WEBVTT - 93: The Very Abyssal Episode

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<v Speaker 1>Welcome to Nightcall, a production of I Heart Radio. It's

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<v Speaker 1>two thirty five am in the abyss and you're listening

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<v Speaker 1>to night Call. Hello, and welcome to Night Call, of

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<v Speaker 1>podcast for your strange days and lonely nights. I am

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<v Speaker 1>Tess Lynch in Los Angeles and with me our Emily

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<v Speaker 1>Oshida and hello guys. Hey, we have started off this year,

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<v Speaker 1>as you guys remember, with a spooky fridge, A tale

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<v Speaker 1>of a spooky fridge. And it turns out that the

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<v Speaker 1>getting trapped in fridges, which was something we were all

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<v Speaker 1>freaked out about at one time or another, uh, is

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<v Speaker 1>a shared phobia and also a subject of a very

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<v Speaker 1>special episode of a television show. We got a night

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<v Speaker 1>call that explains perhaps why so many people are afraid

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<v Speaker 1>of being trapped in a fridge. So this is this

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<v Speaker 1>email comes from our friend Evan and he writes, dear

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<v Speaker 1>night Call. I was very surprised when during your recent

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<v Speaker 1>discussion of kids getting trapped inside abandoned refrigerators, no one

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<v Speaker 1>mentioned the very special episode of Punky Brewster where this

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<v Speaker 1>happens to Punky's friend Cherry. Maybe you guys are too young.

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<v Speaker 1>I remember watching this when it aired in six and

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<v Speaker 1>being completely traumatized, which I suppose was the point I

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<v Speaker 1>never tried to hide in any abandoned refrigerators after that.

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<v Speaker 1>I'm guessing I won't be the only person to write

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<v Speaker 1>in about this. My wife, who's the same age as

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<v Speaker 1>I am, immediately knew what I was talking about when

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<v Speaker 1>I mentioned it. Actually, all I said to her was

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<v Speaker 1>on night call, they talked about getting trapped in an

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<v Speaker 1>abandoned refrigerator, and her response was like in Punky Brewster.

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<v Speaker 1>But for whatever it's worth, I wanted to bring it

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<v Speaker 1>to your collective attention. You can watch it yere if

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<v Speaker 1>you dare, and there's even an oral history of the

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<v Speaker 1>episode online with links. While we're on the subject, can

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<v Speaker 1>any of you recall very special episodes of sitcoms from

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<v Speaker 1>your childhoods that scarred you emotionally? All the best from

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<v Speaker 1>Los Fie Liz Evan. Wow, what a great night call.

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<v Speaker 1>Such a good night call, Thank you, Evan. Punky Brewster

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<v Speaker 1>was before my time. I was too young for Punky Brewster.

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<v Speaker 1>Also before my time, I was three. Yeah, some of

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<v Speaker 1>these shows, you know would be in syndication and you

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<v Speaker 1>would see them anyway, But Punky Brewster I did not

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<v Speaker 1>ever encounter. Yeah, I feel like, you know, I was

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<v Speaker 1>familiar with like Pippi Longstocking, Like there was some weird,

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<v Speaker 1>badly dub version of Pippi long Stocking that I definitely watched.

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<v Speaker 1>I watched That's a good, good weird, which feels like

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<v Speaker 1>kind of small sponky orphans. The thing that I was

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<v Speaker 1>thinking about was Small Wonder. I was trying to h

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<v Speaker 1>I was trying to explain Small Wonder to someone who's

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<v Speaker 1>never seen it before yesterday. It's hard to do. You

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<v Speaker 1>feel like I only know about Small Wonder from I

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<v Speaker 1>Love the eighties. There was a crop of like E.

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<v Speaker 1>T and S fired shows such as Small Wonder and

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<v Speaker 1>out of This World. Also, out of this World I

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<v Speaker 1>watched a lot of they're kind of like magical girl shows. Actually,

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<v Speaker 1>now that I think about it, so I wonder, you're

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<v Speaker 1>a robot out of this world. Your dad is an

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<v Speaker 1>alien who communicates with you through a crystal, So listen.

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<v Speaker 1>I looked at the mental flass link that Evans sent,

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<v Speaker 1>and it is actually it made me look at Punky

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<v Speaker 1>Brewster very deeply orphan. So here's meant the mental flass

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<v Speaker 1>um kind of summary, which is really part of like

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<v Speaker 1>the oral history of this particular episode said the story

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<v Speaker 1>of an eight year old orphan abandoned by her mother

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<v Speaker 1>and found by a cantankerous old apartment manager. Punky Brewster

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<v Speaker 1>was not conventional network television fair paired with silver spoons

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<v Speaker 1>in the fall of four. It was created to help

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<v Speaker 1>satisfy a Federal Communications Commission mandate that early evening programming

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<v Speaker 1>be either news oriented sixty minutes or somewhat educational. As

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<v Speaker 1>a result, Punky's adventures often involved the perils of sleeping

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<v Speaker 1>pill addiction, missing kids on Milk Carton's Child Moles Station,

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<v Speaker 1>or a rampaging serial killer Barty. This was not I

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<v Speaker 1>feel like we missed the golden age of very special episodes.

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<v Speaker 1>I don't know about that. To me, it feels like

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<v Speaker 1>there was a period that everybody is familiar with in

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<v Speaker 1>the eighties where there were just what was so weird,

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<v Speaker 1>the too Many Cooks era of where somebody might have

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<v Speaker 1>a sleeping pill addiction one week on a sitcom that

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<v Speaker 1>otherwise would never be that serious. Okay, you guys look

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<v Speaker 1>like you have answers. I do, I do. I had

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<v Speaker 1>to look it up to just get reminded of it. Um.

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<v Speaker 1>Punky Brewster was before my time. I was right on

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<v Speaker 1>schedule for full House, consumed every single episode of This

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<v Speaker 1>is our micro generation. Yeah, you guys remember Marlas soakal

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<v Speaker 1>Off like the bad girl of this era because she

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<v Speaker 1>was she was ga, my god, what if we have

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<v Speaker 1>the same episode. It's the smoking one. Okay, it's a

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<v Speaker 1>full house. I was going to put it like that

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<v Speaker 1>wasn't traumatizing, and I thought of a more traumatizing one.

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<v Speaker 1>Oh tell us, Emily, tell us about this one, because

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<v Speaker 1>I don't really remember it. This is um so Gia.

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<v Speaker 1>So this is sort of late because it's when Stephanie

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<v Speaker 1>is like a pre teen teen and so Gia is

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<v Speaker 1>like the bad girl at school and there's and she's

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<v Speaker 1>like smoking in the bathroom and Ondesday and I'm sure

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<v Speaker 1>if I went back and watched it now would be like, So,

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<v Speaker 1>there's also a Ghostbuster not Ghosts Ghostwriter episode um where

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<v Speaker 1>there was smoking or some kind of study pills or something.

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<v Speaker 1>I can't remember um, but it kind of had a

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<v Speaker 1>similar vibe where there's like you find out something. It's

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<v Speaker 1>always takes place in the girl's bathroom, like you find

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<v Speaker 1>out something really troubling, like somebody's growing up faster than you.

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<v Speaker 1>I found out a lot of stuff in the girl's

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<v Speaker 1>bathroom circuit fifth and sixth grade, so I completely understand.

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<v Speaker 1>But I do believe that they Full House often for

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<v Speaker 1>their Very Special episodes would do a a coda at

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<v Speaker 1>the end where the cast would be like sitting in

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<v Speaker 1>the living room and addressed to came, uh if you

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<v Speaker 1>you know, I want to I don't know what you

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<v Speaker 1>talked to your kids about smoking or whatever the case

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<v Speaker 1>may be. Like here's a number you can call and

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<v Speaker 1>and it's like very and everybody just like looks like

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<v Speaker 1>they're at a funeral. It's and there's Yeah, that's that's

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<v Speaker 1>the scariest thing. The actual episode itself was not that

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<v Speaker 1>troubling to me, But any time the cast of Full

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<v Speaker 1>House was direct to camera telling you to be scared

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<v Speaker 1>of something, I was just like, Oh, okay, guys, that

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<v Speaker 1>episode is really about like shame and guilt. It's like

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<v Speaker 1>your parents will be disappointed, Bob sag it's going to

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<v Speaker 1>disown you. Yeah. But here's my argument. I think that

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<v Speaker 1>the Full House T G I F. You're a Very

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<v Speaker 1>Special episodes was like the end of the era, the

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<v Speaker 1>Baroque period of Very Special episodes, because you if you

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<v Speaker 1>were watching all of t G, I f you could

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<v Speaker 1>have like two in a night. Yeah, but I think

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<v Speaker 1>this was like on the heels of an eighties time

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<v Speaker 1>when this was like such a trope that it became

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<v Speaker 1>like a widely ridiculed thing, a very special episode, although

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<v Speaker 1>now we know it was mandated by the network. My

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<v Speaker 1>answer is, of course, the drunk driving episode of Saved

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<v Speaker 1>by the Bell what a nightmare because they don't show

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<v Speaker 1>it a lot because it is dark. They go to

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<v Speaker 1>a party and Zach gets drunk and then he drives

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<v Speaker 1>him and I think Jesse home and then crashes. What

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<v Speaker 1>did they end up in the hospital? I think so

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<v Speaker 1>he feels really guilty. It's very dark. I know a

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<v Speaker 1>lot of people would say that the speed episode of

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<v Speaker 1>Oh yeah, that's the clear, that's the classic, but that

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<v Speaker 1>one just has become a joke. It's a joke. It

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<v Speaker 1>was kind of a joke to begin. It was so

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<v Speaker 1>ridiculously heightened that you couldn't help but think like, she

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<v Speaker 1>must have really crushed up all those the drunk driving

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<v Speaker 1>episodes fucked up because it also like punctures the sort

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<v Speaker 1>of wholesomeness of the Saved by the Bell universe in

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<v Speaker 1>a way that they're not allowed to do, you know,

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<v Speaker 1>which is why Riverdale is because it's just all that

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<v Speaker 1>a special episodes. But yeah, it just makes you be like, yeah,

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<v Speaker 1>of course these kids would like drink and have sex

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<v Speaker 1>and drive drunk and stuff. So let me just before

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<v Speaker 1>I tell you guys mine, I just wanted to let

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<v Speaker 1>you know first some trip. I watched the episode where

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<v Speaker 1>Cherry gets It's called Cherry Lifesaver if you want to

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<v Speaker 1>watch it yourself. Um, and it is the one of

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<v Speaker 1>the darkest things I've ever seen. And I'm just gonna

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<v Speaker 1>spoil it really quick. So um, Punky and her friends

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<v Speaker 1>whose names I don't remember, and her friend Cherry are

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<v Speaker 1>all playing hide and seek outside and it starts snowing,

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<v Speaker 1>and the person who's counting is reaching, you know, like

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<v Speaker 1>they're about to end their account. And Cherry is the

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<v Speaker 1>only one who doesn't have a hiding place. So the

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<v Speaker 1>kind of the kind of like grumpy guy who adopted

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<v Speaker 1>Punky has just put his old fridge out, and I

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<v Speaker 1>think he even mentioned like, don't hide in here, Cherry does. Anyway,

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<v Speaker 1>they look, can't find her, they go inside, convinced she's

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<v Speaker 1>inside they're looking around inside, and then by the time

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<v Speaker 1>they find her, she has stopped breathing and has no pulse.

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<v Speaker 1>Are you kidding? Not kidding at all? So they take

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<v Speaker 1>her out and the grumpy apartment guy is like, I

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<v Speaker 1>don't know how to do CPR. Kid over here, do

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<v Speaker 1>you know how to do CPR? And he's like, no,

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<v Speaker 1>I was in the principal's office. So then by the

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<v Speaker 1>time Punky and her friend come down, they know how

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<v Speaker 1>to do CPR. They perform CPR and literally bring this

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<v Speaker 1>girl back to life, and it's shot in a very

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<v Speaker 1>distressing way with distressing music and like long pauses. But

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<v Speaker 1>what's interesting is it was this story was chosen from

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<v Speaker 1>a pitch contest and a kid wrote in and was

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<v Speaker 1>like I would like to see because they were like,

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<v Speaker 1>what's a lesson that you want to teach me? Was like,

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<v Speaker 1>I want to see someone save someone else's life with

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<v Speaker 1>CPR so that kids at home can learn CPR. And

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<v Speaker 1>they added the fridge. They added the fridge, so then

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<v Speaker 1>he went to go see it and he was like,

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<v Speaker 1>what the hell, I didn't say anything about a fridge anyway.

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<v Speaker 1>So my very special episode is two episodes, both featuring

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<v Speaker 1>uncles on family ties. One of them is um I

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<v Speaker 1>don't even remember who played him, but there was like

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<v Speaker 1>an uncle but not a blood relation uncle who molested

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<v Speaker 1>Mallory after giving her some kind of like an internship.

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<v Speaker 1>But the worst, the most intense one is Tom Hanks

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<v Speaker 1>as an alcoholic uncle who comes to visit and it's

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<v Speaker 1>like played for laughs where he's like just drinking everything

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<v Speaker 1>in the liquor cabinet and they're like, oh, you drink

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<v Speaker 1>too much, and Tom Hanks looks so young, and then

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<v Speaker 1>at some point he runs out of liquor and starts

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<v Speaker 1>drinking vanilla extract and Maraschino cherry juice. And then he

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<v Speaker 1>tries to get Alex to like go for a beer

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<v Speaker 1>with him, and it's like really like badgering him, and

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<v Speaker 1>then he ends up slapping Alex Keaton and it's really

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<v Speaker 1>intense to see a very young looking Tom Hanks slapping.

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<v Speaker 1>That's interesting too, because I was just thinking um about

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<v Speaker 1>when Tom Hanks won that award the other night of

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<v Speaker 1>the Globes. I was like, as Tom Hanks ever played

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<v Speaker 1>a bad person? Oh yeah he did? Uncle ned was bad? Yeah,

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<v Speaker 1>like in a movie, because Tom Hanks ever been a

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<v Speaker 1>villain because he is bad. Isn't he a bridge of spies?

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<v Speaker 1>Isn't he bad? In Bridge of I was just curious

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<v Speaker 1>because I don't know, and I was like, people who

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<v Speaker 1>tend to only play goody goodies tend to have a

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<v Speaker 1>darkness inside. Yeah, and then he was feuding with Fonzie.

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<v Speaker 1>Well all of the darkness and Tom Hanks has been

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<v Speaker 1>purely channeled through his sun shut. I watched that instagram

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<v Speaker 1>so many times. One more thing on the note of

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<v Speaker 1>spooky fridges. Maybe I just have high fridge awareness now

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<v Speaker 1>because we were talking about them. But I saw abandoned

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<v Speaker 1>fridge on the street the other day that someone had

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<v Speaker 1>tagged slum lord on the side of it. Because a

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<v Speaker 1>fridge on the sidewalk in l A is often a

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<v Speaker 1>sign that somebody is evicting everybody, Yeah, and gonna put

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<v Speaker 1>in a new fridge, So another reason to be scared.

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<v Speaker 1>They're never a good thing. It's chilling. If you have

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<v Speaker 1>thoughts on very special episodes or refrigerators, please give us

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<v Speaker 1>a call at two four oh four six night or

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<v Speaker 1>an email at night Call podcast at gmail dot com.

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<v Speaker 1>After we get back, we will have some thoughts on

0:12:12.400 --> 0:12:34.000
<v Speaker 1>Molly's very famous and shocking Seinfeld cool and we're back. Molly.

0:12:34.080 --> 0:12:37.520
<v Speaker 1>On Twitter the other day, you post a very interesting question.

0:12:37.600 --> 0:12:39.360
<v Speaker 1>I'd like to talk about how this went down. What

0:12:39.400 --> 0:12:41.400
<v Speaker 1>happened was we were watching Seinfeld, me and my boyfriend

0:12:41.480 --> 0:12:45.880
<v Speaker 1>watching Seinfeld, and I said, if you had to have

0:12:46.000 --> 0:12:49.120
<v Speaker 1>sex with one of the main Seinfeld man, Elaine's not

0:12:49.160 --> 0:12:52.480
<v Speaker 1>allowed because everybody would pick Elane. But you know Jerry,

0:12:53.000 --> 0:12:56.640
<v Speaker 1>George or Kramer. Um, I think I was just like,

0:12:56.679 --> 0:13:00.920
<v Speaker 1>I think most people would pick Jerry possibly Orige might win.

0:13:01.800 --> 0:13:06.199
<v Speaker 1>But he said, no way. Everyone wants to fun Cramer.

0:13:06.800 --> 0:13:08.719
<v Speaker 1>And I was like, what are you talking about. No,

0:13:08.880 --> 0:13:10.960
<v Speaker 1>they don't and he was like, I promise you if

0:13:11.000 --> 0:13:13.160
<v Speaker 1>you if you run a poll. He said, run a

0:13:13.160 --> 0:13:16.920
<v Speaker 1>poll on Twitter. Cramer is going to win in a landslide.

0:13:17.840 --> 0:13:19.920
<v Speaker 1>And that is what happens. That happened. What were the

0:13:20.000 --> 0:13:23.880
<v Speaker 1>final results. I think it was like seventy Cramer something,

0:13:25.520 --> 0:13:27.360
<v Speaker 1>but it was it was like a strong It was

0:13:27.400 --> 0:13:29.560
<v Speaker 1>interesting too to follow a pulk because it was like

0:13:29.600 --> 0:13:31.959
<v Speaker 1>people really had I love doing a poll. People had

0:13:32.000 --> 0:13:36.840
<v Speaker 1>really strong feelings about this. It made everybody really examine themselves.

0:13:36.960 --> 0:13:40.840
<v Speaker 1>It made everyone a little sick. Yeah, but um, it

0:13:40.960 --> 0:13:44.480
<v Speaker 1>really stayed this consistent throughout, like from the when they

0:13:44.520 --> 0:13:46.720
<v Speaker 1>had a hundred votes to when it had like maybe

0:13:46.720 --> 0:13:48.720
<v Speaker 1>two thousand votes. At the end, it was like the

0:13:48.760 --> 0:13:52.920
<v Speaker 1>same percentages the whole time, which was that fifty percent

0:13:53.000 --> 0:13:59.680
<v Speaker 1>of people chose Cramer, and then it was like Jerry George.

0:14:00.080 --> 0:14:05.520
<v Speaker 1>I'm so astounded, not as somebody who voted for cramerer.

0:14:06.440 --> 0:14:08.040
<v Speaker 1>Oh my god, We're going to cover all the basis.

0:14:08.080 --> 0:14:12.000
<v Speaker 1>It's gonna be amazing. What what were yours? Well after

0:14:12.640 --> 0:14:19.360
<v Speaker 1>we guess what, um, Molly picked George and you picked Jerry.

0:14:20.080 --> 0:14:27.200
<v Speaker 1>Really god about ourselves, because what I learned is that

0:14:27.240 --> 0:14:29.960
<v Speaker 1>I want to be a person who picks George, but

0:14:30.720 --> 0:14:34.320
<v Speaker 1>I would pick Jerry, which is horrible to say. This

0:14:34.400 --> 0:14:40.080
<v Speaker 1>is a fictional Jerry Seinfeld. Also, you can't different from

0:14:40.200 --> 0:14:43.480
<v Speaker 1>the real person Jerry. And again we need to emphasize

0:14:43.480 --> 0:14:47.800
<v Speaker 1>that Cosmo Cramer is not I think I also thought

0:14:47.840 --> 0:14:49.680
<v Speaker 1>the Michael Richard's nest would get in the way of

0:14:49.760 --> 0:14:53.480
<v Speaker 1>people wanting Cramer, but I don't know. I mean Michael

0:14:53.560 --> 0:14:58.720
<v Speaker 1>Richards or Cosmo Cramer seems actually say it's interchangeable. Seems

0:14:58.760 --> 0:15:01.160
<v Speaker 1>the most like somebody that you might if you were

0:15:01.360 --> 0:15:04.400
<v Speaker 1>a person that was single and just like meeting people

0:15:04.480 --> 0:15:06.600
<v Speaker 1>at random in bars or something in New York City.

0:15:06.640 --> 0:15:10.000
<v Speaker 1>Now that seems the most like somebody that you us

0:15:10.040 --> 0:15:12.080
<v Speaker 1>at our age right now would probably run into and

0:15:12.120 --> 0:15:15.960
<v Speaker 1>maybe like strike up something with romantic or otherwise. I think, okay,

0:15:15.960 --> 0:15:20.720
<v Speaker 1>everybody everybody picked. I think everyone would pick Jason Alexander

0:15:20.800 --> 0:15:25.040
<v Speaker 1>if it were the real people. Oh I would yeah, oh,

0:15:25.160 --> 0:15:31.000
<v Speaker 1>the real people. Between Jerry Seinfeld, Michael Richards, and Jason Alexander,

0:15:31.000 --> 0:15:33.280
<v Speaker 1>everybody was like, Jason Alexander seems like a nice person

0:15:34.120 --> 0:15:38.120
<v Speaker 1>who loves to be in musicals, just loves musicals. But

0:15:39.000 --> 0:15:41.840
<v Speaker 1>because yeah, this was harrowing for a lot of people,

0:15:42.280 --> 0:15:46.800
<v Speaker 1>so here I wrote down some arguments against all of them.

0:15:46.840 --> 0:15:49.960
<v Speaker 1>It was very hard to find arguments for. But I'm

0:15:50.000 --> 0:15:53.720
<v Speaker 1>my question for Emily would you be okay with him

0:15:53.760 --> 0:15:58.520
<v Speaker 1>busting into your apartment uninvited, unannounced, eating all your food?

0:15:58.920 --> 0:16:02.960
<v Speaker 1>And if you stated at his apartment, are you remembering

0:16:03.280 --> 0:16:06.520
<v Speaker 1>that it was haunted by a doll named Mr Marble's

0:16:07.400 --> 0:16:10.720
<v Speaker 1>think about it. I mean, this is not dating, That's

0:16:10.720 --> 0:16:15.040
<v Speaker 1>what I'm saying. Whoever's place you're at, you know, are

0:16:15.080 --> 0:16:19.040
<v Speaker 1>you at a motel like that? Change his or yours.

0:16:19.600 --> 0:16:22.480
<v Speaker 1>I'm gonna say his home with me. But you remember

0:16:22.480 --> 0:16:26.600
<v Speaker 1>that when Jerry and Kramer traded apartments, Jerry became Kramer like,

0:16:26.840 --> 0:16:29.320
<v Speaker 1>and that would happen to you as well. We didn't

0:16:29.360 --> 0:16:32.080
<v Speaker 1>think he would be in my apartment. So she's saying, okay,

0:16:32.120 --> 0:16:34.720
<v Speaker 1>at your apartment, so then he's gonna eat, and then

0:16:34.720 --> 0:16:36.800
<v Speaker 1>he knows where you live and he's gonna drop by.

0:16:36.880 --> 0:16:39.320
<v Speaker 1>I'm just saying, yeah. The thing that really puts Test

0:16:39.360 --> 0:16:42.240
<v Speaker 1>off is apparently the drop in skis the drop in no,

0:16:42.440 --> 0:16:48.720
<v Speaker 1>but that feels very like charming in nineties. He drops

0:16:48.720 --> 0:16:52.400
<v Speaker 1>in all of a sudden. I'm living in a communal table. Yeah. Yeah,

0:16:52.440 --> 0:16:56.320
<v Speaker 1>I think I realized that I would I would pick Jerry,

0:16:56.400 --> 0:16:59.200
<v Speaker 1>which was really disappointing to me but also made me

0:16:59.280 --> 0:17:02.280
<v Speaker 1>be like, oh my, like a little attracted to contempt.

0:17:03.760 --> 0:17:06.680
<v Speaker 1>Jerry is too much like people that I've actually dated

0:17:06.680 --> 0:17:10.680
<v Speaker 1>a lot of other girls I know said enough Jerry. Yeah,

0:17:11.200 --> 0:17:13.359
<v Speaker 1>I think I didn't really date ny Jerry, so I

0:17:13.400 --> 0:17:17.960
<v Speaker 1>could I could handle the idea. Yeah, not for a relationship,

0:17:18.080 --> 0:17:19.920
<v Speaker 1>it's just one one. But I just think it would

0:17:19.960 --> 0:17:23.840
<v Speaker 1>be very boring, probably probably for one night. Who cared

0:17:23.880 --> 0:17:26.600
<v Speaker 1>boring is probably fine, would not be boring with George.

0:17:26.680 --> 0:17:32.800
<v Speaker 1>I'm just saying, Um, George may have terrible parents to

0:17:32.840 --> 0:17:35.560
<v Speaker 1>be obsessed with the Civil War and like a just

0:17:35.720 --> 0:17:39.119
<v Speaker 1>terribly neurotic person. But George would like maybe bring a

0:17:39.160 --> 0:17:44.239
<v Speaker 1>sandwich and that's really But that to me says that

0:17:44.280 --> 0:17:47.159
<v Speaker 1>you are George, I think. But he's also based on

0:17:47.240 --> 0:17:50.520
<v Speaker 1>Larry David. I think that George would be actually the

0:17:50.520 --> 0:17:52.879
<v Speaker 1>only person to really think about like taking you out

0:17:52.920 --> 0:17:56.840
<v Speaker 1>for jenneral Fee. George would do anything for someone he

0:17:57.200 --> 0:18:00.560
<v Speaker 1>was enamored up. Yeah, so you'd be treated the best us. Probably.

0:18:02.000 --> 0:18:04.359
<v Speaker 1>We would like to know what you think of the

0:18:04.480 --> 0:18:06.639
<v Speaker 1>great Seinfeld poll. This is good because I did a

0:18:06.640 --> 0:18:08.399
<v Speaker 1>poll last year that was which one of the friends

0:18:08.400 --> 0:18:12.880
<v Speaker 1>as a murderer. Oh, which is a very tough Um.

0:18:12.920 --> 0:18:15.720
<v Speaker 1>I believe it was like Ross and Monica together working

0:18:15.760 --> 0:18:18.800
<v Speaker 1>together as a sibling duo. Not such a stretch. I

0:18:18.800 --> 0:18:20.960
<v Speaker 1>don't believe that anybody, any of them, you could make

0:18:21.000 --> 0:18:25.119
<v Speaker 1>an organ l you think Chandler. Chandler seems obvious, but

0:18:25.240 --> 0:18:28.439
<v Speaker 1>Joey seems like he would maybe like vehicular manslaughter and

0:18:28.440 --> 0:18:32.320
<v Speaker 1>then just be like, no, never happened. What about Phoebe?

0:18:33.320 --> 0:18:35.760
<v Speaker 1>She could Be. I I would say Phoebe and Chandler

0:18:35.840 --> 0:18:38.320
<v Speaker 1>would be my top picks. But you know you couldn't

0:18:38.320 --> 0:18:40.800
<v Speaker 1>imagine it for almost anybody. If you would like us

0:18:40.840 --> 0:18:43.840
<v Speaker 1>also to talk about who we would like to make

0:18:43.840 --> 0:18:52.320
<v Speaker 1>out with or kill honest scom, honestly com honest sitcom.

0:18:52.359 --> 0:18:54.359
<v Speaker 1>If you want us to do a bracket of who's

0:18:54.400 --> 0:18:58.439
<v Speaker 1>the most fuckable on Taxi, we've got answers. Can we

0:18:58.480 --> 0:19:01.000
<v Speaker 1>talk real quick about another below would figure to figure

0:19:01.000 --> 0:19:06.240
<v Speaker 1>of the nineties? Who's in us? Maybe Gwyneth Paltrow is

0:19:06.280 --> 0:19:08.720
<v Speaker 1>going to have a Netflix show called The Group Lab.

0:19:09.960 --> 0:19:13.080
<v Speaker 1>I want to work there. I want to work at

0:19:13.080 --> 0:19:15.120
<v Speaker 1>the Group Lab. That makes me so sad. I want

0:19:15.119 --> 0:19:16.800
<v Speaker 1>to be a woman in stem. I want to work

0:19:16.800 --> 0:19:19.880
<v Speaker 1>at the group Shout out to Wesley Morris for shouting

0:19:19.960 --> 0:19:23.440
<v Speaker 1>us out about Group. Yeah, Wesley wrote a really great

0:19:23.480 --> 0:19:26.359
<v Speaker 1>piece that I've of course, really vibed with because the

0:19:26.359 --> 0:19:29.160
<v Speaker 1>headline of it, I believe is I love Gwyneth Paltrow.

0:19:29.200 --> 0:19:32.280
<v Speaker 1>There I said it. Um. It was in the New

0:19:32.320 --> 0:19:34.720
<v Speaker 1>York Times last fall, so I think it was when

0:19:34.720 --> 0:19:36.639
<v Speaker 1>she was in the Politician, which I did not watch.

0:19:36.680 --> 0:19:39.600
<v Speaker 1>I'm not my my opinions about Gwyneth Paltrow have nothing

0:19:39.600 --> 0:19:43.040
<v Speaker 1>to do with the politician or acting. No, actually, it

0:19:43.040 --> 0:19:44.679
<v Speaker 1>does have to do with her acting. I think she

0:19:44.840 --> 0:19:48.640
<v Speaker 1>is a wonderful actress. I think that the only problem

0:19:48.680 --> 0:19:51.000
<v Speaker 1>that I have with Group really at the end of

0:19:51.040 --> 0:19:53.120
<v Speaker 1>the day, is that she's doing that instead of being

0:19:53.119 --> 0:19:56.800
<v Speaker 1>in movies. Uh. There's a whole thing with the people

0:19:56.880 --> 0:19:59.040
<v Speaker 1>that are like, it's I'm making I could make more

0:19:59.040 --> 0:20:01.520
<v Speaker 1>money as an influence sert than an actress and work

0:20:01.600 --> 0:20:04.119
<v Speaker 1>less hard, So why don't I just be an influencer?

0:20:04.160 --> 0:20:07.879
<v Speaker 1>That to me, it's like, how fucking privileged do you

0:20:07.880 --> 0:20:09.959
<v Speaker 1>have to be to be Like I'll just take like

0:20:10.840 --> 0:20:13.119
<v Speaker 1>however long I want off from work, and when I

0:20:13.160 --> 0:20:15.720
<v Speaker 1>come back, it'll just be there. Well, she was the

0:20:15.760 --> 0:20:18.320
<v Speaker 1>pioneer of this, and I think that a lot of it.

0:20:18.359 --> 0:20:22.520
<v Speaker 1>I've written about this before, uh in Grantland. I think

0:20:22.560 --> 0:20:25.240
<v Speaker 1>a lot of Group as I understood it, like that,

0:20:25.400 --> 0:20:28.199
<v Speaker 1>given the timeline and later interviews that she did, was

0:20:28.359 --> 0:20:31.360
<v Speaker 1>very much about her postpartum depression. I think she had

0:20:31.359 --> 0:20:33.959
<v Speaker 1>a really hard time after she had her kids. And

0:20:34.000 --> 0:20:35.720
<v Speaker 1>I think also she had had a lot of bad

0:20:35.720 --> 0:20:38.280
<v Speaker 1>experiences in the industry as we now know, And I

0:20:38.280 --> 0:20:40.639
<v Speaker 1>think it's all very understandable and to like want to

0:20:40.680 --> 0:20:42.760
<v Speaker 1>just like start a business and do something that doesn't

0:20:42.800 --> 0:20:45.760
<v Speaker 1>have anything to do with that and kind of like go, yeah,

0:20:45.880 --> 0:20:48.320
<v Speaker 1>just do something. Its like lower stakes at that moment,

0:20:48.400 --> 0:20:50.879
<v Speaker 1>like when Goop is just a blog, but it's the

0:20:51.000 --> 0:20:59.400
<v Speaker 1>worst business I ever started by class class war gasoline.

0:20:59.720 --> 0:21:04.159
<v Speaker 1>If it were cheap, if Goop, you'd be sign the

0:21:04.280 --> 0:21:07.919
<v Speaker 1>news free. If the things that she sold were cheating, Oh,

0:21:08.080 --> 0:21:10.280
<v Speaker 1>I won't buy any of the things she sells. I

0:21:10.320 --> 0:21:12.239
<v Speaker 1>just enjoy like and she and she has a lot

0:21:12.280 --> 0:21:14.600
<v Speaker 1>of recipes. I have actually like used a lot of

0:21:14.600 --> 0:21:16.800
<v Speaker 1>her recipes in the past. I copped to using a

0:21:16.840 --> 0:21:19.040
<v Speaker 1>couple of recipes and finding them good. But my my

0:21:19.160 --> 0:21:22.000
<v Speaker 1>issue is I feel offended by the price point I

0:21:22.080 --> 0:21:25.440
<v Speaker 1>make recipes off. Christian from vander Pump Rules is yeah, okay,

0:21:26.280 --> 0:21:29.680
<v Speaker 1>you hate an influencer, not one, but I just feel

0:21:29.680 --> 0:21:33.399
<v Speaker 1>like she sells snake oil. That's what's the real issue

0:21:33.440 --> 0:21:37.399
<v Speaker 1>is the when she makes borderline medical or scientific claims

0:21:37.440 --> 0:21:40.160
<v Speaker 1>it's her doctor, not her it is her doctor, but cheat,

0:21:40.240 --> 0:21:43.320
<v Speaker 1>but the doctor giving the doctor a platform that has

0:21:43.359 --> 0:21:47.280
<v Speaker 1>like legitimacy to it is an issue like the vagina

0:21:47.320 --> 0:21:50.520
<v Speaker 1>and I don't think that we get to like our

0:21:50.640 --> 0:21:54.399
<v Speaker 1>now our moment of like self care now though without Goop,

0:21:54.640 --> 0:21:58.960
<v Speaker 1>like and I think, but you what you love self

0:21:59.000 --> 0:22:03.760
<v Speaker 1>grandparenting it basically the same satire of how stupid self

0:22:03.760 --> 0:22:06.439
<v Speaker 1>care is. I think it's more that self care the

0:22:06.520 --> 0:22:09.520
<v Speaker 1>industry versus self care the practice. If you can self

0:22:09.520 --> 0:22:12.480
<v Speaker 1>care for free or for cheap, then it's a different thing.

0:22:12.520 --> 0:22:14.600
<v Speaker 1>But when people talk about self care in terms of

0:22:14.640 --> 0:22:17.880
<v Speaker 1>like even just the expenditure of time for like a

0:22:17.960 --> 0:22:20.800
<v Speaker 1>multi step face, you know, and and there's like a backlash.

0:22:21.160 --> 0:22:24.120
<v Speaker 1>It's like the idea that you're just like this endless

0:22:24.480 --> 0:22:29.520
<v Speaker 1>vagina that just like turns inward eternally. That sounds great,

0:22:29.560 --> 0:22:33.760
<v Speaker 1>that sounds like it's like you have to love that.

0:22:33.840 --> 0:22:36.280
<v Speaker 1>She she signed off on the art for the Goop Lab,

0:22:36.320 --> 0:22:39.040
<v Speaker 1>though I don't like how like it's like let's like

0:22:39.320 --> 0:22:42.800
<v Speaker 1>just shut out the world and like work on ourselves.

0:22:42.920 --> 0:22:45.439
<v Speaker 1>And that's just like do a million face masks and

0:22:45.520 --> 0:22:49.480
<v Speaker 1>like masterbate and just like take baths like no fuck you.

0:22:49.720 --> 0:22:52.320
<v Speaker 1>There's a lot of ship going on, and like the

0:22:52.359 --> 0:22:54.720
<v Speaker 1>fact that she's in such a bubble is like less

0:22:54.720 --> 0:22:59.119
<v Speaker 1>attractive than ever, even though she's been usurped by like influencers.

0:22:59.160 --> 0:23:01.720
<v Speaker 1>It's kind of like in nineties, as you were saying,

0:23:01.960 --> 0:23:05.480
<v Speaker 1>here's the thing, I don't need Gwyneth Paltro to be

0:23:05.520 --> 0:23:08.600
<v Speaker 1>a voice about any kind of social issues or politics

0:23:08.720 --> 0:23:11.920
<v Speaker 1>right now. And I think she understands her role. Like

0:23:12.000 --> 0:23:14.479
<v Speaker 1>what I know that she's like endorsed Pete or whatever,

0:23:14.720 --> 0:23:18.440
<v Speaker 1>but like in in the in the broadest sense, though

0:23:18.760 --> 0:23:20.960
<v Speaker 1>she has like she has a quote that everybody hates

0:23:20.960 --> 0:23:23.639
<v Speaker 1>her for, but she's like, I can't pretend not to

0:23:23.680 --> 0:23:27.639
<v Speaker 1>be a rich person. And I actually think I actually

0:23:27.720 --> 0:23:30.600
<v Speaker 1>think that that is more honest and like good to

0:23:30.880 --> 0:23:33.359
<v Speaker 1>just put out there in no uncertain terms than like

0:23:33.640 --> 0:23:37.199
<v Speaker 1>to try to be something that you represent something or

0:23:37.200 --> 0:23:39.720
<v Speaker 1>give voice to something that you really cannot give. I

0:23:39.760 --> 0:23:42.560
<v Speaker 1>actually completely agree with. But also I mean sure, but

0:23:42.640 --> 0:23:45.639
<v Speaker 1>I also think it's bullshit to have an aspirational brand

0:23:45.720 --> 0:23:49.320
<v Speaker 1>because like people can't aspire to be born rich. Every

0:23:49.359 --> 0:23:53.200
<v Speaker 1>single brand is about aspiring to be rich. That sucks,

0:23:53.480 --> 0:23:55.399
<v Speaker 1>I know it. But she's not unique for that. I

0:23:55.400 --> 0:23:58.960
<v Speaker 1>will not unique. But like her pioneering, it doesn't make

0:23:59.000 --> 0:24:01.760
<v Speaker 1>it like good. It just means she did it before

0:24:01.880 --> 0:24:04.320
<v Speaker 1>everybody was doing it. I mean, I still don't think

0:24:04.320 --> 0:24:07.159
<v Speaker 1>like I think you can buy into the actual website

0:24:07.200 --> 0:24:10.280
<v Speaker 1>and like order ship from her store or whatever. But

0:24:10.359 --> 0:24:12.920
<v Speaker 1>that's like I I still just get her newsletter and

0:24:12.960 --> 0:24:15.200
<v Speaker 1>I actually now I have my in box marks that

0:24:15.280 --> 0:24:17.600
<v Speaker 1>has read already, so I don't even read it most

0:24:17.600 --> 0:24:20.680
<v Speaker 1>of the time. But I will go to her website

0:24:20.680 --> 0:24:22.760
<v Speaker 1>for recipes, which I don't think is like that's not

0:24:22.840 --> 0:24:25.119
<v Speaker 1>a buy in at all. I just feel that's just

0:24:25.160 --> 0:24:27.000
<v Speaker 1>like a source for like, oh, I would like to

0:24:27.000 --> 0:24:29.960
<v Speaker 1>have this soup that's like, you know, makes you feel

0:24:29.960 --> 0:24:32.359
<v Speaker 1>like warm and and and good and has ginger in

0:24:32.400 --> 0:24:34.359
<v Speaker 1>it in the winter, like I don't know, like she's

0:24:34.440 --> 0:24:36.639
<v Speaker 1>she's she's good for stuff, like I know, And I

0:24:37.040 --> 0:24:39.199
<v Speaker 1>actually hear what you're saying now that you read it

0:24:39.240 --> 0:24:41.639
<v Speaker 1>more like a blog and less like a catalog. And

0:24:41.680 --> 0:24:44.560
<v Speaker 1>I think when you feel like you're being targeted as

0:24:44.600 --> 0:24:47.800
<v Speaker 1>a customer as opposed to an audience, then you your

0:24:47.840 --> 0:24:50.960
<v Speaker 1>interpretation of it is very different. If you feel personally

0:24:51.119 --> 0:24:55.440
<v Speaker 1>like targeted by stuff like you must buy a jade egg,

0:24:55.480 --> 0:24:59.800
<v Speaker 1>and if you are if you feel insulted by this,

0:25:00.320 --> 0:25:02.640
<v Speaker 1>like you have taken it, you know too hard enough

0:25:02.680 --> 0:25:04.080
<v Speaker 1>that you're like the fact that I don't have a

0:25:04.160 --> 0:25:06.800
<v Speaker 1>jade egg makes me mad. Then, like I feel like

0:25:06.920 --> 0:25:08.840
<v Speaker 1>I feel like it's a wrong approach, Like it's just

0:25:08.880 --> 0:25:10.680
<v Speaker 1>like she's telling you to buy a jade egg whatever.

0:25:10.680 --> 0:25:13.480
<v Speaker 1>You don't know. It's more like when you talk about

0:25:13.480 --> 0:25:16.760
<v Speaker 1>her postpartum depression and stuff like that. I think when

0:25:17.040 --> 0:25:19.240
<v Speaker 1>with the jade egg and some of the health and

0:25:19.280 --> 0:25:23.320
<v Speaker 1>wellness stuff they're vagina steeming. It's it's more the idea

0:25:23.400 --> 0:25:27.120
<v Speaker 1>that you are like inherently have toxins and kind of

0:25:27.119 --> 0:25:29.600
<v Speaker 1>things that you must purge. And when you think about

0:25:29.640 --> 0:25:33.840
<v Speaker 1>people who are potentially like neurotic about those things, who

0:25:33.840 --> 0:25:36.560
<v Speaker 1>are being sold things that could actually harm them, that

0:25:36.640 --> 0:25:39.000
<v Speaker 1>to me is like a different branch of the blog, right,

0:25:39.080 --> 0:25:43.480
<v Speaker 1>And she definitely doesn't. I feel like she's less hardcore

0:25:43.520 --> 0:25:45.840
<v Speaker 1>about that stuff than a lot of people have. Jane

0:25:45.880 --> 0:25:49.679
<v Speaker 1>Murrayon from the Dream which she's doing a wellness season

0:25:49.840 --> 0:25:53.520
<v Speaker 1>to be the arbiter of weather Coup is a charlatan

0:25:54.680 --> 0:25:59.359
<v Speaker 1>and then though a business woman a business woman, I

0:25:59.480 --> 0:26:02.640
<v Speaker 1>just I so think one of the most like sympathetic

0:26:02.680 --> 0:26:04.600
<v Speaker 1>things she has said as part of group is just

0:26:04.640 --> 0:26:08.400
<v Speaker 1>like I still have my own American spirit. Every week yeah,

0:26:08.640 --> 0:26:13.280
<v Speaker 1>I definitely. And that's your skin is not aspirational at all.

0:26:13.440 --> 0:26:16.560
<v Speaker 1>It's one figurette a week is doing nothing bad to her.

0:26:16.600 --> 0:26:18.639
<v Speaker 1>It's not like like you look at Gwyneth Paltrow. I

0:26:18.640 --> 0:26:20.520
<v Speaker 1>don't think anybody looks at her at this point. And

0:26:20.520 --> 0:26:23.720
<v Speaker 1>it's like, oh, I wish I was her. I don't know.

0:26:23.800 --> 0:26:26.200
<v Speaker 1>I ran into her at a restaurant. I ran into

0:26:26.200 --> 0:26:29.280
<v Speaker 1>her like as if we exchanged her. But I saw

0:26:29.359 --> 0:26:32.280
<v Speaker 1>her at a restaurant like two years ago, and she

0:26:32.400 --> 0:26:36.719
<v Speaker 1>is very beautiful, I think, and be rich. She is like,

0:26:36.800 --> 0:26:39.600
<v Speaker 1>go be rich by yourself. I I know several Asian

0:26:39.880 --> 0:26:42.080
<v Speaker 1>friends of mine and we have all copped to having

0:26:42.200 --> 0:26:44.800
<v Speaker 1>the white lady that we have wished at sometimes that

0:26:44.920 --> 0:26:47.679
<v Speaker 1>we were and and Gwyneth was mine and it has

0:26:47.720 --> 0:26:51.080
<v Speaker 1>always been mine. What is it? Is it just that

0:26:51.119 --> 0:26:53.840
<v Speaker 1>she I like her? Well? I liked her as an

0:26:53.840 --> 0:26:55.640
<v Speaker 1>actress when I was in high school, like I love

0:26:55.680 --> 0:26:58.800
<v Speaker 1>her in Talented Mr. And Wesley really highlights the scene

0:26:58.800 --> 0:27:01.800
<v Speaker 1>and Talented Mr Ripley as great and that playing a

0:27:02.000 --> 0:27:06.600
<v Speaker 1>rich bitch, yeah, I mean she, but she it's more complicated.

0:27:07.040 --> 0:27:09.960
<v Speaker 1>It's a fantastic. Maybe it's also like she reminds me

0:27:10.040 --> 0:27:12.719
<v Speaker 1>of like Beverly Hills princesses that like we grew up with.

0:27:12.920 --> 0:27:15.800
<v Speaker 1>So it's like, I don't I don't know. I never

0:27:15.840 --> 0:27:18.760
<v Speaker 1>thought i'd be defending Gwyneth Paltrow against anyone. I'm grateful

0:27:18.800 --> 0:27:21.720
<v Speaker 1>for this spirited debate. I'm like, I don't know why.

0:27:21.760 --> 0:27:24.560
<v Speaker 1>It's fun. I'll always stand up for for my my

0:27:24.640 --> 0:27:27.359
<v Speaker 1>lady GP. The funniest comment I saw an O and

0:27:27.400 --> 0:27:29.600
<v Speaker 1>T D with somebody being like, I'll watch this show

0:27:29.600 --> 0:27:32.440
<v Speaker 1>if it's like, hey, I'm going with Paltrow, welcome to Jackass.

0:27:35.560 --> 0:27:39.280
<v Speaker 1>Well I'm in. If she just does a backflip into

0:27:39.560 --> 0:27:43.479
<v Speaker 1>a Yoni egg, I would be way into that. I mean,

0:27:43.560 --> 0:27:46.040
<v Speaker 1>I think it will be weird. She's weird. Doesn't even

0:27:46.080 --> 0:27:48.760
<v Speaker 1>take mushrooms on the show, apparently because she doesn't want

0:27:48.800 --> 0:27:52.080
<v Speaker 1>people to see her lose control. That's such a cop out.

0:27:52.240 --> 0:27:56.520
<v Speaker 1>She has kids, so what, everybody has kids and I

0:27:56.520 --> 0:27:59.240
<v Speaker 1>don't have to see it for ourselves. I will definitely

0:27:59.240 --> 0:28:03.600
<v Speaker 1>will check back in when it hits Netflix. Every episode, Um,

0:28:03.760 --> 0:28:06.520
<v Speaker 1>we're taking mushrooms on the air, Taking mushrooms and live

0:28:06.760 --> 0:28:11.960
<v Speaker 1>live the group lab sounds great. Something that we can

0:28:12.000 --> 0:28:15.360
<v Speaker 1>all agree on, I think is um that the Postmates

0:28:15.400 --> 0:28:20.560
<v Speaker 1>delivery robots. Oh yeah, evil. I saw one right before

0:28:20.600 --> 0:28:24.520
<v Speaker 1>I got my cavity fields, which okay, So they look

0:28:24.560 --> 0:28:27.800
<v Speaker 1>like little yellow shop solid shopping carts with eyes and

0:28:27.840 --> 0:28:30.560
<v Speaker 1>they roll around. Yeah, I saw some. I saw a

0:28:30.600 --> 0:28:32.760
<v Speaker 1>woman jogging behind one, and I thought it was like,

0:28:32.800 --> 0:28:37.439
<v Speaker 1>maybe she was Yeah, a stroller, robot stroller is what

0:28:37.440 --> 0:28:40.840
<v Speaker 1>I thought it was. Uh, and they just a day

0:28:41.040 --> 0:28:43.520
<v Speaker 1>expecting that nobody's going to kick them over, because that

0:28:43.560 --> 0:28:46.560
<v Speaker 1>seems like the obvious it does. They go pretty fast,

0:28:47.000 --> 0:28:50.080
<v Speaker 1>so they carry carry up to fifty pounds. They can

0:28:50.120 --> 0:28:54.720
<v Speaker 1>travel thirty miles between charges, and uh, there I think

0:28:54.760 --> 0:28:58.240
<v Speaker 1>called Serve. According I looked at the Postmates website and

0:28:58.400 --> 0:29:01.840
<v Speaker 1>there is floating tech that says over the picture of

0:29:01.880 --> 0:29:05.960
<v Speaker 1>the robot that says delighted to meet you. Serves personality

0:29:06.080 --> 0:29:11.600
<v Speaker 1>is all about understanding people. Nothing about Serves intelligence is artificial. Yeah, right, Serve.

0:29:11.840 --> 0:29:17.480
<v Speaker 1>I hate it. Oh my god, yeah, I just god,

0:29:17.640 --> 0:29:19.880
<v Speaker 1>I don't know. I hate this. I hate all I

0:29:19.880 --> 0:29:21.880
<v Speaker 1>hate all the literal I hate all the trash that

0:29:21.920 --> 0:29:25.720
<v Speaker 1>all these companies are crazy. And then they also like

0:29:25.800 --> 0:29:29.520
<v Speaker 1>blocked the sidewalks for disabled people and people who live

0:29:29.560 --> 0:29:33.200
<v Speaker 1>on the sidewalk. So what does serve is serve running

0:29:33.200 --> 0:29:35.160
<v Speaker 1>around in New York? Like, is serve running around a

0:29:35.160 --> 0:29:37.200
<v Speaker 1>place where people use the sidewalks? I mean they were

0:29:37.240 --> 0:29:40.000
<v Speaker 1>first permitted in San Francisco because The Verge reported on

0:29:40.040 --> 0:29:43.200
<v Speaker 1>it in August that they've gotten a permit for San Francisco. Yeah,

0:29:43.400 --> 0:29:46.160
<v Speaker 1>and Garcatti will let any old trash happen in Los Angeles.

0:29:46.200 --> 0:29:48.520
<v Speaker 1>If it's got wheels, then he will give it. Right,

0:29:49.480 --> 0:29:52.040
<v Speaker 1>is like a wheeler from Return to Oz. It's like

0:29:52.080 --> 0:29:54.400
<v Speaker 1>a wheeler. It also just looks like it reminded me

0:29:54.480 --> 0:29:57.600
<v Speaker 1>so much of Wally because you can see how quickly

0:29:57.640 --> 0:30:00.680
<v Speaker 1>it's going to degrade, you know, just beat up and

0:30:00.760 --> 0:30:04.440
<v Speaker 1>sad white. Right, they're gonna look like minions. They're gonna

0:30:04.480 --> 0:30:07.800
<v Speaker 1>look really dirty very quickly. I don't It's weird how

0:30:07.840 --> 0:30:10.080
<v Speaker 1>I come to the defense of these robots, Like I'm

0:30:10.080 --> 0:30:11.840
<v Speaker 1>not mad at them, I'm mad at the people who

0:30:11.880 --> 0:30:16.080
<v Speaker 1>created them, Unlike scooters, where I actually like the scooter.

0:30:16.600 --> 0:30:20.040
<v Speaker 1>Well you do, don't answer because you're like unionize. They

0:30:20.080 --> 0:30:22.680
<v Speaker 1>have eyes, and so I'm like, who's your boss who

0:30:22.720 --> 0:30:25.760
<v Speaker 1>like unleashed you onto the streets. You're not safe here

0:30:25.880 --> 0:30:27.640
<v Speaker 1>and we know it's because they're like trying to get

0:30:27.640 --> 0:30:31.680
<v Speaker 1>around having to hire human beings because they demand things

0:30:31.760 --> 0:30:35.120
<v Speaker 1>like fair wages. Wait, were you guys tell was it

0:30:35.280 --> 0:30:37.040
<v Speaker 1>on this podcast that you were telling me about the

0:30:37.480 --> 0:30:41.200
<v Speaker 1>robot at the airport? Yeah? Did you watch a video

0:30:41.240 --> 0:30:47.480
<v Speaker 1>of her? It's heartbreaking. She's like, hello, hey, can I

0:30:47.520 --> 0:30:51.680
<v Speaker 1>tell you? And people are just mean every single podcast,

0:30:51.720 --> 0:30:53.239
<v Speaker 1>I feel like I find a way to bring in

0:30:53.320 --> 0:30:55.840
<v Speaker 1>like the sad plight of robots, but I'm thinking about

0:30:55.880 --> 0:30:58.800
<v Speaker 1>it so much. One story about nature taking revenge on

0:30:58.840 --> 0:31:02.240
<v Speaker 1>all this nightmare are Bridge that we all found inspiring.

0:31:02.640 --> 0:31:06.520
<v Speaker 1>The story about the mega tumbleweed in Washington that shut

0:31:06.560 --> 0:31:11.200
<v Speaker 1>down a highway because it was so big. Um. My

0:31:11.240 --> 0:31:14.000
<v Speaker 1>friend Aurora Tang wrote me a message about this to

0:31:14.080 --> 0:31:18.239
<v Speaker 1>say that these are called nuclear tumbleweeds because they were

0:31:18.400 --> 0:31:20.520
<v Speaker 1>came from a nuclear plan at some point, but that

0:31:20.640 --> 0:31:23.160
<v Speaker 1>they are not glow in the dark or anything. I

0:31:23.200 --> 0:31:25.000
<v Speaker 1>don't know if them being nuclear is what makes them

0:31:25.000 --> 0:31:28.880
<v Speaker 1>get so big, but it's very much like imagine the blob,

0:31:28.960 --> 0:31:32.240
<v Speaker 1>but as tumbleweeds. Yeah, it doesn't, it's not. It doesn't

0:31:32.240 --> 0:31:34.280
<v Speaker 1>even register as a tumbleweed in the photos of it. It

0:31:34.200 --> 0:31:36.200
<v Speaker 1>It just looks like it does look like the blob.

0:31:36.240 --> 0:31:38.720
<v Speaker 1>It looks like a big cloud that is like descended over.

0:31:38.840 --> 0:31:41.560
<v Speaker 1>So they trapped cars and shut down a highway. Yeah,

0:31:41.840 --> 0:31:45.640
<v Speaker 1>and tumbleweeds themselves are like an invasive species that were

0:31:45.680 --> 0:31:48.240
<v Speaker 1>brought over I think by Russians in like the eighteen

0:31:48.240 --> 0:31:50.760
<v Speaker 1>seventies or something to the American West and became this

0:31:50.840 --> 0:31:53.480
<v Speaker 1>like iconic symbol of the American West. But they are invasive.

0:31:54.000 --> 0:31:56.600
<v Speaker 1>Really Yeah, I didn't know that. It's super interesting and

0:31:56.680 --> 0:31:59.680
<v Speaker 1>so it's an invasive plant. And I just love the

0:31:59.720 --> 0:32:02.560
<v Speaker 1>idea that plants or animals might take their revenge on us.

0:32:02.760 --> 0:32:06.880
<v Speaker 1>That's very annihilation. Yeah. Um, we'll get to more annihilation

0:32:06.960 --> 0:32:10.640
<v Speaker 1>type things soon with the abyss, but first we got

0:32:10.640 --> 0:32:13.640
<v Speaker 1>to talk about the Crimes and Elon musk Baby. We

0:32:13.720 --> 0:32:17.240
<v Speaker 1>are I feel like contractually obliged to talk about the

0:32:18.120 --> 0:32:22.600
<v Speaker 1>spawn of Grimes and Elon musk Um. I mean, only

0:32:22.760 --> 0:32:27.080
<v Speaker 1>Grimes would announce her pregnancy with a bad photoshop job,

0:32:27.280 --> 0:32:28.960
<v Speaker 1>Like I just it was like a DV and art

0:32:28.960 --> 0:32:33.040
<v Speaker 1>pregnancy announced. It was like my twisted baby and she

0:32:33.160 --> 0:32:36.160
<v Speaker 1>had one with nips and one without, so the like

0:32:36.280 --> 0:32:39.960
<v Speaker 1>for ultimate postability, Like I said that it made pregnancy

0:32:40.000 --> 0:32:43.560
<v Speaker 1>made her feel feral and warlike, yeah, which is just girls,

0:32:43.560 --> 0:32:45.840
<v Speaker 1>because I was like, girl, there's a war, yeah, maybe

0:32:45.880 --> 0:32:48.800
<v Speaker 1>about to happen. Yeah, maybe it's not cool to be warlike.

0:32:49.120 --> 0:32:51.000
<v Speaker 1>So who are you worrying against? Like, who are you

0:32:51.120 --> 0:32:53.720
<v Speaker 1>protecting your child against? When you're inside the compound? The

0:32:53.720 --> 0:32:56.200
<v Speaker 1>cider truck, by the way, I realized from watching Total

0:32:56.240 --> 0:32:59.320
<v Speaker 1>Recall again just is a Johnny cab from Total Recall,

0:32:59.440 --> 0:33:03.360
<v Speaker 1>which are the like robot driven cars. It's just what

0:33:03.480 --> 0:33:06.160
<v Speaker 1>they took the shape of that and made it. But

0:33:06.200 --> 0:33:08.640
<v Speaker 1>it's supposed to be dystopian in Total Recall, You're supposed

0:33:08.680 --> 0:33:12.520
<v Speaker 1>to be like, oh, a self driving like brutalist nightmare car.

0:33:13.560 --> 0:33:15.160
<v Speaker 1>What do you think they're going to name their baby?

0:33:16.680 --> 0:33:21.200
<v Speaker 1>That's the hardest question ever. Stupid um something from a

0:33:21.280 --> 0:33:25.880
<v Speaker 1>video game that I haven't played. Somebody said Mars Mars.

0:33:26.680 --> 0:33:30.720
<v Speaker 1>Somebody else said it'll be in wingdings photos like the

0:33:30.840 --> 0:33:35.600
<v Speaker 1>Moon of Mars. Something fucking stupid. I just I don't know.

0:33:36.960 --> 0:33:39.600
<v Speaker 1>It feels like I don't know. It feels like a

0:33:40.320 --> 0:33:44.920
<v Speaker 1>I hate the Elon Musk, like online persuinga or whenever

0:33:44.960 --> 0:33:47.680
<v Speaker 1>he's like addressing anything having to do with crimes, because

0:33:47.720 --> 0:33:54.040
<v Speaker 1>it's like very hello, fellow kids. Like yeah, by the way,

0:33:54.080 --> 0:33:56.680
<v Speaker 1>he's not old as fun. Nobody's got like hell of

0:33:56.800 --> 0:34:01.400
<v Speaker 1>kids already. He's forty eight, she's thirty one. It's just

0:34:01.480 --> 0:34:05.680
<v Speaker 1>that he's like embarrassing, he's just very levels. Yeah. We

0:34:05.800 --> 0:34:08.880
<v Speaker 1>just we're an anti Musk pod. What can I say? Yeah,

0:34:08.920 --> 0:34:11.520
<v Speaker 1>we are anti. I can't believe there's still to gain.

0:34:11.560 --> 0:34:14.440
<v Speaker 1>I there has been. They've been quiet over there for

0:34:14.640 --> 0:34:18.560
<v Speaker 1>this picture of them at Kim and Kanye's Christmas party,

0:34:19.000 --> 0:34:21.160
<v Speaker 1>and it was just like the most Hunger Games thing

0:34:21.160 --> 0:34:23.840
<v Speaker 1>I've ever seen, and I was just like, fuck this.

0:34:24.200 --> 0:34:27.759
<v Speaker 1>The weirdest thing is that didn't Azalea Banks like congratulate them,

0:34:28.760 --> 0:34:31.880
<v Speaker 1>say she's going to show up like Maleficent claimed the

0:34:31.880 --> 0:34:35.319
<v Speaker 1>first time. This is for the recording session. It never

0:34:35.400 --> 0:34:38.319
<v Speaker 1>happened to put a curse on the baby. It's what

0:34:38.400 --> 0:34:42.879
<v Speaker 1>it deserves. Hey, it's not the baby's fault. I know

0:34:44.360 --> 0:34:48.120
<v Speaker 1>the baby is gonna be so fucked up. Sorry, I

0:34:48.120 --> 0:34:50.560
<v Speaker 1>feel bad for the baby. I wish no harm on

0:34:50.560 --> 0:34:53.600
<v Speaker 1>the baby or them, but but I wish they weren't

0:34:53.600 --> 0:34:56.640
<v Speaker 1>famous so that we didn't have to like address any

0:34:56.680 --> 0:34:58.799
<v Speaker 1>of this. But we just like it does feel like

0:34:58.840 --> 0:35:01.360
<v Speaker 1>the when like some quirky art school girl you know,

0:35:01.440 --> 0:35:03.520
<v Speaker 1>turns out to just be like a boring normy and

0:35:03.520 --> 0:35:06.600
<v Speaker 1>you're like, oh, I could have sensed that all along.

0:35:06.640 --> 0:35:09.160
<v Speaker 1>Anyone who's that obsessed with being quirky and unique, it's

0:35:09.200 --> 0:35:12.359
<v Speaker 1>probably like deeply boring, Like no, wait, I can make

0:35:12.400 --> 0:35:17.680
<v Speaker 1>motherhood like alt, I'll make it, but it's also edge

0:35:17.719 --> 0:35:19.759
<v Speaker 1>lordy to be like I'll make it all by like

0:35:19.960 --> 0:35:24.560
<v Speaker 1>getting with a billionaire psychopath. All I could think about

0:35:24.560 --> 0:35:26.759
<v Speaker 1>when I saw the picture was that I think Kate

0:35:26.880 --> 0:35:30.759
<v Speaker 1>Raft from jack Am needs to do some art about this,

0:35:31.400 --> 0:35:35.120
<v Speaker 1>because it is very like pregnancy is twisted, like you said, uh,

0:35:35.160 --> 0:35:38.080
<v Speaker 1>and I think it can it can inspire good people

0:35:38.160 --> 0:35:41.680
<v Speaker 1>to do good things. I enjoy pregnancy body horror. I

0:35:41.719 --> 0:35:44.080
<v Speaker 1>think we're just like, how dare you co opt pregnancy

0:35:44.080 --> 0:35:49.239
<v Speaker 1>body horror when this is horrifying. Legitimately, we're going to

0:35:49.320 --> 0:35:51.480
<v Speaker 1>take a quick break and when we come back, we're

0:35:51.480 --> 0:35:54.719
<v Speaker 1>going to kick off a new movie series. You're a

0:35:54.880 --> 0:36:15.120
<v Speaker 1>Night Call. We are back. We are starting a new

0:36:15.160 --> 0:36:19.480
<v Speaker 1>film series. After the rousing success of our puppetry series

0:36:19.520 --> 0:36:21.880
<v Speaker 1>that we did over the holidays. At the end of

0:36:21.880 --> 0:36:25.880
<v Speaker 1>the last week, we started this series last week with Cats. Yeah,

0:36:25.920 --> 0:36:27.840
<v Speaker 1>in a way that was just a little but that

0:36:28.000 --> 0:36:30.400
<v Speaker 1>was a taste taste. It was a taste of the uncanny,

0:36:30.440 --> 0:36:33.720
<v Speaker 1>a little fancy feast on the spoon. So we're following

0:36:33.800 --> 0:36:38.759
<v Speaker 1>up Nightmarish eighties puppet Movies December with Unnerving c g

0:36:38.920 --> 0:36:42.239
<v Speaker 1>I January from the like mostly what I would call

0:36:42.360 --> 0:36:47.360
<v Speaker 1>early c g I eighties and nineties bad c g I.

0:36:47.560 --> 0:36:50.359
<v Speaker 1>It's just early. It was great for the time, so

0:36:50.440 --> 0:36:53.640
<v Speaker 1>it's unnerving. I would argue that that the c g

0:36:53.760 --> 0:36:57.320
<v Speaker 1>I in our movie today holds up. It was pretty well.

0:36:57.360 --> 0:37:00.319
<v Speaker 1>But I also feel like Unnerving covers it's still yeah,

0:37:00.520 --> 0:37:04.279
<v Speaker 1>and also covers Cats, Yes, and the lawnmower Man, which

0:37:04.280 --> 0:37:06.279
<v Speaker 1>we're going to do next week. Yeah, so you can

0:37:06.320 --> 0:37:10.000
<v Speaker 1>study ahead. Um. We are talking about James Cameron's The

0:37:10.160 --> 0:37:13.319
<v Speaker 1>Abyss this week, which I had never seen, and I

0:37:13.360 --> 0:37:16.400
<v Speaker 1>realized I hadn't seen because it's been kind of difficult

0:37:16.480 --> 0:37:20.279
<v Speaker 1>to watch. Historically, I think that James Cameron is very

0:37:20.280 --> 0:37:24.200
<v Speaker 1>protective over versions of his family. He's kind of lucacy

0:37:24.280 --> 0:37:26.000
<v Speaker 1>in the way where he's like, you can't see this

0:37:26.120 --> 0:37:28.520
<v Speaker 1>until I have the perfect version of it ready to So,

0:37:28.520 --> 0:37:31.799
<v Speaker 1>so now there's a it's on HBO Go. There's an

0:37:31.840 --> 0:37:34.200
<v Speaker 1>extended version that's not the version that's on HBO Go.

0:37:34.360 --> 0:37:36.040
<v Speaker 1>But I was actually able to like you're actually able

0:37:36.080 --> 0:37:39.279
<v Speaker 1>to stream it now, um, which is has not been

0:37:39.280 --> 0:37:40.880
<v Speaker 1>the case for a while. So I was like, Okay,

0:37:40.920 --> 0:37:44.040
<v Speaker 1>that's why I haven't seen it, because I was watching

0:37:44.080 --> 0:37:46.600
<v Speaker 1>this and getting through it, and I was like, this

0:37:46.640 --> 0:37:49.480
<v Speaker 1>movie kind of rules. And I'm sort of mad at

0:37:49.520 --> 0:37:52.759
<v Speaker 1>myself for not having seen it earlier after having known

0:37:52.760 --> 0:37:54.399
<v Speaker 1>about it for such a long time and known about

0:37:54.440 --> 0:37:57.040
<v Speaker 1>it as this like early I l M thing like

0:37:57.120 --> 0:37:59.800
<v Speaker 1>that was like kind of put made. I l M

0:38:00.080 --> 0:38:05.399
<v Speaker 1>industrial lite and magic this um cool get I can't

0:38:05.400 --> 0:38:09.520
<v Speaker 1>speak boundary breaking part of like Blockbuster. It was the

0:38:09.520 --> 0:38:11.879
<v Speaker 1>first big test for the use of c g I

0:38:12.040 --> 0:38:17.120
<v Speaker 1>in a Blockbuster before Jurassic Park. And it's interesting too

0:38:17.160 --> 0:38:19.280
<v Speaker 1>because it's a movie with a lot of sets as well,

0:38:19.840 --> 0:38:21.879
<v Speaker 1>and somebody was saying, like, oh, it's interesting this movie

0:38:21.920 --> 0:38:25.560
<v Speaker 1>like kind of killed set building. Yeause, the c g

0:38:25.719 --> 0:38:28.879
<v Speaker 1>I did succeed. The c g I seems like it

0:38:28.920 --> 0:38:35.359
<v Speaker 1>was probably the easiest part of the film was shot underwater. Yes,

0:38:35.600 --> 0:38:39.120
<v Speaker 1>so the behind the scenes of the ABYSS we'll talk

0:38:39.120 --> 0:38:41.920
<v Speaker 1>about the Abyss and movie, but also the behind the scenes.

0:38:42.360 --> 0:38:44.280
<v Speaker 1>No one can talk about this movie without talking about

0:38:44.600 --> 0:38:47.760
<v Speaker 1>what a nightmare it was to make. Apparently the crew

0:38:47.960 --> 0:38:51.800
<v Speaker 1>would call it the Abuse or the Son of Abyss.

0:38:52.760 --> 0:38:55.960
<v Speaker 1>Another one. Um, nobody wants to talk about it. Who

0:38:56.040 --> 0:38:58.160
<v Speaker 1>was involved, which is also maybe either hasn't been like

0:38:58.160 --> 0:39:01.680
<v Speaker 1>a retrospective or a big you know, release of it.

0:39:02.160 --> 0:39:05.359
<v Speaker 1>And Harris, I think was genuinely traumatized by making this movie,

0:39:05.360 --> 0:39:09.640
<v Speaker 1>which is understandable. Harris, who plays the one of the leads,

0:39:09.840 --> 0:39:11.760
<v Speaker 1>so the leads in this movie is very James cameroney.

0:39:11.920 --> 0:39:16.360
<v Speaker 1>The leads are like a bickering divorced couple. They're still

0:39:16.440 --> 0:39:20.200
<v Speaker 1>married estranged, but he has his wedding ring that he

0:39:20.200 --> 0:39:24.320
<v Speaker 1>tosses in the party. Friday on a submarine. Yeah, um,

0:39:24.360 --> 0:39:26.600
<v Speaker 1>but it's a submarine movie. But I was also like

0:39:26.640 --> 0:39:29.400
<v Speaker 1>grateful for a submarine movie that had like a woman

0:39:29.520 --> 0:39:32.399
<v Speaker 1>or two in it. They tend to not. Yeah, well,

0:39:32.480 --> 0:39:34.760
<v Speaker 1>James Cameron is always good at like a rag tag

0:39:34.800 --> 0:39:37.480
<v Speaker 1>team that like everybody kind of He likes to have

0:39:37.560 --> 0:39:40.359
<v Speaker 1>strong ladies. And he didn't he criticize some movie because

0:39:40.400 --> 0:39:43.200
<v Speaker 1>he was like, it's not as cool as like Sarah Connor.

0:39:44.160 --> 0:39:49.440
<v Speaker 1>He's very into himself being like a pioneer feminism. Like

0:39:50.480 --> 0:39:53.040
<v Speaker 1>I mean, he had some quote I'm sorry, Emily, but

0:39:53.560 --> 0:39:56.919
<v Speaker 1>he had some quote about like I love like really independent,

0:39:57.080 --> 0:40:00.440
<v Speaker 1>like difficult women. That's why I like keep marrying them.

0:40:00.440 --> 0:40:03.600
<v Speaker 1>But then I couldn't find one who needed me because

0:40:03.600 --> 0:40:07.040
<v Speaker 1>they're so independent and bitchy. And then I found my wife,

0:40:07.080 --> 0:40:09.279
<v Speaker 1>who's like an independent woman who needs me. I was

0:40:09.320 --> 0:40:13.239
<v Speaker 1>just like enough. James Cameron and this is white the

0:40:13.360 --> 0:40:17.680
<v Speaker 1>number five. It is wife number five. He was married

0:40:17.760 --> 0:40:22.239
<v Speaker 1>to Gail Anne Heard the producer who rules looked her

0:40:22.320 --> 0:40:25.960
<v Speaker 1>up and also maybe like, oh, he's got a type

0:40:26.160 --> 0:40:28.520
<v Speaker 1>because she kind of looks like Katherine Bigelow. She just

0:40:28.520 --> 0:40:33.800
<v Speaker 1>looks like a cool, cool, tough broad. He works in Hollywood. Um,

0:40:33.920 --> 0:40:36.960
<v Speaker 1>she produced Aliens as well. Seems like she is a

0:40:37.000 --> 0:40:40.799
<v Speaker 1>big genre pioneer. You should be talked about as much

0:40:40.800 --> 0:40:42.800
<v Speaker 1>as James Cameron. I mean, she did a lot of

0:40:42.840 --> 0:40:46.080
<v Speaker 1>effects that she had Terminator, she did Aliens with him.

0:40:46.200 --> 0:40:48.120
<v Speaker 1>She and then she did the Abyss and then they

0:40:48.120 --> 0:40:50.279
<v Speaker 1>were divorced by the end of the Yeah, those things

0:40:50.320 --> 0:40:53.200
<v Speaker 1>that they were married when they started filming. They separated

0:40:53.280 --> 0:40:55.680
<v Speaker 1>during filming and they were divorced by the end, and

0:40:55.719 --> 0:40:59.000
<v Speaker 1>I think he was already with Katherine Bigelow at that point.

0:40:59.040 --> 0:41:02.040
<v Speaker 1>He hops from lily Pad to lily Pad. And I

0:41:02.080 --> 0:41:06.360
<v Speaker 1>think she she did executive produce um Terminator two, but

0:41:06.440 --> 0:41:08.560
<v Speaker 1>I think that she was not hands on in it.

0:41:08.560 --> 0:41:10.480
<v Speaker 1>It was just because she had produced the first. Imagine,

0:41:10.480 --> 0:41:12.839
<v Speaker 1>once you produced Terminator, you could probably chill out for

0:41:13.200 --> 0:41:18.880
<v Speaker 1>one minute. Yeah, but this movie rules. It's really it's great.

0:41:19.000 --> 0:41:22.280
<v Speaker 1>I mean how long it is, and the extended version

0:41:22.320 --> 0:41:25.360
<v Speaker 1>is longer by like a half an hour or something stop,

0:41:25.480 --> 0:41:27.520
<v Speaker 1>so it's a full three hours. It's almost three hours

0:41:27.520 --> 0:41:29.960
<v Speaker 1>long the extended version. I took a break in the middle.

0:41:30.239 --> 0:41:34.279
<v Speaker 1>I will admit, Um, there are a lot of set pieces. Yeah, yeah,

0:41:34.280 --> 0:41:36.840
<v Speaker 1>of course it out. But then I did watch the

0:41:37.000 --> 0:41:39.120
<v Speaker 1>end of it as I was going to bed, and

0:41:39.239 --> 0:41:45.319
<v Speaker 1>this movie is ridiculous, hands really strong. Um yeah, I

0:41:45.400 --> 0:41:47.480
<v Speaker 1>was like, oh, I only want to watch movies where

0:41:47.520 --> 0:41:50.720
<v Speaker 1>the third act is just completely tripping balls. Yeah, because

0:41:50.760 --> 0:41:52.600
<v Speaker 1>it was like a ten to one sketch or something.

0:41:52.640 --> 0:41:56.000
<v Speaker 1>You were like, excuse me, he's really trying for a

0:41:56.040 --> 0:41:59.160
<v Speaker 1>two finale and you can feel it. I knew it

0:41:59.239 --> 0:42:01.880
<v Speaker 1>was coming, but it was sort of impressive also after

0:42:02.120 --> 0:42:05.000
<v Speaker 1>so let's tell what the abyss is about in case

0:42:05.040 --> 0:42:10.080
<v Speaker 1>you don't try. It's about nuclear war. Also, it's like

0:42:10.440 --> 0:42:14.560
<v Speaker 1>Russian sub and an American sub fighting to get to

0:42:14.600 --> 0:42:18.359
<v Speaker 1>the bottom of the ocean for some reason unclear, at

0:42:18.400 --> 0:42:21.560
<v Speaker 1>least in the non extended version unclear stop a nuclear war,

0:42:21.640 --> 0:42:25.239
<v Speaker 1>but that is not clear in the theatrical version. Um.

0:42:25.280 --> 0:42:29.760
<v Speaker 1>And then it turns out there's like benevolent alien TI

0:42:30.200 --> 0:42:33.719
<v Speaker 1>non terrestrial intelligence. The n t I s have like

0:42:34.080 --> 0:42:39.400
<v Speaker 1>kind of intercepted this American sub and and sucked it

0:42:39.480 --> 0:42:42.680
<v Speaker 1>up and driven it off course and it crashes and

0:42:42.760 --> 0:42:46.239
<v Speaker 1>it has nuclear has like nukes on board, and so

0:42:46.320 --> 0:42:48.000
<v Speaker 1>they have to go down, like this crew has to

0:42:48.040 --> 0:42:51.960
<v Speaker 1>go down and search for survivors, which is actually like

0:42:52.000 --> 0:42:55.399
<v Speaker 1>the scariest part of the whole. And it's good also

0:42:55.440 --> 0:42:58.680
<v Speaker 1>because it's like a space trucking movie but underwater. I

0:42:58.680 --> 0:43:01.160
<v Speaker 1>mean it is a space movie on or water. It's

0:43:01.200 --> 0:43:05.240
<v Speaker 1>aliens on which is such a good idea and especially

0:43:05.280 --> 0:43:10.000
<v Speaker 1>at that time, Um yeah, and going in the opposite

0:43:10.000 --> 0:43:12.600
<v Speaker 1>direction of aliens and being like the aliens are good.

0:43:12.719 --> 0:43:16.000
<v Speaker 1>They're good. But and and I think it's spelled out

0:43:16.120 --> 0:43:19.640
<v Speaker 1>more in the extended version that they're kind of like

0:43:19.680 --> 0:43:22.239
<v Speaker 1>they're kind of Godzilla esque and that they are kind

0:43:22.239 --> 0:43:27.080
<v Speaker 1>of these godlike punishers for the ills of man. They're

0:43:27.120 --> 0:43:30.440
<v Speaker 1>really cool looking. Also, they just look like a jelly fit,

0:43:30.520 --> 0:43:34.520
<v Speaker 1>like a bioluminescent jellyfish. Well, so like the the aliens,

0:43:34.840 --> 0:43:40.400
<v Speaker 1>they call them nett ees. It's like non terrestrial intelligences. Um,

0:43:40.480 --> 0:43:43.000
<v Speaker 1>they are. As far as I can tell, It's really

0:43:43.040 --> 0:43:47.240
<v Speaker 1>hard to find information about that effect because the water

0:43:47.360 --> 0:43:49.640
<v Speaker 1>column thing is like the most famous thing, and that's

0:43:49.719 --> 0:43:52.239
<v Speaker 1>the c g I thing, um, and that was the

0:43:52.280 --> 0:43:54.880
<v Speaker 1>thing that I LEM did, and the and the Aliens.

0:43:54.920 --> 0:43:57.120
<v Speaker 1>I don't think that I l M did. But they're

0:43:57.160 --> 0:43:59.680
<v Speaker 1>like a really kind of cool They kind of tron

0:43:59.760 --> 0:44:02.480
<v Speaker 1>like gets sort of that projection ara of like graphics,

0:44:02.520 --> 0:44:05.320
<v Speaker 1>but like a practical puppet is involved as well. It

0:44:05.719 --> 0:44:08.680
<v Speaker 1>makes sense. Yeah, it's really great looking. Is that this

0:44:08.719 --> 0:44:12.240
<v Speaker 1>movie also invented like farming out different effects to different

0:44:12.320 --> 0:44:14.560
<v Speaker 1>effects houses so that you could get them all done

0:44:14.680 --> 0:44:18.319
<v Speaker 1>at the same time. But I did think that the

0:44:18.400 --> 0:44:23.160
<v Speaker 1>jellyfish looking thing was it did have a puppety feeling. Yeah,

0:44:23.280 --> 0:44:28.000
<v Speaker 1>it was the hand it was like inside of a

0:44:28.080 --> 0:44:30.279
<v Speaker 1>jelly That was just really good. C G I, and

0:44:30.320 --> 0:44:32.480
<v Speaker 1>I was actually so impressed with how it the c

0:44:32.560 --> 0:44:34.680
<v Speaker 1>G I. Well, it looks fantastic. I mean, that's the

0:44:34.680 --> 0:44:36.920
<v Speaker 1>thing that's interesting about this movie, even just like within

0:44:37.760 --> 0:44:40.239
<v Speaker 1>like film history, is that you have both you have

0:44:40.400 --> 0:44:42.160
<v Speaker 1>you have c G I and you have this really

0:44:42.200 --> 0:44:45.319
<v Speaker 1>interesting puppet design and Jurassic Park is like that, and

0:44:45.360 --> 0:44:47.440
<v Speaker 1>that's why they both work so well, because it's like

0:44:47.480 --> 0:44:49.719
<v Speaker 1>a groundedness to it where you don't just feel like

0:44:49.760 --> 0:44:52.719
<v Speaker 1>they're pete dragon like animated in like you do with

0:44:52.800 --> 0:44:56.560
<v Speaker 1>full on c G I. But I once was like,

0:44:56.560 --> 0:44:58.200
<v Speaker 1>why don't they just always do that? And it was like,

0:44:58.239 --> 0:45:02.719
<v Speaker 1>because it's really expensive at this point, it's like people

0:45:02.840 --> 0:45:05.560
<v Speaker 1>choose c G I. But I do think that something

0:45:05.640 --> 0:45:08.840
<v Speaker 1>is lost when you don't have like the puppetry underneath

0:45:08.920 --> 0:45:11.160
<v Speaker 1>is what makes it. Yeah, well, it's the kind of

0:45:11.160 --> 0:45:14.240
<v Speaker 1>thing where when you notice c g I, but then

0:45:14.440 --> 0:45:16.960
<v Speaker 1>you notice an effect and you identify it as not

0:45:17.040 --> 0:45:21.399
<v Speaker 1>being c G I, it becomes less bothersome because it's

0:45:21.480 --> 0:45:24.120
<v Speaker 1>unpredictable it. I don't it doesn't bother me to notice

0:45:24.480 --> 0:45:26.440
<v Speaker 1>something c G I, or even to notice bad c

0:45:26.600 --> 0:45:29.239
<v Speaker 1>G I, as long as it's not the only thing

0:45:29.320 --> 0:45:32.120
<v Speaker 1>that's going on, because then you become obsessive about it

0:45:32.280 --> 0:45:36.319
<v Speaker 1>and start to you know, disengage. But I think like,

0:45:36.600 --> 0:45:39.480
<v Speaker 1>especially when you're animating something, I think it's easier if

0:45:39.480 --> 0:45:41.400
<v Speaker 1>you're doing something like an alien or some kind of

0:45:41.440 --> 0:45:45.040
<v Speaker 1>like uh, non human thing where that when it enters

0:45:45.080 --> 0:45:47.880
<v Speaker 1>the film, the tone and the feeling of the film changes.

0:45:47.920 --> 0:45:50.239
<v Speaker 1>So it's like, okay, if it doesn't look like everything else,

0:45:50.320 --> 0:45:53.120
<v Speaker 1>because it shouldn't. It should look genuinely alien. And I

0:45:53.120 --> 0:45:55.640
<v Speaker 1>think they pull that off really well. Yeah. The Alien

0:45:55.680 --> 0:46:01.080
<v Speaker 1>City is really cool. It's like, how I not before

0:46:01.080 --> 0:46:04.560
<v Speaker 1>It's like pink aliens and Ed Harris like touching their

0:46:04.600 --> 0:46:07.840
<v Speaker 1>fingers and stuff, and it's great. And then the aliens

0:46:07.840 --> 0:46:10.200
<v Speaker 1>are going to kill society, but they decide not to

0:46:10.320 --> 0:46:14.680
<v Speaker 1>because of the love between Harris loves his wife Dr

0:46:14.800 --> 0:46:19.360
<v Speaker 1>Lindsay Brigman. She's so good. I really yeah. It was.

0:46:19.440 --> 0:46:23.799
<v Speaker 1>It's Mary and Mastro Antonio, Mary Anne Mary Elizabeth Mary

0:46:23.800 --> 0:46:28.440
<v Speaker 1>Elizabeth Master Antonio who was she's the sister's sister in Scarface.

0:46:29.080 --> 0:46:32.279
<v Speaker 1>She was also I realized, um, I was listening to

0:46:32.320 --> 0:46:34.839
<v Speaker 1>the blank Check episode on this film, which I hadn't

0:46:34.840 --> 0:46:37.960
<v Speaker 1>listened to before because I had not seen the movie. Um,

0:46:38.120 --> 0:46:43.799
<v Speaker 1>she was also made Mary and Rob. She is a

0:46:43.960 --> 0:46:47.359
<v Speaker 1>very she's an amazing actor, and she has a very

0:46:47.480 --> 0:46:50.839
<v Speaker 1>like very cool face. Yeah, I mean I do love

0:46:50.880 --> 0:46:54.160
<v Speaker 1>those James Cameron like tough broad in a wife everyone

0:46:54.200 --> 0:46:56.640
<v Speaker 1>he loves a good face. Let me not say wife, Peter.

0:46:57.000 --> 0:47:00.400
<v Speaker 1>I do love I do love those James Cameron tough

0:47:00.640 --> 0:47:03.160
<v Speaker 1>tough chicken the tank top. Yeah, well, like at the

0:47:03.280 --> 0:47:05.279
<v Speaker 1>end of the film, that's as fast forward to the end,

0:47:05.280 --> 0:47:07.520
<v Speaker 1>but just like when you know it's the end and

0:47:07.560 --> 0:47:10.680
<v Speaker 1>they they've come out of the um the what's the

0:47:10.760 --> 0:47:13.400
<v Speaker 1>rig and they kind of like get pooped out of

0:47:13.400 --> 0:47:17.240
<v Speaker 1>the rig onto the surface of the the alien craft

0:47:17.680 --> 0:47:20.799
<v Speaker 1>whatever it is, and she's just in like sweats and

0:47:20.880 --> 0:47:23.839
<v Speaker 1>like like a kind of ill fitting sweater and like

0:47:23.960 --> 0:47:26.800
<v Speaker 1>that's that's what she's wearing in the Victorious end, seeing

0:47:26.800 --> 0:47:28.880
<v Speaker 1>it's kind of like she looks like she's just been

0:47:28.920 --> 0:47:32.719
<v Speaker 1>blogging all day. Nobody has time for Bras and the

0:47:32.800 --> 0:47:38.239
<v Speaker 1>James can ray they gotta work on this ship. Respect that. Um. Yeah,

0:47:38.360 --> 0:47:40.040
<v Speaker 1>it's also really funny when you come out of the

0:47:40.080 --> 0:47:42.759
<v Speaker 1>super long c G I sequence, which is really psychedelic,

0:47:43.000 --> 0:47:46.359
<v Speaker 1>really amazing, genuinely sort of overwhelming and made me be like, oh,

0:47:46.400 --> 0:47:48.439
<v Speaker 1>I wish I was watching this lit a large screen. Yeah,

0:47:48.520 --> 0:47:50.719
<v Speaker 1>that would be great. Yeah. And then the first person

0:47:50.800 --> 0:47:54.560
<v Speaker 1>you see is Chris Elliott. Yes, Chris Elliott is So

0:47:55.000 --> 0:47:59.480
<v Speaker 1>it's such a surprising so hard because I saw him

0:47:59.480 --> 0:48:01.600
<v Speaker 1>on the cast and I was like, oh, it must

0:48:01.640 --> 0:48:03.799
<v Speaker 1>be another Chrysalia that I was like, Nope, nope's cry

0:48:04.040 --> 0:48:08.040
<v Speaker 1>it's cabin boy. Yeah. He's like the comforting bookend at

0:48:08.040 --> 0:48:10.239
<v Speaker 1>the beginning end of the like he's like, oh, we're

0:48:10.280 --> 0:48:14.279
<v Speaker 1>back on earthwork. There's a couple of things about this

0:48:14.320 --> 0:48:18.120
<v Speaker 1>movie that come up also. One is that the set

0:48:18.239 --> 0:48:21.120
<v Speaker 1>was just kind of left there in the half built

0:48:21.200 --> 0:48:25.840
<v Speaker 1>nuclear reactor where they filmed it until two thousand seven. Yeah,

0:48:26.040 --> 0:48:28.600
<v Speaker 1>so you can find people who did are been exploring

0:48:28.680 --> 0:48:33.400
<v Speaker 1>to go to. There's like an ionine post about it. Um.

0:48:33.440 --> 0:48:36.400
<v Speaker 1>But it's a little disappointing because it's just like a tank.

0:48:36.480 --> 0:48:39.600
<v Speaker 1>It's not like the interior or the subs or anything.

0:48:39.640 --> 0:48:42.680
<v Speaker 1>But it is really creepy and very annihilation e because

0:48:42.680 --> 0:48:47.279
<v Speaker 1>it is an overgrown, unfinished nuclear reactor place. This would

0:48:47.280 --> 0:48:50.759
<v Speaker 1>be the Cherokee Nuclear Power Plant in Gaffney, South Carolina.

0:48:51.000 --> 0:48:54.600
<v Speaker 1>I think they also did um. I was really fascinated

0:48:54.600 --> 0:48:58.480
<v Speaker 1>by the idea of them filming in this giant underground

0:48:58.560 --> 0:49:01.960
<v Speaker 1>lake in a mine in Missouri. I mean all of

0:49:02.000 --> 0:49:05.759
<v Speaker 1>the like in the context of how horrible filming was

0:49:06.120 --> 0:49:08.759
<v Speaker 1>because you're filming underwater, which would make you insane. But

0:49:08.760 --> 0:49:15.200
<v Speaker 1>it's not only that, but it's the chlorine, it's the

0:49:15.320 --> 0:49:21.160
<v Speaker 1>darkness there. The diver's hair was like bleached, was burned.

0:49:21.280 --> 0:49:24.480
<v Speaker 1>James Cameron clearly seems to have some sort of a

0:49:24.560 --> 0:49:28.560
<v Speaker 1>playing god. This is the issue is that he his

0:49:29.080 --> 0:49:31.360
<v Speaker 1>the way that he kind of justifies what he puts

0:49:31.360 --> 0:49:34.800
<v Speaker 1>actors through is I wouldn't ask you to do anything

0:49:35.000 --> 0:49:38.759
<v Speaker 1>I wouldn't do like, but James camera James Cameron. So

0:49:38.880 --> 0:49:43.960
<v Speaker 1>James Cameron is a super crazy deep sea explorer, so

0:49:44.000 --> 0:49:46.680
<v Speaker 1>it's like, of course you would do it, James Cameron.

0:49:46.800 --> 0:49:49.520
<v Speaker 1>He almost died too, and the story was that he

0:49:49.560 --> 0:49:51.480
<v Speaker 1>was running out of air and then he like punched

0:49:51.480 --> 0:49:54.440
<v Speaker 1>this diver in the face and like swam to the surface.

0:49:54.760 --> 0:49:58.280
<v Speaker 1>Great call Um Ed Harris almost died and talks about

0:49:58.280 --> 0:50:00.000
<v Speaker 1>how he pulled over on the side of the road

0:50:00.120 --> 0:50:03.400
<v Speaker 1>to cry. They're like they would have breaks in the

0:50:03.400 --> 0:50:05.480
<v Speaker 1>green room with the whole cast to just weep and

0:50:05.520 --> 0:50:10.120
<v Speaker 1>like throw furniture out the window. Yeah, Mary Elizabeth really

0:50:10.160 --> 0:50:12.480
<v Speaker 1>hated him because she made them film the scene where

0:50:12.520 --> 0:50:16.120
<v Speaker 1>she gets resuscitated, and they ran out of film and

0:50:16.200 --> 0:50:19.400
<v Speaker 1>then didn't stop filming that was the thing, and she's

0:50:19.480 --> 0:50:23.320
<v Speaker 1>like she yelled, we are not animals, and James Cameron

0:50:23.320 --> 0:50:25.040
<v Speaker 1>and stormed off, And then the rest of the scene,

0:50:25.080 --> 0:50:27.760
<v Speaker 1>all of at Harris's sides and that where he's crying

0:50:28.400 --> 0:50:32.400
<v Speaker 1>was done without her and on sets a little snuff filming,

0:50:32.840 --> 0:50:35.960
<v Speaker 1>because yeah, what this made me realize. It's like James

0:50:36.000 --> 0:50:40.680
<v Speaker 1>Cameron is obsessed with like someone almost almost filming somebody drowned. Well,

0:50:40.920 --> 0:50:44.560
<v Speaker 1>he's yeah, he's obsessed with water in a very elemental

0:50:44.600 --> 0:50:48.280
<v Speaker 1>way that I do think, despite all the masochism and

0:50:48.400 --> 0:50:51.000
<v Speaker 1>or guess sadism in this case, is like, I mean

0:50:51.000 --> 0:50:53.120
<v Speaker 1>it's both for him, but but I think it's like

0:50:53.520 --> 0:50:56.520
<v Speaker 1>actually kind of compelling, Like it's the kind of thing

0:50:56.560 --> 0:50:58.520
<v Speaker 1>that makes me feel like, oh, James Cameron is like

0:50:58.560 --> 0:51:00.759
<v Speaker 1>an artist as opposed to just like a guy who

0:51:00.800 --> 0:51:04.000
<v Speaker 1>makes big blockbuster films, because there's nothing that's objectively like

0:51:04.440 --> 0:51:08.960
<v Speaker 1>lucrative about doing these like very complicated and dangerous underwater

0:51:09.160 --> 0:51:12.600
<v Speaker 1>films and like always having to build a tank and

0:51:12.760 --> 0:51:18.799
<v Speaker 1>do all this stuff. Loves water. He's a hitchcock, but

0:51:18.920 --> 0:51:22.680
<v Speaker 1>for people dying in water. Yeah, So it was also

0:51:22.719 --> 0:51:24.759
<v Speaker 1>I was like, oh, if you made this now, you

0:51:24.840 --> 0:51:26.799
<v Speaker 1>would just c G I it and you wouldn't have

0:51:26.840 --> 0:51:29.760
<v Speaker 1>to film it underwater. Actually, and then I found out

0:51:30.040 --> 0:51:33.200
<v Speaker 1>they filmed the second to Avatar sequels that are coming

0:51:33.200 --> 0:51:38.040
<v Speaker 1>out underwater. Pioneered a new type of motion capture that

0:51:38.120 --> 0:51:42.200
<v Speaker 1>you can do underwater. I read that on Wikipedia. I

0:51:42.200 --> 0:51:45.640
<v Speaker 1>read that he was as a child really fascinated with shipwrecks,

0:51:46.160 --> 0:51:49.480
<v Speaker 1>and also that he he's just an adrenaline junkie and

0:51:49.520 --> 0:51:53.040
<v Speaker 1>he feels that everyone should push themselves to this limit.

0:51:53.320 --> 0:51:57.360
<v Speaker 1>And he's become a really you know, enthusiastic conservationist. He

0:51:57.440 --> 0:51:59.440
<v Speaker 1>runds a vegan school with his wife. He's like a

0:51:59.560 --> 0:52:04.880
<v Speaker 1>narciss cistic conservationist. He's like a colonialist conservationist, and he

0:52:04.960 --> 0:52:09.800
<v Speaker 1>sees the sea as like a colony. I actually saw, well,

0:52:09.880 --> 0:52:13.080
<v Speaker 1>I have have an encounter to that. Okay, Okay, Well,

0:52:13.120 --> 0:52:15.719
<v Speaker 1>I think that he genuinely thinks that they're like ghosts

0:52:15.760 --> 0:52:19.000
<v Speaker 1>in the ocean. Yeah, it's I think he thinks he

0:52:19.040 --> 0:52:23.960
<v Speaker 1>can discover being here. I have proof of this. I

0:52:24.000 --> 0:52:26.799
<v Speaker 1>saw the Imax movie. I think it's called Aliens of

0:52:26.800 --> 0:52:30.520
<v Speaker 1>the Aliens. Did you see this? Okay, at the Imax

0:52:30.800 --> 0:52:32.520
<v Speaker 1>at the Science Center. It was like a three D

0:52:32.600 --> 0:52:35.600
<v Speaker 1>Imax thing he made where it was like very James Camerone.

0:52:35.600 --> 0:52:39.279
<v Speaker 1>It was like pseudo fictional but real scientist but he

0:52:39.360 --> 0:52:43.200
<v Speaker 1>picked like the most adorable, diverse group of scientists that

0:52:43.239 --> 0:52:47.680
<v Speaker 1>you've ever seen. Cast it like a James Cameron movie. Um.

0:52:47.760 --> 0:52:50.600
<v Speaker 1>And yeah, he goes to the bottom of the ocean

0:52:51.000 --> 0:52:54.920
<v Speaker 1>with them because he wants to go to the ocean

0:52:54.960 --> 0:53:00.839
<v Speaker 1>inside Jupiter in Jupiter's moon and you, yeah, he wants

0:53:00.880 --> 0:53:03.279
<v Speaker 1>to go to Europa and he like talks about it

0:53:03.480 --> 0:53:06.960
<v Speaker 1>very angrily, where he's like he talks about everything angry

0:53:07.000 --> 0:53:11.319
<v Speaker 1>talks about. But he's like he's like I can keep think. Okay,

0:53:11.320 --> 0:53:14.040
<v Speaker 1>So the abyss is what he thinks is happening on

0:53:14.120 --> 0:53:16.680
<v Speaker 1>Europa for real. And there is this whole thing about

0:53:16.680 --> 0:53:19.920
<v Speaker 1>how there's like a little drill robot they want to send.

0:53:20.200 --> 0:53:21.680
<v Speaker 1>He's like, here's what we're gonna do. We're gonna like

0:53:21.719 --> 0:53:25.400
<v Speaker 1>send this spaceship to Europa's moon to Jupiter's moon, Europa

0:53:25.880 --> 0:53:29.240
<v Speaker 1>have it drill into the center and then sent launch

0:53:29.280 --> 0:53:32.880
<v Speaker 1>another robot that will swim down with a camera and

0:53:32.920 --> 0:53:35.200
<v Speaker 1>like show us where the aliens that clearly live in

0:53:35.239 --> 0:53:38.279
<v Speaker 1>the water are. But we can't do it until we

0:53:38.360 --> 0:53:43.359
<v Speaker 1>fucking explore the stupid ocean to its full capacity. I guess, oh,

0:53:43.560 --> 0:53:45.520
<v Speaker 1>I don't. I feel like he loves the ocean. I

0:53:45.560 --> 0:53:48.840
<v Speaker 1>won't think that the ocean is stupid. But he's like

0:53:49.000 --> 0:53:51.560
<v Speaker 1>mad that they won't just let him go drill on

0:53:51.640 --> 0:53:55.680
<v Speaker 1>the moon on Jupiter's moon because he's like so convinced. Well,

0:53:55.719 --> 0:53:59.319
<v Speaker 1>because he's already broken some kind of record because he

0:53:59.520 --> 0:54:01.799
<v Speaker 1>diving hours or something. It was, well, he was the

0:54:01.880 --> 0:54:06.640
<v Speaker 1>only person to make a solo dive to the Challenger Deep,

0:54:06.680 --> 0:54:08.840
<v Speaker 1>which is the deepest part of the Mariana Trench, and

0:54:08.840 --> 0:54:12.400
<v Speaker 1>then he found new species of like a c cucumber

0:54:12.480 --> 0:54:16.000
<v Speaker 1>and an amiba. I don't know how that was. Like

0:54:16.040 --> 0:54:19.480
<v Speaker 1>an explorer, he wants to be an explorer, and like

0:54:19.719 --> 0:54:22.640
<v Speaker 1>he's angry that there they've run out of places for

0:54:22.719 --> 0:54:25.640
<v Speaker 1>him to explore. I haven't though there's still so much

0:54:25.680 --> 0:54:28.560
<v Speaker 1>of the ocean that's not explored. It seems like he's

0:54:28.560 --> 0:54:30.359
<v Speaker 1>having a good time. I can. I mean I can

0:54:30.440 --> 0:54:33.239
<v Speaker 1>relate to like wanting to live underwater. Yeah, I mean

0:54:33.360 --> 0:54:36.239
<v Speaker 1>I think I think there's something cool with how genuinely

0:54:36.239 --> 0:54:41.000
<v Speaker 1>compelled like to and to imagine like a benevolent creature

0:54:41.080 --> 0:54:45.400
<v Speaker 1>being in the abyss, or at least like a neutral

0:54:45.600 --> 0:54:48.160
<v Speaker 1>like kind of This movie really does also kind of

0:54:48.200 --> 0:54:50.719
<v Speaker 1>like cemental his weird hitchcocky and things where you're like,

0:54:50.800 --> 0:54:53.239
<v Speaker 1>he doesn't just want to explore, he wants like a

0:54:53.320 --> 0:54:57.319
<v Speaker 1>cool woman by his side, like reinforcing that he's the

0:54:57.320 --> 0:54:59.480
<v Speaker 1>greatest man who ever lived. He wants to solve his

0:54:59.520 --> 0:55:02.680
<v Speaker 1>marriage while going into the Mariannest, which is funny to

0:55:02.920 --> 0:55:05.000
<v Speaker 1>make a movie about that while you're marriage is falling

0:55:05.040 --> 0:55:08.280
<v Speaker 1>apart because you're making this movie that's so insane and obsessive.

0:55:08.400 --> 0:55:10.719
<v Speaker 1>And the only person who ever worked with him again

0:55:10.760 --> 0:55:14.080
<v Speaker 1>from this movie is Michael Baine, who's the He's the

0:55:14.120 --> 0:55:16.960
<v Speaker 1>one who goes. He gets like the nerve, the mustache guy.

0:55:17.239 --> 0:55:22.080
<v Speaker 1>He loses his mind from being crazy. He's great. I

0:55:22.120 --> 0:55:24.520
<v Speaker 1>thought he was a real babe. Also, yeah, he was

0:55:24.640 --> 0:55:28.520
<v Speaker 1>very kind of Yeah, Freddie Mercury ish, I feel like

0:55:28.760 --> 0:55:31.359
<v Speaker 1>I got kind of a Walton Goggins energy just kind

0:55:31.400 --> 0:55:34.839
<v Speaker 1>of yeah, kind of a cookie. But he worked with

0:55:35.520 --> 0:55:39.960
<v Speaker 1>Cameron again, but even the composer didn't worker. But but

0:55:40.000 --> 0:55:43.600
<v Speaker 1>like honestly, the novelist Orson Scott Card who wrote the

0:55:43.640 --> 0:55:46.520
<v Speaker 1>Like book version, said he would never work with Cameron

0:55:46.560 --> 0:55:50.320
<v Speaker 1>again and didn't Cameron to adapt any of his books.

0:55:50.760 --> 0:55:53.560
<v Speaker 1>I don't know. I think you can do without Orson Scott,

0:55:53.640 --> 0:55:57.000
<v Speaker 1>that's true. He's expendable and Allen Sylvest. What do you

0:55:57.040 --> 0:56:01.040
<v Speaker 1>guys think about Avatar? The Avatar sequels? I have not

0:56:01.560 --> 0:56:05.839
<v Speaker 1>watched Avatar. Why. I tried to watch it because it's

0:56:05.880 --> 0:56:08.360
<v Speaker 1>on Disney Plus and me, as this is now a

0:56:08.400 --> 0:56:11.600
<v Speaker 1>Disney Plus spawn, give us money Disney Plus, please, And

0:56:12.000 --> 0:56:15.000
<v Speaker 1>I tried to and I could not make it past

0:56:15.120 --> 0:56:19.080
<v Speaker 1>the first like twelve minutes. It was so offensive to

0:56:19.239 --> 0:56:22.680
<v Speaker 1>mine eyes. And also don't care for it really, but

0:56:22.840 --> 0:56:25.560
<v Speaker 1>I am you know. This made me be like he

0:56:25.680 --> 0:56:29.279
<v Speaker 1>might have some crazy ship left in the pocket. The sequels.

0:56:29.600 --> 0:56:32.120
<v Speaker 1>I enjoyed Avatar fine when it when I saw it

0:56:32.160 --> 0:56:36.400
<v Speaker 1>in the theater, he seen in three D, and I

0:56:36.440 --> 0:56:39.560
<v Speaker 1>thought it might be appropriate to show my kids Avatar,

0:56:40.080 --> 0:56:44.400
<v Speaker 1>and that that would be a mistake. They were terrified.

0:56:44.600 --> 0:56:47.279
<v Speaker 1>I did the same where I'm like, I think this

0:56:47.360 --> 0:56:50.479
<v Speaker 1>is good. It's about respecting Mother Earth. Watched this while

0:56:50.520 --> 0:56:52.640
<v Speaker 1>I go into the kitchen and like make food and

0:56:52.680 --> 0:56:54.560
<v Speaker 1>then talk on the phone with my mom or something

0:56:54.600 --> 0:56:56.920
<v Speaker 1>for a long time, so I'm literally paying no attention,

0:56:56.960 --> 0:56:59.400
<v Speaker 1>and by the time I came back, they were huddled

0:57:00.040 --> 0:57:02.120
<v Speaker 1>blanket and there was I mean it was like there

0:57:02.160 --> 0:57:07.480
<v Speaker 1>was offensive language, like some homophobic slurs, I believe, lots

0:57:07.520 --> 0:57:11.240
<v Speaker 1>of like violent weaponry and stuff, and they were just like,

0:57:11.760 --> 0:57:14.200
<v Speaker 1>this is like the worst thing we've ever seen. This

0:57:14.360 --> 0:57:17.760
<v Speaker 1>is terrible. Just to cape for Cats again, I want

0:57:17.760 --> 0:57:20.120
<v Speaker 1>to say the reason Cats is not like that is

0:57:20.160 --> 0:57:23.080
<v Speaker 1>because the human faces are allowed to show through the

0:57:23.120 --> 0:57:26.880
<v Speaker 1>whole time, and that grounds it in like but they

0:57:26.960 --> 0:57:29.680
<v Speaker 1>kind of showed through an avatar. That's the that's like

0:57:29.720 --> 0:57:32.320
<v Speaker 1>it falls into the uncanny valley so deeply, Like there's

0:57:32.360 --> 0:57:34.600
<v Speaker 1>never a moment in Cats when you're not aware that

0:57:34.680 --> 0:57:37.400
<v Speaker 1>it's Judy Dench with like Cats shurt it on and

0:57:37.440 --> 0:57:39.800
<v Speaker 1>that's what makes it work is you're like, Judy Dench

0:57:39.840 --> 0:57:43.160
<v Speaker 1>is here, it's not a night, it's not the Polar Express. Well,

0:57:43.200 --> 0:57:46.080
<v Speaker 1>before we we end today, I just like on because

0:57:46.120 --> 0:57:48.520
<v Speaker 1>this is a series about early c G. I and

0:57:48.560 --> 0:57:52.680
<v Speaker 1>we haven't talked much about the water column or of

0:57:53.000 --> 0:57:58.440
<v Speaker 1>water dick you, which is like kind of the the

0:57:58.480 --> 0:58:00.520
<v Speaker 1>show is stopping scene in this and the middle of

0:58:00.560 --> 0:58:04.400
<v Speaker 1>it where the aliens have learned to control water so

0:58:04.440 --> 0:58:06.640
<v Speaker 1>they like kind of it's called a pseudo pod. I

0:58:06.680 --> 0:58:10.040
<v Speaker 1>believe um just like an arm, a water arm that

0:58:10.080 --> 0:58:14.520
<v Speaker 1>finds its way through the submarine. Uh. I don't think

0:58:14.520 --> 0:58:16.479
<v Speaker 1>it holds up that the face thing is the only

0:58:17.200 --> 0:58:20.160
<v Speaker 1>bad thing in it, and that's like, but that's like

0:58:20.160 --> 0:58:21.760
<v Speaker 1>the most they could do at that time. I think

0:58:21.800 --> 0:58:25.000
<v Speaker 1>that effect also just became so played out, you know

0:58:25.080 --> 0:58:26.960
<v Speaker 1>that now when you see it you're like, oh, Alex

0:58:27.000 --> 0:58:30.640
<v Speaker 1>mac right, But Alex mac right, Like it's when you

0:58:30.680 --> 0:58:32.240
<v Speaker 1>think about, like, what was that like to see for

0:58:32.280 --> 0:58:34.480
<v Speaker 1>the first time. Did it seem futuristic or did it

0:58:34.520 --> 0:58:37.800
<v Speaker 1>feel kind of like jankie? Yeah, I think like the

0:58:37.840 --> 0:58:40.360
<v Speaker 1>camera effect when it's it's the point of view of

0:58:40.440 --> 0:58:43.400
<v Speaker 1>the pseudopod is actually reaches out and touches it and

0:58:43.440 --> 0:58:45.720
<v Speaker 1>then there's a little drawful walk like I don't know.

0:58:45.800 --> 0:58:47.560
<v Speaker 1>I thought that. I thought it was kind of cool

0:58:47.600 --> 0:58:50.720
<v Speaker 1>and that was Yeah, that was like the main c G.

0:58:50.920 --> 0:58:53.120
<v Speaker 1>I think that, like, you know, everybody it won the

0:58:53.320 --> 0:58:56.080
<v Speaker 1>Oscar for that. Yeah, I guess it was kind of

0:58:56.120 --> 0:58:58.200
<v Speaker 1>a flop for a James camera. It was not. It

0:58:58.240 --> 0:59:01.240
<v Speaker 1>did not do well, but it was critically I think,

0:59:01.240 --> 0:59:03.520
<v Speaker 1>pretty well received. It just didn't make that much money.

0:59:03.560 --> 0:59:06.680
<v Speaker 1>And I guess Spielberg studied it because it was like

0:59:06.720 --> 0:59:09.760
<v Speaker 1>the for Jurassic Park to be like, here's here's how

0:59:09.800 --> 0:59:13.040
<v Speaker 1>we can do this for the future, and then they

0:59:13.080 --> 0:59:15.160
<v Speaker 1>never made anything better than Jurassic Park. I was just

0:59:15.200 --> 0:59:18.560
<v Speaker 1>gonna say, I think Jurassic Park is far better than

0:59:18.560 --> 0:59:22.600
<v Speaker 1>the Abyss in my humble opinion though, because it's so

0:59:22.640 --> 0:59:25.960
<v Speaker 1>good Emily, there's two good c g I months. Yeah,

0:59:26.040 --> 0:59:30.840
<v Speaker 1>there's a solid twenty minutes of inside a submarine, just

0:59:30.920 --> 0:59:33.480
<v Speaker 1>kind of walking around in water that needed to go.

0:59:33.720 --> 0:59:37.600
<v Speaker 1>It didn't feel about a submarine movie too, like I've

0:59:37.600 --> 0:59:41.200
<v Speaker 1>watched plenty of submar just like it's an inherently claustrophobic

0:59:41.320 --> 0:59:44.640
<v Speaker 1>environment compared to Jurassic Park. But it also there was

0:59:44.840 --> 0:59:49.080
<v Speaker 1>so much just trying to establish relationships when the relationships

0:59:49.080 --> 0:59:53.040
<v Speaker 1>were very thin. You know, you didn't actually between Bud

0:59:53.360 --> 0:59:56.760
<v Speaker 1>and um Dr Brigman. Obviously, there was a lot going

0:59:56.800 --> 1:00:01.760
<v Speaker 1>on Michael, Michael Baine, Michael Bean, question Mark not be

1:00:02.120 --> 1:00:05.120
<v Speaker 1>I think it's Michael Bean't go with Michael, but I

1:00:05.160 --> 1:00:07.640
<v Speaker 1>mean he obviously has his own psychosis going on. He

1:00:07.680 --> 1:00:11.560
<v Speaker 1>has a few cohorts, but the Coharts are the funniest. Yeah,

1:00:11.560 --> 1:00:13.880
<v Speaker 1>he has his like lackeys where I'm just like, why

1:00:13.880 --> 1:00:15.760
<v Speaker 1>are you doing what this man is saying when he's

1:00:15.800 --> 1:00:19.200
<v Speaker 1>obviously lost his mind. It's never explained, um, but there

1:00:19.320 --> 1:00:21.880
<v Speaker 1>was so much of that in the middle between book

1:00:22.000 --> 1:00:28.120
<v Speaker 1>ended by the like really wild ending and the beginning

1:00:28.400 --> 1:00:31.080
<v Speaker 1>that I just got pissed because I was like James Cameron,

1:00:31.480 --> 1:00:35.000
<v Speaker 1>this was so hard for these actors. You you did

1:00:35.040 --> 1:00:38.919
<v Speaker 1>not need all of it. But one sequence you can

1:00:39.000 --> 1:00:42.560
<v Speaker 1>tell that everybody almost died. Yeah, it looks dangerous. It

1:00:42.600 --> 1:00:45.360
<v Speaker 1>looks dangerous, and you can just they all seem so

1:00:45.440 --> 1:00:48.720
<v Speaker 1>exhaust there's fear on their face, which works for the movie,

1:00:48.760 --> 1:00:50.760
<v Speaker 1>but that's what makes it like a snuff film that

1:00:50.880 --> 1:00:53.480
<v Speaker 1>you're like, Yeah, if you want your actors to seem terrified,

1:00:53.520 --> 1:00:56.520
<v Speaker 1>why don't you almost kill them them? For real? Have

1:00:56.560 --> 1:00:59.439
<v Speaker 1>you guys seen The stunt Man? No, it's really good.

1:00:59.480 --> 1:01:02.040
<v Speaker 1>It's a movie about an actor who thinks the director

1:01:02.160 --> 1:01:05.840
<v Speaker 1>is just trying to kill him? Is he right? Well?

1:01:05.360 --> 1:01:09.680
<v Speaker 1>When we should do that sometime we'll be We'll be

1:01:09.720 --> 1:01:12.960
<v Speaker 1>back next week talking about Laen more Man and I'm

1:01:13.040 --> 1:01:17.080
<v Speaker 1>so excited. I've never seen it almost scared. And if

1:01:17.120 --> 1:01:21.400
<v Speaker 1>you have any suggestions for other early cg UH films

1:01:21.440 --> 1:01:23.600
<v Speaker 1>that we should talk about, give us a night call.

1:01:23.800 --> 1:01:25.200
<v Speaker 1>So is that a call back to the day by

1:01:25.200 --> 1:01:27.560
<v Speaker 1>the bat? It was Jesse Spana. Thank you for thanks

1:01:27.600 --> 1:01:32.280
<v Speaker 1>for noticing. Please clap please clap um. Yeah. If you've

1:01:32.280 --> 1:01:36.920
<v Speaker 1>got questions about spooky fridges or other haunted appliances, weird

1:01:37.040 --> 1:01:40.480
<v Speaker 1>c g i um, people almost dying in outer space

1:01:40.800 --> 1:01:44.200
<v Speaker 1>or the bottom of the ocean, or plants coming to

1:01:44.280 --> 1:01:47.640
<v Speaker 1>life and taking back what is rightfully there's give us

1:01:47.640 --> 1:01:50.080
<v Speaker 1>a call a night Call at two four o four

1:01:50.160 --> 1:01:52.840
<v Speaker 1>six night or send us a night email at Night

1:01:52.880 --> 1:01:55.600
<v Speaker 1>Call Podcast at gmail dot com. You can find us

1:01:55.600 --> 1:01:58.720
<v Speaker 1>on social media also a Nightcall pod on Twitter and

1:01:58.800 --> 1:02:02.000
<v Speaker 1>I Called podcast on Instagram and Facebook. And you can

1:02:02.040 --> 1:02:04.680
<v Speaker 1>support us on Patreon if you're not already, we are

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<v Speaker 1>at patreon dot com slash Nightcall and you can subscribe

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<v Speaker 1>at a variety of tears to have an extended special

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<v Speaker 1>edition Night Call Experience directors. We'll be back next week.

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<v Speaker 1>Thanks for listening to everybody right. Nightcall is a production

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<v Speaker 1>of I heart Radio. For more podcasts from my heart Radio,

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<v Speaker 1>visit the i heart Radio app, Apple Podcasts, or wherever

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<v Speaker 1>you listen to your favorite shows.