:55.720 --> 0:11:56.080
<v Speaker 2>Gotcha.

0:11:56.559 --> 0:11:56.800
<v Speaker 6>Yeah.

0:11:57.400 --> 0:11:58.880
<v Speaker 1>One other one I do is seven.

0:11:59.360 --> 0:12:02.720
<v Speaker 7>Behind seven there's a great hill in a big lawn

0:12:03.280 --> 0:12:07.280
<v Speaker 7>and if you there's a scoreboard there that's big and

0:12:07.640 --> 0:12:11.239
<v Speaker 7>you could just stand like and lean against the scoreboard

0:12:11.280 --> 0:12:13.920
<v Speaker 7>if you want it, and it makes meeting really easy,

0:12:14.000 --> 0:12:16.320
<v Speaker 7>Like we're going to meet at the base of the

0:12:16.360 --> 0:12:19.439
<v Speaker 7>scoreboard behind seven green, and that's.

0:12:19.280 --> 0:12:21.040
<v Speaker 4>Like a center point of the course, like you could

0:12:21.040 --> 0:12:23.600
<v Speaker 4>literally go you go to you know, amen corner, quickly,

0:12:23.640 --> 0:12:25.400
<v Speaker 4>you go to sixteen, you can go to ten, eleven,

0:12:25.400 --> 0:12:27.080
<v Speaker 4>like you could just go a bunch of different directions

0:12:27.080 --> 0:12:27.560
<v Speaker 4>from seven.

0:12:27.600 --> 0:12:29.000
<v Speaker 3>I'd say that's a great spot.

0:12:28.800 --> 0:12:31.920
<v Speaker 2>And it's right next to two green, two right two green.

0:12:32.120 --> 0:12:35.160
<v Speaker 2>Seventeen green is nearby. Jeff Ogilvie refers to this as

0:12:35.200 --> 0:12:38.040
<v Speaker 2>the sweet spot of Augusta National, partly because of what

0:12:38.559 --> 0:12:41.920
<v Speaker 2>Brendan just said. You can get to other parts of

0:12:41.960 --> 0:12:43.880
<v Speaker 2>the property pretty quickly from there.

0:12:44.160 --> 0:12:46.080
<v Speaker 1>Yeah, you can get to Aim and Corner really quick.

0:12:46.200 --> 0:12:49.280
<v Speaker 7>Like you're basically right at eleven, you're right at ten green,

0:12:49.440 --> 0:12:53.959
<v Speaker 7>you're right at eighteen t it's a wonderful little spot.

0:12:53.960 --> 0:12:58.920
<v Speaker 7>You're close to fifteen. So yeah, that's another great meeting spot.

0:12:59.480 --> 0:13:01.000
<v Speaker 7>Anything sound logistics.

0:13:01.320 --> 0:13:04.720
<v Speaker 5>So last, but not least, the Masters is held every

0:13:04.760 --> 0:13:07.200
<v Speaker 5>year but one. It's always held the first week about April.

0:13:07.480 --> 0:13:09.320
<v Speaker 5>In this part of the country. The first week of April,

0:13:09.360 --> 0:13:12.000
<v Speaker 5>you're gonna get thunderstorms. It's pretty rare that you get

0:13:12.040 --> 0:13:13.680
<v Speaker 5>a whole Master's week where there isn't at least one

0:13:13.720 --> 0:13:16.840
<v Speaker 5>day where there's weather. The same thing with the no phones.

0:13:17.160 --> 0:13:19.760
<v Speaker 5>If there's weather, they make you leave the course. There's

0:13:19.760 --> 0:13:22.720
<v Speaker 5>nowhere to go on the property. For the spectators, there's

0:13:22.720 --> 0:13:25.880
<v Speaker 5>nowhere to shelter under. They physically make you empty out

0:13:25.880 --> 0:13:28.200
<v Speaker 5>when they blow the siren. Everybody's got to remember where

0:13:28.200 --> 0:13:30.640
<v Speaker 5>the car is, Okay, so you've got to remember how

0:13:30.679 --> 0:13:32.280
<v Speaker 5>to get back to where the car is parked, and

0:13:32.320 --> 0:13:34.400
<v Speaker 5>you got to have a plan of where you know

0:13:34.440 --> 0:13:37.240
<v Speaker 5>that we're all headed to which car, so that everybody

0:13:37.280 --> 0:13:39.280
<v Speaker 5>knows where the heck everybody is because it you know,

0:13:39.280 --> 0:13:42.160
<v Speaker 5>they blowing the horn. Thirty thousand people are all headed

0:13:42.200 --> 0:13:44.280
<v Speaker 5>in the same direction at the same time. So when

0:13:44.280 --> 0:13:45.840
<v Speaker 5>you get out of your car in the morning, make

0:13:45.880 --> 0:13:48.280
<v Speaker 5>a mental note of where you're parked.

0:13:48.360 --> 0:13:52.280
<v Speaker 2>All right, So why don't we go to Brendan and

0:13:52.760 --> 0:13:55.040
<v Speaker 2>get his main recommendation.

0:13:55.600 --> 0:13:58.040
<v Speaker 4>Okay, my top twenty items in the merged town you

0:13:58.200 --> 0:14:01.560
<v Speaker 4>have to buy are no?

0:14:01.559 --> 0:14:01.640
<v Speaker 5>No?

0:14:01.800 --> 0:14:04.120
<v Speaker 4>I mean, I understand the appeal of the merch ten

0:14:04.160 --> 0:14:05.360
<v Speaker 4>and I understand why people go.

0:14:05.800 --> 0:14:07.720
<v Speaker 3>I'd say, once you've done it, I might not.

0:14:08.280 --> 0:14:10.240
<v Speaker 4>It's a lot, it's a lot of time and a

0:14:10.240 --> 0:14:14.360
<v Speaker 4>lot of drama. I saw people yesterday, saw people yesterday

0:14:14.360 --> 0:14:16.080
<v Speaker 4>they let you we knew I the storms are coming

0:14:16.120 --> 0:14:18.040
<v Speaker 4>at noon, and they let I saw people run in

0:14:18.080 --> 0:14:21.200
<v Speaker 4>at eight spend probably a thousand dollars in merchandise and

0:14:21.280 --> 0:14:23.280
<v Speaker 4>run back out to their cars because you can go

0:14:23.360 --> 0:14:25.560
<v Speaker 4>in twice, right, every badge can be scanned twice and

0:14:25.840 --> 0:14:27.840
<v Speaker 4>drop that off and go back. And we had four

0:14:27.880 --> 0:14:29.600
<v Speaker 4>hours and they burned like an hour and a half

0:14:29.680 --> 0:14:32.600
<v Speaker 4>of that, you know, taking the merch out to their car.

0:14:32.920 --> 0:14:35.080
<v Speaker 4>It's just like, I don't know if that's always the

0:14:35.120 --> 0:14:35.880
<v Speaker 4>best time.

0:14:36.240 --> 0:14:37.920
<v Speaker 3>You know, best spent.

0:14:38.120 --> 0:14:40.960
<v Speaker 4>But I understand why people do it, given that it's

0:14:41.000 --> 0:14:45.960
<v Speaker 4>exclusive to the property. One recommendation I would have, and

0:14:46.120 --> 0:14:48.800
<v Speaker 4>maybe I'm being a negative Nancy or whatever the term

0:14:48.800 --> 0:14:53.800
<v Speaker 4>would be, is I wouldn't spend a preponderance of time

0:14:54.000 --> 0:15:00.600
<v Speaker 4>in Amen Corner. I don't think it's a great viewing experience.

0:15:01.200 --> 0:15:03.400
<v Speaker 4>I understand you need to go see it if it's

0:15:03.400 --> 0:15:06.080
<v Speaker 4>your one visit, it's your first visit. Of course, I'm

0:15:06.120 --> 0:15:09.800
<v Speaker 4>not discouraged you you from going to see it. It's

0:15:09.840 --> 0:15:12.080
<v Speaker 4>far away. You can't see the ball. You can't see

0:15:12.080 --> 0:15:14.640
<v Speaker 4>the ball real well in twelve. Obviously, you can't see

0:15:14.720 --> 0:15:17.240
<v Speaker 4>much of thirteen. You don't get real close. I mean,

0:15:17.240 --> 0:15:19.280
<v Speaker 4>the closest you get is the corner right the elbow

0:15:19.360 --> 0:15:20.600
<v Speaker 4>up at the top of thirteen.

0:15:21.480 --> 0:15:22.280
<v Speaker 3>It's a good spot.

0:15:23.040 --> 0:15:26.240
<v Speaker 4>But as far as like going deep down into Amen Corner,

0:15:26.280 --> 0:15:29.400
<v Speaker 4>it's very crowded. It's a social scene. I think I

0:15:29.440 --> 0:15:32.200
<v Speaker 4>once wrote an article like the five senses at Amen Corner. Right,

0:15:32.200 --> 0:15:34.680
<v Speaker 4>it's like cigar smoke and sun dresses and all these

0:15:34.720 --> 0:15:37.720
<v Speaker 4>different like all your senses get you really get overwhelmed

0:15:37.760 --> 0:15:41.760
<v Speaker 4>with all the different Augusta National feels. I just don't

0:15:41.760 --> 0:15:43.720
<v Speaker 4>think you need to spend a lot of time down there.

0:15:44.120 --> 0:15:47.040
<v Speaker 4>It's not great for watching the golf in my opinion.

0:15:47.080 --> 0:15:48.840
<v Speaker 4>I know it's the most famous Part three in the

0:15:48.880 --> 0:15:51.720
<v Speaker 4>world and all that stuff. I just think it's far

0:15:51.760 --> 0:15:52.920
<v Speaker 4>away from watching the golf.

0:15:53.480 --> 0:15:58.120
<v Speaker 7>Yeah, every hole eleven you're distanced. You can't get close

0:15:58.160 --> 0:16:01.840
<v Speaker 7>to eleven, twelve you can be close to the tee,

0:16:01.880 --> 0:16:04.640
<v Speaker 7>but there's a lot of people there, and then thirteen

0:16:04.840 --> 0:16:08.440
<v Speaker 7>you're set back way far away. The only spot I'll

0:16:08.480 --> 0:16:12.680
<v Speaker 7>say is that, and it's usually not very crowded. Surprisingly,

0:16:13.320 --> 0:16:15.280
<v Speaker 7>I think people don't know you can go back there

0:16:15.320 --> 0:16:17.800
<v Speaker 7>because of how roped off you are through that section.

0:16:18.280 --> 0:16:20.960
<v Speaker 7>But if you cross fourteen and then go down into

0:16:21.000 --> 0:16:23.680
<v Speaker 7>the corner, you can get like right down on the

0:16:23.760 --> 0:16:26.520
<v Speaker 7>corner of the zaleas and you have this beautiful view

0:16:26.560 --> 0:16:29.160
<v Speaker 7>of the green. You're really close to the green there

0:16:29.520 --> 0:16:32.080
<v Speaker 7>and you get to see that topography going back, and

0:16:33.040 --> 0:16:37.800
<v Speaker 7>it's that's a great spot, But like Brendan said, it's

0:16:37.840 --> 0:16:41.640
<v Speaker 7>not the It's great to see, but it's not necessarily

0:16:41.680 --> 0:16:43.120
<v Speaker 7>where I would spend a ton of time.

0:16:43.920 --> 0:16:46.720
<v Speaker 2>So you wouldn't. You wouldn't post up at twelve, right,

0:16:46.840 --> 0:16:48.960
<v Speaker 2>But it sounds like there are maybe a couple of

0:16:48.960 --> 0:16:53.360
<v Speaker 2>good spots that are sort of on the perimeter of

0:16:53.480 --> 0:16:57.240
<v Speaker 2>Amen Corner. Right if you go to thirteen Green, there's

0:16:57.280 --> 0:16:59.400
<v Speaker 2>sort of a route of escape to the rest of

0:16:59.440 --> 0:17:02.520
<v Speaker 2>the course. You're not like deep in there. But I

0:17:02.560 --> 0:17:05.959
<v Speaker 2>guess you would recommend at least going to see the holes,

0:17:06.240 --> 0:17:09.920
<v Speaker 2>just not necessarily planning to spend an entire afternoon there.

0:17:10.480 --> 0:17:13.439
<v Speaker 4>I would walk it, Yes, I would walk Amen Corner.

0:17:13.480 --> 0:17:18.080
<v Speaker 4>What I see sometimes it's happening quite often, is people

0:17:18.160 --> 0:17:20.720
<v Speaker 4>just posting up in this social scene, this party, this

0:17:20.800 --> 0:17:23.639
<v Speaker 4>sort of field party in the spot that you know

0:17:23.760 --> 0:17:26.000
<v Speaker 4>below the grand stands, because it is pretty open, it's

0:17:26.160 --> 0:17:28.520
<v Speaker 4>a bit of an expanse there where a lot of

0:17:28.520 --> 0:17:31.760
<v Speaker 4>people can congregate. It's not like there's not a huge

0:17:31.840 --> 0:17:34.879
<v Speaker 4>chair area like there might be on sixteen. So I

0:17:34.960 --> 0:17:37.000
<v Speaker 4>just see that happening a lot, And I just wouldn't

0:17:37.040 --> 0:17:40.200
<v Speaker 4>spend an hour and a half or an hour even

0:17:40.280 --> 0:17:42.560
<v Speaker 4>watching shots on twelve. I would just walk the holes,

0:17:42.600 --> 0:17:43.920
<v Speaker 4>maybe spend some time on thirteen.

0:17:43.960 --> 0:17:49.760
<v Speaker 2>Like Andy said, this episode of the Frida Egg podcast

0:17:49.840 --> 0:17:54.199
<v Speaker 2>invites you to discover the greatness within Elijah Craig small Batch.

0:17:54.760 --> 0:17:57.840
<v Speaker 2>Elijah Craig Bourbon never settles for less than the best.

0:17:58.280 --> 0:18:02.280
<v Speaker 2>Every bottle of their award winning small batch carries a signature, warm,

0:18:02.320 --> 0:18:06.560
<v Speaker 2>spice and subtle smoke flavor. It is exceptionally smooth and

0:18:06.600 --> 0:18:09.040
<v Speaker 2>well balanced. I like to drink it on the rocks.

0:18:09.119 --> 0:18:11.280
<v Speaker 2>I'm a pretty simple guy that way, but I just

0:18:11.320 --> 0:18:13.800
<v Speaker 2>like the cool bite of a chilled drink combined with

0:18:13.840 --> 0:18:17.320
<v Speaker 2>the warmth of the bourbon flavor. I get complex aromas

0:18:17.320 --> 0:18:21.119
<v Speaker 2>of vanilla beans, sweet fruit, and fresh mint. The palate

0:18:21.200 --> 0:18:25.440
<v Speaker 2>is pleasantly woody, with accents of spice, smoke and nutmeg.

0:18:26.160 --> 0:18:29.120
<v Speaker 2>Elijah Craig won double Gold at the San Francisco World

0:18:29.200 --> 0:18:32.639
<v Speaker 2>Spirits Competition last year and the Tried and True Award

0:18:32.840 --> 0:18:36.600
<v Speaker 2>from the Ultimate Spirits Challenge in twenty twenty. Pick up

0:18:36.600 --> 0:18:40.119
<v Speaker 2>a bottle today or order online at drizzly dot com

0:18:40.280 --> 0:18:44.400
<v Speaker 2>that's d r i z l y dot com and

0:18:44.480 --> 0:18:47.560
<v Speaker 2>save five dollars on a bottle of Elijah Crag delivered

0:18:47.640 --> 0:18:51.880
<v Speaker 2>right to your door with code fried Egg five that's

0:18:52.040 --> 0:18:55.919
<v Speaker 2>fried Egg and the number five all one word. The

0:18:55.920 --> 0:18:58.680
<v Speaker 2>fried Egg is brought to you by Elijah Craig, Kentucky

0:18:58.720 --> 0:19:03.600
<v Speaker 2>Straight bourbon whiskey, Bardstown, Kentucky, forty seven percent alcohol by volume.

0:19:03.880 --> 0:19:10.200
<v Speaker 2>Elijah Craig reminds you to think wisely, drink wisely. Excellent.

0:19:10.440 --> 0:19:12.240
<v Speaker 2>Let's get Andy's recommendation.

0:19:12.640 --> 0:19:15.600
<v Speaker 7>Yeah, I mind centers around the course and how you

0:19:15.680 --> 0:19:19.919
<v Speaker 7>go about navigating the course. And everybody obviously has watched

0:19:19.960 --> 0:19:23.240
<v Speaker 7>this event for years and years before they go, and

0:19:23.640 --> 0:19:27.280
<v Speaker 7>it's always like what should we pay attention to? Obviously,

0:19:27.480 --> 0:19:30.479
<v Speaker 7>the greens of Augusta are what you want to see.

0:19:30.760 --> 0:19:34.560
<v Speaker 7>And I think there's no better way to take in

0:19:34.600 --> 0:19:38.879
<v Speaker 7>a golf course and understand the way the greens relate

0:19:38.920 --> 0:19:42.120
<v Speaker 7>to the rest of the golf course than walking it backwards.

0:19:42.680 --> 0:19:47.080
<v Speaker 7>You start on eighteen green and go backwards. Everybody walks

0:19:47.080 --> 0:19:51.119
<v Speaker 7>one direction and it's like around it right, Start on

0:19:51.160 --> 0:19:53.800
<v Speaker 7>the eighteenth green and go around. And one of the

0:19:53.800 --> 0:19:55.920
<v Speaker 7>things you can do on almost every green out there

0:19:55.960 --> 0:19:59.480
<v Speaker 7>is you can walk. You can't walk in front of it,

0:19:59.720 --> 0:20:02.760
<v Speaker 7>but you can walk from the edge of almost every

0:20:02.800 --> 0:20:06.480
<v Speaker 7>green excluding aim and corner all the way around the

0:20:06.480 --> 0:20:09.280
<v Speaker 7>green and you can really like just see the whole

0:20:09.359 --> 0:20:11.000
<v Speaker 7>green and take that in.

0:20:11.119 --> 0:20:12.919
<v Speaker 1>If you want to go see the golf course. This

0:20:13.000 --> 0:20:13.879
<v Speaker 1>is the way I would do it.

0:20:14.080 --> 0:20:16.920
<v Speaker 7>Start on eighteen green, walk around, and especially if you're

0:20:16.920 --> 0:20:19.640
<v Speaker 7>there early, what you're doing, you're gonna get like this

0:20:19.960 --> 0:20:23.560
<v Speaker 7>wonderful walk, like right out of the gate where there's

0:20:23.560 --> 0:20:27.320
<v Speaker 7>no people because you're there early and you're on holes

0:20:27.359 --> 0:20:30.240
<v Speaker 7>the golfers aren't on and this is a wonderful way

0:20:30.280 --> 0:20:32.840
<v Speaker 7>to see the golf course. Walk around the green and

0:20:32.880 --> 0:20:35.520
<v Speaker 7>then walk back, And the thing you do while you're

0:20:35.520 --> 0:20:39.040
<v Speaker 7>walking back kind of take in. You're taking in the topography,

0:20:39.320 --> 0:20:41.800
<v Speaker 7>but then you can always look back and understand how

0:20:41.880 --> 0:20:46.800
<v Speaker 7>everything relates back to the green that really is driving

0:20:46.920 --> 0:20:48.040
<v Speaker 7>everything back.

0:20:48.400 --> 0:20:49.960
<v Speaker 1>So everybody thinks.

0:20:49.760 --> 0:20:51.919
<v Speaker 7>Oh, I got to walk it the way I'd play it,

0:20:52.200 --> 0:20:54.479
<v Speaker 7>But if you really want to understand the golf holes,

0:20:54.960 --> 0:20:57.280
<v Speaker 7>the best way to walk it, for if you're walking

0:20:57.320 --> 0:20:59.960
<v Speaker 7>out one time, is walk it backwards.

0:21:00.320 --> 0:21:04.200
<v Speaker 2>And this is kind of a manifestation of an architectural principle,

0:21:04.600 --> 0:21:07.400
<v Speaker 2>which is that in order to understand a golf hole,

0:21:08.080 --> 0:21:10.359
<v Speaker 2>the best thing that you can do is to understand

0:21:10.359 --> 0:21:13.000
<v Speaker 2>the green first and then see the rest of the

0:21:13.000 --> 0:21:15.239
<v Speaker 2>hole and how it relates to it. And so I

0:21:15.240 --> 0:21:19.199
<v Speaker 2>guess that walking Augusta National in this way is like

0:21:19.280 --> 0:21:23.000
<v Speaker 2>the easiest way to wrap your mind around the golf course.

0:21:23.400 --> 0:21:25.480
<v Speaker 7>Yeah, this was the way I walked it the first

0:21:25.520 --> 0:21:29.280
<v Speaker 7>time I walked it, and it really like I think,

0:21:29.320 --> 0:21:31.640
<v Speaker 7>like there's certain holes that just stand out so much

0:21:31.680 --> 0:21:34.360
<v Speaker 7>when you do it this way, Like fourteen is utterly

0:21:34.440 --> 0:21:37.800
<v Speaker 7>amazing when you walk it this way the first time.

0:21:38.080 --> 0:21:42.280
<v Speaker 7>I remember just like being mesmerized by that green and

0:21:42.520 --> 0:21:44.920
<v Speaker 7>especially taking the time to walk all the way around

0:21:44.920 --> 0:21:48.720
<v Speaker 7>it and then going back and understanding how the contour

0:21:48.880 --> 0:21:53.359
<v Speaker 7>works and the fairway against the green and how difficult

0:21:53.400 --> 0:21:56.480
<v Speaker 7>that shot becomes because of what's going on in the

0:21:56.480 --> 0:22:00.640
<v Speaker 7>fairway because I understood the green. Otherwise you're like looking

0:22:00.720 --> 0:22:02.920
<v Speaker 7>at the T shot and you don't know what's going

0:22:02.960 --> 0:22:06.520
<v Speaker 7>on at the green, and you know it's like, oh,

0:22:06.600 --> 0:22:09.200
<v Speaker 7>this is a T shot. But if you understand what's

0:22:09.200 --> 0:22:12.280
<v Speaker 7>going on the green, then that T shot every shot

0:22:12.359 --> 0:22:14.600
<v Speaker 7>backwards has so much more context to it.

0:22:15.080 --> 0:22:15.760
<v Speaker 3>That's brilliant.

0:22:15.800 --> 0:22:17.600
<v Speaker 4>I mean, that's brilliant the way you put that, Like

0:22:17.680 --> 0:22:19.119
<v Speaker 4>it just then you get to the spot in the

0:22:19.160 --> 0:22:21.160
<v Speaker 4>fairway right and you're thinking about what you just saw

0:22:21.200 --> 0:22:23.320
<v Speaker 4>at the green. I would just say, while we're on fourteen,

0:22:23.880 --> 0:22:26.399
<v Speaker 4>like obviously it gets lost in the shelfle right, and

0:22:26.480 --> 0:22:29.600
<v Speaker 4>he's written about it. I would recommend that as like

0:22:29.640 --> 0:22:33.600
<v Speaker 4>a spot to post up, quite honestly, because like every

0:22:33.600 --> 0:22:37.080
<v Speaker 4>time I go there, it's just quiet. It's dead because

0:22:37.320 --> 0:22:39.320
<v Speaker 4>on the left side of the hole, there's a lot

0:22:39.359 --> 0:22:42.520
<v Speaker 4>of traffic comes up the left side, but it dead

0:22:42.640 --> 0:22:43.520
<v Speaker 4>ends on the left side.

0:22:43.560 --> 0:22:45.800
<v Speaker 3>You can't get to the green, so.

0:22:45.760 --> 0:22:48.080
<v Speaker 4>That like cuts off a lot of like would be

0:22:48.600 --> 0:22:51.600
<v Speaker 4>congregation and traffic makes it a little more quiet and accessible.

0:22:51.680 --> 0:22:53.280
<v Speaker 1>It's like having a house at the end of a

0:22:53.320 --> 0:22:53.920
<v Speaker 1>cul de sac.

0:22:54.600 --> 0:22:56.520
<v Speaker 3>Yeah, potentially potentially Yeah.

0:22:56.720 --> 0:22:58.679
<v Speaker 4>And then like on the other side where there's a

0:22:58.680 --> 0:23:02.400
<v Speaker 4>grandstand every worried about like Elavin and get into fifteen

0:23:02.520 --> 0:23:04.840
<v Speaker 4>or getting down to Amen corner. It just kind of

0:23:05.240 --> 0:23:08.560
<v Speaker 4>is right there where everybody else is like missing it, right,

0:23:08.560 --> 0:23:12.440
<v Speaker 4>they're going other places, and there's grandstand right of the green.

0:23:12.480 --> 0:23:15.800
<v Speaker 4>If you're hitting into the green, I would really recommend,

0:23:15.920 --> 0:23:18.120
<v Speaker 4>like I think you can get pretty close there because

0:23:18.119 --> 0:23:20.120
<v Speaker 4>so many people end up on that left side and

0:23:20.160 --> 0:23:23.160
<v Speaker 4>it cuts off they like bene you back up fifteen

0:23:23.200 --> 0:23:24.359
<v Speaker 4>faraway and they don't get close.

0:23:24.640 --> 0:23:26.720
<v Speaker 7>I would there's a cool grandstand you could sit in

0:23:27.000 --> 0:23:29.200
<v Speaker 7>just right of the green. And there too if if

0:23:29.240 --> 0:23:32.400
<v Speaker 7>you just like it's an awesome you know, I think

0:23:32.440 --> 0:23:34.920
<v Speaker 7>there's this overwhelming like you're gonna spend a whole day there.

0:23:35.000 --> 0:23:39.000
<v Speaker 7>It's a lot of time, and you want some downtime

0:23:39.080 --> 0:23:41.760
<v Speaker 7>built in, and if you were looking for somewhere that

0:23:42.119 --> 0:23:45.560
<v Speaker 7>maybe might not be that crowded to just get some chill,

0:23:45.640 --> 0:23:49.000
<v Speaker 7>relaxed time in your day, that's a great spot to go,

0:23:49.400 --> 0:23:52.320
<v Speaker 7>you know, sit down, and it's a it's a really

0:23:52.359 --> 0:23:54.880
<v Speaker 7>cool hole to watch too, because you get a lot

0:23:54.920 --> 0:23:58.639
<v Speaker 7>of that the ingredients of Augusta National. You get this

0:23:58.800 --> 0:24:02.760
<v Speaker 7>vicious green that has funnel pins and unpinnable slopes that

0:24:03.359 --> 0:24:08.240
<v Speaker 7>reject mediocre shots away and and that's it's a great

0:24:08.240 --> 0:24:08.840
<v Speaker 7>hole to watch.

0:24:09.520 --> 0:24:12.320
<v Speaker 2>Cool Okay, So that's good for the recommendations, And just

0:24:12.320 --> 0:24:16.560
<v Speaker 2>to sum up, Michael recommended kind of getting organized from

0:24:16.560 --> 0:24:20.119
<v Speaker 2>a logistical perspective, you know, keeping in mind that you

0:24:20.200 --> 0:24:23.800
<v Speaker 2>don't have the phone out there to assist you in

0:24:23.920 --> 0:24:27.159
<v Speaker 2>finding people and doing various things, and so having some

0:24:27.280 --> 0:24:32.520
<v Speaker 2>planning helps. Andy recommended walking the course backwards in order

0:24:32.600 --> 0:24:37.680
<v Speaker 2>to really understand the architecture, and Brendan gave the suggestion

0:24:38.160 --> 0:24:42.280
<v Speaker 2>suggestion of kind of avoiding camping out at Amen Corner

0:24:42.760 --> 0:24:46.240
<v Speaker 2>because there's so much else to see. Also recommended sort

0:24:46.240 --> 0:24:48.879
<v Speaker 2>of avoiding the merch tent. So there are a couple

0:24:48.880 --> 0:24:52.080
<v Speaker 2>of places kind of to stay away from if you're

0:24:52.080 --> 0:24:54.720
<v Speaker 2>gonna believe Brendan here and I would trust both of

0:24:54.760 --> 0:24:57.320
<v Speaker 2>those recommendations. They sound reasonable enough to me.

0:24:57.760 --> 0:24:59.719
<v Speaker 4>I mean, I would just add, like, I don't want

0:24:59.720 --> 0:25:02.520
<v Speaker 4>to sell, like preach your authoritative like, I'm not discouraging

0:25:02.560 --> 0:25:04.159
<v Speaker 4>you to go to them, not go the merged tent

0:25:04.320 --> 0:25:06.600
<v Speaker 4>or not go the a Yeah.

0:25:06.840 --> 0:25:09.200
<v Speaker 2>Of course makes it happy, of course, But but these

0:25:09.240 --> 0:25:11.920
<v Speaker 2>are these are based on experiences. These are recommendations.

0:25:11.960 --> 0:25:14.560
<v Speaker 4>We've done it several times, trying to be helpful based

0:25:14.560 --> 0:25:16.399
<v Speaker 4>on our experience. Like you said, I don't want to

0:25:16.400 --> 0:25:17.520
<v Speaker 4>come off as some of it.

0:25:17.600 --> 0:25:20.400
<v Speaker 2>I don't think you came off that way in my opinion.

0:25:20.480 --> 0:25:22.760
<v Speaker 2>So why don't we go to our favorite spots at

0:25:22.760 --> 0:25:26.840
<v Speaker 2>Augusta National Michael Wolfe, what would you choose here?

0:25:26.880 --> 0:25:30.600
<v Speaker 5>I know it's difficult, sure, So my recommendation is going

0:25:30.680 --> 0:25:33.960
<v Speaker 5>to be for once the tournament starts, Okay, I like

0:25:34.040 --> 0:25:36.600
<v Speaker 5>to if you get a pass to the beginning of

0:25:36.640 --> 0:25:38.000
<v Speaker 5>the week, or it's the first time you've ever been

0:25:38.000 --> 0:25:38.520
<v Speaker 5>to Augusta.

0:25:39.160 --> 0:25:41.680
<v Speaker 6>I definitely agree. You want to see all eighteen holes.

0:25:41.680 --> 0:25:45.200
<v Speaker 5>Welcome backwards to things that Andy covered once the tournament starts.

0:25:45.440 --> 0:25:47.479
<v Speaker 5>I'm interested kind of in the drama and the players

0:25:47.480 --> 0:25:49.320
<v Speaker 5>in particular. You know, I watch these guys on TV

0:25:49.400 --> 0:25:51.960
<v Speaker 5>every week, but this is a chance to see them

0:25:52.080 --> 0:25:54.639
<v Speaker 5>at the event that means the most of them, and

0:25:54.680 --> 0:25:56.199
<v Speaker 5>I want to be as up close and kind of

0:25:56.200 --> 0:25:58.280
<v Speaker 5>be able to, you know, get as close and hear

0:25:58.320 --> 0:26:01.919
<v Speaker 5>those conversations and just kind of see in their face

0:26:02.000 --> 0:26:03.680
<v Speaker 5>is what's going on. And I think a really good

0:26:03.680 --> 0:26:06.200
<v Speaker 5>spot for that again, I'm gonna go back to kind

0:26:06.200 --> 0:26:10.880
<v Speaker 5>of the little triangle between between the second shot on two,

0:26:11.119 --> 0:26:15.200
<v Speaker 5>so the right hand of the second fairway, and from

0:26:15.200 --> 0:26:17.480
<v Speaker 5>there you can also see them coming back up to

0:26:17.560 --> 0:26:20.640
<v Speaker 5>three green, which I think most people know is almost

0:26:20.680 --> 0:26:23.280
<v Speaker 5>a driveable part four, but it creates a lot of action.

0:26:23.400 --> 0:26:25.840
<v Speaker 5>There's you know, things can go horribly wrong there. You

0:26:25.880 --> 0:26:27.800
<v Speaker 5>occasionally see an eagle, you see birdies. You know, it's

0:26:28.280 --> 0:26:30.320
<v Speaker 5>it's a gambling hole depending on what guys want to do.

0:26:30.640 --> 0:26:31.120
<v Speaker 6>And then the.

0:26:31.080 --> 0:26:35.439
<v Speaker 5>Fourth hole, probably the hardest shot on the course. When

0:26:35.480 --> 0:26:37.040
<v Speaker 5>the t's all the way back you're talking about a

0:26:37.080 --> 0:26:40.480
<v Speaker 5>two hundred and fifty yard par three. It's it's, you know,

0:26:40.760 --> 0:26:44.000
<v Speaker 5>really tough, and it gives you the sense once the

0:26:44.040 --> 0:26:46.639
<v Speaker 5>tournament starts and they're playing for keeps, that kind of

0:26:46.880 --> 0:26:49.440
<v Speaker 5>they the players themselves know they're gonna push it hard

0:26:49.480 --> 0:26:49.880
<v Speaker 5>on two.

0:26:50.200 --> 0:26:51.439
<v Speaker 6>There's a real opportunity there.

0:26:51.480 --> 0:26:53.680
<v Speaker 5>I think you see more eagles on two than any

0:26:53.680 --> 0:26:54.960
<v Speaker 5>other whole a lot of years.

0:26:55.760 --> 0:26:57.240
<v Speaker 6>And you can see a really good perspective.

0:26:57.240 --> 0:26:59.280
<v Speaker 5>You're behind them, if you're standing to that right hand

0:26:59.320 --> 0:27:02.280
<v Speaker 5>side of two, behind four to t, you trying to

0:27:02.280 --> 0:27:05.320
<v Speaker 5>see him shooting down the hill, and they're being aggressive there.

0:27:05.520 --> 0:27:06.000
<v Speaker 6>Same thing.

0:27:06.080 --> 0:27:07.639
<v Speaker 5>You kind of see the story develop. You see who

0:27:07.720 --> 0:27:09.480
<v Speaker 5>hit a good shot on two? Did they end up

0:27:09.520 --> 0:27:11.080
<v Speaker 5>making the putt? You can you can see all that

0:27:11.119 --> 0:27:12.800
<v Speaker 5>from where you're standing. You don't even have to move.

0:27:13.119 --> 0:27:14.920
<v Speaker 5>And then they turn right back around and come up three,

0:27:14.920 --> 0:27:17.160
<v Speaker 5>and again they're probably going to be aggressive there. It's

0:27:17.200 --> 0:27:20.520
<v Speaker 5>interesting as the players walk off of the third green

0:27:20.640 --> 0:27:23.800
<v Speaker 5>and they're walking right to you, and they're looking almost

0:27:23.880 --> 0:27:25.640
<v Speaker 5>right at you as they come up to the back

0:27:25.680 --> 0:27:27.879
<v Speaker 5>of the fourth tea box and there's guys that are

0:27:27.880 --> 0:27:30.320
<v Speaker 5>you know, three under after the first three holes and

0:27:30.359 --> 0:27:33.720
<v Speaker 5>they're excited, and there's guys that are there one over

0:27:33.760 --> 0:27:35.760
<v Speaker 5>after three and they know they just missed two good

0:27:35.800 --> 0:27:38.720
<v Speaker 5>birdie chances and now they're facing a really, really tough

0:27:38.760 --> 0:27:40.960
<v Speaker 5>hole on number four to make a four on you

0:27:41.000 --> 0:27:43.840
<v Speaker 5>can almost see like the dread of like, oh man,

0:27:43.600 --> 0:27:45.879
<v Speaker 5>I didn't take advantage of those easy ones, and now

0:27:45.920 --> 0:27:47.600
<v Speaker 5>I got to get to work. And I just like

0:27:47.760 --> 0:27:49.720
<v Speaker 5>that seeing that drama up front. You know, you don't

0:27:49.720 --> 0:27:51.960
<v Speaker 5>get to see that on television. The camera doesn't stay

0:27:52.000 --> 0:27:54.719
<v Speaker 5>on a guy for forty five minutes straight, whereas in

0:27:54.760 --> 0:27:56.960
<v Speaker 5>that little section, without having to move more than about

0:27:57.000 --> 0:27:59.160
<v Speaker 5>twenty feet, you can watch all three of those shots

0:27:59.200 --> 0:28:01.399
<v Speaker 5>and kind of get an idea of what kind of

0:28:01.400 --> 0:28:04.159
<v Speaker 5>start the players off to and how he's feeling about it.

0:28:04.280 --> 0:28:06.960
<v Speaker 4>Just a quick supplement to that is, do not get

0:28:07.000 --> 0:28:08.960
<v Speaker 4>caught going up the left side of three. I see

0:28:08.960 --> 0:28:11.199
<v Speaker 4>this happen all the time. You can't see anything. You're

0:28:11.240 --> 0:28:13.240
<v Speaker 4>way below the green. You're seeing guys chip, You have

0:28:13.280 --> 0:28:14.760
<v Speaker 4>no idea where the ball is going, Like it's a

0:28:14.760 --> 0:28:16.679
<v Speaker 4>sweet hole, it's cool hole. He'll probably be close to

0:28:16.680 --> 0:28:19.600
<v Speaker 4>where the guys are wedging up to. But like three,

0:28:19.640 --> 0:28:20.920
<v Speaker 4>I see a lot of people if you're going for

0:28:20.960 --> 0:28:24.400
<v Speaker 4>the left side of three, yeah, you might find Briceon's

0:28:24.400 --> 0:28:26.600
<v Speaker 4>lost ball down there. But just if you're going up

0:28:26.640 --> 0:28:28.639
<v Speaker 4>the left side of three, this is super specific. No,

0:28:28.720 --> 0:28:30.840
<v Speaker 4>you got to get up around the green to the

0:28:30.880 --> 0:28:32.040
<v Speaker 4>back to the right side.

0:28:32.080 --> 0:28:32.879
<v Speaker 6>Yeah, the high side.

0:28:33.640 --> 0:28:36.240
<v Speaker 7>And that's the key, one of the keys at Augusta.

0:28:36.280 --> 0:28:39.080
<v Speaker 7>I think in general, I guess I could parlay this

0:28:39.280 --> 0:28:42.520
<v Speaker 7>is into mind is finding high points where you can

0:28:42.520 --> 0:28:43.520
<v Speaker 7>see a lot of shots.

0:28:43.560 --> 0:28:46.760
<v Speaker 1>And the point that Michael made there is.

0:28:46.760 --> 0:28:50.320
<v Speaker 7>That spot is great because you're up high and everything

0:28:50.360 --> 0:28:53.360
<v Speaker 7>you're looking at is down, so you're able to see

0:28:53.360 --> 0:28:56.360
<v Speaker 7>so much more right. It's in a way kind of

0:28:56.400 --> 0:28:59.440
<v Speaker 7>like the stadium course at Sawgrass where they have those

0:28:59.480 --> 0:29:04.440
<v Speaker 7>ampathy Augusta's hills creates some really great spectating spots, and

0:29:04.480 --> 0:29:06.920
<v Speaker 7>a lot of times what happens is the congregation of

0:29:07.040 --> 0:29:10.320
<v Speaker 7>people is lower in the in near the greens, and

0:29:10.360 --> 0:29:14.000
<v Speaker 7>if you stay up higher, that's uh, that's a really

0:29:14.080 --> 0:29:17.920
<v Speaker 7>good way to do it. So I the spot I

0:29:17.960 --> 0:29:21.800
<v Speaker 7>called out earlier, I love the that what I forgot

0:29:21.800 --> 0:29:23.000
<v Speaker 7>what Jeff Ogilvie.

0:29:22.680 --> 0:29:25.600
<v Speaker 2>Called sweet spot of Augusta National the sweet spot.

0:29:26.000 --> 0:29:27.560
<v Speaker 1>So that's another spot. Uh.

0:29:27.840 --> 0:29:30.520
<v Speaker 7>If you're on that hill, you can watch two green.

0:29:31.200 --> 0:29:34.200
<v Speaker 7>It's uh, it's where this big scoreboard is. You can

0:29:34.200 --> 0:29:36.640
<v Speaker 7>see some of seven and but then you can also

0:29:36.680 --> 0:29:39.520
<v Speaker 7>watch that T shot on three, which is really cool,

0:29:39.560 --> 0:29:41.320
<v Speaker 7>and then you see them back up on the on

0:29:41.400 --> 0:29:44.680
<v Speaker 7>the green. You're close to seventeen green. You you can

0:29:44.760 --> 0:29:47.959
<v Speaker 7>bounce around and you can kind of it's a good spot.

0:29:48.160 --> 0:29:49.880
<v Speaker 7>I you know, I have a d D, so I

0:29:50.000 --> 0:29:52.280
<v Speaker 7>kind of like to like, I get kind of jittery

0:29:52.360 --> 0:29:54.840
<v Speaker 7>when I'm standing around one spot. I like to move around.

0:29:55.440 --> 0:29:59.800
<v Speaker 7>I'm not just like a sitter, right, So that's a spot.

0:29:59.840 --> 0:30:02.360
<v Speaker 7>But but if I was sitting one spot, if I'm sitting,

0:30:03.000 --> 0:30:05.960
<v Speaker 7>if you want to go into the heart of the action,

0:30:06.200 --> 0:30:10.040
<v Speaker 7>you want to see the drama the left side if

0:30:10.040 --> 0:30:13.080
<v Speaker 7>you can get there, the left side of the grandstand

0:30:13.360 --> 0:30:17.080
<v Speaker 7>left of sixteen T is spectacular because you can see

0:30:17.080 --> 0:30:19.760
<v Speaker 7>the shots in from fifteen and you can see the

0:30:19.760 --> 0:30:22.640
<v Speaker 7>T shots on sixteen, and that can be a real

0:30:22.720 --> 0:30:25.840
<v Speaker 7>scintillating spot in terms of drama and action and a

0:30:25.880 --> 0:30:28.000
<v Speaker 7>wonderful place to just sit, you know.

0:30:28.880 --> 0:30:30.880
<v Speaker 4>Can I can I can I make you talked about

0:30:30.920 --> 0:30:35.200
<v Speaker 4>the sweet spot? Yeah, Sixteen's fantastic, But you talked about

0:30:35.200 --> 0:30:38.280
<v Speaker 4>that sweet spot. Can I make a spectator's argument, and

0:30:38.320 --> 0:30:42.960
<v Speaker 4>I know there's an architectural sort of argument against for

0:30:43.080 --> 0:30:46.360
<v Speaker 4>watching as a spectator, I think watching approach shots into

0:30:46.360 --> 0:30:49.200
<v Speaker 4>seven is not bad. I think seven's pretty great. Being

0:30:49.320 --> 0:30:53.080
<v Speaker 4>sitting behind seven is. I know the the hole is panned.

0:30:53.720 --> 0:30:55.760
<v Speaker 4>It's kind of the number one option when people start

0:30:55.760 --> 0:31:00.520
<v Speaker 4>talking about not superb holes out there, I'd say, spectator,

0:31:00.560 --> 0:31:03.280
<v Speaker 4>it's pretty it's kind of great to stand behind seven green.

0:31:03.440 --> 0:31:06.040
<v Speaker 7>It's the high point in the middle of the property too,

0:31:06.160 --> 0:31:09.920
<v Speaker 7>So again it affords you if you're behind seven green,

0:31:09.920 --> 0:31:12.840
<v Speaker 7>which there's a lot of space right there. Again, you

0:31:12.840 --> 0:31:16.080
<v Speaker 7>can see three T and two green and two fair away,

0:31:16.280 --> 0:31:20.600
<v Speaker 7>so it's a great yeah, eight eight and eighteen T.

0:31:21.040 --> 0:31:24.000
<v Speaker 2>And it's kind of a fun dramatic green too. I

0:31:24.000 --> 0:31:27.720
<v Speaker 2>mean the architectural argument against seven is mainly that the

0:31:28.600 --> 0:31:31.200
<v Speaker 2>hole doesn't really match up with the green that well,

0:31:31.240 --> 0:31:34.080
<v Speaker 2>it's just this long, really narrow hole choked by trees,

0:31:34.120 --> 0:31:36.720
<v Speaker 2>and then you're hitting into this green that doesn't seem

0:31:36.760 --> 0:31:40.760
<v Speaker 2>to match with that distance of hole, but the green itself,

0:31:40.800 --> 0:31:43.440
<v Speaker 2>I mean, seeing the shots go in there is always

0:31:43.480 --> 0:31:46.320
<v Speaker 2>a dramatic moment. You know that the ball really rolls there,

0:31:46.360 --> 0:31:49.920
<v Speaker 2>and the Sunday pin there is cool. So I mean

0:31:49.960 --> 0:31:51.680
<v Speaker 2>staying up by the green, you get to see the

0:31:51.680 --> 0:31:52.720
<v Speaker 2>good stuff at that hole.

0:31:53.160 --> 0:31:54.800
<v Speaker 3>Yeah, absolutely, I love it.

0:31:54.840 --> 0:31:57.560
<v Speaker 4>I just I remember watching like Tony fenal threat a

0:31:57.600 --> 0:32:00.480
<v Speaker 4>shot like in between the bunkers, like complete mirror shot.

0:32:00.520 --> 0:32:02.160
<v Speaker 4>And then of course you get so many where there

0:32:02.320 --> 0:32:04.080
<v Speaker 4>they throw them up and kind of suck them back

0:32:04.080 --> 0:32:04.760
<v Speaker 4>to a front pin.

0:32:04.880 --> 0:32:05.960
<v Speaker 3>It's just it's just a.

0:32:05.920 --> 0:32:08.760
<v Speaker 4>Fun dramatic as a spectator, it's kind of a dramatic

0:32:09.280 --> 0:32:11.720
<v Speaker 4>play to watch every every time groups come through.

0:32:12.040 --> 0:32:14.320
<v Speaker 2>All right, so have we gone through all the all

0:32:14.360 --> 0:32:16.760
<v Speaker 2>the favorite spots at this point, Andy gave haz Brendan

0:32:16.840 --> 0:32:19.080
<v Speaker 2>is seven yours or did you have another in mind?

0:32:19.560 --> 0:32:21.200
<v Speaker 3>It was one of them, I would add.

0:32:21.280 --> 0:32:23.960
<v Speaker 4>I mean, this is not nothing, you know, you need

0:32:24.200 --> 0:32:26.840
<v Speaker 4>you know, unexpected nine green. You know, just standing to

0:32:26.880 --> 0:32:28.640
<v Speaker 4>the right side of nine green is awesome. It's a

0:32:28.640 --> 0:32:31.040
<v Speaker 4>great approach shot to watch. It's another like high point,

0:32:31.040 --> 0:32:33.680
<v Speaker 4>as Andy would say, it gets a little it's.

0:32:33.480 --> 0:32:34.520
<v Speaker 3>A high traffic spot.

0:32:34.560 --> 0:32:37.040
<v Speaker 4>Of course you've got the first and you've got the

0:32:37.040 --> 0:32:41.240
<v Speaker 4>eighteenth green behind you. But but just spending a little

0:32:41.280 --> 0:32:43.800
<v Speaker 4>time there watching those t shots. You're gonna see amazing

0:32:44.480 --> 0:32:47.320
<v Speaker 4>approach shots. You can see great approach shots. You have

0:32:47.360 --> 0:32:51.920
<v Speaker 4>to see some great short game or poor short game recoveries.

0:32:52.040 --> 0:32:54.760
<v Speaker 4>You can see some amazing lag putts. It's just a

0:32:54.840 --> 0:32:57.920
<v Speaker 4>really cool place to see a lot of different skills

0:32:58.200 --> 0:32:59.840
<v Speaker 4>and you're at a high point. I mean maybe you

0:33:00.080 --> 0:33:02.880
<v Speaker 4>maybe you can you can look down to two Green

0:33:02.920 --> 0:33:04.800
<v Speaker 4>across the way there. It's not you're not gonna be

0:33:04.800 --> 0:33:07.760
<v Speaker 4>close or anything like that, but in terms of you know,

0:33:07.840 --> 0:33:11.080
<v Speaker 4>seeing a really a real sort of display of Augusta National,

0:33:11.120 --> 0:33:13.040
<v Speaker 4>it's best. I think that's a great place to be

0:33:13.160 --> 0:33:14.880
<v Speaker 4>right of nine Green. It's going to be crowded, but

0:33:15.160 --> 0:33:16.800
<v Speaker 4>if you can get there, I think that's great.

0:33:17.480 --> 0:33:21.080
<v Speaker 2>All right. Yeah, I hope that gives people some ideas

0:33:21.240 --> 0:33:24.640
<v Speaker 2>about what to do when they're going to Augusta National,

0:33:24.680 --> 0:33:27.959
<v Speaker 2>whether it's for the first time or if they've been

0:33:28.040 --> 0:33:30.560
<v Speaker 2>lucky enough to go multiple times. I think some of

0:33:30.560 --> 0:33:33.400
<v Speaker 2>these recommendations can can fit for for people who have

0:33:33.480 --> 0:33:36.600
<v Speaker 2>actually been to the Masters before. So thank you so

0:33:36.680 --> 0:33:39.800
<v Speaker 2>much to you three for sitting down and going through

0:33:39.840 --> 0:33:42.960
<v Speaker 2>some of that stuff. Now, to cap things off, Michael,

0:33:43.040 --> 0:33:46.560
<v Speaker 2>I'm not sure if you were intending to share this

0:33:46.680 --> 0:33:49.760
<v Speaker 2>on the air. But before we started recording, you had

0:33:49.840 --> 0:33:54.080
<v Speaker 2>kind of a fun Masters fact of the Day type

0:33:54.920 --> 0:33:57.680
<v Speaker 2>thing that you were talking about. Can we give that

0:33:57.880 --> 0:34:00.000
<v Speaker 2>just to just to send people out on a high note.

0:34:00.360 --> 0:34:01.720
<v Speaker 1>He probably doesn't remember.

0:34:03.760 --> 0:34:04.360
<v Speaker 6>Another one.

0:34:04.480 --> 0:34:06.280
<v Speaker 5>I think, well, they're they're gonna guess, So I'm gonn

0:34:06.280 --> 0:34:07.920
<v Speaker 5>give him a different one. I' gonna gi him afer one.

0:34:08.680 --> 0:34:09.799
<v Speaker 6>Who's the first.

0:34:11.040 --> 0:34:13.640
<v Speaker 2>By the way, in case people don't know, Michael is

0:34:13.719 --> 0:34:17.600
<v Speaker 2>the curator I guess of Masters facts of the day

0:34:18.080 --> 0:34:20.840
<v Speaker 2>going back a couple of years on the Shotgun Start podcast.

0:34:20.880 --> 0:34:24.000
<v Speaker 2>He has a bunch of these kinds. It's nice for

0:34:24.040 --> 0:34:27.799
<v Speaker 2>my genius to finally be recognized. Is a tougher room.

0:34:27.920 --> 0:34:32.680
<v Speaker 5>Okay, So the previous question was which which person has

0:34:32.760 --> 0:34:37.520
<v Speaker 5>the most top ten finishes in professional majors without winning

0:34:37.560 --> 0:34:41.480
<v Speaker 5>a professional major? And the answer was Ed Dudley, the first,

0:34:42.320 --> 0:34:44.240
<v Speaker 5>the first head professional at Augusta National.

0:34:44.640 --> 0:34:45.880
<v Speaker 6>I think he had twenty seven.

0:34:46.040 --> 0:34:47.439
<v Speaker 5>But now I'm gonna give you guys a different onecause

0:34:47.440 --> 0:34:49.320
<v Speaker 5>you guys already heard that one. So here's a different one.

0:34:49.440 --> 0:34:52.759
<v Speaker 5>Who was the first professional golfer to finish in the

0:34:52.800 --> 0:34:55.319
<v Speaker 5>top ten in all four majors in the same year.

0:34:55.320 --> 0:34:56.080
<v Speaker 5>Who was the first one?

0:34:56.239 --> 0:34:58.440
<v Speaker 2>Oh wow? An all four majors? So do you mean

0:34:58.480 --> 0:34:59.560
<v Speaker 2>all four modern majors?

0:34:59.680 --> 0:35:02.200
<v Speaker 6>All four modern majors? Top ten senior.

0:35:02.160 --> 0:35:04.960
<v Speaker 3>Ricky twenty four Ricky twenty fourteen.

0:35:06.960 --> 0:35:09.960
<v Speaker 1>I'm gonna I'm gonna go with uh. I'm gonna go

0:35:10.040 --> 0:35:12.960
<v Speaker 1>with uh J H. Taylor.

0:35:13.400 --> 0:35:17.200
<v Speaker 5>That would have been pre major. It's a it's a

0:35:17.239 --> 0:35:19.919
<v Speaker 5>trick question. The answer again, it is a trick question.

0:35:19.920 --> 0:35:22.479
<v Speaker 5>The answer again is Ed Dudley, the first head pro

0:35:22.760 --> 0:35:25.279
<v Speaker 5>and I guess the national most majors without winning one

0:35:25.520 --> 0:35:27.480
<v Speaker 5>first got to finish in the top ten in all four.

0:35:28.040 --> 0:35:33.480
<v Speaker 1>Ed Dudley, a golfer, was the old four major. Dodley

0:35:33.480 --> 0:35:35.000
<v Speaker 1>could play major.

0:35:35.160 --> 0:35:37.600
<v Speaker 5>Yeah, and I think we used this one last year,

0:35:37.600 --> 0:35:40.040
<v Speaker 5>but another one more fun factory we go.

0:35:40.080 --> 0:35:44.919
<v Speaker 7>About he did at Dudley finished in the top ten

0:35:45.040 --> 0:35:45.960
<v Speaker 7>of the Western Open.

0:35:46.560 --> 0:35:48.760
<v Speaker 6>Is not a major.

0:35:48.840 --> 0:35:52.480
<v Speaker 5>No check check Bobby Jones is qualifying criteria for the Masters.

0:35:52.520 --> 0:35:54.120
<v Speaker 6>There's no Western exemption in there.

0:35:54.480 --> 0:35:56.480
<v Speaker 5>All right, we're gonna finish the last bullet in the

0:35:56.600 --> 0:36:00.200
<v Speaker 5>Ed in the Ed Dudley Chamber. He didn't get paid

0:36:00.280 --> 0:36:03.359
<v Speaker 5>by Augusta National when he was the professional there. They

0:36:03.400 --> 0:36:07.600
<v Speaker 5>didn't pay him but he had he got the proceeds

0:36:07.640 --> 0:36:10.759
<v Speaker 5>from the merchandise. Oh wow, how about that now? That

0:36:10.760 --> 0:36:13.960
<v Speaker 5>would have been very valuable today. He didn't drawur He

0:36:14.000 --> 0:36:16.360
<v Speaker 5>did not draw salary the first Protogust National did not

0:36:16.440 --> 0:36:19.320
<v Speaker 5>draw salary. But he owned the rights to all the merchandise.

0:36:19.360 --> 0:36:21.280
<v Speaker 1>That was saying, I guess, and that was a short

0:36:21.360 --> 0:36:21.919
<v Speaker 1>term deal.

0:36:22.440 --> 0:36:24.279
<v Speaker 2>How much how much would somebody make if they got

0:36:24.280 --> 0:36:26.040
<v Speaker 2>all the proceeds from the merchandise today?

0:36:26.719 --> 0:36:29.400
<v Speaker 7>I don't know that would be well if Brendan was

0:36:29.400 --> 0:36:32.239
<v Speaker 7>in charge of persuade people from going in there. So

0:36:34.440 --> 0:36:36.800
<v Speaker 7>don't go, don't go into the merchandise. This is a

0:36:36.840 --> 0:36:39.719
<v Speaker 7>once your once in a life one merch wreck I have.

0:36:40.040 --> 0:36:43.200
<v Speaker 7>I truly believe in this. This is somebody that visits

0:36:43.239 --> 0:36:45.120
<v Speaker 7>a lot of a lot of pro shops. You know,

0:36:45.239 --> 0:36:49.960
<v Speaker 7>this is a lot of courses. Do not get a hat,

0:36:50.040 --> 0:36:54.800
<v Speaker 7>get a shirt, whatever you want, but I recommend buying

0:36:54.880 --> 0:36:59.239
<v Speaker 7>something that is going to have utility and durability for

0:36:59.320 --> 0:37:02.759
<v Speaker 7>a long time. I have a coffee tumblr a like

0:37:02.840 --> 0:37:04.839
<v Speaker 7>one of those like almost I don't know if it's

0:37:04.960 --> 0:37:07.160
<v Speaker 7>Yetti who knows that a lot of them are white

0:37:07.239 --> 0:37:10.320
<v Speaker 7>labeled in there, but I have effectively like a twenty

0:37:10.360 --> 0:37:15.840
<v Speaker 7>three ounce coffee yetti that I have used since twenty

0:37:16.080 --> 0:37:19.840
<v Speaker 7>nineteen and I use it regularly and it brings me

0:37:19.880 --> 0:37:23.480
<v Speaker 7>great joy. And you know the hat. I don't have

0:37:23.520 --> 0:37:26.359
<v Speaker 7>the hat that I bought. And that's what I would say,

0:37:26.560 --> 0:37:29.320
<v Speaker 7>is that buying something like you're going to the Masters,

0:37:29.320 --> 0:37:30.799
<v Speaker 7>you don't know when you're ever coming back.

0:37:31.440 --> 0:37:33.759
<v Speaker 1>Buy stuff that has lasting powers.

0:37:33.680 --> 0:37:37.000
<v Speaker 2>And buy something that is not easy to lose. But yeah,

0:37:37.040 --> 0:37:38.480
<v Speaker 2>you want to hang on to your nice stuff that

0:37:38.520 --> 0:37:39.359
<v Speaker 2>you get at the merch tent.

0:37:39.680 --> 0:37:43.640
<v Speaker 7>All right, thank you, Garrett. I'm ending this podcast. I'm

0:37:43.640 --> 0:37:45.800
<v Speaker 7>not the host, but I'm deciding.

0:37:45.400 --> 0:37:48.000
<v Speaker 2>That this that's fine. You're putting a hard stop. You

0:37:48.040 --> 0:37:50.000
<v Speaker 2>guys need to go to dinner. Thank you so much.

0:38:00.480 --> 0:38:03.319
<v Speaker 2>This episode of the Frida Egg podcast was edited by

0:38:03.400 --> 0:38:06.760
<v Speaker 2>meg Atkins. If you'd like more coverage of the Masters

0:38:06.760 --> 0:38:09.840
<v Speaker 2>and Augusta National, we have lots of stuff on the

0:38:09.880 --> 0:38:12.880
<v Speaker 2>Frida egg dot com. In fact, we have a Master's

0:38:12.960 --> 0:38:16.880
<v Speaker 2>Hub where you'll find articles and podcasts on a variety

0:38:16.920 --> 0:38:20.960
<v Speaker 2>of subjects related to Augusta National and the tournament. I'll

0:38:20.960 --> 0:38:23.160
<v Speaker 2>put a link to the Master's Hub in the show notes,

0:38:23.239 --> 0:38:25.840
<v Speaker 2>so check that out. And thanks for listening,