WEBVTT - REPLAY - Jamie Foxx

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<v Speaker 1>H m hm.

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<v Speaker 2>H m hmmm.

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<v Speaker 3>Ladies and gentlemen, Welcome to the Army Money Podcast.

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<v Speaker 1>Yeah, y'all know what you know what.

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<v Speaker 2>He First of all, I don't want to thank you

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<v Speaker 2>for letting me come here, but I think the champagne

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<v Speaker 2>is great. But I think we need to go further.

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<v Speaker 2>I think this is this is you know how to

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<v Speaker 2>hit the bottle against the chip.

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<v Speaker 1>You got the bottle right there to start right there.

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<v Speaker 1>You want to Okay, you want to go van all day,

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<v Speaker 1>you want to.

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<v Speaker 3>Go You're ready to go there again because that's that's

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<v Speaker 3>where it all started going bad.

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<v Speaker 1>Niggas that don't know.

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<v Speaker 2>But oh my god, I thought I heard the copture

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<v Speaker 2>like outside just now. He said life changing, Ben Alien

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<v Speaker 2>was life life changing. You know what it was about

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<v Speaker 2>that house.

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<v Speaker 1>But Nana yellow, Yeah, that's that's what I remember about that.

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<v Speaker 4>As soon as you pull up, you see this yellow

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<v Speaker 4>Bentley outside.

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<v Speaker 2>And it was terrible for l A, the worst card

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<v Speaker 2>because everybody knew everybody.

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<v Speaker 1>Yeah, but here's the thing. You know.

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<v Speaker 2>When I first got to l A, I drove down

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<v Speaker 2>Beverly Hills and I saw Bjeon and I Bejeon s

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<v Speaker 2>Bro that young used to be parked outside of Bejon

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<v Speaker 2>and I have no money. I just man, when I

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<v Speaker 2>get on, I'm getting that motherfucker. I'm like, yeah, how

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<v Speaker 2>have you said? I'm gonna ye, I'm gonna get that ship.

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<v Speaker 2>And the next thing you know, I got on and

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<v Speaker 2>it was came up for sale. I said, I need that.

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<v Speaker 4>So that's the one that used to sit on Rodeo,

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<v Speaker 4>Dre sit Ond's everybody that party started and then and

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<v Speaker 4>then it moved and it was on Melrow.

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<v Speaker 2>He got something on Melrose that he's that he got

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<v Speaker 2>as rich as fuck. No, but but I got the

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<v Speaker 2>car when it had definitely depreciated.

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<v Speaker 1>Fox. It wasn't it wasn't a bad time. Yeah yeah

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<v Speaker 1>V and the money, I thank you. I should turn

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<v Speaker 1>it in. Let's go back to bed. Mhm.

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<v Speaker 3>I remember walking into a club men, walking into a club.

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<v Speaker 3>It might have been the gate. Wow, walking into the gate,

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<v Speaker 3>thank you, going there right now. And I'm walking in

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<v Speaker 3>there's the gate, the walking in the gate, your nigga, yep.

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<v Speaker 3>And when I'm walking in, I think, brother windows with me,

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<v Speaker 3>walking in the walking in the gate, grab rest so

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<v Speaker 3>my brother and I hear somebody say, hey, dank.

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<v Speaker 1>I'm like who the fuck is you on my name? Dang?

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<v Speaker 1>And I turn around and it's Jamie Fox. I'm like,

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<v Speaker 1>y'all don't know each other. We don't know each other,

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<v Speaker 1>don't know.

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<v Speaker 3>And I'm like, hey, what's something, Nick, I've been looking

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<v Speaker 3>for you.

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<v Speaker 1>Here's the thing, here's the thing. Lets let's go back.

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<v Speaker 2>The way I was introduced to you is that somebody

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<v Speaker 2>said somebody in your lane.

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<v Speaker 1>Do I guess what?

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<v Speaker 2>Because I was trying to sing and I said, this

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<v Speaker 2>is this dude named Tank. Y'all sounds shimuck with me that,

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<v Speaker 2>but I'm getting ready to go do Ali and the

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<v Speaker 2>girl I'm dating at the time. We're flying to to

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<v Speaker 2>aff so we stopped at the record store for all, y'all,

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<v Speaker 2>I understand this is when you go buy records.

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<v Speaker 1>I'm going to the record store.

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<v Speaker 2>I say, hey, let's get some records so I could

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<v Speaker 2>listen as we on this long ass fight.

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<v Speaker 1>And I said, they told me by some motherfucking name

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<v Speaker 1>Tank supposed to be in my lane. Let me go see.

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<v Speaker 2>So I'm going to get my CDs and then I

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<v Speaker 2>get to your fucking CD. And first of all, you

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<v Speaker 2>got your shirt off.

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<v Speaker 1>It's all. It's not like the first five albums.

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<v Speaker 2>So your shirt is off and I look and immediately

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<v Speaker 2>I looked at my girl to see if she saw

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<v Speaker 2>because I'm definitely hiding this, I said, fucker.

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<v Speaker 1>Then I pulled the shit out. I said, no, we're

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<v Speaker 1>not gonna see that.

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<v Speaker 2>So I got all my CDs and I put them

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<v Speaker 2>on the table to buy, but I put you at

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<v Speaker 2>the bottom.

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<v Speaker 1>No disrespect. Well, we don't need to see all that.

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<v Speaker 2>And this is a walkman days, right, So I didn't

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<v Speaker 2>have no batteries. I said, damn, I gotta get batteries

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<v Speaker 2>for my Walkman. So I go to get my Walkman

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<v Speaker 2>and by the time I got back, my girl had

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<v Speaker 2>slept with you.

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<v Speaker 1>She basically mentally fucked you. Because when I get back,

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<v Speaker 1>not only is.

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<v Speaker 2>Your CD out, but it's on top and opened all

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<v Speaker 2>the way up.

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<v Speaker 1>She smoked a cigarette. I said, I said what, I

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<v Speaker 1>just just look I God, damn it. So so it

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<v Speaker 1>goes from that to being.

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<v Speaker 2>On the plane flying for eighteen hours to get to

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<v Speaker 2>Africa and listening to your music and I said wow.

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<v Speaker 1>I said, wow, absolutely amazing. Never heard a voice the

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<v Speaker 1>song You're freaking.

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<v Speaker 2>I know, show freak. They told me.

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<v Speaker 1>When I heard that I ship broke. We dropped the

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<v Speaker 1>ball that should have been a single. Listen when I

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<v Speaker 1>heard that.

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<v Speaker 3>When I heard the record, right, you know.

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<v Speaker 1>I'm just the one who didn't brother Church, I'm like

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<v Speaker 1>Church here.

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<v Speaker 2>But here's the thing. I heard your music. I said, man,

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<v Speaker 2>why this do this? This is extremely talented. And I

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<v Speaker 2>let me and my girl. We had we had the twin.

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<v Speaker 2>I had the money, so we had the twin walk man,

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<v Speaker 2>so we could both we hold in hand, like, go ahead,

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<v Speaker 2>let's this motherfucker just get us in the move. You know,

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<v Speaker 2>I ain't gonna take what we're doing on playing. Yeah,

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<v Speaker 2>But when we landed, I felt compelled because I see

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<v Speaker 2>all my African brothers and I didn't have a way

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<v Speaker 2>to play your music out. I literally I would say,

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<v Speaker 2>you have to hear this kid named Tank, and I

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<v Speaker 2>would put it.

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<v Speaker 1>I said, who is this tink? Because we was in

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<v Speaker 1>most of the tink. Who is Tink?

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<v Speaker 2>I said, you have to hear it? And I put

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<v Speaker 2>it on the ears and you would see there as

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<v Speaker 2>a oh, it is good, it is And they passed

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<v Speaker 2>it around the whole damn near the whole village. And

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<v Speaker 2>that's how much you impacted me and everybody know me, man.

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<v Speaker 1>I think that we.

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<v Speaker 2>All as artists grow when we see other artists there

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<v Speaker 2>are that are exceptional. Because when you're coming up, your

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<v Speaker 2>dream is singular to you.

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<v Speaker 1>You are the most talented in the region of where

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<v Speaker 1>you are. But when you get.

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<v Speaker 2>Here, you see that, Wow, there's a lot of guys

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<v Speaker 2>and girls that God has touched and have exceptional ability.

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<v Speaker 2>So when I saw you, I freaked out because I

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<v Speaker 2>was like, Wow, that's the dude that pretty much was

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<v Speaker 2>the soundtrack of me doing Ali Me and my girl.

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<v Speaker 2>We were just like I couldn't believe it. And then

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<v Speaker 2>to go further, I was having a house party.

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<v Speaker 1>Evan all and so.

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<v Speaker 5>Much said take it, I said, and then over a

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<v Speaker 5>who I said, that's not fair, sound like that, but

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<v Speaker 5>but I but you know, I don't ever hate it.

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<v Speaker 1>Was just like.

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<v Speaker 2>I could not believe that your voice sounded like that,

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<v Speaker 2>and that that you wrote like that, and then we

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<v Speaker 2>went on to write you know, you know, fantastic.

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<v Speaker 3>The the crazy parallel to that is as as you

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<v Speaker 3>were yelling at me, screaming like, man, I've been looking

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<v Speaker 3>for you. At that point, I was looking for a

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<v Speaker 3>way out. Yeah, and I didn't you know, what I mean.

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<v Speaker 3>For us to come together at that time was necessary

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<v Speaker 3>because like I'm in your kitchen, you know what I'm saying.

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<v Speaker 3>At at a few points after that saying I'm done.

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<v Speaker 3>And that's what blew my mind, because Jay, you know,

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<v Speaker 3>like this like our business. I'm just an artist. So

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<v Speaker 3>I didn't really understand music business. Music business was treacherous.

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<v Speaker 1>But when you said you.

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<v Speaker 2>Was gonna leave the music business, I said, what the

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<v Speaker 2>fuck are you saying? There's no way we can survive

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<v Speaker 2>without having your voice in the music business.

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<v Speaker 1>So you said, and I didn't, you know, don't I

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<v Speaker 1>don't know what gang. I don't know the gangster. I

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<v Speaker 1>don't know that. I didn't know this nigga was a gang.

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<v Speaker 1>I didn't know he's the light skin gangs. At first,

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<v Speaker 1>I look at his skin.

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<v Speaker 2>I'm this motherfucker had six business Yeah, sixteen year old skin.

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<v Speaker 1>Every time I see Jay Valentine, I just want to

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<v Speaker 1>go come here and let me feel this. He has

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<v Speaker 1>the greatest skin. But I didn't realize that music was

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<v Speaker 1>that gangster.

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<v Speaker 2>And you were like, basically without saying anything, it's like,

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<v Speaker 2>you know, it was like other elements that was keeping

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<v Speaker 2>you away from your dream and I said, Bro, no

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<v Speaker 2>fucking way. I said, you stay in my house. I

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<v Speaker 2>had a studio on the back of the crib. I said,

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<v Speaker 2>you stay in my house and you do what you

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<v Speaker 2>need to do to make sure that that light don't

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<v Speaker 2>get put out, because if.

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<v Speaker 1>It did, what would we be? Like, I mean, like, bro,

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<v Speaker 1>think about this. Where would we be as a drink

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<v Speaker 1>to that when we beat with our team? Wow, damn

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<v Speaker 1>my girl? Keep you lost her? Love you keep the

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<v Speaker 1>CD over here? You lost her she Keep the CD

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<v Speaker 1>over here. I said. You got.

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<v Speaker 4>The craziest thing about that, though, Fox, is that how

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<v Speaker 4>many artists actually have that story right? That at some

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<v Speaker 4>point all roads led to Jamie Fox? Which is very interesting. Man,

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<v Speaker 4>This is from a from female to male artists that

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<v Speaker 4>you have been just I don't even I don't even

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<v Speaker 4>know what to call it, man, Like, yes, a god

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<v Speaker 4>send for so many.

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<v Speaker 1>Young and older artists right to just at some point that.

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<v Speaker 4>Couch, that studio, that party, you know what I mean,

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<v Speaker 4>and you just having a good time, right, But those parties,

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<v Speaker 4>so many people have met each other, so many people

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<v Speaker 4>have connected with each other, so many people have you know,

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<v Speaker 4>have linked up through just you being like you know, what.

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<v Speaker 4>I'm just here to have a good time on some

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<v Speaker 4>old like southern Yeah, but you know what I mean,

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<v Speaker 4>like in La which is it was.

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<v Speaker 2>It was a good time for a reason though, because

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<v Speaker 2>I feel like everybody want to come to a party.

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<v Speaker 2>But I would have the I would have the every

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<v Speaker 2>ableste I would have, I would have the weirdos, but

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<v Speaker 2>I would also have the talent. Like Tank, when you

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<v Speaker 2>walked in, the whole party went like this because we

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<v Speaker 2>were like, damn, this dude does something that we can't do.

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<v Speaker 1>This dude does something.

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<v Speaker 2>Whenever you see someone who's talented that does something that

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<v Speaker 2>you can't.

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<v Speaker 1>Do, you go like ooh.

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<v Speaker 2>And I would studying, So I would always say when

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<v Speaker 2>it came to the artist, it's a way for me

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<v Speaker 2>to stay refreshed.

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<v Speaker 1>It's away from It's a way for me to stay inspired.

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<v Speaker 1>But look at all of us, man at those on

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<v Speaker 1>those days.

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<v Speaker 2>I remember John B was playing the pan at a

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<v Speaker 2>party while Mystical was rapping. While John B played his

0:10:58.360 --> 0:11:03.200
<v Speaker 2>songs unplugged in sing singing, singing Backstreet Boys songs. I'm

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<v Speaker 2>Brian McKnight playing a song. Uh, and you know Brian

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<v Speaker 2>is you know, Brian.

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<v Speaker 1>Is very you know, very true himself. Very okay. I

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<v Speaker 1>never wanted I said this, motherfucker. One time Brian, I

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<v Speaker 1>was like, man, everybody hear sing, I don't do that.

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<v Speaker 1>I said, I don't do that. I told everybody. I said.

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<v Speaker 1>We was at a club.

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<v Speaker 2>We can go back to my house, Brian gonna be there,

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<v Speaker 2>Brian gonna sing, and the motherfucker shined on me.

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<v Speaker 1>He was like, old, let me let me.

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<v Speaker 3>One day, Brian calls me to the studio to do it,

0:11:32.240 --> 0:11:33.720
<v Speaker 3>to do a verse on the record, and I'm.

0:11:33.559 --> 0:11:36.280
<v Speaker 1>Like, oh, ship right. Brian McKnight called me to be

0:11:36.400 --> 0:11:36.800
<v Speaker 1>on his.

0:11:38.960 --> 0:11:39.080
<v Speaker 2>Night.

0:11:39.080 --> 0:11:40.600
<v Speaker 1>I've been singing all of his songs all my life.

0:11:40.600 --> 0:11:43.320
<v Speaker 3>But I go there, I do my verse and I'm like,

0:11:43.520 --> 0:11:45.600
<v Speaker 3>he going crazy while I'm doing my first and I

0:11:45.640 --> 0:11:47.240
<v Speaker 3>come out the booth and we just talk and we

0:11:47.280 --> 0:11:49.280
<v Speaker 3>just started kind of walking, and I'm like, man, I

0:11:49.280 --> 0:11:49.640
<v Speaker 3>got this.

0:11:49.720 --> 0:11:51.120
<v Speaker 1>I got to add a bunch of tracks. Man, I

0:11:51.120 --> 0:11:53.280
<v Speaker 1>want to let you hear a couple of song ideas,

0:11:53.360 --> 0:11:55.160
<v Speaker 1>like it'd be really dope. You know what I'm saying.

0:11:55.200 --> 0:11:57.280
<v Speaker 1>He's like this, Man, I'd love to do that. Man.

0:11:57.360 --> 0:11:59.560
<v Speaker 3>He opened this door and I'm thinking, maybe we're about

0:11:59.559 --> 0:12:01.400
<v Speaker 3>to go into a lounge or something. He was walking

0:12:01.400 --> 0:12:04.199
<v Speaker 3>me out.

0:12:05.440 --> 0:12:07.280
<v Speaker 1>I would love to good Man, Hey, your car is

0:12:07.320 --> 0:12:08.679
<v Speaker 1>probably good luck.

0:12:08.720 --> 0:12:10.320
<v Speaker 2>You couldn't look with that the nigga ists you with

0:12:10.360 --> 0:12:13.240
<v Speaker 2>your ubers waiting man, because you know what you found

0:12:13.240 --> 0:12:17.360
<v Speaker 2>out about Brian is that he's a competitive guy him.

0:12:17.920 --> 0:12:20.240
<v Speaker 1>Brian, you shoot like a motherfucker.

0:12:20.440 --> 0:12:23.520
<v Speaker 2>Yes, that's an And he he called what he did,

0:12:23.600 --> 0:12:26.360
<v Speaker 2>call him what he does like, Brian, go to his left.

0:12:27.000 --> 0:12:32.800
<v Speaker 1>You're gonna do it? You listen, brother, Yeah?

0:12:33.120 --> 0:12:36.720
<v Speaker 2>Good, you know, shoot up everything across back to the right.

0:12:37.120 --> 0:12:39.559
<v Speaker 2>Get the jump on trying to be friends my man.

0:12:40.000 --> 0:12:44.439
<v Speaker 1>No, you're good. I just cut that. Couldn't know we are.

0:12:46.920 --> 0:12:53.720
<v Speaker 2>We're not cutting because something you man, I got that. Bronnie,

0:12:54.240 --> 0:12:59.120
<v Speaker 2>you can't go now, you jumping son. But on the

0:12:59.160 --> 0:13:04.360
<v Speaker 2>real though, Brian man Night, he roe of ours, national Trust,

0:13:04.440 --> 0:13:04.960
<v Speaker 2>National Trust.

0:13:05.000 --> 0:13:06.840
<v Speaker 4>If you look, if you if you look at in

0:13:06.880 --> 0:13:09.160
<v Speaker 4>the dictionary and you look for Berkeley School of Music,

0:13:09.640 --> 0:13:10.600
<v Speaker 4>it's Brian nig Night.

0:13:10.679 --> 0:13:13.520
<v Speaker 1>Yeah, and he is what that is.

0:13:13.600 --> 0:13:15.760
<v Speaker 2>And he shined on me one time that was so amazing.

0:13:15.760 --> 0:13:17.599
<v Speaker 2>He showed him my house in the Ferrari.

0:13:17.280 --> 0:13:21.200
<v Speaker 1>And I didn't. I said, what kind of car? Get

0:13:21.200 --> 0:13:21.640
<v Speaker 1>the passenger.

0:13:21.600 --> 0:13:23.560
<v Speaker 2>You see you know how the motherfucker just he just

0:13:23.600 --> 0:13:26.040
<v Speaker 2>makes you feel like you ain't seen nothing like this.

0:13:29.960 --> 0:13:40.680
<v Speaker 1>Is nice. Motherfucker took off my neck al Brian Brian right,

0:13:41.840 --> 0:13:49.440
<v Speaker 1>I said, Brian Brian right. And scary mother. He's the

0:13:49.480 --> 0:13:51.040
<v Speaker 1>greatest grat Grady.

0:13:51.440 --> 0:13:53.440
<v Speaker 3>So I come to your house to be a brother

0:13:53.480 --> 0:13:58.400
<v Speaker 3>widow and we're in the pool room. And while we're

0:13:58.400 --> 0:14:01.079
<v Speaker 3>in the pool room, you're like, yeah, I'm you're made

0:14:01.080 --> 0:14:05.240
<v Speaker 3>to work on this movie, and you you break into

0:14:05.960 --> 0:14:11.679
<v Speaker 3>Ray Charles. Yeah, right in front of us like on

0:14:11.720 --> 0:14:14.959
<v Speaker 3>some like talking talking crazy like yeah, I'm about to

0:14:14.960 --> 0:14:15.480
<v Speaker 3>go do this movie.

0:14:15.480 --> 0:14:18.080
<v Speaker 1>You know what I'm saying. We're gon try that, just

0:14:19.400 --> 0:14:23.280
<v Speaker 1>and me and brother windows saying what the fun is?

0:14:23.320 --> 0:14:25.040
<v Speaker 1>Actually scary? Scary?

0:14:25.080 --> 0:14:27.080
<v Speaker 3>This is scary And just like he was asking you before,

0:14:27.120 --> 0:14:29.560
<v Speaker 3>I wanted which what I wanted to have it you

0:14:29.600 --> 0:14:31.640
<v Speaker 3>know on camera is.

0:14:32.960 --> 0:14:35.280
<v Speaker 1>How the fuck do you do that? Well, Tank, you

0:14:35.320 --> 0:14:37.240
<v Speaker 1>can do it too. I can do it for you

0:14:37.320 --> 0:14:39.400
<v Speaker 1>to do it like you did me. Pause.

0:14:40.320 --> 0:14:46.760
<v Speaker 2>I got a pause because it'd be crazy, you know.

0:14:46.840 --> 0:14:47.800
<v Speaker 2>Take always confused.

0:14:47.920 --> 0:14:51.800
<v Speaker 3>What bro He's standing there like he was standing he said,

0:14:51.960 --> 0:14:55.000
<v Speaker 3>Tank be doing that and he went into a full.

0:14:54.880 --> 0:14:56.640
<v Speaker 1>Tank thing, and I'm looking at like this.

0:14:58.440 --> 0:15:01.640
<v Speaker 2>Right to do that right, because you do nuances like

0:15:01.880 --> 0:15:05.080
<v Speaker 2>what it was. As a kid, my grandmother, God bless her,

0:15:05.200 --> 0:15:08.520
<v Speaker 2>Estelle Talley, she had a nursery school for thirty years, right,

0:15:08.600 --> 0:15:11.960
<v Speaker 2>so the government gave her money to have things like

0:15:12.000 --> 0:15:15.360
<v Speaker 2>televisions of record players and things like that. So I

0:15:15.360 --> 0:15:18.720
<v Speaker 2>would always listen to music. Five years old, six years old.

0:15:19.240 --> 0:15:21.560
<v Speaker 2>She would make me go into where she takes care

0:15:21.600 --> 0:15:23.840
<v Speaker 2>of the kids, and there was this big box cabinet

0:15:23.920 --> 0:15:26.040
<v Speaker 2>television and all the shows would come on.

0:15:26.120 --> 0:15:31.800
<v Speaker 1>Sammy Davis Jr. It is not unusual world to be loved.

0:15:31.800 --> 0:15:40.480
<v Speaker 1>Who's at Tom Jones, Flip Wilson. So I owned it.

0:15:40.800 --> 0:15:42.720
<v Speaker 2>But I would watch these shows, and I would watch

0:15:42.760 --> 0:15:44.640
<v Speaker 2>people like Rich Little. If you get a chance, whoever

0:15:44.680 --> 0:15:46.840
<v Speaker 2>was watching google Rich Little. He was this white guy

0:15:46.880 --> 0:15:49.240
<v Speaker 2>who mimicked everybody. He could do all the different mimics.

0:15:49.320 --> 0:15:52.640
<v Speaker 2>Now here's the thing. Later that night, the only the

0:15:52.680 --> 0:15:54.680
<v Speaker 2>only room that had a television was my room where

0:15:54.680 --> 0:15:57.680
<v Speaker 2>I would sleep. My grandma says, stay asleep. But Johnny Carson,

0:15:58.040 --> 0:16:00.120
<v Speaker 2>the original host of the Tonight Show, which is what

0:16:00.160 --> 0:16:02.760
<v Speaker 2>Jimmy Fallon does right now, he would have these great

0:16:02.840 --> 0:16:05.960
<v Speaker 2>artists come on. Franklin, Najai, Steve Allen, who was a

0:16:06.000 --> 0:16:09.360
<v Speaker 2>white comedian who would do jokes from the piano, And

0:16:09.440 --> 0:16:11.800
<v Speaker 2>so when I watched Rich Little, I would watch him

0:16:11.840 --> 0:16:12.720
<v Speaker 2>mimic these people.

0:16:13.240 --> 0:16:15.800
<v Speaker 1>Rich Little did a joke about Jimmy Carter.

0:16:16.240 --> 0:16:18.480
<v Speaker 2>Jimmy Carter was our president in nineteen seventy six, but

0:16:18.520 --> 0:16:19.760
<v Speaker 2>he had a brother who liked to.

0:16:19.760 --> 0:16:20.240
<v Speaker 1>Drink a lot.

0:16:21.280 --> 0:16:25.680
<v Speaker 2>So his joke was, Jimmy Carter was singing, you light

0:16:25.760 --> 0:16:27.800
<v Speaker 2>up my life, and.

0:16:27.840 --> 0:16:29.440
<v Speaker 1>Jimmy got hi, I'm Jimmy Carter.

0:16:30.440 --> 0:16:32.600
<v Speaker 2>So many nights me and my brother Billy would sit

0:16:32.680 --> 0:16:34.680
<v Speaker 2>on the porch waiting for somebody to bring some peanuts

0:16:34.680 --> 0:16:37.240
<v Speaker 2>and beer. That was the biggest joke at that time

0:16:37.280 --> 0:16:40.880
<v Speaker 2>in the seventies, because everybody knew that his brother was

0:16:41.000 --> 0:16:43.960
<v Speaker 2>a little bit of saucy. But to hear him sing

0:16:44.880 --> 0:16:47.160
<v Speaker 2>you light up, That's what I wanted to be. So

0:16:48.120 --> 0:16:52.840
<v Speaker 2>I started perfecting the impersonation, not for it to be

0:16:52.960 --> 0:16:54.880
<v Speaker 2>my main thing, but just if.

0:16:54.760 --> 0:16:56.920
<v Speaker 1>I needed it. And how old are you at this point?

0:16:57.000 --> 0:16:59.880
<v Speaker 2>I was bro I was nineteen seventy six. I was

0:17:00.000 --> 0:17:02.240
<v Speaker 2>ten years old. You guys weren't here I was. I

0:17:02.480 --> 0:17:04.159
<v Speaker 2>just got here, which hurts my feeling. I was no,

0:17:04.240 --> 0:17:06.480
<v Speaker 2>I just got here. I was I was a new born,

0:17:06.520 --> 0:17:09.080
<v Speaker 2>the Valentine had, I was.

0:17:09.240 --> 0:17:14.480
<v Speaker 1>Girt born yesterday.

0:17:14.680 --> 0:17:16.920
<v Speaker 3>Let me see, I was here so so so so

0:17:17.000 --> 0:17:19.000
<v Speaker 3>I would watch that and say, hey, I don't know

0:17:19.119 --> 0:17:21.879
<v Speaker 3>where I'm going, but wherever I get, I want to

0:17:21.920 --> 0:17:22.240
<v Speaker 3>do that.

0:17:22.400 --> 0:17:23.879
<v Speaker 1>So when I got to l A.

0:17:26.160 --> 0:17:29.520
<v Speaker 2>Doing jokes in the clubs, I would do the mimics.

0:17:29.520 --> 0:17:30.879
<v Speaker 2>Like when I first got to l A, I was

0:17:30.880 --> 0:17:33.840
<v Speaker 2>the only black guy doing an impersonation of Ronald Reagan.

0:17:34.200 --> 0:17:36.200
<v Speaker 1>Now at that time, Ronald Reagan sounded.

0:17:35.920 --> 0:17:41.560
<v Speaker 6>Like this, well, well, as a matter of fact, but

0:17:42.680 --> 0:17:43.639
<v Speaker 6>there you go again.

0:17:43.960 --> 0:17:47.560
<v Speaker 1>And so and it's a singers, you know, as singers, we.

0:17:47.640 --> 0:17:51.000
<v Speaker 2>Catch you get something, and now we do the manners.

0:17:51.080 --> 0:17:54.200
<v Speaker 2>And Ronald Reagan was he would he had a little

0:17:54.200 --> 0:17:57.400
<v Speaker 2>bit of this, and then it was the time well

0:17:57.880 --> 0:18:00.920
<v Speaker 2>well well, well oh that's the tone.

0:18:01.000 --> 0:18:02.120
<v Speaker 1>But then we just put them in.

0:18:02.359 --> 0:18:06.080
<v Speaker 6>Well as a matter of fact that there you go again.

0:18:06.440 --> 0:18:10.560
<v Speaker 2>So it was all that Mike Tyson, Mike Tyson had

0:18:11.600 --> 0:18:12.639
<v Speaker 2>It was almost like.

0:18:14.240 --> 0:18:16.040
<v Speaker 1>Without cheapening, what it was.

0:18:16.280 --> 0:18:19.400
<v Speaker 2>When I would watch Daffy Duck or these animated characters,

0:18:21.480 --> 0:18:24.480
<v Speaker 2>Daffy Duck had a list, right, so Mike Tyson had that,

0:18:24.600 --> 0:18:28.160
<v Speaker 2>you know, Mike, if the Mike Tyson were boxing champion,

0:18:28.760 --> 0:18:30.359
<v Speaker 2>so and then it was a matter of listening to

0:18:30.440 --> 0:18:32.919
<v Speaker 2>that and so then then it was Mike Tyson, this

0:18:33.000 --> 0:18:35.200
<v Speaker 2>my first of all, you Mike, I can't wait box.

0:18:35.520 --> 0:18:38.640
<v Speaker 1>That's when he's young. But now when I call Mike now.

0:18:39.240 --> 0:18:42.320
<v Speaker 2>Older, everything all of the life that he's lived, the

0:18:42.440 --> 0:18:44.960
<v Speaker 2>ups and the downs, I called Mike, how you doing

0:18:45.040 --> 0:18:47.399
<v Speaker 2>my all? Praise this to? I know about I'm just happy?

0:18:47.800 --> 0:18:50.199
<v Speaker 2>Why because I don't have any money anymore. So I

0:18:50.240 --> 0:18:53.719
<v Speaker 2>get nobody get taken anything from me because no more vulture,

0:18:53.720 --> 0:18:54.920
<v Speaker 2>it's no more creatures around me.

0:18:55.240 --> 0:18:56.879
<v Speaker 1>I'm just happy. How are you, my good brother?

0:18:57.280 --> 0:19:01.160
<v Speaker 2>So it's matching the tone and then grabbing the mannerism.

0:19:01.240 --> 0:19:02.760
<v Speaker 2>It's it's it's Donald Trump.

0:19:03.320 --> 0:19:08.200
<v Speaker 1>The people you can shine light? Uh the corent best China.

0:19:08.320 --> 0:19:09.240
<v Speaker 7>China was one who did it.

0:19:09.760 --> 0:19:16.720
<v Speaker 1>She's a very good person, change very good people. I

0:19:16.720 --> 0:19:19.439
<v Speaker 1>don't know, she's very yeah, you know.

0:19:19.640 --> 0:19:22.800
<v Speaker 2>So that's a mannerism when you say, you know. When

0:19:22.800 --> 0:19:25.320
<v Speaker 2>they asked him about the lady that was with.

0:19:24.880 --> 0:19:29.320
<v Speaker 7>With she seems to be good people. She's very good people.

0:19:29.760 --> 0:19:31.760
<v Speaker 7>You know, I don't know personally, but she seems to

0:19:31.800 --> 0:19:35.200
<v Speaker 7>be good people good I.

0:19:35.119 --> 0:19:35.800
<v Speaker 1>Wish the best.

0:19:38.200 --> 0:19:41.320
<v Speaker 2>So it's a matter of grabbing that tone and then

0:19:41.600 --> 0:19:44.760
<v Speaker 2>you know, you know, it's.

0:19:44.640 --> 0:19:51.639
<v Speaker 1>Jay Z jay Z jay Z. That just that it's crazy.

0:19:52.560 --> 0:19:54.120
<v Speaker 1>I think I think that.

0:19:55.200 --> 0:19:58.600
<v Speaker 3>I think that, like you, you simplify it because it's

0:19:59.000 --> 0:20:02.160
<v Speaker 3>more intricate. But it's way more intricate from the outside

0:20:02.200 --> 0:20:09.280
<v Speaker 3>looking in, because sitting next to Ray Charles's family and

0:20:09.400 --> 0:20:14.480
<v Speaker 3>them not knowing the difference between you and him is different.

0:20:15.280 --> 0:20:16.800
<v Speaker 1>Well, that's what you have to do. It's like you

0:20:16.800 --> 0:20:19.280
<v Speaker 1>have to go beyond the impersonation Ray Charles.

0:20:19.640 --> 0:20:22.640
<v Speaker 2>Hey tell everybody Ray Charles in town got a dollar

0:20:22.760 --> 0:20:26.600
<v Speaker 2>a quarter and is run a clown. That's more the impersonation.

0:20:26.720 --> 0:20:28.760
<v Speaker 2>But when we were doing Ray Charles's how does he

0:20:28.880 --> 0:20:31.160
<v Speaker 2>order his food? How does he talk to his kid?

0:20:31.280 --> 0:20:34.080
<v Speaker 2>What's the quiet moment? Because if you do the impersonation,

0:20:34.280 --> 0:20:37.760
<v Speaker 2>now you're now you're a sitcom. But to do the

0:20:37.800 --> 0:20:39.399
<v Speaker 2>real person, it's it's the.

0:20:39.480 --> 0:20:40.679
<v Speaker 1>Quiet moments, you know.

0:20:42.640 --> 0:20:45.640
<v Speaker 2>And when I met Ray Charles, I met him as

0:20:45.640 --> 0:20:48.760
<v Speaker 2>the older Ray Charles. He comes in, I said, mister Charles,

0:20:48.760 --> 0:20:50.679
<v Speaker 2>I'm just trying to do the best I can to

0:20:50.720 --> 0:20:53.959
<v Speaker 2>do your do your story. And he goes, what if

0:20:54.000 --> 0:20:55.679
<v Speaker 2>you can play the blues? Man, you could do anything.

0:20:55.720 --> 0:20:56.600
<v Speaker 1>Can you play the blues?

0:20:56.640 --> 0:20:59.159
<v Speaker 2>And we sat down and it was music first, So

0:20:59.200 --> 0:21:02.160
<v Speaker 2>we're playing the blue you know, I'm hanging, trying to hang.

0:21:02.359 --> 0:21:05.040
<v Speaker 2>And then he moved into Thelonious Monk, which you know

0:21:05.200 --> 0:21:07.280
<v Speaker 2>that's that's intricate ship.

0:21:08.000 --> 0:21:09.440
<v Speaker 1>And he hits a note and I hit a rono.

0:21:09.520 --> 0:21:13.040
<v Speaker 1>He said, hey, why would you do that? Why? And

0:21:13.080 --> 0:21:14.520
<v Speaker 1>I was like, I was just trying to kill it.

0:21:14.600 --> 0:21:16.520
<v Speaker 1>You know what. Don't hit the wrong notes, man, That's

0:21:16.520 --> 0:21:19.520
<v Speaker 1>what life is. Maybe taking time to hit the right notes.

0:21:20.320 --> 0:21:21.880
<v Speaker 1>So that's a bar.

0:21:22.520 --> 0:21:28.600
<v Speaker 4>That's a bar, taking time to hit the right notes.

0:21:28.800 --> 0:21:37.320
<v Speaker 1>Hit hit a note. They always hit the right the moment.

0:21:37.440 --> 0:21:44.159
<v Speaker 4>And this nigga, I'm talking about Bottles of patron Magic City,

0:21:45.080 --> 0:21:46.160
<v Speaker 4>King of Diamonds.

0:21:48.280 --> 0:21:52.119
<v Speaker 1>And then this nigga will sing I Can't Make You

0:21:52.200 --> 0:21:55.879
<v Speaker 1>Love Me, recorded Still Drop as the third song of

0:21:55.920 --> 0:21:56.240
<v Speaker 1>the day.

0:21:57.440 --> 0:22:00.280
<v Speaker 4>Circle House Studio shout out the Circle House, Circle House

0:22:00.320 --> 0:22:01.200
<v Speaker 4>the greatest.

0:22:07.160 --> 0:22:11.720
<v Speaker 2>You can't talk about it, talk about your instrument, talk

0:22:11.720 --> 0:22:15.280
<v Speaker 2>about where that came from.

0:22:15.359 --> 0:22:23.000
<v Speaker 1>Jesus he came from. Yes, Yeah, I remember. I remember.

0:22:24.200 --> 0:22:28.800
<v Speaker 3>National Baptist Convention, State Baptist Convention with my grandmother.

0:22:31.240 --> 0:22:34.080
<v Speaker 1>And I wanted to sing in the choir so bad.

0:22:35.320 --> 0:22:39.000
<v Speaker 1>Trying to go to poke Jamie back up a ship.

0:22:39.680 --> 0:22:41.800
<v Speaker 1>I was like, do you have let me get a

0:22:41.880 --> 0:22:49.200
<v Speaker 1>shout at tequila cocaine rams I'm from. They call it

0:22:49.400 --> 0:23:01.480
<v Speaker 1>salty guys. You know, guy guys, I don't want to

0:23:01.520 --> 0:23:03.120
<v Speaker 1>take it. I hate coch.

0:23:04.440 --> 0:23:04.679
<v Speaker 4>Just like.

0:23:11.040 --> 0:23:14.639
<v Speaker 1>You can see aroma. There you go, bro, But Yo,

0:23:14.760 --> 0:23:18.720
<v Speaker 1>why y'all bullshit? It's the shots. We shouldn't drinking champagne.

0:23:18.760 --> 0:23:22.399
<v Speaker 1>Another shot. No, Jay Valentine, I want to see you

0:23:22.480 --> 0:23:23.680
<v Speaker 1>get mad at whooped somebody.

0:23:26.040 --> 0:23:28.760
<v Speaker 2>The first time I met Jay Valentine, he was playing

0:23:28.840 --> 0:23:32.560
<v Speaker 2>basket your backyard to whoop somebody else at the studio.

0:23:33.840 --> 0:23:35.480
<v Speaker 1>No, I brought him to your backyard first.

0:23:36.640 --> 0:23:38.320
<v Speaker 2>But we went to the studio and did a song,

0:23:38.400 --> 0:23:40.480
<v Speaker 2>and we went to go play in some little backyard

0:23:40.560 --> 0:23:43.560
<v Speaker 2>court and a switch was flipped and I said, oh

0:23:43.640 --> 0:23:44.800
<v Speaker 2>my god, I don't know who I'm with.

0:23:45.400 --> 0:23:48.080
<v Speaker 1>It's like he's like he's like the walking black version

0:23:48.119 --> 0:23:49.160
<v Speaker 1>of the Incredible Hulk.

0:23:49.680 --> 0:23:51.879
<v Speaker 4>You know what the funniest part about that is that

0:23:52.080 --> 0:23:56.240
<v Speaker 4>thing my father called me. It got to my father. Yeah,

0:23:56.400 --> 0:23:57.200
<v Speaker 4>we had to Jay.

0:23:57.520 --> 0:23:59.399
<v Speaker 1>I've never seen so that's what happened, is that you

0:23:59.520 --> 0:24:04.639
<v Speaker 1>made this motherfucker flash on somebody that was so crazy.

0:24:04.720 --> 0:24:08.120
<v Speaker 1>I was like, I said, we can't do that. Think

0:24:08.160 --> 0:24:12.160
<v Speaker 1>about your line. He's a nigga. You know who, I said,

0:24:12.160 --> 0:24:15.160
<v Speaker 1>I no, I don't know who you are. That motherfucker

0:24:15.200 --> 0:24:19.120
<v Speaker 1>flash on somebody. I don't know who it was. Man,

0:24:20.680 --> 0:24:26.120
<v Speaker 1>you gotta somebody got drive me on ship. I'll drive

0:24:26.160 --> 0:24:27.320
<v Speaker 1>you home and keep the truck.

0:24:28.680 --> 0:24:31.480
<v Speaker 2>Oh my God to Rose, that's gonna take you out.

0:24:34.080 --> 0:24:40.280
<v Speaker 2>So so that's gonna take you out. That's take that's

0:24:40.280 --> 0:24:40.840
<v Speaker 2>gonna take you out.

0:24:41.280 --> 0:24:43.040
<v Speaker 3>I want to sing at this National Baptist Convention so

0:24:43.160 --> 0:24:46.440
<v Speaker 3>bad because it's all the churches, all the church. My

0:24:46.480 --> 0:24:50.000
<v Speaker 3>grandmother's the dean choirs, the choir of all choirs in

0:24:50.040 --> 0:24:53.800
<v Speaker 3>the state. I'm practicing lead the whole week for Jesus.

0:24:53.840 --> 0:24:56.800
<v Speaker 3>You're the center of my joy. Wow, and the choir

0:24:56.880 --> 0:24:59.359
<v Speaker 3>di records like, yeah, you're good. I got be all right.

0:24:59.840 --> 0:25:02.880
<v Speaker 3>I rehearsing. I'm rehearsing all my runs at home. I'm

0:25:02.880 --> 0:25:04.520
<v Speaker 3>getting my runs together. I'm in sixth grade.

0:25:05.000 --> 0:25:08.680
<v Speaker 1>Sixth grade, got sixth grade. I'm ready to I know

0:25:08.760 --> 0:25:12.560
<v Speaker 1>how to record deal by the flo First of all,

0:25:13.840 --> 0:25:17.840
<v Speaker 1>your story, your story. I was already paying taxis.

0:25:17.560 --> 0:25:21.240
<v Speaker 3>I'm trying to better, come better, come up, starting from

0:25:21.240 --> 0:25:27.240
<v Speaker 3>the bottom, stuff from the and uh Friday came there

0:25:27.320 --> 0:25:29.720
<v Speaker 3>to perform. He says, you know what, we're gonna let

0:25:29.760 --> 0:25:31.920
<v Speaker 3>these two, the two older guys singing the league.

0:25:31.920 --> 0:25:32.159
<v Speaker 7>You just.

0:25:34.040 --> 0:25:36.359
<v Speaker 3>I though a fit. I'm like, y'all can't do that

0:25:36.520 --> 0:25:41.120
<v Speaker 3>to me. My grandmother is the dean Mary singing went straight?

0:25:41.280 --> 0:25:43.760
<v Speaker 3>I went, I went to justice. My Grandma's like, what's wrong, grandson?

0:25:44.119 --> 0:25:46.040
<v Speaker 3>I said, they won't let me sing the league. No

0:25:46.119 --> 0:25:48.720
<v Speaker 3>money sending my singing league. No mom be practicing all week.

0:25:49.440 --> 0:25:50.240
<v Speaker 3>My grandmother walked in.

0:25:50.359 --> 0:25:53.240
<v Speaker 1>My grandmother fiery. My grandmother is sure played a whole

0:25:53.280 --> 0:25:55.880
<v Speaker 1>munch game. She walked in there. I heard, I saw

0:25:55.920 --> 0:25:59.880
<v Speaker 1>her doing it. When Church in the Name of Jesus

0:26:01.640 --> 0:26:02.080
<v Speaker 1>came back.

0:26:02.160 --> 0:26:04.760
<v Speaker 3>He said, all right, you good. So I get up

0:26:04.760 --> 0:26:06.000
<v Speaker 3>there and it's time for me to sing my lead.

0:26:06.640 --> 0:26:09.480
<v Speaker 3>And I'm singing my lead and I can look a

0:26:09.600 --> 0:26:12.600
<v Speaker 3>look back at it retrospect, and and it was really

0:26:12.680 --> 0:26:15.840
<v Speaker 3>quiet while I was singing my lead. And one of

0:26:15.920 --> 0:26:17.520
<v Speaker 3>the one of the ladies from my church. She said,

0:26:17.560 --> 0:26:20.159
<v Speaker 3>take your time to rel Oh my god, it was

0:26:20.240 --> 0:26:23.320
<v Speaker 3>to take your time, take your time, explain it, to

0:26:23.720 --> 0:26:28.240
<v Speaker 3>explain in church, black church, when someone say explain that.

0:26:28.560 --> 0:26:31.640
<v Speaker 3>Secular people to me, when they when when they say

0:26:31.720 --> 0:26:34.760
<v Speaker 3>take your time, that means you fucking up.

0:26:37.640 --> 0:26:43.679
<v Speaker 2>Take your time shine let the Lord, because right now

0:26:43.800 --> 0:26:45.240
<v Speaker 2>the Lord apparently.

0:26:44.880 --> 0:26:47.320
<v Speaker 1>Is not using it and you need to get into

0:26:47.440 --> 0:26:50.040
<v Speaker 1>his us exactly. So they say take your time.

0:26:51.720 --> 0:26:54.920
<v Speaker 3>And so by the time the song was at the vamp,

0:26:55.040 --> 0:26:57.439
<v Speaker 3>I noticed I had been boxed out from the microphone

0:26:57.760 --> 0:26:59.800
<v Speaker 3>by the two older guys and they were living and

0:26:59.840 --> 0:27:03.399
<v Speaker 3>I was adding to their shoulders. I just kept singing, Okay,

0:27:04.520 --> 0:27:07.000
<v Speaker 3>were walking down going to the cars. Auntie Betty, who's

0:27:07.000 --> 0:27:09.639
<v Speaker 3>the choir director for our junior choir, she's she's big in.

0:27:09.640 --> 0:27:12.040
<v Speaker 1>The city too. I said, Auntie Betty, how do I do?

0:27:12.400 --> 0:27:17.280
<v Speaker 1>She said, he was off, Baby was real off. She said,

0:27:17.359 --> 0:27:20.160
<v Speaker 1>he was off. Oh my god, that's tough.

0:27:20.400 --> 0:27:25.240
<v Speaker 2>Kids on thousand they keeping on a thousand, my whole

0:27:25.320 --> 0:27:26.960
<v Speaker 2>life one thousand thousand.

0:27:27.040 --> 0:27:29.680
<v Speaker 1>And I was like, and it didn't hit me like

0:27:30.760 --> 0:27:31.720
<v Speaker 1>I was a failure.

0:27:32.200 --> 0:27:35.040
<v Speaker 3>It hit me like I got worked at this work,

0:27:35.720 --> 0:27:39.000
<v Speaker 3>because if Auntie Betty wasn't pressed, I got more work

0:27:39.040 --> 0:27:43.119
<v Speaker 3>to do right right, And so I started fine tuning, sharpening.

0:27:43.359 --> 0:27:46.399
<v Speaker 1>It made me want to be the best. Sitting in

0:27:46.480 --> 0:27:48.480
<v Speaker 1>the John p Key, you don't want to say, you

0:27:48.520 --> 0:27:50.879
<v Speaker 1>don't want to sing the shoulders. I discovered.

0:27:52.520 --> 0:27:56.200
<v Speaker 3>I discovered John p Key, I discovered Darryl Coley, I

0:27:56.359 --> 0:27:58.960
<v Speaker 3>discovered commission. I discovered the wine.

0:27:59.119 --> 0:28:03.320
<v Speaker 1>Give me some, give me some. Having me to someone

0:28:03.520 --> 0:28:07.200
<v Speaker 1>I knew you was gonna go there to cry on.

0:28:08.680 --> 0:28:15.960
<v Speaker 1>That's my guy. Keep you easy, aging me and find aquility, oh.

0:28:17.680 --> 0:28:18.399
<v Speaker 4>Sweet, and.

0:28:20.119 --> 0:28:28.000
<v Speaker 1>Speak software load and me so much. The Mitchell Jones

0:28:28.240 --> 0:28:31.359
<v Speaker 1>keep going, Marry just want the dude.

0:28:32.440 --> 0:28:39.160
<v Speaker 8>I need someone Lord, I need someone that's a lone you.

0:28:41.600 --> 0:28:45.080
<v Speaker 1>That song ONEU.

0:28:45.760 --> 0:28:57.120
<v Speaker 3>No favorst thing about that Sean Stockman, Yes, John Stockman

0:28:57.320 --> 0:28:59.800
<v Speaker 3>and me, Michel Jones.

0:29:00.600 --> 0:29:01.520
<v Speaker 1>That's where we come from.

0:29:02.200 --> 0:29:05.560
<v Speaker 3>It drove me to be I wanted to since I

0:29:05.600 --> 0:29:07.240
<v Speaker 3>had messed up my runs. Then it drove me to

0:29:07.280 --> 0:29:09.719
<v Speaker 3>best be the best runner, drove me to be an

0:29:09.760 --> 0:29:14.600
<v Speaker 3>Olympic star of all times. And and so I'm gonna

0:29:14.640 --> 0:29:16.200
<v Speaker 3>cut forward because at this point I'm.

0:29:16.120 --> 0:29:18.600
<v Speaker 1>In a group. I'm a runner, I'm there in a group.

0:29:18.680 --> 0:29:20.680
<v Speaker 1>I'm in a group called psalms to a gospel group.

0:29:20.920 --> 0:29:23.560
<v Speaker 1>I'm the runner. If there was a run to as

0:29:23.680 --> 0:29:24.200
<v Speaker 1>nasty as you.

0:29:24.720 --> 0:29:26.920
<v Speaker 2>You're in a group because I was a church kid,

0:29:27.000 --> 0:29:30.040
<v Speaker 2>I hadn't graduated to the nasty that you know us

0:29:30.440 --> 0:29:31.080
<v Speaker 2>at this point.

0:29:31.760 --> 0:29:46.800
<v Speaker 1>Nasty came later. No, no, no, no, you're blessed, blessed

0:29:48.360 --> 0:29:51.200
<v Speaker 1>the group. So I'm the runner. I'm the runner, killer Runner.

0:29:51.400 --> 0:29:51.880
<v Speaker 1>So I got this.

0:29:52.120 --> 0:29:53.600
<v Speaker 3>I got this girl that I'm trying to press, and

0:29:53.640 --> 0:29:55.680
<v Speaker 3>I sing a song to over the phone that I wrote,

0:29:56.040 --> 0:29:57.800
<v Speaker 3>and she's like, you know, it's not really good, but

0:29:58.240 --> 0:30:00.000
<v Speaker 3>I just can't understand what you're saying. What I'm runn

0:30:00.120 --> 0:30:04.880
<v Speaker 3>ends really like, these runs are magnificent. What do you

0:30:05.040 --> 0:30:07.160
<v Speaker 3>mean that's what you told her? I was like, this

0:30:07.280 --> 0:30:10.960
<v Speaker 3>is this is the killing this You gotta you gotta

0:30:11.080 --> 0:30:14.320
<v Speaker 3>chill right. And for a year I didn't do no runs.

0:30:14.880 --> 0:30:16.760
<v Speaker 3>I studied Fred Hammond, and I sang straight, and I

0:30:16.800 --> 0:30:19.560
<v Speaker 3>studied keep staying. I sank so so women made you great?

0:30:20.440 --> 0:30:24.160
<v Speaker 3>And so started with I'm Betty. It started with and

0:30:24.200 --> 0:30:24.600
<v Speaker 3>then it was.

0:30:24.640 --> 0:30:27.000
<v Speaker 4>And then and then it was whoever grill is that

0:30:27.120 --> 0:30:29.000
<v Speaker 4>we eventually got tickets foll to a concert.

0:30:29.120 --> 0:30:31.920
<v Speaker 3>It was founded with women with girls streaming. It was

0:30:31.960 --> 0:30:35.160
<v Speaker 3>founded with good streaming in ninth grade. Wow, that's where

0:30:35.200 --> 0:30:38.280
<v Speaker 3>it was found. Let let's ask this question, guys for us?

0:30:38.440 --> 0:30:40.920
<v Speaker 1>Is it's just guys like, is that the is that

0:30:41.080 --> 0:30:44.840
<v Speaker 1>the factor that yeah that when we are we are

0:30:44.920 --> 0:30:45.320
<v Speaker 1>when we are?

0:30:45.400 --> 0:30:49.920
<v Speaker 2>Peacock came, Yes, it's it's how it's the admiration of

0:30:50.000 --> 0:30:50.360
<v Speaker 2>a woman.

0:30:50.520 --> 0:30:52.200
<v Speaker 4>Not that we want to sleep with all the women.

0:30:52.600 --> 0:30:55.120
<v Speaker 4>It's just to have to see the smile unless they're

0:30:55.120 --> 0:30:55.760
<v Speaker 4>from Minnesota.

0:30:56.320 --> 0:30:57.440
<v Speaker 1>So six one, two.

0:31:00.240 --> 0:31:00.480
<v Speaker 4>Shot?

0:31:02.280 --> 0:31:06.240
<v Speaker 1>What was that? After shot? What was that a thing

0:31:06.320 --> 0:31:06.680
<v Speaker 1>for you? Though?

0:31:06.720 --> 0:31:09.800
<v Speaker 2>Because when I hear your music and when I hear

0:31:09.920 --> 0:31:13.880
<v Speaker 2>Jay's music, it's so specifically two women.

0:31:14.440 --> 0:31:16.680
<v Speaker 1>Is that Is that a deciding factor for us? Is

0:31:16.720 --> 0:31:18.480
<v Speaker 1>that a Is that a motivating factor?

0:31:19.280 --> 0:31:23.480
<v Speaker 3>It took me a minute to dial into that being

0:31:23.640 --> 0:31:28.920
<v Speaker 3>the only motivating factor, because initially I just wanted to

0:31:29.000 --> 0:31:31.640
<v Speaker 3>be able to walk into a room full of singers

0:31:31.720 --> 0:31:34.120
<v Speaker 3>and musicians and they all look at me and.

0:31:34.160 --> 0:31:37.040
<v Speaker 1>Say, you're the bad one that makes a line.

0:31:37.360 --> 0:31:39.840
<v Speaker 3>And so that's why that's why a lot of my

0:31:40.040 --> 0:31:43.400
<v Speaker 3>music suffered in the beginning, because I was trying to

0:31:43.520 --> 0:31:47.080
<v Speaker 3>outdo singers and musicians who don't buy me, who don't

0:31:47.080 --> 0:31:51.520
<v Speaker 3>buy megas trying to go up to the label and

0:31:51.560 --> 0:31:53.000
<v Speaker 3>figure out how to get the free CD.

0:31:52.920 --> 0:31:53.480
<v Speaker 1>You know what I'm saying.

0:31:53.600 --> 0:31:56.960
<v Speaker 3>And so it took me a minute to learn, me

0:31:57.040 --> 0:32:01.240
<v Speaker 3>and me and him trying to learn balance between being

0:32:02.080 --> 0:32:07.080
<v Speaker 3>really creative but also being able to take the consumer

0:32:07.280 --> 0:32:10.080
<v Speaker 3>along for the ride, right, yeah, right, And I think

0:32:10.400 --> 0:32:13.880
<v Speaker 3>what ended up working for us as a team with

0:32:14.120 --> 0:32:17.000
<v Speaker 3>R and B Money was I come from the Bay Area,

0:32:17.320 --> 0:32:20.160
<v Speaker 3>of course, right, and the Bay Area was based on

0:32:20.440 --> 0:32:24.800
<v Speaker 3>independent rap and simplified music, right.

0:32:25.760 --> 0:32:28.760
<v Speaker 4>It was everything for us in the Bay is strictly

0:32:28.800 --> 0:32:32.840
<v Speaker 4>a feeling. It's nothing else, Like people be like something

0:32:32.960 --> 0:32:36.120
<v Speaker 4>is off, you know, I mean this is tweaked wrong,

0:32:36.400 --> 0:32:38.960
<v Speaker 4>it ain't mixed, it ain't mastered, like we live on

0:32:39.040 --> 0:32:39.560
<v Speaker 4>this island.

0:32:39.640 --> 0:32:39.760
<v Speaker 1>Right.

0:32:40.280 --> 0:32:43.400
<v Speaker 4>So me and this guy actually were the perfect storm

0:32:43.520 --> 0:32:47.160
<v Speaker 4>because he was everything right, set the dynamic up.

0:32:47.200 --> 0:32:49.120
<v Speaker 1>Though you are for him and.

0:32:49.200 --> 0:32:50.920
<v Speaker 3>You are together what it is because you guys are

0:32:50.920 --> 0:32:53.720
<v Speaker 3>doing incredible because you're artists as well.

0:32:54.640 --> 0:32:56.600
<v Speaker 2>So it's like it's an interesting thing to see you

0:32:56.680 --> 0:32:59.360
<v Speaker 2>guys work together because I listened to your music as well,

0:33:00.040 --> 0:33:01.200
<v Speaker 2>So y'all, you know, him.

0:33:01.760 --> 0:33:03.800
<v Speaker 1>Yeah, So, I mean, I mean people, I don't know

0:33:03.800 --> 0:33:06.400
<v Speaker 1>if people all everybody knows that. You know, a lot

0:33:06.440 --> 0:33:08.480
<v Speaker 1>of people don't. A lot of people don't because I've

0:33:08.520 --> 0:33:10.880
<v Speaker 1>done business for so much. You just too great. Look

0:33:10.920 --> 0:33:13.320
<v Speaker 1>at motherfuckers, like who is too good looking? At motherfuckers?

0:33:13.400 --> 0:33:16.160
<v Speaker 1>What the fuck that they do? It's unfair and I'll

0:33:16.240 --> 0:33:19.760
<v Speaker 1>say it. So I'm gonna tell you what's an interesting story.

0:33:19.840 --> 0:33:21.719
<v Speaker 2>The fact that you guys have hair fucks me up.

0:33:21.720 --> 0:33:23.240
<v Speaker 2>Go ahead, baby, I'm trying. I'm trying to keep this

0:33:23.320 --> 0:33:25.720
<v Speaker 2>my fucking hair gone by, keep his hair going by.

0:33:26.240 --> 0:33:29.360
<v Speaker 1>I can't get I was at a I was at.

0:33:29.240 --> 0:33:32.200
<v Speaker 4>An event, and I was on a like I was

0:33:32.240 --> 0:33:36.360
<v Speaker 4>always on the cusp of, like, am I willing to

0:33:37.040 --> 0:33:39.560
<v Speaker 4>do everything I need to do to be a very

0:33:39.640 --> 0:33:40.760
<v Speaker 4>successful artist?

0:33:41.000 --> 0:33:41.120
<v Speaker 1>Right?

0:33:42.800 --> 0:33:45.880
<v Speaker 4>And but I was, you know, and we and we've

0:33:45.920 --> 0:33:49.480
<v Speaker 4>talked about this before, where I was always on the

0:33:49.600 --> 0:33:52.160
<v Speaker 4>fence of how much business do I want to do

0:33:52.880 --> 0:33:55.040
<v Speaker 4>and how much artistry do I want to do? And

0:33:55.200 --> 0:33:57.320
<v Speaker 4>that's a very fine line because just like you said,

0:33:57.920 --> 0:34:00.320
<v Speaker 4>when you start doing the business side of music, it

0:34:00.440 --> 0:34:01.719
<v Speaker 4>gets it gets grimy.

0:34:01.800 --> 0:34:04.680
<v Speaker 1>It's the trenches, right, So it's very hard to.

0:34:06.800 --> 0:34:10.040
<v Speaker 4>Be in the trenches on the business side and still

0:34:10.160 --> 0:34:14.120
<v Speaker 4>have the freedom of mind to do the creative side

0:34:14.640 --> 0:34:17.000
<v Speaker 4>and to really love it, and to do it for

0:34:17.120 --> 0:34:19.360
<v Speaker 4>the women, and to do it for you know what

0:34:19.360 --> 0:34:21.399
<v Speaker 4>I mean, because you ain't really doing it for the money.

0:34:21.880 --> 0:34:23.840
<v Speaker 1>You're really doing it for the women and for the.

0:34:23.920 --> 0:34:27.839
<v Speaker 4>Fame and for all the other you know, ancillary things

0:34:27.880 --> 0:34:29.200
<v Speaker 4>that come along with that side.

0:34:29.560 --> 0:34:32.600
<v Speaker 1>Right. So for me, it was more so of like

0:34:34.520 --> 0:34:35.960
<v Speaker 1>like I said, I was I was at I was

0:34:36.000 --> 0:34:38.160
<v Speaker 1>at a I was at an event with one of my.

0:34:38.200 --> 0:34:41.520
<v Speaker 4>Best friends with Ethiopia who's the head of Motown and

0:34:42.840 --> 0:34:44.760
<v Speaker 4>my guy who used to manage.

0:34:46.320 --> 0:34:53.480
<v Speaker 1>Steve Harvey. Wow, what's his name, ra McDonald trump. So

0:34:54.280 --> 0:34:57.239
<v Speaker 1>I never met him. I didn't know who he was.

0:34:57.840 --> 0:35:00.799
<v Speaker 4>I'm sitting there and I'm sitting the crowd and I'm

0:35:00.840 --> 0:35:05.280
<v Speaker 4>watching him talk and he's like, yeah, you know, Steve

0:35:05.320 --> 0:35:07.080
<v Speaker 4>couldn't be here because you know, this ain't for Steve.

0:35:07.360 --> 0:35:10.200
<v Speaker 4>And he talked, big ship, this ain't for Steve. And

0:35:10.239 --> 0:35:11.799
<v Speaker 4>you know, I've seen what y'all got for me over here,

0:35:11.840 --> 0:35:13.000
<v Speaker 4>but I don't even know if I could fit this

0:35:13.120 --> 0:35:15.080
<v Speaker 4>on my plane, said your plane?

0:35:17.120 --> 0:35:19.960
<v Speaker 1>Right? No, no, no, he talked, He talked cash ship right,

0:35:21.400 --> 0:35:22.000
<v Speaker 1>and I don't know.

0:35:26.000 --> 0:35:28.120
<v Speaker 4>Get into his ship, but he starts to tell a

0:35:28.239 --> 0:35:31.520
<v Speaker 4>story where he where it's very humble. He starts off

0:35:31.719 --> 0:35:35.160
<v Speaker 4>very like appreciate pompous and and arrogant in a plane

0:35:35.239 --> 0:35:37.920
<v Speaker 4>and I can't fit this on this and and and

0:35:38.440 --> 0:35:42.480
<v Speaker 4>and he says what I realized when I seen Steve

0:35:43.200 --> 0:35:43.400
<v Speaker 4>is that.

0:35:45.520 --> 0:35:46.719
<v Speaker 1>He needed me. Wow.

0:35:47.040 --> 0:35:49.400
<v Speaker 4>He was like because I was a comedian. He was like,

0:35:49.480 --> 0:35:53.000
<v Speaker 4>I was a comedian. But I realized I wanted to

0:35:53.080 --> 0:35:57.000
<v Speaker 4>do business. And when I saw Steve Harvey, I looked

0:35:57.000 --> 0:36:00.080
<v Speaker 4>at it as I can do everything I want to

0:36:00.200 --> 0:36:04.440
<v Speaker 4>do from a business side and get all the all

0:36:04.480 --> 0:36:07.160
<v Speaker 4>the success that I ever wanted from the comedian side,

0:36:07.800 --> 0:36:10.680
<v Speaker 4>helping him become the biggest comedian that I possibly could.

0:36:10.960 --> 0:36:11.400
<v Speaker 6>I love it.

0:36:11.640 --> 0:36:14.239
<v Speaker 1>And the first thing that popped in my head was

0:36:14.280 --> 0:36:14.839
<v Speaker 1>my best friend.

0:36:15.920 --> 0:36:16.200
<v Speaker 7>Wow.

0:36:17.239 --> 0:36:19.400
<v Speaker 1>It was a very selfless thing for me, where I

0:36:19.520 --> 0:36:24.080
<v Speaker 1>was just like, that's me and Tank because I had

0:36:24.160 --> 0:36:25.920
<v Speaker 1>been going it was like it was like a sign.

0:36:26.640 --> 0:36:28.080
<v Speaker 1>And I don't even know if I ever really told you,

0:36:29.400 --> 0:36:32.800
<v Speaker 1>but I'm sitting there and yeah, you guys want to

0:36:35.760 --> 0:36:44.000
<v Speaker 1>you a little saucy man.

0:36:46.640 --> 0:36:48.680
<v Speaker 2>Shame, Why do you keep this from me.

0:36:53.800 --> 0:36:56.080
<v Speaker 1>Stop this ship, man, stop this ship.

0:36:56.840 --> 0:37:01.600
<v Speaker 2>Don't stop ships a little no, no, this some motherfucker

0:37:01.880 --> 0:37:02.360
<v Speaker 2>kill everybody.

0:37:02.480 --> 0:37:10.960
<v Speaker 1>Just got emotional. That's my best tonight. You gotta go

0:37:11.040 --> 0:37:13.800
<v Speaker 1>do a drive by. You got just drive I just

0:37:13.880 --> 0:37:18.440
<v Speaker 1>come back. He no, look at me. Do not run

0:37:18.560 --> 0:37:22.040
<v Speaker 1>up on this light skin good looking. He will lay

0:37:22.160 --> 0:37:27.680
<v Speaker 1>you out. I would say this song me looking at

0:37:27.800 --> 0:37:28.280
<v Speaker 1>you guys.

0:37:28.680 --> 0:37:31.960
<v Speaker 2>It's so beautiful man, because you are keeping R and

0:37:32.080 --> 0:37:36.200
<v Speaker 2>B alive and in the sense of what we actually

0:37:36.320 --> 0:37:38.720
<v Speaker 2>need it, because you know, artist is gonna go everywhere

0:37:38.760 --> 0:37:39.120
<v Speaker 2>it goes.

0:37:39.640 --> 0:37:42.120
<v Speaker 1>It goes everywhere it goes. But when I hear your music,

0:37:42.719 --> 0:37:48.319
<v Speaker 1>and this is one song Tank that I listen to.

0:37:49.800 --> 0:37:51.800
<v Speaker 2>And it brings tears to my eyes every time I

0:37:51.920 --> 0:37:58.480
<v Speaker 2>hear it. And I can't get beyond that song. And

0:37:58.600 --> 0:38:01.640
<v Speaker 2>what I mean is every musician to understands this. You'll

0:38:01.680 --> 0:38:04.280
<v Speaker 2>listen to a song and you say, I can't get beyond.

0:38:04.760 --> 0:38:07.239
<v Speaker 2>I can't get enough of the feeling that I'm feeling.

0:38:07.000 --> 0:38:11.600
<v Speaker 1>When you sing that song. I know we're going all

0:38:11.680 --> 0:38:13.719
<v Speaker 1>over the place, but just talk about this song, which

0:38:13.800 --> 0:38:15.839
<v Speaker 1>I fucked up. I want to be on the song.

0:38:15.960 --> 0:38:18.880
<v Speaker 1>I'm kind of scared too. That's the whole thing is

0:38:18.920 --> 0:38:22.200
<v Speaker 1>like I won't be able to match. Yeah, well you

0:38:23.120 --> 0:38:24.680
<v Speaker 1>you'd be able to match.

0:38:24.960 --> 0:38:27.759
<v Speaker 2>But you know what I'm saying, and I'm reaching, But

0:38:28.040 --> 0:38:31.960
<v Speaker 2>you guys are so important for us as as content

0:38:32.440 --> 0:38:34.360
<v Speaker 2>in the sixties when we were going through a struggle,

0:38:35.719 --> 0:38:38.600
<v Speaker 2>like black people were going through a struggle in the sixties,

0:38:38.920 --> 0:38:41.719
<v Speaker 2>and the beautiful music that came out of that seventies,

0:38:42.080 --> 0:38:45.960
<v Speaker 2>the party and it's as Studio fifty four eighties. It's

0:38:46.000 --> 0:38:50.000
<v Speaker 2>a whole different thing. But now at this moment, when

0:38:50.080 --> 0:38:53.279
<v Speaker 2>I listen to what you bring to the table artistically,

0:38:54.080 --> 0:38:57.760
<v Speaker 2>I go like, wow, Man, imagine if van Alden wouldn't happen.

0:38:58.480 --> 0:39:01.040
<v Speaker 2>Imagine if those days would have happed. When I say, yo,

0:39:01.120 --> 0:39:01.919
<v Speaker 2>stay in my crib.

0:39:02.840 --> 0:39:06.879
<v Speaker 1>And now you have this song that I play, she's look,

0:39:07.000 --> 0:39:09.719
<v Speaker 1>she knows, Look, she knows. How long? How much do

0:39:09.800 --> 0:39:12.919
<v Speaker 1>I play that song? I play it all the time.

0:39:13.000 --> 0:39:15.560
<v Speaker 4>Bro, Well, nigga, I'm about to look what motherfuckers take

0:39:15.560 --> 0:39:16.879
<v Speaker 4>me away because I'm drunk at this point.

0:39:18.600 --> 0:39:24.080
<v Speaker 1>Listen to take me even to throw the publish. No,

0:39:24.920 --> 0:39:29.360
<v Speaker 1>it's the song take Me Away, takes me Away, And.

0:39:31.880 --> 0:39:37.400
<v Speaker 2>I appreciate you on a bigger level. It's bigger than

0:39:37.440 --> 0:39:39.640
<v Speaker 2>these cameras. It's bigger than what we talk about. It's

0:39:39.719 --> 0:39:43.400
<v Speaker 2>something that in Hollywood we live a different life. We

0:39:43.520 --> 0:39:47.160
<v Speaker 2>live a life of where things is. It's just I

0:39:47.160 --> 0:39:48.879
<v Speaker 2>don't know how to explain it. It's different from where

0:39:49.040 --> 0:39:54.759
<v Speaker 2>our homies are. But when you did that song, Man Tang,

0:39:57.400 --> 0:40:03.120
<v Speaker 2>I'll be riding on my boat, you know what, nigga,

0:40:05.520 --> 0:40:10.279
<v Speaker 2>toast the boat, toast the boat. I'll be riding on

0:40:10.360 --> 0:40:14.040
<v Speaker 2>that boat and we'll be playing all the fucking I'm.

0:40:13.920 --> 0:40:16.560
<v Speaker 1>In my side. That doesn't mean got a lot.

0:40:18.360 --> 0:40:21.839
<v Speaker 2>I don't know all the words, which I love that song,

0:40:21.960 --> 0:40:23.560
<v Speaker 2>and I got some friends who know all of the

0:40:23.640 --> 0:40:27.480
<v Speaker 2>fucking choreography. But when I play that song man my

0:40:27.719 --> 0:40:33.399
<v Speaker 2>little one Annalise, everybody will stopped talk about how that song.

0:40:33.719 --> 0:40:35.640
<v Speaker 2>I know this is crazy to talk about that song game.

0:40:35.560 --> 0:40:41.960
<v Speaker 1>But I really was just in a zone and I

0:40:42.080 --> 0:40:46.399
<v Speaker 1>wasn't even gonna do a mix tape nothing. So Jay

0:40:46.520 --> 0:40:48.760
<v Speaker 1>calls me. Jay will always call me in the morning

0:40:49.360 --> 0:40:52.840
<v Speaker 1>with with idea. I call it. We've dubbed it idea overload,

0:40:54.120 --> 0:40:56.120
<v Speaker 1>Idea overload. He's a thinker.

0:40:57.200 --> 0:40:59.759
<v Speaker 3>When I say thinker, this Nigga's a thinker and he'll

0:40:59.800 --> 0:41:04.600
<v Speaker 3>call me in the morning with twenty seven ideas. Listen,

0:41:05.040 --> 0:41:08.360
<v Speaker 3>let's get to it, nigga. Twenty seven nigga. He's like, Nigga,

0:41:08.400 --> 0:41:10.120
<v Speaker 3>you're doing a mixtape. And then I was like, I'm

0:41:10.160 --> 0:41:13.040
<v Speaker 3>not doing a mixtape. I'm not doing about jay. I'll

0:41:13.120 --> 0:41:13.719
<v Speaker 3>call you back.

0:41:14.600 --> 0:41:16.440
<v Speaker 2>And when we get off that call, I go and

0:41:16.480 --> 0:41:18.880
<v Speaker 2>I start playing the piano and I come up with

0:41:19.000 --> 0:41:22.319
<v Speaker 2>like four different dress and I'm like, shoot, I think

0:41:22.360 --> 0:41:23.280
<v Speaker 2>I might have a mixtape.

0:41:23.320 --> 0:41:25.080
<v Speaker 1>I called him back and said, you know what, You're right,

0:41:25.080 --> 0:41:27.920
<v Speaker 1>we're doing a mixtape. And I do this, and but

0:41:28.000 --> 0:41:29.399
<v Speaker 1>what about another twenty six things?

0:41:29.440 --> 0:41:33.959
<v Speaker 3>Nigga, I'm doing a mixtape and I put the first

0:41:34.000 --> 0:41:37.000
<v Speaker 3>one out, launch it beautiful. Fans asked for four more.

0:41:37.320 --> 0:41:39.439
<v Speaker 3>I said, okay, I can't do this one without my girl.

0:41:39.719 --> 0:41:43.959
<v Speaker 3>I said, I need something that feels like right commission, Wow,

0:41:46.360 --> 0:41:49.160
<v Speaker 3>I need something that gives me the feeling, the same

0:41:49.280 --> 0:41:51.239
<v Speaker 3>feeling that I got when I.

0:41:51.320 --> 0:41:54.759
<v Speaker 1>Heard or ever heard do they ever have young ladies

0:41:54.800 --> 0:41:58.040
<v Speaker 1>on the records? No? Who commission? They're nobody, no features.

0:41:58.080 --> 0:42:01.200
<v Speaker 1>Let me ask you a question. You got me, what's

0:42:01.320 --> 0:42:02.880
<v Speaker 1>what's what's the worst you.

0:42:06.239 --> 0:42:06.439
<v Speaker 2>Man?

0:42:07.040 --> 0:42:15.160
<v Speaker 8>Nobody trying to come to night layout Thief, all the lions,

0:42:16.000 --> 0:42:17.200
<v Speaker 8>all of the crying.

0:42:17.680 --> 0:42:19.280
<v Speaker 1>I love to ignite.

0:42:21.120 --> 0:42:29.399
<v Speaker 2>Please take me away, away, away, You see what I'm saying,

0:42:29.560 --> 0:42:39.239
<v Speaker 2>Like it's free free. We had a moment when we

0:42:39.360 --> 0:42:43.600
<v Speaker 2>went to and I know we're just jumping around, but

0:42:43.719 --> 0:42:45.279
<v Speaker 2>we had a moment when we went to the front

0:42:45.360 --> 0:42:46.640
<v Speaker 2>lines of the Black Lives Matter.

0:42:47.239 --> 0:42:47.439
<v Speaker 1>Yeah.

0:42:47.880 --> 0:42:50.960
<v Speaker 2>Yeah, And there's a moment I have this footage of

0:42:51.040 --> 0:42:53.799
<v Speaker 2>when I'm filming you and we're on a plane. By

0:42:53.800 --> 0:42:55.680
<v Speaker 2>the way, Iris, Thank you for giving us that plane

0:42:55.760 --> 0:42:57.520
<v Speaker 2>so we could get to Iris.

0:42:57.560 --> 0:43:01.200
<v Speaker 1>Thank you so much. But I remember playing that song man,

0:43:01.480 --> 0:43:04.640
<v Speaker 1>and I remember saying, like, this is our moment. And

0:43:04.760 --> 0:43:07.000
<v Speaker 1>I watched you. I know you watched me, watch you,

0:43:07.080 --> 0:43:09.160
<v Speaker 1>I said, I.

0:43:09.200 --> 0:43:15.839
<v Speaker 2>Said, youse, aw some incredible You're on an incredible trajectory.

0:43:17.080 --> 0:43:17.320
<v Speaker 1>I know.

0:43:18.440 --> 0:43:20.839
<v Speaker 2>I was scared to sing on that song. I told

0:43:20.880 --> 0:43:22.960
<v Speaker 2>Lonie too, I said, my god, the song is a

0:43:23.040 --> 0:43:27.000
<v Speaker 2>great I get on and messed it up. But how

0:43:27.040 --> 0:43:32.879
<v Speaker 2>does it feel having this career and that now doing

0:43:32.960 --> 0:43:38.759
<v Speaker 2>the music that you do, being on stage with you? Yeah,

0:43:41.360 --> 0:43:44.000
<v Speaker 2>I want to know, like when you sit down just

0:43:44.080 --> 0:43:47.239
<v Speaker 2>for our for our musicians, what is going through your

0:43:47.280 --> 0:43:49.319
<v Speaker 2>mind every time you do a record. When you say

0:43:49.560 --> 0:43:52.560
<v Speaker 2>you got to do the mixtape? What does it mean

0:43:52.680 --> 0:43:55.480
<v Speaker 2>the world to you? Because I think to me, you know,

0:43:55.520 --> 0:43:59.080
<v Speaker 2>I call you, everything means the world to you. Does

0:43:59.120 --> 0:43:59.920
<v Speaker 2>it mean the world to you?

0:44:00.120 --> 0:44:00.279
<v Speaker 1>Yeah?

0:44:01.320 --> 0:44:06.560
<v Speaker 2>And and and it's just a feeling, like I mean,

0:44:06.960 --> 0:44:09.200
<v Speaker 2>some from my from my church world would call it

0:44:09.280 --> 0:44:12.359
<v Speaker 2>the annointing. Some would call it, you know, some would

0:44:12.400 --> 0:44:16.520
<v Speaker 2>call it just some you know, good energy or you

0:44:16.560 --> 0:44:21.360
<v Speaker 2>know what I'm saying, some or organic cosmic thing that

0:44:22.080 --> 0:44:25.520
<v Speaker 2>you know that you just feel right, you know what

0:44:25.560 --> 0:44:29.520
<v Speaker 2>I'm saying. And and it's like some days, some days

0:44:29.560 --> 0:44:32.640
<v Speaker 2>I feel it and some days I don't. I watch

0:44:32.680 --> 0:44:33.640
<v Speaker 2>you Instagram, and.

0:44:36.840 --> 0:44:37.360
<v Speaker 1>I watched you.

0:44:39.040 --> 0:44:41.239
<v Speaker 2>Fuck every nigga up that every thought that they could

0:44:41.320 --> 0:44:45.560
<v Speaker 2>make it get you. I said, if nigga thought so brave?

0:44:49.880 --> 0:44:52.080
<v Speaker 2>So what happened if I said that to a girl

0:44:52.160 --> 0:44:56.359
<v Speaker 2>in the DM I watched, and you do something? I said,

0:44:56.440 --> 0:44:59.120
<v Speaker 2>If ever a nigga was I was trying to make it,

0:44:59.320 --> 0:45:01.759
<v Speaker 2>he just turned to ship. He turned all his equipment off.

0:45:01.800 --> 0:45:07.239
<v Speaker 1>Because I'm different. I'm just I'm different, so you know

0:45:07.480 --> 0:45:10.439
<v Speaker 1>so so so I'm different. I know what I am. Yeah,

0:45:11.120 --> 0:45:16.080
<v Speaker 1>I am inspiration. Mm hmm, yeah, so.

0:45:16.160 --> 0:45:17.960
<v Speaker 4>You like a nigga buying a new Rose Royce and

0:45:18.000 --> 0:45:21.759
<v Speaker 4>putting it on the ground. I mean, you know, I

0:45:21.840 --> 0:45:28.960
<v Speaker 4>think of everything and in ghett put the mother's buck

0:45:29.040 --> 0:45:31.279
<v Speaker 4>on the ground and white people right now, it's like.

0:45:31.320 --> 0:45:35.960
<v Speaker 1>What does he mean by I'm inspirational purpose? And and

0:45:36.040 --> 0:45:39.319
<v Speaker 1>I learned that. I learned that. I learned that from

0:45:39.400 --> 0:45:42.359
<v Speaker 1>being with you and from being with Chris Brown, Wow

0:45:42.560 --> 0:45:45.640
<v Speaker 1>and Chris Brown. I worked, I worked with you. You

0:45:45.719 --> 0:45:51.800
<v Speaker 1>know what shot for Chris Chris one, the greater figure

0:45:52.400 --> 0:45:58.560
<v Speaker 1>of all times. You can getting money Manny, Chris Bright,

0:45:59.360 --> 0:46:03.120
<v Speaker 1>Chris Right, So I was with you, you got me back.

0:46:04.040 --> 0:46:05.759
<v Speaker 1>You know how dowbn I was. You were?

0:46:06.080 --> 0:46:09.560
<v Speaker 4>You were you you were talking about let's talk about

0:46:10.320 --> 0:46:12.279
<v Speaker 4>because that's the important part of the R and B

0:46:12.360 --> 0:46:15.600
<v Speaker 4>Money podcast, right because everybody thinks this ship is just

0:46:15.760 --> 0:46:17.120
<v Speaker 4>Rose Royce's and mansions.

0:46:18.080 --> 0:46:19.799
<v Speaker 1>Talk about was giving me money?

0:46:19.920 --> 0:46:22.000
<v Speaker 3>Talk about that whip box was giving me money from

0:46:22.080 --> 0:46:25.239
<v Speaker 3>his walkthrough. It's just like you need some and he

0:46:25.239 --> 0:46:26.560
<v Speaker 3>would just break me off cash.

0:46:26.680 --> 0:46:29.760
<v Speaker 4>And what people don't understand is that we're talking about

0:46:29.800 --> 0:46:34.920
<v Speaker 4>an artist who had already record platinum album absolutely but

0:46:35.160 --> 0:46:39.080
<v Speaker 4>was in a space where he didn't have the freedom

0:46:39.200 --> 0:46:43.200
<v Speaker 4>to continue to feed himself and his family down like

0:46:43.280 --> 0:46:44.360
<v Speaker 4>where he was handcuffed.

0:46:45.120 --> 0:46:46.719
<v Speaker 1>And this is the side of the music visits that

0:46:46.760 --> 0:46:48.200
<v Speaker 1>we talked about, right idea.

0:46:48.400 --> 0:46:54.520
<v Speaker 3>So I get I'm I'm building back up and Jamie

0:46:54.640 --> 0:46:57.359
<v Speaker 3>calls me out of the blue. It's like, I need

0:46:57.400 --> 0:46:59.080
<v Speaker 3>you to come to Miami. We're finishing this album.

0:47:00.680 --> 0:47:04.680
<v Speaker 1>I said, what I'm on the way, we're talking about

0:47:04.680 --> 0:47:08.759
<v Speaker 1>the unpredictable predicted Miami Vice. Miami Vice, bad movie. But

0:47:09.640 --> 0:47:12.040
<v Speaker 1>I should watch that movie to this. That's that to

0:47:12.680 --> 0:47:15.160
<v Speaker 1>feel like happens like my hunble and don't do that

0:47:15.200 --> 0:47:15.560
<v Speaker 1>to yourself.

0:47:15.640 --> 0:47:15.680
<v Speaker 8>Me.

0:47:15.760 --> 0:47:17.120
<v Speaker 1>I don't want you to anyway. I'm just telling you.

0:47:17.120 --> 0:47:19.279
<v Speaker 3>I watch it every time to come on. I want you,

0:47:19.400 --> 0:47:21.080
<v Speaker 3>but don't do that and you get views from anywhere.

0:47:21.880 --> 0:47:24.200
<v Speaker 3>Calls me, called me to Miami and says we're finishing

0:47:24.320 --> 0:47:27.960
<v Speaker 3>the album. And I go to Miami and we do.

0:47:28.600 --> 0:47:30.840
<v Speaker 3>I help him finish an unpredictable album and we do.

0:47:31.000 --> 0:47:31.200
<v Speaker 1>Damn.

0:47:31.200 --> 0:47:34.000
<v Speaker 3>There's seven hundred thousand records the first week and I'm

0:47:34.160 --> 0:47:38.520
<v Speaker 3>back and I'm like and I'm like then everybody, I'm here,

0:47:38.560 --> 0:47:40.600
<v Speaker 3>and it's like that sounded like you on that album.

0:47:40.600 --> 0:47:42.920
<v Speaker 1>I said, Tank it was you a tank. Here's the

0:47:43.000 --> 0:47:51.319
<v Speaker 1>thing you wrote. I didn't write a lot. I wrote people. Oh,

0:47:51.600 --> 0:47:56.200
<v Speaker 1>but that's the next album. That's the next album. Bad

0:47:56.320 --> 0:48:01.239
<v Speaker 1>that wasn't. We'll cut it and make me you make sense?

0:48:02.239 --> 0:48:06.560
<v Speaker 1>Keep on, we'll cut it out. Kem. So listen. You

0:48:06.640 --> 0:48:06.960
<v Speaker 1>do something.

0:48:07.840 --> 0:48:11.000
<v Speaker 3>And I'm sitting there, I'm like, damn, how do you

0:48:11.120 --> 0:48:13.920
<v Speaker 3>do that? And then I meet a kid named Chris

0:48:14.000 --> 0:48:18.000
<v Speaker 3>Brown and we're working and hooping together. I'm like, well,

0:48:18.000 --> 0:48:20.200
<v Speaker 3>you're gonna be cold call, said man, I study everything

0:48:20.239 --> 0:48:23.759
<v Speaker 3>you do. And he goes millions and millions. And then

0:48:23.800 --> 0:48:25.840
<v Speaker 3>I meet a kid named Trey song Weapon on the

0:48:25.880 --> 0:48:28.200
<v Speaker 3>road with waiting for it. You know, he's been waiting

0:48:28.239 --> 0:48:29.960
<v Speaker 3>for this moment. He was like, bro, I said, a

0:48:30.000 --> 0:48:32.160
<v Speaker 3>whole summer listening to Second and paining every day. So

0:48:32.480 --> 0:48:34.279
<v Speaker 3>that's why do you know who the you are? And

0:48:34.360 --> 0:48:36.719
<v Speaker 3>I was like and I said, I got it. Wow,

0:48:36.880 --> 0:48:42.640
<v Speaker 3>And I stopped chasing. I stopped chasing the monetary validation

0:48:43.400 --> 0:48:47.000
<v Speaker 3>and I started accepting my inspirational gift.

0:48:47.800 --> 0:48:52.160
<v Speaker 2>I said, I'm here. I'm here to Justin Timberlake fucks

0:48:52.200 --> 0:48:56.000
<v Speaker 2>with you. I'm here to give exactly. But Justin, did

0:48:56.080 --> 0:48:58.399
<v Speaker 2>you hear what it says. I'm talking about a very

0:48:58.520 --> 0:49:04.680
<v Speaker 2>popular white star who fus you know you take to

0:49:04.880 --> 0:49:11.360
<v Speaker 2>me the toast is to take wow and white sharks

0:49:11.400 --> 0:49:11.759
<v Speaker 2>that love you.

0:49:14.600 --> 0:49:15.960
<v Speaker 1>The white man loves you.

0:49:17.239 --> 0:49:24.160
<v Speaker 4>So tell me this, though, Fox, because I paid attention

0:49:24.320 --> 0:49:28.719
<v Speaker 4>to your music career, like I fucked with all the

0:49:28.920 --> 0:49:31.280
<v Speaker 4>early ship. You know what I'm saying, Like, no bullshit,

0:49:32.040 --> 0:49:34.719
<v Speaker 4>Like I really fucked with the early ship. So tell

0:49:34.760 --> 0:49:40.360
<v Speaker 4>me how do you go from your first album? You

0:49:40.480 --> 0:49:44.160
<v Speaker 4>break as a comedian right and then you say I'm

0:49:44.200 --> 0:49:45.280
<v Speaker 4>going to try it again.

0:49:45.600 --> 0:49:48.360
<v Speaker 2>I'm gonna tell you what happened this little black motherfucker

0:49:48.440 --> 0:49:52.520
<v Speaker 2>that y'all know, this little dark skinned.

0:49:56.760 --> 0:49:57.240
<v Speaker 1>Right here.

0:50:00.120 --> 0:50:02.799
<v Speaker 2>Love the back motherfucker that I've actually had a fight

0:50:02.920 --> 0:50:16.600
<v Speaker 2>with ye at the Usher concert. Prescott, Brion Prescott, me

0:50:16.760 --> 0:50:19.239
<v Speaker 2>as an artist is different because I always wanted to

0:50:19.320 --> 0:50:22.799
<v Speaker 2>do music. But I started out with stand up, ended

0:50:22.880 --> 0:50:26.160
<v Speaker 2>up doing these sort of like serious movies. But the

0:50:26.239 --> 0:50:27.880
<v Speaker 2>thing that was just out of reach was music. I

0:50:27.920 --> 0:50:30.520
<v Speaker 2>would listen to you and Marvel. So I run into

0:50:31.520 --> 0:50:33.680
<v Speaker 2>Brion Prescott and we met playing basketball. We had a

0:50:33.760 --> 0:50:36.160
<v Speaker 2>four and four championship that we would do with my

0:50:36.239 --> 0:50:41.640
<v Speaker 2>house every every every holiday, and him and Jason.

0:50:42.800 --> 0:50:47.400
<v Speaker 1>Under five nine. I keep it funky. That nigga, that

0:50:47.560 --> 0:50:48.080
<v Speaker 1>nigga tough.

0:50:48.120 --> 0:50:51.319
<v Speaker 2>He a tough guard and he's also a tough guard.

0:50:51.440 --> 0:50:54.160
<v Speaker 2>He's also a tough music music partner.

0:50:55.880 --> 0:50:56.400
<v Speaker 1>He's crazy.

0:50:58.400 --> 0:51:00.520
<v Speaker 2>Brion came to me and says, you should the music,

0:51:00.760 --> 0:51:02.360
<v Speaker 2>but stop being stop being funny.

0:51:02.920 --> 0:51:05.319
<v Speaker 1>I said, what stop being funny? He said, just sing

0:51:05.440 --> 0:51:07.200
<v Speaker 1>the record. He said, you're joking too much.

0:51:07.640 --> 0:51:09.560
<v Speaker 2>So what happens is when you joke too much, people

0:51:09.560 --> 0:51:12.160
<v Speaker 2>will start to say like, oh, he's not really serious

0:51:12.160 --> 0:51:14.759
<v Speaker 2>about the music. So what he did was he was

0:51:14.880 --> 0:51:17.719
<v Speaker 2>able to find the songs. He says, I want your

0:51:17.800 --> 0:51:20.359
<v Speaker 2>song to be a hit before they see who you are.

0:51:20.760 --> 0:51:22.680
<v Speaker 2>He says, because I know that there's something there. And

0:51:22.719 --> 0:51:24.440
<v Speaker 2>he gave me his resume and I was like, okay,

0:51:24.719 --> 0:51:26.200
<v Speaker 2>that's that's that was fantastic.

0:51:26.280 --> 0:51:26.400
<v Speaker 8>You know.

0:51:27.080 --> 0:51:27.200
<v Speaker 4>Uh.

0:51:27.280 --> 0:51:31.440
<v Speaker 2>He worked with Maxwell and and and and Stone. But

0:51:31.520 --> 0:51:33.960
<v Speaker 2>he says, I want you to just just sing the record.

0:51:35.000 --> 0:51:37.440
<v Speaker 1>And so I did. And so by doing that with

0:51:39.560 --> 0:51:41.279
<v Speaker 1>under breon toute list.

0:51:42.000 --> 0:51:44.600
<v Speaker 2>Here we are at the Van Alden House and people

0:51:44.640 --> 0:51:46.600
<v Speaker 2>don't understand that I did the parties for a reason.

0:51:46.680 --> 0:51:48.279
<v Speaker 2>I did the party so people could come to the

0:51:48.360 --> 0:51:51.000
<v Speaker 2>house and uh. At one party, it was a party

0:51:51.040 --> 0:51:54.120
<v Speaker 2>for Puff. Puff is there and there was a young

0:51:54.160 --> 0:51:55.960
<v Speaker 2>guy by the name of There was a young lady

0:51:55.960 --> 0:51:56.880
<v Speaker 2>by the name of miss La.

0:51:57.000 --> 0:51:58.680
<v Speaker 1>She had a room. Puff had a room. And it

0:51:58.760 --> 0:52:01.239
<v Speaker 1>was a guy standing on on the nobody knew his

0:52:01.440 --> 0:52:03.840
<v Speaker 1>name was jay Z. I said, what's up. It's crazy,

0:52:05.080 --> 0:52:07.600
<v Speaker 1>Sparty is crazy. It's like the short time. It's crazy.

0:52:07.640 --> 0:52:09.640
<v Speaker 1>That yeah, it's crazy.

0:52:10.600 --> 0:52:12.600
<v Speaker 2>Then it was a young guy standing out in the garage.

0:52:12.800 --> 0:52:15.680
<v Speaker 2>Smaller guy said, yo yo bees parties like this all

0:52:15.719 --> 0:52:18.120
<v Speaker 2>the time. Is said, who you says with the Neptunes,

0:52:19.000 --> 0:52:19.920
<v Speaker 2>my name is Pharreh.

0:52:20.040 --> 0:52:23.200
<v Speaker 1>I said wow. During that time, Brion brought over this

0:52:23.360 --> 0:52:25.520
<v Speaker 1>kid bars Kanye West.

0:52:27.400 --> 0:52:29.879
<v Speaker 2>He said, this is a new guy. And Kanye comes

0:52:29.920 --> 0:52:32.000
<v Speaker 2>over and I challenge him. I said, well, when people

0:52:32.080 --> 0:52:33.960
<v Speaker 2>come over and you got you know, you got talent,

0:52:34.040 --> 0:52:36.760
<v Speaker 2>let's hear what you do. He freestyle something that was amazing.

0:52:37.080 --> 0:52:38.239
<v Speaker 2>Brion says, fuck all that.

0:52:39.120 --> 0:52:41.279
<v Speaker 1>What he said, there's that song? Tell him about the song.

0:52:41.400 --> 0:52:43.279
<v Speaker 1>So we went in the back where my studio was

0:52:43.680 --> 0:52:45.960
<v Speaker 1>and we did this song. Kanye said. The song goes

0:52:46.040 --> 0:52:48.880
<v Speaker 1>like she says she wants some mom and gay, some

0:52:49.080 --> 0:52:51.840
<v Speaker 1>nuther Evan Jos so I said, I got it. I

0:52:51.920 --> 0:52:55.440
<v Speaker 1>got it, So I started singing. She said she won't.

0:52:55.680 --> 0:53:01.960
<v Speaker 1>So he's like, and Kanye is like, Yo, what you doing?

0:53:03.320 --> 0:53:06.399
<v Speaker 1>He said, sing's supposed to be. Brion says, y'all, yo,

0:53:06.520 --> 0:53:10.560
<v Speaker 1>Dade sing the song like he said, this is whack.

0:53:10.640 --> 0:53:14.160
<v Speaker 1>It's never gonna work. So I do sing it the

0:53:14.239 --> 0:53:15.800
<v Speaker 1>way he said it. I go off and do a

0:53:15.840 --> 0:53:18.200
<v Speaker 1>bad movie. I'll come back and is like, you love

0:53:18.480 --> 0:53:22.640
<v Speaker 1>how many bad movies he loves? But but I got friends.

0:53:22.719 --> 0:53:26.680
<v Speaker 1>But I got friends that will be like by I

0:53:26.760 --> 0:53:30.600
<v Speaker 1>got friends, fines. I see what you're doing.

0:53:30.880 --> 0:53:35.799
<v Speaker 2>You know what I'm saying, yo. But Teas, he will say.

0:53:35.840 --> 0:53:38.400
<v Speaker 2>When the movie is sucked up, Tank will say, fies,

0:53:38.480 --> 0:53:40.040
<v Speaker 2>I see you where you was trying to go with that.

0:53:41.239 --> 0:53:44.040
<v Speaker 2>I see where you were trying to go. Enjoy all

0:53:44.120 --> 0:53:47.839
<v Speaker 2>the fun. Do another fucking shot, right, Do another fucking shot.

0:53:47.880 --> 0:53:48.800
<v Speaker 2>If you're really about it.

0:53:48.880 --> 0:53:51.600
<v Speaker 1>I'm biased. If you really a fucking man, if you

0:53:51.719 --> 0:53:54.240
<v Speaker 1>really are, if you really out for do that fucking

0:53:54.280 --> 0:53:56.160
<v Speaker 1>shot right now. It's gonna be happy. I won't have

0:53:56.239 --> 0:53:59.440
<v Speaker 1>enough looking for everybody. Do have whatever the fuck do

0:53:59.600 --> 0:54:01.799
<v Speaker 1>that ship? Write the funk now to win and ship

0:54:01.840 --> 0:54:05.680
<v Speaker 1>together and Jay Valentine, I'm gonna see you fighting. Bail

0:54:05.800 --> 0:54:06.600
<v Speaker 1>money in my pocket.

0:54:06.680 --> 0:54:09.160
<v Speaker 2>Oh bro, I got bail money because I know Jay

0:54:09.239 --> 0:54:12.600
<v Speaker 2>Valentine gonna turn on this light skin motherfucker is so.

0:54:12.719 --> 0:54:17.399
<v Speaker 1>Dark, siad No, listen, listen, tell let me tell this story.

0:54:17.719 --> 0:54:24.160
<v Speaker 1>We at we at all hold them to light skin ship.

0:54:25.920 --> 0:54:27.200
<v Speaker 1>We end a day, dropped me.

0:54:28.880 --> 0:54:39.439
<v Speaker 3>We in a day during all stuff super We listen,

0:54:39.719 --> 0:54:42.560
<v Speaker 3>We end the bay during Super Bowl. Yeah, every club

0:54:42.640 --> 0:54:44.600
<v Speaker 3>he takes me to. Oh yeah, my cousin he running,

0:54:44.600 --> 0:54:47.040
<v Speaker 3>He's doing the hotel. Every club we're getting there, it's

0:54:47.120 --> 0:54:51.320
<v Speaker 3>like fifteen cousins. I'm like, we we this Nis is

0:54:51.360 --> 0:54:53.640
<v Speaker 3>really deep in the street, deep in the streets. So

0:54:53.800 --> 0:54:56.360
<v Speaker 3>we get to one club, right. We settled in against us,

0:54:56.520 --> 0:55:01.000
<v Speaker 3>Chris browsel, Ula, everybody, Barack Obama and everybod. Steph Curry

0:55:01.080 --> 0:55:05.120
<v Speaker 3>right there, Steph Curry Curry, all the life and great guys.

0:55:06.360 --> 0:55:08.799
<v Speaker 3>By this time, he got the ail in him. He said, Tank,

0:55:09.760 --> 0:55:11.640
<v Speaker 3>tell Steph come over here to take a picture with

0:55:11.800 --> 0:55:14.400
<v Speaker 3>us if he want to keep being safe in these streets.

0:55:15.120 --> 0:55:16.960
<v Speaker 1>I said, what the fuck? I said, why are you

0:55:16.960 --> 0:55:19.480
<v Speaker 1>gotta tell him too much? I said, do I gotta

0:55:19.480 --> 0:55:22.200
<v Speaker 1>tell him the whole thing. Can I tell him? Steph bring,

0:55:23.000 --> 0:55:25.520
<v Speaker 1>I gotta tell me something. I said, Hey, Steph, we'd

0:55:25.600 --> 0:55:29.399
<v Speaker 1>like we love. That's how you. That's how we love

0:55:30.080 --> 0:55:32.360
<v Speaker 1>to all get a photo with you. That's how you.

0:55:32.880 --> 0:55:36.239
<v Speaker 2>After he said, After he said that, I say, see me,

0:55:36.640 --> 0:55:39.080
<v Speaker 2>don't throw up the motherfucking gang size nigga.

0:55:39.200 --> 0:55:43.680
<v Speaker 1>We got Step in the picture and there's a picture

0:55:43.760 --> 0:55:47.120
<v Speaker 1>with all of us and stuff like this. Why Step

0:55:47.239 --> 0:55:50.400
<v Speaker 1>looking like that? Because that brand Step is cool? Protect

0:55:50.400 --> 0:55:52.600
<v Speaker 1>the band. Biggas called me the next morning, like, man,

0:55:52.600 --> 0:55:54.840
<v Speaker 1>why did you he was out of control? Did you

0:55:54.960 --> 0:55:56.839
<v Speaker 1>do that? He turned me into the hits? But tell

0:55:57.040 --> 0:56:01.560
<v Speaker 1>that nigga take this. Do you want to be safe

0:56:01.640 --> 0:56:05.600
<v Speaker 1>out here? I said, I can't tell him that. I

0:56:05.640 --> 0:56:07.920
<v Speaker 1>don't want to stand him that anyway. So it's not

0:56:08.000 --> 0:56:08.680
<v Speaker 1>a proud moment.

0:56:08.800 --> 0:56:11.320
<v Speaker 3>That's not you have Fox. You have been at You

0:56:11.440 --> 0:56:13.960
<v Speaker 3>have been a depinnacle of everything. As we close this out,

0:56:13.960 --> 0:56:18.880
<v Speaker 3>you've been a depinnacle from Grammys to oscarts, Toms to everything.

0:56:20.760 --> 0:56:21.319
<v Speaker 1>What's next?

0:56:22.239 --> 0:56:27.400
<v Speaker 2>Tz I'm gonna be honest with you, living living my

0:56:27.560 --> 0:56:31.879
<v Speaker 2>life the way I live it. It's like you and Jay,

0:56:32.760 --> 0:56:36.920
<v Speaker 2>there's a certain there's a certain thing, whatever, whatever whatever

0:56:37.040 --> 0:56:39.520
<v Speaker 2>is next is do they like it?

0:56:41.160 --> 0:56:42.120
<v Speaker 1>I constantly go like.

0:56:42.200 --> 0:56:44.120
<v Speaker 2>And I've had a couple can I be honest with you.

0:56:44.520 --> 0:56:46.440
<v Speaker 2>I've had a couple of bumps when when I do

0:56:46.560 --> 0:56:50.200
<v Speaker 2>some ship and y'all go like fuck. I remember, like

0:56:50.480 --> 0:56:54.320
<v Speaker 2>not knowing this is gonna sound so random to you.

0:56:54.760 --> 0:56:56.520
<v Speaker 2>But you remember when we was talking about these nuts

0:56:58.320 --> 0:57:01.640
<v Speaker 2>and I didn't do the joke right? Yeah, I remember

0:57:01.680 --> 0:57:06.840
<v Speaker 2>that you said Fox that that has haunted me.

0:57:09.200 --> 0:57:11.600
<v Speaker 1>Yea. I was doing the joke so great and I

0:57:11.719 --> 0:57:13.800
<v Speaker 1>tried to do it, and you was like, are you

0:57:15.040 --> 0:57:19.560
<v Speaker 1>everything I love? Everything I love? Or everything I love?

0:57:19.720 --> 0:57:23.160
<v Speaker 1>Let's be honest everything I love. I didn't joke wrong

0:57:23.400 --> 0:57:25.000
<v Speaker 1>and I didn't know that it was wrong, and he

0:57:25.080 --> 0:57:30.760
<v Speaker 1>said that's not how I said. I went, He's like, no,

0:57:31.360 --> 0:57:34.160
<v Speaker 1>that's not. But you were so gracious with me, like this.

0:57:34.280 --> 0:57:37.160
<v Speaker 2>Old nigga, this older nigga just didn't know what the

0:57:37.240 --> 0:57:42.520
<v Speaker 2>funk it was. I feel like I embarrassed myself a

0:57:42.640 --> 0:57:46.200
<v Speaker 2>lot in front of you. I'm gonna say, place.

0:57:47.520 --> 0:57:51.760
<v Speaker 1>You want place. I remember even at your wedding, I

0:57:51.800 --> 0:57:57.000
<v Speaker 1>think I maybe I divorced too much. Your wedding, I

0:57:57.120 --> 0:58:01.120
<v Speaker 1>talked you about your wife like I wanted her. And

0:58:01.240 --> 0:58:07.280
<v Speaker 1>the young lady that was this time was like, completely

0:58:07.480 --> 0:58:13.360
<v Speaker 1>embarrassed what I say. I literally said, I've never told

0:58:13.400 --> 0:58:15.760
<v Speaker 1>you this. I fucked up. He fu up, he was,

0:58:16.240 --> 0:58:18.200
<v Speaker 1>he had little sauce I did. I fucked up.

0:58:18.400 --> 0:58:20.720
<v Speaker 3>And I was hoping that you didn't call it because

0:58:20.760 --> 0:58:23.640
<v Speaker 3>I was, and it's always your your your supporter.

0:58:23.720 --> 0:58:26.960
<v Speaker 2>I was like, I don't think I'm saying, but you

0:58:27.040 --> 0:58:29.200
<v Speaker 2>know when the nigga boys go up like that, you

0:58:29.360 --> 0:58:34.120
<v Speaker 2>know he lies, he was good. I think I embarrassed myself.

0:58:34.440 --> 0:58:37.280
<v Speaker 2>I didn't know, but I didn't say it the right way.

0:58:37.480 --> 0:58:42.200
<v Speaker 2>I wasn't saying that tank walk, he ain't got the jump,

0:58:42.360 --> 0:58:45.880
<v Speaker 2>that's what I said. I'm like, pretty much, that's what

0:58:46.240 --> 0:58:47.920
<v Speaker 2>that's that's funny.

0:58:48.440 --> 0:58:51.080
<v Speaker 4>I was embarrassed. But listen, but here's the thing. Before

0:58:51.080 --> 0:58:55.280
<v Speaker 4>you minused, before you minised, right, I went far to no,

0:58:56.200 --> 0:58:56.600
<v Speaker 4>you didn't go.

0:59:03.760 --> 0:59:14.440
<v Speaker 1>Girl, uh, you know it means we can't get along, bro, bro, bro,

0:59:15.120 --> 0:59:17.480
<v Speaker 1>do you know how much more potatoes? You know? You

0:59:17.560 --> 0:59:18.640
<v Speaker 1>know how much it like?

0:59:18.880 --> 0:59:18.920
<v Speaker 9>Like?

0:59:19.040 --> 0:59:22.720
<v Speaker 1>Then then I said some muscle as niggas niggas. That's

0:59:22.760 --> 0:59:25.080
<v Speaker 1>just how talk. That's just how talk is. Mama, and

0:59:25.120 --> 0:59:29.680
<v Speaker 1>Grandmama was here. You know what I'm saying that the ship.

0:59:30.320 --> 0:59:32.760
<v Speaker 1>I'm not the only one sucking up right now, because

0:59:32.760 --> 0:59:36.880
<v Speaker 1>you was saying the Valantine saved me. I did for

0:59:37.000 --> 0:59:40.520
<v Speaker 1>whatever reason, and I'm thinking about this old time. For

0:59:40.680 --> 0:59:44.120
<v Speaker 1>some reason, I do slip a little bit when I'm

0:59:44.120 --> 0:59:46.800
<v Speaker 1>around you. You have to stay with us.

0:59:47.920 --> 0:59:51.200
<v Speaker 2>So I didn't make that mistake. But I wasn't saying

0:59:51.240 --> 0:59:52.720
<v Speaker 2>I wanted your wife.

0:59:53.520 --> 0:59:55.600
<v Speaker 3>But you understand what I'm saying. It was like there

0:59:55.680 --> 0:59:57.520
<v Speaker 3>you and people trying, but I didn't say it the

0:59:57.680 --> 1:00:03.480
<v Speaker 3>right way. He listen me knowing you, I disagree because

1:00:03.560 --> 1:00:07.120
<v Speaker 3>I know you know what I'm saying. Outside looking When.

1:00:07.080 --> 1:00:10.840
<v Speaker 2>I got back to my date, it was yeah, and

1:00:10.920 --> 1:00:12.960
<v Speaker 2>it was it was like turn on play it and

1:00:13.040 --> 1:00:16.840
<v Speaker 2>it was like where's fun I left, Look, here's the thing.

1:00:17.080 --> 1:00:18.640
<v Speaker 2>But you were like, well I got back in the

1:00:18.760 --> 1:00:24.000
<v Speaker 2>day she was, I said, but why would you know?

1:00:24.120 --> 1:00:26.240
<v Speaker 2>It wasn't that I wasn't trying to listen.

1:00:26.400 --> 1:00:28.520
<v Speaker 4>And who I remember was dancing on the dance floor

1:00:28.600 --> 1:00:31.520
<v Speaker 4>and girls being like, why won't she come out the corner?

1:00:31.720 --> 1:00:35.480
<v Speaker 1>Oh my god, they're doing this.

1:00:36.080 --> 1:00:36.280
<v Speaker 4>Oh.

1:00:37.720 --> 1:00:40.600
<v Speaker 1>It was so fucked up. But at the same time,

1:00:40.760 --> 1:00:46.280
<v Speaker 1>I was with family, and so we had a good time.

1:00:46.360 --> 1:00:48.720
<v Speaker 1>So what's next. I spilled some of this ship. You're

1:00:48.720 --> 1:00:51.560
<v Speaker 1>gonna you're gonna figure, you're gonna always have something next.

1:00:51.960 --> 1:00:55.200
<v Speaker 1>So the part of the show is called I Ain't

1:00:55.240 --> 1:01:00.720
<v Speaker 1>Saying No Names. Okay, let's go, Nigga you you no

1:01:00.880 --> 1:01:03.600
<v Speaker 1>no listen to say everybody. Don't warn.

1:01:05.400 --> 1:01:13.600
<v Speaker 3>Denzel Washington he was there, No, Kanye, listen.

1:01:14.280 --> 1:01:20.400
<v Speaker 2>I'm gonna say everybody's names. It was, but right, if

1:01:20.480 --> 1:01:30.120
<v Speaker 2>there's any indication, don't say no names.

1:01:30.360 --> 1:01:34.160
<v Speaker 1>Bus segment is called. This is called I'm gonna say it.

1:01:34.240 --> 1:01:37.320
<v Speaker 1>Oh no, no, no. This segment is called Megan.

1:01:37.080 --> 1:01:38.320
<v Speaker 9>The Stallion Nigger.

1:01:39.720 --> 1:01:43.160
<v Speaker 1>Tell the story no names. So this segment is called

1:01:43.760 --> 1:01:48.480
<v Speaker 1>I Ain't Saying No Names. Fox.

1:01:49.760 --> 1:01:54.520
<v Speaker 4>Okay, well listen you Jay, motherfucker Fox. You can do

1:01:54.600 --> 1:01:56.680
<v Speaker 4>what you want to do back, not giving two foks.

1:01:57.280 --> 1:01:58.440
<v Speaker 4>But the name of the segment.

1:01:58.680 --> 1:02:02.720
<v Speaker 1>Okay, I'm not long name and the story can be funny,

1:02:03.520 --> 1:02:06.160
<v Speaker 1>fucked up. Okay, here we go. Industry story, got it?

1:02:07.520 --> 1:02:11.120
<v Speaker 1>You want me started your story, it's your story. I

1:02:11.160 --> 1:02:12.080
<v Speaker 1>Ain't saying no names.

1:02:12.320 --> 1:02:16.080
<v Speaker 2>I was in the hotel room, said the hotel with

1:02:16.240 --> 1:02:19.280
<v Speaker 2>a very prominent actress and she was doing cocaine.

1:02:19.520 --> 1:02:25.040
<v Speaker 1>I wasn't I was it. I was it, Jesu.

1:02:25.600 --> 1:02:28.480
<v Speaker 2>I was not doing it because I don't believe in

1:02:28.480 --> 1:02:31.280
<v Speaker 2>that because of my life believe. I don't do that

1:02:31.360 --> 1:02:34.720
<v Speaker 2>because of my religious belief. But she does the cocaine.

1:02:35.120 --> 1:02:38.919
<v Speaker 2>She says, I'm a bad mother. She said bad mother,

1:02:39.320 --> 1:02:42.160
<v Speaker 2>and then she goes, wow, I didn't think I would

1:02:42.200 --> 1:02:42.600
<v Speaker 2>be in this.

1:02:42.720 --> 1:02:44.680
<v Speaker 1>Room doing cocaine with Rick Fox.

1:02:45.800 --> 1:02:48.240
<v Speaker 2>She thought I was Rick Fox the whole fucking night, Bro,

1:02:50.880 --> 1:02:53.040
<v Speaker 2>she thought I was Rick Fox. I was like, I'm

1:02:53.080 --> 1:02:57.520
<v Speaker 2>not light skinned with good hair, Like, hey, whatever the tocat.

1:02:58.040 --> 1:03:01.200
<v Speaker 2>I don't hung out with this this young lady all night.

1:03:01.440 --> 1:03:04.480
<v Speaker 1>Bro. From seven thirty. Think about what I'm telling you.

1:03:04.560 --> 1:03:07.400
<v Speaker 1>Seven thirty is where you get dressed. Tank.

1:03:07.480 --> 1:03:09.880
<v Speaker 2>That's what I'm saying, when you get dressed to hang

1:03:09.920 --> 1:03:14.959
<v Speaker 2>out with somebody. Seven thirties, seven thirty, no tank, tank tank.

1:03:15.280 --> 1:03:16.560
<v Speaker 1>Seven thirty is a date.

1:03:18.400 --> 1:03:21.520
<v Speaker 2>In Hollywood. Seven thirty is very early. We meet at

1:03:21.560 --> 1:03:25.000
<v Speaker 2>seven thirty. I met her at seven. She's she's already

1:03:25.120 --> 1:03:25.800
<v Speaker 2>high as fuck.

1:03:26.680 --> 1:03:29.960
<v Speaker 1>We hang out. She came high. What it's Hollywood. That's

1:03:29.960 --> 1:03:33.120
<v Speaker 1>what we're supposed to do. Lived that life. That's what

1:03:33.240 --> 1:03:35.080
<v Speaker 1>we're supposed to. I don't know. I don't do it.

1:03:36.280 --> 1:03:40.960
<v Speaker 1>We're hanging out. She's fucking going nuts. She's going fucking nuts.

1:03:41.160 --> 1:03:43.880
<v Speaker 1>We're in a hotel room. It's this very prominent hotel.

1:03:44.240 --> 1:03:47.520
<v Speaker 4>She's goes, oh, you you can shout out the hotel.

1:03:47.840 --> 1:03:50.600
<v Speaker 4>She's I'm up saying that a hotel.

1:03:51.280 --> 1:03:57.320
<v Speaker 1>No, bro, it was a Lermatized Alematize Peninsula. Hey, sweet,

1:03:58.240 --> 1:04:04.320
<v Speaker 1>big time money, big star, put your name on it.

1:04:04.560 --> 1:04:07.560
<v Speaker 2>What happens is this, I'm pulling up in my my limo.

1:04:08.160 --> 1:04:11.560
<v Speaker 2>She jumps on my limo thinking of somebody else's I'm

1:04:11.600 --> 1:04:12.959
<v Speaker 2>I fucking.

1:04:13.080 --> 1:04:16.720
<v Speaker 1>God, what am I doing? I said, I don't know.

1:04:17.800 --> 1:04:21.120
<v Speaker 1>I can't believe you. Are you fucking serious? I don't know.

1:04:21.520 --> 1:04:23.360
<v Speaker 1>It's just hanged. So we just rolled up and down,

1:04:23.440 --> 1:04:26.600
<v Speaker 1>so said Boulevard. She gets it. And then when we

1:04:26.720 --> 1:04:30.680
<v Speaker 1>get back to your place, I cannot fucking believe I'm

1:04:30.720 --> 1:04:31.560
<v Speaker 1>with Rick Fox.

1:04:32.200 --> 1:04:38.160
<v Speaker 2>He's like, yeah, I get it. That's all I'm telling you.

1:04:38.640 --> 1:04:41.120
<v Speaker 2>She thought I was Rick Fox, gentleman. Shout out to

1:04:41.200 --> 1:04:43.439
<v Speaker 2>Rick Fox, my life, skinned friend.

1:04:45.600 --> 1:04:48.680
<v Speaker 1>You've been hearing on nigga this has been money. Don't

1:04:48.720 --> 1:04:55.080
<v Speaker 1>you run from it. This is Jake Valentine, Okay, this

1:04:55.240 --> 1:05:02.240
<v Speaker 1>is James came, nigg right, book cases on. I'm putting

1:05:02.280 --> 1:05:07.480
<v Speaker 1>kids on all you put kids on all you niggas. Nigga.

1:05:08.320 --> 1:05:11.080
<v Speaker 1>She literally said, I mean with Rick Fox. I said, wow,

1:05:11.960 --> 1:05:15.440
<v Speaker 1>that's amazing, it's amazing. It's amazing. The aftermath of Jamie Fox,

1:05:16.040 --> 1:05:16.800
<v Speaker 1>empty body of.

1:05:16.880 --> 1:05:25.200
<v Speaker 9>Mel entertainer of all times, hands down, not even thought

1:05:25.840 --> 1:05:27.240
<v Speaker 9>the goat, not even the.

1:05:27.320 --> 1:05:30.840
<v Speaker 1>Thought Jamie, my fucking Fox. We wanna be money brothers.

1:05:35.200 --> 1:05:35.720
<v Speaker 4>M hmm