1 00:00:01,440 --> 00:00:02,400 Speaker 1: In the Morning show. 2 00:00:04,000 --> 00:00:10,200 Speaker 2: Mario Carbone is here and he's playing with a bottle 3 00:00:10,240 --> 00:00:12,400 Speaker 2: of Guy Fieri's barbecue sauce. Yeah. 4 00:00:12,440 --> 00:00:13,760 Speaker 3: I mean, I didn't know if you were. This was 5 00:00:14,280 --> 00:00:17,720 Speaker 3: here intentionally, but apparently Chef Fiery was here yesterday. 6 00:00:17,760 --> 00:00:17,960 Speaker 2: He was. 7 00:00:18,400 --> 00:00:19,520 Speaker 3: I was just I was just taking a look at 8 00:00:19,560 --> 00:00:20,400 Speaker 3: the Flavortown here. 9 00:00:20,760 --> 00:00:22,080 Speaker 1: Have you ever gone to Flavortown? 10 00:00:22,200 --> 00:00:25,640 Speaker 3: I've never been to Flavortown? Is that like Barbaritaville? 11 00:00:28,600 --> 00:00:32,480 Speaker 2: One province over? I'm gonna move mister Fierre's barbecue sauce. 12 00:00:32,600 --> 00:00:34,400 Speaker 3: By the way, congratulations Chef Fiery. 13 00:00:34,600 --> 00:00:37,040 Speaker 2: We were late getting started with Mario because he brought 14 00:00:37,120 --> 00:00:39,839 Speaker 2: a lot of food from from a palm to the 15 00:00:39,840 --> 00:00:42,480 Speaker 2: station and scary simp can we just delayed two minutes 16 00:00:42,520 --> 00:00:43,680 Speaker 2: until I finished my meat ball. 17 00:00:44,920 --> 00:00:46,920 Speaker 4: Put some of the brown bourbon sugar on some of 18 00:00:46,960 --> 00:00:48,360 Speaker 4: your spicy RIGATONI. 19 00:00:49,560 --> 00:00:52,000 Speaker 1: Do not put that on the spicy. Do not miss this. 20 00:00:53,400 --> 00:00:55,440 Speaker 3: I had nothing but love for Chef Fiery. 21 00:00:55,640 --> 00:00:58,480 Speaker 5: Well, everyone missed Sary's primetime moment where he walked in and 22 00:00:58,440 --> 00:00:59,920 Speaker 5: still see rerunants of it. He walked in eating a 23 00:01:00,080 --> 00:01:02,720 Speaker 5: and oly he got powdered sugar all over himself. His 24 00:01:02,800 --> 00:01:04,600 Speaker 5: face looked like he was face first at a pile 25 00:01:04,640 --> 00:01:07,160 Speaker 5: of cocaine. 26 00:01:07,880 --> 00:01:14,000 Speaker 2: American blow. There is powdered sugar straight from Brooklyn Mario. 27 00:01:14,120 --> 00:01:16,319 Speaker 2: So much to talk about. Let's I know, because I'm 28 00:01:16,319 --> 00:01:18,880 Speaker 2: a big, huge fan of your sauces. Right, you have 29 00:01:18,959 --> 00:01:21,200 Speaker 2: these new simmer sauces. I want to talk about these first. Yep, 30 00:01:21,440 --> 00:01:22,479 Speaker 2: what is a simmer sauce? 31 00:01:22,560 --> 00:01:24,840 Speaker 3: So it's basically the bas sauce of something that would 32 00:01:24,840 --> 00:01:27,280 Speaker 3: take you a really long time, So like if you're 33 00:01:27,280 --> 00:01:30,920 Speaker 3: making your chicken catchator, you're making bolonaise, so it's the 34 00:01:30,959 --> 00:01:33,560 Speaker 3: base of a longer recipe. And then from there you 35 00:01:33,640 --> 00:01:36,080 Speaker 3: just buy the protein and all the work has pretty 36 00:01:36,120 --> 00:01:37,840 Speaker 3: much been done. So like bowlonetes, for instance, you just 37 00:01:37,920 --> 00:01:39,760 Speaker 3: kind of brown the meats and then throw in the 38 00:01:39,840 --> 00:01:42,560 Speaker 3: jar because all of the the stewing of the onions 39 00:01:42,560 --> 00:01:44,360 Speaker 3: and the garlic and the tomato and the tomato paste 40 00:01:44,400 --> 00:01:46,120 Speaker 3: and all that's been done already. It's been cooked for 41 00:01:46,120 --> 00:01:47,920 Speaker 3: a long time. It's ready to go. You add your 42 00:01:48,000 --> 00:01:49,720 Speaker 3: protein to it because no one has time to cook, 43 00:01:49,840 --> 00:01:53,080 Speaker 3: even myself, so it keeps the whole meal at fifteen 44 00:01:53,080 --> 00:01:53,560 Speaker 3: minutes or so. 45 00:01:53,840 --> 00:01:56,360 Speaker 1: Well, when can we get those when they. 46 00:01:56,240 --> 00:01:59,320 Speaker 3: Are available slowly coming out. Whole Foods, I believe is 47 00:01:59,320 --> 00:02:01,120 Speaker 3: the first place that they go to because we have 48 00:02:01,200 --> 00:02:03,760 Speaker 3: a deal with them, but eventually it'll be nationwide. 49 00:02:03,920 --> 00:02:08,280 Speaker 2: Nice genius. Another genius move from Mario. Let's go back 50 00:02:08,280 --> 00:02:10,359 Speaker 2: to my favorite of your sauces. Of course, it's especially 51 00:02:10,520 --> 00:02:12,920 Speaker 2: Rigatoni sauce. So Danielle walked in on Monday morning and 52 00:02:12,919 --> 00:02:15,200 Speaker 2: said it just didn't taste right. And I asked her 53 00:02:15,200 --> 00:02:17,080 Speaker 2: this question because I knew what the problem was. Put 54 00:02:17,160 --> 00:02:17,919 Speaker 2: did you put the cream in? 55 00:02:18,080 --> 00:02:20,600 Speaker 6: So I was like, mind blown. I like it without 56 00:02:20,800 --> 00:02:22,560 Speaker 6: the It tastes good. No matter what you do, it 57 00:02:22,560 --> 00:02:23,000 Speaker 6: doesn't matter. 58 00:02:23,040 --> 00:02:23,720 Speaker 1: But I said to my. 59 00:02:23,680 --> 00:02:26,359 Speaker 6: Son the other night, because it's his favorite, he was like, 60 00:02:26,720 --> 00:02:27,560 Speaker 6: I can't believe it. 61 00:02:27,680 --> 00:02:29,240 Speaker 1: All we have to do is at the cream I go. 62 00:02:29,360 --> 00:02:31,280 Speaker 1: I know, I had no idea. It was on the jar, 63 00:02:31,639 --> 00:02:33,560 Speaker 1: it's written right there. But I'll tell you what I thought. 64 00:02:33,600 --> 00:02:36,080 Speaker 6: I thought you were selling that version and you had 65 00:02:36,080 --> 00:02:37,600 Speaker 6: to come to the restaurant for the other version. 66 00:02:38,120 --> 00:02:40,320 Speaker 3: Well, the thing what happened was when we were developing 67 00:02:40,360 --> 00:02:42,520 Speaker 3: that sauce is it turns out the only way to 68 00:02:42,600 --> 00:02:45,000 Speaker 3: make a cream sauce kind of shelf stable. So it 69 00:02:45,000 --> 00:02:46,960 Speaker 3: doesn't have to be in the refrigerating section is to 70 00:02:47,040 --> 00:02:50,120 Speaker 3: use powdered dairy, and I wasn't willing to do that. 71 00:02:50,560 --> 00:02:52,640 Speaker 3: So the way I went around it was make the 72 00:02:52,680 --> 00:02:54,520 Speaker 3: bass sauce, then put a big label on it that 73 00:02:54,560 --> 00:02:57,239 Speaker 3: says buy cream or add cream, and that way it 74 00:02:57,280 --> 00:02:58,560 Speaker 3: can get close to the restaurant. 75 00:02:58,600 --> 00:03:00,880 Speaker 2: But I didn't want to use like powder. Problem. Cows 76 00:03:00,919 --> 00:03:01,800 Speaker 2: do not shoot powder. 77 00:03:01,960 --> 00:03:04,079 Speaker 3: Oh no, you got add a little bit. You got 78 00:03:04,120 --> 00:03:05,760 Speaker 3: add a little bit of a little bit of butter too. OK. 79 00:03:05,919 --> 00:03:08,760 Speaker 2: Yeah, exactly. It was a big labels that I did. 80 00:03:09,480 --> 00:03:12,520 Speaker 2: It's a sizable lab So if you know Mario, you 81 00:03:12,560 --> 00:03:14,720 Speaker 2: know all about the carbone experience. There are so many 82 00:03:14,720 --> 00:03:19,120 Speaker 2: different things that are connected to your name and your brand. 83 00:03:19,240 --> 00:03:22,160 Speaker 2: But when you die, is this what you're gonna be 84 00:03:22,200 --> 00:03:24,079 Speaker 2: remembered as the Spicy s Frigatoni? Guy? I mean that 85 00:03:24,240 --> 00:03:25,480 Speaker 2: is that gonna be on your tombstone? 86 00:03:25,520 --> 00:03:28,760 Speaker 3: It might be it, I mean, it's it's It's definitely 87 00:03:28,760 --> 00:03:30,680 Speaker 3: the hit song that I need to keep playing. 88 00:03:30,800 --> 00:03:33,560 Speaker 6: Were there many versions of the Spicy Brigatoni until you said, 89 00:03:33,639 --> 00:03:34,679 Speaker 6: this is the one. 90 00:03:34,480 --> 00:03:36,800 Speaker 3: That's actually one of the dishes that when we did 91 00:03:36,840 --> 00:03:39,600 Speaker 3: it in twenty twelve or so when we were making 92 00:03:39,600 --> 00:03:40,640 Speaker 3: the menu of Carbone. 93 00:03:40,720 --> 00:03:41,119 Speaker 2: That one. 94 00:03:41,200 --> 00:03:43,720 Speaker 3: Actually, I think maybe once I did it. 95 00:03:43,760 --> 00:03:46,200 Speaker 2: Wow. Now every time I got a carbone, whichever corbone 96 00:03:46,200 --> 00:03:48,560 Speaker 2: it is, in this world of ours, the rigatoni has 97 00:03:48,600 --> 00:03:50,080 Speaker 2: to be on the tame coconut grove. The other night. 98 00:03:50,160 --> 00:03:52,040 Speaker 2: Oh yes, I was a coconut I keep I keep 99 00:03:52,040 --> 00:03:52,720 Speaker 2: tracks on you. I've been. 100 00:03:53,360 --> 00:03:55,920 Speaker 3: When you make a reservation, my phone pops up and well. 101 00:03:55,760 --> 00:03:56,920 Speaker 2: I tell you what we did. We were there was 102 00:03:56,960 --> 00:03:59,040 Speaker 2: some dear, dear friends who had never been to Carbone 103 00:03:59,080 --> 00:04:00,840 Speaker 2: and they were loving it. I mean, he owns an 104 00:04:00,880 --> 00:04:03,200 Speaker 2: Italian restaurant. He's one of the best chefs ever, and 105 00:04:03,240 --> 00:04:04,840 Speaker 2: he sat down to at your table and said, this 106 00:04:04,880 --> 00:04:06,920 Speaker 2: is the best veal, the best Rigatoni I've ever had. 107 00:04:06,960 --> 00:04:08,960 Speaker 2: I've been to Carbone in Coconut g four times in 108 00:04:08,960 --> 00:04:10,800 Speaker 2: the past month. Oh wow, your turn. 109 00:04:10,880 --> 00:04:12,400 Speaker 5: You must know someone to be able to do that. 110 00:04:12,520 --> 00:04:13,960 Speaker 5: But when we were talking about what's going to be 111 00:04:14,000 --> 00:04:15,560 Speaker 5: on your headstone. 112 00:04:15,200 --> 00:04:16,360 Speaker 2: We're talking a lot about your death. 113 00:04:16,400 --> 00:04:16,920 Speaker 1: Yeah, your death. 114 00:04:16,960 --> 00:04:19,840 Speaker 5: Back to your death is the spicy rigatoni? What you 115 00:04:19,880 --> 00:04:21,560 Speaker 5: would want there? Or is there something else that people 116 00:04:21,560 --> 00:04:23,279 Speaker 5: are sleeping on that you're like no, this is the 117 00:04:23,320 --> 00:04:24,120 Speaker 5: thing you need to try. 118 00:04:24,360 --> 00:04:24,800 Speaker 2: Good question. 119 00:04:24,839 --> 00:04:28,320 Speaker 3: I've never thought like Mario Carbone nineteen eighty to whatever year, 120 00:04:28,640 --> 00:04:30,960 Speaker 3: inventor of the Spicy Rigatoni or my tombstone. 121 00:04:31,000 --> 00:04:32,840 Speaker 2: Listen, that would be an honor. Okay, did you get 122 00:04:32,839 --> 00:04:37,479 Speaker 2: a better one, Mario Carbone? Try the veal. It's the 123 00:04:37,520 --> 00:04:40,320 Speaker 2: best in the city. Okay, you gotta gotta on my 124 00:04:40,320 --> 00:04:44,560 Speaker 2: death and death? What other death things that we talk about? 125 00:04:44,760 --> 00:04:46,920 Speaker 2: What an interview? So okay, while you're looking for the 126 00:04:46,960 --> 00:04:48,800 Speaker 2: simmer sauces and all the other sauces, make sure you 127 00:04:48,800 --> 00:04:51,039 Speaker 2: do pick up at least one jar of the Spicy 128 00:04:51,120 --> 00:04:52,159 Speaker 2: Rigatoni vodka sauce. 129 00:04:52,480 --> 00:04:54,600 Speaker 6: Spicy Vodka says on the jar that I have like 130 00:04:54,640 --> 00:04:57,480 Speaker 6: ten jars at home by cream. 131 00:04:57,880 --> 00:04:59,720 Speaker 2: We're getting ready for another year on the beach, in 132 00:04:59,760 --> 00:05:02,919 Speaker 2: my beach, of course, it's uh Carbone Beach and I 133 00:05:02,960 --> 00:05:04,480 Speaker 2: got to go for the first time last year. Can 134 00:05:04,520 --> 00:05:07,440 Speaker 2: I tell you how much fun that Friday was? It 135 00:05:07,560 --> 00:05:10,200 Speaker 2: was fun because Mario was like a little kid. You 136 00:05:10,240 --> 00:05:13,600 Speaker 2: were giggling because Jelly Roll was on stage doing this 137 00:05:13,640 --> 00:05:15,920 Speaker 2: performance that I didn't think Miami Beach would understand because 138 00:05:16,440 --> 00:05:18,200 Speaker 2: I didn't know if they would get jelly roll. His 139 00:05:18,240 --> 00:05:20,279 Speaker 2: performance was incredible, awesome, and he went on and on 140 00:05:20,320 --> 00:05:22,920 Speaker 2: about the spicy rig as he called it. But Mario 141 00:05:23,000 --> 00:05:24,720 Speaker 2: came over to our table and was like, is it 142 00:05:24,800 --> 00:05:27,840 Speaker 2: this great? Oh my god, Mario, my favorite weekend of 143 00:05:27,839 --> 00:05:29,360 Speaker 2: the year. I've never seen you so excited. I love 144 00:05:29,400 --> 00:05:31,360 Speaker 2: that weekend. What is so excited about those three nights 145 00:05:31,360 --> 00:05:34,840 Speaker 2: Miami Beach at It's this like really amplified version of 146 00:05:34,880 --> 00:05:36,520 Speaker 2: the thing I do all year. It's it's it's kind 147 00:05:36,520 --> 00:05:38,560 Speaker 2: of like it's a concert, you know. It's it's this 148 00:05:38,800 --> 00:05:42,680 Speaker 2: over the top meal. It's so celebratory. Everyone's in a 149 00:05:42,680 --> 00:05:45,800 Speaker 2: great mood. It is. It's in a huge, huge red 150 00:05:45,920 --> 00:05:48,479 Speaker 2: velvet tent and so that with chandeliers it makes it 151 00:05:48,480 --> 00:05:52,960 Speaker 2: feel like you're in a very opulent circus. So, uh thanks. 152 00:05:53,080 --> 00:05:54,840 Speaker 2: How was the table? The table? It was one of 153 00:05:54,880 --> 00:05:59,240 Speaker 2: the worst in the room. Let me prefaces by saying, 154 00:05:59,440 --> 00:06:01,680 Speaker 2: I don't like tables up front. I like tables on 155 00:06:01,720 --> 00:06:03,760 Speaker 2: the side of that about you, well, I like an 156 00:06:03,760 --> 00:06:04,320 Speaker 2: easy exit. 157 00:06:04,360 --> 00:06:04,520 Speaker 6: You know. 158 00:06:04,560 --> 00:06:06,359 Speaker 2: It's like when I went to class, I want to 159 00:06:06,360 --> 00:06:07,560 Speaker 2: be in the back of the glass. I don't want 160 00:06:07,560 --> 00:06:09,600 Speaker 2: to know the teacher. I want that same table this 161 00:06:09,680 --> 00:06:11,680 Speaker 2: year and it's by the swinging doors coming out of 162 00:06:11,680 --> 00:06:13,240 Speaker 2: the kitchen. It may have put Elvis down for the 163 00:06:13,279 --> 00:06:16,640 Speaker 2: worst table. It's okay, I'll pay big money for the 164 00:06:16,680 --> 00:06:18,800 Speaker 2: worst table. Thanks to the American Express, carbon Beach is 165 00:06:18,839 --> 00:06:20,800 Speaker 2: on again this year and you can just go on 166 00:06:20,960 --> 00:06:22,840 Speaker 2: and do a search for carbon Beach twenty twenty six. 167 00:06:23,120 --> 00:06:25,279 Speaker 2: You got to be there three nights, Friday, Saturday Sunday's 168 00:06:25,400 --> 00:06:26,240 Speaker 2: Friday Satay Sunday. 169 00:06:26,279 --> 00:06:29,559 Speaker 5: Going back to this worst table situation, allegedly, do people 170 00:06:29,560 --> 00:06:31,120 Speaker 5: do that a little behind the scenes in a restaurant 171 00:06:31,120 --> 00:06:32,719 Speaker 5: if you know that there's someone who comes all the 172 00:06:32,720 --> 00:06:35,640 Speaker 5: time and your stuff doesn't really like them, because whatever reason, 173 00:06:35,920 --> 00:06:37,760 Speaker 5: do people deliberately put them at a crappy table. 174 00:06:38,440 --> 00:06:39,760 Speaker 3: I mean, if my staff doesn't like them, they're not 175 00:06:39,800 --> 00:06:40,400 Speaker 3: coming all the time. 176 00:06:40,440 --> 00:06:41,960 Speaker 1: Oh okay, I like that. 177 00:06:41,960 --> 00:06:43,960 Speaker 3: Y have? I mean we keep pretty tight notes on 178 00:06:44,000 --> 00:06:46,680 Speaker 3: everybody good. So at the end of the night, we 179 00:06:47,040 --> 00:06:49,520 Speaker 3: know each restaurant is putting together their notes from the night, 180 00:06:49,600 --> 00:06:53,040 Speaker 3: both like the stats of like what happened financially, how 181 00:06:53,080 --> 00:06:55,120 Speaker 3: many people came in, and then they break down the tables. 182 00:06:55,200 --> 00:06:58,280 Speaker 3: So each waiter is kind of taking notes and that's 183 00:06:58,279 --> 00:07:00,119 Speaker 3: how we communicate to everyone in the cup. 184 00:07:00,440 --> 00:07:00,839 Speaker 2: I love that. 185 00:07:00,880 --> 00:07:02,200 Speaker 1: Okay, So what are things that are gonna get you 186 00:07:02,279 --> 00:07:04,640 Speaker 1: on the back poorly? You're not coming back, okay, I 187 00:07:04,680 --> 00:07:05,400 Speaker 1: never do never. 188 00:07:05,640 --> 00:07:06,600 Speaker 2: For the record, he's loved. 189 00:07:06,960 --> 00:07:07,159 Speaker 5: He is. 190 00:07:07,160 --> 00:07:09,359 Speaker 1: I bet he is better than anybody. 191 00:07:09,400 --> 00:07:12,200 Speaker 2: The febe Martini's overtip and if you're. 192 00:07:12,080 --> 00:07:14,000 Speaker 1: Hot, he gives a bigger till there you go, there 193 00:07:14,040 --> 00:07:14,240 Speaker 1: you go. 194 00:07:14,360 --> 00:07:16,800 Speaker 2: I mean, every time you sit down for a meal, 195 00:07:16,960 --> 00:07:20,400 Speaker 2: is it this ten plus rated meal that all chefs 196 00:07:20,400 --> 00:07:22,160 Speaker 2: would say this is a winner? Or do you ever 197 00:07:22,160 --> 00:07:23,920 Speaker 2: just eat because you're on the go and you need fuel? Now? 198 00:07:23,960 --> 00:07:24,240 Speaker 2: Of course? 199 00:07:24,280 --> 00:07:26,600 Speaker 3: I mean I I eat like everybody else. I think 200 00:07:26,800 --> 00:07:28,680 Speaker 3: I'm not sure it's it's surprising to people, but like 201 00:07:28,720 --> 00:07:30,679 Speaker 3: I'm I eat like a totally normal person. 202 00:07:30,760 --> 00:07:32,840 Speaker 1: My favorite fast food then fast food. 203 00:07:32,880 --> 00:07:35,120 Speaker 3: I don't really eat nothing, and I haven't had fast 204 00:07:35,120 --> 00:07:38,320 Speaker 3: food in ten years. 205 00:07:38,840 --> 00:07:41,680 Speaker 2: I mean, parme is as fast as you want. Yeah, okay, So, like, 206 00:07:41,760 --> 00:07:43,880 Speaker 2: do you have like a protein bar in your pocket 207 00:07:43,960 --> 00:07:45,520 Speaker 2: right now? Do you have one in my bag? What? 208 00:07:45,520 --> 00:07:46,600 Speaker 1: What brand? Which favorite? 209 00:07:46,920 --> 00:07:48,240 Speaker 2: I eat? David Bars? Oh? 210 00:07:48,360 --> 00:07:49,280 Speaker 1: Yes, those are good. 211 00:07:49,360 --> 00:07:53,800 Speaker 3: Those highest protein for lowest calories, David Bars, hard bowed eggs. 212 00:07:54,720 --> 00:07:56,040 Speaker 1: You don't have a hard bold egg in your pocket. 213 00:07:56,200 --> 00:08:00,680 Speaker 3: My pocket, you would know apples with me. I'm on 214 00:08:00,720 --> 00:08:02,800 Speaker 3: the go all day long, so I can't. I can't 215 00:08:02,800 --> 00:08:03,760 Speaker 3: eat Rigatoni all the time. 216 00:08:03,920 --> 00:08:07,880 Speaker 2: So you know, when we see incredible shows, movies, whatever 217 00:08:07,960 --> 00:08:11,520 Speaker 2: about restaurant life? Maybe real, maybe not in the script. 218 00:08:12,120 --> 00:08:14,000 Speaker 3: See what's your favorite restaurant movie? What's your favorite like 219 00:08:14,080 --> 00:08:15,080 Speaker 3: chef restaurant movie? 220 00:08:15,320 --> 00:08:16,880 Speaker 2: Restaurant? Oh god, there's so many. What was the one 221 00:08:16,920 --> 00:08:19,040 Speaker 2: where they came out and killed everyone? Oh that was 222 00:08:19,080 --> 00:08:24,360 Speaker 2: the menu? Yeah, I think that's your next goal, slaughter 223 00:08:24,400 --> 00:08:27,120 Speaker 2: them all. I would watch that, but I always like that, 224 00:08:27,160 --> 00:08:28,600 Speaker 2: And I've sat in on a few of these. The 225 00:08:28,760 --> 00:08:32,400 Speaker 2: meeting before service, that is an important moment for every 226 00:08:32,400 --> 00:08:35,240 Speaker 2: single person and it neutralizes everyone, but puts everyone into 227 00:08:35,320 --> 00:08:37,880 Speaker 2: neutral and then listen up and then and to draw 228 00:08:38,440 --> 00:08:40,200 Speaker 2: and then we open the doors. What is that like? 229 00:08:40,240 --> 00:08:42,440 Speaker 2: What what is it you want to say to all 230 00:08:42,480 --> 00:08:44,319 Speaker 2: of us working for you that night before you remember life? 231 00:08:44,320 --> 00:08:46,360 Speaker 2: Some of you're here, you fired me. I want to 232 00:08:46,440 --> 00:08:48,720 Speaker 2: keep my job this time? What is it you're telling 233 00:08:48,760 --> 00:08:50,480 Speaker 2: me that's going to get me through a night? So 234 00:08:50,600 --> 00:08:54,000 Speaker 2: representing it Premial meetings starts. It's usually around four four fifteen. 235 00:08:55,120 --> 00:08:57,559 Speaker 2: The first thing that's really important about it is it's 236 00:08:57,679 --> 00:09:01,360 Speaker 2: it's really militants, right, it's everyone's be quiet, Okay, we're starting. 237 00:09:01,600 --> 00:09:04,400 Speaker 2: The first person to speak is usually the chef, the chef. 238 00:09:04,440 --> 00:09:06,079 Speaker 2: This happens at every one of my restaurants all over 239 00:09:06,080 --> 00:09:07,839 Speaker 2: the world. The chef will stand up in front of 240 00:09:07,880 --> 00:09:11,000 Speaker 2: the whole group and he'll say good evening, and the 241 00:09:11,160 --> 00:09:14,680 Speaker 2: entire team in unison has to say chef, chef, nice 242 00:09:14,679 --> 00:09:17,120 Speaker 2: and like we're ready, Like we're there's a level of readiness. 243 00:09:17,160 --> 00:09:18,760 Speaker 2: Here are there other words we have to reply with. 244 00:09:19,720 --> 00:09:22,360 Speaker 3: If the next person to speak, let's say it's a 245 00:09:22,360 --> 00:09:24,800 Speaker 3: general manager, her name is Nicole, She'll say good evening, everybody, 246 00:09:24,800 --> 00:09:28,160 Speaker 3: and then I'll say Nicole, and like it's just a moment. Okay, 247 00:09:28,160 --> 00:09:29,600 Speaker 3: I'm ready to look and I'm ready to receive. 248 00:09:29,840 --> 00:09:31,880 Speaker 2: Let's have a meeting. I know this is this is 249 00:09:31,880 --> 00:09:33,440 Speaker 2: hard to do. You're gonna in your mind, you're going 250 00:09:33,480 --> 00:09:36,360 Speaker 2: to formulate a pre meal meeting with us, and there's 251 00:09:36,400 --> 00:09:40,560 Speaker 2: total silence. The chef walks in in Q talent, good evening, everybody, 252 00:09:40,800 --> 00:09:46,320 Speaker 2: Chef exactly, they're laughing. They're laughing tonight from the raw bar. 253 00:09:46,400 --> 00:09:49,160 Speaker 3: We've got a big I tuna calibrese with a pickled 254 00:09:49,160 --> 00:09:51,760 Speaker 3: egg plant. We're gonna do the scallop from last night. 255 00:09:51,800 --> 00:09:53,920 Speaker 3: So we've got the Long Island scallops sliced thinly with 256 00:09:53,920 --> 00:09:56,320 Speaker 3: the blood orange and a little bit of fennel. And 257 00:09:56,360 --> 00:09:58,360 Speaker 3: we've got we've got forwarders of the Bronzino tonight, so 258 00:09:58,440 --> 00:10:01,600 Speaker 3: let's sell those and that's it. I think we've got 259 00:10:01,800 --> 00:10:03,160 Speaker 3: we got two fifty on the books tonight. Let's have 260 00:10:03,200 --> 00:10:04,640 Speaker 3: a great service. Thank you everybody. 261 00:10:04,720 --> 00:10:08,040 Speaker 2: Chef question, Chef your last night' scallops? Are they fresh? 262 00:10:09,000 --> 00:10:12,160 Speaker 2: We're trying to get rid of last night's scallops? Should 263 00:10:12,160 --> 00:10:14,000 Speaker 2: we charged less because they're from last night? Oh? 264 00:10:14,000 --> 00:10:14,719 Speaker 1: I gott fire him. 265 00:10:15,480 --> 00:10:17,240 Speaker 3: I'm gonna feel like I got to fire him every time. Yeah, 266 00:10:17,840 --> 00:10:18,720 Speaker 3: I'm gonna write him up. 267 00:10:18,720 --> 00:10:20,840 Speaker 1: I'm not gonna fire Okay, how many writers before you 268 00:10:20,840 --> 00:10:21,320 Speaker 1: get fired? 269 00:10:21,760 --> 00:10:25,360 Speaker 2: This has got to be a second or third, right him? Yeah, 270 00:10:25,520 --> 00:10:28,040 Speaker 2: you're on your final wars question? Yeah, I mean do 271 00:10:28,080 --> 00:10:29,960 Speaker 2: you do you ever? Do you ever put out any 272 00:10:30,160 --> 00:10:32,920 Speaker 2: Just think about this tonight while you're serving our guests. 273 00:10:33,200 --> 00:10:35,400 Speaker 2: Just just a thought about where they're coming from, where 274 00:10:35,440 --> 00:10:38,320 Speaker 2: we're coming from. Any motivational things or is just here's 275 00:10:38,320 --> 00:10:40,480 Speaker 2: the specials, now, get your get yourselves out there and 276 00:10:40,480 --> 00:10:40,959 Speaker 2: do a good job. 277 00:10:40,960 --> 00:10:43,440 Speaker 3: So I'll definitely, like I'll frame it with with any 278 00:10:43,480 --> 00:10:46,640 Speaker 3: information that I think they need to know. If I 279 00:10:46,679 --> 00:10:49,640 Speaker 3: start overwhelming them with information that that that's not useful, 280 00:10:49,960 --> 00:10:52,200 Speaker 3: then they're gonna wind up fumbling it later on tonight 281 00:10:52,200 --> 00:10:54,280 Speaker 3: when they're talking about it with a guest. So generally 282 00:10:54,360 --> 00:10:56,520 Speaker 3: they have like a one liner. So it's the one 283 00:10:56,559 --> 00:10:59,000 Speaker 3: line that they're gonna tell you about the dish, and 284 00:10:59,040 --> 00:11:01,079 Speaker 3: then if you show interest it later on, they've got 285 00:11:01,120 --> 00:11:03,360 Speaker 3: a secondary and a tertiary amount of information they can 286 00:11:03,400 --> 00:11:05,280 Speaker 3: go into. But if they give it all, then they're 287 00:11:05,280 --> 00:11:06,679 Speaker 3: just gonna stand there and they're gonna give you this 288 00:11:06,760 --> 00:11:09,320 Speaker 3: giant monologue and you're gonna get bored and you're gonna lose, like. 289 00:11:09,280 --> 00:11:12,280 Speaker 2: Blah blah blah. Right, I'm standing in front of our 290 00:11:12,320 --> 00:11:16,000 Speaker 2: incredible staff, our family who's about to serve you. Remind 291 00:11:16,040 --> 00:11:18,520 Speaker 2: them that every single table has a story. In this room, 292 00:11:18,600 --> 00:11:21,280 Speaker 2: everyone is sitting at every table has a reason for 293 00:11:21,360 --> 00:11:23,439 Speaker 2: being here. It could be to celebrate and anniversary, it 294 00:11:23,440 --> 00:11:24,920 Speaker 2: could be just a date. It could be oh my god, 295 00:11:25,000 --> 00:11:26,840 Speaker 2: we finally made it to New York City and we've 296 00:11:26,840 --> 00:11:29,720 Speaker 2: got into reservation at the real famous Carbone, and maybe 297 00:11:29,800 --> 00:11:31,760 Speaker 2: there's someone here to toast goodbye to a friend who 298 00:11:31,800 --> 00:11:37,320 Speaker 2: passed away, or toasting a divorce or a marriage or whatever. 299 00:11:37,520 --> 00:11:39,800 Speaker 2: Everyone has a reason. I'm gonna I'm getting teary out 300 00:11:39,800 --> 00:11:42,320 Speaker 2: of thinking about it, because restaurants are such an important 301 00:11:42,440 --> 00:11:45,599 Speaker 2: meeting place. They are like the library used to be 302 00:11:45,600 --> 00:11:47,880 Speaker 2: in a small town, USA. The community would come together 303 00:11:48,400 --> 00:11:52,120 Speaker 2: to exchange ideas and conversation. In the vibe that has 304 00:11:52,160 --> 00:11:54,240 Speaker 2: exchanged in these restaurants is such an important part of 305 00:11:54,280 --> 00:11:56,520 Speaker 2: our lives. I know it's their lives as well. They're 306 00:11:56,520 --> 00:11:58,320 Speaker 2: there for more than just a meal. They're there just 307 00:11:58,640 --> 00:12:01,000 Speaker 2: to get the experience. And that's what your magic gives them. 308 00:12:01,040 --> 00:12:01,600 Speaker 2: That's your magic. 309 00:12:01,600 --> 00:12:03,880 Speaker 3: It's a big responsibility. Yeah, they could have waited six 310 00:12:03,880 --> 00:12:05,400 Speaker 3: months for this table. They could have been saving up 311 00:12:05,400 --> 00:12:07,000 Speaker 3: that entire six months. This is this is such a 312 00:12:07,000 --> 00:12:10,240 Speaker 3: special meal. So trying to not just go through the 313 00:12:10,280 --> 00:12:13,080 Speaker 3: motions when it is a very busy restaurant. It's theater 314 00:12:13,160 --> 00:12:15,120 Speaker 3: for us, right, the closest thing to restaurants is theater. 315 00:12:15,440 --> 00:12:17,080 Speaker 3: At the same time, at the same night, we do 316 00:12:17,120 --> 00:12:19,400 Speaker 3: the same thing. We're in costume. At five o'clock, the 317 00:12:19,440 --> 00:12:21,760 Speaker 3: curtain goes up. It's a different audience every night, but 318 00:12:21,800 --> 00:12:23,720 Speaker 3: we're in character and we're doing the same thing every 319 00:12:23,720 --> 00:12:27,120 Speaker 3: single night. So to not take a night off take 320 00:12:27,160 --> 00:12:29,840 Speaker 3: a table for granted, you don't know what they're don 321 00:12:30,000 --> 00:12:31,000 Speaker 3: you don't know why they're there, You don't know what 322 00:12:31,040 --> 00:12:33,280 Speaker 3: they're celebrating or or what the reason is or how 323 00:12:33,280 --> 00:12:35,240 Speaker 3: hard it was to get in, So you know, try 324 00:12:35,280 --> 00:12:38,040 Speaker 3: to try to take everybody you know and treat everyone 325 00:12:38,040 --> 00:12:40,040 Speaker 3: with the same love, respectus as as Elvis a'ran. 326 00:12:41,559 --> 00:12:44,520 Speaker 2: Please please try harsh, try higher. But there's another piece 327 00:12:44,520 --> 00:12:46,679 Speaker 2: of feater you're missing out when someone actually drops a 328 00:12:46,679 --> 00:12:48,720 Speaker 2: tray of food, please stand up and clap as loudly 329 00:12:48,720 --> 00:12:52,160 Speaker 2: as possible. And why do people do that better? That's 330 00:12:52,200 --> 00:12:54,719 Speaker 2: so awful when people start applauding when so, and I 331 00:12:54,800 --> 00:12:55,400 Speaker 2: think because. 332 00:12:55,200 --> 00:12:58,079 Speaker 3: It makes people feel nervous and awkward, Like guess when 333 00:12:58,120 --> 00:13:00,959 Speaker 3: it happens, because this person's having is really awkward moment 334 00:13:01,520 --> 00:13:04,240 Speaker 3: and like they think they're breaking, they're breaking that moment 335 00:13:04,320 --> 00:13:04,960 Speaker 3: of awkwardness. 336 00:13:05,320 --> 00:13:07,360 Speaker 5: So it's like if you tripped and fell, wouldn't you 337 00:13:07,360 --> 00:13:09,000 Speaker 5: want people to sort of laugh and be like, all right, 338 00:13:09,040 --> 00:13:10,600 Speaker 5: it's okay, or do you want people to really worry 339 00:13:10,720 --> 00:13:11,559 Speaker 5: and be like, oh, who's old? 340 00:13:11,600 --> 00:13:14,200 Speaker 2: He might to shutter a hip. I don't know, because 341 00:13:14,200 --> 00:13:16,400 Speaker 2: I think when someone who is working, especially for a 342 00:13:16,400 --> 00:13:20,600 Speaker 2: restaurant like a carbone, drop something, they're very embarrassed because 343 00:13:20,600 --> 00:13:21,800 Speaker 2: that's not the stage you want to drop. 344 00:13:21,640 --> 00:13:23,120 Speaker 1: Something didn't happen. 345 00:13:25,120 --> 00:13:27,000 Speaker 2: I feel so awful for them, I really do. 346 00:13:27,000 --> 00:13:28,439 Speaker 1: Do they have to pay for like all the dishes 347 00:13:28,480 --> 00:13:28,800 Speaker 1: they break? 348 00:13:29,440 --> 00:13:31,199 Speaker 4: And if I worked for you and I'm a great 349 00:13:31,280 --> 00:13:35,080 Speaker 4: and how did you get how did you get the show? 350 00:13:35,080 --> 00:13:40,120 Speaker 2: Who hired you? I never hired him? Fire him, meatball. 351 00:13:40,840 --> 00:13:44,960 Speaker 4: I'm intelligent, I actually follow the protocol, but I am clumsy. 352 00:13:44,960 --> 00:13:47,400 Speaker 2: I'm a clutch I break stuff. Do you have you 353 00:13:47,440 --> 00:13:47,920 Speaker 2: ever had. 354 00:13:47,800 --> 00:13:50,800 Speaker 4: To like terminate somebody because it was just, you know, 355 00:13:50,920 --> 00:13:54,040 Speaker 4: just dropping stuff all over the place and as an embarrassment. 356 00:13:55,200 --> 00:14:00,400 Speaker 2: I don't. I hope banswers, yes, I don't. 357 00:14:01,440 --> 00:14:03,440 Speaker 3: I think maybe, you know, maybe glass polishing is not 358 00:14:03,480 --> 00:14:05,960 Speaker 3: for you, you know, I'm like, maybe you're better soon 359 00:14:06,080 --> 00:14:08,280 Speaker 3: as a bar back, you know, like, uh go get 360 00:14:08,280 --> 00:14:09,680 Speaker 3: that case of gingerrel out of the basement. 361 00:14:09,720 --> 00:14:12,319 Speaker 2: As long as plastic jugs were fine. I want to 362 00:14:12,320 --> 00:14:13,960 Speaker 2: get back to the simmer sauce, and then you've got 363 00:14:14,000 --> 00:14:16,040 Speaker 2: to run for your life. But I got a friend 364 00:14:16,040 --> 00:14:19,640 Speaker 2: of ours, Aaron, who's the manager of Odeon. He can 365 00:14:19,720 --> 00:14:23,440 Speaker 2: be across that cavernous room full of noise and echoes whatever. 366 00:14:23,760 --> 00:14:27,320 Speaker 2: Someone can drop anything, a piece of silverware, a glass plate. 367 00:14:27,440 --> 00:14:29,600 Speaker 2: He can tell you boo immediately what glass or what 368 00:14:29,600 --> 00:14:31,800 Speaker 2: what fork or what knife it is? Can you do that? 369 00:14:32,280 --> 00:14:35,760 Speaker 2: You can't do that. It's it's such a magic, magical thing. 370 00:14:36,280 --> 00:14:39,280 Speaker 2: He's like fork. But I'll say you in the middle 371 00:14:39,280 --> 00:14:41,520 Speaker 2: of the sent It'll be we'll have a conversation. Oh 372 00:14:41,520 --> 00:14:45,720 Speaker 2: so yeah, I think blah salad fork. Yes, and we're talking. 373 00:14:46,440 --> 00:14:49,600 Speaker 2: We drove, we drove last week in salad plate and 374 00:14:49,640 --> 00:14:54,760 Speaker 2: then what we were thinking about. This guy's weird. Okay, 375 00:14:54,760 --> 00:14:57,120 Speaker 2: this is the simmer sauce. Oh, this is cold. This 376 00:14:57,320 --> 00:15:00,640 Speaker 2: is not simmer sauce. The blue label simmer sauce. Okay, 377 00:15:01,320 --> 00:15:03,880 Speaker 2: so I label classic classics. Okay here, So if this 378 00:15:03,920 --> 00:15:07,040 Speaker 2: is restaurant quality, bowldonnais an under thirty minutes. 379 00:15:07,040 --> 00:15:09,480 Speaker 3: Oh wow, because normally, I mean, if you make Bowona's 380 00:15:09,520 --> 00:15:12,440 Speaker 3: in Bologna, it takes like it's simmers on a stove. 381 00:15:12,200 --> 00:15:13,920 Speaker 2: For hours, in twelve hours to get there. 382 00:15:14,200 --> 00:15:16,160 Speaker 3: Well, yeah, that's not yes, yes, it takes quite some 383 00:15:16,160 --> 00:15:19,960 Speaker 3: time to get to bologna. Okay, here it's only missing 384 00:15:20,000 --> 00:15:22,600 Speaker 3: the protein beef and pork. Yeah, So this where're we're 385 00:15:22,600 --> 00:15:24,640 Speaker 3: gonna we're gonna start selling it close to where the 386 00:15:24,640 --> 00:15:27,320 Speaker 3: refrigerator proteins are in the supermarket, so that you pick 387 00:15:27,400 --> 00:15:29,280 Speaker 3: that up instead of getting cream for the baka sauce. 388 00:15:29,280 --> 00:15:30,800 Speaker 3: You're gonna pick that up and you're gonna get a 389 00:15:30,840 --> 00:15:32,760 Speaker 3: pound of ground ground beef and you're gonna go home 390 00:15:32,760 --> 00:15:35,480 Speaker 3: and you're gonna add these two things together like this, 391 00:15:35,600 --> 00:15:38,520 Speaker 3: because protein is all the rage. A lot of get 392 00:15:38,560 --> 00:15:39,040 Speaker 3: your face. 393 00:15:38,920 --> 00:15:41,320 Speaker 6: Kids, A lot of people have stomach issues. And this 394 00:15:41,400 --> 00:15:45,040 Speaker 6: is the low FOD map marinarosauce, which not a lot 395 00:15:45,040 --> 00:15:46,400 Speaker 6: of what marinara sauce. 396 00:15:48,480 --> 00:15:50,360 Speaker 2: No, you say it's low what low FOD map? 397 00:15:50,480 --> 00:15:52,240 Speaker 6: So if you go to the gas strove, because I 398 00:15:52,320 --> 00:15:55,200 Speaker 6: know I've had this issue, so it's it eliminates like 399 00:15:55,240 --> 00:15:57,080 Speaker 6: certain things that give you digestive visions, like if you 400 00:15:57,120 --> 00:15:58,760 Speaker 6: have irritable bal syndrome or something like that. 401 00:15:58,840 --> 00:16:01,600 Speaker 1: Right, we come gi issue, Yes, and not a. 402 00:16:01,520 --> 00:16:05,040 Speaker 6: Lot of places you can get sauce that is gentle 403 00:16:05,080 --> 00:16:05,680 Speaker 6: on your stomach. 404 00:16:05,720 --> 00:16:07,680 Speaker 1: And this is if you're married. 405 00:16:11,160 --> 00:16:15,000 Speaker 2: Delicato. I never never heard of low fod Man. Maybe 406 00:16:15,000 --> 00:16:18,400 Speaker 2: that's my issue. I cannot I canno. Thank you enough 407 00:16:18,400 --> 00:16:20,080 Speaker 2: for coming in to see us. It's always a joy 408 00:16:20,080 --> 00:16:21,920 Speaker 2: to have you here. You know where you're the presidents 409 00:16:21,920 --> 00:16:22,520 Speaker 2: of your fan club. 410 00:16:22,640 --> 00:16:24,280 Speaker 3: I appreciate that. Thank you for having me. I think 411 00:16:24,320 --> 00:16:25,640 Speaker 3: I think you only do it for the free lunch. 412 00:16:25,680 --> 00:16:29,160 Speaker 1: But it's okay, I'm doing that. 413 00:16:29,280 --> 00:16:30,760 Speaker 2: Now get out of here because we're out of food. 414 00:16:31,480 --> 00:16:34,360 Speaker 2: Mario Carbone, of course, pick up his sauces. He's had 415 00:16:34,360 --> 00:16:36,480 Speaker 2: out and of course now the simmer sauces. Make sure 416 00:16:36,520 --> 00:16:38,400 Speaker 2: you go online do a search for Carbone Beach if 417 00:16:38,440 --> 00:16:40,120 Speaker 2: you want to join us on the beach during F 418 00:16:40,160 --> 00:16:41,760 Speaker 2: one and Miami Beach. That's gonna be a lot of fun. 419 00:16:41,840 --> 00:16:43,320 Speaker 2: So thank you for coming. Oh this is just in 420 00:16:43,760 --> 00:16:47,720 Speaker 2: across his desk, Rachel. Where's Rachel? Oh no, she wants 421 00:16:47,720 --> 00:16:51,160 Speaker 2: a reservation at Teresi for Saturday. Oh my god, like 422 00:16:51,400 --> 00:16:53,120 Speaker 2: this Saturday. 423 00:16:54,280 --> 00:16:56,440 Speaker 1: She's in charge of the picture. So you want your 424 00:16:56,480 --> 00:16:57,760 Speaker 1: picture to look good, you better give. 425 00:16:57,680 --> 00:17:06,840 Speaker 2: Her your photos and also easily file that away Teresa, 426 00:17:07,000 --> 00:17:10,919 Speaker 2: Another hard to get reservation. One of my favorite restaurants anyway, 427 00:17:10,920 --> 00:17:12,600 Speaker 2: Mario Carbone. We love you, Hey, games Go Head,