WEBVTT - 2026 Update: Tony

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<v Speaker 1>Pushkin.

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<v Speaker 2>Hello, Hello, who is this? This is Khalila Holt, your producer.

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<v Speaker 1>Well, hello, hello, nice to have you back in the studio.

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<v Speaker 2>Welcome, Nice to be reunited in this auditory space.

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<v Speaker 1>Yes, indeed it is. Have a seat please.

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<v Speaker 2>I'm already sitting, but thank you. Yes, we are going

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<v Speaker 2>to revisit some favorite episodes this spring.

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<v Speaker 1>Yes, I couldn't be more excited.

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<v Speaker 2>Do I sound not excited at all? But yeah?

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<v Speaker 1>You know, sometimes my enthusiasm doesn't come across, and I'm

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<v Speaker 1>always surprised. Like same, Like in photos, I think that

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<v Speaker 1>I'm smiling, but then when I see the photos, not

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<v Speaker 1>only am I not smiling at all, it looks like

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<v Speaker 1>I'm scowling.

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<v Speaker 2>I have a really hard time showing enthusiasm too. I've

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<v Speaker 2>noticed that often when I try to like really lean

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<v Speaker 2>into enthusiasm in my voice, it sounds like I'm being sarcastic.

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<v Speaker 1>Yeah, but I am excited, and I'm going to approve

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<v Speaker 1>me too. I'm going to prove to you my excitement

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<v Speaker 1>and my enthusiasms as this conversation goes on.

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<v Speaker 2>Okay, I look forward to that. Yes, and we're gonna

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<v Speaker 2>also check in with our former guests, because you know,

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<v Speaker 2>a lot of them have had some changes in the

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<v Speaker 2>years since.

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<v Speaker 1>Whereas stories end, lives continue, and.

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<v Speaker 2>So I do end eventually.

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<v Speaker 1>Oh God, thanks for bringing the whole thing down.

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<v Speaker 3>I'm just saying.

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<v Speaker 2>I mean, it's everyone's thinking it all right.

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<v Speaker 1>Anyway, who are we talking about today?

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<v Speaker 2>So today we're gonna revisit the episode Jonathan about your

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<v Speaker 2>friend Tony from our very first season.

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<v Speaker 1>I love it. It's been a long time.

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<v Speaker 2>Yeah, that was my favorite episode that season. Something about

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<v Speaker 2>it just really moved me.

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<v Speaker 1>Huh.

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<v Speaker 2>Again, it sounds like I'm being sarcastic, but I'm serious.

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<v Speaker 2>I really liked it.

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<v Speaker 1>No, no, I believe you. It's a It's a personal

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<v Speaker 1>favorite of mine because Tony is one of my best friends,

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<v Speaker 1>and he's an interesting man and his life beyond the

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<v Speaker 1>story continued to be interesting and flow in all kinds

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<v Speaker 1>of unexpected and original directions, so I was really excited

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<v Speaker 1>to check in with him after we kind of what's

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<v Speaker 1>the thing that they do in movies? Like after the

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<v Speaker 1>rap party of this episode, and actually, speaking of rap parties,

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<v Speaker 1>Yes you want me to do some rapping?

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<v Speaker 2>No? No, thank you? Okay, I have a fun, little

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<v Speaker 2>fun story from.

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<v Speaker 1>Production, Oh please.

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<v Speaker 2>Which is that there's a part in this where one

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<v Speaker 2>of Tony's godson says it's over for you, you old sausage.

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<v Speaker 1>Yeah.

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<v Speaker 2>When we celebrated the first season, I, at the suggestion

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<v Speaker 2>of Chris Neery, one of the producers on the first season, right,

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<v Speaker 2>went and got a cake and I asked them to

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<v Speaker 2>put on It's over you old sausage.

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<v Speaker 1>I do remember this, and I thank you. I thank

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<v Speaker 1>you again for that. But if you had to do

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<v Speaker 1>it all over again, if you were to make edits,

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<v Speaker 1>might you say it's not over you a young sausage.

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<v Speaker 2>It's still going you young sausage.

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<v Speaker 1>So enjoy, Yeah, enjoy. We'll check in with Tony at

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<v Speaker 1>the end of the episode, and not to overpromise, but

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<v Speaker 1>there's just a lot that's gone on in his life

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<v Speaker 1>and a lot that continues to go on. Yes, but

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<v Speaker 1>first things first, a word from our sponsors.

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<v Speaker 3>Did hi?

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<v Speaker 2>This is Khalila from Gimlet Media. Please hold for Jonathan Goldstein.

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<v Speaker 4>I'm sorry, who is this.

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<v Speaker 2>Khalila from Gimblet Media. Please hold for Jonathan Goldstein?

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<v Speaker 4>Please hold? Yeah, Wow, Hello, Hello. How nice of you

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<v Speaker 4>to take the call from yourself. Oh hey, Jackie, you

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<v Speaker 4>seem surprised that you called me so to hear from you.

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<v Speaker 5>You.

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<v Speaker 1>I didn't realize that I had you on my calendar.

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<v Speaker 1>But this is great. How are you doing? It's been

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<v Speaker 1>so busy. It's nice to decompress and have a normal conversation.

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<v Speaker 1>How's it going from Gimblet Media. I'm Jonathan Goldstein and

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<v Speaker 1>this is Heavyweight Today's episode.

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<v Speaker 6>Tony, Paul, how are you very good?

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<v Speaker 1>Thanks?

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<v Speaker 3>I was wondering if you would be up for meeting

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<v Speaker 3>me for an hour?

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<v Speaker 7>Okay, what about I was.

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<v Speaker 3>Absent for most of your life, and you know, I've

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<v Speaker 3>always felt sad about it.

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<v Speaker 1>Here's something you don't hear every day. A godfather awkwardly

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<v Speaker 1>asking out his thirty one year old godson on a

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<v Speaker 1>god date.

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<v Speaker 3>I know you're I know your busy as life, mouthed father.

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<v Speaker 3>Who and but I think you'd spare an hour like

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<v Speaker 3>Monday or Tuesday night, you know.

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<v Speaker 7>Unfortunately, a week in advance not to I don't know what.

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<v Speaker 1>The hell was not the godfather being blown off as

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<v Speaker 1>my friend Tony, the realization that he needed to be

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<v Speaker 1>a better godfather came suddenly. It was like if Vido

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<v Speaker 1>Corleone woke up one morning and thought, you know, godfathering

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<v Speaker 1>should be more than just decapitating horses, and then picked

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<v Speaker 1>up a rotary phone and asked Johnny Fontaine out on

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<v Speaker 1>an ice cream date. But to explain how Tony got

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<v Speaker 1>to this point, let's go back to the beginning. It

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<v Speaker 1>all started when Tony and I were catching up and

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<v Speaker 1>regarding work. How is that going good?

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<v Speaker 5>It's really great. I've like, I'm actually enjoying the process

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<v Speaker 5>I'm making this film, which is I think the really

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<v Speaker 5>amazing thing about the past year.

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<v Speaker 1>This past year has been a hard one for Tony.

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<v Speaker 1>He's recently divorced and still adjusting the house that has

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<v Speaker 1>been settled.

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<v Speaker 5>Yeah, everything is settled. Everything is settled. Yeah, yeah, yeah.

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<v Speaker 1>I first met Tony in college when he was a

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<v Speaker 1>young film student with manic energy, Jean Shallatt, curly black hair,

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<v Speaker 1>and gray clothes that always smelt of Greek food. After college,

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<v Speaker 1>we became roommates and on the weekend his would visit.

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<v Speaker 1>She referred to me as gatzo'meli's mano everyaki, which I

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<v Speaker 1>think translates loosely as the alley cat haired little jew.

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<v Speaker 1>But I didn't mind because whenever she showed up, she

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<v Speaker 1>brought Homemateespencopita and Terra mussolada. Tony would wash down these

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<v Speaker 1>Grecian delights with copious amounts of booze. Pretty soon he

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<v Speaker 1>started washing everything down with booze. There's an image from

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<v Speaker 1>that time that stuck with me. Tony had decided to

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<v Speaker 1>join me at the gym after downing a half bottle

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<v Speaker 1>of vodka. I remember him wailing on the heavy bag

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<v Speaker 1>in his undershirt and gray jeans, looking a little like

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<v Speaker 1>a kid, pounding on the floor, fed up with everything. Eventually,

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<v Speaker 1>Tony turned to harder drugs like heroin, and soon after

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<v Speaker 1>that we stopped being roommates. Tony went to rehab and

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<v Speaker 1>after he got out, spent some years putting his life

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<v Speaker 1>back together. He had a few relationships, and then he

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<v Speaker 1>met Natalie. Natalie was smart and loved to write, and

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<v Speaker 1>when Tony hugged her, she disappeared into his body. Tony's

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<v Speaker 1>a big guy with a thick black beard covering his

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<v Speaker 1>boyish face, and Natalie was apple cheeked and glamorous. I

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<v Speaker 1>like being around them. One time, while walking by a

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<v Speaker 1>curiosity shop, I saw a comically small ping pong table

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<v Speaker 1>in the window. Immediately I thought of Tony and Natalie.

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<v Speaker 1>I imagined the two of them in their kitchen, smacking

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<v Speaker 1>the little ball back and forth together and laughing. During

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<v Speaker 1>their wedding vows, Natalie said, I vowed to grow old

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<v Speaker 1>with you, but most of all, to grow young with you,

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<v Speaker 1>and Tony interrupted her right in the middle, eyes welling

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<v Speaker 1>up to say me too. It was like he'd blown

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<v Speaker 1>his youth but was getting another chance. But then, at

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<v Speaker 1>some point, around three years in, things started to get tougher.

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<v Speaker 1>Tony spent a lot of time locked in his studio,

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<v Speaker 1>working obsessively on his movies, and Natalie started to feel

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<v Speaker 1>hamstrung by montreal It's smallness, the lack of opportunities. They

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<v Speaker 1>wanted a baby, but were having a hard time with it.

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<v Speaker 1>And then Tony's dad died, making him the sole caretaker

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<v Speaker 1>of his mother, a woman who didn't shy away from

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<v Speaker 1>espousing strong opinions about her son's personal life. All of

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<v Speaker 1>this was hard on him and Natalie.

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<v Speaker 5>She was not happy. She was not happy, She was

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<v Speaker 5>not happy. She just didn't want to be here.

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<v Speaker 1>Natalie wanted to start a new life in a new place,

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<v Speaker 1>but Tony felt happily stuck in the old one and

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<v Speaker 1>he couldn't leave his mother all alone. So when Natalie

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<v Speaker 1>decided to leave town, he knew he couldn't go with her.

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<v Speaker 1>Was there ever a conversation in which you were both

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<v Speaker 1>trying to envision a way in which you could leave

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<v Speaker 1>the city.

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<v Speaker 5>No, because there was no way.

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<v Speaker 1>Like even with your mother to go with you.

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<v Speaker 5>Why is that no?

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<v Speaker 1>Tony's mother is an eighty four year old Greek woman

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<v Speaker 1>with little English whose only hobbies are meticulously cleaning her

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<v Speaker 1>toaster of and wringing her hands while frowning and so

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<v Speaker 1>in here lies the heart of Tony's current problem. Before

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<v Speaker 1>they separated, Tony and Natalie were trying to have a baby,

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<v Speaker 1>and now he finds himself alone, middle aged, and worried

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<v Speaker 1>he's missed his last chance to have a kid.

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<v Speaker 5>I don't think there's a point to anything if you

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<v Speaker 5>don't have a relationship with a young person. How do

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<v Speaker 5>you mean if I sit here in the dark thinking

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<v Speaker 5>about it and realizing, you know, I'm forty six years

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<v Speaker 5>old and I live alone, and I'm not probably not

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<v Speaker 5>going to have kids, and who the fuck gives a

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<v Speaker 5>shit if I live or die aside from my mother

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<v Speaker 5>and a few friends, But really, who gives a shit.

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<v Speaker 5>You know, who's going to feel a loss. I'm not

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<v Speaker 5>saying that in an egotistical way, But who do I

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<v Speaker 5>mean something to? Whose life have I enriched? Like? I

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<v Speaker 5>don't think I don't understand what there is to do

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<v Speaker 5>here if you're not somehow helping or being connected to

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<v Speaker 5>a younger person.

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<v Speaker 1>Lately, Tony's been thinking about three young people he had

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<v Speaker 1>been connected to, his estranged god children. Tony admits to

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<v Speaker 1>screwing up those three relationships during three difficult chapters in

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<v Speaker 1>his life drug addiction, rehab, and divorce. What if you

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<v Speaker 1>were to try to get them back in your life?

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<v Speaker 5>I'm not sure what difference I can make and somebody's

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<v Speaker 5>it's kind of like, hey, yeah, here I am now,

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<v Speaker 5>I'm ready for you, Like I haven't been here all

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<v Speaker 5>these years, but hey here I am now. You know.

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<v Speaker 1>Not hearing my friend give up on himself so easily,

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<v Speaker 1>I decided to suggest something bold. Why not try reaching

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<v Speaker 1>out to the god kids he lost?

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<v Speaker 5>Now? I mean, I actually do want to have a relationship.

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<v Speaker 5>I do.

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<v Speaker 1>You don't know until you at least try.

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<v Speaker 5>Right, I'm I'm I'm open to anything.

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<v Speaker 1>And do you have their phone numbers? I get him

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<v Speaker 1>to tell me about them, Beginning with the first Paul.

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<v Speaker 5>I was sixteen years old. It was very formal. I

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<v Speaker 5>held this kid in a Greek Orthodox baptism ceremony for

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<v Speaker 5>an hour. My arm almost fell off. Babies are really heavy,

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<v Speaker 5>especially when you have one arm to hold onto them

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<v Speaker 5>and have a candle in the other. Yeah, but it

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<v Speaker 5>was cute. You know. I was really young, and I

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<v Speaker 5>was close to their family, but I was sixteen. Within

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<v Speaker 5>like two years, I was a raving, lunatic, alcoholic drug addict.

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<v Speaker 5>I didn't see much of him or anybody at all

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<v Speaker 5>from the family for quite a few years. And I

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<v Speaker 5>didn't think about it much, that's for sure.

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<v Speaker 1>And this god kid, what's his name. His name is Paul,

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<v Speaker 1>and Paul would be about thirty years old.

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<v Speaker 5>Now, uh, yeah, he's thirty one. And here's the thing.

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<v Speaker 5>I've never actually talked to him about about how he

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<v Speaker 5>felt having an absence he godfather. But he beat me

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<v Speaker 5>at an arm wrestle, and he I think he really

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<v Speaker 5>enjoyed that.

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<v Speaker 1>And when you say he enjoyed that, he enjoyed hanging

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<v Speaker 1>out and spending time with you, or he enjoyed beating you,

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<v Speaker 1>enjoyed beating me for being such a crappy godfather.

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<v Speaker 5>That's what I'm saying.

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<v Speaker 1>Yeah, is there a particular question that you would want

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<v Speaker 1>to pose to him or to all of them?

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<v Speaker 5>Do you hate me? Like? Does it mean anything that

0:13:47.010 --> 0:13:50.010
<v Speaker 5>I'm somebody's godfather because I said so or somebody said so,

0:13:50.130 --> 0:13:54.210
<v Speaker 5>or we did something long time ago. It can mean

0:13:54.250 --> 0:13:57.530
<v Speaker 5>nothing or it can mean something. You know, Godfather's a

0:13:57.530 --> 0:14:00.290
<v Speaker 5>big fucking deal if you think about it. It has

0:14:00.330 --> 0:14:04.890
<v Speaker 5>this spiritual implication God right, it's not toilet father.

0:14:11.890 --> 0:14:14.650
<v Speaker 1>And so, with my encouragement, Tony picked up the phone

0:14:14.770 --> 0:14:17.450
<v Speaker 1>and reached out to Paul, which brings us back to

0:14:17.490 --> 0:14:18.570
<v Speaker 1>the phone call you heard.

0:14:18.370 --> 0:14:20.450
<v Speaker 3>Earlier on Saturday.

0:14:20.970 --> 0:14:22.530
<v Speaker 7>Yeah, I think that's that'll be easiest.

0:14:23.170 --> 0:14:25.730
<v Speaker 3>Okay are you? Are you up to this? You don't

0:14:25.770 --> 0:14:27.490
<v Speaker 3>feel like I don't want to impose on you like.

0:14:28.250 --> 0:14:30.370
<v Speaker 7>And you said you know you feel bad. I don't

0:14:30.370 --> 0:14:36.290
<v Speaker 7>think you should. There's nothing to feel bad about. Yeah, yeah,

0:14:36.330 --> 0:14:38.090
<v Speaker 7>but yeah, give me a call the weekend and we'll

0:14:38.370 --> 0:14:39.410
<v Speaker 7>try to figure something out.

0:14:40.130 --> 0:14:45.370
<v Speaker 3>Okay, great, I'll call you perfect right, sounds good. YouTube.

0:14:49.010 --> 0:14:52.770
<v Speaker 1>On Saturday, Tony called with no response, He reached out

0:14:52.770 --> 0:14:58.370
<v Speaker 1>again and again. Eventually he gave up. Tony and Paul

0:14:58.690 --> 0:15:09.890
<v Speaker 1>never got together. Tony and I reconvene, and I tried

0:15:09.930 --> 0:15:13.530
<v Speaker 1>to bolster his spirits. Maybe things would go better with godchild.

0:15:13.570 --> 0:15:15.050
<v Speaker 1>The second Zoe.

0:15:15.810 --> 0:15:19.490
<v Speaker 5>She is the daughter of a rehab buddy who was

0:15:19.530 --> 0:15:21.730
<v Speaker 5>actually also a drug dealer here in Montreal when I

0:15:21.770 --> 0:15:26.450
<v Speaker 5>was dealing in Montreal and we met in rehab in Ottawa,

0:15:27.130 --> 0:15:30.770
<v Speaker 5>and he asked me, do you want to be her godfather?

0:15:30.810 --> 0:15:33.250
<v Speaker 5>I said sure, I said you guys in baptizer. I said, no,

0:15:33.370 --> 0:15:37.210
<v Speaker 5>be her godfather? Okay, great, And so it was just

0:15:37.410 --> 0:15:41.930
<v Speaker 5>like that. So that was easy, yeah, but it was meaningful.

0:15:42.890 --> 0:15:44.850
<v Speaker 5>I was happy to do whatever was going to be

0:15:44.890 --> 0:15:48.170
<v Speaker 5>required with me. And I did see the kid, you know,

0:15:48.210 --> 0:15:52.970
<v Speaker 5>when she was young, and then I moved to Montreal

0:15:53.650 --> 0:15:55.730
<v Speaker 5>and so she basically grew up without me.

0:15:56.610 --> 0:15:59.410
<v Speaker 1>In the intervening years, Tony's only seen Zoe a couple

0:15:59.450 --> 0:16:02.530
<v Speaker 1>times when she comes to town. She doesn't bother looking

0:16:02.610 --> 0:16:03.050
<v Speaker 1>him up.

0:16:03.410 --> 0:16:05.530
<v Speaker 5>Because I remember how I used to see people that

0:16:05.570 --> 0:16:09.610
<v Speaker 5>were like, never mind forties. Yeah, like people in their

0:16:09.650 --> 0:16:15.010
<v Speaker 5>thirties were crusty, you know, a yellow tonyailed you know,

0:16:16.130 --> 0:16:18.970
<v Speaker 5>old people, and occasionally, you know, I get like she

0:16:19.210 --> 0:16:25.730
<v Speaker 5>likes something on my Facebook page and I'll be like ooh.

0:16:23.490 --> 0:16:26.250
<v Speaker 1>But Tony wants more than that. Since Zoe still lives

0:16:26.250 --> 0:16:29.170
<v Speaker 1>in Ottawa, just a two hour drive away, I suggest

0:16:29.210 --> 0:16:32.210
<v Speaker 1>to go visit her. Maybe it isn't too late. But

0:16:32.290 --> 0:16:35.250
<v Speaker 1>after his failed attempt with Paul, he isn't sure she'll

0:16:35.290 --> 0:16:37.650
<v Speaker 1>even want to see him, so I offered a road

0:16:37.650 --> 0:16:43.490
<v Speaker 1>trip down with him for emotional support. You know, the

0:16:43.530 --> 0:16:45.450
<v Speaker 1>whole purpose of this thing is for you not to

0:16:45.450 --> 0:16:46.050
<v Speaker 1>be a dead meat.

0:16:46.090 --> 0:16:48.890
<v Speaker 5>God Dad, I know. I feel really bad. It's my fault.

0:16:49.370 --> 0:16:52.010
<v Speaker 1>It's Zowa's last week of high school and Tony's arranged

0:16:52.010 --> 0:16:54.170
<v Speaker 1>to pick her up after her day of finals.

0:16:54.690 --> 0:16:57.170
<v Speaker 5>You don't mind driving a little fast to you. Don't

0:16:57.250 --> 0:16:58.850
<v Speaker 5>go like snail past grandma style.

0:16:59.250 --> 0:17:00.730
<v Speaker 1>That's my style, No grandma style.

0:17:00.770 --> 0:17:01.290
<v Speaker 5>Don't do that.

0:17:02.170 --> 0:17:04.530
<v Speaker 1>When we get to the school, Zoe's waiting outside.

0:17:05.090 --> 0:17:07.810
<v Speaker 5>All right, here we go. You're feeling good. I'm feeling good.

0:17:09.210 --> 0:17:11.850
<v Speaker 3>There we get, here we go, Here we're weird.

0:17:13.050 --> 0:17:14.769
<v Speaker 6>Hello, Hello, how are you?

0:17:15.330 --> 0:17:18.369
<v Speaker 1>Zoe is eighteen. She's wearing a Yin and Yang choker

0:17:18.449 --> 0:17:20.969
<v Speaker 1>around her neck and a pink scrunchy in her hair.

0:17:21.689 --> 0:17:22.409
<v Speaker 5>So how's everything?

0:17:22.449 --> 0:17:27.129
<v Speaker 8>How are you really good, almost done high school, the

0:17:27.169 --> 0:17:28.010
<v Speaker 8>final Frontier.

0:17:29.050 --> 0:17:34.570
<v Speaker 5>So let's go to the park.

0:17:34.730 --> 0:17:35.770
<v Speaker 1>Would you like some candy?

0:17:36.169 --> 0:17:36.770
<v Speaker 5>Tom Zilli?

0:17:38.689 --> 0:17:41.570
<v Speaker 1>As Tony's emotional support system, I thought it might be

0:17:41.609 --> 0:17:45.649
<v Speaker 1>helpful to bring refreshments. We drive along, chewing in silence,

0:17:51.649 --> 0:17:54.050
<v Speaker 1>and then Tony decides to break the ice.

0:17:54.530 --> 0:17:56.369
<v Speaker 5>I have a really disgusting story to tell you.

0:17:58.850 --> 0:18:00.570
<v Speaker 8>Well, can you contextualize what discussing?

0:18:00.649 --> 0:18:02.810
<v Speaker 5>Oh my god, I'm only thinking about it because it

0:18:02.850 --> 0:18:03.770
<v Speaker 5>happened right around here.

0:18:03.889 --> 0:18:05.530
<v Speaker 2>Oh no, I don't like where this is going.

0:18:07.169 --> 0:18:10.169
<v Speaker 5>A friend of mine has been color electing his vomit

0:18:10.409 --> 0:18:13.570
<v Speaker 5>for the past twenty years in a gigantic tin like

0:18:13.649 --> 0:18:15.730
<v Speaker 5>a gigantic metal drama in the basement.

0:18:16.570 --> 0:18:19.850
<v Speaker 4>Oh my god, what heck?

0:18:21.129 --> 0:18:22.090
<v Speaker 1>I wasn't expecting.

0:18:22.169 --> 0:18:25.769
<v Speaker 8>That's so terrible.

0:18:25.810 --> 0:18:26.330
<v Speaker 4>Why would you?

0:18:26.409 --> 0:18:30.170
<v Speaker 8>Why would you bring something like that up right now?

0:18:30.850 --> 0:18:32.730
<v Speaker 4>So like, how did you find out about that?

0:18:33.889 --> 0:18:38.529
<v Speaker 1>So many questions and fun fact, the vomit house is

0:18:38.570 --> 0:18:42.409
<v Speaker 1>on Ralph Street. Google map it. It's right there next

0:18:42.449 --> 0:18:45.090
<v Speaker 1>to Brown's inlet the park we're on our way to.

0:18:54.850 --> 0:18:57.730
<v Speaker 8>I've only been to this park once before, and.

0:18:57.649 --> 0:18:58.570
<v Speaker 4>That was a weird day.

0:18:59.850 --> 0:19:00.250
<v Speaker 5>Explain.

0:19:00.649 --> 0:19:03.570
<v Speaker 8>I started dating this guy and like the first time

0:19:03.609 --> 0:19:05.770
<v Speaker 8>we ever hung out outside of school was in this park.

0:19:06.409 --> 0:19:09.330
<v Speaker 8>We were on those swings and I just remember being like, Wow,

0:19:09.369 --> 0:19:11.649
<v Speaker 8>this is really weird, like this is a date.

0:19:12.330 --> 0:19:13.770
<v Speaker 2>So I guess that was like my first date.

0:19:15.010 --> 0:19:17.649
<v Speaker 1>We find a picnic table beside the playground where young

0:19:17.689 --> 0:19:20.530
<v Speaker 1>mothers are playing with their babies. Tony and Zoe sit

0:19:20.570 --> 0:19:23.570
<v Speaker 1>side by side. She fiddling with a strand of hair

0:19:23.889 --> 0:19:26.929
<v Speaker 1>and he's staring at the table, sweeping pebbles of sand.

0:19:27.010 --> 0:19:29.969
<v Speaker 1>Back and forth. The two of them catch up. It

0:19:30.050 --> 0:19:33.569
<v Speaker 1>turns out Zoe's taking improv classes and Tony's taken improv

0:19:33.570 --> 0:19:34.250
<v Speaker 1>classes too.

0:19:34.770 --> 0:19:36.689
<v Speaker 5>Back and forth. Ah, I'd love to see that. I'd

0:19:36.689 --> 0:19:37.369
<v Speaker 5>love to see that.

0:19:37.490 --> 0:19:38.690
<v Speaker 4>You'd like my troop.

0:19:38.770 --> 0:19:40.490
<v Speaker 2>I think you'd like those guys a lot.

0:19:40.689 --> 0:19:43.330
<v Speaker 1>Being both a friend who wants to encourage bonding as

0:19:43.369 --> 0:19:46.009
<v Speaker 1>well as a lover of show business, I ask if

0:19:46.010 --> 0:19:47.609
<v Speaker 1>they might improvise a scene or two.

0:19:49.369 --> 0:19:50.529
<v Speaker 5>This is my favorite bench.

0:19:51.409 --> 0:19:53.649
<v Speaker 8>It's funny because it's also my favorite bench, and I've

0:19:53.649 --> 0:19:55.129
<v Speaker 8>actually never seen you sitting here.

0:19:55.209 --> 0:19:57.770
<v Speaker 1>But instead of the comedic romp I'd hoped for, I

0:19:57.850 --> 0:20:01.330
<v Speaker 1>get a sluggish five minute piece of Samuel Bihetti in theater.

0:20:01.689 --> 0:20:04.129
<v Speaker 8>So I guess what I'm saying is you'll either have

0:20:04.209 --> 0:20:07.050
<v Speaker 8>to move to the bench that's beside mine or beside his.

0:20:07.850 --> 0:20:11.369
<v Speaker 1>And scene I thought, like, I'm probaly supposed to be

0:20:11.409 --> 0:20:12.570
<v Speaker 1>like Funny well because he.

0:20:12.570 --> 0:20:14.689
<v Speaker 5>Usually his energy. And you're on stage and you're like,

0:20:14.810 --> 0:20:17.210
<v Speaker 5>you're doing stupid shit and people are laughing, You're not.

0:20:17.209 --> 0:20:21.090
<v Speaker 1>Laughing, and in my heart it feels like Christmas morning

0:20:21.169 --> 0:20:24.770
<v Speaker 1>on Ralph Street. As Tony and Zoe begin to bond.

0:20:24.970 --> 0:20:29.409
<v Speaker 5>Yeah, yeah, so I'm playing look at it.

0:20:36.169 --> 0:20:40.889
<v Speaker 1>They're having fun, but Tony's still thinking about godfatherhood. Tentatively,

0:20:41.369 --> 0:20:42.170
<v Speaker 1>he brings it up.

0:20:42.770 --> 0:20:48.730
<v Speaker 5>I the godfather Traditionally, Well, godfather's supposed to to write

0:20:48.770 --> 0:20:55.250
<v Speaker 5>spiritual instruction. And I wasn't there when you were really young,

0:20:55.770 --> 0:20:58.330
<v Speaker 5>when you were told when you were young, this is Tony,

0:20:58.369 --> 0:21:00.449
<v Speaker 5>he's your godfather. Do you remember that?

0:21:03.010 --> 0:21:04.209
<v Speaker 2>I always knew that you would.

0:21:04.330 --> 0:21:06.730
<v Speaker 8>You had this connection to my parents that was really valuable,

0:21:07.010 --> 0:21:09.570
<v Speaker 8>So by extensionally you'd be valuable to me, even though

0:21:09.570 --> 0:21:10.369
<v Speaker 8>I didn't know you.

0:21:10.290 --> 0:21:13.930
<v Speaker 5>That Well, Yeah, what what can I offer you at

0:21:13.929 --> 0:21:17.250
<v Speaker 5>this point? From this point onward in a formal fashion,

0:21:18.290 --> 0:21:21.609
<v Speaker 5>I don't know what you hope for me to provide

0:21:21.609 --> 0:21:22.889
<v Speaker 5>for you? Is like to provide for me.

0:21:23.050 --> 0:21:23.530
<v Speaker 2>Yeah.

0:21:23.889 --> 0:21:25.209
<v Speaker 5>Oh, I mean it's a two way street.

0:21:25.250 --> 0:21:27.169
<v Speaker 8>I mean I can't just like take so much and

0:21:27.169 --> 0:21:28.009
<v Speaker 8>not give anything to you.

0:21:28.090 --> 0:21:32.889
<v Speaker 5>So that's the point, the point, you know, that's the point,

0:21:32.889 --> 0:21:33.689
<v Speaker 5>is that I'm here for you.

0:21:37.810 --> 0:21:41.050
<v Speaker 1>That is the point with a God child, not so

0:21:41.169 --> 0:21:44.209
<v Speaker 1>much with a God adult. The children's book is called

0:21:44.330 --> 0:21:48.489
<v Speaker 1>The Giving Tree, not the Giving and Taking Tree. Children

0:21:48.490 --> 0:21:51.290
<v Speaker 1>aren't self conscious. They don't find it weird to take

0:21:51.330 --> 0:21:55.529
<v Speaker 1>without giving anything in return, but adults do. I mean,

0:21:55.570 --> 0:21:57.969
<v Speaker 1>getting to feel like pushing Tony to reconnect with his

0:21:58.050 --> 0:22:02.049
<v Speaker 1>God children might have been foolhardy. Tony can't just insert

0:22:02.090 --> 0:22:04.850
<v Speaker 1>himself into a past he missed out on. And as

0:22:04.889 --> 0:22:08.169
<v Speaker 1>for the future, Zoe's getting ready to go off to college.

0:22:08.649 --> 0:22:11.250
<v Speaker 1>She's at a point in life when actual parents see

0:22:11.330 --> 0:22:14.649
<v Speaker 1>less and less of their kids, never mind godparents.

0:22:15.570 --> 0:22:16.850
<v Speaker 5>She was a little bit country and he was a

0:22:16.850 --> 0:22:18.570
<v Speaker 5>little bit rock and roll. That was a song, I'm

0:22:18.570 --> 0:22:22.410
<v Speaker 5>a little bit countrys I'm a little bit.

0:22:23.730 --> 0:22:26.690
<v Speaker 1>As Tony sings both parts of Adannie and Marie duet,

0:22:27.090 --> 0:22:29.609
<v Speaker 1>Zoe watches him with a big smile on her face.

0:22:30.129 --> 0:22:32.969
<v Speaker 1>It's clear they really enjoy each other. And the afternoon

0:22:33.010 --> 0:22:36.170
<v Speaker 1>goes well, But as far as the god parental relationship

0:22:36.209 --> 0:22:39.010
<v Speaker 1>Tony wants, it feels like it just might be too late.

0:22:41.090 --> 0:22:45.010
<v Speaker 5>I'm really impressed. I think I've got a pretty fucking

0:22:45.369 --> 0:22:46.930
<v Speaker 5>firm alled on things well.

0:22:46.929 --> 0:22:50.129
<v Speaker 8>I mean, if you're ever in dire need for like

0:22:50.209 --> 0:22:53.129
<v Speaker 8>a caregiver when you're old and can't go to the

0:22:53.129 --> 0:22:55.330
<v Speaker 8>bathroom or something like, I could help you.

0:23:00.209 --> 0:23:03.449
<v Speaker 1>Only one godchild to go, Will Tony be a godfather

0:23:03.810 --> 0:23:06.570
<v Speaker 1>or a toilet father? Is the cat still in the cradle?

0:23:06.810 --> 0:23:09.490
<v Speaker 1>And if so, will he scratch Tony's eyes out when

0:23:09.570 --> 0:23:13.970
<v Speaker 1>roused from his godfatherless slumber. We'll find out after these

0:23:14.010 --> 0:23:29.969
<v Speaker 1>important messages from our sponsors. Tony's first godchild, Paul, didn't

0:23:29.970 --> 0:23:33.129
<v Speaker 1>have the time for a relationship, and his second godchild,

0:23:33.250 --> 0:23:37.770
<v Speaker 1>Zoe had outgrown the whole godfather goddaughter thing. That left

0:23:37.810 --> 0:23:41.690
<v Speaker 1>him one last chance, nine year old Nicholas godchild.

0:23:41.770 --> 0:23:45.690
<v Speaker 5>The third Nicholas godchild number three is Nicholas, the son

0:23:45.770 --> 0:23:46.729
<v Speaker 5>of my cousin.

0:23:47.330 --> 0:23:50.449
<v Speaker 1>This one is especially challenging for Tony because, unlike with

0:23:50.530 --> 0:23:53.649
<v Speaker 1>Paul and Zoe, Tony's not the only godparent in the picture.

0:23:54.369 --> 0:23:57.609
<v Speaker 1>Tony's ex wife, Natalie was warm and likable. When they

0:23:57.609 --> 0:24:00.929
<v Speaker 1>started dating. She helped him reconnect with his family so

0:24:01.090 --> 0:24:04.369
<v Speaker 1>much so though when Nicholas was born, his mom, a

0:24:04.409 --> 0:24:07.729
<v Speaker 1>cousin Tony wasn't even especially close to, asked them both

0:24:07.770 --> 0:24:10.809
<v Speaker 1>to be a godparents. Tony and Natalie were together at

0:24:10.889 --> 0:24:12.050
<v Speaker 1>Nicholas's baptism.

0:24:12.449 --> 0:24:16.529
<v Speaker 5>I was holding him and he was really was He

0:24:16.570 --> 0:24:20.090
<v Speaker 5>was really upset until I took him, and he was

0:24:20.169 --> 0:24:23.290
<v Speaker 5>quiet the whole time, And everybody was kind of spooked

0:24:23.290 --> 0:24:25.369
<v Speaker 5>by the fact that he was suddenly so quiet m

0:24:25.570 --> 0:24:28.649
<v Speaker 5>hm when I was holding him. So there was this

0:24:28.689 --> 0:24:31.249
<v Speaker 5>whole kind of energy around, like, oh, why is this

0:24:31.689 --> 0:24:34.570
<v Speaker 5>power Tony has over Nicholas, or why is he so quiet?

0:24:34.970 --> 0:24:37.290
<v Speaker 5>And everybody seemed to make a kind of a strange

0:24:37.290 --> 0:24:39.850
<v Speaker 5>impression on people. And it felt good to sort of

0:24:39.889 --> 0:24:42.330
<v Speaker 5>be I guess, for whatever reason and nothing to do

0:24:42.330 --> 0:24:49.570
<v Speaker 5>with me, somehow this kid felt soothed or calmed by me.

0:24:50.490 --> 0:24:53.409
<v Speaker 5>And we baptized the kid. We had a big party,

0:24:53.490 --> 0:24:56.609
<v Speaker 5>and then we started. We were there every year, like

0:24:56.649 --> 0:24:58.970
<v Speaker 5>three or four times a year, which is pretty good.

0:25:00.090 --> 0:25:03.570
<v Speaker 5>But it was all good, but it was all about

0:25:03.649 --> 0:25:04.490
<v Speaker 5>being with Natalie.

0:25:06.889 --> 0:25:10.009
<v Speaker 1>Natalie was the initiator. She's the one who planned the Godparents,

0:25:10.010 --> 0:25:13.330
<v Speaker 1>stuff like trips with Nicholas to the movies in the museum.

0:25:13.730 --> 0:25:16.409
<v Speaker 1>Nicholas loved Natalie and related to her and Tony as

0:25:16.449 --> 0:25:19.570
<v Speaker 1>a unit. So when that unit split up, Tony couldn't

0:25:19.570 --> 0:25:22.649
<v Speaker 1>bring himself to keep visiting Nicholas and his mom. It

0:25:22.689 --> 0:25:24.850
<v Speaker 1>reminded him too much of Natalie.

0:25:25.530 --> 0:25:28.850
<v Speaker 5>I didn't feel like seeing them. I didn't feel like

0:25:28.889 --> 0:25:31.449
<v Speaker 5>going to her house because I always went there with Natalie.

0:25:33.290 --> 0:25:37.050
<v Speaker 1>But Nicholas's mother continued to reach out. Nicholas really misses you,

0:25:37.129 --> 0:25:40.729
<v Speaker 1>she'd write. Eventually, she suggested they all get together on

0:25:40.810 --> 0:25:43.250
<v Speaker 1>neutral ground, her sister's house.

0:25:43.730 --> 0:25:47.330
<v Speaker 5>So we did. We set up a surprise dinner, which

0:25:47.369 --> 0:25:52.050
<v Speaker 5>was about two months ago, and I went over and

0:25:52.929 --> 0:25:56.689
<v Speaker 5>they were really happy to see me. But at the

0:25:56.689 --> 0:26:01.129
<v Speaker 5>same time, I noticed Nicholas's first reaction. He was kind

0:26:01.129 --> 0:26:05.129
<v Speaker 5>of shocked, and I could see that all this stuff

0:26:05.169 --> 0:26:06.850
<v Speaker 5>went through his eyes, and then he put on this

0:26:06.970 --> 0:26:10.050
<v Speaker 5>kind of smiley, happy guy thing. I could read it

0:26:10.090 --> 0:26:11.330
<v Speaker 5>all in his face right away.

0:26:12.490 --> 0:26:16.770
<v Speaker 1>And you think that was because Natalie wasn't there. Yeah, Yeah,

0:26:17.810 --> 0:26:20.530
<v Speaker 1>Tony's afraid that Nicholas won't want a relationship with him

0:26:20.570 --> 0:26:23.489
<v Speaker 1>that doesn't include Natalie. Afraid that maybe he's not the

0:26:23.490 --> 0:26:26.489
<v Speaker 1>godparent that Nicholas wants, But he also doesn't want to

0:26:26.530 --> 0:26:29.609
<v Speaker 1>repeat the same mistakes, so he screws up his courage

0:26:29.730 --> 0:26:32.730
<v Speaker 1>and goes back over for dinner, hoping he and Nicholas

0:26:32.730 --> 0:26:38.050
<v Speaker 1>can connect again. But before Tony gets a chance to

0:26:38.090 --> 0:26:41.330
<v Speaker 1>sit down, the very first words out of Nicholas's mouth.

0:26:45.330 --> 0:26:49.049
<v Speaker 5>Naldie, she's She's okay.

0:26:50.250 --> 0:26:52.409
<v Speaker 9>If he just couldn't get back with her, that would

0:26:52.449 --> 0:26:53.010
<v Speaker 9>be a relief.

0:26:54.929 --> 0:26:56.210
<v Speaker 5>Why would that be a relief?

0:26:57.250 --> 0:26:59.209
<v Speaker 1>I want to see her again, never get.

0:26:59.050 --> 0:27:06.770
<v Speaker 5>To see her. Yeah, that's true. I only see you,

0:27:08.330 --> 0:27:14.729
<v Speaker 5>and that's not an you will see her again. Then

0:27:14.730 --> 0:27:18.050
<v Speaker 5>she says, I because she's in Australia. Actually she's in

0:27:18.090 --> 0:27:18.650
<v Speaker 5>New Zealand.

0:27:19.850 --> 0:27:22.850
<v Speaker 9>You don't want to be in the places she is, right, Well,

0:27:22.850 --> 0:27:23.409
<v Speaker 9>I don't want.

0:27:23.250 --> 0:27:24.689
<v Speaker 5>To be in New Zealand because it's far away from

0:27:24.730 --> 0:27:27.770
<v Speaker 5>everything that I do. My mother is here. My mother's

0:27:27.770 --> 0:27:29.810
<v Speaker 5>an old lady, she's eighty five years old and she

0:27:29.850 --> 0:27:33.770
<v Speaker 5>needs me. She can't live alone, so I can't go anywhere.

0:27:35.530 --> 0:27:37.649
<v Speaker 5>So it's finally he doesn't want to be here.

0:27:38.449 --> 0:27:39.530
<v Speaker 9>It's over for you.

0:27:40.490 --> 0:27:41.449
<v Speaker 1>It's over for you.

0:27:41.490 --> 0:27:43.290
<v Speaker 9>Out sausage.

0:27:46.409 --> 0:27:52.049
<v Speaker 5>It looks like that, but you never know. I'm not

0:27:52.129 --> 0:27:53.290
<v Speaker 5>in love with anybody else.

0:27:54.850 --> 0:27:57.169
<v Speaker 1>They sit down on the couch and Tony faces the

0:27:57.169 --> 0:28:00.449
<v Speaker 1>thing that's hardest for him to talk about even with adults,

0:28:00.929 --> 0:28:02.330
<v Speaker 1>let alone a child.

0:28:02.530 --> 0:28:04.090
<v Speaker 5>So are you going to be sad if you don't

0:28:04.090 --> 0:28:06.930
<v Speaker 5>see her again? A bit? A bit?

0:28:07.169 --> 0:28:08.290
<v Speaker 9>I can't, just kidding a lot.

0:28:12.689 --> 0:28:15.409
<v Speaker 5>Is there anything that you want to ask me or

0:28:15.409 --> 0:28:16.449
<v Speaker 5>about Natalie or anything?

0:28:17.169 --> 0:28:17.609
<v Speaker 3>Mm hmm.

0:28:19.609 --> 0:28:22.050
<v Speaker 9>Did a part of did you feel like a part

0:28:22.090 --> 0:28:25.929
<v Speaker 9>of your heart broke up to pieces?

0:28:26.889 --> 0:28:27.290
<v Speaker 5>Yeah?

0:28:27.530 --> 0:28:27.889
<v Speaker 4>You did?

0:28:28.850 --> 0:28:34.730
<v Speaker 5>Yeah, very much? A lot.

0:28:35.689 --> 0:28:36.769
<v Speaker 9>Do you miss her a lot?

0:28:37.530 --> 0:28:39.170
<v Speaker 5>Yeah? I do.

0:28:40.170 --> 0:28:45.450
<v Speaker 9>Well you should have. You should have said this, come

0:28:45.490 --> 0:28:49.770
<v Speaker 9>back whenever you come. You could come back whenever you want,

0:28:50.170 --> 0:28:55.130
<v Speaker 9>or just say or just say sorry or something.

0:28:55.890 --> 0:29:03.050
<v Speaker 10>Yeah, I did, okay, I said sorry, and so did she.

0:29:03.050 --> 0:29:05.330
<v Speaker 10>She had things to be sorry about too, And then

0:29:05.570 --> 0:29:07.290
<v Speaker 10>I said come back for a long time, I said,

0:29:07.330 --> 0:29:13.450
<v Speaker 10>come back whenever you want. And I think I think

0:29:13.490 --> 0:29:17.370
<v Speaker 10>she's decided not to. I think she's decided.

0:29:18.290 --> 0:29:21.370
<v Speaker 9>Maybe it's because Post Canada takes a long time to

0:29:21.490 --> 0:29:23.490
<v Speaker 9>get a note, really long.

0:29:23.730 --> 0:29:25.250
<v Speaker 5>No, But I read her on the internet.

0:29:26.330 --> 0:29:29.410
<v Speaker 9>Oh Internet, Oh that makes more sense, I thought you.

0:29:29.930 --> 0:29:32.250
<v Speaker 9>Brian from postcreada.

0:29:33.170 --> 0:29:36.330
<v Speaker 1>Tony's putting away his own feelings and focusing on Nicholas's,

0:29:36.930 --> 0:29:40.410
<v Speaker 1>which is a very godfatherly thing to do. And Nicholas,

0:29:40.450 --> 0:29:43.050
<v Speaker 1>for his part, seems to be straining on his emotional

0:29:43.090 --> 0:29:47.010
<v Speaker 1>tiptoes to try to reach Tony, and together they meet

0:29:47.010 --> 0:29:47.810
<v Speaker 1>somewhere in the middle.

0:29:49.290 --> 0:29:52.370
<v Speaker 5>Do you remember when I, you know, I baptized you, right, yeah,

0:29:53.290 --> 0:29:55.730
<v Speaker 5>and you were crying, you were really upset. I had

0:29:55.730 --> 0:29:59.170
<v Speaker 5>to pick you up. When I picked you up, if

0:29:59.209 --> 0:30:03.410
<v Speaker 5>you went totally quiet, and everybody was like, he's so quiet,

0:30:04.090 --> 0:30:08.930
<v Speaker 5>and everybody said, you you made him calm, And I thought,

0:30:09.170 --> 0:30:11.529
<v Speaker 5>that's cool. Maybe that's what godfathers are supposed to do.

0:30:12.450 --> 0:30:16.650
<v Speaker 5>They're supposed to make people calm and be like everything's okay,

0:30:16.730 --> 0:30:19.810
<v Speaker 5>don't worry about it, you know. But let me ask

0:30:19.850 --> 0:30:25.570
<v Speaker 5>you something. Yeah, what kind of godfather do you want.

0:30:25.450 --> 0:30:25.769
<v Speaker 4>Me to be?

0:30:27.570 --> 0:30:29.489
<v Speaker 9>I wanted you to be the same thing as you

0:30:29.490 --> 0:30:34.650
<v Speaker 9>are right now, which is what you're a really good godfather.

0:30:35.290 --> 0:30:36.969
<v Speaker 5>I am.

0:30:37.330 --> 0:30:38.330
<v Speaker 9>You're pretty good.

0:30:38.930 --> 0:30:42.330
<v Speaker 5>Thanks man. I appreciate that. That's very nice.

0:30:42.410 --> 0:30:45.729
<v Speaker 9>You're really good your godfather.

0:30:47.650 --> 0:30:50.210
<v Speaker 5>That's awesome, cool man.

0:30:58.130 --> 0:31:02.250
<v Speaker 1>And with that, Tony was a godfather because when your

0:31:02.250 --> 0:31:05.490
<v Speaker 1>godchild tells you you're a godfather. You're a godfather.

0:31:09.170 --> 0:31:09.690
<v Speaker 6>Mm hmmm.

0:31:16.930 --> 0:31:18.810
<v Speaker 1>When I talked to Tony a couple of weeks later,

0:31:19.090 --> 0:31:21.730
<v Speaker 1>he had already seen Nicholas again. They went to visit

0:31:21.770 --> 0:31:24.650
<v Speaker 1>Tony's mom. He says she liked having a kid around

0:31:25.090 --> 0:31:30.730
<v Speaker 1>to wait on to serve spin a copita.

0:31:31.370 --> 0:31:32.290
<v Speaker 5>She's laughing at her heart.

0:31:34.209 --> 0:31:36.209
<v Speaker 9>This is the best day that I ever had.

0:31:39.330 --> 0:32:11.410
<v Speaker 5>It's only just begun. Now that the first batchers returning

0:32:11.570 --> 0:32:19.209
<v Speaker 5>to it's goodwill home, Now that the last month's rent

0:32:19.530 --> 0:32:20.890
<v Speaker 5>is skiming with.

0:32:21.130 --> 0:32:24.650
<v Speaker 10>The damage to pos take this moment to just.

0:32:24.810 --> 0:32:33.610
<v Speaker 2>S if we met, if we Turke.

0:32:32.290 --> 0:32:37.289
<v Speaker 10>Felt around for from things.

0:32:37.330 --> 0:32:40.250
<v Speaker 1>Accident recording.

0:32:41.650 --> 0:32:42.770
<v Speaker 5>Have you wait to update?

0:32:48.770 --> 0:32:50.930
<v Speaker 1>Jonathan Goldstein Fast Time video.

0:32:53.250 --> 0:32:55.770
<v Speaker 5>Hey hey, let me just uh let me show you

0:32:55.810 --> 0:32:56.529
<v Speaker 5>what's happening here.

0:32:56.690 --> 0:32:57.010
<v Speaker 3>Uh huh.

0:32:57.209 --> 0:32:59.810
<v Speaker 5>So it's recording on the MacBook MIC. You're getting the

0:32:59.890 --> 0:33:04.170
<v Speaker 5>MacBook MIC. You're getting the iPhone like six inches from

0:33:04.209 --> 0:33:04.650
<v Speaker 5>my mouth.

0:33:05.170 --> 0:33:07.210
<v Speaker 1>You know what you're doing. You know what Jackie Cohen

0:33:07.250 --> 0:33:10.290
<v Speaker 1>would say, huh fuck you? Well what she say she

0:33:10.330 --> 0:33:12.009
<v Speaker 1>would be like, look at you, you think you need

0:33:12.090 --> 0:33:13.130
<v Speaker 1>three microphones?

0:33:13.890 --> 0:33:15.610
<v Speaker 5>Well, you have to say is so important.

0:33:15.209 --> 0:33:17.290
<v Speaker 1>Because everyone wants to hear what you have to say.

0:33:17.450 --> 0:33:19.770
<v Speaker 5>Yeah, yeah, it was always as high by the way,

0:33:20.810 --> 0:33:22.970
<v Speaker 5>say hi to you so nice. I told her i'd

0:33:22.970 --> 0:33:25.570
<v Speaker 5>be talking to you. And how is Zoe.

0:33:26.890 --> 0:33:27.130
<v Speaker 4>Great?

0:33:27.250 --> 0:33:30.450
<v Speaker 5>I mean, she's you know, she's twenty eight now, oh my,

0:33:30.810 --> 0:33:34.490
<v Speaker 5>and and she's been dating a nice Greek boy since

0:33:34.570 --> 0:33:37.170
<v Speaker 5>then more or less. You're kidding, No, I'm not kidding.

0:33:37.330 --> 0:33:40.690
<v Speaker 5>And he's great, he's awesome. She didn't move far from home.

0:33:40.930 --> 0:33:44.650
<v Speaker 5>She has like a great job, and I was sure

0:33:44.690 --> 0:33:46.610
<v Speaker 5>she would move to Montreal like all her friends did

0:33:46.650 --> 0:33:48.930
<v Speaker 5>and everybody moved to Montreal, but she never did. And

0:33:49.130 --> 0:33:52.170
<v Speaker 5>I admire that because she's really building a strong foundation

0:33:52.850 --> 0:33:53.650
<v Speaker 5>and she's very happy.

0:33:53.810 --> 0:33:55.570
<v Speaker 1>That's wonderful. I'm so glad to hear that.

0:33:56.570 --> 0:34:00.570
<v Speaker 5>And Nicholas is like amazing. I think I've told you.

0:34:00.570 --> 0:34:03.730
<v Speaker 5>He's a track athlete, like a star athlete. Really yeah,

0:34:04.250 --> 0:34:07.130
<v Speaker 5>he's graduated in high school. He's yeah, and he's like

0:34:07.730 --> 0:34:11.410
<v Speaker 5>coaching me now, and he's just turned into a really

0:34:11.650 --> 0:34:17.210
<v Speaker 5>amazing like resilient, like deals with all kinds of hardship,

0:34:17.370 --> 0:34:20.530
<v Speaker 5>really maturely like the total opposite of me. Like he like,

0:34:20.610 --> 0:34:23.050
<v Speaker 5>I don't I don't know, he says, he gets spiritual

0:34:23.370 --> 0:34:24.890
<v Speaker 5>guidance from me, But I don't know what that would

0:34:24.890 --> 0:34:26.529
<v Speaker 5>be or if he's just blowing smoke up my ass.

0:34:27.010 --> 0:34:28.890
<v Speaker 1>Old, that's you guys have a special connection.

0:34:29.130 --> 0:34:31.170
<v Speaker 5>But that that's we do. We laugh a lot, like

0:34:31.210 --> 0:34:33.090
<v Speaker 5>we have a good relationship. We have a really good time.

0:34:33.250 --> 0:34:36.330
<v Speaker 1>That's so nice. So how are you? I mean, you

0:34:36.410 --> 0:34:39.490
<v Speaker 1>look well, thanks, so do you?

0:34:40.010 --> 0:34:40.130
<v Speaker 5>Oh?

0:34:40.170 --> 0:34:41.890
<v Speaker 1>Well, you don't have to say that, but you do.

0:34:44.530 --> 0:34:47.650
<v Speaker 5>I mean, basically, I'm okay. I'm a three and three

0:34:47.690 --> 0:34:50.650
<v Speaker 5>and a half months into the stay here, which is

0:34:51.010 --> 0:34:51.650
<v Speaker 5>going to be a year.

0:34:51.890 --> 0:34:54.530
<v Speaker 1>Wait a second, So why don't you explain what here is?

0:34:56.170 --> 0:34:56.290
<v Speaker 4>Right?

0:34:56.370 --> 0:34:59.130
<v Speaker 5>Of course I have to do that. Here is the

0:35:00.170 --> 0:35:03.490
<v Speaker 5>Clear Sky Meditation and Study Center. It's like a Buddhist

0:35:03.690 --> 0:35:08.450
<v Speaker 5>based retreat center in the rocky mountains of Canada, and

0:35:08.690 --> 0:35:11.690
<v Speaker 5>it's where where I live with twelve other people who

0:35:11.730 --> 0:35:15.970
<v Speaker 5>are permanent, well long term residents, and I'm trying it

0:35:16.010 --> 0:35:17.410
<v Speaker 5>out for a year. I'm living in like kind a

0:35:17.410 --> 0:35:21.210
<v Speaker 5>pseudo monastic situation. And there's deer everywhere and they just

0:35:21.410 --> 0:35:23.570
<v Speaker 5>stand like ten feet away and like stare at you

0:35:23.650 --> 0:35:28.490
<v Speaker 5>before they dart off. There's coyotes and like howling like

0:35:28.890 --> 0:35:32.490
<v Speaker 5>thirty feet from the building at night. It's really beautiful.

0:35:33.050 --> 0:35:37.850
<v Speaker 5>It's tough. It's tough here, it's tiring, it's not for everybody.

0:35:38.090 --> 0:35:41.730
<v Speaker 1>Could you just explain a little about how you found

0:35:41.770 --> 0:35:42.610
<v Speaker 1>out about this place.

0:35:43.250 --> 0:35:46.170
<v Speaker 5>Yeah, I owe this to my former mother in law,

0:35:46.290 --> 0:35:49.650
<v Speaker 5>Natalie's mom. Actually, just a couple of years into my

0:35:49.730 --> 0:35:51.850
<v Speaker 5>relationship with Natalie, I was looking for a place to

0:35:51.970 --> 0:35:55.610
<v Speaker 5>meditate and she picked up a flyer from this place

0:35:55.690 --> 0:35:57.969
<v Speaker 5>she used to go to yoga and said, this guy

0:35:58.050 --> 0:36:00.930
<v Speaker 5>is supposed to be good. And then when I showed up,

0:36:01.850 --> 0:36:07.130
<v Speaker 5>I realized, oh, this is traditional like religious Buddhism. And

0:36:07.290 --> 0:36:10.730
<v Speaker 5>my first reaction was I I no, I don't want

0:36:10.850 --> 0:36:12.690
<v Speaker 5>I didn't I came to the wrong place. This is

0:36:12.770 --> 0:36:16.410
<v Speaker 5>not this is not way. I don't think so, basically.

0:36:17.490 --> 0:36:21.650
<v Speaker 5>But he was a very down to or a teacher,

0:36:21.770 --> 0:36:24.009
<v Speaker 5>and he just talked and made a lot of sense

0:36:24.050 --> 0:36:26.450
<v Speaker 5>to me, and I connected really really quickly with them.

0:36:26.490 --> 0:36:30.330
<v Speaker 1>And so, what what is the path that you're that

0:36:30.490 --> 0:36:33.050
<v Speaker 1>you're on right now? You're thinking you're staying there for

0:36:33.170 --> 0:36:35.930
<v Speaker 1>a year, but that is in service to possibly staying

0:36:35.970 --> 0:36:36.410
<v Speaker 1>there forever.

0:36:37.810 --> 0:36:40.690
<v Speaker 5>Possibly anything is possible right now, like at this moment

0:36:40.730 --> 0:36:43.690
<v Speaker 5>in time, anything is possible. I don't know what I'm

0:36:43.730 --> 0:36:49.450
<v Speaker 5>going to do and you're comfortable, Well not really, but yes. Also,

0:36:49.650 --> 0:36:51.170
<v Speaker 5>I mean I don't know what choice to I have, Like,

0:36:51.250 --> 0:36:55.610
<v Speaker 5>I don't want to live in Montreal. When I started

0:36:55.650 --> 0:36:57.170
<v Speaker 5>taking care of my mom when she got.

0:36:57.090 --> 0:37:01.090
<v Speaker 1>Sick, we should say that. Yeah, in the time since

0:37:03.090 --> 0:37:08.330
<v Speaker 1>since the episode, your mother has passed away. Yeah, and

0:37:08.570 --> 0:37:13.810
<v Speaker 1>that sort of both freed you and kind of untethered

0:37:13.850 --> 0:37:16.050
<v Speaker 1>you from from the city from Montreal.

0:37:17.090 --> 0:37:21.730
<v Speaker 5>Yeah. Yeah, yeah, So my mom I was diagnosed with

0:37:21.810 --> 0:37:27.250
<v Speaker 5>dementia right before COVID and it was it was horrifying.

0:37:27.450 --> 0:37:29.970
<v Speaker 5>The onset was horrifying because you don't know what it means.

0:37:30.050 --> 0:37:32.050
<v Speaker 5>You don't know what it's going to mean to take

0:37:32.090 --> 0:37:34.370
<v Speaker 5>care of somebody who's demented. You have the worst I

0:37:34.450 --> 0:37:36.850
<v Speaker 5>had the worst kind of ideas in my head, but

0:37:37.130 --> 0:37:42.969
<v Speaker 5>it turned out to be. Yeah, my stint as a parent.

0:37:43.130 --> 0:37:44.730
<v Speaker 5>You know, the closest I'm ever going to get to

0:37:44.810 --> 0:37:47.450
<v Speaker 5>being a parent is I think it's taking care of

0:37:47.530 --> 0:37:50.770
<v Speaker 5>my mom for a few years while she was unable

0:37:50.810 --> 0:37:56.890
<v Speaker 5>to take care of herself. And it also brought my

0:37:57.010 --> 0:38:02.770
<v Speaker 5>relationship with her to a very paradoxically very good clothes

0:38:03.370 --> 0:38:05.610
<v Speaker 5>because we got so close, and also because there was

0:38:05.690 --> 0:38:09.890
<v Speaker 5>this cognitive opening where she wouldn't recognized me a lot

0:38:09.930 --> 0:38:12.410
<v Speaker 5>of the time, and so we were like strangers, so

0:38:12.650 --> 0:38:15.450
<v Speaker 5>there was a different quality to our interactions. It was

0:38:15.490 --> 0:38:19.090
<v Speaker 5>a like a freshness or a kind of openness at times,

0:38:19.170 --> 0:38:20.330
<v Speaker 5>which was really amazing.

0:38:20.490 --> 0:38:21.770
<v Speaker 1>That's a nice way to see it.

0:38:21.970 --> 0:38:27.770
<v Speaker 5>Yeah, yeah, I drew a lot of strike from that.

0:38:27.890 --> 0:38:34.370
<v Speaker 5>It was just a freedom. And by the end, I mean,

0:38:34.530 --> 0:38:36.770
<v Speaker 5>it's weird taking care of somebody who's going to die

0:38:36.930 --> 0:38:38.810
<v Speaker 5>as opposed to growing up to be, you know, an

0:38:38.810 --> 0:38:40.410
<v Speaker 5>adult does kind of go to school and have a

0:38:40.450 --> 0:38:46.850
<v Speaker 5>whole life. It's weird. There's a strangeness to that. But

0:38:47.090 --> 0:38:50.290
<v Speaker 5>in a way, I feel like I growed up, like

0:38:50.370 --> 0:38:56.770
<v Speaker 5>I became. I finally became an adult. But I don't

0:38:56.850 --> 0:39:00.010
<v Speaker 5>know what I'm going to do in the long term,

0:39:00.890 --> 0:39:04.010
<v Speaker 5>because it's I'm still adjusting just to being like a

0:39:04.050 --> 0:39:05.890
<v Speaker 5>middle aged person and what that means, Like I'm not

0:39:05.930 --> 0:39:07.810
<v Speaker 5>even sure. Like I think I'm starting to realize what

0:39:07.930 --> 0:39:12.050
<v Speaker 5>that means. Now, what does that mean to you? What

0:39:12.130 --> 0:39:14.890
<v Speaker 5>does it mean to me? It means the time is

0:39:14.970 --> 0:39:17.530
<v Speaker 5>running out, Like really, like I'm really starting to get

0:39:17.530 --> 0:39:19.650
<v Speaker 5>a sense of like you're you're on the downslope, like

0:39:20.450 --> 0:39:23.410
<v Speaker 5>things pick up speed as opposed to Oh God, life

0:39:23.490 --> 0:39:26.050
<v Speaker 5>is so hard because you're going up, but you're still

0:39:26.050 --> 0:39:27.890
<v Speaker 5>on the upslope right now. It's like no things are

0:39:27.970 --> 0:39:32.290
<v Speaker 5>getting work, things are My body is is. There's a

0:39:32.330 --> 0:39:34.330
<v Speaker 5>lot of body issues in the last couple of years.

0:39:34.450 --> 0:39:36.410
<v Speaker 5>But then in the bigger picture is like where do

0:39:36.490 --> 0:39:38.690
<v Speaker 5>I want to live? Who do I want to be near,

0:39:38.730 --> 0:39:40.410
<v Speaker 5>what do I want to do? These questions are all

0:39:40.490 --> 0:39:42.530
<v Speaker 5>floating up in the air because I've walked away from

0:39:43.730 --> 0:39:47.290
<v Speaker 5>any kind of you know, structure. I don't have a family.

0:39:47.450 --> 0:39:48.930
<v Speaker 5>I don't have I keep coming back to that I

0:39:49.010 --> 0:39:54.690
<v Speaker 5>don't have Like my my oldest and dearest friends are

0:39:56.450 --> 0:39:58.130
<v Speaker 5>scattered all over the place. They're not going to live

0:39:58.170 --> 0:40:01.090
<v Speaker 5>with me. You know, you guys aren't going to be,

0:40:01.170 --> 0:40:03.690
<v Speaker 5>you know, coming up the street with meatball sandwiches. When

0:40:03.730 --> 0:40:09.770
<v Speaker 5>I'm demented, Howard might Howard might be you know, he'll

0:40:09.810 --> 0:40:12.730
<v Speaker 5>be demented first. I don't know. I don't know, God forbid.

0:40:12.930 --> 0:40:15.250
<v Speaker 5>So it's like and it's not like, oh, I'm setting

0:40:15.330 --> 0:40:17.450
<v Speaker 5>up a nice little hospice for myself so that I,

0:40:17.490 --> 0:40:18.850
<v Speaker 5>you know, I have nice people to take care of

0:40:18.930 --> 0:40:21.770
<v Speaker 5>me like, I don't, I don't care what happens. Throw

0:40:21.850 --> 0:40:25.090
<v Speaker 5>me off a cliff, fill me with some yogurt. No,

0:40:25.210 --> 0:40:26.250
<v Speaker 5>I mean you called Jackie.

0:40:26.610 --> 0:40:30.930
<v Speaker 1>You want all the regular things. It's it's just you're

0:40:30.970 --> 0:40:36.250
<v Speaker 1>taking a rather unconventional route to get to those things.

0:40:37.450 --> 0:40:44.049
<v Speaker 5>Yeah. I think it has to do with with knowing

0:40:44.090 --> 0:40:47.930
<v Speaker 5>what you're gonna do, right, So, like if you're not

0:40:48.530 --> 0:40:53.210
<v Speaker 5>sure that there's a container for for you in life,

0:40:53.330 --> 0:40:55.210
<v Speaker 5>like whether there's a job or it's a family, or

0:40:56.130 --> 0:40:59.210
<v Speaker 5>like a very particular career track which is very involving,

0:40:59.250 --> 0:41:03.050
<v Speaker 5>which has steps which you can follow, Like you're kind

0:41:03.090 --> 0:41:06.770
<v Speaker 5>of free floating, You're you're you're in free fall, and

0:41:06.890 --> 0:41:09.489
<v Speaker 5>now it's like kindergarten all over again, like what next?

0:41:09.530 --> 0:41:12.530
<v Speaker 5>What's next? And like where's my money? Like I'm like,

0:41:12.570 --> 0:41:14.410
<v Speaker 5>what the fuck am I doing? What am I doing here?

0:41:14.570 --> 0:41:16.250
<v Speaker 5>Like not knowing? Really not knowing?

0:41:16.650 --> 0:41:19.010
<v Speaker 1>But is that exciting also at all?

0:41:19.930 --> 0:41:20.130
<v Speaker 4>Yeah?

0:41:20.170 --> 0:41:21.890
<v Speaker 5>It is, It's very exciting. That's good.

0:41:22.410 --> 0:41:27.170
<v Speaker 1>Yea, Tony, I'm so sorry. I don't have to run off.

0:41:27.250 --> 0:41:29.170
<v Speaker 1>I'm I'm looking at the time. I could talk to

0:41:29.170 --> 0:41:32.090
<v Speaker 1>you all night, but I'm supposed to take Augie. He's

0:41:32.130 --> 0:41:33.250
<v Speaker 1>got a basketball game.

0:41:34.130 --> 0:41:37.410
<v Speaker 5>Give my love to AUGI and Emily and and tell

0:41:37.490 --> 0:41:38.930
<v Speaker 5>him I say hi and we'll.

0:41:38.770 --> 0:41:40.770
<v Speaker 1>Talk so him, I will, I will Man good to

0:41:40.850 --> 0:41:42.450
<v Speaker 1>see you. Okay, you be well.

0:41:42.810 --> 0:41:44.730
<v Speaker 5>Okay bye for now, bye bye.

0:41:50.810 --> 0:41:53.650
<v Speaker 1>Thanks to everyone who helped put the episode together, and

0:41:54.170 --> 0:41:58.490
<v Speaker 1>we'll be back once again with another exciting update in

0:41:58.610 --> 0:42:03.650
<v Speaker 1>two weeks. Also, we're starting a free newsletter. I know

0:42:03.770 --> 0:42:07.970
<v Speaker 1>what you're thinking. You're thinking finally, Yes, that's right, not

0:42:08.210 --> 0:42:12.050
<v Speaker 1>just audio, but now in the form of news and

0:42:12.210 --> 0:42:15.170
<v Speaker 1>a letter sent directly to your inbox. And who knows,

0:42:15.770 --> 0:42:19.610
<v Speaker 1>maybe you'll even hear from a producer or to Khalila Holt.

0:42:20.130 --> 0:42:21.410
<v Speaker 2>Yeah, you probably will.

0:42:21.570 --> 0:42:23.930
<v Speaker 1>We'll let you know when new episodes are coming out,

0:42:24.250 --> 0:42:27.090
<v Speaker 1>and we'll send out some other fun stuff as well,

0:42:27.410 --> 0:42:29.050
<v Speaker 1>like word puzzles.

0:42:30.290 --> 0:42:33.050
<v Speaker 2>I'll be you're not going to puzzles, well.

0:42:32.930 --> 0:42:36.810
<v Speaker 1>We don't know yet. We might make crossord puzzles, word jumbles.

0:42:37.210 --> 0:42:40.330
<v Speaker 1>We want to share everything that we can, and you

0:42:40.370 --> 0:42:43.530
<v Speaker 1>can sign up for that at patreon dot com. Slash

0:42:43.890 --> 0:42:44.410
<v Speaker 1>Heavyweight