WEBVTT - #424 - Wallie the Sensei

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<v Speaker 1>What up is Wally? This sin say? Make sure you

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<v Speaker 1>check me out on the Bootleg keV podcast. Man, real

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<v Speaker 1>fire shit going on.

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<v Speaker 2>Yo man, Bootleg CAV podcast. We got a special guest

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<v Speaker 2>in here finally, one of my favorite out the city

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<v Speaker 2>man Wallely the Sense say the Golden Child is here.

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<v Speaker 1>Hey man, say Man, what up? keV?

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<v Speaker 2>What's up?

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<v Speaker 1>Man?

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<v Speaker 2>How you doing? Bro?

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<v Speaker 1>Man? I'm good? You feel me? Hey? Shout out to

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<v Speaker 1>keV though, because I just came down here. He got

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<v Speaker 1>a dope ass studio. I went in there and made

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<v Speaker 1>some straight hit records. Y'all gonna hear the motherfuckers. I'm

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<v Speaker 1>finna switch it up.

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<v Speaker 2>No, you got it's crazy because you were playing me

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<v Speaker 2>even besides the stuff you made the other day, like

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<v Speaker 2>you were just playing me, just the stuff that's in

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<v Speaker 2>the h that you have just loaded up ready, that's

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<v Speaker 2>crazy with everyone in their mom.

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<v Speaker 1>Yeah, yeah, yeah, I got some shit in the vault.

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<v Speaker 1>I'm just sitting.

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<v Speaker 2>About that shit for sure.

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<v Speaker 1>That's putting it like that. I'm just sitting back aiming.

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<v Speaker 2>What's crazy too, because like the one thing about you, Bro,

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<v Speaker 2>is like it's like I remember the first time I

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<v Speaker 2>heard Scandalist. I was like, oh, this shit is different,

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<v Speaker 2>like the thing about you know, and this is something

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<v Speaker 2>I feel like Greto preaches so much, is like it's

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<v Speaker 2>easy to try to box in LA rappers into this

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<v Speaker 2>little box. Yeah, and you immediately did such a great

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<v Speaker 2>job of just like when I heard Scandaliss. It's just

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<v Speaker 2>like I was like, oh shit, this this ain't the same,

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<v Speaker 2>this is different.

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<v Speaker 1>Yeah, facts, man, we hate it. We hate being put

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<v Speaker 1>in a box, especially the ones that's really talented, like

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<v Speaker 1>like even even me though when I came out, I

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<v Speaker 1>had a hard time trying to trying to locate my

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<v Speaker 1>specific sound, like all right, where's my foundation? Like people

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<v Speaker 1>know that they can come to me for you know

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<v Speaker 1>what I'm saying. Shit, that sounded like that. But when

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<v Speaker 1>you hear O three Flow or Tarzan, like all my

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<v Speaker 1>records sound different, that's for sure. I like that. But

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<v Speaker 1>it's like a gift from the curse because you don't

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<v Speaker 1>really know what you're gonna.

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<v Speaker 2>Get right whenever I drop right and you were playing

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<v Speaker 2>me some shit, and like, you know, I feel like

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<v Speaker 2>you just got a very like you got a range

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<v Speaker 2>of tones that your voice can go in. Where like

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<v Speaker 2>you said, like if if if you didn't know it

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<v Speaker 2>was you, and maybe you had only heard all three

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<v Speaker 2>Flow and maybe you heard another big you wouldn't even

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<v Speaker 2>you might not even know it's the same guy.

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<v Speaker 1>I swear to god. Shit crazy.

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<v Speaker 2>But that's I think that's a good thing.

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<v Speaker 1>Yeah, it's good. Sometimes it's bad for me. I feel

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<v Speaker 1>like because I see all these other artists and they

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<v Speaker 1>got like a foundation, and it's like, damn, I kind

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<v Speaker 1>of want that for myself. But at the same time,

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<v Speaker 1>I don't want to be boxed into a specific sound.

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<v Speaker 2>So well, I think you got a foundation though, because

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<v Speaker 2>I think when you have, like, you know, records that

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<v Speaker 2>are you know, whatever level. You got a couple of

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<v Speaker 2>hit records, you know, I feel like that, you know,

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<v Speaker 2>whether it's a West Coast hit or whatever, you got

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<v Speaker 2>records that I mean, like I booked you at my

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<v Speaker 2>club in Scotsdale. That shit was fucking lit.

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<v Speaker 1>Oh yeah, yeah, eleven eleven And before you even d Like,

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<v Speaker 1>when I would DJ at my spot, I would always

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<v Speaker 1>play a three Flow and the whole fucking crowd.

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<v Speaker 2>Would just sing it.

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<v Speaker 1>Bro, people love that song. It's crazy, like they got

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<v Speaker 1>like an emotional connection to that song for sure. And

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<v Speaker 1>when I made it I didn't think that like everybody

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<v Speaker 1>would be able to relate to it like that.

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<v Speaker 2>Yeah, it's interesting too because when you made it, Greto

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<v Speaker 2>was incarcerated.

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<v Speaker 1>Yeh, he was in opinion.

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<v Speaker 2>Did you have any relationship with him prior to him

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<v Speaker 2>being incarcerated.

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<v Speaker 1>Well, I had reached out to him before he went

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<v Speaker 1>to jail. And that's kind of why I always fucked

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<v Speaker 1>with Grito, like because I didn't even really have no

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<v Speaker 1>songs out and he was still willing to fuck with me.

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<v Speaker 1>Like you know what I'm saying. I ain't gonna say

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<v Speaker 1>under what circumstances or what price or whatever, but like

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<v Speaker 1>you know what I'm saying, he could have just ignored

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<v Speaker 1>my DM or he could have just ignored my email,

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<v Speaker 1>whatever the case may be. And when he was in jail,

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<v Speaker 1>I spoke to him like a couple times over the phone,

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<v Speaker 1>and he just used to give a nigga game, like

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<v Speaker 1>giving me game about the industry and how I should move.

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<v Speaker 1>He didn't need to, yeah, exactly, and he still do though,

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<v Speaker 1>Like like anytime me and Grito link up or we

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<v Speaker 1>talk like bro, he always dropping gyms on me, like

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<v Speaker 1>showing me the way, which you know in this industry,

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<v Speaker 1>a lot of people ain't gonna do. You got to

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<v Speaker 1>pay the play now, He's one of the realist Like

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<v Speaker 1>I like what I like about Grito is he's he

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<v Speaker 1>understands his worst and he understands his position, and he

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<v Speaker 1>doesn't take it lightly.

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<v Speaker 2>I think a lot of people they get some they

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<v Speaker 2>get some motion. Here, let me push this back out here.

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<v Speaker 1>Yeah, there we go, good looking.

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<v Speaker 2>This fucking Jesus. But I feel like a lot of

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<v Speaker 2>people might get some motion. Like obviously, Grido is one

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<v Speaker 2>of the most influential rappers to ever come out of Cali,

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<v Speaker 2>But I feel like they don't they don't understand like

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<v Speaker 2>the weight that they hold. And I feel like Grito's

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<v Speaker 2>very intentional with who he fucks with. I feel like

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<v Speaker 2>he's a pure, harder dude. And he's also like not

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<v Speaker 2>as accessible as everybody else. Yeah, I feel like that's

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<v Speaker 2>by design.

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<v Speaker 1>He on his superstar shit for sure.

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<v Speaker 2>But it's smart because you can't just be accessible to everybody,

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<v Speaker 2>you know what I mean, Like you have to kind

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<v Speaker 2>of understand, like yo, like everything's gonna be kind of intentional,

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<v Speaker 2>and I feel like he's done a good job of that.

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<v Speaker 2>So I think it's dope that like even without you

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<v Speaker 2>having music out and you're getting locked up, and I'm

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<v Speaker 2>sure he's hearing about three flow.

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<v Speaker 1>Yeah yeah, man, me and Gredo, we got so much

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<v Speaker 1>shit we got. We got a whole tape on the way.

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<v Speaker 1>I heard him talking about it when he was in

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<v Speaker 1>a halfway house in Houston. I flew out there and

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<v Speaker 1>we went all night on some ship made some shit

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<v Speaker 1>that's gonna fuck l a streets up like even more

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<v Speaker 1>parts of the world. But that was really one of

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<v Speaker 1>my focus is like, man, we need some of that,

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<v Speaker 1>some of that ship that the people love here because

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<v Speaker 1>I feel like, you know what I'm saying, we won't

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<v Speaker 1>really got that, not.

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<v Speaker 2>Right now, one hundred percent. Man. I feel like la

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<v Speaker 2>is in need of like some anthems right now. Yeah,

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<v Speaker 2>because I think obviously shout to three and no Baby,

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<v Speaker 2>so city's going crazy.

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<v Speaker 1>But the shit you was playing me man, listen, Oh yeah,

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<v Speaker 1>oh yeah, shout out to three one, no Baby. Man's crazy.

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<v Speaker 2>Hey, that young dude, he killing hilarious. He's a good kid.

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<v Speaker 1>I love seeing that nigga. Man, he killing it. But yeah,

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<v Speaker 1>the ship I got in the phone, I call it

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<v Speaker 1>the vault. The ship I got in the vault, man, Like,

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<v Speaker 1>I really plan on just going ahead and taking the

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<v Speaker 1>throne here and picking different countries. I'm trying to get

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<v Speaker 1>out the country with this ship.

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<v Speaker 2>Well you had had a weren't you on a major

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<v Speaker 2>for a sec?

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<v Speaker 1>Yeah? I was with Capital, that's right, Capital for like

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<v Speaker 1>two years.

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<v Speaker 2>Yeah. How was that experience?

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<v Speaker 1>It was cool? I mean I got to learn the

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<v Speaker 1>business right, because that was the main thing with me,

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<v Speaker 1>Like coming from where I'm from, shit, I never been

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<v Speaker 1>up close enough to see how all this shit worked.

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<v Speaker 1>Like it's like I know my potential and I know

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<v Speaker 1>where I can go, but the actual steps to getting there,

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<v Speaker 1>I didn't know what the steps was.

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<v Speaker 2>So that kind of at least was like a nice

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<v Speaker 2>dry run for you to be like, you know, I'm

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<v Speaker 2>in the game. I can see how this music industry

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<v Speaker 2>works a little. You live, you learn fast, and now

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<v Speaker 2>you know, now you can apply all the stuff you

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<v Speaker 2>learned into the stuff that's in this vault exactly. Yo,

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<v Speaker 2>what was it like for you, man? Like, I know

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<v Speaker 2>you told me recently, well you just told me before

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<v Speaker 2>we were filming that, Like you did make a conscious

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<v Speaker 2>decision to be like ten toes down on this music shit.

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<v Speaker 1>Oh, yeah, because when I first came in, When I

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<v Speaker 1>first was when I first started doing music, I didn't

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<v Speaker 1>expect it to go that.

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<v Speaker 2>Far, right, you didn't know what you had.

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<v Speaker 1>I really started off making music for myself, like I

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<v Speaker 1>liked to I really like listening to my music. I

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<v Speaker 1>don't know if other people feel the same, right or

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<v Speaker 1>if they're hearing the same shit, But for me, it's

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<v Speaker 1>like it's like talking to somebody that everybody need, Like

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<v Speaker 1>I can just talk to myself through my songs. So

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<v Speaker 1>but once I figured it out that people really loved

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<v Speaker 1>it and they really fucked with it, I'm like, oh,

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<v Speaker 1>I can probably really do this shit, and I probably.

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<v Speaker 1>I went to Detroit. I spent like a year just

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<v Speaker 1>in the studio almost every.

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<v Speaker 2>Day in Detroit. Yeah, who are you working with out there?

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<v Speaker 1>With the circle? You know? Nick? No, I don't, oh

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<v Speaker 1>what niggas is. Basically he responsible for a lot of

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<v Speaker 1>the success that come out of Detroit, well Detroit, Drago

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<v Speaker 1>and Bino Detroit on like Shada and Skiller and Babyface

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<v Speaker 1>Ray and all them niggas they all really under pretty

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<v Speaker 1>much one umbrella, so that studio that I was out

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<v Speaker 1>there working with them. Oh and the block boys TJ.

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<v Speaker 1>I was out there working with them and the stud like,

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<v Speaker 1>because they work at a fast pace, like I was

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<v Speaker 1>making like four songs a day.

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<v Speaker 2>Would you say you work at that pace too?

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<v Speaker 1>Now I do. Yeah, now I work fast as shit.

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<v Speaker 1>But that's where it started.

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<v Speaker 2>Though.

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<v Speaker 1>I went out there and they all used to be

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<v Speaker 1>in the booth at once. It's like fox niggas in

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<v Speaker 1>the booth, just back to back rapping and shit, and

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<v Speaker 1>I had to pick up on the speed you feel

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<v Speaker 1>me or else. I couldn't never get on the song right,

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<v Speaker 1>like every time I try to get on the song

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<v Speaker 1>to be done. So so yeah, when I got back home,

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<v Speaker 1>I start doing like twelve songs a day, twenty songs

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<v Speaker 1>a day. I'm like, okay, I got the hang of

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<v Speaker 1>this shit, but probably last year, I'm like, damn, Like

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<v Speaker 1>I feel like my music is good. I feel like

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<v Speaker 1>I'm one of the best, but I gotta get everybody

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<v Speaker 1>else to see that, like you know, and like real

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<v Speaker 1>life shit always slow down the process. So I'm like,

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<v Speaker 1>all right, fuck everything. I know, I got the kids,

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<v Speaker 1>I know, I got family, I got people who love me,

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<v Speaker 1>but shit, like you feel me, I gotta put everything

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<v Speaker 1>to the side. I gotta put the hood to the side,

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<v Speaker 1>the streets to the side, and I just got to

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<v Speaker 1>work on this.

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<v Speaker 2>Yeah. I always feel like if you move a certain

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<v Speaker 2>way while also trying to be a superstar, you're always

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<v Speaker 2>gonna have some sort of like stress cloud hanging above

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<v Speaker 2>your fucking head because you never know what what today

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<v Speaker 2>might entail.

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<v Speaker 1>Yeah, stress cloud distractions. Look, if you out there and

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<v Speaker 1>you're trying to chase your dreams, bro, don't think twice.

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<v Speaker 1>If you got the right shit in your heart. You

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<v Speaker 1>know you love your friends, you know what I'm saying.

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<v Speaker 1>You know you love your hood, then you don't gotta

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<v Speaker 1>think twice. Chase your dreams first and then come back,

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<v Speaker 1>come back.

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<v Speaker 2>And help out. Yet, but the goal isn't to stay

0:10:27.559 --> 0:10:29.280
<v Speaker 2>in the hood. Yeah, it shouldn't be the goal.

0:10:29.440 --> 0:10:32.040
<v Speaker 1>That's only the goal for niggas who've never been there, Right,

0:10:32.800 --> 0:10:34.800
<v Speaker 1>The only niggas who ain't grow up in the hood

0:10:35.280 --> 0:10:38.560
<v Speaker 1>really just glorified just being in that motherfucker. We all

0:10:38.600 --> 0:10:40.680
<v Speaker 1>trying to make a way out. Everybody from the hood

0:10:40.720 --> 0:10:41.360
<v Speaker 1>trying to get out.

0:10:41.480 --> 0:10:45.160
<v Speaker 2>For sure, Man, what is it about man Compton? Whatever

0:10:45.240 --> 0:10:47.520
<v Speaker 2>water y'all got in Compton produce the best rappers.

0:10:47.800 --> 0:10:49.240
<v Speaker 1>Bro, we got so much talent.

0:10:49.440 --> 0:10:50.360
<v Speaker 2>It's so crazy.

0:10:50.679 --> 0:10:53.800
<v Speaker 1>It is like, I'm really grateful. I swear I'm blessed

0:10:53.840 --> 0:10:56.280
<v Speaker 1>because I'm grateful that I got something that stand out,

0:10:56.800 --> 0:11:00.360
<v Speaker 1>because otherwise, Bro, you'll be drowned in that shit.

0:11:00.840 --> 0:11:02.120
<v Speaker 2>Just loaded, Bro, so.

0:11:02.040 --> 0:11:06.600
<v Speaker 1>Many options, like whatever you looking for musically, sports wise,

0:11:06.679 --> 0:11:10.199
<v Speaker 1>all that ship, it's a lot of talent. Talent, for sure,

0:11:10.880 --> 0:11:13.320
<v Speaker 1>I can get you hit. We got just out of

0:11:13.360 --> 0:11:16.679
<v Speaker 1>my section. We got Mari Ruger, we got ys thirty,

0:11:16.720 --> 0:11:20.440
<v Speaker 1>shot copone, we got Hit at J three. You know,

0:11:20.520 --> 0:11:22.679
<v Speaker 1>like some of the bigger names. You know, Katok came

0:11:22.720 --> 0:11:27.680
<v Speaker 1>from Mars Section two. We got rosecrans hop out, we

0:11:27.760 --> 0:11:32.599
<v Speaker 1>got Vicasso, we got Ship, Chef Boy. I don't know

0:11:32.640 --> 0:11:34.880
<v Speaker 1>if you ever heard of sad boy Man. You gotta

0:11:34.920 --> 0:11:36.800
<v Speaker 1>hear Chef Boy. He crazy, he got he got all

0:11:36.800 --> 0:11:37.960
<v Speaker 1>the females going crazy.

0:11:38.080 --> 0:11:39.840
<v Speaker 2>Yeah. I just think when I think of Compton, I'm like,

0:11:40.120 --> 0:11:44.040
<v Speaker 2>you know, it's just top. I mean, I mentioned Kendrick

0:11:44.040 --> 0:11:44.720
<v Speaker 2>obviously game.

0:11:45.360 --> 0:11:45.640
<v Speaker 1>Yeah.

0:11:45.720 --> 0:11:48.319
<v Speaker 2>We got Roddy Asias Thope.

0:11:48.480 --> 0:11:51.239
<v Speaker 1>Yeah yeah, Hey, Roddy really one of the best artists

0:11:51.720 --> 0:11:55.200
<v Speaker 1>I feel like ever to come out of California. I agree, Yeah,

0:11:55.280 --> 0:11:57.959
<v Speaker 1>like I don't feel like they give that dude his

0:11:57.960 --> 0:11:59.240
<v Speaker 1>his respect and flowers.

0:11:59.240 --> 0:12:01.760
<v Speaker 2>And it sucks to because with Roddy, I feel like

0:12:01.840 --> 0:12:05.720
<v Speaker 2>he was the first case study of the like he

0:12:05.760 --> 0:12:09.559
<v Speaker 2>had caught such a wave when his album came out,

0:12:09.880 --> 0:12:12.920
<v Speaker 2>and I feel like he was the one artist who

0:12:13.920 --> 0:12:18.160
<v Speaker 2>couldn't really that was his first real like superstar moment,

0:12:18.200 --> 0:12:20.600
<v Speaker 2>and it happened right at the beginning of COVID. Yeah,

0:12:20.679 --> 0:12:22.600
<v Speaker 2>that's what happened to me, you know what I mean,

0:12:22.640 --> 0:12:26.040
<v Speaker 2>Like COVID really, like Roddy had a festival run, planned

0:12:26.600 --> 0:12:29.679
<v Speaker 2>a bigger tour plan and then COVID just fucked up.

0:12:29.720 --> 0:12:32.120
<v Speaker 2>I feel like COVID fucked with a lot of people's momentum.

0:12:32.200 --> 0:12:35.760
<v Speaker 1>Bro Covid came in. Bro. I signed a deal during COVID,

0:12:36.200 --> 0:12:38.120
<v Speaker 1>so I didn't meet nobody from the label.

0:12:38.640 --> 0:12:40.439
<v Speaker 2>All Zoom calls, everything.

0:12:40.160 --> 0:12:43.400
<v Speaker 1>Was on Zoom. That shit was crazy, like for it

0:12:43.400 --> 0:12:45.480
<v Speaker 1>to be my first time doing everything.

0:12:45.200 --> 0:12:46.920
<v Speaker 2>So you're dealing with nothing but Zoom. Yeah, and the

0:12:46.960 --> 0:12:49.720
<v Speaker 2>record the record of companies were super paranoids and nobody

0:12:49.720 --> 0:12:50.280
<v Speaker 2>was coming.

0:12:50.040 --> 0:12:52.240
<v Speaker 1>In yeah yeah, yeah. It was a cap on everything.

0:12:52.360 --> 0:12:54.880
<v Speaker 1>It wasn't too much that nobody wanted to bet on

0:12:55.040 --> 0:12:57.800
<v Speaker 1>because you know it was our first time ever seeing

0:12:57.840 --> 0:12:59.400
<v Speaker 1>it as a whole for sure.

0:12:59.559 --> 0:13:03.839
<v Speaker 2>No, for sure? Man, talk about your what's your writing style?

0:13:04.080 --> 0:13:04.480
<v Speaker 1>Are you?

0:13:05.559 --> 0:13:06.959
<v Speaker 2>Do you write anything or is it all?

0:13:07.320 --> 0:13:10.880
<v Speaker 1>No? I ain't wrote since I got a song called Tarzan.

0:13:11.920 --> 0:13:14.000
<v Speaker 1>Y'all make sure y'all check that out. That's one of

0:13:14.000 --> 0:13:16.559
<v Speaker 1>the people favors. But I ain't wrote the song since

0:13:16.600 --> 0:13:18.720
<v Speaker 1>stars In, So I ain't wrote in like two or three.

0:13:18.640 --> 0:13:23.640
<v Speaker 2>Years before that. Like, did you write scandalous on like

0:13:23.720 --> 0:13:26.160
<v Speaker 2>the freestyle? That was a freestyle? So what would you

0:13:26.160 --> 0:13:28.880
<v Speaker 2>do when you go in and lay down the harmony first,

0:13:29.640 --> 0:13:31.960
<v Speaker 2>like the melody and then filling the lyrics.

0:13:32.080 --> 0:13:34.880
<v Speaker 1>It's so unorthodox, bro, Like, I feel like I do

0:13:34.960 --> 0:13:37.120
<v Speaker 1>that more now, Like I kind of mumble shit, or

0:13:37.160 --> 0:13:39.720
<v Speaker 1>I might even whistle fill it in. Yeah, like I'll whistle.

0:13:39.800 --> 0:13:43.800
<v Speaker 1>I'll whistle a whole beat through and then like I'll

0:13:43.840 --> 0:13:46.680
<v Speaker 1>make the whistle words are filling in with some words.

0:13:46.720 --> 0:13:50.160
<v Speaker 1>But it's so unorthodox the way I'll do it, because

0:13:50.160 --> 0:13:52.960
<v Speaker 1>it ain't. No, I really don't have no actual way

0:13:53.000 --> 0:13:54.280
<v Speaker 1>to do it. It's no right or wrong.

0:13:54.360 --> 0:13:57.959
<v Speaker 2>There's no like specific formula way you do. Like it

0:13:58.040 --> 0:13:59.960
<v Speaker 2>might be different Tuesday than it is Wednesday.

0:14:00.080 --> 0:14:02.920
<v Speaker 1>Yeah, like scandalss. I blurted that out like I was

0:14:02.920 --> 0:14:04.960
<v Speaker 1>in the I was in the booth and I just

0:14:05.000 --> 0:14:08.160
<v Speaker 1>blurted some ship out and I just kept going.

0:14:08.679 --> 0:14:12.320
<v Speaker 2>Hey, it's such a fucking amazing statement. Yeah, but that

0:14:12.440 --> 0:14:14.080
<v Speaker 2>people trying to kill me for some shit that was

0:14:14.120 --> 0:14:14.480
<v Speaker 2>really good.

0:14:14.960 --> 0:14:17.760
<v Speaker 1>That was going on in my life though. So so

0:14:17.840 --> 0:14:19.920
<v Speaker 1>that's the thing. Like a lot of times it just

0:14:19.960 --> 0:14:23.120
<v Speaker 1>really be my conscious right and it just comes out. Yeah,

0:14:23.160 --> 0:14:26.520
<v Speaker 1>And I choose conscious overbrain. Like if I'm thinking, I

0:14:26.560 --> 0:14:29.640
<v Speaker 1>always feel like we might like if we knew the formula,

0:14:29.720 --> 0:14:32.800
<v Speaker 1>then we'll all be billionaires. Like nobody really know the formula.

0:14:32.960 --> 0:14:35.920
<v Speaker 1>So I'll be trusting my conscience whenever. Whenever some shit

0:14:36.080 --> 0:14:37.680
<v Speaker 1>just come out or I feel it, I'll just run

0:14:37.760 --> 0:14:43.160
<v Speaker 1>with it. Why the sentine for a few reasons. Ship.

0:14:43.760 --> 0:14:46.680
<v Speaker 1>I did do karate a little bit growing up.

0:14:46.920 --> 0:14:49.280
<v Speaker 2>Like how far in Like how much karate? Like what

0:14:49.400 --> 0:14:52.000
<v Speaker 2>belts brown? That's pretty I mean, what is that a

0:14:52.080 --> 0:14:52.960
<v Speaker 2>couple behind black?

0:14:53.360 --> 0:14:53.800
<v Speaker 1>Yeah?

0:14:53.880 --> 0:14:54.360
<v Speaker 2>Yeah?

0:14:54.440 --> 0:14:57.360
<v Speaker 1>Yeah. So so when you start karate first we have

0:14:57.440 --> 0:14:59.480
<v Speaker 1>to learn all the bones and ship in the body

0:14:59.760 --> 0:15:03.640
<v Speaker 1>from the head to the feet type shit. My Sinsey

0:15:03.800 --> 0:15:07.040
<v Speaker 1>was my cousin and he ended up passing away. So

0:15:07.320 --> 0:15:09.760
<v Speaker 1>after he passed away, I never did go back to karate.

0:15:09.920 --> 0:15:14.480
<v Speaker 1>But just just the style of the word, I mean,

0:15:14.520 --> 0:15:16.640
<v Speaker 1>the people that are sence is in the world like

0:15:16.680 --> 0:15:19.960
<v Speaker 1>it's supposed to be like a teacher. In my eyes,

0:15:20.040 --> 0:15:22.320
<v Speaker 1>I look at it like as somebody that's that's kind

0:15:22.320 --> 0:15:26.840
<v Speaker 1>of humble, but still know a little bit could probably

0:15:26.920 --> 0:15:29.520
<v Speaker 1>kick your ass, but they'll spare you, you know what

0:15:29.560 --> 0:15:33.360
<v Speaker 1>I'm saying, like wisdom. If you know who Resa Islam is?

0:15:33.400 --> 0:15:37.280
<v Speaker 1>Do you know who that is? Resa Islam? They always

0:15:37.280 --> 0:15:40.000
<v Speaker 1>be taking this Instagram down, but he like next up

0:15:40.360 --> 0:15:43.880
<v Speaker 1>under Fara Khan and he'd be on Instagram like just

0:15:44.160 --> 0:15:48.480
<v Speaker 1>kicking jewels about the world and political shit. But but

0:15:48.600 --> 0:15:51.360
<v Speaker 1>when I was younger, he famous the shit now. But

0:15:51.400 --> 0:15:53.440
<v Speaker 1>when I was younger, I used to run into him

0:15:53.440 --> 0:15:55.320
<v Speaker 1>all the time, like just when I used to be

0:15:55.360 --> 0:15:58.320
<v Speaker 1>running the streets, and he used to like just grab

0:15:58.360 --> 0:15:59.960
<v Speaker 1>me and be like, you know, you're finna come with me.

0:16:00.120 --> 0:16:02.760
<v Speaker 1>He'd take me to his He had like a compound

0:16:02.880 --> 0:16:07.080
<v Speaker 1>like where they have kids read, you know, like you

0:16:07.120 --> 0:16:09.800
<v Speaker 1>could probably learn self defense all types of shit, not

0:16:09.840 --> 0:16:12.640
<v Speaker 1>even just like not even just on a Muslim level,

0:16:12.760 --> 0:16:16.400
<v Speaker 1>but just like just really just enlightening young people.

0:16:16.560 --> 0:16:16.920
<v Speaker 2>For sure.

0:16:17.680 --> 0:16:19.120
<v Speaker 1>I could tell he looked at me like I was

0:16:19.200 --> 0:16:23.720
<v Speaker 1>quite mischievous or whatever, but he's seen something else in me.

0:16:23.800 --> 0:16:27.080
<v Speaker 1>So I kind of stuck with the shit that he

0:16:27.200 --> 0:16:29.640
<v Speaker 1>used to teach me, the shit that my cousin used

0:16:29.680 --> 0:16:31.920
<v Speaker 1>to teach me, and just the shit that I naturally

0:16:32.160 --> 0:16:33.600
<v Speaker 1>The ways that I naturally was.

0:16:33.640 --> 0:16:36.880
<v Speaker 2>Because you seem like a pretty like reserved out the

0:16:36.920 --> 0:16:39.520
<v Speaker 2>way dude for being like one of the hottest dudes

0:16:39.520 --> 0:16:41.880
<v Speaker 2>in the city. Like I feel like you're You're not

0:16:42.120 --> 0:16:45.080
<v Speaker 2>like I never ever see you like being reckless online,

0:16:45.240 --> 0:16:46.160
<v Speaker 2>like you're pretty chilling.

0:16:46.320 --> 0:16:48.240
<v Speaker 1>Hell off, bro. If it was up to me, I

0:16:48.240 --> 0:16:52.280
<v Speaker 1>would never get on Instagram. I do not fuck with

0:16:52.320 --> 0:16:54.760
<v Speaker 1>social media. Bro. Social media is crazy.

0:16:55.000 --> 0:16:55.880
<v Speaker 2>It is Bro.

0:16:55.960 --> 0:16:58.840
<v Speaker 1>You open your phone and you look at this shit

0:16:59.320 --> 0:17:02.520
<v Speaker 1>and you just see a billion people trying to say

0:17:02.520 --> 0:17:05.600
<v Speaker 1>the worst thing that could possibly say to anybody, just

0:17:05.600 --> 0:17:07.639
<v Speaker 1>trying to get attention to people that they don't know.

0:17:08.280 --> 0:17:11.159
<v Speaker 1>And then the ship that that people do for the cloud,

0:17:11.280 --> 0:17:14.320
<v Speaker 1>like like like where I'm from is like a real place,

0:17:14.480 --> 0:17:18.479
<v Speaker 1>like like in my hood and bomping. It's it's weird

0:17:18.560 --> 0:17:21.240
<v Speaker 1>seeing some of these people that I might have knew

0:17:21.240 --> 0:17:23.600
<v Speaker 1>my whole life, and I see them.

0:17:23.480 --> 0:17:25.879
<v Speaker 2>Like stepping out of character for likes.

0:17:25.520 --> 0:17:28.119
<v Speaker 1>For the Internet. So it's like, damn, that shit.

0:17:28.080 --> 0:17:30.359
<v Speaker 2>Is scared not a real place, bro, it's scared of

0:17:30.400 --> 0:17:30.960
<v Speaker 2>ship out of me.

0:17:31.080 --> 0:17:33.919
<v Speaker 1>I hate it, And I already know that like you

0:17:33.920 --> 0:17:36.000
<v Speaker 1>could be you could be the most talented person in

0:17:36.040 --> 0:17:38.920
<v Speaker 1>the world, Bro, Michael Jackson, get clanned on the Internet, everybody.

0:17:38.960 --> 0:17:40.440
<v Speaker 1>You feel what I'm saying. So I know one day

0:17:40.440 --> 0:17:43.000
<v Speaker 1>I might slip it far down the stairs and y'all

0:17:43.000 --> 0:17:46.159
<v Speaker 1>gonna y'all gonna flame me for it. You're gonna be

0:17:46.160 --> 0:17:49.920
<v Speaker 1>a mean ice offering. I don't fuck with the Internet, man.

0:17:50.680 --> 0:17:53.879
<v Speaker 2>Yeah, I feel like, uh, you know, it's it's it's

0:17:54.040 --> 0:17:58.280
<v Speaker 2>it's it's a tool to use for your fans. It's

0:17:58.320 --> 0:18:01.399
<v Speaker 2>a tool to use for the music. But like a

0:18:01.440 --> 0:18:05.440
<v Speaker 2>lot of people get tied up with their quote unquote internet,

0:18:05.480 --> 0:18:08.159
<v Speaker 2>like who they are online and who they are in

0:18:08.200 --> 0:18:12.320
<v Speaker 2>real life, and then they try to somehow like you,

0:18:12.560 --> 0:18:14.919
<v Speaker 2>Like you said, you'll know somebody their entire life, and

0:18:14.960 --> 0:18:17.760
<v Speaker 2>if they get a little traction online somehow, they become

0:18:17.880 --> 0:18:19.919
<v Speaker 2>like like, yo, why are you a weirdo?

0:18:20.000 --> 0:18:24.240
<v Speaker 1>Now? Yeah, they'll run with it and I hate that shit. Yeah,

0:18:24.280 --> 0:18:26.879
<v Speaker 1>I hate it. Crazy, I hate it. Shout out to Instagram.

0:18:26.960 --> 0:18:29.320
<v Speaker 1>I love what y'all doing with the app, but it's

0:18:29.359 --> 0:18:31.919
<v Speaker 1>the people that I'm talking about, the people using the

0:18:31.920 --> 0:18:35.520
<v Speaker 1>fucking app, right, we could be using it in a

0:18:35.520 --> 0:18:38.600
<v Speaker 1>lot of positive ways, like because bro, the internet is

0:18:38.600 --> 0:18:39.040
<v Speaker 1>a blessing.

0:18:39.119 --> 0:18:42.119
<v Speaker 2>You can spread information like bro, like pove.

0:18:41.720 --> 0:18:44.600
<v Speaker 1>Even in music if you think about it, like people

0:18:44.680 --> 0:18:47.040
<v Speaker 1>used to have to put a million dollar budgets down

0:18:47.080 --> 0:18:47.879
<v Speaker 1>for videos.

0:18:47.960 --> 0:18:50.040
<v Speaker 2>You would have had to have taken a demo tape

0:18:50.080 --> 0:18:52.680
<v Speaker 2>to someone say Yo, check this out, and they gotta

0:18:52.760 --> 0:18:54.320
<v Speaker 2>play it, and then they gotta play it, they gotta

0:18:54.440 --> 0:18:55.520
<v Speaker 2>like it, they gotta call you back.

0:18:55.840 --> 0:18:56.400
<v Speaker 1>No, Now, you.

0:18:56.320 --> 0:19:00.280
<v Speaker 2>Could just go straight to the people. Then they'll tell everybody.

0:19:00.200 --> 0:19:03.399
<v Speaker 1>You sell anything you could do. But what we choose

0:19:03.480 --> 0:19:04.640
<v Speaker 1>to do with it is crazy.

0:19:04.760 --> 0:19:08.040
<v Speaker 2>It's wild, bro Like, it's like the best, the best

0:19:08.080 --> 0:19:10.240
<v Speaker 2>and worst thing that ever happen to society.

0:19:10.560 --> 0:19:12.280
<v Speaker 1>Facts for sure.

0:19:13.520 --> 0:19:17.040
<v Speaker 2>Why talk to me about your situation because you know,

0:19:17.720 --> 0:19:19.240
<v Speaker 2>like you said, like you got a ton of music,

0:19:19.320 --> 0:19:22.200
<v Speaker 2>you're sitting on some big records, Like what is holding

0:19:22.240 --> 0:19:24.119
<v Speaker 2>you back from dropping more music?

0:19:26.040 --> 0:19:29.000
<v Speaker 1>Since December? I've been I was dropping like a single

0:19:29.080 --> 0:19:32.879
<v Speaker 1>every week, and I just finally slowed down so I

0:19:32.920 --> 0:19:35.600
<v Speaker 1>can kind of calculate my next few steps. But just

0:19:35.640 --> 0:19:39.600
<v Speaker 1>being independent, it's not like it's easier. It's a faster

0:19:39.720 --> 0:19:41.920
<v Speaker 1>process because I don't got to get the records clear

0:19:41.960 --> 0:19:45.120
<v Speaker 1>at the same and shit right, but at the same time, financially,

0:19:45.280 --> 0:19:46.920
<v Speaker 1>you know what I'm saying, Everything falls on you. Yeah,

0:19:46.960 --> 0:19:48.879
<v Speaker 1>certain shit, you got to be able to back certain

0:19:48.920 --> 0:19:51.960
<v Speaker 1>records up. So the ones that I really care about,

0:19:52.119 --> 0:19:53.600
<v Speaker 1>I ain't just throwing them out. You just want to

0:19:53.600 --> 0:19:55.080
<v Speaker 1>throw out and see what happens. You want to make sure,

0:19:55.080 --> 0:19:56.480
<v Speaker 1>you have a plan, you want to make sure. But

0:19:56.520 --> 0:19:58.320
<v Speaker 1>the ones that I feel like is just good for

0:19:58.359 --> 0:20:00.560
<v Speaker 1>the people and just to hold the wust to keep

0:20:00.680 --> 0:20:02.159
<v Speaker 1>keep shit flying.

0:20:02.200 --> 0:20:07.000
<v Speaker 2>Hell yeah yeah, Like, like how many records you and

0:20:07.040 --> 0:20:09.080
<v Speaker 2>Greedo have on the project, because.

0:20:09.160 --> 0:20:14.560
<v Speaker 1>We got at least we probably got like ten to twelve. Yeah, man,

0:20:14.600 --> 0:20:17.560
<v Speaker 1>we got some ship too, some dope ass songs. I

0:20:17.600 --> 0:20:19.680
<v Speaker 1>gotta play something we get out of here.

0:20:19.680 --> 0:20:21.360
<v Speaker 2>For sure. I heard some ship. I want to say,

0:20:21.359 --> 0:20:23.080
<v Speaker 2>who's on these records? But you got some records, you

0:20:23.119 --> 0:20:24.840
<v Speaker 2>got some big records.

0:20:24.920 --> 0:20:26.800
<v Speaker 1>Oh yeah, I got some ship right now. I got

0:20:26.800 --> 0:20:29.360
<v Speaker 1>some ship with I got some shit with dope boy

0:20:30.600 --> 0:20:35.200
<v Speaker 1>g herbal Wych be Fast just came out yesterday.

0:20:35.280 --> 0:20:36.480
<v Speaker 2>Another another talented.

0:20:36.680 --> 0:20:38.359
<v Speaker 1>Yeah, he just came to the hill yesterday. We went

0:20:38.400 --> 0:20:38.959
<v Speaker 1>to the studio.

0:20:39.119 --> 0:20:41.439
<v Speaker 2>You blamed me a song with another guy who's from

0:20:41.600 --> 0:20:43.880
<v Speaker 2>LA who also was a little reserved online. But it's

0:20:43.880 --> 0:20:45.280
<v Speaker 2>also great with melodies.

0:20:45.920 --> 0:20:48.040
<v Speaker 1>Oh yeah, I got some ship. The one I got

0:20:48.080 --> 0:20:49.800
<v Speaker 1>one with Todd Dollars Signing Blast.

0:20:50.080 --> 0:20:52.400
<v Speaker 2>Yes, that's the one. I'm talking about, the Tyn sign

0:20:52.400 --> 0:20:55.400
<v Speaker 2>Blast Records. Fucking crazy shit so far A shout out

0:20:55.440 --> 0:20:58.040
<v Speaker 2>to Todd. Shout out the Blast because they sent them

0:20:58.119 --> 0:21:01.320
<v Speaker 2>verses back and I was bro I felt like that.

0:21:01.440 --> 0:21:03.920
<v Speaker 1>Was what we needed right now for sure. And the

0:21:04.040 --> 0:21:06.399
<v Speaker 1>Tie tie on there. It sounds like some because I'm

0:21:06.440 --> 0:21:09.280
<v Speaker 1>a I'm a big Tie fan, you feel so all

0:21:09.359 --> 0:21:12.640
<v Speaker 1>his old work is really some ship that that kind

0:21:12.640 --> 0:21:14.640
<v Speaker 1>of help, you know, because I do harmonies and short

0:21:14.680 --> 0:21:17.480
<v Speaker 1>and I'll be singing. So that's somebody I always look to,

0:21:18.040 --> 0:21:19.520
<v Speaker 1>you know what I'm saying to not be kind of

0:21:19.680 --> 0:21:23.680
<v Speaker 1>him and Grito Greto Tie and no bullshit R Kelly,

0:21:23.840 --> 0:21:26.080
<v Speaker 1>R Kelly to go man aside from the from the

0:21:26.119 --> 0:21:29.919
<v Speaker 1>other ship, I say it all the time music, Kelly

0:21:29.680 --> 0:21:31.919
<v Speaker 1>is still listen.

0:21:32.840 --> 0:21:36.640
<v Speaker 2>You have to separate, separate the person from the art,

0:21:37.080 --> 0:21:41.880
<v Speaker 2>otherwise we ain't going to ever enjoy ship because as

0:21:41.920 --> 0:21:43.800
<v Speaker 2>you can see, what the fuck's been going on lately

0:21:43.920 --> 0:21:45.560
<v Speaker 2>is a lot of our heroes it's caught up in

0:21:45.640 --> 0:21:48.080
<v Speaker 2>some allegations and it's like, well, does that mean I

0:21:48.119 --> 0:21:54.000
<v Speaker 2>can't enjoy their contributions because R Kelly is, in my opinion,

0:21:54.040 --> 0:21:57.240
<v Speaker 2>the best songwriter ever and he's the in my opinion,

0:21:57.240 --> 0:21:58.080
<v Speaker 2>the King R and B.

0:21:58.320 --> 0:22:01.680
<v Speaker 1>Love Happy People, brow he the ship just twelve play

0:22:02.119 --> 0:22:04.160
<v Speaker 1>the R album, but the double album is my ship,

0:22:04.280 --> 0:22:06.399
<v Speaker 1>like R Kelly the self titled album You remind me

0:22:06.440 --> 0:22:07.680
<v Speaker 1>all that, Like R Kelly is.

0:22:07.680 --> 0:22:11.280
<v Speaker 2>Like still to this day, like one of my favorite artists.

0:22:11.280 --> 0:22:16.000
<v Speaker 2>Now I'm speaking from his creative contributions, like I can

0:22:16.680 --> 0:22:19.360
<v Speaker 2>look the other way on the other ship. Yeah it's

0:22:19.400 --> 0:22:21.880
<v Speaker 2>all good. Like I ain't kicking it with.

0:22:21.880 --> 0:22:23.800
<v Speaker 1>Him, Yeah, I mean, I ain't no judge. I can't

0:22:23.840 --> 0:22:24.720
<v Speaker 1>convict him and nothing.

0:22:24.920 --> 0:22:27.080
<v Speaker 2>He got convicted though, but if it was up to.

0:22:27.080 --> 0:22:31.200
<v Speaker 1>Us, we couldn't even right right right, You can enjoy

0:22:31.280 --> 0:22:34.359
<v Speaker 1>the art, but the music, Bro and then Tye really

0:22:34.400 --> 0:22:37.639
<v Speaker 1>like looking at tire work was kind of like like, Okay, damn,

0:22:37.800 --> 0:22:39.760
<v Speaker 1>if I want to be real big, can I still

0:22:39.760 --> 0:22:43.240
<v Speaker 1>be myself? Like Grido and Tie. I feel like those

0:22:43.320 --> 0:22:47.439
<v Speaker 1>two people musically they really bring like they put the

0:22:47.480 --> 0:22:50.479
<v Speaker 1>inside onto the track. Like when you first reach out

0:22:50.520 --> 0:22:52.240
<v Speaker 1>to Tire, did he reach out to you? How that worked?

0:22:53.119 --> 0:22:55.000
<v Speaker 2>Because he's tapped in a lot with the with the

0:22:55.040 --> 0:22:55.880
<v Speaker 2>new we got.

0:22:55.680 --> 0:22:58.800
<v Speaker 1>More records, that's good as hell. Yeah, hell yeah, we

0:22:58.880 --> 0:23:02.080
<v Speaker 1>got some dope records. We probably our first session we

0:23:02.119 --> 0:23:06.200
<v Speaker 1>did was probably last year at the beginning of the

0:23:06.280 --> 0:23:09.119
<v Speaker 1>last year guy, and we got some dope records. Like

0:23:09.200 --> 0:23:12.640
<v Speaker 1>I put up on him one another time and did

0:23:12.680 --> 0:23:15.720
<v Speaker 1>some dope ship. He had juicy j in there. Of

0:23:15.760 --> 0:23:19.040
<v Speaker 1>course I done put up. I don't know. I just

0:23:19.080 --> 0:23:23.560
<v Speaker 1>fucking met Eminem what doctor Dre and Snoop. I went

0:23:23.600 --> 0:23:26.960
<v Speaker 1>to dre house for a day and I got to

0:23:26.960 --> 0:23:28.720
<v Speaker 1>sit in the session and watch them work.

0:23:29.000 --> 0:23:29.200
<v Speaker 2>Bro.

0:23:29.320 --> 0:23:31.399
<v Speaker 1>That was the bro. That was the dopest shit I've

0:23:31.400 --> 0:23:31.800
<v Speaker 1>ever seen.

0:23:32.000 --> 0:23:35.080
<v Speaker 2>You got to rewind you get invited to go to

0:23:35.119 --> 0:23:41.720
<v Speaker 2>doctor Dre's house. Yeah, and Eminem and Snooper there, bro.

0:23:41.640 --> 0:23:44.000
<v Speaker 1>And then look, look put your hand out when I

0:23:44.080 --> 0:23:47.679
<v Speaker 1>when I met him, he like Marshall I'm like, bro,

0:23:48.480 --> 0:23:50.440
<v Speaker 1>I know who you is. You one of the one

0:23:50.440 --> 0:23:53.879
<v Speaker 1>of the best rappers ever. But Bro, now I understand

0:23:53.920 --> 0:23:57.119
<v Speaker 1>why they called Dre Doctor Dre like the ship that

0:23:57.200 --> 0:24:01.119
<v Speaker 1>he do in the studio, Like he really doctor them songs.

0:24:01.560 --> 0:24:04.360
<v Speaker 2>Yeah, they say he's like super particular.

0:24:03.880 --> 0:24:07.440
<v Speaker 1>Every line, Bro. And then like it gets deep, Bro,

0:24:07.520 --> 0:24:10.840
<v Speaker 1>he wanted the coldest. He might be the coldest to

0:24:10.920 --> 0:24:11.199
<v Speaker 1>do it.

0:24:11.280 --> 0:24:14.960
<v Speaker 2>Like I mean, if you think about production, if you

0:24:15.000 --> 0:24:18.560
<v Speaker 2>think about just what he has had his fingerprints on,

0:24:19.040 --> 0:24:22.000
<v Speaker 2>even just the Doctor Dre tree, you just like take

0:24:22.040 --> 0:24:24.320
<v Speaker 2>his tree and you just start looking at everything that

0:24:24.400 --> 0:24:25.040
<v Speaker 2>came from it.

0:24:25.520 --> 0:24:28.080
<v Speaker 1>Yeah. And then were from the same neighborhood too as well.

0:24:28.240 --> 0:24:28.960
<v Speaker 2>That's crazy.

0:24:29.119 --> 0:24:31.159
<v Speaker 1>And I didn't even know that at first until we

0:24:31.200 --> 0:24:32.800
<v Speaker 1>got to sit down and chop it. How did you

0:24:32.840 --> 0:24:36.159
<v Speaker 1>get the invite because one of my homies, my homie Money,

0:24:37.520 --> 0:24:42.520
<v Speaker 1>they related to Dre. And you know, since I got

0:24:43.280 --> 0:24:46.119
<v Speaker 1>shit buzzing, I've been having a city rocking for sure

0:24:46.280 --> 0:24:49.520
<v Speaker 1>for a few years now. So he so he like, man,

0:24:49.520 --> 0:24:51.960
<v Speaker 1>I gotta get you over there. Him and Jay West

0:24:51.960 --> 0:24:54.439
<v Speaker 1>put it together, and shit, I linked up with him

0:24:54.440 --> 0:24:56.360
<v Speaker 1>one day and we went over there. I fell asleep.

0:24:56.840 --> 0:24:59.960
<v Speaker 1>Dre house so comfortable, bro, I fell asleep for like hour.

0:25:00.880 --> 0:25:02.840
<v Speaker 2>That's crazy. So you get in the studio, it's like

0:25:02.920 --> 0:25:04.800
<v Speaker 2>Dre be like, hey, what's up. You'd be like, hey,

0:25:04.840 --> 0:25:07.000
<v Speaker 2>we're from the same area. Man, Like he a.

0:25:06.960 --> 0:25:09.719
<v Speaker 1>Real dope dude, bro, Like like did he have Air

0:25:09.760 --> 0:25:11.439
<v Speaker 1>Force ones on? Yeah?

0:25:11.520 --> 0:25:14.119
<v Speaker 2>Yeah, all white, all white always. He's got like a

0:25:14.160 --> 0:25:14.920
<v Speaker 2>thousand pairs.

0:25:14.680 --> 0:25:18.040
<v Speaker 1>Of And you would think that, uh, like you know

0:25:18.119 --> 0:25:20.080
<v Speaker 1>some of these people because they're a little older than us.

0:25:20.119 --> 0:25:22.160
<v Speaker 1>But he hit like he's still in tune of what's

0:25:22.240 --> 0:25:25.240
<v Speaker 1>going on. He's serious about the music though. So if

0:25:25.240 --> 0:25:29.080
<v Speaker 1>you playing with his music ship, yeah, if you ain't ready,

0:25:29.280 --> 0:25:32.960
<v Speaker 1>then don't even don't they don't even introduce yourself to

0:25:33.040 --> 0:25:35.879
<v Speaker 1>Drey because he ain't gonna fuck with it. If if

0:25:36.000 --> 0:25:38.040
<v Speaker 1>if you're serious and you got some ship going on,

0:25:38.160 --> 0:25:40.440
<v Speaker 1>then I feel like I feel like he's supported.

0:25:40.600 --> 0:25:42.240
<v Speaker 2>What was that? What? What did it?

0:25:42.520 --> 0:25:42.600
<v Speaker 1>Like?

0:25:42.680 --> 0:25:45.080
<v Speaker 2>How dope? Was the ship that Snoop, Dre and m

0:25:45.080 --> 0:25:45.720
<v Speaker 2>were working on.

0:25:45.800 --> 0:25:48.000
<v Speaker 1>But that shit was cold. They was working on like

0:25:48.040 --> 0:25:50.960
<v Speaker 1>the last couple of songs of an album. I don't

0:25:51.000 --> 0:25:53.600
<v Speaker 1>know if it was a Snoop album, but but Dre

0:25:53.760 --> 0:25:57.399
<v Speaker 1>he really real, particular with these bars and Ship. I

0:25:57.400 --> 0:25:59.120
<v Speaker 1>don't know if you've seen when he got his star.

0:26:00.040 --> 0:26:01.800
<v Speaker 2>I saw that like last week.

0:26:02.000 --> 0:26:04.399
<v Speaker 1>Yeah, you seen when Snoop gave the speech and he

0:26:04.440 --> 0:26:06.440
<v Speaker 1>didn't watch the speech, but he gave the speech and

0:26:06.480 --> 0:26:08.199
<v Speaker 1>he rapped and he was like you still make me

0:26:08.240 --> 0:26:11.560
<v Speaker 1>do every line a thousand monthucking times. He wasn't capping.

0:26:11.640 --> 0:26:13.639
<v Speaker 2>So that was because because your session was what a

0:26:13.640 --> 0:26:14.879
<v Speaker 2>few weeks ago you said.

0:26:14.960 --> 0:26:16.840
<v Speaker 1>No, when I went over there, that was that was

0:26:16.840 --> 0:26:19.160
<v Speaker 1>probably like six months ago.

0:26:19.359 --> 0:26:20.280
<v Speaker 2>That shit's crazy.

0:26:20.640 --> 0:26:21.680
<v Speaker 1>Yeah, Snoop broke.

0:26:21.880 --> 0:26:28.320
<v Speaker 2>Snoopy got awards everywhere. I mean he got them all.

0:26:28.400 --> 0:26:32.760
<v Speaker 1>Diamond Awards, Grammys, all that ship. So just seeing it, Bro,

0:26:32.880 --> 0:26:33.760
<v Speaker 1>I had to see that.

0:26:34.359 --> 0:26:36.080
<v Speaker 2>Snoop's the coolest motherfucker ever too.

0:26:36.200 --> 0:26:37.280
<v Speaker 1>Yeah, Snoop cool.

0:26:37.440 --> 0:26:39.480
<v Speaker 2>Snoops the kind of guy you meet and he doesn't

0:26:39.520 --> 0:26:41.359
<v Speaker 2>disappoint like you know how, Like you meet some famous

0:26:41.359 --> 0:26:43.199
<v Speaker 2>fools that like you grew up, like you grew up

0:26:43.240 --> 0:26:47.399
<v Speaker 2>listening to, and then you thought, Snoops exactly who you

0:26:47.520 --> 0:26:47.920
<v Speaker 2>hope you.

0:26:47.880 --> 0:26:50.760
<v Speaker 1>Getting exactly what you thought meeting Snoop bro Snoop a

0:26:50.840 --> 0:26:55.040
<v Speaker 1>fucking legend, all them dudes, legends, Snoop m dre Ship.

0:26:55.600 --> 0:26:58.840
<v Speaker 2>I'm grateful to even be in that session. That's hopefully

0:26:58.840 --> 0:27:01.200
<v Speaker 2>one day I can be like, did you cut any

0:27:01.280 --> 0:27:03.720
<v Speaker 2>vocals with him? Nah? They was working the whole You

0:27:03.760 --> 0:27:04.680
<v Speaker 2>were just observing.

0:27:04.840 --> 0:27:06.960
<v Speaker 1>Yeah, yeah, I was just observing, fly on the wall,

0:27:07.160 --> 0:27:09.840
<v Speaker 1>watching how they're working. So I can learn how to

0:27:09.880 --> 0:27:13.960
<v Speaker 1>apply it to myself and then I know when I'm ready,

0:27:14.359 --> 0:27:16.080
<v Speaker 1>it'll happen. You know what I'm saying. But I met,

0:27:16.119 --> 0:27:19.200
<v Speaker 1>I met me. Being there led me to meeting the.

0:27:19.320 --> 0:27:23.280
<v Speaker 2>Dopest producer in the fucking world. His name is Dem Joints. Oh,

0:27:23.320 --> 0:27:25.760
<v Speaker 2>he's hard bro, THEMN Joints. He made the tie in

0:27:25.800 --> 0:27:27.520
<v Speaker 2>Blast record. He's hard bro.

0:27:27.640 --> 0:27:31.760
<v Speaker 1>He cold using live instruments. It ain't nothing that dude

0:27:31.800 --> 0:27:32.159
<v Speaker 1>can't do.

0:27:32.440 --> 0:27:35.120
<v Speaker 2>Like now, Damn Joints is a real wild child for sure.

0:27:35.400 --> 0:27:37.199
<v Speaker 2>So you right now you're are you looking for a

0:27:37.200 --> 0:27:39.480
<v Speaker 2>new situation to put out Like this time? Blast record

0:27:39.560 --> 0:27:42.680
<v Speaker 2>is a fucking smash. It's not the type of record

0:27:42.720 --> 0:27:44.720
<v Speaker 2>you just drop and hope for the best. Yeah, you

0:27:44.800 --> 0:27:45.920
<v Speaker 2>gotta have ducks in a row.

0:27:46.080 --> 0:27:48.600
<v Speaker 1>You gotta do it right. Yeah, shit, we got some

0:27:48.640 --> 0:27:52.560
<v Speaker 1>shit in the works. I am open to new conversations though.

0:27:53.400 --> 0:27:56.000
<v Speaker 1>Anybody who feel like they can give the record the

0:27:56.040 --> 0:27:57.280
<v Speaker 1>potential that I need.

0:27:57.600 --> 0:28:01.400
<v Speaker 2>Have any other artists try to sign you, artists like

0:28:01.560 --> 0:28:03.840
<v Speaker 2>you know there's artists with imprints. Is anybody try to

0:28:03.880 --> 0:28:04.800
<v Speaker 2>be like, yo, come over.

0:28:04.640 --> 0:28:07.359
<v Speaker 1>Here, you know, shout out to shout out to my

0:28:07.560 --> 0:28:12.560
<v Speaker 1>bro Zona man in Future I did go do it

0:28:12.840 --> 0:28:16.040
<v Speaker 1>like a session with with Free Bands. I ended up

0:28:16.400 --> 0:28:21.399
<v Speaker 1>just becoming family, Like that's my that's my Southern family

0:28:21.440 --> 0:28:22.520
<v Speaker 1>and Midwest family.

0:28:22.960 --> 0:28:27.159
<v Speaker 2>Yeah, Future more pre band, I think. Yeah, Joe Moses

0:28:27.160 --> 0:28:28.040
<v Speaker 2>was over there with you.

0:28:28.240 --> 0:28:31.280
<v Speaker 1>He sucked with Future Heavy, but yeah, so far, that's

0:28:31.320 --> 0:28:33.439
<v Speaker 1>like the only person that I that I really like

0:28:34.440 --> 0:28:35.159
<v Speaker 1>lashed onto.

0:28:36.160 --> 0:28:39.160
<v Speaker 2>Would you do another major label thing or did you

0:28:39.240 --> 0:28:41.360
<v Speaker 2>kind of experience that.

0:28:41.440 --> 0:28:45.600
<v Speaker 1>I want five ms? At least five ms.

0:28:46.200 --> 0:28:47.240
<v Speaker 2>That's a serious bag.

0:28:47.800 --> 0:28:50.320
<v Speaker 1>If it ain't five ms, then probably not.

0:28:50.480 --> 0:28:52.640
<v Speaker 2>Then you're gonna just kind of do do it.

0:28:52.640 --> 0:28:54.800
<v Speaker 1>You shoot my shot because you heard what I got.

0:28:54.960 --> 0:28:55.840
<v Speaker 2>I heard what you got.

0:28:57.440 --> 0:29:00.120
<v Speaker 1>I'm good right now as long as I can just

0:29:00.760 --> 0:29:03.000
<v Speaker 1>keep doing it the way I love to do it. Shit,

0:29:03.040 --> 0:29:05.520
<v Speaker 1>I'm not tripping. I mean, I feel like I feel

0:29:05.520 --> 0:29:09.080
<v Speaker 1>like what I bring to the world musically is deeper

0:29:09.080 --> 0:29:12.480
<v Speaker 1>than just you know, money or or whatever deal I

0:29:12.480 --> 0:29:15.800
<v Speaker 1>can get. I Actually I feel good about what I

0:29:15.880 --> 0:29:16.959
<v Speaker 1>give people to listen to.

0:29:17.160 --> 0:29:19.440
<v Speaker 2>I know you're super tight with Buddy, who is another

0:29:19.480 --> 0:29:21.640
<v Speaker 2>guy I just ran in him at a Rolling Loud.

0:29:21.640 --> 0:29:26.320
<v Speaker 2>But he's another guy that is just a prolific MC.

0:29:26.960 --> 0:29:29.680
<v Speaker 1>Yeah. One of the dope is my twin. Shout out

0:29:29.680 --> 0:29:31.920
<v Speaker 1>to Buddy. He just had an album released like two

0:29:32.000 --> 0:29:32.400
<v Speaker 1>days ago.

0:29:32.440 --> 0:29:34.480
<v Speaker 2>I went, yeah, I saw, I think he's got a

0:29:34.480 --> 0:29:38.040
<v Speaker 2>show tonight. Actually real, were I think it's tonight?

0:29:38.440 --> 0:29:41.120
<v Speaker 1>Yeah? I gotta pull up man, I gotta pull up

0:29:41.120 --> 0:29:41.480
<v Speaker 1>on Bro.

0:29:41.880 --> 0:29:43.640
<v Speaker 2>But I was gonna say, like, is there any other

0:29:43.880 --> 0:29:46.240
<v Speaker 2>artists in LA that you know outside of Grido that

0:29:46.280 --> 0:29:49.000
<v Speaker 2>you can see yourself collaborating with on a full project?

0:29:49.680 --> 0:29:52.600
<v Speaker 1>Yeah? Yeah, my bro, Kayln for real, chat to Kayleem.

0:29:52.920 --> 0:29:53.680
<v Speaker 2>That'd be crazy.

0:29:53.800 --> 0:29:56.760
<v Speaker 1>Yeah. I think me and Caaitlen have a good album.

0:29:56.800 --> 0:29:59.000
<v Speaker 2>There's something about San Diego that loves both of you guys.

0:29:59.080 --> 0:30:00.760
<v Speaker 2>If you guys do a fun can join the album,

0:30:00.840 --> 0:30:02.920
<v Speaker 2>do the release party in San Diego, because every bad

0:30:02.960 --> 0:30:04.000
<v Speaker 2>bitch in San Diego will.

0:30:03.840 --> 0:30:05.960
<v Speaker 1>Go San Diego with y'all.

0:30:07.280 --> 0:30:07.760
<v Speaker 2>For sure.

0:30:07.920 --> 0:30:13.040
<v Speaker 1>Then my hot spots right there. But me and Kaylan,

0:30:13.600 --> 0:30:16.280
<v Speaker 1>I would love to do one with Blash. I feel

0:30:16.360 --> 0:30:18.280
<v Speaker 1>like I feel like that would be good to for

0:30:18.360 --> 0:30:23.040
<v Speaker 1>the ladies and for the for the streets. Kaylen Blast

0:30:23.520 --> 0:30:29.560
<v Speaker 1>of course Beano, um who else? I would from here

0:30:29.720 --> 0:30:32.560
<v Speaker 1>or from anywhere, from anywhere. Oh, ship, it's a lot.

0:30:32.680 --> 0:30:35.000
<v Speaker 1>It's a lot. Like I would love to do a

0:30:35.360 --> 0:30:39.560
<v Speaker 1>mixed table Mazi on BPS, me and Mazie and on BPS.

0:30:39.800 --> 0:30:44.360
<v Speaker 1>Just dropped the single, probably like five the single out.

0:30:44.400 --> 0:30:48.200
<v Speaker 1>It's called I'm Good. We just dropped the single. But

0:30:48.280 --> 0:30:50.040
<v Speaker 1>it's a lot of niggas. I got a homie in

0:30:50.360 --> 0:30:55.880
<v Speaker 1>Saint Louis. His name MB's bro. He hardest ship. Nobody

0:30:55.920 --> 0:30:59.880
<v Speaker 1>really know about him yet. And Louis is bubbling man, Alexis,

0:31:00.320 --> 0:31:03.880
<v Speaker 1>Alexis bro me and Alexis gonna fuck the world up.

0:31:04.080 --> 0:31:05.240
<v Speaker 2>Shout out to Alexis Man.

0:31:05.360 --> 0:31:06.720
<v Speaker 1>We're trying to fill up arenas.

0:31:06.840 --> 0:31:08.960
<v Speaker 2>Yeah, I got some. I heard this ship you guys

0:31:08.960 --> 0:31:11.520
<v Speaker 2>cut the other day. The shit's crazy, Yeah, for sure.

0:31:11.800 --> 0:31:17.880
<v Speaker 1>Stupid Geperico, Geperico making the whole tape. I got a

0:31:17.920 --> 0:31:20.760
<v Speaker 1>tape with Jakai, my bro, Jakai, he out the village.

0:31:21.120 --> 0:31:25.240
<v Speaker 1>I think he just signed with Little Bibby or Ting

0:31:25.560 --> 0:31:28.640
<v Speaker 1>not k K. Plus, I don't know all these fucking

0:31:28.720 --> 0:31:30.960
<v Speaker 1>random companies these days something like that. But he he

0:31:31.040 --> 0:31:33.560
<v Speaker 1>fucking with little Bibby Jakai cold. He wanted a cold now.

0:31:33.600 --> 0:31:37.400
<v Speaker 1>Bibby going crazy though, was an executive for sure. Travis Scott,

0:31:37.840 --> 0:31:39.440
<v Speaker 1>I would want to do it. You and Roddy would

0:31:39.440 --> 0:31:43.239
<v Speaker 1>be tough. That'd be so hard, bro, Bro, that'd be

0:31:43.280 --> 0:31:46.360
<v Speaker 1>so hard. And then and then Roddy another person that

0:31:46.400 --> 0:31:50.600
<v Speaker 1>I always looked to as well musically, like because or

0:31:51.360 --> 0:31:53.640
<v Speaker 1>like what I was doing when I was listening to

0:31:53.680 --> 0:31:56.239
<v Speaker 1>his music, like before I started doing music. A lot

0:31:56.320 --> 0:31:59.200
<v Speaker 1>of ship that he rapped about was ship that I

0:31:59.280 --> 0:32:02.239
<v Speaker 1>was just my every day life, like the age is

0:32:02.280 --> 0:32:04.640
<v Speaker 1>so our age is so close. Like a lot of

0:32:04.680 --> 0:32:06.800
<v Speaker 1>other artists, I couldn't relate to the same, but since

0:32:06.840 --> 0:32:09.040
<v Speaker 1>were so close in age, it was like, you know

0:32:09.080 --> 0:32:11.880
<v Speaker 1>what I'm saying, Like this my shit right here for you.

0:32:12.120 --> 0:32:15.920
<v Speaker 2>Was there a catalyst that, you know, I feel like

0:32:16.000 --> 0:32:18.040
<v Speaker 2>everybody you know we talked earlier, you kind of had

0:32:18.080 --> 0:32:20.360
<v Speaker 2>made the decision to go all in on the music.

0:32:20.360 --> 0:32:23.200
<v Speaker 2>But was there something that happened that like kind of

0:32:23.240 --> 0:32:24.840
<v Speaker 2>made you realize, like, damn, I might be able to

0:32:25.040 --> 0:32:27.000
<v Speaker 2>I might lose this shit if I don't take it serious.

0:32:27.000 --> 0:32:27.320
<v Speaker 2>For real.

0:32:28.280 --> 0:32:35.080
<v Speaker 1>Yeah shit, all my closest friends was like, really my grandma,

0:32:35.440 --> 0:32:40.959
<v Speaker 1>My grandma passed away. My bro neverless swavy Earl Swavy

0:32:41.840 --> 0:32:46.400
<v Speaker 1>tiny West, Like I lost some real key factors, like

0:32:46.480 --> 0:32:48.480
<v Speaker 1>people that I was really doing this shit for. So

0:32:49.080 --> 0:32:53.440
<v Speaker 1>at some point I started feeling like damn, like everybody

0:32:53.440 --> 0:32:55.240
<v Speaker 1>I was doing this shit for it's kind of gone.

0:32:55.280 --> 0:32:57.960
<v Speaker 1>So it's really like I felt like just crashing out.

0:32:58.640 --> 0:33:02.120
<v Speaker 1>You feel me. But like my big bro j West,

0:33:02.120 --> 0:33:03.960
<v Speaker 1>he used to always tell me, like, nig you need

0:33:03.960 --> 0:33:05.640
<v Speaker 1>to go home, you need to sit in the house,

0:33:06.040 --> 0:33:07.920
<v Speaker 1>like go deal with your emotions, like you know what

0:33:07.920 --> 0:33:12.680
<v Speaker 1>I'm saying, Like stop just trying to run around and

0:33:13.320 --> 0:33:14.880
<v Speaker 1>like you know what I'm saying, you mixing too much

0:33:14.920 --> 0:33:17.480
<v Speaker 1>bullshit with what you what you got going on your

0:33:17.520 --> 0:33:21.040
<v Speaker 1>head positively, So like big bro, he really influenced me

0:33:21.080 --> 0:33:24.160
<v Speaker 1>to get to know myself and to just deal with

0:33:24.240 --> 0:33:27.120
<v Speaker 1>all the ship that because Bro, growing up, you might

0:33:27.200 --> 0:33:30.080
<v Speaker 1>deal with a lot of shit but not actually deal

0:33:30.120 --> 0:33:32.120
<v Speaker 1>with it you think you deal with You might go

0:33:32.200 --> 0:33:32.760
<v Speaker 1>through a lot of.

0:33:32.760 --> 0:33:34.640
<v Speaker 2>Ship, bro, just because you pick up a bottle.

0:33:35.000 --> 0:33:38.160
<v Speaker 1>Yeah, and then you always got friends, you always got family,

0:33:38.440 --> 0:33:41.600
<v Speaker 1>you always got people around you. But sometimes you might

0:33:41.640 --> 0:33:43.880
<v Speaker 1>need to sit by yourself.

0:33:43.400 --> 0:33:44.520
<v Speaker 2>And just face it.

0:33:44.520 --> 0:33:46.520
<v Speaker 1>It ain't no time limit on that. Like, it ain't

0:33:46.560 --> 0:33:48.600
<v Speaker 1>like I stayed in the house for one day right now,

0:33:48.640 --> 0:33:51.400
<v Speaker 1>you know what I'm saying, Like, Nah, sit in the

0:33:51.440 --> 0:33:53.800
<v Speaker 1>house and really get to know yourself, or go somewhere

0:33:53.880 --> 0:33:56.400
<v Speaker 1>where you isolate it and really figure out what's been

0:33:56.440 --> 0:33:58.640
<v Speaker 1>going on in your head and what you really care about.

0:33:59.120 --> 0:34:01.880
<v Speaker 1>Because ship all almost gave up, bro, I really almost

0:34:01.920 --> 0:34:03.960
<v Speaker 1>gave up on this ship. And then I had like

0:34:04.000 --> 0:34:06.080
<v Speaker 1>a switch. I'm like, nah, like what the fuck, I'm

0:34:06.120 --> 0:34:06.880
<v Speaker 1>way too close.

0:34:07.000 --> 0:34:08.560
<v Speaker 2>What year was that you almost gave up?

0:34:09.080 --> 0:34:09.640
<v Speaker 1>Last year?

0:34:10.080 --> 0:34:10.600
<v Speaker 2>Wow?

0:34:10.920 --> 0:34:12.840
<v Speaker 1>I was like I was feeling like that from the

0:34:12.880 --> 0:34:14.800
<v Speaker 1>beginning of my career, bro, Like.

0:34:15.080 --> 0:34:17.120
<v Speaker 2>So like from the beginning, even though you had all

0:34:17.160 --> 0:34:18.520
<v Speaker 2>this momentum yet all these bro.

0:34:18.480 --> 0:34:21.160
<v Speaker 1>I had momentum, but I had so much bullshit going

0:34:21.200 --> 0:34:23.000
<v Speaker 1>on in my life. We didn't even know about, bro,

0:34:23.520 --> 0:34:26.759
<v Speaker 1>Like my personal life was just fucked up and it

0:34:26.840 --> 0:34:30.960
<v Speaker 1>was affecting how I was like rubbing off on people

0:34:31.000 --> 0:34:33.080
<v Speaker 1>even when I meet them, Like I didn't really care

0:34:33.120 --> 0:34:35.759
<v Speaker 1>to meet rappers or like I didn't really want to.

0:34:36.320 --> 0:34:38.520
<v Speaker 2>Business the way you were proaching music too.

0:34:38.600 --> 0:34:40.439
<v Speaker 1>Yeah, because you know what I'm saying, We all got

0:34:40.480 --> 0:34:42.799
<v Speaker 1>our personal shit, and I was I was looking at

0:34:42.840 --> 0:34:45.920
<v Speaker 1>myself like nobody else could feel how I feel, like

0:34:46.040 --> 0:34:48.800
<v Speaker 1>dumb ass shit, like we all we all lost somebody,

0:34:48.840 --> 0:34:51.319
<v Speaker 1>we all going through shit, Like I was looking at

0:34:51.360 --> 0:34:54.839
<v Speaker 1>it the complete wrong way, and I had to self evaluate.

0:34:54.520 --> 0:34:56.759
<v Speaker 2>And then like if you're going through all of that

0:34:57.239 --> 0:34:59.799
<v Speaker 2>and you don't deal with it, the other problem is

0:35:00.080 --> 0:35:02.759
<v Speaker 2>had to treat everything else in your life like it's

0:35:02.800 --> 0:35:04.759
<v Speaker 2>a job, so the rap shit becomes something you have

0:35:04.840 --> 0:35:05.840
<v Speaker 2>to do, not something you want to do.

0:35:06.160 --> 0:35:06.640
<v Speaker 1>Exactly.

0:35:06.680 --> 0:35:09.600
<v Speaker 2>You're so preoccupied with your trauma or your heartbreak or

0:35:09.600 --> 0:35:11.839
<v Speaker 2>whatever you're going through that when you have to go

0:35:11.880 --> 0:35:13.960
<v Speaker 2>to the studio it's a chore because you would rather

0:35:14.040 --> 0:35:16.279
<v Speaker 2>go be on the phone and deal with whatever you're

0:35:16.280 --> 0:35:18.160
<v Speaker 2>dealing with or go you know what I'm saying.

0:35:17.920 --> 0:35:21.160
<v Speaker 1>Like facts for sure, and then neverless Suavey my bro

0:35:21.320 --> 0:35:24.000
<v Speaker 1>that passed away. He the one who showed me how

0:35:24.040 --> 0:35:28.440
<v Speaker 1>to use distro kid. He knew the business well, like

0:35:28.480 --> 0:35:30.600
<v Speaker 1>I didn't know none of this shit right, So so

0:35:30.760 --> 0:35:33.080
<v Speaker 1>losing him it was kind of like, ah fuck, Like

0:35:33.160 --> 0:35:35.319
<v Speaker 1>he's kind of the reason why I know, Yeah, having

0:35:35.360 --> 0:35:37.200
<v Speaker 1>somebody you could trust, Like, it ain't too many people

0:35:37.200 --> 0:35:39.480
<v Speaker 1>you can trust in this business. Sure, so having Greto

0:35:39.719 --> 0:35:43.240
<v Speaker 1>is kind of similar because like, Okay, Greeto, he always

0:35:43.239 --> 0:35:45.120
<v Speaker 1>giving me the game for sure, you feel me. But

0:35:45.280 --> 0:35:50.319
<v Speaker 1>before Greto, he wasn't home. So me losing nibs. By

0:35:50.320 --> 0:35:52.960
<v Speaker 1>the way, that's if you ever hear my son silly rabbit.

0:35:53.360 --> 0:35:56.080
<v Speaker 1>He the person on the second verse got it. But

0:35:56.080 --> 0:35:58.719
<v Speaker 1>but yeah, having him, it was like losing him was

0:35:58.800 --> 0:36:00.799
<v Speaker 1>like them. I don't don't even know if I could

0:36:00.800 --> 0:36:03.759
<v Speaker 1>find another person that I could trust, because he was

0:36:03.800 --> 0:36:05.239
<v Speaker 1>gonna give it to me. You know what I'm saying,

0:36:05.239 --> 0:36:07.880
<v Speaker 1>give me the business raw Like naw, you don't need him,

0:36:08.200 --> 0:36:10.040
<v Speaker 1>You don't need them. You don't need to do this,

0:36:10.400 --> 0:36:12.200
<v Speaker 1>like you know what I'm saying, because you can go

0:36:12.239 --> 0:36:14.799
<v Speaker 1>through a lot of loops, spending your money wrong, all

0:36:14.880 --> 0:36:15.319
<v Speaker 1>types of shit.

0:36:15.360 --> 0:36:18.600
<v Speaker 2>And then also like keeping the wrong people around you.

0:36:18.680 --> 0:36:21.759
<v Speaker 2>It's energy is a real thing, man, you hell yeah,

0:36:21.840 --> 0:36:23.879
<v Speaker 2>So if you don't even realize, like damn, I got

0:36:23.960 --> 0:36:26.239
<v Speaker 2>I got this cruel people around me or the a few,

0:36:26.760 --> 0:36:28.799
<v Speaker 2>maybe it's one person around you that you don't even

0:36:28.800 --> 0:36:32.399
<v Speaker 2>realize is just adding to the the energy of the room.

0:36:32.440 --> 0:36:35.520
<v Speaker 2>Every time or your life. You're like yo, Like people

0:36:35.520 --> 0:36:37.319
<v Speaker 2>don't realize, like you got to make sure you got

0:36:37.320 --> 0:36:40.080
<v Speaker 2>to keep your energy tight bro like and protect it

0:36:40.120 --> 0:36:42.800
<v Speaker 2>because otherwise it could fuck up. They could fuck up everything.

0:36:42.920 --> 0:36:43.600
<v Speaker 1>No facts.

0:36:44.239 --> 0:36:48.080
<v Speaker 2>I think about Leonardo Wick shit like that situation where

0:36:48.120 --> 0:36:51.000
<v Speaker 2>he one of his homies fucked up some kid who's

0:36:51.000 --> 0:36:54.080
<v Speaker 2>coming up to him. Oh, I've seen that, and I'm like, man, like,

0:36:54.320 --> 0:36:56.160
<v Speaker 2>I seen that and the homie who did it, it wasn't

0:36:56.160 --> 0:36:58.040
<v Speaker 2>even a security guard, it was just one of It

0:36:58.080 --> 0:36:59.040
<v Speaker 2>was just one of his people.

0:36:59.560 --> 0:37:02.040
<v Speaker 1>Nah, it just took off on this little kid that

0:37:02.080 --> 0:37:04.759
<v Speaker 1>ain't even funny. But but I could have swore I

0:37:04.760 --> 0:37:06.280
<v Speaker 1>thought that was a security.

0:37:05.800 --> 0:37:09.879
<v Speaker 2>Though his security was was standing. It was the bigger dude.

0:37:09.920 --> 0:37:12.160
<v Speaker 2>And when I saw that, I was like, damn that

0:37:12.200 --> 0:37:14.759
<v Speaker 2>port like shot to Nardo. I met him. He's a

0:37:14.760 --> 0:37:18.359
<v Speaker 2>good dude, nice nice guy, but like, all it took

0:37:18.480 --> 0:37:21.600
<v Speaker 2>was him having the wrong dude that was just looking

0:37:21.920 --> 0:37:23.040
<v Speaker 2>take off on somebody.

0:37:23.400 --> 0:37:26.640
<v Speaker 1>Niggas. No look, look, my cousin told me, shout out

0:37:26.640 --> 0:37:30.520
<v Speaker 1>the big Adobe. He told me a few months ago, like, bro,

0:37:31.080 --> 0:37:34.880
<v Speaker 1>you do not need an entourage, like as.

0:37:34.719 --> 0:37:37.200
<v Speaker 2>Long as you are, as long as you know what, like,

0:37:37.280 --> 0:37:40.560
<v Speaker 2>as long as you're not moving around in spaces where

0:37:40.600 --> 0:37:43.600
<v Speaker 2>you know, like steady funk out of it out the way.

0:37:44.400 --> 0:37:47.640
<v Speaker 1>But when you bro like it's like niggas be scared

0:37:48.000 --> 0:37:50.520
<v Speaker 1>to look like what they are. If you're a superstar

0:37:50.760 --> 0:37:53.000
<v Speaker 1>or if you're really doing his music, shit, it's not

0:37:53.040 --> 0:37:55.400
<v Speaker 1>wrong for you to have security. For sure, come out

0:37:55.440 --> 0:37:58.920
<v Speaker 1>of your pocket, pay for some security. Someone's amaking trust.

0:37:59.000 --> 0:37:59.440
<v Speaker 2>It's smart.

0:37:59.800 --> 0:38:02.280
<v Speaker 1>And I forgot a couple of people too, Shorty Shorty,

0:38:02.440 --> 0:38:06.560
<v Speaker 1>that's my dog right, A fucking mixtape with Shorty would

0:38:06.560 --> 0:38:07.839
<v Speaker 1>be that'll be.

0:38:07.960 --> 0:38:10.239
<v Speaker 2>It's so crazy how he's from Baltimore, but he's such

0:38:10.280 --> 0:38:13.160
<v Speaker 2>a fucking West Coast artist. Love him on the West Coast.

0:38:13.239 --> 0:38:16.040
<v Speaker 1>Yeah, he he kind of changed the game for real.

0:38:16.320 --> 0:38:20.000
<v Speaker 1>Him and Kamaya shot to Kamaia Kamaya, Shorty, Shorty and

0:38:20.040 --> 0:38:21.280
<v Speaker 1>Kamaya them.

0:38:21.160 --> 0:38:23.960
<v Speaker 2>Sounds like that Buary is like a fucking that's a

0:38:24.000 --> 0:38:24.960
<v Speaker 2>West Coast classic.

0:38:25.200 --> 0:38:27.319
<v Speaker 1>That was some ship that we needed for sure. But

0:38:27.600 --> 0:38:30.640
<v Speaker 1>Big Dobe was telling me, like, bro, you don't need

0:38:30.680 --> 0:38:33.080
<v Speaker 1>all these motherfuckers around you because I love having my

0:38:33.120 --> 0:38:37.560
<v Speaker 1>homies around me, like like having this ship as something

0:38:37.600 --> 0:38:40.840
<v Speaker 1>to share. That was always idealistic to me, like, like,

0:38:40.880 --> 0:38:44.360
<v Speaker 1>this shit ain't just for me I personally, Bro, I

0:38:44.360 --> 0:38:47.360
<v Speaker 1>could have a basketball, a skateboard, some chili, cheese fries,

0:38:47.600 --> 0:38:52.200
<v Speaker 1>and a bitch or too. I'll probably never look. You're

0:38:52.200 --> 0:38:55.120
<v Speaker 1>a good skater, yeah, Bro, I do everything, So.

0:38:55.080 --> 0:38:57.200
<v Speaker 2>You could like actually get down on the skateboard. Yeah,

0:38:57.239 --> 0:38:57.440
<v Speaker 2>I can.

0:38:57.480 --> 0:39:01.719
<v Speaker 1>Who play football? Our quarterback, baseball skateboard.

0:39:02.120 --> 0:39:03.279
<v Speaker 2>There's some good rappers out there.

0:39:03.480 --> 0:39:07.160
<v Speaker 1>And I'm like probably the best bowler in the industry

0:39:07.360 --> 0:39:11.080
<v Speaker 1>for real. Anybody who needs that, man, get at me.

0:39:11.320 --> 0:39:12.440
<v Speaker 1>I'm taking all bowling.

0:39:12.480 --> 0:39:14.000
<v Speaker 2>Do you ever go to the Kingpin Monday? Shit?

0:39:14.920 --> 0:39:17.240
<v Speaker 1>No? Okay, but I bowled twice a week.

0:39:17.080 --> 0:39:20.600
<v Speaker 2>Though, twice a week, so you're really legit a bowler.

0:39:20.719 --> 0:39:23.400
<v Speaker 1>Yeah. Me and Savvy Third. Me and Savy Third actually

0:39:23.400 --> 0:39:27.160
<v Speaker 1>planning on doing a bowling event and that's fire and

0:39:27.239 --> 0:39:29.400
<v Speaker 1>bringing people out so we could take some bowling face.

0:39:29.800 --> 0:39:30.920
<v Speaker 2>Wiz is a good bowler.

0:39:31.440 --> 0:39:33.600
<v Speaker 1>Oh shout out to Wiz. I fuck with dude too.

0:39:34.120 --> 0:39:35.560
<v Speaker 1>I don't think nobody can fuck with me on this

0:39:35.640 --> 0:39:40.880
<v Speaker 1>bowling ship though. I'm calling you out. I'm calling you out, Savvy,

0:39:41.000 --> 0:39:44.000
<v Speaker 1>I'm calling you out. Who else said they can bowl?

0:39:44.280 --> 0:39:46.440
<v Speaker 1>What's what's the hommy name that made he had that

0:39:46.560 --> 0:39:49.120
<v Speaker 1>hot song? Uh, blessed the bottle.

0:39:49.080 --> 0:39:51.040
<v Speaker 2>Oh, bless the bottle? Whose song was that?

0:39:52.200 --> 0:39:54.759
<v Speaker 1>Damn? Forget me because I know your you know, I

0:39:54.840 --> 0:39:57.960
<v Speaker 1>know your name, Broro. I'm just tripping right now. But

0:39:58.600 --> 0:40:03.160
<v Speaker 1>he cold. But I'm calling him out to anybody who

0:40:03.239 --> 0:40:08.000
<v Speaker 1>wanted in this bowling ship YG Nelly, I just was in.

0:40:08.160 --> 0:40:10.000
<v Speaker 1>I was in Saint Louis bowling with Nelly in them

0:40:10.000 --> 0:40:10.920
<v Speaker 1>a couple of weeks ago.

0:40:11.239 --> 0:40:13.680
<v Speaker 2>That's a bottle radio base in Cali radio base.

0:40:14.480 --> 0:40:18.240
<v Speaker 1>He cold with the bowling ship. But I'm calling you out, bro, Nelly,

0:40:18.520 --> 0:40:24.440
<v Speaker 1>Wizz savvy radio, YG Ship Mustard, all.

0:40:24.360 --> 0:40:27.520
<v Speaker 2>Y'all niggas bowl ot.

0:40:28.000 --> 0:40:31.000
<v Speaker 1>That's my big bro right there. I need that bowling fade.

0:40:30.640 --> 0:40:33.840
<v Speaker 2>When he's not breaking people's shoulders. In San Diego, you

0:40:33.880 --> 0:40:37.120
<v Speaker 2>know I was out there right everybody from LA was

0:40:37.160 --> 0:40:37.440
<v Speaker 2>out there.

0:40:37.560 --> 0:40:39.959
<v Speaker 1>We had the festival. Yeah, yeah, shout out the chef

0:40:40.040 --> 0:40:42.239
<v Speaker 1>Man chef Fest. That shit went up. Yeah. No.

0:40:42.440 --> 0:40:46.000
<v Speaker 2>I was at the club with Wiz and I left.

0:40:46.360 --> 0:40:47.759
<v Speaker 1>That's where they was at trying to get in.

0:40:47.960 --> 0:40:50.640
<v Speaker 2>I was at I was at park with Wiz and

0:40:50.680 --> 0:40:55.480
<v Speaker 2>then left and then I got to the hotel. I

0:40:55.560 --> 0:40:58.080
<v Speaker 2>woke up at like maybe five six in the morning whatever,

0:40:58.120 --> 0:41:00.400
<v Speaker 2>and I saw that ship on my fucking profile page

0:41:00.440 --> 0:41:02.120
<v Speaker 2>or whatever. I was like, what the win did this happen?

0:41:02.160 --> 0:41:04.799
<v Speaker 1>I was there? Yeah, what the fuck? See, I was

0:41:04.840 --> 0:41:07.520
<v Speaker 1>going over there, but Shorty Shorty had some ship. He

0:41:07.640 --> 0:41:10.640
<v Speaker 1>was at the OWL, so I had stopped there first. Yeah,

0:41:10.680 --> 0:41:13.680
<v Speaker 1>and by the time I left from where Shorty shit

0:41:13.800 --> 0:41:17.200
<v Speaker 1>was at, that ship had already happened. Shout out to a.

0:41:17.280 --> 0:41:19.840
<v Speaker 2>D Man, Shout to ad mana ad.

0:41:19.840 --> 0:41:23.440
<v Speaker 1>Shout out to t Real, Shout out to uh ship,

0:41:23.520 --> 0:41:25.839
<v Speaker 1>all the homies that all the homies that's doing their

0:41:25.880 --> 0:41:29.200
<v Speaker 1>podcast shit killing because them niggas be looking all y'all

0:41:29.280 --> 0:41:30.000
<v Speaker 1>be looking out for me.

0:41:30.320 --> 0:41:32.520
<v Speaker 2>For sure. There was a great guys ad is a

0:41:32.520 --> 0:41:34.160
<v Speaker 2>great guy man shot at him and pun and out

0:41:34.320 --> 0:41:36.959
<v Speaker 2>in ot. I had them come to my pizza shop

0:41:37.000 --> 0:41:39.080
<v Speaker 2>opening and I just told the ad I'm like, yo,

0:41:39.239 --> 0:41:40.560
<v Speaker 2>keep your fucking shirt on the night.

0:41:40.880 --> 0:41:42.960
<v Speaker 1>Yeah. So you know, like a lot of these dudes

0:41:43.000 --> 0:41:45.480
<v Speaker 1>I knew like before I did music, feel me so

0:41:45.960 --> 0:41:48.040
<v Speaker 1>now that I'm doing something positive, it's like a full

0:41:48.080 --> 0:41:51.479
<v Speaker 1>circle moment. Like that's tho dub like bro love dub

0:41:51.520 --> 0:41:53.880
<v Speaker 1>Man Bro, that's though tatted my whole chest when I

0:41:53.920 --> 0:41:56.680
<v Speaker 1>was eighteen. Really yeah, yeah, that's tho. He was the

0:41:56.719 --> 0:41:57.719
<v Speaker 1>man with the tattoo gun.

0:41:57.760 --> 0:41:59.360
<v Speaker 2>No, I know he did tattoos. So he gave you

0:41:59.520 --> 0:42:01.040
<v Speaker 2>he blast, did you in your eighteen.

0:42:00.840 --> 0:42:04.319
<v Speaker 1>Last of my chest? When I was eighteen, a D brother, I,

0:42:04.480 --> 0:42:07.479
<v Speaker 1>me and a D brother fit. We was actually real

0:42:07.560 --> 0:42:10.680
<v Speaker 1>close before he ended up going to jail. He got

0:42:10.680 --> 0:42:13.440
<v Speaker 1>out there, he doing like gospel rapping shit. He dope.

0:42:13.640 --> 0:42:14.319
<v Speaker 2>That's dope man.

0:42:14.480 --> 0:42:17.120
<v Speaker 1>But yeah, so it'd be like full circle moments that

0:42:17.160 --> 0:42:20.080
<v Speaker 1>I that I love, Like I met Joe Moses at

0:42:20.280 --> 0:42:23.080
<v Speaker 1>a D brother house probably when I was like fourteen.

0:42:23.440 --> 0:42:25.920
<v Speaker 2>Fucking crazy when you were a kid, you met Joe Moses.

0:42:26.000 --> 0:42:28.400
<v Speaker 2>Yeah yeah, you know they always talk about how like

0:42:28.440 --> 0:42:30.439
<v Speaker 2>Joe Moses and Ad like they've known each other since

0:42:30.480 --> 0:42:32.200
<v Speaker 2>like AD was a fucking kid essentially.

0:42:32.360 --> 0:42:33.440
<v Speaker 1>Yeah, no, that's fact.

0:42:33.600 --> 0:42:35.239
<v Speaker 2>So that's dope man. Shout to Joe.

0:42:35.480 --> 0:42:37.200
<v Speaker 1>Like all the people that you see me fucking with

0:42:37.280 --> 0:42:39.239
<v Speaker 1>most of the time, I knew them like savvy third

0:42:39.520 --> 0:42:42.160
<v Speaker 1>Like me and Bro stayed like next door to each

0:42:42.160 --> 0:42:44.719
<v Speaker 1>other basically when I stayed in the Lone Beach. So

0:42:44.760 --> 0:42:48.080
<v Speaker 1>it's like all this shit is just it's like I

0:42:48.120 --> 0:42:50.120
<v Speaker 1>didn't know what I was doing when I was just

0:42:50.239 --> 0:42:52.680
<v Speaker 1>running the streets, but it all ended up making a sense,

0:42:52.800 --> 0:42:53.600
<v Speaker 1>making sense.

0:42:53.480 --> 0:42:54.320
<v Speaker 2>Full circle moments.

0:42:54.360 --> 0:42:54.480
<v Speaker 1>Man.

0:42:54.760 --> 0:42:56.600
<v Speaker 2>Yeah, well look, you got a ton of music on

0:42:56.640 --> 0:42:59.200
<v Speaker 2>the way. Like you said, you just drop a Mazi.

0:43:00.000 --> 0:43:01.000
<v Speaker 2>Who else was on the record?

0:43:01.000 --> 0:43:04.439
<v Speaker 1>You say, Mazi on BPS on BPZ. That's right, yep.

0:43:04.480 --> 0:43:07.399
<v Speaker 1>I got one that's out with them joints. It's called Bondage.

0:43:08.000 --> 0:43:11.680
<v Speaker 1>I got Frider Days out, Guidance out, I got I

0:43:11.760 --> 0:43:13.919
<v Speaker 1>swear out, I got a I got a song called

0:43:14.040 --> 0:43:17.600
<v Speaker 1>uc that's really like the new Summer anthem right now.

0:43:17.719 --> 0:43:18.919
<v Speaker 1>You gotta check that shit out.

0:43:19.280 --> 0:43:21.640
<v Speaker 2>And tons of music on the way with some of

0:43:21.640 --> 0:43:25.080
<v Speaker 2>the biggest artists on the planet. Fact big records coming. Man,

0:43:25.120 --> 0:43:27.160
<v Speaker 2>appreciate you pulling up. We're gonna do a little freestyle

0:43:27.160 --> 0:43:28.720
<v Speaker 2>to so to be able to check that out. Man, Wally,

0:43:28.800 --> 0:43:31.239
<v Speaker 2>the Sans appreciate you, brother. Let's get it, yes, sir,

0:43:31.840 --> 0:43:32.120
<v Speaker 2>Fire