1 00:00:08,240 --> 00:00:17,400 Speaker 1: It's he and alone. Hello, welcome to the Naughty Vanniciam 2 00:00:17,440 --> 00:00:20,479 Speaker 1: your host, rough Shooter, and it's Thursday, which means our 3 00:00:20,480 --> 00:00:24,440 Speaker 1: dear friend Mark Loopo joins us. Hey, Loopy, are you there? 4 00:00:25,160 --> 00:00:29,240 Speaker 1: Loopy Louis? Hello, Hey, Loopy, I can see you because 5 00:00:29,280 --> 00:00:32,120 Speaker 1: I cut my eyes done. You look so much different 6 00:00:32,159 --> 00:00:35,600 Speaker 1: now I look exactly to say, but I look exactly 7 00:00:35,600 --> 00:00:38,120 Speaker 1: to say, but you look marvelous because now I can 8 00:00:38,159 --> 00:00:41,600 Speaker 1: see I hadn't done on Tuesday. Mark, It is now Thursday, 9 00:00:42,120 --> 00:00:44,479 Speaker 1: and it feels great. I can see in two days. 10 00:00:44,479 --> 00:00:45,320 Speaker 1: It's a miracle. 11 00:00:45,479 --> 00:00:46,280 Speaker 2: You're a new person. 12 00:00:46,800 --> 00:00:50,240 Speaker 1: I'm a new person. Although now I'm such a nosy person. 13 00:00:50,280 --> 00:00:52,519 Speaker 1: I'm curious on how much I've been missing out on. 14 00:00:52,840 --> 00:00:55,040 Speaker 1: I mean, Mark, I haven't been able to see in 15 00:00:55,080 --> 00:00:58,560 Speaker 1: five years. Now, with this big nose and these big eyes, 16 00:00:59,120 --> 00:01:02,320 Speaker 1: I feel I come the wolf, the little Red riding home. 17 00:01:02,520 --> 00:01:05,000 Speaker 1: I could see you, I could smell you. Watch out 18 00:01:05,040 --> 00:01:07,800 Speaker 1: New York. Okay, let's jump into the show. What time 19 00:01:07,880 --> 00:01:10,640 Speaker 1: is it, my friends? It is tea time big story 20 00:01:10,680 --> 00:01:11,920 Speaker 1: at the top of the show. So this story is 21 00:01:11,920 --> 00:01:15,080 Speaker 1: blowing up. We've talked about Blake Lively having drama on 22 00:01:15,120 --> 00:01:18,600 Speaker 1: the set of It Ends with Us with handsome Justin 23 00:01:18,680 --> 00:01:22,240 Speaker 1: belldone well so far, it seems to be a lot 24 00:01:22,440 --> 00:01:27,000 Speaker 1: of digs towards him, but he's hired a crisis pr person, 25 00:01:27,360 --> 00:01:30,000 Speaker 1: so now the tide is turning a little bit. Today's 26 00:01:30,040 --> 00:01:35,440 Speaker 1: story is that Blake felt fat shamed during a very 27 00:01:35,520 --> 00:01:39,759 Speaker 1: uncomfortable kissing scene with Justin on the set. Let me explain. 28 00:01:40,240 --> 00:01:43,600 Speaker 1: So Blake had multiple reasons to be uncomfortable on the 29 00:01:43,720 --> 00:01:46,800 Speaker 1: set of It Ends with Us with her co star. However, 30 00:01:46,880 --> 00:01:51,320 Speaker 1: sources with direct knowledge are saying tensions arose from a 31 00:01:51,400 --> 00:01:55,280 Speaker 1: scene where he had to pick her up, so he 32 00:01:55,360 --> 00:01:57,280 Speaker 1: had to lift her in the air. If you've seen 33 00:01:57,320 --> 00:02:00,559 Speaker 1: the movie, oh, it's very dramatic. He lifts her up well. 34 00:02:01,160 --> 00:02:04,640 Speaker 1: Justin suffers with back problems. I didn't know that he 35 00:02:04,680 --> 00:02:07,320 Speaker 1: has a long history with back problems. When you look 36 00:02:07,360 --> 00:02:09,880 Speaker 1: at him, he's so gorgeous in his six pack abs, 37 00:02:10,080 --> 00:02:12,440 Speaker 1: it's hard to think of him as having any problems, 38 00:02:12,440 --> 00:02:15,400 Speaker 1: but he does. He has back problems. So before the scene, 39 00:02:16,320 --> 00:02:21,400 Speaker 1: he allegedly consulted an onset trainer about how to lift 40 00:02:21,880 --> 00:02:25,440 Speaker 1: Blake in such a way that he wouldn't hurt himself. 41 00:02:25,440 --> 00:02:28,360 Speaker 1: He wanted to avoid injury. If ever, you go and 42 00:02:28,400 --> 00:02:31,280 Speaker 1: work out with a professional trainer and a gym, not 43 00:02:31,440 --> 00:02:33,880 Speaker 1: only do they motivate you, but they also teach you 44 00:02:33,919 --> 00:02:36,280 Speaker 1: how to do the exercises in a safe way, so 45 00:02:36,320 --> 00:02:39,400 Speaker 1: you don't pull a muscle, bend your knees, bend your legs, 46 00:02:39,440 --> 00:02:41,280 Speaker 1: all that stuff that they teach you. So he was like, 47 00:02:41,560 --> 00:02:44,480 Speaker 1: how can I lift her onto this counter and not 48 00:02:44,600 --> 00:02:47,519 Speaker 1: hurt my back? Well, that story got back to Blake 49 00:02:47,919 --> 00:02:51,560 Speaker 1: and she took it the wrong way. She thought she 50 00:02:51,720 --> 00:02:54,640 Speaker 1: was being fat shamed, and she was particularly sensitive. I 51 00:02:54,720 --> 00:02:57,560 Speaker 1: understand this because she'd just give them birth to their 52 00:02:57,560 --> 00:03:01,919 Speaker 1: fourth child, her fourth child with Ryan Reynolds in February. 53 00:03:02,280 --> 00:03:06,000 Speaker 1: What do you think, Mark, Is this just a environment 54 00:03:06,560 --> 00:03:09,080 Speaker 1: problem that was going to be solved by the help 55 00:03:09,120 --> 00:03:11,920 Speaker 1: of a professional, by a trainer, by a consultant on 56 00:03:12,000 --> 00:03:14,680 Speaker 1: the set, or is this fat shaming? You know? 57 00:03:14,720 --> 00:03:16,680 Speaker 2: I think it to keep in mind the context of 58 00:03:17,080 --> 00:03:20,680 Speaker 2: where we are in society and how sensitive everything is. 59 00:03:20,760 --> 00:03:23,520 Speaker 2: And so when making a movie and there's you know, 60 00:03:23,560 --> 00:03:26,120 Speaker 2: there's a scene where you're intimately and Boblessman, whether it's 61 00:03:26,160 --> 00:03:29,480 Speaker 2: you're kissing or you're touching, there's an intimacy coordinator who 62 00:03:29,639 --> 00:03:31,760 Speaker 2: is also on the set to make sure that everyone 63 00:03:31,800 --> 00:03:34,080 Speaker 2: is comfortable with what's happening. And so I think in 64 00:03:34,120 --> 00:03:37,040 Speaker 2: this instance, I think he's just trying to do his job. 65 00:03:37,120 --> 00:03:39,120 Speaker 2: He's making sure that he one can pick her up, 66 00:03:39,160 --> 00:03:41,800 Speaker 2: but also that he doesn't drop her or hurt her. 67 00:03:42,440 --> 00:03:44,360 Speaker 2: It's not I don't think it's about fat shaming. 68 00:03:45,240 --> 00:03:47,640 Speaker 1: It's easy to get insulted, though. I have an example 69 00:03:47,680 --> 00:03:49,720 Speaker 1: of this where Elvis around my friend Elvis on Z 70 00:03:49,840 --> 00:03:53,680 Speaker 1: one hundred. They have a float every gay pride and 71 00:03:53,720 --> 00:03:56,320 Speaker 1: Elvis is meant to ride this float, but he couldn't 72 00:03:56,440 --> 00:03:58,400 Speaker 1: because he had some other commitments. So we asked if 73 00:03:58,440 --> 00:04:00,080 Speaker 1: I would fill in with him, and I'm sure the 74 00:04:00,080 --> 00:04:03,040 Speaker 1: crowd it was very disappointed they got Rob Shooter instead 75 00:04:03,040 --> 00:04:07,119 Speaker 1: of mister rabb. However, it was a float that had 76 00:04:07,160 --> 00:04:10,000 Speaker 1: a rocket on it, and out of the end of 77 00:04:10,040 --> 00:04:13,119 Speaker 1: the rocket it shop glitter. It was a very elaborate, 78 00:04:13,160 --> 00:04:16,200 Speaker 1: fabulous thing. And I got a call from the people 79 00:04:16,960 --> 00:04:20,400 Speaker 1: behind the float who asked me how much do I 80 00:04:20,560 --> 00:04:23,680 Speaker 1: weigh because they want me to sit in the rocket. 81 00:04:23,960 --> 00:04:26,320 Speaker 1: But if I weigh more than one hundred and like 82 00:04:26,480 --> 00:04:30,800 Speaker 1: fifty pounds, it was nothing mark I'd be too heavy right, Well, 83 00:04:30,839 --> 00:04:33,080 Speaker 1: of course I weigh more than one hundred and fifty pounds, 84 00:04:33,120 --> 00:04:36,159 Speaker 1: And at for a second I could have taken it 85 00:04:36,200 --> 00:04:39,320 Speaker 1: the wrong way. For a second I felt like, oh, Rob, 86 00:04:39,400 --> 00:04:41,520 Speaker 1: you're such a fatty. You're too fat to fit into 87 00:04:41,560 --> 00:04:43,960 Speaker 1: the rocket. And then I was like, Oh, don't be ridiculous. 88 00:04:44,000 --> 00:04:46,000 Speaker 1: It's a fun thing to do. Put that to one side. 89 00:04:46,040 --> 00:04:47,839 Speaker 1: It's going to be a great day. But I could 90 00:04:47,880 --> 00:04:48,679 Speaker 1: have gone their mark. 91 00:04:49,240 --> 00:04:51,320 Speaker 2: I mean, you certainly could have. And I'm speaking more 92 00:04:51,400 --> 00:04:53,599 Speaker 2: to I as being a producer of TV shows for 93 00:04:53,640 --> 00:04:55,840 Speaker 2: many years. There are so many different things you have 94 00:04:55,839 --> 00:04:58,120 Speaker 2: to think about when you have someone on camera, and 95 00:04:58,160 --> 00:05:00,719 Speaker 2: including like are they too big or too small to 96 00:05:00,720 --> 00:05:02,680 Speaker 2: fit into a certain chair or couch? And you have 97 00:05:02,720 --> 00:05:04,720 Speaker 2: to be really, really thoughtful because you don't want to 98 00:05:04,760 --> 00:05:06,680 Speaker 2: embarrass someone either, and you wouldn't want to do that 99 00:05:06,720 --> 00:05:08,640 Speaker 2: in front of their face. And so it sounds like 100 00:05:08,680 --> 00:05:11,120 Speaker 2: he did the right thing by going and investigating rather 101 00:05:11,200 --> 00:05:13,640 Speaker 2: than say I don't feel comfortable or this is not 102 00:05:13,640 --> 00:05:15,080 Speaker 2: going to work. He didn't say it for a face 103 00:05:15,440 --> 00:05:18,359 Speaker 2: or embarrassor He just investigated to make sure that everything 104 00:05:18,360 --> 00:05:19,239 Speaker 2: works smoothly. 105 00:05:19,279 --> 00:05:22,280 Speaker 1: It sounds like he went to a professional whose job 106 00:05:22,320 --> 00:05:24,200 Speaker 1: it is to deal with this stuff. If they have 107 00:05:24,279 --> 00:05:27,000 Speaker 1: a consultant on set so that you can make sure 108 00:05:27,040 --> 00:05:28,920 Speaker 1: you can lift things and put things down. They did 109 00:05:28,920 --> 00:05:31,120 Speaker 1: have an intimacy coach on the set too, and they 110 00:05:31,120 --> 00:05:34,039 Speaker 1: both said that was very, very important. They call those 111 00:05:34,080 --> 00:05:37,120 Speaker 1: sexual scenes choreography. So in the same way you learn 112 00:05:37,160 --> 00:05:39,479 Speaker 1: to dance with your feet, you learn a dance with 113 00:05:39,520 --> 00:05:42,240 Speaker 1: your face, your lips, your tongue, your hands, and so 114 00:05:42,320 --> 00:05:44,159 Speaker 1: they learned that. So I think he did the right 115 00:05:44,200 --> 00:05:46,480 Speaker 1: thing here. I think if you have concerns, you go 116 00:05:46,560 --> 00:05:48,720 Speaker 1: to an expert, and you go to the expert whose 117 00:05:48,800 --> 00:05:51,280 Speaker 1: job it is to teach you. So if he had 118 00:05:51,279 --> 00:05:53,279 Speaker 1: trouble with his lines, he would have gone to the 119 00:05:53,320 --> 00:05:56,280 Speaker 1: dialect coach. If he had trouble with the lighting, he 120 00:05:56,320 --> 00:05:58,599 Speaker 1: would have gone to the lighting designer. If he had 121 00:05:58,600 --> 00:06:02,040 Speaker 1: trouble lifting somebody up, he went to the stunt chord 122 00:06:02,120 --> 00:06:04,880 Speaker 1: and NATA. But it did get back to her. I 123 00:06:04,960 --> 00:06:07,080 Speaker 1: do I can see this from both sides, Mark, I 124 00:06:07,160 --> 00:06:09,680 Speaker 1: really really can, because people are very sensitive. A couple 125 00:06:09,720 --> 00:06:11,680 Speaker 1: of weeks ago, I shot a new pilot, a new 126 00:06:11,680 --> 00:06:15,560 Speaker 1: TV pilot with Miss d Miss t is tying and 127 00:06:15,640 --> 00:06:18,640 Speaker 1: she's adorable and that doesn't take anything away. In fact, 128 00:06:18,640 --> 00:06:22,120 Speaker 1: it's her superpower. But whenever miss t sits on a set, 129 00:06:22,480 --> 00:06:26,320 Speaker 1: she always looks really short. So they put two little 130 00:06:26,400 --> 00:06:30,359 Speaker 1: booster seats pillows on her chair, so were all not 131 00:06:30,480 --> 00:06:33,400 Speaker 1: the same height, but it's not huge difference, and I'm 132 00:06:33,480 --> 00:06:36,480 Speaker 1: quite tall, and so they the camera just couldn't get 133 00:06:36,520 --> 00:06:40,040 Speaker 1: Misty and me in the same shot unless I shrunk 134 00:06:40,440 --> 00:06:43,640 Speaker 1: or she got a booster seat. Now, she laughed about 135 00:06:43,640 --> 00:06:45,440 Speaker 1: it and had a fine time, but when we did 136 00:06:45,480 --> 00:06:48,760 Speaker 1: a TV show over a decade ago, it wasn't handled 137 00:06:48,800 --> 00:06:51,279 Speaker 1: as well. The end result was the same. She sat 138 00:06:51,320 --> 00:06:54,400 Speaker 1: on a pillow, but nobody explained it to her. Nobody 139 00:06:54,400 --> 00:06:56,520 Speaker 1: came over and told her what was going on, and 140 00:06:56,560 --> 00:06:59,159 Speaker 1: she took a little bit of a fence by it. 141 00:06:59,240 --> 00:07:02,440 Speaker 1: So it's all the way how this stuff is told 142 00:07:02,600 --> 00:07:05,160 Speaker 1: is explained, which is true in life. I can say 143 00:07:05,240 --> 00:07:07,320 Speaker 1: cheeky things and get away with them with this accent, 144 00:07:07,560 --> 00:07:10,880 Speaker 1: where maybe Mark you couldn't. And so it's very interesting. 145 00:07:10,880 --> 00:07:12,520 Speaker 1: You have to know where you're coming from. And let's 146 00:07:12,560 --> 00:07:15,680 Speaker 1: be honest here this set was dark. They were not 147 00:07:15,720 --> 00:07:19,120 Speaker 1: coming from love. If Mark I had said this to you, like, oh, Mark, 148 00:07:19,160 --> 00:07:20,720 Speaker 1: I'm going to have to talk to the coach before 149 00:07:20,760 --> 00:07:22,760 Speaker 1: I lift you up and booking on the character, you'd 150 00:07:22,840 --> 00:07:25,440 Speaker 1: laugh and you'd be like Rob Shooter. But like if 151 00:07:25,480 --> 00:07:28,080 Speaker 1: we didn't like each other, then you would be ready, 152 00:07:28,360 --> 00:07:30,960 Speaker 1: ready to get me. And I think that's what happened here. 153 00:07:31,160 --> 00:07:33,600 Speaker 1: They just didn't like each other. This set was a 154 00:07:33,640 --> 00:07:36,520 Speaker 1: disaster from work go from the beginning, and there was 155 00:07:36,640 --> 00:07:39,640 Speaker 1: nothing he could do, nothing she could do that wasn't 156 00:07:39,680 --> 00:07:41,920 Speaker 1: going to be scrutinized. And on top of that, she's 157 00:07:41,960 --> 00:07:45,080 Speaker 1: married to Ryan Reynolds, and he came in and directed 158 00:07:45,120 --> 00:07:47,880 Speaker 1: some of the scenes, which just in that was his job. 159 00:07:48,160 --> 00:07:51,000 Speaker 1: I think Ryan allegedly to rewrote some of the script. 160 00:07:51,360 --> 00:07:53,600 Speaker 1: That's not his job. It sounds to me here as 161 00:07:53,640 --> 00:07:56,840 Speaker 1: if Blake and Ryan are powerhouses. They like getting their 162 00:07:56,840 --> 00:07:59,400 Speaker 1: own way, they like being told yes. And they rolled 163 00:07:59,480 --> 00:08:02,160 Speaker 1: up to this reduction like they were Brad and Angelina 164 00:08:02,200 --> 00:08:05,400 Speaker 1: Jolo like they turned up like they were superstars, and 165 00:08:05,440 --> 00:08:09,360 Speaker 1: everybody else was like, Hm, what I want to know 166 00:08:09,440 --> 00:08:12,720 Speaker 1: is what you think naughty? Is our pole? Question of 167 00:08:12,760 --> 00:08:15,960 Speaker 1: the day is Blake Lively felt fat shamed on the 168 00:08:16,000 --> 00:08:19,800 Speaker 1: set of It Ends with Us? What do you think here? 169 00:08:20,360 --> 00:08:26,000 Speaker 1: Was she fat shamed or was justin just doing his job. Okay, 170 00:08:26,040 --> 00:08:28,240 Speaker 1: go vote on our Twitter page at Naughty nys rob 171 00:08:28,440 --> 00:08:31,840 Speaker 1: and a Facebook page which is Naughty Gossip, and be 172 00:08:32,080 --> 00:08:36,320 Speaker 1: sure to check back tomorrow to hear your results. Before 173 00:08:36,320 --> 00:08:38,000 Speaker 1: we move on, Mark, did you see the movie? Did 174 00:08:38,040 --> 00:08:39,280 Speaker 1: you see? It? Ends with us? 175 00:08:39,760 --> 00:08:42,000 Speaker 2: I haven't seen it. I've read the reviews and it 176 00:08:42,000 --> 00:08:44,960 Speaker 2: seems like this dramas really eclipsed the entire project. 177 00:08:45,200 --> 00:08:47,720 Speaker 1: So yeah, it's unfortunate because now all we're talking about 178 00:08:47,760 --> 00:08:49,640 Speaker 1: is the drama. But I saw it before I knew 179 00:08:49,640 --> 00:08:51,280 Speaker 1: about the drama, and now I want to see it 180 00:08:51,320 --> 00:08:54,280 Speaker 1: again to see if I could tell there was drama. 181 00:08:54,640 --> 00:08:56,640 Speaker 1: But it sort of worked for the characters because it's 182 00:08:56,679 --> 00:08:58,640 Speaker 1: a very dark movie, so the two of them sort 183 00:08:58,679 --> 00:09:01,360 Speaker 1: of butting heads works I think for the movement. It's 184 00:09:01,400 --> 00:09:05,440 Speaker 1: a great movie. Okay, Moving along. Simone Biles, her birth mother, 185 00:09:06,280 --> 00:09:10,520 Speaker 1: is pleading for forgiveness, saying don't judge me on my past. 186 00:09:10,960 --> 00:09:13,719 Speaker 2: Shannon Biles is publicly reaching out to her Olympic and 187 00:09:13,760 --> 00:09:17,640 Speaker 2: gymnast daughter, expressing a deep desire for reconciliation and forgiveness. 188 00:09:18,200 --> 00:09:20,679 Speaker 2: Shannon opened up about the struggles with drug and alcohol 189 00:09:20,720 --> 00:09:23,600 Speaker 2: addiction that led her to losing custody of her children, 190 00:09:23,640 --> 00:09:26,600 Speaker 2: including some moon She can only discussed how her battle 191 00:09:26,640 --> 00:09:29,040 Speaker 2: with addiction not only cost her the chance to raise 192 00:09:29,080 --> 00:09:32,280 Speaker 2: Simon and her sister Adria, but also strain their relationship 193 00:09:32,360 --> 00:09:35,560 Speaker 2: for years. Shannon, who still resides in Columbus, Ohio, where 194 00:09:35,600 --> 00:09:38,920 Speaker 2: Simone and Idria are born, recounted the heart bringing experience 195 00:09:38,920 --> 00:09:41,840 Speaker 2: of losing her daughters to foster care and then to 196 00:09:42,240 --> 00:09:46,320 Speaker 2: adoption by their father, Ronald Biles and his wife, Nellie Biles. 197 00:09:46,760 --> 00:09:48,800 Speaker 2: Shannon said, it took me sixty years before I saw 198 00:09:48,800 --> 00:09:51,920 Speaker 2: my children again. I respected my dad's decision to let 199 00:09:51,920 --> 00:09:54,600 Speaker 2: the kids transition because he felt it was the best 200 00:09:54,600 --> 00:09:55,400 Speaker 2: thing for them. 201 00:09:56,000 --> 00:09:58,559 Speaker 1: Ah. I didn't realize she lived with the grandparents. I 202 00:09:58,600 --> 00:10:02,040 Speaker 1: knew she was adopted. I did not realize that Ronald 203 00:10:02,600 --> 00:10:05,520 Speaker 1: and Nellie, who were delicious at the Olympics. I enjoyed 204 00:10:05,520 --> 00:10:07,920 Speaker 1: watching those two as much as I enjoyed watching Simone. 205 00:10:08,080 --> 00:10:12,040 Speaker 1: I didn't realize it was their daughter, Sharon who gave 206 00:10:12,160 --> 00:10:15,160 Speaker 1: birth to Simone. I thought they had adopted her sort of, 207 00:10:15,160 --> 00:10:18,079 Speaker 1: maybe anonymously from an orphanage. I didn't realize that's how 208 00:10:18,120 --> 00:10:21,400 Speaker 1: it was passed down. This makes it very very complicated, 209 00:10:21,480 --> 00:10:26,280 Speaker 1: doesn't it. Because Ronald and Nellie they have feelings to 210 00:10:26,360 --> 00:10:29,719 Speaker 1: the woods that their biological daughter Shannon, and to their 211 00:10:29,720 --> 00:10:34,360 Speaker 1: biological granddaughter Simone, and so this family has to figure 212 00:10:34,400 --> 00:10:36,640 Speaker 1: all this out. I think what's going to make people 213 00:10:36,679 --> 00:10:41,520 Speaker 1: scared here is that often when you're successful, people can 214 00:10:41,559 --> 00:10:44,720 Speaker 1: come out of the woodwork. My sister Christine has a 215 00:10:44,800 --> 00:10:47,640 Speaker 1: beautiful daughter, and her dad left when she was a 216 00:10:47,679 --> 00:10:50,920 Speaker 1: little girl, so Paris doesn't really know her father at all. 217 00:10:51,280 --> 00:10:53,920 Speaker 1: When Paris started to become successful, she's in the West 218 00:10:54,040 --> 00:10:56,880 Speaker 1: End in London, she's coming to Broadway. She's terribly successful. 219 00:10:57,280 --> 00:10:59,680 Speaker 1: Her dad wanted in her life, and there was a 220 00:10:59,720 --> 00:11:02,840 Speaker 1: con about do you want to be in my life 221 00:11:02,880 --> 00:11:05,480 Speaker 1: now because I'm doing really well, or do you really 222 00:11:05,520 --> 00:11:07,640 Speaker 1: want to be back in my life. I'd like to 223 00:11:07,679 --> 00:11:11,040 Speaker 1: believe that there's always a place for forgiveness. I really 224 00:11:11,080 --> 00:11:13,720 Speaker 1: come from that in my heart, and so I hope 225 00:11:13,760 --> 00:11:15,920 Speaker 1: they all work this out, but I hope it's all 226 00:11:15,960 --> 00:11:16,920 Speaker 1: for the right reasons. 227 00:11:17,679 --> 00:11:20,000 Speaker 2: My problem with this is not that Simone's mom wants 228 00:11:20,040 --> 00:11:21,560 Speaker 2: to be back in touch. It's the way that she's 229 00:11:21,600 --> 00:11:24,040 Speaker 2: going about it, and so she instead of you know, 230 00:11:24,120 --> 00:11:27,040 Speaker 2: emailing or going through a family friend or a family member. 231 00:11:27,160 --> 00:11:29,240 Speaker 2: She's speaking to the Daily Mail, which I love the 232 00:11:29,320 --> 00:11:31,960 Speaker 2: Daily Mail, but it's just not the way to do it. 233 00:11:32,000 --> 00:11:33,960 Speaker 2: And that's kind of thought of it. And the timing too. 234 00:11:34,120 --> 00:11:36,760 Speaker 1: This is this feels very markable, doesn't It feels very 235 00:11:36,760 --> 00:11:40,880 Speaker 1: Thomas Markle. It feels very You're right. Your mom and 236 00:11:41,040 --> 00:11:45,280 Speaker 1: dad are now Simone's parents. You can call them. You 237 00:11:45,320 --> 00:11:47,920 Speaker 1: can call Simone. You've got their numbers, You've probably got 238 00:11:47,960 --> 00:11:50,920 Speaker 1: their emails. Why are you sitting down with the Daily Mail? 239 00:11:51,080 --> 00:11:53,320 Speaker 1: That's a red flag? Okay, moving along. This is a 240 00:11:53,320 --> 00:11:57,880 Speaker 1: sad story. Colin Goslin remember him, Kate Goslin's son. He's 241 00:11:57,920 --> 00:11:59,719 Speaker 1: now twenty years old, and he revealed that he was 242 00:11:59,800 --> 00:12:02,400 Speaker 1: kid out of the Army. He was discharged from the 243 00:12:02,480 --> 00:12:06,520 Speaker 1: US Marine Corps because of something in his past. He 244 00:12:06,600 --> 00:12:10,320 Speaker 1: alleges that when his mom put him into an institution, 245 00:12:10,600 --> 00:12:13,480 Speaker 1: she decided at an age that she just couldn't cope 246 00:12:13,480 --> 00:12:15,319 Speaker 1: with him. She didn't want him in the family. Her 247 00:12:15,480 --> 00:12:18,640 Speaker 1: reason would be he was destructive. He doesn't agree with that, 248 00:12:19,000 --> 00:12:24,199 Speaker 1: but he was institutionalized having a history of mental health problems. 249 00:12:24,559 --> 00:12:27,520 Speaker 1: When this came to life, he was discharged and he said, 250 00:12:27,559 --> 00:12:31,000 Speaker 1: that's it being in an institution. That's good enough for 251 00:12:31,080 --> 00:12:33,679 Speaker 1: them to discharge me. He now lives with his dad, 252 00:12:34,040 --> 00:12:36,720 Speaker 1: John and his sister Hannah. But it just makes me 253 00:12:36,920 --> 00:12:41,920 Speaker 1: sad that something a parent did years ago is affecting 254 00:12:42,000 --> 00:12:45,280 Speaker 1: his career, his job, what he's doing now. 255 00:12:46,040 --> 00:12:50,319 Speaker 2: It's a very complicated story. And you know, further complicated 256 00:12:50,480 --> 00:12:52,840 Speaker 2: is that he says his mother visited him one time 257 00:12:52,880 --> 00:12:55,640 Speaker 2: and he was devoutionalized. So I think, you know, he's 258 00:12:55,679 --> 00:12:57,520 Speaker 2: out of touch with his mom, He's not in touch 259 00:12:57,559 --> 00:13:00,640 Speaker 2: with his siblings. He's been through a lotly grew up 260 00:13:00,679 --> 00:13:03,360 Speaker 2: in the tabloids, and now he's lost his job. I think, 261 00:13:03,559 --> 00:13:06,200 Speaker 2: you know, any person would be probably feeling really defeated 262 00:13:06,200 --> 00:13:07,640 Speaker 2: and maybe confused. 263 00:13:07,160 --> 00:13:10,839 Speaker 1: And last wish and Colin the best here. It must 264 00:13:10,920 --> 00:13:13,320 Speaker 1: be so hard to be part of that family. I 265 00:13:13,400 --> 00:13:19,160 Speaker 1: met her several times, smart, one of the meanest celeb 266 00:13:20,600 --> 00:13:26,640 Speaker 1: like Bethany Frank, called me just obnoxious, snarling, like when 267 00:13:26,640 --> 00:13:28,520 Speaker 1: you walked over to her. I bumped into her in 268 00:13:28,559 --> 00:13:31,120 Speaker 1: a green room, and I'm very respectful in green rooms. 269 00:13:31,160 --> 00:13:33,920 Speaker 1: I never report on any gossip I see backstage, or 270 00:13:33,960 --> 00:13:36,560 Speaker 1: I'd never be invited back, so I'm not stupid, but 271 00:13:36,640 --> 00:13:38,319 Speaker 1: I saw Kate and I went over to get a 272 00:13:38,360 --> 00:13:40,440 Speaker 1: cup of coffee and she was standing there getting coffee 273 00:13:40,559 --> 00:13:43,360 Speaker 1: and I was like, hi, Kate, and she snarled at me. 274 00:13:45,320 --> 00:13:48,160 Speaker 1: And then I saw her be mean to a producer, snippy, 275 00:13:48,520 --> 00:13:52,160 Speaker 1: and then she wanted a private dressing rooms. Nasty, just 276 00:13:52,600 --> 00:13:57,000 Speaker 1: not very nice. And then the publicist for TLC called 277 00:13:57,040 --> 00:13:59,400 Speaker 1: me saying, I heard you had a run in with 278 00:13:59,480 --> 00:14:02,040 Speaker 1: Kate stage at the TV show. That's like a redded 279 00:14:02,440 --> 00:14:04,360 Speaker 1: I asked her to pass me the milk like that, 280 00:14:04,679 --> 00:14:09,600 Speaker 1: Like what, It's just not good and I think that's 281 00:14:09,800 --> 00:14:12,280 Speaker 1: why her career is over. For one minute, she was like, 282 00:14:12,640 --> 00:14:15,199 Speaker 1: I think the most famous reality star in the like 283 00:14:15,280 --> 00:14:18,040 Speaker 1: Kim Kardashi type famous. Do you know she holds the 284 00:14:18,080 --> 00:14:23,600 Speaker 1: record of the most consecutive People Magazine covers. She was 285 00:14:23,640 --> 00:14:26,400 Speaker 1: on People Magazine I think for five weeks, just every 286 00:14:26,680 --> 00:14:29,720 Speaker 1: week for five weeks. She was that big and now 287 00:14:29,760 --> 00:14:31,760 Speaker 1: it's gone. And part of that is she's just not 288 00:14:32,080 --> 00:14:34,280 Speaker 1: very nice. Okay, quickly, before we get a break, Katy 289 00:14:34,280 --> 00:14:39,200 Speaker 1: Perry is under investigation for allegedly damaging some protected sand 290 00:14:39,280 --> 00:14:42,280 Speaker 1: dunes in her new video, What's going on, Katy? 291 00:14:42,280 --> 00:14:45,040 Speaker 2: Perry is going through it. So she's now facing scrutiny 292 00:14:45,040 --> 00:14:48,120 Speaker 2: from Spanish authorities after reportedly filming parts for a new 293 00:14:48,160 --> 00:14:53,640 Speaker 2: music video Lifetimes and environmentally sensitive stand dunes without proper authorization. 294 00:14:54,440 --> 00:14:57,760 Speaker 2: The video, which was primarily shot on the island of Abiza, 295 00:14:57,960 --> 00:15:01,040 Speaker 2: includes scenes believed to have been filmed on the protected dunes. 296 00:15:01,840 --> 00:15:05,200 Speaker 2: The Environmental Department is investigating whether Perry and her production 297 00:15:05,320 --> 00:15:08,880 Speaker 2: team filmed on those dunes with outscreening and securing the 298 00:15:08,920 --> 00:15:12,840 Speaker 2: necessary permits. The dunes, which are cording off by robes, 299 00:15:12,960 --> 00:15:15,760 Speaker 2: are part of a conservation area ornowned for its well 300 00:15:15,760 --> 00:15:18,360 Speaker 2: preserved and ecologically significant tune systems. 301 00:15:18,800 --> 00:15:21,240 Speaker 1: Wow. Her people put out a statement just minutes ago 302 00:15:21,320 --> 00:15:24,000 Speaker 1: saying all the necessarily permits for the video were secured. 303 00:15:24,080 --> 00:15:26,640 Speaker 1: Let's see them. You can't have different rules. I get 304 00:15:26,640 --> 00:15:28,640 Speaker 1: it just because you're famous, and I do sort of 305 00:15:28,680 --> 00:15:30,360 Speaker 1: understand it. If you're on the beach, you'd be like, oh, 306 00:15:30,400 --> 00:15:32,000 Speaker 1: it's going to look pretty over there, let's just go 307 00:15:32,080 --> 00:15:34,160 Speaker 1: shoot over there. But the problem is this, you can't 308 00:15:34,280 --> 00:15:35,960 Speaker 1: if it's if it's a roped off, it's apes off 309 00:15:35,960 --> 00:15:38,760 Speaker 1: for a reason, and it's not different rules because you're 310 00:15:38,760 --> 00:15:42,080 Speaker 1: married to Orlando bloom, he's lovely. It'sn't a cute. I 311 00:15:42,160 --> 00:15:46,480 Speaker 1: might let Orlando off if Orlando did a video in 312 00:15:46,520 --> 00:15:49,800 Speaker 1: the dunes and a bathing costume, I might not complain. 313 00:15:49,880 --> 00:15:52,840 Speaker 1: It's terrible. It's terrible. Okay, we're going to take a 314 00:15:52,920 --> 00:15:57,440 Speaker 1: quick victum. We will be right back. Welcome back to 315 00:15:57,480 --> 00:15:59,640 Speaker 1: the Naughty but Night Show. I'm rob shooting idea. If 316 00:15:59,640 --> 00:16:03,840 Speaker 1: anyone helup, let's get to the polls, DA, DA, DA, 317 00:16:04,280 --> 00:16:06,440 Speaker 1: So last year we talked about how Prince Harry and 318 00:16:06,480 --> 00:16:10,680 Speaker 1: Megan Markle's chief of staff quit after just three months. 319 00:16:10,720 --> 00:16:13,760 Speaker 1: Three months in the job, mark and it's quit. This 320 00:16:13,880 --> 00:16:16,800 Speaker 1: is about the eighteenth person that has left that place. 321 00:16:17,000 --> 00:16:20,680 Speaker 1: Is this a red flag? Op ninety three percent said yes. 322 00:16:21,240 --> 00:16:23,280 Speaker 1: I think of this too. Whenever I go for a 323 00:16:23,360 --> 00:16:27,240 Speaker 1: job interview or think about moving to a different a 324 00:16:27,280 --> 00:16:30,400 Speaker 1: different employer, I always have a little look to see 325 00:16:30,440 --> 00:16:33,200 Speaker 1: how long the staff has been there. And it's a 326 00:16:33,240 --> 00:16:35,480 Speaker 1: really good sign if the staff have been there a 327 00:16:35,840 --> 00:16:40,720 Speaker 1: long time. If everybody on the payroll has only been 328 00:16:40,760 --> 00:16:43,480 Speaker 1: there a couple of months, mark not a good look. 329 00:16:43,720 --> 00:16:45,480 Speaker 2: Not a good look, and you know, good luck to 330 00:16:45,520 --> 00:16:46,680 Speaker 2: them finding someone else to. 331 00:16:47,080 --> 00:16:51,160 Speaker 1: Well, that's it now, everybody knows. Everybody knows. Don't forget 332 00:16:51,200 --> 00:16:54,040 Speaker 1: to vote on today's poem Twitter page and Naughty Nice 333 00:16:54,120 --> 00:16:56,800 Speaker 1: Rama Facebook page is naughty gossip and be sure to 334 00:16:56,840 --> 00:17:00,320 Speaker 1: check back tomorrow to hear your results. And now it's 335 00:17:00,360 --> 00:17:02,880 Speaker 1: time for and nicest of the day. 336 00:17:03,600 --> 00:17:08,520 Speaker 2: Oh. Travis Kelsey has grown out his hair because of 337 00:17:08,560 --> 00:17:13,280 Speaker 2: Taylor Swift, says Patrick Mahomes. He explains that Travis Kelsey 338 00:17:13,400 --> 00:17:15,359 Speaker 2: is sporting a new look, and it turns out Taylor 339 00:17:15,400 --> 00:17:18,080 Speaker 2: Swift may have had a hand in it. According to 340 00:17:18,119 --> 00:17:21,240 Speaker 2: his Kansas City Chiefs teammate Patrick Mahomes, Kelsey has been 341 00:17:21,359 --> 00:17:24,480 Speaker 2: rocking a longer hair style lately because his girlfriend, Taylor 342 00:17:24,520 --> 00:17:28,520 Speaker 2: Swift encouraged to change. Mahomes choked, I've been trying to 343 00:17:28,520 --> 00:17:29,840 Speaker 2: get him to grow out his hair, and all of 344 00:17:29,840 --> 00:17:32,639 Speaker 2: a sudden, Taylor gets him to do it. Rob you've 345 00:17:32,640 --> 00:17:35,560 Speaker 2: seen me. He looks pretty good. It's the longer hair must. 346 00:17:36,600 --> 00:17:38,800 Speaker 1: I like him a little less hairy like I don't 347 00:17:38,880 --> 00:17:41,480 Speaker 1: like that long long beard, a little stubble. I think 348 00:17:41,480 --> 00:17:43,560 Speaker 1: looks good. He's a good looking guy. I think this 349 00:17:43,640 --> 00:17:46,520 Speaker 1: is adorable. These two are the real deal. And Taylor's 350 00:17:46,560 --> 00:17:51,560 Speaker 1: back on stage tonight in London. We'll tell you all 351 00:17:51,600 --> 00:17:53,960 Speaker 1: about Patrick and what celebrities will be there. Do you 352 00:17:53,960 --> 00:17:56,919 Speaker 1: think Charlotte and William will make an appearance? So you've 353 00:17:56,960 --> 00:18:00,000 Speaker 1: seen her once, maybe not twice since I can't wait 354 00:18:00,119 --> 00:18:03,960 Speaker 1: to see all the celebrities there tonight. And now, Anne, 355 00:18:04,040 --> 00:18:06,000 Speaker 1: naughty is the day? Naughty, naughty, naughty. I told you 356 00:18:06,040 --> 00:18:07,400 Speaker 1: it was going to happen at the top of the show. 357 00:18:07,720 --> 00:18:10,560 Speaker 1: Now people are coming forward with horror stories about working 358 00:18:10,560 --> 00:18:13,040 Speaker 1: with Blake lively. So a reporter said it was the 359 00:18:13,080 --> 00:18:16,000 Speaker 1: most uncomfortable interview ever and it made her want to 360 00:18:16,080 --> 00:18:20,800 Speaker 1: quit her job. So a journalist was interviewing Blake and 361 00:18:20,880 --> 00:18:25,679 Speaker 1: she said, congratulations on your little bump. She was pregnant 362 00:18:25,720 --> 00:18:30,680 Speaker 1: at the time, and Blake responded with the kurt congratulations 363 00:18:30,880 --> 00:18:34,760 Speaker 1: on your little bump, mirroring the words back to her. 364 00:18:35,280 --> 00:18:38,639 Speaker 1: Then the interview took a more uncomfortable term when the 365 00:18:38,680 --> 00:18:43,240 Speaker 1: reporter asked Blake about wearing special period costume from the 366 00:18:43,280 --> 00:18:47,080 Speaker 1: nineteen thirties, these elaborate, beautiful costumes, and Blake responded with 367 00:18:47,119 --> 00:18:50,440 Speaker 1: a sharp critique, saying, everybody wants to talk about the clothes, 368 00:18:50,880 --> 00:18:54,080 Speaker 1: but I wonder if you'd asked a man about the clothes. 369 00:18:54,160 --> 00:18:56,719 Speaker 1: She does have a point there, but the reporter went 370 00:18:56,720 --> 00:18:59,439 Speaker 1: on to say she was extremely rude and it was 371 00:18:59,480 --> 00:19:02,960 Speaker 1: so nasty and she wanted to quit her job after 372 00:19:03,080 --> 00:19:06,080 Speaker 1: this blake. I don't think you should have opened up 373 00:19:06,200 --> 00:19:10,359 Speaker 1: this kettle a fish, this Pandora's box, because if you 374 00:19:10,400 --> 00:19:13,760 Speaker 1: start saying your co stars a nightmare, people are going 375 00:19:13,840 --> 00:19:18,600 Speaker 1: to talk about what you're like to work with too. Okay, 376 00:19:18,640 --> 00:19:20,520 Speaker 1: attend with a moment of Rob. You're gonna Rob, You're 377 00:19:20,520 --> 00:19:24,360 Speaker 1: gonn rub you a Rubbi room. Don't invest in someone 378 00:19:24,920 --> 00:19:27,880 Speaker 1: on how much you like them. Don't do that. Invest 379 00:19:27,920 --> 00:19:32,359 Speaker 1: in someone on how much they like you. You can't force 380 00:19:32,440 --> 00:19:35,719 Speaker 1: anybody to like you. Have you wasted your time chasing 381 00:19:35,760 --> 00:19:38,960 Speaker 1: a friendship, a boyfriend, a girlfriend that you really like, 382 00:19:39,040 --> 00:19:43,960 Speaker 1: but they just are not into you investing people who 383 00:19:44,080 --> 00:19:48,480 Speaker 1: invest in you. Hey, that is it for today. Thank 384 00:19:48,560 --> 00:19:51,320 Speaker 1: you so much for listening to the Naughty but Nice 385 00:19:51,359 --> 00:19:55,200 Speaker 1: with Rob and Mark show, a production of iHeartRadio. Don't 386 00:19:55,240 --> 00:19:58,320 Speaker 1: forget to subscribe on the iHeartRadio app Apple podcasts. Where 387 00:19:58,320 --> 00:20:00,960 Speaker 1: have you listen? Leave us a review and they really 388 00:20:01,000 --> 00:20:05,440 Speaker 1: do help And remember all together. Now, if you're going 389 00:20:05,760 --> 00:20:14,280 Speaker 1: to be naughty, you've got to be a ready. It's 390 00:20:14,320 --> 00:20:16,159 Speaker 1: not even nice with bro