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Speaker 1: So it's me and it's Ava and it's uh Terrell

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Speaker 1: Owens too, and we're trying to win. Ben signs money,

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Speaker 1: of course, and it's not easy.

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Speaker 2: Yeah, he's going to be super genius because there's.

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Speaker 1: Three of you, but it actually at times is harder.

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Speaker 2: Well, and yes, exactly, he is actually playing you against

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Speaker 2: each other as you're trying.

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Speaker 1: That's the game I was saying. I said, from the

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Speaker 1: very we work together, we might get all of his money.

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Speaker 1: But instead, if you get some of his money and

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Speaker 1: I get some of his money, he might keep a

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Speaker 1: bunch because you know, and he's like an evil super genius.

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Speaker 1: I mean, he wrote speeches for Nixon, who famously had

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Speaker 1: the smartest speeches of all time. So anyway, we're trying

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Speaker 1: to win, and we're trying to win. We're trying to win,

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Speaker 1: and Jimmy Kimmel's cracking these jokes and I'm going, Jimmy,

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Speaker 1: you aren't crack these jokes. Why aren't you go d

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Speaker 1: the freaking Tonight Show or something? Yeah, And he was like,

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Speaker 1: and he goes, that gives me an idea.

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Speaker 2: Okay, he said, okay, Yeah, I thought that was still

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Speaker 2: because I saw him doing this stuff the other night. Yes, yes,

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Speaker 2: these doctors. Yes, he's saying, this is these doctors. And

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Speaker 2: you're thinking, where's isn't ben Stein ben Stein? You're thinking,

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Speaker 2: isn't ben Stein Mack? He's been doing this forever. I

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Speaker 2: thought he had come off his stool and was saying,

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Speaker 2: now it's Jimmy's turn.

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Speaker 1: Well ben or Stett, I thought maybe he put I

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Speaker 1: thought maybe at the beginning clip he pushed ben Stein

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Speaker 1: out of the way, right, and let's not talk about

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Speaker 1: your money for a minute. Let's talk about a doctor.

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Speaker 1: And so I thought he's gonna be a big trouble.

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Speaker 1: But turns out the idea that I gave him turn

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Speaker 1: into he did a show his own. I this is great.

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Speaker 1: I am loving this stuff, having this conversation me too,

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Speaker 1: And I love spending time with you. It's so nice.

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Speaker 1: I love you and I'm in love.

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Speaker 2: We have to do this thing that we are here

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Speaker 2: to do the show because we have you know that

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Speaker 2: the time is like a big show. The point, Yes,

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Speaker 2: I get okay, let's just talk about real quickly. Sorry,

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Speaker 2: it's taking longer. Sometimes, like if you.

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Speaker 1: Almost, we actually end up taking almost. Wish we hadn't

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Speaker 1: promised to record the podcast. While we were doing this

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Speaker 1: other thing. Yeah, that should be focusing on the other thing.

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Speaker 1: I can't even have the conversation right now.

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Speaker 2: Welcome to Hollywood Handbook and the inside this guid to

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Speaker 2: kicking button dropping names of the red carpet lineback hallways

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Speaker 2: of this industry we call show. But we forgot that

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Speaker 2: we had to do this pilot. We have to shoot

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Speaker 2: an entire pilot.

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Speaker 1: It is sort of that a lot of these things premiere,

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Speaker 1: so this thing should probably be a premier. Yeah, we

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Speaker 1: should have. This should have been written, it should have

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Speaker 1: been filmed, and it should have been edited and mixed. Right,

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Speaker 1: So we're gonna be Brett's going to be scoring this

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Speaker 1: thing live while y'ah also doing uh you know, all

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Speaker 1: of the scene.

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Speaker 3: Uh.

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Speaker 1: You know, we have a wonderful actress here who we've

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Speaker 1: gotten to play, you know, sort of our main character.

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Speaker 1: Just go chaf cha chapin. Okay, that's better because yeah,

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Speaker 1: chaffin perfect, and she's going to do the stuff and

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Speaker 1: U we're not going to her side of of all

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Speaker 1: of her scenes.

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Speaker 2: Yes, we've just were piecing this thing together, which is

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Speaker 2: actually how these things are normally made quick premise.

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Speaker 1: Yeah, yeah, no, everybody's not in the same room at

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Speaker 1: the same time, and that's all camera tricks. So that's

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Speaker 1: fortunate for us. But we yeah, scheduling wise, that would be.

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Speaker 1: But so we are doing obviously a show. It's a

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Speaker 1: bit of a revival. It's a reboot of of course,

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Speaker 1: Baby Grandpa last year, which was such a so did

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Speaker 1: so well for us, and with such a big hit,

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Speaker 1: it's been reimagined a little bit and sort of given

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Speaker 1: new life. Uh. And it's Baby Grandpa has now become

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Speaker 1: Lady Grandpa, and the Lady is Grandpa and then inside

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Speaker 1: the ladies mind are all the codes for the nuclear foosball.

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Speaker 1: And she's still a baby.

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Speaker 2: It's just like she's a baby, yes, like who's talking

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Speaker 2: like a lad Later, look who's talking?

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Speaker 1: Is when some of the babies were girls and grown up. Yes,

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Speaker 1: so it's a grown up baby who found this baby

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Speaker 1: does not talk.

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Speaker 2: It's a bait. It's like a real This is grounded.

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Speaker 2: This isn't like that other stuff.

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Speaker 1: No, it's grounded. It's real. It's kind of spooky and

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Speaker 1: it is going to be on at six pm. And

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Speaker 1: so and it's the lady who found out on the

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Speaker 1: same day she found out not only is she a lady,

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Speaker 1: but she's a grandpa. And not only is she a grandpa,

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Speaker 1: but she's a baby. And so imagine juggling all those

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Speaker 1: pieces of news at once and trying to remember the

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Speaker 1: code and having the codes for the nuclear foosball and

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Speaker 1: maybe the government wants that back. M hmmm hmm. So

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Speaker 1: and I am playing your lady grandpa.

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Speaker 4: Okay, sorry, when you just think like who is the

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Speaker 4: best to be, like, who would be lady grandpa? I

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Speaker 4: do think I have a masculine and youthful quality at

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Speaker 4: the same time. And I've always been told that I'm wise.

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Speaker 1: Who checks all the boxes, you know what I mean?

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Speaker 1: And yeah, so it's so, that's great.

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Speaker 4: We're going to be doing all the episodes this season

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Speaker 4: live or like or we're doing them all today.

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Speaker 2: We are going to shoot your part for the entire

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Speaker 2: season today.

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Speaker 1: Yeah, okay, just my stuff. You're just your side of it,

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Speaker 1: and I'll be reading off camera. I'll be feeding you

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Speaker 1: the lines, and so you just perform as if some

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Speaker 1: of the actors.

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Speaker 4: Are not acting with anybody.

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Speaker 1: No, yeah, I mean, well, but I'll be sitting on

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Speaker 1: an apple box and I'll be actually normal. Yeah, it's sets.

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Speaker 1: They like.

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Speaker 2: People think that there are all these sets for like

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Speaker 2: a show, but it is actually like a gym.

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Speaker 1: Like did you see the list? I did? Yeah, so

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Speaker 1: Bradley Cooper and I almost called him Coop. He's my

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Speaker 1: friend Coop. But Coop and UH and Bob were never

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Speaker 1: in the same room.

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Speaker 4: Oh, I didn't see that.

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Speaker 1: I didn't see that. Coop and Bob were never in

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Speaker 1: the same room.

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Speaker 4: It's like one of those brain movies.

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Speaker 1: But you wouldn't know if you saw. Yeah, it's a

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Speaker 1: brain pill mega brain pill. Yeah.

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Speaker 4: Yeah, like that's Scarlett Johansson one when her brain starts

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Speaker 4: to work all the.

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Speaker 1: Way and you're thinking Lucy, yeah, yeah, when she finally

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Speaker 1: uses all of her brain. Yeah, it's kind of like

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Speaker 1: too much.

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Speaker 4: Turns out it's too much.

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Speaker 2: But you can imagine like putting two like you know,

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Speaker 2: silver backs like that in the same room, why that

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Speaker 2: could be dangerous, especially when one of them is on

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Speaker 2: brain pill.

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Speaker 1: Very hard hammers are pretty expensive. Don't you think that

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Speaker 1: one of them might take one, break it and eat

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Speaker 1: it just to show the other one how tough? Very

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Speaker 1: good point. So, uh, in order to sort of avoid

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Speaker 1: we've got obviously some other heavy headers we know you're yeah, curious.

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Speaker 4: Who my co stars are in this. That wasn't something

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Speaker 4: my agent had any information about. Mm hmm yeah, yeah,

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Speaker 4: do you guys have information about that?

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Speaker 1: We've got we we pinned a couple people. Uh okay, yeah,

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Speaker 1: we've got a couple of people pinned and they are

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Speaker 1: tech of ail.

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Speaker 4: And exciting to be number one on the call sheet,

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Speaker 4: even just for today.

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Speaker 1: Yeah. No, for sure, you'll be staying that way unless

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Speaker 1: some of these deals go through, right, great, and then

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Speaker 1: the title might have to change.

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Speaker 4: Amazing, Yes, and the premise it's Mind for a day,

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Speaker 4: Queen for a Day mm hmmmm hmm.

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Speaker 1: Yeah, so should we do day the the the al

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Speaker 1: Gore stuff? First?

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Speaker 2: We got al Gore's coverage on a like and a

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Speaker 2: sort of initial scene of did he command.

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Speaker 4: Or was that skype or via satellite or what.

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Speaker 1: Al Gore is going to skype in? Yeah, and so

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Speaker 1: he'll so.

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Speaker 2: Yeah, I'm just trying to remember if we have his

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Speaker 2: stuff yet or if that's something that we still have

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Speaker 2: to hold.

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Speaker 1: Culver plane culture plane keep rowling. Sorry, this is at

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Speaker 1: the airport gym, so just just in case that you know, uh,

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Speaker 1: that that noise keeps coming there sound. This is where

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Speaker 1: we're doing this thing.

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Speaker 5: Yeah, I'm rolling.

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Speaker 1: Are you clear? All right?

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Speaker 6: Uh?

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Speaker 1: Plan that plans okay, I know it's very low, very low. Yeah, yeah,

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Speaker 1: it was really low. And it was like a.

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Speaker 4: Fly by in the top ten when he flies by

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Speaker 4: the tower, permission to fly by not granted, and then

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Speaker 4: the guy spills his coffee.

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Speaker 1: Oh dangerous moment. Yeah.

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Speaker 2: I loved the punishment, which was I just love that

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Speaker 2: he gets a big punishment.

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Speaker 1: Yeah, right right afterwards. Imagine if if everyone tried to

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Speaker 1: do that, tried to show up like that. Mmmm. So

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Speaker 1: let's just I'll read gore stuff just because I don't

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Speaker 1: think we have it.

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Speaker 4: Uh.

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Speaker 1: We we did have him skype in for his audition,

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Speaker 1: h but no one recorded that. That's right. Uh. That

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Speaker 1: was supposed to be on tape for producers, but instead

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Speaker 1: it wound up being more of a pre read. I

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Speaker 1: wish we had just recorded everyone's audition and then we

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Speaker 1: wouldn't necessarily be having to do any would be and

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Speaker 1: we could just be stitching that together.

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Speaker 2: But instead and then we could say that we weren't

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Speaker 2: using people and then just use their audition tape, say sorry,

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Speaker 2: we can't use you, and then it's free.

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Speaker 1: And then meanwhile we're paying just go to like half

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Speaker 1: the money that we had and she's offer only so

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Speaker 1: we had to get her in here. But anyway, let's

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Speaker 1: just do her side of the scene.

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Speaker 7: So this is the scene where Okay, you obviously are

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Speaker 7: worried about your grandson, but you need a new diaper

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Speaker 7: and the FBI is chasing you, and your grandson is

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Speaker 7: al Gore.

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Speaker 4: Uh huh okay, and well we haven't really worked out

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Speaker 4: well the character voice that you guys want for this, so.

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Speaker 1: It's like an old baby, just like a basic old normal.

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Speaker 1: Don't like it? You let me know old babies. We'll

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Speaker 1: get levels. Yeah, we'll get levels.

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Speaker 4: So, uh, worried about my grandson, need a new diaper,

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Speaker 4: need a change, diaper change, being chased by the FBI.

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Speaker 1: Yes, they want what's in your mind? And if we

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Speaker 1: could get one just of what's on the page, and

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Speaker 1: then we can and then we'll do a fun one. Well,

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Speaker 1: ye'll give you because we don't really believe in what's

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Speaker 1: on the page. Uh, And then what are we in

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Speaker 1: for this? Is there a forty on that thing? Rrett

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Speaker 1: Brett forty on it? Yeah? Is this a two? And

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Speaker 1: then we'll get overs.

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Speaker 5: Uh yeah, great, it sounds right perfect.

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Speaker 4: This is the wide or this is my own my

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Speaker 4: just my coverage?

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Speaker 1: Yeah, is this the master?

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Speaker 5: Uh yeah? Should I put sound foam around you guys

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Speaker 5: because it's kind of echoing here.

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Speaker 1: Yeah, that would be great if you could just surround

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Speaker 1: us with phone.

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Speaker 4: It does seem like you guys got a great crew

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Speaker 4: at the last minute, I will say that.

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Speaker 1: Yeah, we managed to get a guy. Very professional. He

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Speaker 1: brings us out, very professional. He has this weird amount

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Speaker 1: of foam. All right, So.

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Speaker 4: Hard to find people that will wrap you on phone

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Speaker 4: these days.

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Speaker 1: Okay, so I'm just gonna read you in Okay where.

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Speaker 8: Oh Joey, I'm worried about you. We gotta get out

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Speaker 8: of here. Oh no, my diapers falling dwn.

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Speaker 1: Don't you be nervous now you're making me nervous.

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Speaker 8: Oh, you're so calm.

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Speaker 1: You know what was one of the best qualities your

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Speaker 1: grandfather passed on to you was I was a baby.

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Speaker 8: I never you would be able to do my damn thereafter.

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Speaker 1: Hey, freeze, FBI give me that brain. I gotta get

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Speaker 1: all these codes back to the freaking president.

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Speaker 3: Listen to me, mister FBI guy. You can't just come

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Speaker 3: in here and tell me what to do. My grand

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Speaker 3: judge buy me And now I need a dug with change.

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Speaker 3: So I'm not gonna put up with it.

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Speaker 1: And I've got a gun. Wait a minute, I'm putting

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Speaker 1: it at myself. No, you're turning my hand and making

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Speaker 1: me pointed at myself. Oh no, you're squeezing trigger part

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Speaker 1: of it and it's at me and it's shooting and

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Speaker 1: oh god, and it's a blast and then its brains

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Speaker 1: will be So that's one scene. So that was great.

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Speaker 2: If we could just get one more, and if Sho

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Speaker 2: and I are just going to talk for for a

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Speaker 2: second and then well, that would be really good. I'm

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Speaker 2: not even sure we have any notes, but let's just.

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Speaker 1: Like I'll just go grab a couple of coffee and

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Speaker 1: you guys, if you guytually just stay here that and

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Speaker 1: just not move it all, thank you. Not very like sex,

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Speaker 1: you know, the way it's supposed to be turned out,

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Speaker 1: my grandson. Yeah, and that's in the Yeah, yeah, it's

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Speaker 1: on the page. To me, that's in the dialogue. But

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Speaker 1: I guess some people have to be told that stuff. Okay, Yeah,

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Speaker 1: And I was noticing, like it's like just for because

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Speaker 1: this is going to be one of the this is

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Speaker 1: the opening scene of the whole year. Yeah, I'd love

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Speaker 1: for it to have some energy to it. Yes, that

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Speaker 1: would be a great which I obviously was bringing a

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Speaker 1: lot like and I'm not playing the role, but just

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Speaker 1: I'm trying to give her something to play off of,

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Speaker 1: and she's not matching me.

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Speaker 5: I know.

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Speaker 1: I'm thinking that maybe it's like a first take thing

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Speaker 1: that like, yeah, like a shyness issue which I had

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Speaker 1: heard about was And also we won't even be in

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Speaker 1: this coverage for a lot of this, I know. Yeah,

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Speaker 1: so it's not We're definitely not. I don't want to

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Speaker 1: hammer her with so many notes. No, this is well,

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Speaker 1: we're not going to use this scene. I mean, this

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Speaker 1: is gonna this is going to be lost in editing.

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Speaker 1: But let's just get it is the first scene and

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Speaker 1: so it should be good. But let's see. I mean,

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Speaker 1: I gotta say to me, it's fortunate that really during

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Speaker 1: the scene, which would be a much bigger issue, this

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Speaker 1: is like, ID me is so lucky.

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Speaker 2: It's an ideal scenario that these signs are coming in

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Speaker 2: when we're just having side conversations.

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Speaker 1: So do you want to do this scene again and

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Speaker 1: loosen her up, or do you want to just move

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Speaker 1: on because I don't think we're going to use this.

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Speaker 2: Yeah, so let's move on, but I'll give notes based

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Speaker 2: on what the okay, based on that.

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Speaker 1: Performance and then so okay, so just so that we're

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Speaker 1: gonna yeah, he's gonna give you some notes, we're gonna

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Speaker 1: move on to the scene where it's you talking to

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Speaker 1: your Benjamin.

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Speaker 4: I did hear most of that?

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Speaker 5: Oh?

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Speaker 1: Okay, well, Kelvin Benjamin, I don't know. I'm not sure

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Speaker 1: that you did. Actually, can I just explain to Coven

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Speaker 1: Benjamin is Kevin Benjamin is a wide receiver for the

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Speaker 1: Carolina Panthers. They're having kind of a disappointing season, so

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Speaker 1: we were able to get him to sort of you know,

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Speaker 1: yeah three, I guess. Yeah, we always get him back up.

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Speaker 1: We told him that they doesn't get to do the

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Speaker 1: season anymore and he has to do that. And also

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Speaker 1: football is just you know, I don't think that's gonna

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Speaker 1: happen anymore, So we're.

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Speaker 4: After this week. Yeah, I'm a big football fan, though,

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Speaker 4: I'm going to enjoy the rest of this. I'm sorry

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Speaker 4: I'm telling you guys too much.

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Speaker 1: About myself. Well, because it's like because actually you're not,

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Speaker 1: because lady Grandpa hates football.

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Speaker 4: Oh okay, okay, okay.

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Speaker 1: That's why she only referred to it as a nuclear foosball. Yeah.

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Speaker 1: So anyway, we now are going to be doing the

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Speaker 1: scene where you're with Couvin Benjamin. You're sort of driving

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Speaker 1: him around. You're his chauffeur, driving Kelvin Benjamin. Yeah, he

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Speaker 1: has to get to the.

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Speaker 4: Can I reach the wheel? Am I on a sitting

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Speaker 4: on a bunch of phone books?

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Speaker 1: Your grandpa aspect can reach the wind?

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Speaker 4: So long legs, baby body on top again.

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Speaker 2: Yeah, we'll see what we can manage and post. That's

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Speaker 2: one model and we're gonna get there.

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Speaker 1: We're going to get an insert of a grabber claw

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Speaker 1: steering the wheel from underneath, and so we'll be able

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Speaker 1: to cut to that at any point.

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Speaker 4: But it's really my breathing, like you know what I mean?

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Speaker 1: Yes, definitely, absolutely, And just based on that last scene

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Speaker 1: that was so good, that was so perfect, I was like, oh,

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Speaker 1: our words are coming to life. Yeah, but if.

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Speaker 2: You could just like be kind of feeling it a

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Speaker 2: little more, you know what I mean, just kind of

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Speaker 2: like feeling the vibe the vibe, doing it right, and

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Speaker 2: also just do it normal, just normal like me, Yeah, yeah,

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Speaker 2: but like exciting, but in an exciting way.

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Speaker 1: Make it that we want to watch it.

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Speaker 4: Okay, Yes, how did you guys feel about the accent?

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Speaker 1: You didn't notice it?

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Speaker 4: You didn't notice it.

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Speaker 1: It was really subtle. It was turn up the accent. Yeah,

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Speaker 1: let's turn that up. Do it normal? Yeah, but just

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Speaker 1: like because at the end of the day, yes, yes,

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Speaker 1: she's a lady, Yes she's a baby, Yes she's a grandpa.

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Speaker 1: But she's also a human being, right, you know, think I.

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Speaker 4: Do try to find the truth of the character and

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Speaker 4: everything that I do.

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Speaker 1: Yeah, and that's how people connect. Obviously later in the

349
00:16:44,440 --> 00:16:47,280
Speaker 1: season she's not a human being, we know that, but

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Speaker 1: for now we want to be able to sort of

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Speaker 1: reel the audience in. And this is based on like

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Speaker 1: our babies and our grandpas and stuff, who are just.

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Speaker 4: Like who doesn't have a baby, who doesn't have a

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Speaker 4: grandpa biograph? Yes, well then you guys will know best

355
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Speaker 4: if this is really based on a truth.

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Speaker 1: I know, we definitely will. Yeah, you tell me. I mean,

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Speaker 1: I just want I know we are.

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Speaker 4: I just want to serve your vision that's really all

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Speaker 4: I'm trying to do.

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Speaker 1: Yes, and we and we want you to do that too. Okay,

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Speaker 1: So so doing well? Do you think I was just

362
00:17:19,200 --> 00:17:20,760
Speaker 1: saying that I think it's so good? And yeah, I

363
00:17:20,800 --> 00:17:22,760
Speaker 1: thought it was so good and I'm excited to get

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Speaker 1: into the next scene. And it's so cute. I'm in

365
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Speaker 1: love with you. You're driving, Yes, you're driving a limo.

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Speaker 1: Cuven's in the back seat. Maybe you could say something

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Speaker 1: about he's got to get to the show on time

368
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Speaker 1: to do a stand up routine. He's trying out some

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Speaker 1: of his jokes on you. He's in the limo. Chelsea

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Speaker 1: Peretti's in there with him, Charity's in there with him.

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Speaker 4: At Holmes okay, great.

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Speaker 1: At Helm's Chelsea Paretti and Calvin Benjamin are all in

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Speaker 1: the back of the limo. They're all about to go

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Speaker 1: do a.

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Speaker 4: Bit of party the other night at a party the

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Speaker 4: other night.

377
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Speaker 1: Okay, not really? Is that really true though? Yeah? Yeah?

378
00:17:49,440 --> 00:17:51,560
Speaker 1: And did he mention that he might want to He

379
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Speaker 1: didn't mention.

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Speaker 4: It was weird because I was like, I'm really excited

381
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Speaker 4: about this thing that I'm doing and he didn't. I

382
00:17:57,200 --> 00:17:58,760
Speaker 4: did not mention that he was doing it.

383
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Speaker 2: Okay, to help that this isn't a lying show like

384
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Speaker 2: you know some oh yeah, yeah, I guess maybe this

385
00:18:05,640 --> 00:18:08,520
Speaker 2: is great to bring up. Yes, some shows are like

386
00:18:08,520 --> 00:18:12,159
Speaker 2: like lying shows were lying as acceptable. But this is

387
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Speaker 2: not one of those shows where people can just say

388
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Speaker 2: that they talked to someone who's so famous and like.

389
00:18:18,000 --> 00:18:22,080
Speaker 1: Like a like a huge act just make shit up, yeah,

390
00:18:22,200 --> 00:18:24,720
Speaker 1: just to look like, oh, okay, so cool.

391
00:18:25,000 --> 00:18:27,520
Speaker 4: No, I saw ed at a party the other night.

392
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Speaker 1: Okay, okay, okay, great, Well let's just and honestly can't

393
00:18:30,920 --> 00:18:34,080
Speaker 1: back off that now. But just from this point forward forward,

394
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Speaker 1: it's not a lying show. It wasn't really it wasn't.

395
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Speaker 4: A really deep interaction, but it was.

396
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Speaker 2: It was okay, well now I know, and now I

397
00:18:42,000 --> 00:18:45,120
Speaker 2: know because if you're talking, if you're talking to Ed Helms,

398
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Speaker 2: he's going to.

399
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Speaker 1: Bring you in. I'd call it a ketch up. I'd

400
00:18:47,359 --> 00:18:50,879
Speaker 1: get very deep off the from the from the jump.

401
00:18:51,040 --> 00:18:54,440
Speaker 1: Oh no, yeah, he just is he's gonna catch up.

402
00:18:54,480 --> 00:18:56,160
Speaker 1: We had to catch up. There's no such.

403
00:18:56,000 --> 00:18:58,320
Speaker 2: Thing as a catch up with He's always going right

404
00:18:58,320 --> 00:18:59,520
Speaker 2: back to the begin.

405
00:18:59,680 --> 00:19:02,440
Speaker 1: Forget a small dog. It's all big talk and medium.

406
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Speaker 4: Well he mostly just asked questions about me.

407
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Speaker 6: Mm hmm.

408
00:19:05,119 --> 00:19:10,040
Speaker 1: Yeah, well that is very sweet, and that sounds like Eddie.

409
00:19:10,200 --> 00:19:12,320
Speaker 1: But scratch Eddie. If he didn't mention the project, he's

410
00:19:12,320 --> 00:19:13,680
Speaker 1: off the project. We don't need him. We're going to

411
00:19:13,720 --> 00:19:17,520
Speaker 1: bring in a quadrey and so we got we got Chelsea. Okay,

412
00:19:17,600 --> 00:19:21,520
Speaker 1: don't do this because it's so let's just get into

413
00:19:21,520 --> 00:19:22,480
Speaker 1: the friend of mine.

414
00:19:22,560 --> 00:19:24,240
Speaker 2: Let's get into the scene and bred you can tell

415
00:19:24,320 --> 00:19:26,680
Speaker 2: Jessica that you are in love with her and then

416
00:19:26,760 --> 00:19:27,560
Speaker 2: we can do the scene.

417
00:19:27,600 --> 00:19:29,920
Speaker 1: Wait, I'm sorry, Brett's acting with me now. No, no, no,

418
00:19:30,119 --> 00:19:32,520
Speaker 1: this is just just so you're comfortable. He's gonna he's

419
00:19:32,520 --> 00:19:34,920
Speaker 1: gonna put the foam in, bringing the phone.

420
00:19:35,320 --> 00:19:38,840
Speaker 5: I got the phone. I need some egg cartons.

421
00:19:39,480 --> 00:19:40,440
Speaker 1: Is it the same scene?

422
00:19:42,000 --> 00:19:45,760
Speaker 2: Is this the same scene as Grandson?

423
00:19:46,000 --> 00:19:49,879
Speaker 1: Because no, this one is are we crossing with you?

424
00:19:50,000 --> 00:19:52,480
Speaker 1: But are we crossing this just in case we want

425
00:19:52,480 --> 00:19:55,440
Speaker 1: to risk totally crossed? Okay, I know we don't have

426
00:19:55,480 --> 00:19:57,280
Speaker 1: the other actors, but can we cross this just in

427
00:19:57,280 --> 00:20:00,560
Speaker 1: case we get some good improv? This one is Davy Cross.

428
00:20:02,400 --> 00:20:04,879
Speaker 1: Kelvin Benjamin is in the in your limo.

429
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Speaker 4: Okay, I'm sorry, I apologize. Oh it is my limo,

430
00:20:08,680 --> 00:20:12,520
Speaker 4: Baby Grandpa, Am I driving the limit? You are driving

431
00:20:12,520 --> 00:20:15,280
Speaker 4: the okay, Baby Grandpa, you got a really good deal,

432
00:20:16,760 --> 00:20:17,600
Speaker 4: Lady Grandpa.

433
00:20:17,760 --> 00:20:21,120
Speaker 1: Lady baby Grandpa. Yeah, but she's also a baby, Lady

434
00:20:21,119 --> 00:20:22,520
Speaker 1: Baby grand I know I'm not playing these roles, but

435
00:20:22,560 --> 00:20:25,920
Speaker 1: I'm ready to go. Can we just get into the scene. Okay?

436
00:20:26,840 --> 00:20:29,760
Speaker 8: So well, what brings you guys into my quad and action?

437
00:20:32,320 --> 00:20:32,399
Speaker 1: So?

438
00:20:32,680 --> 00:20:37,080
Speaker 8: Uh, hey, Kelvin, I saw you game last week. Boy.

439
00:20:37,160 --> 00:20:39,960
Speaker 8: Oh boy, kid, you really got a motor in that engine.

440
00:20:40,040 --> 00:20:40,200
Speaker 5: Huh.

441
00:20:40,240 --> 00:20:46,320
Speaker 1: I'm not playing myself. What I'm not playing myself, Kelvin Benjamin.

442
00:20:46,359 --> 00:20:50,240
Speaker 1: Not playing Kelvin Benjamin. No, this is like in case

443
00:20:50,240 --> 00:20:54,240
Speaker 1: I don't want to do that. Can I say cut? No? Okay?

444
00:20:54,440 --> 00:20:55,360
Speaker 1: Turn left up here?

445
00:20:57,920 --> 00:21:02,639
Speaker 8: Oh, gito, Kelvin Benjamin. Boy, Oh boy, who's this? Hey, Chelsea?

446
00:21:02,760 --> 00:21:05,359
Speaker 8: Who's this hot comic? He got in the back seat?

447
00:21:05,480 --> 00:21:08,280
Speaker 1: He said, left this building?

448
00:21:09,600 --> 00:21:13,240
Speaker 6: Boy, the limos on?

449
00:21:13,320 --> 00:21:14,720
Speaker 1: Are you picking that up in the boom? Oh?

450
00:21:14,720 --> 00:21:15,560
Speaker 5: It's sounding great?

451
00:21:15,720 --> 00:21:19,080
Speaker 1: Okay the limos on flip, guys, I gotta pull up,

452
00:21:20,480 --> 00:21:21,200
Speaker 1: said take a left.

453
00:21:21,200 --> 00:21:21,840
Speaker 8: I gotta pull off.

454
00:21:21,840 --> 00:21:24,360
Speaker 6: If somebody needs the nuclear foosball.

455
00:21:23,920 --> 00:21:28,360
Speaker 1: Coaches, I'm the only boy. Hey, what do you pay

456
00:21:28,400 --> 00:21:28,960
Speaker 1: for this limo?

457
00:21:30,240 --> 00:21:32,960
Speaker 6: Uh, I'm listening it like it's like eight sixty a

458
00:21:33,000 --> 00:21:35,240
Speaker 6: month plus insurance, so it works out it's about nine

459
00:21:35,400 --> 00:21:36,080
Speaker 6: sixty five.

460
00:21:36,440 --> 00:21:39,560
Speaker 1: That's a good deal. Yeah, right off. Hey, Chelsea, I.

461
00:21:39,560 --> 00:21:42,040
Speaker 6: Just want to say I love you podcast that we

462
00:21:42,080 --> 00:21:43,560
Speaker 6: should keep doing it more often.

463
00:21:44,280 --> 00:21:49,840
Speaker 2: Okay, Okay, sorry, let's cut there. I can understand how

464
00:21:49,840 --> 00:21:52,119
Speaker 2: some of that would be confusing. We had to We

465
00:21:52,200 --> 00:21:53,960
Speaker 2: only got sort of one take on all these guys,

466
00:21:54,000 --> 00:21:56,640
Speaker 2: so we had to write all that stuff into the script.

467
00:21:56,800 --> 00:21:57,200
Speaker 1: Okay.

468
00:21:57,359 --> 00:22:01,160
Speaker 2: Where Calvin Benjamin is saying that he's not playing himself,

469
00:22:01,240 --> 00:22:03,080
Speaker 2: that's all he said when you talked to him about

470
00:22:03,119 --> 00:22:03,480
Speaker 2: the part.

471
00:22:03,960 --> 00:22:06,200
Speaker 1: Yeah, I'm not gonna play myself. I want to play

472
00:22:06,200 --> 00:22:06,800
Speaker 1: an actual role.

473
00:22:06,880 --> 00:22:08,800
Speaker 2: Yes, But then we couldn't think of any other names

474
00:22:08,840 --> 00:22:11,680
Speaker 2: for him, so we're addressing.

475
00:22:11,280 --> 00:22:13,080
Speaker 1: Him Calvin, which kind of made him.

476
00:22:13,040 --> 00:22:17,680
Speaker 2: Upset, and that is what we have from his coverage,

477
00:22:17,720 --> 00:22:18,600
Speaker 2: so that is what happened.

478
00:22:18,680 --> 00:22:20,760
Speaker 1: We have a really funny run later. We couldn't get

479
00:22:20,800 --> 00:22:23,199
Speaker 1: him to do it, but it's about like Celsius and

480
00:22:23,240 --> 00:22:26,360
Speaker 1: Fahrenheit are as two best friends. Yeah, and I think

481
00:22:26,359 --> 00:22:28,640
Speaker 1: it's gonna be really funny. And there's also I think

482
00:22:28,760 --> 00:22:31,280
Speaker 1: Kelvin at one point was an Instagram filter, and we're

483
00:22:31,280 --> 00:22:33,919
Speaker 1: thinking of doing a spinoff based on that. Oh that's cool.

484
00:22:34,480 --> 00:22:38,120
Speaker 4: Yeah, so I think it was a refrigerator to the calvinator.

485
00:22:38,640 --> 00:22:43,720
Speaker 2: Oh yeah, I think you guys can just have that one.

486
00:22:43,840 --> 00:22:45,560
Speaker 1: Yeah. I think some of the stuff we already shot

487
00:22:45,680 --> 00:22:47,720
Speaker 1: we can reference that.

488
00:22:47,840 --> 00:22:49,119
Speaker 4: Well, and we'll put it and we'll be able to

489
00:22:49,160 --> 00:22:52,360
Speaker 4: were just reaction shots from him maybe since not an act.

490
00:22:52,280 --> 00:22:54,639
Speaker 1: We have a lot of those. Oh okay, yeah, we

491
00:22:54,720 --> 00:22:58,240
Speaker 1: have him being pissed. So Chelsea just doesn't speak. Chelsea

492
00:22:58,320 --> 00:22:59,159
Speaker 1: doesn't say anything.

493
00:23:00,200 --> 00:23:03,159
Speaker 2: She said okay, yeah, yeah she did, and we have

494
00:23:03,280 --> 00:23:05,320
Speaker 2: her saying that as many times as as we want.

495
00:23:05,560 --> 00:23:08,120
Speaker 1: Oh okay, I mean we can keep doing that. Yeah, yeah,

496
00:23:08,160 --> 00:23:11,439
Speaker 1: we're able to loop that and and and we're going

497
00:23:11,520 --> 00:23:13,200
Speaker 1: to get a lot of this in a dr Obviously

498
00:23:13,200 --> 00:23:14,760
Speaker 1: we're not using the sound that we get today.

499
00:23:15,359 --> 00:23:17,920
Speaker 4: Was that a sound effect or was that I thought

500
00:23:17,960 --> 00:23:20,960
Speaker 4: that was to do with the codes that there's a

501
00:23:21,520 --> 00:23:23,919
Speaker 4: or did someone open a door that they weren't supposed

502
00:23:23,960 --> 00:23:24,320
Speaker 4: to open.

503
00:23:24,560 --> 00:23:29,119
Speaker 1: There's chemicals in the building in tanks and uh okay,

504
00:23:29,160 --> 00:23:31,240
Speaker 1: if one of the tanks does start to release one

505
00:23:31,240 --> 00:23:33,880
Speaker 1: of these toxic chemicals. There is an alert that goes off.

506
00:23:33,920 --> 00:23:36,879
Speaker 1: Oh okay, but to evacuate.

507
00:23:37,840 --> 00:23:40,320
Speaker 2: But yeah, but that's but sometimes because they don't want

508
00:23:40,359 --> 00:23:42,879
Speaker 2: you to be like stronger because of them. You know,

509
00:23:43,040 --> 00:23:46,159
Speaker 2: they're scared of you getting too strong for free, like

510
00:23:46,280 --> 00:23:49,760
Speaker 2: for basically for free. Yeah, so it's like evacuate unless

511
00:23:49,800 --> 00:23:50,280
Speaker 2: you like or.

512
00:23:50,480 --> 00:23:51,880
Speaker 1: You want to become a superhero.

513
00:23:52,240 --> 00:23:54,560
Speaker 4: Yes, yeah, so this is like a place if a

514
00:23:54,680 --> 00:23:58,520
Speaker 4: regular person wants to become Spider Man or something like that.

515
00:23:58,560 --> 00:24:00,600
Speaker 4: You come here for a few hours, you paid for

516
00:24:00,600 --> 00:24:01,320
Speaker 4: the facial.

517
00:24:01,080 --> 00:24:03,600
Speaker 1: Some of them could do something, and then you become.

518
00:24:03,359 --> 00:24:06,639
Speaker 4: A superhero or well superhero I guess is more construct

519
00:24:06,680 --> 00:24:08,720
Speaker 4: of what you do for other people. But yeah, you

520
00:24:08,840 --> 00:24:10,920
Speaker 4: become you're altered.

521
00:24:11,200 --> 00:24:15,960
Speaker 1: Yeah, basically think christ Bannon. Huh Bannon.

522
00:24:16,200 --> 00:24:20,199
Speaker 2: Sorry, I was reading the table we brought that. We

523
00:24:20,200 --> 00:24:22,439
Speaker 2: brought the Earwolf table in here. Just you have to

524
00:24:22,480 --> 00:24:23,280
Speaker 2: do the podcast.

525
00:24:23,480 --> 00:24:25,960
Speaker 1: Yeah, the table. Yeah, we're not just gonna do it.

526
00:24:26,200 --> 00:24:28,639
Speaker 1: Well that's a little that's a security blanket for me,

527
00:24:29,359 --> 00:24:33,439
Speaker 1: just knowing that all these uh storied uh you know

528
00:24:33,760 --> 00:24:37,520
Speaker 1: comic minds have been involved. Uh can we just actually

529
00:24:37,560 --> 00:24:39,240
Speaker 1: go over notes for that? And I actually it was

530
00:24:39,280 --> 00:24:44,440
Speaker 1: great and liked one second and bird maybe like do

531
00:24:44,600 --> 00:24:48,479
Speaker 1: notes on this sure, Aaron Abrams or something? I mean,

532
00:24:48,520 --> 00:24:50,520
Speaker 1: who is that I am on?

533
00:24:51,119 --> 00:24:54,520
Speaker 4: My philosophy is you guys hire me, you own me

534
00:24:54,600 --> 00:24:55,200
Speaker 4: for the day.

535
00:24:55,160 --> 00:24:58,600
Speaker 1: You know what I mean? Your time? Yes, and it's

536
00:24:58,640 --> 00:24:59,960
Speaker 1: our philosophy as well.

537
00:25:00,080 --> 00:25:04,040
Speaker 4: So Brett, until we get into turnaround, you know what

538
00:25:04,040 --> 00:25:06,879
Speaker 4: I mean, Like when you're like when you're saying we're gonna,

539
00:25:07,080 --> 00:25:09,040
Speaker 4: we're gonna push, can we push you?

540
00:25:09,520 --> 00:25:11,159
Speaker 1: And I do want to say tomorrow, you know what

541
00:25:11,240 --> 00:25:14,960
Speaker 1: I mean? Just iye on the clock. We do either

542
00:25:15,000 --> 00:25:18,359
Speaker 1: have to break for lunch or go into grace. Okay,

543
00:25:18,960 --> 00:25:21,480
Speaker 1: I guess we'll throw a flag on this one. All right, everybody,

544
00:25:21,480 --> 00:25:28,080
Speaker 1: that's grace. So let's go in tighter on this and just, uh, Brett,

545
00:25:28,080 --> 00:25:29,320
Speaker 1: if you want to give me a little bit of

546
00:25:29,320 --> 00:25:34,399
Speaker 1: a swingle where we can get you know, uh, Jessica

547
00:25:34,520 --> 00:25:36,560
Speaker 1: her lines, and then we'll also get some of my stuff.

548
00:25:37,440 --> 00:25:40,560
Speaker 2: Performance Wise, it felt like she sort of forgot where

549
00:25:40,600 --> 00:25:42,960
Speaker 2: she was. It was supposed to be like a car thing,

550
00:25:42,960 --> 00:25:45,280
Speaker 2: and I didn't hear her ever say like Hong kongk

551
00:25:45,560 --> 00:25:47,600
Speaker 2: or like room or like any of that stuff.

552
00:25:48,160 --> 00:25:50,040
Speaker 1: They were driving a car and also at one point

553
00:25:50,040 --> 00:25:52,080
Speaker 1: she's pulling over, which I know involves breaks, and there

554
00:25:52,119 --> 00:25:55,119
Speaker 1: was no like scrap yes, and so that was frustrating.

555
00:25:55,600 --> 00:25:57,800
Speaker 1: And also it was kind of like a fuck you,

556
00:25:58,400 --> 00:26:02,600
Speaker 1: I know to Kelp then, who's obviously trying to transition

557
00:26:02,680 --> 00:26:07,159
Speaker 1: out of this football thing. So like if she I

558
00:26:07,200 --> 00:26:08,879
Speaker 1: don't want her to be a personality problem with the

559
00:26:08,920 --> 00:26:12,600
Speaker 1: other performers who we can, because I want to like

560
00:26:12,640 --> 00:26:14,560
Speaker 1: everyone to feel safe and like it's a safe scene,

561
00:26:14,560 --> 00:26:16,640
Speaker 1: even they're not in the same place that they can

562
00:26:16,680 --> 00:26:20,720
Speaker 1: be watching it on TV and feel like they're being respected. Yeah. Yeah,

563
00:26:21,200 --> 00:26:24,399
Speaker 1: So what do you want to shoot in it? Like,

564
00:26:24,440 --> 00:26:25,920
Speaker 1: what do you want to sort of clean up from

565
00:26:25,960 --> 00:26:29,600
Speaker 1: the rest of these scenes? I wonder, Well, I guess

566
00:26:29,600 --> 00:26:32,760
Speaker 1: we have to get the Franks in there. Okay, Yes,

567
00:26:32,840 --> 00:26:37,919
Speaker 1: that's right, that's right, that's right, that's right. Okay, all right,

568
00:26:38,040 --> 00:26:41,760
Speaker 1: I uh yeah, I'll get it. So, so there's the

569
00:26:41,800 --> 00:26:45,040
Speaker 1: scene where okay, so Dean Kine uh is going to

570
00:26:45,080 --> 00:26:47,960
Speaker 1: be sort of holding you up in the air. Yeah,

571
00:26:48,080 --> 00:26:52,760
Speaker 1: we're trying again. So hey, Jessica Son, am I actually

572
00:26:52,760 --> 00:26:55,080
Speaker 1: going to be the only actor here today?

573
00:26:56,160 --> 00:26:59,840
Speaker 2: Yes, we're getting to your coverage. I'm sorry I thought

574
00:26:59,880 --> 00:27:02,240
Speaker 2: you done this stuff before. Have you done Yeah?

575
00:27:02,400 --> 00:27:03,800
Speaker 1: I'm sorry. Have you been on sets?

576
00:27:04,520 --> 00:27:05,600
Speaker 4: Yeah, I've been on a few.

577
00:27:06,840 --> 00:27:11,520
Speaker 1: Okay, you know, I don't know.

578
00:27:12,000 --> 00:27:13,880
Speaker 4: I'm not getting the feeling that you watch a lot

579
00:27:13,920 --> 00:27:14,600
Speaker 4: of television.

580
00:27:14,920 --> 00:27:16,240
Speaker 1: Is that? Okay?

581
00:27:16,720 --> 00:27:17,040
Speaker 4: A thing?

582
00:27:17,440 --> 00:27:19,879
Speaker 1: Okay, I named like a bunch of famous actors that

583
00:27:19,880 --> 00:27:24,919
Speaker 1: were you said, yeah, who are doing television? Okay? I

584
00:27:24,920 --> 00:27:26,080
Speaker 1: think I just said swingle?

585
00:27:26,600 --> 00:27:31,119
Speaker 4: Yeah, okayla is that like is like we get this

586
00:27:33,160 --> 00:27:35,680
Speaker 4: just very different than most of the sets I've been on.

587
00:27:36,040 --> 00:27:36,440
Speaker 1: Okay.

588
00:27:36,560 --> 00:27:39,840
Speaker 4: Yeah, Like I just finished shooting Search Party. That was

589
00:27:39,880 --> 00:27:41,000
Speaker 4: a really amazing set.

590
00:27:42,480 --> 00:27:45,119
Speaker 1: Okay, But this is like a real show. This is

591
00:27:45,520 --> 00:27:50,760
Speaker 1: that was like a show middle Move.

592
00:27:50,840 --> 00:27:52,480
Speaker 2: This is like a big This is like a big

593
00:27:52,520 --> 00:27:55,200
Speaker 2: TV show, like a big you know. And I love

594
00:27:55,240 --> 00:27:57,000
Speaker 2: that show and it's so funny and.

595
00:27:57,320 --> 00:27:59,879
Speaker 1: It is really funny. But this is like a big show.

596
00:28:00,480 --> 00:28:04,000
Speaker 2: And the way I like, it's not like that show

597
00:28:04,000 --> 00:28:06,520
Speaker 2: where everyone like goes to the place and they set

598
00:28:06,560 --> 00:28:08,720
Speaker 2: up the little camera and they just like get everyone

599
00:28:08,800 --> 00:28:10,000
Speaker 2: like talk because.

600
00:28:09,720 --> 00:28:12,440
Speaker 1: Nobody has anything else to do. Yeah, but it isn't

601
00:28:12,680 --> 00:28:15,920
Speaker 1: effects driven. But am I crazy? Thank you? Search Party

602
00:28:16,000 --> 00:28:18,439
Speaker 1: is a vod I forward. It's a v O d

603
00:28:18,680 --> 00:28:23,000
Speaker 1: unreleased Thomas middlech Adam Pally and TJ. Miller film that's

604
00:28:23,040 --> 00:28:26,239
Speaker 1: also probably filmed like seven or eight years ago. And

605
00:28:26,240 --> 00:28:30,679
Speaker 1: you're telling you you've been in that. No, No, you're in.

606
00:28:31,240 --> 00:28:34,320
Speaker 4: The TBS show Search Party. It's a TV show.

607
00:28:34,480 --> 00:28:38,240
Speaker 2: Okay, oh wow, okay, so not even the real so.

608
00:28:38,240 --> 00:28:41,800
Speaker 1: Not even a movie. No. I've done a few stars

609
00:28:41,800 --> 00:28:42,520
Speaker 1: mostly TV.

610
00:28:43,360 --> 00:28:47,960
Speaker 4: I've done like movies with like Melissa McCarthy and and anyway,

611
00:28:48,200 --> 00:28:50,280
Speaker 4: I figured you probably knew all this stuff before you

612
00:28:50,360 --> 00:28:51,560
Speaker 4: hired me, but maybe.

613
00:28:51,440 --> 00:28:55,560
Speaker 1: Not timing wise. We weren't able to necessarily go through

614
00:28:55,600 --> 00:28:59,320
Speaker 1: every single credit, and so it was just, uh, you

615
00:28:59,320 --> 00:29:00,880
Speaker 1: couldn't read that. We're a little bit under the gun

616
00:29:00,920 --> 00:29:03,680
Speaker 1: because the show does air tomorrow and we are trying

617
00:29:03,720 --> 00:29:06,680
Speaker 1: to kind of get this lock it up. No, no,

618
00:29:06,760 --> 00:29:10,000
Speaker 1: you know what you top down set before we talked

619
00:29:10,000 --> 00:29:10,360
Speaker 1: about it.

620
00:29:10,400 --> 00:29:12,560
Speaker 4: Yeah, you guys are the bosses. I am here to

621
00:29:12,680 --> 00:29:16,200
Speaker 4: do a job. I am a dolly, movement around a stage.

622
00:29:16,000 --> 00:29:16,800
Speaker 5: Swingles heavy.

623
00:29:16,920 --> 00:29:19,840
Speaker 2: So let's do the pool party.

624
00:29:20,080 --> 00:29:23,840
Speaker 1: Okay, okay, great, so dank it's a chicken fight. Dean

625
00:29:23,920 --> 00:29:27,600
Speaker 1: Kaine's carrying you around. He's you're not in the water yet,

626
00:29:27,640 --> 00:29:29,120
Speaker 1: but you're already on our shoulders.

627
00:29:29,120 --> 00:29:32,280
Speaker 4: Okay, okay, Oh we're not in okay, okay.

628
00:29:32,160 --> 00:29:37,240
Speaker 1: And you're both asking for your favorite grilled food ballpark, Franks,

629
00:29:38,760 --> 00:29:42,200
Speaker 1: and you are sort of like trying to do double

630
00:29:42,280 --> 00:29:44,360
Speaker 1: duty here because you don't want to get splashed. You

631
00:29:44,400 --> 00:29:47,040
Speaker 1: don't necessarily want to get dunked under the water. You

632
00:29:47,160 --> 00:29:49,200
Speaker 1: do want to get a ballpark, Frank.

633
00:29:49,320 --> 00:29:51,560
Speaker 4: I'm on his shoulders. How dirty is my diaper at

634
00:29:51,560 --> 00:29:51,960
Speaker 4: this point?

635
00:29:53,680 --> 00:29:56,920
Speaker 1: That's okay? Do we do we need to match this

636
00:29:57,080 --> 00:29:57,520
Speaker 1: to anything?

637
00:29:57,560 --> 00:30:00,160
Speaker 4: Is there going to be dripped with any kind you

638
00:30:00,160 --> 00:30:01,960
Speaker 4: know how it is with babies in pools?

639
00:30:02,120 --> 00:30:06,440
Speaker 1: The diaper swimmy. The diaper continuity guy is not here.

640
00:30:07,080 --> 00:30:10,400
Speaker 4: Maybe somebody has some pea soup we could spill down Dean's.

641
00:30:10,080 --> 00:30:12,800
Speaker 2: But that would be his job, is like making sure

642
00:30:12,840 --> 00:30:15,040
Speaker 2: that the diaper is continuous. But he got sick from

643
00:30:15,080 --> 00:30:16,400
Speaker 2: smelling the diaper's.

644
00:30:16,080 --> 00:30:19,440
Speaker 1: Scripty, can you tell us where the diaper's are?

645
00:30:20,960 --> 00:30:22,040
Speaker 5: I'm making the peace soup.

646
00:30:22,840 --> 00:30:25,120
Speaker 4: I tend to keep track of a lot of my

647
00:30:25,280 --> 00:30:28,440
Speaker 4: coverage anyway, so I'm pretty sure you need you need

648
00:30:28,480 --> 00:30:30,840
Speaker 4: to spill some of that peace soup down Dean Kane's back.

649
00:30:30,920 --> 00:30:35,200
Speaker 2: But it's your vision, okay, And I'll just say for

650
00:30:35,240 --> 00:30:37,880
Speaker 2: this scene, just remember where you are and like what.

651
00:30:37,840 --> 00:30:41,560
Speaker 1: You're doing, and just like what your who your character is,

652
00:30:41,600 --> 00:30:43,800
Speaker 1: and that people will be watching this. I yes, that

653
00:30:43,960 --> 00:30:45,280
Speaker 1: is a very good mode.

654
00:30:45,360 --> 00:30:47,680
Speaker 4: Yeah, and how are you feeling about the levels of

655
00:30:47,720 --> 00:30:48,680
Speaker 4: my performance?

656
00:30:49,000 --> 00:30:51,480
Speaker 1: Am I giving you what you want? I'm loving it.

657
00:30:51,520 --> 00:30:53,040
Speaker 1: I think you're doing it exactly right.

658
00:30:53,720 --> 00:30:57,840
Speaker 2: I would just say to do it like a person, okay,

659
00:30:58,680 --> 00:31:02,480
Speaker 2: and make it so it's just like doing it like

660
00:31:02,520 --> 00:31:03,440
Speaker 2: a good way.

661
00:31:03,640 --> 00:31:05,880
Speaker 1: Yeah, you know, Yeah, that's so great, you know. And

662
00:31:06,000 --> 00:31:08,240
Speaker 1: I want to say too, just to we don't have

663
00:31:08,240 --> 00:31:10,280
Speaker 1: a ton of time, but just to stop down and say, hey,

664
00:31:10,520 --> 00:31:12,280
Speaker 1: it's never easy to sort of have some of these

665
00:31:12,280 --> 00:31:14,280
Speaker 1: conversations where you're taking notes. We all just want the

666
00:31:14,320 --> 00:31:16,200
Speaker 1: same thing. We won't want the best product. And yeah,

667
00:31:16,200 --> 00:31:18,440
Speaker 1: we're gonna be cracking whips, but we're also going to

668
00:31:18,480 --> 00:31:21,200
Speaker 1: be cracking jokes and release the crack in is you know.

669
00:31:22,080 --> 00:31:23,880
Speaker 1: That's one of the things we like to say on set,

670
00:31:24,040 --> 00:31:25,400
Speaker 1: is like, we're going to release the crack in and

671
00:31:25,440 --> 00:31:27,640
Speaker 1: Hayes has to be cracking whips and I'm going to

672
00:31:27,680 --> 00:31:31,040
Speaker 1: be cracking jokes, okay, you know, and you gotta you know,

673
00:31:31,120 --> 00:31:31,720
Speaker 1: you gotta break.

674
00:31:31,760 --> 00:31:36,520
Speaker 4: So it's me and Dean Kine. Ballpark Franks are the motivation. Yeah,

675
00:31:36,560 --> 00:31:37,560
Speaker 4: anyone else.

676
00:31:38,240 --> 00:31:41,920
Speaker 1: Was in the chicken fight with Youani is holding up

677
00:31:42,040 --> 00:31:44,240
Speaker 1: Ving Graham, So it's sort of a that's.

678
00:31:44,160 --> 00:31:46,840
Speaker 4: Cute reverse Yeah, upside down ice cream cone.

679
00:31:47,040 --> 00:31:50,440
Speaker 1: Mm hmm. Yeah. And we're gonna and that's gonna be uh,

680
00:31:50,560 --> 00:31:52,160
Speaker 1: we're gonna have to get a plate and then we'll

681
00:31:52,160 --> 00:31:53,200
Speaker 1: do that on a green screen.

682
00:31:53,440 --> 00:31:53,840
Speaker 4: Okay.

683
00:31:53,920 --> 00:31:57,240
Speaker 2: And in this scene you were gonna you'll see in

684
00:31:57,280 --> 00:32:00,840
Speaker 2: your lines you were going to be pushing the fronts stuff.

685
00:32:01,600 --> 00:32:01,880
Speaker 1: Okay.

686
00:32:01,960 --> 00:32:04,120
Speaker 2: What we have from Dean Kine is footage that we

687
00:32:04,280 --> 00:32:07,400
Speaker 2: pulled from him on Good Day La.

688
00:32:08,880 --> 00:32:13,280
Speaker 1: Promoting Lows and Clark on Good Day from a number

689
00:32:13,360 --> 00:32:17,320
Speaker 1: of years ago. Barbary Free Barbary.

690
00:32:18,680 --> 00:32:22,680
Speaker 5: So, so what will I do with this peace suit?

691
00:32:24,120 --> 00:32:27,680
Speaker 1: Let's just eat it? Eat it, man, and you put

692
00:32:27,680 --> 00:32:31,560
Speaker 1: it down and pick up the camera. Okay, I ate it?

693
00:32:31,600 --> 00:32:37,640
Speaker 4: So wow, all right, I'm good. Hold on, okay, hold

694
00:32:38,320 --> 00:32:42,720
Speaker 4: uh okay, yep, Okay, I think I got it. I

695
00:32:42,760 --> 00:32:44,880
Speaker 4: think you got it, and we'll just do what's on

696
00:32:44,880 --> 00:32:45,560
Speaker 4: the page.

697
00:32:45,720 --> 00:32:50,640
Speaker 1: Yes, great, I'll read you in Okay, it's so great

698
00:32:50,640 --> 00:32:53,720
Speaker 1: working with Terry. You know, she's just been a dream.

699
00:32:54,000 --> 00:32:56,680
Speaker 1: And uh, the set's really wonderful and it's such a

700
00:32:56,720 --> 00:33:00,200
Speaker 1: cool reimagining of a classic story. We all feel like

701
00:33:00,240 --> 00:33:03,240
Speaker 1: we know Superman and there's nothing new to discover. But well,

702
00:33:03,280 --> 00:33:04,400
Speaker 1: I'm your number one fan.

703
00:33:04,520 --> 00:33:06,560
Speaker 6: I mean I think I made that pretty clear Dino

704
00:33:06,680 --> 00:33:09,680
Speaker 6: baby old baby, right, if I could look like a

705
00:33:09,720 --> 00:33:12,800
Speaker 6: giant man baby instead of a little tiny old woman

706
00:33:12,960 --> 00:33:14,160
Speaker 6: small baby, I.

707
00:33:14,200 --> 00:33:16,520
Speaker 1: Look just like you, great question.

708
00:33:16,840 --> 00:33:18,560
Speaker 8: Uh, you look like a giant baby to me?

709
00:33:18,920 --> 00:33:19,920
Speaker 1: Anyone else see it?

710
00:33:20,880 --> 00:33:26,960
Speaker 8: Oh? Oh, follow that scentino baby? Oh boy, I small.

711
00:33:26,760 --> 00:33:31,120
Speaker 4: Bump extraorinally he is somewhere when this here.

712
00:33:31,080 --> 00:33:36,040
Speaker 1: Barbecue, So I keep going.

713
00:33:35,880 --> 00:33:38,400
Speaker 8: Tell me, have you ever been to a water park?

714
00:33:38,920 --> 00:33:41,920
Speaker 1: He works at the Daily Planet, and uh, it's this

715
00:33:42,000 --> 00:33:44,520
Speaker 1: sort of old thing we know. But obviously media is

716
00:33:44,560 --> 00:33:46,960
Speaker 1: different now than when the original comics were written, and

717
00:33:47,080 --> 00:33:49,760
Speaker 1: so we try to sort of modernize you find what

718
00:33:49,800 --> 00:33:50,360
Speaker 1: they're interested.

719
00:33:50,480 --> 00:33:52,520
Speaker 8: You even find it hard to act with those fake

720
00:33:52,600 --> 00:33:53,240
Speaker 8: glasses on.

721
00:33:55,480 --> 00:34:00,080
Speaker 1: I Oh, uh, are you talking directly to when you

722
00:34:00,120 --> 00:34:00,800
Speaker 1: when you're.

723
00:34:00,720 --> 00:34:05,640
Speaker 8: Being yeah, I'm asking when you're being Clark Kent, you're not.

724
00:34:05,800 --> 00:34:07,040
Speaker 1: Being super mooved.

725
00:34:07,120 --> 00:34:10,879
Speaker 6: I definitely related you doing whoa, I move a little

726
00:34:10,880 --> 00:34:11,640
Speaker 6: all right, buddy.

727
00:34:11,840 --> 00:34:15,400
Speaker 1: It's funny people think that I would relate more to

728
00:34:15,719 --> 00:34:18,640
Speaker 1: the Superman character, but I'm actually more like Clark Kent.

729
00:34:18,760 --> 00:34:20,879
Speaker 1: I was kind of a nerd in high school, and

730
00:34:20,960 --> 00:34:25,720
Speaker 1: I had this very awkward phase before I found sports.

731
00:34:25,120 --> 00:34:28,720
Speaker 8: My diapers and I'm uncomfortable.

732
00:34:29,640 --> 00:34:32,799
Speaker 1: And now you taste the franks, taste the frank, and

733
00:34:32,880 --> 00:34:33,840
Speaker 1: it takes us your diaper.

734
00:34:36,320 --> 00:34:36,759
Speaker 4: It was a.

735
00:34:36,760 --> 00:34:40,279
Speaker 6: Classic distraction, Dan kN huh, distracted from what type of

736
00:34:40,800 --> 00:34:41,920
Speaker 6: dulus is?

737
00:34:42,160 --> 00:34:43,480
Speaker 1: Bull bog fring?

738
00:34:44,400 --> 00:34:47,480
Speaker 6: All these Why don't you eat on one side and

739
00:34:47,520 --> 00:34:49,360
Speaker 6: I know the other and we'll be like Lady in

740
00:34:49,400 --> 00:34:49,840
Speaker 6: the tramp.

741
00:34:49,960 --> 00:34:54,880
Speaker 1: Sorry and call him Michael Jordan's favorite hot dogs. You

742
00:34:54,920 --> 00:34:57,960
Speaker 1: know there's a reason these are Michael Jordan's favorite hot dogs.

743
00:34:58,000 --> 00:35:00,759
Speaker 1: I'd say, say the twin twenty.

744
00:35:00,480 --> 00:35:05,000
Speaker 6: Threes of of mystery meat.

745
00:35:06,000 --> 00:35:11,319
Speaker 1: So good, that's good? Okay? Uh? Is that a cut

746
00:35:11,320 --> 00:35:17,600
Speaker 1: for you? His? I mean that's Kevin. Yeah, Kevin, Kevin.

747
00:35:17,840 --> 00:35:21,560
Speaker 4: Were you driving during that whole I mean, is that

748
00:35:21,600 --> 00:35:22,000
Speaker 4: part of it?

749
00:35:22,120 --> 00:35:24,239
Speaker 1: Kevin? Were you drag racing with some of your fast

750
00:35:24,239 --> 00:35:27,520
Speaker 1: and furious buddies? Yes, I was Saturdays.

751
00:35:27,719 --> 00:35:29,279
Speaker 9: I just kind of have to let the steam out.

752
00:35:29,360 --> 00:35:33,200
Speaker 1: Sometimes it's a steam, it's like a steam powered. I

753
00:35:33,280 --> 00:35:35,480
Speaker 1: just feel like that was really great stuff. We were

754
00:35:35,680 --> 00:35:39,759
Speaker 1: getting it, and that's probably and you were so in

755
00:35:39,800 --> 00:35:41,560
Speaker 1: the zone that I didn't want to hold for But

756
00:35:41,600 --> 00:35:46,600
Speaker 1: I've been I feel like I've been really patient. Okay,

757
00:35:47,840 --> 00:35:51,239
Speaker 1: that's great that you think that. I love that you

758
00:35:51,320 --> 00:35:56,080
Speaker 1: feel like you know good about what I'm doing. Yeah,

759
00:35:56,280 --> 00:35:58,640
Speaker 1: that's only good. Somebody has to feel good about it,

760
00:35:58,680 --> 00:36:01,440
Speaker 1: so it might as well. And I don't want everyone

761
00:36:01,440 --> 00:36:02,320
Speaker 1: to leave here unhappy.

762
00:36:02,440 --> 00:36:05,239
Speaker 4: And I felt like Dean and I, you know, when

763
00:36:07,000 --> 00:36:09,400
Speaker 4: that was a real connection, that there was a true

764
00:36:09,440 --> 00:36:10,239
Speaker 4: connection there.

765
00:36:11,000 --> 00:36:12,759
Speaker 1: Yeah. I mean, I'm feeling.

766
00:36:12,480 --> 00:36:15,000
Speaker 4: Like, if he's not a regular on the show, we

767
00:36:15,200 --> 00:36:16,000
Speaker 4: have to make him one.

768
00:36:16,320 --> 00:36:18,160
Speaker 1: No, we're gonna want to We're gonna want to at

769
00:36:18,320 --> 00:36:19,680
Speaker 1: least bump him to recurring.

770
00:36:19,840 --> 00:36:22,279
Speaker 4: I hope you guys don't mind that I'm I'm I

771
00:36:22,320 --> 00:36:25,000
Speaker 4: feel like, yeah that I feel like you're part of

772
00:36:25,000 --> 00:36:25,920
Speaker 4: the process.

773
00:36:26,200 --> 00:36:30,640
Speaker 1: Well, I think it's good. I mean, obviously your contributions

774
00:36:30,719 --> 00:36:32,719
Speaker 1: in front of the camera are not necessarily something we're

775
00:36:32,719 --> 00:36:35,000
Speaker 1: going to be able to use. But if you're able

776
00:36:35,040 --> 00:36:37,840
Speaker 1: to identify, like Okay, Dean Kane should really be a

777
00:36:37,840 --> 00:36:41,359
Speaker 1: bigger part of this show, and that I'm feeling well,

778
00:36:41,440 --> 00:36:43,680
Speaker 1: and we have other we have lots of other stuff

779
00:36:43,680 --> 00:36:49,440
Speaker 1: of him promoting the Animal Planet show that he.

780
00:36:49,320 --> 00:36:51,719
Speaker 4: Or oh I love Ripley's, believe it or not, there

781
00:36:51,719 --> 00:36:54,200
Speaker 4: are I could never see enough shrunken heads.

782
00:36:55,280 --> 00:36:56,600
Speaker 1: And neither Kadan and neither Kad.

783
00:36:56,600 --> 00:36:58,000
Speaker 4: Dean, how many of them do you think are real?

784
00:36:59,400 --> 00:37:02,279
Speaker 1: Of the shrunk and yeah, like how many?

785
00:37:02,440 --> 00:37:03,080
Speaker 4: How many are there?

786
00:37:03,120 --> 00:37:05,520
Speaker 1: And then how many do they make? Another?

787
00:37:05,640 --> 00:37:07,960
Speaker 4: Make a prop one for the different locations?

788
00:37:08,120 --> 00:37:10,080
Speaker 1: How many are there? How many Ripley stores are there

789
00:37:10,120 --> 00:37:12,600
Speaker 1: at this point? How many replace? And how many going

790
00:37:12,640 --> 00:37:12,759
Speaker 1: to be?

791
00:37:12,760 --> 00:37:13,800
Speaker 4: At least six?

792
00:37:13,960 --> 00:37:15,759
Speaker 1: Hang on, right, shut up.

793
00:37:17,000 --> 00:37:21,640
Speaker 4: Fisherman's Wharf, Hollywood, that's two.

794
00:37:22,200 --> 00:37:27,440
Speaker 1: Just let him count the Ripleys first. This is like

795
00:37:27,480 --> 00:37:29,719
Speaker 1: several limitless moment where he can just count all the

796
00:37:29,800 --> 00:37:35,080
Speaker 1: Ripleys and yeah, yeah, so there's six fake ones. Oh,

797
00:37:35,239 --> 00:37:40,520
Speaker 1: it's amazing how much information he holds. It's scary a

798
00:37:40,560 --> 00:37:43,040
Speaker 1: little bit. Kevin. Kevin's here is sort of a brand

799
00:37:43,080 --> 00:37:48,359
Speaker 1: rep for the Franks and that we did the ballpark Franks.

800
00:37:48,480 --> 00:37:50,160
Speaker 1: You just missed the ballpark Frank scene. So is there

801
00:37:50,200 --> 00:37:53,240
Speaker 1: any specific your weird cars?

802
00:37:53,320 --> 00:37:57,160
Speaker 4: And is there no conflict between Kelvin Jackson's promotions for

803
00:37:57,880 --> 00:38:02,120
Speaker 4: uh Fenway Franks and ballpark Kelvin Benjamin whoever the guy

804
00:38:02,280 --> 00:38:04,080
Speaker 4: was in the car?

805
00:38:04,960 --> 00:38:11,920
Speaker 9: There is conflict Kevin Jackson, Is that right? Yes, it's uh, it's.

806
00:38:12,239 --> 00:38:14,200
Speaker 4: I always get him and Randy Jackson confused.

807
00:38:14,480 --> 00:38:17,680
Speaker 9: Yeah, it's kind of like intimate, like will they won't

808
00:38:17,719 --> 00:38:18,759
Speaker 9: they conflict?

809
00:38:19,800 --> 00:38:23,680
Speaker 1: Oh, that the two fast market hot dog companies might

810
00:38:23,719 --> 00:38:26,880
Speaker 1: wind up having a romance. I felt like Dean and

811
00:38:26,920 --> 00:38:29,799
Speaker 1: I were playing that. Yeah, no, that came through in

812
00:38:29,840 --> 00:38:31,560
Speaker 1: the scene. And yeah, you.

813
00:38:31,440 --> 00:38:33,719
Speaker 4: Guys have seen him as a potential loving you guys,

814
00:38:34,000 --> 00:38:35,360
Speaker 4: grandma baby.

815
00:38:35,239 --> 00:38:37,080
Speaker 2: Have your own thing going on as like the best

816
00:38:37,080 --> 00:38:38,600
Speaker 2: friends of the Franks.

817
00:38:38,640 --> 00:38:40,799
Speaker 1: On his shoulders, which I think yes. And Brett, well,

818
00:38:40,800 --> 00:38:43,320
Speaker 1: we talked about can we turn around on this scene?

819
00:38:43,360 --> 00:38:49,080
Speaker 1: I mean, can we just get roundI and uh next time?

820
00:38:49,200 --> 00:38:51,680
Speaker 1: Can you just light the ship out of the whole thing?

821
00:38:51,760 --> 00:38:54,440
Speaker 1: I mean, I know it's a little bit, you know,

822
00:38:54,560 --> 00:38:56,840
Speaker 1: it's not gonna look quite as good. I particularly the

823
00:38:56,880 --> 00:38:57,880
Speaker 1: film appreciate it.

824
00:38:57,920 --> 00:39:00,200
Speaker 4: If you fill in my right side, let's just like

825
00:39:00,239 --> 00:39:02,680
Speaker 4: the ship that's my asymmetrical size David O.

826
00:39:02,800 --> 00:39:04,799
Speaker 1: Russell style. Let's just light the fucking room and then

827
00:39:04,800 --> 00:39:07,160
Speaker 1: we'll just move the cameras around and shoot the whole thing. Yeah,

828
00:39:07,239 --> 00:39:08,719
Speaker 1: you know, I don't want to. I don't want to

829
00:39:08,760 --> 00:39:10,960
Speaker 1: sit here and wait every time while you fell in

830
00:39:11,000 --> 00:39:13,040
Speaker 1: all these little bla I mean, it's just not you know,

831
00:39:13,080 --> 00:39:16,400
Speaker 1: we're not making citizen fucking cane here. This is Lady Grandpa,

832
00:39:16,960 --> 00:39:17,680
Speaker 1: Lady Grandpa.

833
00:39:17,719 --> 00:39:19,920
Speaker 4: That's what I couldn't remember if it was baby Grandpa

834
00:39:20,000 --> 00:39:20,760
Speaker 4: or Lady Grandpa.

835
00:39:21,360 --> 00:39:26,000
Speaker 1: Lady's a baby lady baby Grandpa. Did you think that

836
00:39:26,080 --> 00:39:29,600
Speaker 1: the Franks were shiny enough? Yeah?

837
00:39:29,760 --> 00:39:31,919
Speaker 9: I thought Brett did a good job lighting the right

838
00:39:32,000 --> 00:39:33,440
Speaker 9: side of the thanks.

839
00:39:33,920 --> 00:39:35,239
Speaker 4: They were slippery to the touch.

840
00:39:36,440 --> 00:39:39,920
Speaker 1: Yeah, they were good. Yeah, that's like their corner of

841
00:39:40,000 --> 00:39:41,840
Speaker 1: the market. Slippery.

842
00:39:42,080 --> 00:39:46,000
Speaker 5: That's my specialty is lighting light hotlighting hot more like

843
00:39:46,400 --> 00:39:47,000
Speaker 5: hot dogs.

844
00:39:47,120 --> 00:39:50,280
Speaker 4: Oh, you're your food stylists sort of a food stylist too.

845
00:39:50,520 --> 00:39:54,239
Speaker 5: Yeah, in my off time, but this is this your

846
00:39:55,280 --> 00:39:55,520
Speaker 5: to me?

847
00:39:55,640 --> 00:39:56,799
Speaker 4: Is this time on or off?

848
00:39:56,920 --> 00:39:59,080
Speaker 1: Right now? Uh?

849
00:39:59,160 --> 00:40:02,600
Speaker 5: This is definitely off. I don't know half of what

850
00:40:02,640 --> 00:40:03,080
Speaker 5: I'm doing.

851
00:40:03,640 --> 00:40:05,359
Speaker 1: So if you could time the move a little better

852
00:40:05,400 --> 00:40:07,759
Speaker 1: on this one, Brett too, where we're just going to

853
00:40:07,800 --> 00:40:09,279
Speaker 1: do a little bit of a quicker push because we're

854
00:40:09,280 --> 00:40:12,319
Speaker 1: gonna truncate some of these lines. It's just for her.

855
00:40:12,520 --> 00:40:15,000
Speaker 1: We're going to do a pickup and it's just for

856
00:40:15,080 --> 00:40:20,319
Speaker 1: her saying Michael Jordan's favorite hot dog and this time

857
00:40:20,640 --> 00:40:22,520
Speaker 1: and this time is we're doing it. Mm hmm.

858
00:40:23,400 --> 00:40:26,480
Speaker 2: Let's do it like like you're an actor?

859
00:40:27,320 --> 00:40:29,880
Speaker 1: Oh okay, you know what I mean? Yeah, like you're like,

860
00:40:29,960 --> 00:40:32,880
Speaker 1: that's great. You know you're an actor. You're a human

861
00:40:32,920 --> 00:40:33,840
Speaker 1: being and.

862
00:40:34,040 --> 00:40:37,840
Speaker 2: Your your character isn't an actor. Your character is a

863
00:40:37,880 --> 00:40:40,080
Speaker 2: lady Grandpa, but like you are an actor.

864
00:40:40,800 --> 00:40:43,759
Speaker 4: M hm oh so Lady Grandpa is like a spokesman.

865
00:40:44,640 --> 00:40:47,600
Speaker 1: No, Like I'm just saying, like, Lady Grandpa's from the

866
00:40:47,600 --> 00:40:49,800
Speaker 1: planet Earth, and so that we really want to be

867
00:40:49,840 --> 00:40:50,399
Speaker 1: able to sell.

868
00:40:50,520 --> 00:40:55,239
Speaker 4: Okay for now, right, so just turn it on the

869
00:40:55,280 --> 00:40:57,280
Speaker 4: lish I thought there was a gunshot.

870
00:40:57,960 --> 00:41:04,960
Speaker 1: That's how he turns. He shoots the lights on. My god. Okay,

871
00:41:06,200 --> 00:41:10,880
Speaker 1: is this a safe set? Make it safe? Yes, so

872
00:41:10,920 --> 00:41:13,839
Speaker 1: that's just another chemical leak. Make it safe. That could

873
00:41:13,880 --> 00:41:16,160
Speaker 1: be a test, Brett. Can you check the gates on

874
00:41:16,160 --> 00:41:16,880
Speaker 1: that last pick up?

875
00:41:19,400 --> 00:41:19,520
Speaker 9: Guy?

876
00:41:19,640 --> 00:41:20,359
Speaker 1: Did we get it?

877
00:41:20,440 --> 00:41:24,120
Speaker 4: I'm a little bit I'm starting to get a little usafe, like,

878
00:41:24,280 --> 00:41:25,960
Speaker 4: is this that's not what we want?

879
00:41:26,040 --> 00:41:28,600
Speaker 1: Is this an OSHA compliant environment or yes?

880
00:41:28,719 --> 00:41:32,200
Speaker 2: Because you can hear the alarms, that's an unsafe workplace.

881
00:41:32,239 --> 00:41:34,160
Speaker 1: Would alarm wouldn't go here?

882
00:41:34,200 --> 00:41:36,120
Speaker 4: We know it. I take I feel much better now

883
00:41:36,160 --> 00:41:40,080
Speaker 4: that's true. Yeah, that's actually made a lot of sense.

884
00:41:40,440 --> 00:41:42,960
Speaker 1: Can we get while we have the light? Can we

885
00:41:43,040 --> 00:41:44,920
Speaker 1: yes the line?

886
00:41:45,360 --> 00:41:50,160
Speaker 4: Yes, the Michael Jordan line? Yeah, okay, and can we watch?

887
00:41:50,520 --> 00:41:52,120
Speaker 1: I just want to be able to I actually, can

888
00:41:52,160 --> 00:41:53,920
Speaker 1: you widen out a little bit because I want to

889
00:41:54,440 --> 00:41:56,360
Speaker 1: I want to swing over and I want to be

890
00:41:56,360 --> 00:41:59,239
Speaker 1: able to pick up Carolyn stuff. Carolyn Ray is going

891
00:41:59,280 --> 00:42:02,760
Speaker 1: to be standing next you in the g What Carolin

892
00:42:02,800 --> 00:42:04,320
Speaker 1: Ray is gonna standing next to you? Work in the ground,

893
00:42:04,600 --> 00:42:06,239
Speaker 1: Oh Frank's mom.

894
00:42:06,400 --> 00:42:09,000
Speaker 4: Yeah okay, And no one mentioned that to me. That's

895
00:42:09,040 --> 00:42:11,000
Speaker 4: a problem. That's going to be a problem for me.

896
00:42:11,680 --> 00:42:13,839
Speaker 1: M you guys have fun, you guys have a thing.

897
00:42:13,960 --> 00:42:16,759
Speaker 4: Yeah, I'm not, that's I'm not. I'm not working with

898
00:42:16,800 --> 00:42:17,480
Speaker 4: Caroline Rice.

899
00:42:17,520 --> 00:42:20,719
Speaker 1: So well, you're not working with Caroline Rice. She's working

900
00:42:20,719 --> 00:42:21,759
Speaker 1: on a totally different day.

901
00:42:22,400 --> 00:42:25,120
Speaker 4: I'm not going to be in a show with Caroline.

902
00:42:25,000 --> 00:42:28,040
Speaker 1: Might not being the same pilot.

903
00:42:28,560 --> 00:42:33,920
Speaker 4: Okay, can you guarantee that I'm not appearing the screen

904
00:42:34,080 --> 00:42:39,640
Speaker 4: with Caroline Ray? There's about three people I won't work with,

905
00:42:39,680 --> 00:42:42,080
Speaker 4: and Caroline Rays at the top of that list. Okay,

906
00:42:42,120 --> 00:42:46,920
Speaker 4: So it has nothing to do has nothing to do

907
00:42:46,960 --> 00:42:49,840
Speaker 4: with the day I did on on Sabrina the Teenage Witch.

908
00:42:50,239 --> 00:42:52,160
Speaker 4: It has nothing to do with that, So don't ask

909
00:42:52,239 --> 00:42:55,480
Speaker 4: me if that's what it's about. But guys, I'm also

910
00:42:55,520 --> 00:42:58,120
Speaker 4: a person. I have to have boundaries. That's not I

911
00:42:58,160 --> 00:43:01,160
Speaker 4: don't feel no, no, no.

912
00:43:01,400 --> 00:43:03,719
Speaker 2: Is there a that you would be happy doing it

913
00:43:03,760 --> 00:43:06,920
Speaker 2: where you could, like, maybe we can film you saying

914
00:43:06,960 --> 00:43:09,560
Speaker 2: what you want to say to her and we can

915
00:43:09,880 --> 00:43:12,600
Speaker 2: just cut that into the po okay, and that could

916
00:43:12,640 --> 00:43:16,720
Speaker 2: be cool, and you can sort of giving her what for, Okay.

917
00:43:16,400 --> 00:43:18,560
Speaker 1: If you're giving her the business and if you're done

918
00:43:18,560 --> 00:43:21,560
Speaker 1: with your little hissy fit, we actually do have a

919
00:43:21,600 --> 00:43:25,600
Speaker 1: show to make, and you know we're trying to run

920
00:43:25,600 --> 00:43:28,840
Speaker 1: a professional set here. So if you, okay, if you

921
00:43:28,880 --> 00:43:31,120
Speaker 1: could just sort of, you know, say what you need

922
00:43:31,120 --> 00:43:33,319
Speaker 1: to say about it, Michaeljoran's favorite hot dog, and then

923
00:43:33,400 --> 00:43:36,480
Speaker 1: let's let's give it to Carolyn because she's actually cool

924
00:43:36,520 --> 00:43:38,440
Speaker 1: with that stuff. She's from that roast culture.

925
00:43:38,640 --> 00:43:41,200
Speaker 4: Oh oh, okay, so you think I'm the one that's

926
00:43:41,239 --> 00:43:42,279
Speaker 4: being immature about this.

927
00:43:42,440 --> 00:43:44,440
Speaker 1: We'll find out because you'll do your side of it,

928
00:43:44,520 --> 00:43:46,439
Speaker 1: and then we'll get some of Carolyn stuff.

929
00:43:46,520 --> 00:43:49,400
Speaker 4: So we won't know how the fight turns out until afterwards.

930
00:43:50,200 --> 00:43:52,640
Speaker 1: You guys are just gonna say her side. I'm here

931
00:43:52,719 --> 00:43:54,840
Speaker 1: right now. You want to sit in post with me

932
00:43:55,000 --> 00:43:58,239
Speaker 1: till four am and chop this thing up? You want

933
00:43:58,239 --> 00:44:00,000
Speaker 1: to fucking get in there with a scalpel and slow

934
00:44:00,040 --> 00:44:02,120
Speaker 1: ice and dice with me, and hey, it's the fucking

935
00:44:02,160 --> 00:44:08,799
Speaker 1: two surgeons in the edit room, because we'll do it.

936
00:44:09,239 --> 00:44:11,520
Speaker 1: So you tell me, like, if you want to do that,

937
00:44:11,840 --> 00:44:14,800
Speaker 1: be my guest. I'm there already. I don't give a fuck.

938
00:44:16,120 --> 00:44:18,160
Speaker 4: I am deeply regretting this choice.

939
00:44:18,200 --> 00:44:20,680
Speaker 2: And I will just say when we did Caroline Ray stuff,

940
00:44:20,719 --> 00:44:23,560
Speaker 2: she said, Oh, Jessica's doing this. I'm really happy for her.

941
00:44:23,600 --> 00:44:27,080
Speaker 2: This is exactly what she should be doing. And I am,

942
00:44:27,120 --> 00:44:29,040
Speaker 2: and she's like, I am honestly rooting for her, and

943
00:44:29,080 --> 00:44:30,359
Speaker 2: I have been for a long time.

944
00:44:30,400 --> 00:44:33,520
Speaker 1: M hm, and this is pers Oh my god, this

945
00:44:33,560 --> 00:44:34,839
Speaker 1: is exactly what she should be doing.

946
00:44:34,880 --> 00:44:37,000
Speaker 4: Well, that to me means It's exactly what I shouldn't

947
00:44:37,000 --> 00:44:39,319
Speaker 4: be doing. And I'm also starting to wonder if maybe

948
00:44:39,360 --> 00:44:40,919
Speaker 4: you went to her first for lady Baby.

949
00:44:41,600 --> 00:44:43,959
Speaker 1: I'm sorry when you said I'm really regretting this choice.

950
00:44:44,000 --> 00:44:45,920
Speaker 1: Were you referring to your vocal choice.

951
00:44:47,239 --> 00:44:50,960
Speaker 4: I was referring to wearing just a diaper all day.

952
00:44:51,360 --> 00:44:53,640
Speaker 4: I haven't had any clothes on this entire time but

953
00:44:53,719 --> 00:44:57,080
Speaker 4: a diaper, and it's a wet diaper, okay, full of

954
00:44:57,160 --> 00:44:59,880
Speaker 4: pea soup, I think, which I thought was a bold,

955
00:45:00,080 --> 00:45:03,600
Speaker 4: dramatic choice to make very rare at the comedian is

956
00:45:03,680 --> 00:45:06,000
Speaker 4: asked to be clothingless in.

957
00:45:06,040 --> 00:45:08,080
Speaker 1: Anything I try.

958
00:45:08,120 --> 00:45:10,840
Speaker 4: I thought this was like going to be a Peabody situation.

959
00:45:11,280 --> 00:45:17,360
Speaker 2: You have certainly Peabody, you have like a pee body

960
00:45:17,440 --> 00:45:19,960
Speaker 2: there your body.

961
00:45:19,040 --> 00:45:22,400
Speaker 1: And we got the Sherman and Peabody guys coming in. Yeah,

962
00:45:23,080 --> 00:45:25,320
Speaker 1: what We've got the Sherman and Peabody guys coming in

963
00:45:25,640 --> 00:45:27,759
Speaker 1: because they're going to get No one's even offering me

964
00:45:27,800 --> 00:45:31,320
Speaker 1: a robe between takes Sherman, So Sherman's going to be

965
00:45:31,360 --> 00:45:35,879
Speaker 1: holding and Peabody. Yeah, maybe what about one of those

966
00:45:35,920 --> 00:45:38,719
Speaker 1: that's kind of funny. What about those towels? Though?

967
00:45:38,760 --> 00:45:40,279
Speaker 4: When you can take a baby out of the tub

968
00:45:40,280 --> 00:45:41,680
Speaker 4: and you wrap it in a robe.

969
00:45:41,480 --> 00:45:44,040
Speaker 1: Towel for the grandpas. Yeah, maybe, yeah.

970
00:45:44,400 --> 00:45:46,880
Speaker 4: Why can't Dean Kane wrap me in a towel robe?

971
00:45:47,400 --> 00:45:50,120
Speaker 1: Dean, we don't have that. We can't match that footage.

972
00:45:51,360 --> 00:45:53,160
Speaker 1: I mean, we don't got to work a little good.

973
00:45:53,320 --> 00:45:56,080
Speaker 1: Maybe I heard such a great thing about you guys.

974
00:45:56,640 --> 00:45:59,719
Speaker 2: Maybe we could hire Dean Kine on a different show

975
00:45:59,719 --> 00:46:01,959
Speaker 2: where he puts robes on people, and then when he's

976
00:46:02,080 --> 00:46:05,239
Speaker 2: going around the country promoting it on morning shows, he

977
00:46:05,280 --> 00:46:07,200
Speaker 2: could demonstrate that by playing a robe.

978
00:46:07,640 --> 00:46:12,000
Speaker 1: He grab that footy. Yeah, yeah, I mean, because we

979
00:46:12,040 --> 00:46:16,719
Speaker 1: do have Dean Caine taking a pause or we have

980
00:46:16,760 --> 00:46:18,600
Speaker 1: a pause screen with him, so we can put just

981
00:46:18,600 --> 00:46:20,560
Speaker 1: about anything in his mouth if you want to hear

982
00:46:20,640 --> 00:46:25,160
Speaker 1: him offer you a towel and then and then we'll

983
00:46:25,360 --> 00:46:28,960
Speaker 1: you know, match cut to you wearing a towel. Right,

984
00:46:29,200 --> 00:46:35,000
Speaker 1: So Caroline Ray is where when that's happening. Uh, Well,

985
00:46:35,080 --> 00:46:36,880
Speaker 1: she's getting the business from you, right.

986
00:46:36,760 --> 00:46:41,160
Speaker 4: So she's still flipping the hot dogs, she's manning the grill. Yeah,

987
00:46:41,320 --> 00:46:43,600
Speaker 4: has she the ballpark frank spokeswoman.

988
00:46:43,719 --> 00:46:46,879
Speaker 1: That's the only thing we have filmed so that we're

989
00:46:46,920 --> 00:46:47,719
Speaker 1: really married too.

990
00:46:48,360 --> 00:46:50,960
Speaker 2: She wears a grill, you know, like a marching band

991
00:46:51,040 --> 00:46:53,840
Speaker 2: guy with like a timbany. She kind of wears a

992
00:46:53,880 --> 00:46:55,080
Speaker 2: grill around her waist.

993
00:46:55,160 --> 00:46:56,600
Speaker 4: Oh, she's like a cigarette girl.

994
00:46:56,880 --> 00:46:59,239
Speaker 1: Yeah, yes, thank you Bud her.

995
00:46:59,280 --> 00:47:02,279
Speaker 4: Friend Habachi that she has strapped to her chest.

996
00:47:02,480 --> 00:47:05,920
Speaker 2: Yeah, it's like a big grill. Yeah, it's like a

997
00:47:05,960 --> 00:47:06,759
Speaker 2: big green egg.

998
00:47:07,640 --> 00:47:14,400
Speaker 1: Do you want me to score kimmoo this that? Huh?

999
00:47:14,960 --> 00:47:18,239
Speaker 5: Did you want me to score any of these? What parts?

1000
00:47:18,600 --> 00:47:18,799
Speaker 1: Yeah?

1001
00:47:18,920 --> 00:47:19,439
Speaker 5: Mentioned that?

1002
00:47:19,880 --> 00:47:23,960
Speaker 1: Yeah? Please? Have you not been scoring this the whole time? Uh?

1003
00:47:24,200 --> 00:47:27,160
Speaker 5: No, oh you was hiding and making pea soup?

1004
00:47:27,239 --> 00:47:33,200
Speaker 4: And okay, Carolyn rainged me to a barbecue in her house. Yeah,

1005
00:47:33,239 --> 00:47:37,960
Speaker 4: twelve and a half years ago, and at which come

1006
00:47:38,080 --> 00:47:39,840
Speaker 4: the whole invitation come.

1007
00:47:39,719 --> 00:47:40,360
Speaker 1: To my house.

1008
00:47:40,920 --> 00:47:43,160
Speaker 4: It's going to be amazing. Would love to have you.

1009
00:47:43,160 --> 00:47:47,960
Speaker 4: Blah blah blah b y o b mm hmmmm b why.

1010
00:47:47,880 --> 00:47:50,919
Speaker 1: Bring your own ballparks, bring your own ballpark? Bank?

1011
00:47:51,000 --> 00:47:54,080
Speaker 4: Have you ever she had been on Sabrina A good

1012
00:47:54,160 --> 00:47:57,240
Speaker 4: I mean she was making big Sabrina money at that point.

1013
00:47:58,080 --> 00:48:03,319
Speaker 4: And bring your own boom? Yeah to a party at

1014
00:48:03,360 --> 00:48:06,560
Speaker 4: a at a sort of celebrities house.

1015
00:48:06,680 --> 00:48:09,520
Speaker 1: You read it wrong. Oh, I don't think I did well.

1016
00:48:09,640 --> 00:48:12,040
Speaker 4: And I wrote back, I know well I did, and

1017
00:48:12,080 --> 00:48:14,440
Speaker 4: I wrote back and I said, I'm confused by what this.

1018
00:48:14,600 --> 00:48:18,279
Speaker 4: I would love to be there. What does this mean? Byob?

1019
00:48:18,480 --> 00:48:21,520
Speaker 4: What did you mean by Boyob? Did you intend to

1020
00:48:21,600 --> 00:48:22,680
Speaker 4: put this in this email?

1021
00:48:22,840 --> 00:48:25,480
Speaker 1: Did you have the right email? Yes?

1022
00:48:25,760 --> 00:48:28,320
Speaker 4: I had the right email. We both had the right emails.

1023
00:48:28,320 --> 00:48:32,759
Speaker 1: There's private emails from Carolyn Ray. Okay, maybe let's use

1024
00:48:32,800 --> 00:48:34,359
Speaker 1: this for the scene. That'll be great.

1025
00:48:34,480 --> 00:48:37,239
Speaker 2: I can I can read Caroline's parts, and you can

1026
00:48:37,600 --> 00:48:40,960
Speaker 2: just riff on on what you you know, like what

1027
00:48:41,000 --> 00:48:42,680
Speaker 2: you want to say, what you like, all this stuff

1028
00:48:42,680 --> 00:48:44,600
Speaker 2: that's been building up, and it could be like a

1029
00:48:44,640 --> 00:48:45,200
Speaker 2: Louis thing.

1030
00:48:45,239 --> 00:48:47,040
Speaker 1: You remember when he did some ship like.

1031
00:48:47,040 --> 00:48:50,520
Speaker 2: That with like that guy he was mad at and

1032
00:48:50,560 --> 00:48:53,239
Speaker 2: the other like did it on the show and it

1033
00:48:53,400 --> 00:48:56,520
Speaker 2: was like not like laugh out loud funny, but it

1034
00:48:56,560 --> 00:48:59,600
Speaker 2: was like but it was definitely.

1035
00:48:59,520 --> 00:49:01,040
Speaker 4: It was more like what he wanted to do.

1036
00:49:01,520 --> 00:49:04,480
Speaker 1: Yeah, yes, And Brett, can you get as opposed.

1037
00:49:04,120 --> 00:49:07,200
Speaker 4: To worrying about if it was funny or it wasn't

1038
00:49:07,200 --> 00:49:07,799
Speaker 4: funny or.

1039
00:49:07,800 --> 00:49:11,560
Speaker 2: It was it was like him want to want it

1040
00:49:11,920 --> 00:49:14,560
Speaker 2: and that these comedies that are like that was good funny.

1041
00:49:14,880 --> 00:49:17,960
Speaker 1: Yeah, I don't care. If it's funny, is it fucking

1042
00:49:18,160 --> 00:49:22,319
Speaker 1: on TV? That's what I want to know, or stream? Right?

1043
00:49:22,360 --> 00:49:24,480
Speaker 1: Did it move? Like who gives a ship? If it's funny,

1044
00:49:24,600 --> 00:49:28,280
Speaker 1: is it on yet? Yeah? You know that's what I'm asking.

1045
00:49:28,440 --> 00:49:31,799
Speaker 4: Yeah, And if it is, you're very okay, You've been

1046
00:49:31,920 --> 00:49:33,240
Speaker 4: very true to your vision today.

1047
00:49:34,880 --> 00:49:39,200
Speaker 1: You know it. And so let's release the Kraken. Uh, hey,

1048
00:49:39,400 --> 00:49:40,960
Speaker 1: be cracking whips. I'll be cracking jokes.

1049
00:49:40,960 --> 00:49:42,920
Speaker 2: And this is on TV. The beginning of this is

1050
00:49:43,040 --> 00:49:45,560
Speaker 2: now on TV, so we do have so it is

1051
00:49:45,600 --> 00:49:48,359
Speaker 2: on already airing, just the beginning, so but we just

1052
00:49:48,400 --> 00:49:50,359
Speaker 2: have to catch up and get We have to get

1053
00:49:50,400 --> 00:49:51,960
Speaker 2: this stuff pretty fast.

1054
00:49:51,360 --> 00:49:54,520
Speaker 1: So it's like Live Grease. It wasn't meant to be,

1055
00:49:54,520 --> 00:49:55,560
Speaker 1: but they did Live.

1056
00:49:55,400 --> 00:49:58,160
Speaker 4: Grease, and Live was the other one. They did Hairspray.

1057
00:49:58,239 --> 00:49:59,680
Speaker 1: We've got like an eighteen second delay.

1058
00:49:59,719 --> 00:50:03,359
Speaker 4: They do live hairspray little oh no, they did. They

1059
00:50:03,360 --> 00:50:06,800
Speaker 4: did Rocky Horror Picture okay, and I think.

1060
00:50:06,680 --> 00:50:10,279
Speaker 1: Three seconds this is like that we got. We are

1061
00:50:10,360 --> 00:50:12,560
Speaker 1: live and do you try to match your body position

1062
00:50:12,600 --> 00:50:13,279
Speaker 1: to the other side of this?

1063
00:50:13,400 --> 00:50:16,520
Speaker 8: Okay, well, I guess Dean Kane.

1064
00:50:16,560 --> 00:50:20,400
Speaker 6: Let's head over there because I can smell those Michael

1065
00:50:20,480 --> 00:50:21,920
Speaker 6: Jordan's favorite hot dogs.

1066
00:50:23,560 --> 00:50:25,759
Speaker 1: Chemistry was just a media and Uh.

1067
00:50:26,000 --> 00:50:27,600
Speaker 8: I sort of feel like you and me are hitting

1068
00:50:27,680 --> 00:50:28,279
Speaker 8: up Dean.

1069
00:50:28,400 --> 00:50:30,680
Speaker 1: What do you think for me? Oh?

1070
00:50:30,760 --> 00:50:32,040
Speaker 8: So let's just go over here.

1071
00:50:32,120 --> 00:50:36,880
Speaker 6: There's a really ugly, poorly behaved well he plays the

1072
00:50:37,120 --> 00:50:38,520
Speaker 6: lady who's.

1073
00:50:38,239 --> 00:50:41,640
Speaker 1: Cooking hot dogs over here. So maybe we could.

1074
00:50:41,520 --> 00:50:44,319
Speaker 4: Just know why don't we go get a hot dog from?

1075
00:50:45,320 --> 00:50:48,320
Speaker 4: Who has no man is who invites people to their house?

1076
00:50:48,960 --> 00:50:53,120
Speaker 1: It doesn't have anything, you guys house? Oh wow, you

1077
00:50:53,160 --> 00:50:53,960
Speaker 1: don't look familiar.

1078
00:50:54,480 --> 00:50:57,520
Speaker 2: Nice person, and I think it's nice having people over.

1079
00:50:57,920 --> 00:51:01,399
Speaker 4: You know, has anyone the time?

1080
00:51:01,680 --> 00:51:02,720
Speaker 1: Canon balls?

1081
00:51:03,600 --> 00:51:05,680
Speaker 2: I think there's enough to go around for everyone in

1082
00:51:05,719 --> 00:51:07,920
Speaker 2: this business, and we don't have to be like jealous

1083
00:51:07,920 --> 00:51:08,960
Speaker 2: and petty of each other.

1084
00:51:09,440 --> 00:51:10,600
Speaker 8: Oh that's so funny.

1085
00:51:10,600 --> 00:51:12,759
Speaker 1: You don't look at all familiar to me. Have you

1086
00:51:12,800 --> 00:51:16,880
Speaker 1: ever been in anything on your dough? Yeah, I've actually

1087
00:51:16,920 --> 00:51:17,920
Speaker 1: been in a few things.

1088
00:51:18,000 --> 00:51:20,440
Speaker 4: I just wanted to quickly say, I really love your pants.

1089
00:51:20,480 --> 00:51:22,480
Speaker 4: I think I saw them at Target? Did you get

1090
00:51:22,520 --> 00:51:24,600
Speaker 4: them at Target? Those all those clothes you're wearing.

1091
00:51:24,719 --> 00:51:28,759
Speaker 1: Yeah, this is actually from my line. Uh, hey, can

1092
00:51:28,800 --> 00:51:31,600
Speaker 1: I make you guys an old fashioned Pinukulata.

1093
00:51:35,120 --> 00:51:37,840
Speaker 4: Uh yeah, I guess I just was wondering, Caroline, like,

1094
00:51:37,880 --> 00:51:43,520
Speaker 4: we're at a barbecue, how come you're not wearing a baby?

1095
00:51:44,320 --> 00:51:45,200
Speaker 1: Okay, let's kay.

1096
00:51:46,760 --> 00:51:48,680
Speaker 5: Was that the right kind of Yeah?

1097
00:51:48,719 --> 00:51:50,839
Speaker 1: I think we got some really good stuff. I feel better.

1098
00:51:51,040 --> 00:51:53,279
Speaker 1: I'm glad we Yeah that I wish I were.

1099
00:51:57,280 --> 00:51:59,279
Speaker 2: And that's look like they come from time and we

1100
00:51:59,320 --> 00:52:02,200
Speaker 2: are maybe potentially hoping they have them as an advertiser,

1101
00:52:02,239 --> 00:52:03,719
Speaker 2: both on the podcast and that.

1102
00:52:03,840 --> 00:52:05,800
Speaker 4: I would say I wasn't giving a compliment.

1103
00:52:06,840 --> 00:52:10,840
Speaker 1: Good, We're all complimenting everything. Obviously I was complimenting. I

1104
00:52:10,880 --> 00:52:15,040
Speaker 1: love the louis An, I love the freaking you know

1105
00:52:15,200 --> 00:52:18,759
Speaker 1: VOD movies, and everything to me is good as long

1106
00:52:18,760 --> 00:52:22,040
Speaker 1: as it's happening. Yes, please just finish it and then

1107
00:52:22,239 --> 00:52:24,120
Speaker 1: let me watch it. Yeah.

1108
00:52:24,160 --> 00:52:26,359
Speaker 2: And the fact, you know, like being on TV is good,

1109
00:52:26,600 --> 00:52:29,720
Speaker 2: but taking like three years off your show is also

1110
00:52:29,920 --> 00:52:32,279
Speaker 2: like a great, like cool thing to do.

1111
00:52:32,520 --> 00:52:34,680
Speaker 1: Yeah. Even when when you were doing this show, you

1112
00:52:34,719 --> 00:52:38,080
Speaker 1: were just like doing whatever you wanted them, it seemed

1113
00:52:38,160 --> 00:52:39,040
Speaker 1: that hard.

1114
00:52:39,360 --> 00:52:42,000
Speaker 4: Right, so it would make sense you'd need a break.

1115
00:52:41,960 --> 00:52:45,000
Speaker 2: Yes, yeah, break, imagine something else that's whatever you want

1116
00:52:45,040 --> 00:52:45,200
Speaker 2: to do.

1117
00:52:45,280 --> 00:52:47,360
Speaker 4: Imagine if you were living your whole life doing exactly

1118
00:52:47,440 --> 00:52:48,160
Speaker 4: what you wanted to do.

1119
00:52:48,320 --> 00:52:51,759
Speaker 1: It would be so yes, Yeah, imagine if you were

1120
00:52:51,800 --> 00:52:56,120
Speaker 1: making a show that was damn near stream of consciousness. Yeah,

1121
00:52:56,239 --> 00:52:59,440
Speaker 1: in the most minimal way possible. Yeah, And people say

1122
00:52:59,440 --> 00:53:02,319
Speaker 1: how could you it all prepared? Yeah? And then you

1123
00:53:02,360 --> 00:53:06,239
Speaker 1: go like I can't even do this, and it's like

1124
00:53:06,360 --> 00:53:08,040
Speaker 1: what are you doing? It's like I don't know, so

1125
00:53:08,239 --> 00:53:11,560
Speaker 1: maybe I don't know? And then imagine is that how

1126
00:53:11,600 --> 00:53:15,520
Speaker 1: it feels to me? Yeah? Process with this show? Yep,

1127
00:53:16,680 --> 00:53:22,880
Speaker 1: it's pretty crazy with this to think about how everything

1128
00:53:22,920 --> 00:53:25,640
Speaker 1: we're seeing today, the ballpark Frank's, that amazing exchange with

1129
00:53:25,640 --> 00:53:27,920
Speaker 1: you and Caroly, it sort of was birthed from my

1130
00:53:28,040 --> 00:53:35,400
Speaker 1: own twisted, deranged mind. And that the sort of sinister

1131
00:53:35,680 --> 00:53:39,360
Speaker 1: thoughts I have that just about drove me insane until

1132
00:53:39,400 --> 00:53:42,000
Speaker 1: I splashed them down on paper have now become this

1133
00:53:42,160 --> 00:53:49,279
Speaker 1: beautiful burden watching and you had a sick wing and

1134
00:53:49,320 --> 00:53:51,360
Speaker 1: you like fix it kind of in your mind, and

1135
00:53:51,719 --> 00:53:54,320
Speaker 1: the watch it for God. They're bringing this to life.

1136
00:53:54,560 --> 00:53:58,720
Speaker 1: My words, you know, my Dean Caine interview about Lois

1137
00:53:58,840 --> 00:54:04,040
Speaker 1: and Clark, you know my ballpark Frank thing, My uh,

1138
00:54:04,320 --> 00:54:07,520
Speaker 1: who is that? Louis Anderson doing a cannon ball. Yeah

1139
00:54:08,160 --> 00:54:11,319
Speaker 1: from this, thank goodness. Yeah.

1140
00:54:11,440 --> 00:54:13,920
Speaker 4: Well, I guess that's the other thing that we haven't

1141
00:54:13,960 --> 00:54:16,520
Speaker 4: really said today, which is how gender fluid this show is.

1142
00:54:17,280 --> 00:54:20,920
Speaker 4: I mean, I'm a lady playing with grandpa, playing a

1143
00:54:20,960 --> 00:54:26,840
Speaker 4: baby playing gender from Yes, exactly, exactly, that is exactly.

1144
00:54:26,920 --> 00:54:30,160
Speaker 4: I feel like we're really starting to gel here.

1145
00:54:30,320 --> 00:54:33,719
Speaker 1: And as I've said, you know, it's so later in

1146
00:54:33,719 --> 00:54:35,520
Speaker 1: the season, we are going to reveal that you are,

1147
00:54:35,520 --> 00:54:36,840
Speaker 1: in fact a kung Fu panda.

1148
00:54:37,200 --> 00:54:38,600
Speaker 4: Oh my god, in my dreams.

1149
00:54:39,360 --> 00:54:42,400
Speaker 1: But I just feel like it is also a dream.

1150
00:54:42,480 --> 00:54:46,960
Speaker 4: So Louie Anderson playing zach Elfan a mom on baskets,

1151
00:54:46,960 --> 00:54:51,040
Speaker 4: it's like everybody on everyone is making taking such risks.

1152
00:54:51,520 --> 00:54:54,080
Speaker 1: Can we get a couple of wild? Can we get

1153
00:54:54,120 --> 00:54:58,279
Speaker 1: a couple of wild? Excuse me? Oh hi, we're doing

1154
00:54:58,280 --> 00:55:00,680
Speaker 1: the show. Can we get a couple of wild? High? Yes,

1155
00:55:01,040 --> 00:55:09,920
Speaker 1: just for when you're kung Fu Panda later, Okay, give

1156
00:55:09,920 --> 00:55:13,880
Speaker 1: me three in a row fast ones.

1157
00:55:17,600 --> 00:55:24,040
Speaker 4: And I know what a go doch uhch But.

1158
00:55:24,080 --> 00:55:26,640
Speaker 1: Like they do at the end of Funnier Day videos.

1159
00:55:26,400 --> 00:55:27,360
Speaker 4: I don't know how that works.

1160
00:55:27,760 --> 00:55:34,279
Speaker 1: Sorry, And do you have something to promote? Oh what

1161
00:55:35,520 --> 00:55:37,040
Speaker 1: you're here? To promote something this show.

1162
00:55:37,920 --> 00:55:39,920
Speaker 4: Yeah, it's gonna be going out, isn't it.

1163
00:55:40,040 --> 00:55:41,960
Speaker 1: Do you have something to promote? Yeah, it's on right now,

1164
00:55:42,000 --> 00:55:44,200
Speaker 1: That's what I mean. Be promoting this show.

1165
00:55:45,120 --> 00:55:52,239
Speaker 4: Yes, this show which is called Lady Grandpa. And then uh,

1166
00:55:53,440 --> 00:55:56,400
Speaker 4: and then I I'm on the new season of Search

1167
00:55:56,440 --> 00:55:57,799
Speaker 4: Party and I'm also on.

1168
00:55:59,280 --> 00:56:01,960
Speaker 1: Big Now I'm really excited about Netflix. And then.

1169
00:56:03,719 --> 00:56:06,840
Speaker 4: Oh, let's see, yeah what else am I let me

1170
00:56:06,840 --> 00:56:08,239
Speaker 4: think about what else have got going on?

1171
00:56:08,280 --> 00:56:11,640
Speaker 1: Wayne is actually oh yeah, and then I'm going to

1172
00:56:11,719 --> 00:56:16,440
Speaker 1: be in a new movie, and then I'm really excited

1173
00:56:16,480 --> 00:56:16,960
Speaker 1: about that.

1174
00:56:17,360 --> 00:56:20,239
Speaker 4: And then I just have a few other things I'm

1175
00:56:20,280 --> 00:56:27,040
Speaker 4: working on. So like it's been probably I would say.

1176
00:56:25,800 --> 00:56:27,799
Speaker 1: Barbara streisand also.

1177
00:56:30,239 --> 00:56:33,920
Speaker 4: Yeah, American Idol. I'm going to be on the Posting

1178
00:56:34,120 --> 00:56:38,240
Speaker 4: Lue season, and other than.

1179
00:56:38,080 --> 00:56:40,120
Speaker 1: That, I just sold a movie, so yeah.

1180
00:56:40,640 --> 00:56:43,120
Speaker 5: Yeah that is a steam fun.

1181
00:56:44,000 --> 00:56:48,600
Speaker 4: So it's been probably the biggest year of my Yeah.

1182
00:56:48,120 --> 00:56:50,600
Speaker 1: Sorry, if you could just hang on, just we're almost

1183
00:56:50,600 --> 00:56:52,160
Speaker 1: out of time, and we know that's good I feel.

1184
00:56:52,719 --> 00:56:54,680
Speaker 1: And we did want to promote Hollywood Handbooks. So it's

1185
00:56:54,680 --> 00:56:56,680
Speaker 1: this great podcast on here World. Oh I'm going to

1186
00:56:56,719 --> 00:56:58,920
Speaker 1: be on that too, right, that's part of this that's

1187
00:56:58,960 --> 00:57:02,040
Speaker 1: not really part of it. Uh, you know, it's really cool.

1188
00:57:02,520 --> 00:57:05,000
Speaker 1: It's this really cool podcast that we've been doing on

1189
00:57:05,040 --> 00:57:06,799
Speaker 1: your WILF for a little while. If you could check

1190
00:57:06,840 --> 00:57:11,680
Speaker 1: it out. It's super funny. Uh, it's a funny showing

1191
00:57:11,719 --> 00:57:14,759
Speaker 1: for Uh, this guy Sean Clements who sort of like

1192
00:57:14,840 --> 00:57:21,240
Speaker 1: a you know, entertainer type, and they do these characters

1193
00:57:21,280 --> 00:57:22,960
Speaker 1: and they kind of give this show biz advice. But

1194
00:57:22,960 --> 00:57:24,560
Speaker 1: it's all tongue in cheek. It's all you kind of

1195
00:57:24,600 --> 00:57:26,520
Speaker 1: have to listen to it. Yeah, you have to listen

1196
00:57:26,560 --> 00:57:29,160
Speaker 1: to it to get it. It's easy to explain, but

1197
00:57:29,320 --> 00:57:31,240
Speaker 1: you'll drop right in. Most people like it right away,

1198
00:57:31,480 --> 00:57:36,520
Speaker 1: and the episodes always sort of work. So what else

1199
00:57:36,560 --> 00:57:37,360
Speaker 1: about Hollywood hand?

1200
00:57:37,360 --> 00:57:44,680
Speaker 2: But bye bye, I'm a horny girl wolf.

1201
00:57:45,000 --> 00:57:48,720
Speaker 4: This has been an Earwolf production, executive produced by Scott Ackerman,

1202
00:57:48,880 --> 00:57:50,720
Speaker 4: Colin Anderson, and Chris Bannon.

1203
00:57:50,840 --> 00:57:53,920
Speaker 1: For more information and content, visit earwolf dot com.

1204
00:57:54,520 --> 00:57:57,640
Speaker 8: Oh