WEBVTT - 9021One on One: T.C. Warner

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<v Speaker 1>It's nine with Jenny Garth and Tori Spelling. Okay, you guys,

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<v Speaker 1>we are super excited to bring in TC Warner, who

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<v Speaker 1>played Toby season three of nine O two on Oh

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<v Speaker 1>in some very pivotal episodes for me. And here she is.

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<v Speaker 1>Oh my god, hy y Tory, how are you? I'm well?

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<v Speaker 1>How are you good? Good? Good? Thank you so much

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<v Speaker 1>for having me. Oh my gosh, thank you for coming

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<v Speaker 1>on and making me feel worse about myself because you

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<v Speaker 1>have not aged a day and it's just not fair.

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<v Speaker 1>Oh that's not true, not true at all, and you

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<v Speaker 1>look like you haven't aged even a minute. Oh, thank you. Okay,

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<v Speaker 1>I'll take that. I'll take it. And this is Amy.

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<v Speaker 1>If you have not met her, our producer and co

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<v Speaker 1>host and expert on Hi, Amy, how are you? I'm good?

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<v Speaker 1>I have a lot of behind the scenes questions to

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<v Speaker 1>ask you. She's our literal expert and fans okay, well,

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<v Speaker 1>as Amy knows me, like obviously I love nine O

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<v Speaker 1>two and O because I was a part of it

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<v Speaker 1>and now rewatching it back, I'm now a fan girl.

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<v Speaker 1>But my heart lies with soap operas, so I just

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<v Speaker 1>gotta say, we have to talk all my children after

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<v Speaker 1>we talked nine because I'm okay, okay, but any who, Okay,

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<v Speaker 1>So you played Toby, So what happened? How did you

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<v Speaker 1>get that part? So it was a regular audition, my ago,

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<v Speaker 1>and it was the standard process of callbacks and and

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<v Speaker 1>so on and so forth. And it's kind of seemed

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<v Speaker 1>to us that you guys were kind of coming in

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<v Speaker 1>and they were shifting it to other characters that they

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<v Speaker 1>wanted to keep on at least in our world. Where

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<v Speaker 1>did they tell you how many episodes like it ended

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<v Speaker 1>up being two episodes? Did you think it was going

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<v Speaker 1>to go on? Obviously we're graduating, but you guys could

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<v Speaker 1>have gone on to California University too, just like everybody else.

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<v Speaker 1>So very true, Uh, they had they had whispered words

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<v Speaker 1>and nothing in concrete that they were, um, you know,

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<v Speaker 1>planning on on continuing the story and continuing with the

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<v Speaker 1>with your guys characters and integrating that with the younger generation.

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<v Speaker 1>That was the That's why I was the junior um,

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<v Speaker 1>the junior publisher, whatever newspaper editor, junior editor at large.

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<v Speaker 1>I don't know exactly right, were you going to be

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<v Speaker 1>the next Andrea Zuckerman? Was that sort of the character arc. Oh,

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<v Speaker 1>I don't. I don't know that that was I don't

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<v Speaker 1>think that Andrea could be replaced. Um, but no, I

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<v Speaker 1>think it was just a continuation of the story and

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<v Speaker 1>the writers were preparing to expand and and explore their options. Okay,

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<v Speaker 1>so we have now heard this from how many people

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<v Speaker 1>amy that they were trying to bring in other people,

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<v Speaker 1>many younger, many that they were like, okay, we want

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<v Speaker 1>to continue this storyline because you know, last year they

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<v Speaker 1>were like, they have one more year, and now this season, okay,

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<v Speaker 1>they're graduating, moving on to college. And they had again,

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<v Speaker 1>you know, whispered that there would maybe be the younger

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<v Speaker 1>generation they would keep have two shows. Um, and it

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<v Speaker 1>didn't happen. It should have it. I honestly think that

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<v Speaker 1>they could have kept it going and and still kept

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<v Speaker 1>all of you guys and check with you know, generations

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<v Speaker 1>are are still intact and and the older and younger

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<v Speaker 1>still blend together, and they crossed paths, and it could

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<v Speaker 1>have gone on for many, many years. The writers were

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<v Speaker 1>so phenomenal and longer than all my children. I mean,

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<v Speaker 1>I don't know, I don't know, don't ever compare it

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<v Speaker 1>to that, because all my children, love love, love. But okay, um,

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<v Speaker 1>I mean technically, like, okay, this was you started in

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<v Speaker 1>and I to remember which was the problem episode Donna

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<v Speaker 1>gets drunk, we call it drunked on an episode. And

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<v Speaker 1>I mean, now that I'm thinking about it, Amy correct

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<v Speaker 1>me if I'm wrong. Maybe Donna shouldn't have graduated. Maybe

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<v Speaker 1>she should have gotten held back, and she for once

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<v Speaker 1>could have led the troops, and she could have led

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<v Speaker 1>the spin off, and then Toby and Donna could have

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<v Speaker 1>continued it exactly. Well, in all seriousness, it is interesting

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<v Speaker 1>how they did introduce us to these characters that were

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<v Speaker 1>more than just background, They were more than just one offs.

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<v Speaker 1>They were definitely trying to establish these characters. And obviously

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<v Speaker 1>we'll get into Shawn Levy in a second, but I

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<v Speaker 1>do what I wonder is was their intention to have

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<v Speaker 1>a totally different show that stayed in high school while

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<v Speaker 1>the main gang went to college or were they going

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<v Speaker 1>to sort of? Maybe they just didn't know do duel

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<v Speaker 1>where we were still seeing high school life while our

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<v Speaker 1>our old friends went off to college. Does anyone know that? No?

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<v Speaker 1>I think that format was would be really really awesome,

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<v Speaker 1>where they had the younger and still had the nine

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<v Speaker 1>O two and no going you no one episode for

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<v Speaker 1>the next you know, one at seven o'clock, one at

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<v Speaker 1>eight o'clock to melrose Place and a spinoff, but a

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<v Speaker 1>younger generation spinoff. Yes, although that hybrid show um sounded

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<v Speaker 1>really cool. So I have to bring up so Sean Levy,

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<v Speaker 1>who played sort of your I don't know classmate, but

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<v Speaker 1>you know, they sort of introduced us to both characters

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<v Speaker 1>at the same time. Who has gone on to do

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<v Speaker 1>We've talked about it, all these incredible things, Free guy,

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<v Speaker 1>that Adam project night at the museum. I think he's

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<v Speaker 1>involved with stranger things. So at the do you have

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<v Speaker 1>any memories of what he was like at the time

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<v Speaker 1>as he just sort of like a teen actor or

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<v Speaker 1>did he know I'm going to be this massive director producer. No,

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<v Speaker 1>he's He was very humble, and you know, we were

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<v Speaker 1>we were both kind of shell shocked to be on

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<v Speaker 1>the nine o two and oh and sort of didn't

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<v Speaker 1>know our place. You didn't know everybody, including Tori, was

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<v Speaker 1>so warm and inviting, would run lines with us and

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<v Speaker 1>and do all that stuff. Um. But he was extremely

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<v Speaker 1>funny and very comical. Really, Yes, had a great sense

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<v Speaker 1>of humor, and I don't know now now that I'm

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<v Speaker 1>thinking of it, do you remember it was the wardrobe? Uh?

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<v Speaker 1>I call it an issue, But it was very funny

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<v Speaker 1>because they had wardrobe had put me in top that

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<v Speaker 1>was it looked like it made it look like we

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<v Speaker 1>had two frames of of my breasts, you know, two

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<v Speaker 1>things like do you remember this? No refresh my memory.

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<v Speaker 1>Jason and Luke looked at it, and I remember Gaya

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<v Speaker 1>Terrist looked at it and went um, and we were

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<v Speaker 1>getting ready to rule camera and then um, wardrobe, Uh,

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<v Speaker 1>what do you think of her shirt on camera? What

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<v Speaker 1>do you mean? It littally literally looked like I don't

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<v Speaker 1>remember where that was, but it almost looked like a

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<v Speaker 1>shirt that had and I don't know if they were

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<v Speaker 1>pockets or what they were, but they were definitely like

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<v Speaker 1>big buttons on I don't remember this. Oh my goodness. Wait,

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<v Speaker 1>I love that the It was the cast that called

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<v Speaker 1>it out and no one direct, writer, producer. The cool

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<v Speaker 1>thing about it was that cast really protected each other

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<v Speaker 1>and and they looked over and they went, um, wardrobe,

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<v Speaker 1>we might rethink TC's sure, and they changed it out

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<v Speaker 1>right there on set, and it was I was like,

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<v Speaker 1>thank God, because you know I'm I'm new, I don't

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<v Speaker 1>have any say. I'm like, okay, I'll wear that shirt.

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<v Speaker 1>But you realize you were like, uh, yeah there's something here.

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<v Speaker 1>You just go with the flow. And they looked at

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<v Speaker 1>it and and what, um, yeah she might need some

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<v Speaker 1>help here in wordrobe went oh your god. They changed

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<v Speaker 1>it right away. But yeah, the cast was really really

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<v Speaker 1>cool on that um and there was a lot of camaraderie.

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<v Speaker 1>There wasn't any pretentious don't talk to me, I'm so

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<v Speaker 1>and so or anything like that. There was no no drama.

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<v Speaker 1>Everybody was just nice. So do you guys think it's

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<v Speaker 1>weird that that was the case? Right? So you come

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<v Speaker 1>into this show and you're having this real life experience,

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<v Speaker 1>Why do you guys think tour you as the person involved,

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<v Speaker 1>TC as the person that came into it. The media

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<v Speaker 1>loves to make it seem totally different. How does it

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<v Speaker 1>go from that experience? And then we hear these you know,

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<v Speaker 1>I'm not telling tales, but Jessica Alba had a very

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<v Speaker 1>different experience and that she's talked about. So it's like,

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<v Speaker 1>how do we know what the reality was you're telling us?

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<v Speaker 1>The press makes it often seem totally different. Feuds and hierarchy,

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<v Speaker 1>and yeah, I don't. I don't think that that was

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<v Speaker 1>That was not my perception. I call it the red

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<v Speaker 1>carpet syndrome, where that's not real in anybody who lasts

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<v Speaker 1>in this industry. It's you have to have some level

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<v Speaker 1>of being humble and realizing that you're a human. You're

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<v Speaker 1>portraying humans, so you've or have a human aspect to you.

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<v Speaker 1>And if you don't, you've got some far fetched idea

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<v Speaker 1>that you're going to walk in and you've got this

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<v Speaker 1>vibe about you that that energy spills over and people

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<v Speaker 1>run quickly from it. And when I came onto the set,

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<v Speaker 1>there was you know, there's a hallway and everybody had

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<v Speaker 1>their dressing rooms and stuff like that. Everybody's doors were open.

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<v Speaker 1>It was a basketball thing down at the end. Everybody

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<v Speaker 1>was playing and talking with each other and and it

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<v Speaker 1>was very, very welcoming. It wasn't There was no level

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<v Speaker 1>of pretentious, which which I really liked, and I've worked

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<v Speaker 1>on films and so forth where there was the don't

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<v Speaker 1>talk to that person kind of uh, you know level

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<v Speaker 1>going around, But that wasn't the case on nine or

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<v Speaker 1>two and O. And it was far from the case

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<v Speaker 1>on All My Children, and it was really really nice.

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<v Speaker 1>It was there was a lot of camaraderie and and

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<v Speaker 1>it's very hard to make friends in in Hollywood, if

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<v Speaker 1>you will, or in the film industry, because everybody tends

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<v Speaker 1>to take off and they started a project, or they

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<v Speaker 1>get you know, caught in something, and they start to

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<v Speaker 1>do their own thing and and not keep in touch

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<v Speaker 1>with anybody. So it's very cool to have a family

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<v Speaker 1>type setting where you're seeing that person face to face.

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<v Speaker 1>Even though you all have your own private life, to

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<v Speaker 1>all of your own private projects going on and and

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<v Speaker 1>so forth, you still come together and look each other

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<v Speaker 1>in the eye and say how are you and the

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<v Speaker 1>answer is not doing just fine and walking on it's oh,

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<v Speaker 1>this is going on, and you actually communicate with people.

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<v Speaker 1>So it was really nice. It was it was, I

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<v Speaker 1>guess misleading to what really Hollywood is like. But I

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<v Speaker 1>came from Save by the Bell right before N one, oh,

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<v Speaker 1>and I was recurring. But that get the first day

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<v Speaker 1>on set where they were it was the same thing.

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<v Speaker 1>They were a family, they were established, they worked day

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<v Speaker 1>and day out, they were each other's lives and walking

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<v Speaker 1>onto that set was super scary and some people were

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<v Speaker 1>amazing and some people weren't. And it stayed with me.

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<v Speaker 1>All right, I'll text you it was who was wonderful?

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<v Speaker 1>Can you say that Elizabeth Berkeley was the kindest human

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<v Speaker 1>And she literally I just saw her recently and I

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<v Speaker 1>and we've been friends off and on for the whole

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<v Speaker 1>time since for thirty years. And I said, you know what,

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<v Speaker 1>I still carry it with me. You taught me how

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<v Speaker 1>to be in this industry because of the experience that

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<v Speaker 1>you gave to me. I went on to pay it

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<v Speaker 1>forward on nine two. I Owey's was nice to guest

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<v Speaker 1>stars because I know it is so scary and it

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<v Speaker 1>can make or break you know, your performance or how

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<v Speaker 1>your whole So it's so important And to this day,

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<v Speaker 1>I'm still like that. Um So, I think that's such

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<v Speaker 1>an interesting thing you just said there, Tory, and I

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<v Speaker 1>wond't know if TC feels the same. You just said

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<v Speaker 1>it can make or break your performance. So that's so

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<v Speaker 1>interesting that that talk about that. I would love to

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<v Speaker 1>hear about that from both of you, that it is

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<v Speaker 1>so important that behind the scenes to doing your best

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<v Speaker 1>work well really really quickly. So a story about Luke

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<v Speaker 1>Perry I had I was the first day on the set,

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<v Speaker 1>and something happened with my car and I went, oh, um, Mike,

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<v Speaker 1>he asked, and I said, my my car broke down.

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<v Speaker 1>I got to ride from my friend and he said, oh,

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<v Speaker 1>don't worry about I'll pick you up. And every day

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<v Speaker 1>going into the set, he swung by in his Mini

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<v Speaker 1>Bronco and picked me up and took me to the set.

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<v Speaker 1>So it was very cool. It was it was just,

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<v Speaker 1>you know, he told me his story with Aaron Spelling,

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<v Speaker 1>and and he was the one who everybody on this

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<v Speaker 1>set is very cool and are you know, they're very

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<v Speaker 1>approachable and and all that, and I believed him and

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<v Speaker 1>until I saw it and I was like, Hi, Tori,

0:14:09.679 --> 0:14:15.439
<v Speaker 1>so hi, how are you welcome? And the whole wardrobe mishappened.

0:14:15.480 --> 0:14:21.560
<v Speaker 1>Everybody was really a family there. There wasn't any spats

0:14:21.680 --> 0:14:38.000
<v Speaker 1>or anything like, gosh, that's such an amazing story. Do

0:14:38.080 --> 0:14:40.400
<v Speaker 1>you remember any of the story he told you about

0:14:40.440 --> 0:14:43.360
<v Speaker 1>my dad? I just love to hear, like, any any

0:14:43.400 --> 0:14:45.960
<v Speaker 1>anecdotes about my dad. Obviously I miss him and I

0:14:46.000 --> 0:14:49.040
<v Speaker 1>miss Luke dearly, so it's nice to hear. So he

0:14:49.200 --> 0:14:56.320
<v Speaker 1>said his his start was Aaron Spelling. Had you know

0:14:56.400 --> 0:15:00.600
<v Speaker 1>there was he was feeling like he wasn't really being

0:15:00.640 --> 0:15:03.800
<v Speaker 1>accepted or considered in a lot of things. And Aaron

0:15:03.880 --> 0:15:10.080
<v Speaker 1>Spelling really extended himself and believed in Luke and put

0:15:10.120 --> 0:15:15.880
<v Speaker 1>himself out there for Luke Perry, and and I, you know,

0:15:16.120 --> 0:15:18.440
<v Speaker 1>I was in awe. It was like, how how does

0:15:18.520 --> 0:15:24.920
<v Speaker 1>that happen? How does that miracle of connection actually begin?

0:15:25.920 --> 0:15:31.800
<v Speaker 1>And Luke said, Aaron Spelling was one of those people

0:15:31.960 --> 0:15:37.760
<v Speaker 1>who but when he believed in people, he put everything

0:15:37.800 --> 0:15:44.040
<v Speaker 1>out there for him. He overextended himself greatly, and and

0:15:44.160 --> 0:15:51.640
<v Speaker 1>he really made Luke Perry. So I it's just it's

0:15:51.760 --> 0:15:54.840
<v Speaker 1>another one of those things that extends down and says,

0:15:55.560 --> 0:15:59.560
<v Speaker 1>I'm walking into something that I would really appreciate being

0:15:59.600 --> 0:16:03.920
<v Speaker 1>except did too. I won't make that expectation, but I

0:16:04.000 --> 0:16:06.960
<v Speaker 1>certainly would hope one day that I could be part

0:16:06.960 --> 0:16:12.360
<v Speaker 1>of this whole. And I just remember his stories about

0:16:13.760 --> 0:16:16.720
<v Speaker 1>he had come across quite a bit of rejection like

0:16:16.880 --> 0:16:22.160
<v Speaker 1>many of us, and your dad just said, don't stop.

0:16:22.320 --> 0:16:25.960
<v Speaker 1>I'm behind you. You can do this and it'll happen.

0:16:26.520 --> 0:16:29.360
<v Speaker 1>Just keep keep pushing forward. It's nice to hear someone

0:16:29.440 --> 0:16:32.240
<v Speaker 1>else tell the story. I believe I've told the story

0:16:32.360 --> 0:16:36.960
<v Speaker 1>from behind the scenes with my dad hearing it happen. Um.

0:16:37.000 --> 0:16:39.320
<v Speaker 1>And I don't know if Luke and I ever talked

0:16:39.360 --> 0:16:41.560
<v Speaker 1>about that story. So it was nice that he told

0:16:41.600 --> 0:16:44.320
<v Speaker 1>you and I got to hear it from his perspective.

0:16:44.640 --> 0:16:49.080
<v Speaker 1>That meant a lot to me. But yeah, I remember

0:16:49.200 --> 0:16:52.200
<v Speaker 1>my dad saying this, this is the guy, this is

0:16:52.240 --> 0:16:56.920
<v Speaker 1>who I want. Fox was not sold. Um, we all

0:16:57.040 --> 0:16:58.960
<v Speaker 1>we both know this. It's typical when you go in

0:16:59.080 --> 0:17:01.880
<v Speaker 1>you test, you know, through people. And he said, I'm

0:17:01.880 --> 0:17:03.960
<v Speaker 1>only testing him, I'm bringing him and they said that's

0:17:04.000 --> 0:17:05.840
<v Speaker 1>not done. We need to other people to come in

0:17:06.560 --> 0:17:10.720
<v Speaker 1>and um, and he said, no, it's just him. Um,

0:17:10.720 --> 0:17:12.800
<v Speaker 1>he's testing board and this is who it's going to be.

0:17:12.840 --> 0:17:16.080
<v Speaker 1>We're casting him. And if you don't believe in him,

0:17:16.160 --> 0:17:18.120
<v Speaker 1>then I will put forth my own money and pay

0:17:18.200 --> 0:17:21.160
<v Speaker 1>and and pay his fee. Like you mentioned that as well.

0:17:21.240 --> 0:17:26.320
<v Speaker 1>He said that your dad believed. But you know what,

0:17:28.480 --> 0:17:30.800
<v Speaker 1>so used to being an influencer now, damn it. I

0:17:30.960 --> 0:17:37.800
<v Speaker 1>nuturally supported. Yes, he said he would personally pay for him. Yes,

0:17:38.840 --> 0:17:43.080
<v Speaker 1>and and he Luke was very I think you know.

0:17:43.119 --> 0:17:49.680
<v Speaker 1>Our conversations were more around how did you start, how

0:17:49.720 --> 0:17:55.200
<v Speaker 1>did you get here? What's your story? And and all that,

0:17:56.119 --> 0:17:58.879
<v Speaker 1>UM and I shared my stories and stuff like that.

0:17:58.960 --> 0:18:02.800
<v Speaker 1>So there was UM and I think that was right

0:18:02.880 --> 0:18:08.080
<v Speaker 1>at the time when he was he wasn't married yet,

0:18:08.160 --> 0:18:12.119
<v Speaker 1>he was just in the relationship with his wife, and

0:18:12.119 --> 0:18:16.840
<v Speaker 1>he was telling me and and all that good stuff.

0:18:16.880 --> 0:18:20.879
<v Speaker 1>So it was conversation. It was very open and willing

0:18:20.920 --> 0:18:26.439
<v Speaker 1>to share personal things that do you know him before? No? No,

0:18:26.640 --> 0:18:29.520
<v Speaker 1>my gosh, the story is incredible. So this is just

0:18:29.600 --> 0:18:33.360
<v Speaker 1>how he was, like, you're you're on this set. You

0:18:33.480 --> 0:18:41.159
<v Speaker 1>now belong right? Oh right? Yeah? Who? So that's the

0:18:41.200 --> 0:18:44.040
<v Speaker 1>first person on set that you met? Wasn't Luke? Was

0:18:44.040 --> 0:18:46.159
<v Speaker 1>that the first person? Or do you remember who you

0:18:46.560 --> 0:18:49.960
<v Speaker 1>it was Luke? It was like, and then it was Jason,

0:18:50.240 --> 0:18:59.400
<v Speaker 1>and then Gabrielle and Um and then obviously wardrobe and

0:18:59.400 --> 0:19:03.200
<v Speaker 1>and so forth. But and then playing basketball, which I

0:19:03.200 --> 0:19:07.800
<v Speaker 1>am horrible at, has nothing to do with my height deficiency,

0:19:08.359 --> 0:19:12.159
<v Speaker 1>has everything to do with that basketball basket was not

0:19:12.359 --> 0:19:14.119
<v Speaker 1>high up. It was just on the door. And I

0:19:14.119 --> 0:19:18.280
<v Speaker 1>still couldn't make the basket, but they let me play.

0:19:19.400 --> 0:19:22.000
<v Speaker 1>You and Jason would have been such a cute couple,

0:19:22.640 --> 0:19:26.520
<v Speaker 1>wouldn't we That would have been good. Just don't tell

0:19:26.600 --> 0:19:31.800
<v Speaker 1>my husband now and I'm in on the show, but

0:19:32.160 --> 0:19:35.359
<v Speaker 1>real life too, I know, I know, I mean, I like, okay,

0:19:35.359 --> 0:19:37.920
<v Speaker 1>so I have to ask. So in our timeline right now,

0:19:38.040 --> 0:19:44.159
<v Speaker 1>we have just finished watching the prom episode, and I

0:19:44.200 --> 0:19:47.000
<v Speaker 1>don't think it's a spoiler that we know what's coming

0:19:47.160 --> 0:19:50.479
<v Speaker 1>is Donna Martin graduates, which I think you could argue

0:19:50.680 --> 0:19:54.440
<v Speaker 1>is one of the most iconic episodes of Now Too

0:19:54.480 --> 0:19:57.760
<v Speaker 1>one oh in the tenure run. What is it like

0:19:58.480 --> 0:20:04.080
<v Speaker 1>to be a part of that episode? It was pretty amazing.

0:20:04.200 --> 0:20:08.720
<v Speaker 1>There was I remember Iron and everybody, and they're all

0:20:08.840 --> 0:20:13.960
<v Speaker 1>out on the steps, and and I remember some of

0:20:14.000 --> 0:20:18.240
<v Speaker 1>the lines when we were talking about editing the paper

0:20:18.280 --> 0:20:20.880
<v Speaker 1>and stuff were there was the word this is an

0:20:20.880 --> 0:20:26.200
<v Speaker 1>appropriate epitaph and I, for some reason epitaph. The word

0:20:26.240 --> 0:20:33.240
<v Speaker 1>epitaph would not it just epitaph surface And I don't

0:20:33.240 --> 0:20:39.160
<v Speaker 1>know what word I was saying, epitaph or something weird um,

0:20:40.720 --> 0:20:46.399
<v Speaker 1>And and there was this this uh scramble of do

0:20:46.520 --> 0:20:51.119
<v Speaker 1>we are we pushing for the right thing? Are we saying?

0:20:51.160 --> 0:20:54.840
<v Speaker 1>You know, Donna Martin is an example to all the

0:20:54.880 --> 0:20:58.000
<v Speaker 1>rest of the junior class and the sophomores and the

0:20:58.080 --> 0:21:01.920
<v Speaker 1>freshman and she got drunk it prom and is this appropriate,

0:21:01.960 --> 0:21:04.280
<v Speaker 1>and do we let her get away with this? And

0:21:04.840 --> 0:21:07.719
<v Speaker 1>you know what's the consequence? And then everybody out on

0:21:07.760 --> 0:21:12.280
<v Speaker 1>the steps and it was hot that day. I remember, oh,

0:21:13.760 --> 0:21:18.080
<v Speaker 1>you know, doing their their chant of Donna Martin graduates?

0:21:18.080 --> 0:21:21.439
<v Speaker 1>And do we get behind her? Or is my character

0:21:21.560 --> 0:21:25.080
<v Speaker 1>that kind of steadfast on? No, we have to do

0:21:25.160 --> 0:21:28.440
<v Speaker 1>right by society and be an example and not let

0:21:28.440 --> 0:21:30.919
<v Speaker 1>her graduate, you know that kind of thing? Or do

0:21:31.000 --> 0:21:36.680
<v Speaker 1>I go with everybody else? And was let's remember what happens,

0:21:36.840 --> 0:21:42.520
<v Speaker 1>we don't spoil it. I don't know what happened. I mean,

0:21:42.520 --> 0:21:44.359
<v Speaker 1>I know what happens, but I don't know what your

0:21:44.440 --> 0:21:48.000
<v Speaker 1>character decided. And that word I can't imagine ever saying

0:21:48.040 --> 0:21:50.080
<v Speaker 1>that word that I would freak out. I'd be like,

0:21:50.320 --> 0:21:56.840
<v Speaker 1>uh so, do you remember what they were actually chanting outside?

0:21:57.280 --> 0:22:00.399
<v Speaker 1>That was not Donna Martin graduates? And I allowed to

0:22:00.440 --> 0:22:07.640
<v Speaker 1>say this. Yes, you are definitely tory. You're testing me now,

0:22:08.920 --> 0:22:12.000
<v Speaker 1>I'm not. I swear I think he told the Iron

0:22:12.080 --> 0:22:15.919
<v Speaker 1>has told the story on the show. Correct, he has Okay,

0:22:16.119 --> 0:22:26.000
<v Speaker 1>it wasn't graduates? Oh yes it was? Um is this

0:22:26.080 --> 0:22:31.520
<v Speaker 1>an age appropriate audience? Yes, it was started with the

0:22:31.600 --> 0:22:39.640
<v Speaker 1>letter m TC. It was masturbates masbates. What you say

0:22:39.760 --> 0:22:46.040
<v Speaker 1>you remember who started? I don't. I don't, but it

0:22:46.080 --> 0:22:49.240
<v Speaker 1>was either Jason or Iron. But is there a footage

0:22:49.359 --> 0:22:56.439
<v Speaker 1>somewhere we should you know what? Uh? Larry Mullen, who

0:22:56.560 --> 0:22:59.520
<v Speaker 1>was the one of the producers, he has tons of

0:23:00.000 --> 0:23:03.320
<v Speaker 1>behind the scenes daily so I wonder if he has that.

0:23:03.680 --> 0:23:06.280
<v Speaker 1>Somebody must That would be so funny. It's been plenty

0:23:06.280 --> 0:23:11.600
<v Speaker 1>of time. It was. It was very clear. So you

0:23:11.720 --> 0:23:17.200
<v Speaker 1>recognized for a long period of time from that episode. Yes,

0:23:18.480 --> 0:23:22.360
<v Speaker 1>And I think when you live in Los Angeles, everybody

0:23:22.400 --> 0:23:24.600
<v Speaker 1>thinks that they're famous. So you can go to the

0:23:24.600 --> 0:23:28.879
<v Speaker 1>grocery store and nobody will bug you because they think

0:23:28.960 --> 0:23:33.600
<v Speaker 1>that you should be recognizing them. So it's quite to

0:23:33.760 --> 0:23:39.240
<v Speaker 1>live in in Los Angeles anywhere outside of of l A.

0:23:39.560 --> 0:23:42.880
<v Speaker 1>I would, you know, my I grew up in Santa Fe,

0:23:42.880 --> 0:23:46.280
<v Speaker 1>New Mexico, and so I would come back and visit

0:23:46.359 --> 0:23:52.360
<v Speaker 1>family and and so forth, and immediately it was are

0:23:52.400 --> 0:23:56.680
<v Speaker 1>you are your Toby? Aren't you? Aren't you Toby one? Two?

0:23:56.680 --> 0:23:59.800
<v Speaker 1>And oh? And I would kind of be caught off

0:24:00.000 --> 0:24:03.720
<v Speaker 1>hard because I'm not used to that, and I'd only

0:24:03.800 --> 0:24:08.640
<v Speaker 1>done several TV movies and and stuff like that I've done.

0:24:10.040 --> 0:24:14.640
<v Speaker 1>I've done a bit, but um not to be recognizable

0:24:14.720 --> 0:24:19.399
<v Speaker 1>as somebody so such as a staple, so I would

0:24:19.600 --> 0:24:21.959
<v Speaker 1>you know they would they would ask me, are you

0:24:22.000 --> 0:24:24.280
<v Speaker 1>are you pushing for her to graduate? Are you not

0:24:26.359 --> 0:24:29.879
<v Speaker 1>to Martin doing? What is she doing? And wanting to

0:24:29.960 --> 0:24:33.040
<v Speaker 1>inside Scoop and stuff like that, and then they'd say, oh,

0:24:33.040 --> 0:24:36.119
<v Speaker 1>good job, you know, you did a great job. That

0:24:36.280 --> 0:24:38.680
<v Speaker 1>kind of thing. And then they'd asked for my autograph

0:24:38.720 --> 0:24:44.600
<v Speaker 1>and they'd asked me to sign it TC as Toby. No. Yeah, right,

0:24:46.400 --> 0:24:48.760
<v Speaker 1>fans always want you to put your character name after

0:24:48.800 --> 0:24:53.440
<v Speaker 1>your name. Really, yes, that's a big deal. Wait, so

0:24:53.520 --> 0:24:57.240
<v Speaker 1>to this, to this day, I sign every Sometimes I

0:24:57.359 --> 0:25:00.840
<v Speaker 1>forget and I'm like, oh, you're younger. You recognize me

0:25:00.880 --> 0:25:03.040
<v Speaker 1>from like Scary Movie two or something. I always know

0:25:03.280 --> 0:25:06.720
<v Speaker 1>people's ages by what they recognized me from. Um, but

0:25:06.960 --> 0:25:12.160
<v Speaker 1>our generation. I always write Tori spelling and then write Donna,

0:25:12.400 --> 0:25:17.720
<v Speaker 1>like yeah, Donna, and then put nine O two and

0:25:17.800 --> 0:25:22.720
<v Speaker 1>oh afterwards. It's very important to them, especially collectors. I

0:25:22.720 --> 0:25:26.199
<v Speaker 1>think I just saw Henry Winkler signing some things and

0:25:26.280 --> 0:25:30.080
<v Speaker 1>he does include the fonds I think sometimes so that

0:25:30.119 --> 0:25:34.280
<v Speaker 1>makes sense. They love it. Yeah, oh, my god, And

0:25:34.400 --> 0:25:38.920
<v Speaker 1>do you do you both think that's cool? Oh? I do.

0:25:39.280 --> 0:25:41.560
<v Speaker 1>I think it's cool. It makes them happy, which makes

0:25:41.600 --> 0:25:43.840
<v Speaker 1>me happy. So I like to you know, that's the

0:25:44.000 --> 0:25:46.840
<v Speaker 1>feeling I get from it, is that if they're happy,

0:25:46.880 --> 0:25:51.440
<v Speaker 1>that makes me happy for sure. But then you went

0:25:51.560 --> 0:25:56.800
<v Speaker 1>on to be very recognizable as Kelsey and all my children,

0:25:56.960 --> 0:26:03.520
<v Speaker 1>and so then they were like Toby, who Right, Wait,

0:26:03.760 --> 0:26:06.520
<v Speaker 1>both of you started so young? What is you know

0:26:06.520 --> 0:26:09.439
<v Speaker 1>people always talk about like, oh, it's that's so hard,

0:26:09.520 --> 0:26:11.320
<v Speaker 1>or you didn't have a life, or you didn't have

0:26:11.359 --> 0:26:13.840
<v Speaker 1>a prom or high school whatever. What is the best

0:26:13.920 --> 0:26:18.960
<v Speaker 1>part for both of you of starting work and in

0:26:19.080 --> 0:26:25.760
<v Speaker 1>this profession so young? Go first story, I don't know,

0:26:25.800 --> 0:26:29.160
<v Speaker 1>because I don't know any difference, right, Like, I grew

0:26:29.280 --> 0:26:34.840
<v Speaker 1>up doing it, so I don't. I don't know. I can't.

0:26:34.920 --> 0:26:36.359
<v Speaker 1>I don't know how to even answer that because I

0:26:36.359 --> 0:26:37.879
<v Speaker 1>don't know what life would have been like if I

0:26:37.920 --> 0:26:46.600
<v Speaker 1>hadn't started so young. It's yeah. So for me, um,

0:26:46.640 --> 0:26:49.120
<v Speaker 1>it was I came to a point where I realized

0:26:49.160 --> 0:26:53.680
<v Speaker 1>I was married to the industry because you had to

0:26:53.760 --> 0:26:57.320
<v Speaker 1>pay so much attention to that and put that as

0:26:57.359 --> 0:27:00.280
<v Speaker 1>a priority in anything and everything every just as and

0:27:00.280 --> 0:27:04.600
<v Speaker 1>you made every plan, every trip, every everything, every school

0:27:04.600 --> 0:27:08.320
<v Speaker 1>that you went to, every everything. So I went on

0:27:08.440 --> 0:27:14.040
<v Speaker 1>and got an undergraduate degree in film with producing, directing, writing, editing,

0:27:14.040 --> 0:27:18.280
<v Speaker 1>and sound. And then I went on get a masters

0:27:18.440 --> 0:27:24.639
<v Speaker 1>in business administration. My started interdisciplinary masters goodness in computers

0:27:24.680 --> 0:27:27.360
<v Speaker 1>and art, and that turned out to be an argument

0:27:27.400 --> 0:27:32.959
<v Speaker 1>between two departments, because computers and art do not blunt.

0:27:33.000 --> 0:27:36.199
<v Speaker 1>They both have their own opinions of of what a

0:27:36.400 --> 0:27:41.120
<v Speaker 1>master's square should be. And that was specializing in more

0:27:41.200 --> 0:27:44.639
<v Speaker 1>the new medium of digital and so forth. And so

0:27:44.720 --> 0:27:48.320
<v Speaker 1>then I changed that was like too long of a

0:27:48.359 --> 0:27:51.280
<v Speaker 1>process and ended up being like an eleven dollar an

0:27:51.280 --> 0:27:55.200
<v Speaker 1>hour job. So I'm looked over to a business administration

0:27:55.240 --> 0:27:59.560
<v Speaker 1>with an emphasis and marketing and so those two just

0:27:59.640 --> 0:28:05.120
<v Speaker 1>every decision that you make is surrounding this industry and

0:28:05.160 --> 0:28:10.440
<v Speaker 1>what you want out of it and um, and so

0:28:10.480 --> 0:28:13.920
<v Speaker 1>every every effort that I put forth goes that way.

0:28:14.480 --> 0:28:17.640
<v Speaker 1>And of course, right now, my focus is my family

0:28:17.720 --> 0:28:21.280
<v Speaker 1>and my my kids have two adopted kids, and my

0:28:21.440 --> 0:28:27.600
<v Speaker 1>husband and and so on. They're eight and ten. Yeah,

0:28:27.640 --> 0:28:32.400
<v Speaker 1>they're they're wonderful, They're my life. Yeah, And so what

0:28:32.480 --> 0:28:36.440
<v Speaker 1>was it like? It It was honestly like a marriage,

0:28:36.960 --> 0:28:40.640
<v Speaker 1>you have to be fully committed to what you're doing,

0:28:40.760 --> 0:28:43.680
<v Speaker 1>and if you don't have that true passion in you,

0:28:45.000 --> 0:28:49.760
<v Speaker 1>don't waste your time and don't waste other people's time. Wow.

0:28:49.960 --> 0:28:51.880
<v Speaker 1>Can I go back and change my answer? After him

0:28:54.240 --> 0:28:58.360
<v Speaker 1>blew me away? Like everything you just said, I was like, wow,

0:28:59.760 --> 0:29:03.560
<v Speaker 1>very amazing, thank you? And what word couldn't you say atab?

0:29:04.760 --> 0:29:20.400
<v Speaker 1>Are you kidding me? Yeah? So would you? Would you

0:29:20.520 --> 0:29:22.960
<v Speaker 1>rate your nine o two one oh experience as a

0:29:23.440 --> 0:29:27.240
<v Speaker 1>good marriage at that time? Absolutely? And I wanted it

0:29:27.320 --> 0:29:32.280
<v Speaker 1>to continue so badly, so badly. It was, you know,

0:29:32.400 --> 0:29:35.960
<v Speaker 1>it was a flavor of the best of the best.

0:29:37.280 --> 0:29:41.040
<v Speaker 1>It was. That's so nice to hear. Did you keep

0:29:41.040 --> 0:29:46.480
<v Speaker 1>in touch with Sean Leevy? Oh no, I haven't really,

0:29:46.680 --> 0:29:51.720
<v Speaker 1>um just here and there. You should have, We all

0:29:51.760 --> 0:29:56.080
<v Speaker 1>should have. I know, right, I did think he was

0:29:56.160 --> 0:29:57.719
<v Speaker 1>cute when he was on this. Did you think that

0:29:57.800 --> 0:30:00.560
<v Speaker 1>was funny? TC? When you because there was obviously a

0:30:00.640 --> 0:30:04.040
<v Speaker 1>gap between the time you worked together and he became

0:30:04.520 --> 0:30:08.080
<v Speaker 1>sort of this, you know, very prolific director and high

0:30:08.080 --> 0:30:12.160
<v Speaker 1>profile person in entertainment, did you go, wait a minute,

0:30:12.160 --> 0:30:13.920
<v Speaker 1>did you ever have that moment You're like, I think

0:30:13.920 --> 0:30:15.920
<v Speaker 1>that dude was in the classroom with me at the

0:30:16.440 --> 0:30:21.200
<v Speaker 1>school paper. Remember, um No, but I could see it

0:30:21.240 --> 0:30:27.640
<v Speaker 1>in him. He's very he was extremely intelligent. He was

0:30:27.800 --> 0:30:32.960
<v Speaker 1>very intelligent. He was he wasn't he didn't fit the

0:30:33.320 --> 0:30:40.120
<v Speaker 1>category of uh, the very I guess the stereotype of

0:30:40.160 --> 0:30:46.600
<v Speaker 1>actor model type. Um. His brain was always going, I

0:30:46.680 --> 0:30:49.080
<v Speaker 1>mean always who was saying, oh, you should do this,

0:30:49.160 --> 0:30:55.480
<v Speaker 1>you should do that without you know, unrequested, and and

0:30:55.880 --> 0:30:58.800
<v Speaker 1>his mind was always going on what he wanted to

0:30:58.840 --> 0:31:01.920
<v Speaker 1>do and where he wanted ago. I loved hearing that.

0:31:02.680 --> 0:31:05.520
<v Speaker 1>Did he say he wanted to direct and produce? Oh?

0:31:05.600 --> 0:31:11.160
<v Speaker 1>Yeah he did? Wow, so he knew. Yeah, it's so interesting.

0:31:11.200 --> 0:31:14.560
<v Speaker 1>My takeaway from this conversation, which is has has so

0:31:14.680 --> 0:31:19.440
<v Speaker 1>unexpected I wasn't axpessing it to be, is there is

0:31:19.560 --> 0:31:25.240
<v Speaker 1>something that you know immediately for you all when someone

0:31:25.480 --> 0:31:29.800
<v Speaker 1>in this show business has it. Because it sounds to

0:31:29.840 --> 0:31:33.360
<v Speaker 1>me like like your dad, Tory knew from moment one

0:31:33.440 --> 0:31:37.240
<v Speaker 1>with Luke, Yes, this guy's got it. And TC is

0:31:37.240 --> 0:31:40.400
<v Speaker 1>saying the same thing about Luke Ann Sean like these

0:31:40.440 --> 0:31:47.440
<v Speaker 1>people there's something star like about them. Yeah, they're always

0:31:47.520 --> 0:31:53.720
<v Speaker 1>yearning to move forward. And and I'm I'm always want

0:31:53.800 --> 0:31:58.600
<v Speaker 1>anything around. The film industry to me is solution oriented

0:31:59.240 --> 0:32:02.920
<v Speaker 1>and and for me even going to film school when

0:32:02.920 --> 0:32:05.560
<v Speaker 1>I when I graduated, I want you know what I

0:32:05.680 --> 0:32:08.040
<v Speaker 1>learned that there's a ton of problems to be solved,

0:32:09.000 --> 0:32:11.120
<v Speaker 1>and you know, to walk away with the film degree

0:32:11.120 --> 0:32:14.800
<v Speaker 1>and say that is the story of life in this

0:32:14.960 --> 0:32:18.040
<v Speaker 1>industry is there's always going to be a problem that

0:32:18.120 --> 0:32:21.960
<v Speaker 1>has to be solved. And if people stay stuck in

0:32:22.040 --> 0:32:24.480
<v Speaker 1>the problem and we want to wind and complain and well,

0:32:24.520 --> 0:32:26.680
<v Speaker 1>because of this and this and this, nobody wants to

0:32:26.720 --> 0:32:29.720
<v Speaker 1>hear those they want us hear more so, how you're

0:32:29.760 --> 0:32:32.240
<v Speaker 1>working towards the solution. What are you doing to fix it?

0:32:32.280 --> 0:32:34.200
<v Speaker 1>There's always going to be a problem. There's always going

0:32:34.240 --> 0:32:36.800
<v Speaker 1>to be an obstacle, and if there wasn't an obstacle,

0:32:36.880 --> 0:32:40.320
<v Speaker 1>nobody would be doing it because there's no obstacle. M

0:32:41.560 --> 0:32:44.840
<v Speaker 1>it's it's too late for me to go to film school. No.

0:32:45.280 --> 0:32:47.680
<v Speaker 1>I was supposed to go to USC and I wanted

0:32:47.680 --> 0:32:49.760
<v Speaker 1>a major in film. I wanted I wanted to be

0:32:49.800 --> 0:32:52.280
<v Speaker 1>a writer and producer like that was my end. Gold

0:32:52.360 --> 0:32:57.480
<v Speaker 1>still is um And I deferred the first year at

0:32:57.600 --> 0:33:02.239
<v Speaker 1>USC two because show kept going and we didn't know.

0:33:02.600 --> 0:33:06.000
<v Speaker 1>And then I went to California University on TV and

0:33:06.040 --> 0:33:08.160
<v Speaker 1>never went to college in real life. And now I

0:33:08.160 --> 0:33:11.200
<v Speaker 1>don't have a film degree, and now I'm at the

0:33:11.200 --> 0:33:13.600
<v Speaker 1>point where I's like, gosh, you know, would I'd be

0:33:13.600 --> 0:33:16.560
<v Speaker 1>taking more seriously if I have that to back it up.

0:33:16.640 --> 0:33:19.200
<v Speaker 1>You know, like when people are like, okay when you

0:33:19.280 --> 0:33:22.360
<v Speaker 1>because I create projects a lot, but you know they

0:33:22.560 --> 0:33:28.760
<v Speaker 1>why am I not considered, you know, a writer as well? Um, well,

0:33:28.800 --> 0:33:31.200
<v Speaker 1>I don't know. I see you more as an executive,

0:33:31.560 --> 0:33:35.600
<v Speaker 1>one who has such full knowledge of everything. And a

0:33:35.680 --> 0:33:38.880
<v Speaker 1>good executive is going to hire qualified people and then

0:33:39.000 --> 0:33:43.720
<v Speaker 1>let them do their job. And if if you've got

0:33:45.240 --> 0:33:49.240
<v Speaker 1>a project in mind, you're the kind of person and

0:33:49.400 --> 0:33:54.040
<v Speaker 1>personality and drive that will actually execute it and make

0:33:54.080 --> 0:33:58.520
<v Speaker 1>it happen. And even if you went to film school today,

0:33:58.560 --> 0:34:01.080
<v Speaker 1>I'm not saying don't at so do if you want

0:34:01.120 --> 0:34:03.480
<v Speaker 1>to all of the new mediums that are out there,

0:34:04.240 --> 0:34:07.120
<v Speaker 1>those are things that you'll be taught. Right when I

0:34:07.160 --> 0:34:10.239
<v Speaker 1>was in film school, it was the time where it

0:34:10.360 --> 0:34:15.120
<v Speaker 1>was still celluloid. It wasn't it was online and offline

0:34:15.239 --> 0:34:19.959
<v Speaker 1>blending in. And that's why my interdisciplinary masters didn't really

0:34:20.000 --> 0:34:24.960
<v Speaker 1>work because now you have everything in the digital medium,

0:34:25.120 --> 0:34:28.960
<v Speaker 1>and you have the quality and ease and convenience of

0:34:29.000 --> 0:34:35.720
<v Speaker 1>doing that that your your education would be shortened by

0:34:35.760 --> 0:34:38.440
<v Speaker 1>a lot. But you've already got the life experience. And

0:34:38.480 --> 0:34:41.080
<v Speaker 1>there's no better training than on the job training, right,

0:34:42.320 --> 0:34:45.279
<v Speaker 1>so you've already got a lifetime of that tory. But

0:34:45.360 --> 0:34:47.960
<v Speaker 1>I do think like a producer, so it would make

0:34:48.000 --> 0:34:53.440
<v Speaker 1>a good reality show though, I'm just say, wait before

0:34:53.440 --> 0:34:57.600
<v Speaker 1>we go, what's your favorite memory of the nine O

0:34:57.719 --> 0:35:00.840
<v Speaker 1>two one O experience that you have. I think my

0:35:00.920 --> 0:35:06.239
<v Speaker 1>favorite memory was just being greeted by everybody walked down

0:35:06.239 --> 0:35:12.800
<v Speaker 1>the hallway in on set on the sound stage, and

0:35:13.200 --> 0:35:15.879
<v Speaker 1>everybody just saying oh, Hi, Hi, I'm so and so

0:35:15.920 --> 0:35:19.359
<v Speaker 1>and extending their arm where you know, you're sort of going,

0:35:19.760 --> 0:35:22.399
<v Speaker 1>I don't know if I should kind of duck and

0:35:22.800 --> 0:35:24.640
<v Speaker 1>not look at them or you know, and they were

0:35:24.640 --> 0:35:27.879
<v Speaker 1>all just like, Hi, who are you? So it was

0:35:28.040 --> 0:35:32.760
<v Speaker 1>it was there inviting way of allowing me and making

0:35:32.760 --> 0:35:36.080
<v Speaker 1>me feel comfortable in and a new ground that I

0:35:36.160 --> 0:35:42.520
<v Speaker 1>was walking on, and and just the camaraderie of the

0:35:42.640 --> 0:35:47.320
<v Speaker 1>talent and dedication that everybody had. You did have the

0:35:47.400 --> 0:35:51.520
<v Speaker 1>luxury though of first appearing in the news room, right,

0:35:51.920 --> 0:35:54.240
<v Speaker 1>so you got to work with the nicest of the nicest,

0:35:57.200 --> 0:36:01.719
<v Speaker 1>so that that was good. Um. But yeah, and that translated,

0:36:01.719 --> 0:36:06.720
<v Speaker 1>It really did because your character Toby and Sean Levy's

0:36:06.800 --> 0:36:10.239
<v Speaker 1>character Howard really automatically felt like they were part of

0:36:10.239 --> 0:36:13.880
<v Speaker 1>the group. I felt like you weren't like, oh, jarred

0:36:13.880 --> 0:36:16.000
<v Speaker 1>by new characters. It was like, oh, yeah, we believe

0:36:16.000 --> 0:36:18.040
<v Speaker 1>they go to school together and they've worked together now

0:36:18.080 --> 0:36:21.000
<v Speaker 1>even though they're you know, juniors and and we were seniors.

0:36:21.000 --> 0:36:29.200
<v Speaker 1>But wait sophomore junior junior as junior junior. Um. Yeah,

0:36:29.320 --> 0:36:33.040
<v Speaker 1>so that is awesome. Wait uh, what do you have

0:36:33.040 --> 0:36:35.120
<v Speaker 1>anything in the in the world in the works that

0:36:35.200 --> 0:36:37.960
<v Speaker 1>was such a I do. I have a feature film

0:36:38.000 --> 0:36:41.279
<v Speaker 1>that we shot during COVID, interestingly enough, called The Man

0:36:41.320 --> 0:36:45.600
<v Speaker 1>Who Thought that He was Salvador Dolly And and that's

0:36:45.920 --> 0:36:50.040
<v Speaker 1>with Philippe Mora, who did Mad Dog Morgan, he did

0:36:50.080 --> 0:36:55.080
<v Speaker 1>Communion Brother, Can You Spare Dime? And it's really about

0:36:56.600 --> 0:37:02.919
<v Speaker 1>the Man who thought that he was Salvador Dolly. Um.

0:37:02.920 --> 0:37:10.200
<v Speaker 1>I played Tessa rush A Rent and she interviews this

0:37:10.280 --> 0:37:15.760
<v Speaker 1>man who thinks that he is Salvador Dali and it

0:37:15.760 --> 0:37:20.760
<v Speaker 1>it and it's a very creative way of investigating whether

0:37:21.040 --> 0:37:26.600
<v Speaker 1>Salvador Dali had a sadistic side to him or or not.

0:37:26.719 --> 0:37:31.680
<v Speaker 1>I mean, artists are artists, and and it it's it's

0:37:31.719 --> 0:37:35.400
<v Speaker 1>still in production now, it's tying up and going to

0:37:35.480 --> 0:37:38.720
<v Speaker 1>go into post very soon. If anyone's in their car

0:37:38.840 --> 0:37:40.560
<v Speaker 1>google or not, you shouldn't do this and drive. But

0:37:40.640 --> 0:37:44.640
<v Speaker 1>if anyone's googling Salvador Dolly, I am also, Oh I

0:37:44.680 --> 0:37:48.080
<v Speaker 1>knew I knew he was on important? Is this based

0:37:48.120 --> 0:37:50.480
<v Speaker 1>on a real man that actually thought he was Salvador

0:37:50.560 --> 0:37:55.480
<v Speaker 1>Dolly or now? No? Completely fictional? Okay, yeah, yeah, So

0:37:55.760 --> 0:37:59.440
<v Speaker 1>I'm working on that and that's great. I want to

0:37:59.440 --> 0:38:03.080
<v Speaker 1>see that. Yeah, that's hastening. And then the other thing

0:38:03.120 --> 0:38:07.680
<v Speaker 1>that I'm working on is a documentary that I'm uh

0:38:08.040 --> 0:38:12.680
<v Speaker 1>doing on Charlie Pete. And Charlie Pete happens to be

0:38:13.320 --> 0:38:19.160
<v Speaker 1>my uncle. Um, and he's got he's just he comes

0:38:19.160 --> 0:38:25.359
<v Speaker 1>from a family line of railroad executives, if you will,

0:38:26.280 --> 0:38:30.880
<v Speaker 1>and he's had life adventures that many authors have approached

0:38:30.960 --> 0:38:35.640
<v Speaker 1>him and um, lots of people have said, I really

0:38:35.680 --> 0:38:38.520
<v Speaker 1>want to tell your story. I mean everything from running

0:38:38.520 --> 0:38:42.160
<v Speaker 1>the trans Amazon nine thousand mile race on a on

0:38:42.239 --> 0:38:47.320
<v Speaker 1>a Harley and becoming number two in Harley's Toughest Riders.

0:38:48.320 --> 0:38:53.680
<v Speaker 1>Um to building airplanes, a car collection, crashing two planes,

0:38:53.920 --> 0:38:59.560
<v Speaker 1>training bear at fostering a black bear, and I mean,

0:38:59.680 --> 0:39:03.040
<v Speaker 1>this always go on and on and on. So I

0:39:03.080 --> 0:39:08.680
<v Speaker 1>approached him and said, Charlie, we're telling your story and

0:39:08.760 --> 0:39:11.360
<v Speaker 1>I'm going to do it. And he looked at me

0:39:11.400 --> 0:39:16.480
<v Speaker 1>and he went, Okay, let's do it. So we're just

0:39:16.800 --> 0:39:20.520
<v Speaker 1>in production on that. I stand by my comparison of

0:39:20.600 --> 0:39:24.560
<v Speaker 1>TC to Andrea Zuckerman. I stand by that very smart,

0:39:25.040 --> 0:39:27.520
<v Speaker 1>very How easy or hard was it to get that

0:39:27.560 --> 0:39:30.120
<v Speaker 1>project made? Once you decide you wanted to do it?

0:39:30.200 --> 0:39:31.880
<v Speaker 1>He was like, I want you to tell my story.

0:39:34.960 --> 0:39:38.480
<v Speaker 1>The prep work for it goes hours and hours and hours.

0:39:38.560 --> 0:39:40.600
<v Speaker 1>It's a lot of writing and a lot of just

0:39:41.040 --> 0:39:44.520
<v Speaker 1>structuring on what it's gonna look like. The hard parts

0:39:44.560 --> 0:39:47.520
<v Speaker 1>that I get stuck on is the formatting, because you've

0:39:47.560 --> 0:39:52.000
<v Speaker 1>got to create a a seamless um lead motif if

0:39:52.040 --> 0:39:54.080
<v Speaker 1>you will, of what that is going to look like.

0:39:54.200 --> 0:39:56.799
<v Speaker 1>And that's where I am right now. I've got the

0:39:56.840 --> 0:40:00.680
<v Speaker 1>stories all laid out. I'm going back to Wyoming to

0:40:00.880 --> 0:40:05.080
<v Speaker 1>do more filming, and um, we've got a lot of footage,

0:40:05.600 --> 0:40:10.000
<v Speaker 1>but it's putting it together and having that look seamless

0:40:10.120 --> 0:40:14.719
<v Speaker 1>and um and what that looks like overall. I mean,

0:40:14.760 --> 0:40:19.920
<v Speaker 1>these stories go for We've we've got endless hours of

0:40:20.239 --> 0:40:24.640
<v Speaker 1>his stories of his life. He's ninety years old now, yes,

0:40:24.760 --> 0:40:29.160
<v Speaker 1>so it's it's getting time to we've got to do

0:40:29.200 --> 0:40:31.480
<v Speaker 1>this and we've got to do this now. So it's timely.

0:40:32.480 --> 0:40:35.840
<v Speaker 1>And one thing he said was it's called thank God.

0:40:36.160 --> 0:40:39.640
<v Speaker 1>And a lot of his adventures and situations that he

0:40:39.760 --> 0:40:45.240
<v Speaker 1>was in he survived and was here today because of

0:40:45.480 --> 0:40:49.160
<v Speaker 1>his belief in God and how he he has used

0:40:49.200 --> 0:40:53.400
<v Speaker 1>that as his solution to many situations that he's been in.

0:40:54.200 --> 0:40:57.560
<v Speaker 1>And I don't know how you can crash your own

0:40:57.640 --> 0:41:01.239
<v Speaker 1>plane twice and walk out, but and the planes that

0:41:01.320 --> 0:41:07.440
<v Speaker 1>he built, So that's you know, it's a story that

0:41:07.480 --> 0:41:10.360
<v Speaker 1>has to be told and it's right now. And putting

0:41:10.360 --> 0:41:14.200
<v Speaker 1>it all together and making it look very and feel

0:41:14.640 --> 0:41:20.759
<v Speaker 1>very seamless, that's the tough part about it. Wow, I

0:41:20.920 --> 0:41:24.239
<v Speaker 1>thought I just loved you because you were pregnant with

0:41:24.280 --> 0:41:29.040
<v Speaker 1>Bobby Warner's baby. That's all my children reference for anyone

0:41:29.040 --> 0:41:32.279
<v Speaker 1>that hasn't singer and all my children. Um, but it

0:41:32.360 --> 0:41:36.040
<v Speaker 1>goes so far beyond that. TC Warner, you are amazing

0:41:36.080 --> 0:41:39.600
<v Speaker 1>and fascinating. I could literally listen to you speak all day.

0:41:39.719 --> 0:41:43.680
<v Speaker 1>Thank you so much for reconnecting me with you. Everybody

0:41:43.680 --> 0:41:49.040
<v Speaker 1>get ready because this was our preview too. Donna Martin graduates. Uh,

0:41:49.840 --> 0:41:52.040
<v Speaker 1>it's something in the air. I think the episode sounds

0:41:52.080 --> 0:41:55.719
<v Speaker 1>something in the air. Can't wait to watch it. Thank you,

0:41:55.800 --> 0:41:59.919
<v Speaker 1>TC so much, Thank you to thank I mean thank

0:42:00.040 --> 0:42:07.360
<v Speaker 1>everybody else for listening in bye. I love that Luke story.

0:42:08.000 --> 0:42:10.960
<v Speaker 1>That was amazing. He picked her up for he was

0:42:11.000 --> 0:42:12.960
<v Speaker 1>in the height. That was the height of Luke Perry

0:42:13.080 --> 0:42:16.960
<v Speaker 1>was everything. He picked her up for work every day,

0:42:17.040 --> 0:42:18.880
<v Speaker 1>every day. The person he just met because they went

0:42:18.960 --> 0:42:22.640
<v Speaker 1>on the show, but that was him. That was that

0:42:22.800 --> 0:42:28.840
<v Speaker 1>story right there, described him perfectly. That is unbelievable. I

0:42:28.880 --> 0:42:31.319
<v Speaker 1>need to be that nice. I'm not sure I would do.

0:42:35.640 --> 0:42:40.080
<v Speaker 1>Let's get a lot of traffic, maybe not as much

0:42:40.120 --> 0:42:43.560
<v Speaker 1>back then, a little bit less. Love you, talk to

0:42:43.640 --> 0:42:44.000
<v Speaker 1>you later.