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Speaker 1: So bar crawl with Patricia Clarkson up and down Fairfax Literallythiopia,

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Speaker 1: hitting every restaurant of the way.

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Speaker 2: We like bust through the.

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Speaker 1: Door of all these places and we're like, give me

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Speaker 1: some lentils, and then they give us. They come out

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Speaker 1: with like a big, like steaming bowl of lentils, lentils,

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Speaker 1: greed yellow, whatever whatever the specialty is, and we shoot them.

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Speaker 3: No, no, Jerra, you're taking it straight.

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Speaker 2: We're taking it straight to the dome. Baby.

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Speaker 1: We take we take back the lentils, go to the

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Speaker 1: next place and they have them ready. They call ahead

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Speaker 1: and so they have them ready for us. And then

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Speaker 1: we get to we said that we had to go

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Speaker 1: to every place on the block right, and so we're

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Speaker 1: doings back a note, we're real massab.

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Speaker 2: We hit all those But then we get to that.

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Speaker 4: Antique store right with the giant chair out front.

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Speaker 1: Yes, and they have lentils, but they're very old and

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Speaker 1: so but we said we had to do it.

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Speaker 4: You got to shoot the antique lentils.

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Speaker 1: Well, I am sort of. I'm I give Patricia out,

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Speaker 1: but she does not want to give me one. I

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Speaker 1: guess I think if she and I think if she

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Speaker 1: had said first, like, let's not do this, and I

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Speaker 1: would have been the one who was like, no, we

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Speaker 1: have to do it, you know what I mean.

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Speaker 2: M So we go in there, we have them like

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Speaker 2: sort of boil it up. The lenos are so old

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Speaker 2: they like don't really absorb the water very well.

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Speaker 1: Yeah, and we did shoot them, but I just kept

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Speaker 1: I just kept them in my mouth. I couldn't swallow them,

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Speaker 1: and so I just kept them in my mouth, and

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Speaker 1: I think she did too, because we weren't talking after

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Speaker 1: that place, no.

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Speaker 4: Talk, just action.

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Speaker 1: Well, yeah, we've just like the conversation sort of died

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Speaker 1: out after that one because I think we were holding

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Speaker 1: all the dry old lentils in.

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Speaker 4: Our mouth and you had no choice but to take

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Speaker 4: physical action.

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Speaker 1: Yes, yeah, but oh that's right, that's what you mean. Yeah,

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Speaker 1: and that's my story. Hey, hye, welcome to Hollywood Handbook

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Speaker 1: and Insider's Guide to Kicking button, dropping me in the

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Speaker 1: red carpet line back always in this industry we call

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Speaker 1: show bus. Now, I could see that you were talking

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Speaker 1: while I was talking about Yeah, it's hard for me

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Speaker 1: to hear you while I'm talking. But so what we're

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Speaker 1: what were you saying?

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Speaker 3: Oh?

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Speaker 1: What up?

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Speaker 2: What up, I'm still in New York.

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Speaker 4: Mm hmm.

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Speaker 3: But the show must go on.

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Speaker 1: The show has to continue and be the show. But

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Speaker 1: we we have.

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Speaker 5: To be here for the part that I'm not involved in. Mmm.

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Speaker 3: So that's our guest, Matt, What what's with the question?

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Speaker 5: You can hit this out, But do I have to

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Speaker 5: be here and listen to this part that I'm not

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Speaker 5: involved in?

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Speaker 4: Well, it's really just the it's just that first during

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Speaker 4: the story, Lentil story.

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Speaker 3: But you must have wanted to be right.

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Speaker 5: It's just you guys, tell me get here at a time.

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Speaker 5: Oh it's ten minutes past that time. If I've gotten there,

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Speaker 5: I said eleven ten, then I would here be right

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Speaker 5: here when I start.

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Speaker 4: But you wouldn't have the vibe, you know, I mean,

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Speaker 4: would you be able to just drop into the vibe

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Speaker 4: of like we just had this, you know, rock and

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Speaker 4: roll Lentil story and we're sort of like popping off.

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Speaker 5: Definitely, because I'm a professional. It'd be like if de

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Speaker 5: Niro was like, I want you to be here on

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Speaker 5: the days that you're not shooting so you can get

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Speaker 5: the vibe.

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Speaker 4: De Niro's saying that, or someone saying that too.

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Speaker 1: De Niro.

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Speaker 5: De Niro saying that I insist that you be here

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Speaker 5: on days that you're not working. He's sang it to you.

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Speaker 5: He did say it to me. That's why the example

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Speaker 5: came to my mind. But I don't need to be

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Speaker 5: here in scenes I'm not in what was the De

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Speaker 5: Niro project. It was going to be a sequel to

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Speaker 5: Cape Fear.

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Speaker 4: Oh wow, and what happened? He is even scarier now.

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Speaker 2: Well, I guess he's underwater at the end of that one.

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Speaker 5: So maybe it was an environmental thing about Cape Fear

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Speaker 5: actually dries up and he becomes a hero to the town.

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Speaker 1: M m.

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Speaker 5: Because speaking on behalf of global warming. Oh wow, Now

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Speaker 5: it's not about being a killer or anything that says

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Speaker 5: nothing to do with the sequel.

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Speaker 3: They don't even know that about him.

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Speaker 5: No, they just know he's this guy that emerged from

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Speaker 5: the Cape after dried up.

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Speaker 3: So maybe I'm a dummy, and tell me if I am.

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Speaker 4: But isn't global warming as making more water and the

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Speaker 4: drought would be what would dry up Cape Fear.

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Speaker 5: It's different parts of the you see, And this is

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Speaker 5: why the movie never happened, because it did get really

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Speaker 5: luxury this way. Sure, certain parts are going to get

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Speaker 5: more water, but then other parts are gonna dry up

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Speaker 5: and be desert like m m.

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Speaker 4: Because it's yeah this dude, the other parts stole their water.

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Speaker 1: Yeah, that is how it's the milkshake. Member. I yeah,

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Speaker 1: they drank the milkshake.

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Speaker 3: They drank.

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Speaker 4: Yes, remember drank Cape Fear's milkshake, Matt.

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Speaker 5: I don't know you're talking about the milkshake. Drink the

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Speaker 5: milkshake once again? Do I have to be here for

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Speaker 5: this part?

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Speaker 3: This part?

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Speaker 4: Well, this part you're involved in, this is considered part.

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Speaker 1: This is a conversation with you. I guess you technically

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Speaker 1: don't have to be here for this.

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Speaker 3: Well, I wouldn't be able to learn as much.

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Speaker 4: I had no idea they were doing another Cape Fear,

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Speaker 4: that they were completely ignoring the backstory of him being

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Speaker 4: a criminal, which was one of the main parts of.

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Speaker 5: The first film, and that he became We made it brilliant.

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Speaker 5: So many sequels have so much to do m hm

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Speaker 5: with the first part.

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Speaker 3: Yeah, I get it.

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Speaker 5: I see where it's going. Yeah, I already saw this before.

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Speaker 4: Mm hmmm.

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Speaker 3: Yeah, whether it.

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Speaker 5: Goes completely left turn, it's Cape Fear the commony or

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Speaker 5: Cape Fear the environmental lecture.

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Speaker 4: Yeah, that's true. Well, so yeah, so you don't have

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Speaker 4: to be here.

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Speaker 5: For this part, but we have to be here because

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Speaker 5: of ear Wolf.

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Speaker 1: M yeah, what did Chris say?

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Speaker 3: Talk a little bit about that. So I'm sorry to.

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Speaker 1: Give you any directives over like what he wanted us

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Speaker 1: to do, or.

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Speaker 3: Should we just say this is Matt Besser.

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Speaker 4: He's he's the improv man and he does this show

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Speaker 4: that you know from this and he's doing Seso and

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Speaker 4: forget It, and so you know, he's the prank master

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Speaker 4: General and he basically just is you know, mister funny

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Speaker 4: and you're gonna love it. And so Earwolf kind of

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Speaker 4: set this up. They want to cross pollinate a little bit.

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Speaker 4: And so what did Chris tell you specifically Chris Bannon?

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Speaker 5: Well, I think he's told both our shows that we

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Speaker 5: need to crossover episodes to promote each show. And I said,

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Speaker 5: there's no way I'm gonna have untrained improvisers on my show.

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Speaker 1: M M.

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Speaker 3: Yeah.

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Speaker 5: He said, well, you compromise and go on their show.

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Speaker 1: Okay, that's there we are. Yeah. He told us the

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Speaker 1: one thing we had to do was give like an

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Speaker 1: endorsement of your show, which we said we were.

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Speaker 2: Happy to do.

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Speaker 1: But as long as it was okay that we have

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Speaker 1: not heard it. M, that's weird.

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Speaker 5: We have like not meeting your parents ever. We have

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Speaker 5: a good because without me, you guys are nothing. I

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Speaker 5: brought you to this channel. So it's weird you never

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Speaker 5: checked in on the old Improper Humans.

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Speaker 4: Right, okay, yeah, because I okay, yeah, improv improv for humans.

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Speaker 5: I have something about that title too, uh huh, Well

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Speaker 5: Chris gave me okay. He said it had to be

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Speaker 5: on your show because of cross pollination, which just a

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Speaker 5: bullshit turn for go be with people that you're not

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Speaker 5: friends with. That's what cross pollinate means.

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Speaker 3: Well mean make bigger plants, right.

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Speaker 5: Yeah, but plants aren't meant to be cross pollinated. That's

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Speaker 5: like a scientist thing.

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Speaker 2: Okay. Chris did mention that you might get.

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Speaker 3: In this organic a lot of was gym.

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Speaker 5: I'm not gonna get into that because it was very

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Speaker 5: luxury anyway, he said it come on and because I

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Speaker 5: just reupt guys reupt.

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Speaker 3: Oh did we nobody can?

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Speaker 1: Yeah? Okay, for three more episodes.

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Speaker 5: Drawing on a three yeah episode cycle.

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Speaker 4: We're on a three to three yeah, so every three

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Speaker 4: we get evaluated and we have to go to a

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Speaker 4: series of meetings and then they tell us if we

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Speaker 4: can make another three?

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Speaker 5: Yeah, so you just got reapped to another three.

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Speaker 1: We got got this is the second one.

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Speaker 4: Yeah, this is the second of the three, and we're

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Speaker 4: hoping to get another back three.

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Speaker 5: I go in two year increments.

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Speaker 3: So what's that twenty episodes?

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Speaker 5: I think that's a hundred wow, maybe a uh well.

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Speaker 5: I kind of feel like that because he on the reupping,

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Speaker 5: he said to me, Chris did Yeah, Adam no longer

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Speaker 5: works here. That's also in the email.

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Speaker 4: The secret about that Adam Sacks. Yeah, he took his

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Speaker 4: hat did this get made?

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Speaker 3: Posters?

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Speaker 4: And he packed him up in this sad little suitcase,

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Speaker 4: grabbed his yo.

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Speaker 5: Is this racist bandana?

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Speaker 1: Yeah?

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Speaker 4: I grabbed a like fan art who charted hosts little is.

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Speaker 1: It's almost like it's asking if the bandana itself is racist,

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Speaker 1: and it kind of is.

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Speaker 5: That's the problem with all their merchers. Just people just

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Speaker 5: go yes it is and no, not me. How did

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Speaker 5: this get made? Has that problem to because people just

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Speaker 5: come up to you where that shirt and.

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Speaker 1: Go I have no idea.

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Speaker 4: Yeah, you're really walking into it. You're begging to get

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Speaker 4: roasted if you have that on.

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Speaker 1: Yeah, so Adam is not the CEO anymore, But I

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Speaker 1: did want to Are you just throwing your hat in

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Speaker 1: the ring for the CEO race? Oh right, you'd be

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Speaker 1: so good, Matt.

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Speaker 4: Matt, we'd be willing to possibly back your ticket if

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Speaker 4: you found a good vice CEO to run it with you.

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Speaker 3: I think that we would be on board for that.

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Speaker 4: Come more progressive, Yeah, ceo, Yeah, what's the I mean,

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Speaker 4: what's some of your platform for that?

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Speaker 5: Freedom?

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Speaker 1: M I was just ending the whole network that would

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Speaker 1: that would be so the guy would endorse.

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Speaker 5: Look, Chris is the new CEO, isn't he? I don't

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Speaker 5: even know that the what's his title?

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Speaker 3: Chris?

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Speaker 1: Oh gosh, yes, he's content ninja. I think.

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Speaker 5: Well, he gave me a list of how to get

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Speaker 5: more listeners. This is what I was getting to. He said, Oh, okay,

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Speaker 5: we re up and you would you like some advice

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Speaker 5: on how to get more listeners? Would you like to

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Speaker 5: have a meeting or get coffee? And I never get

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Speaker 5: coffee with anybody for anything.

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Speaker 3: You don't drink it or not a.

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Speaker 5: Wry Do I need to go through that social experience

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Speaker 5: just to basically get a list of things it's going

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Speaker 5: to make a list turn into a half hour to

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Speaker 5: forty five minutes of small talk and list. So why

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Speaker 5: not just get the list in?

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Speaker 1: Right?

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Speaker 3: I see that?

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Speaker 5: See that? What do I want? Free coffee?

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Speaker 1: Yeah?

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Speaker 5: Then I'm doing a balance of free coffee to having

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Speaker 5: to do small talk and free coffee. Ain't that heavy?

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Speaker 3: Coffee's not that expensive?

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Speaker 4: Yeah?

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Speaker 5: Yeah. So anyway, I got this list and which was

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Speaker 5: to send to me, I'm gonna read it.

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Speaker 2: He is a brave guy.

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Speaker 5: Yeah, yeah, Well if I was, there's no way I

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Speaker 5: would have sent me a list.

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Speaker 4: No, you, I wouldn't want you to have a list

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Speaker 4: of mine. And I think that, But as a content

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Speaker 4: ninja slash truth warrior, I feel like his whole thing

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Speaker 4: is that he just like dives into battle, you know,

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Speaker 4: and he doesn't necessarily think about the consequences.

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Speaker 1: Yeah.

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Speaker 5: I don't necessarily agree with everything he says on this list,

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Speaker 5: but he is a brave man. Your enemy, you can admit,

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Speaker 5: is brave. Not that he's my enemy, you know what

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Speaker 5: I mean?

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Speaker 4: No, but yeah, and say, don't want to kill.

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Speaker 5: Him, but he is brave. I'll get him that.

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Speaker 4: Yeah, son s who's always talking about like that guy's

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Speaker 4: gonna be Brave's gonna be brave.

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Speaker 5: He's gonna be brave. So title improper humans. He doesn't

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Speaker 5: like it, and he wants me to change it. You

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Speaker 5: believed that?

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Speaker 4: Yeah, do you not feel like you've established a brand?

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Speaker 5: He the four? You know, use the number? He thinks

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Speaker 5: I should spell it out fo R and separate the

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Speaker 5: words and capitalize the I and instead of humans, how

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Speaker 5: would be people m And specifically he said, should be

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Speaker 5: improv for fo R comedy nerds.

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Speaker 3: Improv for comedy nerds.

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Speaker 5: Yeah. Wow, So he thinks it's alienating the way I

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Speaker 5: spell it now.

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Speaker 4: Okay, huh So he thinks people just aren't comfortable with

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Speaker 4: a number. Yeah, you would think that if you're trying

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Speaker 4: to get nerds, you'd want numbers in there.

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Speaker 5: Comedy nerds math not math nerds. Okay.

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Speaker 3: Yeah.

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Speaker 1: Have you found that comedy nerds have kind of been

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Speaker 1: freezing out your show in favor of the jocks and

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Speaker 1: the and the preps.

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Speaker 5: No, I haven't found that at all. I didn't know

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Speaker 5: there was a problem with my This is one of

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Speaker 5: the ones I don't agree with.

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Speaker 4: Oh, okay, the nets, right, because I know a lot

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Speaker 4: of greasers and stoners and deebies and burners who listen

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Speaker 4: to your show.

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Speaker 3: But as I think about.

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Speaker 4: The nerds they're listening to, yeah, you know that's where

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Speaker 4: they're getting their improv.

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Speaker 1: They do feel sort of alienated by just the premise

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Speaker 1: of the show.

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Speaker 4: Mm hmmm.

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Speaker 6: I have somebody who's platform to be the new CEO

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Speaker 6: is freedom. It's like pretty restrictive some of what you're

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Speaker 6: talking about with this improv stuff, whereas like, if I'm

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Speaker 6: a true nerd, I don't know, go down and like

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Speaker 6: hear about what happened on the last episode of Walking

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Speaker 6: Dead and then just do whatever on my improv.

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Speaker 5: He does talk about that. He talks about maybe and

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Speaker 5: so taking suggestions you should do scenes on popular topics

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Speaker 5: like the Walking Dead, Game of Thrones, Bernie Sanders, let

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Speaker 5: me get into this list foods that are popular at

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Speaker 5: the time. Shoes, the stuff on curry shoes. I an't

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Speaker 5: know he's talking about there.

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Speaker 1: Does they have curry shoes?

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Speaker 5: Yeah?

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Speaker 4: Oh, they're so funny. They're white shoes.

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Speaker 1: They should be in the trash I heard.

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Speaker 4: Oh, I don't think they should even be in the trash.

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Speaker 4: I think they should be on the help. I've fallen

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Speaker 4: and I can't get up lady.

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Speaker 1: Yeah, I heard that she should wear them.

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Speaker 5: Yeah, okay, now I understand what that means. He says

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Speaker 5: you should do, and I have fallen. I can't get up,

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Speaker 5: lady sketch, And I didn't even know what he's referring to,

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Speaker 5: but I do.

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Speaker 1: In fact, are some of the foods you're considering doing

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Speaker 1: seeds about?

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Speaker 2: Yeah?

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Speaker 4: What foods are popular at the time.

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Speaker 5: I guess this is constantly changing. But he says, ag

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Speaker 5: sushi burgers.

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Speaker 1: Oh wow, I've been hearing about these.

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Speaker 4: That's even too advanced for me. I'm picturing it.

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Speaker 5: I guess it's a meat burger, sushi berger, sushi or something.

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Speaker 5: I don't even know, but I guess I'm supposed to

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Speaker 5: look this stuff up. And then he says, a lot

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Speaker 5: of your improv seems a little loosey goosey, please consider

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Speaker 5: writing it up in advance.

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Speaker 3: Writing up the improv.

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Speaker 4: Well, okay, I mean, I haven't heard the show, but

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Speaker 4: that makes sense, just because like something about writing a

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Speaker 4: well crafted scene that you can never really touch by

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Speaker 4: just guessing at what you're going to say.

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Speaker 5: You think you think improv comedy improv is just guessing.

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Speaker 4: Well, and look, you're one of the best guessers on

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Speaker 4: the planet from everything I've heard.

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Speaker 1: But ultimately, yeah, all talking is really just guessing what

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Speaker 1: the next word is supposed to be.

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Speaker 5: You're guessing your what your own brain is, or what

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Speaker 5: the other person wants to hear I don't understand, and guessing.

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Speaker 4: I'm just trying to get I'm trying to get my

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Speaker 4: brain ahead of my mouth somehow.

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Speaker 5: You're in a competition with your mouth.

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Speaker 4: Mm hmm. Yeah, my mouth is trying to get my

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Speaker 4: brain in trouble, and my brain has got to somehow

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Speaker 4: sidestep all these different potholes that my mouth is sort

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Speaker 4: of trying to dive into.

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Speaker 1: Go ahead, If you wrote the scenes ahead of time,

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Speaker 1: you could release them on the website and people could

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Speaker 1: print them out and then they could you could write

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Speaker 1: a part for them.

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Speaker 4: Then I'm doing my improv man scene, you know, with

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Speaker 4: my friends.

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Speaker 3: In our garage.

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Speaker 5: He says something about that. You guys are on board.

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Speaker 5: He says, when you script out, perhaps put it up

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Speaker 5: on the web and then a poll. Our fans seem

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Speaker 5: to like polls. They can vote on where does the

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Speaker 5: scene go next? You give them options. Does it go

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Speaker 5: to A B or C? Make a story, and he

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Speaker 5: also says, try changing emotions, try changing genres, try making

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Speaker 5: a musical. And it says here, do you know how

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Speaker 5: to do make up a blue song?

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Speaker 1: A blue song, A blue song like a rude.

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Speaker 2: Like a song parody?

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Speaker 3: That's yeah, like working blue.

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Speaker 5: Blues, like the blues ba na na bomb bye bomb,

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Speaker 5: like Wayne Brady Adventures.

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Speaker 4: And babysitting blues. Okay, that's badass. You like, do you

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Speaker 4: know how to do that?

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Speaker 5: I actually don't. Yuck, Okay, See that's what I meant

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Speaker 5: by freedom. I don't think I should have to do that.

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Speaker 4: Yeah, you think you should just be doing whatever all

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Speaker 4: the time.

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Speaker 5: Yeah, like you guys, you don't have a format.

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Speaker 4: Well, well that's a that's a misconception about our show.

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Speaker 5: Where format is we make the guest wait for a

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Speaker 5: period of five to ten minutes and then we start.

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Speaker 5: That's the only format I see so far.

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Speaker 4: We haven't landed on a permanent format, but we are

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Speaker 4: still trying.

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Speaker 5: You know some he says. Here he says, I think

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Speaker 5: it would give new listeners a better handle on the

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Speaker 5: content and what to expect if you had a short

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Speaker 5: exp at the top of the show what your show

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Speaker 5: is like, you guys, just did you mumbled it in

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Speaker 5: a monotone and set it simultaneously, so it was hard

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Speaker 5: to understand. Hmmm. So now he would say that people

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Speaker 5: don't understand what's going on in the show. In our show, yeah,

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Speaker 5: because you mumbled your intro you set it together. I

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Speaker 5: would realize zero idea of the premise right now. What's

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Speaker 5: going on?

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Speaker 3: That's pissing me off?

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Speaker 4: Now if Chris Bannon is saying that because we make

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Speaker 4: the most inclusive, accessible show on this network, we are

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Speaker 4: always because you mumbled it together.

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Speaker 5: People can sing together, they can't talk together. You ever

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Speaker 5: heard that expression?

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Speaker 4: Okay, no, but I would like to start using it.

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Speaker 4: Explain how it works.

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Speaker 5: You can sing together just like a choir, but you

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Speaker 5: can't talk like That's another thing you brought up. They

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Speaker 5: want me to have a mascot for the show called Scriptsy.

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Speaker 2: Oh no, yeah, we know. We've been in part of this.

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Speaker 4: Guys meetings. Yeah, just approving different designs. He's forcing it

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Speaker 4: on your show too.

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Speaker 1: Yeah.

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Speaker 4: Scriptsy is gonna be the third host. We actually have

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Speaker 4: to have him on Mike with us at all times.

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Speaker 1: And it doesn't Well, this is what I don't understand

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Speaker 1: about what he is. He's like a glass of water,

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Speaker 1: and so like whatever you are thirsty on the show,

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Speaker 1: you have to say like can I have you? And

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Speaker 1: and it's always like a long back and forth.

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Speaker 2: It's never like never.

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Speaker 5: A placement for some water like sparklets or something.

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Speaker 4: That was what we thought as well, Like we were like, oh,

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Speaker 4: maybe they're making money on the back end off to

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Speaker 4: sani or something.

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Speaker 5: Because dude, they're making money off the back end on

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Speaker 5: all sorts of ship that we have. You guys have

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Speaker 5: no idea. I'm aware of some things.

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Speaker 4: Yeah, what so, can you educate us a little bit

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Speaker 4: about where some of the money's coming from.

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Speaker 5: Where do you think these mics come from? These mics

430
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Speaker 5: we're talking into.

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Speaker 4: They say hile, which I only know really one sort

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Speaker 4: of company that uses that as their slogan.

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Speaker 5: Yeah, take a picture of this Ryan. People think we're

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Speaker 5: making it right. Please take a picture where it says

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Speaker 5: and it's an arm and it's a mic arm that

436
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Speaker 5: says it's a race in the area.

437
00:21:27,720 --> 00:21:30,960
Speaker 4: Yeah, it's at ninety degrees and it's saying and you

438
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Speaker 4: never question that.

439
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Speaker 5: I'm talking into a highle arm every week.

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Speaker 3: I guess question that.

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Speaker 5: Yeah, that's how world War two to snuck up on everybody,

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Speaker 5: cause I was like, uh, yeah, that's the way things are.

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Speaker 4: The original podcast Boom was right before World War Two,

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Speaker 4: and it sort of softened a lot of the public

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Speaker 4: up for just like, oh, highlarms are no big deal.

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Speaker 4: You know, that's what helps me get my content out.

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Speaker 5: Yeah, we're beyond it now. Well, history never forgets, de

448
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Speaker 5: Niro told me, and he said that would be a

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Speaker 5: problem with the sequel, forget can't fear the first one?

450
00:22:06,400 --> 00:22:08,600
Speaker 3: Why did he want you there on days you weren't shooting.

451
00:22:09,240 --> 00:22:11,280
Speaker 5: It was a power play, like you guys do to

452
00:22:11,320 --> 00:22:13,520
Speaker 5: your guest. It's a power play to go you're gonna

453
00:22:13,520 --> 00:22:16,199
Speaker 5: sit You're basically saying you're gonna sit here and not

454
00:22:16,320 --> 00:22:19,719
Speaker 5: talk and look at me talk Like what is that?

455
00:22:20,119 --> 00:22:24,160
Speaker 5: Who does that besides Diva's kings?

456
00:22:24,960 --> 00:22:27,240
Speaker 4: Well, no, I mean the problem for me is Hayes

457
00:22:27,359 --> 00:22:29,560
Speaker 4: in New York. He's not here right now. He couldn't

458
00:22:29,560 --> 00:22:32,119
Speaker 4: necessarily feel the energy in the room that was coming

459
00:22:32,160 --> 00:22:34,120
Speaker 4: off of you while you weren't allowed to talk yet,

460
00:22:34,200 --> 00:22:36,679
Speaker 4: And so I'm kind of trying to make my eyes

461
00:22:36,760 --> 00:22:40,399
Speaker 4: say to Hayes, like, hey man, cut this story short.

462
00:22:40,600 --> 00:22:44,360
Speaker 3: You know, but he's not getting it.

463
00:22:44,440 --> 00:22:45,440
Speaker 2: I did get it.

464
00:22:45,520 --> 00:22:51,800
Speaker 5: I I did see that make your eyes wider.

465
00:22:52,359 --> 00:22:53,920
Speaker 4: You know a lot of times I'll take the ball

466
00:22:53,960 --> 00:22:55,639
Speaker 4: and run with it. Hey starts a Lentil story, I

467
00:22:55,680 --> 00:22:57,200
Speaker 4: might give it him my Lentil story.

468
00:22:57,200 --> 00:22:59,200
Speaker 3: But I was like, no, uh huh uh huh. You'll

469
00:22:59,240 --> 00:23:02,040
Speaker 3: notice you listen back. I go right, okay, mm hmm.

470
00:23:02,240 --> 00:23:02,480
Speaker 6: Yeah.

471
00:23:02,560 --> 00:23:05,400
Speaker 1: I sort of misinterpreted that, like you were scared of

472
00:23:05,960 --> 00:23:10,119
Speaker 1: some of what was happening in the story, and like

473
00:23:10,160 --> 00:23:12,080
Speaker 1: that it was like a spooky story for you, not

474
00:23:12,080 --> 00:23:14,200
Speaker 1: that you were being scared of Matt necessarily.

475
00:23:14,440 --> 00:23:17,000
Speaker 5: Hmmm, oh you thought he was spooked out.

476
00:23:17,640 --> 00:23:23,000
Speaker 1: Yeah, by the content of the story. Should we talk

477
00:23:23,040 --> 00:23:25,119
Speaker 1: about like because we had some things I think that

478
00:23:25,240 --> 00:23:29,520
Speaker 1: Chris wanted us to do as well. Did you get

479
00:23:29,520 --> 00:23:30,399
Speaker 1: that email, Sean?

480
00:23:31,720 --> 00:23:36,840
Speaker 5: I got it, But so you avoided the coffee too, see.

481
00:23:37,040 --> 00:23:40,280
Speaker 4: Yeah, yeah, yeah, well we didn't get the offer for

482
00:23:40,400 --> 00:23:45,520
Speaker 4: coffee no. Yeah. In fact, we pushed pretty hard for

483
00:23:45,560 --> 00:23:46,480
Speaker 4: a coffee sash.

484
00:23:46,880 --> 00:23:50,320
Speaker 5: So you got an email and a Starbucks kind yeah.

485
00:23:50,680 --> 00:23:54,359
Speaker 4: Yeah, Starbucks card is in the mail. But yeah, he

486
00:23:54,440 --> 00:23:56,679
Speaker 4: had some pretty hot tips and ways for us to

487
00:23:56,680 --> 00:23:59,200
Speaker 4: just sort of make the show. He said, really take

488
00:23:59,240 --> 00:24:00,720
Speaker 4: off into the st atosphere.

489
00:24:01,080 --> 00:24:04,080
Speaker 1: He said he does want us to take He says

490
00:24:04,080 --> 00:24:07,240
Speaker 1: he has an extra number four LA that he got

491
00:24:07,280 --> 00:24:10,639
Speaker 1: from another show, and he wants us to put it

492
00:24:10,680 --> 00:24:12,240
Speaker 1: in our title.

493
00:24:13,560 --> 00:24:18,240
Speaker 5: What. Yeah, he says, this is in the email I'm

494
00:24:18,240 --> 00:24:21,800
Speaker 5: reading right now. There will be no numbers in any

495
00:24:22,000 --> 00:24:23,119
Speaker 5: ear Wolf show.

496
00:24:25,040 --> 00:24:25,280
Speaker 1: Yeah.

497
00:24:25,320 --> 00:24:27,440
Speaker 4: He wants us to be handbook for Hollywood.

498
00:24:29,080 --> 00:24:31,040
Speaker 1: Yeah.

499
00:24:31,080 --> 00:24:33,720
Speaker 5: Can it be f O R not?

500
00:24:33,840 --> 00:24:38,600
Speaker 4: According to Chris, it's weird that he would have your

501
00:24:38,880 --> 00:24:41,760
Speaker 4: He wants us our title all to be one word

502
00:24:41,760 --> 00:24:43,600
Speaker 4: because he wants it to be a hashtag.

503
00:24:44,400 --> 00:24:44,520
Speaker 1: Mm.

504
00:24:45,840 --> 00:24:46,280
Speaker 4: Yeah.

505
00:24:46,440 --> 00:24:48,560
Speaker 1: Does he not want to turn your title into a hashtag?

506
00:24:48,640 --> 00:24:51,200
Speaker 4: He doesn't want you trending, Matt, he took it out

507
00:24:51,200 --> 00:24:52,000
Speaker 4: of hashtag.

508
00:24:52,160 --> 00:24:55,960
Speaker 5: It was hashtag That was my whole idea to begin.

509
00:24:55,760 --> 00:24:57,919
Speaker 3: With hashtag improf for humans.

510
00:24:57,960 --> 00:25:05,359
Speaker 5: Yeah, ee Cummings hashtag. Oh boy, didn't capitalize it.

511
00:25:07,040 --> 00:25:08,160
Speaker 3: This is uncomfortable.

512
00:25:08,240 --> 00:25:11,640
Speaker 5: Then, it is uncomfortable. You've essentially stolen my four if.

513
00:25:11,560 --> 00:25:14,080
Speaker 4: You agree to this, Well, it's you know, that's not

514
00:25:14,240 --> 00:25:15,680
Speaker 4: we're not stealing anything.

515
00:25:15,720 --> 00:25:16,960
Speaker 3: We've been given something.

516
00:25:17,960 --> 00:25:21,160
Speaker 5: Because there's no freedom here. You're given you're saying you're

517
00:25:21,200 --> 00:25:21,760
Speaker 5: taking it.

518
00:25:21,880 --> 00:25:24,160
Speaker 4: Yeah, it's a little bit being forced on us. I mean,

519
00:25:24,240 --> 00:25:25,880
Speaker 4: I was told that we might not get the back

520
00:25:25,920 --> 00:25:27,800
Speaker 4: three if we don't agree to this fourth thing.

521
00:25:30,240 --> 00:25:33,240
Speaker 5: Ah man, how much longer is this podcast?

522
00:25:33,600 --> 00:25:34,000
Speaker 1: Oh?

523
00:25:34,080 --> 00:25:37,480
Speaker 3: I don't know. I'm not a big clock.

524
00:25:37,640 --> 00:25:41,280
Speaker 5: Did he ask you to smile more? He says, let

525
00:25:41,280 --> 00:25:44,399
Speaker 5: me read this smile more? Listeners can hear you smile?

526
00:25:44,760 --> 00:25:47,639
Speaker 5: Our listeners think you smirk too much? And then he

527
00:25:47,720 --> 00:25:54,240
Speaker 5: has a ear wolf graph of the host a smile graph,

528
00:25:54,280 --> 00:25:57,920
Speaker 5: and Leonard Malton's has the biggest smile. Apparently he has

529
00:25:57,960 --> 00:26:01,240
Speaker 5: the best one. And I'm at the opposite end of

530
00:26:01,280 --> 00:26:05,520
Speaker 5: the smile graph. Oh no, did are we on the graph?

531
00:26:05,640 --> 00:26:08,720
Speaker 5: You're kind of near me on the ground. You're up

532
00:26:08,760 --> 00:26:12,520
Speaker 5: into the purple area, which is a smirk. I guess

533
00:26:12,560 --> 00:26:13,640
Speaker 5: a smug smirk.

534
00:26:14,200 --> 00:26:18,520
Speaker 1: Smug smirk. What's counterintuitive to me is Chris also asked us.

535
00:26:18,680 --> 00:26:21,760
Speaker 1: He said, while you have Matt, he has some issues

536
00:26:21,760 --> 00:26:25,800
Speaker 1: about your desk at the office, like the like the

537
00:26:26,160 --> 00:26:30,080
Speaker 1: like your sort of area where you work here. He says,

538
00:26:30,119 --> 00:26:32,520
Speaker 1: has too much funny stuff on it.

539
00:26:33,080 --> 00:26:36,520
Speaker 5: Yeah, you guys have I didn't say funny stuff. I

540
00:26:36,560 --> 00:26:38,360
Speaker 5: said what they think is funny stuff.

541
00:26:39,119 --> 00:26:40,760
Speaker 1: No, but he said, like you know, all the little

542
00:26:40,800 --> 00:26:44,760
Speaker 1: like toys in that you have like Shrek's friend Donkey

543
00:26:44,840 --> 00:26:47,800
Speaker 1: on your desk and like the monsters in guys talking

544
00:26:47,880 --> 00:26:48,840
Speaker 1: taco pencil sharp.

545
00:26:48,920 --> 00:26:50,640
Speaker 5: No, we're talking about my desk or your desk.

546
00:26:50,720 --> 00:26:51,400
Speaker 1: That's your desk.

547
00:26:51,440 --> 00:26:52,640
Speaker 3: We're talking about your desk.

548
00:26:52,720 --> 00:26:55,760
Speaker 4: Now, you don't think the stuff on our desk is funny?

549
00:26:56,160 --> 00:26:59,879
Speaker 5: Now I understand no, because you're are you asking me?

550
00:27:00,280 --> 00:27:02,959
Speaker 4: Yeah, you were saying you think, like we think our

551
00:27:03,000 --> 00:27:06,679
Speaker 4: stuff on our desk is funny, but it's not funny.

552
00:27:06,680 --> 00:27:08,520
Speaker 4: What's funny is Donkey from Shrek.

553
00:27:09,400 --> 00:27:14,879
Speaker 5: I don't get how mass shooting clippings are funny? Is

554
00:27:14,920 --> 00:27:15,800
Speaker 5: this all ironic?

555
00:27:16,160 --> 00:27:20,560
Speaker 4: It's dark, it's dark, it's twisted, you know, like God,

556
00:27:20,920 --> 00:27:22,200
Speaker 4: it's just like so you guys have.

557
00:27:22,160 --> 00:27:26,320
Speaker 5: Gotten an eraser and on the photos of the mass

558
00:27:26,320 --> 00:27:32,080
Speaker 5: shooting clippings you have erased smiles into the victims' faces,

559
00:27:32,280 --> 00:27:33,360
Speaker 5: like smiley faces.

560
00:27:34,000 --> 00:27:37,359
Speaker 1: Sure, yeah, and Dilbert and Dilbert and we have yeah.

561
00:27:37,240 --> 00:27:41,679
Speaker 4: We've got Dilbert us And sometimes Dilbert is like in

562
00:27:41,720 --> 00:27:44,560
Speaker 4: the background of the shooting, like sort of like being

563
00:27:44,680 --> 00:27:52,040
Speaker 4: like what I'm yeah, And to us, it's like nothing

564
00:27:52,359 --> 00:27:54,960
Speaker 4: is off limits as long as you're doing a smart

565
00:27:55,080 --> 00:27:57,359
Speaker 4: take on it. So it's like, sure, we can do

566
00:27:57,440 --> 00:27:59,439
Speaker 4: humor about mass shootings, but it's got to be that

567
00:27:59,480 --> 00:28:03,879
Speaker 4: the victims are smiling, and it's got to have Scott

568
00:28:03,920 --> 00:28:05,399
Speaker 4: Adams involved somehow.

569
00:28:06,160 --> 00:28:10,320
Speaker 5: Wow, I find that offensive.

570
00:28:10,520 --> 00:28:13,280
Speaker 1: The what the Dwight shrup bobblehead?

571
00:28:13,640 --> 00:28:14,200
Speaker 4: Mm hmm.

572
00:28:17,080 --> 00:28:17,439
Speaker 2: Beats?

573
00:28:17,720 --> 00:28:20,000
Speaker 3: Yeah, remember he had a beat farm.

574
00:28:22,040 --> 00:28:24,159
Speaker 5: It's going to be a spinoff the Ferando.

575
00:28:25,160 --> 00:28:25,879
Speaker 4: Yeah, I know.

576
00:28:28,160 --> 00:28:32,600
Speaker 5: That's another thing. Can you find a spin off for

577
00:28:32,840 --> 00:28:36,640
Speaker 5: improv for humans? Perhaps three humans or two or maybe

578
00:28:36,640 --> 00:28:39,760
Speaker 5: even five. Then he puts a smiling face emoji.

579
00:28:41,840 --> 00:28:44,440
Speaker 4: Wow, he's really making you like raking you over the

580
00:28:44,520 --> 00:28:47,160
Speaker 4: cold numbers wise, like he takes your number away. But

581
00:28:47,280 --> 00:28:49,640
Speaker 4: then his tips have so many numbers in them. It's

582
00:28:49,720 --> 00:28:51,680
Speaker 4: just like, is he really against them or he.

583
00:28:51,720 --> 00:28:53,840
Speaker 5: Just spells him out. He just spells him out too.

584
00:28:55,480 --> 00:28:56,640
Speaker 3: That's tough, buddy.

585
00:28:58,280 --> 00:29:00,680
Speaker 5: A way to promote your show is to hand out flyers.

586
00:29:01,920 --> 00:29:05,480
Speaker 5: Try going to the farmer's market. Approach people who look

587
00:29:05,600 --> 00:29:08,080
Speaker 5: hip and tell them a little about your show. Ask

588
00:29:08,160 --> 00:29:10,440
Speaker 5: them for a suggestion and say you'll use it later

589
00:29:10,560 --> 00:29:11,080
Speaker 5: on the show.

590
00:29:11,960 --> 00:29:15,000
Speaker 4: Does he describe what a hip person might look like? No,

591
00:29:17,440 --> 00:29:20,560
Speaker 4: he said he said to me. He was like, you're

592
00:29:20,600 --> 00:29:23,360
Speaker 4: gonna know, hit people when you see him. They're gonna

593
00:29:23,360 --> 00:29:30,400
Speaker 4: have Cris Bannon style glasses, and they're gonna and they're

594
00:29:30,400 --> 00:29:33,200
Speaker 4: gonna have their shirts starts and tucked in.

595
00:29:34,600 --> 00:29:36,000
Speaker 3: Yeah, they're gonna be.

596
00:29:37,480 --> 00:29:37,680
Speaker 1: Yeah.

597
00:29:38,920 --> 00:29:43,280
Speaker 5: Did you say nice iron pants? This all sounds like,

598
00:29:44,280 --> 00:29:46,120
Speaker 5: you know, I'm married to have a kid. I'm not

599
00:29:46,200 --> 00:29:50,720
Speaker 5: out on the streets with the hipsters. These you guys hipsters.

600
00:29:52,480 --> 00:29:55,360
Speaker 5: That sounds like an opposite of the description that I

601
00:29:55,440 --> 00:29:57,880
Speaker 5: would as a stereotype. Has it changed?

602
00:29:58,040 --> 00:30:01,120
Speaker 4: Is it flipped around iron pants shirt?

603
00:30:01,880 --> 00:30:02,120
Speaker 1: Yeah?

604
00:30:02,440 --> 00:30:04,480
Speaker 3: I guess it has. According to Chris, I mean, this

605
00:30:04,560 --> 00:30:06,600
Speaker 3: guy's you know, he's a content ninja. He's got his

606
00:30:06,680 --> 00:30:07,440
Speaker 3: ear on the ground.

607
00:30:07,880 --> 00:30:10,480
Speaker 1: I mean he says, he says, everyone's dressing Chris Cord

608
00:30:10,600 --> 00:30:12,040
Speaker 1: now mm hmm.

609
00:30:12,160 --> 00:30:13,400
Speaker 3: Yeah, it's all gone Chris Core.

610
00:30:14,000 --> 00:30:14,560
Speaker 5: Chris Core.

611
00:30:14,880 --> 00:30:15,120
Speaker 1: Yeah.

612
00:30:15,520 --> 00:30:17,760
Speaker 5: Is he he's turned his name into something?

613
00:30:18,680 --> 00:30:19,000
Speaker 2: He said?

614
00:30:19,040 --> 00:30:21,640
Speaker 3: He said, he said, I he said.

615
00:30:21,680 --> 00:30:23,800
Speaker 4: He tried to stop it, but there was so much

616
00:30:23,880 --> 00:30:26,200
Speaker 4: momentum behind Chris Core he couldn't even.

617
00:30:27,600 --> 00:30:30,920
Speaker 5: Hm, does he threaten you guys in your point list

618
00:30:31,400 --> 00:30:32,240
Speaker 5: a few times?

619
00:30:32,280 --> 00:30:32,520
Speaker 1: Sure?

620
00:30:34,040 --> 00:30:34,640
Speaker 5: What's he say?

621
00:30:36,320 --> 00:30:38,400
Speaker 3: Isn't he gonna beat me up? Beats you up.

622
00:30:41,040 --> 00:30:44,160
Speaker 1: He does say, said Sean specifically, he has gotta beat up.

623
00:30:44,360 --> 00:30:45,800
Speaker 3: Yeah, he's a better straight now.

624
00:30:46,280 --> 00:30:47,920
Speaker 1: And I think it's because he knows it would hurt

625
00:30:48,000 --> 00:30:50,200
Speaker 1: me more. Does he Sean get hurt than for him

626
00:30:50,240 --> 00:30:53,000
Speaker 1: to hurt myself my own body?

627
00:30:53,160 --> 00:30:54,880
Speaker 4: Yeah, And then if I watched his get beat up,

628
00:30:54,920 --> 00:30:57,000
Speaker 4: then I probably wouldn't really react.

629
00:30:59,640 --> 00:31:02,160
Speaker 5: That's it's that for me too.

630
00:31:02,280 --> 00:31:03,560
Speaker 1: It's okay, it's okay.

631
00:31:03,880 --> 00:31:04,920
Speaker 3: I wish I wasn't like that.

632
00:31:06,960 --> 00:31:09,520
Speaker 4: What else does he say to you, guys, note wise, Well,

633
00:31:09,720 --> 00:31:11,320
Speaker 4: he says that we might want to do a little

634
00:31:11,360 --> 00:31:15,800
Speaker 4: more dancing on the show, and he goes into this

635
00:31:15,880 --> 00:31:18,000
Speaker 4: whole thing about how, if you really think about it,

636
00:31:18,200 --> 00:31:21,600
Speaker 4: dancing's like amazing because like what you're actually doing is

637
00:31:21,960 --> 00:31:25,520
Speaker 4: you're saying, hey, brain, take the day off. I'm gonna

638
00:31:25,560 --> 00:31:28,120
Speaker 4: let my soul take the wheel for a little while,

639
00:31:28,440 --> 00:31:30,320
Speaker 4: and that you're really putting your soul in charge of

640
00:31:30,400 --> 00:31:31,480
Speaker 4: your body and.

641
00:31:31,840 --> 00:31:35,120
Speaker 5: Your brain's tired of raising your mouth all day. Mm hmm, Yeah,

642
00:31:35,240 --> 00:31:35,720
Speaker 5: that's right.

643
00:31:35,880 --> 00:31:37,440
Speaker 4: And then it's a good way to give your brain

644
00:31:37,480 --> 00:31:40,360
Speaker 4: a break, is that dancing is just going like, all right, soul,

645
00:31:40,480 --> 00:31:42,560
Speaker 4: here you go, Like where do you want to go

646
00:31:42,800 --> 00:31:45,320
Speaker 4: and maybe it wants your arm to go up and around,

647
00:31:45,600 --> 00:31:47,240
Speaker 4: or maybe it wants your feet to do a little

648
00:31:47,280 --> 00:31:50,400
Speaker 4: tip of to Tapa, and he has a pretty long

649
00:31:50,480 --> 00:31:53,160
Speaker 4: description of some dance moves we may want to become

650
00:31:53,240 --> 00:31:55,480
Speaker 4: familiar with, but also encourages us to freestyle.

651
00:31:55,840 --> 00:31:58,560
Speaker 5: You see. I think that podcasting and I've always said

652
00:31:58,560 --> 00:31:59,840
Speaker 5: this is theater of the mind.

653
00:32:00,080 --> 00:32:00,360
Speaker 1: Hmmm.

654
00:32:02,400 --> 00:32:04,440
Speaker 5: If you're ever doing an interview you want to use that,

655
00:32:05,480 --> 00:32:07,280
Speaker 5: you can quote me. It does work good for any

656
00:32:07,440 --> 00:32:08,800
Speaker 5: interview about podcasting.

657
00:32:08,960 --> 00:32:10,160
Speaker 3: I credit you the mind.

658
00:32:11,480 --> 00:32:16,920
Speaker 5: And I would put dancing specifically as something that rests

659
00:32:17,040 --> 00:32:21,360
Speaker 5: outside of theater of the mind, like on improv for

660
00:32:21,640 --> 00:32:26,080
Speaker 5: humans or improv for comedy nerds. So I guess it's

661
00:32:26,160 --> 00:32:30,960
Speaker 5: going to be called uh. We describe dancing, So we

662
00:32:31,120 --> 00:32:36,280
Speaker 5: do dancing, but we do it with narrative. My arm

663
00:32:36,360 --> 00:32:38,760
Speaker 5: is moving right, it's starting to shake, it's doing a

664
00:32:38,880 --> 00:32:42,000
Speaker 5: little trim or move a little bit up. It's moving

665
00:32:42,200 --> 00:32:46,640
Speaker 5: back into a rhythmic motion that follows and mirrors the

666
00:32:46,800 --> 00:32:51,000
Speaker 5: elbow of the right elbow. Do you follow that?

667
00:32:51,640 --> 00:32:51,880
Speaker 2: Yeah?

668
00:32:53,680 --> 00:32:54,040
Speaker 1: And stuff?

669
00:32:54,400 --> 00:32:58,360
Speaker 4: Yeah, my mind is like watching a show, right, So

670
00:32:58,480 --> 00:32:59,560
Speaker 4: you got lost.

671
00:33:00,560 --> 00:33:03,800
Speaker 5: In UH, and I'm probably call it a put description

672
00:33:04,240 --> 00:33:08,280
Speaker 5: of what a dance move would be, and it kind

673
00:33:08,360 --> 00:33:15,240
Speaker 5: of arguably surpasses watching real dance. I hear a great

674
00:33:15,360 --> 00:33:16,640
Speaker 5: description of dance.

675
00:33:16,480 --> 00:33:20,720
Speaker 2: In arguab for me, yes, and I agree with you too, Matt.

676
00:33:20,760 --> 00:33:24,120
Speaker 1: But multi arguably there's sort of the second screen experience

677
00:33:24,200 --> 00:33:26,960
Speaker 1: element of this that Chris sort of explained to us

678
00:33:27,000 --> 00:33:29,400
Speaker 1: with the dancing, which is we're wearing mo cap suits.

679
00:33:30,680 --> 00:33:32,040
Speaker 5: What's a mo cap suit?

680
00:33:32,560 --> 00:33:33,800
Speaker 3: It's a ping pong balls.

681
00:33:33,880 --> 00:33:36,160
Speaker 4: It's like a green body suit and ping pong boll

682
00:33:36,240 --> 00:33:39,280
Speaker 4: so they can track your body parts and.

683
00:33:39,800 --> 00:33:42,840
Speaker 5: A yeah, he wants he invented that.

684
00:33:43,360 --> 00:33:43,600
Speaker 3: Yeah.

685
00:33:43,880 --> 00:33:46,160
Speaker 4: Yeah. If you watch on his old Daily Show clips,

686
00:33:46,200 --> 00:33:49,520
Speaker 4: he's never actually there for his interviews, it's always an

687
00:33:49,600 --> 00:33:50,800
Speaker 4: animated version of him.

688
00:33:50,840 --> 00:33:52,520
Speaker 3: And he did all his motion in front of a

689
00:33:52,560 --> 00:33:53,160
Speaker 3: green screen.

690
00:33:54,200 --> 00:33:59,040
Speaker 1: Oh and so anyway, when we dance, Scriptsy, a sort

691
00:33:59,080 --> 00:34:01,760
Speaker 1: of three D rendered version of Scriptsy is on their

692
00:34:01,840 --> 00:34:05,960
Speaker 1: phone screen doing whatever dance moves that that we do.

693
00:34:06,200 --> 00:34:09,720
Speaker 5: The dancing glass of water and I have to have legs.

694
00:34:10,640 --> 00:34:11,320
Speaker 2: He does not.

695
00:34:11,560 --> 00:34:13,440
Speaker 5: He has no you dance, he has.

696
00:34:13,360 --> 00:34:16,680
Speaker 4: No eyes, no legs, no face, all things that are confusing.

697
00:34:16,800 --> 00:34:19,160
Speaker 4: And here's another note I have on Scriptsy that I

698
00:34:19,280 --> 00:34:22,560
Speaker 4: keep saying it shouldn't be so painful for Scriptsy to

699
00:34:22,680 --> 00:34:24,360
Speaker 4: get drink like.

700
00:34:25,600 --> 00:34:28,280
Speaker 5: Every time as if being taken.

701
00:34:28,480 --> 00:34:32,160
Speaker 1: Yes, yeah, I just don't think it put people that

702
00:34:32,320 --> 00:34:34,080
Speaker 1: it should be refillable too.

703
00:34:34,760 --> 00:34:40,120
Speaker 5: He's replenished every episode or during a year, he's slowly on.

704
00:34:41,520 --> 00:34:42,560
Speaker 2: No refilling it.

705
00:34:43,680 --> 00:34:46,080
Speaker 4: Yeah, it's really just sort of a one shot mascot,

706
00:34:47,600 --> 00:34:50,880
Speaker 4: which I feel like you do like that this mascot

707
00:34:50,960 --> 00:34:56,000
Speaker 4: has an arc to it. I mean it's it's a

708
00:34:56,120 --> 00:34:58,799
Speaker 4: good dramas these days, if you're not killing someone off.

709
00:34:59,760 --> 00:35:02,480
Speaker 4: It's it's true. Everything's on the tap. Anyone could go

710
00:35:02,560 --> 00:35:08,120
Speaker 4: eve anyone Cryptsy. Yeah, no, I guess that's true. Okay,

711
00:35:08,320 --> 00:35:10,320
Speaker 4: I've come back around. This is why we have to

712
00:35:10,400 --> 00:35:11,360
Speaker 4: have these meetings.

713
00:35:11,520 --> 00:35:16,880
Speaker 5: Matt Well, I can't believe you guys are going with this.

714
00:35:17,800 --> 00:35:19,440
Speaker 3: Should we do some native adreads?

715
00:35:21,600 --> 00:35:22,560
Speaker 5: What the hell does that mean?

716
00:35:23,320 --> 00:35:23,560
Speaker 1: Well?

717
00:35:24,200 --> 00:35:27,640
Speaker 4: Native adreads, Matt, and this is podcast Lingo and Cris

718
00:35:27,760 --> 00:35:30,879
Speaker 4: Ban we'll talk to you about. This is when you're

719
00:35:30,960 --> 00:35:33,359
Speaker 4: doing an ad but you make it feel like it's

720
00:35:33,400 --> 00:35:36,759
Speaker 4: actually part of the content, So.

721
00:35:37,160 --> 00:35:39,160
Speaker 5: It's like product placement in a scene.

722
00:35:39,520 --> 00:35:42,640
Speaker 4: Yeah, yeah, exactly. You kind of want to trick them

723
00:35:42,680 --> 00:35:45,880
Speaker 4: into thinking you're actually talking about the product, but in

724
00:35:46,040 --> 00:35:49,320
Speaker 4: fact we were plugging. That was a paid advertisement. Yea, yes, okay,

725
00:35:51,520 --> 00:35:56,480
Speaker 4: do you guys ever trip out on just like the

726
00:35:56,560 --> 00:35:58,720
Speaker 4: different landscapes the earth has to offer?

727
00:36:00,000 --> 00:36:02,480
Speaker 1: What is this? Is this a native ad read for something? No?

728
00:36:03,360 --> 00:36:07,400
Speaker 4: Oh, actually that reminds me. I'm so sick of eating

729
00:36:07,480 --> 00:36:10,520
Speaker 4: out at restaurants when I could make better meals at home.

730
00:36:11,160 --> 00:36:14,040
Speaker 5: Hey, no, have you ever eaten a casper mattress?

731
00:36:15,760 --> 00:36:19,440
Speaker 3: They taste good? Yeah, they're so good, and they're.

732
00:36:21,880 --> 00:36:24,160
Speaker 4: And instead of you know, putting sheets on them, I

733
00:36:24,239 --> 00:36:25,640
Speaker 4: cover mine with the blue apron.

734
00:36:26,160 --> 00:36:30,080
Speaker 3: The community is better.

735
00:36:29,960 --> 00:36:34,359
Speaker 5: Now, don't monotone out when you get to the meat

736
00:36:34,840 --> 00:36:35,879
Speaker 5: of the native.

737
00:36:36,360 --> 00:36:37,319
Speaker 3: Right right, right, right?

738
00:36:37,880 --> 00:36:41,480
Speaker 4: Yeah, the community is so good, the impact they have

739
00:36:41,760 --> 00:36:44,640
Speaker 4: because it's like they're got partnerships with the one hundred

740
00:36:44,640 --> 00:36:47,520
Speaker 4: and fifty local farms, fisheries, ranchers across the United States,

741
00:36:47,920 --> 00:36:50,240
Speaker 4: and so you know what that does for seafood, right.

742
00:36:51,880 --> 00:36:53,560
Speaker 5: You can get seafood in the middle of the country.

743
00:36:55,719 --> 00:36:56,959
Speaker 3: It's sot of sustainably.

744
00:36:57,880 --> 00:37:00,359
Speaker 4: I can't really answer follow up questions about it because

745
00:37:00,360 --> 00:37:01,520
Speaker 4: I'm just a fan of the food.

746
00:37:02,480 --> 00:37:05,080
Speaker 5: Well, a statement is a gift, So just keep making

747
00:37:05,160 --> 00:37:06,160
Speaker 5: statements well.

748
00:37:06,080 --> 00:37:10,880
Speaker 4: Porks, rays, naturally chickens, free range, regenerative farming practices, and

749
00:37:11,280 --> 00:37:13,440
Speaker 4: blue apron could be delivered to ninety nine percent of

750
00:37:13,480 --> 00:37:16,400
Speaker 4: the continental US and ninety nine point five percent of food.

751
00:37:16,600 --> 00:37:21,400
Speaker 1: Deserts, desserts, desserts. It's supposed to be desserts.

752
00:37:21,480 --> 00:37:24,399
Speaker 4: Yeah, ninety nine point five percent of food desserts. Now,

753
00:37:25,440 --> 00:37:27,640
Speaker 4: I would like to know what the one percent of

754
00:37:27,719 --> 00:37:29,520
Speaker 4: the kind of us they won't do is.

755
00:37:31,400 --> 00:37:34,400
Speaker 5: Uh Alaskan dessert.

756
00:37:35,120 --> 00:37:42,040
Speaker 1: Uh. I think there's one like mean dog. Oh, that's right,

757
00:37:42,920 --> 00:37:46,920
Speaker 1: he smells the food, but food delivery man coming, he

758
00:37:47,120 --> 00:37:48,440
Speaker 1: bites delivery man.

759
00:37:49,320 --> 00:37:49,520
Speaker 5: Huh.

760
00:37:50,920 --> 00:37:52,440
Speaker 2: I think they used to say one hundred percent, and

761
00:37:52,480 --> 00:37:53,279
Speaker 2: then that one guy.

762
00:37:53,960 --> 00:37:55,880
Speaker 4: You would think Matt's got a great point, which is

763
00:37:55,920 --> 00:38:01,160
Speaker 4: you would think he would bite the food like I

764
00:38:01,239 --> 00:38:03,760
Speaker 4: get when the mailman's there. Why they bite the mailman

765
00:38:03,800 --> 00:38:05,800
Speaker 4: because he's closer to food than mail.

766
00:38:05,719 --> 00:38:08,640
Speaker 5: Is like bite the hand that feeds you. For instance.

767
00:38:09,840 --> 00:38:12,719
Speaker 5: I always took that metaphor to mean I'm eating so

768
00:38:13,160 --> 00:38:17,640
Speaker 5: fast that accidentally got some of the fingers too.

769
00:38:18,080 --> 00:38:18,440
Speaker 1: M hm.

770
00:38:18,960 --> 00:38:22,640
Speaker 5: Do some people interpret that as I'm biting the hand

771
00:38:23,560 --> 00:38:25,440
Speaker 5: instead of the food that's feeding me.

772
00:38:26,080 --> 00:38:28,480
Speaker 3: I think they do. And and here's another thing.

773
00:38:28,520 --> 00:38:30,040
Speaker 4: If you don't want to get your hand bitten when

774
00:38:30,040 --> 00:38:31,200
Speaker 4: you're feeding me, use a form.

775
00:38:31,360 --> 00:38:32,520
Speaker 3: Put more food on there.

776
00:38:34,080 --> 00:38:34,279
Speaker 5: Use it.

777
00:38:34,360 --> 00:38:35,759
Speaker 3: I won't be able to bite through it.

778
00:38:35,960 --> 00:38:36,600
Speaker 5: You know what I mean?

779
00:38:36,960 --> 00:38:39,960
Speaker 4: Maybe I'm biting the hand because you're not feeding me enough.

780
00:38:40,360 --> 00:38:42,800
Speaker 5: Right, put a big old stack of food on.

781
00:38:43,040 --> 00:38:46,279
Speaker 4: Yeah, let's get a big honking hunk. Do you guys

782
00:38:46,320 --> 00:38:48,680
Speaker 4: think blue apron has an impact on households. I've got

783
00:38:48,760 --> 00:38:50,920
Speaker 4: my opinion, but I'd love to hear from you first.

784
00:38:52,040 --> 00:38:53,800
Speaker 2: I'm of two minds on this issue.

785
00:38:56,360 --> 00:39:00,279
Speaker 4: I think the whole family, you they get built strong

786
00:39:00,360 --> 00:39:01,680
Speaker 4: bonds when the family cooks together.

787
00:39:02,640 --> 00:39:05,200
Speaker 5: Well, like the kids get involved. They can chop up

788
00:39:05,239 --> 00:39:05,360
Speaker 5: with it.

789
00:39:05,440 --> 00:39:08,680
Speaker 1: I tell you what build strong bonds. Steroids.

790
00:39:11,440 --> 00:39:13,360
Speaker 4: Hey, now, heys, Matt hates this.

791
00:39:14,200 --> 00:39:14,839
Speaker 3: What you're doing.

792
00:39:15,280 --> 00:39:18,319
Speaker 2: This is improv making a joke on the last word

793
00:39:18,400 --> 00:39:18,799
Speaker 2: you heard.

794
00:39:19,080 --> 00:39:21,080
Speaker 4: Yeah, And don't you think Barry bonds is kind of

795
00:39:21,120 --> 00:39:23,200
Speaker 4: the topic that that's like some of the food that's

796
00:39:23,239 --> 00:39:27,440
Speaker 4: in the news or whatever. Speaking of food that's in

797
00:39:27,480 --> 00:39:29,719
Speaker 4: the news, research shows blue apric families cook together. You

798
00:39:29,840 --> 00:39:31,799
Speaker 4: times are often and those guys who eat out at

799
00:39:31,840 --> 00:39:34,720
Speaker 4: a high grocery change. They spend under ten dollars person

800
00:39:34,800 --> 00:39:38,520
Speaker 4: for a healthy meal. Meals in June? You ever, you

801
00:39:38,600 --> 00:39:39,759
Speaker 4: guys want to guess.

802
00:39:41,680 --> 00:39:50,040
Speaker 7: Catfish, peanuts, matt catfish, sweet chili ponds you catfish creepe

803
00:39:50,040 --> 00:39:55,320
Speaker 7: beans and cooking and ginger rice, ginger rice, it's nice?

804
00:39:56,160 --> 00:39:58,160
Speaker 4: Uh? And then this part, I don't know if I'm

805
00:39:58,160 --> 00:40:03,879
Speaker 4: supposed to say this, spicy Korean rice cakes with snowpeaks.

806
00:40:04,000 --> 00:40:05,480
Speaker 4: I mean, am I allowed to say that?

807
00:40:05,840 --> 00:40:07,080
Speaker 1: I don't think you can say that?

808
00:40:07,320 --> 00:40:11,600
Speaker 5: No, doesn't feel judgmental. No spicy Korean?

809
00:40:11,840 --> 00:40:17,160
Speaker 1: Yeah, that seems like kind of pointed stereotypical Jackafies Koreans.

810
00:40:18,280 --> 00:40:21,480
Speaker 4: Hey, as you'll like this new England style salmon rolls

811
00:40:21,520 --> 00:40:23,320
Speaker 4: with roasted potatoes and shives?

812
00:40:23,760 --> 00:40:24,960
Speaker 3: Why are they Eland style?

813
00:40:25,040 --> 00:40:28,840
Speaker 4: Are they cheating? How are they new England style? What

814
00:40:28,840 --> 00:40:33,560
Speaker 4: are they deflating the food? Like Tom Brady?

815
00:40:34,080 --> 00:40:38,640
Speaker 5: These are a lot of good sports references, right funds.

816
00:40:41,760 --> 00:40:42,600
Speaker 3: Chris wanted us to.

817
00:40:42,840 --> 00:40:45,880
Speaker 4: He's kind of trying to phase out Scarborough Country, but

818
00:40:46,080 --> 00:40:50,759
Speaker 4: not until he has something set to replace it. So

819
00:40:51,920 --> 00:40:54,040
Speaker 4: he's sort of like, I got this raw material over

820
00:40:54,120 --> 00:40:56,279
Speaker 4: here with these Hollywood handbook guys, can I shape them?

821
00:40:56,320 --> 00:40:59,960
Speaker 4: Into something useful because Scarborough, guys, they're when they negoti

822
00:41:00,160 --> 00:41:02,799
Speaker 4: with him, they got him over a barrel. Nobody else

823
00:41:02,840 --> 00:41:05,279
Speaker 4: can do sports in a funny way.

824
00:41:06,280 --> 00:41:09,440
Speaker 5: On the smile scale that I was talking about, Uh huh,

825
00:41:09,640 --> 00:41:11,520
Speaker 5: one of the scars is near the top and the

826
00:41:11,680 --> 00:41:13,919
Speaker 5: other one is near the bottom of the scot Isn't

827
00:41:13,920 --> 00:41:17,000
Speaker 5: that weird? That's what you didn't guess heavy you think

828
00:41:17,040 --> 00:41:18,800
Speaker 5: they would be in the same spot. On the small

829
00:41:18,840 --> 00:41:23,719
Speaker 5: scale nature verse nurture. Oh, you know, my favorite blue

830
00:41:23,760 --> 00:41:28,840
Speaker 5: Apron food is please the curry stuff on curry.

831
00:41:30,680 --> 00:41:32,239
Speaker 1: Oh step on?

832
00:41:33,000 --> 00:41:39,480
Speaker 3: Oh yeah, that's so. Do you guys want to know

833
00:41:39,560 --> 00:41:41,000
Speaker 3: if there's any required copy?

834
00:41:44,120 --> 00:41:46,440
Speaker 5: I'm always some soap bummed out when I vamp and

835
00:41:46,440 --> 00:41:48,440
Speaker 5: then I get to the second page, I'm like, what,

836
00:41:48,800 --> 00:41:51,279
Speaker 5: this part's required? I just talked for half an hour

837
00:41:51,320 --> 00:41:55,919
Speaker 5: already and now I have to read this part. Yeah,

838
00:41:55,960 --> 00:41:57,200
Speaker 5: why do you put that up top?

839
00:41:57,560 --> 00:41:57,759
Speaker 1: Yeah?

840
00:41:57,840 --> 00:42:00,720
Speaker 4: It makes me think, like I should probably both pages

841
00:42:00,800 --> 00:42:05,520
Speaker 4: before I start, but they're already doing so much more.

842
00:42:05,480 --> 00:42:07,080
Speaker 5: Than it's a whole page.

843
00:42:08,120 --> 00:42:10,800
Speaker 4: Yeah, it's a lot. What can you say about? And

844
00:42:10,880 --> 00:42:13,880
Speaker 4: then the call to action delivered It says required copy,

845
00:42:14,040 --> 00:42:16,440
Speaker 4: and then the next word says call to action. Parenthetical

846
00:42:16,680 --> 00:42:20,000
Speaker 4: must read you know what, Let's just call that required

847
00:42:20,040 --> 00:42:20,439
Speaker 4: as well.

848
00:42:21,160 --> 00:42:21,359
Speaker 1: Yeah.

849
00:42:23,080 --> 00:42:25,040
Speaker 4: Blue Apron knows that when you cook with incredible ingredients,

850
00:42:25,080 --> 00:42:26,879
Speaker 4: you make incredible meals, so they set the highest quality

851
00:42:26,880 --> 00:42:29,279
Speaker 4: standards for their community. The artisanal suppliers family run farms,

852
00:42:29,280 --> 00:42:32,160
Speaker 4: fisheries and ranchers. Whether it's Japanese ramen noodles, way called

853
00:42:32,200 --> 00:42:34,160
Speaker 4: alasket salmon, or Airi Lom tomatoes, Blue Aprons bring you

854
00:42:34,200 --> 00:42:35,520
Speaker 4: the best, but less than ten dollars per meal. Blue

855
00:42:35,520 --> 00:42:38,680
Speaker 4: Wapen delivered seasonal recipes along with preproportioned ingredients to make

856
00:42:38,719 --> 00:42:42,240
Speaker 4: religious home cooked meals. Additional copy points featured as desired variety.

857
00:42:42,320 --> 00:42:44,640
Speaker 4: New recipes are created each week by Blue Aprons culinary

858
00:42:44,680 --> 00:42:46,560
Speaker 4: team and now repeater do with a year flexible custom

859
00:42:46,960 --> 00:42:49,360
Speaker 4: eyes your recipes each week based on your preferences.

860
00:42:49,480 --> 00:42:51,040
Speaker 3: Choose delivery options to fit your needs.

861
00:42:51,040 --> 00:42:53,000
Speaker 4: There's no weekly commitments, so you only get deliveries when

862
00:42:53,040 --> 00:42:54,759
Speaker 4: you want them easy. Each meal comes to a step

863
00:42:54,760 --> 00:42:57,320
Speaker 4: by steps and follow recipe card and preper dooraged ingredients.

864
00:42:57,440 --> 00:42:58,960
Speaker 3: They can be prepared for you, but or let's call

865
00:42:59,000 --> 00:42:59,239
Speaker 3: the action.

866
00:42:59,360 --> 00:43:01,840
Speaker 4: You must read this check out this week's man you

867
00:43:02,360 --> 00:43:05,880
Speaker 4: I get your two meiles free free with free shipping.

868
00:43:06,040 --> 00:43:09,280
Speaker 4: That is be going to blue apron dot com slash handbook.

869
00:43:09,560 --> 00:43:11,560
Speaker 4: You will love how good it feels and tastes to

870
00:43:11,600 --> 00:43:15,279
Speaker 4: create incredible home cooked meals with blue Apron. So don't wait,

871
00:43:16,000 --> 00:43:19,480
Speaker 4: that's Blue Apron dot com slash handbook, Blue Apron a better.

872
00:43:19,360 --> 00:43:20,000
Speaker 3: Way to cook.

873
00:43:22,000 --> 00:43:24,520
Speaker 1: This is a great way to set off our relationship

874
00:43:24,600 --> 00:43:25,720
Speaker 1: with with Blue Apron.

875
00:43:25,840 --> 00:43:30,160
Speaker 4: Well, we've been hoping they'd get in the Hollywood handbook business.

876
00:43:31,680 --> 00:43:32,920
Speaker 2: And now they know why they did.

877
00:43:33,719 --> 00:43:37,120
Speaker 5: Mm hmmm, welcome Blue Apron.

878
00:43:37,840 --> 00:43:39,680
Speaker 4: Yeah, it's great to have them on the team.

879
00:43:42,600 --> 00:43:44,000
Speaker 3: I mean, as long as we're in here.

880
00:43:44,440 --> 00:43:44,640
Speaker 1: Yeah.

881
00:43:44,840 --> 00:43:50,399
Speaker 4: Five to four you're doing five format five four? Yeah,

882
00:43:50,520 --> 00:43:51,560
Speaker 4: the clothing club.

883
00:43:51,440 --> 00:43:52,640
Speaker 1: You do that? You got?

884
00:43:52,680 --> 00:43:55,040
Speaker 5: Now now you guessed off because I don't do it.

885
00:43:55,640 --> 00:43:57,080
Speaker 3: Yeah, so what do you do?

886
00:43:58,000 --> 00:43:59,080
Speaker 1: Going on? Do your ad?

887
00:43:59,600 --> 00:44:00,640
Speaker 5: Second? Help you with it?

888
00:44:01,960 --> 00:44:03,560
Speaker 4: Well, maybe this would be a great This will be

889
00:44:03,680 --> 00:44:06,000
Speaker 4: a good idea. This is an audition for Matt to

890
00:44:06,120 --> 00:44:07,960
Speaker 4: do five to four on four.

891
00:44:08,680 --> 00:44:12,000
Speaker 5: Yeah, that could be cool, right all right?

892
00:44:13,400 --> 00:44:14,880
Speaker 2: Also, what style profile?

893
00:44:15,040 --> 00:44:18,320
Speaker 4: You know, audition your offer only for podcast ads everything?

894
00:44:20,880 --> 00:44:21,040
Speaker 1: Wait?

895
00:44:21,080 --> 00:44:23,320
Speaker 2: Wait should we should we give Matt a style profile?

896
00:44:24,360 --> 00:44:24,520
Speaker 1: Oh?

897
00:44:24,680 --> 00:44:26,640
Speaker 4: Yeah, absolutely, Well, should we wait till we get.

898
00:44:26,480 --> 00:44:26,919
Speaker 3: To that part?

899
00:44:27,480 --> 00:44:28,880
Speaker 1: Yeah, but let's get to it fast.

900
00:44:29,080 --> 00:44:32,920
Speaker 5: Okay, I recommend getting to the required part fast.

901
00:44:33,400 --> 00:44:35,680
Speaker 4: Yeah, and I'm seeing that all right. Well, this is

902
00:44:35,719 --> 00:44:38,120
Speaker 4: all bullet points, so it's kind of weird. So uh,

903
00:44:38,680 --> 00:44:40,600
Speaker 4: here's a quick overview of the five four Club. They're

904
00:44:40,600 --> 00:44:42,759
Speaker 4: an LA based brand sixty dollars a month. Where else

905
00:44:42,800 --> 00:44:44,200
Speaker 4: are you going to get hooked up like this for

906
00:44:44,320 --> 00:44:46,360
Speaker 4: sixty dollars a month? And then ask how you're getting

907
00:44:46,400 --> 00:44:46,759
Speaker 4: hooked up?

908
00:44:48,360 --> 00:44:49,640
Speaker 5: How am I getting hooked up here?

909
00:44:49,719 --> 00:44:52,759
Speaker 4: It's it's exclusive. The only way to get the brand

910
00:44:52,840 --> 00:44:55,200
Speaker 4: is be a member. You can't find f F anywhere else.

911
00:44:55,280 --> 00:44:57,279
Speaker 4: That's not fast forward. That's five to four. But that's

912
00:44:57,320 --> 00:44:58,560
Speaker 4: what f F usually means to me.

913
00:44:59,080 --> 00:45:01,000
Speaker 5: You want to stand out in Friday?

914
00:45:01,120 --> 00:45:02,480
Speaker 2: To me, it means follow Friday.

915
00:45:02,600 --> 00:45:06,120
Speaker 4: I love Twitter. I'm tweeting up with my friends. Proven

916
00:45:06,200 --> 00:45:10,080
Speaker 4: style authors are leading the way providing style advice and recommendations,

917
00:45:10,280 --> 00:45:12,320
Speaker 4: but us handle making you look good and educate you

918
00:45:12,400 --> 00:45:14,000
Speaker 4: as to how to wear certain pieces. Do you need

919
00:45:14,040 --> 00:45:16,040
Speaker 4: a lot of education on how to wear clothing items?

920
00:45:16,080 --> 00:45:17,440
Speaker 5: Matt fuck France?

921
00:45:18,239 --> 00:45:21,640
Speaker 4: Oh no, Matt, you can't say that.

922
00:45:22,360 --> 00:45:24,880
Speaker 1: Freedom Fries, Freedom Fries.

923
00:45:25,000 --> 00:45:27,080
Speaker 4: Yeah, no, there are friends now.

924
00:45:27,440 --> 00:45:29,200
Speaker 5: Oh yeah, it hasn't been long enough.

925
00:45:30,760 --> 00:45:32,359
Speaker 3: That were friends that we could go back to being

926
00:45:32,440 --> 00:45:33,279
Speaker 3: like fuck those guys.

927
00:45:34,360 --> 00:45:34,640
Speaker 5: Come on.

928
00:45:35,040 --> 00:45:37,680
Speaker 4: If you don't have time to shop, I know Matt doesn't,

929
00:45:39,000 --> 00:45:40,840
Speaker 4: then it's close to your door every month. If you

930
00:45:40,880 --> 00:45:43,319
Speaker 4: don't like to shop, I know Matt doesn't, then it's

931
00:45:43,360 --> 00:45:45,719
Speaker 4: freaking It's an easy sign up process. You go in

932
00:45:45,760 --> 00:45:48,719
Speaker 4: and personalized style preferences. There's a profile for every guy.

933
00:45:48,880 --> 00:45:50,920
Speaker 4: This is the part Hayes was getting excited for.

934
00:45:51,400 --> 00:45:54,280
Speaker 5: Is this just for guys only? Dudes?

935
00:45:54,560 --> 00:45:57,560
Speaker 4: Why chicks can wear the same old thing every day,

936
00:45:57,640 --> 00:46:01,040
Speaker 4: but guys in this modern environment, they got a peacock

937
00:46:01,239 --> 00:46:03,960
Speaker 4: to get the ladies. And there's no better way to

938
00:46:04,040 --> 00:46:08,479
Speaker 4: peacock than to get five to four. If you're a dude,

939
00:46:09,640 --> 00:46:12,080
Speaker 4: pease out your cock. I know that's terrible. So a

940
00:46:12,160 --> 00:46:14,279
Speaker 4: profile for every guy, whether you're looking for clothes for

941
00:46:14,360 --> 00:46:17,920
Speaker 4: the office, the club, or a lazy weekend, which one

942
00:46:17,960 --> 00:46:18,520
Speaker 4: would you pick?

943
00:46:20,200 --> 00:46:23,759
Speaker 5: Just let's just slow down here. You've completely petered out

944
00:46:23,800 --> 00:46:26,400
Speaker 5: on the sad. What do you mean we weren't just

945
00:46:26,480 --> 00:46:31,759
Speaker 5: getting into this dial Hold on, hold on, guy, this

946
00:46:31,920 --> 00:46:35,120
Speaker 5: is the meat of this sad. Guys don't like to

947
00:46:35,200 --> 00:46:38,120
Speaker 5: go to the clothing store. You don't like to go

948
00:46:38,360 --> 00:46:42,440
Speaker 5: to the fucking store and with people and try it

949
00:46:42,560 --> 00:46:45,080
Speaker 5: on and get in that dirty, fucking room and have

950
00:46:45,239 --> 00:46:48,400
Speaker 5: some lady someone's taking off their literally taking off their

951
00:46:48,440 --> 00:46:51,080
Speaker 5: fucking pants and sat down where you're gonna have to sit.

952
00:46:51,280 --> 00:46:53,160
Speaker 3: Here's what happens to me is a lady is there.

953
00:46:53,280 --> 00:46:55,400
Speaker 4: Sometimes she's attractive, and I'll walk out of the dressing

954
00:46:55,440 --> 00:46:59,440
Speaker 4: room to go great, and I'll go it doesn't I'll

955
00:46:59,520 --> 00:46:59,840
Speaker 4: buy it.

956
00:47:01,040 --> 00:47:03,279
Speaker 2: Wait, Matt, you sit down in the dressing room.

957
00:47:03,680 --> 00:47:06,520
Speaker 5: I'll take my shoes off and put my pants on. Yes,

958
00:47:07,719 --> 00:47:10,920
Speaker 5: you just sit down on the floor, a bitch. So

959
00:47:11,040 --> 00:47:13,000
Speaker 5: there's a stool, asshole.

960
00:47:12,680 --> 00:47:15,520
Speaker 4: There's a you're being a fucking asshole, Hayes, there's a

961
00:47:15,680 --> 00:47:16,440
Speaker 4: stool on it.

962
00:47:16,600 --> 00:47:18,640
Speaker 3: Let's not swear too much of the ads. That's a

963
00:47:18,719 --> 00:47:19,759
Speaker 3: note we've gotten, so.

964
00:47:21,760 --> 00:47:24,200
Speaker 5: So you get how many swear words am I allocated?

965
00:47:24,280 --> 00:47:24,400
Speaker 1: Then?

966
00:47:24,680 --> 00:47:26,600
Speaker 4: I don't know, but I know whenever I do it,

967
00:47:26,719 --> 00:47:31,200
Speaker 4: the engineer, like if it's Brett will kind of be like, well, that's.

968
00:47:31,080 --> 00:47:33,400
Speaker 5: What Ryan gets for stepping out of the room in

969
00:47:33,400 --> 00:47:33,960
Speaker 5: the middle.

970
00:47:33,760 --> 00:47:34,200
Speaker 2: Of the show.

971
00:47:34,360 --> 00:47:37,520
Speaker 4: Right, So many cusses in this ad. So yeah, but

972
00:47:37,680 --> 00:47:39,600
Speaker 4: what happens to me after I'm done sitting down in

973
00:47:39,640 --> 00:47:41,680
Speaker 4: the dressing room because I sit on the stool too,

974
00:47:41,719 --> 00:47:43,120
Speaker 4: even though I know there's been a lot of bare

975
00:47:43,200 --> 00:47:46,680
Speaker 4: asses on it, and uh as that I'll come out

976
00:47:46,760 --> 00:47:48,719
Speaker 4: and they'll go that looks great, and I'll go, oh

977
00:47:48,800 --> 00:47:50,239
Speaker 4: it does, and I'll buy it and i'll get home.

978
00:47:50,239 --> 00:47:52,760
Speaker 4: I'll go, wait a minute, it doesn't look great.

979
00:47:53,120 --> 00:47:54,160
Speaker 5: This is a stool.

980
00:47:56,560 --> 00:48:00,239
Speaker 4: So so, but Matt, you have to pick. You want

981
00:48:00,320 --> 00:48:02,239
Speaker 4: close for the office, the club, or a lazy week.

982
00:48:02,600 --> 00:48:05,680
Speaker 1: No, but the style profiles are classic, casual, forward, and Mix.

983
00:48:05,840 --> 00:48:07,799
Speaker 4: I know, I know, but can we have him pick

984
00:48:07,880 --> 00:48:08,480
Speaker 4: which where?

985
00:48:08,680 --> 00:48:11,920
Speaker 3: Okay, let's just say this profile the club. Oh, then

986
00:48:11,960 --> 00:48:13,160
Speaker 3: you're gonna want mix.

987
00:48:14,880 --> 00:48:15,879
Speaker 5: I don't know what that means.

988
00:48:15,920 --> 00:48:17,239
Speaker 2: You're going on amix.

989
00:48:17,400 --> 00:48:21,520
Speaker 4: There's four style profiles, Classic, casual, Forward, and mix. But

990
00:48:21,640 --> 00:48:24,240
Speaker 4: in the club, the DJ is always mixing new tracks,

991
00:48:24,600 --> 00:48:26,239
Speaker 4: and so you're probably gonna want your clothes to be

992
00:48:26,400 --> 00:48:27,200
Speaker 4: doing the same thing.

993
00:48:27,719 --> 00:48:33,239
Speaker 3: You know, material mix, go great, free shipping okay.

994
00:48:33,640 --> 00:48:36,160
Speaker 1: Go, good choice, good choice on a mix.

995
00:48:36,480 --> 00:48:39,840
Speaker 4: What a member can expect with each club delivery, avoiding

996
00:48:39,960 --> 00:48:47,640
Speaker 4: monthly every month or so build your wardrobe options. You

997
00:48:47,719 --> 00:48:50,400
Speaker 4: could diversify your look. There's great style that's on seasons.

998
00:48:50,600 --> 00:48:54,000
Speaker 4: There's shorts and button ups when you need them, jackets

999
00:48:54,040 --> 00:48:57,200
Speaker 4: and jeans when it gets colder. And you wonder how

1000
00:48:57,239 --> 00:48:59,440
Speaker 4: easy it really is. Go to five four club dot

1001
00:48:59,520 --> 00:49:01,680
Speaker 4: com f I V E f O U R and

1002
00:49:01,800 --> 00:49:04,080
Speaker 4: use promo code handbook at sign up. Get fifty percent

1003
00:49:04,120 --> 00:49:06,279
Speaker 4: off your first package. That's one hundred and twenty dollars

1004
00:49:06,280 --> 00:49:09,640
Speaker 4: worth of closing for thirty dollars on your first month's package. Okay,

1005
00:49:10,920 --> 00:49:13,320
Speaker 4: I mean we you know, we probably do only have

1006
00:49:13,560 --> 00:49:16,480
Speaker 4: like fifteen minutes left now. I was told that you

1007
00:49:16,520 --> 00:49:19,360
Speaker 4: could make anyone funny in about five to eight minutes,

1008
00:49:19,880 --> 00:49:21,680
Speaker 4: and that was part of what Chris wanted to do that.

1009
00:49:22,080 --> 00:49:24,799
Speaker 4: Chris just was like, have Matt in there. You guys

1010
00:49:24,880 --> 00:49:27,480
Speaker 4: can kind of show him how a podcast works a

1011
00:49:27,520 --> 00:49:29,560
Speaker 4: little bit, and then at the same time, maybe he

1012
00:49:29,640 --> 00:49:31,719
Speaker 4: can show you some of his improv man stuff and

1013
00:49:31,840 --> 00:49:33,040
Speaker 4: you guys will be able to use that.

1014
00:49:33,440 --> 00:49:35,920
Speaker 5: You keep seeing keep saying improv man.

1015
00:49:38,000 --> 00:49:42,520
Speaker 1: Almost so you prefer to be mister funny Yeah, I

1016
00:49:42,600 --> 00:49:43,240
Speaker 1: mean mister.

1017
00:49:43,160 --> 00:49:47,279
Speaker 5: Funny man or mister funny is usually what you say

1018
00:49:47,360 --> 00:49:50,359
Speaker 5: to someone right before you get in a bar fight, like, oh,

1019
00:49:50,440 --> 00:49:52,040
Speaker 5: you think you're mister funny?

1020
00:49:52,880 --> 00:49:53,080
Speaker 4: Right?

1021
00:49:53,239 --> 00:49:56,239
Speaker 5: I was a line from KF here too, By the way, he.

1022
00:49:56,400 --> 00:49:58,279
Speaker 3: Yes, if they're mister funny, so some of his.

1023
00:49:59,520 --> 00:50:03,080
Speaker 1: Mad Yeah, Chris Bannon told us that you could teach

1024
00:50:03,120 --> 00:50:06,400
Speaker 1: us good improv techniques that we could use at work into.

1025
00:50:08,640 --> 00:50:09,720
Speaker 3: And our corporate meetings.

1026
00:50:09,760 --> 00:50:13,160
Speaker 5: Okay, okay, do you guys get the concept of listen?

1027
00:50:13,200 --> 00:50:15,800
Speaker 5: I know you understand what the word means, but listening

1028
00:50:15,880 --> 00:50:17,600
Speaker 5: as an improv concept.

1029
00:50:20,440 --> 00:50:24,200
Speaker 3: I think? So, okay, you got to out listen the

1030
00:50:24,280 --> 00:50:24,759
Speaker 3: other guy.

1031
00:50:26,120 --> 00:50:30,120
Speaker 5: This sounds like your concept of what talking is. It

1032
00:50:30,200 --> 00:50:33,239
Speaker 5: sounds like you consider different parts of your body and

1033
00:50:33,360 --> 00:50:37,440
Speaker 5: competition with each other. Like when your mouth is talking,

1034
00:50:37,680 --> 00:50:38,560
Speaker 5: is your ear.

1035
00:50:41,360 --> 00:50:42,439
Speaker 3: At that point? Ass kicked?

1036
00:50:42,880 --> 00:50:44,080
Speaker 4: If my mouth is talking?

1037
00:50:45,360 --> 00:50:49,480
Speaker 5: Okay, so when is your ear to winning? Let's approach

1038
00:50:49,520 --> 00:50:50,000
Speaker 5: it that way.

1039
00:50:50,719 --> 00:50:52,160
Speaker 3: I guess when my mouth is full.

1040
00:50:52,040 --> 00:50:55,080
Speaker 5: Of food, what's your ear doing at that point?

1041
00:50:55,640 --> 00:50:55,759
Speaker 1: Oh?

1042
00:50:55,880 --> 00:50:58,080
Speaker 3: Well, it has no choice but to really listen.

1043
00:50:59,040 --> 00:51:01,000
Speaker 1: My ear is more in common disu with my hair.

1044
00:51:02,040 --> 00:51:07,560
Speaker 1: Oh okay, hair, My ear wants to fight it back up?

1045
00:51:09,840 --> 00:51:12,000
Speaker 5: All right. You can't be thinking about all these things

1046
00:51:12,080 --> 00:51:15,279
Speaker 5: when you're improvising. You can't be thinking about is my

1047
00:51:15,440 --> 00:51:20,200
Speaker 5: ear winning over my hair or my mouth? That that's

1048
00:51:20,239 --> 00:51:23,600
Speaker 5: what called that's what's called getting in your head. Okay,

1049
00:51:23,920 --> 00:51:27,239
Speaker 5: your guy's case. Literally you're in different parts of your

1050
00:51:27,320 --> 00:51:30,200
Speaker 5: Head's all parts of my heart. When we say it

1051
00:51:30,280 --> 00:51:32,439
Speaker 5: means your brain, you're like thinking too much. To you, guys,

1052
00:51:32,520 --> 00:51:35,320
Speaker 5: it sounds like you're just literally thinking about different parts

1053
00:51:35,480 --> 00:51:36,279
Speaker 5: of the head.

1054
00:51:36,520 --> 00:51:38,360
Speaker 3: Don't think twice.

1055
00:51:41,400 --> 00:51:42,640
Speaker 5: Did they steal that from us?

1056
00:51:43,800 --> 00:51:44,040
Speaker 3: Still?

1057
00:51:44,880 --> 00:51:45,719
Speaker 5: From our T shirt?

1058
00:51:45,840 --> 00:51:48,480
Speaker 3: Nobody knows it's going to get a piece of that.

1059
00:51:48,640 --> 00:51:50,359
Speaker 3: It's half of the name of a Bob Dylan song.

1060
00:51:50,440 --> 00:51:50,960
Speaker 3: That's all we know.

1061
00:51:52,480 --> 00:51:56,120
Speaker 1: Gethard was here and he specifically said he had nothing

1062
00:51:56,160 --> 00:51:56,840
Speaker 1: to say about it.

1063
00:51:57,000 --> 00:51:59,279
Speaker 2: So I so I think there's no story there.

1064
00:52:00,239 --> 00:52:01,680
Speaker 5: He said, there's nothing to say.

1065
00:52:02,440 --> 00:52:04,920
Speaker 3: He said he had no comment. Yeah, didn't have much

1066
00:52:05,000 --> 00:52:05,359
Speaker 3: to say.

1067
00:52:07,040 --> 00:52:09,759
Speaker 5: Those motherfuckers, I don't. It's just like you guys steal

1068
00:52:09,800 --> 00:52:12,000
Speaker 5: on my four It's like I come up with things

1069
00:52:12,280 --> 00:52:14,799
Speaker 5: and people just appropriate him and stick them in their

1070
00:52:14,840 --> 00:52:15,480
Speaker 5: own titles.

1071
00:52:17,200 --> 00:52:22,920
Speaker 4: Yeah, the Tesla of comedy, pretty smart reference, thank you.

1072
00:52:25,640 --> 00:52:28,920
Speaker 5: But the really the guy you'd never heard of of

1073
00:52:29,040 --> 00:52:34,919
Speaker 5: comedy because at least Tesla is a car mmmmm mm hmmm.

1074
00:52:36,000 --> 00:52:38,080
Speaker 5: So I'm supposed to teach you guys how to improvise.

1075
00:52:39,239 --> 00:52:41,320
Speaker 4: Well, yeah, I mean we only have a couple of

1076
00:52:41,320 --> 00:52:44,279
Speaker 4: minutes again, but yeah, so listening all right, so get

1077
00:52:44,320 --> 00:52:44,919
Speaker 4: out of my head.

1078
00:52:45,120 --> 00:52:46,680
Speaker 3: So to me, that sounds like just get in my

1079
00:52:46,760 --> 00:52:48,759
Speaker 3: body and just dance and just feel it.

1080
00:52:50,760 --> 00:52:51,360
Speaker 5: Just dance.

1081
00:52:52,400 --> 00:52:55,680
Speaker 1: Yet, yes, I'm going to naturally get into my body

1082
00:52:55,760 --> 00:52:56,960
Speaker 1: and then start dancing.

1083
00:52:57,000 --> 00:52:58,919
Speaker 4: And once I'm in my body, nothing's going to stop

1084
00:52:59,000 --> 00:53:02,360
Speaker 4: me from just dancing and just feeling so free, just

1085
00:53:02,440 --> 00:53:03,839
Speaker 4: feeling I could just take off.

1086
00:53:04,600 --> 00:53:07,360
Speaker 5: But that's dancing. That's a whole other art form. So

1087
00:53:07,440 --> 00:53:09,840
Speaker 5: it's like going to learn music and say, oh I

1088
00:53:09,960 --> 00:53:13,640
Speaker 5: get it now, now I can tell jokes mm hmmm see,

1089
00:53:14,040 --> 00:53:16,480
Speaker 5: and the guitar teacher would be a little angry. He'd

1090
00:53:16,520 --> 00:53:18,480
Speaker 5: be like, that's not what we've been working on. We've

1091
00:53:18,480 --> 00:53:20,560
Speaker 5: been working on chords. You're like, I know, but I

1092
00:53:20,719 --> 00:53:25,160
Speaker 5: get it. Circle of jokes, all right, So do you

1093
00:53:25,200 --> 00:53:26,840
Speaker 5: want to learn dancing or improv No?

1094
00:53:27,000 --> 00:53:30,839
Speaker 2: I want to. Conan does play music as well.

1095
00:53:30,920 --> 00:53:31,600
Speaker 1: I don't know if you.

1096
00:53:32,719 --> 00:53:35,319
Speaker 5: Yeah, Conan can play it keeps that off the air.

1097
00:53:35,440 --> 00:53:40,120
Speaker 1: Usually only I can't learn music and jokes. I think

1098
00:53:40,200 --> 00:53:43,120
Speaker 1: Conan might have something to say about all.

1099
00:53:43,120 --> 00:53:46,200
Speaker 5: Right, and that's when you get into double and triple threats.

1100
00:53:46,320 --> 00:53:49,520
Speaker 4: Garfl going notes might be a little pissed off if

1101
00:53:49,560 --> 00:53:51,839
Speaker 4: they heard you say that that you can't do music

1102
00:53:51,920 --> 00:53:52,520
Speaker 4: and jokes.

1103
00:53:53,360 --> 00:53:56,680
Speaker 5: Is that who you guys are trying to be? Because

1104
00:53:56,680 --> 00:53:58,000
Speaker 5: you're talking at the same time.

1105
00:53:58,880 --> 00:54:00,960
Speaker 3: Oh why is that a compar you think?

1106
00:54:01,120 --> 00:54:01,919
Speaker 1: Do you think we could?

1107
00:54:02,280 --> 00:54:03,760
Speaker 3: Yeah, you think we got the chops.

1108
00:54:04,760 --> 00:54:06,799
Speaker 5: When I did say you can sing at the same

1109
00:54:06,920 --> 00:54:08,719
Speaker 5: time and I talk at the same time, both of

1110
00:54:08,800 --> 00:54:11,360
Speaker 5: your eyes kind of lit up, like, oh.

1111
00:54:12,840 --> 00:54:16,319
Speaker 1: Yes, I mean, look, if you think we could become

1112
00:54:16,400 --> 00:54:17,400
Speaker 1: garfunklow notes.

1113
00:54:18,280 --> 00:54:20,239
Speaker 4: Hayes have been working on a rap song about how

1114
00:54:20,280 --> 00:54:21,600
Speaker 4: he doesn't know how to finger a girl.

1115
00:54:24,719 --> 00:54:25,520
Speaker 5: I'd love to hear.

1116
00:54:27,080 --> 00:54:28,839
Speaker 3: Yeah, it's like amazing there for him.

1117
00:54:29,560 --> 00:54:35,839
Speaker 1: Okay, I know it's something with alphabet, but I don't

1118
00:54:35,960 --> 00:54:39,920
Speaker 1: know what I'm supposed to get done with my fingers

1119
00:54:40,080 --> 00:54:41,319
Speaker 1: or which hand to use.

1120
00:54:42,280 --> 00:54:45,120
Speaker 2: I'm in trouble. I'm about to blow a feuse pop

1121
00:54:45,239 --> 00:54:47,359
Speaker 2: but bop bop and I come in with the beat

1122
00:54:47,520 --> 00:54:52,920
Speaker 2: like that. Yeah, the lights are on, it's so brighted here.

1123
00:54:54,520 --> 00:54:58,120
Speaker 1: The windows open. A word, people could hear outside, but

1124
00:54:58,400 --> 00:55:01,400
Speaker 1: if I close the window, it's too hot and.

1125
00:55:01,719 --> 00:55:05,239
Speaker 4: She's yelling at me and that, so it's yeah, so

1126
00:55:05,360 --> 00:55:05,920
Speaker 4: it's a lot of that.

1127
00:55:06,200 --> 00:55:06,560
Speaker 1: Uh huh.

1128
00:55:07,280 --> 00:55:10,960
Speaker 4: But anyway, we're halfway and you beatbox it, I start beatboxing.

1129
00:55:13,840 --> 00:55:17,960
Speaker 5: That's another note here. Can your improv for humans be

1130
00:55:18,120 --> 00:55:21,400
Speaker 5: more like Hamilton? Hamilton's really popular right now? Have you

1131
00:55:21,480 --> 00:55:25,400
Speaker 5: thought about being more historical and having more wraps.

1132
00:55:26,400 --> 00:55:27,640
Speaker 3: And then did you think about it?

1133
00:55:28,320 --> 00:55:29,120
Speaker 5: I'm not going to do that.

1134
00:55:29,920 --> 00:55:30,719
Speaker 1: It is what it is.

1135
00:55:31,120 --> 00:55:34,760
Speaker 5: My show is what it is. Can you guys seem

1136
00:55:34,880 --> 00:55:36,439
Speaker 5: like you support his list?

1137
00:55:36,800 --> 00:55:43,160
Speaker 4: Well, I guess the what maybe you're underestimating is to

1138
00:55:43,280 --> 00:55:47,080
Speaker 4: what extent we don't know what our show is and

1139
00:55:47,239 --> 00:55:49,480
Speaker 4: how much an email like this feels like a life

1140
00:55:49,560 --> 00:55:50,120
Speaker 4: raft to us.

1141
00:55:51,160 --> 00:55:54,080
Speaker 5: So you're letting him create your show with notes just

1142
00:55:54,239 --> 00:55:58,120
Speaker 5: anybody ask You're just pasting on notes to the side

1143
00:55:58,120 --> 00:56:00,440
Speaker 5: of your format and that becomes the format.

1144
00:56:00,520 --> 00:56:03,560
Speaker 4: Basically, if it seems like somebody knows what to do

1145
00:56:03,719 --> 00:56:06,680
Speaker 4: with the show, well that's one more step ahead of

1146
00:56:06,800 --> 00:56:07,440
Speaker 4: us than you know.

1147
00:56:07,920 --> 00:56:11,759
Speaker 5: Listen, you know how he said, I like I like

1148
00:56:11,880 --> 00:56:14,520
Speaker 5: all the segments, like the one word suggestions. Have you

1149
00:56:14,600 --> 00:56:18,320
Speaker 5: thought of two word suggestions are three word suggestions or

1150
00:56:18,440 --> 00:56:21,680
Speaker 5: even five word suggestions, and then another smiling face.

1151
00:56:23,560 --> 00:56:26,319
Speaker 2: He has a big thing with not using the number four.

1152
00:56:26,640 --> 00:56:28,000
Speaker 4: Yeah he skipped.

1153
00:56:29,400 --> 00:56:31,600
Speaker 5: Why can't I have a forward suggestion?

1154
00:56:32,840 --> 00:56:33,279
Speaker 1: I don't know.

1155
00:56:33,440 --> 00:56:38,440
Speaker 5: It's that doesn't make sense. By the way, and you're

1156
00:56:38,480 --> 00:56:42,400
Speaker 5: saying that that makes him an expert. I feel like

1157
00:56:42,480 --> 00:56:50,000
Speaker 5: he's just spinning his wheels with let me see another one. Oh,

1158
00:56:50,360 --> 00:56:52,520
Speaker 5: talk to your guest at the top of the show,

1159
00:56:53,280 --> 00:56:54,640
Speaker 5: so your audience gets.

1160
00:56:54,440 --> 00:56:55,000
Speaker 1: To know them.

1161
00:56:55,280 --> 00:56:59,200
Speaker 4: Mm hmm, yeah, yeah, maybe make it the whole show.

1162
00:57:00,360 --> 00:57:01,399
Speaker 4: You're just talking to a guest.

1163
00:57:01,440 --> 00:57:04,480
Speaker 1: Does anybody tried that and they're like, career in comedy

1164
00:57:04,600 --> 00:57:05,040
Speaker 1: and stuff?

1165
00:57:05,280 --> 00:57:07,720
Speaker 4: Yeah, maybe find out how they got started.

1166
00:57:08,120 --> 00:57:11,439
Speaker 5: It says something about have you heard Mark maron show?

1167
00:57:12,080 --> 00:57:14,399
Speaker 5: He talks to his guests, and he starts this show

1168
00:57:14,640 --> 00:57:19,040
Speaker 5: by talking about himself. Perhaps reveal a secret about yourself

1169
00:57:19,280 --> 00:57:20,160
Speaker 5: on every show?

1170
00:57:20,760 --> 00:57:24,720
Speaker 1: OOO, now it can be really interesting. Do you want

1171
00:57:24,760 --> 00:57:26,840
Speaker 1: to start? Do you want to practice on this show?

1172
00:57:27,000 --> 00:57:30,040
Speaker 4: Yeah? Maybe you say, somebody super personal and then I'll

1173
00:57:30,080 --> 00:57:32,280
Speaker 4: ask you what your religion and background is.

1174
00:57:34,200 --> 00:57:37,760
Speaker 5: I don't feel I should have to do that. I

1175
00:57:37,840 --> 00:57:39,920
Speaker 5: feel like I like, really yeah, I feel like I

1176
00:57:39,960 --> 00:57:43,000
Speaker 5: can just take a suggestion one word and dive into

1177
00:57:43,120 --> 00:57:46,760
Speaker 5: my comedy. Why do I have to have everyone reveal secrets?

1178
00:57:47,440 --> 00:57:49,880
Speaker 3: So, I mean, just so I can try to I mean,

1179
00:57:49,920 --> 00:57:52,160
Speaker 3: I was going to say back to you kind of

1180
00:57:52,200 --> 00:57:52,800
Speaker 3: what you're.

1181
00:57:52,720 --> 00:57:57,480
Speaker 5: Saying, and you'll hear how it sounds okay, really helpful.

1182
00:57:57,560 --> 00:58:01,120
Speaker 4: Yeah, this can always help where maybe yeah, this usually

1183
00:58:01,160 --> 00:58:06,080
Speaker 4: makes me angry. So what you think is that a

1184
00:58:06,280 --> 00:58:13,240
Speaker 4: podcast can be just some inciting incident that generates comedy

1185
00:58:13,400 --> 00:58:17,280
Speaker 4: and then comedy being created, sort of original new material

1186
00:58:17,360 --> 00:58:20,920
Speaker 4: every episode. No one's catching you up on the idea

1187
00:58:20,960 --> 00:58:21,640
Speaker 4: of what they're doing.

1188
00:58:22,880 --> 00:58:25,920
Speaker 3: No one's being interviewed about how they started in comedy.

1189
00:58:27,600 --> 00:58:32,920
Speaker 5: We're just here judgment You said it. You said that judgmental,

1190
00:58:33,120 --> 00:58:36,200
Speaker 5: like you don't ask people about how they started in

1191
00:58:36,280 --> 00:58:37,240
Speaker 5: comedy on your show.

1192
00:58:37,880 --> 00:58:40,880
Speaker 3: Well, how is anyone going to know you?

1193
00:58:41,000 --> 00:58:43,480
Speaker 5: Guys haven't asked me. All you did was call me

1194
00:58:43,600 --> 00:58:47,520
Speaker 5: the improv man and the prank master general.

1195
00:58:48,000 --> 00:58:50,520
Speaker 4: Well, but this is sort of an internal business type meeting.

1196
00:58:52,480 --> 00:58:54,480
Speaker 4: Do you feel that you're not the prankbuster general?

1197
00:58:54,920 --> 00:58:58,000
Speaker 5: I am, but you didn't describe why we are any credits.

1198
00:58:58,960 --> 00:59:01,200
Speaker 2: We're happy to do this if you want to do this.

1199
00:59:01,440 --> 00:59:02,200
Speaker 1: No, I don't do it.

1200
00:59:02,280 --> 00:59:04,200
Speaker 5: I'm pointing out you guys didn't do it.

1201
00:59:04,280 --> 00:59:06,200
Speaker 2: You're from You're from Kansas or something.

1202
00:59:06,680 --> 00:59:11,600
Speaker 5: No, no, no, no, right, I know you're fucking with me.

1203
00:59:14,520 --> 00:59:17,400
Speaker 4: Well this rip Adams.

1204
00:59:17,680 --> 00:59:21,480
Speaker 5: Well, don't give me the well if you want to

1205
00:59:21,520 --> 00:59:24,640
Speaker 5: cut to the end of the show. I don't care, don't.

1206
00:59:24,760 --> 00:59:25,200
Speaker 2: Hey, I don't.

1207
00:59:25,200 --> 00:59:26,640
Speaker 5: I don't need your well though.

1208
00:59:26,840 --> 00:59:27,680
Speaker 4: I got the studio.

1209
00:59:28,480 --> 00:59:32,720
Speaker 5: I have a podcast too, I know. Well means Matt,

1210
00:59:32,800 --> 00:59:33,320
Speaker 5: this is all.

1211
00:59:33,280 --> 00:59:35,920
Speaker 4: For consideration for you were concerned about the first ten

1212
00:59:35,960 --> 00:59:39,400
Speaker 4: minutes that you wait, that's not what the well's about.

1213
00:59:39,840 --> 00:59:41,680
Speaker 4: This is all that you asked how long the show

1214
00:59:41,800 --> 00:59:43,680
Speaker 4: was at one point? I got the studio till one.

1215
00:59:43,840 --> 00:59:44,760
Speaker 3: I have to be here.

1216
00:59:46,360 --> 00:59:48,360
Speaker 5: I have to be here too. I was told to

1217
00:59:48,440 --> 00:59:48,800
Speaker 5: be here.

1218
00:59:49,600 --> 00:59:50,360
Speaker 3: Yeah, that's right.

1219
00:59:50,640 --> 00:59:53,000
Speaker 4: This was one of the threats I got, Yeah that

1220
00:59:53,080 --> 00:59:55,920
Speaker 4: if you left early, that he'd take another number out

1221
00:59:55,960 --> 00:59:56,560
Speaker 4: of your podcast.

1222
00:59:56,640 --> 00:59:59,000
Speaker 5: Do you want to find out what happened to Adam Sacks?

1223
00:59:59,720 --> 01:00:01,000
Speaker 5: Don't follow these notes?

1224
01:00:02,280 --> 01:00:04,840
Speaker 4: Wow, so Chris is somehow involved in that?

1225
01:00:06,120 --> 01:00:09,320
Speaker 5: You interpret it? Let me read it. You want to

1226
01:00:09,360 --> 01:00:12,240
Speaker 5: find out what happened Adam Sacks? Why he's no longer

1227
01:00:12,320 --> 01:00:15,040
Speaker 5: part of the company. Why don't you try not follow

1228
01:00:15,080 --> 01:00:18,040
Speaker 5: these notes, then you'll be finding out what happened to

1229
01:00:18,040 --> 01:00:24,520
Speaker 5: Adam Sacks real quick. Adam Sacks more like Adam got

1230
01:00:24,880 --> 01:00:26,760
Speaker 5: sacked question mark.

1231
01:00:28,600 --> 01:00:31,480
Speaker 3: Whoa, So he's not sure if that's.

1232
01:00:31,320 --> 01:00:32,240
Speaker 1: What he should call him.

1233
01:00:36,880 --> 01:00:38,800
Speaker 2: When I saw Adam Sex when he was leaving, it

1234
01:00:38,880 --> 01:00:39,520
Speaker 2: did look like.

1235
01:00:41,040 --> 01:00:46,080
Speaker 1: He had like bite marks on his hand, like sort

1236
01:00:46,120 --> 01:00:48,080
Speaker 1: of stop ones that like didn't really break the skin,

1237
01:00:48,200 --> 01:00:49,240
Speaker 1: like someone had really.

1238
01:00:49,120 --> 01:00:50,439
Speaker 2: Tried to bite him really hard.

1239
01:00:51,080 --> 01:00:54,360
Speaker 1: Yeah, but it did not do it.

1240
01:00:54,400 --> 01:00:55,840
Speaker 2: As hard as kind of he wanted to.

1241
01:00:56,320 --> 01:00:58,640
Speaker 4: He was wearing an open toad shoe when he was

1242
01:00:58,760 --> 01:01:00,840
Speaker 4: walking out. He had like a tiva.

1243
01:01:01,600 --> 01:01:01,800
Speaker 1: Yeah.

1244
01:01:01,880 --> 01:01:04,720
Speaker 4: And what I saw was that it appeared that some

1245
01:01:04,880 --> 01:01:08,000
Speaker 4: of his toes had been put into a cigar cutter. Right,

1246
01:01:08,240 --> 01:01:10,960
Speaker 4: They weren't removed, but there was a very clear line

1247
01:01:11,040 --> 01:01:11,720
Speaker 4: on the top.

1248
01:01:12,400 --> 01:01:14,240
Speaker 1: A very dull cigar cutter.

1249
01:01:14,920 --> 01:01:17,360
Speaker 5: Yeah, Yeah, that's the mark. Is someone who gives in.

1250
01:01:18,160 --> 01:01:21,440
Speaker 5: We're so used to seeing torture scenes on TV where

1251
01:01:21,440 --> 01:01:23,440
Speaker 5: it goes on for a couple of acts, you know,

1252
01:01:23,640 --> 01:01:28,320
Speaker 5: and they take it, But real torture people give in worstuff.

1253
01:01:28,920 --> 01:01:32,800
Speaker 4: Oh yeah, anything you just suggest, you don't even have

1254
01:01:32,960 --> 01:01:33,640
Speaker 4: to start.

1255
01:01:33,440 --> 01:01:36,360
Speaker 5: With me, right, you just take out the cigar cutter

1256
01:01:36,480 --> 01:01:37,440
Speaker 5: at least an't No.

1257
01:01:37,560 --> 01:01:40,560
Speaker 4: I don't want to seize in it. I ask.

1258
01:01:41,000 --> 01:01:42,520
Speaker 3: I go like, hey, I'm in this room.

1259
01:01:43,160 --> 01:01:45,640
Speaker 4: Is there going to be some element of torture involved?

1260
01:01:45,920 --> 01:01:49,080
Speaker 4: Because before you go and get the tools, let's just

1261
01:01:49,160 --> 01:01:49,600
Speaker 4: talk about.

1262
01:01:49,640 --> 01:01:50,280
Speaker 3: What do you want to know?

1263
01:01:50,640 --> 01:01:53,200
Speaker 5: Yeah, when they start unfurling the tools, you don't even

1264
01:01:53,280 --> 01:01:54,200
Speaker 5: let them unfurl it.

1265
01:01:54,840 --> 01:01:55,480
Speaker 4: Wrap that back.

1266
01:01:55,880 --> 01:01:58,120
Speaker 1: I put my hand down and I say, yeah, just

1267
01:01:58,360 --> 01:01:59,040
Speaker 1: leave that shut.

1268
01:01:59,520 --> 01:02:00,960
Speaker 5: What do you think he was trying to get out

1269
01:02:00,960 --> 01:02:02,920
Speaker 5: of Adam Sacks if he was being tortured.

1270
01:02:03,000 --> 01:02:10,560
Speaker 4: Hmm, Well, I can tell you what I hope. I

1271
01:02:10,760 --> 01:02:13,720
Speaker 4: hope that he wanted Adam Sacks to contact the juice

1272
01:02:13,760 --> 01:02:15,800
Speaker 4: Man about maybe giving Hayes and I each our own

1273
01:02:15,840 --> 01:02:16,800
Speaker 4: individual shoes.

1274
01:02:18,640 --> 01:02:18,920
Speaker 1: Bye.