WEBVTT - Broken Record Presents: Aim Higher

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<v Speaker 1>Pushkin on Broken Record. We've interviewed some amazing singers, Alicia Keys,

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<v Speaker 1>Brandy Carlyle, Ozzy Osbourne. There's something really magical about a

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<v Speaker 1>great voice, but even the best of them need a

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<v Speaker 1>coach sometimes. That's where Eric Vetro comes in. He's worked

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<v Speaker 1>with Ariana Grande, John Legend, Pink Seawan Mendez. He taught

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<v Speaker 1>Emma Stone and Ryan Gosling to sing for Lala land

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<v Speaker 1>Renee Zellwegger for Judy. But could Eric help. Michael Lewis,

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<v Speaker 1>the author of books like The Blindside and Moneyball, has

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<v Speaker 1>long had a phobia about his voice. He knew he

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<v Speaker 1>needed a coach, but was afraid to get one until now.

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<v Speaker 1>Michael just wrapped the latest season of his podcast Against

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<v Speaker 1>the Rules, and it focused on coaches in all walks

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<v Speaker 1>of life, how good coaches can have huge effects, and

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<v Speaker 1>how people who get the best coaches aren't always the

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<v Speaker 1>people who need them most. Can Michael Lewis learn to sing,

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<v Speaker 1>like really sing? You're about to find out. We hope

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<v Speaker 1>you'll enjoy this episode and then listen to others from

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<v Speaker 1>Against the Rules Season two. Take a deep breath and

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<v Speaker 1>go so you're creating those little accents from down here. Yep,

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<v Speaker 1>that's it one more time. This is the last episode

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<v Speaker 1>of the show, and I think I've got my takeaways.

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<v Speaker 1>One takeaway is that good coaches can have huge effects,

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<v Speaker 1>and so it really matters who gets them. Another is

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<v Speaker 1>that the people who get the best coaches aren't always

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<v Speaker 1>the people who need them the most. The people who

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<v Speaker 1>most need a coach are people in a position of weakness.

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<v Speaker 1>Of course, coaches can make the strong stronger, but the

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<v Speaker 1>real magic happens when a coach attacks a seemingly hopeless

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<v Speaker 1>situation like this one. That's it, you do have? Oh.

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<v Speaker 1>My strategy has always been to hide my weaknesses, but

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<v Speaker 1>it's hard to hide this one my voice. I'm Michael Lewis,

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<v Speaker 1>and this is against the rules. This season has been

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<v Speaker 1>all about the rise of coaches. For this final episode,

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<v Speaker 1>I'm hiring myself a coach. It happens every time I

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<v Speaker 1>publish a book. I'll be three days into a speaking

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<v Speaker 1>tour and poof, I won't be able to speak. Last season,

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<v Speaker 1>the producers of this show tried to get me to

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<v Speaker 1>record two episodes in a day, only to find that

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<v Speaker 1>I was incapable of getting so many words out of

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<v Speaker 1>my mouth without my voice going. It's kind of funny

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<v Speaker 1>because my wife and children often say that I never

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<v Speaker 1>shut up, and I sort of wish that it could

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<v Speaker 1>be true. So take a deep, silent breath in and

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<v Speaker 1>hiss one. Two, he'd been strong, three, four, five, six, seven, eight, nine, ten, eleven, twelve, twelve.

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<v Speaker 1>All right for maybe a man in his nineties with epizema.

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<v Speaker 1>I would say that was pretty good, but I'm not

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<v Speaker 1>going to allow me with you. You must build that us.

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<v Speaker 1>So his name is Eric Vitro. We're in his house

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<v Speaker 1>in la If you were there, you could see that

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<v Speaker 1>Eric isn't just any old voice coach. His walls are

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<v Speaker 1>decorated with frame records that went platinum and thank you

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<v Speaker 1>notes from the singers who recorded them. I'm standing in

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<v Speaker 1>front of his piano. Behind it is a wall that's

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<v Speaker 1>more like a mural. The entire thing is filled with

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<v Speaker 1>snapshots of this coach, with the world's most famous people,

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<v Speaker 1>hundreds of them, lots of beautiful people taking on the

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<v Speaker 1>very spot where I'm standing. These are all suits. Yeah,

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<v Speaker 1>Cuba Gooding. Yeah do you know Cuba. I don't know him,

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<v Speaker 1>but I didn't know he sang anything. Yeah, he's done

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<v Speaker 1>Chicago Summertide or London and on Broadway one of the

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<v Speaker 1>nicest ariana Grande John Legend, Pink Sean Mendez, And they

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<v Speaker 1>look not just happy to be here, they look grateful,

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<v Speaker 1>especially the actors who came to him to learn how

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<v Speaker 1>to sing in a Broadway musical or a Hollywood movie.

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<v Speaker 1>Emma Stone and Ryan Gosling for La La land Renee

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<v Speaker 1>Zellweger for Judy, Natalie Portman for Everything. The Wall is

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<v Speaker 1>an Awards show speech waiting to happen, will Ferrell say, oh,

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<v Speaker 1>wouldn't he sing it? He dos? I worked on the

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<v Speaker 1>movie with the Stuck Brothers where he's saying at the end,

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<v Speaker 1>all right, all culminates with him singing time to say

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<v Speaker 1>by I can't believe I have the balls to call

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<v Speaker 1>you up and ask you to do this. I really can't.

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<v Speaker 1>On a whim, I'd call the agent who turns my

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<v Speaker 1>books into movies and asked him, who's the coach for

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<v Speaker 1>actors who need to fix their voices? Say actors who

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<v Speaker 1>don't normally sing but suddenly need to the answer came

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<v Speaker 1>back immediately, Eric Vetro, Hollywood agents all know just how

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<v Speaker 1>vulnerable their clients feel. I was petrified I didn't like

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<v Speaker 1>singing in front of people. I always loved singing, but

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<v Speaker 1>privately in my car, in the shower. My own husband

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<v Speaker 1>had never heard me sing. Even stars need help to shine.

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<v Speaker 1>The brightest have a sixth sense of where to find

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<v Speaker 1>that help, like this actress Emily Blunt. Rob Marshall had

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<v Speaker 1>asked me to audition for other musicals he was doing,

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<v Speaker 1>and I'd always said no because I was just frozen

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<v Speaker 1>with fear about the thought. He eventually called my agent.

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<v Speaker 1>He said, she's coming in. I know she can sing,

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<v Speaker 1>She's perfect for this role. I really want her. Tell

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<v Speaker 1>her to come and I have to hear everyone sing.

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<v Speaker 1>What was the song? It was Moments in the Woods.

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<v Speaker 1>It was her big song. This is ridiculous. What am

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<v Speaker 1>I doing here? I'm in the wrong story. Into the

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<v Speaker 1>Woods was the hit Broadway show that was then being

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<v Speaker 1>turned into a movie. Emily Blunt had no idea if

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<v Speaker 1>she could do the role, but she had a phone

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<v Speaker 1>number for Eric Vitro. Eric told her what he tells

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<v Speaker 1>everybody who calls. Come to my house for the first lesson,

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<v Speaker 1>and we'll see. I mean, Eric's house is always spotless,

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<v Speaker 1>it always smells heavenly and He's sort of this weird

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<v Speaker 1>juxtaposition of someone who's incredibly sort of refined and elegant,

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<v Speaker 1>and then he wears sort of like rocker jewelry, like

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<v Speaker 1>real thick chains, and sort of he's sort of an

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<v Speaker 1>interesting image when you look at him. He's usually got

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<v Speaker 1>a fabulous shirt on. And I remember thinking how cool

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<v Speaker 1>this guy was and how how effortless he was to

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<v Speaker 1>sort of be around. So I went into his kitchen,

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<v Speaker 1>walked me through the first like fifteen minutes. We went

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<v Speaker 1>into his music room and he I think we did

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<v Speaker 1>some really embarrassing scales or something, something that I was

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<v Speaker 1>just horrified by the idea of. And I felt embarrassed

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<v Speaker 1>at having to do all of these strange mouth exercises,

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<v Speaker 1>Like he makes you do things like NNI like stuff

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<v Speaker 1>like that that you're like, how horrifying if someone were

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<v Speaker 1>to see me do this in your life? Had you

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<v Speaker 1>had that experience before anybody ever taught you any kind

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<v Speaker 1>of nothing? Nothing? Because I didn't go to drama school,

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<v Speaker 1>I wasn't put through the ring or of doing sort

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<v Speaker 1>of trust games or physical sort of warm ups or anything.

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<v Speaker 1>I've never done it and or anything like that. Where

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<v Speaker 1>did the fear and the inhibition come from in you.

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<v Speaker 1>I don't know, is it English? Maybe? Maybe it's like

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<v Speaker 1>if you aren't the very best, that you're supposed to

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<v Speaker 1>just kind of hide. Even if you are the very best,

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<v Speaker 1>you're supposed to hide. You're not supposed to enthuse about

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<v Speaker 1>your own talents where I'm from, you know, or try

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<v Speaker 1>too hard. No, you can't, you can't. So even having

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<v Speaker 1>a voice coach, that's almost like trying too hard. Well,

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<v Speaker 1>that's interesting to me. Was there a little part of

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<v Speaker 1>you that resisted that in any way? No? I feel

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<v Speaker 1>like I desperately needed it. I mean I really really

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<v Speaker 1>needed it. Emily Blunt got Eric Vitro's coaching for the

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<v Speaker 1>next few years, and it had magical effects. I mean

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<v Speaker 1>she became Mary Poppins. Do you ever lie awake at

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<v Speaker 1>night just between the dock and the moring light? Such?

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<v Speaker 1>My problem is obviously not the same as Emily Blunt's.

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<v Speaker 1>I have no hidden talents, and no one suspects that

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<v Speaker 1>I do. I don't secretly hope to audition for Rob

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<v Speaker 1>Marshall's next musical. On the other hand, well, I'd better

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<v Speaker 1>come clean here. My problem with my voice isn't practical

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<v Speaker 1>it's spiritual. A long time ago, I basically decided that

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<v Speaker 1>the last thing I should ever do is sing. Standing

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<v Speaker 1>in Eric Vitro's house, I thought how nice it might

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<v Speaker 1>be to walk through the world without being unsettled by

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<v Speaker 1>the national anthem or terrified by karaoke night. As you're

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<v Speaker 1>gonna put the straw in the bottle, you're gonna hum

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<v Speaker 1>into the straw, which means air is going to be

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<v Speaker 1>coming through the straw and it's gonna blow bubbles right

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<v Speaker 1>into the water. Yes, now, go mm yeah, that's it.

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<v Speaker 1>You want to send that Eric through the straw. Yeah.

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<v Speaker 1>Sometimes it's funny you how you feel it deep in,

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<v Speaker 1>like around my belly body. Yeah, exactly, that's what I want.

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<v Speaker 1>The first lesson at Eric's house was just so that

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<v Speaker 1>he could see if there was any point in having

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<v Speaker 1>a second lesson over the phone. He said, I could

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<v Speaker 1>come over, but then it also might be a great

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<v Speaker 1>waste of time. Now, by the way, I am the

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<v Speaker 1>most positive, optimistic and supportive people you will ever meet.

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<v Speaker 1>I really am supported with my students. However, I really

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<v Speaker 1>think that whole phrase you can be anyone you want

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<v Speaker 1>and achieve anything you put your mind to. I think

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<v Speaker 1>it should be followed by within reason, because you know,

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<v Speaker 1>that would be like me saying, all right, I'm gonna

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<v Speaker 1>quit teaching and I'm going to become the greatest basketball

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<v Speaker 1>player ever. Well, at my age, with my hype and

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<v Speaker 1>my body type, I don't think that's gonna happpen. I

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<v Speaker 1>mean that would And if someone said you can do it, Eric,

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<v Speaker 1>you can put do anything you put your mind to,

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<v Speaker 1>they would be steering me down the wrong road, right,

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<v Speaker 1>It would be ridiculous. I was waiting to hear how

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<v Speaker 1>this story applied to me. Then he told me about

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<v Speaker 1>the famous actor, the actor who's picture never quite made

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<v Speaker 1>it onto the wall behind Eric's piano. He made a

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<v Speaker 1>movie and made a big splash when everybody wanted to

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<v Speaker 1>pire him. You know, everyone's like, ooh, this guy's hots.

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<v Speaker 1>That seemed good looking and a good actor. So he

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<v Speaker 1>was getting a million offers and one was a Broadway

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<v Speaker 1>musical and they said, here's the deal, of the producers

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<v Speaker 1>will pay for unlimited voice lessons. They just want you

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<v Speaker 1>to prepare him for this. They trust you. You know,

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<v Speaker 1>money's no object. How often do you really hear that?

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<v Speaker 1>You know, money's no obje So I was like, oh,

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<v Speaker 1>this sounds like a great gig. That was until he

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<v Speaker 1>got here. And when I met him, he was actually

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<v Speaker 1>very nice. So that was ice on the cape. Oh,

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<v Speaker 1>great guy and just seemed fun to talk to. Then

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<v Speaker 1>he started singing, Oh. I was like, ah, it was terrible,

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<v Speaker 1>as worse than what I just didn't. As he's telling

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<v Speaker 1>me this story, I'm wondering what else is he trying

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<v Speaker 1>to tell me? But here's the thing. You know, what

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<v Speaker 1>are the qualities that you really need to possess to,

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<v Speaker 1>you know, to be a successful artist and to have

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<v Speaker 1>a long career. One of them is some kind of

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<v Speaker 1>self awareness of who you are and what you should

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<v Speaker 1>be doing. I kept waiting for him to elaborate. He didn't,

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<v Speaker 1>But at the end of the session, Eric looked at

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<v Speaker 1>his schedule and asked when I wanted to do the

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<v Speaker 1>next lesson and whether it should be at his house

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<v Speaker 1>or over FaceTime. So I had myself a coach and

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<v Speaker 1>a new way to deal with what was a complicated problem.

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<v Speaker 1>You got trouble, my friend, right here, I say, trouble

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<v Speaker 1>right here in River City White. Sure, I'm a Billiard glare. Certainly.

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<v Speaker 1>The Music Man was a musical turned into a hit

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<v Speaker 1>movie in nineteen sixty two. There are actually plans right

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<v Speaker 1>now to revive it on Broadway, and you can see why.

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<v Speaker 1>It's both from another era and totally of the moment.

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<v Speaker 1>It tells the story of a con man played in

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<v Speaker 1>the movie by Robert Preston. He rolls into a small

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<v Speaker 1>town in Iowa and sells musical instruments to parents by

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<v Speaker 1>persuading them that their kids are prodigies. He promises to

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<v Speaker 1>teach them how to play, only he doesn't know a

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<v Speaker 1>thing about music. The only person in town he doesn't

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<v Speaker 1>fool is marrying the librarian played by Shirley Jones. She's

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<v Speaker 1>a prim and proper beauty who teaches piano and sees

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<v Speaker 1>through the con but the music man persuades her that

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<v Speaker 1>he has this magical system. Oh, I now have a

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<v Speaker 1>revolutionary new method called the think system. Well, you don't

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<v Speaker 1>bother with notes. The music man has found a new

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<v Speaker 1>and better way to coach, not how to sing or

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<v Speaker 1>how to play, how to get yourself into a state

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<v Speaker 1>of mind in which all you want to do is

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<v Speaker 1>sing and play. Oddly, this musical had exactly the opposite

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<v Speaker 1>effect on me. A single song, did it? I tell

0:14:41.036 --> 0:14:42.916
<v Speaker 1>you my phobia. I tell where it comes from it

0:14:43.356 --> 0:14:46.956
<v Speaker 1>and it's that the latter Rose song. Oh, I couldn't

0:14:46.996 --> 0:14:49.076
<v Speaker 1>figure out from your text what you were talking about.

0:14:49.156 --> 0:14:52.556
<v Speaker 1>So here's what happened. When I was in the third

0:14:52.636 --> 0:14:55.676
<v Speaker 1>and fourth and fifth grade, I had the leads in

0:14:55.676 --> 0:14:58.716
<v Speaker 1>the school players, and it was just I think it

0:14:58.756 --> 0:15:01.836
<v Speaker 1>was more willingness to get on stage and sing. But

0:15:01.956 --> 0:15:05.236
<v Speaker 1>I had them, and in fifth grade they cast me

0:15:05.396 --> 0:15:08.116
<v Speaker 1>in the leading and without telling me that I was

0:15:08.156 --> 0:15:12.436
<v Speaker 1>supposed to marry a little girl, and it was this

0:15:13.276 --> 0:15:20.396
<v Speaker 1>awful sequence of events. Childhood is a fun house mirror.

0:15:20.836 --> 0:15:24.636
<v Speaker 1>Everything in it gets distorted. I know a woman who

0:15:24.636 --> 0:15:27.636
<v Speaker 1>became a meteorologist because a storm dropped a tree onto

0:15:27.676 --> 0:15:30.716
<v Speaker 1>her house when she was ten years old. That tree

0:15:30.876 --> 0:15:32.756
<v Speaker 1>kicked a little pebble off the top of a hill

0:15:32.796 --> 0:15:36.316
<v Speaker 1>in her mind and started an avalanche. That kind of

0:15:36.316 --> 0:15:39.396
<v Speaker 1>thing happened inside my head, only my tree was a

0:15:39.476 --> 0:15:48.596
<v Speaker 1>song called Light a Rose, Light a Rose, I'm home again, Rose, Dude,

0:15:49.356 --> 0:15:55.156
<v Speaker 1>get the side. Our fifth grade class was going to

0:15:55.276 --> 0:15:58.836
<v Speaker 1>stage a version of the music Man. I thought I'd

0:15:58.876 --> 0:16:01.676
<v Speaker 1>been duped into singing the musical's one love song to

0:16:01.756 --> 0:16:06.876
<v Speaker 1>a girl in front of basically the entire world. But

0:16:06.996 --> 0:16:10.636
<v Speaker 1>then these extremely ancient teas told me who the girl was,

0:16:11.596 --> 0:16:17.156
<v Speaker 1>the new girl. She had a birth effect, no fingers

0:16:17.156 --> 0:16:19.556
<v Speaker 1>on her hands or toes on her feet. She was

0:16:19.596 --> 0:16:25.356
<v Speaker 1>also wildly bizarrely aggressive, grabbing it boys, pitching fits. I

0:16:25.476 --> 0:16:27.956
<v Speaker 1>knew I was meant to be kind to her, and

0:16:28.076 --> 0:16:31.196
<v Speaker 1>I tried. A ten year old boy with a better

0:16:31.276 --> 0:16:33.276
<v Speaker 1>character than mine would have just gone along with the

0:16:33.316 --> 0:16:37.356
<v Speaker 1>whole thing, but I didn't. I told them that I

0:16:37.356 --> 0:16:40.876
<v Speaker 1>wouldn't do the song, and instead of telling me that

0:16:40.996 --> 0:16:44.156
<v Speaker 1>I couldn't sing, they wound up telling that poor little

0:16:44.196 --> 0:16:48.436
<v Speaker 1>girl she couldn't have the role in the play. The

0:16:48.516 --> 0:16:52.436
<v Speaker 1>teachers had exposed a weakness in my character. Of course,

0:16:52.436 --> 0:16:54.076
<v Speaker 1>when I was ten, I wouldn't have put it that

0:16:54.116 --> 0:16:57.236
<v Speaker 1>way or anyway at all. I just suddenly had this

0:16:57.436 --> 0:17:02.316
<v Speaker 1>ugly new feeling a combination of anger and self loathing.

0:17:03.956 --> 0:17:07.076
<v Speaker 1>There and then I refused ever again to sing in

0:17:07.116 --> 0:17:10.996
<v Speaker 1>school plays. I told the music teacher I would never

0:17:11.116 --> 0:17:15.516
<v Speaker 1>again meet her after school. It's funny how phobias start.

0:17:17.316 --> 0:17:20.596
<v Speaker 1>It was a short skip from refusing to sing to

0:17:20.796 --> 0:17:26.236
<v Speaker 1>feeling that I shouldn't sing to almost being afraid to sing.

0:17:28.836 --> 0:17:31.436
<v Speaker 1>I know, it's a very strange story, and it's got

0:17:31.476 --> 0:17:34.596
<v Speaker 1>no happy ending to it. But I'm done telling that

0:17:34.636 --> 0:17:38.036
<v Speaker 1>story to my new coach. He has an idea. So

0:17:38.436 --> 0:17:42.356
<v Speaker 1>it's possible that my voice is so bad that you're

0:17:42.396 --> 0:17:44.436
<v Speaker 1>not gonna be able to do anything at all. Well,

0:17:44.996 --> 0:17:48.436
<v Speaker 1>so let's see how it goes. I think conquering that

0:17:48.636 --> 0:17:53.316
<v Speaker 1>song that gave you such anxiety would be fun, would

0:17:53.436 --> 0:17:57.076
<v Speaker 1>be buzzing conquering, you know. So what I want to

0:17:57.116 --> 0:18:00.316
<v Speaker 1>do is I want to have you sing the melody,

0:18:00.956 --> 0:18:03.236
<v Speaker 1>but instead of on the words, you're going to do

0:18:03.276 --> 0:18:21.156
<v Speaker 1>it on wah wah wah. And I have known a

0:18:21.156 --> 0:18:23.836
<v Speaker 1>lot of singing teachers, and some of them are just

0:18:24.036 --> 0:18:27.396
<v Speaker 1>playing nuts. I talked to a lot of Eric's students.

0:18:28.236 --> 0:18:31.756
<v Speaker 1>This is Bette Midler, another famous singer on Eric's wall.

0:18:31.956 --> 0:18:33.996
<v Speaker 1>And there are a lot of quacks too. So you

0:18:34.076 --> 0:18:36.196
<v Speaker 1>have to be very careful because you could be led

0:18:36.236 --> 0:18:40.116
<v Speaker 1>down the garden path by people who say that this

0:18:40.196 --> 0:18:42.516
<v Speaker 1>is the way to do it. When Bett found Eric,

0:18:42.556 --> 0:18:44.956
<v Speaker 1>she was in a funk. It was two thousand and eight.

0:18:45.276 --> 0:18:47.276
<v Speaker 1>She was about to open a new show in Vegas

0:18:47.396 --> 0:18:50.516
<v Speaker 1>at Caesar's Palace. The dry air was getting to her,

0:18:50.556 --> 0:18:54.236
<v Speaker 1>but it wasn't just the air. Something wasn't quite right.

0:18:55.276 --> 0:18:59.756
<v Speaker 1>She felt more than usually vulnerable. Her backup singers were

0:18:59.756 --> 0:19:03.916
<v Speaker 1>called the Harlettes. One of the harlettes told her about Eric,

0:19:04.596 --> 0:19:07.836
<v Speaker 1>so Bett called him up. He started coming to Vegas

0:19:07.956 --> 0:19:10.876
<v Speaker 1>to help me, and he would come once a week

0:19:10.956 --> 0:19:13.436
<v Speaker 1>or so and we would warm up, or he would

0:19:13.476 --> 0:19:15.116
<v Speaker 1>call me on the phone. We would warm up on

0:19:15.156 --> 0:19:16.756
<v Speaker 1>the phone, and he gave me the taps to warm

0:19:16.796 --> 0:19:19.516
<v Speaker 1>up with it. And I was religious about it. She

0:19:19.556 --> 0:19:23.276
<v Speaker 1>didn't just get through the show's run. She went two

0:19:23.396 --> 0:19:27.636
<v Speaker 1>years without missing a single performance. The staff at Caesar's

0:19:27.676 --> 0:19:30.596
<v Speaker 1>Palace told her that that had never happened, so they

0:19:30.636 --> 0:19:33.836
<v Speaker 1>invented an award to give her. It's still Bette Midler's

0:19:33.876 --> 0:19:37.956
<v Speaker 1>favorite award, and it's sort of changed her ideas about

0:19:37.996 --> 0:19:40.876
<v Speaker 1>the value of a coach. There are some songs when

0:19:40.916 --> 0:19:44.476
<v Speaker 1>I can hear him in my head, I can hear

0:19:44.556 --> 0:19:47.516
<v Speaker 1>his voice, I can hear certain things that he said

0:19:48.316 --> 0:19:53.356
<v Speaker 1>in my head, and if I can keep myself from

0:19:53.796 --> 0:19:57.956
<v Speaker 1>dismissing it, if I can believe it, I just thank

0:19:57.996 --> 0:20:00.556
<v Speaker 1>God for him every day. First of all, he's a

0:20:00.636 --> 0:20:03.516
<v Speaker 1>sunbeam in the world. And I do think that a

0:20:03.596 --> 0:20:07.596
<v Speaker 1>coach has to be you can't have someone who's going

0:20:07.636 --> 0:20:10.476
<v Speaker 1>to be abusive. They have they have to You have

0:20:10.516 --> 0:20:13.756
<v Speaker 1>to know they care about you. Yes, yes, you have

0:20:13.836 --> 0:20:18.636
<v Speaker 1>to trust them. And trust is absolutely imperative. If you

0:20:18.676 --> 0:20:22.476
<v Speaker 1>don't trust your coach, you're not gonna make it. Ready

0:20:22.516 --> 0:20:39.796
<v Speaker 1>to take a deep breath. Okay, Nope, that's okay. That's

0:20:39.836 --> 0:20:43.796
<v Speaker 1>why you're here to improve. So, yes, we're not listening.

0:20:44.476 --> 0:20:46.916
<v Speaker 1>We're not listening to A friend who was standing in

0:20:46.956 --> 0:20:50.196
<v Speaker 1>our guest copage and he heard me practicing. He I

0:20:50.316 --> 0:20:53.116
<v Speaker 1>came a piece that I thought that was the garbage truck. No,

0:20:53.316 --> 0:20:57.036
<v Speaker 1>he did not. It wasn't just the odd house guest.

0:20:57.596 --> 0:21:00.916
<v Speaker 1>It was the Amazon delivery lady, the guys on the

0:21:00.956 --> 0:21:05.796
<v Speaker 1>recycling truck, the neighbors. Anyone who came within about thirty

0:21:05.876 --> 0:21:10.156
<v Speaker 1>yards of me singing assumed a worried expression. One day,

0:21:10.196 --> 0:21:12.196
<v Speaker 1>I looked out my office window to see a deer

0:21:12.596 --> 0:21:16.956
<v Speaker 1>staring back at me with a look of concern. Then

0:21:16.996 --> 0:21:21.316
<v Speaker 1>there's my children. In happy families, children don't want their

0:21:21.316 --> 0:21:24.236
<v Speaker 1>parents to change. They really don't want to see them

0:21:24.276 --> 0:21:27.756
<v Speaker 1>trying to change. One day, my thirteen year old son,

0:21:27.836 --> 0:21:31.156
<v Speaker 1>Walker wandered in with his skateboard under his arm. He

0:21:31.236 --> 0:21:34.556
<v Speaker 1>grabbed a tape recorder and supplied a running commentary just

0:21:34.636 --> 0:21:37.436
<v Speaker 1>out of my earshot, and then I just walked down

0:21:37.516 --> 0:21:52.396
<v Speaker 1>unless my dad going, and he's just run. Okay, it's

0:21:52.436 --> 0:21:58.236
<v Speaker 1>going to be a nice Michael Jackson. Somebody wants to

0:21:58.236 --> 0:22:03.436
<v Speaker 1>deal kids. It's hard at the same time to be

0:22:03.516 --> 0:22:06.556
<v Speaker 1>both a comic character in the minds of everyone around

0:22:06.596 --> 0:22:11.196
<v Speaker 1>you and also a slayer of childhood demons. But something

0:22:11.236 --> 0:22:13.476
<v Speaker 1>about this coach made me want to keep on going,

0:22:13.916 --> 0:22:16.436
<v Speaker 1>just to see where he might lead. So you figure

0:22:16.436 --> 0:22:19.316
<v Speaker 1>out what they have, you expanded the best best you

0:22:18.916 --> 0:22:21.916
<v Speaker 1>can try to work and then you were it's all

0:22:21.916 --> 0:22:25.316
<v Speaker 1>about funny out who you are. Isn't that life in general?

0:22:25.436 --> 0:22:28.276
<v Speaker 1>But it's it's really true. But it's and I think

0:22:28.276 --> 0:22:31.436
<v Speaker 1>it's the key to life, you know, and finding you know,

0:22:31.476 --> 0:22:33.916
<v Speaker 1>that combination of what you do best and what you

0:22:33.996 --> 0:22:36.476
<v Speaker 1>love the most, right, what you enjoy the most, because

0:22:36.516 --> 0:22:38.596
<v Speaker 1>that's what you're going to want to practice. If you're

0:22:38.636 --> 0:22:41.076
<v Speaker 1>doing a style of music that you don't like, you're

0:22:41.116 --> 0:22:43.116
<v Speaker 1>not going to want to practice it right, So it

0:22:43.276 --> 0:22:46.276
<v Speaker 1>becomes meaningless, like like they'll tell me, oh so and

0:22:46.316 --> 0:22:48.396
<v Speaker 1>so tried to get me to blank blink, like I go,

0:22:48.676 --> 0:22:51.076
<v Speaker 1>that's not what you want to do. Then you're you're

0:22:51.116 --> 0:22:54.076
<v Speaker 1>really trying to fit up a square pain around the whole. Right,

0:22:54.516 --> 0:22:57.396
<v Speaker 1>you've got to have some kind of love or passion

0:22:57.516 --> 0:23:02.236
<v Speaker 1>for it, right has This entire season has been mainly

0:23:02.236 --> 0:23:05.836
<v Speaker 1>about the effects that coaches have. We haven't talked much

0:23:05.836 --> 0:23:08.916
<v Speaker 1>about why they do what they do. There's lots of

0:23:09.356 --> 0:23:12.636
<v Speaker 1>someone might decide their passion is to sing, but a

0:23:12.676 --> 0:23:15.716
<v Speaker 1>passion for helping others learn to sing. It's hard to

0:23:15.756 --> 0:23:21.516
<v Speaker 1>explain sometimes, but you know, you feel like you are

0:23:21.596 --> 0:23:25.396
<v Speaker 1>getting as much as you are giving, like to see

0:23:25.436 --> 0:23:28.236
<v Speaker 1>the improvement, to see people get excited. All of that.

0:23:28.836 --> 0:23:31.556
<v Speaker 1>It comes back at you like a rush, like a

0:23:33.556 --> 0:23:36.036
<v Speaker 1>rush of adrenaline. Really is what it is. Or to

0:23:36.076 --> 0:23:38.956
<v Speaker 1>see someone complimented, or if you read a good review.

0:23:39.676 --> 0:23:41.996
<v Speaker 1>I would never say, oh, I take credit for that.

0:23:42.196 --> 0:23:44.796
<v Speaker 1>I don't feel that, but I know I had something

0:23:44.836 --> 0:23:46.356
<v Speaker 1>to do with it. I was a part of it,

0:23:46.596 --> 0:23:49.236
<v Speaker 1>and that just and it makes me so happy for

0:23:49.276 --> 0:23:53.556
<v Speaker 1>that person. One day I asked Eric how he became

0:23:53.596 --> 0:23:56.876
<v Speaker 1>a coach with a completely straight face. He said that

0:23:56.916 --> 0:24:00.556
<v Speaker 1>it had all started in the fifth grade. This show

0:24:00.596 --> 0:24:02.516
<v Speaker 1>can't seem to move on from the fifth grade, but

0:24:02.916 --> 0:24:05.276
<v Speaker 1>such as life. By the time he got to the

0:24:05.316 --> 0:24:08.916
<v Speaker 1>fifth grade, Eric loved music but didn't get much encouragement

0:24:09.276 --> 0:24:13.556
<v Speaker 1>his parents. Then his class stage a musical, just as

0:24:13.596 --> 0:24:17.156
<v Speaker 1>mine had. The most popular boy in aris class wanted

0:24:17.236 --> 0:24:20.036
<v Speaker 1>to play the lead, but he didn't know how to sing.

0:24:23.596 --> 0:24:25.916
<v Speaker 1>He knew because I was playing the piano in the morning,

0:24:26.996 --> 0:24:29.276
<v Speaker 1>you know, for the kids to sing the star Spangled Banner,

0:24:29.316 --> 0:24:33.876
<v Speaker 1>America the Beautiful, And he said, I want to audition.

0:24:33.996 --> 0:24:36.156
<v Speaker 1>And meanwhile, by the way, we're talking at like a

0:24:36.236 --> 0:24:39.236
<v Speaker 1>ten minute skit. It wasn't a big thing. But to us,

0:24:39.396 --> 0:24:42.236
<v Speaker 1>you know, when you're that age and you're in a school,

0:24:42.276 --> 0:24:44.996
<v Speaker 1>you're surrounded by people who really matter to you, all

0:24:44.996 --> 0:24:48.556
<v Speaker 1>those classmates, and there's so many hierarchies and levels and

0:24:48.676 --> 0:24:52.716
<v Speaker 1>all of that going on. So he was popular, he

0:24:52.756 --> 0:24:55.596
<v Speaker 1>was athletic, he was, you know, all the positive things

0:24:55.596 --> 0:24:58.716
<v Speaker 1>you could be for boy in the fifth grade, and

0:24:58.996 --> 0:25:02.276
<v Speaker 1>or I guess in any grade really, And so he said,

0:25:02.396 --> 0:25:05.236
<v Speaker 1>can you teach me this song? And I said sure.

0:25:05.476 --> 0:25:10.276
<v Speaker 1>So we walked home. My house was probably twenty five

0:25:10.276 --> 0:25:13.276
<v Speaker 1>minutes from the school. He walked home with me, and

0:25:13.716 --> 0:25:15.716
<v Speaker 1>I sat at the piano and I taught him the

0:25:15.716 --> 0:25:18.636
<v Speaker 1>song and we went over and over and over it.

0:25:19.636 --> 0:25:24.276
<v Speaker 1>That bonded us forever. You know what. We didn't sit

0:25:24.276 --> 0:25:27.516
<v Speaker 1>at the same table and lunch whatever, but whenever I

0:25:27.516 --> 0:25:30.836
<v Speaker 1>would see him from that time on until graduating high school,

0:25:31.156 --> 0:25:33.396
<v Speaker 1>we were walking down the hall, He'd give me that nod,

0:25:33.476 --> 0:25:35.596
<v Speaker 1>I'd give him that nod. Like we had that bond.

0:25:35.996 --> 0:25:38.676
<v Speaker 1>It was amazing. It was a really special thing we

0:25:38.756 --> 0:25:41.876
<v Speaker 1>had between us. And so Eric just started to help

0:25:41.916 --> 0:25:44.716
<v Speaker 1>other kids who needed to sing. He didn't really think

0:25:44.756 --> 0:25:47.236
<v Speaker 1>of it as a job until one day when he

0:25:47.276 --> 0:25:51.236
<v Speaker 1>was in college, a classmate auditioned for a Broadway show.

0:25:52.116 --> 0:25:55.036
<v Speaker 1>She offered to pay Eric to help her. After that,

0:25:55.276 --> 0:25:59.116
<v Speaker 1>he built an entire career on word of mouth. People

0:25:59.156 --> 0:26:02.236
<v Speaker 1>just heard about this guy's rare coaching gift and called

0:26:02.276 --> 0:26:05.036
<v Speaker 1>him up. He never really had to market himself or

0:26:05.076 --> 0:26:08.436
<v Speaker 1>push himself on others. They found him. What did it

0:26:08.436 --> 0:26:20.716
<v Speaker 1>feel like? You're your incredible space about your throat? All

0:26:20.756 --> 0:26:25.236
<v Speaker 1>these strange sounds. I spend an hour every day making them.

0:26:25.276 --> 0:26:27.396
<v Speaker 1>I ask him why I'm doing them, and he sort

0:26:27.436 --> 0:26:31.196
<v Speaker 1>of explains, but sort of doesn't, or rather, all of

0:26:31.236 --> 0:26:35.476
<v Speaker 1>his explanations boiled down to a single persuasive sentence. Just

0:26:35.676 --> 0:26:37.796
<v Speaker 1>follow my lead the way everyone else is done, and

0:26:37.836 --> 0:26:42.956
<v Speaker 1>I'll get you there. Practice really truly, Bet Middler again,

0:26:43.876 --> 0:26:47.076
<v Speaker 1>my fellow singer, This is ther only piece of advice

0:26:47.116 --> 0:26:49.156
<v Speaker 1>to me. The more you do it, the better you're

0:26:49.156 --> 0:26:52.036
<v Speaker 1>going to get. There's no question, There is absolutely no

0:26:52.196 --> 0:26:56.116
<v Speaker 1>question you will improve. The more you do it, the

0:26:56.156 --> 0:26:59.556
<v Speaker 1>better you get, and you find the secrets you find. Well,

0:27:00.276 --> 0:27:01.756
<v Speaker 1>he told me to do it that way. I can't

0:27:01.796 --> 0:27:03.076
<v Speaker 1>quite do it that way, but I can do it

0:27:03.436 --> 0:27:05.036
<v Speaker 1>this way, and it's a pretty good sound, so I

0:27:05.076 --> 0:27:07.516
<v Speaker 1>like it. My question to you is how do you sound?

0:27:07.836 --> 0:27:14.516
<v Speaker 1>How do you like yourself singing? That was a good question,

0:27:16.356 --> 0:27:29.636
<v Speaker 1>and I was still avoiding the answer. Let's start with

0:27:29.636 --> 0:27:31.876
<v Speaker 1>a tongue, making sure to connect to your breathing muscles.

0:27:31.916 --> 0:27:34.116
<v Speaker 1>You're gonna take deep ruts in and you're gonna sing.

0:27:38.116 --> 0:27:41.636
<v Speaker 1>Try that. I try it. I try everything very good.

0:27:41.676 --> 0:27:43.556
<v Speaker 1>Now try it with the lip bubbly and see if

0:27:43.556 --> 0:27:50.076
<v Speaker 1>you can do it. Yeah, don't worry about it. Don't

0:27:50.076 --> 0:27:52.316
<v Speaker 1>worry about it, I promise. But I kept thinking of

0:27:52.436 --> 0:27:57.036
<v Speaker 1>Bette Midler's question, how do I like myself singing? The

0:27:57.076 --> 0:28:00.636
<v Speaker 1>truth is I feel totally disconnected from my own voice.

0:28:01.436 --> 0:28:03.356
<v Speaker 1>I sing the way people talk when they're trying to

0:28:03.356 --> 0:28:06.036
<v Speaker 1>get a foreigner to understand them. When it isn't working,

0:28:06.036 --> 0:28:08.876
<v Speaker 1>I just do it again louder. I also sing with

0:28:08.956 --> 0:28:12.836
<v Speaker 1>the feeling that something's about to go drastically wrong, like

0:28:12.876 --> 0:28:15.436
<v Speaker 1>I'm a five foot point guard driving for a layup

0:28:15.476 --> 0:28:17.716
<v Speaker 1>with a pair of seven footers right behind me. So

0:28:17.756 --> 0:28:26.036
<v Speaker 1>you're gonna go memo, memo, memo, memo, memo, memo, Mimo, memo, Mimo, memo, Mimo, memo, memo, mimo.

0:28:26.076 --> 0:28:29.996
<v Speaker 1>Now rolling your head memo mema. The music Man is

0:28:29.996 --> 0:28:33.036
<v Speaker 1>about a con man. He knows he's a fraud, but

0:28:33.116 --> 0:28:38.636
<v Speaker 1>he's happy in the role. I'm less so wow. Even

0:28:38.636 --> 0:28:40.916
<v Speaker 1>though Eric agrees to take me on as a student,

0:28:41.196 --> 0:28:43.676
<v Speaker 1>I start with one foot out the door, and I

0:28:43.716 --> 0:28:52.956
<v Speaker 1>think he kind of knows it. Okay. Good. Looking back

0:28:52.956 --> 0:28:55.276
<v Speaker 1>on all this, I see our relationship had a bunch

0:28:55.276 --> 0:29:00.556
<v Speaker 1>of stages. I can count five. You've already heard Stage one.

0:29:01.316 --> 0:29:03.596
<v Speaker 1>He was just feeling each other out to decide if

0:29:03.596 --> 0:29:07.756
<v Speaker 1>there was any point of spending time together. Stage two

0:29:08.276 --> 0:29:12.796
<v Speaker 1>was Eric dually taking control. But I only noticed this

0:29:12.916 --> 0:29:16.316
<v Speaker 1>happening after I went back over the recordings of all

0:29:16.356 --> 0:29:20.396
<v Speaker 1>our sessions. It sounded better. Yeah, it really really noticeably

0:29:20.436 --> 0:29:23.316
<v Speaker 1>sounded better. Yeah, I mean from a low baseline, but

0:29:23.356 --> 0:29:26.516
<v Speaker 1>I noticed the difference. No, that's great. I didn't give

0:29:26.516 --> 0:29:29.756
<v Speaker 1>you the acid reflux diet. Hot to look at you did?

0:29:30.236 --> 0:29:33.956
<v Speaker 1>He had given me the acid reflux diet the first session.

0:29:34.756 --> 0:29:38.036
<v Speaker 1>This long list of stuff I was now encouraged to consume,

0:29:38.636 --> 0:29:41.556
<v Speaker 1>plus a longer list of things I shouldn't touch. No

0:29:41.716 --> 0:29:46.916
<v Speaker 1>spicy foods, no coffee, no alcohol. It seemed excessive. I mean,

0:29:47.276 --> 0:29:51.276
<v Speaker 1>no carbonated beverages. You did? Then? Why are you drinking

0:29:51.396 --> 0:29:54.196
<v Speaker 1>carbonated water in front of me? Oh my god? You

0:29:54.356 --> 0:29:56.796
<v Speaker 1>cough it so because you know it's all I have.

0:29:56.996 --> 0:29:59.756
<v Speaker 1>It's I'm drinking up the remains. I haven't bought any

0:29:59.796 --> 0:30:02.876
<v Speaker 1>new ones, but it was what Okay, your family can't

0:30:02.956 --> 0:30:10.276
<v Speaker 1>drink the perrier? All right? Busted? I'm sorry. It won't

0:30:10.316 --> 0:30:12.876
<v Speaker 1>happen again. Could always take a bath in it. Yeah,

0:30:12.876 --> 0:30:14.796
<v Speaker 1>that's what I'll do. I'll take a bath in it, right,

0:30:14.916 --> 0:30:16.676
<v Speaker 1>I'll send it to you. Do you have a dog,

0:30:16.716 --> 0:30:20.796
<v Speaker 1>You could wash the dog with it. I found that

0:30:20.876 --> 0:30:23.916
<v Speaker 1>once I got my coach talking, I could encourage him

0:30:23.916 --> 0:30:27.156
<v Speaker 1>to keep going. Please do tell me how to wash

0:30:27.196 --> 0:30:29.956
<v Speaker 1>a dog in sparkling order. Yes, I do very much

0:30:29.996 --> 0:30:32.516
<v Speaker 1>want to hear what Joan Rivers once said about her dog.

0:30:33.156 --> 0:30:35.836
<v Speaker 1>So long as he was talking, I didn't have to sing.

0:30:36.716 --> 0:30:40.556
<v Speaker 1>I was creating a kind of alibi that crime against music.

0:30:41.236 --> 0:30:43.716
<v Speaker 1>No way I could have committed it. I wasn't even

0:30:43.756 --> 0:30:47.596
<v Speaker 1>present at the scene. Feel like you're sighing. Make sure

0:30:47.636 --> 0:30:50.476
<v Speaker 1>you support by using your breathing muscles on that first

0:30:50.476 --> 0:30:53.676
<v Speaker 1>note and put a slight cry so to be more

0:30:53.676 --> 0:31:01.156
<v Speaker 1>of a mey memai may good. Now, I guarantee you,

0:31:01.156 --> 0:31:03.316
<v Speaker 1>if you start doing it every day, that will get

0:31:03.356 --> 0:31:07.716
<v Speaker 1>better and better. How could it get worse? That's not true?

0:31:09.116 --> 0:31:12.076
<v Speaker 1>All right now, I want to do one keeping a

0:31:12.196 --> 0:31:15.276
<v Speaker 1>nice and forward, keeping your mouth loose and relaxed. Say

0:31:15.556 --> 0:31:21.316
<v Speaker 1>yum yum, yum, yum yum yum. Actually, before we go

0:31:21.356 --> 0:31:24.916
<v Speaker 1>out further. I know you're being funny, but I know

0:31:24.956 --> 0:31:27.636
<v Speaker 1>there's always a little truth in every little bit of humor.

0:31:27.996 --> 0:31:30.916
<v Speaker 1>What I want you to do is stop thinking of

0:31:30.956 --> 0:31:34.476
<v Speaker 1>it as not good, because as long as you do that,

0:31:34.796 --> 0:31:36.996
<v Speaker 1>you'll kind of keep it there, you know what I mean,

0:31:37.396 --> 0:31:39.356
<v Speaker 1>You'll always have a little bit of a sense. While

0:31:39.396 --> 0:31:41.516
<v Speaker 1>I'm not really a singer, I'm not really good. I

0:31:41.596 --> 0:31:45.116
<v Speaker 1>want you to start just thinking to yourself as a singer.

0:31:45.156 --> 0:31:49.316
<v Speaker 1>You're putting in the time, the effort you're practicing. Why

0:31:49.356 --> 0:31:53.196
<v Speaker 1>wouldn't you get better? You know right? Anybody will get

0:31:53.236 --> 0:31:56.116
<v Speaker 1>better is something they put effort in, time and energy,

0:31:56.116 --> 0:31:58.036
<v Speaker 1>And so I want you to just start thinking to

0:31:58.156 --> 0:32:03.116
<v Speaker 1>yourself like a singer. He didn't miss much. He was

0:32:03.156 --> 0:32:05.916
<v Speaker 1>onto me. It's a defense mechanism, I know, but I

0:32:05.956 --> 0:32:08.756
<v Speaker 1>want you to drop it, all right. I want to

0:32:08.796 --> 0:32:11.916
<v Speaker 1>break through that defense because I really do think when

0:32:11.996 --> 0:32:15.196
<v Speaker 1>someone feels a little bit better and they tell themselves,

0:32:15.516 --> 0:32:20.076
<v Speaker 1>you know, self affirming thoughts, it really does make a difference.

0:32:20.516 --> 0:32:22.956
<v Speaker 1>All right, I won't do it anymore. Yeah, I want

0:32:22.956 --> 0:32:28.116
<v Speaker 1>you to really just think, yeah, this is better. His

0:32:28.316 --> 0:32:31.956
<v Speaker 1>will was just stronger than mine. At some point I

0:32:32.036 --> 0:32:35.516
<v Speaker 1>gave up and accepted that he was in charge. And

0:32:35.636 --> 0:32:39.676
<v Speaker 1>at that point I entered stage three of the coaching relationship.

0:32:40.516 --> 0:32:46.476
<v Speaker 1>Buy in actual, honest, buy in very good. And I

0:32:46.556 --> 0:32:53.276
<v Speaker 1>heard by broad on that first note, whoa do that again? Wow?

0:32:52.396 --> 0:32:56.676
<v Speaker 1>Wa wa wa wa wa? I aim high On that

0:32:56.716 --> 0:32:58.876
<v Speaker 1>last note, though, don't let it fall back from your throat.

0:32:59.716 --> 0:33:02.756
<v Speaker 1>I mean, who knows if I'm actually getting better, I

0:33:02.836 --> 0:33:05.996
<v Speaker 1>can't tell, but he's giving me a feeling of movement.

0:33:07.356 --> 0:33:13.276
<v Speaker 1>May me may me, May May May may may. And

0:33:13.436 --> 0:33:15.956
<v Speaker 1>so far that's the briant, the best you've sounded. Does

0:33:15.956 --> 0:33:18.076
<v Speaker 1>it feel good? It feels really good? Yeah, and I

0:33:18.116 --> 0:33:21.116
<v Speaker 1>want you to really embrace it. Feel what it feels like.

0:33:21.316 --> 0:33:28.316
<v Speaker 1>Listen to it because it sounds really good. At some

0:33:28.436 --> 0:33:31.516
<v Speaker 1>point into all of this, like after maybe three months

0:33:31.516 --> 0:33:35.076
<v Speaker 1>of weekly lessons and almost daily practice, it occurred to

0:33:35.116 --> 0:33:38.676
<v Speaker 1>me that one anxiety had been replaced by another. I

0:33:38.836 --> 0:33:42.596
<v Speaker 1>used to be anxious mostly about singing. Now I'm anxious

0:33:42.716 --> 0:33:46.556
<v Speaker 1>mostly about letting him down. I think we'll call this

0:33:46.636 --> 0:33:51.876
<v Speaker 1>stage four. So have you ever taken a ballet class? No?

0:33:52.076 --> 0:33:55.836
<v Speaker 1>I haven't, but I've been close to one. Okay, So

0:33:56.836 --> 0:34:00.876
<v Speaker 1>in ballet class quite often, you know, they talk about

0:34:00.916 --> 0:34:06.916
<v Speaker 1>getting in touch with and what's the word of connecting

0:34:06.956 --> 0:34:11.796
<v Speaker 1>to your center? Yep, lean your abdomino muscles in Yep'm

0:34:11.876 --> 0:34:16.916
<v Speaker 1>kind of tight and squeezing your butt cheeks together yepkay, yep.

0:34:17.036 --> 0:34:19.596
<v Speaker 1>Clenking in the back, holding it ye, So that's why

0:34:19.636 --> 0:34:24.156
<v Speaker 1>they stand so crazy. Yep, yep, Okay, that's clenching in

0:34:24.196 --> 0:34:27.556
<v Speaker 1>the bus and pulling your abdomino muscles can help you

0:34:27.596 --> 0:34:30.796
<v Speaker 1>with support. Now, I prevertical in front back to support

0:34:30.836 --> 0:34:32.676
<v Speaker 1>because I don't want to be known as the butt teacher.

0:34:32.756 --> 0:34:35.636
<v Speaker 1>And I'm not recording this. He wasn't recording it, but

0:34:35.796 --> 0:34:38.716
<v Speaker 1>I was, Oh no, no no. So I can tell

0:34:38.716 --> 0:34:40.476
<v Speaker 1>you if I if I was able to sing with

0:34:40.516 --> 0:34:45.356
<v Speaker 1>my ass muscles, i'd be on Broadway. All right, there's

0:34:45.636 --> 0:34:47.716
<v Speaker 1>going to be a Broadway again. Yeah, well that's a

0:34:47.996 --> 0:34:51.116
<v Speaker 1>that's a good point. Yeah. Anyway, Okay, getting back to

0:34:51.156 --> 0:34:53.676
<v Speaker 1>your bus. So I want you to put one end

0:34:53.676 --> 0:34:56.076
<v Speaker 1>on your abdominal muscles and you're gonna go to a

0:34:56.196 --> 0:34:59.916
<v Speaker 1>normal hiss, pulling your abdomino muscles in, and then you're

0:34:59.916 --> 0:35:03.596
<v Speaker 1>going to add punch in your butt cheeks together. Okay,

0:35:03.676 --> 0:35:08.076
<v Speaker 1>so I'll so. But it just hissed and clenched my

0:35:08.076 --> 0:35:10.156
<v Speaker 1>butt cheeks while I'm doing. You're going to do a

0:35:10.236 --> 0:35:21.796
<v Speaker 1>normal plenty or domino. You're going to add okay, gotcha? Wow,

0:35:23.236 --> 0:35:27.596
<v Speaker 1>Oh my god, it was like a howitzer. That's what

0:35:27.676 --> 0:35:29.556
<v Speaker 1>you're gonna do that hit behind us. You're going to

0:35:29.636 --> 0:35:33.156
<v Speaker 1>free your butt seats together and pulling your domino gonna

0:35:33.156 --> 0:35:35.836
<v Speaker 1>be like your neck. That was like a nuke. It

0:35:35.916 --> 0:35:40.236
<v Speaker 1>was also extremely weird, but it was working, and it

0:35:40.316 --> 0:35:44.516
<v Speaker 1>got us eventually to stage five. I still didn't really

0:35:44.556 --> 0:35:47.156
<v Speaker 1>like the way I sounded, but I could see how

0:35:47.236 --> 0:35:50.796
<v Speaker 1>one day I might like the way I sounded. I

0:35:50.876 --> 0:35:53.996
<v Speaker 1>was starting to have this entirely new feeling because of

0:35:54.036 --> 0:35:57.796
<v Speaker 1>this coach, and I sort of confessed it directly to

0:35:57.876 --> 0:36:00.396
<v Speaker 1>Bette Midler. I don't know if you feel this way,

0:36:00.436 --> 0:36:03.476
<v Speaker 1>but I found that once you start singing, it's really

0:36:03.476 --> 0:36:07.956
<v Speaker 1>hard to stop. That's great, you know, do you know what?

0:36:08.316 --> 0:36:09.876
<v Speaker 1>You know? You start saying you kind of don't want

0:36:09.876 --> 0:36:13.836
<v Speaker 1>to stop. So I find myself wandering the streets after

0:36:13.876 --> 0:36:15.716
<v Speaker 1>I've been doing a lesson singing, and then I realize

0:36:15.756 --> 0:36:17.796
<v Speaker 1>people are staring at me. Oh really, Oh that's a

0:36:17.836 --> 0:36:23.956
<v Speaker 1>sweet story. That's fantastic. I'm going to try that. Now.

0:36:23.596 --> 0:36:27.756
<v Speaker 1>How has your progress been with you mentally thinking of

0:36:27.836 --> 0:36:32.276
<v Speaker 1>yourself as a singer? Not bad? Good? So that interference

0:36:32.396 --> 0:36:34.876
<v Speaker 1>is gone, and I'm trying to talk myself into this

0:36:35.276 --> 0:36:38.996
<v Speaker 1>great great because I think that, you know, then it

0:36:39.036 --> 0:36:42.196
<v Speaker 1>becomes I don't want to say, an experiment, maybe an

0:36:42.196 --> 0:36:46.716
<v Speaker 1>exercise in not just singing in general, but how powerful

0:36:46.756 --> 0:36:49.916
<v Speaker 1>the mind can be to creating what it is we

0:36:49.996 --> 0:36:57.036
<v Speaker 1>want to create in our life. I agree. Okay, so

0:36:57.156 --> 0:36:58.876
<v Speaker 1>but one hand on your chest, one hand on your

0:36:58.876 --> 0:37:01.716
<v Speaker 1>abdominal muscles. Take a deep, low breath and a long,

0:37:01.756 --> 0:37:06.116
<v Speaker 1>steady It's not often that someone persuades you that you

0:37:06.116 --> 0:37:10.236
<v Speaker 1>can go to a place you've never been. It's intoxicating

0:37:11.236 --> 0:37:14.516
<v Speaker 1>even for people who've been almost everywhere. And actually, the

0:37:14.556 --> 0:37:18.956
<v Speaker 1>most free thing about Eric is that he encourages you

0:37:19.156 --> 0:37:22.876
<v Speaker 1>to not make it sound beautiful and perfect, just makes

0:37:22.996 --> 0:37:26.356
<v Speaker 1>sense of it, like Emily Blunt makes sense of the song.

0:37:26.476 --> 0:37:30.796
<v Speaker 1>Let me hear the story, Tell me a story. This

0:37:30.836 --> 0:37:34.276
<v Speaker 1>is what's so elusive about coaching. How a gifted coach

0:37:34.356 --> 0:37:36.556
<v Speaker 1>can get you to shift the focus of your attention

0:37:37.236 --> 0:37:40.716
<v Speaker 1>so you're no longer singing a song. You're sort of

0:37:40.756 --> 0:37:44.516
<v Speaker 1>exploring who you are or might be. It hit Bette

0:37:44.516 --> 0:37:46.836
<v Speaker 1>Midler right away. You know, I have to tell you this,

0:37:47.076 --> 0:37:50.276
<v Speaker 1>This is a good story. When I first care to Eric,

0:37:50.636 --> 0:37:53.276
<v Speaker 1>I would come to Eric and you don't know me, Michael,

0:37:53.356 --> 0:37:56.236
<v Speaker 1>but I am. I'm a very sad person. I mean,

0:37:56.316 --> 0:38:00.876
<v Speaker 1>I can be hilarious, but like many comics, I am

0:38:01.556 --> 0:38:06.796
<v Speaker 1>I am like a tragic soul, and I can be

0:38:06.916 --> 0:38:09.556
<v Speaker 1>very hard on myself and very hard on people around me.

0:38:10.236 --> 0:38:13.276
<v Speaker 1>I'm sorry to admit that people I'm telling I'm letting

0:38:13.316 --> 0:38:17.156
<v Speaker 1>you in. This coach knows stuff. Stuff you never know

0:38:17.236 --> 0:38:20.916
<v Speaker 1>that he knows. He knows what you might be capable of.

0:38:21.036 --> 0:38:24.316
<v Speaker 1>If you allow him to help, you might already be

0:38:24.396 --> 0:38:27.756
<v Speaker 1>world famous and headlining a Vegas show. You also, at

0:38:27.756 --> 0:38:30.876
<v Speaker 1>the same time might be hating yourself and making life

0:38:30.916 --> 0:38:48.356
<v Speaker 1>miserable for your coach. And he came to my opening night,

0:38:48.716 --> 0:38:50.916
<v Speaker 1>and you know what he told me, Like years later,

0:38:51.476 --> 0:39:08.236
<v Speaker 1>he said to me, when that curtain went up and

0:39:08.316 --> 0:39:14.596
<v Speaker 1>you came up, I didn't recogne you are. You were

0:39:14.676 --> 0:39:19.836
<v Speaker 1>so full of joy as life and color and fun,

0:39:22.876 --> 0:39:32.796
<v Speaker 1>and you're such as I didn't recognize. She's laughing so

0:39:32.876 --> 0:39:34.996
<v Speaker 1>hard that you might not have heard what her coach

0:39:35.036 --> 0:39:37.756
<v Speaker 1>said to her. You were so full of joy and

0:39:37.876 --> 0:39:40.716
<v Speaker 1>life and color and fun, and you're such a bitch.

0:39:41.876 --> 0:39:44.956
<v Speaker 1>She loved that he said it then and obviously still

0:39:44.996 --> 0:39:53.196
<v Speaker 1>loves it now. Oh my god, the poor guy, because

0:39:53.316 --> 0:39:58.436
<v Speaker 1>I am intense and he is. He just never let

0:39:58.476 --> 0:40:02.636
<v Speaker 1>me go. So yes, he helped me over. He helped me,

0:40:02.716 --> 0:40:05.996
<v Speaker 1>He helped me over an enormous he helped me climb

0:40:06.076 --> 0:40:10.956
<v Speaker 1>an enormous mountain, an enormous mountain. You've given me something.

0:40:11.036 --> 0:40:14.316
<v Speaker 1>That's why I had to come. I don't recall giving oh, yes,

0:40:15.236 --> 0:40:19.556
<v Speaker 1>something beautiful. That's why I came back. In fifth grade,

0:40:19.916 --> 0:40:22.956
<v Speaker 1>after Eric Vitro realized he had this gift for helping

0:40:22.996 --> 0:40:26.556
<v Speaker 1>people learn how to sing, he began to collect voices.

0:40:27.836 --> 0:40:31.276
<v Speaker 1>They were a gallery in his mind. He recalls the

0:40:31.316 --> 0:40:36.316
<v Speaker 1>first acquisition when he saw a movie called The Music Man.

0:40:36.836 --> 0:40:46.836
<v Speaker 1>Oh b on the huge but I never I didn't

0:40:46.876 --> 0:40:49.236
<v Speaker 1>see it in the movie theater, but it was on

0:40:49.316 --> 0:40:52.556
<v Speaker 1>television one night, and I had this little real to

0:40:52.676 --> 0:40:55.636
<v Speaker 1>real tape recorders before there was VHS tapes or anything,

0:40:56.116 --> 0:40:59.956
<v Speaker 1>and I recorded the whole thing so I could listen

0:40:59.996 --> 0:41:03.036
<v Speaker 1>to it again. I thought Shirley Jones had such a

0:41:03.076 --> 0:41:05.996
<v Speaker 1>beautiful voice. I used to play it over and over,

0:41:06.076 --> 0:41:09.116
<v Speaker 1>her singing till there was you. The songs she said

0:41:09.316 --> 0:41:11.756
<v Speaker 1>at the end and at the footbridge. I thought it

0:41:11.796 --> 0:41:17.116
<v Speaker 1>was so beautiful that was you. It may have been

0:41:17.236 --> 0:41:20.836
<v Speaker 1>Eric's first experience of paying really close attention to someone

0:41:20.876 --> 0:41:24.916
<v Speaker 1>else's voice, just studying it, And it was ironic that

0:41:25.316 --> 0:41:28.116
<v Speaker 1>you became It was her teacher for years for like

0:41:28.156 --> 0:41:32.596
<v Speaker 1>ten years, you know, and we became very close. That

0:41:32.676 --> 0:41:36.036
<v Speaker 1>was a rare false note for Eric Vitro. It doesn't

0:41:36.076 --> 0:41:40.236
<v Speaker 1>feel at all ironic to me that Shirley Jones, star

0:41:40.356 --> 0:41:43.236
<v Speaker 1>of the Music Man, would one day call Eric and

0:41:43.316 --> 0:41:47.196
<v Speaker 1>ask for his help. It feels like his destiny to

0:41:47.236 --> 0:41:50.956
<v Speaker 1>help her and maybe me too. So before we sing

0:41:51.556 --> 0:41:55.756
<v Speaker 1>Lyda Rose, You're chosen song to heal the wound of

0:41:55.836 --> 0:42:01.316
<v Speaker 1>your child? What are you going to think? What am

0:42:01.316 --> 0:42:06.196
<v Speaker 1>I going to think? Well? I think probably the best

0:42:06.236 --> 0:42:11.996
<v Speaker 1>spirit to sing it in is a slightly comic seduction. Okay,

0:42:12.076 --> 0:42:17.156
<v Speaker 1>it's like an ironic seduction. Okay, So that's the tone.

0:42:17.356 --> 0:42:20.476
<v Speaker 1>That's good, that's the overall tone, and and it's it's

0:42:22.436 --> 0:42:24.756
<v Speaker 1>it's sort of like, yeah, light of Rose, I could

0:42:24.796 --> 0:42:26.316
<v Speaker 1>understand if you don't want to get married at the

0:42:26.396 --> 0:42:28.996
<v Speaker 1>end of this, but I'm giving him my best shot. Okay. Great,

0:42:29.396 --> 0:42:33.516
<v Speaker 1>So it's an irresponsible uh love song. Great, all right,

0:42:33.556 --> 0:42:44.636
<v Speaker 1>So let's sing through light a Rose, Light a Rose,

0:42:44.836 --> 0:42:48.316
<v Speaker 1>I'm home again, Rose, to get the sun back in

0:42:48.636 --> 0:42:54.716
<v Speaker 1>the sky, Light a Rose, I'm home again Rose, About

0:42:54.756 --> 0:43:02.756
<v Speaker 1>a thousand kisses Shine Ding Dong Ding. I can hear

0:43:03.196 --> 0:43:11.596
<v Speaker 1>the Choppel Bill chime, Ding dong ding. At the least suggestion,

0:43:12.036 --> 0:43:16.596
<v Speaker 1>I'll pop the question. Light a Rose, I'm home again,

0:43:16.756 --> 0:43:23.076
<v Speaker 1>Rose without a sweetheart to my name? Light a Rose?

0:43:23.276 --> 0:43:30.076
<v Speaker 1>How everyone knows that I'm hoping you're the same. So

0:43:30.276 --> 0:43:38.156
<v Speaker 1>here is my love song, not fancy or fine, light

0:43:38.276 --> 0:43:54.676
<v Speaker 1>a Rose. Oh, won't you be mind? I'm Michael Lewis.

0:43:54.956 --> 0:43:58.076
<v Speaker 1>Thanks for listening to Against the Rules. Against the Rules

0:43:58.196 --> 0:44:01.556
<v Speaker 1>is brought to you by Pushkin Industries. The show's produced

0:44:01.596 --> 0:44:05.556
<v Speaker 1>by Audrey Dilling and Catherine Girodo, with research assistance from

0:44:05.636 --> 0:44:10.116
<v Speaker 1>Lydia Jane Cott and Zooe Wynn. Our editor is Julia Barton.

0:44:10.756 --> 0:44:14.676
<v Speaker 1>Mio o'bell is our executive producer. Our theme was composed

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<v Speaker 1>by Nick Brittell, with additional scoring by Stellwagon Sinphonette. We

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<v Speaker 1>got fact checked by Beth Johnson. Our show was recorded

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<v Speaker 1>by tofer Ruth and Trey Schultz at Northgate Studios in Berkeley.

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<v Speaker 1>As always, thanks to Pushkin's founders, Jacob Weisberg and Malcolm Gladwell.

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<v Speaker 1>So my last question and they when you get onto

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<v Speaker 1>the lessons. If you want to get onto the lesson,

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<v Speaker 1>is anyone you ever worked with ask you so much

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<v Speaker 1>about yourself as you. Most of the time people are

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<v Speaker 1>here just to learn, so they don't really asks that

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<v Speaker 1>much about me. Yeah, the dirty little secret is you're

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<v Speaker 1>always the most interesting person in the room, but you're

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<v Speaker 1>paying attention to everybody else. I don't know if that's true,

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<v Speaker 1>but I am paying attention, and you know, I'm sure

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<v Speaker 1>you find this too. It's really more interesting to be

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<v Speaker 1>the person listening to the other people because I know

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<v Speaker 1>my own story about I've got to feel the same way.