WEBVTT - The Pad

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<v Speaker 1>If you dig through the boxes at Stanford University, you

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<v Speaker 1>can find George White's autobiography. It's called A Diet of Danger,

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<v Speaker 1>and it's exactly as pulpy as it sounds. I am

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<v Speaker 1>George Hunter White, and my parents must have been clairvoyant.

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<v Speaker 1>I've been a hunter of men all my life. I've

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<v Speaker 1>had to do it because it was a vitally important job.

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<v Speaker 1>I've had to do it because I've loved doing it.

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<v Speaker 1>Evan wild, gruel, intense and fantastic moment of it. That's

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<v Speaker 1>not dedication, that's addiction. All the highlights are in the book,

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<v Speaker 1>tales of Turkish drug busts, Chinese opium gang initiations, encounters

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<v Speaker 1>with spies and killers. But the problem with the George

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<v Speaker 1>White version is he left out some important details. The

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<v Speaker 1>memories George White preferred to keep a secret, like this one.

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<v Speaker 1>It's ninety two and George White is boarding the subway.

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<v Speaker 1>The subway system in New York City is built to

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<v Speaker 1>be safe, and it is safe, but that's just the

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<v Speaker 1>train itself. Passenger behavior is different. You can get mugged, harassed, threatened,

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<v Speaker 1>or you can board a car with nothing amiss, no

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<v Speaker 1>sign of trouble, anywhere, and then you can step off

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<v Speaker 1>into a nightmare. There's no record of where George White

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<v Speaker 1>got on, but at some point in the ride, White

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<v Speaker 1>reaches into while maybe his pocket, maybe a briefcase. He

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<v Speaker 1>tried to erase the details. But here's what we do

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<v Speaker 1>know what he feels. The time is right, White sprays

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<v Speaker 1>an aerosol container into the air, an invisible mist. There's

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<v Speaker 1>not much of it, just enough to affect a handful

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<v Speaker 1>of people. The people in the car began to feel strange,

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<v Speaker 1>I think, uncomfortable, some panic. Odds are children were on board?

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<v Speaker 1>Hallucinations are inevitable. Did the walls start to bend? Did

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<v Speaker 1>the air change? Did people start to hear things? Maybe

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<v Speaker 1>they're crying or giggling or vominate. No one will have

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<v Speaker 1>any idea what happened or why. White takes notes, He

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<v Speaker 1>records the panic, then he vanishes. Later he'll write a

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<v Speaker 1>summary of the LSD experiment in his diary quote the

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<v Speaker 1>subway test was a success. Pleased with the results, George

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<v Speaker 1>White will do it again and again and again. He

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<v Speaker 1>will become a dispensary of hallucinations, a chemical, says resolute

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<v Speaker 1>in his search for a drug that could bend the

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<v Speaker 1>will of the men and women he hunted. It started

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<v Speaker 1>as a government assignment. It would become an obsession. That's

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<v Speaker 1>not dedication, that's addiction. For I Heart Radio, this is

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<v Speaker 1>Operation Midnight Climax and I Heart original podcast. I'm your

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<v Speaker 1>host Noel Brown. And this is chapter three the Pad,

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<v Speaker 1>Part one in the Lab. Back in nineteen forty three,

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<v Speaker 1>Albert Hoffman, the man who discovered LSD, was working as

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<v Speaker 1>a chemist for sand Dos, a pharmaceutical company in Basil, Switzerland.

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<v Speaker 1>He was born in nineteen o six, the son of

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<v Speaker 1>a locksmith, and considering what Hoffman wound up doing providing

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<v Speaker 1>a key to access hidden states of consciousness that feels appropriate,

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<v Speaker 1>Hoffman attended the University of Zurich to study chemistry and

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<v Speaker 1>later went to work for sand Does. He quickly became

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<v Speaker 1>interested in ergate, a fungus that was blamed for mass

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<v Speaker 1>outbreaks of poisonings as far back as the Middle Ages,

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<v Speaker 1>but when used judiciously and with care, it also held

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<v Speaker 1>considerable promise as a treatment for migraines. Attempts were being

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<v Speaker 1>made to take what was useful from ergat and leave

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<v Speaker 1>the harmful side effects behind, using ergotoxine, a synthetic derivative.

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<v Speaker 1>Hoffman produced lysergic acid diethyla or LSD in nineteen thirty eight.

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<v Speaker 1>Then he got sidetracked with other work. But Hoffman never

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<v Speaker 1>forgot LSD. He wanted to explore it more, to see

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<v Speaker 1>if it could be useful for something. On April sixteenth,

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<v Speaker 1>nineteen forty three, he was working with the compound when

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<v Speaker 1>he began to feel odd, restless, dizzy. He left work

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<v Speaker 1>early and went home, whereas imagination, he said, was extremely stimulated.

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<v Speaker 1>For over two hours, Hoffman gave himself to a cascade

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<v Speaker 1>of vivid pictures, shapes, and colors. It was a censorial experience,

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<v Speaker 1>one that left him with a smile on his face.

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<v Speaker 1>Here's what Hoffman wrote to his supervisor, Arthur Stall as

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<v Speaker 1>a kind of workplace accident report, shortly after his experience

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<v Speaker 1>last Friday, April sixte I was forced to interrupt my

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<v Speaker 1>work in the laboratory in the middle of the afternoon

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<v Speaker 1>and proceed home. In a dreamlike state, with eyes closed,

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<v Speaker 1>I perceived an uninterrupted stream of fantastic pictures, extraordinary shapes

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<v Speaker 1>with intense kaleidoscopic play of colors. After some two hours,

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<v Speaker 1>this condition faded away. Retracing his steps, Hoffman discovered a

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<v Speaker 1>tiny amount of LSD had been absorbed through his fingers

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<v Speaker 1>in the lab while he was working. It had hallucinogenic properties.

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<v Speaker 1>Being a man of science, Hoffman felt the need to

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<v Speaker 1>pursue this discovery, but the first dose had been accidental.

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<v Speaker 1>He didn't know how much he had taken, so he

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<v Speaker 1>decided to start out light, really light. He only ingested

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<v Speaker 1>zero point to five milligrams. Hoffman thought he was being careful,

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<v Speaker 1>but this was far, far too much. Oh no no.

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<v Speaker 1>In his notes, he quickly scribbled what had happened people,

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<v Speaker 1>my teenthe taken diluted with about ten c seas of water,

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<v Speaker 1>caseless saboteen o clock beginning, dizziness, feeling of anxiety, visual distortions,

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<v Speaker 1>symptoms of paraly system, desired to mouse twenty o'clock, most severe. Chris.

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<v Speaker 1>If his first trip was a pleasure, Hoffman's second experience

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<v Speaker 1>with LSD tugged at the limit of his sanity. Familiar

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<v Speaker 1>objects in pieces of furniture assumed grotesque throughout the big forms.

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<v Speaker 1>Your lady next door scarcely rains brought me milk and

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<v Speaker 1>of course drank more than two leaders. She was no

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<v Speaker 1>longer be shidious, witch colored mask. Hoffman felt possessed by

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<v Speaker 1>a demon, He wrote and began to scream, Terrified he

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<v Speaker 1>was going insane, livid he might actually die as a

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<v Speaker 1>consequence of the very substance he had brought into the world.

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<v Speaker 1>Worst of all, Hoffman recalled was the acoustic perceptions. Every

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<v Speaker 1>noise was realized visually. He could see sounds. Despite his trip,

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<v Speaker 1>Hoffman knew LSD held potential, provided it could be dosed properly.

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<v Speaker 1>Sandals engaged in a series of animal experiments, observing mice

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<v Speaker 1>on acid and cats who suddenly became terrified of them.

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<v Speaker 1>Chimpanzees abandoned their sense of social order, fish swam in

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<v Speaker 1>irregular patterns, spiders spun immaculately proportioned webs at low doses,

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<v Speaker 1>and sagging confused webs at higher doses. Drugs that could

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<v Speaker 1>produce this kind of sensation were nothing new. People have

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<v Speaker 1>been searching for the divine truth for thousands of years,

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<v Speaker 1>back to the Aztecs and Mayan's hemp and peyote were

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<v Speaker 1>thought to harbor secrets of the mind. Mescalin was the

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<v Speaker 1>first to be synthesized in a chemically pure environment. What

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<v Speaker 1>Hoffman and his colleagues at Sandoz discovered was that at

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<v Speaker 1>a low enough dose, as little as one millionth of

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<v Speaker 1>a gram, LSD could produce a different kind of euphoria,

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<v Speaker 1>a breakdown of the ego that acted as a barrier

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<v Speaker 1>between the self and the road to improvement. Hoffman had

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<v Speaker 1>grand ideas for LSD in treating addiction and as an

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<v Speaker 1>aid in psychotherapy. Scientists began to study it with those

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<v Speaker 1>hopes in mind, but there was always the risk, the

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<v Speaker 1>risk of euphoria giving way to psych catic attacks or

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<v Speaker 1>feelings of omnipotence. Like any drug, it would need to

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<v Speaker 1>be carefully studied and subjects would have to be observed

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<v Speaker 1>in controlled conditions. In the wrong hands, at the wrong dose,

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<v Speaker 1>LSD would become a nightmare without beginning or end. Hoffman

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<v Speaker 1>soon lost his grip on LSD, and so did the

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<v Speaker 1>scientific research community. By the late nineteen forties, it became taboo,

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<v Speaker 1>too dangerous to pursue was a legitimate medical treatment. Hoffman

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<v Speaker 1>took to calling it his problem child. Well, Hoffman was

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<v Speaker 1>never involved with him. K Ultra Sandoz was. In nineteen

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<v Speaker 1>fifty three, got Leave heard that the KGB was attempting

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<v Speaker 1>to buy what amounted to the world's supply of pure LSD,

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<v Speaker 1>obviously for nefarious purposes. It was possible that KGB had

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<v Speaker 1>already bought fifty million doses. In a panic, got Leave

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<v Speaker 1>dispatched one of his under links to intervene. The man

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<v Speaker 1>reported back that Sandoz had ten kilograms available for sale.

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<v Speaker 1>Remember LSD is activated in the tiniest doses imaginable. Gottlie

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<v Speaker 1>bought all of it before the Soviet Union could. He

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<v Speaker 1>spent two hundred and forty thousand dollars on the Sandos supply,

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<v Speaker 1>and then realized his operative, as good as he might

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<v Speaker 1>be an international espionage was extremely bad at math. Sandoz

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<v Speaker 1>didn't have ten kilograms. They had ten milligrams. The operative

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<v Speaker 1>was off by a factor of one million. That's all

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<v Speaker 1>they had made in the ten years since Hoffman discovered it. Still,

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<v Speaker 1>Gotti bought it all. It arrived in a barrel about

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<v Speaker 1>the size and shape of an oil drum, with hundreds

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<v Speaker 1>of thousands of doses in that barrel, a virtually unlimited

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<v Speaker 1>supply of nightmares that could be artificially induced. Sandoz agreed

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<v Speaker 1>to supply the CIA with a hundred grams a week,

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<v Speaker 1>fresh off their LSD production line, and it got Leave's insistence.

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<v Speaker 1>They also refused any further orders from Russia or China

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<v Speaker 1>and agreed to inform the CIA when anyone else inquired

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<v Speaker 1>about the drug. For better or worse, the CIA had

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<v Speaker 1>a monopoly on l s D. From Hoffman's fingers, it

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<v Speaker 1>went to Sandas, from Sandos to Gotlieb, and from Gotlieb

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<v Speaker 1>to George Hunter White. No one stopped to heed Hoffman's warnings.

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<v Speaker 1>The biggest danger, Hoffman said, was giving l s D

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<v Speaker 1>to someone without their knowledge in an uncontrolled setting at random,

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<v Speaker 1>where harmless noises can turn, Hoffman said, into torment and

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<v Speaker 1>a psychotic crisis would be inevitable. Part two Alias For

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<v Speaker 1>George Why to immerse himself in the CIA role, He

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<v Speaker 1>would have to stop being George White, and that wouldn't

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<v Speaker 1>be easy. For all of his training at Camp X

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<v Speaker 1>and the Narcotics Bureau, White still looked very much like

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<v Speaker 1>a cop. He had the cops stare, the cops walk,

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<v Speaker 1>the swagger that comes with having a gun on your

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<v Speaker 1>hip and a badge on your belt. It's a hard

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<v Speaker 1>thing to shake, but he did it. Like a superhero.

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<v Speaker 1>He developed a guy's for his CIA heroics a secret

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<v Speaker 1>identity at the time, White was fond of meeting his

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<v Speaker 1>assortment of criminals and killers at the American Museum of

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<v Speaker 1>Natural History to obtain information, debrief informants, or threaten them

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<v Speaker 1>with his power and influence. It was a good place

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<v Speaker 1>to disappear in a crowd. Inside the museum was a

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<v Speaker 1>section devoted to gems, named after famous financier JP Morgan,

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<v Speaker 1>a trustee of the museum and a frequent donor. In

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<v Speaker 1>honor of his contributions, the museum dubbed the Gem section

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<v Speaker 1>the JP Morgan Hall of Gems, or just Morgan Hall.

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<v Speaker 1>White like the sound of that, so he took it

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<v Speaker 1>on as Azaleas Morgan Hall. Morgan Hall was a sensitive

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<v Speaker 1>soul in the fiction of White's mind. He worked as

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<v Speaker 1>a merchant seaman clad in a peacoat, which helped explain

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<v Speaker 1>his calloused and weather warning steer here. But Morgan Hall

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<v Speaker 1>was also an aspiring artist, a painter and sculptor. He

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<v Speaker 1>was a supporter of the Beat generation, poets like Alan

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<v Speaker 1>ginsburg In, writers like Jack Kerouac, artists who were resisting

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<v Speaker 1>conservative views and taking control of the post war culture.

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<v Speaker 1>Later they'd be dubbed Beat Nicks after the Russian Sputnik

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<v Speaker 1>satellite that would go up in nineteen fifty seven. J

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<v Speaker 1>Edgar Hoover, that famously tolerant FBI director, said in nineteen

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<v Speaker 1>sixty that communists, eggheads, and beat Nicks were among the

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<v Speaker 1>country's great enemies. They were stereotyped as drug users who

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<v Speaker 1>wanted to reframe the status quo of America. They were

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<v Speaker 1>another danger to baked in moral values to the CIA

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<v Speaker 1>that made them expendable minds. If Beatenis were viable drug

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<v Speaker 1>experimentation candidates, Morgan Hall was in the right place. A

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<v Speaker 1>Fox and a Henhouse White lived at fifty nine West

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<v Speaker 1>twelfth Street in Greenwich Village. The Hotel Albert in the

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<v Speaker 1>village had been a haven for Mark Twain, Walt Whitman,

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<v Speaker 1>and Jackson Pollock. Bob Dylan lived in Greenwich Village. It

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<v Speaker 1>had an atmosphere. It was alive, thriving like minds crowding

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<v Speaker 1>together in bars, in bohemian coffee houses and street corners.

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<v Speaker 1>The smell of marijuana hung in the air. There was

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<v Speaker 1>sexual liberation. It was a perfect place for the kinds

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<v Speaker 1>of activities Morgan Hall like to get into, and for

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<v Speaker 1>the kinds of people Sidney Gottlieb wanted to dose with LSD.

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<v Speaker 1>Imagine a doctor or lawyer racing into a police station

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<v Speaker 1>insisting he'd been drugged. Now imagine a young man stumbling

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<v Speaker 1>in from the village, already presumed to be high. Most

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<v Speaker 1>of the time, New York would be White's home base

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<v Speaker 1>until early ninet. For now, at least, it was perfect.

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<v Speaker 1>With money he had gotten from Gotlieb in the CIA,

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<v Speaker 1>White rented a second apartment in Greenwich Village at one

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<v Speaker 1>Bedford Street. After all, drugging people in his own apartment

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<v Speaker 1>would be poor form. In writing Gotlieb. White bemoaned how

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<v Speaker 1>difficult it was to arrange for a lease and utilities

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<v Speaker 1>under an alias, how people wanted references and paperwork with

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<v Speaker 1>his name on them. Morgan Hall, he said, was becoming

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<v Speaker 1>a bit of a Jekyl and Hide situation. And while

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<v Speaker 1>he was right about that, White equipped the apartment, which

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<v Speaker 1>he liked to refer to as the Pad, with a

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<v Speaker 1>well stocked bar and plenty of paintings and sculptures to

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<v Speaker 1>reinforce his cover story of being a struggling artist. He

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<v Speaker 1>had murals painted on the walls, and there were other

0:17:02.560 --> 0:17:07.040
<v Speaker 1>kinds of decorations too, hidden microphones and two A mirrors

0:17:07.040 --> 0:17:10.879
<v Speaker 1>connected to an adjoining apartment he'd also rented out. This was,

0:17:10.960 --> 0:17:14.359
<v Speaker 1>in the language of law enforcement, a safe house, a

0:17:14.400 --> 0:17:18.400
<v Speaker 1>place for the CIA to conduct clandestine business under surveillance.

0:17:19.400 --> 0:17:24.400
<v Speaker 1>Here's how one observer described the place. Apartment one Sea

0:17:24.520 --> 0:17:28.120
<v Speaker 1>is disguised as an artist studio, consists of a bedroom,

0:17:28.400 --> 0:17:32.200
<v Speaker 1>large living room, kitchen, net, and bath. The kitchen has

0:17:32.240 --> 0:17:36.679
<v Speaker 1>been fully stocked with the best of foods, silver utensils, etcetera.

0:17:37.280 --> 0:17:40.119
<v Speaker 1>The bedroom has been decorated in a style attractive to

0:17:40.160 --> 0:17:43.560
<v Speaker 1>the feminine sex. The linen, closet and bathroom have been

0:17:43.600 --> 0:17:46.920
<v Speaker 1>completely equipped with all essentials for use of both male

0:17:46.960 --> 0:17:50.760
<v Speaker 1>and female occupants. The living room contains a well stocked bar,

0:17:51.080 --> 0:17:54.439
<v Speaker 1>over which has been placed a television set. A radio

0:17:54.520 --> 0:17:57.720
<v Speaker 1>phonograph combination has been purchased and will be placed to

0:17:57.760 --> 0:18:00.440
<v Speaker 1>conceal a portion of a doorway which is been cut

0:18:00.520 --> 0:18:03.760
<v Speaker 1>between apartments one Sea and one bat and at the

0:18:03.760 --> 0:18:06.760
<v Speaker 1>top of which opening will be placed an X ray mirror.

0:18:11.160 --> 0:18:14.280
<v Speaker 1>The report added that visitors to eighty one Bedford could

0:18:14.280 --> 0:18:18.760
<v Speaker 1>be compromised. White's comrade in this Cold War operation was

0:18:18.800 --> 0:18:22.119
<v Speaker 1>a narcotics agent named Pierre Lafitte, whom he had often

0:18:22.160 --> 0:18:25.600
<v Speaker 1>worked with on narcotics busts. Lafitte would play a much

0:18:25.640 --> 0:18:28.480
<v Speaker 1>bigger role in White's life, but for now he was

0:18:28.520 --> 0:18:33.480
<v Speaker 1>a sidekick. To celebrate their new assignment, White and Lafitte

0:18:33.480 --> 0:18:35.840
<v Speaker 1>took a trip to Las Vegas and tried out their

0:18:35.880 --> 0:18:41.200
<v Speaker 1>new weapon. They tripped. White had no hesitation, learning about

0:18:41.200 --> 0:18:44.080
<v Speaker 1>what he was dealing with firsthand. He would take LSD

0:18:44.240 --> 0:18:46.520
<v Speaker 1>dozens of times in his life, approaching it with an

0:18:46.560 --> 0:18:51.399
<v Speaker 1>academics attitude. He claimed a kind of immunity from its effects,

0:18:51.440 --> 0:18:54.840
<v Speaker 1>insisting that unlike virtually everyone else, he had developed a

0:18:54.920 --> 0:19:00.440
<v Speaker 1>tolerance Lafitte had not. He called the Vegas ex speariment

0:19:00.560 --> 0:19:05.760
<v Speaker 1>another world of visions and horrors. When the apartment had

0:19:05.800 --> 0:19:09.320
<v Speaker 1>been equipped and White and Lafitte returned from their Vegas experiment,

0:19:09.680 --> 0:19:13.440
<v Speaker 1>White gut dressed as Morgan Hall, sporting a turtleneck in beret.

0:19:14.400 --> 0:19:20.080
<v Speaker 1>Then he went hunting. White began stalking in coffee houses

0:19:20.080 --> 0:19:23.439
<v Speaker 1>and jazz clubs. He liked hanging out at Chumley's, a

0:19:23.520 --> 0:19:27.000
<v Speaker 1>one time speakeasy just one block from the pad. He

0:19:27.080 --> 0:19:30.080
<v Speaker 1>sat patiently at tables and bars, nodding in time with

0:19:30.119 --> 0:19:34.000
<v Speaker 1>the sounds, striking up conversations with strangers. This was his

0:19:34.040 --> 0:19:37.320
<v Speaker 1>favorite part. He had already earned the trust of mobsters.

0:19:37.840 --> 0:19:40.760
<v Speaker 1>The thrill for White wasn't duping people he already knew,

0:19:41.080 --> 0:19:43.120
<v Speaker 1>or leveraging the power he had over them to get

0:19:43.119 --> 0:19:46.600
<v Speaker 1>what he wanted. The thrill was in winning the confidence

0:19:46.640 --> 0:19:50.679
<v Speaker 1>of a stranger. From there, White would spin tales of

0:19:50.720 --> 0:19:55.000
<v Speaker 1>his artistic endeavors, his thoughts on politics, his experience as

0:19:55.040 --> 0:20:00.480
<v Speaker 1>at sea. It was a seduction. The climax was and sex.

0:20:01.080 --> 0:20:03.720
<v Speaker 1>It was someone who'd been a stranger hours before being

0:20:03.760 --> 0:20:07.720
<v Speaker 1>won over by Morgan Hall. It's easy to imagine the

0:20:07.760 --> 0:20:11.080
<v Speaker 1>words of the FBI ringing in White's ears, how he

0:20:11.160 --> 0:20:15.040
<v Speaker 1>was unfit for duty. Look at him now working for

0:20:15.080 --> 0:20:20.240
<v Speaker 1>the CIA on the new frontier of psychological warfare. Kiss

0:20:20.240 --> 0:20:25.080
<v Speaker 1>Mask j Edgar White was well read and often more

0:20:25.119 --> 0:20:29.040
<v Speaker 1>culturally informed than his demeanor led on. He spoke fluent,

0:20:29.119 --> 0:20:31.520
<v Speaker 1>beat nick, totally at ease, with a tone of the

0:20:31.520 --> 0:20:35.359
<v Speaker 1>counterculture movement. The people talking to White were on the

0:20:35.400 --> 0:20:38.480
<v Speaker 1>fringes of society, seamen who might be involved in the

0:20:38.560 --> 0:20:42.040
<v Speaker 1>drug trafficking trade at ports, artists who spoke with joints

0:20:42.119 --> 0:20:45.520
<v Speaker 1>dangling from their lips, as he talked and smiled, they

0:20:45.520 --> 0:20:49.679
<v Speaker 1>couldn't detect the animosity that simmered beneath his surface. The

0:20:49.720 --> 0:20:53.720
<v Speaker 1>Beat generation had a reputation for drug use, opioids, weed.

0:20:54.680 --> 0:20:58.240
<v Speaker 1>These people would have been terrified of George White, but

0:20:58.320 --> 0:21:03.920
<v Speaker 1>they liked Morgan Hall. Well, Jackson Pollock is wonderful. But

0:21:04.440 --> 0:21:08.600
<v Speaker 1>if you're into abstract expression uts, Yeah. Man, there's all

0:21:08.680 --> 0:21:11.960
<v Speaker 1>kinds of crazy shit out there. I've got some stuff,

0:21:12.040 --> 0:21:14.480
<v Speaker 1>some books. You should see back of the pad. It's

0:21:14.560 --> 0:21:17.760
<v Speaker 1>just a block away. I'm gay. If you are, I'm

0:21:17.800 --> 0:21:23.000
<v Speaker 1>always gay. Hall and his friend would walk back to

0:21:23.040 --> 0:21:26.000
<v Speaker 1>eighty one. Bedford White would not at the two way

0:21:26.040 --> 0:21:29.480
<v Speaker 1>mirror mounted over the phonograph. Beyond it in the apartment

0:21:29.680 --> 0:21:33.159
<v Speaker 1>was Lafitte or another colleague cradling a notebook, prepared to

0:21:33.200 --> 0:21:42.680
<v Speaker 1>observe whatever happened next. You want to drink, sure, some gin,

0:21:43.280 --> 0:21:47.200
<v Speaker 1>some ice, one ampule of LSD, and then there would

0:21:47.200 --> 0:21:51.520
<v Speaker 1>be time to sit back and watch the show. Where

0:21:51.520 --> 0:21:54.520
<v Speaker 1>do you buy your weed? What's your dad's name? Have

0:21:54.560 --> 0:21:58.440
<v Speaker 1>you ever been on the moon? What's your social Security number?

0:21:59.400 --> 0:22:03.080
<v Speaker 1>Try here? Where did you buy it from? You know what?

0:22:03.280 --> 0:22:08.280
<v Speaker 1>You Lucian? What about my Omansky? Are you a communist,

0:22:09.520 --> 0:22:15.399
<v Speaker 1>describe the color blue to me on your wife, your

0:22:15.640 --> 0:22:35.600
<v Speaker 1>girl friend, where it does utiful flowers, beautiful waterfuls. You

0:22:35.760 --> 0:22:52.600
<v Speaker 1>see him is born another drinks. Like a school report,

0:22:52.680 --> 0:22:55.119
<v Speaker 1>White would write down the dosage of LSD and the

0:22:55.160 --> 0:23:01.160
<v Speaker 1>subject's reaction. Were they talkative, scared, catatonic? Did they answer questions?

0:23:01.400 --> 0:23:06.080
<v Speaker 1>Did they abandon discretion? Did they lose their ship? He'd

0:23:06.080 --> 0:23:08.760
<v Speaker 1>take copious notes and send them all back to Gottlieb

0:23:08.880 --> 0:23:13.080
<v Speaker 1>at a post office in Washington. This was the climax,

0:23:13.320 --> 0:23:17.480
<v Speaker 1>wasn't it the moment that justified what George White was doing.

0:23:18.600 --> 0:23:21.480
<v Speaker 1>In a letter written years before, he described his thought

0:23:21.560 --> 0:23:25.200
<v Speaker 1>process when he finished a report. It may come as

0:23:25.200 --> 0:23:27.719
<v Speaker 1>a surprise to you, but as far back as the

0:23:27.720 --> 0:23:31.000
<v Speaker 1>O S S. I firmly believe that all information collected

0:23:31.000 --> 0:23:34.160
<v Speaker 1>in the field was sent post haste to Washington, filed

0:23:34.160 --> 0:23:39.280
<v Speaker 1>in funereal gray steel cabinets by purified acolytes. Then, so

0:23:39.480 --> 0:23:42.119
<v Speaker 1>the rumor went on Sunday, the high priests were gathered

0:23:42.119 --> 0:23:45.880
<v Speaker 1>a kneel and pray before these repositories of sacred writings.

0:23:46.280 --> 0:23:49.359
<v Speaker 1>The missionaries in the field were happy in their faith.

0:23:49.480 --> 0:23:52.520
<v Speaker 1>The fruit of their labors was being used to propitiate

0:23:52.720 --> 0:23:57.960
<v Speaker 1>the angry gods. White was a sarcastic son of a bitch.

0:23:58.560 --> 0:24:01.840
<v Speaker 1>By writing down the details and clinical way absolved him

0:24:01.840 --> 0:24:06.320
<v Speaker 1>of responsibility. It was for the greater good. The bureaucratic

0:24:06.400 --> 0:24:11.680
<v Speaker 1>forms proved it. For the first time. The CIA was

0:24:11.720 --> 0:24:16.640
<v Speaker 1>getting real, unadulterated field coverage of LSD, collected and curated

0:24:16.640 --> 0:24:20.880
<v Speaker 1>by Morgan Hall. Everything was going exactly according to plan,

0:24:21.640 --> 0:24:26.200
<v Speaker 1>well almost everything. It wasn't long before other people started

0:24:26.200 --> 0:24:31.000
<v Speaker 1>showing up the path, people like newspaper reporters, narcotics officers,

0:24:31.680 --> 0:24:36.119
<v Speaker 1>and an informant, not one of George White's informants, but

0:24:36.280 --> 0:24:58.719
<v Speaker 1>someone informing on George White Part three the informant. White

0:24:58.760 --> 0:25:01.520
<v Speaker 1>always wanted to be an fb EI agent, and even

0:25:01.520 --> 0:25:04.440
<v Speaker 1>though the agency declared him unfit for duty, it doesn't

0:25:04.440 --> 0:25:07.600
<v Speaker 1>mean they forgot about him. When White accused New York

0:25:07.600 --> 0:25:10.920
<v Speaker 1>Governor Thomas Dewey of making a secret deal with mobster

0:25:11.040 --> 0:25:14.920
<v Speaker 1>Lucky Luciano, he caught the attention of the governor. Do

0:25:15.040 --> 0:25:17.800
<v Speaker 1>He wanted to know more about the man sullying his name,

0:25:18.720 --> 0:25:21.800
<v Speaker 1>so he asked the FBI to send along some information.

0:25:23.080 --> 0:25:26.639
<v Speaker 1>They were all the typical biographical mentions along with something

0:25:26.920 --> 0:25:30.520
<v Speaker 1>a little more interesting. The FBI had made contact with

0:25:30.520 --> 0:25:33.800
<v Speaker 1>the liaison in New York, someone who not only knew

0:25:33.840 --> 0:25:37.080
<v Speaker 1>George White, but knew George White was up to something

0:25:37.119 --> 0:25:39.920
<v Speaker 1>at eighty one Bedford Street on behalf of the CIA.

0:25:40.720 --> 0:25:43.560
<v Speaker 1>In fact, it was a Narcotics Bureau agent, the same

0:25:43.600 --> 0:25:46.879
<v Speaker 1>one who wrote the description of the pad. In addition

0:25:46.920 --> 0:25:50.400
<v Speaker 1>to notifying Governor Dewey, the report went directly to FBI

0:25:50.480 --> 0:25:53.520
<v Speaker 1>Director Jay Edker Hoover, who knew all about George White,

0:25:53.960 --> 0:25:58.199
<v Speaker 1>specifically White's love of publicity for his drug busts. He

0:25:58.240 --> 0:26:01.440
<v Speaker 1>wanted to know exactly what White was up to intelligence

0:26:01.440 --> 0:26:05.760
<v Speaker 1>agencies love spying on other intelligence agencies. Here's part of

0:26:05.760 --> 0:26:09.879
<v Speaker 1>that report. A confidential informant of this office advised on

0:26:10.000 --> 0:26:13.959
<v Speaker 1>July one that his former supervisor in the Bureau of Narcotics,

0:26:14.000 --> 0:26:18.119
<v Speaker 1>George White, has become associated with CIA in an ultra

0:26:18.240 --> 0:26:22.280
<v Speaker 1>secret assignment. White and the CIA have rented dual apartments

0:26:22.359 --> 0:26:25.240
<v Speaker 1>at eighty one Bedford Street. In one of these apartments

0:26:25.280 --> 0:26:28.359
<v Speaker 1>has been set up a bar in quarters for entertainment,

0:26:28.720 --> 0:26:31.800
<v Speaker 1>while the other apartment is being used by CIA for

0:26:31.880 --> 0:26:35.159
<v Speaker 1>the purpose of taking motion pictures through an X ray mirror.

0:26:36.920 --> 0:26:39.280
<v Speaker 1>White indicated to the informant that no one in the

0:26:39.280 --> 0:26:42.080
<v Speaker 1>Bureau of Narcotics or the CIA was aware of his

0:26:42.119 --> 0:26:46.639
<v Speaker 1>apartment or his association therewith except Commissioner Harry Anslinger of

0:26:46.680 --> 0:26:50.960
<v Speaker 1>the Narcotics Bureau and top officials of the CIA. The

0:26:51.040 --> 0:26:53.919
<v Speaker 1>FBI and Hoover knew White was up to something, but

0:26:53.960 --> 0:26:57.600
<v Speaker 1>they didn't know what. So agents pressed the informant for

0:26:57.680 --> 0:27:01.280
<v Speaker 1>more information. They were die to know what White, the

0:27:01.440 --> 0:27:04.680
<v Speaker 1>Maverick dope buster, was doing in league with the CIA.

0:27:06.119 --> 0:27:09.840
<v Speaker 1>One agent even dismissed the informants report, saying it hardly

0:27:09.880 --> 0:27:12.800
<v Speaker 1>seemed plausible that White and the CIA were working together.

0:27:13.320 --> 0:27:17.120
<v Speaker 1>It didn't smell right. It wasn't White a maniac? What

0:27:17.240 --> 0:27:21.160
<v Speaker 1>function could he serve? More intelligence needed to be gathered

0:27:21.560 --> 0:27:28.560
<v Speaker 1>most discreetly. The informant continued to hang around the pad, White,

0:27:28.600 --> 0:27:32.240
<v Speaker 1>seemingly oblivious to his curiosity. He picked up bits of

0:27:32.280 --> 0:27:36.199
<v Speaker 1>information here and there. The recording equipment seemed odd, so

0:27:36.320 --> 0:27:40.320
<v Speaker 1>did the rumors there was drug experimentation going on. Finally,

0:27:40.400 --> 0:27:43.040
<v Speaker 1>the informant managed to get his hands on two vials

0:27:43.040 --> 0:27:46.080
<v Speaker 1>of liquid that were stored in the pad. One was

0:27:46.119 --> 0:27:48.880
<v Speaker 1>in a screw top container, one was in the same

0:27:48.960 --> 0:27:52.840
<v Speaker 1>kind of ampule used to house the LSD dosents. He

0:27:52.920 --> 0:27:55.960
<v Speaker 1>immediately forward both to the FBI, who turned them over

0:27:55.960 --> 0:27:59.879
<v Speaker 1>to their laboratory analysts. Here was proof White and the

0:28:00.080 --> 0:28:05.600
<v Speaker 1>CIA were up to something elicit, maybe illegal. When the

0:28:05.680 --> 0:28:12.080
<v Speaker 1>FBI got the lab report back, they found table salt.

0:28:14.240 --> 0:28:17.399
<v Speaker 1>The most talented chemists at the FBI were unable to

0:28:17.440 --> 0:28:20.239
<v Speaker 1>identify the compound, saying only that it appeared to be

0:28:20.280 --> 0:28:23.240
<v Speaker 1>some kind of organic material in a dilute solution of

0:28:23.320 --> 0:28:29.000
<v Speaker 1>sodium chloride or salt. The other vial had chloral hydrate.

0:28:29.720 --> 0:28:32.840
<v Speaker 1>At the time, it was a rather common sedative that

0:28:32.920 --> 0:28:36.080
<v Speaker 1>was the solution in the screw top fial. Neither one

0:28:36.200 --> 0:28:38.360
<v Speaker 1>was the smoking gun the FBI had been hoping for.

0:28:39.440 --> 0:28:43.600
<v Speaker 1>The FBI had once again underestimated George White. An FBI

0:28:43.680 --> 0:28:48.160
<v Speaker 1>memo advised the informant to tread carefully. White it red

0:28:48.280 --> 0:28:51.400
<v Speaker 1>had been told the FBI was sniffing around, and the

0:28:51.480 --> 0:28:55.000
<v Speaker 1>c I a likely Sydney Gottlieb told White to be

0:28:55.080 --> 0:28:59.320
<v Speaker 1>on the lookout. Leaving an ampulate deluted table salt for

0:28:59.360 --> 0:29:02.600
<v Speaker 1>the FBI chemists to examine was one way he could

0:29:02.640 --> 0:29:05.479
<v Speaker 1>give them the middle finger, the same one he'd been

0:29:05.480 --> 0:29:10.480
<v Speaker 1>giving them for years. White may have been clever enough

0:29:10.480 --> 0:29:12.959
<v Speaker 1>to out with the FBI, but he was still showing

0:29:13.000 --> 0:29:16.800
<v Speaker 1>signs of recklessness. Why was White discussing the fact that

0:29:16.800 --> 0:29:20.160
<v Speaker 1>he was working with the CIA with anyone? Why, as

0:29:20.200 --> 0:29:23.680
<v Speaker 1>the informant related, did White invite a newspaper reporter named

0:29:23.800 --> 0:29:28.240
<v Speaker 1>Ed Reid to the pad. That's not a very covert idea.

0:29:28.920 --> 0:29:32.280
<v Speaker 1>More importantly, what was White doing with the chloral hydrate

0:29:32.520 --> 0:29:35.480
<v Speaker 1>the sedative? Wasn't he supposed to be focusing on the

0:29:35.480 --> 0:29:40.160
<v Speaker 1>effects of LSD. White scribbled in his diary fleeting mentions

0:29:40.160 --> 0:29:44.280
<v Speaker 1>of sodium pentethal are barbiturate, thought to have truth, ser impossibilities,

0:29:44.400 --> 0:29:49.240
<v Speaker 1>and nembutal another sedative. He was dispensing one drug after

0:29:49.280 --> 0:29:54.200
<v Speaker 1>another like a pharmacist on speed. Much later, when Sidney

0:29:54.200 --> 0:29:57.080
<v Speaker 1>Gottlieb was asked to justify the work of George White,

0:29:57.600 --> 0:30:00.280
<v Speaker 1>he said that White had freedom. He could per cure

0:30:00.320 --> 0:30:08.880
<v Speaker 1>any kind of drug he wanted, not just LSD, anything, morphine, mescaline, opium, cocaine.

0:30:09.760 --> 0:30:14.000
<v Speaker 1>He didn't ask, and White didn't offer. Procurement and use

0:30:14.080 --> 0:30:17.240
<v Speaker 1>were up to White, at least that was Gottlieb's story.

0:30:18.240 --> 0:30:20.720
<v Speaker 1>But if White was using a sedative. Was it to

0:30:20.760 --> 0:30:24.360
<v Speaker 1>help someone come down from a bad trip or something else?

0:30:26.680 --> 0:30:30.280
<v Speaker 1>What exactly was George White doing at eight one Bedford

0:30:30.280 --> 0:30:33.480
<v Speaker 1>Street that was escaping the attention of both the CIA

0:30:34.040 --> 0:30:37.240
<v Speaker 1>and the FBI. And just how far away from the

0:30:37.280 --> 0:30:49.520
<v Speaker 1>mission had he departed? George White almost immediately broke off

0:30:49.560 --> 0:30:53.000
<v Speaker 1>from the mission, statement of m k Ultra, he wasn't

0:30:53.040 --> 0:30:56.640
<v Speaker 1>limiting himself to criminals and dealers. He released a small

0:30:56.680 --> 0:30:59.760
<v Speaker 1>amount of LSD on a New York subway car, a

0:31:00.000 --> 0:31:03.720
<v Speaker 1>microcosm of Gottlieb's dream of dozing an entire town. And

0:31:03.760 --> 0:31:07.600
<v Speaker 1>then there was the case of Linda King. Linda was

0:31:07.640 --> 0:31:12.080
<v Speaker 1>an aspiring actress with a benefactor, a man named Irwin Eisenberg.

0:31:12.840 --> 0:31:16.360
<v Speaker 1>White and Eisenberg were close friends. Eisenberg had a home

0:31:16.400 --> 0:31:18.800
<v Speaker 1>in Large Mountain, New York, which White visited on a

0:31:18.840 --> 0:31:24.320
<v Speaker 1>regular basis. Eisenberg was wealthy, cultured, and rich, and wanted

0:31:24.320 --> 0:31:27.520
<v Speaker 1>to help King with her acting career by making introductions

0:31:28.240 --> 0:31:32.000
<v Speaker 1>through Eisenberg. White met King. Of course, White couldn't help

0:31:32.000 --> 0:31:35.360
<v Speaker 1>with her show business aspirations, but she still liked him.

0:31:35.400 --> 0:31:37.840
<v Speaker 1>He was just the kind of friendly face he'd see

0:31:37.920 --> 0:31:43.840
<v Speaker 1>on a subway On September twelfth, nineteen fifty three, White

0:31:43.920 --> 0:31:46.200
<v Speaker 1>invited King to come have a drink with him at

0:31:46.240 --> 0:31:50.560
<v Speaker 1>the Pad at eighty one Bedford Street. Linda King wasn't

0:31:50.600 --> 0:31:53.640
<v Speaker 1>a killer, or a dealer or a beat nick. She

0:31:53.720 --> 0:31:57.200
<v Speaker 1>was a friend. But by the end of the night

0:31:57.920 --> 0:32:06.360
<v Speaker 1>she was seeing things unimaginable things. White made a note

0:32:06.400 --> 0:32:11.200
<v Speaker 1>in his diary King, he wrote, got psychotic. He had

0:32:11.240 --> 0:32:15.280
<v Speaker 1>dosed her with LSD. King was taken to Lennox Hill

0:32:15.440 --> 0:32:18.920
<v Speaker 1>Hospital and as doctor shined the light into her widened

0:32:18.920 --> 0:32:22.480
<v Speaker 1>pupils and asked her what had happened, King insisted she

0:32:22.520 --> 0:32:26.600
<v Speaker 1>had been drugged. When doctors asked by whom King could

0:32:26.680 --> 0:32:46.560
<v Speaker 1>only utter two words, George White. Operation Midnight Climax is

0:32:46.600 --> 0:32:51.400
<v Speaker 1>hosted by Noel Brown. The show is written by Jake Rosin, editing,

0:32:51.560 --> 0:32:55.280
<v Speaker 1>sound design and mixing by Ernie Indradatte and Natasha Jacobs.

0:32:55.960 --> 0:33:00.560
<v Speaker 1>Original music by Aaron Kaufman, Research and fact working by

0:33:00.600 --> 0:33:05.160
<v Speaker 1>Austin Thompson and Maurica Brown. Show logo by Lucy Quintanilla.

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<v Speaker 1>Special thanks to Spencer Gibson, David Crumholtz, Vanessa crum Holtz,

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<v Speaker 1>Ted Ramie and Jason Thompson, Julian Weller, is our supervising producer.

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<v Speaker 1>Our executive producers are Jason English and Mangesh had Ticketer.

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<v Speaker 1>See you next week.