WEBVTT - TGI – Episode 504 “Fraternity Row”

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<v Speaker 1>I had something happen the other day and I want

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<v Speaker 1>your opinion on it. I went to go get my

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<v Speaker 1>nails done at this place that I've been going to

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<v Speaker 1>for five years. I love them, They're great. And I

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<v Speaker 1>had to listen to our podcast while I was getting

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<v Speaker 1>my nails done because I was doing some editing. So

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<v Speaker 1>I have my headphones in and I then finish the podcast,

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<v Speaker 1>take my headphones out, put them back in their case,

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<v Speaker 1>and put them on the armrest next to me, next

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<v Speaker 1>to my phone, and think to myself, don't forget to

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<v Speaker 1>put those in your purse. But it's right next to

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<v Speaker 1>my phone, and I'm not going to forget my phone,

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<v Speaker 1>So like I feel pretty confident about it. Then it's

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<v Speaker 1>time for me to pay. I get up, I grab

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<v Speaker 1>my headphones, I grab my phone. I walk up to

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<v Speaker 1>the counter. I grab my purse to versus now on

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<v Speaker 1>the other side, pick up my purse. I now have

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<v Speaker 1>my purse hanging on me and my phone and my

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<v Speaker 1>headphones in my other hand. I put them down on

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<v Speaker 1>the counter so that I can pay, and I think

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<v Speaker 1>to myself again as I put them down, don't forget

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<v Speaker 1>to put those headphones in your purse. I pay I

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<v Speaker 1>grab my phone, I leave, forget the headphones. I walk out,

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<v Speaker 1>I get in the car, I drive home. I go

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<v Speaker 1>through the rest of my day. So my appointment was

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<v Speaker 1>at nine thirty. I was probably done about ten thirty,

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<v Speaker 1>so I left them behind around ten thirty. Around three pm,

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<v Speaker 1>I get a message from our dear Tara, who says,

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<v Speaker 1>did you have any notes on the episode? I didn't

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<v Speaker 1>see any notes, and I go, oh, I think I did.

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<v Speaker 1>I think I left notes in there, And then it

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<v Speaker 1>occurs to me, I have to listen to the podcast

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<v Speaker 1>again to make sure I don't have any notes. Where

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<v Speaker 1>are my headphones? Immediately, of course, Danielle, you left them

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<v Speaker 1>on the counter. So I immediately text the woman who

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<v Speaker 1>I book my appointments with and I go, hey, it's Danielle.

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<v Speaker 1>Did I leave my headphones on the counter at check out?

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<v Speaker 1>And realize I'm one hundred percent sure that I did, Like,

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<v Speaker 1>I know that's what I did. I remembered multiple times

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<v Speaker 1>thinking to myself, don't forget, and then I walked out,

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<v Speaker 1>and I have no recollection of putting them in my

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<v Speaker 1>purse or having them back in my hand, like I'm

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<v Speaker 1>sure they're there, And she writes back I don't know,

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<v Speaker 1>let me check. I go okay. She doesn't ever write

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<v Speaker 1>me back. Then I leave and I have to go

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<v Speaker 1>pick up Adler for karate. So on my way to karate,

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<v Speaker 1>I stop in at the nail salon and I walk

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<v Speaker 1>in and everybody looks at me, like, oh, weren't you

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<v Speaker 1>just here earlier this morning? I'm like, yeah, hi, you know,

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<v Speaker 1>I left my headphones here. And the woman I had

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<v Speaker 1>texted with, who was the person who checked me out earlier,

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<v Speaker 1>says to me, yeah, yeah, I said I would call you.

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<v Speaker 1>I said I would call you, and she starts shooting me.

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<v Speaker 2>She was shoeing you away.

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<v Speaker 1>She showed me out of the nail salon. I said

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<v Speaker 1>I would call you. I'll call you. I'll call you,

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<v Speaker 1>and I said, oh, okay, I just I wanted to

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<v Speaker 1>just I left them right here, and so I'm like

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<v Speaker 1>kind of looking on the counter like they're not I

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<v Speaker 1>look on the floor, and she's like, I don't know,

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<v Speaker 1>maybe somebody took them, go go go. I said, I'll

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<v Speaker 1>call you, and I'm like okay. So I leave and

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<v Speaker 1>I get in the car and I'm.

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<v Speaker 3>Like, I can't.

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<v Speaker 1>I was just shoot out of my nail salon. Oh,

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<v Speaker 1>because I left my head I don't understand what's going on.

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<v Speaker 1>I don't hear from her. I go on Amazon, I

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<v Speaker 1>order new headphones, so I'm like bummed about it. And

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<v Speaker 1>then two three days later, hey, we have your headphones.

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<v Speaker 1>I go, you found my headphones? Yeah? I said, okay,

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<v Speaker 1>I'll come and pick them up right now. I get

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<v Speaker 1>to the nail salon, I walk in, I go, Hi,

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<v Speaker 1>you found my headphones. She goes, yeah, I put your

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<v Speaker 1>name on them this time so you don't lose them again.

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<v Speaker 1>And she had printed out oh, my name and stuck

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<v Speaker 1>it on my case, as if the reason I forgot

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<v Speaker 1>them was because my name wasn't on them. You were

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<v Speaker 1>going to grab them, but you're like, are those showers? Yeah,

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<v Speaker 1>maybe they're not mine, and she turns them back to me,

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<v Speaker 1>and then I left, And now I want to know

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<v Speaker 1>what happened my headphones for those days? Were they just

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<v Speaker 1>on vacation? Did they what?

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<v Speaker 2>I bet somebody had the same pair right, Like? Were

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<v Speaker 2>they kind of popular headphones?

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<v Speaker 4>Like?

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<v Speaker 2>Are the Apple iPhones?

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<v Speaker 1>They're not Apple? No, of course not the Galaxy buds

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<v Speaker 1>in a clear charging case with one of those things.

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<v Speaker 1>What are those things called the hooks that you could

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<v Speaker 1>use for crapping hooks, grappling. It's basically grappling hook No

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<v Speaker 1>one of the hooks that you can use for like

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<v Speaker 1>grappling hooks, but with like a weird hook not common.

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<v Speaker 1>Nobody else has it now because I was.

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<v Speaker 2>Going to say, maybe you know, it's just one of

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<v Speaker 2>those things, like you know, she has an employee that

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<v Speaker 2>also has the same pair. So there was a debate

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<v Speaker 2>about no one.

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<v Speaker 4>No one has that. No one has sampsung earbuds. That's

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<v Speaker 4>not a thing anyone in the world. Here's the thing

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<v Speaker 4>about that story that amazes me because my head goes

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<v Speaker 4>to a certain thing where I after being showed out,

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<v Speaker 4>I could never go back again. Really yeah, to me,

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<v Speaker 4>it's like you're I'm sorry. It's like somebody behind you

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<v Speaker 4>going like as you're talking, going like either wrap it

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<v Speaker 4>up or something to where you can't see it, where

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<v Speaker 4>it's like no, no, no, you'll never get a dollar

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<v Speaker 4>from me again.

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<v Speaker 1>I'm thought, oh no, that to me, after that, I couldn't.

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<v Speaker 1>I couldn't. I mean, let me tell you something about

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<v Speaker 1>nail Well, yeah, but let me tell you about nail salons.

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<v Speaker 1>If you've ever been to a nail salon there, they

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<v Speaker 1>don't necessarily treat their customers super great. My last nail

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<v Speaker 1>salon really is, Oh sure, you're definitely pampered, absolutely pampered

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<v Speaker 1>that you're and you're being and you are being charged

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<v Speaker 1>for every single second of it, and any little thing

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<v Speaker 1>they offer you comes with an up charge, so like,

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<v Speaker 1>don't just go along with it. If they're like, would

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<v Speaker 1>you like five extra minutes of a massage and you're

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<v Speaker 1>like yes, they're like great, that's ten extra dollar.

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<v Speaker 2>It's giving me hard competition's just thinking about I can't

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<v Speaker 2>do any I can't do any of this, any pampering spa, Like,

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<v Speaker 2>oh my god.

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<v Speaker 1>Just because you don't like people being touching.

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<v Speaker 2>Me, I don't like I don't like attention, like lavish

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<v Speaker 2>attention from people, like being served, and like waiting on

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<v Speaker 2>just makes me so uncomfortable.

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<v Speaker 1>Like what, No, just just.

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<v Speaker 4>The way I don't like lavish attention, you know, like

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<v Speaker 4>when people are massaging me and telling me I'm awesome.

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<v Speaker 2>I don't touch me, you know, massaging no freaks me out.

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<v Speaker 2>It's so uncomfortable. Yeah.

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<v Speaker 1>My last nail salon, the woman. This was when in

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<v Speaker 1>Orange County before I moved back up to La. The

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<v Speaker 1>woman said to me, Danielle, when you first started coming here,

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<v Speaker 1>you were so much younger, but you were very fat, and.

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<v Speaker 5>Now you are so hid but you are old god,

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<v Speaker 5>and you're like the compliment. But it's like backhand forehand,

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<v Speaker 5>which which way is compliment? Like the most devastating insult.

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<v Speaker 2>I can't take it. Oh my god.

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<v Speaker 1>Yeah, I mean that is true, that's accurate. Yes, and thanks.

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<v Speaker 1>I feel great.

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<v Speaker 4>I went with Sue once and they said you got

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<v Speaker 4>to get a pedicure, like you've got to.

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<v Speaker 1>Experience the rubbing of the no feet. And I was like,

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<v Speaker 1>all right, what the hell, I'll do it.

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<v Speaker 4>I'm sitting in there and the women were in front

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<v Speaker 4>of use, three women, you know, one on each chair,

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<v Speaker 4>and the woman in front of me is massaging my

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<v Speaker 4>foot and then she turns to her two cohorts and

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<v Speaker 4>says something and I believe Vietnamese, and they start going

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<v Speaker 4>back and forth Vietnamese, just back and forth, back and

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<v Speaker 4>forth for a good five minutes.

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<v Speaker 1>And then I looked down at her and I said,

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<v Speaker 1>was that about me?

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<v Speaker 4>And without missing a beat and without any form of

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<v Speaker 4>an accent, she goes, yeah, we're just saying you got

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<v Speaker 4>nice feet for a dude.

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<v Speaker 2>And I was like, oh, I.

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<v Speaker 1>Mean it was.

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<v Speaker 4>It was such a strange change from the rattle off

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<v Speaker 4>of Vietnamese to no accent whatsoever, to calling me a dude.

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<v Speaker 4>It was it was you do you need more feet on?

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<v Speaker 2>You need more pictures of your feet on? Wiki feet?

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<v Speaker 2>This is we gotta gotta show you, my friend only fee.

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<v Speaker 2>I would never want to subject to anybody to my feet.

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<v Speaker 2>I would have to pay them thousands and thousands of dollars.

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<v Speaker 2>But then if you touch my feet, like I have

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<v Speaker 2>the most sensitiveeet in the world, nobody can touch my feet.

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<v Speaker 2>I will I will kick, I will scream like I

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<v Speaker 2>would actually kick anybody touching my feet, Like it's just

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<v Speaker 2>I'm so ticklish, it's absurd. Rider.

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<v Speaker 1>Is that because your feet looked like goats?

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<v Speaker 2>Yeah? There goats. They're just baby. I just think they

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<v Speaker 2>wanted to be wrapped in leather, boots, steel toed everything constantly.

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<v Speaker 2>You never first thing.

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<v Speaker 4>They're amazing, Shire though redwood Shire.

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<v Speaker 1>Yes, welcome to Pod Meets World. I'm Danielle Fischell.

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<v Speaker 4>I'm right or strong, and I got great feet for

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<v Speaker 4>a dude.

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<v Speaker 1>I'm will Welcome to this episode. We are recapping season

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<v Speaker 1>five episode for Fraternity Row. It originally aired October twenty fourth,

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<v Speaker 1>nineteen ninety seven. The synopsis Eric decides to start his

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<v Speaker 1>own fraternity Magnum Pie. Sean begins to slack off on

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<v Speaker 1>schoolwork because he doesn't expect to get into college. It

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<v Speaker 1>was directed by Alan Myerson. It was written by Andrew Guerdatt,

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<v Speaker 1>which is a new name to Boy Meets World, but

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<v Speaker 1>he has an impressive list of credits on shows like

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<v Speaker 1>Morgan Mindy, Head of the Class, Sister Sister, and Empty Nest,

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<v Speaker 1>in addition to creating the show Herman's Head. He is

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<v Speaker 1>still working. Yeah, he's still working in TV now in kids'

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<v Speaker 1>animation on shows like Fancy Nancy, Sheriff, Calli's Wild West,

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<v Speaker 1>and My Kid's Favorite Once Upon a Time Paw Patrol.

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<v Speaker 1>Before I jump into our rather long list of guest stars,

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<v Speaker 1>did you guys want to talk about our overall thoughts?

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<v Speaker 1>I can't.

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<v Speaker 4>I can't get I'm not yet okay with the new

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<v Speaker 4>vibe of season five.

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<v Speaker 1>That's what it's got to be.

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<v Speaker 4>There is different, Sean is different. The acting isn't great

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<v Speaker 4>all the way around. I'm pushing the comedy. They're trying

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<v Speaker 4>to take it weird ways. I just I'm I can't,

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<v Speaker 4>I'm not. I'm not down with season five yet. I

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<v Speaker 4>haven't seen a single episode of season five i've liked yet.

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<v Speaker 4>And yeah, I'm sure part of it is just the

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<v Speaker 4>drop shock, but this was another one that I just

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<v Speaker 4>didn't really like, and it's killing me because season four

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<v Speaker 4>was so good.

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<v Speaker 1>Yeah, yeah, that's my overall thoughts.

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<v Speaker 2>Writer, this might be my least favorite we've ever seen.

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<v Speaker 2>I don't know why. It just actually didn't make sense

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<v Speaker 2>to me, like nothing, I did not like you just

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<v Speaker 2>reading that synopsis, I don't know what the like the

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<v Speaker 2>fraternity story, I don't know what's happening there. I don't

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<v Speaker 2>know the line. I don't know what people are doing,

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<v Speaker 2>why they're standing, they're standing, why they're saying what they're saying.

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<v Speaker 2>It's just like, I don't know what's happening. And like,

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<v Speaker 2>I don't think the Dean stuff is funny. I don't

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<v Speaker 2>think that the love boat stuff, I don't know what.

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<v Speaker 2>I just and then like all this and then college thing,

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<v Speaker 2>from scene to scene, I couldn't tell what was happening, Like,

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<v Speaker 2>is Sean secretly a genius? Is Sean really dumb is like,

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<v Speaker 2>and it just kind of changes based on whatever we

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<v Speaker 2>want to have said in the scene. It's like so

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<v Speaker 2>thin and I feel awful about my bone performance. Like

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<v Speaker 2>it just was bad, Like it was just all around.

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<v Speaker 4>Like last week was literally Sean and I never getting

0:11:35.400 --> 0:11:36.840
<v Speaker 4>into a fight because they wanted to go to the

0:11:36.840 --> 0:11:39.040
<v Speaker 4>same college. Sean's like, we're going to the same college,

0:11:39.240 --> 0:11:41.559
<v Speaker 4>and now he was never expecting to go.

0:11:41.480 --> 0:11:44.280
<v Speaker 1>To college, at least that continuity from the week before.

0:11:44.600 --> 0:11:45.720
<v Speaker 2>I don't know what's happening.

0:11:46.120 --> 0:11:49.000
<v Speaker 1>I will say one positive thing about the episode. I

0:11:49.160 --> 0:11:52.240
<v Speaker 1>found there to be some unlike last week, which I

0:11:52.280 --> 0:11:54.840
<v Speaker 1>really felt. It seems the way Ryder felt about this

0:11:54.880 --> 0:11:57.439
<v Speaker 1>week is the way I felt about last week. The

0:11:57.480 --> 0:12:02.000
<v Speaker 1>only positive thing I liked about this episode is that

0:12:02.080 --> 0:12:07.560
<v Speaker 1>in the a storyline, the idea that Sean could could

0:12:07.760 --> 0:12:11.640
<v Speaker 1>jump ahead and find himself in a college class that

0:12:11.800 --> 0:12:14.880
<v Speaker 1>is actually something he does really enjoy, Like the idea

0:12:14.960 --> 0:12:18.680
<v Speaker 1>for kids when you're learning the basics of something and

0:12:18.720 --> 0:12:21.040
<v Speaker 1>you're like this stinks, but then all of a sudden

0:12:21.080 --> 0:12:24.880
<v Speaker 1>you find out, wait, there's an entire class on this subject.

0:12:25.000 --> 0:12:27.880
<v Speaker 1>I know nothing, and then it's having a light bulb

0:12:27.920 --> 0:12:30.280
<v Speaker 1>go off in your brain and realizing the same way

0:12:30.280 --> 0:12:33.240
<v Speaker 1>it was for Will. Basically, Will's my life of experience

0:12:33.240 --> 0:12:35.400
<v Speaker 1>of being in his school in high school and then

0:12:35.480 --> 0:12:38.040
<v Speaker 1>coming to Boy Meets World and meeting David Colmbs and

0:12:38.080 --> 0:12:40.959
<v Speaker 1>that year of being with David and life what you mean.

0:12:41.000 --> 0:12:43.920
<v Speaker 2>I can study these things. I love this, and there's

0:12:43.920 --> 0:12:47.839
<v Speaker 2>a way to do that. I think very well. But philosophy,

0:12:48.160 --> 0:12:50.560
<v Speaker 2>like I didn't like. Honestly, I didn't know. Are we

0:12:50.600 --> 0:12:53.120
<v Speaker 2>supposed to think the philosophy teacher in the philosophy class

0:12:53.160 --> 0:12:56.200
<v Speaker 2>is really dumb and that Sean is tricking the guy,

0:12:56.600 --> 0:12:58.600
<v Speaker 2>because that's the way it starts, right, is like, oh,

0:12:58.679 --> 0:13:01.600
<v Speaker 2>Sean's just saying works and your questions, and then it

0:13:01.640 --> 0:13:05.280
<v Speaker 2>becomes accidentally brilliant. But then Sean does care about it.

0:13:05.400 --> 0:13:06.960
<v Speaker 2>But he cares about it and does all this research,

0:13:06.960 --> 0:13:10.240
<v Speaker 2>but then can't write single sentences. So it's like, no,

0:13:10.360 --> 0:13:12.120
<v Speaker 2>that doesn't happen. Like if it had been a film

0:13:12.120 --> 0:13:15.600
<v Speaker 2>class or a literature class or mythology somebody that like

0:13:15.679 --> 0:13:19.160
<v Speaker 2>Sean could be really good at because he's a great

0:13:19.200 --> 0:13:21.920
<v Speaker 2>storyteller or a thinker or something, you know, a different type.

0:13:22.160 --> 0:13:24.400
<v Speaker 2>But you can't do that with philosophy, Like I don't.

0:13:24.440 --> 0:13:26.840
<v Speaker 2>It just doesn't work. And so like flip flops from

0:13:26.880 --> 0:13:28.439
<v Speaker 2>scene to scene. It's like, are we supposed to take

0:13:28.480 --> 0:13:31.080
<v Speaker 2>this class seriously? Or we're supposed to take Sewan seriously?

0:13:31.280 --> 0:13:34.240
<v Speaker 2>It doesn't work, like because I agree, like I love

0:13:34.280 --> 0:13:36.200
<v Speaker 2>that theme and there's a version of that that would

0:13:36.200 --> 0:13:36.960
<v Speaker 2>have been great.

0:13:37.559 --> 0:13:38.920
<v Speaker 1>And how does Feenie at one.

0:13:38.800 --> 0:13:41.199
<v Speaker 4>Point not say to him like in the hallway, Sean,

0:13:41.240 --> 0:13:44.360
<v Speaker 4>I love that you found something that you love. Like, well,

0:13:44.400 --> 0:13:47.520
<v Speaker 4>he doesn't know he he does because he says he's

0:13:47.559 --> 0:13:50.160
<v Speaker 4>been Corey is like he's been going to college class

0:13:50.160 --> 0:13:51.160
<v Speaker 4>and says that at the end.

0:13:51.280 --> 0:13:53.160
<v Speaker 2>He says it at the end. That's another part that

0:13:53.200 --> 0:13:56.360
<v Speaker 2>just doesn't make sense, Like Sean's just hanging in the hallway.

0:13:55.840 --> 0:13:58.160
<v Speaker 2>Why why is he even at school to send the

0:13:58.200 --> 0:13:59.559
<v Speaker 2>hallway there to study?

0:14:00.160 --> 0:14:02.760
<v Speaker 1>I Will also say some of the drop shock for us,

0:14:02.840 --> 0:14:05.000
<v Speaker 1>I think because it really hit me when Will was

0:14:05.040 --> 0:14:07.559
<v Speaker 1>saying he can't the drop shock of season five and

0:14:07.679 --> 0:14:12.040
<v Speaker 1>I said the college stuff. Remember how we all thought

0:14:12.080 --> 0:14:15.160
<v Speaker 1>for some reason before we went into to season four

0:14:15.240 --> 0:14:18.360
<v Speaker 1>that season four was our first year of college. Yeah,

0:14:18.760 --> 0:14:22.680
<v Speaker 1>this change of the high school hallway mixed with the

0:14:22.760 --> 0:14:28.560
<v Speaker 1>b storyline actually taking place at Penbrook and Sean living

0:14:28.680 --> 0:14:32.400
<v Speaker 1>with the two college students, Eric and Jack, I think

0:14:32.640 --> 0:14:36.120
<v Speaker 1>gives us just a sweeter No, we have no idea

0:14:36.200 --> 0:14:39.800
<v Speaker 1>where we are. I forget that the set with Phoenie

0:14:39.840 --> 0:14:41.600
<v Speaker 1>other than the fact that you see Phoenie there and

0:14:41.640 --> 0:14:45.400
<v Speaker 1>therefore you know you're not in Penbrook, that hallway and everything.

0:14:45.560 --> 0:14:47.440
<v Speaker 1>In my mind, I keep thinking, like, why are Corey

0:14:47.480 --> 0:14:50.680
<v Speaker 1>and Sewan at Penbrook? Why? But they have a turquoise

0:14:50.720 --> 0:14:53.280
<v Speaker 1>couch that says John Adams on it in case we forget,

0:14:53.520 --> 0:14:56.480
<v Speaker 1>But that change of set and the college stuff mixed

0:14:56.480 --> 0:15:01.640
<v Speaker 1>in it, we have no real grounding center that reminds

0:15:01.720 --> 0:15:03.080
<v Speaker 1>us of what show we are and it is.

0:15:03.280 --> 0:15:05.920
<v Speaker 4>It's we've also got a new character we've got I mean,

0:15:05.960 --> 0:15:09.040
<v Speaker 4>it's every it's I'm just maybe I'm hoping it's.

0:15:08.880 --> 0:15:10.800
<v Speaker 1>Just that I'm not used to it yet. But yeah,

0:15:10.840 --> 0:15:11.640
<v Speaker 1>I just don't.

0:15:11.440 --> 0:15:15.160
<v Speaker 2>Know everything's But also Phoene's character. Phoene is so harsh

0:15:15.160 --> 0:15:15.840
<v Speaker 2>in this episode.

0:15:15.920 --> 0:15:19.440
<v Speaker 1>Well, does Cory not understand that it's not Phoene's fault.

0:15:19.480 --> 0:15:22.920
<v Speaker 1>It's so obvious that clearly Sean is in the wrong here,

0:15:23.600 --> 0:15:28.200
<v Speaker 1>like Sean is clearly the one leaving, and then even

0:15:28.200 --> 0:15:30.200
<v Speaker 1>Corey gets upset with Sean about like, well, I'm not

0:15:30.240 --> 0:15:33.040
<v Speaker 1>covering for you again, but like nobody asked Corey to

0:15:33.080 --> 0:15:37.320
<v Speaker 1>cover for Sean. It all just felt. Yeah, I feel

0:15:37.320 --> 0:15:40.640
<v Speaker 1>like this season more than any other season. Every episode

0:15:40.640 --> 0:15:44.000
<v Speaker 1>lives entirely on its own island. Yes, yes, there's no

0:15:44.360 --> 0:15:45.320
<v Speaker 1>cohesiveness to it.

0:15:45.440 --> 0:15:48.120
<v Speaker 4>I mean literally, the last episode was about them trying

0:15:48.160 --> 0:15:50.680
<v Speaker 4>to go to the same college and it all work.

0:15:50.600 --> 0:15:52.320
<v Speaker 1>Really hard so that we can go to the same college.

0:15:52.320 --> 0:15:53.600
<v Speaker 1>And then a week later he's like, I'm not going

0:15:53.640 --> 0:15:55.600
<v Speaker 1>to class. I've never was going to go to college.

0:15:55.680 --> 0:15:58.040
<v Speaker 1>Like what you were last week when you're yelling the

0:15:58.040 --> 0:16:02.720
<v Speaker 1>whole time, Okay, guess Paul Gleeson. He returns as Dean Borak,

0:16:02.920 --> 0:16:06.760
<v Speaker 1>continuing to take money away from Bonnie Bartlett's wallet, and

0:16:06.800 --> 0:16:09.840
<v Speaker 1>then we have Bernie Coppell, the man who is best

0:16:09.880 --> 0:16:12.440
<v Speaker 1>known for playing Siegfried on Get Smart and Doc on

0:16:12.480 --> 0:16:15.960
<v Speaker 1>The Love Boat, plays himself, while Ted Lange, who you

0:16:16.040 --> 0:16:18.960
<v Speaker 1>might know as bartender Isaac Washington on The Love Boat,

0:16:19.000 --> 0:16:22.600
<v Speaker 1>also plays himself, giving the love Boat the Happy Days

0:16:22.600 --> 0:16:25.920
<v Speaker 1>treatment here in season five, worth noting that both Copel

0:16:26.040 --> 0:16:29.920
<v Speaker 1>and Lange are still alive ninety years old. And seventy

0:16:29.960 --> 0:16:35.080
<v Speaker 1>five respectively. Will at the time, Yes, did these cameos

0:16:35.080 --> 0:16:35.920
<v Speaker 1>make you happy? Did you?

0:16:36.200 --> 0:16:36.840
<v Speaker 2>Of course? Yeah?

0:16:36.840 --> 0:16:39.680
<v Speaker 1>Of course, of course. Get Smart. I grew up on Getsmart.

0:16:39.720 --> 0:16:42.520
<v Speaker 4>It's one of the best television shows ever. Yeah, it

0:16:42.600 --> 0:16:47.000
<v Speaker 4>is hysterical, it's amazing, he's incredible, it's yes.

0:16:47.520 --> 0:16:48.280
<v Speaker 1>And Love Boat.

0:16:48.440 --> 0:16:50.960
<v Speaker 4>I had a very funny thing happened to me when

0:16:51.000 --> 0:16:53.400
<v Speaker 4>I had never seen Love Boat before and when I

0:16:53.480 --> 0:16:57.320
<v Speaker 4>moved to Amsterdam after eight o'clock at night, from eight

0:16:57.360 --> 0:17:00.960
<v Speaker 4>o'clock to ten o'clock, they had English show and one

0:17:01.000 --> 0:17:03.200
<v Speaker 4>of them was the Love Boat. And when I was

0:17:03.200 --> 0:17:05.320
<v Speaker 4>living in Amsterdam at the time, I was in Bibing

0:17:05.440 --> 0:17:10.320
<v Speaker 4>obviously in what Amsterdam is famous for, and about seven

0:17:10.440 --> 0:17:12.840
<v Speaker 4>episodes in I went, this is the weirdest show. What

0:17:12.960 --> 0:17:15.639
<v Speaker 4>everybody who goes on this boat falls in love? And

0:17:15.680 --> 0:17:18.800
<v Speaker 4>then I went, oh wait, it's literally called love Boat.

0:17:19.080 --> 0:17:23.040
<v Speaker 4>So it took a while to hit me, but yeah,

0:17:23.080 --> 0:17:24.320
<v Speaker 4>but yes, I mean it was.

0:17:28.880 --> 0:17:32.880
<v Speaker 1>To get upstream to row right, it's literally called the boat.

0:17:33.880 --> 0:17:37.480
<v Speaker 4>But it was yes, so of course I mean television royalty,

0:17:37.680 --> 0:17:38.320
<v Speaker 4>They're great.

0:17:38.560 --> 0:17:42.280
<v Speaker 1>It was awesome, no sense, no idea.

0:17:42.520 --> 0:17:44.000
<v Speaker 2>I was really hoping that you were going to say

0:17:44.000 --> 0:17:46.919
<v Speaker 2>that you watched it in Dutch, that you just like

0:17:47.200 --> 0:17:49.720
<v Speaker 2>you but you only know them in Dutch.

0:17:50.680 --> 0:17:54.360
<v Speaker 4>No, that was the That was the the motor up commercial,

0:17:54.359 --> 0:17:56.560
<v Speaker 4>which I still have memorized in Dutch. But yes, no,

0:17:56.720 --> 0:18:00.119
<v Speaker 4>this was so Yes, I mean they gets mark the

0:18:00.119 --> 0:18:00.760
<v Speaker 4>best shows ever.

0:18:01.520 --> 0:18:04.280
<v Speaker 1>Julius Carrey makes his first appearance on Boy Meets World,

0:18:04.320 --> 0:18:08.200
<v Speaker 1>this time as Professor Michaels. Carrie is a legendary actor

0:18:08.240 --> 0:18:11.400
<v Speaker 1>we've spoken about before here on this podcast, most recognizable

0:18:11.440 --> 0:18:14.240
<v Speaker 1>as show Nuff in The Last Dragon, but he was

0:18:14.280 --> 0:18:17.880
<v Speaker 1>also on Murphy Brown, The Adventures of Briscoe County Junior,

0:18:18.280 --> 0:18:22.040
<v Speaker 1>and in the classic Rudy Ray Moore Black Sploitation, cult

0:18:22.119 --> 0:18:24.600
<v Speaker 1>favorite Disco Godfather Julie.

0:18:24.640 --> 0:18:27.080
<v Speaker 4>That way, I'm sorry for our dear listeners out there.

0:18:27.240 --> 0:18:29.960
<v Speaker 4>If you don't know who show Nuff is and you've

0:18:29.960 --> 0:18:34.080
<v Speaker 4>never seen The Last Dragon, drop everything and go and

0:18:34.119 --> 0:18:38.800
<v Speaker 4>watch it. It is phenomenal and he is amazing. I

0:18:38.960 --> 0:18:41.440
<v Speaker 4>was so starstruck when he was on the set. He's

0:18:41.520 --> 0:18:42.440
<v Speaker 4>it's great.

0:18:42.640 --> 0:18:45.960
<v Speaker 2>It's so crappy that we have him come back as

0:18:46.119 --> 0:18:49.280
<v Speaker 2>Angela's I know dad though, Like it's because he's in

0:18:49.440 --> 0:18:51.800
<v Speaker 2>scenes with me, Like it's just one of the worst,

0:18:51.840 --> 0:18:56.200
<v Speaker 2>like recastings, because our repeat castings, because if you had done,

0:18:56.480 --> 0:18:58.240
<v Speaker 2>you know, work with other people, I could see maybe,

0:18:58.240 --> 0:19:00.560
<v Speaker 2>But he's like it's literally every scene him and me

0:19:00.600 --> 0:19:02.920
<v Speaker 2>talking to each other. And then we bring him back

0:19:02.960 --> 0:19:06.400
<v Speaker 2>for like this major episode where I'm finally meeting Angela's dad.

0:19:06.480 --> 0:19:09.640
<v Speaker 4>Like, that's just I didn't remember he played the teacher though,

0:19:09.720 --> 0:19:10.560
<v Speaker 4>even when he came back.

0:19:10.600 --> 0:19:11.639
<v Speaker 1>I don't think I even remembered.

0:19:11.840 --> 0:19:13.960
<v Speaker 2>I didn't remember this until Oh no, I knew it

0:19:13.960 --> 0:19:15.919
<v Speaker 2>at the time, but we we brought it up at

0:19:15.920 --> 0:19:18.600
<v Speaker 2>one of our shows convention. Somebody brought it up and

0:19:18.600 --> 0:19:20.720
<v Speaker 2>I was like, oh, that's right, he did, you know,

0:19:20.720 --> 0:19:23.119
<v Speaker 2>because I knew I had worked in them multiple times.

0:19:23.520 --> 0:19:25.680
<v Speaker 2>I just can't believe we all thought that was okay.

0:19:26.240 --> 0:19:27.840
<v Speaker 1>Yeah, well, not that they would have cared what we

0:19:27.880 --> 0:19:29.440
<v Speaker 1>thought they.

0:19:29.400 --> 0:19:31.800
<v Speaker 2>I mean we all mean a production team, like all

0:19:31.840 --> 0:19:34.760
<v Speaker 2>the like, and culturally, like the world was kind of

0:19:34.760 --> 0:19:35.520
<v Speaker 2>okay with it.

0:19:35.960 --> 0:19:40.359
<v Speaker 1>He's so good. He's so good. He's a real standout

0:19:40.359 --> 0:19:44.320
<v Speaker 1>in this episode. Honestly, his hit he really makes use. Yeah,

0:19:44.359 --> 0:19:45.680
<v Speaker 1>he relates to everything.

0:19:45.920 --> 0:19:48.280
<v Speaker 2>See I don't. I mean, it's not about his performance.

0:19:48.320 --> 0:19:50.520
<v Speaker 2>I just think it's really weird, Like, I just still

0:19:50.560 --> 0:19:52.600
<v Speaker 2>don't like the scenes. I'm like that I don't understand

0:19:52.600 --> 0:19:54.639
<v Speaker 2>from moment to moment, like when he's yelling to Corey

0:19:54.720 --> 0:19:56.920
<v Speaker 2>and then he's like he's like this hard ass, but

0:19:56.960 --> 0:19:58.440
<v Speaker 2>then he's also like really into deep.

0:19:58.760 --> 0:20:00.639
<v Speaker 4>I'm just like, I don't understand why they cast him

0:20:00.640 --> 0:20:02.800
<v Speaker 4>as Angela's dad, the military man, though obviously he pulls

0:20:02.840 --> 0:20:05.520
<v Speaker 4>off the military thing like perfectly even here he's got

0:20:05.520 --> 0:20:07.440
<v Speaker 4>that you know, stickler about him.

0:20:07.440 --> 0:20:11.760
<v Speaker 1>But yeah, well, sadly, Julius died from pancreatic cancer in

0:20:11.800 --> 0:20:14.119
<v Speaker 1>two thousand and eight at the very young age of

0:20:14.240 --> 0:20:15.000
<v Speaker 1>fifty six.

0:20:15.480 --> 0:20:15.760
<v Speaker 4>Wow.

0:20:15.760 --> 0:20:19.119
<v Speaker 1>And then we have Nicki Acox as Jennifer. She was

0:20:19.200 --> 0:20:22.520
<v Speaker 1>also seen on Supernatural, The X Files, Cold Case, and

0:20:22.680 --> 0:20:26.280
<v Speaker 1>in the movie Jeepers Creepers Too, And I am very

0:20:26.320 --> 0:20:29.160
<v Speaker 1>sad to report that she passed away in twenty twenty

0:20:29.160 --> 0:20:33.040
<v Speaker 1>two from leukemia at the age of forty seven. Nicky

0:20:33.119 --> 0:20:36.640
<v Speaker 1>Acox died Your Kids twenty twenty two. Yeah, Wow, she.

0:20:36.680 --> 0:20:38.919
<v Speaker 4>Did a bunch of stuff. She was around all the

0:20:38.960 --> 0:20:40.359
<v Speaker 4>time and incredibly sweet.

0:20:40.400 --> 0:20:42.440
<v Speaker 1>Oh my god, that's awful. I didn't know that at all.

0:20:42.640 --> 0:20:45.040
<v Speaker 1>Sorry to bring the mood down, nic. And then we

0:20:45.119 --> 0:20:48.359
<v Speaker 1>have Leslie Dannon as Lisa. She made her TV debut

0:20:48.400 --> 0:20:51.600
<v Speaker 1>on Michael Jacobs's Charles in Charge and later appeared on

0:20:51.680 --> 0:20:55.480
<v Speaker 1>Step by Step, a show called Tattooed, Teenage Alien Fighters

0:20:55.480 --> 0:21:00.560
<v Speaker 1>from Beverly Hills, and the Olsen Twins movie Win in Rome.

0:21:00.760 --> 0:21:02.760
<v Speaker 1>She appears to have quit acting in two thousand and two,

0:21:03.240 --> 0:21:08.320
<v Speaker 1>and then Robin Hunter as Magnum Pi T shirt wearing

0:21:08.440 --> 0:21:11.359
<v Speaker 1>guy who the fact that he got a credit leads

0:21:11.359 --> 0:21:13.600
<v Speaker 1>me to believe he at one point must have had

0:21:13.600 --> 0:21:15.600
<v Speaker 1>a line, right, I guess, well.

0:21:15.480 --> 0:21:16.000
<v Speaker 2>I think he does.

0:21:16.080 --> 0:21:19.280
<v Speaker 1>Doesn't he say? Doesn't? Doesn't the dean go up to

0:21:19.280 --> 0:21:22.280
<v Speaker 1>the dean heard it, doesn't say anything, He shakes it thought,

0:21:22.320 --> 0:21:25.639
<v Speaker 1>he says, I've never heard. Oh, okay, and then he

0:21:25.680 --> 0:21:27.000
<v Speaker 1>tells him to get out of there. So he must

0:21:27.040 --> 0:21:28.879
<v Speaker 1>have had a line at some point and then it

0:21:28.920 --> 0:21:32.199
<v Speaker 1>got cut, all right. So jumping into our recap, we

0:21:32.240 --> 0:21:34.520
<v Speaker 1>start in the guy's apartment. Jack's in a beach chair

0:21:34.520 --> 0:21:38.040
<v Speaker 1>in the hallway, wearing sunglasses inside and drinking a beverage

0:21:38.040 --> 0:21:40.520
<v Speaker 1>with a bendy straw. A girl enters the hallway and

0:21:40.560 --> 0:21:43.440
<v Speaker 1>he enthusiastically shouts, hey, Lisa from three B care to

0:21:43.520 --> 0:21:46.119
<v Speaker 1>join my study group. She asks why he's studying in

0:21:46.160 --> 0:21:48.439
<v Speaker 1>the hall, and Jack admits, so I can talk to girls.

0:21:48.960 --> 0:21:51.080
<v Speaker 1>Right then, Eric walks out of the elevator wearing a

0:21:51.119 --> 0:21:55.520
<v Speaker 1>poofy pink dress and black heels. Lisa sarcastically tells Jack,

0:21:55.640 --> 0:21:58.199
<v Speaker 1>knock yourself out. Eric calls the girl pretty, and she

0:21:58.280 --> 0:22:00.960
<v Speaker 1>shoots the compliment right back. As the elevator door closes,

0:22:01.680 --> 0:22:04.080
<v Speaker 1>Jack begs, please tell me you were just trying to

0:22:04.080 --> 0:22:06.520
<v Speaker 1>get out of a traffic ticket. Eric says he's stopped

0:22:06.520 --> 0:22:08.680
<v Speaker 1>by the Gamma Epsilon fraternity and there was a big

0:22:08.720 --> 0:22:11.639
<v Speaker 1>party with lots of girls, so he pledged. As they

0:22:11.760 --> 0:22:14.480
<v Speaker 1>enter the apartment, Jack asks if he feels it all humiliated,

0:22:14.480 --> 0:22:16.679
<v Speaker 1>and Eric says, yes, I paid two hundred dollars for

0:22:16.720 --> 0:22:18.840
<v Speaker 1>this dress. I'm never going to get to wear it again.

0:22:19.560 --> 0:22:21.520
<v Speaker 1>Now we're back in the hall as Sean and Corey arrive,

0:22:21.600 --> 0:22:24.359
<v Speaker 1>Sean jumps into the beach chairs, starts reading Jack's book,

0:22:24.359 --> 0:22:28.280
<v Speaker 1>and announces college is easy. Another girl walks into the hallway,

0:22:28.320 --> 0:22:31.159
<v Speaker 1>so Sean decides to show Corey what college is all about.

0:22:31.560 --> 0:22:33.879
<v Speaker 1>He introduces himself and she shakes his hand. Her name

0:22:33.960 --> 0:22:36.960
<v Speaker 1>is Jennifer Crane, from three B was three bees full

0:22:37.000 --> 0:22:40.280
<v Speaker 1>of hotties, huh, and every week others come out. And

0:22:40.280 --> 0:22:43.399
<v Speaker 1>then that's where Maitland's from too. Maitland was it was

0:22:43.480 --> 0:22:45.760
<v Speaker 1>kind of like we're starting it as like a running joke,

0:22:45.880 --> 0:22:49.560
<v Speaker 1>right right, a constant stream of good looking girls coming

0:22:49.600 --> 0:22:52.480
<v Speaker 1>out of there. Well, what do you remember about the

0:22:52.520 --> 0:22:55.560
<v Speaker 1>pink poofy dress? Not a thing? Not a thing?

0:22:55.680 --> 0:22:55.760
<v Speaker 2>Right?

0:22:55.840 --> 0:22:58.239
<v Speaker 1>The thing opened, the elevator opened up, and I walked out,

0:22:58.240 --> 0:22:58.680
<v Speaker 1>and I went, oh.

0:22:58.600 --> 0:23:01.840
<v Speaker 4>I'm going to address this episode. So nothing, yeah, not

0:23:02.200 --> 0:23:03.600
<v Speaker 4>not no, And I know.

0:23:04.600 --> 0:23:07.679
<v Speaker 2>You did cross dressing episode, but that's like season seven. No.

0:23:07.800 --> 0:23:09.760
<v Speaker 1>I was wondering if this was the episode you guys

0:23:09.800 --> 0:23:12.399
<v Speaker 1>kept referring to where you guys dress as girls. But no, no,

0:23:12.520 --> 0:23:13.399
<v Speaker 1>that's that's different.

0:23:13.440 --> 0:23:16.200
<v Speaker 4>So this was just again and again I get why

0:23:16.200 --> 0:23:17.919
<v Speaker 4>they did it, and it makes sense where you know,

0:23:17.920 --> 0:23:19.960
<v Speaker 4>I think you do have to do pledget like this

0:23:20.080 --> 0:23:22.159
<v Speaker 4>when you pledge, I think this that's normal stuff.

0:23:22.160 --> 0:23:24.919
<v Speaker 1>So I mean it worked at least in this. So

0:23:24.960 --> 0:23:27.480
<v Speaker 1>there's there's quite a few progressive lines in it where

0:23:27.520 --> 0:23:29.960
<v Speaker 1>you later say, now I don't have to dress dress

0:23:30.000 --> 0:23:32.159
<v Speaker 1>like a girl again unless I want to. Yeah, And

0:23:32.160 --> 0:23:35.200
<v Speaker 1>then the red dress. That's never it's never explained why

0:23:35.240 --> 0:23:37.320
<v Speaker 1>when you say you took that from my closet, like

0:23:37.359 --> 0:23:40.159
<v Speaker 1>you just you have dresses and rather progressively. It's just

0:23:40.240 --> 0:23:42.600
<v Speaker 1>kind of offhandedly thrown in that you may be like

0:23:42.680 --> 0:23:46.240
<v Speaker 1>dressing like a girl occasionally. It's not, it's not. They

0:23:46.240 --> 0:23:49.800
<v Speaker 1>also didn't do it like you know, they didn't draw

0:23:49.840 --> 0:23:52.480
<v Speaker 1>like cleavage on you or no or.

0:23:52.600 --> 0:23:55.360
<v Speaker 4>No or and it's no wig and makeup and all

0:23:55.359 --> 0:23:56.080
<v Speaker 4>that kind of stuff.

0:23:56.119 --> 0:23:57.520
<v Speaker 1>And yeah, they just asked you to put on a

0:23:57.600 --> 0:23:59.760
<v Speaker 1>dress and heels. Yeah. I think if they did this

0:23:59.800 --> 0:24:01.679
<v Speaker 1>aisode or did this this show.

0:24:02.440 --> 0:24:04.919
<v Speaker 4>Now modern day and they didn't change any of the characters,

0:24:04.920 --> 0:24:07.000
<v Speaker 4>I think there's a real chance Eric could have been gay,

0:24:07.119 --> 0:24:08.960
<v Speaker 4>and that I don't think would have been a bad thing,

0:24:09.240 --> 0:24:12.480
<v Speaker 4>right right, you know, it was never never addressed in

0:24:12.480 --> 0:24:14.800
<v Speaker 4>any way, shape or form, but it would have worked.

0:24:15.280 --> 0:24:18.440
<v Speaker 4>But you're so girl crazy for the first three seeds,

0:24:19.160 --> 0:24:21.879
<v Speaker 4>I know, yeah, yeah, it's true, but you know, like

0:24:22.280 --> 0:24:23.720
<v Speaker 4>established part of the character that.

0:24:23.680 --> 0:24:25.919
<v Speaker 1>He's and but then it completely goes away.

0:24:26.080 --> 0:24:26.880
<v Speaker 2>I guess that's true.

0:24:27.320 --> 0:24:28.080
<v Speaker 1>You know, that's the thing.

0:24:28.200 --> 0:24:31.240
<v Speaker 4>So it comes for some reason they take the because

0:24:31.280 --> 0:24:33.720
<v Speaker 4>when they what they do is they shift the bromance

0:24:34.440 --> 0:24:38.920
<v Speaker 4>of Corey Sean. Yeah, because it really becomes Corey into Panga.

0:24:39.000 --> 0:24:40.879
<v Speaker 4>So then it because shifts to Jack and Eric, and

0:24:40.880 --> 0:24:42.800
<v Speaker 4>then it goes back to Corey Sewan around the wedding time.

0:24:42.840 --> 0:24:44.680
<v Speaker 1>I think, I think is what we're going to see happen,

0:24:44.720 --> 0:24:47.360
<v Speaker 1>but who knows? Well? The girl asks if they live there,

0:24:47.400 --> 0:24:50.720
<v Speaker 1>and Sean says I do. Indeed. Sean tells Corey that's

0:24:50.800 --> 0:24:53.600
<v Speaker 1>college talk, and then Jennifer asks how the boys like Penbrook.

0:24:53.840 --> 0:24:56.520
<v Speaker 1>Corey begins to tell the truth, but Sean swiftly places

0:24:56.520 --> 0:24:59.160
<v Speaker 1>his hand over Corey's mouth and butts in, I love Penbrook,

0:24:59.200 --> 0:25:02.959
<v Speaker 1>Old Buildings, Pretty girls. She sees Jack's textbook and assumes

0:25:02.960 --> 0:25:07.280
<v Speaker 1>Sean is taking introduction to Western philosophy. Jennifer flirtatiously says

0:25:07.320 --> 0:25:09.280
<v Speaker 1>she'll see him in class tomorrow and we'll make sure

0:25:09.440 --> 0:25:10.440
<v Speaker 1>stage books.

0:25:10.480 --> 0:25:12.560
<v Speaker 2>So why isn't he in that class?

0:25:13.720 --> 0:25:17.400
<v Speaker 1>Writer? As if it really things make sense in this

0:25:17.800 --> 0:25:21.400
<v Speaker 1>version of our shows. It's simple stuff.

0:25:21.680 --> 0:25:23.280
<v Speaker 2>It's really frustrating. I was.

0:25:24.800 --> 0:25:31.439
<v Speaker 1>I know, it's simple things that someone somewhere could have

0:25:32.000 --> 0:25:34.840
<v Speaker 1>possibly did and was just told don't worry about it.

0:25:35.080 --> 0:25:40.439
<v Speaker 1>But like they're just easy fixes. Yeah, and they're not.

0:25:41.200 --> 0:25:42.760
<v Speaker 1>They're just like, yeah, oh wow, that's the thing.

0:25:42.840 --> 0:25:45.040
<v Speaker 2>The care is gone, like our show no longer cares,

0:25:45.320 --> 0:25:50.040
<v Speaker 2>like our show is not taking the time to and

0:25:50.119 --> 0:25:53.840
<v Speaker 2>I guess it's just annoying when like Phoenie swoops in

0:25:53.880 --> 0:25:55.560
<v Speaker 2>and has like a nice moment at the end, and

0:25:55.600 --> 0:25:58.639
<v Speaker 2>I'm like, you didn't earn this, Like the episode doesn't

0:25:58.640 --> 0:26:02.400
<v Speaker 2>deserve this. This is a nice message, right, like, but

0:26:02.680 --> 0:26:04.679
<v Speaker 2>we didn't, like, let's just take the time and do

0:26:04.760 --> 0:26:07.520
<v Speaker 2>it better, guys, And I don't know what's happening, Like, well,

0:26:08.240 --> 0:26:10.800
<v Speaker 2>maybe I would love to hear from somebody who loves

0:26:10.800 --> 0:26:13.000
<v Speaker 2>this episode, like there may be somebody and I'm sure,

0:26:13.440 --> 0:26:16.000
<v Speaker 2>I'm sure there's people because I don't know.

0:26:16.200 --> 0:26:19.280
<v Speaker 4>I think every every I'm starting to believe that every

0:26:19.320 --> 0:26:22.720
<v Speaker 4>episode is somebody has a champion somewhere, Yeah, somewhere.

0:26:22.560 --> 0:26:24.920
<v Speaker 1>And it's you know, it's personal preference. But I yeah,

0:26:24.960 --> 0:26:26.080
<v Speaker 1>the five isn't doing it.

0:26:26.520 --> 0:26:29.359
<v Speaker 2>I just really like, I literally don't understand what's happening

0:26:29.400 --> 0:26:31.080
<v Speaker 2>in your storyline. Maybe you guys can explain it.

0:26:31.160 --> 0:26:31.640
<v Speaker 1>I don't either.

0:26:31.680 --> 0:26:34.640
<v Speaker 2>I don't. You just tried to pledge a fraternity, That's

0:26:34.640 --> 0:26:37.680
<v Speaker 2>what just happened, right, Yeah, So you're That means you're

0:26:37.720 --> 0:26:40.040
<v Speaker 2>in a fraternity, right, you're.

0:26:39.960 --> 0:26:42.639
<v Speaker 4>Pledging, okay, to be accepted. All right, you've got to

0:26:42.680 --> 0:26:43.440
<v Speaker 4>go through the thing.

0:26:43.560 --> 0:26:46.040
<v Speaker 2>Let's just keep what's happening, because I really don't I

0:26:46.080 --> 0:26:48.159
<v Speaker 2>could not wrap my head up, and there's nothing to

0:26:48.200 --> 0:26:49.640
<v Speaker 2>wrap he pledges.

0:26:49.760 --> 0:26:52.160
<v Speaker 1>In the next scene about it, he does just say

0:26:52.320 --> 0:26:54.080
<v Speaker 1>I'm going to start my own because then the girls

0:26:54.119 --> 0:26:58.000
<v Speaker 1>can come to me. So somewhere along the way, oh no,

0:26:58.080 --> 0:26:59.879
<v Speaker 1>what What he also says is he was so humil

0:27:00.440 --> 0:27:02.800
<v Speaker 1>by that he's going to do his own. Girls will

0:27:02.840 --> 0:27:07.320
<v Speaker 1>come to him and address. He does say that somewhere

0:27:07.520 --> 0:27:10.399
<v Speaker 1>because because Eric, I mean, Jack flat out asks it,

0:27:10.520 --> 0:27:11.600
<v Speaker 1>weren't you humiliated?

0:27:11.800 --> 0:27:12.000
<v Speaker 2>Yes?

0:27:12.520 --> 0:27:16.440
<v Speaker 1>Yes, and he says he says, yes somewhere. So it's

0:27:16.480 --> 0:27:19.080
<v Speaker 1>a mix of both I'm humiliated by wearing this dress,

0:27:19.119 --> 0:27:21.520
<v Speaker 1>but also pretty progressive stuff about I don't have to

0:27:21.560 --> 0:27:24.919
<v Speaker 1>do that again unless I want to. Okay. So she

0:27:25.440 --> 0:27:27.679
<v Speaker 1>that Jennifer gets into the elevator and the inmates go

0:27:27.840 --> 0:27:29.160
<v Speaker 1>wild with woo.

0:27:30.960 --> 0:27:31.280
<v Speaker 2>Audience.

0:27:32.280 --> 0:27:35.639
<v Speaker 1>I know, Sean Yell's out first day of college and

0:27:35.680 --> 0:27:38.320
<v Speaker 1>I got me a girlfriend. And then we go to

0:27:38.359 --> 0:27:40.119
<v Speaker 1>a commercial break and then we come back. We are

0:27:40.160 --> 0:27:43.359
<v Speaker 1>now in Phoenie's classroom. Mister Phoenie writes where are you

0:27:43.400 --> 0:27:45.600
<v Speaker 1>from on his whiteboard and asks if someone can tell

0:27:45.680 --> 0:27:48.640
<v Speaker 1>him what's wrong with the sentence. To Panga's hand shoots up,

0:27:48.680 --> 0:27:51.760
<v Speaker 1>I can, Phoene size, I know, but you're already ten

0:27:51.800 --> 0:27:54.480
<v Speaker 1>for ten? How about we try? Mister Matthews to Panga

0:27:54.520 --> 0:27:56.920
<v Speaker 1>breaks it to Feenie, he won't know this one. Corey

0:27:56.920 --> 0:28:00.479
<v Speaker 1>agrees she's eleven for eleven. A disappointed Pheni, he admits,

0:28:00.520 --> 0:28:03.000
<v Speaker 1>I'm not surprised. No one knows the answer to that question.

0:28:03.400 --> 0:28:06.000
<v Speaker 1>But Ta Panga raises her hand again, I do. Phoenie

0:28:06.000 --> 0:28:08.480
<v Speaker 1>ignores her and tells the class they've forgotten the basics.

0:28:08.560 --> 0:28:09.720
<v Speaker 2>What is wrong with the sentence?

0:28:10.600 --> 0:28:13.160
<v Speaker 1>You can't end a sentence with a preposition at front?

0:28:13.200 --> 0:28:18.399
<v Speaker 2>You can, sure, That's that's all they're saying.

0:28:19.560 --> 0:28:22.800
<v Speaker 1>Yeah, that's it, that's from. Where are you.

0:28:28.320 --> 0:28:29.480
<v Speaker 2>Freaking type people do?

0:28:29.560 --> 0:28:31.320
<v Speaker 1>But it's it is a grammar rule that you're not

0:28:31.320 --> 0:28:31.800
<v Speaker 1>supposed to.

0:28:32.080 --> 0:28:35.160
<v Speaker 6>Yes, it is, But why would you be teaching that's

0:28:35.400 --> 0:28:38.920
<v Speaker 6>that's again, that's the that's again the loose thread of

0:28:39.440 --> 0:28:43.280
<v Speaker 6>they had to think of what basics are you still

0:28:43.400 --> 0:28:44.360
<v Speaker 6>learning about writing?

0:28:44.520 --> 0:28:48.560
<v Speaker 1>As a senior in high school, it can't be where

0:28:48.600 --> 0:28:51.680
<v Speaker 1>periods go, which is apparently what Sean's problem is, since

0:28:51.760 --> 0:28:54.960
<v Speaker 1>later it's revealed he wrote the whole thing in one sentence,

0:28:55.480 --> 0:28:59.440
<v Speaker 1>so they can't make it that Phoenie is teaching periods

0:28:59.440 --> 0:28:59.880
<v Speaker 1>and creation.

0:29:00.200 --> 0:29:03.680
<v Speaker 2>Yeah, like something super simple, but there's something really complicated,

0:29:03.680 --> 0:29:06.440
<v Speaker 2>like do so or not complicated it just actually important,

0:29:06.680 --> 0:29:10.560
<v Speaker 2>like here's what we put even yes exactly like here

0:29:10.640 --> 0:29:13.280
<v Speaker 2>and have a graft out sentence on the board and

0:29:13.360 --> 0:29:16.280
<v Speaker 2>like underlining the noun and but just writing where are

0:29:16.320 --> 0:29:18.760
<v Speaker 2>you from? And then not explaining what the problem with

0:29:18.800 --> 0:29:20.440
<v Speaker 2>it is because I'm sitting there going, there's nothing wrong

0:29:20.480 --> 0:29:22.960
<v Speaker 2>with that, like they're really and like that's the only

0:29:22.960 --> 0:29:24.400
<v Speaker 2>thing I could think of, is like is it really

0:29:24.480 --> 0:29:26.960
<v Speaker 2>just that it's a preposition, But that's not a problem,

0:29:27.000 --> 0:29:29.200
<v Speaker 2>Like that's how you ask a question. I don't, Oh

0:29:29.240 --> 0:29:29.560
<v Speaker 2>my god.

0:29:29.920 --> 0:29:32.320
<v Speaker 1>And I guess he's talking about in writing in a

0:29:32.400 --> 0:29:35.320
<v Speaker 1>scholarly writing, because that's that is what we're talking about

0:29:35.360 --> 0:29:38.800
<v Speaker 1>in the episode, not casually.

0:29:38.640 --> 0:29:41.880
<v Speaker 2>Or we're talking about a high school level version of that,

0:29:42.000 --> 0:29:43.920
<v Speaker 2>Like let's just just write a sentence on the board

0:29:43.960 --> 0:29:47.080
<v Speaker 2>where you're you're you're you know, you're breaking down, you're

0:29:47.080 --> 0:29:50.440
<v Speaker 2>breaking out a sentence or do an iambic pentameter and

0:29:50.440 --> 0:29:52.560
<v Speaker 2>breaking down the feet and the metric feet of a

0:29:52.680 --> 0:29:56.440
<v Speaker 2>poem like something just even slightly more like baffling and

0:29:56.520 --> 0:29:58.520
<v Speaker 2>a little hard, but you know, but it is kind

0:29:58.520 --> 0:30:01.560
<v Speaker 2>of basically everyone would be learned. It's so weird. I

0:30:01.680 --> 0:30:03.440
<v Speaker 2>literally was like, I don't know what this problem is,

0:30:03.480 --> 0:30:04.680
<v Speaker 2>and I don't know what's happening here.

0:30:05.200 --> 0:30:07.880
<v Speaker 1>Phoenie ignores her and tells the class they've forgotten the basics,

0:30:07.880 --> 0:30:10.880
<v Speaker 1>which is alarming considering they'll be entering college next fall.

0:30:11.000 --> 0:30:14.200
<v Speaker 1>Phoeni notices Sean is clipping coupons. He's found a deal

0:30:14.240 --> 0:30:18.640
<v Speaker 1>for Odo eaters. His Christmas shopping is done. Phoene reminds

0:30:18.680 --> 0:30:21.200
<v Speaker 1>him that this year is his last chance to apply himself.

0:30:21.320 --> 0:30:23.720
<v Speaker 1>How do you expect to make it into college? Sean

0:30:23.760 --> 0:30:27.120
<v Speaker 1>matter effactly responds, I don't. And then the bell rings,

0:30:27.520 --> 0:30:31.920
<v Speaker 1>and remember, like Will said just last episode, he promises

0:30:32.000 --> 0:30:36.160
<v Speaker 1>to work hard and get into whatever college Corey wants.

0:30:36.560 --> 0:30:39.800
<v Speaker 1>As students file out, Corey stays to speak with Phoenie.

0:30:39.840 --> 0:30:42.120
<v Speaker 1>He's worried about Sean. He asks Phoenie, is there anything

0:30:42.160 --> 0:30:43.800
<v Speaker 1>you can do to help him? Phoene says he's been

0:30:43.840 --> 0:30:47.239
<v Speaker 1>trying for four years, what more can he do? And

0:30:47.280 --> 0:30:50.960
<v Speaker 1>then we're in Penbrook in a new hallway set. Eric's

0:30:50.960 --> 0:30:53.200
<v Speaker 1>handing out flyers to a group of girls. There's a

0:30:53.240 --> 0:30:56.160
<v Speaker 1>major fraternity party on Friday night, and he's head Cheese

0:30:56.160 --> 0:30:58.880
<v Speaker 1>of the fraternity singles only no children see you there

0:30:59.480 --> 0:31:01.600
<v Speaker 1>just then takes one of the flyers and notices the

0:31:01.600 --> 0:31:05.840
<v Speaker 1>party is happening at their apartment. Eric explains that hazing

0:31:05.960 --> 0:31:09.320
<v Speaker 1>was so humiliating. I came up with my own idea.

0:31:09.800 --> 0:31:12.920
<v Speaker 1>I'm going to start a fraternity of my own. The

0:31:13.000 --> 0:31:14.280
<v Speaker 1>girls will come to me.

0:31:15.040 --> 0:31:19.320
<v Speaker 2>So why why why? Okay, so you're you're throwing a party, yes,

0:31:19.360 --> 0:31:21.760
<v Speaker 2>why what does the benefit of it being a fraternity party?

0:31:22.480 --> 0:31:24.400
<v Speaker 4>I think what they tried to establish at the beginning

0:31:24.480 --> 0:31:26.720
<v Speaker 4>was he says, I mean I went, I stopped by

0:31:26.840 --> 0:31:29.800
<v Speaker 4>a fraternity. It was a girl full of women. So

0:31:29.880 --> 0:31:34.080
<v Speaker 4>I so more girls go to fraternity.

0:31:33.200 --> 0:31:35.560
<v Speaker 1>Party than a regular party, is the joke.

0:31:35.880 --> 0:31:38.800
<v Speaker 2>So you have to create a.

0:31:38.360 --> 0:31:44.240
<v Speaker 4>Fake fraternity, which again I was like, apparently he's also

0:31:44.480 --> 0:31:49.200
<v Speaker 4>created this entire thing, except the name which he comes

0:31:49.240 --> 0:31:53.520
<v Speaker 4>with comes up with on the fly there, But then

0:31:54.520 --> 0:31:56.240
<v Speaker 4>it might have just been a blocking thing. But then

0:31:56.280 --> 0:31:59.320
<v Speaker 4>the dean says, what do you know about this magnum

0:31:59.320 --> 0:32:02.400
<v Speaker 4>pie while looking like he's reading it off the flyer.

0:32:02.960 --> 0:32:05.600
<v Speaker 1>Yeah, exactly, I know, he goes, so do you know

0:32:05.680 --> 0:32:07.080
<v Speaker 1>anything about this magnum pie?

0:32:07.120 --> 0:32:10.280
<v Speaker 2>Even though yeah, it's I mean, the logic for me

0:32:10.360 --> 0:32:13.400
<v Speaker 2>too is also like, if you're whole hosting a fraternity party,

0:32:13.440 --> 0:32:16.480
<v Speaker 2>you're actually gonna have men dudes there.

0:32:16.560 --> 0:32:19.080
<v Speaker 1>Yeah, like that's that men will be coming.

0:32:19.200 --> 0:32:26.320
<v Speaker 2>Yeah, it's a guarantee of men. Like make up a sorority.

0:32:26.360 --> 0:32:29.040
<v Speaker 2>If you're starting, that would be great, and you are

0:32:29.160 --> 0:32:31.320
<v Speaker 2>established the dress thing, so it could almost be like

0:32:31.360 --> 0:32:33.400
<v Speaker 2>a Then you have to like fake out that they

0:32:33.440 --> 0:32:35.400
<v Speaker 2>were a girl. I don't know, there's that that's more interesting.

0:32:35.400 --> 0:32:37.520
<v Speaker 1>Then they do that joke a little bit with the

0:32:37.560 --> 0:32:40.320
<v Speaker 1>fact that Jack is mistaken for Shelley.

0:32:40.760 --> 0:32:41.800
<v Speaker 2>Right by the.

0:32:42.880 --> 0:32:47.400
<v Speaker 4>Best joke of the entire episode was just that throwaway.

0:32:46.880 --> 0:32:51.920
<v Speaker 1>Hi Shelley was hysterical and then I love that. I

0:32:51.960 --> 0:32:54.120
<v Speaker 1>thought that was funny too, that he just says, Hi, Shelley,

0:32:54.240 --> 0:32:58.280
<v Speaker 1>and then it's never really addressed. And then once you

0:32:58.320 --> 0:33:01.280
<v Speaker 1>started talking, I knew he was Jack. But then later

0:33:01.320 --> 0:33:02.920
<v Speaker 1>he brings it up again. Where he says, well, as

0:33:02.960 --> 0:33:04.760
<v Speaker 1>long as I was in that dress, I couldn't shake

0:33:04.800 --> 0:33:05.200
<v Speaker 1>the dean.

0:33:06.120 --> 0:33:08.840
<v Speaker 4>Yeah, no, I thought the high Shelley was. That's a

0:33:08.880 --> 0:33:11.760
<v Speaker 4>straight up mass joke too. I mean, that's just there's

0:33:12.280 --> 0:33:14.760
<v Speaker 4>a great scene where a crazy general comes and Klinger,

0:33:14.880 --> 0:33:17.320
<v Speaker 4>wanting to be kicked out, runs in front of him

0:33:17.320 --> 0:33:20.440
<v Speaker 4>in a dress and salutes, and he just goes not now, Valerie,

0:33:20.480 --> 0:33:23.120
<v Speaker 4>I'm trying to be with the troops. So it's one

0:33:23.160 --> 0:33:25.440
<v Speaker 4>of those things. The idea just hey, Shelley, oh god,

0:33:25.480 --> 0:33:27.960
<v Speaker 4>that's the only time I laughed out loud the entire episode.

0:33:28.200 --> 0:33:30.640
<v Speaker 1>Eric says, the girls will come to me. I won't

0:33:30.640 --> 0:33:32.640
<v Speaker 1>have to wear a dress anymore unless I want to,

0:33:33.160 --> 0:33:35.160
<v Speaker 1>and then Jack says the dean will kick him out

0:33:35.200 --> 0:33:37.320
<v Speaker 1>of school if he finds out, but Eric laughs, the

0:33:37.360 --> 0:33:40.760
<v Speaker 1>Dean adores him. On que the dean walks by Eric,

0:33:40.920 --> 0:33:43.640
<v Speaker 1>why are you in my college hallway? Eric hands the

0:33:43.640 --> 0:33:46.960
<v Speaker 1>deana flyer, which triggers a rant about everyone having flyers

0:33:46.960 --> 0:33:50.040
<v Speaker 1>for everything. Now that kin Gos is around, Eric assures

0:33:50.120 --> 0:33:52.000
<v Speaker 1>him he will like this one. It's for a good

0:33:52.000 --> 0:33:55.240
<v Speaker 1>old fashioned fraternity party. Jack adds, and it was all

0:33:55.280 --> 0:33:57.880
<v Speaker 1>his idea. I'm going to the library, Sir. The dean

0:33:57.920 --> 0:33:59.880
<v Speaker 1>points out that his name is also on the flyer,

0:34:00.000 --> 0:34:03.760
<v Speaker 1>and Eric nudges Jack because they're the founding members obviously.

0:34:04.360 --> 0:34:06.320
<v Speaker 1>The dean asks what the name of the fraternity is,

0:34:06.320 --> 0:34:09.600
<v Speaker 1>and Eric stutters, landing on the name Magnum Pie. After

0:34:09.640 --> 0:34:12.520
<v Speaker 1>reading the back of another student's T shirt for the

0:34:12.560 --> 0:34:15.239
<v Speaker 1>TV show, he tells the dean it originated at the

0:34:15.280 --> 0:34:18.520
<v Speaker 1>University of Hawaii. The dean walks up to that same student,

0:34:18.760 --> 0:34:21.520
<v Speaker 1>doesn't notice his T shirt and asks if he's heard

0:34:21.520 --> 0:34:23.680
<v Speaker 1>of Magnum Pie. The kid shakes his head no, and

0:34:23.719 --> 0:34:25.520
<v Speaker 1>then the dean tells him to get out of here.

0:34:26.360 --> 0:34:28.640
<v Speaker 1>And I don't know, maybe that kid got a sagcard

0:34:28.680 --> 0:34:30.720
<v Speaker 1>for this, he had a line somewhere, he got a credit.

0:34:31.320 --> 0:34:35.239
<v Speaker 4>Yeah, also, standing perfectly square with the back of the

0:34:35.239 --> 0:34:35.759
<v Speaker 4>shirt the.

0:34:35.800 --> 0:34:39.080
<v Speaker 1>Blocking I got to get Alan Myerson on here, Got

0:34:39.080 --> 0:34:44.160
<v Speaker 1>some notes, Got some notes. Alan Jack washes the encounter

0:34:44.239 --> 0:34:58.600
<v Speaker 1>and tells Eric he's not right in the head. So

0:34:58.640 --> 0:35:01.480
<v Speaker 1>then we're in Phoenie's classroom to Panga enters and Corey

0:35:01.520 --> 0:35:05.280
<v Speaker 1>reveals that Phoene's on a warpath because Shawn's cutting class. Guys,

0:35:05.400 --> 0:35:07.880
<v Speaker 1>here's another scene that I wanted to stab myself in

0:35:07.920 --> 0:35:10.919
<v Speaker 1>the eyeball about he wants to forge an excuse from

0:35:10.960 --> 0:35:14.520
<v Speaker 1>Shawn's parents, but he needs help. How do you spell?

0:35:14.800 --> 0:35:18.480
<v Speaker 1>Sean Topanga is concerned that he doesn't know how to

0:35:18.520 --> 0:35:21.480
<v Speaker 1>spell his best friend's name, and Corey says their phone people,

0:35:22.000 --> 0:35:27.160
<v Speaker 1>is it Shawn or Sea? N Phoene conveniently walks up

0:35:27.200 --> 0:35:29.800
<v Speaker 1>just entire time to hear this stupid question and answers

0:35:29.800 --> 0:35:36.279
<v Speaker 1>the question, Sahawn, and where is he? This? I am? I?

0:35:37.200 --> 0:35:41.480
<v Speaker 2>Yeah, what I done? But I mean that's what's for me.

0:35:41.520 --> 0:35:43.799
<v Speaker 2>That's why this whole episode feels like I just don't know.

0:35:44.000 --> 0:35:45.879
<v Speaker 1>The last one felt like this for me too. There's

0:35:45.920 --> 0:35:47.879
<v Speaker 1>been in a row now where I'm going? What the hell?

0:35:48.239 --> 0:35:48.480
<v Speaker 4>Like you?

0:35:49.080 --> 0:35:51.320
<v Speaker 1>Yeah? All right? Then we're back at Penbrook in the

0:35:51.320 --> 0:35:54.319
<v Speaker 1>philosophy class. Shawn enters in spots Jennifer, who has saved

0:35:54.360 --> 0:35:56.480
<v Speaker 1>him a seat up front. Sean nervously tells her to

0:35:56.480 --> 0:35:58.800
<v Speaker 1>come sit in the back, but right then the teacher

0:35:58.880 --> 0:36:00.960
<v Speaker 1>tells Sean to stop talking and take a seat next

0:36:00.960 --> 0:36:03.399
<v Speaker 1>to Jennifer. The teacher reminds the class where they left

0:36:03.400 --> 0:36:07.840
<v Speaker 1>off yesterday, Analyzing Jacques Bourredon's paradox, and Julius Carey is

0:36:07.880 --> 0:36:10.080
<v Speaker 1>so cool. I know you don't love the way it

0:36:10.120 --> 0:36:12.440
<v Speaker 1>all works in the scene, but he's just so cool.

0:36:13.440 --> 0:36:15.440
<v Speaker 1>He asks what the answer to the paradox is, and

0:36:15.520 --> 0:36:19.840
<v Speaker 1>Sean nervously hopes not me, not me. Luckily, Jennifer raises

0:36:19.840 --> 0:36:22.160
<v Speaker 1>her hand to answer, we can only choose that which

0:36:22.160 --> 0:36:25.320
<v Speaker 1>our reason tells us is the greater good. The professor

0:36:25.360 --> 0:36:29.000
<v Speaker 1>follows up with refute this argument using dialectic reasoning, and

0:36:29.040 --> 0:36:32.640
<v Speaker 1>then he leans down to Sean, you his nightmares come

0:36:32.680 --> 0:36:35.839
<v Speaker 1>to life. Sean nervously answers, I think the dog would

0:36:35.920 --> 0:36:38.640
<v Speaker 1>choose the food on the right. The professor asks why

0:36:38.680 --> 0:36:41.200
<v Speaker 1>not the left. Sean has no clue what he's talking about,

0:36:41.280 --> 0:36:43.359
<v Speaker 1>but says it could also be the left. I mean,

0:36:43.400 --> 0:36:46.560
<v Speaker 1>anyone would choose something before they starve to death. The

0:36:46.560 --> 0:36:49.680
<v Speaker 1>professor is impressed. He says, Sean just skipped ahead to

0:36:49.719 --> 0:36:53.040
<v Speaker 1>an advanced theory that states the will to live is

0:36:53.080 --> 0:36:54.560
<v Speaker 1>the predominant human trait.

0:36:54.920 --> 0:36:57.839
<v Speaker 2>Yeah, I just I started googling all this stuff because

0:36:57.840 --> 0:36:59.480
<v Speaker 2>I was like, what is you know, and it's like

0:36:59.560 --> 0:37:03.279
<v Speaker 2>it's not even like the real the real U paradox

0:37:03.320 --> 0:37:05.799
<v Speaker 2>thing is actually like a donkey. It's like why we

0:37:05.920 --> 0:37:06.439
<v Speaker 2>made it a.

0:37:06.360 --> 0:37:08.840
<v Speaker 1>Dog, right because I wanted it to be like, well,

0:37:08.840 --> 0:37:09.120
<v Speaker 1>I think it.

0:37:09.120 --> 0:37:11.120
<v Speaker 2>Was supposed to be an ass it like literally was

0:37:11.160 --> 0:37:13.759
<v Speaker 2>it's the great but it's like but it's also it's

0:37:13.800 --> 0:37:16.680
<v Speaker 2>not really philosophy. It's more I mean it is, it's

0:37:16.760 --> 0:37:18.279
<v Speaker 2>I don't know. I was just like, what is this?

0:37:18.560 --> 0:37:21.719
<v Speaker 2>Like I like philosophy and none of this, like dialectic

0:37:21.800 --> 0:37:24.520
<v Speaker 2>reasoning is just a cool sounding word, right, but like

0:37:24.680 --> 0:37:26.799
<v Speaker 2>I don't and then like jumps to shop and how

0:37:26.880 --> 0:37:28.760
<v Speaker 2>I don't know. I was just like, can we couldn't

0:37:28.760 --> 0:37:31.520
<v Speaker 2>we have done a better version of this, like where

0:37:31.560 --> 0:37:34.560
<v Speaker 2>Sean does find a subject that he actually is good

0:37:34.680 --> 0:37:37.520
<v Speaker 2>and said like, right now, so far the joke is

0:37:37.880 --> 0:37:41.560
<v Speaker 2>philosophy is easy to fake your way in, like Sean

0:37:41.760 --> 0:37:44.600
<v Speaker 2>just stumbles into. So that's the story point at this

0:37:44.719 --> 0:37:47.200
<v Speaker 2>and which I was like, oh, maybe that's good where

0:37:47.200 --> 0:37:49.319
<v Speaker 2>it's going to stay and Sean's just gonna it's just

0:37:49.320 --> 0:37:50.879
<v Speaker 2>gonna be a joke about trying to date a girl

0:37:50.920 --> 0:37:53.720
<v Speaker 2>and getting away with being you know, well.

0:37:53.600 --> 0:37:56.319
<v Speaker 1>It's especially interesting considering how Will has pointed out to

0:37:56.400 --> 0:38:00.120
<v Speaker 1>us that Michael didn't go to college himself, and it

0:38:00.200 --> 0:38:04.440
<v Speaker 1>seems weird that this episode really seems to highlight. You

0:38:04.600 --> 0:38:10.680
<v Speaker 1>can't skip steps, kid, you gotta take every single day shortcuts.

0:38:10.719 --> 0:38:14.600
<v Speaker 1>There's no shortcuts into college, there's no which just is

0:38:14.640 --> 0:38:18.600
<v Speaker 1>a bunch of book. You. You could easily not finish

0:38:18.680 --> 0:38:21.279
<v Speaker 1>high school and go to a trade school and do

0:38:22.040 --> 0:38:24.760
<v Speaker 1>just fine. You could not finish high school and take

0:38:24.800 --> 0:38:27.680
<v Speaker 1>a take classes at a junior college or a college

0:38:27.719 --> 0:38:32.880
<v Speaker 1>and be just fine. But like it goes against the

0:38:33.040 --> 0:38:36.800
<v Speaker 1>something in our show that really was trying to nail down.

0:38:37.280 --> 0:38:39.240
<v Speaker 1>You gotta take your you gotta go to high school

0:38:39.239 --> 0:38:41.200
<v Speaker 1>every day, and you got to graduate from high school.

0:38:41.200 --> 0:38:44.040
<v Speaker 1>You have to take those SATs, and you have to

0:38:44.080 --> 0:38:46.760
<v Speaker 1>go to college. And if you skip any of those steps,

0:38:47.640 --> 0:38:49.399
<v Speaker 1>you're doomed. Yeah, what even are you?

0:38:49.800 --> 0:38:50.040
<v Speaker 3>Well?

0:38:50.360 --> 0:38:53.279
<v Speaker 2>Yeah, I have an even weirder point that was bothering me,

0:38:53.360 --> 0:38:56.200
<v Speaker 2>which is like this whole concept that Sean can be

0:38:56.320 --> 0:39:01.520
<v Speaker 2>passionate and intelligent about philosophy but not able to write,

0:39:02.520 --> 0:39:06.040
<v Speaker 2>like as if the problem is just grammar, Like it's

0:39:06.040 --> 0:39:09.279
<v Speaker 2>it's just commas and periods, and it's like that's such

0:39:09.280 --> 0:39:11.600
<v Speaker 2>a weird version of writing, Like this is such a

0:39:11.640 --> 0:39:15.160
<v Speaker 2>backwards way of thinking about writing, Like as if writing

0:39:15.239 --> 0:39:18.680
<v Speaker 2>is literally just sentenced construction and that once you get that,

0:39:19.000 --> 0:39:20.120
<v Speaker 2>it's like no or as.

0:39:20.160 --> 0:39:24.719
<v Speaker 1>It's also formatic, like every weird way of truncating what

0:39:24.880 --> 0:39:29.400
<v Speaker 1>Foene has done for all these seasons. You mean to

0:39:29.400 --> 0:39:34.680
<v Speaker 1>tell me now that all Phoene's therefore is teaching you Periodscially,

0:39:35.560 --> 0:39:37.440
<v Speaker 1>he didn't questioning.

0:39:37.000 --> 0:39:39.759
<v Speaker 2>For yourself exactly, Like that's the whole point, and like,

0:39:39.800 --> 0:39:43.880
<v Speaker 2>shouldn't it be just like Sean, you're fine because obviously

0:39:43.920 --> 0:39:47.239
<v Speaker 2>you cared about this subject, you did research, and I

0:39:47.280 --> 0:39:49.360
<v Speaker 2>say at one point, like I actually know this stuff,

0:39:49.960 --> 0:39:53.120
<v Speaker 2>and like why a college teacher would ever be like,

0:39:53.719 --> 0:39:55.480
<v Speaker 2>I don't know. He says, like you just didn't get

0:39:55.480 --> 0:39:57.799
<v Speaker 2>the basics. I'm like, what what are you talking about?

0:39:57.800 --> 0:39:59.000
<v Speaker 2>Like what are the basics?

0:40:00.440 --> 0:40:01.920
<v Speaker 1>Yeah? No, the whole thing was very strange.

0:40:01.960 --> 0:40:04.319
<v Speaker 4>It's also I love then whose Phoenie's like, well, we've

0:40:04.360 --> 0:40:05.560
<v Speaker 4>got seven months left.

0:40:05.680 --> 0:40:08.040
<v Speaker 1>I'll teach you everything you need to know before college,

0:40:08.120 --> 0:40:11.279
<v Speaker 1>Like what I know, for four years you've slacked off,

0:40:11.280 --> 0:40:13.399
<v Speaker 1>but in these seven months, that's all it's going to take.

0:40:13.760 --> 0:40:16.759
<v Speaker 1>We'll get you there. The professor then asks Shawn's name

0:40:16.800 --> 0:40:20.879
<v Speaker 1>and applauds his non linear thinking. Good. The professor says,

0:40:20.880 --> 0:40:23.000
<v Speaker 1>he likes the way Sean's mind works. Want to take

0:40:23.000 --> 0:40:25.440
<v Speaker 1>a shot at free will? Sean Win says, do I

0:40:25.480 --> 0:40:29.160
<v Speaker 1>really have a choice? The professor's mind is blown? Ooh,

0:40:29.200 --> 0:40:31.640
<v Speaker 1>I got to take five. And then we're back at

0:40:31.719 --> 0:40:33.759
<v Speaker 1>John Adam's High. Corey is now at the lockers and

0:40:33.800 --> 0:40:36.560
<v Speaker 1>a background actor taps him on his elbow like their friends.

0:40:36.840 --> 0:40:38.680
<v Speaker 2>Yeah. I was like, what is happening?

0:40:38.920 --> 0:40:40.560
<v Speaker 1>I want to know everything about that guy?

0:40:40.680 --> 0:40:40.879
<v Speaker 2>Yeah?

0:40:40.880 --> 0:40:44.560
<v Speaker 1>Who is that guy? That was the conversation? How do

0:40:44.719 --> 0:40:47.120
<v Speaker 1>they know each other? Since was he also? Who had

0:40:47.280 --> 0:40:50.160
<v Speaker 1>him to do that? Seriously? Maybe it was a friend

0:40:50.160 --> 0:40:53.200
<v Speaker 1>of Ben's, maybe who was there for the day. Corey

0:40:53.200 --> 0:40:55.120
<v Speaker 1>then spots Sean, who's sitting in the hallway with a

0:40:55.160 --> 0:40:57.920
<v Speaker 1>few text books sprawled out in front of him. Corey

0:40:57.960 --> 0:41:00.000
<v Speaker 1>asks if he's finally working on his paper for Peenie,

0:41:00.120 --> 0:41:03.160
<v Speaker 1>and Sean says no, he's actually writing a biography on Schopenhauer.

0:41:03.480 --> 0:41:06.399
<v Speaker 1>Corey jokes, the comic or the singer. Sean, so it's

0:41:06.400 --> 0:41:11.480
<v Speaker 1>a biography? Yes? Yeah, I don't understand.

0:41:11.040 --> 0:41:14.359
<v Speaker 4>It because you're in philosophy class, so you have to

0:41:14.440 --> 0:41:17.360
<v Speaker 4>usephy philosopher?

0:41:17.640 --> 0:41:21.719
<v Speaker 1>Yes, college, you write it all in one sentence and

0:41:21.760 --> 0:41:24.600
<v Speaker 1>when you say you actually know this stuff. You mean

0:41:24.680 --> 0:41:31.000
<v Speaker 1>you know the facts about this person. Yes, Sean tells

0:41:31.080 --> 0:41:33.920
<v Speaker 1>him the philosopher, I wouldn't expect you to know that.

0:41:33.960 --> 0:41:36.719
<v Speaker 1>It's not stuff they cover in high school. Corey realizes

0:41:36.760 --> 0:41:38.680
<v Speaker 1>he's still pretending to be in college so he can

0:41:38.680 --> 0:41:41.680
<v Speaker 1>impress Jennifer, but Sean says it's not about her anymore.

0:41:41.800 --> 0:41:44.720
<v Speaker 1>He likes philosophy and he's good at it. Corey reminds

0:41:44.760 --> 0:41:46.600
<v Speaker 1>him they've always said that they'll end up at the

0:41:46.600 --> 0:41:49.600
<v Speaker 1>same same college, but if Sean doesn't finish high school,

0:41:49.719 --> 0:41:52.960
<v Speaker 1>that can't happen. Sean says he's already in college. He

0:41:52.960 --> 0:41:55.719
<v Speaker 1>doesn't need high school. The bell rings and Corey snatches

0:41:55.800 --> 0:41:58.000
<v Speaker 1>up Sean's books. They have Phoene's class now.

0:41:58.280 --> 0:42:00.520
<v Speaker 2>Sean tasks, like the tone was so weird. I was

0:42:00.560 --> 0:42:03.399
<v Speaker 2>like Corey's being a dick, dude, like just.

0:42:03.400 --> 0:42:06.680
<v Speaker 1>Stop, like does any walks into last time? And I'm

0:42:06.719 --> 0:42:08.239
<v Speaker 1>not going to cover for you anymore? And I was like,

0:42:08.280 --> 0:42:09.400
<v Speaker 1>who asked you to cover for it?

0:42:09.560 --> 0:42:12.239
<v Speaker 2>I know? And then theoen comes back so harsh, this

0:42:12.280 --> 0:42:14.839
<v Speaker 2>whole tone of this whole sequence. I was like, what

0:42:15.000 --> 0:42:18.759
<v Speaker 2>is happening here? Like and like maybe maybe it's on me,

0:42:18.920 --> 0:42:21.920
<v Speaker 2>like maybe Sean should have been more like flipping and

0:42:21.960 --> 0:42:24.600
<v Speaker 2>playful or like, because but actually, like everything that Sean's

0:42:24.600 --> 0:42:27.080
<v Speaker 2>saying is pretty awesome. I'm like, yeah, dude, go to college,

0:42:27.160 --> 0:42:29.879
<v Speaker 2>like go, like why are you still here? Like get

0:42:29.880 --> 0:42:32.319
<v Speaker 2>your GED go on, like stop, like.

0:42:32.360 --> 0:42:36.000
<v Speaker 1>Cool, Wait, do you even need your GED in order

0:42:36.040 --> 0:42:37.560
<v Speaker 1>to apply to a junior college?

0:42:37.640 --> 0:42:41.080
<v Speaker 2>Can't you just yeah? You just think you can just yeah,

0:42:41.360 --> 0:42:45.239
<v Speaker 2>you have to have either a high school equivalency or

0:42:45.440 --> 0:42:47.520
<v Speaker 2>ged G ED is when you're over eighteen. If you're

0:42:47.560 --> 0:42:49.480
<v Speaker 2>under eighteen, you can just take your high school equivalency

0:42:50.040 --> 0:42:53.480
<v Speaker 2>anytime you're over sixteen, and you can go to junior college.

0:42:53.600 --> 0:42:57.160
<v Speaker 2>Or you can actually take classes for credit while you're

0:42:57.160 --> 0:42:59.320
<v Speaker 2>in high school. That's what a lot of people do.

0:42:59.680 --> 0:43:00.840
<v Speaker 2>I just take classes.

0:43:00.920 --> 0:43:03.200
<v Speaker 1>I was taking sociology and archaeology, all these things that

0:43:03.239 --> 0:43:03.600
<v Speaker 1>I loved.

0:43:03.719 --> 0:43:06.160
<v Speaker 2>I took philosophy, yeah, which maybe this is where they

0:43:06.160 --> 0:43:08.239
<v Speaker 2>stole it. I mean they might have, because that's that

0:43:08.320 --> 0:43:12.040
<v Speaker 2>summer of ninety five. I took intro to Philosophy in

0:43:12.080 --> 0:43:14.200
<v Speaker 2>my summer junior college, and I loved it.

0:43:14.280 --> 0:43:16.359
<v Speaker 1>They kept trying to hook you in with bringing parts

0:43:16.400 --> 0:43:18.120
<v Speaker 1>of your real life into the show. They're like, we're

0:43:18.120 --> 0:43:19.479
<v Speaker 1>going to make him love being well.

0:43:19.360 --> 0:43:21.799
<v Speaker 2>You know, actually, god, I didn't even realize this, but yeah,

0:43:21.800 --> 0:43:25.600
<v Speaker 2>I mean, because what happened is David Combs took my essay,

0:43:25.640 --> 0:43:29.480
<v Speaker 2>my final essay on Machiavelli, and distributed it to all

0:43:29.480 --> 0:43:32.000
<v Speaker 2>the writers. When I came back from that fall in

0:43:32.040 --> 0:43:35.080
<v Speaker 2>ninety one sentence, all of you, I got an A man.

0:43:35.080 --> 0:43:37.160
<v Speaker 2>I got an A plus. Like I remember the teacher

0:43:37.280 --> 0:43:38.720
<v Speaker 2>was like this, you know, because I was the youngest

0:43:38.760 --> 0:43:40.520
<v Speaker 2>kid in the class and he gave me an a plus.

0:43:40.560 --> 0:43:42.279
<v Speaker 2>And like, you know, I spent a lot of time

0:43:42.320 --> 0:43:44.719
<v Speaker 2>on it. I did all the research and it was, Yeah,

0:43:44.760 --> 0:43:47.279
<v Speaker 2>it was like my first real thing. And so that's

0:43:47.320 --> 0:43:49.640
<v Speaker 2>funny that I never even thought about that they totally

0:43:49.640 --> 0:43:52.759
<v Speaker 2>took it, except you know, the opposite lesson was learned,

0:43:52.760 --> 0:43:55.719
<v Speaker 2>which is college is awesome and I should just try

0:43:55.719 --> 0:43:57.719
<v Speaker 2>to get there as soon as possible, which I did.

0:43:58.000 --> 0:44:01.920
<v Speaker 4>Like yeah, Phoenie also not used philosophy at the end.

0:44:01.960 --> 0:44:06.080
<v Speaker 1>To bring you back to the Sean takes his stuff

0:44:06.160 --> 0:44:08.279
<v Speaker 1>back from Corey. He's not going because he needs to

0:44:08.280 --> 0:44:11.319
<v Speaker 1>write this philosophy paper. Corey says he won't compromise his

0:44:11.400 --> 0:44:13.239
<v Speaker 1>name and cover for him again, and he struts right

0:44:13.280 --> 0:44:16.279
<v Speaker 1>into the classroom. Phoene notices the absence and immediately asks

0:44:16.280 --> 0:44:20.600
<v Speaker 1>where Sean is. Corey stutters Alaska. Phoene has announced that

0:44:20.600 --> 0:44:23.320
<v Speaker 1>that will cost Corey a five hundred word essay. Corey

0:44:23.360 --> 0:44:26.040
<v Speaker 1>tries defending his actions. He's just trying to protect his friend.

0:44:26.360 --> 0:44:29.440
<v Speaker 1>Phoene sternly responds, make that one thousand words on what

0:44:29.560 --> 0:44:32.640
<v Speaker 1>helping out a friend really means. Tapega then jumps in,

0:44:32.800 --> 0:44:35.240
<v Speaker 1>aren't you being a little harsh? Corey waters your plants

0:44:35.239 --> 0:44:38.120
<v Speaker 1>while you're out of town? Phoene's getting angrier now it's

0:44:38.160 --> 0:44:41.479
<v Speaker 1>a two thousand word essay. Topenga responds, that's not fair.

0:44:41.520 --> 0:44:44.960
<v Speaker 1>He didn't even say anything, mister Feoenie doubles down. Ms Laurence,

0:44:45.120 --> 0:44:48.760
<v Speaker 1>you just bought the entire class the same assignment and going.

0:44:48.760 --> 0:44:49.720
<v Speaker 2>To what is happening?

0:44:49.760 --> 0:44:49.800
<v Speaker 4>Like?

0:44:49.840 --> 0:44:52.960
<v Speaker 2>Are we supposed to think that Phoene is Literally it's

0:44:53.000 --> 0:44:56.160
<v Speaker 2>not anybody's responsibility to find Sean. Do walk outside find

0:44:56.239 --> 0:44:59.680
<v Speaker 2>him or make an announcement or just mark facing him exactly?

0:45:00.239 --> 0:45:02.600
<v Speaker 2>It's I love that. And when everybody just points out

0:45:02.600 --> 0:45:05.440
<v Speaker 2>to the hallway, it's like everybody else knows why wouldn't

0:45:05.480 --> 0:45:09.640
<v Speaker 2>somebody else be like like he's.

0:45:12.280 --> 0:45:14.719
<v Speaker 1>And I want it by tomorrow. The classmate's grown, and

0:45:14.719 --> 0:45:17.759
<v Speaker 1>Phoenie asks, perhaps someone can tell me where mister Hunter is.

0:45:18.320 --> 0:45:21.440
<v Speaker 1>The students all simultaneously point to the hallway, even though

0:45:21.480 --> 0:45:24.080
<v Speaker 1>Foeni is the only one facing that direction and should

0:45:24.080 --> 0:45:26.320
<v Speaker 1>have been able to see him. Corey tries to repair

0:45:26.360 --> 0:45:29.360
<v Speaker 1>the situation by offering the class lunch on him and Topanga.

0:45:30.160 --> 0:45:32.200
<v Speaker 1>Now we're in the school hallway. Phoene tells Sean that

0:45:32.239 --> 0:45:34.480
<v Speaker 1>class has started. Sean thanks him for the invite, but

0:45:34.520 --> 0:45:37.319
<v Speaker 1>he needs to finish a paper. Mister Feenie responds, I'm

0:45:37.320 --> 0:45:39.720
<v Speaker 1>not asking you. This is high school. I'm the teacher

0:45:39.800 --> 0:45:42.200
<v Speaker 1>and you're the student. Corey is now watching on from

0:45:42.239 --> 0:45:45.000
<v Speaker 1>the doorway as Sean stands up. That certainly is one

0:45:45.040 --> 0:45:47.520
<v Speaker 1>point of view, but I believe there's still room for discussion.

0:45:48.080 --> 0:45:50.239
<v Speaker 1>Phoenie asks if he's refusing to come to class, and

0:45:50.280 --> 0:45:53.840
<v Speaker 1>the new college philosophy major Shan explains, I'm not refusing.

0:45:53.960 --> 0:45:57.319
<v Speaker 1>I'm exercising my free will. We see Phoenie is now

0:45:57.360 --> 0:45:59.560
<v Speaker 1>at the end of his rope. Then I will use mine.

0:45:59.680 --> 0:46:03.400
<v Speaker 1>You are hereby suspended end of discussion a looming Corey

0:46:03.520 --> 0:46:06.439
<v Speaker 1>is shocked, and then we go to a tense commercial break,

0:46:06.440 --> 0:46:08.320
<v Speaker 1>and when we come back, we're still in the school hallway.

0:46:08.680 --> 0:46:11.440
<v Speaker 1>Mister Feoene tells Sean that suspended students are not allowed

0:46:11.480 --> 0:46:13.520
<v Speaker 1>in his school. I have a room full of students

0:46:13.560 --> 0:46:15.439
<v Speaker 1>who I want to learn, So good day, mister hunter.

0:46:15.640 --> 0:46:17.960
<v Speaker 1>Sean grabs his things and storms away from Feoenie and

0:46:18.040 --> 0:46:20.920
<v Speaker 1>right past Corey. Corey approaches Phoene. How could you do

0:46:21.040 --> 0:46:23.520
<v Speaker 1>this to him? This is his senior year. How can

0:46:23.560 --> 0:46:27.000
<v Speaker 1>you suspend him? Feoene points out that Sean suspended himself.

0:46:27.120 --> 0:46:29.200
<v Speaker 1>It was his choice to join the others that didn't

0:46:29.239 --> 0:46:32.360
<v Speaker 1>live up to their potential. Corey argues, but it's Sean.

0:46:32.920 --> 0:46:36.680
<v Speaker 1>Phoene nods and disappointment fills his voice. Yes, I know,

0:46:38.680 --> 0:46:39.399
<v Speaker 1>what does that mean?

0:46:39.680 --> 0:46:40.920
<v Speaker 2>What does that last exchange for me?

0:46:41.400 --> 0:46:45.200
<v Speaker 1>It's I think just I'm extra sad because it's Sean.

0:46:45.440 --> 0:46:49.279
<v Speaker 1>I love him so much, and yet he is insisting

0:46:49.400 --> 0:46:54.080
<v Speaker 1>on being a failure. That's all, honest, that's it. I

0:46:54.120 --> 0:46:56.319
<v Speaker 1>bet you the step by step this night was really good.

0:46:56.640 --> 0:47:01.040
<v Speaker 4>Yeah, Sabrina, that talking about that hat and Cat probably

0:47:01.040 --> 0:47:01.839
<v Speaker 4>brought a good show.

0:47:01.920 --> 0:47:04.920
<v Speaker 1>Cat probably took his SATs and got a perfect score.

0:47:05.160 --> 0:47:06.319
<v Speaker 1>I wonder what was doing.

0:47:08.040 --> 0:47:10.359
<v Speaker 2>Family Matters was gone by then, right, was it?

0:47:10.480 --> 0:47:12.520
<v Speaker 1>No? I think Family Matters was still there at this point.

0:47:12.680 --> 0:47:16.239
<v Speaker 1>Wasn't it pretty sure? I don't know, teen Angel, teen

0:47:16.280 --> 0:47:18.640
<v Speaker 1>Agel was around. Yeah.

0:47:17.320 --> 0:47:17.520
<v Speaker 2>Yeah.

0:47:18.800 --> 0:47:20.760
<v Speaker 1>Then we're back in the guy's apartment. Back in the hallway,

0:47:20.880 --> 0:47:23.359
<v Speaker 1>Eric is hammering his magnum pie Greek letters onto their

0:47:23.360 --> 0:47:25.320
<v Speaker 1>apartment door, and then we see a large pair of

0:47:25.360 --> 0:47:27.759
<v Speaker 1>high heels enter the shot. It's Jack, now wearing a

0:47:27.760 --> 0:47:31.319
<v Speaker 1>bright red dress. The audience loves this, and Jack tells Eric,

0:47:31.400 --> 0:47:32.400
<v Speaker 1>I don't want to talk about it.

0:47:32.440 --> 0:47:32.800
<v Speaker 2>Okay.

0:47:33.200 --> 0:47:35.520
<v Speaker 1>Eric responds, well, I do you took that out of

0:47:35.520 --> 0:47:39.040
<v Speaker 1>my closet. Jack admits he's pledging Omega. The dean thinks

0:47:39.080 --> 0:47:41.400
<v Speaker 1>he's in a fraternity, so he'll be in a real fraternity.

0:47:41.680 --> 0:47:43.319
<v Speaker 2>Okay. So this is why I was like, why is

0:47:43.360 --> 0:47:46.760
<v Speaker 2>he pledging another fraternity when they already are dealing with

0:47:46.800 --> 0:47:48.040
<v Speaker 2>their own fake fraternity.

0:47:48.640 --> 0:47:50.239
<v Speaker 4>He didn't want to be part of the own fake

0:47:50.239 --> 0:47:52.080
<v Speaker 4>fraternity because it's going to get him in trouble with it.

0:47:52.200 --> 0:47:53.839
<v Speaker 2>But then he hates being in a dress and has

0:47:53.880 --> 0:47:56.000
<v Speaker 2>to do this. I'm like, right, well, the real reason

0:47:56.040 --> 0:47:59.160
<v Speaker 2>is they want rules for him in the other fraternity.

0:47:58.680 --> 0:48:01.560
<v Speaker 1>Like, what is the real reason is they wanted Matt

0:48:01.600 --> 0:48:02.440
<v Speaker 1>Lawrence in address?

0:48:02.640 --> 0:48:03.120
<v Speaker 2>Exactly?

0:48:03.120 --> 0:48:07.960
<v Speaker 1>The script reason is he has already lied to the

0:48:07.960 --> 0:48:12.000
<v Speaker 1>dean about being in a fraternity. And so the faulty

0:48:12.040 --> 0:48:15.000
<v Speaker 1>premise is, so if I said it, I'm gonna in

0:48:15.080 --> 0:48:17.440
<v Speaker 1>order to make it true, I'm gonna pledge a real

0:48:17.560 --> 0:48:21.840
<v Speaker 1>fraternity so that I hopefully don't get kicked out of school. Yeah,

0:48:21.880 --> 0:48:23.400
<v Speaker 1>that's it, that's what they're going for.

0:48:24.160 --> 0:48:28.080
<v Speaker 2>When the then he immediately caves and plays along with

0:48:28.120 --> 0:48:28.480
<v Speaker 2>making it.

0:48:28.640 --> 0:48:34.120
<v Speaker 1>Doesn't immediately caves, He says, I don't know. And then

0:48:34.200 --> 0:48:36.720
<v Speaker 1>when he kicks him out of school, Oh my god,

0:48:36.920 --> 0:48:39.440
<v Speaker 1>I know. So it's never explained how or why he

0:48:39.560 --> 0:48:42.799
<v Speaker 1>knows the Love Boat guys is his dad friends. Oh no,

0:48:42.880 --> 0:48:43.920
<v Speaker 1>let's not even get into that.

0:48:44.000 --> 0:48:46.080
<v Speaker 4>I mean then it's just like, what else can make

0:48:46.120 --> 0:48:48.320
<v Speaker 4>this just even more bat crazy?

0:48:48.600 --> 0:48:51.240
<v Speaker 1>Hey it's the guys from from the Love Boat.

0:48:51.440 --> 0:48:51.680
<v Speaker 2>I know.

0:48:51.880 --> 0:48:54.319
<v Speaker 1>Okay, So Eric blurts out, I love him and he

0:48:54.320 --> 0:48:56.880
<v Speaker 1>loves me. Jack says the Dean doesn't love him. But

0:48:56.960 --> 0:49:00.200
<v Speaker 1>then the elevator dings, and of course it's the dean himself.

0:49:00.640 --> 0:49:02.200
<v Speaker 1>If he doesn't love me, how come he's coming to

0:49:02.200 --> 0:49:04.520
<v Speaker 1>see me right now? Then the Dean acknowledged, sorry, can

0:49:04.560 --> 0:49:04.920
<v Speaker 1>we can we?

0:49:05.120 --> 0:49:08.640
<v Speaker 4>Did you notice that there was they cut something out

0:49:08.840 --> 0:49:11.319
<v Speaker 4>oh and so out of no. I don't know what

0:49:11.360 --> 0:49:14.400
<v Speaker 4>it was, but it was the weirdest, most abrupt cut

0:49:14.560 --> 0:49:17.200
<v Speaker 4>in the middle where all of a sudden Eric just

0:49:17.239 --> 0:49:19.160
<v Speaker 4>says he loves me out of it was.

0:49:19.400 --> 0:49:22.279
<v Speaker 1>Oh, I don't think they cut anything. I think it's

0:49:22.600 --> 0:49:25.640
<v Speaker 1>yet another thing about this episode that makes really no

0:49:25.760 --> 0:49:28.279
<v Speaker 1>sense at all. It seems like they cut something because

0:49:28.280 --> 0:49:31.160
<v Speaker 1>it was so abrupt. It's out of left field. He

0:49:31.239 --> 0:49:34.240
<v Speaker 1>loves me and I love him. You're right, maybe maybe

0:49:34.560 --> 0:49:38.520
<v Speaker 1>maybe Matt did say something like that guy hates you

0:49:38.800 --> 0:49:41.160
<v Speaker 1>and you responded with something because it does come out

0:49:41.160 --> 0:49:41.839
<v Speaker 1>of nowhere, but it.

0:49:41.800 --> 0:49:42.480
<v Speaker 2>Was it was for me.

0:49:43.040 --> 0:49:44.000
<v Speaker 1>Didn't even question it.

0:49:44.440 --> 0:49:47.000
<v Speaker 2>I mean, and that first thing with the Dean too, like,

0:49:47.600 --> 0:49:49.560
<v Speaker 2>if this is where it's going to go, wouldn't you

0:49:49.640 --> 0:49:54.000
<v Speaker 2>establish the Dean really knows their names, knows these two guys, like,

0:49:54.160 --> 0:49:56.040
<v Speaker 2>but the way he treats you in the first first

0:49:56.080 --> 0:49:58.320
<v Speaker 2>scene was almost like you never met and he was

0:49:58.360 --> 0:49:59.080
<v Speaker 2>just annoyed by you.

0:49:59.200 --> 0:50:01.760
<v Speaker 1>Actually, he says, what are you doing in my college?

0:50:01.840 --> 0:50:02.320
<v Speaker 1>At college?

0:50:02.480 --> 0:50:04.080
<v Speaker 2>I want to hear like I want to hear like,

0:50:04.120 --> 0:50:06.759
<v Speaker 2>O you two again? You know, just some sort of

0:50:06.800 --> 0:50:08.640
<v Speaker 2>like Eric and Jack. And then even in this scene

0:50:08.640 --> 0:50:11.560
<v Speaker 2>when he does a Shirley joke or whatever or Sherry

0:50:11.600 --> 0:50:14.560
<v Speaker 2>whatever and then Shelley and then calls him Jack at

0:50:14.600 --> 0:50:16.560
<v Speaker 2>the end, I was like, oh he does know their names.

0:50:16.640 --> 0:50:22.080
<v Speaker 1>Oh yeah, yeah, So the dean acknowledges Eric and greets Jack. Hi, Shelly,

0:50:22.680 --> 0:50:24.719
<v Speaker 1>I happen to have a niece who attends the University

0:50:24.719 --> 0:50:27.279
<v Speaker 1>of Hawaii and Owahu and she has no knowledge of

0:50:27.320 --> 0:50:30.279
<v Speaker 1>this Magnum Pie Eric thinks quick they have no O

0:50:30.360 --> 0:50:33.720
<v Speaker 1>Wahu chapter. However, they are very big on the island

0:50:33.760 --> 0:50:37.759
<v Speaker 1>of Humana Jumana Humana Who. The dean asks how the

0:50:37.760 --> 0:50:41.320
<v Speaker 1>fraternity's funded, and Eric answers by alumni. The dean asks

0:50:41.400 --> 0:50:43.560
<v Speaker 1>Jack for names, but Jack says he doesn't know, so

0:50:43.600 --> 0:50:45.919
<v Speaker 1>the dean quickly kicks him out of school, but Jack

0:50:46.000 --> 0:50:50.000
<v Speaker 1>now joins in famous celebrity alumni. The dean would love

0:50:50.040 --> 0:50:52.920
<v Speaker 1>to know who. Jack. Here's the word love and thinks

0:50:53.400 --> 0:50:58.640
<v Speaker 1>love vote like it's a Magnum Pie shirt. Then I mean,

0:50:58.840 --> 0:51:01.000
<v Speaker 1>like it's a Magnum PII shirt then comes up with

0:51:01.600 --> 0:51:05.080
<v Speaker 1>the love boats Ted Lange and Bernie Coppel.

0:51:05.160 --> 0:51:09.239
<v Speaker 4>Because that's who you're gonna pick for celebrity endorsers of

0:51:09.280 --> 0:51:09.640
<v Speaker 4>the thing.

0:51:09.760 --> 0:51:12.759
<v Speaker 1>When you're in college in the mid nineties, you instantly

0:51:12.800 --> 0:51:14.200
<v Speaker 1>go to the two guys.

0:51:14.920 --> 0:51:16.120
<v Speaker 2>How do you think this came about?

0:51:16.719 --> 0:51:17.799
<v Speaker 1>They threw there.

0:51:17.840 --> 0:51:20.839
<v Speaker 4>They threw the word like, who what celebrities can we get?

0:51:21.360 --> 0:51:23.879
<v Speaker 4>They threw offers out to a bunch of people. Ted

0:51:23.960 --> 0:51:26.360
<v Speaker 4>Lange and pretty Copel went will do it, and so

0:51:26.600 --> 0:51:27.200
<v Speaker 4>they wrote.

0:51:27.000 --> 0:51:27.399
<v Speaker 1>It in there.

0:51:27.600 --> 0:51:31.279
<v Speaker 2>That's what I'm thinking, Yeah, because like the Magnum p

0:51:31.440 --> 0:51:33.160
<v Speaker 2>I thing would have been funny to have somebody from

0:51:33.239 --> 0:51:36.000
<v Speaker 2>Magnum p I, right, like Tom Selleck show up or

0:51:36.040 --> 0:51:37.920
<v Speaker 2>I don't like some connection.

0:51:37.680 --> 0:51:39.200
<v Speaker 1>To some connection to this.

0:51:39.520 --> 0:51:44.280
<v Speaker 2>But these are two two word based jokes that just don't.

0:51:44.480 --> 0:51:51.760
<v Speaker 2>I don't. There's this very famous episode of Amazing Stories

0:51:51.760 --> 0:51:57.759
<v Speaker 2>I talk about, you know, teaching, teaching writing like to

0:51:57.880 --> 0:52:00.440
<v Speaker 2>not rely on dialogue too much. You know, like when

0:52:00.480 --> 0:52:02.920
<v Speaker 2>you rely on dialogue to actually advance plot, it's like

0:52:03.200 --> 0:52:05.680
<v Speaker 2>it's actually bad, like really bad. Like you never want

0:52:05.680 --> 0:52:08.240
<v Speaker 2>the content of dialogue to be the thing that propels

0:52:08.239 --> 0:52:10.280
<v Speaker 2>the story forward, Like you can have a good dialogue

0:52:10.280 --> 0:52:13.759
<v Speaker 2>you have, but it's there. It's about changing within the scene,

0:52:13.840 --> 0:52:16.720
<v Speaker 2>not changing the story. And like there's an amazing Stories

0:52:16.719 --> 0:52:19.680
<v Speaker 2>episode I actually have never seen it, but where it's

0:52:19.719 --> 0:52:23.560
<v Speaker 2>an evil wig and evil to pay that is possessing

0:52:23.560 --> 0:52:26.520
<v Speaker 2>people to become murderers, and like there's the way the

0:52:26.560 --> 0:52:28.799
<v Speaker 2>detective solves it at the near the end is like,

0:52:29.120 --> 0:52:30.919
<v Speaker 2>when we catch this killer, there's going to be hell

0:52:30.960 --> 0:52:32.239
<v Speaker 2>to pay, to.

0:52:32.480 --> 0:52:40.200
<v Speaker 1>Pay to pay. That's oh yes, it's solve the case.

0:52:42.040 --> 0:52:47.919
<v Speaker 2>There it is, there's like magnum and love love love.

0:52:49.680 --> 0:52:50.839
<v Speaker 2>That makes me think of.

0:52:51.440 --> 0:52:59.200
<v Speaker 1>Love boat, the love boat, Yeah, perfectly. The Dean responds, well,

0:53:00.040 --> 0:53:02.880
<v Speaker 1>forward to meeting them at your fraternity party. And as

0:53:02.920 --> 0:53:04.600
<v Speaker 1>soon as you started talking, I knew it was you

0:53:04.719 --> 0:53:08.880
<v Speaker 1>Jack now alone. Eric tells, Jack, come inside, you hussy.

0:53:09.920 --> 0:53:12.040
<v Speaker 4>That was I think. I added that, Really you can

0:53:12.080 --> 0:53:13.440
<v Speaker 4>tell that. I just threw that in at the end.

0:53:14.640 --> 0:53:19.200
<v Speaker 2>I didn't think television. I was like, was that is that? Okay?

0:53:19.520 --> 0:53:24.359
<v Speaker 1>I think I hear that in myself. And I did

0:53:24.440 --> 0:53:26.960
<v Speaker 1>notice your look after you when you looked back at him,

0:53:27.080 --> 0:53:32.839
<v Speaker 1>was a little like was that funny? Then we're at

0:53:32.960 --> 0:53:36.200
<v Speaker 1>the Penbrook Philosophy class. Sean has a few students crowded

0:53:36.200 --> 0:53:38.919
<v Speaker 1>around him. Not everybody is going to get Nietzsche right away.

0:53:39.040 --> 0:53:41.280
<v Speaker 1>The key is to read it in its original German.

0:53:41.560 --> 0:53:46.680
<v Speaker 1>Jennifer begs him, tutor me. Then the professor walks in, okay, so.

0:53:46.520 --> 0:53:49.279
<v Speaker 2>Now I'm faking it again and I'm lying to.

0:53:49.360 --> 0:53:52.440
<v Speaker 1>Just get I don't think you are. I did not

0:53:52.520 --> 0:53:56.359
<v Speaker 1>read it that way. I took it as you write

0:53:56.480 --> 0:53:56.920
<v Speaker 1>in German.

0:53:57.280 --> 0:53:59.040
<v Speaker 2>I did read it in German.

0:54:00.320 --> 0:54:03.319
<v Speaker 1>Yeah, and you you actually are into it, you enjoy it.

0:54:04.000 --> 0:54:07.960
<v Speaker 1>I don't. I did not read it as this is

0:54:08.000 --> 0:54:10.880
<v Speaker 1>Sean pulling a fast one on these students. It's just

0:54:10.920 --> 0:54:12.160
<v Speaker 1>that you're totally read it.

0:54:12.200 --> 0:54:16.719
<v Speaker 2>No, I totally I did, because she's me yes, and

0:54:16.760 --> 0:54:20.880
<v Speaker 2>I'm like, it's like back to sort of conning about,

0:54:21.120 --> 0:54:23.120
<v Speaker 2>you know, and yeah, being a con man and like

0:54:23.280 --> 0:54:25.080
<v Speaker 2>just to get the girls because I'm being surrounded. I'm

0:54:25.239 --> 0:54:27.920
<v Speaker 2>you know, I'm bragging. It's like I'm not like just

0:54:27.960 --> 0:54:30.960
<v Speaker 2>going off because I'm passionate about it. I'm like showing off,

0:54:31.200 --> 0:54:32.879
<v Speaker 2>you know. And so I was like, oh, so we're

0:54:32.960 --> 0:54:35.960
<v Speaker 2>back to Sean not caring about this and it's just

0:54:36.000 --> 0:54:38.160
<v Speaker 2>about getting the girls. And then of course that isn't

0:54:38.200 --> 0:54:39.879
<v Speaker 2>the Casey, I'm upset at the end of the scene

0:54:39.880 --> 0:54:40.640
<v Speaker 2>because my grade.

0:54:40.680 --> 0:54:43.760
<v Speaker 1>So it's like, yeah, weird. I don't know. I really

0:54:43.840 --> 0:54:47.040
<v Speaker 1>just took it as like Sean's into it. He's we've

0:54:47.040 --> 0:54:51.800
<v Speaker 1>already established that he's a language guy, and.

0:54:51.160 --> 0:54:52.759
<v Speaker 2>And feel like if that had been the case, it

0:54:52.760 --> 0:54:55.840
<v Speaker 2>would have been that I ignore the girl now, like you

0:54:55.880 --> 0:54:57.319
<v Speaker 2>know what I mean. If that were the story point,

0:54:57.680 --> 0:54:59.640
<v Speaker 2>then it would be me like talking about something I'm

0:54:59.640 --> 0:55:01.880
<v Speaker 2>really in, sitting on her being like tutor me and

0:55:01.920 --> 0:55:04.839
<v Speaker 2>being like sure, like I just don't care that she's

0:55:04.880 --> 0:55:07.840
<v Speaker 2>slurring with me. But instead it seems so presentational. It

0:55:07.880 --> 0:55:10.080
<v Speaker 2>seems like we're back to the old joke.

0:55:11.560 --> 0:55:14.200
<v Speaker 1>Well. The professor walks in, with Corey following close behind.

0:55:14.280 --> 0:55:18.400
<v Speaker 1>They'll be exploring structuralism today. Corey immediately sits down behind Sean.

0:55:18.640 --> 0:55:20.200
<v Speaker 1>He wants Sean to go back to school and talk

0:55:20.239 --> 0:55:23.279
<v Speaker 1>to Feeney. The professor notices Corey talking and shouts you.

0:55:23.760 --> 0:55:26.480
<v Speaker 1>Corey nervously says, oh my god, I've been hit. The

0:55:26.520 --> 0:55:30.160
<v Speaker 1>teacher asks Corey about life, mortality, and existence, to which

0:55:30.200 --> 0:55:33.920
<v Speaker 1>he responds, oh, I'm just visiting. The professor asks if

0:55:33.920 --> 0:55:36.480
<v Speaker 1>he's referring to the theory that we're all just visiting,

0:55:36.480 --> 0:55:39.600
<v Speaker 1>and Corey pretends like that's exactly what he meant, but

0:55:39.719 --> 0:55:42.879
<v Speaker 1>instead of praise, the professor yells in his face, that's bull.

0:55:43.440 --> 0:55:45.799
<v Speaker 1>This is what happens in philosophy class. You throw out

0:55:45.800 --> 0:55:48.640
<v Speaker 1>a few cliches, and I'm supposed to be impressed. Corey

0:55:48.680 --> 0:55:52.080
<v Speaker 1>says he wishes he wasn't there. The professor shouts, now,

0:55:52.160 --> 0:55:55.160
<v Speaker 1>that's a good starting point. Then he apologizes. He gets

0:55:55.200 --> 0:55:57.960
<v Speaker 1>a little frustrated. Sometimes I look at you and wonder

0:55:58.000 --> 0:56:00.000
<v Speaker 1>how many of you should still be in high school.

0:56:01.520 --> 0:56:02.839
<v Speaker 1>I'm not sure what's going on, guys.

0:56:02.880 --> 0:56:03.560
<v Speaker 2>Why I don't get it.

0:56:03.600 --> 0:56:05.719
<v Speaker 1>I know that I don't share it. Not sure why

0:56:05.719 --> 0:56:08.440
<v Speaker 1>he's so freshied yet I don't know. I don't get it.

0:56:08.960 --> 0:56:11.799
<v Speaker 1>Corey uses this ironic opportunity to ask his best friend

0:56:11.800 --> 0:56:14.279
<v Speaker 1>if he's coming back or not. Sean says he belongs here,

0:56:14.360 --> 0:56:16.960
<v Speaker 1>he's just as the professor hands back his graded paper,

0:56:17.280 --> 0:56:20.000
<v Speaker 1>the teacher was very surprised by Shaan's work. He was

0:56:20.040 --> 0:56:23.800
<v Speaker 1>expecting a scholarly accomplishment, but he got an f Sean

0:56:23.840 --> 0:56:26.120
<v Speaker 1>can't believe this. It must be a mistake, because he

0:56:26.160 --> 0:56:28.200
<v Speaker 1>really knows this stuff. He's going to go talk to

0:56:28.239 --> 0:56:31.080
<v Speaker 1>the professor, even though it's right in the middle of class.

0:56:31.280 --> 0:56:33.440
<v Speaker 4>M I'm the professors stopped talking about and I have

0:56:33.440 --> 0:56:35.600
<v Speaker 4>to grabb all my books to go talk to the pits.

0:56:36.640 --> 0:56:38.759
<v Speaker 1>Sean says he worked hard on his paper, but the

0:56:38.800 --> 0:56:41.800
<v Speaker 1>professor reveals that besides a few promising ideas, the paper

0:56:41.840 --> 0:56:46.000
<v Speaker 1>was poorly written, disorganized, and sloppily researched. Sean responds, but

0:56:46.080 --> 0:56:48.280
<v Speaker 1>you said I have a good mind, and the professor

0:56:48.320 --> 0:56:51.440
<v Speaker 1>assures him you do. But you're in college. You're supposed

0:56:51.480 --> 0:56:53.399
<v Speaker 1>to know the basics. I don't have time to teach

0:56:53.440 --> 0:56:56.680
<v Speaker 1>them to you. Sean has hit a crisis. I don't

0:56:56.719 --> 0:56:59.439
<v Speaker 1>belong in high school. I don't belong in college. Corey

0:56:59.560 --> 0:57:02.400
<v Speaker 1>urges him talk to Feenie, but Sean just walks away

0:57:02.719 --> 0:57:04.680
<v Speaker 1>and to your blocking point writer, you could have left

0:57:04.680 --> 0:57:06.960
<v Speaker 1>your books on the desk, and after he tells you this,

0:57:07.040 --> 0:57:09.160
<v Speaker 1>on your walk back out, you grab your books then,

0:57:09.239 --> 0:57:11.960
<v Speaker 1>like I'm leaving. Corey urges him to talk to Feenie,

0:57:12.000 --> 0:57:14.560
<v Speaker 1>but Sean just walks away. Now alone. The professor grabs

0:57:14.560 --> 0:57:19.960
<v Speaker 1>Corey's shoulder and demands you Schopenhauer. Corey answers, me, leaving

0:57:20.880 --> 0:57:21.840
<v Speaker 1>and he bolts out the door.

0:57:22.360 --> 0:57:25.960
<v Speaker 2>Why Schopenhaower, Like, weren't we talking about structuralism today? Chopenhower

0:57:26.000 --> 0:57:27.680
<v Speaker 2>is what I was doing my paper on. I think

0:57:28.000 --> 0:57:30.640
<v Speaker 2>it's just sloppy like this, just just take the time

0:57:30.680 --> 0:57:33.120
<v Speaker 2>to like care about this stuff.

0:57:34.320 --> 0:57:36.840
<v Speaker 4>So this could have been the week that Erkele sent

0:57:36.880 --> 0:57:41.000
<v Speaker 4>the Erkele bot oh to the job interview.

0:57:41.280 --> 0:57:43.480
<v Speaker 1>Oh man, he didn't think he could do it himself.

0:57:43.560 --> 0:57:54.160
<v Speaker 1>That Yeah, that was a great episode. I liked that one.

0:57:58.160 --> 0:58:00.320
<v Speaker 1>We're in the guy's apartment. The fraternity party is on,

0:58:00.520 --> 0:58:02.960
<v Speaker 1>and Jack is participating. He tells Eric as long as

0:58:02.960 --> 0:58:05.560
<v Speaker 1>he wore that dress, he couldn't shake the dean, which

0:58:05.560 --> 0:58:09.480
<v Speaker 1>means the dean is into Shelley. Yeah. Eric announces it's

0:58:09.520 --> 0:58:11.360
<v Speaker 1>game time and for all the girls to head to

0:58:11.400 --> 0:58:17.160
<v Speaker 1>the closet. Wait, what I know seven minutes in heaven.

0:58:17.680 --> 0:58:20.040
<v Speaker 1>Why does anyone need to go to a closet You're

0:58:20.040 --> 0:58:21.680
<v Speaker 1>in college in your own apartment.

0:58:21.840 --> 0:58:24.919
<v Speaker 4>Also, all the things that Sue said, She's like, what

0:58:25.040 --> 0:58:26.920
<v Speaker 4>kind of closet space does this college?

0:58:27.080 --> 0:58:29.720
<v Speaker 1>Does your apartment have where you can fit thirty two people?

0:58:29.880 --> 0:58:32.880
<v Speaker 1>I know? And excited, Jack and Eric follow the girls upstairs,

0:58:32.880 --> 0:58:35.120
<v Speaker 1>but the dean bursts through the door and tells everyone

0:58:35.120 --> 0:58:37.880
<v Speaker 1>to freeze. Do they think he's a clown? It's been

0:58:37.960 --> 0:58:39.800
<v Speaker 1>fun toying with you, but now I'm bored.

0:58:40.080 --> 0:58:42.640
<v Speaker 2>He does the dean there, I don't wait. He's trying

0:58:42.680 --> 0:58:45.800
<v Speaker 2>to shut down a fraternity because it doesn't exist, because

0:58:45.840 --> 0:58:48.280
<v Speaker 2>then he can kick Eric and Jack out. He wants

0:58:48.320 --> 0:58:49.439
<v Speaker 2>to kick that's the motive.

0:58:50.040 --> 0:58:51.520
<v Speaker 1>Yeah, even though he doesn't know who they are.

0:58:51.680 --> 0:58:54.240
<v Speaker 2>It's just established in the first scene that there's some

0:58:54.560 --> 0:58:57.200
<v Speaker 2>benefiting him to getting them out of his schools.

0:58:57.280 --> 0:59:00.080
<v Speaker 1>Like episode before he showed up at their house and

0:59:00.120 --> 0:59:01.880
<v Speaker 1>he tried to stick a Doberman on them. He could

0:59:01.880 --> 0:59:04.960
<v Speaker 1>easily see them and go, I can't believe you the

0:59:05.120 --> 0:59:07.960
<v Speaker 1>guts to be seen in my college. I'm going to

0:59:08.080 --> 0:59:08.880
<v Speaker 1>kick you out if.

0:59:10.280 --> 0:59:12.400
<v Speaker 2>You can. You're a dean. He could literally just kick

0:59:12.440 --> 0:59:13.920
<v Speaker 2>him out. There's no problem. Just kick him out of

0:59:13.920 --> 0:59:17.080
<v Speaker 2>the school. There is no conflict. He's literally has the

0:59:17.120 --> 0:59:19.600
<v Speaker 2>power to say, I am kicking you out of the school,

0:59:19.960 --> 0:59:22.360
<v Speaker 2>and instead we have to do all of this just

0:59:22.400 --> 0:59:25.160
<v Speaker 2>give him a reason to need them. It's so weird.

0:59:25.280 --> 0:59:27.680
<v Speaker 1>Was an arcle boss the whole time?

0:59:29.280 --> 0:59:30.000
<v Speaker 2>Oh my god?

0:59:32.000 --> 0:59:33.600
<v Speaker 1>Okay, we very quick story.

0:59:34.160 --> 0:59:37.600
<v Speaker 4>So as we were blocking this scene.

0:59:38.160 --> 0:59:40.760
<v Speaker 1>This was the only time I'd ever seen an actor.

0:59:40.680 --> 0:59:46.200
<v Speaker 4>Lose it on our show on Real, and Paul absolutely

0:59:46.200 --> 0:59:50.440
<v Speaker 4>lost it on Alan Myerson, our director. So Alan was

0:59:50.560 --> 0:59:53.120
<v Speaker 4>kind of putting us into place where he wanted us,

0:59:53.120 --> 0:59:55.760
<v Speaker 4>and he was kind of placing us where he wanted

0:59:55.800 --> 0:59:59.680
<v Speaker 4>us to be in the scene for blocking times he

0:59:59.720 --> 1:00:02.200
<v Speaker 4>would grab your arm and say stand here. He never

1:00:02.240 --> 1:00:03.880
<v Speaker 4>really did it with me. He and I always got

1:00:03.880 --> 1:00:06.920
<v Speaker 4>along famously. We we I really enjoyed working with him,

1:00:06.960 --> 1:00:09.680
<v Speaker 4>but I could see how certain actors would.

1:00:09.480 --> 1:00:10.320
<v Speaker 1>Have trouble with that.

1:00:10.840 --> 1:00:14.400
<v Speaker 4>It's like somebody giving you a line reading and so

1:00:14.760 --> 1:00:17.959
<v Speaker 4>out of nowhere, Paul throws his script down and says,

1:00:18.000 --> 1:00:21.280
<v Speaker 4>I'm not a puppet man and just starts yelling at

1:00:21.320 --> 1:00:24.560
<v Speaker 4>Alan for I mean a good ninety seconds. Alan just

1:00:24.560 --> 1:00:28.240
<v Speaker 4>sits there completely quietly, and then right Alan.

1:00:28.000 --> 1:00:30.480
<v Speaker 2>Was always the most unruffled, like I can see him

1:00:30.520 --> 1:00:32.120
<v Speaker 2>just not even making any reaction.

1:00:32.720 --> 1:00:35.680
<v Speaker 4>He had no reaction whatsoever, like literally nothing, and then

1:00:35.680 --> 1:00:38.360
<v Speaker 4>he went, Okay, now it's my turn to talk, and

1:00:38.520 --> 1:00:40.600
<v Speaker 4>came back with something and the two of them, I mean,

1:00:40.600 --> 1:00:42.880
<v Speaker 4>but it was the only it was. It's just something

1:00:42.920 --> 1:00:45.000
<v Speaker 4>you didn't ever see on her set is somebody yelling

1:00:45.080 --> 1:00:46.440
<v Speaker 4>it just it didn't happen, you.

1:00:46.440 --> 1:00:48.600
<v Speaker 2>Know, I've seen it on other sets, like actually, I've

1:00:48.640 --> 1:00:51.160
<v Speaker 2>seen it quite a few times. Like actors, it's always

1:00:51.200 --> 1:00:54.880
<v Speaker 2>it's always an actor getting frustrated and and and sort

1:00:54.920 --> 1:00:58.400
<v Speaker 2>of lashing out. But was very fortunate we never had that.

1:00:58.480 --> 1:01:01.520
<v Speaker 1>Many didn't have that. And I believe this was his

1:01:01.640 --> 1:01:03.840
<v Speaker 1>last episode. Then. I don't think we ever saw Paul again.

1:01:03.880 --> 1:01:06.760
<v Speaker 4>I think this was this was it, yeah, because and

1:01:06.800 --> 1:01:08.000
<v Speaker 4>I think that had to be one of the reasons.

1:01:08.040 --> 1:01:09.880
<v Speaker 4>I mean again, only time we ever saw it, and

1:01:10.160 --> 1:01:12.760
<v Speaker 4>Matt and I are kind of sitting there very awkwardly.

1:01:12.320 --> 1:01:16.440
<v Speaker 1>As don't remember.

1:01:16.520 --> 1:01:19.160
<v Speaker 4>No, I honestly don't remember, unfortunately, what the resolution was,

1:01:19.400 --> 1:01:21.680
<v Speaker 4>but I do remember having a real sense of a

1:01:21.880 --> 1:01:24.800
<v Speaker 4>not only is this completely out of character for our show,

1:01:24.920 --> 1:01:28.320
<v Speaker 4>but b it was also I was kind of in

1:01:28.440 --> 1:01:32.240
<v Speaker 4>the mindset of how dare you. You're a guest star,

1:01:32.400 --> 1:01:34.520
<v Speaker 4>you come on and your you know, the directors, our captain,

1:01:34.520 --> 1:01:36.120
<v Speaker 4>you're coming on and you're yelling at the captain of

1:01:36.120 --> 1:01:40.000
<v Speaker 4>our ship. And so I had that moment of like, dude,

1:01:40.000 --> 1:01:42.360
<v Speaker 4>that's not your place. But again, you're also he's an

1:01:42.360 --> 1:01:45.680
<v Speaker 4>adult actor. And he, you know, I think was a

1:01:45.720 --> 1:01:48.480
<v Speaker 4>stage actor. He very accomplished, very good at what he did,

1:01:48.480 --> 1:01:50.120
<v Speaker 4>and I think he got frustrated and lost it.

1:01:50.200 --> 1:01:53.760
<v Speaker 1>You know, I mean I can as a director now

1:01:53.800 --> 1:01:56.439
<v Speaker 1>who has to work with who gets to work with

1:01:56.920 --> 1:02:01.680
<v Speaker 1>very talented actors of all ages. There is a fine

1:02:02.320 --> 1:02:05.480
<v Speaker 1>line you have to walk as a director on a

1:02:05.960 --> 1:02:09.280
<v Speaker 1>limited time schedule when you have if you are the

1:02:09.280 --> 1:02:13.600
<v Speaker 1>type of director who comes in prepared, you have an

1:02:13.600 --> 1:02:17.640
<v Speaker 1>idea of how to get this done efficiently. And yet

1:02:17.800 --> 1:02:21.360
<v Speaker 1>the actors, if they're doing their prep and they want

1:02:21.360 --> 1:02:23.720
<v Speaker 1>to be involved, they want to have some say in

1:02:23.880 --> 1:02:27.200
<v Speaker 1>work the character is doing. And so there is a

1:02:27.240 --> 1:02:31.440
<v Speaker 1>fine line between telling an actor what to do because

1:02:31.440 --> 1:02:34.160
<v Speaker 1>you know it will work efficiently for the day and

1:02:34.200 --> 1:02:38.360
<v Speaker 1>for camera and the scene, and also letting them find it.

1:02:38.960 --> 1:02:42.120
<v Speaker 4>Yeah no, I guess yeah, it makes sense to quote

1:02:41.760 --> 1:02:42.720
<v Speaker 4>a story.

1:02:42.560 --> 1:02:54.440
<v Speaker 3>You could certainly urge to con order the ducks.

1:02:54.440 --> 1:02:56.960
<v Speaker 2>As what you have to do, you have to basically

1:02:57.000 --> 1:02:59.040
<v Speaker 2>make an actor think it's their idea to do exactly

1:02:59.080 --> 1:03:01.160
<v Speaker 2>what you need them to do. But that is it's

1:03:01.160 --> 1:03:03.400
<v Speaker 2>a delicate thing, and that's what the best directors are

1:03:03.440 --> 1:03:08.160
<v Speaker 2>great at making actors feel like they're contributing, allowing them

1:03:08.200 --> 1:03:11.320
<v Speaker 2>the experimentation, but ultimately saying like we do kind of

1:03:11.360 --> 1:03:12.959
<v Speaker 2>have to get it. You know, you have to stand

1:03:12.960 --> 1:03:15.160
<v Speaker 2>over here or make it here by this line, or

1:03:15.200 --> 1:03:17.440
<v Speaker 2>because we can't rewrite it, we don't have time whatever.

1:03:17.720 --> 1:03:18.960
<v Speaker 2>But yeah, and.

1:03:19.360 --> 1:03:21.520
<v Speaker 1>If you want to bring go get right back to

1:03:21.560 --> 1:03:22.080
<v Speaker 1>the set. Though.

1:03:22.120 --> 1:03:25.520
<v Speaker 4>There's an episode of news Radio that Alan Myerson directs

1:03:25.600 --> 1:03:30.760
<v Speaker 4>that ends with a blooper reel of a scene that

1:03:30.800 --> 1:03:34.480
<v Speaker 4>they just couldn't get done with a maid clean like

1:03:34.520 --> 1:03:36.640
<v Speaker 4>a custodian. She's cleaning stuff up and she just can't

1:03:36.640 --> 1:03:38.959
<v Speaker 4>get it right. And you see Alan Myerson walk onto

1:03:38.960 --> 1:03:41.840
<v Speaker 4>the set and physically put her in place, show her

1:03:41.840 --> 1:03:45.000
<v Speaker 4>what to the drab the trash can dump it out, like,

1:03:45.200 --> 1:03:47.080
<v Speaker 4>walk her through exactly.

1:03:46.720 --> 1:03:48.800
<v Speaker 1>What she's and it just brought me right back to

1:03:48.880 --> 1:03:49.200
<v Speaker 1>the show.

1:03:49.240 --> 1:03:52.240
<v Speaker 4>It's like, whoa wow, oh yeah, there's Alan doing exactly

1:03:52.280 --> 1:03:53.000
<v Speaker 4>what it did.

1:03:55.080 --> 1:03:59.440
<v Speaker 1>And on the other hand, weeks in this scene Paul

1:03:59.560 --> 1:04:07.120
<v Speaker 1>has to walk in and drink and then walk back.

1:04:07.800 --> 1:04:09.040
<v Speaker 1>It makes no sense.

1:04:09.120 --> 1:04:11.440
<v Speaker 2>It is it's just the party, like the girls in

1:04:11.480 --> 1:04:14.240
<v Speaker 2>the back all the way up. It's just shangy and weird.

1:04:14.320 --> 1:04:17.800
<v Speaker 2>It's just nothing feels fluid. It all feels forced, and yeah,

1:04:17.840 --> 1:04:19.280
<v Speaker 2>it's well.

1:04:19.360 --> 1:04:22.680
<v Speaker 1>The dean now knows there's no Madnum Pie. But the

1:04:22.720 --> 1:04:25.040
<v Speaker 1>thing he's the most upset about the boys promised he'd

1:04:25.040 --> 1:04:28.040
<v Speaker 1>get to mingle with Ted Lange and Bernie Capel. Eric

1:04:28.080 --> 1:04:30.320
<v Speaker 1>asks Jack to take his hand and pray, but Jack

1:04:30.360 --> 1:04:32.520
<v Speaker 1>isn't worried. He pulls out a whistle and does a

1:04:32.560 --> 1:04:33.600
<v Speaker 1>special call.

1:04:33.720 --> 1:04:36.000
<v Speaker 4>And forever to get that took me because he didn't

1:04:36.040 --> 1:04:39.040
<v Speaker 4>know that, Yeah, which is which is calling somebody to

1:04:39.080 --> 1:04:41.040
<v Speaker 4>the deck? He just and he's like, I can't get

1:04:41.080 --> 1:04:42.920
<v Speaker 4>the damn whistle. I'm like, yeah, well we'll figure it out.

1:04:43.360 --> 1:04:46.320
<v Speaker 1>And then Ted and Bernie walk into the apartment. The

1:04:46.400 --> 1:04:49.760
<v Speaker 1>audience cheers loudly, and Ted offers can I fix anybody

1:04:49.840 --> 1:04:53.080
<v Speaker 1>a drink and gives his signature two finger salute. Bernie

1:04:53.160 --> 1:04:55.040
<v Speaker 1>asks him why do you always have to do the

1:04:55.080 --> 1:04:57.200
<v Speaker 1>finger thing? Ted and Bernie begin to have a whole

1:04:57.200 --> 1:04:59.280
<v Speaker 1>conversation about love boat while the guys sit on the

1:04:59.280 --> 1:05:02.000
<v Speaker 1>couch and are right were probably very excited about it.

1:05:02.680 --> 1:05:05.160
<v Speaker 1>Eric asks Jack if he called them, of course I did.

1:05:05.200 --> 1:05:07.200
<v Speaker 1>I want to live, I want to stay in school,

1:05:07.840 --> 1:05:10.720
<v Speaker 1>no reason why, he knows them no explanation given. The

1:05:10.760 --> 1:05:13.360
<v Speaker 1>Dean introduces himself to Ted and Bernie. He's a big fan.

1:05:13.560 --> 1:05:16.680
<v Speaker 1>Bernie responds, as the two most prominent celebrity alumni of

1:05:16.720 --> 1:05:18.800
<v Speaker 1>Magnum Pie, we would like to say we couldn't be

1:05:18.840 --> 1:05:22.320
<v Speaker 1>prouder of our Penbrook chapter and the dean who supports it.

1:05:22.400 --> 1:05:24.600
<v Speaker 1>The Dean admits that Eric and Jack proved something to

1:05:24.680 --> 1:05:26.960
<v Speaker 1>him Today the guys may have just gotten away with it,

1:05:27.160 --> 1:05:30.360
<v Speaker 1>but then the Dean crushes their dreams. I was drunk

1:05:30.360 --> 1:05:34.080
<v Speaker 1>when I hired the dean of admissions. You poodles actually

1:05:34.080 --> 1:05:36.000
<v Speaker 1>believe that I'd be impressed by a couple of guys

1:05:36.000 --> 1:05:38.920
<v Speaker 1>from Love Boat. The dean apologizes to the TV alumni,

1:05:39.040 --> 1:05:41.400
<v Speaker 1>no offense. Ted laughs, they don't care. They get paid

1:05:41.440 --> 1:05:44.960
<v Speaker 1>either way. The Dean says, first thing tomorrow morning, Magnum

1:05:44.960 --> 1:05:47.480
<v Speaker 1>Pie will be closed. But now he's taking Bernie and

1:05:47.520 --> 1:05:49.920
<v Speaker 1>Ted home to meet his mom. Bernie says they usually

1:05:49.920 --> 1:05:52.560
<v Speaker 1>only do one appearance a night. The Nan adds she's

1:05:52.600 --> 1:05:54.760
<v Speaker 1>a big Get Smart fan. So Bernie responds in a

1:05:54.760 --> 1:05:57.200
<v Speaker 1>German accent, I suppose it wouldn't kill us to stop

1:05:57.200 --> 1:05:59.760
<v Speaker 1>by Ted reminds him he's not really the Get Smart

1:05:59.760 --> 1:06:02.240
<v Speaker 1>care dar, but Bernie doesn't care, and they all leave,

1:06:02.480 --> 1:06:05.280
<v Speaker 1>but not quick enough because this joke stinks and even

1:06:05.320 --> 1:06:07.440
<v Speaker 1>the audience wasn't into it, and they wound it freaking

1:06:07.560 --> 1:06:09.880
<v Speaker 1>everything tonight and like.

1:06:09.840 --> 1:06:14.080
<v Speaker 2>What, so the dean does just destroy the fraternity, still.

1:06:14.200 --> 1:06:17.720
<v Speaker 1>Still not working, nothing makes sense. Eric tells Jack tomorrow

1:06:17.760 --> 1:06:21.760
<v Speaker 1>they're closed, but tonight they're open. Jack smiles and tells

1:06:21.800 --> 1:06:30.320
<v Speaker 1>the ladies to head back to the closet. The Dean say,

1:06:30.360 --> 1:06:34.240
<v Speaker 1>tomorrow this is closed. Why not? What do you guys think?

1:06:34.240 --> 1:06:35.560
<v Speaker 1>I'm an idiot, Get the hell out of it.

1:06:35.760 --> 1:06:38.400
<v Speaker 2>Came all the way over here to shut them down

1:06:38.960 --> 1:06:45.560
<v Speaker 2>to college. Just don't gosh, I don't understand.

1:07:00.120 --> 1:07:03.240
<v Speaker 1>And then we're back in Phoenie's backyard. The Matthews family

1:07:03.320 --> 1:07:07.360
<v Speaker 1>is returning from a family frozen Yogurt night at Glaciers.

1:07:07.760 --> 1:07:08.600
<v Speaker 2>Is that a real place?

1:07:08.840 --> 1:07:09.040
<v Speaker 4>No?

1:07:09.160 --> 1:07:11.120
<v Speaker 1>I don't think so. Oh okay, you said it like

1:07:11.160 --> 1:07:12.920
<v Speaker 1>it was a real place. I just love all the

1:07:13.000 --> 1:07:15.560
<v Speaker 1>new food throwing out, all these new restaurants.

1:07:15.720 --> 1:07:19.560
<v Speaker 2>Whatever, the frozen yogurt place where the chubby fortune teller, No,

1:07:19.640 --> 1:07:20.720
<v Speaker 2>the fortune teller.

1:07:20.560 --> 1:07:23.240
<v Speaker 1>Right, that throws a yogurt place? I don't know. Yeah,

1:07:23.280 --> 1:07:23.640
<v Speaker 1>that was.

1:07:25.200 --> 1:07:26.640
<v Speaker 2>Madam something, Madam.

1:07:26.520 --> 1:07:31.040
<v Speaker 4>Something, Yes, and then a cult it was like whatever,

1:07:31.320 --> 1:07:33.040
<v Speaker 4>and a cult readings or something like that.

1:07:33.120 --> 1:07:36.800
<v Speaker 1>Right. Yeah. They also ignored Chubby's famous ice cream but whatever.

1:07:37.000 --> 1:07:40.439
<v Speaker 1>Phoene is sitting alone, staring into space or perhaps looking

1:07:40.440 --> 1:07:42.880
<v Speaker 1>at a driveway, who knows. When Amy stops to say

1:07:42.920 --> 1:07:45.960
<v Speaker 1>hi and offer him some yogurt. Phoene declines and Corey

1:07:46.000 --> 1:07:50.080
<v Speaker 1>whispers something into his mom's ear. Amy responds loudly, why

1:07:50.080 --> 1:07:52.640
<v Speaker 1>can't I offer him a yogurt? Corey asks if she

1:07:52.760 --> 1:07:56.280
<v Speaker 1>understands the concept of a whisper. Phoene offers, I think.

1:07:57.240 --> 1:08:01.040
<v Speaker 2>Weird way, Yes, what is this? It's like obviously he

1:08:01.080 --> 1:08:03.560
<v Speaker 2>doesn't say anything, and I was like, yeah, but we

1:08:03.600 --> 1:08:05.040
<v Speaker 2>can hear whispers on the show.

1:08:05.120 --> 1:08:05.520
<v Speaker 1>I just.

1:08:07.280 --> 1:08:09.200
<v Speaker 2>Cur idea what was going on? I was like, why.

1:08:10.520 --> 1:08:12.640
<v Speaker 1>Why does it need to be whispered? Why doesn't he

1:08:12.840 --> 1:08:16.160
<v Speaker 1>just say no? No, I'm sorry, you must not have heard.

1:08:16.320 --> 1:08:19.280
<v Speaker 1>Phoene like, why doesn't he just say something out loud.

1:08:20.800 --> 1:08:23.320
<v Speaker 2>Comfortable? I was like, what is what is? I don't

1:08:23.360 --> 1:08:25.040
<v Speaker 2>I know, I don't know.

1:08:27.280 --> 1:08:29.200
<v Speaker 1>Phoene offers, I think this might have something to do

1:08:29.240 --> 1:08:33.120
<v Speaker 1>with my suspending Sean Hunter. Alan is shocked. You suspended Sean.

1:08:33.720 --> 1:08:37.519
<v Speaker 1>Corey adds Sean's senior year his most important year, and

1:08:37.560 --> 1:08:41.520
<v Speaker 1>Phoene suspends him. Phoene defends his actions, Sean was practically

1:08:41.600 --> 1:08:44.960
<v Speaker 1>asking to be suspended every year. I watch bright kids

1:08:45.000 --> 1:08:47.000
<v Speaker 1>like Sean fall through the cracks. How do you think

1:08:47.000 --> 1:08:50.040
<v Speaker 1>it feels? Alan knows this isn't Phoene's fault, but Corey

1:08:50.080 --> 1:08:54.639
<v Speaker 1>thinks Sean deserves another chance on cue and also obvious.

1:08:54.720 --> 1:08:56.439
<v Speaker 1>If you saw did you see you moving in the

1:08:56.439 --> 1:08:56.920
<v Speaker 1>back rider?

1:08:57.000 --> 1:08:57.160
<v Speaker 2>Yep?

1:08:57.840 --> 1:09:01.519
<v Speaker 1>Yes, see him. You're learning. I know, I see, I

1:09:01.520 --> 1:09:04.479
<v Speaker 1>see the movement of somebody coming and uh yeah, and

1:09:04.520 --> 1:09:08.320
<v Speaker 1>so next thing you know, Uh. Sean walks out and

1:09:08.479 --> 1:09:11.559
<v Speaker 1>says he's given me plenty of chances. He tells Feoenie,

1:09:11.840 --> 1:09:13.880
<v Speaker 1>I didn't treat you with the respect that you deserve.

1:09:14.240 --> 1:09:17.719
<v Speaker 1>Alan suggests the family leave them alone. Also, their yogurt

1:09:17.800 --> 1:09:20.639
<v Speaker 1>is probably melting. Mister Phoene asks Sean if he's coming

1:09:20.720 --> 1:09:23.120
<v Speaker 1>back to school, and Corey jumps in, yes, yes he is,

1:09:23.560 --> 1:09:25.439
<v Speaker 1>but Sean doesn't think he should be wasting any more

1:09:25.439 --> 1:09:28.760
<v Speaker 1>of Phoene's time. Feoene answers, You've never wasted any of

1:09:28.800 --> 1:09:32.280
<v Speaker 1>my time. Corey reveals that Sean's been taking college courses.

1:09:32.680 --> 1:09:35.680
<v Speaker 1>Feene is surprised, and Sean explains, I guess it's like

1:09:35.720 --> 1:09:38.680
<v Speaker 1>Burredon's paradox. There were two bowls placed in front of me.

1:09:38.800 --> 1:09:41.920
<v Speaker 1>One was high school and one was college. I chose college.

1:09:42.400 --> 1:09:45.880
<v Speaker 1>Corey encourages Sean to show mister Feenie his paper. Sean says, what.

1:09:45.880 --> 1:09:47.280
<v Speaker 2>Does it have to do with the paradox? Is the

1:09:47.280 --> 1:09:50.439
<v Speaker 2>whole paradox is that you starve to death because that

1:09:50.520 --> 1:09:52.800
<v Speaker 2>the donkey the ass would starve to death because I

1:09:52.840 --> 1:09:54.280
<v Speaker 2>can't choose between.

1:09:54.000 --> 1:09:55.600
<v Speaker 1>The two, right, But you chose I.

1:09:57.439 --> 1:10:01.200
<v Speaker 2>Chose college. That actually doesn't make sense. It could have

1:10:01.240 --> 1:10:03.040
<v Speaker 2>easily been like and I got stuck and I couldn't

1:10:03.080 --> 1:10:05.679
<v Speaker 2>do either, which actually would make sense with the paradox.

1:10:05.720 --> 1:10:09.280
<v Speaker 2>But instead it's like I chose college. What, Oh my god.

1:10:09.920 --> 1:10:11.800
<v Speaker 1>Yeah, very frustrated. It doesn't make them.

1:10:11.880 --> 1:10:14.760
<v Speaker 2>No, it's just like reference to that thing we said earlier.

1:10:15.200 --> 1:10:17.479
<v Speaker 2>Let's wrap up this reference with a bow. But it's

1:10:17.520 --> 1:10:19.720
<v Speaker 2>actually like, well, just do it right, just have it.

1:10:19.960 --> 1:10:22.599
<v Speaker 2>Like we've had references on our show that make perfect sense.

1:10:22.640 --> 1:10:25.000
<v Speaker 2>You can come up with the philosophy reference and a

1:10:25.040 --> 1:10:27.720
<v Speaker 2>situation that would work well and they just didn't do it.

1:10:28.080 --> 1:10:31.960
<v Speaker 1>Yeah, yeah, so Sean says, it's just another f to

1:10:31.960 --> 1:10:34.400
<v Speaker 1>add to the scrap book. Phoene begins to read the paper.

1:10:35.000 --> 1:10:36.920
<v Speaker 1>I can see you have some grammar problems here. The

1:10:36.960 --> 1:10:40.439
<v Speaker 1>structure is way off. This entire paper is in one sentence.

1:10:40.800 --> 1:10:44.760
<v Speaker 1>But it's good, clearly college level. Sean perks up. How

1:10:44.800 --> 1:10:46.280
<v Speaker 1>can best I know?

1:10:47.520 --> 1:10:52.439
<v Speaker 2>I know, it's like, okay, so what is the what

1:10:52.600 --> 1:10:55.120
<v Speaker 2>is college level about it? If it's this the strength

1:10:55.160 --> 1:10:58.160
<v Speaker 2>of the ideas, even though it's a biography, I just

1:10:58.200 --> 1:11:01.320
<v Speaker 2>found like, I just realized what the research because then

1:11:01.320 --> 1:11:04.080
<v Speaker 2>we also were told by that the research was sloppy, right,

1:11:04.200 --> 1:11:06.880
<v Speaker 2>just so what is good? I thought? Maybe honestly, when

1:11:06.880 --> 1:11:08.360
<v Speaker 2>I was watching, I thought that the point was that

1:11:08.400 --> 1:11:12.080
<v Speaker 2>Sean was like critically thinking and like being philosophical. But

1:11:12.120 --> 1:11:15.040
<v Speaker 2>if it's a biography, that wouldn't matter. And then if

1:11:15.600 --> 1:11:19.240
<v Speaker 2>it's just and also why in philosophy class are they

1:11:19.240 --> 1:11:23.240
<v Speaker 2>doing the biographies of the philosophers as opposed to discuss I.

1:11:23.200 --> 1:11:25.920
<v Speaker 1>Know, but Sean perks up for the first time he

1:11:26.000 --> 1:11:29.840
<v Speaker 1>actually saw himself in college. Corey smiles, I always saw

1:11:29.880 --> 1:11:33.360
<v Speaker 1>you there, Feenie agrees, so did I. But Sean, you

1:11:33.439 --> 1:11:36.160
<v Speaker 1>must come back to class. You have to learn the basics,

1:11:36.200 --> 1:11:39.080
<v Speaker 1>and I'm going to keep teaching it. That is my philosophy.

1:11:39.680 --> 1:11:42.479
<v Speaker 1>Phoenie even offers to throw in a little Schopenhauer. He

1:11:42.600 --> 1:11:44.920
<v Speaker 1>probably doesn't know as much as Sean, but he's willing

1:11:44.960 --> 1:11:48.200
<v Speaker 1>to learn. We freeze on Sean's face as he accepts

1:11:48.320 --> 1:11:52.400
<v Speaker 1>Phoene's gesture and decides to learn how to use separate sentences.

1:11:54.000 --> 1:11:56.720
<v Speaker 1>Here's that moment, writer, where you're right, It's supposed to

1:11:56.760 --> 1:12:01.479
<v Speaker 1>be this great touching Phoenie moment and it just just

1:12:01.560 --> 1:12:02.400
<v Speaker 1>so unearned.

1:12:02.640 --> 1:12:05.360
<v Speaker 2>I was like, I don't I want this to be this.

1:12:05.840 --> 1:12:08.439
<v Speaker 2>I want Sean to come back and recognize the importance

1:12:08.439 --> 1:12:10.479
<v Speaker 2>of feeding in his life. Like all of that is

1:12:10.520 --> 1:12:13.200
<v Speaker 2>a great value. It's just we didn't earn it. Like

1:12:13.240 --> 1:12:16.519
<v Speaker 2>it's that the episode is just so lazy up until now.

1:12:17.000 --> 1:12:19.120
<v Speaker 4>Really is and it is such a shame because the

1:12:19.160 --> 1:12:23.160
<v Speaker 4>actual premise forget the fraternity starting your fraternity stuff, which

1:12:23.160 --> 1:12:24.000
<v Speaker 4>is stupid, but.

1:12:24.040 --> 1:12:27.719
<v Speaker 2>The Sean pretending to be in college overgrowing and getting

1:12:27.760 --> 1:12:33.200
<v Speaker 2>into college and yes, and there are different ways. It's

1:12:33.400 --> 1:12:34.600
<v Speaker 2>such a great idea.

1:12:34.640 --> 1:12:36.360
<v Speaker 1>And also be supportive.

1:12:36.479 --> 1:12:38.720
<v Speaker 4>Yes, I mean the way finding I mean, there's so

1:12:38.800 --> 1:12:42.080
<v Speaker 4>many ways that this could have been really good for Sean.

1:12:41.880 --> 1:12:44.120
<v Speaker 2>I actually would make the most sense is if Shawn

1:12:44.160 --> 1:12:46.600
<v Speaker 2>ends up in a poetry class, right, and and the

1:12:46.720 --> 1:12:49.960
<v Speaker 2>idea that he gets really excited about is like anything

1:12:49.960 --> 1:12:52.879
<v Speaker 2>can be poetry, which is true, right, Like there's experimental poetry,

1:12:52.880 --> 1:12:55.840
<v Speaker 2>and so like Sean starts, you know, he starts off

1:12:55.920 --> 1:12:59.599
<v Speaker 2>jokingly making bad poems, but they work because the poet

1:12:59.760 --> 1:13:02.000
<v Speaker 2>poet true teachers really into it. And then that would

1:13:02.040 --> 1:13:04.559
<v Speaker 2>make sense with Sean later becoming a poet or like,

1:13:04.640 --> 1:13:06.080
<v Speaker 2>you know, it also just makes I don't know, like

1:13:06.120 --> 1:13:09.439
<v Speaker 2>the fact that they chose philosophy and then didn't develop

1:13:09.479 --> 1:13:11.599
<v Speaker 2>it enough to make it sing like.

1:13:11.640 --> 1:13:15.799
<v Speaker 1>It's here's the little time machine idea. What if Feenie

1:13:16.160 --> 1:13:20.759
<v Speaker 1>took his favorite students to go to Penbrook to see

1:13:20.800 --> 1:13:24.960
<v Speaker 1>the options of what's available there, and Sean gets sucked

1:13:24.960 --> 1:13:29.120
<v Speaker 1>in cult like and abandons high school, and then you

1:13:29.200 --> 1:13:32.200
<v Speaker 1>also get Feoenie and Dean Borak in the same place

1:13:32.240 --> 1:13:36.559
<v Speaker 1>that can tie in to Eric and Pheenie, and you

1:13:36.600 --> 1:13:39.920
<v Speaker 1>see that you actually get Feoenie and the see Dean,

1:13:40.040 --> 1:13:43.480
<v Speaker 1>this is my mentor, and you get that element distinction

1:13:43.800 --> 1:13:46.320
<v Speaker 1>and Phoenie then feels responsible that he was a part

1:13:46.400 --> 1:13:49.000
<v Speaker 1>of losing Sean, and now he has to convince Sean Listen,

1:13:49.040 --> 1:13:51.240
<v Speaker 1>I'm so excited that you're passionate about this, but you

1:13:51.439 --> 1:13:53.519
<v Speaker 1>have to I have still stuff I have to teach

1:13:53.520 --> 1:13:54.479
<v Speaker 1>you first, and.

1:13:54.760 --> 1:13:57.000
<v Speaker 2>He says I have things I love. And then someone

1:13:57.000 --> 1:14:00.160
<v Speaker 2>says love love bo let's bring on the loop and

1:14:00.200 --> 1:14:00.519
<v Speaker 2>then we.

1:14:02.760 --> 1:14:08.679
<v Speaker 4>Work them that doing this, doing the double finger guns,

1:14:08.800 --> 1:14:10.479
<v Speaker 4>and I think we're good.

1:14:10.680 --> 1:14:12.400
<v Speaker 1>Perfect, Well, then we're in the tag. We're in the

1:14:12.400 --> 1:14:14.840
<v Speaker 1>Matthews kitchen, Ted and Bernie are sitting at the dining

1:14:14.880 --> 1:14:20.519
<v Speaker 1>table surrounded by the entire family. Almost we're just acting.

1:14:20.680 --> 1:14:23.240
<v Speaker 1>Yelling is all we're doing as a cast. At this point,

1:14:23.320 --> 1:14:23.679
<v Speaker 1>we are.

1:14:23.640 --> 1:14:28.120
<v Speaker 2>Just established story and clearly established that the Matthews are

1:14:28.160 --> 1:14:32.400
<v Speaker 2>a boring storytellers and be really love boat fans who

1:14:32.560 --> 1:14:35.200
<v Speaker 2>just obsessively want to be around famous people who have

1:14:35.240 --> 1:14:36.559
<v Speaker 2>to work. What is the joke?

1:14:36.920 --> 1:14:39.400
<v Speaker 1>What is the joke? The joke is supposed to be.

1:14:39.600 --> 1:14:42.599
<v Speaker 4>The joke is supposed to be they won't let them

1:14:42.720 --> 1:14:45.400
<v Speaker 4>leave because they want to hear one more story. And

1:14:45.439 --> 1:14:48.400
<v Speaker 4>we think it's that they're telling love board love boat stories,

1:14:48.479 --> 1:14:52.120
<v Speaker 4>but it's actually the Matthews telling them stories about Corey because.

1:14:51.840 --> 1:14:55.559
<v Speaker 1>You need to humor women by listening to them.

1:14:55.680 --> 1:14:57.320
<v Speaker 2>I don't care it, Like, I just don't like that

1:14:57.439 --> 1:14:59.960
<v Speaker 2>is so not established anything about the Matthews.

1:15:00.400 --> 1:15:03.599
<v Speaker 1>They're just not We don't have to establish that. Everyone

1:15:03.680 --> 1:15:06.439
<v Speaker 1>knows women who talk are annoying and you have to

1:15:06.520 --> 1:15:07.320
<v Speaker 1>hear them.

1:15:07.400 --> 1:15:10.160
<v Speaker 2>I just don't know what's happening, Like, no, I'm.

1:15:10.160 --> 1:15:11.639
<v Speaker 1>Just the yell like, oh, this is a good story.

1:15:11.680 --> 1:15:12.679
<v Speaker 1>This is the bit I'm just.

1:15:12.680 --> 1:15:16.759
<v Speaker 4>Watching, going what what is happening? What is the actual

1:15:17.120 --> 1:15:19.640
<v Speaker 4>is going on this entire week? I don't it was

1:15:19.920 --> 1:15:21.720
<v Speaker 4>so odd.

1:15:22.040 --> 1:15:25.400
<v Speaker 1>Yes, Eric asks the guys, don't you just love my family?

1:15:25.520 --> 1:15:27.720
<v Speaker 1>The men are obviously ready to leave. Oh, we had

1:15:27.760 --> 1:15:30.400
<v Speaker 1>a wonderful evening. You're delightful people, but we really should

1:15:30.400 --> 1:15:33.800
<v Speaker 1>be heading back to the airport. Alan responds, nonsense, Come on,

1:15:33.800 --> 1:15:36.000
<v Speaker 1>one more story. Corey ads, it's not every day we

1:15:36.000 --> 1:15:38.800
<v Speaker 1>get to meet a couple of celebrities from the TV. Huh.

1:15:38.920 --> 1:15:41.360
<v Speaker 1>Ted forces a smile and agrees to stay for one

1:15:41.360 --> 1:15:44.280
<v Speaker 1>more story. How did he How did they end up

1:15:44.280 --> 1:15:46.439
<v Speaker 1>at the Matthews house when the last thing we saw

1:15:46.560 --> 1:15:47.559
<v Speaker 1>was he was.

1:15:47.600 --> 1:15:50.960
<v Speaker 4>Taking him to go meet the Dean's mom and Eric

1:15:51.120 --> 1:15:53.040
<v Speaker 4>didn't get or pay for them.

1:15:53.080 --> 1:15:54.320
<v Speaker 1>He didn't know they were coming.

1:15:54.439 --> 1:15:57.320
<v Speaker 4>So it was Jack who actually got them and paid

1:15:57.360 --> 1:15:58.680
<v Speaker 4>for them.

1:15:58.280 --> 1:16:03.080
<v Speaker 1>Right, And doesn't Alan say my on, Paige, you yes, Okay,

1:16:04.120 --> 1:16:06.760
<v Speaker 1>It's like they didn't they It's not even continuity from

1:16:06.760 --> 1:16:10.080
<v Speaker 1>episode to episode. It seems to the scene as they

1:16:10.080 --> 1:16:11.599
<v Speaker 1>were like not even trying.

1:16:11.840 --> 1:16:14.599
<v Speaker 2>But this is like, I mean, it's just what I mean,

1:16:14.600 --> 1:16:19.479
<v Speaker 2>this is what precisely elevated Boy Meets Worlds from most sitcoms,

1:16:19.479 --> 1:16:22.200
<v Speaker 2>is that we didn't go for jokes, Like we didn't

1:16:22.240 --> 1:16:24.439
<v Speaker 2>just like throw things out the window to be like,

1:16:24.479 --> 1:16:27.160
<v Speaker 2>we didn't create arkle bots or whatever for like. It

1:16:27.240 --> 1:16:32.320
<v Speaker 2>was always trying to be a real slightly more realistic show,

1:16:32.600 --> 1:16:35.240
<v Speaker 2>or at least connected with the through line of like

1:16:35.560 --> 1:16:38.920
<v Speaker 2>consistent character, and this episode just throws all of that

1:16:39.040 --> 1:16:41.519
<v Speaker 2>out the window. It's so frustrating. It's like, what do we.

1:16:41.560 --> 1:16:45.240
<v Speaker 4>Comedy didn't come from bits we weren't doing right exactly.

1:16:45.760 --> 1:16:49.360
<v Speaker 4>The comedy came from the relationships Kenny, came from solid

1:16:49.360 --> 1:16:51.120
<v Speaker 4>writing and storytelling.

1:16:50.520 --> 1:16:52.600
<v Speaker 2>And just this is just ridiculous.

1:16:52.680 --> 1:16:55.479
<v Speaker 4>Yeah, I don't disagree. These last couple episodes have been

1:16:55.800 --> 1:16:56.760
<v Speaker 4>really disappointing.

1:16:57.439 --> 1:16:59.760
<v Speaker 1>The two men sit back down and Amy begins When

1:17:00.000 --> 1:17:02.160
<v Speaker 1>here was seven, he fell off his bicycle. The family's

1:17:02.240 --> 1:17:05.800
<v Speaker 1>excited for the tooth fairy story. Ted and Bernie, however,

1:17:05.840 --> 1:17:08.960
<v Speaker 1>are not pleased. They've already heard this one six hours ago.

1:17:09.280 --> 1:17:12.000
<v Speaker 1>For the love of God, let us go. Alan reminds

1:17:12.080 --> 1:17:13.920
<v Speaker 1>them that his son paid them, so they need to

1:17:13.960 --> 1:17:16.920
<v Speaker 1>sit and listen to his wife's stories. He even locks

1:17:16.960 --> 1:17:19.080
<v Speaker 1>the back door so they can't escape, creating a bit

1:17:19.120 --> 1:17:22.559
<v Speaker 1>of a misery situation. Ted looks at Bernie, I'm scared.

1:17:22.800 --> 1:17:26.679
<v Speaker 1>Bernie is terrified love boat stalkers. They nervously sit down,

1:17:26.680 --> 1:17:29.559
<v Speaker 1>and Morgan asks, how'd you like to live here? Amy

1:17:29.600 --> 1:17:30.839
<v Speaker 1>continues on with her stories.

1:17:31.640 --> 1:17:35.080
<v Speaker 2>Is the Matthews are always so crazy? I just don't

1:17:35.080 --> 1:17:36.760
<v Speaker 2>get the what I know?

1:17:38.080 --> 1:17:40.280
<v Speaker 1>Ammy continues on with her story, and the whole family

1:17:40.360 --> 1:17:42.479
<v Speaker 1>joins in, talking over one another, trying to tell the

1:17:42.520 --> 1:17:46.040
<v Speaker 1>same story to their poor hostages, who they will eventually

1:17:46.120 --> 1:17:51.880
<v Speaker 1>kill at nightfall. Thank you all for joining us for

1:17:52.000 --> 1:17:56.080
<v Speaker 1>this episode of pod Meets World. I am I'll be honest, guys,

1:17:57.400 --> 1:18:03.000
<v Speaker 1>I'm nervous now, me too that it's going to be

1:18:03.160 --> 1:18:09.000
<v Speaker 1>hard for us to do this podcast because we are

1:18:09.040 --> 1:18:11.240
<v Speaker 1>going to feel I'm worried that we're going to feel

1:18:11.320 --> 1:18:15.360
<v Speaker 1>so negatively about the episodes that it's going to one

1:18:15.520 --> 1:18:19.600
<v Speaker 1>become intolerable to listen to. Yeah, and it's going to

1:18:19.600 --> 1:18:26.000
<v Speaker 1>become intolerable for us to do. And I'm that's it's

1:18:26.080 --> 1:18:28.400
<v Speaker 1>just a blunt honesty.

1:18:29.120 --> 1:18:32.240
<v Speaker 2>I'm terrified because also what I'm starting to see is like,

1:18:33.320 --> 1:18:35.880
<v Speaker 2>because when we started this podcast, there was this huge

1:18:35.920 --> 1:18:38.400
<v Speaker 2>sort of movement for me to be like, oh my god, boy,

1:18:38.479 --> 1:18:41.040
<v Speaker 2>these world is good, so good. And I think what

1:18:41.080 --> 1:18:44.080
<v Speaker 2>I'm realizing is that I carry it into my twenties

1:18:44.120 --> 1:18:46.320
<v Speaker 2>the memories of seasons five.

1:18:46.320 --> 1:18:51.000
<v Speaker 4>Possibly right, Yeah, My problem is kind of the opposite

1:18:51.000 --> 1:18:53.680
<v Speaker 4>of that, where in my memories, like I have a

1:18:53.680 --> 1:18:56.360
<v Speaker 4>lot of people that conventions and our live shows and stuff

1:18:56.320 --> 1:18:58.639
<v Speaker 4>like that that say to me like, wow, I really

1:18:58.640 --> 1:19:01.519
<v Speaker 4>didn't like the change that Eric made in the later episodes.

1:19:01.520 --> 1:19:03.040
<v Speaker 1>He was so much more grounded so much.

1:19:02.920 --> 1:19:04.640
<v Speaker 4>And I was always like, no, he's so fun and

1:19:04.680 --> 1:19:07.439
<v Speaker 4>wacky in five, six, and seven, those are my favorite years.

1:19:07.560 --> 1:19:10.760
<v Speaker 4>And now that I'm rewatching it again, I'm already not liking.

1:19:10.479 --> 1:19:12.680
<v Speaker 1>Where it's going. And I know it's only going to

1:19:12.720 --> 1:19:15.200
<v Speaker 1>get worse, But I am optimistic.

1:19:15.280 --> 1:19:17.280
<v Speaker 4>I did not you know, it pops up on your

1:19:17.280 --> 1:19:20.400
<v Speaker 4>Disney plus what's coming up next? And I saw, I

1:19:20.400 --> 1:19:22.400
<v Speaker 4>know you're gonna announce it, Danielle, But I saw which

1:19:22.439 --> 1:19:26.160
<v Speaker 4>is a Pembroke Yes, And I remember this being a

1:19:26.240 --> 1:19:29.400
<v Speaker 4>good episode, Okay, I am. I remember us having a

1:19:29.439 --> 1:19:33.559
<v Speaker 4>ton of fun. This is the one that Candace Cameron

1:19:33.680 --> 1:19:37.759
<v Speaker 4>and Melissa and so good.

1:19:37.960 --> 1:19:42.200
<v Speaker 2>But I remember having fun and funny. I remember having fun.

1:19:42.280 --> 1:19:45.360
<v Speaker 2>But I also remember very consciously thinking like, what has

1:19:45.360 --> 1:19:48.600
<v Speaker 2>happened to our show? And it was with like you know,

1:19:48.640 --> 1:19:51.520
<v Speaker 2>because then we do the the World War two episode,

1:19:51.640 --> 1:19:55.000
<v Speaker 2>like this season is bonkers, and like I think this

1:19:55.080 --> 1:19:58.120
<v Speaker 2>is when I was in college in my personal life,

1:19:58.120 --> 1:20:00.400
<v Speaker 2>and I think I just checked out. I just think

1:20:00.400 --> 1:20:01.920
<v Speaker 2>we're just going to have to reach this point where

1:20:02.000 --> 1:20:04.559
<v Speaker 2>we're not because, like you're saying, Danielle, I don't want

1:20:04.560 --> 1:20:06.840
<v Speaker 2>to be insufferable to our listeners. I don't want to

1:20:06.920 --> 1:20:09.439
<v Speaker 2>sit here. So I think at a certain point we

1:20:09.479 --> 1:20:12.960
<v Speaker 2>can stop being shocked or stop commenting on it and

1:20:13.040 --> 1:20:15.559
<v Speaker 2>just acknowledge like it's not for us, it's not my

1:20:15.840 --> 1:20:17.639
<v Speaker 2>you know, it's not a show that writer likes anymore.

1:20:17.960 --> 1:20:20.040
<v Speaker 2>That might just happen and then we'll just be here

1:20:20.080 --> 1:20:22.720
<v Speaker 2>to talk about our memories. And you know, I don't know.

1:20:23.160 --> 1:20:25.000
<v Speaker 1>We certainly don't want to ruin it for anybody else.

1:20:25.120 --> 1:20:27.000
<v Speaker 2>No, that's the thing. It's like, it's going to be borring,

1:20:27.120 --> 1:20:31.200
<v Speaker 2>like what unless we can remember specific things like choices

1:20:31.240 --> 1:20:33.760
<v Speaker 2>that were made that ended up being that way. But

1:20:33.840 --> 1:20:38.400
<v Speaker 2>I can't remember why, other than you know, our director changing,

1:20:38.520 --> 1:20:40.840
<v Speaker 2>which is a big change. I don't remember what was

1:20:40.840 --> 1:20:43.280
<v Speaker 2>so different about season five. Maybe we were just more comfortable.

1:20:43.479 --> 1:20:45.000
<v Speaker 1>Jeff Sherman left, Jeff, That's.

1:20:44.920 --> 1:20:45.240
<v Speaker 2>What I mean.

1:20:45.280 --> 1:20:49.040
<v Speaker 1>Our director chage, Oh, Jeff Shervan and Jeff Sherman left

1:20:49.560 --> 1:20:52.240
<v Speaker 1>the writing. Is this the season when Mark Bluman and

1:20:52.240 --> 1:20:54.679
<v Speaker 1>how We're Best Gang leaves halfway through the season.

1:20:56.720 --> 1:20:58.400
<v Speaker 4>Here's the other thing, though, I would like to say,

1:20:58.479 --> 1:21:02.280
<v Speaker 4>because I dealt with this beginning of Magical rewind, which

1:21:02.360 --> 1:21:05.240
<v Speaker 4>is watching a whole bunch of D coms as a

1:21:05.280 --> 1:21:08.280
<v Speaker 4>forty seven year old man is certainly different than watching

1:21:08.360 --> 1:21:10.680
<v Speaker 4>D comms as a fourteen year old right. So one

1:21:10.720 --> 1:21:12.280
<v Speaker 4>of the things I think we also have to be

1:21:12.320 --> 1:21:16.360
<v Speaker 4>cognizant of is we can't We're always trying to elevate

1:21:16.400 --> 1:21:19.799
<v Speaker 4>Boy Meets World to it transcended age, which it did.

1:21:19.640 --> 1:21:20.799
<v Speaker 1>In the first couple seasons.

1:21:21.040 --> 1:21:23.080
<v Speaker 4>But we also do have to remember that this was

1:21:23.120 --> 1:21:25.080
<v Speaker 4>a TGI have show on Friday night.

1:21:25.200 --> 1:21:26.600
<v Speaker 1>There were mostly teenagers watching it.

1:21:26.680 --> 1:21:29.559
<v Speaker 4>Teen agers watching it that they're you know, and so

1:21:29.920 --> 1:21:33.760
<v Speaker 4>to a twelve thirteen year old young person, some of

1:21:33.800 --> 1:21:36.080
<v Speaker 4>the stuff, the gags in the that we are not

1:21:36.320 --> 1:21:38.960
<v Speaker 4>finding funny now might have been hysterical on a Friday night.

1:21:39.000 --> 1:21:40.920
<v Speaker 1>I think we need to keep that in mind, too. True,

1:21:40.960 --> 1:21:44.160
<v Speaker 1>But some of my favorite elements of doing this podcast

1:21:44.200 --> 1:21:49.439
<v Speaker 1>with you too have been us talking about and appreciating

1:21:50.280 --> 1:21:54.400
<v Speaker 1>the genius of the production. It's not even the of

1:21:54.400 --> 1:21:58.679
<v Speaker 1>course we praise the actors too, but it's actually about wow,

1:21:59.000 --> 1:22:02.880
<v Speaker 1>this writing, the construct, the structure, the way this is

1:22:02.960 --> 1:22:07.160
<v Speaker 1>carried out, the ribbons, the through lines, the depth, the balance,

1:22:07.479 --> 1:22:11.559
<v Speaker 1>all of those things that have been so stand out

1:22:11.840 --> 1:22:14.559
<v Speaker 1>and are the thing when I say what's the secret sauce,

1:22:14.600 --> 1:22:16.800
<v Speaker 1>it's all those things I just mentioned. It's all of

1:22:16.840 --> 1:22:19.519
<v Speaker 1>those the care, the consideration, the all those things that

1:22:19.560 --> 1:22:23.320
<v Speaker 1>went into it. It's gonna be hard to do. And

1:22:23.439 --> 1:22:26.639
<v Speaker 1>if if there are no answers to those, well, why

1:22:26.680 --> 1:22:30.200
<v Speaker 1>does this happen. It's gonna change also a little bit

1:22:30.560 --> 1:22:34.200
<v Speaker 1>the structure of how we do the podcast, because we

1:22:34.360 --> 1:22:36.839
<v Speaker 1>just aren't gonna be able to have those conversations without

1:22:36.880 --> 1:22:38.760
<v Speaker 1>sounding negative, because we're gonna go, well, that doesn't make

1:22:38.760 --> 1:22:40.760
<v Speaker 1>any sense, and let's discuss that, Well, why wouldn't they?

1:22:40.760 --> 1:22:42.880
<v Speaker 1>And like that's the part that's sounding negative, is that

1:22:42.960 --> 1:22:45.160
<v Speaker 1>we're regularly bringing up why is this the case? And

1:22:45.240 --> 1:22:47.960
<v Speaker 1>yet how do you not bring it up? I don't know,

1:22:48.040 --> 1:22:50.439
<v Speaker 1>I'm just this is I'm not I didn't plan to

1:22:50.479 --> 1:22:53.720
<v Speaker 1>talk about any of this, so it's just me kind

1:22:53.720 --> 1:22:55.840
<v Speaker 1>of spouting off the top of my head. And we

1:22:55.880 --> 1:22:59.120
<v Speaker 1>started the podcast being one hundred percent transparent with our

1:22:59.160 --> 1:23:02.160
<v Speaker 1>dear listeners about out our fears and our concerns. And

1:23:02.640 --> 1:23:05.040
<v Speaker 1>here we are this far into it, and we have

1:23:05.160 --> 1:23:10.920
<v Speaker 1>been mostly thrilled and now I'm my just blunt honest

1:23:10.960 --> 1:23:15.880
<v Speaker 1>truth is I'm scared. So thank you for joining us,

1:23:16.680 --> 1:23:21.000
<v Speaker 1>and we'll see, we'll see what goes on. As always,

1:23:21.000 --> 1:23:23.120
<v Speaker 1>you can follow us on Instagram pod meets World Show,

1:23:23.200 --> 1:23:26.240
<v Speaker 1>you can send us your emails podmeets Worldshow at gmail

1:23:26.280 --> 1:23:28.640
<v Speaker 1>dot com. And actually, to that point would be a

1:23:28.640 --> 1:23:31.640
<v Speaker 1>perfect opportunity if any of these season five episodes that

1:23:31.680 --> 1:23:35.200
<v Speaker 1>we've covered thus far have been your favorite, Please send

1:23:35.280 --> 1:23:37.920
<v Speaker 1>us an email tell us why we're wrong, Explain to

1:23:38.000 --> 1:23:39.840
<v Speaker 1>us what you love about it and how they make

1:23:39.920 --> 1:23:43.599
<v Speaker 1>you feel. We would honestly love to hear your POV

1:23:43.840 --> 1:23:45.680
<v Speaker 1>and would love to hear from people who love these

1:23:45.720 --> 1:23:53.760
<v Speaker 1>episodes and we have March. We're still optimistic March Podmeets

1:23:53.840 --> 1:23:58.200
<v Speaker 1>Worldshow dot com will send us out. We love you all,

1:23:58.680 --> 1:24:01.599
<v Speaker 1>thanks for staying with us. Pod dismissed.

1:24:02.600 --> 1:24:06.120
<v Speaker 4>Podmets World is niheart podcast producer and hosted by Danielle Fischel,

1:24:06.200 --> 1:24:10.439
<v Speaker 4>Wilfredell and Ryder Strong executive producers, Jensen Karp and Amy Sugarman,

1:24:10.760 --> 1:24:14.280
<v Speaker 4>Executive in charge of production, Danielle Romo, producer and editor,

1:24:14.320 --> 1:24:18.120
<v Speaker 4>Tara Sudbaksch, producer, Maddy Moore, engineer and Boy Meets World

1:24:18.160 --> 1:24:21.080
<v Speaker 4>superfan Easton Allen. Our theme song is by Kyle Morton

1:24:21.080 --> 1:24:23.240
<v Speaker 4>of Typhoon and you can follow us on Instagram at

1:24:23.240 --> 1:24:26.320
<v Speaker 4>Podmeats World Show or email us at Podmets Worldshow at

1:24:26.360 --> 1:24:29.080
<v Speaker 4>gmail dot com