WEBVTT - Listener Mail: Princes of the Universe

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<v Speaker 1>Welcome to Stuff to Blow Your Mind, a production of

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<v Speaker 1>My Heart Radio. Hey, welcome to Stuff to Blow your Mind.

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<v Speaker 1>Listener Mail. My name is Robert Lamb and I'm Joe McCormick,

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<v Speaker 1>and it's Monday time for the listener mail. We just

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<v Speaker 1>want to say, the listener mail you have sent us

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<v Speaker 1>a sort of redundant, isn't it? The mail you have

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<v Speaker 1>sent us. We're gonna read it to you. Are you ready?

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<v Speaker 1>Let's get right into it. Yes, I mean listener mail

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<v Speaker 1>is sent. It does not emerge spontaneously. I mean I

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<v Speaker 1>guess it could, but that would we would get so

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<v Speaker 1>much just completely nonsensical listener mail. It would only be

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<v Speaker 1>on rare occasions that that coherent sentences would form if

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<v Speaker 1>we were just pulling them out of the abyss. Rob,

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<v Speaker 1>do you want to do this? First one from David? Sure?

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<v Speaker 1>This one comes to us from David, and this is

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<v Speaker 1>what David has to say. Hello there, Robert, Joe, and Seth.

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<v Speaker 1>I am a sixth grade English teacher in North Texas

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<v Speaker 1>and wanted to thank you guys for providing such great content.

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<v Speaker 1>Our curriculum in my school district includes a section about

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<v Speaker 1>science fiction, and we read the terrific short story Key

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<v Speaker 1>Item by Isaac Asimov. Not to give anything away, but

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<v Speaker 1>the story is about an all powerful computer the humans

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<v Speaker 1>are dependent on, refusing to complete any work until a

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<v Speaker 1>very humanlike key item is added to its programming. Prior

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<v Speaker 1>to reading the story allowed to my students, I listened

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<v Speaker 1>to your episode Punished the Machine, and I found that

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<v Speaker 1>to be a terrific segue to have a discussion with

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<v Speaker 1>my students about the future and legality of robots. I

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<v Speaker 1>spoke about the interesting and thought provoking questions you guys

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<v Speaker 1>discussed in these episodes and managed to tie it in

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<v Speaker 1>with the unfortunate incident that involved a tesla and two

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<v Speaker 1>people who sadly passed away after it drove into a tree.

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<v Speaker 1>My students were really engaged in the conversation, and they

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<v Speaker 1>themselves brought up some interesting questions and ideas about how

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<v Speaker 1>the future involving robots may seem. Anyways, I just once

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<v Speaker 1>again wanted to thank you all for the great content

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<v Speaker 1>you have put out and hopefully I've turned some of

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<v Speaker 1>my students onto your podcast. Keep up the great work, Sincerely,

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<v Speaker 1>David Oh. Thanks David, Well, I'm curious now what questions

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<v Speaker 1>your students brought up. I want to know, like where

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<v Speaker 1>where the mind of a younger person goes with this? Yeah,

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<v Speaker 1>and you know, I don't remember key item. I don't

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<v Speaker 1>know if I've read that one. I did recently pick

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<v Speaker 1>up I Robot, and I was just gonna read some

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<v Speaker 1>of it to my son. And we started just on

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<v Speaker 1>the first one in there, and it starts with like

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<v Speaker 1>a little girl playing with a robot, and uh, we

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<v Speaker 1>read that part, but then it switched to like a

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<v Speaker 1>like a stereotypical like nineteen fifties um dad reading the newspaper.

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<v Speaker 1>It got kind of boring, quick saying. And then also

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<v Speaker 1>I realized, oh, I don't know the story. Maybe I

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<v Speaker 1>skipped read skipped this story when I read or I

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<v Speaker 1>Robot back when I was a kid. So maybe I'll

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<v Speaker 1>just come back and make sure I pick out a

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<v Speaker 1>really good one to introduce him to as him off with.

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<v Speaker 1>I think if that's the first one, I think that

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<v Speaker 1>the little girl is the young Susan Calvin who grows

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<v Speaker 1>up to become the Robot psychologist. That's right, That's right, yes,

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<v Speaker 1>And yeah, I guess I'm just more familiar with the

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<v Speaker 1>later Susan Calvin stories. Um uh so yeah, I I

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<v Speaker 1>want to make sure that I read a really good

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<v Speaker 1>one to him. Um, so I may skip around a bit,

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<v Speaker 1>and I know super dark things don't usually happen in

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<v Speaker 1>Isaac guys in that short stories. But I also I

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<v Speaker 1>wasn't sure. It's like I'm just flying into this story

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<v Speaker 1>with blinders on. I don't remember. H Yeah. I mean

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<v Speaker 1>I read those the I Robots stories when I was

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<v Speaker 1>pretty young, and I remember getting into them, even though

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<v Speaker 1>thinking back on them now, I mean they are all

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<v Speaker 1>very interesting. Uh they're very I recall, uh, free of

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<v Speaker 1>extraneous sort of literary detail. They're more they're sort of

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<v Speaker 1>tight thought experiments, and they're kind of dry in that sense,

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<v Speaker 1>like you're not going to get lots of descriptions of

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<v Speaker 1>the feast and and things like that. But he he

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<v Speaker 1>like the idea of the little girl playing with the robots.

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<v Speaker 1>So yeah, all right, should do this next message about

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<v Speaker 1>Dissolver of Worlds. This is from Brett, who's written in

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<v Speaker 1>a bunch of times now, but chemistry related topics. Brett says, Hello, gentlemen,

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<v Speaker 1>I hope this note finds you are well and enjoying life.

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<v Speaker 1>Wanted to comment that that that almost sounds like a threat.

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<v Speaker 1>I know you didn't mean it that way. Anyway, I

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<v Speaker 1>wanted to comment briefly on your recent episode for Dissolver

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<v Speaker 1>of Worlds, which was great. By the way, As a chemist,

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<v Speaker 1>we use the phrase to dissolve as a way of

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<v Speaker 1>using a solvent to break up a solid into its

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<v Speaker 1>molecular entity. For instance, when you add sugar to coffee,

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<v Speaker 1>yes I'm writing this in the morning, the sugar dissolves

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<v Speaker 1>into the hot aqueous solution. So what does dissolving mean.

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<v Speaker 1>It refers to the ability of the solvent to break

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<v Speaker 1>the bonds that form a crystal. So each sugar molecule

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<v Speaker 1>now is surrounded by the aqueous constituents. Now, when you

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<v Speaker 1>mentioned acids like HF for hydrofluoric acid, this is a

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<v Speaker 1>different form of dissolving because something like hydrofluoric acid actually

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<v Speaker 1>reacts with glass because of the strength of the silicon

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<v Speaker 1>fluorine bond, one of the strongest in chemistry. In essence,

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<v Speaker 1>one is performing a chemical reaction or a chemical transformation,

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<v Speaker 1>because comes out is different than what was put in.

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<v Speaker 1>I've mentioned in the past that we use deuterated solvents

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<v Speaker 1>in order to take an n m R that's nuclear

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<v Speaker 1>magnetic resonance of compounds that we make in order to

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<v Speaker 1>characterize them, and if the solvent reacted with our compound,

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<v Speaker 1>then we have a problem. As for a metaphor, dissolver

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<v Speaker 1>of worlds would be more of how one substance is

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<v Speaker 1>transformed into another, be it by an idea or physical manipulation.

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<v Speaker 1>But to simply dissolve would not change the substance at

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<v Speaker 1>all at the atomic level. As a side note, if

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<v Speaker 1>you take table salt and dissolve it in water and

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<v Speaker 1>then let the water evaporate, sometimes you end up with

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<v Speaker 1>these flat, square crystals that are really cool looking. Yes

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<v Speaker 1>I've seen this before, bread as sometimes it can make

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<v Speaker 1>um almost unsettling little pyramids that are you know, like

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<v Speaker 1>what the Tartar grades have built as a monument to

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<v Speaker 1>the soul of their dead king or something. But anyway,

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<v Speaker 1>Brett finishes saying thank you again for such great fodder

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<v Speaker 1>for the mind. Looking forward to hearing your voices again

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<v Speaker 1>next week. Cheers Brett. All right, here's another one. This

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<v Speaker 1>one comes to us from Amelia Hi, Robert Joan Seth.

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<v Speaker 1>I've always really enjoyed the diversity of topics you cover

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<v Speaker 1>in your show, and I really love, hitting play and

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<v Speaker 1>being surprised by the topics I hear throughout the day.

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<v Speaker 1>I've learned so much. This is a huge throwback, but

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<v Speaker 1>it was so surprised to find out that not everyone

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<v Speaker 1>feels pain in their dreams. I have vivid memories of

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<v Speaker 1>being sick, hurt, and even unbelievably tired in my dreams,

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<v Speaker 1>though I rarely feel that way when I wake up.

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<v Speaker 1>I'm really enjoying weird how cinema. I love cheesy horror movies,

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<v Speaker 1>and these have all been right up my alley. I've

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<v Speaker 1>been a sporadic listener for about three years now. I

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<v Speaker 1>started listening when I took a job in an animal

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<v Speaker 1>research facility to keep my mind busy during the surprisingly

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<v Speaker 1>monotonous process of animal husbandry in a research setting. I've

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<v Speaker 1>been meaning to write, you know, to suggest you cover

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<v Speaker 1>laboratory animal science as a topic on the show. You

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<v Speaker 1>guys frequently reference papers which you use research animals. I'm

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<v Speaker 1>sure you would find it really interesting to delve into

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<v Speaker 1>the history of animal res church how much of our

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<v Speaker 1>daily lives has been improved due to their sacrifice. For example,

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<v Speaker 1>the primates and ferrets who sacrifice made the COVID vaccine

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<v Speaker 1>available as fast as it was, and the alternative methods

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<v Speaker 1>being research to replace animals in medical research. I also

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<v Speaker 1>think you guys would find a very elegant way to

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<v Speaker 1>discuss the controversy and ethics behind animal research. While I'm

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<v Speaker 1>on the topic, I'm absolutely sure that you would be

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<v Speaker 1>able to make a great episode about compassion fatigue. While

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<v Speaker 1>I experience it as an animal technician, vets, nurses and

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<v Speaker 1>various other professionals who care for people and animals which

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<v Speaker 1>are sick and dying experience it as well. COVID has

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<v Speaker 1>brought a little more attention to it, and I think

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<v Speaker 1>you guys would really be able to make a good

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<v Speaker 1>episode on the topic. I'm still trying to convince my

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<v Speaker 1>fiance that he would absolutely love your show, and just

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<v Speaker 1>saw that you did a two parter on Star Wars

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<v Speaker 1>Alien Netcropsy. I think I may succeed tonight when I

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<v Speaker 1>show him that. Thanks for all the info and laughs,

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<v Speaker 1>Amelia sounds like a good bet, though, I think you've

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<v Speaker 1>got to do more than show it to him. Look

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<v Speaker 1>uh well, I mean, I as sump she needs play

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<v Speaker 1>it for but but you know, uh, that's that's why

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<v Speaker 1>we we try to do a variety of topics on

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<v Speaker 1>the show. Is like, we know that not not every

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<v Speaker 1>topic is gonna be for every listener, but you know

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<v Speaker 1>they're gonna be someth They're gonna call to to two

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<v Speaker 1>new listeners and and then know the listeners alike. All right, Well,

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<v Speaker 1>we got a few more dealing with the Star Wars episodes.

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<v Speaker 1>I wonder if you should read these, rob because these

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<v Speaker 1>referenced species from things that I have no idea about. Okay, okay,

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<v Speaker 1>all right, well here's the first one. List one comes

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<v Speaker 1>to us from Jeff Hi, guys love. The two part

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<v Speaker 1>are on Star Wars alien biology. I have a couple

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<v Speaker 1>of suggestions for alien species from the Star Trek universe

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<v Speaker 1>whose biology might make a good discussion topic. Horta original

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<v Speaker 1>series episode Devil in the Dark, a silicon based life

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<v Speaker 1>form that secretes acid to dissolve solid rock, which it

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<v Speaker 1>moves through every fifty thousand years, all here to die

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<v Speaker 1>off except for a single mother Horta who watches over

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<v Speaker 1>the next generation of x. Uh. Some obvious biological parallels there. Yeah,

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<v Speaker 1>and I haven't seen a lot of Original truck I'm

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<v Speaker 1>not really an Original Truck Um fan, but I did

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<v Speaker 1>watch this episode when I was a kid. I think

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<v Speaker 1>I was staying with my aunt and I got to

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<v Speaker 1>I got to to like or maybe not, I don't know.

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<v Speaker 1>This is one of the rare there. There are only

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<v Speaker 1>a couple of episodes I've seen, and this is one

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<v Speaker 1>of them. Um, But I probably watched it when I

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<v Speaker 1>was too young. It was maybe a little too high

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<v Speaker 1>minded for like a little little kid, but I do

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<v Speaker 1>remember the creature being interesting. Luckily, the next specimen that

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<v Speaker 1>Jeff brings up is from Next Generation, which I am

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<v Speaker 1>very familiar with. Um, Jeff writes. Trill introduced on the

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<v Speaker 1>Next Generation. This species was further fleshed out through the

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<v Speaker 1>Deep Space nine character Jadzia Dacks. Trill are a joint

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<v Speaker 1>species consisting of a long lived slug like symbian living

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<v Speaker 1>inside of a humanoid host body. A symbion is transferred

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<v Speaker 1>to a new host whenever the current one dies, preserving

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<v Speaker 1>the memories of previous lifetimes which the host can draw upon.

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<v Speaker 1>Hope you find this interesting. Keep up the great work, Jeff. Okay,

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<v Speaker 1>so yeah, you did watch Next Generation? What's the deal

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<v Speaker 1>with Trill? You you into these? Yeah? Yeah, this is

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<v Speaker 1>like I said this and like Jeff said that these

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<v Speaker 1>were there. There was certainly more of them on Deep

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<v Speaker 1>Space nine because because you had dacks um and so

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<v Speaker 1>it's like a humanoid um and this sluglike organism and

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<v Speaker 1>they form this symbiotic relationship and become one being and

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<v Speaker 1>uh and so there. I don't remember all the details,

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<v Speaker 1>but their whole episodes where they get into sort of

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<v Speaker 1>the nature of this in their culture. The idea that

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<v Speaker 1>that the you will eventually fuse with this slug like

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<v Speaker 1>creature and become one sounds fun. Yeah, alright. This one

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<v Speaker 1>deals with let's see Star Wars, Alien Netcropsy, and Weird

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<v Speaker 1>House Cinema. It's from Tontry. Tontry says, hey, guys, I've

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<v Speaker 1>been catching up on the Weird House Cinema episodes and

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<v Speaker 1>just watched Lash listen to the Silent Films double feature.

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<v Speaker 1>I loved Cinderella, particularly. My dad is a Balinese shadow puppeteer,

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<v Speaker 1>so I've definitely seen Prince Ahmed, but I was unaware

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<v Speaker 1>of Cinderella. One note. I think the magic tree she

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<v Speaker 1>keeps talking to is supposed to be a willow tree

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<v Speaker 1>growing on the grave of her dead mother in the

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<v Speaker 1>Grimm's version, which is why it's growing in a graveyard,

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<v Speaker 1>and the birds are kind of extensions of the tree

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<v Speaker 1>and the soul of the dead mother. There are other

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<v Speaker 1>grim stories with trees serving as vehicles of communication for

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<v Speaker 1>the murdered people buried beneath, like the Juniper Tree. For

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<v Speaker 1>more a lot of Reineger style animation, check out some

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<v Speaker 1>of the Decembrists videos, like their video for The Tane

0:11:47.559 --> 0:11:50.440
<v Speaker 1>and the Bachelor and the Bride. I've actually seen the

0:11:50.440 --> 0:11:53.640
<v Speaker 1>December of syn concerts, so sometimes they do very theatrical stuff,

0:11:53.640 --> 0:11:55.679
<v Speaker 1>and I have not watched these videos yet, but I

0:11:56.000 --> 0:11:58.400
<v Speaker 1>think I've seen bits of them before, and I think

0:11:58.400 --> 0:12:03.360
<v Speaker 1>they used this similar style like silhouette animation like she did. Anyway,

0:12:03.440 --> 0:12:05.720
<v Speaker 1>Tontry goes on to say, as for Star Wars, you

0:12:05.760 --> 0:12:08.600
<v Speaker 1>may already have this book, but if not, Rob you

0:12:08.679 --> 0:12:11.520
<v Speaker 1>and the Boy will love it particularly. It is called

0:12:11.720 --> 0:12:14.720
<v Speaker 1>The Wildlife of Star Wars, a Field Guide, and it

0:12:14.840 --> 0:12:19.000
<v Speaker 1>is purely illustrations and creature factoids by Terry Whitlock, a

0:12:19.080 --> 0:12:22.760
<v Speaker 1>creature designer for Star Wars slash Lucasfilm. I think the

0:12:22.800 --> 0:12:24.720
<v Speaker 1>book is out of print, but you can still find

0:12:24.760 --> 0:12:28.000
<v Speaker 1>often expensive copies online. It's worth it to get the

0:12:28.040 --> 0:12:31.959
<v Speaker 1>hardcover purely because it's embossed like lizard skin, and I'm

0:12:32.000 --> 0:12:34.400
<v Speaker 1>not sure if they did that with the paperback. And

0:12:34.440 --> 0:12:38.079
<v Speaker 1>then she attaches a link. Yeah, so I immediately went

0:12:38.120 --> 0:12:39.840
<v Speaker 1>out in order to copy of this I I got.

0:12:39.840 --> 0:12:42.400
<v Speaker 1>I didn't get the hard back. I went a little

0:12:42.440 --> 0:12:44.840
<v Speaker 1>cheap and went got a used copy of the soft back.

0:12:45.440 --> 0:12:47.839
<v Speaker 1>But I'm excited to get it in. I'm like, as

0:12:47.840 --> 0:12:51.000
<v Speaker 1>I always game for a good Monster manual type book,

0:12:51.080 --> 0:12:56.000
<v Speaker 1>Monster biology, and certainly anymore Star Wars Alien content. So

0:12:56.200 --> 0:12:58.720
<v Speaker 1>may and maybe it'll aid us in a future return

0:12:59.240 --> 0:13:08.400
<v Speaker 1>to this topic. All right, here is another Weird House

0:13:08.440 --> 0:13:12.480
<v Speaker 1>Cinema response that that largely deals with something that we've

0:13:12.480 --> 0:13:14.360
<v Speaker 1>been I don't even know if we started talking about

0:13:14.360 --> 0:13:16.200
<v Speaker 1>this on Weird House Cinema or it is a just

0:13:16.280 --> 0:13:19.880
<v Speaker 1>a conversation that keeps uh, we keep going on listener mail.

0:13:20.679 --> 0:13:24.920
<v Speaker 1>But Jamie Ritson and says, Dear Robert and Joe, a

0:13:25.000 --> 0:13:29.120
<v Speaker 1>quick piece of listener meta mail from Edinburgh here weighing

0:13:29.120 --> 0:13:31.800
<v Speaker 1>in on the question of why Sean Connery's Egyptian comes

0:13:31.800 --> 0:13:35.760
<v Speaker 1>Spanish character in Highlander speaks English with a Scottish accent.

0:13:36.160 --> 0:13:39.240
<v Speaker 1>I think the answer is neither he Nor Connor McLeod

0:13:39.320 --> 0:13:42.880
<v Speaker 1>are speaking English. As a sixteenth century inhabitant of the

0:13:42.920 --> 0:13:46.240
<v Speaker 1>Scottish Highlands, McLeod would almost certainly have been a speaker

0:13:46.280 --> 0:13:50.360
<v Speaker 1>of Gaelic and probably a monoglot one at that clan

0:13:50.480 --> 0:13:53.400
<v Speaker 1>chiefs might have sent their sons south to learn English.

0:13:53.440 --> 0:13:56.120
<v Speaker 1>But Connor, although a warrior, doesn't seem to be that

0:13:56.240 --> 0:13:59.400
<v Speaker 1>far up the McLeod hierarchy, and in any case would

0:13:59.440 --> 0:14:02.920
<v Speaker 1>not have spoke in English and normal conversation. I think

0:14:02.960 --> 0:14:05.600
<v Speaker 1>this is just one of those actually in another language,

0:14:05.600 --> 0:14:09.360
<v Speaker 1>but everyone speaks English moments in films. Perhaps Ramirez has

0:14:09.400 --> 0:14:11.680
<v Speaker 1>been around so long that he has become proficient in

0:14:11.679 --> 0:14:15.760
<v Speaker 1>many languages, including Scottish Gaelic. It is odd that the

0:14:15.760 --> 0:14:18.440
<v Speaker 1>Scottish actor is not playing a Scottish character and the

0:14:18.480 --> 0:14:22.320
<v Speaker 1>French actor with undisguised accent is, but there you go.

0:14:22.720 --> 0:14:25.680
<v Speaker 1>In any case, the accent of Scottish Gaelic native speakers

0:14:25.680 --> 0:14:29.160
<v Speaker 1>speaking English is quite distinctive and probably wouldn't be recognized

0:14:29.160 --> 0:14:32.280
<v Speaker 1>as a Scottish accent by people outside of Scotland. Just

0:14:32.360 --> 0:14:35.080
<v Speaker 1>a wee note on something that pricked my interest. Keep

0:14:35.120 --> 0:14:38.040
<v Speaker 1>up the good work. It's a great podcast. Jamie and yes,

0:14:38.160 --> 0:14:41.760
<v Speaker 1>Jamie brings up a fabulous point and one that I

0:14:41.800 --> 0:14:44.400
<v Speaker 1>should have thought of. Why on earth did I watch

0:14:44.720 --> 0:14:47.760
<v Speaker 1>all those seasons of Outlander if I wasn't gonna, you know,

0:14:47.880 --> 0:14:51.520
<v Speaker 1>realize that that these characters would have been speaking Gailic. Now,

0:14:51.520 --> 0:14:56.479
<v Speaker 1>what if Highlander went in a more Outlander direction? Um,

0:14:56.680 --> 0:14:59.880
<v Speaker 1>it could, It could easily. I'm surprised, honestly, I'm surprised

0:15:00.000 --> 0:15:02.920
<v Speaker 1>they had given the success of Outlander. Uh, they haven't

0:15:02.920 --> 0:15:05.640
<v Speaker 1>done that. That's probably one of the the energy is

0:15:05.680 --> 0:15:08.600
<v Speaker 1>fueling these efforts to bring it back. And you know,

0:15:08.640 --> 0:15:10.520
<v Speaker 1>to some degree it's like romance it up a bit,

0:15:10.640 --> 0:15:15.400
<v Speaker 1>you know, make it a little more you know, Scottish centric. Uh, yeah,

0:15:15.440 --> 0:15:26.800
<v Speaker 1>it could work. I'm for it. All right, let's see,

0:15:26.840 --> 0:15:29.600
<v Speaker 1>maybe we should do together these next couple of messages

0:15:29.720 --> 0:15:33.520
<v Speaker 1>about um, about the humanoid, the Star Wars rop off

0:15:33.520 --> 0:15:35.480
<v Speaker 1>film that we covered. I guess it'll be a couple

0:15:35.480 --> 0:15:39.400
<v Speaker 1>of weeks ago. Now, um. So the first one is

0:15:39.520 --> 0:15:44.600
<v Speaker 1>from a listener calling themselves Trebec. I doubt that's the

0:15:44.600 --> 0:15:47.840
<v Speaker 1>real name, but Trebec says, hello guys. Oh, and this

0:15:47.920 --> 0:15:51.040
<v Speaker 1>is in response to us saying that that Richard Keel

0:15:51.120 --> 0:15:54.240
<v Speaker 1>and the Humanoid never did the like heads bonking together move.

0:15:54.720 --> 0:15:57.760
<v Speaker 1>This is where you're generally a giant character or a

0:15:57.840 --> 0:16:00.800
<v Speaker 1>largest character, a strong man character will come up behind

0:16:01.120 --> 0:16:04.760
<v Speaker 1>two stormtroopers or red shirt guards, grabbed them by their

0:16:04.800 --> 0:16:07.200
<v Speaker 1>heads and call them together like coconuts and knock them

0:16:07.200 --> 0:16:10.720
<v Speaker 1>out right. Uh, And we said, uh. It says disappointing

0:16:10.760 --> 0:16:12.800
<v Speaker 1>that that never happened in the movie. Well, Trebec says,

0:16:12.960 --> 0:16:15.840
<v Speaker 1>we're wrong. Trebec says there is a blanc the heads

0:16:15.880 --> 0:16:18.920
<v Speaker 1>together moment in the Humanoid. It is quick. It happens

0:16:19.000 --> 0:16:22.760
<v Speaker 1>during the second attack of the Humanoid while the troopers

0:16:22.800 --> 0:16:25.240
<v Speaker 1>are climbing out of the speeder. I'm sorry that that

0:16:25.560 --> 0:16:27.680
<v Speaker 1>doesn't narrow down for me. So I don't know where

0:16:27.680 --> 0:16:31.160
<v Speaker 1>in the movie this is um But there is a

0:16:31.240 --> 0:16:33.200
<v Speaker 1>line you can queue up if you can find it.

0:16:33.360 --> 0:16:36.960
<v Speaker 1>Trebek says. It's immediately after the He's rather irritated, isn't

0:16:37.000 --> 0:16:40.640
<v Speaker 1>he line? Thank you for being awesome? Trebec? Oh, no,

0:16:40.920 --> 0:16:44.120
<v Speaker 1>thank thank you for being awesome and pointing pointing this out. Yeah,

0:16:44.160 --> 0:16:46.200
<v Speaker 1>I I must have missed it. I must have been

0:16:46.240 --> 0:16:49.040
<v Speaker 1>looking down or making a note or you know, checking

0:16:49.040 --> 0:16:51.560
<v Speaker 1>something on IMDb related to the film. But I'm glad

0:16:51.600 --> 0:16:54.320
<v Speaker 1>it's in there. I feel like the universe makes sense again.

0:16:54.480 --> 0:16:57.040
<v Speaker 1>What is wrong with our brains that we you and

0:16:57.120 --> 0:17:01.840
<v Speaker 1>I are both watched the humanoid making notes. Yeah, it's

0:17:02.440 --> 0:17:05.679
<v Speaker 1>it's a select a select few people have done that.

0:17:05.720 --> 0:17:09.639
<v Speaker 1>I imagine, at least making notes on the humanoid studying

0:17:09.720 --> 0:17:13.359
<v Speaker 1>this work. Yes, we're we're operating in a very niche field.

0:17:13.359 --> 0:17:22.080
<v Speaker 1>I would say, Okay, But from there, I'm gonna jump

0:17:22.119 --> 0:17:24.640
<v Speaker 1>straight down to this message from Kenneth, which is also

0:17:24.680 --> 0:17:27.640
<v Speaker 1>about the humanoid. So Kenneth says, Hi, Rob and Joe.

0:17:28.160 --> 0:17:31.120
<v Speaker 1>As always, I'm a sucker for a Star Wars clone,

0:17:31.200 --> 0:17:34.560
<v Speaker 1>and I always loved Jaws as a Bond character. So

0:17:34.720 --> 0:17:37.679
<v Speaker 1>on your recommendation, I thought I would give the humanoid

0:17:37.680 --> 0:17:40.960
<v Speaker 1>to go. You commented that the opening text crawl made

0:17:40.960 --> 0:17:43.399
<v Speaker 1>the universe feel small, and I would say that was

0:17:43.400 --> 0:17:46.960
<v Speaker 1>pretty accurate. I found it interesting that this followed through

0:17:47.000 --> 0:17:50.280
<v Speaker 1>into all aspects of the movie, and then we get examples.

0:17:50.560 --> 0:17:54.280
<v Speaker 1>When the budget Star Destroyer passes slowly over the camera,

0:17:54.640 --> 0:17:57.680
<v Speaker 1>they were trying to convey the same epic scale as Lucas.

0:17:57.760 --> 0:18:01.440
<v Speaker 1>But later when Grawls ship is landing on Planet Nixon,

0:18:01.880 --> 0:18:04.080
<v Speaker 1>you can see that it's only meant to be about

0:18:04.119 --> 0:18:08.000
<v Speaker 1>fifty meters long. Uh. The name of the movie made

0:18:08.080 --> 0:18:11.800
<v Speaker 1>me pause for thought, as well as obviously Lady Agatha's

0:18:11.880 --> 0:18:14.800
<v Speaker 1>incredible hair, and I remember that's uh, that's Barbara Box

0:18:15.240 --> 0:18:19.440
<v Speaker 1>strange helmet slash hood slash hair do in the movie. Um,

0:18:19.520 --> 0:18:21.080
<v Speaker 1>it's kind of hard to tell which of the three

0:18:21.080 --> 0:18:24.320
<v Speaker 1>it was. Now, regarding the name the humanoid, Kenneth says,

0:18:24.560 --> 0:18:27.240
<v Speaker 1>it occurred to me that the term humanoid normally describes

0:18:27.280 --> 0:18:31.040
<v Speaker 1>a creature that shares our general body form. It's normally

0:18:31.160 --> 0:18:34.680
<v Speaker 1>used to find what's most familiar about an alien. However,

0:18:34.720 --> 0:18:39.119
<v Speaker 1>if Golab was originally human, then his transformation left him

0:18:39.119 --> 0:18:43.320
<v Speaker 1>as human inform only to become the humanoid, was actually

0:18:43.359 --> 0:18:47.240
<v Speaker 1>to diminish him. I think that's right. My second thought

0:18:47.359 --> 0:18:51.240
<v Speaker 1>was about that hair do. I think Barbara Box character

0:18:51.400 --> 0:18:54.600
<v Speaker 1>was meant to look like a snake. If you imagine

0:18:54.640 --> 0:18:58.440
<v Speaker 1>a hooded viper or cobra with its head down ready

0:18:58.480 --> 0:19:02.080
<v Speaker 1>to strike, it looks very much like her coiffure. This

0:19:02.160 --> 0:19:06.159
<v Speaker 1>perhaps tracks with the quote fangs in the life good

0:19:06.320 --> 0:19:10.960
<v Speaker 1>draining plastic Maiden device. Remember she was like a space bathory.

0:19:11.000 --> 0:19:13.119
<v Speaker 1>She was like sucking the life force out of the

0:19:13.160 --> 0:19:16.080
<v Speaker 1>local space peasants. Yeah, and she needs to fix every

0:19:16.119 --> 0:19:19.480
<v Speaker 1>day otherwise she'll age minutes or or you know, centuries

0:19:19.520 --> 0:19:22.280
<v Speaker 1>at a time. Right. But Kenneth also points out that

0:19:22.320 --> 0:19:25.040
<v Speaker 1>the lower half of her costume has a scale like

0:19:25.359 --> 0:19:28.919
<v Speaker 1>pattern on the fabric. So I think you're onto something here, Kenneth.

0:19:28.960 --> 0:19:31.760
<v Speaker 1>I think that went right over my head. Yeah, yeah,

0:19:31.760 --> 0:19:35.000
<v Speaker 1>it totally makes sense. Now. Now after this, Kenneth attaches

0:19:35.040 --> 0:19:38.120
<v Speaker 1>a recommendation that has already been suggested for Weird House

0:19:38.119 --> 0:19:39.919
<v Speaker 1>Cinema and we've already talked about, so I'm not going

0:19:39.960 --> 0:19:42.480
<v Speaker 1>to go into too much detail, but Kenneth is like, hey,

0:19:42.520 --> 0:19:45.280
<v Speaker 1>do Layer of the White Worm. And I'm and I'm saying, Kenneth,

0:19:45.320 --> 0:19:47.399
<v Speaker 1>we've already talked about We're going to do Layer of

0:19:47.440 --> 0:19:50.640
<v Speaker 1>the White Worm. We love Layer of the White Worm. Yes, yeah,

0:19:50.680 --> 0:19:52.560
<v Speaker 1>it's it's on the list. A lot of films on

0:19:52.600 --> 0:19:54.760
<v Speaker 1>the list. And hey, we here heard from another listener

0:19:55.000 --> 0:19:57.320
<v Speaker 1>who has a film to put on the list, and

0:19:57.560 --> 0:20:00.920
<v Speaker 1>I don't think this one was currently on said from

0:20:00.960 --> 0:20:05.119
<v Speaker 1>com Hey guys, greetings from Dublin, Ireland. First time contacting

0:20:05.160 --> 0:20:07.280
<v Speaker 1>you after many years of listening to your excellent podcast.

0:20:07.400 --> 0:20:09.480
<v Speaker 1>Just came across a film while browsing the web that

0:20:09.520 --> 0:20:13.000
<v Speaker 1>you might consider for weird house cinema. It's called Slugs

0:20:13.400 --> 0:20:17.080
<v Speaker 1>and was released in night according to IMDb. I've not

0:20:17.160 --> 0:20:19.000
<v Speaker 1>seen it myself, but if you take one look at

0:20:19.000 --> 0:20:21.800
<v Speaker 1>the poster attached, and I hope you will agree, it

0:20:21.840 --> 0:20:24.359
<v Speaker 1>looks like a great candidate. On a separate note, I

0:20:24.359 --> 0:20:27.320
<v Speaker 1>would love if you did an episode on lighthouses. I've

0:20:27.359 --> 0:20:29.240
<v Speaker 1>always loved them, and I know it is a topic

0:20:29.320 --> 0:20:31.720
<v Speaker 1>you both could easily do a few episodes on, as

0:20:31.720 --> 0:20:33.880
<v Speaker 1>there would be so much to talk about. Anyway, keep

0:20:33.960 --> 0:20:36.600
<v Speaker 1>up the great work. All the best from comb a

0:20:36.800 --> 0:20:42.080
<v Speaker 1>k A. Synthetic Flesh. Synthetic flesh. Wait, we've had a

0:20:42.119 --> 0:20:46.920
<v Speaker 1>listener adopted the moniker Synthetic flesh. Is Colm masking his

0:20:46.960 --> 0:20:49.560
<v Speaker 1>friends and family to call him synthetic flesh. Now, I

0:20:49.640 --> 0:20:51.320
<v Speaker 1>don't know. I would go for it, and go for

0:20:51.359 --> 0:20:55.160
<v Speaker 1>it anything that that that injects it into popular usage.

0:20:55.800 --> 0:21:00.679
<v Speaker 1>Um So, Slugs. This is a film that I have

0:21:00.760 --> 0:21:03.880
<v Speaker 1>seen parts of and you have perhaps seen the whole thing.

0:21:04.200 --> 0:21:07.240
<v Speaker 1>I think so so. First major note, this is actually

0:21:07.280 --> 0:21:11.600
<v Speaker 1>directed by Juan Picquer Simone or Simon with an accent

0:21:11.640 --> 0:21:14.240
<v Speaker 1>over the second Oh, I guess the b Simone Um,

0:21:14.280 --> 0:21:19.200
<v Speaker 1>the director of none other than Pod People, the immortal classic,

0:21:19.400 --> 0:21:23.040
<v Speaker 1>the film that gave us here the Engines roll Now

0:21:23.359 --> 0:21:27.919
<v Speaker 1>or flying over Idiot Control Now. All I want to

0:21:27.920 --> 0:21:31.840
<v Speaker 1>feel is the wind in my eyes. Yeah, yeah, that's great,

0:21:32.200 --> 0:21:37.760
<v Speaker 1>great movie. Yeah, but class I think I actually watched

0:21:37.800 --> 0:21:39.919
<v Speaker 1>this movie way back when we used to do a

0:21:40.000 --> 0:21:42.880
<v Speaker 1>thing where we would do we would we did some

0:21:43.000 --> 0:21:46.520
<v Speaker 1>live video streaming when the company was trying to experiment

0:21:46.560 --> 0:21:49.640
<v Speaker 1>with that that that didn't really go much of anywhere,

0:21:49.640 --> 0:21:51.280
<v Speaker 1>but we tried to have fun with it by talking

0:21:51.320 --> 0:21:54.359
<v Speaker 1>about trailers for It was sort of a precursor of

0:21:54.400 --> 0:21:57.119
<v Speaker 1>weird House cinema, but not as fully formed, because we

0:21:57.320 --> 0:21:59.880
<v Speaker 1>were trying to just sort of like live stream talk

0:22:00.080 --> 0:22:03.600
<v Speaker 1>about trailers for movies that were related to episodes we

0:22:03.600 --> 0:22:06.720
<v Speaker 1>had recently done. And so I think you and Christian

0:22:06.800 --> 0:22:09.320
<v Speaker 1>had done an episode about gastropods. So we ended up

0:22:09.359 --> 0:22:13.360
<v Speaker 1>talking about like slug and snail movies. And I watched Slugs,

0:22:13.480 --> 0:22:17.000
<v Speaker 1>or at least watch part of Slugs. It's uh, it

0:22:17.040 --> 0:22:18.920
<v Speaker 1>doesn't take much to imagine what it's about. It is

0:22:18.920 --> 0:22:21.680
<v Speaker 1>about people getting attacked by slugs. One of the weirdest

0:22:21.680 --> 0:22:23.840
<v Speaker 1>things about this is okay, that sounds like a standard

0:22:23.920 --> 0:22:26.800
<v Speaker 1>creature B horror movie. This is actually based on the

0:22:26.920 --> 0:22:32.560
<v Speaker 1>novel that's uh, I don't know. You wouldn't imagine a

0:22:32.840 --> 0:22:36.960
<v Speaker 1>novel uh needed as a foundation for this kind of film.

0:22:37.000 --> 0:22:39.040
<v Speaker 1>I used to be somewhat grossed out by slugs, and

0:22:39.040 --> 0:22:41.399
<v Speaker 1>I think this was the reason that I definitely didn't

0:22:41.440 --> 0:22:43.920
<v Speaker 1>watch it in full for For that also, we weren't

0:22:43.960 --> 0:22:46.520
<v Speaker 1>in the habit of everyone watching every film because we

0:22:46.520 --> 0:22:50.560
<v Speaker 1>were trying to like shoehorn three or four movie discussions

0:22:50.560 --> 0:22:53.680
<v Speaker 1>into a single like twenty minute a video or something.

0:22:53.720 --> 0:22:56.320
<v Speaker 1>It was, uh, you know, it was a bit much,

0:22:56.920 --> 0:22:59.919
<v Speaker 1>but uh yeah. I remember seeing a trailer for this

0:23:00.080 --> 0:23:03.280
<v Speaker 1>went on VHS when I was a kid, and yet

0:23:03.400 --> 0:23:05.760
<v Speaker 1>frightened me because there's a scene where they're climbing on

0:23:05.760 --> 0:23:09.480
<v Speaker 1>the toilet, and so I think, for for years, even

0:23:09.520 --> 0:23:11.760
<v Speaker 1>even today, there's like a part of me that that

0:23:12.080 --> 0:23:15.320
<v Speaker 1>insists that I checked for slugs on the toilet um

0:23:15.359 --> 0:23:17.840
<v Speaker 1>before I make use of the toilet, because I feel

0:23:17.920 --> 0:23:20.080
<v Speaker 1>like that movie taught me that there was always going

0:23:20.119 --> 0:23:22.760
<v Speaker 1>to be a chance what would happen if the slugs

0:23:22.800 --> 0:23:26.280
<v Speaker 1>got you? I mean, the slugs wouldn't get you the

0:23:26.280 --> 0:23:29.359
<v Speaker 1>thing they I don't think they're really interested in you. Um.

0:23:29.600 --> 0:23:32.320
<v Speaker 1>But and that's why it's so ludicrous, right, Like it's

0:23:32.359 --> 0:23:35.880
<v Speaker 1>something that some of us are repulsed by. We can

0:23:35.880 --> 0:23:39.920
<v Speaker 1>find slugs repulsive, which isn't completely fair. Slugs do good work,

0:23:39.920 --> 0:23:44.080
<v Speaker 1>their decomposers, you know, they we need them. Um, But

0:23:44.560 --> 0:23:47.000
<v Speaker 1>we take this idea of their kind of yucky and

0:23:47.040 --> 0:23:50.480
<v Speaker 1>then we we we put that through the horror machine

0:23:50.600 --> 0:23:53.160
<v Speaker 1>and comes out with they want to eat our flesh

0:23:53.280 --> 0:23:57.840
<v Speaker 1>now in this poster for slugs by one PC Simone. Uh,

0:23:58.160 --> 0:24:00.159
<v Speaker 1>I gotta point out one little problem, which is it

0:24:00.200 --> 0:24:03.000
<v Speaker 1>looks like the slugs are coming out of the screaming

0:24:03.000 --> 0:24:06.040
<v Speaker 1>man instead of going into him. And I don't recall

0:24:06.119 --> 0:24:10.240
<v Speaker 1>the movie involving internal implantation of slugs that burst forth

0:24:10.280 --> 0:24:12.119
<v Speaker 1>from the body. Though I could be I could be

0:24:12.200 --> 0:24:16.800
<v Speaker 1>forgetting Yeah, well you know they you often see see

0:24:16.840 --> 0:24:19.359
<v Speaker 1>that right either either they even if they didn't have

0:24:19.359 --> 0:24:20.960
<v Speaker 1>it in the film, Like you gotta juice it up

0:24:20.960 --> 0:24:24.720
<v Speaker 1>for the poster. But hey, you know it's uh, it's one.

0:24:24.720 --> 0:24:27.040
<v Speaker 1>I have so many real things to be afraid of.

0:24:27.160 --> 0:24:31.240
<v Speaker 1>Now I'm totally game to to return to slugs if

0:24:31.240 --> 0:24:34.280
<v Speaker 1>we want to maybe I'll become afraid of slugs again.

0:24:34.320 --> 0:24:36.840
<v Speaker 1>I actually I kind of like that sometimes. I I

0:24:36.920 --> 0:24:42.080
<v Speaker 1>fantasize about becoming about about my anxieties. Uh, moving back

0:24:42.119 --> 0:24:46.000
<v Speaker 1>to things that don't exist, like slugs and alien abductions

0:24:46.040 --> 0:24:48.239
<v Speaker 1>and whatnot, I'm like, oh, man, what a time that

0:24:48.240 --> 0:24:49.919
<v Speaker 1>way way that don't exist. Oh you mean they're not

0:24:49.960 --> 0:24:53.680
<v Speaker 1>actually threatening, like right, I mean, yeah, well, slugs trying

0:24:53.680 --> 0:24:58.240
<v Speaker 1>to eat your fleshly exists. Now. Granted, alien abduction phenomena.

0:24:58.359 --> 0:25:02.520
<v Speaker 1>Alien abduction experiences hand be real, as I want to

0:25:02.920 --> 0:25:05.560
<v Speaker 1>stress before they can be really they can be experiences

0:25:05.560 --> 0:25:08.240
<v Speaker 1>that people have. I don't do not believe in the

0:25:08.280 --> 0:25:11.200
<v Speaker 1>reality of of of alien abduction, So I don't think

0:25:11.240 --> 0:25:13.560
<v Speaker 1>it's something that I should fear as part of my

0:25:13.640 --> 0:25:15.639
<v Speaker 1>daily life. But I did go through a period of

0:25:15.640 --> 0:25:19.320
<v Speaker 1>time when I was much younger, I guess when I

0:25:19.320 --> 0:25:21.159
<v Speaker 1>was a kid where I've seen too many episodes of

0:25:21.200 --> 0:25:25.080
<v Speaker 1>Unsolved Mysteries and became rather afraid of that happening to

0:25:25.160 --> 0:25:28.480
<v Speaker 1>me because they really played up. They make it scary

0:25:28.520 --> 0:25:30.919
<v Speaker 1>on Unsolved Mysteries. Yeah, they really play it up. And

0:25:30.920 --> 0:25:33.920
<v Speaker 1>you know, I think back to the the Unsolved Mysteries

0:25:33.960 --> 0:25:36.280
<v Speaker 1>era where they were really hitting you with I think

0:25:36.320 --> 0:25:38.439
<v Speaker 1>they had some Sasquatch style stuff, but they also had

0:25:38.480 --> 0:25:41.720
<v Speaker 1>the alien abduction. Between that and reruns of In Search

0:25:41.760 --> 0:25:44.920
<v Speaker 1>of That. It it really, I feel like, kind of

0:25:44.920 --> 0:25:48.800
<v Speaker 1>put out a harmful vibe because there wasn't I wasn't

0:25:48.800 --> 0:25:52.920
<v Speaker 1>watching like skeptical counterpoints to any of this, you know, um,

0:25:53.200 --> 0:25:56.439
<v Speaker 1>I didn't see and they played it alongside true crime

0:25:56.560 --> 0:26:00.000
<v Speaker 1>stories yea, so it was like, this has really happened,

0:26:00.119 --> 0:26:02.440
<v Speaker 1>this is something you should really be afraid of. And

0:26:02.440 --> 0:26:05.399
<v Speaker 1>and I'm I mean, I guess there were programs like

0:26:05.440 --> 0:26:07.520
<v Speaker 1>May I don't remember if contact went into this at all,

0:26:07.560 --> 0:26:10.600
<v Speaker 1>and you had Sakean bringing his um, you know, sensible

0:26:10.920 --> 0:26:14.080
<v Speaker 1>approach to the topic. But I do not remember anything

0:26:14.119 --> 0:26:17.879
<v Speaker 1>on TV uh coming out and saying, actually, there's no

0:26:17.960 --> 0:26:22.000
<v Speaker 1>evidence for this, there's some other explanations that can uh

0:26:22.160 --> 0:26:24.000
<v Speaker 1>that that can explain it. There was none of that.

0:26:24.040 --> 0:26:27.239
<v Speaker 1>It was just unsolved mysteries and creepy music making you

0:26:27.320 --> 0:26:29.720
<v Speaker 1>fear the sky at night. I think I've said this

0:26:29.760 --> 0:26:32.680
<v Speaker 1>on the show before, but whoever composed that unsolved mysteries

0:26:32.720 --> 0:26:35.840
<v Speaker 1>theme should like get a get a Lifetime Achievement award

0:26:35.880 --> 0:26:39.520
<v Speaker 1>for making ice water run through people's veins. Uh, let's

0:26:39.520 --> 0:26:57.760
<v Speaker 1>get a little sting of that. Yeah, that's creepy too, creepy? Okay,

0:26:57.800 --> 0:26:59.480
<v Speaker 1>you mind if I do this? One last message from

0:26:59.520 --> 0:27:03.000
<v Speaker 1>Jane h oh. This is a result of we've had

0:27:03.000 --> 0:27:05.600
<v Speaker 1>several back and forth with James. Now after having read

0:27:05.640 --> 0:27:08.520
<v Speaker 1>his messages on previous episodes, James was the one with

0:27:08.840 --> 0:27:13.639
<v Speaker 1>stuff about the turbographics, sixteen games and about geckos. Uh So,

0:27:13.880 --> 0:27:16.639
<v Speaker 1>James says, good afternoon, gentlemen. You just made my day again.

0:27:16.760 --> 0:27:20.000
<v Speaker 1>Thank you. That's a great eye and equally great knowledge

0:27:20.000 --> 0:27:23.359
<v Speaker 1>of the video games of yester year. That is indeed

0:27:23.520 --> 0:27:28.080
<v Speaker 1>a poster of the very Pucci Gex adorning the back

0:27:28.119 --> 0:27:31.000
<v Speaker 1>of my real geckos habitat. Oh so, you're right, Rob,

0:27:31.080 --> 0:27:33.000
<v Speaker 1>that was not a fake gecko. That was a real gecko.

0:27:33.880 --> 0:27:37.359
<v Speaker 1>But Gex is absolutely the Pucci of the reptile world.

0:27:37.840 --> 0:27:40.760
<v Speaker 1>Uh so, James continues. The game featured the voice of

0:27:40.840 --> 0:27:45.240
<v Speaker 1>comedian Dana Gould, who delivered pop culture one liners roughly

0:27:45.320 --> 0:27:47.800
<v Speaker 1>on par with the one you add lib during the

0:27:47.840 --> 0:27:52.040
<v Speaker 1>podcast about the funds jumping the shark. Uh. The quips

0:27:52.080 --> 0:27:55.840
<v Speaker 1>did not become any more amusing after hearing them repeated

0:27:56.040 --> 0:27:59.359
<v Speaker 1>hundreds of times over the course of the game, but

0:27:59.480 --> 0:28:03.080
<v Speaker 1>I somehow still have rather fond memories of playing it. Man.

0:28:03.119 --> 0:28:05.280
<v Speaker 1>That's the thing I think a lot of game designers

0:28:05.280 --> 0:28:07.240
<v Speaker 1>did not get early on that. Like games that have

0:28:07.359 --> 0:28:11.120
<v Speaker 1>dialogue that that occurs like once are you know, those

0:28:11.160 --> 0:28:12.760
<v Speaker 1>can be fun, that adds a lot of texture to

0:28:12.800 --> 0:28:14.840
<v Speaker 1>the game. But where I don't know, the bub Z

0:28:15.040 --> 0:28:18.400
<v Speaker 1>style thing where the character just sort of like repeats

0:28:18.440 --> 0:28:21.440
<v Speaker 1>a a cycle of of one liners over and over

0:28:21.480 --> 0:28:23.360
<v Speaker 1>and it sounds like Gext did the same thing. God,

0:28:23.400 --> 0:28:25.200
<v Speaker 1>that's got to really get under your skin after a

0:28:25.240 --> 0:28:28.200
<v Speaker 1>certain period of time. Yeah, even on even on really

0:28:28.200 --> 0:28:31.040
<v Speaker 1>well crafted games with fun quips, like the video game

0:28:31.080 --> 0:28:33.879
<v Speaker 1>Control had some fun quips from the character you control,

0:28:34.560 --> 0:28:36.480
<v Speaker 1>but if you hear it enough, it's you kind of

0:28:36.520 --> 0:28:38.000
<v Speaker 1>get over it. It's It's one of the reasons I

0:28:38.040 --> 0:28:41.440
<v Speaker 1>often find myself playing video games um on you with

0:28:41.520 --> 0:28:45.479
<v Speaker 1>music playing over them. It's just after a while, I just, uh,

0:28:45.720 --> 0:28:49.959
<v Speaker 1>I just do need my own sonic realm Oh. Finally,

0:28:50.080 --> 0:28:54.000
<v Speaker 1>James asks if we have any podcast merch available. He says,

0:28:54.040 --> 0:28:55.760
<v Speaker 1>I'd love to kick you guys a few bucks for

0:28:55.840 --> 0:28:58.520
<v Speaker 1>a sticker or something to show my appreciation for all

0:28:58.560 --> 0:29:01.400
<v Speaker 1>the content you've provided, uh and to be lovely addition

0:29:01.440 --> 0:29:05.040
<v Speaker 1>to my Geckos terrarium. Thanks again and take care James.

0:29:05.400 --> 0:29:07.040
<v Speaker 1>We we do have some merch. Yeah, I guess we

0:29:07.040 --> 0:29:09.760
<v Speaker 1>haven't talked about it much recently. Yeah, if you go

0:29:09.840 --> 0:29:11.760
<v Speaker 1>to stuff to Blow your Mind dot com, that will

0:29:11.760 --> 0:29:13.600
<v Speaker 1>send you to the I heart listing for this page

0:29:13.600 --> 0:29:15.640
<v Speaker 1>and there's a store button there. We have a t

0:29:15.840 --> 0:29:17.800
<v Speaker 1>public store. You can also go to I think it's

0:29:17.840 --> 0:29:21.040
<v Speaker 1>t public dot com slash stores slash stuff to Blow

0:29:21.080 --> 0:29:23.640
<v Speaker 1>your Mind And Yeah, we have a number of things

0:29:23.640 --> 0:29:25.960
<v Speaker 1>we have. You know, you can get our our show

0:29:26.000 --> 0:29:30.160
<v Speaker 1>logo on various bits of merge, including shirts and pillows

0:29:30.200 --> 0:29:33.640
<v Speaker 1>and pins and stickers. We also have some sort of

0:29:33.640 --> 0:29:38.120
<v Speaker 1>fun designs here. There's a really cool Pandora's box uh

0:29:38.240 --> 0:29:41.600
<v Speaker 1>T shirt design that Red Buffalo Illustration did for us.

0:29:41.920 --> 0:29:45.239
<v Speaker 1>There's a Medusa one that my son drew. Uh, there's uh.

0:29:45.960 --> 0:29:47.920
<v Speaker 1>We we also have some that I think are legitimately

0:29:48.280 --> 0:29:51.240
<v Speaker 1>nifty T shirts and hopefully in the very near future

0:29:51.440 --> 0:29:53.840
<v Speaker 1>we're gonna be able to add some weird house cinema

0:29:53.920 --> 0:29:56.800
<v Speaker 1>merch in there as well. Oh cool. Yeah, I actually

0:29:56.840 --> 0:30:00.600
<v Speaker 1>wear our Sphere Catastrophe shirt a good bit. Oh cool.

0:30:00.680 --> 0:30:03.520
<v Speaker 1>My my son has the skug King of the Rat

0:30:03.600 --> 0:30:05.920
<v Speaker 1>shirt as well as the squirrels are not what they

0:30:05.960 --> 0:30:08.960
<v Speaker 1>seem shirt, so he wears those a lot. Um. Uh,

0:30:09.000 --> 0:30:10.720
<v Speaker 1>those are a lot of fun. Oh. The scug the

0:30:10.760 --> 0:30:12.560
<v Speaker 1>Skull shirt is a good one too. That's like a

0:30:12.640 --> 0:30:18.400
<v Speaker 1>squirrel death metal Yeah, death metal occult skull, death metal

0:30:18.440 --> 0:30:22.280
<v Speaker 1>occult squirrel. Yeah. So yeah, check that out. If you're

0:30:22.280 --> 0:30:24.800
<v Speaker 1>interested in picking up a little merch, you know, mostly

0:30:24.840 --> 0:30:27.760
<v Speaker 1>do it really the merchant is mostly for fun. Uh,

0:30:27.960 --> 0:30:30.240
<v Speaker 1>So we should mention it more often so that people

0:30:30.280 --> 0:30:33.080
<v Speaker 1>who want to to do that can can do it.

0:30:33.440 --> 0:30:36.000
<v Speaker 1>All right, We're gonna go ahead and have Carney the

0:30:36.000 --> 0:30:38.480
<v Speaker 1>mail bot close it off there, but we have more

0:30:38.520 --> 0:30:41.120
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0:30:43.120 --> 0:30:45.200
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0:30:45.280 --> 0:30:48.760
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0:30:48.800 --> 0:30:52.480
<v Speaker 1>accent in Highlander? We would of course love to hear it.

0:30:52.760 --> 0:30:55.680
<v Speaker 1>Uh new new episodes. You want to hear topic suggestions,

0:30:55.680 --> 0:30:59.360
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0:30:59.600 --> 0:31:02.120
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0:31:02.160 --> 0:31:03.920
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0:31:08.240 --> 0:31:11.760
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0:31:11.840 --> 0:31:15.120
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0:31:17.320 --> 0:31:20.520
<v Speaker 1>about a weird movie at length. Huge thanks, as always

0:31:20.520 --> 0:31:23.640
<v Speaker 1>to our excellent audio producer Seth Nicholas Johnson. If you

0:31:23.640 --> 0:31:25.680
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