Speaker 1: Quest Love Supreme is a production of iHeartRadio.
Speaker 2: Welcome back to QLs. This is Sugar Steve from Team Supreme.
Speaker 2: Last week we gave you part one of our interview
Speaker 2: with Slum Village members T three and Young RJ. In
Speaker 2: that interview, they talked about their early days of Slum
Speaker 2: Village and somebody that I got to know during the
Speaker 2: Soul Clarian's era, the late great Jay Dilla. It's always
Speaker 2: great to hear from people who worked with him firsthand
Speaker 2: and got to know him from a young age. Please
Speaker 2: make sure you check out that episode if you haven't.
Speaker 2: Now we have part two as Quest Love Supreme celebrates
Speaker 2: fifty years of hip hop all August.
Speaker 3: We hope you enjoy it.
Speaker 4: I remember one of the earliest arguments I had with
Speaker 4: we were just talking about we were going through song
Speaker 4: for song, and you know, I was explaining that the
Speaker 4: frustrating thing about making things fall apart was the fact
Speaker 4: that Malik and just his very weird Malik's almost like
Speaker 4: batman like Malik shows up to the studio at like
Speaker 4: three am, like when the engineers just cleaning up and
Speaker 4: ready to go home, and he would always just come
Speaker 4: in at like odd hours.
Speaker 3: One thirty am. Two are at thirty am and look
Speaker 3: on the.
Speaker 4: Floor, go to the corner, and he would read the
Speaker 4: reels off like Okay, what do they work on today,
Speaker 4: and that sister, an.
Speaker 3: Engineer, don't know.
Speaker 4: So he's just like, well, here's the merest beats he
Speaker 4: would make, and here's da da da dada, and Malie
Speaker 4: would just be like, hey, put one of them things
Speaker 4: up now. The thing is is that you know, I'm
Speaker 4: also using this album period, like you know, there's other
Speaker 4: projects I'm working on, but I'm also using this album
Speaker 4: period to develop my sound or try to figure out
Speaker 4: what my sound is as a producer. And so I'm
Speaker 4: practicing stuff that dyl is teaching me, like he taught
Speaker 4: me shit on the twelve hundred. I didn't know he
Speaker 4: taught me stuff on my mbat so and I'm sure
Speaker 4: that you know about this RJ, Like you go through
Speaker 4: this period as a beat maker where you need to
Speaker 4: practice first and emulate, like first I did the Bomb Squad,
Speaker 4: then all right, I'm gonna practice this Barley Mall track,
Speaker 4: and then I'm gonna practice this premiere track or whatever,
Speaker 4: like you gotta practice before. And the thing was Malik
Speaker 4: would always he would do complete songs to shit that
Speaker 4: I never intended for the public to hear, and I
Speaker 4: told it was hitting me that I was hell bit.
Speaker 3: I was like, Yo, there's no way.
Speaker 4: That I'm gonna let my slum influence out on this
Speaker 4: roots record. And it would only happen when like Malik
Speaker 4: would just unknowingly take some shit that I had no
Speaker 4: intention for y'all to hear. A good example is like
Speaker 4: the table Content song that intros the album, or that
Speaker 4: don't see Us We See You, like shit, I never
Speaker 4: intended for the public to hear.
Speaker 3: So for you though, Like again, is it is that weird?
Speaker 4: Like to know that you're that that influence, like you're
Speaker 4: a pioneer before you're an artist yourself.
Speaker 5: Yeah, I mean, I mean, I'm definitely thankful, but man,
Speaker 5: I don't know.
Speaker 6: Man, I have to thank Dyla of course.
Speaker 5: And I would have to thank all of my mentors man,
Speaker 5: like an filler R J.
Speaker 6: Rice.
Speaker 5: I mean, we had a lot of people that was
Speaker 5: that was really just looking out for no reason at all,
Speaker 5: you know what I'm saying, which was especially for me.
Speaker 5: I didn't even grow up with a father, so you're
Speaker 5: telling me this random dude named a Philly gonna let
Speaker 5: you come in his house, you know, make some.
Speaker 6: You know what I'm saying. You know, rap to do
Speaker 6: all of this just.
Speaker 5: Because he wanted to make sure we ain't in the
Speaker 5: streets doing no foolishness, you know what I'm saying. So
Speaker 5: like we had, we had the community, the whole slum
Speaker 5: village as you will, that was helping us, you know
Speaker 5: what I'm.
Speaker 3: Saying, r J.
Speaker 7: I wanted to ask you, man specifically with your dad
Speaker 7: being you know who he was in the game and
Speaker 7: you know, just having that base for RJ's Las arrival,
Speaker 7: what was some of the things he taught you You
Speaker 7: talked about musically, but like business wise, were they any
Speaker 7: principles or just kind of things that game he gave
Speaker 7: you that kind of helped you in your journey.
Speaker 8: Yeah, he just told me, never take a man's dignity.
Speaker 8: You don't want to put a man in a position
Speaker 8: of where he got a bed or and never wait
Speaker 8: to pay a man, you know what I'm saying. Because
Speaker 8: he got a family that he's taken care of as well,
Speaker 8: you know what I'm saying, And he waiting on that
Speaker 8: money to come, just like you waiting on the.
Speaker 9: Money to come.
Speaker 8: So you know what I'm saying, it's a lot of
Speaker 8: Jews that he taught me with how to do business
Speaker 8: and you know, cultivating relationships and things like that. You know,
Speaker 8: some things you may have to do for free, you
Speaker 8: know what I'm saying, in order to grow the business.
Speaker 8: So you know, it's a lot.
Speaker 9: You know. I thank them all the time. You know
Speaker 9: what I'm saying.
Speaker 8: I couldn't have had a better father mentor. And I
Speaker 8: enjoy working.
Speaker 9: With him too.
Speaker 3: Look is your mom?
Speaker 8: She still singing, She's still saying. They just put a
Speaker 8: new song out. They just dropped a new song.
Speaker 4: Yep, that's what's up man, that's beautiful. I feel an
Speaker 4: audio recording. It's the craziest thing I ever heard of
Speaker 4: my life. It's an audio recording. And I'm assuming that
Speaker 4: you're holding a video camera. You guys are in a
Speaker 4: car together and this is the only I only know
Speaker 4: the audio part of it. And Dylan's driving and you
Speaker 4: ask him a question, you say, hey, man, what's the day?
Speaker 8: Oh?
Speaker 4: You know about this? Okay? It just yours me every
Speaker 4: time I hear it. You're like, hey, what's the day, man?
Speaker 4: And Dyl's like, I don't know Thursday. He said, no, man,
Speaker 4: what's today, And Dyla's like, oh, okay, it's February tenth.
Speaker 3: He's like, yeah, man, what's the day.
Speaker 4: He's like, yeah, man, February tenth is the first day
Speaker 4: that we're making our new album, Fantastic Volume two, Baby
Speaker 4: Da Da Dah, and y'all just talk about it.
Speaker 3: Yeah, man, I'm just like it. Really.
Speaker 4: I was like, wow, just you know, because for a
Speaker 4: lot of us, February tenth being the day of his transitioning,
Speaker 4: it's such a you know, such a thing for those
Speaker 4: that you know, follow his music so closely. But to
Speaker 4: hear that clip and the excitement of you guys like
Speaker 4: talking about your future and all those things like will
Speaker 4: that often happen?
Speaker 6: We had to you gotta understand this.
Speaker 5: First of all, Plumb Village had to wait for Dilla
Speaker 5: to blow because Yla is you know what I'm saying,
Speaker 5: So I was still kind of hungry and broke me
Speaker 5: in ten and Dealer was making money already, you know
Speaker 5: what I'm saying.
Speaker 6: So we had to wait on that. So we had
Speaker 6: to be patient.
Speaker 5: So for the day for us all to come together
Speaker 5: and say this is the official day for us to
Speaker 5: work on this shout out to Windy Goldstein, who was
Speaker 5: who was lacing a lot of us I know.
Speaker 3: Was that was my saving grace too?
Speaker 5: Yes, that's what I'm saying. She layd us all. And
Speaker 5: you know we got that opportunity to really just go
Speaker 5: in there and do it. And guess what, we had
Speaker 5: no guidance, you.
Speaker 1: Know, you know what I'm saying.
Speaker 5: They just let us do what we want to do
Speaker 5: and which is beautiful, you know what I'm saying. And
Speaker 5: shout out to our jail for solid solidifying that deal.
Speaker 5: I wish, I wish now I think about it. We
Speaker 5: had a couple of deals on the table. I wanted
Speaker 5: to go with death Jam in my heart because we
Speaker 5: did have a possible situation with death Jam, but we
Speaker 5: decided to go who we went with.
Speaker 4: Yes, so there was a deaf Jam deal on the
Speaker 4: table and Interscope and any other labels or.
Speaker 5: It was about five I think universal. Yeah, we had
Speaker 5: some deals, but we just chose what we chose. And
Speaker 5: I think we were with a M first, which was terrible.
Speaker 3: Did you guys at all work with John McLean?
Speaker 9: John McLean is the one who got who was like
Speaker 9: part of getting the deal at.
Speaker 4: John McLean is one of those figures that you know,
Speaker 4: even I'm working on the slide doc right now, and
Speaker 4: he's a part of SLID's eighties, you know, attempted several
Speaker 4: attempts to come back or whatnot. But he's one of
Speaker 4: those brothers that's so elusive in terms of like talking
Speaker 4: to the press or whatever.
Speaker 3: What What were your interactions like with John McLean?
Speaker 6: I didn't have many.
Speaker 5: I was mostly your dad and management talking to him.
Speaker 5: I was really brief I had so that was mostly
Speaker 5: r J and Tim. Tim Maynor mostly spoke to him.
Speaker 5: Most of the time I was out of business. I
Speaker 5: was such a studio nerd.
Speaker 6: I was. That's what I was at.
Speaker 4: Yeah, I didn't care to meet executives and all those
Speaker 4: things anyway, Like that was like my manager did that.
Speaker 4: But you know, occasionally I would have to have conversations
Speaker 4: about like the concept of the group or you know,
Speaker 4: those sort of things that you don't want to have
Speaker 4: with label exists and whatnot.
Speaker 3: How did that deal fall apart?
Speaker 4: Because I thought I saw a tangible version of what
Speaker 4: I thought was a fantastic volume two on Interscoope later
Speaker 4: found out it was a bootleg or whatever.
Speaker 5: But I'm gonna tell you how it fell fell apart.
Speaker 5: This is how no disrespect, but what happened was corrupt.
Speaker 5: He decides to double album. Oh no, the West versus
Speaker 5: the East. Yeah, I know that album shut down the
Speaker 5: whole rap department because the lack yes and guess who
Speaker 5: was right next after that? It was slum Village, then
Speaker 5: the boot leg on top of that, it was like, well,
Speaker 5: the only thing.
Speaker 3: We could do.
Speaker 6: I guess we're gonnnna start touring in Europe. So we
Speaker 6: was able to tour Europe in ninety nine.
Speaker 5: That was super early for us to go down there
Speaker 5: to our first European tour, which was an ordell too,
Speaker 5: because they'll act like he left lost his passport for
Speaker 5: a while because he didn't want to go because he
Speaker 5: had to finish some remixes.
Speaker 6: It was like, man, this was just going on.
Speaker 3: I can't find a passport ship.
Speaker 4: So yeah, I was about to say, how so this
Speaker 4: is also the period in which like he's gonna leave
Speaker 4: the group or whatever, So explain how just the adjustment
Speaker 4: readjusting the group without him on stage with you.
Speaker 5: Well, he he didn't. He said he would do select shows.
Speaker 5: He's gonna do the West Coast. He was gonna do
Speaker 5: Detroit maybe something else. That was all he was even
Speaker 5: when he was going to Okay player you need.
Speaker 3: You know what I'm saying. So we got him for
Speaker 3: two shows at least.
Speaker 5: Right, You're right, you got shows, right, So that's all
Speaker 5: he was gonna do because he wanted to hitch up
Speaker 5: with all his work at that time, you know what
Speaker 5: I'm saying, because he was hot and people wanted those
Speaker 5: those remixes like asap, so you know he was doing
Speaker 5: all that. Then he was producing all different albums, so
Speaker 5: he just wasn't there. Now the whole thing when he
Speaker 5: decided to leave, you know what I'm saying. We had
Speaker 5: a brand new deal on the table, right, you know
Speaker 5: what I'm saying. That was the whole Capitol deal.
Speaker 6: So it was like where you going. We got a
Speaker 6: whole situation, you know what I'm saying. But he decides
Speaker 6: to go and do.
Speaker 5: It, does the n C A deal, you know what
Speaker 5: I'm saying, that with frankin Denk and get his own
Speaker 5: label situation popping over there.
Speaker 6: So I mean he's that and told me, man, you're
Speaker 6: gonna have to take over the group.
Speaker 8: Man.
Speaker 5: I did not want to because I enjoy being the
Speaker 5: middle main by the way, you know, less pressure.
Speaker 6: I just I wanted to be gone, you know what
Speaker 6: I'm saying about. You know, So it was it was
Speaker 6: hard to restructure.
Speaker 5: So one of the main pieces I had is is
Speaker 5: all the people at the studio, and one of the
Speaker 5: main people was was young Jay. So me and him
Speaker 5: was already bonding over beats and doing stuff, and then
Speaker 5: by ten, you know, was barely showing up. Kind of
Speaker 5: like we're dealing with with Malik b. You don't you
Speaker 5: know what he's gonna record to the friend that we
Speaker 5: wasn't even working on, you know what I'm saying. Yeah, Okay,
Speaker 5: he had this machine in the back and he would
Speaker 5: just make songs all day in these machines from the
Speaker 5: randomnest beats. I don't know, you know, someone was watching,
Speaker 5: Someone was this, someone was that you just didn't know,
Speaker 5: and were trying to piece this album together, and it
Speaker 5: was it was a difficult process, you know what I'm saying.
Speaker 6: But we got through it, you know, luckily.
Speaker 5: That's how we got close with Kareem, and Kareem contributed
Speaker 5: and them and Black Milks, you know, coming up and
Speaker 5: all this at one time and you know, I had
Speaker 5: to mix it up. I had to make some magic.
Speaker 7: Yeah, I wanted to ask you man, I had to.
Speaker 7: I had a blessing before he passed to talk with
Speaker 7: about ten. I interviewed him this has been it has
Speaker 7: been years ago, and he talked very openly about like
Speaker 7: his like mental illness and just kind of things he
Speaker 7: was struggling with. How do you manage that? I mean,
Speaker 7: navigate in the group is hard enough as it is.
Speaker 7: How do you manage that having someone in your group
Speaker 7: that has those kind of specific problems. How did y'all
Speaker 7: navigate that as a crew?
Speaker 6: Well?
Speaker 5: Number one, when you're young like me and we was,
Speaker 5: you think, Okay, he just eclectic.
Speaker 1: You know what I'm saying.
Speaker 3: You don't think it's something clinical, you.
Speaker 6: Know what I'm saying. Once I figured out that it
Speaker 6: was a real situation.
Speaker 5: We was at the Climax, we did the Climax video
Speaker 5: and his sister had had a spell or whatever that
Speaker 5: we had to shut down, you know, the video, and.
Speaker 3: It was is it Tina Tina Marie?
Speaker 9: Is that Tina Yeah?
Speaker 6: Yeah, song on the record. She had a spell. Man,
Speaker 6: we had to shut down. It was a bit much.
Speaker 5: I've never seen anything like that. It's scared the daylights
Speaker 5: out of it, you know what I'm saying.
Speaker 4: Wait, when you guys were shooting the climax video in
Speaker 4: La Oh Ship, I didn't even know.
Speaker 6: Okay, you was right there, but you wasn't You didn't
Speaker 6: see all of that.
Speaker 3: Well, yeah, because y'all just keeping the car listening to
Speaker 3: the beats. That was the diversion. Sit here, listen to
Speaker 3: it for two hours. I say, oh, I'm in heaven. Great,
Speaker 3: y'all ready.
Speaker 5: Yeah, she had a hole spell and then she and
Speaker 5: then I knew it was uh, bipolar schizophrenia and uh,
Speaker 5: and we figured out it ran in the family, you know,
Speaker 5: about ten even and so I didn't really know, Like
Speaker 5: I said, I just thought he was a collected Then
Speaker 5: it just got worse and worse.
Speaker 6: Until the point where it was it was it was
Speaker 6: a bit much to we have to have a.
Speaker 5: Whole handler kind of like ODB you had to have
Speaker 5: a handler with ten Okay, this is your job, QD.
Speaker 5: I remember one time this guy we about to go
Speaker 5: on stage. I'm talking about ten minutes before we go
Speaker 5: on stage, he decides to go grocery shopping.
Speaker 3: Like word, I'm very familiar with actions like these, Yeah,
Speaker 3: you very and this is after this is you talking about?
Speaker 3: This is after fantastic, this this Trinity time on Capitol already.
Speaker 6: Yeah, we're on Capital's. Yes, it just got worse and worse.
Speaker 4: Man, But you know, did he did he have a
Speaker 4: reaction at all to I always wanted to know if
Speaker 4: because people often ask us, like, you know, what was
Speaker 4: Malie B's response to water when he heard it?
Speaker 3: But lses versus and reunion? Did he ever respond to that?
Speaker 5: Or you know, yes, he they they talked. They talked
Speaker 5: on the side or the building. He l was not
Speaker 5: even talked to him before that. He put out the
Speaker 5: verse so so and at this time by Tim was
Speaker 5: kind of not doing so well and he kind of
Speaker 5: showed up at the show on the side or the
Speaker 5: door like like what El said, right, and you know what.
Speaker 6: I'm saying, And it was it was. It was a
Speaker 6: tough situation.
Speaker 5: That's that's the reason why I brought Pam back in
Speaker 5: the group afterwards, because I just wanted him to try
Speaker 5: to get itself together.
Speaker 6: You know what I'm saying, take this medication.
Speaker 5: Because I learned in the music biz there is a
Speaker 5: lot of people who's struggling and just deal with it
Speaker 5: every day.
Speaker 4: It's real, like a lot of us are caring a
Speaker 4: lot of what they call epigenetics kind of passed down
Speaker 4: through generations. Your grant great grandfather had something, now your
Speaker 4: grandfather has, and your father has and so on and
Speaker 4: so forth.
Speaker 3: I always wanted to know, you know.
Speaker 4: It's also with with the Trinity record, where you guys
Speaker 4: really did have like your moment in the sun, especially
Speaker 4: like with Detroit Delhi and with Trinity, I mean you
Speaker 4: have something that even roots can't claim, which is like
Speaker 4: you got fully embraced by like the one oh six
Speaker 4: in the Park audience, and there's a moment where where
Speaker 4: it's almost that slum village, I mean, whether you look
Speaker 4: at as an eclipse or a shadow of Dila versus
Speaker 4: o Dyla's group where you guys on your own are
Speaker 4: about to.
Speaker 3: You know, find an audience, find a home, find a
Speaker 3: groove in a movement.
Speaker 4: Where did it feel like like with the with the
Speaker 4: success of of Taint It and also working with like
Speaker 4: Kanye on Selfish Selfish? Yeah, can you talk about that
Speaker 4: period number one?
Speaker 6: It was the it was a hurt feeling for me
Speaker 6: man for uh, you know, I'm not having Dila a
Speaker 6: part of it.
Speaker 3: To get a touchdown, but.
Speaker 6: Yeah, yeah, not officially part. I mean we made sure
Speaker 6: he produced records on it. We was gonna do that.
Speaker 5: But like when we did the video shoot for a selfish,
Speaker 5: you know what I'm saying, and and uh, you know,
Speaker 5: it was a glorious day.
Speaker 6: It was three hundred women there. It was pretty ridiculous.
Speaker 5: You know, you got Kanye, you got John Legend. And
Speaker 5: then I was like, man, I heard Dealer was say
Speaker 5: I didn't even get a chance to talk to Deler
Speaker 5: with so many people, so much going on, you know
Speaker 5: what I'm saying, And I just felt that detached that
Speaker 5: I never wanted to feel with hell, you know what
Speaker 5: I'm saying, kind of like yeah, you know, but you know,
Speaker 5: I'm a happy I'm I made it in a good space,
Speaker 5: but at that time I wanted it to be what
Speaker 5: it was, but but it couldn't be, you know what
Speaker 5: I'm saying. So I was always like that, man, every
Speaker 5: time I have success with Slum Village, I would always
Speaker 5: be like caught into somewhere or some situation where I.
Speaker 6: Can't even enjoy this, you know what I'm saying.
Speaker 5: I'm just not getting to a space now with some village, man, Jay,
Speaker 5: where I can I enjoy what I do, you know
Speaker 5: what I'm saying and kind of do that. But it
Speaker 5: took a while because it was just so much conflict.
Speaker 5: It was always something new every day, you know what
Speaker 5: I'm saying.
Speaker 9: See.
Speaker 8: But the thing was this though, three, because when you
Speaker 8: were shooting, like I called Dealer to come to the
Speaker 8: Selfish video shoot. So when he get there, we're watching
Speaker 8: him shoot and he like, Yo, man, y'all good, y'all
Speaker 8: don't need me no more.
Speaker 9: And I'm like, bro, what is you talking about?
Speaker 5: Shit?
Speaker 3: What were doing?
Speaker 9: You? You the foundation? We always gonna need you.
Speaker 6: We're like, nah, nah, y'all need me no more?
Speaker 5: Man, you know.
Speaker 9: And I'm like he had just got out the hospital.
Speaker 9: I'm like, this weird, you know what I'm saying, But
Speaker 9: you rolling with it. So it was like things along
Speaker 9: the way, you.
Speaker 8: Know what I'm saying that he was saying to kind
Speaker 8: of like I don't want to say, like prepare everybody
Speaker 8: for what I think he felt was coming. So but
Speaker 8: that was like the last time that I saw him
Speaker 8: in person where you know, everybody was there and able
Speaker 8: to kick it.
Speaker 9: And have fun. Man.
Speaker 7: I wanted to ask y'all, what was the the how
Speaker 7: did it come about with bringing Elsie in the group?
Speaker 9: What?
Speaker 6: Well, let me tell you this. That was a necessity.
Speaker 3: Okay.
Speaker 5: So here's the situation. I'm managing l Zi that that
Speaker 5: was my artist at the time. So I'm managing I. Yes, yeah,
Speaker 5: I'm managing that's my artist. And you know, I'm about
Speaker 5: to put him out next I'm about to get get
Speaker 5: him going too. So at that time, then then like
Speaker 5: they'll tell me he leaving. So I'm like okay. And
Speaker 5: then we got a big deal with Capital All at
Speaker 5: the same time, so they're expecting us to to pull
Speaker 5: off an album, you know, and they gave us a
Speaker 5: two album deals. So I was like, well, I can't
Speaker 5: turn down this money. I can't turn down this situation.
Speaker 6: I can't.
Speaker 8: I can't.
Speaker 6: I can't.
Speaker 5: So then on top of that, by Ten wasn't showing
Speaker 5: up for the studio. I'm like, man, I can't make
Speaker 5: the I'm telling I'm telling r J.
Speaker 6: Rice. I'm like, man, I can't make an album by myself, man,
Speaker 6: and call it Slung Village. I cannot.
Speaker 5: So I was like, man, I'm gonna have to bring
Speaker 5: l in. Man, I'm gonna have to bring Llen and
Speaker 5: he just gonna have to fill in. I'm gonna how
Speaker 5: you do so many songs?
Speaker 6: Hell, you just come in. It's gonna be your You
Speaker 6: can do it. Go in the group and you can
Speaker 6: bounce off this and you can come in like all right, man, cool,
Speaker 6: I'm with it. You know what I'm saying.
Speaker 5: It was, you know, uh, he still wanted to have
Speaker 5: his rough and rugged Personay, he sold some of the
Speaker 5: girl records.
Speaker 6: I had to convince him on a little bit that
Speaker 6: he didn't want to do. But he didn't want to
Speaker 6: do tat it.
Speaker 9: Don't want to do that because he was.
Speaker 6: Trying to still be you know, that lyric code spiritual
Speaker 6: guy and nothing wrong with that.
Speaker 5: But but we had to make some records because we
Speaker 5: had to get it. You know, we got to put
Speaker 5: as long as you said.
Speaker 6: You know what I'm saying.
Speaker 5: So I'm sitting there and you know, we're pulling it together.
Speaker 5: I'm finding these new producers, black milk breams, you know.
Speaker 6: Be y'all gunna coming through the hole squad. You know
Speaker 6: I'm producing.
Speaker 5: We were just pulling it together, man, you know what
Speaker 5: I'm saying until it say, give us some beats. But
Speaker 5: then when that happened, he goes and remix all the beats.
Speaker 5: I chokes, you know what I'm saying. So it was
Speaker 5: just a lot when we did that record, So you
Speaker 5: know what I'm saying, God bless me even pulled it off.
Speaker 7: That was a producer that y'all had that was I
Speaker 7: don't know if he was in the camp, but I
Speaker 7: would see his credits on stuff Broan E Roan and still.
Speaker 3: What I know he did the Ohamad Dia joint that
Speaker 3: y'all was on. Yeah, what what's the deal with him?
Speaker 3: Is he still making records?
Speaker 6: Like?
Speaker 3: Who was he?
Speaker 9: Bron and steal was dwell As you might as well say,
Speaker 9: like sign to Dweller. You know, Dweller was signed to him,
Speaker 9: you know what I'm saying.
Speaker 8: So he was like a guy that produced back in
Speaker 8: the day and had produced some records and stuff that
Speaker 8: Teller didn't want.
Speaker 9: To do, you know what I'm saying.
Speaker 8: He'd be like, you know, I ain't doing it, and
Speaker 8: then he'd be like, Okay, I'll give it a shot,
Speaker 8: you know what I'm saying.
Speaker 9: So Dealer would like pass off the.
Speaker 7: Work, gotcha? Gotcha and R J W V R Gunner.
Speaker 7: That was you and Black. Y'all were production team at
Speaker 7: that time.
Speaker 9: Correct, Yeah, not at Trinity time.
Speaker 7: Not at Trinity time, correct, Yeah, but yeah, y'all were
Speaker 7: production team at that time. How did y'all come to
Speaker 7: work together? And what was y'all collaboration process like as producers?
Speaker 6: For me?
Speaker 9: Me and Black met through that kids group that I
Speaker 9: had kid you Not.
Speaker 8: The guy that was closest to my age was in
Speaker 8: a group with Black Milk, and he played me some
Speaker 8: of their songs over the phone. One of the songs
Speaker 8: that I heard was the beat for what is This?
Speaker 8: And I was like on Trinity and I was like, you,
Speaker 8: he should come up. And then he had another relationship
Speaker 8: through by ten, you know what I'm saying, So everybody
Speaker 8: had kind of like was like, Okay, he came up there,
Speaker 8: we started working through like mixing us the records and
Speaker 8: stuff like that. By the time we was done with Trinity,
Speaker 8: me and him was like friends, you know what I'm saying.
Speaker 8: So we was like, shit, we're doing all the work,
Speaker 8: we might as well just make a production team, you
Speaker 8: know what I'm saying, and get it cracking because we're
Speaker 8: doing all the work. And then that's kind of how
Speaker 8: br Gunner started, and then it just kept going.
Speaker 3: Wait, I'm one second years old. I didn't realize that
Speaker 3: b our Gunner was.
Speaker 9: Milking young Jay.
Speaker 4: I actually thought I was going to say, wait, how
Speaker 4: come NMB one's mentioned in b R Gunner right now?
Speaker 4: Like I thought it was an actual person. I'm thinking like, oh,
Speaker 4: maybe they got beef with him or something. But I'm
Speaker 4: probably the only person I know that actually spends late
Speaker 4: eighties in my set, Like obviously your parents are on
Speaker 4: it as well. Is there a longer version of the
Speaker 4: eight eighties sketch that that was on Trinity?
Speaker 3: No, that's on Detroit Delly.
Speaker 9: Oh yeah, I think it is.
Speaker 8: It's in a uh in one of the machines that
Speaker 8: he was talking about, because we recorded on like the
Speaker 8: digital machine.
Speaker 3: I forgot. There's two versions. The one on Trinity. Yes,
Speaker 3: that's the one I'm speaking of.
Speaker 9: Yeah, yeah, it's on the machine in the back.
Speaker 6: Yeah yeah, right with you on that one and uh
Speaker 6: and your mother right and and yeah, yeah.
Speaker 3: That's my that's my ship man and also the original version.
Speaker 4: All right, So the the version of fall in Love
Speaker 4: that is the hidden track on Trinity, the one based
Speaker 4: on the remix.
Speaker 3: What happened to uh with Samaya?
Speaker 5: Well, well, yeah that we was gonna do this group
Speaker 5: called it as Bad, which was right, and somebody was
Speaker 5: a part of it, and uh, and we was working
Speaker 5: on the records.
Speaker 6: I was working on the records. Me and her worked
Speaker 6: on that record. Me Her, Vernon and Jay worked on
Speaker 6: that producing that record.
Speaker 5: But what happened was I think it just got mixed
Speaker 5: up because I was kind of dating her and that
Speaker 5: kind of got made things up a little bit. Sorry
Speaker 5: I did that and it just got messy and my bad.
Speaker 5: You know what I'm saying to somebody, Yeah, I.
Speaker 3: See you.
Speaker 4: After the self titled album comes out, the one in
Speaker 4: two thousand and five, call me's on that, right, the
Speaker 4: Isley Brother joint.
Speaker 3: Yeah, that's my ship man.
Speaker 4: Even post that, Like and again I know that some
Speaker 4: people are just like only dealan fishing out whatever now,
Speaker 4: like the entire Slim Village Cannon to me is like
Speaker 4: there's so much magic on all these records, though, Like
Speaker 4: how for you though? T three with what's happening, especially
Speaker 4: with the transitioning of Dyla and by ten and with
Speaker 4: L's Eyes dismissal of the group and whatnot, Like, how
Speaker 4: is this winging on your mental do you feel at
Speaker 4: some points maybe the universal universe is telling you like,
Speaker 4: well maybe I should do something else? Da Like, what
Speaker 4: is it that's keeping you still in fighting shape and
Speaker 4: wanting to keep this thing alive until you know you
Speaker 4: say it's done?
Speaker 3: I don't.
Speaker 5: You know, I did go through a turn where I
Speaker 5: was kind of going through my thing for a minute,
Speaker 5: kind of down and out.
Speaker 6: But I luckily I had a nice support group.
Speaker 9: Man.
Speaker 5: Shout out to H to his dad, big RJ and RJ.
Speaker 5: They helped me out a lot, man, you know what
Speaker 5: I'm saying. To the point, you know where I just
Speaker 5: went through it. You know, I lost everything for a minute,
Speaker 5: my girlfriend and everything. I just lost my house, the
Speaker 5: place I live, and they really just helped me, you know,
Speaker 5: help me get myself back together, you know what I'm saying.
Speaker 6: So it did weigh on me a lot, you know
Speaker 6: what I'm saying. And it broke me down for a millisecond.
Speaker 5: But you know what I'm saying, Well, you know we
Speaker 5: kept working, man, And you know, luckily I had some
Speaker 5: brothers with me to help me out. Man. And and
Speaker 5: that's and That's how I got through it. Man, you
Speaker 5: know what I'm saying. But it was it was tough
Speaker 5: for a second. Cay, you remember them days we was
Speaker 5: trying to put that stuff together. Yeah, it's tough.
Speaker 3: I was gonna ask you, I ash you a man.
Speaker 3: So me and Black we had a conversation.
Speaker 7: This is a while back, but we were just talking
Speaker 7: about how with some village we were talking about kind
Speaker 7: of difference between y'all and and LB and like, how
Speaker 7: y'all because y'all had those two records on Capital and
Speaker 7: I had those two big singles, and how that translated
Speaker 7: I guess across touring?
Speaker 3: How did that show up for y'all on y'all side?
Speaker 7: Like, were y'all able to see a difference when it's
Speaker 7: like you do your set and then all of a
Speaker 7: sudden you do selfish and people like oh that's the
Speaker 7: one we know, or they do taint it and it's like,
Speaker 7: oh that's the one, or over time was it people
Speaker 7: where they die hard? It's like, yo, we want volume two,
Speaker 7: we want you know, volume one? Like how did that
Speaker 7: look for y'all? You know what I'm saying as a
Speaker 7: group that had that major label.
Speaker 5: Experience, it looked just like you said, you had a
Speaker 5: divided group of folk.
Speaker 6: You had these die hard Volume two people.
Speaker 3: There's also Volume one people too, right.
Speaker 5: And then you had these two big singles and they
Speaker 5: didn't always mix together really, you know what I'm saying,
Speaker 5: you know, But and that's how it was. So we
Speaker 5: and then they would put us in different venues in
Speaker 5: different situations to see where we fit. Like one tour
Speaker 5: would be with somebody extra hip hop, and then we
Speaker 5: did it with nd I Re which was like, oh
Speaker 5: it was not the best, by the way.
Speaker 7: Yeah, So it was like I don't see I don't
Speaker 7: see climax going over good with an indie audience that
Speaker 7: I don't know.
Speaker 6: It was like Marcia and Brosia and Indiri and slum Village,
Speaker 6: Like where do we come in in this? I don't
Speaker 6: even know what really, you know what I'm saying.
Speaker 5: So it was a lot people don't know what a
Speaker 5: place is because of what Selfish did or what Tainta did.
Speaker 3: Speaking of which I gotta talk about Cloud nine man. Yeah,
Speaker 3: just how the anger I had.
Speaker 4: So I had to do this tour once in which
Speaker 4: Marcia is doing about thirty dates with us, and it's
Speaker 4: one of them things where like she sends it MB
Speaker 4: three to my phone like this the song I want
Speaker 4: to do, and I'm listening and I'm like, oh shit,
Speaker 4: I gotta play this every god damn night. Is one
Speaker 4: of the most nightmares loopings of gospel drumming. I've like
Speaker 4: way past the end of jay Z showing what you got,
Speaker 4: like pre anything that I've ever clowned, just plazed for
Speaker 4: about that. This is past any like Rush Stewart Copeland,
Speaker 4: Like it's the craziest thing.
Speaker 3: Can you talk about that? That like what made y'all
Speaker 3: want to do this?
Speaker 4: This group and their knack for picking the most unorthodox
Speaker 4: shit ever.
Speaker 3: To rhyme over.
Speaker 8: It was one of those things where we was in
Speaker 8: Detroit working and a guy who was around the time
Speaker 8: Scrap Dirty was like, yo, here goes Marsh's out. Focus
Speaker 8: has sent it over because he had produced it.
Speaker 9: Shout out to Focus, man, yes, So we're like, man, this.
Speaker 8: Ship is crazy, we need this and he was like,
Speaker 8: I mean it already came out though, and we was like, man,
Speaker 8: we don't care.
Speaker 9: And then we reached out to Focus and he.
Speaker 8: Was like, yeah, ship, y'all can go ahead to use it,
Speaker 8: and he sent it you know what I'm saying, and
Speaker 8: everybody likes it.
Speaker 6: Came to it.
Speaker 5: Yeah, we had fun and we got a chance to
Speaker 5: performing the Cup a couple of times with Marshall live.
Speaker 5: And that's a funky record.
Speaker 4: That's a funky it's funky, but it's a drummer's nightmare.
Speaker 4: So every jam session I'm like, get her backup, drummer,
Speaker 4: because I ain't doing those rules ever.
Speaker 7: Getting this lifetime man that I wanted to ask y'all
Speaker 7: specifically about Scheming. Man y'all able to get you know,
Speaker 7: Daylight and and Fife you know what I'm saying, and
Speaker 7: just really kind of bring it, make it complete.
Speaker 3: How did y'all put that other man?
Speaker 8: Scheming started out as a young er J record. I
Speaker 8: was making a solo record in the midst of doing
Speaker 8: slum and then they ended up hearing the record and
Speaker 8: was like this is crazy.
Speaker 9: So T was like, man, this is.
Speaker 8: How I think we should do it. I think we
Speaker 8: should do it where because he wrote the hook and
Speaker 8: he was like, I think we should do it.
Speaker 9: Yeah. He was like, man, we should do it where
Speaker 9: Daylight saying something and then maybe somebody else is seeing
Speaker 9: the hook and somebody else is saying it, and then
Speaker 9: we just started reaching out because I had done the
Speaker 9: Forever record for Daylight, so I was able to pick
Speaker 9: up the phone and call you Forever. I did Forever
Speaker 9: in morning Roch God.
Speaker 8: Damn.
Speaker 4: To this day we still close our show with Forever.
Speaker 4: Man that is That's That's one of my favorite, like
Speaker 4: top ten songs ever.
Speaker 3: Man, I love that shit.
Speaker 5: Man?
Speaker 4: Can he talk about like for you as a creator,
Speaker 4: as a beat creator, especially you know, the last of
Speaker 4: the Mohicans, you know, I mean I put you up there,
Speaker 4: milk up there, riggings up there.
Speaker 3: You know, there's some catching Detroit that are doing the
Speaker 3: thing as well. But like in twenty twenty three.
Speaker 4: How how farn is the lay of the land for you,
Speaker 4: at least in terms of where hip hop is today
Speaker 4: musically and where people are going, and.
Speaker 3: Like how do you adjust to it? Like what's your
Speaker 3: process of creating records?
Speaker 9: Now? Like I'm going to keep it a hunter. It's
Speaker 9: not a lot of inspiration out there to be like, yeah,
Speaker 9: this is crazy.
Speaker 8: Let me go in the studio and work for the
Speaker 8: most part, unless you're digging you know what I'm saying,
Speaker 8: and you just kind of know like Okay, this dope.
Speaker 9: Bart hast just dropped something on an underground scene or something.
Speaker 9: But like I was talking to Black at our Shawan.
Speaker 8: Detroit, and I was like, bro, we all we got
Speaker 8: to inspire each other, like, you know, so if you're
Speaker 8: not gonna make that shit or everybody ain't gonna you know,
Speaker 8: going there, and we ain't gonna viounce ideas, what else
Speaker 8: do we have for inspiration? So it's just kind of
Speaker 8: like when I go in there, I'm just making what
Speaker 8: I want to hear. I'm past the point of trying
Speaker 8: to please people musically. I'm like, if if I'm gonna
Speaker 8: throw it up there, then it's just gonna be something
Speaker 8: that a piece of art, and that's how I treat it.
Speaker 8: And either you get it or you don't. And that's
Speaker 8: just kind of where me and Ti at now. Even
Speaker 8: we're working on these new records, it's like we creating
Speaker 8: art that we want to do that we feel ain't
Speaker 8: there and y'all get it or y'all don't.
Speaker 9: You know what I'm saying.
Speaker 3: I love it, man, I love it. I want to
Speaker 3: ask y'all as well.
Speaker 7: Man went to the new single that y'all got out,
Speaker 7: and bro, like how did you hook up with the Dramatics?
Speaker 3: Like where what was that?
Speaker 8: Like, Oh, we got hooked up with the Dramatics through
Speaker 8: that's pop because he was touring in all of that
Speaker 8: stuff and mixing and mingling, and him and Ryan Banks
Speaker 8: had a super close relationship.
Speaker 9: On top of that, at the time, he was dating
Speaker 9: her daughter, I mean his daughter at.
Speaker 8: The time, so you know, we just kind of He
Speaker 8: would come up to the studio all the time, telling
Speaker 8: stories him impossible, we talking shit, and then you know,
Speaker 8: it just kind of got to the point where he
Speaker 8: was like, Yo, you know, y'all should record something. So
Speaker 8: the first record we did with the Dramatics was do
Speaker 8: Our Thing that was on prequl to a classic Okay.
Speaker 8: Kareem Riggins produced it, and then from that we did
Speaker 8: the be Our Gunner record, and then after that we did.
Speaker 9: Some other songs and we just set on vocals. So
Speaker 9: it's like songs that I got with the Dramatics with LJ.
Speaker 9: Roan and all the original members that we just holding
Speaker 9: on to vocals.
Speaker 4: Did they tell you I Vinny there experiences or stories
Speaker 4: and whatnot. Yeah, probably three or four years ago. I
Speaker 4: didn't realize the movie Detroit was about the Dramatics, even
Speaker 4: at the time when we did a song on that record,
Speaker 4: So when we got sent over a copy of the
Speaker 4: movie to see it, I didn't realize like that the
Speaker 4: Dramatics went through hell they were, but I'm always here
Speaker 4: in the Even in Snoops first cover story for the Source,
Speaker 4: there's a brief shootout moment that happens and the Dramatics
Speaker 4: have they're like coming back. The sore story starts with
Speaker 4: them leaving the video shoot for Doggie Dog World and
Speaker 4: it just goes like they've been in the craziest situations whatsoever?
Speaker 3: Have Have they ever shared these stories with you guys?
Speaker 8: Yeah, yeah, yeah, he was you know, a lot of
Speaker 8: drug use, a lot of Dracond, you know what I'm saying.
Speaker 8: So you know he would he would just come up
Speaker 8: there and kick it and you know, talk about the
Speaker 8: riots and you know what he experienced seeing and living
Speaker 8: through that, and you know what it was like going
Speaker 8: from the big stage to doing smaller shows that was
Speaker 8: like less people, but they would do multiple shows tonight,
Speaker 8: you know what I'm saying. So he was just saying,
Speaker 8: like the adjustment period of that and you know, like
Speaker 8: how to keep a group together and members leaving and
Speaker 8: you know all of that. Those are all the things
Speaker 8: that you know what I'm saying, we would talk about
Speaker 8: and you know, they would give advice on.
Speaker 7: Man, I wanted to ask you about one of my
Speaker 7: favorite records of yours that you did.
Speaker 3: You did a record for Pool. This was back when
Speaker 3: you and Pool were working together.
Speaker 7: This is I mean got twenty two thousand and eight
Speaker 7: nine something, This is years ago.
Speaker 3: But you did a record for him called what We Are.
Speaker 7: We ended up putting it on the Left Back record,
Speaker 7: but it was originally a solo jump there and I
Speaker 7: love that song, man, like body that shit just talk
Speaker 7: about kind of like the production of that song. And
Speaker 7: one thing I always admired about you You would always
Speaker 7: incorporate you would incorporate live instruments, but it would sound
Speaker 7: like a sample. It would sound like something that was vintage.
Speaker 7: How was How did you achieve that in the studio?
Speaker 7: Was that something that you kind of had in mind
Speaker 7: or how did that come?
Speaker 8: It started off, you know, with the sample, you know
Speaker 8: what I'm saying, That was chopped up, and then I
Speaker 8: had a drum set set up, you know what I'm
Speaker 8: saying at this at the house, and then I just
Speaker 8: got to a point where I would just would get
Speaker 8: on the kit and play and then have musicians come
Speaker 8: over and add bongos and all that stuff and turn
Speaker 8: it into a jam session. You know what I'm saying,
Speaker 8: Because at a certain point, music was like getting stiff.
Speaker 9: Yeah, you know what I'm saying. So I was like,
Speaker 9: you know, we just we was.
Speaker 8: Cranking our stuff, and then I want to make sure
Speaker 8: Pool some joints, you know what I'm saying. So I
Speaker 8: was like super locked in and focused, you know what
Speaker 8: I'm saying. I'm I felt like me and Pool was
Speaker 8: both underdogs, you know what I'm saying in terms of
Speaker 8: how people viewed us, And it was like, Yo, we're
Speaker 8: gonna we're gonna go in here and lock in and make.
Speaker 9: The you know, the dopest ship we can make. And
Speaker 9: you know, bringing Craig Lane, you know what I'm saying.
Speaker 9: He was playing on keys on some of.
Speaker 8: The records, you know what I'm saying. That's what it's
Speaker 8: always been about, making filling up the speaker. A sample
Speaker 8: can only give you so much, you know what I'm saying.
Speaker 4: What are your weapons of choice when you're making this
Speaker 4: these songs? Like are you still on the three thousand.
Speaker 4: Have you upgraded to?
Speaker 8: Oh no, I'm on the I'm on the MPC X nah.
Speaker 8: And but I still track everything gud like analog. You know,
Speaker 8: I don't just bounce the file. So I still get
Speaker 8: hit the patch bay and go through the eqs and
Speaker 8: uh Mike preeze lining and all that stuff, the eyeboxes.
Speaker 9: It's just to me, you can't get the sound that
Speaker 9: I'm used to without it. I don't know how to
Speaker 9: achieve it. So I still go old school change.
Speaker 3: So you don't have a Macbok Pro. You don't. You
Speaker 3: don't just like.
Speaker 8: I'll sequence everything in the computer, I mean with the
Speaker 8: drum machine.
Speaker 9: You know what I'm saying. But when I go to
Speaker 9: track out, you know what I'm saying. I'm tracking out
Speaker 9: through all vintage stuff.
Speaker 4: So is there a new round of young producers that
Speaker 4: are in Detroit that is sort of being mentored by
Speaker 4: you and Milking and Ricka? Is the way that you
Speaker 4: guys were mentored through Dylan.
Speaker 9: It's it's guys out here.
Speaker 8: You got you got people who's coming with with Doss.
Speaker 8: It's attitude that's handling them thout. For some reason, they're
Speaker 8: not able to jail with anybody, you know what I'm saying.
Speaker 4: So it's it's like there's not a hip hop shop
Speaker 4: sort of epicenter that someone in a way that Marie
Speaker 4: threw that stuff for you guys, there's not someone carrying
Speaker 4: that tradition now.
Speaker 8: Nah. But that's what me and T was talking about,
Speaker 8: were talking about trying to open something, you know what
Speaker 8: I'm saying, where we can have the community to come.
Speaker 8: You got to sput the spots like Paramuta here that
Speaker 8: do little dope DJ things, you know what I'm saying,
Speaker 8: like around electronic music fest things like that.
Speaker 9: But it's not a whole lot is like a hug
Speaker 9: anymore that that people can go to.
Speaker 8: And that's what we need to get back to, you
Speaker 8: know what I'm saying, in order to be able to
Speaker 8: raise up that next crop out the city.
Speaker 4: Okay, And I guess in terms of terrestrial radio is
Speaker 4: concerned like does that have the same hole that it
Speaker 4: once held in Detroit? Like is there any figure in
Speaker 4: radio that is just as expansive or wild? They're crazy
Speaker 4: as you know, growing up in the early period was
Speaker 4: for you guys.
Speaker 9: You got T three on the on the radio.
Speaker 8: Now, so that's where you know what I'm saying, you're
Speaker 8: getting that other variety of music.
Speaker 5: Okay, Yeah, I do a two hour show on Sundays
Speaker 5: and they basically let me play what I want to play.
Speaker 6: I ain't going crazy, though, I am not mojo crazy.
Speaker 3: You gotta no, man, I'm telling you you gotta go
Speaker 3: mojo crazy. Yo.
Speaker 6: Yeah, you got to Okay, Okay, I'm serious, Like.
Speaker 3: That's I remember questioning go crazy, so on him.
Speaker 9: No.
Speaker 4: But I feel like if that to me is that
Speaker 4: opens up so many creative portals because even the first night,
Speaker 4: the first night, you know, when when you go there,
Speaker 4: you're sort of like, Okay, I want to see what
Speaker 4: these cats really about because it sounds crazy on record,
Speaker 4: but let me see what they're about. And I'll never
Speaker 4: forget the first night that the three of you were
Speaker 4: in the basement together, right before it by ten leaves,
Speaker 4: He's like yo, he tells Dylan. He's like yo, man,
Speaker 4: He's like, I want you to make a joint to
Speaker 4: herb Albert's Root one on one, And I was like,
Speaker 4: wait a minute, that's the song always Here when like,
Speaker 4: to me, that's the ultimate yacht rock Dennis song that
Speaker 4: I mean, when you're the dentist officer. You're shopping and
Speaker 4: I was like, wait, did he actually say he wants
Speaker 4: to rhyme to root one on one?
Speaker 3: Like that's the most.
Speaker 4: Craziest, Like, doesn't he mean rise by Herb Albert, not
Speaker 4: root one on one? He's like, no, he wants to
Speaker 4: like the World's Happy Song. It's like, you're gonna.
Speaker 6: Flip that ship.
Speaker 3: He's like, hell, yeah, I'm gonna flip that shit.
Speaker 4: Like to me, it's I feel like what makes the
Speaker 4: choice special is that you guys are not quick to
Speaker 4: say the word no.
Speaker 3: As fast as other people would.
Speaker 4: And I think that that's that's kind of notable, you know,
Speaker 4: and you already see the evidence of that and how
Speaker 4: the ripple effects and how it affects people. So yet
Speaker 4: I know, two years just like, hey, I do a
Speaker 4: two hour show on Sunday and it might not matter.
Speaker 4: But you know, even if you reach one person that
Speaker 4: that spark happens to you, then you know, I feel
Speaker 4: like that's that's a job well done.
Speaker 5: Nah.
Speaker 7: Seriously, bro, I mean me and team we've talked. I
Speaker 7: mean we've all three of us, we've like talked, you know,
Speaker 7: at different points in time. But seriously, man, I just
Speaker 7: had to, you know, just say to y'all, bros, we
Speaker 7: celebrate Iune if you're an LB and I tell people
Speaker 7: all the time. And we were making our first album,
Speaker 7: you know, the listening like I had, We listened to
Speaker 7: Fantastic Volume two religiously. I played the fucking MP three
Speaker 7: tags off that now and like I will hold up
Speaker 7: in the studio and we would. I would tell ninth
Speaker 7: Poop all the crew straight up, like yo, if we
Speaker 7: ain't making nothing nicking fuck with this, then we don't
Speaker 7: even need to waste our time, right like this is
Speaker 7: the bar if we ain't bringing it like these niggas.
Speaker 3: It's still in my north start of this day.
Speaker 9: Man, no man, love y'all brothers, man, and just thank
Speaker 9: you for everything. Man, appreciate you.
Speaker 3: So on behalf of the team.
Speaker 4: Takeolo La Yah un paid, Bill Sugar, Steve, myself, the
Speaker 4: Great R. J. Rice, and the one and only T
Speaker 4: three Detroit to own slum Village. Support your gods. Man
Speaker 4: there there's they're still here with us and Taren on
Speaker 4: an awesome legacy this quest.
Speaker 3: Love Supreme, and we will see you on the next
Speaker 3: go round, y'all. Thank you.
Speaker 1: M much, Love Supreme. Is a production of iHeart Radio.
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