1 00:00:04,960 --> 00:00:06,559 Speaker 1: Welcome to Money Making Conversations. 2 00:00:06,600 --> 00:00:08,399 Speaker 2: It's to show that she is the secrets of success 3 00:00:08,440 --> 00:00:11,960 Speaker 2: experience firsthand by marketing and Brandon expert Rashan McDonald. I 4 00:00:12,000 --> 00:00:14,360 Speaker 2: will know he's giving me advice on many occasions. And 5 00:00:14,400 --> 00:00:17,400 Speaker 2: in case you didn't notice, I'm not broke. You know 6 00:00:17,480 --> 00:00:21,000 Speaker 2: he'll be interviewing celebrity CEOs, entrepreneurs and industry. 7 00:00:20,640 --> 00:00:22,880 Speaker 1: Decision make because it's what he likes to do. It's 8 00:00:22,920 --> 00:00:23,920 Speaker 1: what he likes to share. 9 00:00:24,320 --> 00:00:27,320 Speaker 2: Now it's time to hear from my man, Rashaan McDonald 10 00:00:27,440 --> 00:00:28,680 Speaker 2: money Making Conversations. 11 00:00:28,960 --> 00:00:32,520 Speaker 1: Here we go. This is Rashan McDonald had to grab 12 00:00:32,560 --> 00:00:36,680 Speaker 1: the mic because I was in there dancing because you know, 13 00:00:36,840 --> 00:00:38,680 Speaker 1: we're about to talk about some great music. I know, 14 00:00:38,840 --> 00:00:41,720 Speaker 1: I know, I know, but I'm about to mention some 15 00:00:41,800 --> 00:00:46,040 Speaker 1: song gonna bring back some memories today because next month 16 00:00:46,840 --> 00:00:51,400 Speaker 1: is that's June is a Black music month, and we're 17 00:00:51,400 --> 00:00:52,960 Speaker 1: gonna talk to music. But let me let me get 18 00:00:52,960 --> 00:00:56,120 Speaker 1: the intro started and so I can just lay everything correctly. 19 00:00:56,160 --> 00:00:58,840 Speaker 1: Welcome to money Making Conversation master Class. As you know, 20 00:00:59,400 --> 00:01:02,600 Speaker 1: I'm your whole Rashaan McDonald. Our theme is that there 21 00:01:02,680 --> 00:01:05,640 Speaker 1: is no perfect time to start following your dreams. I 22 00:01:05,680 --> 00:01:09,160 Speaker 1: recognize that we all have different definitions of success. For you, 23 00:01:09,440 --> 00:01:11,760 Speaker 1: it may be the size of your paycheck. Mine is 24 00:01:11,800 --> 00:01:14,720 Speaker 1: inspiring you. That's right, you who are listening, You who 25 00:01:14,760 --> 00:01:18,399 Speaker 1: are driving, you, who are streaming this show nationwide? To 26 00:01:18,400 --> 00:01:21,440 Speaker 1: accomplish your goals and live your very best life, It's 27 00:01:21,440 --> 00:01:24,199 Speaker 1: time to start reading other people's success stories and start 28 00:01:24,880 --> 00:01:28,080 Speaker 1: living your own. The reality is is that when I 29 00:01:28,080 --> 00:01:29,760 Speaker 1: do this show and I look at myself, cause I 30 00:01:29,760 --> 00:01:32,240 Speaker 1: get up every morning at four thirty Monday through Friday. 31 00:01:32,240 --> 00:01:34,399 Speaker 1: I get up and I tell people when I get up, 32 00:01:34,520 --> 00:01:36,400 Speaker 1: I'm not a happy It's not about a happy get 33 00:01:36,480 --> 00:01:38,560 Speaker 1: up at four thirty in the morning. But to achieve 34 00:01:38,600 --> 00:01:41,080 Speaker 1: my dream, to achieve my goals, I have to get up. 35 00:01:41,360 --> 00:01:45,280 Speaker 1: I can't hit this snooze button. I can't think about 36 00:01:45,720 --> 00:01:47,760 Speaker 1: what if somebody else did what I needed them to 37 00:01:47,800 --> 00:01:50,000 Speaker 1: do so I can be successful. In the end, your 38 00:01:50,080 --> 00:01:52,440 Speaker 1: dream is your dream. To achieve your dream, to make 39 00:01:52,440 --> 00:01:54,480 Speaker 1: your dream happen, you have to make it happen. And 40 00:01:54,480 --> 00:01:57,520 Speaker 1: I always tell people this. Everybody has a gift, not gifts. 41 00:01:57,600 --> 00:01:59,800 Speaker 1: Let's talk about that gift. Let's hone in and that 42 00:02:00,080 --> 00:02:02,640 Speaker 1: one town, that one skill, that God has given you. 43 00:02:03,120 --> 00:02:05,480 Speaker 1: Lead with that gift, and don't let your friend's family 44 00:02:05,560 --> 00:02:08,000 Speaker 1: or coworker stop you from planning or living your dreams. 45 00:02:08,120 --> 00:02:10,919 Speaker 1: I will tell people this, between the ages of eighteen 46 00:02:11,040 --> 00:02:15,200 Speaker 1: and twenty four, you are invincible, You're immortal, You're a dreamer. 47 00:02:15,560 --> 00:02:19,560 Speaker 1: Can't nobody tell you nothing. When you get forty, fifty, sixty, seventy, 48 00:02:20,000 --> 00:02:23,480 Speaker 1: get that same attitude back that can't nobody stop you, 49 00:02:23,800 --> 00:02:26,239 Speaker 1: that you're invincible, that you're gonna live forever. Because even 50 00:02:26,280 --> 00:02:28,840 Speaker 1: at eighteen, there was no guarantee that you would live forever. 51 00:02:29,639 --> 00:02:32,680 Speaker 1: So why should you not have the same mentality when 52 00:02:32,760 --> 00:02:35,440 Speaker 1: you're forty, when you're fifty and sixty, that you're going 53 00:02:35,480 --> 00:02:40,799 Speaker 1: to live forever. Because your dreams, your legacy you create, 54 00:02:41,080 --> 00:02:45,040 Speaker 1: can make you a legend, can make you a memory, 55 00:02:45,120 --> 00:02:48,000 Speaker 1: can make you a person that has changed other people's life. 56 00:02:48,280 --> 00:02:52,600 Speaker 1: I remember when I was diagnosed for cancer, and when 57 00:02:52,639 --> 00:02:54,920 Speaker 1: you get diagnosed for cancer, the thing about it is 58 00:02:54,960 --> 00:03:00,440 Speaker 1: that your light flashes before your eyes, and all I 59 00:03:00,440 --> 00:03:05,720 Speaker 1: could think about was my future. But I settled down, 60 00:03:05,800 --> 00:03:08,440 Speaker 1: I realized what I had done in my life. At 61 00:03:08,440 --> 00:03:14,320 Speaker 1: that point, I was really comfortable if cancer was going 62 00:03:14,400 --> 00:03:17,360 Speaker 1: to bring an end to my life. Unfortunately for me, 63 00:03:17,440 --> 00:03:21,000 Speaker 1: it has not. So you have to live each day 64 00:03:21,080 --> 00:03:25,000 Speaker 1: with a goal, with a desire to understand that when 65 00:03:25,040 --> 00:03:27,359 Speaker 1: you wake up, have a sense of purpose when you 66 00:03:27,400 --> 00:03:30,280 Speaker 1: wake up, have a goal. When you have that goal, 67 00:03:30,560 --> 00:03:33,000 Speaker 1: achieve the plan that you are trying to achieve out 68 00:03:33,000 --> 00:03:35,800 Speaker 1: of that and don't let nobody stop you from achieving. 69 00:03:36,160 --> 00:03:39,240 Speaker 1: I guess she's that person. One of my favorite people 70 00:03:39,240 --> 00:03:42,000 Speaker 1: I interview on my shows. You know sometimes on NPR 71 00:03:42,040 --> 00:03:44,640 Speaker 1: you can't like promote or say you like something, but 72 00:03:44,680 --> 00:03:46,560 Speaker 1: I gotta say I like her. She's one of my 73 00:03:46,560 --> 00:03:51,840 Speaker 1: favorite people. My guess it's Deana Williams. She's the broadcaster, celebrity, strategist, curator, 74 00:03:52,240 --> 00:03:56,080 Speaker 1: live event producer, celebrating fifty years in the music, broadcasting 75 00:03:56,120 --> 00:03:59,240 Speaker 1: and entertainment industry. Professional. That's what she is. She's the 76 00:03:59,280 --> 00:04:02,520 Speaker 1: person that's been there. Because it's really interesting and we're 77 00:04:02,520 --> 00:04:05,040 Speaker 1: going to talk about this. We talk about longevity because 78 00:04:05,480 --> 00:04:09,120 Speaker 1: when you're successful, you really doesn't think about longevity. To 79 00:04:09,280 --> 00:04:13,040 Speaker 1: you get to that longevity part and then somehow you 80 00:04:13,120 --> 00:04:15,320 Speaker 1: get nervous because you look it back, look back on 81 00:04:15,360 --> 00:04:18,040 Speaker 1: what you've achieved, and you wonder if you can continue 82 00:04:18,080 --> 00:04:20,600 Speaker 1: to achieve that some of the archives are really now 83 00:04:20,640 --> 00:04:23,640 Speaker 1: in the library of Congress co founder. Check this out, 84 00:04:23,839 --> 00:04:26,680 Speaker 1: Black Music One. It's on the National Museum of African 85 00:04:26,720 --> 00:04:30,600 Speaker 1: American Music and Nashville Board. A regular TV wants Unsung 86 00:04:30,960 --> 00:04:34,279 Speaker 1: and is referred to as the mother of Black Music One. 87 00:04:35,040 --> 00:04:37,680 Speaker 1: She's established and she's going to get a big proclamation 88 00:04:37,800 --> 00:04:41,080 Speaker 1: in the city of Philadelphia. Please welcome the one and 89 00:04:41,120 --> 00:04:44,640 Speaker 1: only the Money Making Conversation Masterclass, Deanna Williams. 90 00:04:44,720 --> 00:04:49,599 Speaker 3: How are you doing, Diana, ooh blushing, I'm another collar. 91 00:04:50,360 --> 00:04:53,640 Speaker 3: Oh my goodness for san Now you know I love, 92 00:04:54,400 --> 00:04:57,440 Speaker 3: love any opportunity to interact with you for a myriad 93 00:04:57,480 --> 00:05:02,240 Speaker 3: of reasons. One, you are so inspiring. You are when 94 00:05:02,240 --> 00:05:05,359 Speaker 3: we talk about success, you are helping. You're giving the 95 00:05:05,400 --> 00:05:10,600 Speaker 3: blueprint to listeners, to viewers of success because you are 96 00:05:10,640 --> 00:05:16,520 Speaker 3: bringing on the air people who are grustlers, grinding and hustling, 97 00:05:16,880 --> 00:05:20,600 Speaker 3: and you are a master grustler. So I'm honored to 98 00:05:20,600 --> 00:05:24,160 Speaker 3: be with you today. I'm wc Okay, all right now, 99 00:05:24,800 --> 00:05:27,880 Speaker 3: my daughter went to she went she attended school there, 100 00:05:28,360 --> 00:05:30,040 Speaker 3: and shout out to David Lynton and. 101 00:05:30,000 --> 00:05:33,320 Speaker 1: The oh David Lynton, he's sitting in here. Okay, he's 102 00:05:33,320 --> 00:05:38,200 Speaker 1: sitting in the room, and I didn't know that that's 103 00:05:38,240 --> 00:05:39,920 Speaker 1: my boy. You know, he got me on over here 104 00:05:40,080 --> 00:05:42,920 Speaker 1: boy too, because you know, everybody has a dream, and 105 00:05:43,440 --> 00:05:46,560 Speaker 1: I was talking about that earlier. But when you say, like, 106 00:05:46,839 --> 00:05:49,400 Speaker 1: I remember when I when out, I left IBM, and 107 00:05:49,440 --> 00:05:51,440 Speaker 1: I wanted to pursue a career as a standing comedian. 108 00:05:51,480 --> 00:05:52,960 Speaker 1: I just wanted to do it. You know, I was 109 00:05:53,000 --> 00:05:54,880 Speaker 1: just I was twenty six years old at the tem 110 00:05:54,880 --> 00:05:58,040 Speaker 1: cauld't nobody tell me nothing, because I felt that I 111 00:05:58,080 --> 00:05:59,480 Speaker 1: had to do it. And a lot of people said, 112 00:05:59,520 --> 00:06:01,640 Speaker 1: don't do it. You're leaving a great job like IBM. 113 00:06:02,120 --> 00:06:04,640 Speaker 1: And then thirty came, and then forty came. And I 114 00:06:04,760 --> 00:06:06,960 Speaker 1: really tell you this to be honest, that it wasn't 115 00:06:06,960 --> 00:06:10,520 Speaker 1: into my forties did I really realized that I had 116 00:06:10,560 --> 00:06:14,120 Speaker 1: a gift, that I had the ability to do things 117 00:06:14,160 --> 00:06:16,640 Speaker 1: that everybody else wanted to do. And people were starting 118 00:06:16,640 --> 00:06:19,520 Speaker 1: to come to me for advice and starting to understand 119 00:06:19,560 --> 00:06:21,840 Speaker 1: that I had a different way I looked at things 120 00:06:21,839 --> 00:06:24,640 Speaker 1: when it came to marketing and branding. When I did 121 00:06:24,640 --> 00:06:27,360 Speaker 1: this show, bringing people like you on the show. Let's 122 00:06:27,360 --> 00:06:30,000 Speaker 1: talk about that journey in the early years when you 123 00:06:30,080 --> 00:06:32,920 Speaker 1: were just a voice, but you were an incredible voice. 124 00:06:33,279 --> 00:06:36,440 Speaker 1: And when did you realize that you were seeing things 125 00:06:36,480 --> 00:06:38,960 Speaker 1: and giving advice to people that was a little bit 126 00:06:38,960 --> 00:06:40,800 Speaker 1: different than they were getting anyplace else. 127 00:06:42,000 --> 00:06:45,520 Speaker 3: Well, salute to you again for helping craft the careers 128 00:06:45,560 --> 00:06:49,560 Speaker 3: of many super successful individuals. I wish i'd met you 129 00:06:49,560 --> 00:06:53,680 Speaker 3: younger in life difference. But the person who inspired me 130 00:06:53,720 --> 00:06:56,400 Speaker 3: there were two people other than my parents, my mother 131 00:06:56,520 --> 00:06:59,800 Speaker 3: Nancy Newman and my father George Williams. And other than 132 00:06:59,839 --> 00:07:03,719 Speaker 3: my parents and my grandparents, my family, my foundation, it 133 00:07:03,960 --> 00:07:09,240 Speaker 3: was my ex Kenny Gamble and my best friend Kathy Hughes, 134 00:07:09,279 --> 00:07:11,960 Speaker 3: who was the founder of everything with the one in It, 135 00:07:12,120 --> 00:07:18,440 Speaker 3: Urban one TV, the Dollar one, everything. And so those 136 00:07:18,480 --> 00:07:21,440 Speaker 3: are the individuals that helped shape me. But a good 137 00:07:21,520 --> 00:07:23,640 Speaker 3: friend of mine, Hubert Law said to me when I 138 00:07:23,680 --> 00:07:25,840 Speaker 3: was in college. He says, you have a great voice. 139 00:07:25,880 --> 00:07:28,000 Speaker 3: You should do radio. So he was one of my 140 00:07:28,720 --> 00:07:31,760 Speaker 3: you know, he was one of my early advocates. So 141 00:07:31,880 --> 00:07:34,720 Speaker 3: I would give credit to those individuals. And a gentleman 142 00:07:34,760 --> 00:07:38,040 Speaker 3: by the name of Van j And lastly, the person 143 00:07:38,120 --> 00:07:42,640 Speaker 3: who gave me my first job with health benefits, his 144 00:07:42,720 --> 00:07:45,960 Speaker 3: name Bob Nighthawk Terry, and he saw the movie Talk 145 00:07:46,040 --> 00:07:49,080 Speaker 3: to Me. He was in the movie with P. D. Green. 146 00:07:49,840 --> 00:07:52,440 Speaker 3: Nighthauw Terry was the gentleman who came in with the dogs. 147 00:07:52,920 --> 00:07:54,920 Speaker 3: That was my former boss who gave me my first 148 00:07:55,000 --> 00:07:55,720 Speaker 3: job in radio. 149 00:07:56,160 --> 00:07:58,200 Speaker 1: Well know, not today. You know you got to have 150 00:07:58,280 --> 00:08:00,480 Speaker 1: that boys back in the day. You have to talk 151 00:08:00,560 --> 00:08:03,080 Speaker 1: certain way, got to have a voice. And as about personality, 152 00:08:03,120 --> 00:08:06,480 Speaker 1: you really get really don't have to talk like you talk? 153 00:08:06,720 --> 00:08:10,120 Speaker 1: Are the way everybody to have the articulate every word 154 00:08:10,200 --> 00:08:13,240 Speaker 1: came I clear, But now everybody throw out the word authentic, 155 00:08:13,800 --> 00:08:17,320 Speaker 1: you know, organic, relatable. How is that? How have you 156 00:08:17,440 --> 00:08:19,760 Speaker 1: seen that? Has that changed the business? 157 00:08:20,520 --> 00:08:23,800 Speaker 3: You know? Back I come from the era of radio personalities, 158 00:08:23,840 --> 00:08:28,240 Speaker 3: where people who are very vibrant personalities like Frankie Crocker, Yes, 159 00:08:28,400 --> 00:08:31,240 Speaker 3: By Higginson, who is the woman who inspired me, who 160 00:08:31,280 --> 00:08:33,760 Speaker 3: was also on the air at WBLS in New York 161 00:08:34,040 --> 00:08:37,559 Speaker 3: on one O seven point five. Uh. You know it 162 00:08:37,679 --> 00:08:40,120 Speaker 3: kind of got wortered down at a certain point. But 163 00:08:40,200 --> 00:08:44,680 Speaker 3: I think radio personalities we come for that tradition. You know, 164 00:08:44,760 --> 00:08:49,080 Speaker 3: the great Jocko Henderson and Georgie Woods, the guy with 165 00:08:49,120 --> 00:08:54,000 Speaker 3: the goods. These are legendary broadcasts. Mary Mason Louise Williams Bishop. 166 00:08:54,480 --> 00:08:56,840 Speaker 3: That's that's what I come from. And while I am 167 00:08:56,880 --> 00:09:00,560 Speaker 3: currently celebrating my fiftieth anniversary, I've seen all kind of 168 00:09:00,640 --> 00:09:05,400 Speaker 3: changes in radio broadcasting. But at the end of the day, 169 00:09:05,920 --> 00:09:10,199 Speaker 3: it's personalities. People want to hear a voice that they trust, 170 00:09:10,600 --> 00:09:13,160 Speaker 3: they can rely upon, that they can set their watch. 171 00:09:13,240 --> 00:09:17,560 Speaker 3: Oh wait, we don't set our watches anymore, but you 172 00:09:17,640 --> 00:09:20,200 Speaker 3: know what I mean. They want they want that familiarity, 173 00:09:20,200 --> 00:09:23,320 Speaker 3: they want somebody who feels like family. And that's the 174 00:09:23,400 --> 00:09:26,440 Speaker 3: style of radio that I've always engaged. And even though 175 00:09:26,480 --> 00:09:30,320 Speaker 3: now I'm doing talk radio, I've done music radio my 176 00:09:30,559 --> 00:09:33,680 Speaker 3: entire career. But I'm a guest commentator on w u 177 00:09:33,800 --> 00:09:37,880 Speaker 3: r D, which is progressive black talk radio in Philadelphia, 178 00:09:37,920 --> 00:09:40,199 Speaker 3: So I get to do what you do. 179 00:09:40,000 --> 00:09:42,520 Speaker 1: What you do, well, we know the beauty of you know, 180 00:09:42,559 --> 00:09:44,880 Speaker 1: because you threw out a name. You know, you throw 181 00:09:44,880 --> 00:09:46,920 Speaker 1: out a name just in my ex nite. 182 00:09:46,960 --> 00:09:50,640 Speaker 3: Which one, oh my EXX you know, Piker Rock of 183 00:09:50,720 --> 00:09:54,560 Speaker 3: my family and my very very dear friend Kenny Gamble, 184 00:09:54,640 --> 00:09:56,480 Speaker 3: who is one of the architects of the found of 185 00:09:56,480 --> 00:09:58,680 Speaker 3: Philadelphia with his partners. 186 00:10:00,120 --> 00:10:02,680 Speaker 1: Don't go past that too fast, now, you know, South 187 00:10:02,760 --> 00:10:05,280 Speaker 1: of Philadelphia. Come that music. We gotta talk about that 188 00:10:05,440 --> 00:10:07,920 Speaker 1: music loop, Okay, because you see a lot of people 189 00:10:07,960 --> 00:10:11,319 Speaker 1: don't know all they is the artists all if they 190 00:10:11,360 --> 00:10:14,800 Speaker 1: hear the singer, they don't know who the master behind, 191 00:10:14,960 --> 00:10:18,119 Speaker 1: mastermind behind, I miss you. 192 00:10:18,120 --> 00:10:24,559 Speaker 3: You know Kenny Gamble, Leon Hoff, the great Drummer, Young Love, 193 00:10:24,960 --> 00:10:27,800 Speaker 3: the Ojs, Kenny Gamble again and Leon Hull ain't no 194 00:10:27,840 --> 00:10:31,160 Speaker 3: stopping us now, Big Fadin and Whitehead, Gin and John 195 00:10:31,400 --> 00:10:33,120 Speaker 3: great producers and songwriters. 196 00:10:33,640 --> 00:10:37,160 Speaker 1: That's just a few, y'all. Because of the fact that 197 00:10:37,240 --> 00:10:39,280 Speaker 1: you know, the soul trained thing. 198 00:10:40,280 --> 00:10:43,040 Speaker 3: The soul Trained theme with Don Cornelius was done by 199 00:10:43,080 --> 00:10:47,560 Speaker 3: Gambling Huff and it featured the three degrees and mss 200 00:10:48,080 --> 00:10:52,760 Speaker 3: turn off the lights, my my borrow a cup of sugar, 201 00:10:52,920 --> 00:10:56,000 Speaker 3: neighbor and my best friend until he made his transition. 202 00:10:56,600 --> 00:11:00,600 Speaker 3: Theodore pender Grass, Teddy Pendergrass Girl. 203 00:11:00,840 --> 00:11:02,720 Speaker 1: That was my song back in the day, boy, turn 204 00:11:02,800 --> 00:11:08,320 Speaker 1: off get me excited because now going back to my 205 00:11:08,360 --> 00:11:11,920 Speaker 1: younger days, when you know when when when a slow 206 00:11:12,000 --> 00:11:15,400 Speaker 1: song meant something back in the club dates, Yeah, you know, 207 00:11:15,440 --> 00:11:18,600 Speaker 1: you look across the you look across the floor and 208 00:11:19,000 --> 00:11:22,360 Speaker 1: made eye contact. That's all you needed. If she looked 209 00:11:22,360 --> 00:11:24,400 Speaker 1: your way, you looked that way, and you just did 210 00:11:24,440 --> 00:11:27,559 Speaker 1: the head now, the head up or the head to 211 00:11:27,640 --> 00:11:30,680 Speaker 1: the right of the head up, and she went cool. 212 00:11:31,040 --> 00:11:33,800 Speaker 1: Then y'all made our way to the floor and. 213 00:11:34,200 --> 00:11:38,600 Speaker 3: Exactly exactly, and you know what, Sad Jones, mel Lewis, 214 00:11:38,640 --> 00:11:42,320 Speaker 3: Gambling Huff died two albums. I believe with them, the 215 00:11:42,360 --> 00:11:45,959 Speaker 3: great Dexter Wanzelle, who was coming from a jazz tradition 216 00:11:46,080 --> 00:11:50,880 Speaker 3: as well. So incredible musicians. They called from the Philadelphia 217 00:11:51,000 --> 00:11:55,080 Speaker 3: Orchestra string layers and then they had the fiercest rhythm section. 218 00:11:55,720 --> 00:12:00,480 Speaker 3: I love the music of the sound of Philadelphia, Philadelphia. 219 00:11:59,160 --> 00:12:02,280 Speaker 1: International, you know the music, but it had a message 220 00:12:02,320 --> 00:12:04,120 Speaker 1: in it too a lot of times, you know, like 221 00:12:04,200 --> 00:12:07,240 Speaker 1: wake up everybody, they're sleeping in. 222 00:12:07,400 --> 00:12:11,480 Speaker 3: Harold Melvin and the Blue Notes again with Teddy Pendergrass. 223 00:12:11,000 --> 00:12:15,079 Speaker 1: Family Reunion for the Old James, the reunion. 224 00:12:16,400 --> 00:12:19,439 Speaker 3: I got to have. And you know what, how about 225 00:12:19,480 --> 00:12:22,319 Speaker 3: I always loved my mama. Dambling huffros that one as well, 226 00:12:22,360 --> 00:12:27,320 Speaker 3: and I always loved my mama come on, my favorite girl. 227 00:12:27,520 --> 00:12:29,200 Speaker 1: Well, you know the thing the thing about it is 228 00:12:29,240 --> 00:12:34,160 Speaker 1: that are we are now this generational Okay? You know 229 00:12:34,280 --> 00:12:37,600 Speaker 1: you had pop but then you had rock and then 230 00:12:37,600 --> 00:12:40,959 Speaker 1: you had the mothership landed. You know, it landed. You 231 00:12:41,000 --> 00:12:43,040 Speaker 1: know it landed. When I was playing basketball in the 232 00:12:43,080 --> 00:12:45,800 Speaker 1: early seventies, when the when the when the pea fonk came, 233 00:12:46,760 --> 00:12:51,280 Speaker 1: make mother funk the phone come on now. But nobody 234 00:12:51,440 --> 00:12:54,280 Speaker 1: was stopping them boys in Philadelphia. 235 00:12:54,760 --> 00:12:55,679 Speaker 2: No, not at all. 236 00:12:55,760 --> 00:12:59,000 Speaker 3: And they were inspired. I thought, I heard you say, 237 00:12:59,000 --> 00:13:03,080 Speaker 3: Barry Gordy. Barry Gordy and Motowns and Detroit set the 238 00:13:03,440 --> 00:13:07,320 Speaker 3: standard for Gamble and Huff. They actually flew out. Gamble's 239 00:13:07,360 --> 00:13:11,319 Speaker 3: first airplane ride was to Detroit to visit Motown, where 240 00:13:11,320 --> 00:13:15,479 Speaker 3: they were interested in speaking to them to be songwriters 241 00:13:15,760 --> 00:13:19,000 Speaker 3: producers at Motown. And when Gamble and Huff saw what 242 00:13:19,040 --> 00:13:21,720 Speaker 3: Barry Gordy had done. And if you've ever been to 243 00:13:21,760 --> 00:13:24,800 Speaker 3: the studio, which I'm sure you have, absolutely in a house, 244 00:13:25,360 --> 00:13:29,960 Speaker 3: it's small, no way, all that great, big music from 245 00:13:30,040 --> 00:13:33,880 Speaker 3: all those artists Stevie Wonder, Martha Reeves and the Bandelas, 246 00:13:33,920 --> 00:13:40,400 Speaker 3: Mary Wilson, Diana Ross and the Supremes, the Temptations, you're. 247 00:13:40,120 --> 00:13:42,520 Speaker 1: Right there, you know, because sometimes we be in the mix, 248 00:13:42,600 --> 00:13:44,440 Speaker 1: and so you know, it's like it's like you just 249 00:13:44,520 --> 00:13:48,200 Speaker 1: be rolling through it and you don't realize you understand 250 00:13:48,280 --> 00:13:52,800 Speaker 1: what's happening, but you don't really appreciate it because it's 251 00:13:52,880 --> 00:13:56,800 Speaker 1: just happening. And you enjoyed a moment because greatness was 252 00:13:56,880 --> 00:14:00,360 Speaker 1: all around you from those sounds and artists. And what 253 00:14:01,200 --> 00:14:02,520 Speaker 1: was your head at at that moment? 254 00:14:04,480 --> 00:14:07,280 Speaker 3: Yeah, very great question. I often reflect back to it. 255 00:14:07,640 --> 00:14:10,840 Speaker 3: I knew that great things were happening. I was very 256 00:14:10,920 --> 00:14:16,240 Speaker 3: cognizant of the fact that I was around tremendously talented people, 257 00:14:16,360 --> 00:14:19,320 Speaker 3: not just my man, but the people that he signed 258 00:14:19,320 --> 00:14:22,440 Speaker 3: to the roster. Junie carn is godmother to our children. 259 00:14:23,040 --> 00:14:26,160 Speaker 3: Gamble and I had three children, so I was I 260 00:14:26,240 --> 00:14:28,480 Speaker 3: was aware, and I was on the radio. So I 261 00:14:28,600 --> 00:14:32,360 Speaker 3: was on the air the first at WBLS. Then I 262 00:14:32,400 --> 00:14:34,960 Speaker 3: went into television for a minute. Then I came back 263 00:14:35,000 --> 00:14:37,840 Speaker 3: to Philly and I was on w DAS one oh 264 00:14:37,920 --> 00:14:41,120 Speaker 3: five point three when it is a monster heritage station 265 00:14:41,240 --> 00:14:45,200 Speaker 3: absolutely in Philadelphia, and that's the station where you know 266 00:14:45,320 --> 00:14:48,560 Speaker 3: great like for instance, there's a woman named Patty Jackson. 267 00:14:49,000 --> 00:14:52,400 Speaker 1: She has been on the air full Letdeana see, that's 268 00:14:52,400 --> 00:14:54,280 Speaker 1: where you bring friends on because you got to remind 269 00:14:54,400 --> 00:14:57,000 Speaker 1: them of the blessings they've given us. If you've watched 270 00:14:57,040 --> 00:15:00,280 Speaker 1: TV ones on song, you've seen her, you have seen 271 00:15:00,480 --> 00:15:03,840 Speaker 1: Deanna Williams. You already heard all this music. So when 272 00:15:03,840 --> 00:15:05,320 Speaker 1: you try to go back and get one of those 273 00:15:05,560 --> 00:15:08,800 Speaker 1: those greats, they gonna roll her end and go queen 274 00:15:08,920 --> 00:15:12,440 Speaker 1: start talking. Give give us the truth, because you know 275 00:15:12,520 --> 00:15:15,000 Speaker 1: the truth because you saw it all You saw. Not 276 00:15:15,120 --> 00:15:17,320 Speaker 1: only you saw it, you played it, you participated. You 277 00:15:17,320 --> 00:15:20,080 Speaker 1: were at the concerts, used at the events where the 278 00:15:20,160 --> 00:15:24,200 Speaker 1: music was revolutionizing the sound, but it was all coming 279 00:15:24,240 --> 00:15:27,080 Speaker 1: off the East coast, and then you had Detroit, then 280 00:15:27,120 --> 00:15:29,880 Speaker 1: you had the West Coast, those sounds and that music. 281 00:15:29,920 --> 00:15:31,760 Speaker 1: And I be remiss because I want you to go 282 00:15:31,800 --> 00:15:35,040 Speaker 1: back and talk about my girl, Patty Jackson, because I cannot. 283 00:15:35,320 --> 00:15:37,560 Speaker 1: She's done so much for my career. She's done so 284 00:15:37,640 --> 00:15:40,320 Speaker 1: much as you've done for my career being able to 285 00:15:40,360 --> 00:15:42,200 Speaker 1: give me a voice and give them the talents that 286 00:15:42,280 --> 00:15:45,080 Speaker 1: I've worked with a voice. Because people don't understand black 287 00:15:45,200 --> 00:15:49,080 Speaker 1: radio is a little bit different in our community because 288 00:15:49,240 --> 00:15:52,040 Speaker 1: black radio tells us how to vote. Black radio tell 289 00:15:52,120 --> 00:15:53,920 Speaker 1: us where to go, tell us about the weather, tell 290 00:15:54,000 --> 00:15:55,440 Speaker 1: us how to get up in the morning, tell us 291 00:15:55,520 --> 00:15:57,720 Speaker 1: when to go to bed, tell us makes us feel 292 00:15:57,760 --> 00:16:00,320 Speaker 1: good about our said. It makes us party that I 293 00:16:00,320 --> 00:16:04,800 Speaker 1: says remind us of respect. Black radio is powerful and 294 00:16:04,880 --> 00:16:07,400 Speaker 1: it should never go away because of the fact it's 295 00:16:07,400 --> 00:16:09,320 Speaker 1: an emotional tool to our future. 296 00:16:09,680 --> 00:16:13,480 Speaker 3: Do you agree exactly? I completely totally agree. Black radio 297 00:16:13,560 --> 00:16:15,960 Speaker 3: is the clarion voices of our community and it has 298 00:16:16,000 --> 00:16:19,280 Speaker 3: been and will continue to be as long as humanity exists. 299 00:16:19,800 --> 00:16:21,800 Speaker 3: And prior to the break, what I was saying about 300 00:16:21,840 --> 00:16:24,640 Speaker 3: Patti Jackson is that she has been on the air 301 00:16:24,840 --> 00:16:30,640 Speaker 3: in the same time slot for thirty years. Unheard of, white, purple, 302 00:16:30,880 --> 00:16:34,760 Speaker 3: polka dot orange. She is a voice in the community 303 00:16:35,040 --> 00:16:39,080 Speaker 3: and as you reference my career celebrating fifty years, Patti 304 00:16:39,200 --> 00:16:41,800 Speaker 3: Jackson and I are part of a group called the 305 00:16:41,840 --> 00:16:47,440 Speaker 3: Inaugural thirty thirty Black women broadcasters from all over the country. 306 00:16:48,000 --> 00:16:55,080 Speaker 3: Our archives last Friday were installed into the Library of Congress. 307 00:16:55,120 --> 00:16:58,800 Speaker 3: We started the morning out at the White House with 308 00:16:58,920 --> 00:17:02,760 Speaker 3: Steve Benjamin and you know the new Press Secretary, well, 309 00:17:02,800 --> 00:17:06,879 Speaker 3: she's a year in her position, Carine Jean Pierre and 310 00:17:08,040 --> 00:17:11,920 Speaker 3: Erica who's in charge of African American media, Erica Lowe. 311 00:17:11,960 --> 00:17:15,119 Speaker 3: It was incredible, but shout out to all those women 312 00:17:15,760 --> 00:17:20,680 Speaker 3: for their illustrious careers and being voices on the regular 313 00:17:20,880 --> 00:17:23,960 Speaker 3: in our community. As you said, Rashaan, where do you 314 00:17:24,000 --> 00:17:27,920 Speaker 3: go vote? Who's coming to town? What place did you need? What? 315 00:17:28,760 --> 00:17:31,560 Speaker 3: You know? It's voting, it's time to register, where to go, 316 00:17:31,720 --> 00:17:34,600 Speaker 3: where to get help, where to get social services? Where 317 00:17:34,640 --> 00:17:38,000 Speaker 3: who's hiring? Job theres That's what we do. We do 318 00:17:38,080 --> 00:17:41,760 Speaker 3: more than just play feel good music. We are the 319 00:17:41,880 --> 00:17:46,600 Speaker 3: voices in our community to alert, to inspire, to inform. 320 00:17:47,080 --> 00:17:49,320 Speaker 1: We know it was really interesting. Like I'm from Houston, Texas. 321 00:17:49,400 --> 00:17:52,320 Speaker 1: I can remember or stationed down there called Magic one 322 00:17:52,400 --> 00:17:55,560 Speaker 1: h two. I can tell you right now today the 323 00:17:55,720 --> 00:17:58,959 Speaker 1: very first song that that station played in nineteen seventy 324 00:17:59,000 --> 00:18:00,720 Speaker 1: seven when it came on with to get Talk on 325 00:18:00,920 --> 00:18:01,959 Speaker 1: Johnny Guitar Watson. 326 00:18:02,000 --> 00:18:05,000 Speaker 3: So one do you remember real Mother? 327 00:18:05,040 --> 00:18:05,280 Speaker 1: For you? 328 00:18:05,960 --> 00:18:06,480 Speaker 3: Oh? Yes? 329 00:18:06,840 --> 00:18:10,200 Speaker 1: And you know. And so that's how powerful music is 330 00:18:10,520 --> 00:18:13,720 Speaker 1: because it can lock you into an emotion. It can 331 00:18:13,760 --> 00:18:17,040 Speaker 1: also inspire you to be great. Now when you talk 332 00:18:17,040 --> 00:18:19,480 Speaker 1: about black music, when I cannot get off this air 333 00:18:19,520 --> 00:18:22,280 Speaker 1: is talk. Let people hear the story of how that 334 00:18:22,320 --> 00:18:26,040 Speaker 1: came about, how you very instrumental alone with mister Gamble 335 00:18:26,200 --> 00:18:28,560 Speaker 1: and coming about tell us about how black music Mark 336 00:18:28,640 --> 00:18:32,560 Speaker 1: came about and now it is recognized every June. 337 00:18:32,880 --> 00:18:35,600 Speaker 3: Well credit goes to Kenny Gamble. Again, we were a 338 00:18:35,600 --> 00:18:37,919 Speaker 3: couple at the time, so obviously as a couple we 339 00:18:38,000 --> 00:18:42,239 Speaker 3: worked together on everything, including the children. But Gamble went 340 00:18:42,280 --> 00:18:45,160 Speaker 3: to Nashville and he saw what the Country Music Association 341 00:18:46,119 --> 00:18:50,359 Speaker 3: was doing with their unity, carving out a region calling 342 00:18:50,400 --> 00:18:54,320 Speaker 3: it Music City, being very smart about the economics of 343 00:18:54,400 --> 00:18:57,439 Speaker 3: the creativity, and he said, we need to do that 344 00:18:57,520 --> 00:19:01,560 Speaker 3: in the black music industry. And so he came back 345 00:19:01,880 --> 00:19:05,200 Speaker 3: under the offices of another organization that he established called 346 00:19:05,200 --> 00:19:09,399 Speaker 3: the Black Music Association. June Black Music Month was born 347 00:19:09,880 --> 00:19:12,680 Speaker 3: and Clarence avonz who's known to many in the industry 348 00:19:12,680 --> 00:19:17,040 Speaker 3: and outside as the Godfather, called the White House as 349 00:19:17,119 --> 00:19:22,000 Speaker 3: President Carter's administration to host an event at the White 350 00:19:22,000 --> 00:19:24,639 Speaker 3: House for the Black music industry. And it was a 351 00:19:24,640 --> 00:19:27,760 Speaker 3: little bit of everybody. Billy Eckstein was there, Chuck Berry, 352 00:19:28,119 --> 00:19:33,680 Speaker 3: Evelyn Champagne, King, MFSB Dexter, Wanzell, Andre Crouch, They all 353 00:19:33,720 --> 00:19:38,920 Speaker 3: performed and in the audience was Barry White, Gloge Robert Gordie, 354 00:19:40,160 --> 00:19:44,280 Speaker 3: just Frankie Crocker, myself, Dabele and I you know. It 355 00:19:44,320 --> 00:19:46,600 Speaker 3: was my first time going to the White House. So 356 00:19:46,760 --> 00:19:51,919 Speaker 3: June seventh, nineteen seventy nine, Jimmy Carter declared June Black 357 00:19:52,080 --> 00:19:54,480 Speaker 3: Music Month, and that was forty four years ago, and 358 00:19:54,480 --> 00:19:58,480 Speaker 3: we've been celebrating ever since. Myself as well as DJ 359 00:19:58,840 --> 00:20:02,840 Speaker 3: ed Wright, worked Withamble for the further establishment of June 360 00:20:02,840 --> 00:20:06,119 Speaker 3: Black Music Month. And in two thousand, I went to 361 00:20:06,160 --> 00:20:10,240 Speaker 3: President Clinton, I went to Congress, I got legislation passed 362 00:20:10,560 --> 00:20:15,440 Speaker 3: a bill called the Black Music Month Bill, acknowledging the 363 00:20:15,640 --> 00:20:19,600 Speaker 3: multi billion dollar industry that black music is all genres. 364 00:20:19,640 --> 00:20:23,240 Speaker 3: With Sean, you know, it's not just it's all genres, 365 00:20:23,320 --> 00:20:25,359 Speaker 3: but the number one genre in the world right now 366 00:20:25,640 --> 00:20:28,679 Speaker 3: is hip hop music as we celebrate fifty years of 367 00:20:28,800 --> 00:20:32,359 Speaker 3: hip hop. So that was the origin Gamble, ed Wright 368 00:20:32,680 --> 00:20:36,520 Speaker 3: and myself carving out a month for us to highlight. 369 00:20:36,880 --> 00:20:39,800 Speaker 3: That doesn't mean that July first, we don't celebrate black music. 370 00:20:40,160 --> 00:20:43,959 Speaker 3: It's the three six ' five celebration. But June is 371 00:20:44,080 --> 00:20:47,720 Speaker 3: a concentrated period of time for us to elevate and celebrate. 372 00:20:48,000 --> 00:20:50,760 Speaker 1: Now, now this is amazing when I hear all this conversation, 373 00:20:50,760 --> 00:20:53,040 Speaker 1: because you know, you can say, you know, hip hop 374 00:20:53,119 --> 00:20:56,160 Speaker 1: is the number one stream music but guess what he's 375 00:20:56,160 --> 00:20:58,320 Speaker 1: sampling from. 376 00:20:58,960 --> 00:21:03,480 Speaker 3: Often from R and B in jazz, no question about that. 377 00:21:04,400 --> 00:21:09,080 Speaker 3: And tribe call quest with a Q tip. They definitely 378 00:21:09,880 --> 00:21:13,520 Speaker 3: borrowed liberally sampling from jazz and R and D. 379 00:21:13,880 --> 00:21:17,560 Speaker 1: Absolutely Now the National Museum of African American African American 380 00:21:17,640 --> 00:21:22,200 Speaker 1: Music in Nashville, Now, what is that museum in Nashville. 381 00:21:23,359 --> 00:21:26,280 Speaker 3: The museum is in Nashville because it became a partnership 382 00:21:26,320 --> 00:21:30,959 Speaker 3: between the public and private sector and they raised, we raised, 383 00:21:31,000 --> 00:21:36,639 Speaker 3: I'm on the board, hundreds millions of dollars necessary to 384 00:21:36,640 --> 00:21:40,480 Speaker 3: build the museum. So people overlook and I didn't know 385 00:21:40,520 --> 00:21:45,560 Speaker 3: this either, Rashaan, that Nashville a rich tradition and gospel 386 00:21:46,240 --> 00:21:49,439 Speaker 3: as well as jazz. Jimmy Hendricks was there in the 387 00:21:49,680 --> 00:21:54,040 Speaker 3: late sixties. Jimmy Jimmy Hendricks was living in Nashville. So 388 00:21:54,280 --> 00:21:58,040 Speaker 3: and country music. I know some people want to dispute this, 389 00:21:58,200 --> 00:22:01,480 Speaker 3: but the reality it came from black people. White people 390 00:22:01,520 --> 00:22:05,000 Speaker 3: developed their own style of country music. But country music 391 00:22:05,080 --> 00:22:09,240 Speaker 3: and black folks and the blues and gospels always in Nashville. 392 00:22:09,600 --> 00:22:14,080 Speaker 3: And the biggest ambassadors around the world in the eighteen 393 00:22:14,160 --> 00:22:19,040 Speaker 3: hundreds were the Fifth Jubilee Singers and people overlook that 394 00:22:19,080 --> 00:22:19,480 Speaker 3: as well. 395 00:22:19,600 --> 00:22:21,720 Speaker 1: Well, you know that a lot of people forget all that, 396 00:22:21,800 --> 00:22:24,600 Speaker 1: you know, the Tennessee, Alabama. You know, if you look 397 00:22:24,640 --> 00:22:26,639 Speaker 1: at you know, the whole when you look at the 398 00:22:26,880 --> 00:22:30,880 Speaker 1: Aretha Franklin, her story when she was going down to Alabama, 399 00:22:30,960 --> 00:22:34,520 Speaker 1: you know, muscle shows, that's what she was going down 400 00:22:34,560 --> 00:22:36,320 Speaker 1: that she was going all the way down there to 401 00:22:36,320 --> 00:22:39,919 Speaker 1: get the best musicians and with some white boys. 402 00:22:39,640 --> 00:22:45,040 Speaker 3: And absolutely local musicians. And hey, all those early Aretha 403 00:22:45,080 --> 00:22:48,639 Speaker 3: Franklin songs that we loved were backed a lot of 404 00:22:48,640 --> 00:22:53,040 Speaker 3: white boys and black people too. Bernard Party was a 405 00:22:53,200 --> 00:22:55,080 Speaker 3: great drummery. 406 00:22:55,200 --> 00:22:57,880 Speaker 1: I wonder why she's an on song all the time. 407 00:22:59,000 --> 00:23:01,200 Speaker 1: It's like, I just I'd actually like to just shut 408 00:23:01,280 --> 00:23:03,520 Speaker 1: up and just let us talk, because you're so elegant, 409 00:23:03,520 --> 00:23:07,280 Speaker 1: first of elegant in your tone, and also the information 410 00:23:07,320 --> 00:23:10,600 Speaker 1: you just throw out, you know, is like now, you know, 411 00:23:11,119 --> 00:23:12,600 Speaker 1: like I said, you know, it's never too late to 412 00:23:12,600 --> 00:23:14,840 Speaker 1: manage somebody. So you know, we'll talk later off there, 413 00:23:14,960 --> 00:23:18,280 Speaker 1: you know, you know I should have met you earlier. 414 00:23:19,080 --> 00:23:25,760 Speaker 3: Now, sure we're connected forever. So. Nashville is the home 415 00:23:25,840 --> 00:23:28,840 Speaker 3: of the National Museum of African American Music, located on 416 00:23:29,040 --> 00:23:33,280 Speaker 3: Fifth and Broadway in the heart of downtown Nashville. One 417 00:23:33,359 --> 00:23:36,600 Speaker 3: side is the original Grande olopri the other side is 418 00:23:36,640 --> 00:23:39,680 Speaker 3: the Bridgestone Arena. So we are like in the heart 419 00:23:39,680 --> 00:23:43,959 Speaker 3: of downtown and we cover all genres and sub genres 420 00:23:44,040 --> 00:23:47,960 Speaker 3: of Black music from Phil Hollows straight through to hip 421 00:23:48,000 --> 00:23:51,280 Speaker 3: hop right now. So you gotta, you gotta come see 422 00:23:51,280 --> 00:23:54,280 Speaker 3: the museum. And I encourage everyone to go to n 423 00:23:54,840 --> 00:23:59,600 Speaker 3: M a a m dot org. That's name a'am and 424 00:23:59,640 --> 00:24:02,879 Speaker 3: that's the acronym of the museum, so you can peruse it. 425 00:24:03,040 --> 00:24:06,280 Speaker 3: You can see our galleries. We have seven galleries, fifty 426 00:24:06,320 --> 00:24:11,199 Speaker 3: six thousand square foot facility, a contemporary, her story and 427 00:24:11,359 --> 00:24:13,000 Speaker 3: history Museum of Music. 428 00:24:13,160 --> 00:24:16,480 Speaker 1: Congratulation. Now you've got a big proclamation coming up in 429 00:24:17,400 --> 00:24:20,840 Speaker 1: Black Music Monty Wise, in Black Music Month. I wonder 430 00:24:20,920 --> 00:24:24,479 Speaker 1: why this happened in Philadelphia, but tell us about it, 431 00:24:24,520 --> 00:24:27,000 Speaker 1: and you know, I will tell you this. I was 432 00:24:27,040 --> 00:24:30,880 Speaker 1: honored recently at the Black Media Awards and went over there, 433 00:24:30,920 --> 00:24:35,040 Speaker 1: and you know, you don't get old when people recognize you. 434 00:24:35,119 --> 00:24:35,880 Speaker 1: It doesn't get. 435 00:24:35,680 --> 00:24:38,720 Speaker 3: Old in the fact that you have congratulations. You deserve it. 436 00:24:38,920 --> 00:24:41,280 Speaker 1: Thank you know, a congratulations on you because of the fact, 437 00:24:41,320 --> 00:24:45,160 Speaker 1: I'm just reminding everybody that you know, when people knock 438 00:24:45,200 --> 00:24:48,400 Speaker 1: on your door, they call you or remind you of 439 00:24:48,520 --> 00:24:51,520 Speaker 1: what you're doing now or what you've accomplished. It's truly 440 00:24:51,560 --> 00:24:56,200 Speaker 1: a blessing. And for you to be honored in Philadelphia 441 00:24:56,800 --> 00:24:59,439 Speaker 1: in Black music monk, tell us about it and tell us, 442 00:24:59,640 --> 00:25:02,199 Speaker 1: h you expectations. Are they gonna let you talk or 443 00:25:02,520 --> 00:25:04,800 Speaker 1: you gonna take their wood? You're gonna walk around, take 444 00:25:04,840 --> 00:25:05,919 Speaker 1: some photos? What's going on? 445 00:25:06,000 --> 00:25:08,719 Speaker 3: Oh, that's beautiful. We're gambling. I as two of the 446 00:25:08,720 --> 00:25:11,800 Speaker 3: founders that live still in Philadelphia, are being recognized by 447 00:25:11,840 --> 00:25:16,000 Speaker 3: Philadelphia City Council on June eighth, and we are receiving 448 00:25:16,280 --> 00:25:19,920 Speaker 3: proclamation for our work as the co founders of June 449 00:25:19,960 --> 00:25:22,960 Speaker 3: Black Music Month and still living. We're champions of music 450 00:25:23,040 --> 00:25:26,080 Speaker 3: in Philly. I'm on the board of the Recording Academy, 451 00:25:26,119 --> 00:25:30,000 Speaker 3: which is the Grammy organization. Gamble is still very active 452 00:25:30,480 --> 00:25:34,679 Speaker 3: in perpetuating culture amongst black folks and others in the 453 00:25:34,680 --> 00:25:38,320 Speaker 3: city of Philadelphia. So we are very excited and our 454 00:25:38,400 --> 00:25:41,440 Speaker 3: children very excited about parents recognized. 455 00:25:42,720 --> 00:25:44,840 Speaker 1: They just thought they just need to have a party 456 00:25:44,840 --> 00:25:48,000 Speaker 1: out there, you know. Missus Me and Missus Jones be 457 00:25:48,160 --> 00:25:52,479 Speaker 1: jamming the train, the sound of Philadelphia, it just be 458 00:25:52,800 --> 00:25:55,399 Speaker 1: you know, did the ship a horseship of horseship of 459 00:25:55,720 --> 00:25:58,480 Speaker 1: come on nine? They can just they can. It's really 460 00:25:58,560 --> 00:26:03,360 Speaker 1: amazing the genius. You have put the word genius because 461 00:26:03,640 --> 00:26:07,560 Speaker 1: it's something that that that I can't comprehend. My degree 462 00:26:07,600 --> 00:26:10,080 Speaker 1: is in math, so I know understand logic. I understand numbers. 463 00:26:10,119 --> 00:26:13,280 Speaker 1: I understand two plus two is four. But the creativity, 464 00:26:13,440 --> 00:26:16,720 Speaker 1: the process of being able to manipulate sound and put 465 00:26:16,720 --> 00:26:20,720 Speaker 1: together words and make those words just resonate not only 466 00:26:21,160 --> 00:26:25,360 Speaker 1: years but decades later. And the fact that you were 467 00:26:25,640 --> 00:26:27,600 Speaker 1: part of that is still a part of that. Being 468 00:26:27,640 --> 00:26:30,679 Speaker 1: able to tell this story on my show today, I 469 00:26:30,720 --> 00:26:31,960 Speaker 1: just want to thank you. I want to thank you 470 00:26:32,040 --> 00:26:34,679 Speaker 1: for taking the time to come one masterclass. 471 00:26:35,040 --> 00:26:37,520 Speaker 3: Oh thank you Rashaan for everything. Like I said, what 472 00:26:37,600 --> 00:26:39,119 Speaker 3: you do, you are a master. 473 00:26:39,800 --> 00:26:42,000 Speaker 1: I appreciate that. But again, let me just tell you 474 00:26:42,040 --> 00:26:44,280 Speaker 1: this now. You know, I'm just letting everybody know the 475 00:26:44,280 --> 00:26:46,679 Speaker 1: world know. She said, I wish I'd have met you earlier, 476 00:26:46,720 --> 00:26:48,640 Speaker 1: because you know, this is about the This is about 477 00:26:48,680 --> 00:26:51,879 Speaker 1: the fourth time I've interviewed you, Diana, Okay, and every 478 00:26:52,000 --> 00:26:54,200 Speaker 1: time we always say we're gonna get together. Remember the 479 00:26:54,240 --> 00:26:56,040 Speaker 1: first time we supposed to, we were working on some 480 00:26:56,119 --> 00:26:58,520 Speaker 1: TV show where we're gonna go, We're gonna be like 481 00:26:58,560 --> 00:27:01,520 Speaker 1: the Master sitting over here and you know, talk to 482 00:27:01,600 --> 00:27:03,800 Speaker 1: young people trying to make careers out of that went 483 00:27:03,960 --> 00:27:05,920 Speaker 1: no where because guess what, we didn't talk no more. 484 00:27:06,119 --> 00:27:08,840 Speaker 3: Okay, it's not too late. It's it's never too late. 485 00:27:09,480 --> 00:27:11,320 Speaker 3: That's an advocate of it. It's never too late to 486 00:27:11,359 --> 00:27:12,480 Speaker 3: actualize your dreams. 487 00:27:13,080 --> 00:27:15,359 Speaker 1: She threw out a word that I knew nothing. I 488 00:27:15,480 --> 00:27:18,119 Speaker 1: never heard, actualize because you know why I would never 489 00:27:18,160 --> 00:27:20,000 Speaker 1: say that, because I will fumble through it. 490 00:27:20,280 --> 00:27:26,720 Speaker 3: Actual You wouldn't know, you wouldn't. 491 00:27:26,480 --> 00:27:32,439 Speaker 1: I love the other incredible congratulations and you know, uh, 492 00:27:32,480 --> 00:27:35,160 Speaker 1: this is live this Live radio. I wanted people hear. 493 00:27:36,600 --> 00:27:39,879 Speaker 1: It's gonna get syndicated nationally through all my HBCU campuses 494 00:27:40,200 --> 00:27:43,359 Speaker 1: that carry my show and podcasts. But more importantly, you 495 00:27:43,480 --> 00:27:46,280 Speaker 1: are a You are an incredible person. Thank you for 496 00:27:46,320 --> 00:27:48,760 Speaker 1: coming on Money Making Conversation master Class, the one that 497 00:27:50,000 --> 00:27:53,679 Speaker 1: Queen she's the mother of Black music man that we 498 00:27:53,720 --> 00:27:55,720 Speaker 1: celebrate every June DA. 499 00:28:02,600 --> 00:28:06,200 Speaker 3: We'll be right back with more Money Making Conversations Masterclass 500 00:28:06,240 --> 00:28:07,440 Speaker 3: with rough Shawn McDonald,