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Speaker 1: H m hm.

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Speaker 2: H m hmmm.

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Speaker 3: Ladies and gentlemen, Welcome to the Army Money Podcast.

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Speaker 1: Yeah, y'all know what you know what.

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Speaker 2: He First of all, I don't want to thank you

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Speaker 2: for letting me come here, but I think the champagne

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Speaker 2: is great. But I think we need to go further.

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Speaker 2: I think this is this is you know how to

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Speaker 2: hit the bottle against the chip.

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Speaker 1: You got the bottle right there to start right there.

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Speaker 1: You want to Okay, you want to go van all day,

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Speaker 1: you want to.

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Speaker 3: Go You're ready to go there again because that's that's

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Speaker 3: where it all started going bad.

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Speaker 1: Niggas that don't know.

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Speaker 2: But oh my god, I thought I heard the copture

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Speaker 2: like outside just now. He said life changing, Ben Alien

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Speaker 2: was life life changing. You know what it was about

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Speaker 2: that house.

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Speaker 1: But Nana yellow, Yeah, that's that's what I remember about that.

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Speaker 4: As soon as you pull up, you see this yellow

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Speaker 4: Bentley outside.

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Speaker 2: And it was terrible for l A, the worst card

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Speaker 2: because everybody knew everybody.

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Speaker 1: Yeah, but here's the thing. You know.

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Speaker 2: When I first got to l A, I drove down

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Speaker 2: Beverly Hills and I saw Bjeon and I Bejeon s

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Speaker 2: Bro that young used to be parked outside of Bejon

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Speaker 2: and I have no money. I just man, when I

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Speaker 2: get on, I'm getting that motherfucker. I'm like, yeah, how

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Speaker 2: have you said? I'm gonna ye, I'm gonna get that ship.

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Speaker 2: And the next thing you know, I got on and

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Speaker 2: it was came up for sale. I said, I need that.

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Speaker 4: So that's the one that used to sit on Rodeo,

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Speaker 4: Dre sit Ond's everybody that party started and then and

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Speaker 4: then it moved and it was on Melrow.

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Speaker 2: He got something on Melrose that he's that he got

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Speaker 2: as rich as fuck. No, but but I got the

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Speaker 2: car when it had definitely depreciated.

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Speaker 1: Fox. It wasn't it wasn't a bad time. Yeah yeah

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Speaker 1: V and the money, I thank you. I should turn

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Speaker 1: it in. Let's go back to bed. Mhm.

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Speaker 3: I remember walking into a club men, walking into a club.

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Speaker 3: It might have been the gate. Wow, walking into the gate,

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Speaker 3: thank you, going there right now. And I'm walking in

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Speaker 3: there's the gate, the walking in the gate, your nigga, yep.

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Speaker 3: And when I'm walking in, I think, brother windows with me,

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Speaker 3: walking in the walking in the gate, grab rest so

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Speaker 3: my brother and I hear somebody say, hey, dank.

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Speaker 1: I'm like who the fuck is you on my name? Dang?

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Speaker 1: And I turn around and it's Jamie Fox. I'm like,

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Speaker 1: y'all don't know each other. We don't know each other,

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Speaker 1: don't know.

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Speaker 3: And I'm like, hey, what's something, Nick, I've been looking

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Speaker 3: for you.

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Speaker 1: Here's the thing, here's the thing. Lets let's go back.

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Speaker 2: The way I was introduced to you is that somebody

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Speaker 2: said somebody in your lane.

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Speaker 1: Do I guess what?

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Speaker 2: Because I was trying to sing and I said, this

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Speaker 2: is this dude named Tank. Y'all sounds shimuck with me that,

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Speaker 2: but I'm getting ready to go do Ali and the

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Speaker 2: girl I'm dating at the time. We're flying to to

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Speaker 2: aff so we stopped at the record store for all, y'all,

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Speaker 2: I understand this is when you go buy records.

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Speaker 1: I'm going to the record store.

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Speaker 2: I say, hey, let's get some records so I could

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Speaker 2: listen as we on this long ass fight.

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Speaker 1: And I said, they told me by some motherfucking name

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Speaker 1: Tank supposed to be in my lane. Let me go see.

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Speaker 2: So I'm going to get my CDs and then I

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Speaker 2: get to your fucking CD. And first of all, you

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Speaker 2: got your shirt off.

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Speaker 1: It's all. It's not like the first five albums.

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Speaker 2: So your shirt is off and I look and immediately

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Speaker 2: I looked at my girl to see if she saw

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Speaker 2: because I'm definitely hiding this, I said, fucker.

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Speaker 1: Then I pulled the shit out. I said, no, we're

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Speaker 1: not gonna see that.

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Speaker 2: So I got all my CDs and I put them

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Speaker 2: on the table to buy, but I put you at

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Speaker 2: the bottom.

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Speaker 1: No disrespect. Well, we don't need to see all that.

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Speaker 2: And this is a walkman days, right, So I didn't

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Speaker 2: have no batteries. I said, damn, I gotta get batteries

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Speaker 2: for my Walkman. So I go to get my Walkman

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Speaker 2: and by the time I got back, my girl had

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Speaker 2: slept with you.

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Speaker 1: She basically mentally fucked you. Because when I get back,

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Speaker 1: not only is.

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Speaker 2: Your CD out, but it's on top and opened all

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Speaker 2: the way up.

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Speaker 1: She smoked a cigarette. I said, I said what, I

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Speaker 1: just just look I God, damn it. So so it

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Speaker 1: goes from that to being.

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Speaker 2: On the plane flying for eighteen hours to get to

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Speaker 2: Africa and listening to your music and I said wow.

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Speaker 1: I said, wow, absolutely amazing. Never heard a voice the

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Speaker 1: song You're freaking.

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Speaker 2: I know, show freak. They told me.

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Speaker 1: When I heard that I ship broke. We dropped the

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Speaker 1: ball that should have been a single. Listen when I

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Speaker 1: heard that.

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Speaker 3: When I heard the record, right, you know.

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Speaker 1: I'm just the one who didn't brother Church, I'm like

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Speaker 1: Church here.

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Speaker 2: But here's the thing. I heard your music. I said, man,

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Speaker 2: why this do this? This is extremely talented. And I

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Speaker 2: let me and my girl. We had we had the twin.

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Speaker 2: I had the money, so we had the twin walk man,

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Speaker 2: so we could both we hold in hand, like, go ahead,

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Speaker 2: let's this motherfucker just get us in the move. You know,

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Speaker 2: I ain't gonna take what we're doing on playing. Yeah,

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Speaker 2: But when we landed, I felt compelled because I see

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Speaker 2: all my African brothers and I didn't have a way

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Speaker 2: to play your music out. I literally I would say,

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Speaker 2: you have to hear this kid named Tank, and I

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Speaker 2: would put it.

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Speaker 1: I said, who is this tink? Because we was in

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Speaker 1: most of the tink. Who is Tink?

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Speaker 2: I said, you have to hear it? And I put

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Speaker 2: it on the ears and you would see there as

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Speaker 2: a oh, it is good, it is And they passed

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Speaker 2: it around the whole damn near the whole village. And

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Speaker 2: that's how much you impacted me and everybody know me, man.

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Speaker 1: I think that we.

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Speaker 2: All as artists grow when we see other artists there

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Speaker 2: are that are exceptional. Because when you're coming up, your

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Speaker 2: dream is singular to you.

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Speaker 1: You are the most talented in the region of where

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Speaker 1: you are. But when you get.

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Speaker 2: Here, you see that, Wow, there's a lot of guys

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Speaker 2: and girls that God has touched and have exceptional ability.

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Speaker 2: So when I saw you, I freaked out because I

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Speaker 2: was like, Wow, that's the dude that pretty much was

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Speaker 2: the soundtrack of me doing Ali Me and my girl.

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Speaker 2: We were just like I couldn't believe it. And then

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Speaker 2: to go further, I was having a house party.

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Speaker 1: Evan all and so.

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Speaker 5: Much said take it, I said, and then over a

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Speaker 5: who I said, that's not fair, sound like that, but

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Speaker 5: but I but you know, I don't ever hate it.

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Speaker 1: Was just like.

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Speaker 2: I could not believe that your voice sounded like that,

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Speaker 2: and that that you wrote like that, and then we

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Speaker 2: went on to write you know, you know, fantastic.

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Speaker 3: The the crazy parallel to that is as as you

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Speaker 3: were yelling at me, screaming like, man, I've been looking

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Speaker 3: for you. At that point, I was looking for a

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Speaker 3: way out. Yeah, and I didn't you know, what I mean.

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Speaker 3: For us to come together at that time was necessary

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Speaker 3: because like I'm in your kitchen, you know what I'm saying.

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Speaker 3: At at a few points after that saying I'm done.

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Speaker 3: And that's what blew my mind, because Jay, you know,

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Speaker 3: like this like our business. I'm just an artist. So

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Speaker 3: I didn't really understand music business. Music business was treacherous.

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Speaker 1: But when you said you.

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Speaker 2: Was gonna leave the music business, I said, what the

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Speaker 2: fuck are you saying? There's no way we can survive

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Speaker 2: without having your voice in the music business.

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Speaker 1: So you said, and I didn't, you know, don't I

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Speaker 1: don't know what gang. I don't know the gangster. I

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Speaker 1: don't know that. I didn't know this nigga was a gang.

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Speaker 1: I didn't know he's the light skin gangs. At first,

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Speaker 1: I look at his skin.

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Speaker 2: I'm this motherfucker had six business Yeah, sixteen year old skin.

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Speaker 1: Every time I see Jay Valentine, I just want to

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Speaker 1: go come here and let me feel this. He has

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Speaker 1: the greatest skin. But I didn't realize that music was

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Speaker 1: that gangster.

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Speaker 2: And you were like, basically without saying anything, it's like,

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Speaker 2: you know, it was like other elements that was keeping

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Speaker 2: you away from your dream and I said, Bro, no

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Speaker 2: fucking way. I said, you stay in my house. I

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Speaker 2: had a studio on the back of the crib. I said,

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Speaker 2: you stay in my house and you do what you

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Speaker 2: need to do to make sure that that light don't

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Speaker 2: get put out, because if.

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Speaker 1: It did, what would we be? Like, I mean, like, bro,

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Speaker 1: think about this. Where would we be as a drink

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Speaker 1: to that when we beat with our team? Wow, damn

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Speaker 1: my girl? Keep you lost her? Love you keep the

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Speaker 1: CD over here? You lost her she Keep the CD

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Speaker 1: over here. I said. You got.

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Speaker 4: The craziest thing about that, though, Fox, is that how

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Speaker 4: many artists actually have that story right? That at some

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Speaker 4: point all roads led to Jamie Fox? Which is very interesting. Man,

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Speaker 4: This is from a from female to male artists that

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Speaker 4: you have been just I don't even I don't even

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Speaker 4: know what to call it, man, Like, yes, a god

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Speaker 4: send for so many.

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Speaker 1: Young and older artists right to just at some point that.

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Speaker 4: Couch, that studio, that party, you know what I mean,

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Speaker 4: and you just having a good time, right, But those parties,

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Speaker 4: so many people have met each other, so many people

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Speaker 4: have connected with each other, so many people have you know,

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Speaker 4: have linked up through just you being like you know, what.

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Speaker 4: I'm just here to have a good time on some

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Speaker 4: old like southern Yeah, but you know what I mean,

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Speaker 4: like in La which is it was.

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Speaker 2: It was a good time for a reason though, because

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Speaker 2: I feel like everybody want to come to a party.

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Speaker 2: But I would have the I would have the every

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Speaker 2: ableste I would have, I would have the weirdos, but

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Speaker 2: I would also have the talent. Like Tank, when you

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Speaker 2: walked in, the whole party went like this because we

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Speaker 2: were like, damn, this dude does something that we can't do.

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Speaker 1: This dude does something.

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Speaker 2: Whenever you see someone who's talented that does something that

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Speaker 2: you can't.

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Speaker 1: Do, you go like ooh.

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Speaker 2: And I would studying, So I would always say when

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Speaker 2: it came to the artist, it's a way for me

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Speaker 2: to stay refreshed.

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Speaker 1: It's away from It's a way for me to stay inspired.

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Speaker 1: But look at all of us, man at those on

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Speaker 1: those days.

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Speaker 2: I remember John B was playing the pan at a

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Speaker 2: party while Mystical was rapping. While John B played his

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Speaker 2: songs unplugged in sing singing, singing Backstreet Boys songs. I'm

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Speaker 2: Brian McKnight playing a song. Uh, and you know Brian

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Speaker 2: is you know, Brian.

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Speaker 1: Is very you know, very true himself. Very okay. I

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Speaker 1: never wanted I said this, motherfucker. One time Brian, I

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Speaker 1: was like, man, everybody hear sing, I don't do that.

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Speaker 1: I said, I don't do that. I told everybody. I said.

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Speaker 1: We was at a club.

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Speaker 2: We can go back to my house, Brian gonna be there,

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Speaker 2: Brian gonna sing, and the motherfucker shined on me.

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Speaker 1: He was like, old, let me let me.

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Speaker 3: One day, Brian calls me to the studio to do it,

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Speaker 3: to do a verse on the record, and I'm.

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Speaker 1: Like, oh, ship right. Brian McKnight called me to be

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Speaker 1: on his.

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Speaker 2: Night.

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Speaker 1: I've been singing all of his songs all my life.

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Speaker 3: But I go there, I do my verse and I'm like,

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Speaker 3: he going crazy while I'm doing my first and I

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Speaker 3: come out the booth and we just talk and we

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Speaker 3: just started kind of walking, and I'm like, man, I

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Speaker 3: got this.

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Speaker 1: I got to add a bunch of tracks. Man, I

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Speaker 1: want to let you hear a couple of song ideas,

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Speaker 1: like it'd be really dope. You know what I'm saying.

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Speaker 1: He's like this, Man, I'd love to do that. Man.

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Speaker 3: He opened this door and I'm thinking, maybe we're about

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Speaker 3: to go into a lounge or something. He was walking

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Speaker 3: me out.

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Speaker 1: I would love to good Man, Hey, your car is

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Speaker 1: probably good luck.

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Speaker 2: You couldn't look with that the nigga ists you with

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Speaker 2: your ubers waiting man, because you know what you found

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Speaker 2: out about Brian is that he's a competitive guy him.

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Speaker 1: Brian, you shoot like a motherfucker.

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Speaker 2: Yes, that's an And he he called what he did,

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Speaker 2: call him what he does like, Brian, go to his left.

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Speaker 1: You're gonna do it? You listen, brother, Yeah?

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Speaker 2: Good, you know, shoot up everything across back to the right.

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Speaker 2: Get the jump on trying to be friends my man.

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Speaker 1: No, you're good. I just cut that. Couldn't know we are.

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Speaker 2: We're not cutting because something you man, I got that. Bronnie,

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Speaker 2: you can't go now, you jumping son. But on the

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Speaker 2: real though, Brian man Night, he roe of ours, national Trust,

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Speaker 2: National Trust.

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Speaker 4: If you look, if you if you look at in

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Speaker 4: the dictionary and you look for Berkeley School of Music,

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Speaker 4: it's Brian nig Night.

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Speaker 1: Yeah, and he is what that is.

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Speaker 2: And he shined on me one time that was so amazing.

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Speaker 2: He showed him my house in the Ferrari.

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Speaker 1: And I didn't. I said, what kind of car? Get

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Speaker 1: the passenger.

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Speaker 2: You see you know how the motherfucker just he just

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Speaker 2: makes you feel like you ain't seen nothing like this.

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Speaker 1: Is nice. Motherfucker took off my neck al Brian Brian right,

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Speaker 1: I said, Brian Brian right. And scary mother. He's the

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Speaker 1: greatest grat Grady.

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Speaker 3: So I come to your house to be a brother

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Speaker 3: widow and we're in the pool room. And while we're

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Speaker 3: in the pool room, you're like, yeah, I'm you're made

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Speaker 3: to work on this movie, and you you break into

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Speaker 3: Ray Charles. Yeah, right in front of us like on

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Speaker 3: some like talking talking crazy like yeah, I'm about to

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Speaker 3: go do this movie.

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Speaker 1: You know what I'm saying. We're gon try that, just

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Speaker 1: and me and brother windows saying what the fun is?

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Speaker 1: Actually scary? Scary?

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Speaker 3: This is scary And just like he was asking you before,

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Speaker 3: I wanted which what I wanted to have it you

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Speaker 3: know on camera is.

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Speaker 1: How the fuck do you do that? Well, Tank, you

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Speaker 1: can do it too. I can do it for you

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Speaker 1: to do it like you did me. Pause.

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Speaker 2: I got a pause because it'd be crazy, you know.

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Speaker 2: Take always confused.

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Speaker 3: What bro He's standing there like he was standing he said,

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Speaker 3: Tank be doing that and he went into a full.

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Speaker 1: Tank thing, and I'm looking at like this.

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Speaker 2: Right to do that right, because you do nuances like

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Speaker 2: what it was. As a kid, my grandmother, God bless her,

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Speaker 2: Estelle Talley, she had a nursery school for thirty years, right,

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Speaker 2: so the government gave her money to have things like

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Speaker 2: televisions of record players and things like that. So I

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Speaker 2: would always listen to music. Five years old, six years old.

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Speaker 2: She would make me go into where she takes care

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Speaker 2: of the kids, and there was this big box cabinet

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Speaker 2: television and all the shows would come on.

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Speaker 1: Sammy Davis Jr. It is not unusual world to be loved.

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Speaker 1: Who's at Tom Jones, Flip Wilson. So I owned it.

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Speaker 2: But I would watch these shows, and I would watch

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Speaker 2: people like Rich Little. If you get a chance, whoever

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Speaker 2: was watching google Rich Little. He was this white guy

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Speaker 2: who mimicked everybody. He could do all the different mimics.

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Speaker 2: Now here's the thing. Later that night, the only the

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Speaker 2: only room that had a television was my room where

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Speaker 2: I would sleep. My grandma says, stay asleep. But Johnny Carson,

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Speaker 2: the original host of the Tonight Show, which is what

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Speaker 2: Jimmy Fallon does right now, he would have these great

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Speaker 2: artists come on. Franklin, Najai, Steve Allen, who was a

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Speaker 2: white comedian who would do jokes from the piano, And

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Speaker 2: so when I watched Rich Little, I would watch him

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Speaker 2: mimic these people.

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Speaker 1: Rich Little did a joke about Jimmy Carter.

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Speaker 2: Jimmy Carter was our president in nineteen seventy six, but

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Speaker 2: he had a brother who liked to.

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Speaker 1: Drink a lot.

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Speaker 2: So his joke was, Jimmy Carter was singing, you light

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Speaker 2: up my life, and.

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Speaker 1: Jimmy got hi, I'm Jimmy Carter.

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Speaker 2: So many nights me and my brother Billy would sit

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Speaker 2: on the porch waiting for somebody to bring some peanuts

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Speaker 2: and beer. That was the biggest joke at that time

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Speaker 2: in the seventies, because everybody knew that his brother was

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Speaker 2: a little bit of saucy. But to hear him sing

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Speaker 2: you light up, That's what I wanted to be. So

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Speaker 2: I started perfecting the impersonation, not for it to be

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Speaker 2: my main thing, but just if.

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Speaker 1: I needed it. And how old are you at this point?

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Speaker 2: I was bro I was nineteen seventy six. I was

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Speaker 2: ten years old. You guys weren't here I was. I

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Speaker 2: just got here, which hurts my feeling. I was no,

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Speaker 2: I just got here. I was I was a new born,

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Speaker 2: the Valentine had, I was.

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Speaker 1: Girt born yesterday.

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Speaker 3: Let me see, I was here so so so so

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Speaker 3: I would watch that and say, hey, I don't know

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Speaker 3: where I'm going, but wherever I get, I want to

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Speaker 3: do that.

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Speaker 1: So when I got to l A.

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Speaker 2: Doing jokes in the clubs, I would do the mimics.

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Speaker 2: Like when I first got to l A, I was

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Speaker 2: the only black guy doing an impersonation of Ronald Reagan.

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Speaker 1: Now at that time, Ronald Reagan sounded.

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Speaker 6: Like this, well, well, as a matter of fact, but

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Speaker 6: there you go again.

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Speaker 1: And so and it's a singers, you know, as singers, we.

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Speaker 2: Catch you get something, and now we do the manners.

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Speaker 2: And Ronald Reagan was he would he had a little

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Speaker 2: bit of this, and then it was the time well

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Speaker 2: well well, well oh that's the tone.

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Speaker 1: But then we just put them in.

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Speaker 6: Well as a matter of fact that there you go again.

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Speaker 2: So it was all that Mike Tyson, Mike Tyson had

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Speaker 2: It was almost like.

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Speaker 1: Without cheapening, what it was.

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Speaker 2: When I would watch Daffy Duck or these animated characters,

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Speaker 2: Daffy Duck had a list, right, so Mike Tyson had that,

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Speaker 2: you know, Mike, if the Mike Tyson were boxing champion,

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Speaker 2: so and then it was a matter of listening to

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Speaker 2: that and so then then it was Mike Tyson, this

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Speaker 2: my first of all, you Mike, I can't wait box.

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Speaker 1: That's when he's young. But now when I call Mike now.

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Speaker 2: Older, everything all of the life that he's lived, the

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Speaker 2: ups and the downs, I called Mike, how you doing

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Speaker 2: my all? Praise this to? I know about I'm just happy?

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Speaker 2: Why because I don't have any money anymore. So I

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Speaker 2: get nobody get taken anything from me because no more vulture,

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Speaker 2: it's no more creatures around me.

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Speaker 1: I'm just happy. How are you, my good brother?

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Speaker 2: So it's matching the tone and then grabbing the mannerism.

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00:19:01,240 --> 00:19:02,760
Speaker 2: It's it's it's Donald Trump.

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Speaker 1: The people you can shine light? Uh the corent best China.

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Speaker 7: China was one who did it.

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Speaker 1: She's a very good person, change very good people. I

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Speaker 1: don't know, she's very yeah, you know.

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Speaker 2: So that's a mannerism when you say, you know. When

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Speaker 2: they asked him about the lady that was with.

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Speaker 7: With she seems to be good people. She's very good people.

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Speaker 7: You know, I don't know personally, but she seems to

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Speaker 7: be good people good I.

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Speaker 1: Wish the best.

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Speaker 2: So it's a matter of grabbing that tone and then

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Speaker 2: you know, you know, it's.

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Speaker 1: Jay Z jay Z jay Z. That just that it's crazy.

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Speaker 1: I think I think that.

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Speaker 3: I think that, like you, you simplify it because it's

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Speaker 3: more intricate. But it's way more intricate from the outside

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00:20:02,200 --> 00:20:09,280
Speaker 3: looking in, because sitting next to Ray Charles's family and

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Speaker 3: them not knowing the difference between you and him is different.

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Speaker 1: Well, that's what you have to do. It's like you

401
00:20:16,800 --> 00:20:19,280
Speaker 1: have to go beyond the impersonation Ray Charles.

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Speaker 2: Hey tell everybody Ray Charles in town got a dollar

403
00:20:22,760 --> 00:20:26,600
Speaker 2: a quarter and is run a clown. That's more the impersonation.

404
00:20:26,720 --> 00:20:28,760
Speaker 2: But when we were doing Ray Charles's how does he

405
00:20:28,880 --> 00:20:31,160
Speaker 2: order his food? How does he talk to his kid?

406
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Speaker 2: What's the quiet moment? Because if you do the impersonation,

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00:20:34,280 --> 00:20:37,760
Speaker 2: now you're now you're a sitcom. But to do the

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00:20:37,800 --> 00:20:39,399
Speaker 2: real person, it's it's the.

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Speaker 1: Quiet moments, you know.

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Speaker 2: And when I met Ray Charles, I met him as

411
00:20:45,640 --> 00:20:48,760
Speaker 2: the older Ray Charles. He comes in, I said, mister Charles,

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Speaker 2: I'm just trying to do the best I can to

413
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Speaker 2: do your do your story. And he goes, what if

414
00:20:54,000 --> 00:20:55,679
Speaker 2: you can play the blues? Man, you could do anything.

415
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Speaker 1: Can you play the blues?

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00:20:56,640 --> 00:20:59,159
Speaker 2: And we sat down and it was music first, So

417
00:20:59,200 --> 00:21:02,160
Speaker 2: we're playing the blue you know, I'm hanging, trying to hang.

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00:21:02,359 --> 00:21:05,040
Speaker 2: And then he moved into Thelonious Monk, which you know

419
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Speaker 2: that's that's intricate ship.

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00:21:08,000 --> 00:21:09,440
Speaker 1: And he hits a note and I hit a rono.

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00:21:09,520 --> 00:21:13,040
Speaker 1: He said, hey, why would you do that? Why? And

422
00:21:13,080 --> 00:21:14,520
Speaker 1: I was like, I was just trying to kill it.

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00:21:14,600 --> 00:21:16,520
Speaker 1: You know what. Don't hit the wrong notes, man, That's

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Speaker 1: what life is. Maybe taking time to hit the right notes.

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00:21:20,320 --> 00:21:21,880
Speaker 1: So that's a bar.

426
00:21:22,520 --> 00:21:28,600
Speaker 4: That's a bar, taking time to hit the right notes.

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00:21:28,800 --> 00:21:37,320
Speaker 1: Hit hit a note. They always hit the right the moment.

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Speaker 4: And this nigga, I'm talking about Bottles of patron Magic City,

429
00:21:45,080 --> 00:21:46,160
Speaker 4: King of Diamonds.

430
00:21:48,280 --> 00:21:52,119
Speaker 1: And then this nigga will sing I Can't Make You

431
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Speaker 1: Love Me, recorded Still Drop as the third song of

432
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Speaker 1: the day.

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Speaker 4: Circle House Studio shout out the Circle House, Circle House

434
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Speaker 4: the greatest.

435
00:22:07,160 --> 00:22:11,720
Speaker 2: You can't talk about it, talk about your instrument, talk

436
00:22:11,720 --> 00:22:15,280
Speaker 2: about where that came from.

437
00:22:15,359 --> 00:22:23,000
Speaker 1: Jesus he came from. Yes, Yeah, I remember. I remember.

438
00:22:24,200 --> 00:22:28,800
Speaker 3: National Baptist Convention, State Baptist Convention with my grandmother.

439
00:22:31,240 --> 00:22:34,080
Speaker 1: And I wanted to sing in the choir so bad.

440
00:22:35,320 --> 00:22:39,000
Speaker 1: Trying to go to poke Jamie back up a ship.

441
00:22:39,680 --> 00:22:41,800
Speaker 1: I was like, do you have let me get a

442
00:22:41,880 --> 00:22:49,200
Speaker 1: shout at tequila cocaine rams I'm from. They call it

443
00:22:49,400 --> 00:23:01,480
Speaker 1: salty guys. You know, guy guys, I don't want to

444
00:23:01,520 --> 00:23:03,120
Speaker 1: take it. I hate coch.

445
00:23:04,440 --> 00:23:04,679
Speaker 4: Just like.

446
00:23:11,040 --> 00:23:14,639
Speaker 1: You can see aroma. There you go, bro, But Yo,

447
00:23:14,760 --> 00:23:18,720
Speaker 1: why y'all bullshit? It's the shots. We shouldn't drinking champagne.

448
00:23:18,760 --> 00:23:22,399
Speaker 1: Another shot. No, Jay Valentine, I want to see you

449
00:23:22,480 --> 00:23:23,680
Speaker 1: get mad at whooped somebody.

450
00:23:26,040 --> 00:23:28,760
Speaker 2: The first time I met Jay Valentine, he was playing

451
00:23:28,840 --> 00:23:32,560
Speaker 2: basket your backyard to whoop somebody else at the studio.

452
00:23:33,840 --> 00:23:35,480
Speaker 1: No, I brought him to your backyard first.

453
00:23:36,640 --> 00:23:38,320
Speaker 2: But we went to the studio and did a song,

454
00:23:38,400 --> 00:23:40,480
Speaker 2: and we went to go play in some little backyard

455
00:23:40,560 --> 00:23:43,560
Speaker 2: court and a switch was flipped and I said, oh

456
00:23:43,640 --> 00:23:44,800
Speaker 2: my god, I don't know who I'm with.

457
00:23:45,400 --> 00:23:48,080
Speaker 1: It's like he's like he's like the walking black version

458
00:23:48,119 --> 00:23:49,160
Speaker 1: of the Incredible Hulk.

459
00:23:49,680 --> 00:23:51,879
Speaker 4: You know what the funniest part about that is that

460
00:23:52,080 --> 00:23:56,240
Speaker 4: thing my father called me. It got to my father. Yeah,

461
00:23:56,400 --> 00:23:57,200
Speaker 4: we had to Jay.

462
00:23:57,520 --> 00:23:59,399
Speaker 1: I've never seen so that's what happened, is that you

463
00:23:59,520 --> 00:24:04,639
Speaker 1: made this motherfucker flash on somebody that was so crazy.

464
00:24:04,720 --> 00:24:08,120
Speaker 1: I was like, I said, we can't do that. Think

465
00:24:08,160 --> 00:24:12,160
Speaker 1: about your line. He's a nigga. You know who, I said,

466
00:24:12,160 --> 00:24:15,160
Speaker 1: I no, I don't know who you are. That motherfucker

467
00:24:15,200 --> 00:24:19,120
Speaker 1: flash on somebody. I don't know who it was. Man,

468
00:24:20,680 --> 00:24:26,120
Speaker 1: you gotta somebody got drive me on ship. I'll drive

469
00:24:26,160 --> 00:24:27,320
Speaker 1: you home and keep the truck.

470
00:24:28,680 --> 00:24:31,480
Speaker 2: Oh my God to Rose, that's gonna take you out.

471
00:24:34,080 --> 00:24:40,280
Speaker 2: So so that's gonna take you out. That's take that's

472
00:24:40,280 --> 00:24:40,840
Speaker 2: gonna take you out.

473
00:24:41,280 --> 00:24:43,040
Speaker 3: I want to sing at this National Baptist Convention so

474
00:24:43,160 --> 00:24:46,440
Speaker 3: bad because it's all the churches, all the church. My

475
00:24:46,480 --> 00:24:50,000
Speaker 3: grandmother's the dean choirs, the choir of all choirs in

476
00:24:50,040 --> 00:24:53,800
Speaker 3: the state. I'm practicing lead the whole week for Jesus.

477
00:24:53,840 --> 00:24:56,800
Speaker 3: You're the center of my joy. Wow, and the choir

478
00:24:56,880 --> 00:24:59,359
Speaker 3: di records like, yeah, you're good. I got be all right.

479
00:24:59,840 --> 00:25:02,880
Speaker 3: I rehearsing. I'm rehearsing all my runs at home. I'm

480
00:25:02,880 --> 00:25:04,520
Speaker 3: getting my runs together. I'm in sixth grade.

481
00:25:05,000 --> 00:25:08,680
Speaker 1: Sixth grade, got sixth grade. I'm ready to I know

482
00:25:08,760 --> 00:25:12,560
Speaker 1: how to record deal by the flo First of all,

483
00:25:13,840 --> 00:25:17,840
Speaker 1: your story, your story. I was already paying taxis.

484
00:25:17,560 --> 00:25:21,240
Speaker 3: I'm trying to better, come better, come up, starting from

485
00:25:21,240 --> 00:25:27,240
Speaker 3: the bottom, stuff from the and uh Friday came there

486
00:25:27,320 --> 00:25:29,720
Speaker 3: to perform. He says, you know what, we're gonna let

487
00:25:29,760 --> 00:25:31,920
Speaker 3: these two, the two older guys singing the league.

488
00:25:31,920 --> 00:25:32,159
Speaker 7: You just.

489
00:25:34,040 --> 00:25:36,359
Speaker 3: I though a fit. I'm like, y'all can't do that

490
00:25:36,520 --> 00:25:41,120
Speaker 3: to me. My grandmother is the dean Mary singing went straight?

491
00:25:41,280 --> 00:25:43,760
Speaker 3: I went, I went to justice. My Grandma's like, what's wrong, grandson?

492
00:25:44,119 --> 00:25:46,040
Speaker 3: I said, they won't let me sing the league. No

493
00:25:46,119 --> 00:25:48,720
Speaker 3: money sending my singing league. No mom be practicing all week.

494
00:25:49,440 --> 00:25:50,240
Speaker 3: My grandmother walked in.

495
00:25:50,359 --> 00:25:53,240
Speaker 1: My grandmother fiery. My grandmother is sure played a whole

496
00:25:53,280 --> 00:25:55,880
Speaker 1: munch game. She walked in there. I heard, I saw

497
00:25:55,920 --> 00:25:59,880
Speaker 1: her doing it. When Church in the Name of Jesus

498
00:26:01,640 --> 00:26:02,080
Speaker 1: came back.

499
00:26:02,160 --> 00:26:04,760
Speaker 3: He said, all right, you good. So I get up

500
00:26:04,760 --> 00:26:06,000
Speaker 3: there and it's time for me to sing my lead.

501
00:26:06,640 --> 00:26:09,480
Speaker 3: And I'm singing my lead and I can look a

502
00:26:09,600 --> 00:26:12,600
Speaker 3: look back at it retrospect, and and it was really

503
00:26:12,680 --> 00:26:15,840
Speaker 3: quiet while I was singing my lead. And one of

504
00:26:15,920 --> 00:26:17,520
Speaker 3: the one of the ladies from my church. She said,

505
00:26:17,560 --> 00:26:20,159
Speaker 3: take your time to rel Oh my god, it was

506
00:26:20,240 --> 00:26:23,320
Speaker 3: to take your time, take your time, explain it, to

507
00:26:23,720 --> 00:26:28,240
Speaker 3: explain in church, black church, when someone say explain that.

508
00:26:28,560 --> 00:26:31,640
Speaker 3: Secular people to me, when they when when they say

509
00:26:31,720 --> 00:26:34,760
Speaker 3: take your time, that means you fucking up.

510
00:26:37,640 --> 00:26:43,679
Speaker 2: Take your time shine let the Lord, because right now

511
00:26:43,800 --> 00:26:45,240
Speaker 2: the Lord apparently.

512
00:26:44,880 --> 00:26:47,320
Speaker 1: Is not using it and you need to get into

513
00:26:47,440 --> 00:26:50,040
Speaker 1: his us exactly. So they say take your time.

514
00:26:51,720 --> 00:26:54,920
Speaker 3: And so by the time the song was at the vamp,

515
00:26:55,040 --> 00:26:57,439
Speaker 3: I noticed I had been boxed out from the microphone

516
00:26:57,760 --> 00:26:59,800
Speaker 3: by the two older guys and they were living and

517
00:26:59,840 --> 00:27:03,399
Speaker 3: I was adding to their shoulders. I just kept singing, Okay,

518
00:27:04,520 --> 00:27:07,000
Speaker 3: were walking down going to the cars. Auntie Betty, who's

519
00:27:07,000 --> 00:27:09,639
Speaker 3: the choir director for our junior choir, she's she's big in.

520
00:27:09,640 --> 00:27:12,040
Speaker 1: The city too. I said, Auntie Betty, how do I do?

521
00:27:12,400 --> 00:27:17,280
Speaker 1: She said, he was off, Baby was real off. She said,

522
00:27:17,359 --> 00:27:20,160
Speaker 1: he was off. Oh my god, that's tough.

523
00:27:20,400 --> 00:27:25,240
Speaker 2: Kids on thousand they keeping on a thousand, my whole

524
00:27:25,320 --> 00:27:26,960
Speaker 2: life one thousand thousand.

525
00:27:27,040 --> 00:27:29,680
Speaker 1: And I was like, and it didn't hit me like

526
00:27:30,760 --> 00:27:31,720
Speaker 1: I was a failure.

527
00:27:32,200 --> 00:27:35,040
Speaker 3: It hit me like I got worked at this work,

528
00:27:35,720 --> 00:27:39,000
Speaker 3: because if Auntie Betty wasn't pressed, I got more work

529
00:27:39,040 --> 00:27:43,119
Speaker 3: to do right right, And so I started fine tuning, sharpening.

530
00:27:43,359 --> 00:27:46,399
Speaker 1: It made me want to be the best. Sitting in

531
00:27:46,480 --> 00:27:48,480
Speaker 1: the John p Key, you don't want to say, you

532
00:27:48,520 --> 00:27:50,879
Speaker 1: don't want to sing the shoulders. I discovered.

533
00:27:52,520 --> 00:27:56,200
Speaker 3: I discovered John p Key, I discovered Darryl Coley, I

534
00:27:56,359 --> 00:27:58,960
Speaker 3: discovered commission. I discovered the wine.

535
00:27:59,119 --> 00:28:03,320
Speaker 1: Give me some, give me some. Having me to someone

536
00:28:03,520 --> 00:28:07,200
Speaker 1: I knew you was gonna go there to cry on.

537
00:28:08,680 --> 00:28:15,960
Speaker 1: That's my guy. Keep you easy, aging me and find aquility, oh.

538
00:28:17,680 --> 00:28:18,399
Speaker 4: Sweet, and.

539
00:28:20,119 --> 00:28:28,000
Speaker 1: Speak software load and me so much. The Mitchell Jones

540
00:28:28,240 --> 00:28:31,359
Speaker 1: keep going, Marry just want the dude.

541
00:28:32,440 --> 00:28:39,160
Speaker 8: I need someone Lord, I need someone that's a lone you.

542
00:28:41,600 --> 00:28:45,080
Speaker 1: That song ONEU.

543
00:28:45,760 --> 00:28:57,120
Speaker 3: No favorst thing about that Sean Stockman, Yes, John Stockman

544
00:28:57,320 --> 00:28:59,800
Speaker 3: and me, Michel Jones.

545
00:29:00,600 --> 00:29:01,520
Speaker 1: That's where we come from.

546
00:29:02,200 --> 00:29:05,560
Speaker 3: It drove me to be I wanted to since I

547
00:29:05,600 --> 00:29:07,240
Speaker 3: had messed up my runs. Then it drove me to

548
00:29:07,280 --> 00:29:09,719
Speaker 3: best be the best runner, drove me to be an

549
00:29:09,760 --> 00:29:14,600
Speaker 3: Olympic star of all times. And and so I'm gonna

550
00:29:14,640 --> 00:29:16,200
Speaker 3: cut forward because at this point I'm.

551
00:29:16,120 --> 00:29:18,600
Speaker 1: In a group. I'm a runner, I'm there in a group.

552
00:29:18,680 --> 00:29:20,680
Speaker 1: I'm in a group called psalms to a gospel group.

553
00:29:20,920 --> 00:29:23,560
Speaker 1: I'm the runner. If there was a run to as

554
00:29:23,680 --> 00:29:24,200
Speaker 1: nasty as you.

555
00:29:24,720 --> 00:29:26,920
Speaker 2: You're in a group because I was a church kid,

556
00:29:27,000 --> 00:29:30,040
Speaker 2: I hadn't graduated to the nasty that you know us

557
00:29:30,440 --> 00:29:31,080
Speaker 2: at this point.

558
00:29:31,760 --> 00:29:46,800
Speaker 1: Nasty came later. No, no, no, no, you're blessed, blessed

559
00:29:48,360 --> 00:29:51,200
Speaker 1: the group. So I'm the runner. I'm the runner, killer Runner.

560
00:29:51,400 --> 00:29:51,880
Speaker 1: So I got this.

561
00:29:52,120 --> 00:29:53,600
Speaker 3: I got this girl that I'm trying to press, and

562
00:29:53,640 --> 00:29:55,680
Speaker 3: I sing a song to over the phone that I wrote,

563
00:29:56,040 --> 00:29:57,800
Speaker 3: and she's like, you know, it's not really good, but

564
00:29:58,240 --> 00:30:00,000
Speaker 3: I just can't understand what you're saying. What I'm runn

565
00:30:00,120 --> 00:30:04,880
Speaker 3: ends really like, these runs are magnificent. What do you

566
00:30:05,040 --> 00:30:07,160
Speaker 3: mean that's what you told her? I was like, this

567
00:30:07,280 --> 00:30:10,960
Speaker 3: is this is the killing this You gotta you gotta

568
00:30:11,080 --> 00:30:14,320
Speaker 3: chill right. And for a year I didn't do no runs.

569
00:30:14,880 --> 00:30:16,760
Speaker 3: I studied Fred Hammond, and I sang straight, and I

570
00:30:16,800 --> 00:30:19,560
Speaker 3: studied keep staying. I sank so so women made you great?

571
00:30:20,440 --> 00:30:24,160
Speaker 3: And so started with I'm Betty. It started with and

572
00:30:24,200 --> 00:30:24,600
Speaker 3: then it was.

573
00:30:24,640 --> 00:30:27,000
Speaker 4: And then and then it was whoever grill is that

574
00:30:27,120 --> 00:30:29,000
Speaker 4: we eventually got tickets foll to a concert.

575
00:30:29,120 --> 00:30:31,920
Speaker 3: It was founded with women with girls streaming. It was

576
00:30:31,960 --> 00:30:35,160
Speaker 3: founded with good streaming in ninth grade. Wow, that's where

577
00:30:35,200 --> 00:30:38,280
Speaker 3: it was found. Let let's ask this question, guys for us?

578
00:30:38,440 --> 00:30:40,920
Speaker 1: Is it's just guys like, is that the is that

579
00:30:41,080 --> 00:30:44,840
Speaker 1: the factor that yeah that when we are we are

580
00:30:44,920 --> 00:30:45,320
Speaker 1: when we are?

581
00:30:45,400 --> 00:30:49,920
Speaker 2: Peacock came, Yes, it's it's how it's the admiration of

582
00:30:50,000 --> 00:30:50,360
Speaker 2: a woman.

583
00:30:50,520 --> 00:30:52,200
Speaker 4: Not that we want to sleep with all the women.

584
00:30:52,600 --> 00:30:55,120
Speaker 4: It's just to have to see the smile unless they're

585
00:30:55,120 --> 00:30:55,760
Speaker 4: from Minnesota.

586
00:30:56,320 --> 00:30:57,440
Speaker 1: So six one, two.

587
00:31:00,240 --> 00:31:00,480
Speaker 4: Shot?

588
00:31:02,280 --> 00:31:06,240
Speaker 1: What was that? After shot? What was that a thing

589
00:31:06,320 --> 00:31:06,680
Speaker 1: for you? Though?

590
00:31:06,720 --> 00:31:09,800
Speaker 2: Because when I hear your music and when I hear

591
00:31:09,920 --> 00:31:13,880
Speaker 2: Jay's music, it's so specifically two women.

592
00:31:14,440 --> 00:31:16,680
Speaker 1: Is that Is that a deciding factor for us? Is

593
00:31:16,720 --> 00:31:18,480
Speaker 1: that a Is that a motivating factor?

594
00:31:19,280 --> 00:31:23,480
Speaker 3: It took me a minute to dial into that being

595
00:31:23,640 --> 00:31:28,920
Speaker 3: the only motivating factor, because initially I just wanted to

596
00:31:29,000 --> 00:31:31,640
Speaker 3: be able to walk into a room full of singers

597
00:31:31,720 --> 00:31:34,120
Speaker 3: and musicians and they all look at me and.

598
00:31:34,160 --> 00:31:37,040
Speaker 1: Say, you're the bad one that makes a line.

599
00:31:37,360 --> 00:31:39,840
Speaker 3: And so that's why that's why a lot of my

600
00:31:40,040 --> 00:31:43,400
Speaker 3: music suffered in the beginning, because I was trying to

601
00:31:43,520 --> 00:31:47,080
Speaker 3: outdo singers and musicians who don't buy me, who don't

602
00:31:47,080 --> 00:31:51,520
Speaker 3: buy megas trying to go up to the label and

603
00:31:51,560 --> 00:31:53,000
Speaker 3: figure out how to get the free CD.

604
00:31:52,920 --> 00:31:53,480
Speaker 1: You know what I'm saying.

605
00:31:53,600 --> 00:31:56,960
Speaker 3: And so it took me a minute to learn, me

606
00:31:57,040 --> 00:32:01,240
Speaker 3: and me and him trying to learn balance between being

607
00:32:02,080 --> 00:32:07,080
Speaker 3: really creative but also being able to take the consumer

608
00:32:07,280 --> 00:32:10,080
Speaker 3: along for the ride, right, yeah, right, And I think

609
00:32:10,400 --> 00:32:13,880
Speaker 3: what ended up working for us as a team with

610
00:32:14,120 --> 00:32:17,000
Speaker 3: R and B Money was I come from the Bay Area,

611
00:32:17,320 --> 00:32:20,160
Speaker 3: of course, right, and the Bay Area was based on

612
00:32:20,440 --> 00:32:24,800
Speaker 3: independent rap and simplified music, right.

613
00:32:25,760 --> 00:32:28,760
Speaker 4: It was everything for us in the Bay is strictly

614
00:32:28,800 --> 00:32:32,840
Speaker 4: a feeling. It's nothing else, Like people be like something

615
00:32:32,960 --> 00:32:36,120
Speaker 4: is off, you know, I mean this is tweaked wrong,

616
00:32:36,400 --> 00:32:38,960
Speaker 4: it ain't mixed, it ain't mastered, like we live on

617
00:32:39,040 --> 00:32:39,560
Speaker 4: this island.

618
00:32:39,640 --> 00:32:39,760
Speaker 1: Right.

619
00:32:40,280 --> 00:32:43,400
Speaker 4: So me and this guy actually were the perfect storm

620
00:32:43,520 --> 00:32:47,160
Speaker 4: because he was everything right, set the dynamic up.

621
00:32:47,200 --> 00:32:49,120
Speaker 1: Though you are for him and.

622
00:32:49,200 --> 00:32:50,920
Speaker 3: You are together what it is because you guys are

623
00:32:50,920 --> 00:32:53,720
Speaker 3: doing incredible because you're artists as well.

624
00:32:54,640 --> 00:32:56,600
Speaker 2: So it's like it's an interesting thing to see you

625
00:32:56,680 --> 00:32:59,360
Speaker 2: guys work together because I listened to your music as well,

626
00:33:00,040 --> 00:33:01,200
Speaker 2: So y'all, you know, him.

627
00:33:01,760 --> 00:33:03,800
Speaker 1: Yeah, So, I mean, I mean people, I don't know

628
00:33:03,800 --> 00:33:06,400
Speaker 1: if people all everybody knows that. You know, a lot

629
00:33:06,440 --> 00:33:08,480
Speaker 1: of people don't. A lot of people don't because I've

630
00:33:08,520 --> 00:33:10,880
Speaker 1: done business for so much. You just too great. Look

631
00:33:10,920 --> 00:33:13,320
Speaker 1: at motherfuckers, like who is too good looking? At motherfuckers?

632
00:33:13,400 --> 00:33:16,160
Speaker 1: What the fuck that they do? It's unfair and I'll

633
00:33:16,240 --> 00:33:19,760
Speaker 1: say it. So I'm gonna tell you what's an interesting story.

634
00:33:19,840 --> 00:33:21,719
Speaker 2: The fact that you guys have hair fucks me up.

635
00:33:21,720 --> 00:33:23,240
Speaker 2: Go ahead, baby, I'm trying. I'm trying to keep this

636
00:33:23,320 --> 00:33:25,720
Speaker 2: my fucking hair gone by, keep his hair going by.

637
00:33:26,240 --> 00:33:29,360
Speaker 1: I can't get I was at a I was at.

638
00:33:29,240 --> 00:33:32,200
Speaker 4: An event, and I was on a like I was

639
00:33:32,240 --> 00:33:36,360
Speaker 4: always on the cusp of, like, am I willing to

640
00:33:37,040 --> 00:33:39,560
Speaker 4: do everything I need to do to be a very

641
00:33:39,640 --> 00:33:40,760
Speaker 4: successful artist?

642
00:33:41,000 --> 00:33:41,120
Speaker 1: Right?

643
00:33:42,800 --> 00:33:45,880
Speaker 4: And but I was, you know, and we and we've

644
00:33:45,920 --> 00:33:49,480
Speaker 4: talked about this before, where I was always on the

645
00:33:49,600 --> 00:33:52,160
Speaker 4: fence of how much business do I want to do

646
00:33:52,880 --> 00:33:55,040
Speaker 4: and how much artistry do I want to do? And

647
00:33:55,200 --> 00:33:57,320
Speaker 4: that's a very fine line because just like you said,

648
00:33:57,920 --> 00:34:00,320
Speaker 4: when you start doing the business side of music, it

649
00:34:00,440 --> 00:34:01,719
Speaker 4: gets it gets grimy.

650
00:34:01,800 --> 00:34:04,680
Speaker 1: It's the trenches, right, So it's very hard to.

651
00:34:06,800 --> 00:34:10,040
Speaker 4: Be in the trenches on the business side and still

652
00:34:10,160 --> 00:34:14,120
Speaker 4: have the freedom of mind to do the creative side

653
00:34:14,640 --> 00:34:17,000
Speaker 4: and to really love it, and to do it for

654
00:34:17,120 --> 00:34:19,360
Speaker 4: the women, and to do it for you know what

655
00:34:19,360 --> 00:34:21,399
Speaker 4: I mean, because you ain't really doing it for the money.

656
00:34:21,880 --> 00:34:23,840
Speaker 1: You're really doing it for the women and for the.

657
00:34:23,920 --> 00:34:27,839
Speaker 4: Fame and for all the other you know, ancillary things

658
00:34:27,880 --> 00:34:29,200
Speaker 4: that come along with that side.

659
00:34:29,560 --> 00:34:32,600
Speaker 1: Right. So for me, it was more so of like

660
00:34:34,520 --> 00:34:35,960
Speaker 1: like I said, I was I was at I was

661
00:34:36,000 --> 00:34:38,160
Speaker 1: at a I was at an event with one of my.

662
00:34:38,200 --> 00:34:41,520
Speaker 4: Best friends with Ethiopia who's the head of Motown and

663
00:34:42,840 --> 00:34:44,760
Speaker 4: my guy who used to manage.

664
00:34:46,320 --> 00:34:53,480
Speaker 1: Steve Harvey. Wow, what's his name, ra McDonald trump. So

665
00:34:54,280 --> 00:34:57,239
Speaker 1: I never met him. I didn't know who he was.

666
00:34:57,840 --> 00:35:00,799
Speaker 4: I'm sitting there and I'm sitting the crowd and I'm

667
00:35:00,840 --> 00:35:05,280
Speaker 4: watching him talk and he's like, yeah, you know, Steve

668
00:35:05,320 --> 00:35:07,080
Speaker 4: couldn't be here because you know, this ain't for Steve.

669
00:35:07,360 --> 00:35:10,200
Speaker 4: And he talked, big ship, this ain't for Steve. And

670
00:35:10,239 --> 00:35:11,799
Speaker 4: you know, I've seen what y'all got for me over here,

671
00:35:11,840 --> 00:35:13,000
Speaker 4: but I don't even know if I could fit this

672
00:35:13,120 --> 00:35:15,080
Speaker 4: on my plane, said your plane?

673
00:35:17,120 --> 00:35:19,960
Speaker 1: Right? No, no, no, he talked, He talked cash ship right,

674
00:35:21,400 --> 00:35:22,000
Speaker 1: and I don't know.

675
00:35:26,000 --> 00:35:28,120
Speaker 4: Get into his ship, but he starts to tell a

676
00:35:28,239 --> 00:35:31,520
Speaker 4: story where he where it's very humble. He starts off

677
00:35:31,719 --> 00:35:35,160
Speaker 4: very like appreciate pompous and and arrogant in a plane

678
00:35:35,239 --> 00:35:37,920
Speaker 4: and I can't fit this on this and and and

679
00:35:38,440 --> 00:35:42,480
Speaker 4: and he says what I realized when I seen Steve

680
00:35:43,200 --> 00:35:43,400
Speaker 4: is that.

681
00:35:45,520 --> 00:35:46,719
Speaker 1: He needed me. Wow.

682
00:35:47,040 --> 00:35:49,400
Speaker 4: He was like because I was a comedian. He was like,

683
00:35:49,480 --> 00:35:53,000
Speaker 4: I was a comedian. But I realized I wanted to

684
00:35:53,080 --> 00:35:57,000
Speaker 4: do business. And when I saw Steve Harvey, I looked

685
00:35:57,000 --> 00:36:00,080
Speaker 4: at it as I can do everything I want to

686
00:36:00,200 --> 00:36:04,440
Speaker 4: do from a business side and get all the all

687
00:36:04,480 --> 00:36:07,160
Speaker 4: the success that I ever wanted from the comedian side,

688
00:36:07,800 --> 00:36:10,680
Speaker 4: helping him become the biggest comedian that I possibly could.

689
00:36:10,960 --> 00:36:11,400
Speaker 6: I love it.

690
00:36:11,640 --> 00:36:14,239
Speaker 1: And the first thing that popped in my head was

691
00:36:14,280 --> 00:36:14,839
Speaker 1: my best friend.

692
00:36:15,920 --> 00:36:16,200
Speaker 7: Wow.

693
00:36:17,239 --> 00:36:19,400
Speaker 1: It was a very selfless thing for me, where I

694
00:36:19,520 --> 00:36:24,080
Speaker 1: was just like, that's me and Tank because I had

695
00:36:24,160 --> 00:36:25,920
Speaker 1: been going it was like it was like a sign.

696
00:36:26,640 --> 00:36:28,080
Speaker 1: And I don't even know if I ever really told you,

697
00:36:29,400 --> 00:36:32,800
Speaker 1: but I'm sitting there and yeah, you guys want to

698
00:36:35,760 --> 00:36:44,000
Speaker 1: you a little saucy man.

699
00:36:46,640 --> 00:36:48,680
Speaker 2: Shame, Why do you keep this from me.

700
00:36:53,800 --> 00:36:56,080
Speaker 1: Stop this ship, man, stop this ship.

701
00:36:56,840 --> 00:37:01,600
Speaker 2: Don't stop ships a little no, no, this some motherfucker

702
00:37:01,880 --> 00:37:02,360
Speaker 2: kill everybody.

703
00:37:02,480 --> 00:37:10,960
Speaker 1: Just got emotional. That's my best tonight. You gotta go

704
00:37:11,040 --> 00:37:13,800
Speaker 1: do a drive by. You got just drive I just

705
00:37:13,880 --> 00:37:18,440
Speaker 1: come back. He no, look at me. Do not run

706
00:37:18,560 --> 00:37:22,040
Speaker 1: up on this light skin good looking. He will lay

707
00:37:22,160 --> 00:37:27,680
Speaker 1: you out. I would say this song me looking at

708
00:37:27,800 --> 00:37:28,280
Speaker 1: you guys.

709
00:37:28,680 --> 00:37:31,960
Speaker 2: It's so beautiful man, because you are keeping R and

710
00:37:32,080 --> 00:37:36,200
Speaker 2: B alive and in the sense of what we actually

711
00:37:36,320 --> 00:37:38,720
Speaker 2: need it, because you know, artist is gonna go everywhere

712
00:37:38,760 --> 00:37:39,120
Speaker 2: it goes.

713
00:37:39,640 --> 00:37:42,120
Speaker 1: It goes everywhere it goes. But when I hear your music,

714
00:37:42,719 --> 00:37:48,319
Speaker 1: and this is one song Tank that I listen to.

715
00:37:49,800 --> 00:37:51,800
Speaker 2: And it brings tears to my eyes every time I

716
00:37:51,920 --> 00:37:58,480
Speaker 2: hear it. And I can't get beyond that song. And

717
00:37:58,600 --> 00:38:01,640
Speaker 2: what I mean is every musician to understands this. You'll

718
00:38:01,680 --> 00:38:04,280
Speaker 2: listen to a song and you say, I can't get beyond.

719
00:38:04,760 --> 00:38:07,239
Speaker 2: I can't get enough of the feeling that I'm feeling.

720
00:38:07,000 --> 00:38:11,600
Speaker 1: When you sing that song. I know we're going all

721
00:38:11,680 --> 00:38:13,719
Speaker 1: over the place, but just talk about this song, which

722
00:38:13,800 --> 00:38:15,839
Speaker 1: I fucked up. I want to be on the song.

723
00:38:15,960 --> 00:38:18,880
Speaker 1: I'm kind of scared too. That's the whole thing is

724
00:38:18,920 --> 00:38:22,200
Speaker 1: like I won't be able to match. Yeah, well you

725
00:38:23,120 --> 00:38:24,680
Speaker 1: you'd be able to match.

726
00:38:24,960 --> 00:38:27,759
Speaker 2: But you know what I'm saying, and I'm reaching, But

727
00:38:28,040 --> 00:38:31,960
Speaker 2: you guys are so important for us as as content

728
00:38:32,440 --> 00:38:34,360
Speaker 2: in the sixties when we were going through a struggle,

729
00:38:35,719 --> 00:38:38,600
Speaker 2: like black people were going through a struggle in the sixties,

730
00:38:38,920 --> 00:38:41,719
Speaker 2: and the beautiful music that came out of that seventies,

731
00:38:42,080 --> 00:38:45,960
Speaker 2: the party and it's as Studio fifty four eighties. It's

732
00:38:46,000 --> 00:38:50,000
Speaker 2: a whole different thing. But now at this moment, when

733
00:38:50,080 --> 00:38:53,279
Speaker 2: I listen to what you bring to the table artistically,

734
00:38:54,080 --> 00:38:57,760
Speaker 2: I go like, wow, Man, imagine if van Alden wouldn't happen.

735
00:38:58,480 --> 00:39:01,040
Speaker 2: Imagine if those days would have happed. When I say, yo,

736
00:39:01,120 --> 00:39:01,919
Speaker 2: stay in my crib.

737
00:39:02,840 --> 00:39:06,879
Speaker 1: And now you have this song that I play, she's look,

738
00:39:07,000 --> 00:39:09,719
Speaker 1: she knows, Look, she knows. How long? How much do

739
00:39:09,800 --> 00:39:12,919
Speaker 1: I play that song? I play it all the time.

740
00:39:13,000 --> 00:39:15,560
Speaker 4: Bro, Well, nigga, I'm about to look what motherfuckers take

741
00:39:15,560 --> 00:39:16,879
Speaker 4: me away because I'm drunk at this point.

742
00:39:18,600 --> 00:39:24,080
Speaker 1: Listen to take me even to throw the publish. No,

743
00:39:24,920 --> 00:39:29,360
Speaker 1: it's the song take Me Away, takes me Away, And.

744
00:39:31,880 --> 00:39:37,400
Speaker 2: I appreciate you on a bigger level. It's bigger than

745
00:39:37,440 --> 00:39:39,640
Speaker 2: these cameras. It's bigger than what we talk about. It's

746
00:39:39,719 --> 00:39:43,400
Speaker 2: something that in Hollywood we live a different life. We

747
00:39:43,520 --> 00:39:47,160
Speaker 2: live a life of where things is. It's just I

748
00:39:47,160 --> 00:39:48,879
Speaker 2: don't know how to explain it. It's different from where

749
00:39:49,040 --> 00:39:54,759
Speaker 2: our homies are. But when you did that song, Man Tang,

750
00:39:57,400 --> 00:40:03,120
Speaker 2: I'll be riding on my boat, you know what, nigga,

751
00:40:05,520 --> 00:40:10,279
Speaker 2: toast the boat, toast the boat. I'll be riding on

752
00:40:10,360 --> 00:40:14,040
Speaker 2: that boat and we'll be playing all the fucking I'm.

753
00:40:13,920 --> 00:40:16,560
Speaker 1: In my side. That doesn't mean got a lot.

754
00:40:18,360 --> 00:40:21,839
Speaker 2: I don't know all the words, which I love that song,

755
00:40:21,960 --> 00:40:23,560
Speaker 2: and I got some friends who know all of the

756
00:40:23,640 --> 00:40:27,480
Speaker 2: fucking choreography. But when I play that song man my

757
00:40:27,719 --> 00:40:33,399
Speaker 2: little one Annalise, everybody will stopped talk about how that song.

758
00:40:33,719 --> 00:40:35,640
Speaker 2: I know this is crazy to talk about that song game.

759
00:40:35,560 --> 00:40:41,960
Speaker 1: But I really was just in a zone and I

760
00:40:42,080 --> 00:40:46,399
Speaker 1: wasn't even gonna do a mix tape nothing. So Jay

761
00:40:46,520 --> 00:40:48,760
Speaker 1: calls me. Jay will always call me in the morning

762
00:40:49,360 --> 00:40:52,840
Speaker 1: with with idea. I call it. We've dubbed it idea overload,

763
00:40:54,120 --> 00:40:56,120
Speaker 1: Idea overload. He's a thinker.

764
00:40:57,200 --> 00:40:59,759
Speaker 3: When I say thinker, this Nigga's a thinker and he'll

765
00:40:59,800 --> 00:41:04,600
Speaker 3: call me in the morning with twenty seven ideas. Listen,

766
00:41:05,040 --> 00:41:08,360
Speaker 3: let's get to it, nigga. Twenty seven nigga. He's like, Nigga,

767
00:41:08,400 --> 00:41:10,120
Speaker 3: you're doing a mixtape. And then I was like, I'm

768
00:41:10,160 --> 00:41:13,040
Speaker 3: not doing a mixtape. I'm not doing about jay. I'll

769
00:41:13,120 --> 00:41:13,719
Speaker 3: call you back.

770
00:41:14,600 --> 00:41:16,440
Speaker 2: And when we get off that call, I go and

771
00:41:16,480 --> 00:41:18,880
Speaker 2: I start playing the piano and I come up with

772
00:41:19,000 --> 00:41:22,319
Speaker 2: like four different dress and I'm like, shoot, I think

773
00:41:22,360 --> 00:41:23,280
Speaker 2: I might have a mixtape.

774
00:41:23,320 --> 00:41:25,080
Speaker 1: I called him back and said, you know what, You're right,

775
00:41:25,080 --> 00:41:27,920
Speaker 1: we're doing a mixtape. And I do this, and but

776
00:41:28,000 --> 00:41:29,399
Speaker 1: what about another twenty six things?

777
00:41:29,440 --> 00:41:33,959
Speaker 3: Nigga, I'm doing a mixtape and I put the first

778
00:41:34,000 --> 00:41:37,000
Speaker 3: one out, launch it beautiful. Fans asked for four more.

779
00:41:37,320 --> 00:41:39,439
Speaker 3: I said, okay, I can't do this one without my girl.

780
00:41:39,719 --> 00:41:43,959
Speaker 3: I said, I need something that feels like right commission, Wow,

781
00:41:46,360 --> 00:41:49,160
Speaker 3: I need something that gives me the feeling, the same

782
00:41:49,280 --> 00:41:51,239
Speaker 3: feeling that I got when I.

783
00:41:51,320 --> 00:41:54,759
Speaker 1: Heard or ever heard do they ever have young ladies

784
00:41:54,800 --> 00:41:58,040
Speaker 1: on the records? No? Who commission? They're nobody, no features.

785
00:41:58,080 --> 00:42:01,200
Speaker 1: Let me ask you a question. You got me, what's

786
00:42:01,320 --> 00:42:02,880
Speaker 1: what's what's the worst you.

787
00:42:06,239 --> 00:42:06,439
Speaker 2: Man?

788
00:42:07,040 --> 00:42:15,160
Speaker 8: Nobody trying to come to night layout Thief, all the lions,

789
00:42:16,000 --> 00:42:17,200
Speaker 8: all of the crying.

790
00:42:17,680 --> 00:42:19,280
Speaker 1: I love to ignite.

791
00:42:21,120 --> 00:42:29,399
Speaker 2: Please take me away, away, away, You see what I'm saying,

792
00:42:29,560 --> 00:42:39,239
Speaker 2: Like it's free free. We had a moment when we

793
00:42:39,360 --> 00:42:43,600
Speaker 2: went to and I know we're just jumping around, but

794
00:42:43,719 --> 00:42:45,279
Speaker 2: we had a moment when we went to the front

795
00:42:45,360 --> 00:42:46,640
Speaker 2: lines of the Black Lives Matter.

796
00:42:47,239 --> 00:42:47,439
Speaker 1: Yeah.

797
00:42:47,880 --> 00:42:50,960
Speaker 2: Yeah, And there's a moment I have this footage of

798
00:42:51,040 --> 00:42:53,799
Speaker 2: when I'm filming you and we're on a plane. By

799
00:42:53,800 --> 00:42:55,680
Speaker 2: the way, Iris, Thank you for giving us that plane

800
00:42:55,760 --> 00:42:57,520
Speaker 2: so we could get to Iris.

801
00:42:57,560 --> 00:43:01,200
Speaker 1: Thank you so much. But I remember playing that song man,

802
00:43:01,480 --> 00:43:04,640
Speaker 1: and I remember saying, like, this is our moment. And

803
00:43:04,760 --> 00:43:07,000
Speaker 1: I watched you. I know you watched me, watch you,

804
00:43:07,080 --> 00:43:09,160
Speaker 1: I said, I.

805
00:43:09,200 --> 00:43:15,839
Speaker 2: Said, youse, aw some incredible You're on an incredible trajectory.

806
00:43:17,080 --> 00:43:17,320
Speaker 1: I know.

807
00:43:18,440 --> 00:43:20,839
Speaker 2: I was scared to sing on that song. I told

808
00:43:20,880 --> 00:43:22,960
Speaker 2: Lonie too, I said, my god, the song is a

809
00:43:23,040 --> 00:43:27,000
Speaker 2: great I get on and messed it up. But how

810
00:43:27,040 --> 00:43:32,879
Speaker 2: does it feel having this career and that now doing

811
00:43:32,960 --> 00:43:38,759
Speaker 2: the music that you do, being on stage with you? Yeah,

812
00:43:41,360 --> 00:43:44,000
Speaker 2: I want to know, like when you sit down just

813
00:43:44,080 --> 00:43:47,239
Speaker 2: for our for our musicians, what is going through your

814
00:43:47,280 --> 00:43:49,319
Speaker 2: mind every time you do a record. When you say

815
00:43:49,560 --> 00:43:52,560
Speaker 2: you got to do the mixtape? What does it mean

816
00:43:52,680 --> 00:43:55,480
Speaker 2: the world to you? Because I think to me, you know,

817
00:43:55,520 --> 00:43:59,080
Speaker 2: I call you, everything means the world to you. Does

818
00:43:59,120 --> 00:43:59,920
Speaker 2: it mean the world to you?

819
00:44:00,120 --> 00:44:00,279
Speaker 1: Yeah?

820
00:44:01,320 --> 00:44:06,560
Speaker 2: And and and it's just a feeling, like I mean,

821
00:44:06,960 --> 00:44:09,200
Speaker 2: some from my from my church world would call it

822
00:44:09,280 --> 00:44:12,359
Speaker 2: the annointing. Some would call it, you know, some would

823
00:44:12,400 --> 00:44:16,520
Speaker 2: call it just some you know, good energy or you

824
00:44:16,560 --> 00:44:21,360
Speaker 2: know what I'm saying, some or organic cosmic thing that

825
00:44:22,080 --> 00:44:25,520
Speaker 2: you know that you just feel right, you know what

826
00:44:25,560 --> 00:44:29,520
Speaker 2: I'm saying. And and it's like some days, some days

827
00:44:29,560 --> 00:44:32,640
Speaker 2: I feel it and some days I don't. I watch

828
00:44:32,680 --> 00:44:33,640
Speaker 2: you Instagram, and.

829
00:44:36,840 --> 00:44:37,360
Speaker 1: I watched you.

830
00:44:39,040 --> 00:44:41,239
Speaker 2: Fuck every nigga up that every thought that they could

831
00:44:41,320 --> 00:44:45,560
Speaker 2: make it get you. I said, if nigga thought so brave?

832
00:44:49,880 --> 00:44:52,080
Speaker 2: So what happened if I said that to a girl

833
00:44:52,160 --> 00:44:56,359
Speaker 2: in the DM I watched, and you do something? I said,

834
00:44:56,440 --> 00:44:59,120
Speaker 2: If ever a nigga was I was trying to make it,

835
00:44:59,320 --> 00:45:01,759
Speaker 2: he just turned to ship. He turned all his equipment off.

836
00:45:01,800 --> 00:45:07,239
Speaker 1: Because I'm different. I'm just I'm different, so you know

837
00:45:07,480 --> 00:45:10,439
Speaker 1: so so so I'm different. I know what I am. Yeah,

838
00:45:11,120 --> 00:45:16,080
Speaker 1: I am inspiration. Mm hmm, yeah, so.

839
00:45:16,160 --> 00:45:17,960
Speaker 4: You like a nigga buying a new Rose Royce and

840
00:45:18,000 --> 00:45:21,759
Speaker 4: putting it on the ground. I mean, you know, I

841
00:45:21,840 --> 00:45:28,960
Speaker 4: think of everything and in ghett put the mother's buck

842
00:45:29,040 --> 00:45:31,279
Speaker 4: on the ground and white people right now, it's like.

843
00:45:31,320 --> 00:45:35,960
Speaker 1: What does he mean by I'm inspirational purpose? And and

844
00:45:36,040 --> 00:45:39,319
Speaker 1: I learned that. I learned that. I learned that from

845
00:45:39,400 --> 00:45:42,359
Speaker 1: being with you and from being with Chris Brown, Wow

846
00:45:42,560 --> 00:45:45,640
Speaker 1: and Chris Brown. I worked, I worked with you. You

847
00:45:45,719 --> 00:45:51,800
Speaker 1: know what shot for Chris Chris one, the greater figure

848
00:45:52,400 --> 00:45:58,560
Speaker 1: of all times. You can getting money Manny, Chris Bright,

849
00:45:59,360 --> 00:46:03,120
Speaker 1: Chris Right, So I was with you, you got me back.

850
00:46:04,040 --> 00:46:05,759
Speaker 1: You know how dowbn I was. You were?

851
00:46:06,080 --> 00:46:09,560
Speaker 4: You were you you were talking about let's talk about

852
00:46:10,320 --> 00:46:12,279
Speaker 4: because that's the important part of the R and B

853
00:46:12,360 --> 00:46:15,600
Speaker 4: Money podcast, right because everybody thinks this ship is just

854
00:46:15,760 --> 00:46:17,120
Speaker 4: Rose Royce's and mansions.

855
00:46:18,080 --> 00:46:19,799
Speaker 1: Talk about was giving me money?

856
00:46:19,920 --> 00:46:22,000
Speaker 3: Talk about that whip box was giving me money from

857
00:46:22,080 --> 00:46:25,239
Speaker 3: his walkthrough. It's just like you need some and he

858
00:46:25,239 --> 00:46:26,560
Speaker 3: would just break me off cash.

859
00:46:26,680 --> 00:46:29,760
Speaker 4: And what people don't understand is that we're talking about

860
00:46:29,800 --> 00:46:34,920
Speaker 4: an artist who had already record platinum album absolutely but

861
00:46:35,160 --> 00:46:39,080
Speaker 4: was in a space where he didn't have the freedom

862
00:46:39,200 --> 00:46:43,200
Speaker 4: to continue to feed himself and his family down like

863
00:46:43,280 --> 00:46:44,360
Speaker 4: where he was handcuffed.

864
00:46:45,120 --> 00:46:46,719
Speaker 1: And this is the side of the music visits that

865
00:46:46,760 --> 00:46:48,200
Speaker 1: we talked about, right idea.

866
00:46:48,400 --> 00:46:54,520
Speaker 3: So I get I'm I'm building back up and Jamie

867
00:46:54,640 --> 00:46:57,359
Speaker 3: calls me out of the blue. It's like, I need

868
00:46:57,400 --> 00:46:59,080
Speaker 3: you to come to Miami. We're finishing this album.

869
00:47:00,680 --> 00:47:04,680
Speaker 1: I said, what I'm on the way, we're talking about

870
00:47:04,680 --> 00:47:08,759
Speaker 1: the unpredictable predicted Miami Vice. Miami Vice, bad movie. But

871
00:47:09,640 --> 00:47:12,040
Speaker 1: I should watch that movie to this. That's that to

872
00:47:12,680 --> 00:47:15,160
Speaker 1: feel like happens like my hunble and don't do that

873
00:47:15,200 --> 00:47:15,560
Speaker 1: to yourself.

874
00:47:15,640 --> 00:47:15,680
Speaker 8: Me.

875
00:47:15,760 --> 00:47:17,120
Speaker 1: I don't want you to anyway. I'm just telling you.

876
00:47:17,120 --> 00:47:19,279
Speaker 3: I watch it every time to come on. I want you,

877
00:47:19,400 --> 00:47:21,080
Speaker 3: but don't do that and you get views from anywhere.

878
00:47:21,880 --> 00:47:24,200
Speaker 3: Calls me, called me to Miami and says we're finishing

879
00:47:24,320 --> 00:47:27,960
Speaker 3: the album. And I go to Miami and we do.

880
00:47:28,600 --> 00:47:30,840
Speaker 3: I help him finish an unpredictable album and we do.

881
00:47:31,000 --> 00:47:31,200
Speaker 1: Damn.

882
00:47:31,200 --> 00:47:34,000
Speaker 3: There's seven hundred thousand records the first week and I'm

883
00:47:34,160 --> 00:47:38,520
Speaker 3: back and I'm like and I'm like then everybody, I'm here,

884
00:47:38,560 --> 00:47:40,600
Speaker 3: and it's like that sounded like you on that album.

885
00:47:40,600 --> 00:47:42,920
Speaker 1: I said, Tank it was you a tank. Here's the

886
00:47:43,000 --> 00:47:51,319
Speaker 1: thing you wrote. I didn't write a lot. I wrote people. Oh,

887
00:47:51,600 --> 00:47:56,200
Speaker 1: but that's the next album. That's the next album. Bad

888
00:47:56,320 --> 00:48:01,239
Speaker 1: that wasn't. We'll cut it and make me you make sense?

889
00:48:02,239 --> 00:48:06,560
Speaker 1: Keep on, we'll cut it out. Kem. So listen. You

890
00:48:06,640 --> 00:48:06,960
Speaker 1: do something.

891
00:48:07,840 --> 00:48:11,000
Speaker 3: And I'm sitting there, I'm like, damn, how do you

892
00:48:11,120 --> 00:48:13,920
Speaker 3: do that? And then I meet a kid named Chris

893
00:48:14,000 --> 00:48:18,000
Speaker 3: Brown and we're working and hooping together. I'm like, well,

894
00:48:18,000 --> 00:48:20,200
Speaker 3: you're gonna be cold call, said man, I study everything

895
00:48:20,239 --> 00:48:23,759
Speaker 3: you do. And he goes millions and millions. And then

896
00:48:23,800 --> 00:48:25,840
Speaker 3: I meet a kid named Trey song Weapon on the

897
00:48:25,880 --> 00:48:28,200
Speaker 3: road with waiting for it. You know, he's been waiting

898
00:48:28,239 --> 00:48:29,960
Speaker 3: for this moment. He was like, bro, I said, a

899
00:48:30,000 --> 00:48:32,160
Speaker 3: whole summer listening to Second and paining every day. So

900
00:48:32,480 --> 00:48:34,279
Speaker 3: that's why do you know who the you are? And

901
00:48:34,360 --> 00:48:36,719
Speaker 3: I was like and I said, I got it. Wow,

902
00:48:36,880 --> 00:48:42,640
Speaker 3: And I stopped chasing. I stopped chasing the monetary validation

903
00:48:43,400 --> 00:48:47,000
Speaker 3: and I started accepting my inspirational gift.

904
00:48:47,800 --> 00:48:52,160
Speaker 2: I said, I'm here. I'm here to Justin Timberlake fucks

905
00:48:52,200 --> 00:48:56,000
Speaker 2: with you. I'm here to give exactly. But Justin, did

906
00:48:56,080 --> 00:48:58,399
Speaker 2: you hear what it says. I'm talking about a very

907
00:48:58,520 --> 00:49:04,680
Speaker 2: popular white star who fus you know you take to

908
00:49:04,880 --> 00:49:11,360
Speaker 2: me the toast is to take wow and white sharks

909
00:49:11,400 --> 00:49:11,759
Speaker 2: that love you.

910
00:49:14,600 --> 00:49:15,960
Speaker 1: The white man loves you.

911
00:49:17,239 --> 00:49:24,160
Speaker 4: So tell me this, though, Fox, because I paid attention

912
00:49:24,320 --> 00:49:28,719
Speaker 4: to your music career, like I fucked with all the

913
00:49:28,920 --> 00:49:31,280
Speaker 4: early ship. You know what I'm saying, Like, no bullshit,

914
00:49:32,040 --> 00:49:34,719
Speaker 4: Like I really fucked with the early ship. So tell

915
00:49:34,760 --> 00:49:40,360
Speaker 4: me how do you go from your first album? You

916
00:49:40,480 --> 00:49:44,160
Speaker 4: break as a comedian right and then you say I'm

917
00:49:44,200 --> 00:49:45,280
Speaker 4: going to try it again.

918
00:49:45,600 --> 00:49:48,360
Speaker 2: I'm gonna tell you what happened this little black motherfucker

919
00:49:48,440 --> 00:49:52,520
Speaker 2: that y'all know, this little dark skinned.

920
00:49:56,760 --> 00:49:57,240
Speaker 1: Right here.

921
00:50:00,120 --> 00:50:02,799
Speaker 2: Love the back motherfucker that I've actually had a fight

922
00:50:02,920 --> 00:50:16,600
Speaker 2: with ye at the Usher concert. Prescott, Brion Prescott, me

923
00:50:16,760 --> 00:50:19,239
Speaker 2: as an artist is different because I always wanted to

924
00:50:19,320 --> 00:50:22,799
Speaker 2: do music. But I started out with stand up, ended

925
00:50:22,880 --> 00:50:26,160
Speaker 2: up doing these sort of like serious movies. But the

926
00:50:26,239 --> 00:50:27,880
Speaker 2: thing that was just out of reach was music. I

927
00:50:27,920 --> 00:50:30,520
Speaker 2: would listen to you and Marvel. So I run into

928
00:50:31,520 --> 00:50:33,680
Speaker 2: Brion Prescott and we met playing basketball. We had a

929
00:50:33,760 --> 00:50:36,160
Speaker 2: four and four championship that we would do with my

930
00:50:36,239 --> 00:50:41,640
Speaker 2: house every every every holiday, and him and Jason.

931
00:50:42,800 --> 00:50:47,400
Speaker 1: Under five nine. I keep it funky. That nigga, that

932
00:50:47,560 --> 00:50:48,080
Speaker 1: nigga tough.

933
00:50:48,120 --> 00:50:51,319
Speaker 2: He a tough guard and he's also a tough guard.

934
00:50:51,440 --> 00:50:54,160
Speaker 2: He's also a tough music music partner.

935
00:50:55,880 --> 00:50:56,400
Speaker 1: He's crazy.

936
00:50:58,400 --> 00:51:00,520
Speaker 2: Brion came to me and says, you should the music,

937
00:51:00,760 --> 00:51:02,360
Speaker 2: but stop being stop being funny.

938
00:51:02,920 --> 00:51:05,319
Speaker 1: I said, what stop being funny? He said, just sing

939
00:51:05,440 --> 00:51:07,200
Speaker 1: the record. He said, you're joking too much.

940
00:51:07,640 --> 00:51:09,560
Speaker 2: So what happens is when you joke too much, people

941
00:51:09,560 --> 00:51:12,160
Speaker 2: will start to say like, oh, he's not really serious

942
00:51:12,160 --> 00:51:14,759
Speaker 2: about the music. So what he did was he was

943
00:51:14,880 --> 00:51:17,719
Speaker 2: able to find the songs. He says, I want your

944
00:51:17,800 --> 00:51:20,359
Speaker 2: song to be a hit before they see who you are.

945
00:51:20,760 --> 00:51:22,680
Speaker 2: He says, because I know that there's something there. And

946
00:51:22,719 --> 00:51:24,440
Speaker 2: he gave me his resume and I was like, okay,

947
00:51:24,719 --> 00:51:26,200
Speaker 2: that's that's that was fantastic.

948
00:51:26,280 --> 00:51:26,400
Speaker 8: You know.

949
00:51:27,080 --> 00:51:27,200
Speaker 4: Uh.

950
00:51:27,280 --> 00:51:31,440
Speaker 2: He worked with Maxwell and and and and Stone. But

951
00:51:31,520 --> 00:51:33,960
Speaker 2: he says, I want you to just just sing the record.

952
00:51:35,000 --> 00:51:37,440
Speaker 1: And so I did. And so by doing that with

953
00:51:39,560 --> 00:51:41,279
Speaker 1: under breon toute list.

954
00:51:42,000 --> 00:51:44,600
Speaker 2: Here we are at the Van Alden House and people

955
00:51:44,640 --> 00:51:46,600
Speaker 2: don't understand that I did the parties for a reason.

956
00:51:46,680 --> 00:51:48,279
Speaker 2: I did the party so people could come to the

957
00:51:48,360 --> 00:51:51,000
Speaker 2: house and uh. At one party, it was a party

958
00:51:51,040 --> 00:51:54,120
Speaker 2: for Puff. Puff is there and there was a young

959
00:51:54,160 --> 00:51:55,960
Speaker 2: guy by the name of There was a young lady

960
00:51:55,960 --> 00:51:56,880
Speaker 2: by the name of miss La.

961
00:51:57,000 --> 00:51:58,680
Speaker 1: She had a room. Puff had a room. And it

962
00:51:58,760 --> 00:52:01,239
Speaker 1: was a guy standing on on the nobody knew his

963
00:52:01,440 --> 00:52:03,840
Speaker 1: name was jay Z. I said, what's up. It's crazy,

964
00:52:05,080 --> 00:52:07,600
Speaker 1: Sparty is crazy. It's like the short time. It's crazy.

965
00:52:07,640 --> 00:52:09,640
Speaker 1: That yeah, it's crazy.

966
00:52:10,600 --> 00:52:12,600
Speaker 2: Then it was a young guy standing out in the garage.

967
00:52:12,800 --> 00:52:15,680
Speaker 2: Smaller guy said, yo yo bees parties like this all

968
00:52:15,719 --> 00:52:18,120
Speaker 2: the time. Is said, who you says with the Neptunes,

969
00:52:19,000 --> 00:52:19,920
Speaker 2: my name is Pharreh.

970
00:52:20,040 --> 00:52:23,200
Speaker 1: I said wow. During that time, Brion brought over this

971
00:52:23,360 --> 00:52:25,520
Speaker 1: kid bars Kanye West.

972
00:52:27,400 --> 00:52:29,879
Speaker 2: He said, this is a new guy. And Kanye comes

973
00:52:29,920 --> 00:52:32,000
Speaker 2: over and I challenge him. I said, well, when people

974
00:52:32,080 --> 00:52:33,960
Speaker 2: come over and you got you know, you got talent,

975
00:52:34,040 --> 00:52:36,760
Speaker 2: let's hear what you do. He freestyle something that was amazing.

976
00:52:37,080 --> 00:52:38,239
Speaker 2: Brion says, fuck all that.

977
00:52:39,120 --> 00:52:41,279
Speaker 1: What he said, there's that song? Tell him about the song.

978
00:52:41,400 --> 00:52:43,279
Speaker 1: So we went in the back where my studio was

979
00:52:43,680 --> 00:52:45,960
Speaker 1: and we did this song. Kanye said. The song goes

980
00:52:46,040 --> 00:52:48,880
Speaker 1: like she says she wants some mom and gay, some

981
00:52:49,080 --> 00:52:51,840
Speaker 1: nuther Evan Jos so I said, I got it. I

982
00:52:51,920 --> 00:52:55,440
Speaker 1: got it, So I started singing. She said she won't.

983
00:52:55,680 --> 00:53:01,960
Speaker 1: So he's like, and Kanye is like, Yo, what you doing?

984
00:53:03,320 --> 00:53:06,399
Speaker 1: He said, sing's supposed to be. Brion says, y'all, yo,

985
00:53:06,520 --> 00:53:10,560
Speaker 1: Dade sing the song like he said, this is whack.

986
00:53:10,640 --> 00:53:14,160
Speaker 1: It's never gonna work. So I do sing it the

987
00:53:14,239 --> 00:53:15,800
Speaker 1: way he said it. I go off and do a

988
00:53:15,840 --> 00:53:18,200
Speaker 1: bad movie. I'll come back and is like, you love

989
00:53:18,480 --> 00:53:22,640
Speaker 1: how many bad movies he loves? But but I got friends.

990
00:53:22,719 --> 00:53:26,680
Speaker 1: But I got friends that will be like by I

991
00:53:26,760 --> 00:53:30,600
Speaker 1: got friends, fines. I see what you're doing.

992
00:53:30,880 --> 00:53:35,799
Speaker 2: You know what I'm saying, yo. But Teas, he will say.

993
00:53:35,840 --> 00:53:38,400
Speaker 2: When the movie is sucked up, Tank will say, fies,

994
00:53:38,480 --> 00:53:40,040
Speaker 2: I see you where you was trying to go with that.

995
00:53:41,239 --> 00:53:44,040
Speaker 2: I see where you were trying to go. Enjoy all

996
00:53:44,120 --> 00:53:47,839
Speaker 2: the fun. Do another fucking shot, right, Do another fucking shot.

997
00:53:47,880 --> 00:53:48,800
Speaker 2: If you're really about it.

998
00:53:48,880 --> 00:53:51,600
Speaker 1: I'm biased. If you really a fucking man, if you

999
00:53:51,719 --> 00:53:54,240
Speaker 1: really are, if you really out for do that fucking

1000
00:53:54,280 --> 00:53:56,160
Speaker 1: shot right now. It's gonna be happy. I won't have

1001
00:53:56,239 --> 00:53:59,440
Speaker 1: enough looking for everybody. Do have whatever the fuck do

1002
00:53:59,600 --> 00:54:01,799
Speaker 1: that ship? Write the funk now to win and ship

1003
00:54:01,840 --> 00:54:05,680
Speaker 1: together and Jay Valentine, I'm gonna see you fighting. Bail

1004
00:54:05,800 --> 00:54:06,600
Speaker 1: money in my pocket.

1005
00:54:06,680 --> 00:54:09,160
Speaker 2: Oh bro, I got bail money because I know Jay

1006
00:54:09,239 --> 00:54:12,600
Speaker 2: Valentine gonna turn on this light skin motherfucker is so.

1007
00:54:12,719 --> 00:54:17,399
Speaker 1: Dark, siad No, listen, listen, tell let me tell this story.

1008
00:54:17,719 --> 00:54:24,160
Speaker 1: We at we at all hold them to light skin ship.

1009
00:54:25,920 --> 00:54:27,200
Speaker 1: We end a day, dropped me.

1010
00:54:28,880 --> 00:54:39,439
Speaker 3: We in a day during all stuff super We listen,

1011
00:54:39,719 --> 00:54:42,560
Speaker 3: We end the bay during Super Bowl. Yeah, every club

1012
00:54:42,640 --> 00:54:44,600
Speaker 3: he takes me to. Oh yeah, my cousin he running,

1013
00:54:44,600 --> 00:54:47,040
Speaker 3: He's doing the hotel. Every club we're getting there, it's

1014
00:54:47,120 --> 00:54:51,320
Speaker 3: like fifteen cousins. I'm like, we we this Nis is

1015
00:54:51,360 --> 00:54:53,640
Speaker 3: really deep in the street, deep in the streets. So

1016
00:54:53,800 --> 00:54:56,360
Speaker 3: we get to one club, right. We settled in against us,

1017
00:54:56,520 --> 00:55:01,000
Speaker 3: Chris browsel, Ula, everybody, Barack Obama and everybod. Steph Curry

1018
00:55:01,080 --> 00:55:05,120
Speaker 3: right there, Steph Curry Curry, all the life and great guys.

1019
00:55:06,360 --> 00:55:08,799
Speaker 3: By this time, he got the ail in him. He said, Tank,

1020
00:55:09,760 --> 00:55:11,640
Speaker 3: tell Steph come over here to take a picture with

1021
00:55:11,800 --> 00:55:14,400
Speaker 3: us if he want to keep being safe in these streets.

1022
00:55:15,120 --> 00:55:16,960
Speaker 1: I said, what the fuck? I said, why are you

1023
00:55:16,960 --> 00:55:19,480
Speaker 1: gotta tell him too much? I said, do I gotta

1024
00:55:19,480 --> 00:55:22,200
Speaker 1: tell him the whole thing. Can I tell him? Steph bring,

1025
00:55:23,000 --> 00:55:25,520
Speaker 1: I gotta tell me something. I said, Hey, Steph, we'd

1026
00:55:25,600 --> 00:55:29,399
Speaker 1: like we love. That's how you. That's how we love

1027
00:55:30,080 --> 00:55:32,360
Speaker 1: to all get a photo with you. That's how you.

1028
00:55:32,880 --> 00:55:36,239
Speaker 2: After he said, After he said that, I say, see me,

1029
00:55:36,640 --> 00:55:39,080
Speaker 2: don't throw up the motherfucking gang size nigga.

1030
00:55:39,200 --> 00:55:43,680
Speaker 1: We got Step in the picture and there's a picture

1031
00:55:43,760 --> 00:55:47,120
Speaker 1: with all of us and stuff like this. Why Step

1032
00:55:47,239 --> 00:55:50,400
Speaker 1: looking like that? Because that brand Step is cool? Protect

1033
00:55:50,400 --> 00:55:52,600
Speaker 1: the band. Biggas called me the next morning, like, man,

1034
00:55:52,600 --> 00:55:54,840
Speaker 1: why did you he was out of control? Did you

1035
00:55:54,960 --> 00:55:56,839
Speaker 1: do that? He turned me into the hits? But tell

1036
00:55:57,040 --> 00:56:01,560
Speaker 1: that nigga take this. Do you want to be safe

1037
00:56:01,640 --> 00:56:05,600
Speaker 1: out here? I said, I can't tell him that. I

1038
00:56:05,640 --> 00:56:07,920
Speaker 1: don't want to stand him that anyway. So it's not

1039
00:56:08,000 --> 00:56:08,680
Speaker 1: a proud moment.

1040
00:56:08,800 --> 00:56:11,320
Speaker 3: That's not you have Fox. You have been at You

1041
00:56:11,440 --> 00:56:13,960
Speaker 3: have been a depinnacle of everything. As we close this out,

1042
00:56:13,960 --> 00:56:18,880
Speaker 3: you've been a depinnacle from Grammys to oscarts, Toms to everything.

1043
00:56:20,760 --> 00:56:21,319
Speaker 1: What's next?

1044
00:56:22,239 --> 00:56:27,400
Speaker 2: Tz I'm gonna be honest with you, living living my

1045
00:56:27,560 --> 00:56:31,879
Speaker 2: life the way I live it. It's like you and Jay,

1046
00:56:32,760 --> 00:56:36,920
Speaker 2: there's a certain there's a certain thing, whatever, whatever whatever

1047
00:56:37,040 --> 00:56:39,520
Speaker 2: is next is do they like it?

1048
00:56:41,160 --> 00:56:42,120
Speaker 1: I constantly go like.

1049
00:56:42,200 --> 00:56:44,120
Speaker 2: And I've had a couple can I be honest with you.

1050
00:56:44,520 --> 00:56:46,440
Speaker 2: I've had a couple of bumps when when I do

1051
00:56:46,560 --> 00:56:50,200
Speaker 2: some ship and y'all go like fuck. I remember, like

1052
00:56:50,480 --> 00:56:54,320
Speaker 2: not knowing this is gonna sound so random to you.

1053
00:56:54,760 --> 00:56:56,520
Speaker 2: But you remember when we was talking about these nuts

1054
00:56:58,320 --> 00:57:01,640
Speaker 2: and I didn't do the joke right? Yeah, I remember

1055
00:57:01,680 --> 00:57:06,840
Speaker 2: that you said Fox that that has haunted me.

1056
00:57:09,200 --> 00:57:11,600
Speaker 1: Yea. I was doing the joke so great and I

1057
00:57:11,719 --> 00:57:13,800
Speaker 1: tried to do it, and you was like, are you

1058
00:57:15,040 --> 00:57:19,560
Speaker 1: everything I love? Everything I love? Or everything I love?

1059
00:57:19,720 --> 00:57:23,160
Speaker 1: Let's be honest everything I love. I didn't joke wrong

1060
00:57:23,400 --> 00:57:25,000
Speaker 1: and I didn't know that it was wrong, and he

1061
00:57:25,080 --> 00:57:30,760
Speaker 1: said that's not how I said. I went, He's like, no,

1062
00:57:31,360 --> 00:57:34,160
Speaker 1: that's not. But you were so gracious with me, like this.

1063
00:57:34,280 --> 00:57:37,160
Speaker 2: Old nigga, this older nigga just didn't know what the

1064
00:57:37,240 --> 00:57:42,520
Speaker 2: funk it was. I feel like I embarrassed myself a

1065
00:57:42,640 --> 00:57:46,200
Speaker 2: lot in front of you. I'm gonna say, place.

1066
00:57:47,520 --> 00:57:51,760
Speaker 1: You want place. I remember even at your wedding, I

1067
00:57:51,800 --> 00:57:57,000
Speaker 1: think I maybe I divorced too much. Your wedding, I

1068
00:57:57,120 --> 00:58:01,120
Speaker 1: talked you about your wife like I wanted her. And

1069
00:58:01,240 --> 00:58:07,280
Speaker 1: the young lady that was this time was like, completely

1070
00:58:07,480 --> 00:58:13,360
Speaker 1: embarrassed what I say. I literally said, I've never told

1071
00:58:13,400 --> 00:58:15,760
Speaker 1: you this. I fucked up. He fu up, he was,

1072
00:58:16,240 --> 00:58:18,200
Speaker 1: he had little sauce I did. I fucked up.

1073
00:58:18,400 --> 00:58:20,720
Speaker 3: And I was hoping that you didn't call it because

1074
00:58:20,760 --> 00:58:23,640
Speaker 3: I was, and it's always your your your supporter.

1075
00:58:23,720 --> 00:58:26,960
Speaker 2: I was like, I don't think I'm saying, but you

1076
00:58:27,040 --> 00:58:29,200
Speaker 2: know when the nigga boys go up like that, you

1077
00:58:29,360 --> 00:58:34,120
Speaker 2: know he lies, he was good. I think I embarrassed myself.

1078
00:58:34,440 --> 00:58:37,280
Speaker 2: I didn't know, but I didn't say it the right way.

1079
00:58:37,480 --> 00:58:42,200
Speaker 2: I wasn't saying that tank walk, he ain't got the jump,

1080
00:58:42,360 --> 00:58:45,880
Speaker 2: that's what I said. I'm like, pretty much, that's what

1081
00:58:46,240 --> 00:58:47,920
Speaker 2: that's that's funny.

1082
00:58:48,440 --> 00:58:51,080
Speaker 4: I was embarrassed. But listen, but here's the thing. Before

1083
00:58:51,080 --> 00:58:55,280
Speaker 4: you minused, before you minised, right, I went far to no,

1084
00:58:56,200 --> 00:58:56,600
Speaker 4: you didn't go.

1085
00:59:03,760 --> 00:59:14,440
Speaker 1: Girl, uh, you know it means we can't get along, bro, bro, bro,

1086
00:59:15,120 --> 00:59:17,480
Speaker 1: do you know how much more potatoes? You know? You

1087
00:59:17,560 --> 00:59:18,640
Speaker 1: know how much it like?

1088
00:59:18,880 --> 00:59:18,920
Speaker 9: Like?

1089
00:59:19,040 --> 00:59:22,720
Speaker 1: Then then I said some muscle as niggas niggas. That's

1090
00:59:22,760 --> 00:59:25,080
Speaker 1: just how talk. That's just how talk is. Mama, and

1091
00:59:25,120 --> 00:59:29,680
Speaker 1: Grandmama was here. You know what I'm saying that the ship.

1092
00:59:30,320 --> 00:59:32,760
Speaker 1: I'm not the only one sucking up right now, because

1093
00:59:32,760 --> 00:59:36,880
Speaker 1: you was saying the Valantine saved me. I did for

1094
00:59:37,000 --> 00:59:40,520
Speaker 1: whatever reason, and I'm thinking about this old time. For

1095
00:59:40,680 --> 00:59:44,120
Speaker 1: some reason, I do slip a little bit when I'm

1096
00:59:44,120 --> 00:59:46,800
Speaker 1: around you. You have to stay with us.

1097
00:59:47,920 --> 00:59:51,200
Speaker 2: So I didn't make that mistake. But I wasn't saying

1098
00:59:51,240 --> 00:59:52,720
Speaker 2: I wanted your wife.

1099
00:59:53,520 --> 00:59:55,600
Speaker 3: But you understand what I'm saying. It was like there

1100
00:59:55,680 --> 00:59:57,520
Speaker 3: you and people trying, but I didn't say it the

1101
00:59:57,680 --> 01:00:03,480
Speaker 3: right way. He listen me knowing you, I disagree because

1102
01:00:03,560 --> 01:00:07,120
Speaker 3: I know you know what I'm saying. Outside looking When.

1103
01:00:07,080 --> 01:00:10,840
Speaker 2: I got back to my date, it was yeah, and

1104
01:00:10,920 --> 01:00:12,960
Speaker 2: it was it was like turn on play it and

1105
01:00:13,040 --> 01:00:16,840
Speaker 2: it was like where's fun I left, Look, here's the thing.

1106
01:00:17,080 --> 01:00:18,640
Speaker 2: But you were like, well I got back in the

1107
01:00:18,760 --> 01:00:24,000
Speaker 2: day she was, I said, but why would you know?

1108
01:00:24,120 --> 01:00:26,240
Speaker 2: It wasn't that I wasn't trying to listen.

1109
01:00:26,400 --> 01:00:28,520
Speaker 4: And who I remember was dancing on the dance floor

1110
01:00:28,600 --> 01:00:31,520
Speaker 4: and girls being like, why won't she come out the corner?

1111
01:00:31,720 --> 01:00:35,480
Speaker 1: Oh my god, they're doing this.

1112
01:00:36,080 --> 01:00:36,280
Speaker 4: Oh.

1113
01:00:37,720 --> 01:00:40,600
Speaker 1: It was so fucked up. But at the same time,

1114
01:00:40,760 --> 01:00:46,280
Speaker 1: I was with family, and so we had a good time.

1115
01:00:46,360 --> 01:00:48,720
Speaker 1: So what's next. I spilled some of this ship. You're

1116
01:00:48,720 --> 01:00:51,560
Speaker 1: gonna you're gonna figure, you're gonna always have something next.

1117
01:00:51,960 --> 01:00:55,200
Speaker 1: So the part of the show is called I Ain't

1118
01:00:55,240 --> 01:01:00,720
Speaker 1: Saying No Names. Okay, let's go, Nigga you you no

1119
01:01:00,880 --> 01:01:03,600
Speaker 1: no listen to say everybody. Don't warn.

1120
01:01:05,400 --> 01:01:13,600
Speaker 3: Denzel Washington he was there, No, Kanye, listen.

1121
01:01:14,280 --> 01:01:20,400
Speaker 2: I'm gonna say everybody's names. It was, but right, if

1122
01:01:20,480 --> 01:01:30,120
Speaker 2: there's any indication, don't say no names.

1123
01:01:30,360 --> 01:01:34,160
Speaker 1: Bus segment is called. This is called I'm gonna say it.

1124
01:01:34,240 --> 01:01:37,320
Speaker 1: Oh no, no, no. This segment is called Megan.

1125
01:01:37,080 --> 01:01:38,320
Speaker 9: The Stallion Nigger.

1126
01:01:39,720 --> 01:01:43,160
Speaker 1: Tell the story no names. So this segment is called

1127
01:01:43,760 --> 01:01:48,480
Speaker 1: I Ain't Saying No Names. Fox.

1128
01:01:49,760 --> 01:01:54,520
Speaker 4: Okay, well listen you Jay, motherfucker Fox. You can do

1129
01:01:54,600 --> 01:01:56,680
Speaker 4: what you want to do back, not giving two foks.

1130
01:01:57,280 --> 01:01:58,440
Speaker 4: But the name of the segment.

1131
01:01:58,680 --> 01:02:02,720
Speaker 1: Okay, I'm not long name and the story can be funny,

1132
01:02:03,520 --> 01:02:06,160
Speaker 1: fucked up. Okay, here we go. Industry story, got it?

1133
01:02:07,520 --> 01:02:11,120
Speaker 1: You want me started your story, it's your story. I

1134
01:02:11,160 --> 01:02:12,080
Speaker 1: Ain't saying no names.

1135
01:02:12,320 --> 01:02:16,080
Speaker 2: I was in the hotel room, said the hotel with

1136
01:02:16,240 --> 01:02:19,280
Speaker 2: a very prominent actress and she was doing cocaine.

1137
01:02:19,520 --> 01:02:25,040
Speaker 1: I wasn't I was it. I was it, Jesu.

1138
01:02:25,600 --> 01:02:28,480
Speaker 2: I was not doing it because I don't believe in

1139
01:02:28,480 --> 01:02:31,280
Speaker 2: that because of my life believe. I don't do that

1140
01:02:31,360 --> 01:02:34,720
Speaker 2: because of my religious belief. But she does the cocaine.

1141
01:02:35,120 --> 01:02:38,919
Speaker 2: She says, I'm a bad mother. She said bad mother,

1142
01:02:39,320 --> 01:02:42,160
Speaker 2: and then she goes, wow, I didn't think I would

1143
01:02:42,200 --> 01:02:42,600
Speaker 2: be in this.

1144
01:02:42,720 --> 01:02:44,680
Speaker 1: Room doing cocaine with Rick Fox.

1145
01:02:45,800 --> 01:02:48,240
Speaker 2: She thought I was Rick Fox the whole fucking night, Bro,

1146
01:02:50,880 --> 01:02:53,040
Speaker 2: she thought I was Rick Fox. I was like, I'm

1147
01:02:53,080 --> 01:02:57,520
Speaker 2: not light skinned with good hair, Like, hey, whatever the tocat.

1148
01:02:58,040 --> 01:03:01,200
Speaker 2: I don't hung out with this this young lady all night.

1149
01:03:01,440 --> 01:03:04,480
Speaker 1: Bro. From seven thirty. Think about what I'm telling you.

1150
01:03:04,560 --> 01:03:07,400
Speaker 1: Seven thirty is where you get dressed. Tank.

1151
01:03:07,480 --> 01:03:09,880
Speaker 2: That's what I'm saying, when you get dressed to hang

1152
01:03:09,920 --> 01:03:14,959
Speaker 2: out with somebody. Seven thirties, seven thirty, no tank, tank tank.

1153
01:03:15,280 --> 01:03:16,560
Speaker 1: Seven thirty is a date.

1154
01:03:18,400 --> 01:03:21,520
Speaker 2: In Hollywood. Seven thirty is very early. We meet at

1155
01:03:21,560 --> 01:03:25,000
Speaker 2: seven thirty. I met her at seven. She's she's already

1156
01:03:25,120 --> 01:03:25,800
Speaker 2: high as fuck.

1157
01:03:26,680 --> 01:03:29,960
Speaker 1: We hang out. She came high. What it's Hollywood. That's

1158
01:03:29,960 --> 01:03:33,120
Speaker 1: what we're supposed to do. Lived that life. That's what

1159
01:03:33,240 --> 01:03:35,080
Speaker 1: we're supposed to. I don't know. I don't do it.

1160
01:03:36,280 --> 01:03:40,960
Speaker 1: We're hanging out. She's fucking going nuts. She's going fucking nuts.

1161
01:03:41,160 --> 01:03:43,880
Speaker 1: We're in a hotel room. It's this very prominent hotel.

1162
01:03:44,240 --> 01:03:47,520
Speaker 4: She's goes, oh, you you can shout out the hotel.

1163
01:03:47,840 --> 01:03:50,600
Speaker 4: She's I'm up saying that a hotel.

1164
01:03:51,280 --> 01:03:57,320
Speaker 1: No, bro, it was a Lermatized Alematize Peninsula. Hey, sweet,

1165
01:03:58,240 --> 01:04:04,320
Speaker 1: big time money, big star, put your name on it.

1166
01:04:04,560 --> 01:04:07,560
Speaker 2: What happens is this, I'm pulling up in my my limo.

1167
01:04:08,160 --> 01:04:11,560
Speaker 2: She jumps on my limo thinking of somebody else's I'm

1168
01:04:11,600 --> 01:04:12,959
Speaker 2: I fucking.

1169
01:04:13,080 --> 01:04:16,720
Speaker 1: God, what am I doing? I said, I don't know.

1170
01:04:17,800 --> 01:04:21,120
Speaker 1: I can't believe you. Are you fucking serious? I don't know.

1171
01:04:21,520 --> 01:04:23,360
Speaker 1: It's just hanged. So we just rolled up and down,

1172
01:04:23,440 --> 01:04:26,600
Speaker 1: so said Boulevard. She gets it. And then when we

1173
01:04:26,720 --> 01:04:30,680
Speaker 1: get back to your place, I cannot fucking believe I'm

1174
01:04:30,720 --> 01:04:31,560
Speaker 1: with Rick Fox.

1175
01:04:32,200 --> 01:04:38,160
Speaker 2: He's like, yeah, I get it. That's all I'm telling you.

1176
01:04:38,640 --> 01:04:41,120
Speaker 2: She thought I was Rick Fox, gentleman. Shout out to

1177
01:04:41,200 --> 01:04:43,439
Speaker 2: Rick Fox, my life, skinned friend.

1178
01:04:45,600 --> 01:04:48,680
Speaker 1: You've been hearing on nigga this has been money. Don't

1179
01:04:48,720 --> 01:04:55,080
Speaker 1: you run from it. This is Jake Valentine, Okay, this

1180
01:04:55,240 --> 01:05:02,240
Speaker 1: is James came, nigg right, book cases on. I'm putting

1181
01:05:02,280 --> 01:05:07,480
Speaker 1: kids on all you put kids on all you niggas. Nigga.

1182
01:05:08,320 --> 01:05:11,080
Speaker 1: She literally said, I mean with Rick Fox. I said, wow,

1183
01:05:11,960 --> 01:05:15,440
Speaker 1: that's amazing, it's amazing. It's amazing. The aftermath of Jamie Fox,

1184
01:05:16,040 --> 01:05:16,800
Speaker 1: empty body of.

1185
01:05:16,880 --> 01:05:25,200
Speaker 9: Mel entertainer of all times, hands down, not even thought

1186
01:05:25,840 --> 01:05:27,240
Speaker 9: the goat, not even the.

1187
01:05:27,320 --> 01:05:30,840
Speaker 1: Thought Jamie, my fucking Fox. We wanna be money brothers.

1188
01:05:35,200 --> 01:05:35,720
Speaker 4: M hmm