1 00:00:00,800 --> 00:00:03,840 Speaker 1: This is the Ben and Ashley I Almost Famous podcast 2 00:00:03,880 --> 00:00:04,720 Speaker 1: with iHeartRadio. 3 00:00:05,880 --> 00:00:08,800 Speaker 2: Hey everyone, welcome to the Almost Simis podcast. It is 4 00:00:08,880 --> 00:00:11,959 Speaker 2: just me today. I mean Ben's on here, but it's 5 00:00:11,960 --> 00:00:16,880 Speaker 2: not just me. We have our quote Grandma of the Week, Marcy. 6 00:00:17,079 --> 00:00:20,600 Speaker 2: She's joining me for the entire recap today. Marcy is 7 00:00:21,720 --> 00:00:26,159 Speaker 2: part of the iHeart family and I hear that. So 8 00:00:26,280 --> 00:00:27,040 Speaker 2: you are a grandma? 9 00:00:27,160 --> 00:00:27,320 Speaker 3: Right? 10 00:00:29,560 --> 00:00:32,040 Speaker 2: Yes? Okay? Why why hesitation? 11 00:00:32,720 --> 00:00:36,479 Speaker 3: Well because my stepsons have a child. Okay, all right, 12 00:00:36,560 --> 00:00:39,959 Speaker 3: my daughter she's thirty three, but she's still. 13 00:00:39,760 --> 00:00:42,960 Speaker 2: Waiting, gotcha. It's okay. I was thirty three when I 14 00:00:43,000 --> 00:00:46,479 Speaker 2: have my kid, and you know you're ready. When you're 15 00:00:46,479 --> 00:00:51,839 Speaker 2: ready changes your life, sure freaking does. So we are 16 00:00:51,920 --> 00:00:56,560 Speaker 2: recapping episode three together, and let's just start from the well, 17 00:00:57,080 --> 00:00:59,520 Speaker 2: let's start with just like your thoughts overall on this 18 00:00:59,560 --> 00:01:00,680 Speaker 2: season of are. 19 00:01:02,520 --> 00:01:06,080 Speaker 3: I am enjoying it much more than I enjoyed the 20 00:01:06,120 --> 00:01:10,280 Speaker 3: previous episodes of just the Regular Bachelor because the girls 21 00:01:10,440 --> 00:01:14,080 Speaker 3: are much more mature, so you don't get the whining 22 00:01:14,120 --> 00:01:18,440 Speaker 3: and crying like you do in the other Bachelor episodes. 23 00:01:19,760 --> 00:01:22,280 Speaker 3: And what I really love it about it is that 24 00:01:22,360 --> 00:01:26,840 Speaker 3: the girls are very supportive of one another which you 25 00:01:26,880 --> 00:01:31,240 Speaker 3: don't see that often. That may change as feelings get 26 00:01:31,319 --> 00:01:34,360 Speaker 3: hurt and progressed down the line, but it's very nice 27 00:01:34,400 --> 00:01:36,760 Speaker 3: to see. In the first three episodes of Everybody was 28 00:01:36,800 --> 00:01:37,839 Speaker 3: pretty much supportive. 29 00:01:39,000 --> 00:01:43,440 Speaker 2: You're sixty five, but yeah, so how do you relate 30 00:01:43,480 --> 00:01:44,680 Speaker 2: to this group of women? 31 00:01:45,840 --> 00:01:48,560 Speaker 3: I relate because I almost signed up for the show. 32 00:01:49,720 --> 00:01:53,120 Speaker 3: I almost did. I filled out all application and then 33 00:01:53,160 --> 00:01:56,840 Speaker 3: I it was so soon and I wasn't going to 34 00:01:56,880 --> 00:01:59,760 Speaker 3: be able to get away. But maybe next time. But 35 00:02:00,120 --> 00:02:03,600 Speaker 3: I'm single, I'm a widow. I'm sixty five, so I'm 36 00:02:03,600 --> 00:02:08,560 Speaker 3: in dating age range of all these same women, and 37 00:02:08,760 --> 00:02:12,359 Speaker 3: I'm finding it fascinating to see how others handle dating. 38 00:02:12,919 --> 00:02:15,240 Speaker 3: I know how I handle it, but I'm never on 39 00:02:15,280 --> 00:02:17,679 Speaker 3: a date with somebody else. So this gives me the 40 00:02:17,720 --> 00:02:18,880 Speaker 3: opportunity to watch. 41 00:02:19,760 --> 00:02:23,640 Speaker 2: Do you feel it all jealous? Watching these women with Gary, 42 00:02:23,680 --> 00:02:25,720 Speaker 2: who's just a wonderful man? 43 00:02:26,520 --> 00:02:30,120 Speaker 3: I am. I was thinking last night, where did they 44 00:02:30,200 --> 00:02:30,880 Speaker 3: find him? 45 00:02:31,280 --> 00:02:34,880 Speaker 2: Where? Every week I am more and more mind boggled 46 00:02:34,919 --> 00:02:37,640 Speaker 2: how they found the perfect man for this job. 47 00:02:38,400 --> 00:02:42,359 Speaker 3: He is so sensitive and intuitive and caring, and he 48 00:02:42,400 --> 00:02:46,400 Speaker 3: makes a connection with each person, and I'm wondering, is 49 00:02:46,440 --> 00:02:50,640 Speaker 3: this real? He's like the epitome. 50 00:02:51,440 --> 00:02:55,400 Speaker 2: I know he is like, Oh, he is not afraid 51 00:02:55,440 --> 00:02:58,320 Speaker 2: to cry either, and it's in an adorable way. It's 52 00:02:58,360 --> 00:03:01,560 Speaker 2: not in a like you know, you know tears with men. 53 00:03:03,560 --> 00:03:06,880 Speaker 2: Women interterpret it in a complicated way. Sometimes we love it, 54 00:03:06,960 --> 00:03:11,000 Speaker 2: sometimes we don't want it. But you were saying that 55 00:03:11,040 --> 00:03:15,639 Speaker 2: you are refreshed by the fact that the ladies aren't 56 00:03:15,639 --> 00:03:19,240 Speaker 2: so much crying. You don't like the drama and the 57 00:03:19,240 --> 00:03:21,079 Speaker 2: normal show, and you like the way this has been 58 00:03:21,120 --> 00:03:22,440 Speaker 2: more romance focused. 59 00:03:23,120 --> 00:03:27,120 Speaker 3: Yes, exactly, because when you get older, you don't want 60 00:03:27,160 --> 00:03:30,359 Speaker 3: the drama in your life. You don't have the patience 61 00:03:30,400 --> 00:03:34,839 Speaker 3: for it. And you know, when you're watching these twenty 62 00:03:34,920 --> 00:03:38,000 Speaker 3: year olds going oh, I love him after they've dated 63 00:03:38,080 --> 00:03:41,360 Speaker 3: him one time, it's a little silly. 64 00:03:41,800 --> 00:03:43,440 Speaker 2: Yeah, but don't you think that these women are sort 65 00:03:43,440 --> 00:03:44,440 Speaker 2: of doing the same. 66 00:03:44,640 --> 00:03:49,120 Speaker 3: I know, I was, I know I noticed that last 67 00:03:49,200 --> 00:03:55,000 Speaker 3: night's episode. Yeah, because he's facilitating a connection with each 68 00:03:55,080 --> 00:04:00,360 Speaker 3: person individually. He's making it sound like there's something each 69 00:04:00,400 --> 00:04:03,520 Speaker 3: and every one of them which gives the hope. 70 00:04:04,040 --> 00:04:05,920 Speaker 2: But you don't you don't feel that that's what happens 71 00:04:05,920 --> 00:04:06,920 Speaker 2: with the regular show. 72 00:04:09,120 --> 00:04:13,560 Speaker 3: Yes, it does. Yes, of course there's similarities. 73 00:04:14,360 --> 00:04:18,719 Speaker 2: Yeah, so okay, let's talk about the one aspect of 74 00:04:18,800 --> 00:04:21,839 Speaker 2: drama that there was this episode, and it was the 75 00:04:21,880 --> 00:04:26,640 Speaker 2: first conflict we had we had amongst women. So first, 76 00:04:26,760 --> 00:04:29,920 Speaker 2: Kathy the beginning of the episode forms a group. She 77 00:04:30,000 --> 00:04:34,760 Speaker 2: calls it Asking. It's April, Susan, Kathy, and Nancy, and 78 00:04:34,920 --> 00:04:38,880 Speaker 2: the motto of their group is you're asking, We're telling. 79 00:04:39,200 --> 00:04:44,600 Speaker 2: And Kathy is just there. The memes are out there, 80 00:04:44,640 --> 00:04:46,960 Speaker 2: so I could say on the podcast she looks so 81 00:04:47,080 --> 00:04:51,719 Speaker 2: much like Caitlyn Jenner. I cannot think it's not you know, 82 00:04:52,440 --> 00:04:55,240 Speaker 2: I just feel like I've watched Kitlyn Jenner create an 83 00:04:55,279 --> 00:04:56,040 Speaker 2: asking group. 84 00:04:56,960 --> 00:04:59,640 Speaker 3: Oh is that funny? But it didn't really go to 85 00:05:00,080 --> 00:05:03,279 Speaker 3: I was actually like expecting a lot more of that 86 00:05:03,520 --> 00:05:05,239 Speaker 3: facility loockiness. Yeah. 87 00:05:05,279 --> 00:05:07,440 Speaker 2: Yeah, we don't really see them form as a click, 88 00:05:07,480 --> 00:05:11,480 Speaker 2: which I'm really happy because I was a little concerned 89 00:05:11,480 --> 00:05:14,000 Speaker 2: that they were going to seclude themselves. But I guess 90 00:05:14,040 --> 00:05:16,440 Speaker 2: basically they're like a little circle of friends. And I 91 00:05:16,480 --> 00:05:21,720 Speaker 2: do like all those women, Okay, but basically Gary, it's 92 00:05:21,800 --> 00:05:25,000 Speaker 2: very cute, very cute. But Kathy's definitely are a dramatic 93 00:05:25,040 --> 00:05:30,360 Speaker 2: one of the group, and she gets into some conflict 94 00:05:30,560 --> 00:05:33,839 Speaker 2: with Teresa in this episode, because Teresa the day of 95 00:05:33,880 --> 00:05:37,160 Speaker 2: the Rose ceremony, where like you kind of just hang 96 00:05:37,200 --> 00:05:40,920 Speaker 2: around the house. They're like making lunch or something, and 97 00:05:41,320 --> 00:05:44,720 Speaker 2: Teresa starts just opening up to her about the connection 98 00:05:44,920 --> 00:05:47,840 Speaker 2: that she has with Gary and how great he is 99 00:05:47,880 --> 00:05:51,400 Speaker 2: to her and how romantic their date was. Last week 100 00:05:52,200 --> 00:05:59,120 Speaker 2: when you were watching this unfold, what was your takeaway? 101 00:05:59,680 --> 00:06:03,880 Speaker 3: I could see both sides of me too. Why there's 102 00:06:04,240 --> 00:06:06,960 Speaker 3: kind of I know Teresa is thinking that this is 103 00:06:07,000 --> 00:06:10,400 Speaker 3: a person she made a connection with and as a girlfriend, 104 00:06:10,440 --> 00:06:13,000 Speaker 3: she's talking about her experiences. 105 00:06:13,640 --> 00:06:18,320 Speaker 2: But she forgot I think there's two. 106 00:06:18,120 --> 00:06:23,080 Speaker 3: Times you're dating the same guy. She's frigiding death fading 107 00:06:23,200 --> 00:06:25,520 Speaker 3: jealousy there and she doesn't realize it. 108 00:06:26,080 --> 00:06:28,000 Speaker 2: Yeah, she's like, oh my gosh, this is the first 109 00:06:28,000 --> 00:06:31,080 Speaker 2: time that you know, I'm dating the same guy. I 110 00:06:31,120 --> 00:06:33,400 Speaker 2: do have to I will have to wonder whether she 111 00:06:33,440 --> 00:06:37,120 Speaker 2: would open up like that in a way to certain 112 00:06:37,160 --> 00:06:40,160 Speaker 2: other girls in the house that maybe she would find 113 00:06:40,240 --> 00:06:42,520 Speaker 2: more threatening, maybe like say Faith, is she going to 114 00:06:42,520 --> 00:06:44,640 Speaker 2: say that to Faith who got the first impression Rose? 115 00:06:45,520 --> 00:06:47,560 Speaker 3: I don't believe so. I think she only opened up 116 00:06:47,600 --> 00:06:50,040 Speaker 3: to her because they established a friendship. 117 00:06:50,480 --> 00:06:53,000 Speaker 2: You think so yeah, and I don't. 118 00:06:52,760 --> 00:06:56,479 Speaker 3: Think she really realized what she was doing. I don't 119 00:06:56,520 --> 00:06:59,640 Speaker 3: think she was being malicious about it. Yeah, but it 120 00:07:00,760 --> 00:07:01,599 Speaker 3: was very wrong. 121 00:07:02,279 --> 00:07:06,120 Speaker 2: Yeah, I'm not down with that. Yeah I wasn't. I 122 00:07:06,160 --> 00:07:09,120 Speaker 2: wasn't down with the decision to do that, but I 123 00:07:09,200 --> 00:07:13,200 Speaker 2: understood that, like sometimes, like that weird blurred line happens 124 00:07:13,240 --> 00:07:17,160 Speaker 2: in the Bachelor House. Now what boggled my mind was 125 00:07:17,240 --> 00:07:21,040 Speaker 2: after the rose ceremony, both ladies get roses, and then 126 00:07:21,320 --> 00:07:25,320 Speaker 2: Teresa turns to Kathy again and starts talking about the 127 00:07:25,320 --> 00:07:27,960 Speaker 2: fact that he pulled her into a bedroom and they 128 00:07:28,000 --> 00:07:30,920 Speaker 2: had an intimate conversation and I was like, wait, woman, 129 00:07:31,560 --> 00:07:34,520 Speaker 2: And again I actually don't think she had. And this 130 00:07:34,560 --> 00:07:39,200 Speaker 2: is after the whole thing exploded, you know, quote exploded. 131 00:07:39,240 --> 00:07:42,200 Speaker 2: It wasn't that dramatic, but that's when the issue had 132 00:07:42,240 --> 00:07:45,840 Speaker 2: been raised with Gary and the other women. And she 133 00:07:45,920 --> 00:07:48,520 Speaker 2: turns to her and does the exact same thing again, 134 00:07:48,920 --> 00:07:52,880 Speaker 2: and I don't think they could possibly be with intent. 135 00:07:53,040 --> 00:07:54,720 Speaker 2: I think the woman is spacey. 136 00:07:55,800 --> 00:07:59,240 Speaker 3: I think so. I think so That's why I said 137 00:07:59,280 --> 00:08:01,440 Speaker 3: I don't think she's doing let's just say she just 138 00:08:01,520 --> 00:08:05,320 Speaker 3: has no clue. Somebody has to Maybe the producers should 139 00:08:05,360 --> 00:08:07,280 Speaker 3: tell her, but then again they. 140 00:08:07,240 --> 00:08:09,680 Speaker 2: Like, no, no, the producers want her to continue doing 141 00:08:09,680 --> 00:08:10,400 Speaker 2: what she's doing. 142 00:08:12,360 --> 00:08:15,600 Speaker 3: Its personalities, What can you say? You know, you can't 143 00:08:15,640 --> 00:08:18,400 Speaker 3: control your friends and what they say and what they do. 144 00:08:18,960 --> 00:08:19,280 Speaker 3: I know. 145 00:08:19,400 --> 00:08:21,440 Speaker 2: I think she's just the kind of person that probably 146 00:08:21,480 --> 00:08:24,520 Speaker 2: just kind of shares everything about her life with whoever 147 00:08:24,680 --> 00:08:25,480 Speaker 2: is next to her. 148 00:08:26,200 --> 00:08:29,520 Speaker 3: Yeah, but too much, too much information is never a 149 00:08:29,520 --> 00:08:33,120 Speaker 3: good thing, especially if you're dating the same man. I know. 150 00:08:44,200 --> 00:08:48,000 Speaker 2: These dates have gone too fast. That's why I've forgotten them, 151 00:08:48,280 --> 00:08:51,760 Speaker 2: because the show really showed in this episode to me 152 00:08:51,960 --> 00:08:55,120 Speaker 2: that it needs to be longer. It felt way too 153 00:08:55,200 --> 00:08:59,720 Speaker 2: crunched into forty minutes because the one on ones were 154 00:09:00,559 --> 00:09:03,320 Speaker 2: they were so small. We didn't get any We got 155 00:09:03,360 --> 00:09:06,720 Speaker 2: barely any conversation, to the point of which with Jones 156 00:09:07,240 --> 00:09:09,720 Speaker 2: I had to like rewind and be like, wait a second, 157 00:09:09,720 --> 00:09:13,080 Speaker 2: did I miss something because they didn't share much at all, 158 00:09:13,120 --> 00:09:15,120 Speaker 2: and before you know it, he's handing her the rose. 159 00:09:15,400 --> 00:09:17,840 Speaker 2: But let's go in consequential order now. It starts with 160 00:09:17,840 --> 00:09:20,400 Speaker 2: a group date rows and when I found out that 161 00:09:20,440 --> 00:09:22,480 Speaker 2: like all the ladies were going to go on this date, 162 00:09:23,040 --> 00:09:25,640 Speaker 2: I was immediately assuming that it would turn into one 163 00:09:25,679 --> 00:09:28,680 Speaker 2: of those dates where the winner of the activity would 164 00:09:28,760 --> 00:09:30,520 Speaker 2: go on the one on one and that's what happens. 165 00:09:30,559 --> 00:09:34,640 Speaker 2: They're gonna whoever wins the Talent Show goes to have 166 00:09:34,679 --> 00:09:36,040 Speaker 2: a dinner date with him later in the day. 167 00:09:36,080 --> 00:09:39,480 Speaker 3: They're almost like monkey performers, you know, for you know, 168 00:09:39,520 --> 00:09:40,960 Speaker 3: performing for the prize. 169 00:09:41,559 --> 00:09:44,320 Speaker 2: I know, well, the ladies really showed up. They did 170 00:09:44,400 --> 00:09:45,280 Speaker 2: a great job. 171 00:09:46,080 --> 00:09:49,360 Speaker 3: I know, at last minute they were able to pull 172 00:09:49,520 --> 00:09:53,360 Speaker 3: stuff together and it was it was actually amazing. 173 00:09:53,920 --> 00:09:54,120 Speaker 2: Yeah. 174 00:09:54,200 --> 00:09:56,199 Speaker 3: See, I really am just like thinking, what the hell 175 00:09:56,240 --> 00:09:57,079 Speaker 3: would I be doing? 176 00:09:58,040 --> 00:10:00,440 Speaker 2: Meet me too. Every time they do a talent I'm like, 177 00:10:00,600 --> 00:10:03,880 Speaker 2: I have nothing. Do you want me to write to 178 00:10:03,960 --> 00:10:06,520 Speaker 2: an essay? It's probably what I can do best? That 179 00:10:06,559 --> 00:10:08,960 Speaker 2: makes it like, literally that sounds so dumb. I'm like 180 00:10:08,960 --> 00:10:14,400 Speaker 2: thinking about my like my talents anyway. Okay, so the 181 00:10:14,480 --> 00:10:18,160 Speaker 2: Talent Show would we would have seen more of this 182 00:10:18,360 --> 00:10:21,480 Speaker 2: if it were a long two hour episode like we 183 00:10:21,520 --> 00:10:24,040 Speaker 2: get with The Bachelor, we would have seen them coming 184 00:10:24,120 --> 00:10:28,000 Speaker 2: up with their ideas and rehearsing. But in the version 185 00:10:28,000 --> 00:10:30,080 Speaker 2: that we see, it's just all the ladies are there. 186 00:10:30,160 --> 00:10:32,520 Speaker 2: They arrived to the theater and they are ready to go. 187 00:10:33,679 --> 00:10:35,800 Speaker 2: That I'll tell you, guys, there was definitely some rehearsal 188 00:10:35,840 --> 00:10:39,920 Speaker 2: that went on. So Sandra gets up first. She's telling jokes. 189 00:10:39,920 --> 00:10:44,040 Speaker 2: She's playing comedian Ellen Adorable. She teaches sex ed to 190 00:10:44,120 --> 00:10:51,480 Speaker 2: middle school students that that is a serious talent. Faith sings, 191 00:10:51,960 --> 00:10:58,840 Speaker 2: April also sings, Kathy does push ups, Nancy does a 192 00:10:58,880 --> 00:11:03,640 Speaker 2: whip cream hatch, whipped cream catch. I don't remember this, 193 00:11:03,760 --> 00:11:04,319 Speaker 2: do you remember that? 194 00:11:04,640 --> 00:11:07,000 Speaker 3: She yes, she did put the whip cream in, did 195 00:11:07,040 --> 00:11:10,080 Speaker 3: that and flew it into her mouth and caught it 196 00:11:10,120 --> 00:11:10,679 Speaker 3: with her mouth. 197 00:11:10,960 --> 00:11:16,680 Speaker 2: Okay, okay, April jokes, and I love this April joke. 198 00:11:16,800 --> 00:11:19,640 Speaker 2: She says, there's no age, there's just there's always, but 199 00:11:19,840 --> 00:11:25,319 Speaker 2: there's always botox. And I agree. There Leslie, it's obviously 200 00:11:25,520 --> 00:11:31,640 Speaker 2: like the standout performance because Leslie, we know dated Prince 201 00:11:31,920 --> 00:11:34,840 Speaker 2: and he wrote a song about her and it's about dancing, 202 00:11:34,920 --> 00:11:36,640 Speaker 2: and we know that she's a fitness instructor and a 203 00:11:36,679 --> 00:11:39,520 Speaker 2: professional dancer, so she was going to show up. What 204 00:11:39,520 --> 00:11:44,600 Speaker 2: did you think of her basically giving him a mini 205 00:11:44,679 --> 00:11:45,280 Speaker 2: lap dance. 206 00:11:45,840 --> 00:11:49,319 Speaker 3: I thought it was great. She was putting herself out there, 207 00:11:49,800 --> 00:11:52,040 Speaker 3: but he was not the man to do it with. 208 00:11:52,679 --> 00:11:57,600 Speaker 3: He has very protective tendencies. I have a psychology background. 209 00:11:57,679 --> 00:12:00,160 Speaker 2: So I was gonna say, tell me more about this, 210 00:12:00,559 --> 00:12:01,840 Speaker 2: and it sounds interesting. 211 00:12:01,920 --> 00:12:06,600 Speaker 3: Gravitates to the woman that he could help and be 212 00:12:07,160 --> 00:12:11,760 Speaker 3: compassionate with, and that's why he seems to form connections 213 00:12:11,800 --> 00:12:15,080 Speaker 3: with the widows and the ones that are opening up 214 00:12:15,120 --> 00:12:19,880 Speaker 3: to him and feeling vulnerable because he swoops right in 215 00:12:19,960 --> 00:12:23,960 Speaker 3: to be their savior kind of an understanding them. So 216 00:12:24,480 --> 00:12:29,920 Speaker 3: her doing the lap dance was way too aggressive for him. 217 00:12:30,320 --> 00:12:34,480 Speaker 3: Other men might have loved it, but in this particular case, 218 00:12:34,520 --> 00:12:37,880 Speaker 3: she wasn't reading the room correctly with him, so to speak. 219 00:12:38,640 --> 00:12:43,200 Speaker 2: I do think that there's a physical attraction there, because 220 00:12:43,200 --> 00:12:45,040 Speaker 2: he said last week he was like, do you know, 221 00:12:45,080 --> 00:12:48,520 Speaker 2: like how sexy you are or something like that. Oh yeah, 222 00:12:48,559 --> 00:12:51,920 Speaker 2: I know. But I don't think that she's the one. 223 00:12:51,920 --> 00:12:54,439 Speaker 2: I think it's more of a physical connection. 224 00:12:54,240 --> 00:12:56,360 Speaker 3: The girl that he wrote that left. 225 00:12:57,080 --> 00:12:59,160 Speaker 2: I thought, you know, we got to get to Joe. Now, 226 00:12:59,280 --> 00:13:02,600 Speaker 2: that's what I said. I know why she was one 227 00:13:02,600 --> 00:13:05,880 Speaker 2: of my favorites from the get go. I feel like 228 00:13:06,000 --> 00:13:11,520 Speaker 2: she was one of the prettiest ladies there, and she 229 00:13:11,520 --> 00:13:14,960 Speaker 2: she wins. She was very concerned about not having a talent, 230 00:13:16,320 --> 00:13:19,240 Speaker 2: and she pulled through with one. She wrote a poem. 231 00:13:19,360 --> 00:13:23,559 Speaker 2: She killed it with the audience. And even though Leslie 232 00:13:23,720 --> 00:13:26,319 Speaker 2: thinks that like her dance is going to take over 233 00:13:26,400 --> 00:13:31,840 Speaker 2: because it's like a true talent of hers, Joan wins 234 00:13:31,880 --> 00:13:34,280 Speaker 2: and I think deservingly so. And they go to dinner 235 00:13:35,120 --> 00:13:38,320 Speaker 2: and they have initial conversation about losing their spouses, and 236 00:13:38,400 --> 00:13:42,800 Speaker 2: all of a sudden, you know, she's got the roast. 237 00:13:42,800 --> 00:13:45,319 Speaker 2: It's just one of those dates. It went too fast. 238 00:13:45,720 --> 00:13:48,160 Speaker 2: She does mention that her daughter had a baby fifteen 239 00:13:48,240 --> 00:13:52,680 Speaker 2: days ago, and that's that's kind of what we got. 240 00:13:52,760 --> 00:13:54,600 Speaker 2: She said that she loved being married, and. 241 00:13:54,520 --> 00:13:57,280 Speaker 3: She emergency was but I'm assuming it was posting herd 242 00:13:57,280 --> 00:13:59,079 Speaker 3: on depression of some sort. 243 00:13:59,160 --> 00:14:03,080 Speaker 2: Maybe some of that, yeah, because she had a traumatic delivery. 244 00:14:03,120 --> 00:14:05,800 Speaker 2: So that's what happens. The next day we find out 245 00:14:05,960 --> 00:14:08,840 Speaker 2: that even though the baby has been born, and it 246 00:14:09,000 --> 00:14:14,360 Speaker 2: seems that she was, she probably left home just mere 247 00:14:14,520 --> 00:14:18,839 Speaker 2: days two three days after her daughter gave birth, based 248 00:14:18,840 --> 00:14:20,720 Speaker 2: on where they are at this point in the quote 249 00:14:20,720 --> 00:14:23,160 Speaker 2: competition and how early she had to probably get to 250 00:14:23,240 --> 00:14:27,960 Speaker 2: the hotel before filming. But then she gets a she 251 00:14:28,000 --> 00:14:31,000 Speaker 2: gets a message which is this is this is where 252 00:14:31,080 --> 00:14:35,840 Speaker 2: I'm interested about the production level of this she tells 253 00:14:35,840 --> 00:14:38,240 Speaker 2: Gary at the dinner date that my daughter had a 254 00:14:38,240 --> 00:14:42,600 Speaker 2: baby and that it wasn't an easy delivery. And then 255 00:14:42,920 --> 00:14:46,040 Speaker 2: the next morning she has access to her phone, which 256 00:14:46,360 --> 00:14:49,680 Speaker 2: we are not given access to phones. So I want 257 00:14:49,720 --> 00:14:56,120 Speaker 2: to know whether or not the producers. There's two ways 258 00:14:56,160 --> 00:14:59,400 Speaker 2: this is going to get the kick go we I 259 00:14:59,400 --> 00:15:03,960 Speaker 2: I personally give my parents, my sister the number of 260 00:15:04,000 --> 00:15:06,960 Speaker 2: a producer before I have my phone taken away, so 261 00:15:06,960 --> 00:15:09,360 Speaker 2: that if there's an emergency they can get in touch 262 00:15:09,400 --> 00:15:17,720 Speaker 2: with me. Either that just coincidentally happened, and the producer 263 00:15:17,960 --> 00:15:19,840 Speaker 2: just that morning was like, hey, we got a text 264 00:15:19,840 --> 00:15:24,240 Speaker 2: from your daughter. Here it is or I wonder if 265 00:15:24,240 --> 00:15:28,120 Speaker 2: for some reason, maybe for dramatic reason, I don't know, 266 00:15:28,760 --> 00:15:30,760 Speaker 2: they were like, hey, do you want to check your phone? 267 00:15:31,520 --> 00:15:33,360 Speaker 2: And they gave her the and they gave her the 268 00:15:33,400 --> 00:15:36,960 Speaker 2: phone knowing there was a text from the daughter. I'm 269 00:15:37,000 --> 00:15:40,280 Speaker 2: just like interested to see how it went from them 270 00:15:40,400 --> 00:15:44,000 Speaker 2: having a date that night before to the next morning 271 00:15:44,120 --> 00:15:47,680 Speaker 2: after the connection has already been formed for dramatic effect. 272 00:15:47,960 --> 00:15:54,280 Speaker 2: Was there's some behind the scenes play with when she 273 00:15:54,360 --> 00:15:55,520 Speaker 2: received the text message? 274 00:15:56,080 --> 00:16:01,320 Speaker 3: Yeah, do you think the producers got the text message earlier? 275 00:16:01,760 --> 00:16:04,480 Speaker 2: Yeah? I mean if I should be, if I'm to 276 00:16:04,480 --> 00:16:09,320 Speaker 2: be true dramatic. Yes, I think that that is a possibility. 277 00:16:10,240 --> 00:16:12,680 Speaker 2: It could be, could be, I could be. But I 278 00:16:13,680 --> 00:16:17,760 Speaker 2: also like, I'm kind of looking at it in like 279 00:16:17,800 --> 00:16:19,440 Speaker 2: a little bit more of a malicious way, and I 280 00:16:19,440 --> 00:16:21,840 Speaker 2: don't I don't know if that's how it went down. 281 00:16:22,200 --> 00:16:25,080 Speaker 3: Well, these shows are scripted to some extent. 282 00:16:25,240 --> 00:16:29,680 Speaker 2: I'm not scripted, but like the timing of things certainly 283 00:16:29,720 --> 00:16:36,000 Speaker 2: not scripted, but the timing that things awry awry. Yeah, yeah, 284 00:16:36,040 --> 00:16:38,880 Speaker 2: So there's there's some questions that I have about her 285 00:16:39,160 --> 00:16:43,400 Speaker 2: her departure there, and yeah, I'm I know that she 286 00:16:44,400 --> 00:16:46,520 Speaker 2: had to go, but I really think she could have 287 00:16:46,560 --> 00:16:47,040 Speaker 2: gotten far. 288 00:16:47,920 --> 00:16:50,800 Speaker 3: Oh. I thought she would have hands down winner. 289 00:16:51,080 --> 00:16:52,800 Speaker 2: She definitely could have been up there. 290 00:16:53,200 --> 00:16:55,320 Speaker 3: I kept on thinking the whole time I was watching 291 00:16:55,360 --> 00:16:59,800 Speaker 3: that that, Oh my god. Months later, when the daughter 292 00:16:59,920 --> 00:17:03,040 Speaker 3: is watching this as we are watching it now. 293 00:17:02,960 --> 00:17:05,320 Speaker 2: Is she gonna be so sad that she must feel. 294 00:17:05,119 --> 00:17:08,640 Speaker 3: So terrible that she ripped her mother out of such 295 00:17:08,680 --> 00:17:13,840 Speaker 3: a wonderful situation for her mother's benefit. You know that 296 00:17:13,960 --> 00:17:15,840 Speaker 3: this could have been it for her mother. 297 00:17:16,560 --> 00:17:20,280 Speaker 2: Joan is very grateful that he even like kind of 298 00:17:21,000 --> 00:17:23,359 Speaker 2: woke her up again into the dating field and like 299 00:17:23,400 --> 00:17:25,520 Speaker 2: made her feel like it's something that she can do again. 300 00:17:25,600 --> 00:17:28,479 Speaker 2: And it was a huge step and she got a 301 00:17:28,520 --> 00:17:31,719 Speaker 2: lot out of the experience. I don't know that her 302 00:17:31,800 --> 00:17:34,240 Speaker 2: daughter is gonna I don't think her daughter is gonna 303 00:17:34,240 --> 00:17:37,360 Speaker 2: feel bad. I think her daughter probably really needed her 304 00:17:37,400 --> 00:17:39,320 Speaker 2: to bring her out of that situation. 305 00:17:40,040 --> 00:17:43,520 Speaker 3: Yeah, there's nothing in the media of what it was. 306 00:17:44,200 --> 00:17:48,679 Speaker 3: They don't say if it was a physical thing, and 307 00:17:48,720 --> 00:17:50,879 Speaker 3: then she needed help with the baby, maybe, but. 308 00:17:50,800 --> 00:17:53,280 Speaker 2: I mean, yeah, she definitely probably needed help with the baby. 309 00:17:53,359 --> 00:17:57,320 Speaker 3: But normally the daughter would be thinking she's one of many, 310 00:17:57,480 --> 00:18:00,240 Speaker 3: it's like, no big deal. But she didn't see the 311 00:18:00,280 --> 00:18:05,200 Speaker 3: amazing connection that they had just made, you know, and 312 00:18:05,240 --> 00:18:08,680 Speaker 3: to rip her away from what could possibly been her 313 00:18:08,720 --> 00:18:09,840 Speaker 3: future husband at. 314 00:18:09,680 --> 00:18:13,320 Speaker 2: That point, Well, what would you have done if your daughter, 315 00:18:13,400 --> 00:18:15,920 Speaker 2: who is, you know, thirty three and when she does 316 00:18:16,000 --> 00:18:20,240 Speaker 2: have a baby one day, what would you do, especially 317 00:18:20,240 --> 00:18:24,240 Speaker 2: since you're thinking about being casted and your grandkid is 318 00:18:24,480 --> 00:18:25,560 Speaker 2: fifteen days old. 319 00:18:26,480 --> 00:18:30,040 Speaker 3: I guess family always does come first. I mean that's 320 00:18:30,160 --> 00:18:33,400 Speaker 3: as mothers typically, that's what we do. We always put 321 00:18:33,480 --> 00:18:37,880 Speaker 3: everybody else ahead of ourselves, and that's exactly what she did. Yeah, 322 00:18:38,000 --> 00:18:41,840 Speaker 3: you know, it's hard though, you know, it's very very difficult. 323 00:18:42,480 --> 00:18:46,160 Speaker 2: Yeah, that being said, perhaps Joan knew that it wasn't 324 00:18:46,200 --> 00:18:49,760 Speaker 2: going to be Gary for her. Maybe she really liked him, 325 00:18:49,800 --> 00:18:52,000 Speaker 2: but kind of just knew in her wounes that like 326 00:18:52,080 --> 00:18:54,000 Speaker 2: it wasn't the one. 327 00:18:54,000 --> 00:18:57,440 Speaker 3: That's a very interesting perspective. I didn't think about. 328 00:18:57,200 --> 00:18:59,400 Speaker 2: That one, because then she'd be like, I don't want 329 00:18:59,400 --> 00:19:01,920 Speaker 2: to waste time. I'm here, like I really like him, 330 00:19:02,040 --> 00:19:04,080 Speaker 2: but I know, like I don't see myself marrying him 331 00:19:04,359 --> 00:19:06,520 Speaker 2: or spending the rest of my life with him. So 332 00:19:07,320 --> 00:19:09,960 Speaker 2: this was a great stepping stone. But I don't want 333 00:19:10,000 --> 00:19:12,479 Speaker 2: to waste time away from my family right now when 334 00:19:12,520 --> 00:19:12,919 Speaker 2: they need me. 335 00:19:13,280 --> 00:19:17,520 Speaker 3: Could be very interesting perspective. I like that a lot. 336 00:19:17,920 --> 00:19:18,200 Speaker 2: Thanks. 337 00:19:18,240 --> 00:19:20,320 Speaker 4: That makes us feel better about it, all right. That 338 00:19:20,400 --> 00:19:34,399 Speaker 4: makes you feel better. That makes you feel better, all right. 339 00:19:34,440 --> 00:19:37,600 Speaker 2: Well, now it's time for Ellen's one on one and 340 00:19:37,680 --> 00:19:41,040 Speaker 2: Ellen gets to play dress up with Michael Costello, one 341 00:19:41,080 --> 00:19:44,000 Speaker 2: of my favorite dress designers. Oh my gosh, what a 342 00:19:44,040 --> 00:19:48,119 Speaker 2: fun date. She picks a beautiful dress. They go on 343 00:19:48,400 --> 00:19:51,000 Speaker 2: a day date where they go to it's kind of 344 00:19:51,040 --> 00:19:53,040 Speaker 2: like I know where they went. We my husband and 345 00:19:53,119 --> 00:19:55,800 Speaker 2: I have taken pictures where they went. It's basically like 346 00:19:56,280 --> 00:20:00,359 Speaker 2: it's like this, it's like the zoo in Malibu. I 347 00:20:00,400 --> 00:20:02,800 Speaker 2: think it's the Malibu Yeah, I think it's the Malibu Zoo. 348 00:20:03,440 --> 00:20:09,000 Speaker 2: And it's just like a really gorgeous, picturesque hilly winery vibe. 349 00:20:09,200 --> 00:20:12,679 Speaker 2: And they have a little nice conversation. She was with 350 00:20:12,760 --> 00:20:16,040 Speaker 2: her husband for twenty five years, but they did get divorced, 351 00:20:16,840 --> 00:20:20,520 Speaker 2: and she talks about her wedding because she's like, you know, 352 00:20:20,600 --> 00:20:22,760 Speaker 2: what was your wedding day like? And he says he 353 00:20:22,760 --> 00:20:25,720 Speaker 2: doesn't even remember it, but he does remember how poor 354 00:20:25,800 --> 00:20:29,280 Speaker 2: they were and they loved having the in laws and 355 00:20:29,440 --> 00:20:32,160 Speaker 2: his parents over just to bring over free groceries. And 356 00:20:32,320 --> 00:20:35,520 Speaker 2: I love that he definitely looks back on that point 357 00:20:35,600 --> 00:20:39,520 Speaker 2: of their lives with like a gold a goldenness, a 358 00:20:39,560 --> 00:20:43,440 Speaker 2: golden glow around it. Where my parents kind of the same. 359 00:20:43,560 --> 00:20:46,480 Speaker 2: I always just hear about how the rent was always 360 00:20:46,560 --> 00:20:50,280 Speaker 2: late and they loved it when my grandparents would cook 361 00:20:50,320 --> 00:20:53,920 Speaker 2: for them. So it's cute. I like that stuff. And 362 00:20:54,040 --> 00:20:58,919 Speaker 2: they grow up together, Yeah, they grow and become you know, 363 00:21:01,320 --> 00:21:06,480 Speaker 2: the adult together, you know. So Ellen goes on a 364 00:21:06,880 --> 00:21:10,479 Speaker 2: hot air balloon with him. It's beautiful. They're kissing he 365 00:21:10,520 --> 00:21:13,520 Speaker 2: gives her a rose on the hot air balloon, And 366 00:21:13,560 --> 00:21:15,879 Speaker 2: it's just I think that he just kind of gets 367 00:21:15,880 --> 00:21:19,600 Speaker 2: along with everyone. Could you imagine Gary ever just eliminating 368 00:21:19,640 --> 00:21:22,439 Speaker 2: somebody on a one one You know what, I'm not 369 00:21:22,440 --> 00:21:26,840 Speaker 2: really feeling this connection. Could you imagine? No way, it's 370 00:21:26,880 --> 00:21:27,840 Speaker 2: bound to happen. 371 00:21:28,040 --> 00:21:32,640 Speaker 3: It's bad to happen. I'm looking for he gets. He 372 00:21:32,680 --> 00:21:37,240 Speaker 3: does form these connections with every single woman. He finds 373 00:21:37,359 --> 00:21:41,040 Speaker 3: the good in every single person. Yeah, he doesn't focus 374 00:21:41,040 --> 00:21:44,520 Speaker 3: on the negative. He only focuses on the positives, which 375 00:21:44,560 --> 00:21:47,920 Speaker 3: I love about him. That's going to make his choice 376 00:21:48,080 --> 00:21:49,680 Speaker 3: very difficult in the long. 377 00:21:49,560 --> 00:21:51,640 Speaker 2: Run, for sure. For sure. 378 00:21:51,960 --> 00:21:54,480 Speaker 3: I'm just curious if she gets to keep the ear rings. 379 00:21:55,520 --> 00:21:58,080 Speaker 2: Oh yeah, she probably gets to keep these. I think 380 00:21:58,080 --> 00:22:01,040 Speaker 2: she gets to keep the gorgeous Yeah there, so pretty, 381 00:22:01,320 --> 00:22:04,919 Speaker 2: so pretty all right, Well that is basically the big 382 00:22:05,080 --> 00:22:08,600 Speaker 2: parts of this episode. We had the rose ceremony. We limited, 383 00:22:09,040 --> 00:22:14,600 Speaker 2: we eliminate it down to a very a very few 384 00:22:15,359 --> 00:22:22,600 Speaker 2: faith Sandra, Leslie, Nancy, Susan, April, Teresa. They get roses 385 00:22:22,640 --> 00:22:26,600 Speaker 2: in addition to the roses that Kathy gets during the 386 00:22:26,680 --> 00:22:34,480 Speaker 2: cocktail hour. Because Kathy just you know, she needed extra reassurance, 387 00:22:34,480 --> 00:22:36,320 Speaker 2: I think, which is why Gary went and got the 388 00:22:36,400 --> 00:22:41,440 Speaker 2: rose to her early. And then of course it's also 389 00:22:41,480 --> 00:22:45,120 Speaker 2: Ellen's rose. And the ladies that leave are Edith and Christina. 390 00:22:45,200 --> 00:22:47,640 Speaker 2: We didn't know much about Christina at all, and Edith 391 00:22:47,640 --> 00:22:49,159 Speaker 2: I thought was a very attractive lady. 392 00:22:49,880 --> 00:22:53,320 Speaker 3: I loved your hair too, have magnificent hair. 393 00:22:53,840 --> 00:22:56,159 Speaker 2: Yes, it's too bad to see her go, but I 394 00:22:56,160 --> 00:22:58,800 Speaker 2: guess they just didn't have it together. We never really 395 00:22:58,800 --> 00:22:59,680 Speaker 2: saw them interact. 396 00:23:00,359 --> 00:23:03,320 Speaker 3: Yeah, that's the shame of it, because there's only so 397 00:23:03,440 --> 00:23:06,560 Speaker 3: much time, I know, for him to get to everybody, 398 00:23:06,720 --> 00:23:09,200 Speaker 3: or we just don't see it, you know. I guess 399 00:23:09,200 --> 00:23:12,600 Speaker 3: if the producers don't bother to film those the ones 400 00:23:12,600 --> 00:23:13,399 Speaker 3: that he doesn't. 401 00:23:13,320 --> 00:23:16,119 Speaker 2: It's all filmed. Did they chose not to put that 402 00:23:16,160 --> 00:23:18,119 Speaker 2: on TV? Because she was going to get eliminated? I 403 00:23:18,119 --> 00:23:20,560 Speaker 2: think with the little amount of time we have in 404 00:23:20,560 --> 00:23:23,920 Speaker 2: these episodes, if these people aren't going to get far, 405 00:23:24,280 --> 00:23:26,600 Speaker 2: they're not going to show us much, which is another 406 00:23:26,680 --> 00:23:30,600 Speaker 2: reason why I thought that maybe they cut his date 407 00:23:30,680 --> 00:23:34,200 Speaker 2: with Joan so short because they're like, uh, it's inconsequential 408 00:23:34,240 --> 00:23:35,240 Speaker 2: because she leaves tomorrow. 409 00:23:37,800 --> 00:23:39,760 Speaker 3: Is the regular bachelor two hours? 410 00:23:40,119 --> 00:23:40,520 Speaker 2: Yeah? 411 00:23:40,880 --> 00:23:43,800 Speaker 3: Oh, so why did they only do it. It doesn't 412 00:23:43,840 --> 00:23:46,000 Speaker 3: work so much in the one hour format. 413 00:23:47,200 --> 00:23:49,639 Speaker 2: Isn't it shocking? You think like an hour long show 414 00:23:49,680 --> 00:23:52,600 Speaker 2: should be fine. It's really forty minutes with commercials, But 415 00:23:52,680 --> 00:23:57,080 Speaker 2: it's really necessary. I never realize how necessary the two 416 00:23:57,160 --> 00:24:00,600 Speaker 2: hours were because saying. 417 00:24:00,400 --> 00:24:03,800 Speaker 3: You're getting a consolidated version, and we need to see 418 00:24:03,840 --> 00:24:06,520 Speaker 3: more of these connections. We're seeing a lot of the 419 00:24:06,600 --> 00:24:10,080 Speaker 3: women's connections with each other, but we're not really seeing 420 00:24:11,080 --> 00:24:14,000 Speaker 3: a lot of airtime. Need these connections with him. 421 00:24:14,640 --> 00:24:18,359 Speaker 2: We need way more conversations. We need to see way 422 00:24:18,359 --> 00:24:21,359 Speaker 2: more of the conversations they're having because what we see 423 00:24:21,400 --> 00:24:24,040 Speaker 2: is great. What we see is amazing, and we love it, 424 00:24:24,800 --> 00:24:27,679 Speaker 2: and that's we're craving more. And my mom always says, 425 00:24:27,960 --> 00:24:30,639 Speaker 2: leave when you're having fun, make them want more. But 426 00:24:31,880 --> 00:24:32,879 Speaker 2: it doesn't work here. 427 00:24:33,880 --> 00:24:37,080 Speaker 3: No oh, because we want to form our own opinions 428 00:24:37,080 --> 00:24:40,720 Speaker 3: and our own judgments, and we're not given the opportunity 429 00:24:40,800 --> 00:24:44,560 Speaker 3: because we don't see them really interacting all that much. 430 00:24:45,240 --> 00:24:49,440 Speaker 2: I know, I'm sure next season will be two hour 431 00:24:49,480 --> 00:24:53,639 Speaker 2: long episodes. We just have a good, good cut feeling 432 00:24:53,760 --> 00:24:57,000 Speaker 2: that there will be another season because the ratings are 433 00:24:57,040 --> 00:25:00,880 Speaker 2: amazing and the debut night, just like all the numbers 434 00:25:00,920 --> 00:25:05,560 Speaker 2: throughout streaming and whatnot are great. And I just I 435 00:25:05,640 --> 00:25:07,280 Speaker 2: just think that they made it an hour because it 436 00:25:07,320 --> 00:25:11,160 Speaker 2: was sort of an experimental season to see how people 437 00:25:11,480 --> 00:25:12,000 Speaker 2: took to it. 438 00:25:12,640 --> 00:25:13,640 Speaker 3: Are they going to do too? 439 00:25:15,200 --> 00:25:16,920 Speaker 2: This is just my guess. This is just my guess. 440 00:25:16,960 --> 00:25:18,960 Speaker 2: I'd be shocked if they continued with. 441 00:25:18,920 --> 00:25:21,120 Speaker 3: The hour, because I want to sign up. 442 00:25:22,359 --> 00:25:24,480 Speaker 2: I know you got to sign up. 443 00:25:24,960 --> 00:25:26,600 Speaker 3: I want to sign up so bad. 444 00:25:27,520 --> 00:25:30,640 Speaker 2: Okay, well, we will will teach you how to do it. 445 00:25:30,800 --> 00:25:33,440 Speaker 3: I'm looking for a lot of America. 446 00:25:33,920 --> 00:25:37,439 Speaker 2: I think there's gonna be so many applications for next season. 447 00:25:37,600 --> 00:25:40,719 Speaker 2: So if you need help pushing it along, you let 448 00:25:40,840 --> 00:25:45,480 Speaker 2: us know. Thank you. Thank you for coming on and 449 00:25:45,520 --> 00:25:47,600 Speaker 2: giving us all your opinions and recapping with me. We 450 00:25:47,720 --> 00:25:48,560 Speaker 2: really appreciate it. 451 00:25:48,640 --> 00:25:51,720 Speaker 3: Well, if you need me again, I'm here all right. 452 00:25:51,800 --> 00:25:55,280 Speaker 2: Thank you so much, Marcy. We will will take you 453 00:25:55,359 --> 00:25:56,080 Speaker 2: up on that offer. 454 00:25:56,880 --> 00:26:00,000 Speaker 3: Thank you. Nice meeting you, so nice meeting you. 455 00:26:00,080 --> 00:26:02,880 Speaker 2: All right, until next time, guys, I've been Ashley. 456 00:26:03,400 --> 00:26:06,359 Speaker 1: Follow the Ben and Ashley I Almost Famous podcasts on 457 00:26:06,400 --> 00:26:09,639 Speaker 1: iHeartRadio or subscribe wherever you listen to podcasts