1 00:00:10,320 --> 00:00:12,920 Speaker 1: Yes, Brando Bing and I am rap Report Stereo podcast. 2 00:00:12,960 --> 00:00:20,360 Speaker 1: This you're back summer lovin summer movies. This is part 3 00:00:20,480 --> 00:00:29,880 Speaker 1: two of my the Michael Rapaport I Am Rapaport Stereo 4 00:00:29,880 --> 00:00:38,960 Speaker 1: podcast Top forty one Summer Movies of all time. Of course, 5 00:00:39,040 --> 00:00:43,000 Speaker 1: on the last I Am rap Report Stereo podcast, I 6 00:00:43,080 --> 00:00:49,320 Speaker 1: did the first twenty and here is the second half, 7 00:00:50,479 --> 00:00:58,560 Speaker 1: the twenty one best movies of the summer. Historically, these 8 00:00:58,560 --> 00:01:02,400 Speaker 1: are not all movies that have summer vibes. These are 9 00:01:02,440 --> 00:01:05,440 Speaker 1: not all movies that are about summer. Of course that 10 00:01:05,480 --> 00:01:09,440 Speaker 1: would be a boring list. These are the top forty 11 00:01:09,480 --> 00:01:16,760 Speaker 1: one films of all time that came out represented the 12 00:01:16,840 --> 00:01:25,000 Speaker 1: summertime experience, dramas, comedies, dark dramas, dark comedies, and of 13 00:01:25,040 --> 00:01:30,840 Speaker 1: course the big dick action films. Anyway, So I am 14 00:01:30,920 --> 00:01:36,840 Speaker 1: Rapports Stereo Podcast rest part two of Michael Rappaport's forty 15 00:01:36,880 --> 00:01:41,600 Speaker 1: one best Summer Films of all Time. Here's the best 16 00:01:41,840 --> 00:01:56,760 Speaker 1: of the rest, in no particular order. Boom Miles Jordan, 17 00:01:58,520 --> 00:02:00,840 Speaker 1: Welcome to the Iron Dome of just To Welcome to 18 00:02:00,880 --> 00:02:09,080 Speaker 1: the Zigny Summer Summer Loving Summer Films Cinema of Summer. 19 00:02:10,240 --> 00:02:15,360 Speaker 1: I am Rappaport Stereo podcast Top forty one list the 20 00:02:15,400 --> 00:02:18,399 Speaker 1: best Summer movies of all time, My forty one favorite 21 00:02:18,600 --> 00:02:22,360 Speaker 1: Summer movies of all time. Here is part two with 22 00:02:22,680 --> 00:02:27,480 Speaker 1: the twenty one other greatest movies of all time that 23 00:02:27,560 --> 00:02:32,400 Speaker 1: have come out during the summer. The Goonies listen, talk 24 00:02:32,440 --> 00:02:38,720 Speaker 1: about iconic, talk about blockbuster, talk about summer, talk about 25 00:02:39,000 --> 00:02:47,240 Speaker 1: game changing film, talk about iconic. Directed by the great 26 00:02:47,360 --> 00:02:53,840 Speaker 1: Dick Donner aka Richard Donner, who, I mean, what a career. 27 00:02:53,880 --> 00:02:58,480 Speaker 1: This fucking guy had lethal weapon with that anti semi 28 00:02:58,520 --> 00:03:06,480 Speaker 1: fuck melgib Superman, Superman two, I mean lethal weapon two, 29 00:03:06,639 --> 00:03:13,920 Speaker 1: Big time, big director, humongous director from the Boogie Down Bronx. 30 00:03:14,919 --> 00:03:18,959 Speaker 1: Dick Donald was from the Boogie Down Bronx. He passed 31 00:03:19,000 --> 00:03:24,200 Speaker 1: away twenty twenty one, I think, but he directed the Goonies. 32 00:03:24,280 --> 00:03:29,120 Speaker 1: The film was written by Steven Spielberg, who when you 33 00:03:29,120 --> 00:03:33,760 Speaker 1: think of summer films, when you think of big blockbuster films, 34 00:03:34,520 --> 00:03:40,040 Speaker 1: Steven Spielberg, he started all with Jawn's This started that 35 00:03:40,240 --> 00:03:46,360 Speaker 1: summertime gangster shit. So we got to put Goonies on 36 00:03:46,920 --> 00:03:51,920 Speaker 1: the list, and my next film another classic. So many 37 00:03:51,960 --> 00:03:58,920 Speaker 1: fucking great films that came out during the summer. Man 38 00:03:58,960 --> 00:04:02,119 Speaker 1: this is a good one. Talked about it a couple 39 00:04:02,160 --> 00:04:04,520 Speaker 1: of weeks ago on the Iron Wrappers Stereo podcast because 40 00:04:04,520 --> 00:04:11,120 Speaker 1: I refer to the young Shooter Dean Collins as a sick, 41 00:04:11,280 --> 00:04:21,880 Speaker 1: deranged Ferris Bueller. Ferris Buehler's day off monster film John 42 00:04:22,320 --> 00:04:25,120 Speaker 1: Hughes came out in nineteen eighty six. No Tricks in 43 00:04:25,200 --> 00:04:29,960 Speaker 1: eighty six YO, nineteen eighty six for movies, nineteen eighty 44 00:04:30,000 --> 00:04:33,320 Speaker 1: six for films, nineteen eighty six for hip hop, nineteen 45 00:04:33,360 --> 00:04:37,240 Speaker 1: eighty six for sports is a fantastic year. The entire 46 00:04:37,400 --> 00:04:42,440 Speaker 1: year of nineteen eighty six was a fucking great film. Obviously, 47 00:04:43,080 --> 00:04:47,200 Speaker 1: Matthew Broderick Alan Ruck, who's just made a great comeback 48 00:04:48,520 --> 00:04:52,279 Speaker 1: on the TV show succession, Jennifer Gray, who looks nothing 49 00:04:52,400 --> 00:04:57,720 Speaker 1: like Jennifer Gran anymore. Mia Sarah, the actress who played Sloan. 50 00:04:57,839 --> 00:05:00,760 Speaker 1: I don't know what happened to her. You know, she 51 00:05:00,920 --> 00:05:03,400 Speaker 1: was gorgeous, funny. I don't know what happened to her career. 52 00:05:03,480 --> 00:05:09,640 Speaker 1: She never really did much after that film, and it's weird. 53 00:05:09,680 --> 00:05:13,400 Speaker 1: I don't know if she stopped acting or I don't know, 54 00:05:13,480 --> 00:05:18,039 Speaker 1: but she was great as Sloan in Ferris Bueller's Day Off. 55 00:05:20,360 --> 00:05:24,400 Speaker 1: The soundtrack of this film. What a unique, weird, one 56 00:05:24,440 --> 00:05:29,800 Speaker 1: of a kind film. John Hughes, Shit, so many great films, 57 00:05:30,800 --> 00:05:35,320 Speaker 1: The Breakfast Club, Weird Science, pretty in Pink, sixteen Candles, 58 00:05:35,440 --> 00:05:43,279 Speaker 1: Uncle Buck, fucking Planes, Trains and Automobiles. Excellent, excellent director, 59 00:05:43,760 --> 00:05:47,320 Speaker 1: passed away. Man. I don't remember when that was, but 60 00:05:47,400 --> 00:05:52,920 Speaker 1: it was about ten fifteen years ago. Excellent, excellent director, 61 00:05:53,040 --> 00:05:59,799 Speaker 1: totally unique. You know coming of age films that he made. 62 00:06:00,080 --> 00:06:04,320 Speaker 1: And first, Bueler's Day Off is a coming of age film, 63 00:06:05,080 --> 00:06:08,000 Speaker 1: and I love that film and it just man, it 64 00:06:08,080 --> 00:06:10,520 Speaker 1: captured a time, but it just feels like. 65 00:06:12,640 --> 00:06:12,680 Speaker 2: You. 66 00:06:12,880 --> 00:06:15,479 Speaker 1: I mean, man, it's a good fucking film. If you 67 00:06:15,520 --> 00:06:20,200 Speaker 1: put that film out right now, it would still still 68 00:06:20,240 --> 00:06:24,920 Speaker 1: be fantastic. So we have to put Ferris Bueler's Day Off. 69 00:06:25,320 --> 00:06:29,240 Speaker 1: Animal House is my next film. This is a fucking movie. 70 00:06:29,480 --> 00:06:34,799 Speaker 1: This is a funny, weird, deranged film. And I remember 71 00:06:34,839 --> 00:06:40,520 Speaker 1: seeing this movie in the movie theater and I remember 72 00:06:41,040 --> 00:06:45,279 Speaker 1: the scene when the horse drops dead, and I remember 73 00:06:45,320 --> 00:06:48,400 Speaker 1: going I didn't know what the fuck happened. I was 74 00:06:48,480 --> 00:06:50,760 Speaker 1: so confused of that scene when they go in there 75 00:06:50,760 --> 00:06:53,560 Speaker 1: to fuck with the horse and the horse drops dead. 76 00:06:53,800 --> 00:06:58,520 Speaker 1: John Landis. Harold Ramis is also one of the screen 77 00:07:00,040 --> 00:07:07,200 Speaker 1: writers for this film. John Belushi, Kevin Bacon, young fucking 78 00:07:07,279 --> 00:07:10,240 Speaker 1: Kevin Bacon, What a fucking career he's had. Peter Regert 79 00:07:11,680 --> 00:07:18,080 Speaker 1: the soundtrack, I mean, the sex. This is a dirty, raunchy, 80 00:07:19,040 --> 00:07:23,680 Speaker 1: totally inappropriate comedy. If you've never seen an Animal House, 81 00:07:23,720 --> 00:07:25,640 Speaker 1: you want to see something that's I mean. It made 82 00:07:25,680 --> 00:07:30,520 Speaker 1: tons of money. Three million dollars and it made one 83 00:07:30,840 --> 00:07:34,280 Speaker 1: one hundred and forty one million dollars at the box office, 84 00:07:34,320 --> 00:07:38,760 Speaker 1: cost three million fucking dollars. This movie inspired so many 85 00:07:38,760 --> 00:07:43,520 Speaker 1: of the dirty comedies that have come out since Old School, 86 00:07:43,960 --> 00:07:50,600 Speaker 1: all the like the Raunchy Judd Apatow Shit, just a great, great, great, 87 00:07:51,160 --> 00:07:55,320 Speaker 1: unique film nineteen seventy eight. But my parents took me 88 00:07:55,400 --> 00:07:58,920 Speaker 1: to see that movie in the movie theater, and thank 89 00:07:58,960 --> 00:08:02,040 Speaker 1: you Mom, thank you Dad for taking me to go 90 00:08:02,120 --> 00:08:05,560 Speaker 1: see great films as a kid. And the sexuality and 91 00:08:05,600 --> 00:08:08,400 Speaker 1: the raunchiness, it didn't do anything to me. It didn't 92 00:08:08,400 --> 00:08:12,280 Speaker 1: affect me in any negative way. Literally, I'm not a 93 00:08:12,280 --> 00:08:18,400 Speaker 1: sexual deviant, I think anyway. Great film, One of a kind, 94 00:08:18,520 --> 00:08:22,240 Speaker 1: Animal House. They truly don't make movies like that anymore. 95 00:08:24,160 --> 00:08:31,040 Speaker 1: Next film nineteen eighty three, another raunchy, weird, twisted, unique 96 00:08:31,440 --> 00:08:38,840 Speaker 1: film needs no introduction. Vacation Fucking John Candy, chevy Chase, 97 00:08:39,600 --> 00:08:46,040 Speaker 1: Beverly DiAngelo cousin, Eddie, Randy fucking Quaid. Obviously Juliet Lewis 98 00:08:46,040 --> 00:08:50,600 Speaker 1: made it into the next film, what was it? Vacation Christmas? 99 00:08:50,679 --> 00:08:56,640 Speaker 1: I don't remember, but that was a fucking great, weird, twisted, unusual, 100 00:08:57,320 --> 00:09:01,120 Speaker 1: one of a kind. Chevy Chase was that dude. Even 101 00:09:01,160 --> 00:09:03,680 Speaker 1: though chevy Chase is an a reputation for being such 102 00:09:03,679 --> 00:09:07,280 Speaker 1: a fucking dickhead, he has got a reputation for being 103 00:09:07,320 --> 00:09:12,360 Speaker 1: one of the biggest dicks ever. Eugene Levy is in 104 00:09:12,440 --> 00:09:18,800 Speaker 1: the first Vacation Again. Like this whole list, if you 105 00:09:18,800 --> 00:09:20,760 Speaker 1: haven't seen any of the films on this list is 106 00:09:21,040 --> 00:09:23,280 Speaker 1: if there's anything you haven't seen, just go watch it. 107 00:09:23,840 --> 00:09:26,839 Speaker 1: All of these movies are awesome, All of these movies 108 00:09:26,880 --> 00:09:29,800 Speaker 1: are unique, and a lot of these movies, now that 109 00:09:29,840 --> 00:09:32,280 Speaker 1: I'm going through my summer list, they wouldn't get made 110 00:09:32,320 --> 00:09:38,640 Speaker 1: now for various reasons, and Vacation is definitely one of them. 111 00:09:38,920 --> 00:09:44,520 Speaker 1: Next film Reeks of summer blockbuster. He did it once, 112 00:09:46,360 --> 00:09:50,559 Speaker 1: he came back and done, did it again, The Fresh 113 00:09:50,640 --> 00:09:58,480 Speaker 1: Prince of bel Air, Will Smith, Ill Will Smith. He 114 00:09:58,679 --> 00:10:03,800 Speaker 1: had that shit on lock Down. He had this summer 115 00:10:04,280 --> 00:10:13,040 Speaker 1: on lock Down, Ill Will Smith, Tommy Lee Jones, Men 116 00:10:13,080 --> 00:10:20,040 Speaker 1: in Black, Blockbuster, Unique CGI. Everybody went to the movie theater. 117 00:10:20,240 --> 00:10:25,880 Speaker 1: Everybody ate their popcorn, everybody drank their soda, everybody ate 118 00:10:25,920 --> 00:10:29,360 Speaker 1: their milk duds, and we had a great fucking time 119 00:10:29,480 --> 00:10:33,040 Speaker 1: watching the movie. You didn't know what to expect, you 120 00:10:33,040 --> 00:10:34,760 Speaker 1: didn't know what was gonna happen, but you knew it 121 00:10:34,800 --> 00:10:37,640 Speaker 1: was gonna be dope, and you just you saw it, 122 00:10:37,720 --> 00:10:39,400 Speaker 1: you talked about it. You might have gone to see 123 00:10:39,440 --> 00:10:44,120 Speaker 1: it again and again. Totally kind of directed by the 124 00:10:44,160 --> 00:10:50,040 Speaker 1: great Barry Sonefeld. You know, Barry Sonefeld started as a DP. 125 00:10:51,240 --> 00:10:54,319 Speaker 1: He was a DP for the Coen Brothers. I know. 126 00:10:54,480 --> 00:10:58,120 Speaker 1: He was the DP of Blood Simple and Raising Arizona 127 00:10:59,320 --> 00:11:05,640 Speaker 1: and very good director. He also did Get Shorty. I've 128 00:11:05,640 --> 00:11:08,719 Speaker 1: always wanted to work with him because he's just he 129 00:11:09,200 --> 00:11:14,200 Speaker 1: shot when Harry met Sally and misery. Dope ass career 130 00:11:14,200 --> 00:11:17,760 Speaker 1: as a dB and dope ass career as a director, 131 00:11:18,200 --> 00:11:21,320 Speaker 1: and Men in Black was one of those big balls, 132 00:11:21,720 --> 00:11:28,199 Speaker 1: big dick energy summer time blockbuster films. Everybody knows Men 133 00:11:28,240 --> 00:11:31,840 Speaker 1: in Black. Everybody knows that film is b d E 134 00:11:32,200 --> 00:11:36,800 Speaker 1: Big Dick Blockbuster Energy, b D b E Big Dick 135 00:11:37,040 --> 00:11:42,760 Speaker 1: Blockbuster Energy. Again. This is the I Am Rappaport Stereo Podcast, 136 00:11:42,880 --> 00:11:49,840 Speaker 1: Part two of the best Films of the Summer of 137 00:11:49,920 --> 00:11:54,880 Speaker 1: all time. The best Summer films of all time. Not 138 00:11:55,000 --> 00:11:59,040 Speaker 1: necessarily films that reek of the summer, not necessarily films 139 00:11:59,720 --> 00:12:03,200 Speaker 1: that came out in the summer, not necessarily films that 140 00:12:05,240 --> 00:12:08,600 Speaker 1: portray the summer. But they are the best films that 141 00:12:08,720 --> 00:12:14,400 Speaker 1: came out in the summer historically. My list, Okay, my 142 00:12:14,640 --> 00:12:17,440 Speaker 1: list and my list only. This is one of my 143 00:12:17,440 --> 00:12:25,960 Speaker 1: favorite films. Underrated. Awesome fucking film by the ridiculously talented, 144 00:12:26,120 --> 00:12:32,680 Speaker 1: the ridiculously prolific Stephen Soderberg, who did Ocean's eleven, Magic, 145 00:12:32,800 --> 00:12:39,640 Speaker 1: Mike Magic, Mike's Last Dance, Ocean thirteen Traffic. I mean, 146 00:12:39,679 --> 00:12:43,520 Speaker 1: this fucking guy does all kinds of movies across the board. 147 00:12:43,600 --> 00:12:50,840 Speaker 1: Aaron Bronkovich, This is a dope, dope, dope filmmaker who 148 00:12:51,840 --> 00:12:54,560 Speaker 1: I would love to work with him too. Out of Sight, 149 00:12:55,040 --> 00:13:01,520 Speaker 1: the best performance by George Clooney, the performance by far 150 00:13:03,360 --> 00:13:08,600 Speaker 1: By j Lo, Jennifer Lopez, awesome supporting cast, Don cheatle 151 00:13:09,559 --> 00:13:15,200 Speaker 1: Ving Raims, Steve Zon weird. If you've never seen out 152 00:13:15,200 --> 00:13:19,880 Speaker 1: of Site you want a good sexy Dennis Farina is 153 00:13:19,920 --> 00:13:23,719 Speaker 1: in it, the late great Dennis Farina. And one thing 154 00:13:23,760 --> 00:13:29,360 Speaker 1: about out of Site. A lot of people compared Jackie 155 00:13:29,360 --> 00:13:33,480 Speaker 1: Brown and out of Sight because it was written the 156 00:13:33,800 --> 00:13:39,880 Speaker 1: books were written by the great Elmore Leonard. Elmore Leonard 157 00:13:39,880 --> 00:13:43,400 Speaker 1: who wrote the novel for Jackie Brown, Elmore Leonard who 158 00:13:43,400 --> 00:13:47,280 Speaker 1: wrote Justified, the TV show that I was on for 159 00:13:47,400 --> 00:13:51,880 Speaker 1: what was it, Season four? Love doing that show. But 160 00:13:52,000 --> 00:13:54,280 Speaker 1: I really really fucking loved this movie. I mean there's 161 00:13:54,280 --> 00:13:57,640 Speaker 1: so many great lines, twist turns, and like I said, 162 00:13:57,880 --> 00:14:02,160 Speaker 1: great performances. Don cheedle Kills what's his name's got a 163 00:14:02,200 --> 00:14:06,160 Speaker 1: tiny part in it? Fuck is his name? Shit, I 164 00:14:06,200 --> 00:14:09,760 Speaker 1: can't remember, popped in my head, popped out. But I 165 00:14:09,880 --> 00:14:13,000 Speaker 1: really really really like that film out of Sight. If 166 00:14:13,000 --> 00:14:16,040 Speaker 1: you've never seen it, trust me, it's dope. Moving on 167 00:14:16,120 --> 00:14:21,560 Speaker 1: to my next film, classic summer film, classic fucking comedy 168 00:14:22,880 --> 00:14:28,800 Speaker 1: made Melissa Carthy a star, written by Paul fig and 169 00:14:28,840 --> 00:14:33,000 Speaker 1: the great Kristen Wigg. I love fucking Kristen Wig. Directed 170 00:14:33,000 --> 00:14:37,560 Speaker 1: by Paul Figu who I worked with on The Heat. 171 00:14:38,040 --> 00:14:41,920 Speaker 1: Maya Rudolph who you know. Maya Rudolf is married, has 172 00:14:42,000 --> 00:14:46,400 Speaker 1: kids with Paul Thomas Anderson, the director of Boogie Knights. 173 00:14:47,040 --> 00:14:51,520 Speaker 1: This movie's a classic, an instant classic. So many great scenes. 174 00:14:52,640 --> 00:14:58,560 Speaker 1: A bunch of raunchy ass bridesmaids getting ready for their 175 00:14:58,600 --> 00:15:04,080 Speaker 1: best friend's wedding and they serve as maid of honors. 176 00:15:04,120 --> 00:15:08,720 Speaker 1: They're arguing, they're fighting, they're flying, they're drinking, they're having sex. 177 00:15:09,400 --> 00:15:12,800 Speaker 1: Fucking dope ass film, Like I said, bursted Melissa Mark 178 00:15:12,920 --> 00:15:16,680 Speaker 1: McCarthy into a big time movie star. She stole the film. 179 00:15:17,520 --> 00:15:21,880 Speaker 1: So many classic scenes, so many classic lines, and I mean, 180 00:15:21,880 --> 00:15:26,360 Speaker 1: it's just a great, fun comedic film. I mean, I wonder, 181 00:15:26,400 --> 00:15:29,200 Speaker 1: could you make this movie now? You probably couldn't. You 182 00:15:29,200 --> 00:15:33,800 Speaker 1: probably couldn't do. It's a fucking big, smash, fucking hit 183 00:15:34,600 --> 00:15:39,560 Speaker 1: Bridesmaids and it's just a fun, fun summer movie. John 184 00:15:39,600 --> 00:15:45,680 Speaker 1: Appato produced that also fucking Judd Apatown, this fucking guy. Anyway, 185 00:15:45,760 --> 00:15:50,360 Speaker 1: Bride'smaids came out in twenty eleven, and so much has changed. 186 00:15:50,440 --> 00:15:52,720 Speaker 1: Jesus Christ were going into the summer of twenty twenty 187 00:15:52,760 --> 00:15:59,120 Speaker 1: three and again, Man, this movie is inappropriate. This is 188 00:15:59,160 --> 00:16:02,600 Speaker 1: a dope ass, funny R rated comedy. 189 00:16:03,440 --> 00:16:05,680 Speaker 2: Hey, not air Marshall, John, you want to get back 190 00:16:05,720 --> 00:16:09,640 Speaker 2: in that restroom and not rest past. 191 00:16:23,760 --> 00:16:26,920 Speaker 1: My next film talked about on the podcast before, because 192 00:16:26,920 --> 00:16:34,160 Speaker 1: it's truly one of my most inspirational comic films. The 193 00:16:34,200 --> 00:16:40,200 Speaker 1: comedy in this next film is just means so much 194 00:16:40,240 --> 00:16:45,720 Speaker 1: to me. Like I said, I've mentioned it. I could 195 00:16:45,760 --> 00:16:49,520 Speaker 1: go on and on and on about Midnight Run starring 196 00:16:49,800 --> 00:16:55,400 Speaker 1: the great Weird Charles Groden who passed away, the late 197 00:16:55,520 --> 00:17:01,080 Speaker 1: great Dennis Farina, Joey Pants, Joey Pantaliono, y'all fed Codo, 198 00:17:02,240 --> 00:17:09,360 Speaker 1: and of course Robert de Niro as Jack Walsh Rascon 199 00:17:09,480 --> 00:17:12,560 Speaker 1: Hill Barns. Yeah, Jack, Wall's put it out. It's Jack. 200 00:17:14,920 --> 00:17:17,560 Speaker 2: Yeah, this better be good news, fucking Jack, because you 201 00:17:17,640 --> 00:17:19,840 Speaker 2: got five hours left. No, it's not any I'm gonna 202 00:17:19,880 --> 00:17:21,720 Speaker 2: let you know though, that you're a dead motherfucker. 203 00:17:21,760 --> 00:17:22,520 Speaker 1: You understand me. 204 00:17:22,760 --> 00:17:24,040 Speaker 2: Wait a minute, Wait a minute. 205 00:17:24,080 --> 00:17:26,400 Speaker 1: You put Marvin on this case, you fucking piece of shit. 206 00:17:26,720 --> 00:17:31,680 Speaker 1: Fucking you fucking done yet? You slamball in a sea 207 00:17:31,720 --> 00:17:32,120 Speaker 1: of puss? 208 00:17:32,880 --> 00:17:35,840 Speaker 2: What you blew it? All right? You had the guy 209 00:17:35,920 --> 00:17:38,840 Speaker 2: four fucking days, Jack, four days. You could have fucking 210 00:17:39,119 --> 00:17:41,800 Speaker 2: you could have walked him backwards and not fucking blown it. 211 00:17:41,880 --> 00:17:44,840 Speaker 2: But you blew it when I When have I ever 212 00:17:44,960 --> 00:17:45,520 Speaker 2: let you down? 213 00:17:45,520 --> 00:17:46,800 Speaker 1: Your fucking rats? 214 00:17:46,880 --> 00:17:49,720 Speaker 2: Are you fucking nuts? Telling Doffly offered you one hundred 215 00:17:49,720 --> 00:17:52,040 Speaker 2: thousand dollars when I told him I gave him twenty five? 216 00:17:52,160 --> 00:17:54,800 Speaker 1: Wait? Wait, wait what when did you speak to him? 217 00:17:55,280 --> 00:17:56,320 Speaker 1: When did you speak to Marmon? 218 00:17:56,400 --> 00:17:59,359 Speaker 2: He called me fucking what ten minutes ago, yelling and screaming, 219 00:17:59,400 --> 00:18:01,840 Speaker 2: telling me to go fuck myself. You're telling me to 220 00:18:01,840 --> 00:18:03,479 Speaker 2: everybody's telling me to go fuck myself. 221 00:18:04,640 --> 00:18:08,600 Speaker 1: I love this movie. This movie came out in nineteen 222 00:18:08,800 --> 00:18:15,080 Speaker 1: eighty eight. The humor, the dynamic, the comedic bantering between 223 00:18:15,240 --> 00:18:20,240 Speaker 1: Charles Goroden and Robert de Niro is so inspiring to me. 224 00:18:21,080 --> 00:18:24,840 Speaker 1: And it's just still funny, just such a great, fun 225 00:18:25,359 --> 00:18:29,439 Speaker 1: weird Philip Baker halls in this film. Who you know 226 00:18:29,560 --> 00:18:33,280 Speaker 1: him from a lot of the Thomas Anderson films, And 227 00:18:33,320 --> 00:18:38,720 Speaker 1: it's just a dope movie, fun movie. Midnight Run one 228 00:18:38,720 --> 00:18:42,440 Speaker 1: of the best comedies of all time and definitely one 229 00:18:42,440 --> 00:18:47,120 Speaker 1: of the best summer films ever period. End of story. 230 00:18:48,560 --> 00:18:51,880 Speaker 1: My next film is definitely a summer film came out 231 00:18:51,880 --> 00:18:57,359 Speaker 1: in the summer. Summer's in the title Joseph Gordon Levitt, 232 00:18:58,560 --> 00:19:03,160 Speaker 1: zoe d Chanel five hundred Days of Summer again romance 233 00:19:06,680 --> 00:19:16,879 Speaker 1: summer films, summertime, romance comes, and goddamn it, sometimes romance leaves. 234 00:19:17,960 --> 00:19:22,320 Speaker 1: I love the cinematography of this film, directed by Mark 235 00:19:23,240 --> 00:19:25,680 Speaker 1: web I don't know what the fuck he's up to now, 236 00:19:26,359 --> 00:19:31,440 Speaker 1: but Zoey de Chanel, Joseph Gordon Levit, who always like 237 00:19:31,520 --> 00:19:39,240 Speaker 1: watching that chick, Chloe Grace Moretz, good film, sweet film, 238 00:19:39,760 --> 00:19:47,320 Speaker 1: very Los Angeles, very cinematically stimulating, cool dope, fun soundtrack, 239 00:19:47,920 --> 00:19:51,440 Speaker 1: and very very very very romantic very of the summer. 240 00:19:52,800 --> 00:19:59,600 Speaker 1: Five hundred Days of Summer makes my list again. Any 241 00:19:59,600 --> 00:20:04,639 Speaker 1: one of these films fucking shortfired guaranteed that you'll enjoy 242 00:20:05,080 --> 00:20:08,399 Speaker 1: these films on my list of films is the second 243 00:20:08,440 --> 00:20:13,800 Speaker 1: part of the Iron Wrap Report Stereo podcast Top forty 244 00:20:13,840 --> 00:20:17,199 Speaker 1: one Summer Films of All Time. Moving on to a 245 00:20:17,240 --> 00:20:23,720 Speaker 1: film again that needs no introduction, fucking risky, fucking business, 246 00:20:26,040 --> 00:20:34,560 Speaker 1: young actor named Tommy Cruz, Tommy Ballgame, Paul Brickman, Tommy 247 00:20:34,640 --> 00:20:42,479 Speaker 1: fucking Ballgame, sexy ass Rebecca de Morney again, Joey panther Leono, 248 00:20:42,480 --> 00:20:48,440 Speaker 1: who played the pimp Quito. The Pimp Monster soundtrack, monster 249 00:20:48,640 --> 00:20:56,480 Speaker 1: fucking iconic scenes takes place in Chicago. Dope ass film, 250 00:20:56,880 --> 00:21:01,640 Speaker 1: I mean, so many dope moments and made Tom Cruise 251 00:21:01,720 --> 00:21:06,880 Speaker 1: a fucking mega star, and then motherfucker still looks the same. 252 00:21:08,560 --> 00:21:15,880 Speaker 1: Tommy Ballgame still looks the same. I mean, if Tom 253 00:21:15,920 --> 00:21:20,280 Speaker 1: Cruise could get paid every single time, that dance sequence 254 00:21:21,440 --> 00:21:24,840 Speaker 1: where he's dancing in his underwear to an old time 255 00:21:24,920 --> 00:21:30,040 Speaker 1: rock and roll has been referenced so forth. Not that 256 00:21:30,080 --> 00:21:34,680 Speaker 1: he needs any money, he don't. Tommy Ballgame don't need shit. 257 00:21:36,000 --> 00:21:41,600 Speaker 1: But Summer Blockbuster nineteen eighty three, sexy Yo. That scene 258 00:21:41,640 --> 00:21:47,240 Speaker 1: on the subway when Rebecca Demurne and Tom Cruiser on 259 00:21:47,280 --> 00:21:52,680 Speaker 1: the train, that's a fucking sexy scene. The next film 260 00:21:52,880 --> 00:21:58,080 Speaker 1: again needs no introduction, nineteen eighty one, Game Changer. I 261 00:21:58,080 --> 00:22:00,320 Speaker 1: believe this is the third time I've said his name. 262 00:22:01,160 --> 00:22:11,520 Speaker 1: Stephen Spielberg, Harrison Ford, The motherfucking Raiders of the Lost Arc, 263 00:22:13,000 --> 00:22:17,720 Speaker 1: Karen Allen, I mean, god damn it, this fucking movie. 264 00:22:18,680 --> 00:22:21,919 Speaker 1: You know, talk about a summer experience, talk about fun. 265 00:22:24,040 --> 00:22:27,560 Speaker 1: I mean ke KiHa, the kid who just wanted to 266 00:22:27,800 --> 00:22:33,760 Speaker 1: best actor KiHa Kwan, who's also in the Goonies. When 267 00:22:33,840 --> 00:22:36,200 Speaker 1: a movie like Raiders of the Lost Arc came out, 268 00:22:36,400 --> 00:22:39,440 Speaker 1: When you see that as a kid and you're going 269 00:22:39,480 --> 00:22:44,040 Speaker 1: to the movie theater and you haven't watched trailer after 270 00:22:44,160 --> 00:22:46,879 Speaker 1: trailer on social media, and you're watching it and you 271 00:22:46,920 --> 00:22:52,000 Speaker 1: go to see it, You're like, holy fucking shit, this 272 00:22:52,200 --> 00:22:56,880 Speaker 1: is what going to the movies is all about, especially 273 00:22:56,960 --> 00:23:00,719 Speaker 1: in nineteen eighty one. I mean, he was making magic, 274 00:23:00,760 --> 00:23:04,480 Speaker 1: these fucking movies, these Steven Spielberg movies, the Goonies and 275 00:23:04,480 --> 00:23:09,480 Speaker 1: all that magic. Everybody has seen the Raiders of the 276 00:23:09,480 --> 00:23:14,320 Speaker 1: Lost Arc. I'm assuming. I hope, I truly hope you've 277 00:23:14,359 --> 00:23:19,159 Speaker 1: seen the Raiders of the Lost Arc, which when you 278 00:23:19,200 --> 00:23:21,960 Speaker 1: think of summer movies, the Raiders of the Lost Arc 279 00:23:22,680 --> 00:23:26,879 Speaker 1: is at the top of anybody's listen. But like I said, 280 00:23:27,000 --> 00:23:32,800 Speaker 1: this is a list in no particular order. My next film, 281 00:23:33,080 --> 00:23:42,720 Speaker 1: summer film, great film, unique film. Ron Shelton directed, wrote 282 00:23:43,160 --> 00:23:52,920 Speaker 1: White Men Can't Jump. Ron Shelton, Bull Durham, funny, weird, quirky, sexy. 283 00:23:54,080 --> 00:24:00,119 Speaker 1: When Kevin Constner was the biggest, baddest motherfucker, one of 284 00:24:00,119 --> 00:24:04,720 Speaker 1: the biggest baddest motherfuckers on film. Tim Robbins, funny performance, 285 00:24:04,880 --> 00:24:10,640 Speaker 1: Susan Sarandon who's not Italian. That's just a little easter egg. 286 00:24:11,400 --> 00:24:17,040 Speaker 1: Bull Durham, dope film, quirky film, comedy, comedic sports film, 287 00:24:17,280 --> 00:24:21,720 Speaker 1: Minor league Baseball team and Ron Shelton played minor league baseball, 288 00:24:21,960 --> 00:24:27,639 Speaker 1: so it's really about his experiences. Crash Davis, Kevin Costner, 289 00:24:28,640 --> 00:24:31,639 Speaker 1: nuke I think that was the character's name, no Ebbie 290 00:24:31,720 --> 00:24:36,879 Speaker 1: Calvin played by Tim Robbins. Just a dope, fun film. 291 00:24:36,880 --> 00:24:41,119 Speaker 1: If you've never seen Bull Durham, it's great, it's great, 292 00:24:41,200 --> 00:24:46,000 Speaker 1: it's feel good, it's sweet. It's just a dope film. 293 00:24:46,240 --> 00:24:48,960 Speaker 1: I'm gonna rewatch that fucking film, Bull Durham because it 294 00:24:49,040 --> 00:24:52,480 Speaker 1: was always good. Another film that's just just so dope 295 00:24:53,160 --> 00:24:56,000 Speaker 1: that I love this film. This is a good movie. 296 00:24:57,200 --> 00:25:02,280 Speaker 1: Michael J. Fox who if you you want to see 297 00:25:02,280 --> 00:25:06,360 Speaker 1: an interesting documentary, it's very honest. I wouldn't say it's uplifting, 298 00:25:06,359 --> 00:25:10,000 Speaker 1: but it is inspiring in a weird way. Fuck this 299 00:25:10,080 --> 00:25:16,520 Speaker 1: fucking guy's in a too ambling entertainment. Directed by Robert Zemeckis, 300 00:25:16,640 --> 00:25:23,359 Speaker 1: who of course directed Forrest Gump directed Castaway. He's a 301 00:25:23,400 --> 00:25:29,560 Speaker 1: fucking Beast. Back to the Future, game changing film nineteen 302 00:25:30,080 --> 00:25:37,600 Speaker 1: eighty five, Amblin, the Great Christopher Lloyd, the totally fucking weird, 303 00:25:37,840 --> 00:25:43,080 Speaker 1: wacky Crispin Glover, and just again a magical film. You 304 00:25:43,200 --> 00:25:45,720 Speaker 1: just didn't know what was going to happen. The music, 305 00:25:46,240 --> 00:25:51,040 Speaker 1: the special effects, everything about that film was just awesome. 306 00:25:51,440 --> 00:25:53,760 Speaker 1: Back to the Future two, Back to the Future three. 307 00:25:53,800 --> 00:25:57,960 Speaker 1: The whole fucking package is sick and dope and fun. 308 00:25:58,040 --> 00:26:01,199 Speaker 1: If you got kids much Back to the Future, that 309 00:26:01,320 --> 00:26:05,280 Speaker 1: shit stands the test of time. When this baby hits 310 00:26:05,320 --> 00:26:09,200 Speaker 1: handy eight miles per hour, gotta see some serious shit. 311 00:26:09,560 --> 00:26:13,120 Speaker 1: Next up, one of my favorite comedies of all time, 312 00:26:15,080 --> 00:26:20,920 Speaker 1: directed by the Zucker Brothers Jerry Zucker, David Zucker, Jim Abrams, 313 00:26:22,320 --> 00:26:31,359 Speaker 1: Paramount fucking Pictures, The totally weird, totally unique comedic genius 314 00:26:31,600 --> 00:26:37,080 Speaker 1: Leslie Fucking Nielsen Airplane came out in theaters July second, 315 00:26:37,359 --> 00:26:42,080 Speaker 1: nineteen eighty We went, We didn't ask questions. My mother, 316 00:26:42,240 --> 00:26:46,000 Speaker 1: my father, whoever we went didn't know what the fuck 317 00:26:46,119 --> 00:26:48,600 Speaker 1: was going on with half the jokes. But I do 318 00:26:48,680 --> 00:26:53,720 Speaker 1: speak chive. I do speak jive because of that film. 319 00:26:53,800 --> 00:26:59,639 Speaker 1: Lloyd Bridges, Robert Hayes talk about an inspirational film. Talk 320 00:26:59,680 --> 00:27:04,200 Speaker 1: about a film that inspired so many other different movies 321 00:27:04,240 --> 00:27:07,879 Speaker 1: in terms of the tone of the comedy. This is 322 00:27:07,920 --> 00:27:13,320 Speaker 1: an inspirational film. The Naked Gun, Nicked Gun two, Nicked Gun, 323 00:27:13,320 --> 00:27:17,840 Speaker 1: Time Secret, This, that and the third Leslie Nielson, The 324 00:27:17,880 --> 00:27:20,440 Speaker 1: fucking Zucker Brothers, not to be confused with the fucking 325 00:27:20,480 --> 00:27:26,600 Speaker 1: Diaz Brothers. Comic Gold, All Time Comic Gold. And it's 326 00:27:26,640 --> 00:27:30,480 Speaker 1: crazy that we went to go see those films when 327 00:27:30,480 --> 00:27:32,840 Speaker 1: we were so young, but we did. We didn't have choices. 328 00:27:33,600 --> 00:27:36,920 Speaker 1: I just did nineteen eighty I was ten fucking years old. 329 00:27:40,280 --> 00:27:43,960 Speaker 1: We're going to the big boys here. We're going to 330 00:27:44,080 --> 00:27:48,480 Speaker 1: some big, big, heavy hitting shit here. We're going to 331 00:27:48,520 --> 00:27:55,160 Speaker 1: some big dick blockbuster energy. Here. That little green space 332 00:27:55,720 --> 00:28:01,640 Speaker 1: Monster Drew Barrymore, Henry Thomas. Again, it's even Spielberg nineteen 333 00:28:01,720 --> 00:28:04,199 Speaker 1: eighty two. I went to go see this in a 334 00:28:04,280 --> 00:28:07,240 Speaker 1: drive in movie theater, I believe, with my mother and 335 00:28:07,280 --> 00:28:14,960 Speaker 1: my brother. Ambulance Entertainment, motherfucking et directed by Steven Spielberg. 336 00:28:16,600 --> 00:28:20,040 Speaker 1: Do I even need to talk? Do I even need 337 00:28:20,080 --> 00:28:25,760 Speaker 1: to talk about Little Gerdy, Little Elliott and that little 338 00:28:26,160 --> 00:28:34,040 Speaker 1: fucking green monster et, the music, the Bicycle, ET, phone Home, 339 00:28:34,200 --> 00:28:39,960 Speaker 1: e t phone home, you little fuck you. I don't 340 00:28:39,960 --> 00:28:44,920 Speaker 1: need to talk about it. That's this is sad because 341 00:28:44,920 --> 00:28:49,160 Speaker 1: they're not making movies like this ever again. They're not 342 00:28:49,440 --> 00:28:54,240 Speaker 1: fucking making movies like this ever again. And it's sad. 343 00:28:56,480 --> 00:28:58,560 Speaker 1: I hope they make movies like my next choice. I 344 00:28:58,600 --> 00:29:03,800 Speaker 1: saw this movie way too many times, and I mean way, way, 345 00:29:04,760 --> 00:29:07,280 Speaker 1: way too many times. I saw it in the theater 346 00:29:07,360 --> 00:29:10,240 Speaker 1: with my kids, I think twice, and we watched the video, 347 00:29:11,200 --> 00:29:16,720 Speaker 1: we streamed it, and it's still good. It still holds 348 00:29:16,840 --> 00:29:23,760 Speaker 1: up talking about Finding Nemo, Ellen de Generes, Albert Brooks, 349 00:29:25,680 --> 00:29:29,400 Speaker 1: I mean, the special effects, every single this is a 350 00:29:29,640 --> 00:29:33,800 Speaker 1: This is a great fucking movie. This is a great movie. 351 00:29:33,800 --> 00:29:38,080 Speaker 1: And I saw it, but it was still good. Little 352 00:29:38,080 --> 00:29:43,280 Speaker 1: Dory just wanted to go home and she was getting lost, 353 00:29:43,680 --> 00:29:48,760 Speaker 1: she was getting confused. She came across, you know, surfing turtles. 354 00:29:50,000 --> 00:29:55,280 Speaker 1: Every fucking thing was happening in this film. Great film, 355 00:29:55,600 --> 00:30:01,360 Speaker 1: fun film, Uh tear jerkin film. I fuck a fuck 356 00:30:01,440 --> 00:30:04,560 Speaker 1: with Finding Nemo, but I watched it. I'd say about 357 00:30:04,600 --> 00:30:07,800 Speaker 1: thirty or forty too many times, and I'm not exaggerating. 358 00:30:07,960 --> 00:30:30,280 Speaker 1: Podcast next on my list of the top twenty one 359 00:30:30,800 --> 00:30:36,160 Speaker 1: out of forty one films of Summertime. Directed by the 360 00:30:36,240 --> 00:30:39,160 Speaker 1: late great Penny Marshall, who I knew. Penny marsh was 361 00:30:39,200 --> 00:30:43,280 Speaker 1: so nice, so beloved. Of course Laverne from Laverne and Shirley. 362 00:30:43,800 --> 00:30:47,720 Speaker 1: Her brother was Gary Marshall, who was also a great director. 363 00:30:48,760 --> 00:30:51,720 Speaker 1: She's also from the Boogiey Down Bronx. This launched the 364 00:30:51,760 --> 00:30:56,840 Speaker 1: fucking career of Penny Marshall as a director and skyrocketed 365 00:30:56,960 --> 00:31:05,200 Speaker 1: a gentleman named Tom Hanks into super duper movie stardom. Obviously, 366 00:31:05,480 --> 00:31:08,680 Speaker 1: this film is a fantasy. Little kid wakes up the 367 00:31:08,720 --> 00:31:12,560 Speaker 1: next morning boom, motherfucker's an adult and he's in the 368 00:31:12,600 --> 00:31:18,320 Speaker 1: adult body of Tom Hanks. Love this movie, feel good film, 369 00:31:18,600 --> 00:31:25,160 Speaker 1: sweet film, will probably be remade, makes sense to remake it, 370 00:31:25,200 --> 00:31:28,480 Speaker 1: Just don't fuck it up. Robert Loggia, who of course 371 00:31:28,560 --> 00:31:35,640 Speaker 1: was in Scarface and so many other films. Just a great, fun, sweet, 372 00:31:36,240 --> 00:31:43,479 Speaker 1: entertaining box office bonanza. Huge fucking hit, I mean fucking 373 00:31:43,880 --> 00:31:49,640 Speaker 1: monster hit, The movie Big, directed by, like I said, 374 00:31:49,680 --> 00:31:56,440 Speaker 1: Penny Marshall, starring the gentleman named Tom Cruise, Tommy fucking Ballgame, 375 00:31:56,520 --> 00:32:02,040 Speaker 1: Tommy Cruise, My next film. Love this Movie, Love Part two, 376 00:32:02,720 --> 00:32:05,760 Speaker 1: Love Part three, again. You went to the movie theater. 377 00:32:05,840 --> 00:32:10,200 Speaker 1: You didn't know what the fuck was happening. The sound, 378 00:32:11,600 --> 00:32:16,239 Speaker 1: the plot, Ripley, you know who the fuck it is. 379 00:32:18,680 --> 00:32:25,040 Speaker 1: Sigourney Weaver, Sir Goourney ballgame, there's biological weapons. Some of 380 00:32:25,040 --> 00:32:32,760 Speaker 1: you understood, some you didn't understand. Paul Reiser, Bill Paxton, 381 00:32:34,040 --> 00:32:37,920 Speaker 1: remember him, late great Bill Paxston. Get me out of here, man, 382 00:32:38,400 --> 00:32:43,560 Speaker 1: Get me out of here. Bro. James Cameron, who is 383 00:32:43,680 --> 00:32:47,640 Speaker 1: fucking guy? He directed a little thumb about a ship 384 00:32:48,280 --> 00:32:54,280 Speaker 1: called the Titanic, launched a career into super duper stardom 385 00:32:54,560 --> 00:33:00,760 Speaker 1: of one of the great cosmen of all time, the 386 00:33:00,880 --> 00:33:09,280 Speaker 1: Leonardo DiCaprio. True Lies, The Abyss, The Fucking Terminator, Avatar one, two, three, 387 00:33:09,600 --> 00:33:13,120 Speaker 1: four with the Blue Men and the Blue Women Aliens 388 00:33:13,440 --> 00:33:18,160 Speaker 1: fun great, the sound, I just remember being the movie theater. 389 00:33:18,160 --> 00:33:23,400 Speaker 1: The sound was just crazy, crazy, crazy sound design, crazy 390 00:33:23,480 --> 00:33:29,240 Speaker 1: crazy cinematography, and Sigourney Weavers. That's the badass motherfucker in 391 00:33:29,280 --> 00:33:35,400 Speaker 1: that film. My next pick. This is an underrated, underappreciated 392 00:33:35,400 --> 00:33:39,800 Speaker 1: film with one of my favorite al Pacino performances of 393 00:33:39,840 --> 00:33:46,040 Speaker 1: all time. Underrated performance by alp sick director Christopher Nolan, 394 00:33:46,680 --> 00:33:50,560 Speaker 1: and I'm pretty sure this was his first film. I'm 395 00:33:50,560 --> 00:33:54,880 Speaker 1: pretty sure I'm not. I don't fact check. I'm not 396 00:33:54,920 --> 00:33:56,840 Speaker 1: gonna fact check because the list is just so good. 397 00:33:57,800 --> 00:34:04,840 Speaker 1: Christopher Nolan directed Robin william We're investigating a murder of 398 00:34:04,920 --> 00:34:11,960 Speaker 1: a girl in Alaska. Motherfuckers can't sleep. Creepy performance by 399 00:34:11,960 --> 00:34:18,120 Speaker 1: the late great Robin Williams. Of course, Christopher Nolan went 400 00:34:18,160 --> 00:34:23,920 Speaker 1: on to direct The Dark Knight Dunkirk inception. Dark Knight Rises. 401 00:34:24,960 --> 00:34:28,480 Speaker 1: Great director, and this was before he was making big, big, 402 00:34:28,520 --> 00:34:31,040 Speaker 1: big films. Wasn't a big, big, big film. But it's 403 00:34:31,080 --> 00:34:33,719 Speaker 1: a dope, dope, dope film. And I just really like 404 00:34:33,840 --> 00:34:37,120 Speaker 1: this film and al Pacino, like I said, just a 405 00:34:37,160 --> 00:34:43,520 Speaker 1: different kind of performance, Robin Williams, Hillary Swink and it's 406 00:34:43,560 --> 00:34:47,239 Speaker 1: just a dope film, unique film. And if you want 407 00:34:47,280 --> 00:34:49,880 Speaker 1: something good to watch that you've never seen, or if 408 00:34:49,920 --> 00:34:55,680 Speaker 1: you've seen it, remember you know, Insomnia's just an excellent movie. 409 00:34:56,040 --> 00:35:02,520 Speaker 1: Excellent summertime movie, excellent psychological thriller, sort of murder, you know, 410 00:35:02,719 --> 00:35:09,680 Speaker 1: weird fucking movie. My last pick for my forty one 411 00:35:10,640 --> 00:35:16,360 Speaker 1: Best Summer Films of all time. What a fucking movie? 412 00:35:16,800 --> 00:35:19,480 Speaker 1: What this shit? This movie barely came out when it 413 00:35:19,520 --> 00:35:24,440 Speaker 1: came out, and it would definitely not be put out now. 414 00:35:25,680 --> 00:35:31,600 Speaker 1: But what a fucking movie. Nineteen ninety five, New York City. 415 00:35:32,920 --> 00:35:39,520 Speaker 1: I mean this, This film represents to the fullest a 416 00:35:39,680 --> 00:35:48,000 Speaker 1: certain vibe, a certain just sort of underculture of kids 417 00:35:48,000 --> 00:35:52,000 Speaker 1: that were growing up in New York City. Launched the 418 00:35:52,080 --> 00:35:58,080 Speaker 1: career of Chloe sevn yer Zario Dawson. The movie Kids. 419 00:35:58,120 --> 00:36:01,399 Speaker 1: Such a dope movie, such a dark movie, such a 420 00:36:01,440 --> 00:36:07,520 Speaker 1: fucking masterpiece, such a fucking masterpiece. Not for the meek 421 00:36:07,560 --> 00:36:12,120 Speaker 1: of heart, certainly not for the faint of heart. It 422 00:36:12,160 --> 00:36:17,560 Speaker 1: was disturbing then, it's disturbing now. But it's real. It's dope, 423 00:36:18,080 --> 00:36:23,359 Speaker 1: it's weird, it's sexy, it's offensive. My man, the late 424 00:36:23,440 --> 00:36:28,200 Speaker 1: great Harold Hunter, my man, the late great Justin Pierce. 425 00:36:29,160 --> 00:36:31,320 Speaker 1: I mean shit. I've talked about Chloe seventy eight on 426 00:36:31,360 --> 00:36:35,280 Speaker 1: the podcast. She was living in my crib at one point, platonically. 427 00:36:36,400 --> 00:36:38,560 Speaker 1: But we've been friends for a long time, and I 428 00:36:38,600 --> 00:36:41,680 Speaker 1: remember I saw that film at Sundance in the winter 429 00:36:41,760 --> 00:36:43,960 Speaker 1: of nineteen ninety five before it came out, and you 430 00:36:44,000 --> 00:36:47,280 Speaker 1: were just like, what the fuck, Like, what the fuck 431 00:36:47,480 --> 00:36:50,960 Speaker 1: is this? Like? I saw a midnight screening and everybody 432 00:36:51,040 --> 00:36:55,520 Speaker 1: was like, what is this fucking movie? Because it was 433 00:36:55,600 --> 00:37:01,759 Speaker 1: just shocking, literally fucking shocking. It was on point. It 434 00:37:01,800 --> 00:37:03,640 Speaker 1: was on point. Like I said, it was not for 435 00:37:04,280 --> 00:37:08,359 Speaker 1: and still not for the faint of heart. But it's 436 00:37:08,400 --> 00:37:12,600 Speaker 1: a really, really, really unique and talk about a film 437 00:37:12,600 --> 00:37:18,280 Speaker 1: that you just smell, feel and sound like you're plopped 438 00:37:18,520 --> 00:37:21,920 Speaker 1: right into New York City. Kids the movie Kids, if 439 00:37:21,960 --> 00:37:27,120 Speaker 1: you've never seen it, watch it. It's dope. It's just 440 00:37:27,160 --> 00:37:33,760 Speaker 1: a dope ass, weird, excellent, true blue New York film done. 441 00:37:35,280 --> 00:37:37,920 Speaker 1: I mean, what war can I do? That's a great 442 00:37:38,040 --> 00:37:43,760 Speaker 1: fucking list. That's a great fucking list. Goonies, Ferris Bueller, 443 00:37:44,480 --> 00:37:49,080 Speaker 1: Animal House, Vacation, Men in Black, Five Hundred Days of Summer, 444 00:37:49,800 --> 00:37:54,880 Speaker 1: Out of Sight, Bridesmaids, Midnight Run, Risky Business, Raiders of 445 00:37:54,920 --> 00:37:58,760 Speaker 1: the Lost, motherfucking Arc, Bull Durham, Back to the Future, 446 00:37:59,120 --> 00:38:03,680 Speaker 1: Airplane et Phone Home, You, Little Green fuck you, e 447 00:38:03,880 --> 00:38:06,800 Speaker 1: T Phone Home, You, Little Green fuck You, Finding Nemo, 448 00:38:06,960 --> 00:38:15,440 Speaker 1: Big Aliens, Insomnia and Kids. Came saw and gave you 449 00:38:15,480 --> 00:38:19,560 Speaker 1: the list, came saw and gave you the second part 450 00:38:19,760 --> 00:38:25,240 Speaker 1: of the list. Miles Jordan Ak, The Bleach Brothers aka 451 00:38:25,440 --> 00:38:30,440 Speaker 1: the Dust Brothers. Let's go take me out of here 452 00:38:30,440 --> 00:38:33,360 Speaker 1: with something real nice, take me out of here with 453 00:38:33,440 --> 00:38:35,520 Speaker 1: something real proper, but most important, to take me out 454 00:38:35,520 --> 00:38:39,200 Speaker 1: of here with something real funky. I am Rapports Stereo podcast. 455 00:38:39,480 --> 00:38:42,360 Speaker 1: And if you think I forgot a movie, DM me, 456 00:38:43,560 --> 00:38:45,680 Speaker 1: DM me, let me know what you thought I forgot. 457 00:38:45,680 --> 00:38:46,080 Speaker 1: I'm out.