WEBVTT - Ep. 4 - Shattering The System: "He Had Demons In Him"

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<v Speaker 1>In this podcast, we're going to talk frankly but sensitively

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<v Speaker 1>about issues some people might find disturbing, including rape and suicide.

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<v Speaker 1>If you or someone you know is suicidal in the

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<v Speaker 1>US Down nine eighty eight, check out this podcast notes

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<v Speaker 1>page for information on LGBT plus mental health resources in

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<v Speaker 1>your community.

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<v Speaker 2>In a previous episode of Shattering the System, we learned

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<v Speaker 2>how Jammel Moore, a young black man, was found dead

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<v Speaker 2>in the apartment of Ed Buck, a white man who

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<v Speaker 2>knew how to navigate the ins and outs of West Hollywood.

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<v Speaker 2>At first, Jammel's death was ruled an accidental overdose, and

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<v Speaker 2>just five days later the case was closed. Then eighteen

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<v Speaker 2>months later, another gay black man was found dead in

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<v Speaker 2>the same apartment, Timothy Dean, also died of an overdose.

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<v Speaker 2>Timothy was fifty five years old, and his friends say

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<v Speaker 2>he had a lot of interests and was still very

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<v Speaker 2>much full of life. He loved the game of basketball,

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<v Speaker 2>for instance. He was a genuine athlete and basketball was

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<v Speaker 2>something he loved and was good at. Something I find

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<v Speaker 2>interesting about the world of West Hollywood is when you

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<v Speaker 2>have a city full of gay folks, you start noticing

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<v Speaker 2>them everywhere because in a place like this. Well, they're

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<v Speaker 2>just all kinds of people. I remember a friend of

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<v Speaker 2>mine came to visit and we went to a basketball court,

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<v Speaker 2>you know, for a casual game of twenty one. Now,

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<v Speaker 2>when we got to the court, which is kind of

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<v Speaker 2>in the center of the most important part of West Hollywood,

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<v Speaker 2>this court is just across the street from the LA

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<v Speaker 2>Sheriff station than we have, and it's also a few

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<v Speaker 2>yards from almost all of we Hoo's nightlife. I'll give

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<v Speaker 2>you a more detailed tour of West Hollywood in a

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<v Speaker 2>later episode, But when we got back to my apartment,

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<v Speaker 2>he was so winded and tired, and he was even

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<v Speaker 2>surprised that a basketball court in West Hollywood would be

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<v Speaker 2>every single bit as competitive as one in South Central

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<v Speaker 2>or the South Bronx or the South side of Chicago

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<v Speaker 2>and Olid and Jonaman a lot of by Angela Blake Kerty.

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<v Speaker 2>Basketball was really important to Timothy Day. He was a

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<v Speaker 2>part of the National Gay Basketball Association the NNGBA, as

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<v Speaker 2>well as the Land of the Basketball League.

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<v Speaker 3>The Dude was inducted.

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<v Speaker 2>Into the Gay Basketball Hall of Fame in two thousand

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<v Speaker 2>and one, and he won a silver medal at the

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<v Speaker 2>Paris Gay Games in twenty eighteen.

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<v Speaker 4>Gay basketball has been around since the early nineties and

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<v Speaker 4>a lot of these stories are just lost if they're

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<v Speaker 4>not captured.

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<v Speaker 2>That's Michael Thomas. He's a documentary filmmaker from Belgium. Sports

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<v Speaker 2>and basketball in particular are a part of his life

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<v Speaker 2>and work.

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<v Speaker 4>So I live in Los Angeles myself since two thousand

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<v Speaker 4>and eight, and also when I moved here, I also

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<v Speaker 4>kind of came out as gay, and yeah, I've been

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<v Speaker 4>involved in the LGBT community ever since, and I also

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<v Speaker 4>play basketball in the Gay Basketball League.

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<v Speaker 2>He's come close enough to Lebron James to get splashed

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<v Speaker 2>with champagne after one of Lebron's championship wins.

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<v Speaker 3>It's over, It's over. Pleave women if a city of.

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<v Speaker 5>Champions once again.

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<v Speaker 2>Among his documentaries is the film Game Face, about queer

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<v Speaker 2>athletes and their quest for acceptance. It was through basketball

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<v Speaker 2>that he learned about the life and death of Timothy Dean.

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<v Speaker 4>Tim passed like first Jamel passed in twenty seventeen. Then

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<v Speaker 4>people kept going over there, drugs kept happening in that apartment.

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<v Speaker 4>Nothing was ever done. In twenty nineteen, Timothy Dean dies.

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<v Speaker 4>Still nothing is being done. People keep going in and out.

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<v Speaker 2>Michael had long wanted to do a documentary about basketball,

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<v Speaker 2>He just never thought it would come about the way

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<v Speaker 2>it did.

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<v Speaker 3>He was already gathering interviews.

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<v Speaker 2>Among his friends about the world of gay sports and

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<v Speaker 2>basketball when Timothy Dean was found dead in the home

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<v Speaker 2>of that Buck. Two different men entered bucks apartment and

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<v Speaker 2>left in body bags. Michael could feel how much pain

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<v Speaker 2>their mutual friends were at.

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<v Speaker 4>There was a basketball tournament in Los Angeles with teams

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<v Speaker 4>from all over the country.

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<v Speaker 2>That came after the tournament, remember this is in twenty nineteen,

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<v Speaker 2>there was an after party at a bar on Santa

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<v Speaker 2>Monica Boulevard. Ironically, that bar was called Rage. Unlike other

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<v Speaker 2>bars along Santa Monica Boulevard, this bar was decidedly non

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<v Speaker 2>white and young. Rage, which has been closed and renamed,

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<v Speaker 2>is literally keaty corner to the LA Shriff's office.

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<v Speaker 4>Lots of friends of tim were there at that party,

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<v Speaker 4>and the after party was at Rage, so not just

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<v Speaker 4>people from basketball, but everyone was able to come in there.

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<v Speaker 4>We were just surprised to suddenly see that ed Buck

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<v Speaker 4>was in front of the entrance and was just coming in.

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<v Speaker 3>Michael could not believe it. There at a bar was

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<v Speaker 3>ed Buck.

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<v Speaker 2>Two men died of overdoses in Buck's apartment in an

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<v Speaker 2>eighteen month period, but he hadn't been charged in the

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<v Speaker 2>deaths Ja Melmore was dead, Timothy Dean was dead, and

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<v Speaker 2>walking into a bar full of Timothy Dean's friends is

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<v Speaker 2>ed Buck.

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<v Speaker 4>He had no shame to just stroll the streets of

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<v Speaker 4>West Hollywood and look for his next victims in his eyes,

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<v Speaker 4>like he didn't do anything wrong, But it was just

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<v Speaker 4>incredible to see him there on the street. It's just

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<v Speaker 4>so furiating, and there's nothing we could do.

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<v Speaker 2>To everyone's surprise, ed Buck's coming in to chill at

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<v Speaker 2>the bar.

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<v Speaker 3>Did I say the bar's name was Rage.

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<v Speaker 4>We had to hold people back as well because we

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<v Speaker 4>didn't want them to get into it with ed Buck,

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<v Speaker 4>because you know, we don't want.

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<v Speaker 6>Our friends to end up in jail.

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<v Speaker 4>And at Buck being being out, you know.

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<v Speaker 3>Michael realized there was something he could do. He could do.

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<v Speaker 2>A documentary film, Jammel and tim was released in twenty

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<v Speaker 2>twenty one. It looks into the lives of ed Buck's victims.

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<v Speaker 7>Ed Buck is a predator that masqueraded around just to

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<v Speaker 7>hunt down the bodies of black men, someone that was

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<v Speaker 7>hiding in plain sight.

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<v Speaker 4>I know that one of the biggest frustrations from friends

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<v Speaker 4>and family is the difference of how the victims were

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<v Speaker 4>portrayed and how ed Buck was portrayed. At Buck, his

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<v Speaker 4>whole resume was being acknowledged in the press, everything that

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<v Speaker 4>he has achieved, But with Jammel and tim all the

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<v Speaker 4>worst things that they have done in life that was highlighted.

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<v Speaker 4>And then it's very easy too, you know, for people

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<v Speaker 4>to say like, oh, well, you know, prostitute this or

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<v Speaker 4>like they deserved it, or drugs or you know, then

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<v Speaker 4>it's very easy to blame or to like protect at bar.

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<v Speaker 3>Yeah, so it's like political donor sex worker. Yeah right, well,

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<v Speaker 3>you know, not that that's a very.

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<v Speaker 4>Correct it's it's yeah, the portrayal was day and night

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<v Speaker 4>because that human aspect was left out and a lot

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<v Speaker 4>of the portrayal. And I think if we create a

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<v Speaker 4>human aspect that creates compassion and a reason why we

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<v Speaker 4>should care about these.

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<v Speaker 2>Stories, that human aspect that gets left out is what

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<v Speaker 2>this podcast is here to do. Highlight what's been left out,

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<v Speaker 2>the personal and professional of a man called Timothy Dean

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<v Speaker 2>through the eyes of those who knew him and loved him.

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<v Speaker 2>Like his friend Richard Martin.

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<v Speaker 5>He was not a drug addict, he was not homeless.

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<v Speaker 5>He never hurt a single person, and I think that

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<v Speaker 5>that's sometimes is forgotten. I'll say this specially with white men.

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<v Speaker 5>As soon as something scandal happens, white men have a

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<v Speaker 5>tendency going. I don't know him, I don't know him.

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<v Speaker 3>I don't know him. Who was Timothy Dean?

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<v Speaker 2>Fashionista, baller, benefactor, red carpet afficionado. And why does the

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<v Speaker 2>media only want to see him as a victim, a

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<v Speaker 2>drug addict or a sex worker. In the rush to

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<v Speaker 2>make news, often we don't pause to see the complex

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<v Speaker 2>people behind the headlines.

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<v Speaker 3>Well, that's why we're here.

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<v Speaker 2>I'm your host Sinari Glinton, and this is Shattering the System,

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<v Speaker 2>the true crime podcast that's about more than crime. Just

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<v Speaker 2>because someone's life ends in tragedy doesn't mean their life

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<v Speaker 2>is tragic. Today on the program, the life and Legacy

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<v Speaker 2>of Timothy Dean, Shattering the System gets started after this message,

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<v Speaker 2>this is Shattering the System, your host, Sinari and Glinton.

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<v Speaker 6>Tim Dean was just larger than life. He had this

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<v Speaker 6>personality that you knew when he entered a room. You

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<v Speaker 6>knew that you knew how he loved you by the

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<v Speaker 6>way that he treated you.

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<v Speaker 2>That clip we just heard is from the documentary Beyond

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<v Speaker 2>Ed Buck and in this episode we want to talk

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<v Speaker 2>about the life and legacy of Timothy Dean. Recently, my

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<v Speaker 2>producer Jonathan and I took a drive over the Hollywood

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<v Speaker 2>Hills into the San Fernando Valley to meet with a

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<v Speaker 2>good friend of Timothy Dean, Richard Martin.

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<v Speaker 8>Richard.

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<v Speaker 5>Yes, hey, how are you?

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<v Speaker 8>I'm good? How about yourself?

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<v Speaker 5>So?

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<v Speaker 3>Okay?

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<v Speaker 5>Sorry?

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<v Speaker 2>We met Richard Barden at his home in Ta Luca Lake.

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<v Speaker 2>He's a Hollywood talent manager, mainly of soap opera actors.

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<v Speaker 2>You can see heads of actors all around his office,

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<v Speaker 2>all faces that looks sort of familiar.

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<v Speaker 5>Stelle Harris from Seinfeld and Missus potato Head.

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<v Speaker 3>She was my first client.

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<v Speaker 2>And there is a tour that is I mean that

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<v Speaker 2>must be where something. There's a Missus potato Head from

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<v Speaker 2>toy Starter.

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<v Speaker 5>She signed the top of it and signed.

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<v Speaker 2>Richard is one of Timothy Dean's closest friends. And as

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<v Speaker 2>he shows me around, you can see there are a lot

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<v Speaker 2>of photos.

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<v Speaker 5>It's right in the right in here so yes, I

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<v Speaker 5>got to fund all these. You know, my husband takes

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<v Speaker 5>things away sometimes because I could be a little emotional

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<v Speaker 5>at times with things.

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<v Speaker 3>But he's tim and is this you Yeah, that was me.

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<v Speaker 5>That's probably the time when I met Tim.

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<v Speaker 2>In this picture, he looks like he's about in his thirties.

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<v Speaker 2>Richard and Timothy met in the nineties at the Golden

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<v Speaker 2>Gym in Hollywood. Timothy Dean was tall, had broad shoulders

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<v Speaker 2>and an even broader smile. He was handsome, and when

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<v Speaker 2>he wasn't on the basketball court, you just might see

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<v Speaker 2>him sporting a well tailored suit with a variety of

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<v Speaker 2>bow ties. And after they first met at the gym,

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<v Speaker 2>Timothy and Richard remained friends and they sort of grew

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<v Speaker 2>up together trying to figure out the workings of West

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<v Speaker 2>Hollywood in the early aughts.

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<v Speaker 3>And it's clear from.

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<v Speaker 2>Our conversation that Timothy ding he really celebrated life.

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<v Speaker 5>One of the things that I always knew every year

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<v Speaker 5>is that his birthday wasn't his birthday, It wasn't a

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<v Speaker 5>birth week, it was a birth month. He loved to

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<v Speaker 5>celebrate his birthday. My husband and I threw his surprise

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<v Speaker 5>fiftieth birthday party.

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<v Speaker 3>And we pulled it off.

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<v Speaker 5>How I don't know what we did. If you never

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<v Speaker 5>met Jim, he was, you knew he was in the room.

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<v Speaker 3>The thing is he could fill a room physically. He

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<v Speaker 3>was athletic.

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<v Speaker 2>You know.

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<v Speaker 3>They met at a gym.

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<v Speaker 2>Timothy enjoyed all parts of Hollywood, though there was an

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<v Speaker 2>air of mystery about him. For instance, Richard threw Timothy's

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<v Speaker 2>fortieth and fiftieth birthday parties. After going through the math,

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<v Speaker 2>Richard realized that the two parties were actually only seven

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<v Speaker 2>years apart.

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<v Speaker 5>But it wasn't really his fortieth. He it was his

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<v Speaker 5>forty third. But when I found out, when I added

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<v Speaker 5>things up to his fifty, I'm like, wait a minute,

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<v Speaker 5>this can't be fifty since forty three was only seven

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<v Speaker 5>years ago, and they lived with other girl. I like

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<v Speaker 5>a party.

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<v Speaker 2>Timothy Dean loved the party, and he loved being a

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<v Speaker 2>part of Hollywood life. He had a daily access to glamour.

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<v Speaker 2>He worked as a fashion consultant at Satsmith Avenue. Before that,

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<v Speaker 2>it was Bloomingdale's and Beverly Hills. Those kinds of jobs

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<v Speaker 2>put Timothy Dean at the very heart of what we

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<v Speaker 2>might call the Hollywood industrial complex. Designers, stylist, celebrities would

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<v Speaker 2>have all been among the people that he interacted with.

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<v Speaker 5>We'd like to talk about reality television. We would talk

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<v Speaker 5>about every Real Housewives. He had an opinion about everyone

0:13:01.040 --> 0:13:05.360
<v Speaker 5>from Orange County to you know, the Real Housewives of

0:13:05.400 --> 0:13:05.840
<v Speaker 5>New York.

0:13:06.080 --> 0:13:10.760
<v Speaker 9>We were all shiny hood ornaments. We were all train wrecks.

0:13:10.800 --> 0:13:13.640
<v Speaker 9>I know, we were all I've run with a fabulous

0:13:13.640 --> 0:13:15.840
<v Speaker 9>circle of people, the New York Magazine and the Real

0:13:15.840 --> 0:13:17.560
<v Speaker 9>Social I thought they were like, what the fuck? I

0:13:17.679 --> 0:13:21.160
<v Speaker 9>was broken a studio park. We were all flawed.

0:13:21.320 --> 0:13:24.760
<v Speaker 5>Tim always felt like he knew them, and he would

0:13:24.760 --> 0:13:27.200
<v Speaker 5>be like, oh, did you He would miss VICKI did,

0:13:27.200 --> 0:13:30.640
<v Speaker 5>and all the old girl she'd he would always want

0:13:30.679 --> 0:13:32.920
<v Speaker 5>to talk to me about. And I fed into it.

0:13:32.960 --> 0:13:34.320
<v Speaker 5>I love I did love it.

0:13:35.440 --> 0:13:43.960
<v Speaker 3>What sense did you have with his family? Well, I

0:13:44.000 --> 0:13:45.000
<v Speaker 3>had a different sense.

0:13:45.600 --> 0:13:49.520
<v Speaker 5>Prior to I had met his sister and they weren't

0:13:49.600 --> 0:13:56.080
<v Speaker 5>really fully understanding of of him being gay. And I

0:13:56.120 --> 0:14:06.920
<v Speaker 5>felt that explained that they just didn't couldn't understand why this.

0:14:05.760 --> 0:14:06.800
<v Speaker 3>Beautiful, you know.

0:14:08.800 --> 0:14:13.199
<v Speaker 5>Man was gay and I don't. I honestly, to this day,

0:14:13.280 --> 0:14:15.920
<v Speaker 5>I don't really think they fully understand that. I just

0:14:15.920 --> 0:14:17.920
<v Speaker 5>don't think that they fully accepted him being gay.

0:14:18.480 --> 0:14:19.720
<v Speaker 3>How did you see him deal with that?

0:14:21.000 --> 0:14:23.480
<v Speaker 5>He came out to LA to become a totally different person,

0:14:25.160 --> 0:14:29.560
<v Speaker 5>and did he succeed in parts of it?

0:14:29.680 --> 0:14:30.640
<v Speaker 3>Yes and parts Now.

0:14:31.040 --> 0:14:33.960
<v Speaker 5>I think he had demons in him that came back

0:14:34.000 --> 0:14:37.040
<v Speaker 5>from honestly, and I don't really care because I've expressed

0:14:37.040 --> 0:14:42.720
<v Speaker 5>this to his family. I just don't think that he

0:14:42.880 --> 0:14:46.120
<v Speaker 5>ever felt fully embraced by his family.

0:14:51.000 --> 0:14:54.280
<v Speaker 2>Tailor is oldest time. Timothy Dean would do what gay

0:14:54.320 --> 0:14:57.240
<v Speaker 2>men do. He made his own family. He would help

0:14:57.280 --> 0:15:00.440
<v Speaker 2>his friends start his management company, doing everything from working

0:15:00.480 --> 0:15:03.240
<v Speaker 2>the phones to helping him find clients. And like so

0:15:03.400 --> 0:15:08.240
<v Speaker 2>many imposing tall black men, Timothy Dean cared about his

0:15:08.280 --> 0:15:11.520
<v Speaker 2>appearances and especially his clothes.

0:15:11.800 --> 0:15:13.200
<v Speaker 3>I mean, he talked to those who knew him.

0:15:13.440 --> 0:15:16.440
<v Speaker 2>He seemed to be on a constant self improvement streak.

0:15:16.800 --> 0:15:19.120
<v Speaker 2>Toward the end of his life, He'd be baptized at

0:15:19.120 --> 0:15:21.800
<v Speaker 2>the Megachurch one LA, and he would decide to get

0:15:21.800 --> 0:15:24.920
<v Speaker 2>his college degree while in his forties, all signs of

0:15:24.960 --> 0:15:28.040
<v Speaker 2>a man who was looking very much towards the future.

0:15:29.000 --> 0:15:31.520
<v Speaker 5>I think one of the proudest moments of Timothy Dean's

0:15:31.560 --> 0:15:35.200
<v Speaker 5>life is when he graduated from Senemon College two years

0:15:35.520 --> 0:15:39.400
<v Speaker 5>He wore that cap and gown all night long, and

0:15:40.040 --> 0:15:42.680
<v Speaker 5>he was so proud of himself that he finally accomplished that.

0:15:42.720 --> 0:15:45.880
<v Speaker 5>Because he got no help from anybody. He did that

0:15:46.080 --> 0:15:48.600
<v Speaker 5>on his own. He had no family to help him.

0:15:48.960 --> 0:15:52.120
<v Speaker 5>He just decided that that's what he wanted to do.

0:15:52.560 --> 0:15:55.520
<v Speaker 5>He wanted to actually better himself.

0:15:55.720 --> 0:15:58.960
<v Speaker 2>He would get his college degree surrounded by his friends.

0:15:59.160 --> 0:16:02.320
<v Speaker 2>He'd write about his accomplishment on Facebook that quote, this

0:16:02.440 --> 0:16:05.520
<v Speaker 2>degree will not change the world, but it will be

0:16:05.640 --> 0:16:13.080
<v Speaker 2>the first degree earned by anyone in my family. I'm

0:16:13.120 --> 0:16:16.240
<v Speaker 2>Scenario Glinton. This is shattering the system. The True crime

0:16:16.280 --> 0:16:23.240
<v Speaker 2>podcast that's about more men crowd, This is shattering the system.

0:16:23.440 --> 0:16:24.400
<v Speaker 2>I'm Sinnari Glinton.

0:16:32.400 --> 0:16:33.760
<v Speaker 3>That's Timothy Dane.

0:16:33.800 --> 0:16:37.360
<v Speaker 2>You here happily clapping and talking a bit in a

0:16:37.480 --> 0:16:40.560
<v Speaker 2>video clip shared by his friend Richard Martin, a video

0:16:40.680 --> 0:16:43.200
<v Speaker 2>that was not shared with us by anyone. Is a

0:16:43.240 --> 0:16:47.080
<v Speaker 2>part of Tim's life that the media widely reported on.

0:16:47.320 --> 0:16:49.880
<v Speaker 2>It was his work as an adult film actor known

0:16:49.920 --> 0:16:52.640
<v Speaker 2>by the name Whole Hunter, and many of the stories

0:16:52.640 --> 0:16:55.080
<v Speaker 2>about Timothy Dane, there is a prudish way that his

0:16:55.240 --> 0:16:58.560
<v Speaker 2>life is written about focusing on his work in porn

0:16:58.840 --> 0:17:02.800
<v Speaker 2>and his sex work to the exclusion of everything else.

0:17:02.920 --> 0:17:05.399
<v Speaker 2>And I think that this is a part of the

0:17:05.440 --> 0:17:08.320
<v Speaker 2>story of Timothy Dean, the pearl clutching that's happened in

0:17:08.400 --> 0:17:11.439
<v Speaker 2>relation to his sex work. I can't pretend to clutch

0:17:11.480 --> 0:17:14.440
<v Speaker 2>my non existent pearls. As a gay man who's lived

0:17:14.440 --> 0:17:18.360
<v Speaker 2>in multiple cities, I've known queer sex workers in Hollywood

0:17:18.440 --> 0:17:21.040
<v Speaker 2>or West Hollywood. It's kind of hard not to know them.

0:17:21.400 --> 0:17:24.320
<v Speaker 2>I have several friends who have done or do sex work,

0:17:24.600 --> 0:17:27.480
<v Speaker 2>and ed Buck isn't alone having paid for sex. I have,

0:17:27.640 --> 0:17:30.200
<v Speaker 2>and so have many other gay men. Now, I didn't

0:17:30.200 --> 0:17:33.560
<v Speaker 2>want to talk about Timothy Dean's sex work in a vacuum.

0:17:33.920 --> 0:17:36.520
<v Speaker 8>Hi. So my name is Alex Garner. I'm the director

0:17:36.560 --> 0:17:40.280
<v Speaker 8>of Community Engagement and Impact. Global Impact is a global

0:17:40.880 --> 0:17:44.200
<v Speaker 8>nonprofit working not to advance gay men's health and human rights.

0:17:44.280 --> 0:17:46.399
<v Speaker 2>The reason we wanted to talk to someone like Alex

0:17:46.440 --> 0:17:49.720
<v Speaker 2>Garner about sex work is that it's a reality of

0:17:49.760 --> 0:17:52.359
<v Speaker 2>the story and how ed Buck was able to lure

0:17:52.480 --> 0:17:55.359
<v Speaker 2>men to his home. It's one of the systems ed

0:17:55.400 --> 0:17:59.240
<v Speaker 2>Buck used to target a marginalized group. As I talked

0:17:59.240 --> 0:18:01.960
<v Speaker 2>to Alex Garner over a Zoom call. We touched on

0:18:02.080 --> 0:18:05.199
<v Speaker 2>everything from the economics of sex work to the changing

0:18:05.320 --> 0:18:08.240
<v Speaker 2>nature of gay dating. He could relate to the choices

0:18:08.280 --> 0:18:09.440
<v Speaker 2>that Timothy being made.

0:18:09.560 --> 0:18:13.399
<v Speaker 8>I mean, I think so much of it has to

0:18:13.440 --> 0:18:17.320
<v Speaker 8>do with your relationship to sex, and your relationship to

0:18:17.359 --> 0:18:20.520
<v Speaker 8>your body, and your relationship to the idea that someone's

0:18:20.560 --> 0:18:23.440
<v Speaker 8>going to pay you money to have sex with them.

0:18:24.320 --> 0:18:26.440
<v Speaker 8>And I would have friends that would ask me, oh,

0:18:26.480 --> 0:18:29.000
<v Speaker 8>do you think I should do it? And I would say,

0:18:29.080 --> 0:18:34.600
<v Speaker 8>if you feel psychologically that you can handle any of

0:18:34.600 --> 0:18:37.160
<v Speaker 8>the issues that can come with it, and I mean

0:18:37.240 --> 0:18:42.960
<v Speaker 8>issues largely around feeling internally shame and guilt around something

0:18:42.960 --> 0:18:46.439
<v Speaker 8>that you're doing that's going to destroy you. Right, if

0:18:46.440 --> 0:18:49.320
<v Speaker 8>you're doing a job, any job, and doing that job

0:18:49.400 --> 0:18:52.320
<v Speaker 8>makes you feel makes you hate yourself, then that's not

0:18:52.400 --> 0:18:56.640
<v Speaker 8>the job for you. And we have everything in our

0:18:57.640 --> 0:19:00.360
<v Speaker 8>society and culture that reinforces this idea that if you're

0:19:00.359 --> 0:19:04.760
<v Speaker 8>doing sex work, all these list of bad things about you,

0:19:04.880 --> 0:19:09.080
<v Speaker 8>immoral and wrong and dirty and perverted. So if you're

0:19:09.119 --> 0:19:12.440
<v Speaker 8>able to overcome those things and see it as simply

0:19:12.480 --> 0:19:15.400
<v Speaker 8>another job, a job that you can enjoy, a job

0:19:15.440 --> 0:19:19.600
<v Speaker 8>that you can be good at, then you can you

0:19:19.640 --> 0:19:25.200
<v Speaker 8>can be successful. But if if unfortunately you're you aren't

0:19:25.240 --> 0:19:27.399
<v Speaker 8>able to do that, you don't have the skills or

0:19:27.440 --> 0:19:30.840
<v Speaker 8>the support to overcome or navigate that, then it can

0:19:32.040 --> 0:19:32.720
<v Speaker 8>do harm.

0:19:32.880 --> 0:19:35.399
<v Speaker 2>We don't know whether not Timothy Dane found fulfillment and

0:19:35.480 --> 0:19:39.160
<v Speaker 2>doing sex scenes. We do know that money was tight.

0:19:39.440 --> 0:19:42.240
<v Speaker 2>That's true of a lot of Angelino's. The average home

0:19:42.280 --> 0:19:45.000
<v Speaker 2>in Los Angeles goes for a nine hundred and fifty

0:19:45.160 --> 0:19:49.680
<v Speaker 2>thousand dollars or an eight hundred square foot apartment goes

0:19:49.680 --> 0:19:53.399
<v Speaker 2>for an average twenty seven hundred dollars a month. And

0:19:53.440 --> 0:19:55.879
<v Speaker 2>we all play those games. How much money would it

0:19:55.880 --> 0:19:59.760
<v Speaker 2>take for you to cross some boundary? The key to

0:19:59.840 --> 0:20:03.679
<v Speaker 2>what Timothy Dean and Jamel Moore could be manipulated, Gardner says,

0:20:04.040 --> 0:20:06.440
<v Speaker 2>is they weren't economically vulnerable.

0:20:06.840 --> 0:20:11.520
<v Speaker 8>If this person wasn't feeling economically vulnerable, they'd be less

0:20:11.560 --> 0:20:13.440
<v Speaker 8>likely to say yes to that if they didn't really

0:20:13.480 --> 0:20:16.720
<v Speaker 8>want to do it. Right, So we say yes to

0:20:16.800 --> 0:20:19.159
<v Speaker 8>things all the time if we think it's going to

0:20:19.160 --> 0:20:22.520
<v Speaker 8>make us more money. And we do that because we

0:20:22.680 --> 0:20:26.960
<v Speaker 8>often are feeling economically vulnerable, right, whether it's in terms

0:20:26.960 --> 0:20:30.960
<v Speaker 8>of housing or food or whatnot. So I think that's

0:20:31.000 --> 0:20:34.960
<v Speaker 8>the other larger structural issue, is that if people didn't

0:20:35.000 --> 0:20:37.120
<v Speaker 8>have to worry about those sorts of things, they would

0:20:37.119 --> 0:20:39.840
<v Speaker 8>make very different choices. They would have very different boundaries

0:20:40.200 --> 0:20:43.080
<v Speaker 8>when it comes to things like sex work, because those

0:20:43.119 --> 0:20:46.760
<v Speaker 8>boundaries can move depending on how hungry you are.

0:20:47.240 --> 0:20:49.199
<v Speaker 3>And that's perfectly reasonable.

0:20:49.880 --> 0:20:52.560
<v Speaker 2>When you're worried about eviction or getting food and you

0:20:52.640 --> 0:20:55.840
<v Speaker 2>see forty two thousand homeless people that's according to the

0:20:55.880 --> 0:21:00.159
<v Speaker 2>Los Angeles Homeless Services Authority, which are disproportionately black. Man,

0:21:00.520 --> 0:21:03.440
<v Speaker 2>it's no surprise. Two men struggling to make ends meet,

0:21:03.800 --> 0:21:05.040
<v Speaker 2>but do what they had to do.

0:21:05.680 --> 0:21:07.840
<v Speaker 10>But at some point, you know, an interesting story is

0:21:07.840 --> 0:21:13.679
<v Speaker 10>that he was contemplating having a child with the lesbian lady.

0:21:14.240 --> 0:21:15.800
<v Speaker 3>That's Otavio today.

0:21:15.840 --> 0:21:18.359
<v Speaker 2>He was Timothy Dean's last roommate, and the time that

0:21:18.400 --> 0:21:22.600
<v Speaker 2>he knew Timothy, he saw him contemplating major life changes.

0:21:22.880 --> 0:21:26.000
<v Speaker 2>Timothy had gotten a college degree in his forties, and

0:21:26.000 --> 0:21:29.359
<v Speaker 2>Octavio says, when Timothy was in his fifties, he was

0:21:29.440 --> 0:21:30.879
<v Speaker 2>thinking about having a child.

0:21:31.119 --> 0:21:37.160
<v Speaker 10>And that was an interesting thing because I once came

0:21:37.200 --> 0:21:42.119
<v Speaker 10>home at the time that maybe was not expected, and

0:21:42.440 --> 0:21:45.600
<v Speaker 10>I sort of opened the door in the middle of

0:21:45.720 --> 0:21:48.240
<v Speaker 10>a private moment.

0:21:48.680 --> 0:21:50.160
<v Speaker 3>Of your gay roommate with a woman.

0:21:50.480 --> 0:21:55.680
<v Speaker 10>Yes, yes, yes, And you know clearly might have needed

0:21:55.720 --> 0:22:01.760
<v Speaker 10>a little bit of additional stimulation because on TV there

0:22:01.920 --> 0:22:06.000
<v Speaker 10>was a gay porn going on. I'm telling the story

0:22:06.040 --> 0:22:09.000
<v Speaker 10>because what's interesting to me is that the man was

0:22:09.040 --> 0:22:11.920
<v Speaker 10>really trying to find purpose in his life.

0:22:12.000 --> 0:22:14.840
<v Speaker 2>The two men could not have been more different. There

0:22:14.920 --> 0:22:17.199
<v Speaker 2>was a twenty year age gap and a difference in

0:22:17.240 --> 0:22:21.000
<v Speaker 2>their sexualities, but Octavio says Timothy was someone that he

0:22:21.200 --> 0:22:25.680
<v Speaker 2>genuinely came to care for. Octavio says Timothy's generosity helped

0:22:25.760 --> 0:22:28.880
<v Speaker 2>him stay in La. Probably the most important gift that

0:22:28.920 --> 0:22:31.400
<v Speaker 2>Timothy gave him was that he allowed him to live

0:22:31.400 --> 0:22:33.320
<v Speaker 2>in his apartment off the books.

0:22:33.640 --> 0:22:36.240
<v Speaker 10>He lived in this apartment with the rent control, and

0:22:36.840 --> 0:22:38.639
<v Speaker 10>I was never on the lease. I should have been

0:22:38.720 --> 0:22:42.119
<v Speaker 10>on the lease, you know, because by doing that they

0:22:42.160 --> 0:22:45.440
<v Speaker 10>would have had a claim to raise the rent. So

0:22:45.480 --> 0:22:48.080
<v Speaker 10>in order to allow me to live with you know

0:22:48.160 --> 0:22:51.919
<v Speaker 10>this very convenient rent, et cetera, you know, we we

0:22:52.000 --> 0:22:53.640
<v Speaker 10>sort of kept it among us.

0:22:54.160 --> 0:22:57.479
<v Speaker 2>Timothy Dan could have charged market rent for Octavio, but

0:22:57.560 --> 0:23:00.879
<v Speaker 2>instead charged him a ridiculously low amount O Tavio had

0:23:01.000 --> 0:23:03.600
<v Speaker 2>never seen Timothy on hard drugs, so he had no

0:23:03.680 --> 0:23:06.240
<v Speaker 2>idea what was in store for him when he got

0:23:06.320 --> 0:23:09.240
<v Speaker 2>to the apartment that late January night. He had just

0:23:09.280 --> 0:23:11.840
<v Speaker 2>gotten back from visiting his family in Bologna.

0:23:11.920 --> 0:23:14.639
<v Speaker 10>So you know, I had the flight like early, like

0:23:14.760 --> 0:23:17.920
<v Speaker 10>seven am from Bologna. My mom and my father drove

0:23:17.960 --> 0:23:18.720
<v Speaker 10>me to the airport.

0:23:18.880 --> 0:23:23.080
<v Speaker 2>From Bologna to lax fine economy can take twenty four

0:23:23.119 --> 0:23:23.800
<v Speaker 2>hours easy.

0:23:24.119 --> 0:23:26.480
<v Speaker 10>And then you get to la and they broke my

0:23:26.600 --> 0:23:30.200
<v Speaker 10>luggage in you know, probably loading it in the plane.

0:23:30.359 --> 0:23:34.960
<v Speaker 10>One wheel is missing and literally is not even closing well.

0:23:35.720 --> 0:23:38.440
<v Speaker 10>So you know, I leave the airport, I take an uber.

0:23:38.720 --> 0:23:41.560
<v Speaker 10>I put all my stuff in, and you know, I

0:23:41.600 --> 0:23:44.879
<v Speaker 10>approached Hampton Avenue and I see you know, lights and

0:23:45.080 --> 0:23:48.879
<v Speaker 10>trucks and the I'm like, oh, weird, you know, maybe

0:23:48.920 --> 0:23:51.760
<v Speaker 10>they're filming something. And the uber driver that was a

0:23:51.760 --> 0:23:54.480
<v Speaker 10>Los Angeles native, he's like, no, you know, these are

0:23:54.880 --> 0:23:56.920
<v Speaker 10>trucks from the news. Something must have happened.

0:23:56.920 --> 0:23:57.879
<v Speaker 3>And I'm like okay.

0:23:58.400 --> 0:24:01.359
<v Speaker 10>So, you know, I leave the Uber and I'm approaching

0:24:02.080 --> 0:24:03.960
<v Speaker 10>the building and literally.

0:24:04.240 --> 0:24:06.920
<v Speaker 3>There is like a crowd of people.

0:24:07.119 --> 0:24:10.679
<v Speaker 10>Seeing me approaching this building, you know, coming closer to me.

0:24:11.200 --> 0:24:14.320
<v Speaker 2>There are those moments when your life it's changed and

0:24:14.359 --> 0:24:16.000
<v Speaker 2>you're just waiting to hear about it.

0:24:16.600 --> 0:24:20.200
<v Speaker 10>And I have like these broken legs luggage that I'm drugging,

0:24:20.200 --> 0:24:22.080
<v Speaker 10>and I have a bunch of clothes in my arms

0:24:22.200 --> 0:24:23.280
<v Speaker 10>and backpack.

0:24:23.560 --> 0:24:26.359
<v Speaker 2>The next thing he knows, he's blinded by lights and

0:24:26.440 --> 0:24:28.600
<v Speaker 2>staring down the barrel of microphones.

0:24:28.760 --> 0:24:32.119
<v Speaker 10>You know, they start pointing lights and microphones like I'm like,

0:24:32.200 --> 0:24:34.439
<v Speaker 10>what's going on. It's like they asked me, do you

0:24:34.480 --> 0:24:38.160
<v Speaker 10>live here? And I'm like yeah, And then somebody takes

0:24:38.200 --> 0:24:40.840
<v Speaker 10>out a phone with a picture and it's a picture

0:24:40.880 --> 0:24:42.200
<v Speaker 10>of Timothy's like do you know this person?

0:24:42.440 --> 0:24:44.920
<v Speaker 3>Like yeah, it's my roommate. And everybody's like.

0:24:45.400 --> 0:24:50.040
<v Speaker 10>You know, coming closer more, and I'm like, what's going on?

0:24:50.080 --> 0:24:54.040
<v Speaker 2>You know, Otavio has no idea what has happened.

0:24:54.840 --> 0:24:57.439
<v Speaker 10>They really got closer to me just to try to

0:24:57.480 --> 0:24:59.639
<v Speaker 10>gather more information, and the first thing they told me

0:24:59.680 --> 0:25:04.040
<v Speaker 10>is like we are trying to identify a victim, you know,

0:25:04.119 --> 0:25:07.800
<v Speaker 10>like we we think that the person that you know

0:25:08.520 --> 0:25:12.159
<v Speaker 10>passed away is this timusit In and we're gonna, you know,

0:25:12.200 --> 0:25:14.680
<v Speaker 10>we're gonna show you the picture to pretty much confirm

0:25:14.760 --> 0:25:18.199
<v Speaker 10>his identity. I was not believing in my ears, you know,

0:25:18.400 --> 0:25:20.959
<v Speaker 10>like I mean, you know, I certainly was like, oh,

0:25:21.000 --> 0:25:22.480
<v Speaker 10>you know, you know, I want to know more what's

0:25:22.520 --> 0:25:23.040
<v Speaker 10>going on here?

0:25:23.119 --> 0:25:24.840
<v Speaker 3>You know how you know what happened.

0:25:25.520 --> 0:25:29.800
<v Speaker 10>They didn't really have much information at that time. They

0:25:29.880 --> 0:25:31.920
<v Speaker 10>just said, you know, he was found dead in an

0:25:31.920 --> 0:25:35.439
<v Speaker 10>apartment not far away from here. And the version that

0:25:35.480 --> 0:25:37.800
<v Speaker 10>they told me it was like that, you know, I

0:25:37.800 --> 0:25:39.480
<v Speaker 10>think there were cameras in the building. You know that

0:25:39.560 --> 0:25:42.840
<v Speaker 10>he was let's say reported to enter the apartment or

0:25:42.880 --> 0:25:45.280
<v Speaker 10>the building, you know, let's say at midnight, and at

0:25:45.600 --> 0:25:50.439
<v Speaker 10>twelve thirty it was declared that by paramedics. So what

0:25:50.480 --> 0:25:54.879
<v Speaker 10>happened is that once I went through the crowd of journalists,

0:25:54.920 --> 0:25:56.560
<v Speaker 10>et cetera, you know, I entered the building and I

0:25:56.600 --> 0:25:59.119
<v Speaker 10>go up to the apartment and literally I'm in the

0:25:59.119 --> 0:26:01.080
<v Speaker 10>apartment for two men and said I hear knocking at

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<v Speaker 10>the door, and the gentleman that was the manager of

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<v Speaker 10>the building is like, you know, like there is a

0:26:06.280 --> 0:26:09.159
<v Speaker 10>murder investigation. You are not on the lease, you know,

0:26:09.240 --> 0:26:11.320
<v Speaker 10>you can't really stay here. So now it's like one

0:26:11.359 --> 0:26:14.520
<v Speaker 10>a m And I have my stupid broken luggage, et cetera.

0:26:14.600 --> 0:26:16.960
<v Speaker 10>And I have no time, you know, so I grabbed

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<v Speaker 10>like a couple of socks and underwear and I leave.

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<v Speaker 2>After me in the state away two men dead in

0:27:22.040 --> 0:27:25.320
<v Speaker 2>one apartment, and yet ed Buck was still allowed to

0:27:25.440 --> 0:27:28.880
<v Speaker 2>keep luring men there. On the surface, it's a tourist mecca,

0:27:29.000 --> 0:27:32.800
<v Speaker 2>but West Hollywood has a very deep history of organized crime,

0:27:33.240 --> 0:27:46.760
<v Speaker 2>corruption and vice. That's on the next episode. Shattering the

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<v Speaker 2>System is a production of Macro Studios and iHeart Podcasts.

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<v Speaker 2>I'm your host Snari Glynn. You can follow me on

0:27:54.200 --> 0:27:58.800
<v Speaker 2>Instagram at scenari plus the Number one. Our executive producers

0:27:58.960 --> 0:28:04.040
<v Speaker 2>are Charles D. King, Asha Corpus, Win, Royorecchio, Jonathan Hunger,

0:28:04.320 --> 0:28:06.240
<v Speaker 2>Lindsay Hoffman, and Snari Linton.

0:28:06.440 --> 0:28:08.280
<v Speaker 3>That's Me. Our podcast is.

0:28:08.240 --> 0:28:11.080
<v Speaker 2>Co written and produced by Ralph Cooper Third and ben

0:28:11.160 --> 0:28:15.480
<v Speaker 2>Corey Jones. Erica Rodriguez is our associate producer. Dana Conway

0:28:15.880 --> 0:28:19.480
<v Speaker 2>is our archival producer. Chris Mann is the audio engineer,

0:28:19.480 --> 0:28:22.199
<v Speaker 2>and sound design and music provided by Chris Mann with

0:28:22.440 --> 0:28:26.280
<v Speaker 2>Podshaper and Amy Via Lobos with help from Lisa Pollock.

0:28:26.600 --> 0:28:30.080
<v Speaker 2>Our assistant editors are Amie Via Lobos and r Protress.

0:28:30.440 --> 0:28:34.080
<v Speaker 2>Special thanks to Jennifer bon Montoni and the Press s

0:28:34.359 --> 0:28:38.360
<v Speaker 2>LA Agency. Also special thanks to Porsche, Robertson, Maigas and

0:28:38.640 --> 0:28:39.800
<v Speaker 2>Karen Grigsby dates.

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<v Speaker 3>Stay tuned for what's the next shattering the system. See

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<v Speaker 3>you next time.