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Speaker 1: I had something happen the other day and I want

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Speaker 1: your opinion on it. I went to go get my

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Speaker 1: nails done at this place that I've been going to

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Speaker 1: for five years. I love them, They're great. And I

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Speaker 1: had to listen to our podcast while I was getting

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Speaker 1: my nails done because I was doing some editing. So

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Speaker 1: I have my headphones in and I then finish the podcast,

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Speaker 1: take my headphones out, put them back in their case,

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Speaker 1: and put them on the armrest next to me, next

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Speaker 1: to my phone, and think to myself, don't forget to

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Speaker 1: put those in your purse. But it's right next to

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Speaker 1: my phone, and I'm not going to forget my phone,

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Speaker 1: So like I feel pretty confident about it. Then it's

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Speaker 1: time for me to pay. I get up, I grab

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Speaker 1: my headphones, I grab my phone. I walk up to

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Speaker 1: the counter. I grab my purse to versus now on

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Speaker 1: the other side, pick up my purse. I now have

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Speaker 1: my purse hanging on me and my phone and my

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Speaker 1: headphones in my other hand. I put them down on

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Speaker 1: the counter so that I can pay, and I think

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Speaker 1: to myself again as I put them down, don't forget

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Speaker 1: to put those headphones in your purse. I pay I

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Speaker 1: grab my phone, I leave, forget the headphones. I walk out,

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Speaker 1: I get in the car, I drive home. I go

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Speaker 1: through the rest of my day. So my appointment was

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Speaker 1: at nine thirty. I was probably done about ten thirty,

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Speaker 1: so I left them behind around ten thirty. Around three pm,

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Speaker 1: I get a message from our dear Tara, who says,

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Speaker 1: did you have any notes on the episode? I didn't

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Speaker 1: see any notes, and I go, oh, I think I did.

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Speaker 1: I think I left notes in there, And then it

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Speaker 1: occurs to me, I have to listen to the podcast

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Speaker 1: again to make sure I don't have any notes. Where

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Speaker 1: are my headphones? Immediately, of course, Danielle, you left them

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Speaker 1: on the counter. So I immediately text the woman who

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Speaker 1: I book my appointments with and I go, hey, it's Danielle.

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Speaker 1: Did I leave my headphones on the counter at check out?

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Speaker 1: And realize I'm one hundred percent sure that I did, Like,

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Speaker 1: I know that's what I did. I remembered multiple times

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Speaker 1: thinking to myself, don't forget, and then I walked out,

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Speaker 1: and I have no recollection of putting them in my

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Speaker 1: purse or having them back in my hand, like I'm

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Speaker 1: sure they're there, And she writes back I don't know,

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Speaker 1: let me check. I go okay. She doesn't ever write

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Speaker 1: me back. Then I leave and I have to go

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Speaker 1: pick up Adler for karate. So on my way to karate,

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Speaker 1: I stop in at the nail salon and I walk

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Speaker 1: in and everybody looks at me, like, oh, weren't you

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Speaker 1: just here earlier this morning? I'm like, yeah, hi, you know,

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Speaker 1: I left my headphones here. And the woman I had

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Speaker 1: texted with, who was the person who checked me out earlier,

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Speaker 1: says to me, yeah, yeah, I said I would call you.

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Speaker 1: I said I would call you, and she starts shooting me.

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Speaker 2: She was shoeing you away.

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Speaker 1: She showed me out of the nail salon. I said

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Speaker 1: I would call you. I'll call you. I'll call you,

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Speaker 1: and I said, oh, okay, I just I wanted to

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Speaker 1: just I left them right here, and so I'm like

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Speaker 1: kind of looking on the counter like they're not I

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Speaker 1: look on the floor, and she's like, I don't know,

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Speaker 1: maybe somebody took them, go go go. I said, I'll

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Speaker 1: call you, and I'm like okay. So I leave and

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Speaker 1: I get in the car and I'm.

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Speaker 3: Like, I can't.

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Speaker 1: I was just shoot out of my nail salon. Oh,

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Speaker 1: because I left my head I don't understand what's going on.

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Speaker 1: I don't hear from her. I go on Amazon, I

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Speaker 1: order new headphones, so I'm like bummed about it. And

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Speaker 1: then two three days later, hey, we have your headphones.

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Speaker 1: I go, you found my headphones? Yeah? I said, okay,

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Speaker 1: I'll come and pick them up right now. I get

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Speaker 1: to the nail salon, I walk in, I go, Hi,

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Speaker 1: you found my headphones. She goes, yeah, I put your

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Speaker 1: name on them this time so you don't lose them again.

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Speaker 1: And she had printed out oh, my name and stuck

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Speaker 1: it on my case, as if the reason I forgot

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Speaker 1: them was because my name wasn't on them. You were

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Speaker 1: going to grab them, but you're like, are those showers? Yeah,

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Speaker 1: maybe they're not mine, and she turns them back to me,

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Speaker 1: and then I left, And now I want to know

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Speaker 1: what happened my headphones for those days? Were they just

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Speaker 1: on vacation? Did they what?

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Speaker 2: I bet somebody had the same pair right, Like? Were

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Speaker 2: they kind of popular headphones?

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Speaker 4: Like?

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Speaker 2: Are the Apple iPhones?

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Speaker 1: They're not Apple? No, of course not the Galaxy buds

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Speaker 1: in a clear charging case with one of those things.

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Speaker 1: What are those things called the hooks that you could

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Speaker 1: use for crapping hooks, grappling. It's basically grappling hook No

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Speaker 1: one of the hooks that you can use for like

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Speaker 1: grappling hooks, but with like a weird hook not common.

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Speaker 1: Nobody else has it now because I was.

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Speaker 2: Going to say, maybe you know, it's just one of

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Speaker 2: those things, like you know, she has an employee that

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Speaker 2: also has the same pair. So there was a debate

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Speaker 2: about no one.

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Speaker 4: No one has that. No one has sampsung earbuds. That's

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Speaker 4: not a thing anyone in the world. Here's the thing

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Speaker 4: about that story that amazes me because my head goes

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Speaker 4: to a certain thing where I after being showed out,

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Speaker 4: I could never go back again. Really yeah, to me,

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Speaker 4: it's like you're I'm sorry. It's like somebody behind you

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Speaker 4: going like as you're talking, going like either wrap it

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Speaker 4: up or something to where you can't see it, where

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Speaker 4: it's like no, no, no, you'll never get a dollar

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Speaker 4: from me again.

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Speaker 1: I'm thought, oh no, that to me, after that, I couldn't.

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Speaker 1: I couldn't. I mean, let me tell you something about

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Speaker 1: nail Well, yeah, but let me tell you about nail salons.

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Speaker 1: If you've ever been to a nail salon there, they

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Speaker 1: don't necessarily treat their customers super great. My last nail

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Speaker 1: salon really is, Oh sure, you're definitely pampered, absolutely pampered

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Speaker 1: that you're and you're being and you are being charged

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Speaker 1: for every single second of it, and any little thing

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Speaker 1: they offer you comes with an up charge, so like,

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Speaker 1: don't just go along with it. If they're like, would

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Speaker 1: you like five extra minutes of a massage and you're

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Speaker 1: like yes, they're like great, that's ten extra dollar.

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Speaker 2: It's giving me hard competition's just thinking about I can't

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Speaker 2: do any I can't do any of this, any pampering spa, Like,

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Speaker 2: oh my god.

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Speaker 1: Just because you don't like people being touching.

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Speaker 2: Me, I don't like I don't like attention, like lavish

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Speaker 2: attention from people, like being served, and like waiting on

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Speaker 2: just makes me so uncomfortable.

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Speaker 1: Like what, No, just just.

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Speaker 4: The way I don't like lavish attention, you know, like

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Speaker 4: when people are massaging me and telling me I'm awesome.

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Speaker 2: I don't touch me, you know, massaging no freaks me out.

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Speaker 2: It's so uncomfortable. Yeah.

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Speaker 1: My last nail salon, the woman. This was when in

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Speaker 1: Orange County before I moved back up to La. The

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Speaker 1: woman said to me, Danielle, when you first started coming here,

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Speaker 1: you were so much younger, but you were very fat, and.

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Speaker 5: Now you are so hid but you are old god,

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Speaker 5: and you're like the compliment. But it's like backhand forehand,

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Speaker 5: which which way is compliment? Like the most devastating insult.

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Speaker 2: I can't take it. Oh my god.

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Speaker 1: Yeah, I mean that is true, that's accurate. Yes, and thanks.

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Speaker 1: I feel great.

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Speaker 4: I went with Sue once and they said you got

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Speaker 4: to get a pedicure, like you've got to.

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Speaker 1: Experience the rubbing of the no feet. And I was like,

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Speaker 1: all right, what the hell, I'll do it.

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Speaker 4: I'm sitting in there and the women were in front

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Speaker 4: of use, three women, you know, one on each chair,

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Speaker 4: and the woman in front of me is massaging my

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Speaker 4: foot and then she turns to her two cohorts and

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Speaker 4: says something and I believe Vietnamese, and they start going

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Speaker 4: back and forth Vietnamese, just back and forth, back and

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Speaker 4: forth for a good five minutes.

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Speaker 1: And then I looked down at her and I said,

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Speaker 1: was that about me?

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Speaker 4: And without missing a beat and without any form of

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Speaker 4: an accent, she goes, yeah, we're just saying you got

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Speaker 4: nice feet for a dude.

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Speaker 2: And I was like, oh, I.

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Speaker 1: Mean it was.

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Speaker 4: It was such a strange change from the rattle off

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Speaker 4: of Vietnamese to no accent whatsoever, to calling me a dude.

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Speaker 4: It was it was you do you need more feet on?

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Speaker 2: You need more pictures of your feet on? Wiki feet?

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Speaker 2: This is we gotta gotta show you, my friend only fee.

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Speaker 2: I would never want to subject to anybody to my feet.

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Speaker 2: I would have to pay them thousands and thousands of dollars.

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Speaker 2: But then if you touch my feet, like I have

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Speaker 2: the most sensitiveeet in the world, nobody can touch my feet.

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Speaker 2: I will I will kick, I will scream like I

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Speaker 2: would actually kick anybody touching my feet, Like it's just

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Speaker 2: I'm so ticklish, it's absurd. Rider.

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Speaker 1: Is that because your feet looked like goats?

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Speaker 2: Yeah? There goats. They're just baby. I just think they

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Speaker 2: wanted to be wrapped in leather, boots, steel toed everything constantly.

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Speaker 2: You never first thing.

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Speaker 4: They're amazing, Shire though redwood Shire.

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Speaker 1: Yes, welcome to Pod Meets World. I'm Danielle Fischell.

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Speaker 4: I'm right or strong, and I got great feet for

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Speaker 4: a dude.

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Speaker 1: I'm will Welcome to this episode. We are recapping season

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Speaker 1: five episode for Fraternity Row. It originally aired October twenty fourth,

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Speaker 1: nineteen ninety seven. The synopsis Eric decides to start his

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Speaker 1: own fraternity Magnum Pie. Sean begins to slack off on

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Speaker 1: schoolwork because he doesn't expect to get into college. It

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Speaker 1: was directed by Alan Myerson. It was written by Andrew Guerdatt,

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Speaker 1: which is a new name to Boy Meets World, but

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Speaker 1: he has an impressive list of credits on shows like

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Speaker 1: Morgan Mindy, Head of the Class, Sister Sister, and Empty Nest,

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Speaker 1: in addition to creating the show Herman's Head. He is

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Speaker 1: still working. Yeah, he's still working in TV now in kids'

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Speaker 1: animation on shows like Fancy Nancy, Sheriff, Calli's Wild West,

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Speaker 1: and My Kid's Favorite Once Upon a Time Paw Patrol.

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Speaker 1: Before I jump into our rather long list of guest stars,

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Speaker 1: did you guys want to talk about our overall thoughts?

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Speaker 1: I can't.

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Speaker 4: I can't get I'm not yet okay with the new

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Speaker 4: vibe of season five.

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Speaker 1: That's what it's got to be.

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Speaker 4: There is different, Sean is different. The acting isn't great

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Speaker 4: all the way around. I'm pushing the comedy. They're trying

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Speaker 4: to take it weird ways. I just I'm I can't,

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Speaker 4: I'm not. I'm not down with season five yet. I

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Speaker 4: haven't seen a single episode of season five i've liked yet.

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Speaker 4: And yeah, I'm sure part of it is just the

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Speaker 4: drop shock, but this was another one that I just

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Speaker 4: didn't really like, and it's killing me because season four

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Speaker 4: was so good.

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Speaker 1: Yeah, yeah, that's my overall thoughts.

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Speaker 2: Writer, this might be my least favorite we've ever seen.

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Speaker 2: I don't know why. It just actually didn't make sense

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Speaker 2: to me, like nothing, I did not like you just

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Speaker 2: reading that synopsis, I don't know what the like the

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Speaker 2: fraternity story, I don't know what's happening there. I don't

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Speaker 2: know the line. I don't know what people are doing,

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Speaker 2: why they're standing, they're standing, why they're saying what they're saying.

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Speaker 2: It's just like, I don't know what's happening. And like,

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Speaker 2: I don't think the Dean stuff is funny. I don't

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Speaker 2: think that the love boat stuff, I don't know what.

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Speaker 2: I just and then like all this and then college thing,

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Speaker 2: from scene to scene, I couldn't tell what was happening, Like,

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Speaker 2: is Sean secretly a genius? Is Sean really dumb is like,

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Speaker 2: and it just kind of changes based on whatever we

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Speaker 2: want to have said in the scene. It's like so

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Speaker 2: thin and I feel awful about my bone performance. Like

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Speaker 2: it just was bad, Like it was just all around.

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Speaker 4: Like last week was literally Sean and I never getting

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Speaker 4: into a fight because they wanted to go to the

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Speaker 4: same college. Sean's like, we're going to the same college,

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Speaker 4: and now he was never expecting to go.

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Speaker 1: To college, at least that continuity from the week before.

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Speaker 2: I don't know what's happening.

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Speaker 1: I will say one positive thing about the episode. I

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Speaker 1: found there to be some unlike last week, which I

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Speaker 1: really felt. It seems the way Ryder felt about this

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Speaker 1: week is the way I felt about last week. The

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Speaker 1: only positive thing I liked about this episode is that

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Speaker 1: in the a storyline, the idea that Sean could could

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Speaker 1: jump ahead and find himself in a college class that

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Speaker 1: is actually something he does really enjoy, Like the idea

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Speaker 1: for kids when you're learning the basics of something and

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Speaker 1: you're like this stinks, but then all of a sudden

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Speaker 1: you find out, wait, there's an entire class on this subject.

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Speaker 1: I know nothing, and then it's having a light bulb

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Speaker 1: go off in your brain and realizing the same way

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Speaker 1: it was for Will. Basically, Will's my life of experience

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Speaker 1: of being in his school in high school and then

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Speaker 1: coming to Boy Meets World and meeting David Colmbs and

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Speaker 1: that year of being with David and life what you mean.

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Speaker 2: I can study these things. I love this, and there's

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Speaker 2: a way to do that. I think very well. But philosophy,

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Speaker 2: like I didn't like. Honestly, I didn't know. Are we

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Speaker 2: supposed to think the philosophy teacher in the philosophy class

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Speaker 2: is really dumb and that Sean is tricking the guy,

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Speaker 2: because that's the way it starts, right, is like, oh,

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Speaker 2: Sean's just saying works and your questions, and then it

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Speaker 2: becomes accidentally brilliant. But then Sean does care about it.

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Speaker 2: But he cares about it and does all this research,

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Speaker 2: but then can't write single sentences. So it's like, no,

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Speaker 2: that doesn't happen. Like if it had been a film

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Speaker 2: class or a literature class or mythology somebody that like

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Speaker 2: Sean could be really good at because he's a great

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Speaker 2: storyteller or a thinker or something, you know, a different type.

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Speaker 2: But you can't do that with philosophy, Like I don't.

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Speaker 2: It just doesn't work. And so like flip flops from

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Speaker 2: scene to scene. It's like, are we supposed to take

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Speaker 2: this class seriously? Or we're supposed to take Sewan seriously?

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Speaker 2: It doesn't work, like because I agree, like I love

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Speaker 2: that theme and there's a version of that that would

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Speaker 2: have been great.

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Speaker 1: And how does Feenie at one.

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Speaker 4: Point not say to him like in the hallway, Sean,

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Speaker 4: I love that you found something that you love. Like, well,

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Speaker 4: he doesn't know he he does because he says he's

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Speaker 4: been Corey is like he's been going to college class

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Speaker 4: and says that at the end.

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Speaker 2: He says it at the end. That's another part that

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Speaker 2: just doesn't make sense, Like Sean's just hanging in the hallway.

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Speaker 2: Why why is he even at school to send the

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Speaker 2: hallway there to study?

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Speaker 1: I Will also say some of the drop shock for us,

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Speaker 1: I think because it really hit me when Will was

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Speaker 1: saying he can't the drop shock of season five and

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Speaker 1: I said the college stuff. Remember how we all thought

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Speaker 1: for some reason before we went into to season four

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Speaker 1: that season four was our first year of college. Yeah,

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Speaker 1: this change of the high school hallway mixed with the

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Speaker 1: b storyline actually taking place at Penbrook and Sean living

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Speaker 1: with the two college students, Eric and Jack, I think

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Speaker 1: gives us just a sweeter No, we have no idea

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Speaker 1: where we are. I forget that the set with Phoenie

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Speaker 1: other than the fact that you see Phoenie there and

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Speaker 1: therefore you know you're not in Penbrook, that hallway and everything.

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Speaker 1: In my mind, I keep thinking, like, why are Corey

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Speaker 1: and Sewan at Penbrook? Why? But they have a turquoise

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Speaker 1: couch that says John Adams on it in case we forget,

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Speaker 1: But that change of set and the college stuff mixed

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Speaker 1: in it, we have no real grounding center that reminds

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Speaker 1: us of what show we are and it is.

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Speaker 4: It's we've also got a new character we've got I mean,

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Speaker 4: it's every it's I'm just maybe I'm hoping it's.

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Speaker 1: Just that I'm not used to it yet. But yeah,

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Speaker 1: I just don't.

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Speaker 2: Know everything's But also Phoene's character. Phoene is so harsh

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Speaker 2: in this episode.

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Speaker 1: Well, does Cory not understand that it's not Phoene's fault.

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Speaker 1: It's so obvious that clearly Sean is in the wrong here,

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Speaker 1: like Sean is clearly the one leaving, and then even

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Speaker 1: Corey gets upset with Sean about like, well, I'm not

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Speaker 1: covering for you again, but like nobody asked Corey to

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Speaker 1: cover for Sean. It all just felt. Yeah, I feel

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Speaker 1: like this season more than any other season. Every episode

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Speaker 1: lives entirely on its own island. Yes, yes, there's no

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Speaker 1: cohesiveness to it.

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Speaker 4: I mean literally, the last episode was about them trying

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Speaker 4: to go to the same college and it all work.

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Speaker 1: Really hard so that we can go to the same college.

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Speaker 1: And then a week later he's like, I'm not going

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Speaker 1: to class. I've never was going to go to college.

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Speaker 1: Like what you were last week when you're yelling the

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Speaker 1: whole time, Okay, guess Paul Gleeson. He returns as Dean Borak,

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Speaker 1: continuing to take money away from Bonnie Bartlett's wallet, and

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Speaker 1: then we have Bernie Coppell, the man who is best

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Speaker 1: known for playing Siegfried on Get Smart and Doc on

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Speaker 1: The Love Boat, plays himself, while Ted Lange, who you

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Speaker 1: might know as bartender Isaac Washington on The Love Boat,

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Speaker 1: also plays himself, giving the love Boat the Happy Days

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Speaker 1: treatment here in season five, worth noting that both Copel

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Speaker 1: and Lange are still alive ninety years old. And seventy

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Speaker 1: five respectively. Will at the time, Yes, did these cameos

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Speaker 1: make you happy? Did you?

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Speaker 2: Of course? Yeah?

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Speaker 1: Of course, of course. Get Smart. I grew up on Getsmart.

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Speaker 4: It's one of the best television shows ever. Yeah, it

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Speaker 4: is hysterical, it's amazing, he's incredible, it's yes.

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Speaker 1: And Love Boat.

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Speaker 4: I had a very funny thing happened to me when

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Speaker 4: I had never seen Love Boat before and when I

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Speaker 4: moved to Amsterdam after eight o'clock at night, from eight

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Speaker 4: o'clock to ten o'clock, they had English show and one

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Speaker 4: of them was the Love Boat. And when I was

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Speaker 4: living in Amsterdam at the time, I was in Bibing

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Speaker 4: obviously in what Amsterdam is famous for, and about seven

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Speaker 4: episodes in I went, this is the weirdest show. What

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Speaker 4: everybody who goes on this boat falls in love? And

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Speaker 4: then I went, oh wait, it's literally called love Boat.

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Speaker 4: So it took a while to hit me, but yeah,

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Speaker 4: but yes, I mean it was.

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Speaker 1: To get upstream to row right, it's literally called the boat.

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Speaker 4: But it was yes, so of course I mean television royalty,

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Speaker 4: They're great.

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Speaker 1: It was awesome, no sense, no idea.

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Speaker 2: I was really hoping that you were going to say

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Speaker 2: that you watched it in Dutch, that you just like

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Speaker 2: you but you only know them in Dutch.

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Speaker 4: No, that was the That was the the motor up commercial,

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Speaker 4: which I still have memorized in Dutch. But yes, no,

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Speaker 4: this was so Yes, I mean they gets mark the

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Speaker 4: best shows ever.

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Speaker 1: Julius Carrey makes his first appearance on Boy Meets World,

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Speaker 1: this time as Professor Michaels. Carrie is a legendary actor

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Speaker 1: we've spoken about before here on this podcast, most recognizable

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Speaker 1: as show Nuff in The Last Dragon, but he was

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Speaker 1: also on Murphy Brown, The Adventures of Briscoe County Junior,

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Speaker 1: and in the classic Rudy Ray Moore Black Sploitation, cult

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Speaker 1: favorite Disco Godfather Julie.

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Speaker 4: That way, I'm sorry for our dear listeners out there.

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Speaker 4: If you don't know who show Nuff is and you've

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Speaker 4: never seen The Last Dragon, drop everything and go and

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Speaker 4: watch it. It is phenomenal and he is amazing. I

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Speaker 4: was so starstruck when he was on the set. He's

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Speaker 4: it's great.

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Speaker 2: It's so crappy that we have him come back as

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Speaker 2: Angela's I know dad though, Like it's because he's in

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Speaker 2: scenes with me, Like it's just one of the worst,

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Speaker 2: like recastings, because our repeat castings, because if you had done,

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Speaker 2: you know, work with other people, I could see maybe,

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Speaker 2: But he's like it's literally every scene him and me

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Speaker 2: talking to each other. And then we bring him back

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Speaker 2: for like this major episode where I'm finally meeting Angela's dad.

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Speaker 4: Like, that's just I didn't remember he played the teacher though,

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Speaker 4: even when he came back.

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Speaker 1: I don't think I even remembered.

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Speaker 2: I didn't remember this until Oh no, I knew it

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Speaker 2: at the time, but we we brought it up at

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Speaker 2: one of our shows convention. Somebody brought it up and

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Speaker 2: I was like, oh, that's right, he did, you know,

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Speaker 2: because I knew I had worked in them multiple times.

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Speaker 2: I just can't believe we all thought that was okay.

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Speaker 1: Yeah, well, not that they would have cared what we

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Speaker 1: thought they.

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Speaker 2: I mean we all mean a production team, like all

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Speaker 2: the like, and culturally, like the world was kind of

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Speaker 2: okay with it.

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Speaker 1: He's so good. He's so good. He's a real standout

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Speaker 1: in this episode. Honestly, his hit he really makes use. Yeah,

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Speaker 1: he relates to everything.

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Speaker 2: See I don't. I mean, it's not about his performance.

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Speaker 2: I just think it's really weird, Like, I just still

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Speaker 2: don't like the scenes. I'm like that I don't understand

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Speaker 2: from moment to moment, like when he's yelling to Corey

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Speaker 2: and then he's like he's like this hard ass, but

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Speaker 2: then he's also like really into deep.

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Speaker 4: I'm just like, I don't understand why they cast him

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Speaker 4: as Angela's dad, the military man, though obviously he pulls

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Speaker 4: off the military thing like perfectly even here he's got

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Speaker 4: that you know, stickler about him.

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Speaker 1: But yeah, well, sadly, Julius died from pancreatic cancer in

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Speaker 1: two thousand and eight at the very young age of

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Speaker 1: fifty six.

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Speaker 4: Wow.

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Speaker 1: And then we have Nicki Acox as Jennifer. She was

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Speaker 1: also seen on Supernatural, The X Files, Cold Case, and

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Speaker 1: in the movie Jeepers Creepers Too, And I am very

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Speaker 1: sad to report that she passed away in twenty twenty

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Speaker 1: two from leukemia at the age of forty seven. Nicky

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Speaker 1: Acox died Your Kids twenty twenty two. Yeah, Wow, she.

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Speaker 4: Did a bunch of stuff. She was around all the

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Speaker 4: time and incredibly sweet.

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Speaker 1: Oh my god, that's awful. I didn't know that at all.

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Speaker 1: Sorry to bring the mood down, nic. And then we

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Speaker 1: have Leslie Dannon as Lisa. She made her TV debut

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Speaker 1: on Michael Jacobs's Charles in Charge and later appeared on

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Speaker 1: Step by Step, a show called Tattooed, Teenage Alien Fighters

424
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Speaker 1: from Beverly Hills, and the Olsen Twins movie Win in Rome.

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Speaker 1: She appears to have quit acting in two thousand and two,

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Speaker 1: and then Robin Hunter as Magnum Pi T shirt wearing

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Speaker 1: guy who the fact that he got a credit leads

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Speaker 1: me to believe he at one point must have had

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Speaker 1: a line, right, I guess, well.

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Speaker 2: I think he does.

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Speaker 1: Doesn't he say? Doesn't? Doesn't the dean go up to

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Speaker 1: the dean heard it, doesn't say anything, He shakes it thought,

433
00:21:22,320 --> 00:21:25,639
Speaker 1: he says, I've never heard. Oh, okay, and then he

434
00:21:25,680 --> 00:21:27,000
Speaker 1: tells him to get out of there. So he must

435
00:21:27,040 --> 00:21:28,879
Speaker 1: have had a line at some point and then it

436
00:21:28,920 --> 00:21:32,199
Speaker 1: got cut, all right. So jumping into our recap, we

437
00:21:32,240 --> 00:21:34,520
Speaker 1: start in the guy's apartment. Jack's in a beach chair

438
00:21:34,520 --> 00:21:38,040
Speaker 1: in the hallway, wearing sunglasses inside and drinking a beverage

439
00:21:38,040 --> 00:21:40,520
Speaker 1: with a bendy straw. A girl enters the hallway and

440
00:21:40,560 --> 00:21:43,440
Speaker 1: he enthusiastically shouts, hey, Lisa from three B care to

441
00:21:43,520 --> 00:21:46,119
Speaker 1: join my study group. She asks why he's studying in

442
00:21:46,160 --> 00:21:48,439
Speaker 1: the hall, and Jack admits, so I can talk to girls.

443
00:21:48,960 --> 00:21:51,080
Speaker 1: Right then, Eric walks out of the elevator wearing a

444
00:21:51,119 --> 00:21:55,520
Speaker 1: poofy pink dress and black heels. Lisa sarcastically tells Jack,

445
00:21:55,640 --> 00:21:58,199
Speaker 1: knock yourself out. Eric calls the girl pretty, and she

446
00:21:58,280 --> 00:22:00,960
Speaker 1: shoots the compliment right back. As the elevator door closes,

447
00:22:01,680 --> 00:22:04,080
Speaker 1: Jack begs, please tell me you were just trying to

448
00:22:04,080 --> 00:22:06,520
Speaker 1: get out of a traffic ticket. Eric says he's stopped

449
00:22:06,520 --> 00:22:08,680
Speaker 1: by the Gamma Epsilon fraternity and there was a big

450
00:22:08,720 --> 00:22:11,639
Speaker 1: party with lots of girls, so he pledged. As they

451
00:22:11,760 --> 00:22:14,480
Speaker 1: enter the apartment, Jack asks if he feels it all humiliated,

452
00:22:14,480 --> 00:22:16,679
Speaker 1: and Eric says, yes, I paid two hundred dollars for

453
00:22:16,720 --> 00:22:18,840
Speaker 1: this dress. I'm never going to get to wear it again.

454
00:22:19,560 --> 00:22:21,520
Speaker 1: Now we're back in the hall as Sean and Corey arrive,

455
00:22:21,600 --> 00:22:24,359
Speaker 1: Sean jumps into the beach chairs, starts reading Jack's book,

456
00:22:24,359 --> 00:22:28,280
Speaker 1: and announces college is easy. Another girl walks into the hallway,

457
00:22:28,320 --> 00:22:31,159
Speaker 1: so Sean decides to show Corey what college is all about.

458
00:22:31,560 --> 00:22:33,879
Speaker 1: He introduces himself and she shakes his hand. Her name

459
00:22:33,960 --> 00:22:36,960
Speaker 1: is Jennifer Crane, from three B was three bees full

460
00:22:37,000 --> 00:22:40,280
Speaker 1: of hotties, huh, and every week others come out. And

461
00:22:40,280 --> 00:22:43,399
Speaker 1: then that's where Maitland's from too. Maitland was it was

462
00:22:43,480 --> 00:22:45,760
Speaker 1: kind of like we're starting it as like a running joke,

463
00:22:45,880 --> 00:22:49,560
Speaker 1: right right, a constant stream of good looking girls coming

464
00:22:49,600 --> 00:22:52,480
Speaker 1: out of there. Well, what do you remember about the

465
00:22:52,520 --> 00:22:55,560
Speaker 1: pink poofy dress? Not a thing? Not a thing?

466
00:22:55,680 --> 00:22:55,760
Speaker 2: Right?

467
00:22:55,840 --> 00:22:58,239
Speaker 1: The thing opened, the elevator opened up, and I walked out,

468
00:22:58,240 --> 00:22:58,680
Speaker 1: and I went, oh.

469
00:22:58,600 --> 00:23:01,840
Speaker 4: I'm going to address this episode. So nothing, yeah, not

470
00:23:02,200 --> 00:23:03,600
Speaker 4: not no, And I know.

471
00:23:04,600 --> 00:23:07,679
Speaker 2: You did cross dressing episode, but that's like season seven. No.

472
00:23:07,800 --> 00:23:09,760
Speaker 1: I was wondering if this was the episode you guys

473
00:23:09,800 --> 00:23:12,399
Speaker 1: kept referring to where you guys dress as girls. But no, no,

474
00:23:12,520 --> 00:23:13,399
Speaker 1: that's that's different.

475
00:23:13,440 --> 00:23:16,200
Speaker 4: So this was just again and again I get why

476
00:23:16,200 --> 00:23:17,919
Speaker 4: they did it, and it makes sense where you know,

477
00:23:17,920 --> 00:23:19,960
Speaker 4: I think you do have to do pledget like this

478
00:23:20,080 --> 00:23:22,159
Speaker 4: when you pledge, I think this that's normal stuff.

479
00:23:22,160 --> 00:23:24,919
Speaker 1: So I mean it worked at least in this. So

480
00:23:24,960 --> 00:23:27,480
Speaker 1: there's there's quite a few progressive lines in it where

481
00:23:27,520 --> 00:23:29,960
Speaker 1: you later say, now I don't have to dress dress

482
00:23:30,000 --> 00:23:32,159
Speaker 1: like a girl again unless I want to. Yeah, And

483
00:23:32,160 --> 00:23:35,200
Speaker 1: then the red dress. That's never it's never explained why

484
00:23:35,240 --> 00:23:37,320
Speaker 1: when you say you took that from my closet, like

485
00:23:37,359 --> 00:23:40,159
Speaker 1: you just you have dresses and rather progressively. It's just

486
00:23:40,240 --> 00:23:42,600
Speaker 1: kind of offhandedly thrown in that you may be like

487
00:23:42,680 --> 00:23:46,240
Speaker 1: dressing like a girl occasionally. It's not, it's not. They

488
00:23:46,240 --> 00:23:49,800
Speaker 1: also didn't do it like you know, they didn't draw

489
00:23:49,840 --> 00:23:52,480
Speaker 1: like cleavage on you or no or.

490
00:23:52,600 --> 00:23:55,360
Speaker 4: No or and it's no wig and makeup and all

491
00:23:55,359 --> 00:23:56,080
Speaker 4: that kind of stuff.

492
00:23:56,119 --> 00:23:57,520
Speaker 1: And yeah, they just asked you to put on a

493
00:23:57,600 --> 00:23:59,760
Speaker 1: dress and heels. Yeah. I think if they did this

494
00:23:59,800 --> 00:24:01,679
Speaker 1: aisode or did this this show.

495
00:24:02,440 --> 00:24:04,919
Speaker 4: Now modern day and they didn't change any of the characters,

496
00:24:04,920 --> 00:24:07,000
Speaker 4: I think there's a real chance Eric could have been gay,

497
00:24:07,119 --> 00:24:08,960
Speaker 4: and that I don't think would have been a bad thing,

498
00:24:09,240 --> 00:24:12,480
Speaker 4: right right, you know, it was never never addressed in

499
00:24:12,480 --> 00:24:14,800
Speaker 4: any way, shape or form, but it would have worked.

500
00:24:15,280 --> 00:24:18,440
Speaker 4: But you're so girl crazy for the first three seeds,

501
00:24:19,160 --> 00:24:21,879
Speaker 4: I know, yeah, yeah, it's true, but you know, like

502
00:24:22,280 --> 00:24:23,720
Speaker 4: established part of the character that.

503
00:24:23,680 --> 00:24:25,919
Speaker 1: He's and but then it completely goes away.

504
00:24:26,080 --> 00:24:26,880
Speaker 2: I guess that's true.

505
00:24:27,320 --> 00:24:28,080
Speaker 1: You know, that's the thing.

506
00:24:28,200 --> 00:24:31,240
Speaker 4: So it comes for some reason they take the because

507
00:24:31,280 --> 00:24:33,720
Speaker 4: when they what they do is they shift the bromance

508
00:24:34,440 --> 00:24:38,920
Speaker 4: of Corey Sean. Yeah, because it really becomes Corey into Panga.

509
00:24:39,000 --> 00:24:40,879
Speaker 4: So then it because shifts to Jack and Eric, and

510
00:24:40,880 --> 00:24:42,800
Speaker 4: then it goes back to Corey Sewan around the wedding time.

511
00:24:42,840 --> 00:24:44,680
Speaker 1: I think, I think is what we're going to see happen,

512
00:24:44,720 --> 00:24:47,360
Speaker 1: but who knows? Well? The girl asks if they live there,

513
00:24:47,400 --> 00:24:50,720
Speaker 1: and Sean says I do. Indeed. Sean tells Corey that's

514
00:24:50,800 --> 00:24:53,600
Speaker 1: college talk, and then Jennifer asks how the boys like Penbrook.

515
00:24:53,840 --> 00:24:56,520
Speaker 1: Corey begins to tell the truth, but Sean swiftly places

516
00:24:56,520 --> 00:24:59,160
Speaker 1: his hand over Corey's mouth and butts in, I love Penbrook,

517
00:24:59,200 --> 00:25:02,959
Speaker 1: Old Buildings, Pretty girls. She sees Jack's textbook and assumes

518
00:25:02,960 --> 00:25:07,280
Speaker 1: Sean is taking introduction to Western philosophy. Jennifer flirtatiously says

519
00:25:07,320 --> 00:25:09,280
Speaker 1: she'll see him in class tomorrow and we'll make sure

520
00:25:09,440 --> 00:25:10,440
Speaker 1: stage books.

521
00:25:10,480 --> 00:25:12,560
Speaker 2: So why isn't he in that class?

522
00:25:13,720 --> 00:25:17,400
Speaker 1: Writer? As if it really things make sense in this

523
00:25:17,800 --> 00:25:21,400
Speaker 1: version of our shows. It's simple stuff.

524
00:25:21,680 --> 00:25:23,280
Speaker 2: It's really frustrating. I was.

525
00:25:24,800 --> 00:25:31,439
Speaker 1: I know, it's simple things that someone somewhere could have

526
00:25:32,000 --> 00:25:34,840
Speaker 1: possibly did and was just told don't worry about it.

527
00:25:35,080 --> 00:25:40,439
Speaker 1: But like they're just easy fixes. Yeah, and they're not.

528
00:25:41,200 --> 00:25:42,760
Speaker 1: They're just like, yeah, oh wow, that's the thing.

529
00:25:42,840 --> 00:25:45,040
Speaker 2: The care is gone, like our show no longer cares,

530
00:25:45,320 --> 00:25:50,040
Speaker 2: like our show is not taking the time to and

531
00:25:50,119 --> 00:25:53,840
Speaker 2: I guess it's just annoying when like Phoenie swoops in

532
00:25:53,880 --> 00:25:55,560
Speaker 2: and has like a nice moment at the end, and

533
00:25:55,600 --> 00:25:58,639
Speaker 2: I'm like, you didn't earn this, Like the episode doesn't

534
00:25:58,640 --> 00:26:02,400
Speaker 2: deserve this. This is a nice message, right, like, but

535
00:26:02,680 --> 00:26:04,679
Speaker 2: we didn't, like, let's just take the time and do

536
00:26:04,760 --> 00:26:07,520
Speaker 2: it better, guys, And I don't know what's happening, Like, well,

537
00:26:08,240 --> 00:26:10,800
Speaker 2: maybe I would love to hear from somebody who loves

538
00:26:10,800 --> 00:26:13,000
Speaker 2: this episode, like there may be somebody and I'm sure,

539
00:26:13,440 --> 00:26:16,000
Speaker 2: I'm sure there's people because I don't know.

540
00:26:16,200 --> 00:26:19,280
Speaker 4: I think every every I'm starting to believe that every

541
00:26:19,320 --> 00:26:22,720
Speaker 4: episode is somebody has a champion somewhere, Yeah, somewhere.

542
00:26:22,560 --> 00:26:24,920
Speaker 1: And it's you know, it's personal preference. But I yeah,

543
00:26:24,960 --> 00:26:26,080
Speaker 1: the five isn't doing it.

544
00:26:26,520 --> 00:26:29,359
Speaker 2: I just really like, I literally don't understand what's happening

545
00:26:29,400 --> 00:26:31,080
Speaker 2: in your storyline. Maybe you guys can explain it.

546
00:26:31,160 --> 00:26:31,640
Speaker 1: I don't either.

547
00:26:31,680 --> 00:26:34,640
Speaker 2: I don't. You just tried to pledge a fraternity, That's

548
00:26:34,640 --> 00:26:37,680
Speaker 2: what just happened, right, Yeah, So you're That means you're

549
00:26:37,720 --> 00:26:40,040
Speaker 2: in a fraternity, right, you're.

550
00:26:39,960 --> 00:26:42,639
Speaker 4: Pledging, okay, to be accepted. All right, you've got to

551
00:26:42,680 --> 00:26:43,440
Speaker 4: go through the thing.

552
00:26:43,560 --> 00:26:46,040
Speaker 2: Let's just keep what's happening, because I really don't I

553
00:26:46,080 --> 00:26:48,159
Speaker 2: could not wrap my head up, and there's nothing to

554
00:26:48,200 --> 00:26:49,640
Speaker 2: wrap he pledges.

555
00:26:49,760 --> 00:26:52,160
Speaker 1: In the next scene about it, he does just say

556
00:26:52,320 --> 00:26:54,080
Speaker 1: I'm going to start my own because then the girls

557
00:26:54,119 --> 00:26:58,000
Speaker 1: can come to me. So somewhere along the way, oh no,

558
00:26:58,080 --> 00:26:59,879
Speaker 1: what What he also says is he was so humil

559
00:27:00,440 --> 00:27:02,800
Speaker 1: by that he's going to do his own. Girls will

560
00:27:02,840 --> 00:27:07,320
Speaker 1: come to him and address. He does say that somewhere

561
00:27:07,520 --> 00:27:10,399
Speaker 1: because because Eric, I mean, Jack flat out asks it,

562
00:27:10,520 --> 00:27:11,600
Speaker 1: weren't you humiliated?

563
00:27:11,800 --> 00:27:12,000
Speaker 2: Yes?

564
00:27:12,520 --> 00:27:16,440
Speaker 1: Yes, and he says he says, yes somewhere. So it's

565
00:27:16,480 --> 00:27:19,080
Speaker 1: a mix of both I'm humiliated by wearing this dress,

566
00:27:19,119 --> 00:27:21,520
Speaker 1: but also pretty progressive stuff about I don't have to

567
00:27:21,560 --> 00:27:24,919
Speaker 1: do that again unless I want to. Okay. So she

568
00:27:25,440 --> 00:27:27,679
Speaker 1: that Jennifer gets into the elevator and the inmates go

569
00:27:27,840 --> 00:27:29,160
Speaker 1: wild with woo.

570
00:27:30,960 --> 00:27:31,280
Speaker 2: Audience.

571
00:27:32,280 --> 00:27:35,639
Speaker 1: I know, Sean Yell's out first day of college and

572
00:27:35,680 --> 00:27:38,320
Speaker 1: I got me a girlfriend. And then we go to

573
00:27:38,359 --> 00:27:40,119
Speaker 1: a commercial break and then we come back. We are

574
00:27:40,160 --> 00:27:43,359
Speaker 1: now in Phoenie's classroom. Mister Phoenie writes where are you

575
00:27:43,400 --> 00:27:45,600
Speaker 1: from on his whiteboard and asks if someone can tell

576
00:27:45,680 --> 00:27:48,640
Speaker 1: him what's wrong with the sentence. To Panga's hand shoots up,

577
00:27:48,680 --> 00:27:51,760
Speaker 1: I can, Phoene size, I know, but you're already ten

578
00:27:51,800 --> 00:27:54,480
Speaker 1: for ten? How about we try? Mister Matthews to Panga

579
00:27:54,520 --> 00:27:56,920
Speaker 1: breaks it to Feenie, he won't know this one. Corey

580
00:27:56,920 --> 00:28:00,479
Speaker 1: agrees she's eleven for eleven. A disappointed Pheni, he admits,

581
00:28:00,520 --> 00:28:03,000
Speaker 1: I'm not surprised. No one knows the answer to that question.

582
00:28:03,400 --> 00:28:06,000
Speaker 1: But Ta Panga raises her hand again, I do. Phoenie

583
00:28:06,000 --> 00:28:08,480
Speaker 1: ignores her and tells the class they've forgotten the basics.

584
00:28:08,560 --> 00:28:09,720
Speaker 2: What is wrong with the sentence?

585
00:28:10,600 --> 00:28:13,160
Speaker 1: You can't end a sentence with a preposition at front?

586
00:28:13,200 --> 00:28:18,399
Speaker 2: You can, sure, That's that's all they're saying.

587
00:28:19,560 --> 00:28:22,800
Speaker 1: Yeah, that's it, that's from. Where are you.

588
00:28:28,320 --> 00:28:29,480
Speaker 2: Freaking type people do?

589
00:28:29,560 --> 00:28:31,320
Speaker 1: But it's it is a grammar rule that you're not

590
00:28:31,320 --> 00:28:31,800
Speaker 1: supposed to.

591
00:28:32,080 --> 00:28:35,160
Speaker 6: Yes, it is, But why would you be teaching that's

592
00:28:35,400 --> 00:28:38,920
Speaker 6: that's again, that's the that's again the loose thread of

593
00:28:39,440 --> 00:28:43,280
Speaker 6: they had to think of what basics are you still

594
00:28:43,400 --> 00:28:44,360
Speaker 6: learning about writing?

595
00:28:44,520 --> 00:28:48,560
Speaker 1: As a senior in high school, it can't be where

596
00:28:48,600 --> 00:28:51,680
Speaker 1: periods go, which is apparently what Sean's problem is, since

597
00:28:51,760 --> 00:28:54,960
Speaker 1: later it's revealed he wrote the whole thing in one sentence,

598
00:28:55,480 --> 00:28:59,440
Speaker 1: so they can't make it that Phoenie is teaching periods

599
00:28:59,440 --> 00:28:59,880
Speaker 1: and creation.

600
00:29:00,200 --> 00:29:03,680
Speaker 2: Yeah, like something super simple, but there's something really complicated,

601
00:29:03,680 --> 00:29:06,440
Speaker 2: like do so or not complicated it just actually important,

602
00:29:06,680 --> 00:29:10,560
Speaker 2: like here's what we put even yes exactly like here

603
00:29:10,640 --> 00:29:13,280
Speaker 2: and have a graft out sentence on the board and

604
00:29:13,360 --> 00:29:16,280
Speaker 2: like underlining the noun and but just writing where are

605
00:29:16,320 --> 00:29:18,760
Speaker 2: you from? And then not explaining what the problem with

606
00:29:18,800 --> 00:29:20,440
Speaker 2: it is because I'm sitting there going, there's nothing wrong

607
00:29:20,480 --> 00:29:22,960
Speaker 2: with that, like they're really and like that's the only

608
00:29:22,960 --> 00:29:24,400
Speaker 2: thing I could think of, is like is it really

609
00:29:24,480 --> 00:29:26,960
Speaker 2: just that it's a preposition, But that's not a problem,

610
00:29:27,000 --> 00:29:29,200
Speaker 2: Like that's how you ask a question. I don't, Oh

611
00:29:29,240 --> 00:29:29,560
Speaker 2: my god.

612
00:29:29,920 --> 00:29:32,320
Speaker 1: And I guess he's talking about in writing in a

613
00:29:32,400 --> 00:29:35,320
Speaker 1: scholarly writing, because that's that is what we're talking about

614
00:29:35,360 --> 00:29:38,800
Speaker 1: in the episode, not casually.

615
00:29:38,640 --> 00:29:41,880
Speaker 2: Or we're talking about a high school level version of that,

616
00:29:42,000 --> 00:29:43,920
Speaker 2: Like let's just just write a sentence on the board

617
00:29:43,960 --> 00:29:47,080
Speaker 2: where you're you're you're you know, you're breaking down, you're

618
00:29:47,080 --> 00:29:50,440
Speaker 2: breaking out a sentence or do an iambic pentameter and

619
00:29:50,440 --> 00:29:52,560
Speaker 2: breaking down the feet and the metric feet of a

620
00:29:52,680 --> 00:29:56,440
Speaker 2: poem like something just even slightly more like baffling and

621
00:29:56,520 --> 00:29:58,520
Speaker 2: a little hard, but you know, but it is kind

622
00:29:58,520 --> 00:30:01,560
Speaker 2: of basically everyone would be learned. It's so weird. I

623
00:30:01,680 --> 00:30:03,440
Speaker 2: literally was like, I don't know what this problem is,

624
00:30:03,480 --> 00:30:04,680
Speaker 2: and I don't know what's happening here.

625
00:30:05,200 --> 00:30:07,880
Speaker 1: Phoenie ignores her and tells the class they've forgotten the basics,

626
00:30:07,880 --> 00:30:10,880
Speaker 1: which is alarming considering they'll be entering college next fall.

627
00:30:11,000 --> 00:30:14,200
Speaker 1: Phoeni notices Sean is clipping coupons. He's found a deal

628
00:30:14,240 --> 00:30:18,640
Speaker 1: for Odo eaters. His Christmas shopping is done. Phoene reminds

629
00:30:18,680 --> 00:30:21,200
Speaker 1: him that this year is his last chance to apply himself.

630
00:30:21,320 --> 00:30:23,720
Speaker 1: How do you expect to make it into college? Sean

631
00:30:23,760 --> 00:30:27,120
Speaker 1: matter effactly responds, I don't. And then the bell rings,

632
00:30:27,520 --> 00:30:31,920
Speaker 1: and remember, like Will said just last episode, he promises

633
00:30:32,000 --> 00:30:36,160
Speaker 1: to work hard and get into whatever college Corey wants.

634
00:30:36,560 --> 00:30:39,800
Speaker 1: As students file out, Corey stays to speak with Phoenie.

635
00:30:39,840 --> 00:30:42,120
Speaker 1: He's worried about Sean. He asks Phoenie, is there anything

636
00:30:42,160 --> 00:30:43,800
Speaker 1: you can do to help him? Phoene says he's been

637
00:30:43,840 --> 00:30:47,239
Speaker 1: trying for four years, what more can he do? And

638
00:30:47,280 --> 00:30:50,960
Speaker 1: then we're in Penbrook in a new hallway set. Eric's

639
00:30:50,960 --> 00:30:53,200
Speaker 1: handing out flyers to a group of girls. There's a

640
00:30:53,240 --> 00:30:56,160
Speaker 1: major fraternity party on Friday night, and he's head Cheese

641
00:30:56,160 --> 00:30:58,880
Speaker 1: of the fraternity singles only no children see you there

642
00:30:59,480 --> 00:31:01,600
Speaker 1: just then takes one of the flyers and notices the

643
00:31:01,600 --> 00:31:05,840
Speaker 1: party is happening at their apartment. Eric explains that hazing

644
00:31:05,960 --> 00:31:09,320
Speaker 1: was so humiliating. I came up with my own idea.

645
00:31:09,800 --> 00:31:12,920
Speaker 1: I'm going to start a fraternity of my own. The

646
00:31:13,000 --> 00:31:14,280
Speaker 1: girls will come to me.

647
00:31:15,040 --> 00:31:19,320
Speaker 2: So why why why? Okay, so you're you're throwing a party, yes,

648
00:31:19,360 --> 00:31:21,760
Speaker 2: why what does the benefit of it being a fraternity party?

649
00:31:22,480 --> 00:31:24,400
Speaker 4: I think what they tried to establish at the beginning

650
00:31:24,480 --> 00:31:26,720
Speaker 4: was he says, I mean I went, I stopped by

651
00:31:26,840 --> 00:31:29,800
Speaker 4: a fraternity. It was a girl full of women. So

652
00:31:29,880 --> 00:31:34,080
Speaker 4: I so more girls go to fraternity.

653
00:31:33,200 --> 00:31:35,560
Speaker 1: Party than a regular party, is the joke.

654
00:31:35,880 --> 00:31:38,800
Speaker 2: So you have to create a.

655
00:31:38,360 --> 00:31:44,240
Speaker 4: Fake fraternity, which again I was like, apparently he's also

656
00:31:44,480 --> 00:31:49,200
Speaker 4: created this entire thing, except the name which he comes

657
00:31:49,240 --> 00:31:53,520
Speaker 4: with comes up with on the fly there, But then

658
00:31:54,520 --> 00:31:56,240
Speaker 4: it might have just been a blocking thing. But then

659
00:31:56,280 --> 00:31:59,320
Speaker 4: the dean says, what do you know about this magnum

660
00:31:59,320 --> 00:32:02,400
Speaker 4: pie while looking like he's reading it off the flyer.

661
00:32:02,960 --> 00:32:05,600
Speaker 1: Yeah, exactly, I know, he goes, so do you know

662
00:32:05,680 --> 00:32:07,080
Speaker 1: anything about this magnum pie?

663
00:32:07,120 --> 00:32:10,280
Speaker 2: Even though yeah, it's I mean, the logic for me

664
00:32:10,360 --> 00:32:13,400
Speaker 2: too is also like, if you're whole hosting a fraternity party,

665
00:32:13,440 --> 00:32:16,480
Speaker 2: you're actually gonna have men dudes there.

666
00:32:16,560 --> 00:32:19,080
Speaker 1: Yeah, like that's that men will be coming.

667
00:32:19,200 --> 00:32:26,320
Speaker 2: Yeah, it's a guarantee of men. Like make up a sorority.

668
00:32:26,360 --> 00:32:29,040
Speaker 2: If you're starting, that would be great, and you are

669
00:32:29,160 --> 00:32:31,320
Speaker 2: established the dress thing, so it could almost be like

670
00:32:31,360 --> 00:32:33,400
Speaker 2: a Then you have to like fake out that they

671
00:32:33,440 --> 00:32:35,400
Speaker 2: were a girl. I don't know, there's that that's more interesting.

672
00:32:35,400 --> 00:32:37,520
Speaker 1: Then they do that joke a little bit with the

673
00:32:37,560 --> 00:32:40,320
Speaker 1: fact that Jack is mistaken for Shelley.

674
00:32:40,760 --> 00:32:41,800
Speaker 2: Right by the.

675
00:32:42,880 --> 00:32:47,400
Speaker 4: Best joke of the entire episode was just that throwaway.

676
00:32:46,880 --> 00:32:51,920
Speaker 1: Hi Shelley was hysterical and then I love that. I

677
00:32:51,960 --> 00:32:54,120
Speaker 1: thought that was funny too, that he just says, Hi, Shelley,

678
00:32:54,240 --> 00:32:58,280
Speaker 1: and then it's never really addressed. And then once you

679
00:32:58,320 --> 00:33:01,280
Speaker 1: started talking, I knew he was Jack. But then later

680
00:33:01,320 --> 00:33:02,920
Speaker 1: he brings it up again. Where he says, well, as

681
00:33:02,960 --> 00:33:04,760
Speaker 1: long as I was in that dress, I couldn't shake

682
00:33:04,800 --> 00:33:05,200
Speaker 1: the dean.

683
00:33:06,120 --> 00:33:08,840
Speaker 4: Yeah, no, I thought the high Shelley was. That's a

684
00:33:08,880 --> 00:33:11,760
Speaker 4: straight up mass joke too. I mean, that's just there's

685
00:33:12,280 --> 00:33:14,760
Speaker 4: a great scene where a crazy general comes and Klinger,

686
00:33:14,880 --> 00:33:17,320
Speaker 4: wanting to be kicked out, runs in front of him

687
00:33:17,320 --> 00:33:20,440
Speaker 4: in a dress and salutes, and he just goes not now, Valerie,

688
00:33:20,480 --> 00:33:23,120
Speaker 4: I'm trying to be with the troops. So it's one

689
00:33:23,160 --> 00:33:25,440
Speaker 4: of those things. The idea just hey, Shelley, oh god,

690
00:33:25,480 --> 00:33:27,960
Speaker 4: that's the only time I laughed out loud the entire episode.

691
00:33:28,200 --> 00:33:30,640
Speaker 1: Eric says, the girls will come to me. I won't

692
00:33:30,640 --> 00:33:32,640
Speaker 1: have to wear a dress anymore unless I want to,

693
00:33:33,160 --> 00:33:35,160
Speaker 1: and then Jack says the dean will kick him out

694
00:33:35,200 --> 00:33:37,320
Speaker 1: of school if he finds out, but Eric laughs, the

695
00:33:37,360 --> 00:33:40,760
Speaker 1: Dean adores him. On que the dean walks by Eric,

696
00:33:40,920 --> 00:33:43,640
Speaker 1: why are you in my college hallway? Eric hands the

697
00:33:43,640 --> 00:33:46,960
Speaker 1: deana flyer, which triggers a rant about everyone having flyers

698
00:33:46,960 --> 00:33:50,040
Speaker 1: for everything. Now that kin Gos is around, Eric assures

699
00:33:50,120 --> 00:33:52,000
Speaker 1: him he will like this one. It's for a good

700
00:33:52,000 --> 00:33:55,240
Speaker 1: old fashioned fraternity party. Jack adds, and it was all

701
00:33:55,280 --> 00:33:57,880
Speaker 1: his idea. I'm going to the library, Sir. The dean

702
00:33:57,920 --> 00:33:59,880
Speaker 1: points out that his name is also on the flyer,

703
00:34:00,000 --> 00:34:03,760
Speaker 1: and Eric nudges Jack because they're the founding members obviously.

704
00:34:04,360 --> 00:34:06,320
Speaker 1: The dean asks what the name of the fraternity is,

705
00:34:06,320 --> 00:34:09,600
Speaker 1: and Eric stutters, landing on the name Magnum Pie. After

706
00:34:09,640 --> 00:34:12,520
Speaker 1: reading the back of another student's T shirt for the

707
00:34:12,560 --> 00:34:15,239
Speaker 1: TV show, he tells the dean it originated at the

708
00:34:15,280 --> 00:34:18,520
Speaker 1: University of Hawaii. The dean walks up to that same student,

709
00:34:18,760 --> 00:34:21,520
Speaker 1: doesn't notice his T shirt and asks if he's heard

710
00:34:21,520 --> 00:34:23,680
Speaker 1: of Magnum Pie. The kid shakes his head no, and

711
00:34:23,719 --> 00:34:25,520
Speaker 1: then the dean tells him to get out of here.

712
00:34:26,360 --> 00:34:28,640
Speaker 1: And I don't know, maybe that kid got a sagcard

713
00:34:28,680 --> 00:34:30,720
Speaker 1: for this, he had a line somewhere, he got a credit.

714
00:34:31,320 --> 00:34:35,239
Speaker 4: Yeah, also, standing perfectly square with the back of the

715
00:34:35,239 --> 00:34:35,759
Speaker 4: shirt the.

716
00:34:35,800 --> 00:34:39,080
Speaker 1: Blocking I got to get Alan Myerson on here, Got

717
00:34:39,080 --> 00:34:44,160
Speaker 1: some notes, Got some notes. Alan Jack washes the encounter

718
00:34:44,239 --> 00:34:58,600
Speaker 1: and tells Eric he's not right in the head. So

719
00:34:58,640 --> 00:35:01,480
Speaker 1: then we're in Phoenie's classroom to Panga enters and Corey

720
00:35:01,520 --> 00:35:05,280
Speaker 1: reveals that Phoene's on a warpath because Shawn's cutting class. Guys,

721
00:35:05,400 --> 00:35:07,880
Speaker 1: here's another scene that I wanted to stab myself in

722
00:35:07,920 --> 00:35:10,919
Speaker 1: the eyeball about he wants to forge an excuse from

723
00:35:10,960 --> 00:35:14,520
Speaker 1: Shawn's parents, but he needs help. How do you spell?

724
00:35:14,800 --> 00:35:18,480
Speaker 1: Sean Topanga is concerned that he doesn't know how to

725
00:35:18,520 --> 00:35:21,480
Speaker 1: spell his best friend's name, and Corey says their phone people,

726
00:35:22,000 --> 00:35:27,160
Speaker 1: is it Shawn or Sea? N Phoene conveniently walks up

727
00:35:27,200 --> 00:35:29,800
Speaker 1: just entire time to hear this stupid question and answers

728
00:35:29,800 --> 00:35:36,279
Speaker 1: the question, Sahawn, and where is he? This? I am? I?

729
00:35:37,200 --> 00:35:41,480
Speaker 2: Yeah, what I done? But I mean that's what's for me.

730
00:35:41,520 --> 00:35:43,799
Speaker 2: That's why this whole episode feels like I just don't know.

731
00:35:44,000 --> 00:35:45,879
Speaker 1: The last one felt like this for me too. There's

732
00:35:45,920 --> 00:35:47,879
Speaker 1: been in a row now where I'm going? What the hell?

733
00:35:48,239 --> 00:35:48,480
Speaker 4: Like you?

734
00:35:49,080 --> 00:35:51,320
Speaker 1: Yeah? All right? Then we're back at Penbrook in the

735
00:35:51,320 --> 00:35:54,319
Speaker 1: philosophy class. Shawn enters in spots Jennifer, who has saved

736
00:35:54,360 --> 00:35:56,480
Speaker 1: him a seat up front. Sean nervously tells her to

737
00:35:56,480 --> 00:35:58,800
Speaker 1: come sit in the back, but right then the teacher

738
00:35:58,880 --> 00:36:00,960
Speaker 1: tells Sean to stop talking and take a seat next

739
00:36:00,960 --> 00:36:03,399
Speaker 1: to Jennifer. The teacher reminds the class where they left

740
00:36:03,400 --> 00:36:07,840
Speaker 1: off yesterday, Analyzing Jacques Bourredon's paradox, and Julius Carey is

741
00:36:07,880 --> 00:36:10,080
Speaker 1: so cool. I know you don't love the way it

742
00:36:10,120 --> 00:36:12,440
Speaker 1: all works in the scene, but he's just so cool.

743
00:36:13,440 --> 00:36:15,440
Speaker 1: He asks what the answer to the paradox is, and

744
00:36:15,520 --> 00:36:19,840
Speaker 1: Sean nervously hopes not me, not me. Luckily, Jennifer raises

745
00:36:19,840 --> 00:36:22,160
Speaker 1: her hand to answer, we can only choose that which

746
00:36:22,160 --> 00:36:25,320
Speaker 1: our reason tells us is the greater good. The professor

747
00:36:25,360 --> 00:36:29,000
Speaker 1: follows up with refute this argument using dialectic reasoning, and

748
00:36:29,040 --> 00:36:32,640
Speaker 1: then he leans down to Sean, you his nightmares come

749
00:36:32,680 --> 00:36:35,839
Speaker 1: to life. Sean nervously answers, I think the dog would

750
00:36:35,920 --> 00:36:38,640
Speaker 1: choose the food on the right. The professor asks why

751
00:36:38,680 --> 00:36:41,200
Speaker 1: not the left. Sean has no clue what he's talking about,

752
00:36:41,280 --> 00:36:43,359
Speaker 1: but says it could also be the left. I mean,

753
00:36:43,400 --> 00:36:46,560
Speaker 1: anyone would choose something before they starve to death. The

754
00:36:46,560 --> 00:36:49,680
Speaker 1: professor is impressed. He says, Sean just skipped ahead to

755
00:36:49,719 --> 00:36:53,040
Speaker 1: an advanced theory that states the will to live is

756
00:36:53,080 --> 00:36:54,560
Speaker 1: the predominant human trait.

757
00:36:54,920 --> 00:36:57,839
Speaker 2: Yeah, I just I started googling all this stuff because

758
00:36:57,840 --> 00:36:59,480
Speaker 2: I was like, what is you know, and it's like

759
00:36:59,560 --> 00:37:03,279
Speaker 2: it's not even like the real the real U paradox

760
00:37:03,320 --> 00:37:05,799
Speaker 2: thing is actually like a donkey. It's like why we

761
00:37:05,920 --> 00:37:06,439
Speaker 2: made it a.

762
00:37:06,360 --> 00:37:08,840
Speaker 1: Dog, right because I wanted it to be like, well,

763
00:37:08,840 --> 00:37:09,120
Speaker 1: I think it.

764
00:37:09,120 --> 00:37:11,120
Speaker 2: Was supposed to be an ass it like literally was

765
00:37:11,160 --> 00:37:13,759
Speaker 2: it's the great but it's like but it's also it's

766
00:37:13,800 --> 00:37:16,680
Speaker 2: not really philosophy. It's more I mean it is, it's

767
00:37:16,760 --> 00:37:18,279
Speaker 2: I don't know. I was just like, what is this?

768
00:37:18,560 --> 00:37:21,719
Speaker 2: Like I like philosophy and none of this, like dialectic

769
00:37:21,800 --> 00:37:24,520
Speaker 2: reasoning is just a cool sounding word, right, but like

770
00:37:24,680 --> 00:37:26,799
Speaker 2: I don't and then like jumps to shop and how

771
00:37:26,880 --> 00:37:28,760
Speaker 2: I don't know. I was just like, can we couldn't

772
00:37:28,760 --> 00:37:31,520
Speaker 2: we have done a better version of this, like where

773
00:37:31,560 --> 00:37:34,560
Speaker 2: Sean does find a subject that he actually is good

774
00:37:34,680 --> 00:37:37,520
Speaker 2: and said like, right now, so far the joke is

775
00:37:37,880 --> 00:37:41,560
Speaker 2: philosophy is easy to fake your way in, like Sean

776
00:37:41,760 --> 00:37:44,600
Speaker 2: just stumbles into. So that's the story point at this

777
00:37:44,719 --> 00:37:47,200
Speaker 2: and which I was like, oh, maybe that's good where

778
00:37:47,200 --> 00:37:49,319
Speaker 2: it's going to stay and Sean's just gonna it's just

779
00:37:49,320 --> 00:37:50,879
Speaker 2: gonna be a joke about trying to date a girl

780
00:37:50,920 --> 00:37:53,720
Speaker 2: and getting away with being you know, well.

781
00:37:53,600 --> 00:37:56,319
Speaker 1: It's especially interesting considering how Will has pointed out to

782
00:37:56,400 --> 00:38:00,120
Speaker 1: us that Michael didn't go to college himself, and it

783
00:38:00,200 --> 00:38:04,440
Speaker 1: seems weird that this episode really seems to highlight. You

784
00:38:04,600 --> 00:38:10,680
Speaker 1: can't skip steps, kid, you gotta take every single day shortcuts.

785
00:38:10,719 --> 00:38:14,600
Speaker 1: There's no shortcuts into college, there's no which just is

786
00:38:14,640 --> 00:38:18,600
Speaker 1: a bunch of book. You. You could easily not finish

787
00:38:18,680 --> 00:38:21,279
Speaker 1: high school and go to a trade school and do

788
00:38:22,040 --> 00:38:24,760
Speaker 1: just fine. You could not finish high school and take

789
00:38:24,800 --> 00:38:27,680
Speaker 1: a take classes at a junior college or a college

790
00:38:27,719 --> 00:38:32,880
Speaker 1: and be just fine. But like it goes against the

791
00:38:33,040 --> 00:38:36,800
Speaker 1: something in our show that really was trying to nail down.

792
00:38:37,280 --> 00:38:39,240
Speaker 1: You gotta take your you gotta go to high school

793
00:38:39,239 --> 00:38:41,200
Speaker 1: every day, and you got to graduate from high school.

794
00:38:41,200 --> 00:38:44,040
Speaker 1: You have to take those SATs, and you have to

795
00:38:44,080 --> 00:38:46,760
Speaker 1: go to college. And if you skip any of those steps,

796
00:38:47,640 --> 00:38:49,399
Speaker 1: you're doomed. Yeah, what even are you?

797
00:38:49,800 --> 00:38:50,040
Speaker 3: Well?

798
00:38:50,360 --> 00:38:53,279
Speaker 2: Yeah, I have an even weirder point that was bothering me,

799
00:38:53,360 --> 00:38:56,200
Speaker 2: which is like this whole concept that Sean can be

800
00:38:56,320 --> 00:39:01,520
Speaker 2: passionate and intelligent about philosophy but not able to write,

801
00:39:02,520 --> 00:39:06,040
Speaker 2: like as if the problem is just grammar, Like it's

802
00:39:06,040 --> 00:39:09,279
Speaker 2: it's just commas and periods, and it's like that's such

803
00:39:09,280 --> 00:39:11,600
Speaker 2: a weird version of writing, Like this is such a

804
00:39:11,640 --> 00:39:15,160
Speaker 2: backwards way of thinking about writing, Like as if writing

805
00:39:15,239 --> 00:39:18,680
Speaker 2: is literally just sentenced construction and that once you get that,

806
00:39:19,000 --> 00:39:20,120
Speaker 2: it's like no or as.

807
00:39:20,160 --> 00:39:24,719
Speaker 1: It's also formatic, like every weird way of truncating what

808
00:39:24,880 --> 00:39:29,400
Speaker 1: Foene has done for all these seasons. You mean to

809
00:39:29,400 --> 00:39:34,680
Speaker 1: tell me now that all Phoene's therefore is teaching you Periodscially,

810
00:39:35,560 --> 00:39:37,440
Speaker 1: he didn't questioning.

811
00:39:37,000 --> 00:39:39,759
Speaker 2: For yourself exactly, Like that's the whole point, and like,

812
00:39:39,800 --> 00:39:43,880
Speaker 2: shouldn't it be just like Sean, you're fine because obviously

813
00:39:43,920 --> 00:39:47,239
Speaker 2: you cared about this subject, you did research, and I

814
00:39:47,280 --> 00:39:49,360
Speaker 2: say at one point, like I actually know this stuff,

815
00:39:49,960 --> 00:39:53,120
Speaker 2: and like why a college teacher would ever be like,

816
00:39:53,719 --> 00:39:55,480
Speaker 2: I don't know. He says, like you just didn't get

817
00:39:55,480 --> 00:39:57,799
Speaker 2: the basics. I'm like, what what are you talking about?

818
00:39:57,800 --> 00:39:59,000
Speaker 2: Like what are the basics?

819
00:40:00,440 --> 00:40:01,920
Speaker 1: Yeah? No, the whole thing was very strange.

820
00:40:01,960 --> 00:40:04,319
Speaker 4: It's also I love then whose Phoenie's like, well, we've

821
00:40:04,360 --> 00:40:05,560
Speaker 4: got seven months left.

822
00:40:05,680 --> 00:40:08,040
Speaker 1: I'll teach you everything you need to know before college,

823
00:40:08,120 --> 00:40:11,279
Speaker 1: Like what I know, for four years you've slacked off,

824
00:40:11,280 --> 00:40:13,399
Speaker 1: but in these seven months, that's all it's going to take.

825
00:40:13,760 --> 00:40:16,759
Speaker 1: We'll get you there. The professor then asks Shawn's name

826
00:40:16,800 --> 00:40:20,879
Speaker 1: and applauds his non linear thinking. Good. The professor says,

827
00:40:20,880 --> 00:40:23,000
Speaker 1: he likes the way Sean's mind works. Want to take

828
00:40:23,000 --> 00:40:25,440
Speaker 1: a shot at free will? Sean Win says, do I

829
00:40:25,480 --> 00:40:29,160
Speaker 1: really have a choice? The professor's mind is blown? Ooh,

830
00:40:29,200 --> 00:40:31,640
Speaker 1: I got to take five. And then we're back at

831
00:40:31,719 --> 00:40:33,759
Speaker 1: John Adam's High. Corey is now at the lockers and

832
00:40:33,800 --> 00:40:36,560
Speaker 1: a background actor taps him on his elbow like their friends.

833
00:40:36,840 --> 00:40:38,680
Speaker 2: Yeah. I was like, what is happening?

834
00:40:38,920 --> 00:40:40,560
Speaker 1: I want to know everything about that guy?

835
00:40:40,680 --> 00:40:40,879
Speaker 2: Yeah?

836
00:40:40,880 --> 00:40:44,560
Speaker 1: Who is that guy? That was the conversation? How do

837
00:40:44,719 --> 00:40:47,120
Speaker 1: they know each other? Since was he also? Who had

838
00:40:47,280 --> 00:40:50,160
Speaker 1: him to do that? Seriously? Maybe it was a friend

839
00:40:50,160 --> 00:40:53,200
Speaker 1: of Ben's, maybe who was there for the day. Corey

840
00:40:53,200 --> 00:40:55,120
Speaker 1: then spots Sean, who's sitting in the hallway with a

841
00:40:55,160 --> 00:40:57,920
Speaker 1: few text books sprawled out in front of him. Corey

842
00:40:57,960 --> 00:41:00,000
Speaker 1: asks if he's finally working on his paper for Peenie,

843
00:41:00,120 --> 00:41:03,160
Speaker 1: and Sean says no, he's actually writing a biography on Schopenhauer.

844
00:41:03,480 --> 00:41:06,399
Speaker 1: Corey jokes, the comic or the singer. Sean, so it's

845
00:41:06,400 --> 00:41:11,480
Speaker 1: a biography? Yes? Yeah, I don't understand.

846
00:41:11,040 --> 00:41:14,359
Speaker 4: It because you're in philosophy class, so you have to

847
00:41:14,440 --> 00:41:17,360
Speaker 4: usephy philosopher?

848
00:41:17,640 --> 00:41:21,719
Speaker 1: Yes, college, you write it all in one sentence and

849
00:41:21,760 --> 00:41:24,600
Speaker 1: when you say you actually know this stuff. You mean

850
00:41:24,680 --> 00:41:31,000
Speaker 1: you know the facts about this person. Yes, Sean tells

851
00:41:31,080 --> 00:41:33,920
Speaker 1: him the philosopher, I wouldn't expect you to know that.

852
00:41:33,960 --> 00:41:36,719
Speaker 1: It's not stuff they cover in high school. Corey realizes

853
00:41:36,760 --> 00:41:38,680
Speaker 1: he's still pretending to be in college so he can

854
00:41:38,680 --> 00:41:41,680
Speaker 1: impress Jennifer, but Sean says it's not about her anymore.

855
00:41:41,800 --> 00:41:44,720
Speaker 1: He likes philosophy and he's good at it. Corey reminds

856
00:41:44,760 --> 00:41:46,600
Speaker 1: him they've always said that they'll end up at the

857
00:41:46,600 --> 00:41:49,600
Speaker 1: same same college, but if Sean doesn't finish high school,

858
00:41:49,719 --> 00:41:52,960
Speaker 1: that can't happen. Sean says he's already in college. He

859
00:41:52,960 --> 00:41:55,719
Speaker 1: doesn't need high school. The bell rings and Corey snatches

860
00:41:55,800 --> 00:41:58,000
Speaker 1: up Sean's books. They have Phoene's class now.

861
00:41:58,280 --> 00:42:00,520
Speaker 2: Sean tasks, like the tone was so weird. I was

862
00:42:00,560 --> 00:42:03,399
Speaker 2: like Corey's being a dick, dude, like just.

863
00:42:03,400 --> 00:42:06,680
Speaker 1: Stop, like does any walks into last time? And I'm

864
00:42:06,719 --> 00:42:08,239
Speaker 1: not going to cover for you anymore? And I was like,

865
00:42:08,280 --> 00:42:09,400
Speaker 1: who asked you to cover for it?

866
00:42:09,560 --> 00:42:12,239
Speaker 2: I know? And then theoen comes back so harsh, this

867
00:42:12,280 --> 00:42:14,839
Speaker 2: whole tone of this whole sequence. I was like, what

868
00:42:15,000 --> 00:42:18,759
Speaker 2: is happening here? Like and like maybe maybe it's on me,

869
00:42:18,920 --> 00:42:21,920
Speaker 2: like maybe Sean should have been more like flipping and

870
00:42:21,960 --> 00:42:24,600
Speaker 2: playful or like, because but actually, like everything that Sean's

871
00:42:24,600 --> 00:42:27,080
Speaker 2: saying is pretty awesome. I'm like, yeah, dude, go to college,

872
00:42:27,160 --> 00:42:29,879
Speaker 2: like go, like why are you still here? Like get

873
00:42:29,880 --> 00:42:32,319
Speaker 2: your GED go on, like stop, like.

874
00:42:32,360 --> 00:42:36,000
Speaker 1: Cool, Wait, do you even need your GED in order

875
00:42:36,040 --> 00:42:37,560
Speaker 1: to apply to a junior college?

876
00:42:37,640 --> 00:42:41,080
Speaker 2: Can't you just yeah? You just think you can just yeah,

877
00:42:41,360 --> 00:42:45,239
Speaker 2: you have to have either a high school equivalency or

878
00:42:45,440 --> 00:42:47,520
Speaker 2: ged G ED is when you're over eighteen. If you're

879
00:42:47,560 --> 00:42:49,480
Speaker 2: under eighteen, you can just take your high school equivalency

880
00:42:50,040 --> 00:42:53,480
Speaker 2: anytime you're over sixteen, and you can go to junior college.

881
00:42:53,600 --> 00:42:57,160
Speaker 2: Or you can actually take classes for credit while you're

882
00:42:57,160 --> 00:42:59,320
Speaker 2: in high school. That's what a lot of people do.

883
00:42:59,680 --> 00:43:00,840
Speaker 2: I just take classes.

884
00:43:00,920 --> 00:43:03,200
Speaker 1: I was taking sociology and archaeology, all these things that

885
00:43:03,239 --> 00:43:03,600
Speaker 1: I loved.

886
00:43:03,719 --> 00:43:06,160
Speaker 2: I took philosophy, yeah, which maybe this is where they

887
00:43:06,160 --> 00:43:08,239
Speaker 2: stole it. I mean they might have, because that's that

888
00:43:08,320 --> 00:43:12,040
Speaker 2: summer of ninety five. I took intro to Philosophy in

889
00:43:12,080 --> 00:43:14,200
Speaker 2: my summer junior college, and I loved it.

890
00:43:14,280 --> 00:43:16,359
Speaker 1: They kept trying to hook you in with bringing parts

891
00:43:16,400 --> 00:43:18,120
Speaker 1: of your real life into the show. They're like, we're

892
00:43:18,120 --> 00:43:19,479
Speaker 1: going to make him love being well.

893
00:43:19,360 --> 00:43:21,799
Speaker 2: You know, actually, god, I didn't even realize this, but yeah,

894
00:43:21,800 --> 00:43:25,600
Speaker 2: I mean, because what happened is David Combs took my essay,

895
00:43:25,640 --> 00:43:29,480
Speaker 2: my final essay on Machiavelli, and distributed it to all

896
00:43:29,480 --> 00:43:32,000
Speaker 2: the writers. When I came back from that fall in

897
00:43:32,040 --> 00:43:35,080
Speaker 2: ninety one sentence, all of you, I got an A man.

898
00:43:35,080 --> 00:43:37,160
Speaker 2: I got an A plus. Like I remember the teacher

899
00:43:37,280 --> 00:43:38,720
Speaker 2: was like this, you know, because I was the youngest

900
00:43:38,760 --> 00:43:40,520
Speaker 2: kid in the class and he gave me an a plus.

901
00:43:40,560 --> 00:43:42,279
Speaker 2: And like, you know, I spent a lot of time

902
00:43:42,320 --> 00:43:44,719
Speaker 2: on it. I did all the research and it was, Yeah,

903
00:43:44,760 --> 00:43:47,279
Speaker 2: it was like my first real thing. And so that's

904
00:43:47,320 --> 00:43:49,640
Speaker 2: funny that I never even thought about that they totally

905
00:43:49,640 --> 00:43:52,759
Speaker 2: took it, except you know, the opposite lesson was learned,

906
00:43:52,760 --> 00:43:55,719
Speaker 2: which is college is awesome and I should just try

907
00:43:55,719 --> 00:43:57,719
Speaker 2: to get there as soon as possible, which I did.

908
00:43:58,000 --> 00:44:01,920
Speaker 4: Like yeah, Phoenie also not used philosophy at the end.

909
00:44:01,960 --> 00:44:06,080
Speaker 1: To bring you back to the Sean takes his stuff

910
00:44:06,160 --> 00:44:08,279
Speaker 1: back from Corey. He's not going because he needs to

911
00:44:08,280 --> 00:44:11,319
Speaker 1: write this philosophy paper. Corey says he won't compromise his

912
00:44:11,400 --> 00:44:13,239
Speaker 1: name and cover for him again, and he struts right

913
00:44:13,280 --> 00:44:16,279
Speaker 1: into the classroom. Phoene notices the absence and immediately asks

914
00:44:16,280 --> 00:44:20,600
Speaker 1: where Sean is. Corey stutters Alaska. Phoene has announced that

915
00:44:20,600 --> 00:44:23,320
Speaker 1: that will cost Corey a five hundred word essay. Corey

916
00:44:23,360 --> 00:44:26,040
Speaker 1: tries defending his actions. He's just trying to protect his friend.

917
00:44:26,360 --> 00:44:29,440
Speaker 1: Phoene sternly responds, make that one thousand words on what

918
00:44:29,560 --> 00:44:32,640
Speaker 1: helping out a friend really means. Tapega then jumps in,

919
00:44:32,800 --> 00:44:35,240
Speaker 1: aren't you being a little harsh? Corey waters your plants

920
00:44:35,239 --> 00:44:38,120
Speaker 1: while you're out of town? Phoene's getting angrier now it's

921
00:44:38,160 --> 00:44:41,479
Speaker 1: a two thousand word essay. Topenga responds, that's not fair.

922
00:44:41,520 --> 00:44:44,960
Speaker 1: He didn't even say anything, mister Feoenie doubles down. Ms Laurence,

923
00:44:45,120 --> 00:44:48,760
Speaker 1: you just bought the entire class the same assignment and going.

924
00:44:48,760 --> 00:44:49,720
Speaker 2: To what is happening?

925
00:44:49,760 --> 00:44:49,800
Speaker 4: Like?

926
00:44:49,840 --> 00:44:52,960
Speaker 2: Are we supposed to think that Phoene is Literally it's

927
00:44:53,000 --> 00:44:56,160
Speaker 2: not anybody's responsibility to find Sean. Do walk outside find

928
00:44:56,239 --> 00:44:59,680
Speaker 2: him or make an announcement or just mark facing him exactly?

929
00:45:00,239 --> 00:45:02,600
Speaker 2: It's I love that. And when everybody just points out

930
00:45:02,600 --> 00:45:05,440
Speaker 2: to the hallway, it's like everybody else knows why wouldn't

931
00:45:05,480 --> 00:45:09,640
Speaker 2: somebody else be like like he's.

932
00:45:12,280 --> 00:45:14,719
Speaker 1: And I want it by tomorrow. The classmate's grown, and

933
00:45:14,719 --> 00:45:17,759
Speaker 1: Phoenie asks, perhaps someone can tell me where mister Hunter is.

934
00:45:18,320 --> 00:45:21,440
Speaker 1: The students all simultaneously point to the hallway, even though

935
00:45:21,480 --> 00:45:24,080
Speaker 1: Foeni is the only one facing that direction and should

936
00:45:24,080 --> 00:45:26,320
Speaker 1: have been able to see him. Corey tries to repair

937
00:45:26,360 --> 00:45:29,360
Speaker 1: the situation by offering the class lunch on him and Topanga.

938
00:45:30,160 --> 00:45:32,200
Speaker 1: Now we're in the school hallway. Phoene tells Sean that

939
00:45:32,239 --> 00:45:34,480
Speaker 1: class has started. Sean thanks him for the invite, but

940
00:45:34,520 --> 00:45:37,319
Speaker 1: he needs to finish a paper. Mister Feenie responds, I'm

941
00:45:37,320 --> 00:45:39,720
Speaker 1: not asking you. This is high school. I'm the teacher

942
00:45:39,800 --> 00:45:42,200
Speaker 1: and you're the student. Corey is now watching on from

943
00:45:42,239 --> 00:45:45,000
Speaker 1: the doorway as Sean stands up. That certainly is one

944
00:45:45,040 --> 00:45:47,520
Speaker 1: point of view, but I believe there's still room for discussion.

945
00:45:48,080 --> 00:45:50,239
Speaker 1: Phoenie asks if he's refusing to come to class, and

946
00:45:50,280 --> 00:45:53,840
Speaker 1: the new college philosophy major Shan explains, I'm not refusing.

947
00:45:53,960 --> 00:45:57,319
Speaker 1: I'm exercising my free will. We see Phoenie is now

948
00:45:57,360 --> 00:45:59,560
Speaker 1: at the end of his rope. Then I will use mine.

949
00:45:59,680 --> 00:46:03,400
Speaker 1: You are hereby suspended end of discussion a looming Corey

950
00:46:03,520 --> 00:46:06,439
Speaker 1: is shocked, and then we go to a tense commercial break,

951
00:46:06,440 --> 00:46:08,320
Speaker 1: and when we come back, we're still in the school hallway.

952
00:46:08,680 --> 00:46:11,440
Speaker 1: Mister Feoene tells Sean that suspended students are not allowed

953
00:46:11,480 --> 00:46:13,520
Speaker 1: in his school. I have a room full of students

954
00:46:13,560 --> 00:46:15,439
Speaker 1: who I want to learn, So good day, mister hunter.

955
00:46:15,640 --> 00:46:17,960
Speaker 1: Sean grabs his things and storms away from Feoenie and

956
00:46:18,040 --> 00:46:20,920
Speaker 1: right past Corey. Corey approaches Phoene. How could you do

957
00:46:21,040 --> 00:46:23,520
Speaker 1: this to him? This is his senior year. How can

958
00:46:23,560 --> 00:46:27,000
Speaker 1: you suspend him? Feoene points out that Sean suspended himself.

959
00:46:27,120 --> 00:46:29,200
Speaker 1: It was his choice to join the others that didn't

960
00:46:29,239 --> 00:46:32,360
Speaker 1: live up to their potential. Corey argues, but it's Sean.

961
00:46:32,920 --> 00:46:36,680
Speaker 1: Phoene nods and disappointment fills his voice. Yes, I know,

962
00:46:38,680 --> 00:46:39,399
Speaker 1: what does that mean?

963
00:46:39,680 --> 00:46:40,920
Speaker 2: What does that last exchange for me?

964
00:46:41,400 --> 00:46:45,200
Speaker 1: It's I think just I'm extra sad because it's Sean.

965
00:46:45,440 --> 00:46:49,279
Speaker 1: I love him so much, and yet he is insisting

966
00:46:49,400 --> 00:46:54,080
Speaker 1: on being a failure. That's all, honest, that's it. I

967
00:46:54,120 --> 00:46:56,319
Speaker 1: bet you the step by step this night was really good.

968
00:46:56,640 --> 00:47:01,040
Speaker 4: Yeah, Sabrina, that talking about that hat and Cat probably

969
00:47:01,040 --> 00:47:01,839
Speaker 4: brought a good show.

970
00:47:01,920 --> 00:47:04,920
Speaker 1: Cat probably took his SATs and got a perfect score.

971
00:47:05,160 --> 00:47:06,319
Speaker 1: I wonder what was doing.

972
00:47:08,040 --> 00:47:10,359
Speaker 2: Family Matters was gone by then, right, was it?

973
00:47:10,480 --> 00:47:12,520
Speaker 1: No? I think Family Matters was still there at this point.

974
00:47:12,680 --> 00:47:16,239
Speaker 1: Wasn't it pretty sure? I don't know, teen Angel, teen

975
00:47:16,280 --> 00:47:18,640
Speaker 1: Agel was around. Yeah.

976
00:47:17,320 --> 00:47:17,520
Speaker 2: Yeah.

977
00:47:18,800 --> 00:47:20,760
Speaker 1: Then we're back in the guy's apartment. Back in the hallway,

978
00:47:20,880 --> 00:47:23,359
Speaker 1: Eric is hammering his magnum pie Greek letters onto their

979
00:47:23,360 --> 00:47:25,320
Speaker 1: apartment door, and then we see a large pair of

980
00:47:25,360 --> 00:47:27,759
Speaker 1: high heels enter the shot. It's Jack, now wearing a

981
00:47:27,760 --> 00:47:31,319
Speaker 1: bright red dress. The audience loves this, and Jack tells Eric,

982
00:47:31,400 --> 00:47:32,400
Speaker 1: I don't want to talk about it.

983
00:47:32,440 --> 00:47:32,800
Speaker 2: Okay.

984
00:47:33,200 --> 00:47:35,520
Speaker 1: Eric responds, well, I do you took that out of

985
00:47:35,520 --> 00:47:39,040
Speaker 1: my closet. Jack admits he's pledging Omega. The dean thinks

986
00:47:39,080 --> 00:47:41,400
Speaker 1: he's in a fraternity, so he'll be in a real fraternity.

987
00:47:41,680 --> 00:47:43,319
Speaker 2: Okay. So this is why I was like, why is

988
00:47:43,360 --> 00:47:46,760
Speaker 2: he pledging another fraternity when they already are dealing with

989
00:47:46,800 --> 00:47:48,040
Speaker 2: their own fake fraternity.

990
00:47:48,640 --> 00:47:50,239
Speaker 4: He didn't want to be part of the own fake

991
00:47:50,239 --> 00:47:52,080
Speaker 4: fraternity because it's going to get him in trouble with it.

992
00:47:52,200 --> 00:47:53,839
Speaker 2: But then he hates being in a dress and has

993
00:47:53,880 --> 00:47:56,000
Speaker 2: to do this. I'm like, right, well, the real reason

994
00:47:56,040 --> 00:47:59,160
Speaker 2: is they want rules for him in the other fraternity.

995
00:47:58,680 --> 00:48:01,560
Speaker 1: Like, what is the real reason is they wanted Matt

996
00:48:01,600 --> 00:48:02,440
Speaker 1: Lawrence in address?

997
00:48:02,640 --> 00:48:03,120
Speaker 2: Exactly?

998
00:48:03,120 --> 00:48:07,960
Speaker 1: The script reason is he has already lied to the

999
00:48:07,960 --> 00:48:12,000
Speaker 1: dean about being in a fraternity. And so the faulty

1000
00:48:12,040 --> 00:48:15,000
Speaker 1: premise is, so if I said it, I'm gonna in

1001
00:48:15,080 --> 00:48:17,440
Speaker 1: order to make it true, I'm gonna pledge a real

1002
00:48:17,560 --> 00:48:21,840
Speaker 1: fraternity so that I hopefully don't get kicked out of school. Yeah,

1003
00:48:21,880 --> 00:48:23,400
Speaker 1: that's it, that's what they're going for.

1004
00:48:24,160 --> 00:48:28,080
Speaker 2: When the then he immediately caves and plays along with

1005
00:48:28,120 --> 00:48:28,480
Speaker 2: making it.

1006
00:48:28,640 --> 00:48:34,120
Speaker 1: Doesn't immediately caves, He says, I don't know. And then

1007
00:48:34,200 --> 00:48:36,720
Speaker 1: when he kicks him out of school, Oh my god,

1008
00:48:36,920 --> 00:48:39,440
Speaker 1: I know. So it's never explained how or why he

1009
00:48:39,560 --> 00:48:42,799
Speaker 1: knows the Love Boat guys is his dad friends. Oh no,

1010
00:48:42,880 --> 00:48:43,920
Speaker 1: let's not even get into that.

1011
00:48:44,000 --> 00:48:46,080
Speaker 4: I mean then it's just like, what else can make

1012
00:48:46,120 --> 00:48:48,320
Speaker 4: this just even more bat crazy?

1013
00:48:48,600 --> 00:48:51,240
Speaker 1: Hey it's the guys from from the Love Boat.

1014
00:48:51,440 --> 00:48:51,680
Speaker 2: I know.

1015
00:48:51,880 --> 00:48:54,319
Speaker 1: Okay, So Eric blurts out, I love him and he

1016
00:48:54,320 --> 00:48:56,880
Speaker 1: loves me. Jack says the Dean doesn't love him. But

1017
00:48:56,960 --> 00:49:00,200
Speaker 1: then the elevator dings, and of course it's the dean himself.

1018
00:49:00,640 --> 00:49:02,200
Speaker 1: If he doesn't love me, how come he's coming to

1019
00:49:02,200 --> 00:49:04,520
Speaker 1: see me right now? Then the Dean acknowledged, sorry, can

1020
00:49:04,560 --> 00:49:04,920
Speaker 1: we can we?

1021
00:49:05,120 --> 00:49:08,640
Speaker 4: Did you notice that there was they cut something out

1022
00:49:08,840 --> 00:49:11,319
Speaker 4: oh and so out of no. I don't know what

1023
00:49:11,360 --> 00:49:14,400
Speaker 4: it was, but it was the weirdest, most abrupt cut

1024
00:49:14,560 --> 00:49:17,200
Speaker 4: in the middle where all of a sudden Eric just

1025
00:49:17,239 --> 00:49:19,160
Speaker 4: says he loves me out of it was.

1026
00:49:19,400 --> 00:49:22,279
Speaker 1: Oh, I don't think they cut anything. I think it's

1027
00:49:22,600 --> 00:49:25,640
Speaker 1: yet another thing about this episode that makes really no

1028
00:49:25,760 --> 00:49:28,279
Speaker 1: sense at all. It seems like they cut something because

1029
00:49:28,280 --> 00:49:31,160
Speaker 1: it was so abrupt. It's out of left field. He

1030
00:49:31,239 --> 00:49:34,240
Speaker 1: loves me and I love him. You're right, maybe maybe

1031
00:49:34,560 --> 00:49:38,520
Speaker 1: maybe Matt did say something like that guy hates you

1032
00:49:38,800 --> 00:49:41,160
Speaker 1: and you responded with something because it does come out

1033
00:49:41,160 --> 00:49:41,839
Speaker 1: of nowhere, but it.

1034
00:49:41,800 --> 00:49:42,480
Speaker 2: Was it was for me.

1035
00:49:43,040 --> 00:49:44,000
Speaker 1: Didn't even question it.

1036
00:49:44,440 --> 00:49:47,000
Speaker 2: I mean, and that first thing with the Dean too, like,

1037
00:49:47,600 --> 00:49:49,560
Speaker 2: if this is where it's going to go, wouldn't you

1038
00:49:49,640 --> 00:49:54,000
Speaker 2: establish the Dean really knows their names, knows these two guys, like,

1039
00:49:54,160 --> 00:49:56,040
Speaker 2: but the way he treats you in the first first

1040
00:49:56,080 --> 00:49:58,320
Speaker 2: scene was almost like you never met and he was

1041
00:49:58,360 --> 00:49:59,080
Speaker 2: just annoyed by you.

1042
00:49:59,200 --> 00:50:01,760
Speaker 1: Actually, he says, what are you doing in my college?

1043
00:50:01,840 --> 00:50:02,320
Speaker 1: At college?

1044
00:50:02,480 --> 00:50:04,080
Speaker 2: I want to hear like I want to hear like,

1045
00:50:04,120 --> 00:50:06,759
Speaker 2: O you two again? You know, just some sort of

1046
00:50:06,800 --> 00:50:08,640
Speaker 2: like Eric and Jack. And then even in this scene

1047
00:50:08,640 --> 00:50:11,560
Speaker 2: when he does a Shirley joke or whatever or Sherry

1048
00:50:11,600 --> 00:50:14,560
Speaker 2: whatever and then Shelley and then calls him Jack at

1049
00:50:14,600 --> 00:50:16,560
Speaker 2: the end, I was like, oh he does know their names.

1050
00:50:16,640 --> 00:50:22,080
Speaker 1: Oh yeah, yeah, So the dean acknowledges Eric and greets Jack. Hi, Shelly,

1051
00:50:22,680 --> 00:50:24,719
Speaker 1: I happen to have a niece who attends the University

1052
00:50:24,719 --> 00:50:27,279
Speaker 1: of Hawaii and Owahu and she has no knowledge of

1053
00:50:27,320 --> 00:50:30,279
Speaker 1: this Magnum Pie Eric thinks quick they have no O

1054
00:50:30,360 --> 00:50:33,720
Speaker 1: Wahu chapter. However, they are very big on the island

1055
00:50:33,760 --> 00:50:37,759
Speaker 1: of Humana Jumana Humana Who. The dean asks how the

1056
00:50:37,760 --> 00:50:41,320
Speaker 1: fraternity's funded, and Eric answers by alumni. The dean asks

1057
00:50:41,400 --> 00:50:43,560
Speaker 1: Jack for names, but Jack says he doesn't know, so

1058
00:50:43,600 --> 00:50:45,919
Speaker 1: the dean quickly kicks him out of school, but Jack

1059
00:50:46,000 --> 00:50:50,000
Speaker 1: now joins in famous celebrity alumni. The dean would love

1060
00:50:50,040 --> 00:50:52,920
Speaker 1: to know who. Jack. Here's the word love and thinks

1061
00:50:53,400 --> 00:50:58,640
Speaker 1: love vote like it's a Magnum Pie shirt. Then I mean,

1062
00:50:58,840 --> 00:51:01,000
Speaker 1: like it's a Magnum PII shirt then comes up with

1063
00:51:01,600 --> 00:51:05,080
Speaker 1: the love boats Ted Lange and Bernie Coppel.

1064
00:51:05,160 --> 00:51:09,239
Speaker 4: Because that's who you're gonna pick for celebrity endorsers of

1065
00:51:09,280 --> 00:51:09,640
Speaker 4: the thing.

1066
00:51:09,760 --> 00:51:12,759
Speaker 1: When you're in college in the mid nineties, you instantly

1067
00:51:12,800 --> 00:51:14,200
Speaker 1: go to the two guys.

1068
00:51:14,920 --> 00:51:16,120
Speaker 2: How do you think this came about?

1069
00:51:16,719 --> 00:51:17,799
Speaker 1: They threw there.

1070
00:51:17,840 --> 00:51:20,839
Speaker 4: They threw the word like, who what celebrities can we get?

1071
00:51:21,360 --> 00:51:23,879
Speaker 4: They threw offers out to a bunch of people. Ted

1072
00:51:23,960 --> 00:51:26,360
Speaker 4: Lange and pretty Copel went will do it, and so

1073
00:51:26,600 --> 00:51:27,200
Speaker 4: they wrote.

1074
00:51:27,000 --> 00:51:27,399
Speaker 1: It in there.

1075
00:51:27,600 --> 00:51:31,279
Speaker 2: That's what I'm thinking, Yeah, because like the Magnum p

1076
00:51:31,440 --> 00:51:33,160
Speaker 2: I thing would have been funny to have somebody from

1077
00:51:33,239 --> 00:51:36,000
Speaker 2: Magnum p I, right, like Tom Selleck show up or

1078
00:51:36,040 --> 00:51:37,920
Speaker 2: I don't like some connection.

1079
00:51:37,680 --> 00:51:39,200
Speaker 1: To some connection to this.

1080
00:51:39,520 --> 00:51:44,280
Speaker 2: But these are two two word based jokes that just don't.

1081
00:51:44,480 --> 00:51:51,760
Speaker 2: I don't. There's this very famous episode of Amazing Stories

1082
00:51:51,760 --> 00:51:57,759
Speaker 2: I talk about, you know, teaching, teaching writing like to

1083
00:51:57,880 --> 00:52:00,440
Speaker 2: not rely on dialogue too much. You know, like when

1084
00:52:00,480 --> 00:52:02,920
Speaker 2: you rely on dialogue to actually advance plot, it's like

1085
00:52:03,200 --> 00:52:05,680
Speaker 2: it's actually bad, like really bad. Like you never want

1086
00:52:05,680 --> 00:52:08,240
Speaker 2: the content of dialogue to be the thing that propels

1087
00:52:08,239 --> 00:52:10,280
Speaker 2: the story forward, Like you can have a good dialogue

1088
00:52:10,280 --> 00:52:13,759
Speaker 2: you have, but it's there. It's about changing within the scene,

1089
00:52:13,840 --> 00:52:16,720
Speaker 2: not changing the story. And like there's an amazing Stories

1090
00:52:16,719 --> 00:52:19,680
Speaker 2: episode I actually have never seen it, but where it's

1091
00:52:19,719 --> 00:52:23,560
Speaker 2: an evil wig and evil to pay that is possessing

1092
00:52:23,560 --> 00:52:26,520
Speaker 2: people to become murderers, and like there's the way the

1093
00:52:26,560 --> 00:52:28,799
Speaker 2: detective solves it at the near the end is like,

1094
00:52:29,120 --> 00:52:30,919
Speaker 2: when we catch this killer, there's going to be hell

1095
00:52:30,960 --> 00:52:32,239
Speaker 2: to pay, to.

1096
00:52:32,480 --> 00:52:40,200
Speaker 1: Pay to pay. That's oh yes, it's solve the case.

1097
00:52:42,040 --> 00:52:47,919
Speaker 2: There it is, there's like magnum and love love love.

1098
00:52:49,680 --> 00:52:50,839
Speaker 2: That makes me think of.

1099
00:52:51,440 --> 00:52:59,200
Speaker 1: Love boat, the love boat, Yeah, perfectly. The Dean responds, well,

1100
00:53:00,040 --> 00:53:02,880
Speaker 1: forward to meeting them at your fraternity party. And as

1101
00:53:02,920 --> 00:53:04,600
Speaker 1: soon as you started talking, I knew it was you

1102
00:53:04,719 --> 00:53:08,880
Speaker 1: Jack now alone. Eric tells, Jack, come inside, you hussy.

1103
00:53:09,920 --> 00:53:12,040
Speaker 4: That was I think. I added that, Really you can

1104
00:53:12,080 --> 00:53:13,440
Speaker 4: tell that. I just threw that in at the end.

1105
00:53:14,640 --> 00:53:19,200
Speaker 2: I didn't think television. I was like, was that is that? Okay?

1106
00:53:19,520 --> 00:53:24,359
Speaker 1: I think I hear that in myself. And I did

1107
00:53:24,440 --> 00:53:26,960
Speaker 1: notice your look after you when you looked back at him,

1108
00:53:27,080 --> 00:53:32,839
Speaker 1: was a little like was that funny? Then we're at

1109
00:53:32,960 --> 00:53:36,200
Speaker 1: the Penbrook Philosophy class. Sean has a few students crowded

1110
00:53:36,200 --> 00:53:38,919
Speaker 1: around him. Not everybody is going to get Nietzsche right away.

1111
00:53:39,040 --> 00:53:41,280
Speaker 1: The key is to read it in its original German.

1112
00:53:41,560 --> 00:53:46,680
Speaker 1: Jennifer begs him, tutor me. Then the professor walks in, okay, so.

1113
00:53:46,520 --> 00:53:49,279
Speaker 2: Now I'm faking it again and I'm lying to.

1114
00:53:49,360 --> 00:53:52,440
Speaker 1: Just get I don't think you are. I did not

1115
00:53:52,520 --> 00:53:56,359
Speaker 1: read it that way. I took it as you write

1116
00:53:56,480 --> 00:53:56,920
Speaker 1: in German.

1117
00:53:57,280 --> 00:53:59,040
Speaker 2: I did read it in German.

1118
00:54:00,320 --> 00:54:03,319
Speaker 1: Yeah, and you you actually are into it, you enjoy it.

1119
00:54:04,000 --> 00:54:07,960
Speaker 1: I don't. I did not read it as this is

1120
00:54:08,000 --> 00:54:10,880
Speaker 1: Sean pulling a fast one on these students. It's just

1121
00:54:10,920 --> 00:54:12,160
Speaker 1: that you're totally read it.

1122
00:54:12,200 --> 00:54:16,719
Speaker 2: No, I totally I did, because she's me yes, and

1123
00:54:16,760 --> 00:54:20,880
Speaker 2: I'm like, it's like back to sort of conning about,

1124
00:54:21,120 --> 00:54:23,120
Speaker 2: you know, and yeah, being a con man and like

1125
00:54:23,280 --> 00:54:25,080
Speaker 2: just to get the girls because I'm being surrounded. I'm

1126
00:54:25,239 --> 00:54:27,920
Speaker 2: you know, I'm bragging. It's like I'm not like just

1127
00:54:27,960 --> 00:54:30,960
Speaker 2: going off because I'm passionate about it. I'm like showing off,

1128
00:54:31,200 --> 00:54:32,879
Speaker 2: you know. And so I was like, oh, so we're

1129
00:54:32,960 --> 00:54:35,960
Speaker 2: back to Sean not caring about this and it's just

1130
00:54:36,000 --> 00:54:38,160
Speaker 2: about getting the girls. And then of course that isn't

1131
00:54:38,200 --> 00:54:39,879
Speaker 2: the Casey, I'm upset at the end of the scene

1132
00:54:39,880 --> 00:54:40,640
Speaker 2: because my grade.

1133
00:54:40,680 --> 00:54:43,760
Speaker 1: So it's like, yeah, weird. I don't know. I really

1134
00:54:43,840 --> 00:54:47,040
Speaker 1: just took it as like Sean's into it. He's we've

1135
00:54:47,040 --> 00:54:51,800
Speaker 1: already established that he's a language guy, and.

1136
00:54:51,160 --> 00:54:52,759
Speaker 2: And feel like if that had been the case, it

1137
00:54:52,760 --> 00:54:55,840
Speaker 2: would have been that I ignore the girl now, like you

1138
00:54:55,880 --> 00:54:57,319
Speaker 2: know what I mean. If that were the story point,

1139
00:54:57,680 --> 00:54:59,640
Speaker 2: then it would be me like talking about something I'm

1140
00:54:59,640 --> 00:55:01,880
Speaker 2: really in, sitting on her being like tutor me and

1141
00:55:01,920 --> 00:55:04,839
Speaker 2: being like sure, like I just don't care that she's

1142
00:55:04,880 --> 00:55:07,840
Speaker 2: slurring with me. But instead it seems so presentational. It

1143
00:55:07,880 --> 00:55:10,080
Speaker 2: seems like we're back to the old joke.

1144
00:55:11,560 --> 00:55:14,200
Speaker 1: Well. The professor walks in, with Corey following close behind.

1145
00:55:14,280 --> 00:55:18,400
Speaker 1: They'll be exploring structuralism today. Corey immediately sits down behind Sean.

1146
00:55:18,640 --> 00:55:20,200
Speaker 1: He wants Sean to go back to school and talk

1147
00:55:20,239 --> 00:55:23,279
Speaker 1: to Feeney. The professor notices Corey talking and shouts you.

1148
00:55:23,760 --> 00:55:26,480
Speaker 1: Corey nervously says, oh my god, I've been hit. The

1149
00:55:26,520 --> 00:55:30,160
Speaker 1: teacher asks Corey about life, mortality, and existence, to which

1150
00:55:30,200 --> 00:55:33,920
Speaker 1: he responds, oh, I'm just visiting. The professor asks if

1151
00:55:33,920 --> 00:55:36,480
Speaker 1: he's referring to the theory that we're all just visiting,

1152
00:55:36,480 --> 00:55:39,600
Speaker 1: and Corey pretends like that's exactly what he meant, but

1153
00:55:39,719 --> 00:55:42,879
Speaker 1: instead of praise, the professor yells in his face, that's bull.

1154
00:55:43,440 --> 00:55:45,799
Speaker 1: This is what happens in philosophy class. You throw out

1155
00:55:45,800 --> 00:55:48,640
Speaker 1: a few cliches, and I'm supposed to be impressed. Corey

1156
00:55:48,680 --> 00:55:52,080
Speaker 1: says he wishes he wasn't there. The professor shouts, now,

1157
00:55:52,160 --> 00:55:55,160
Speaker 1: that's a good starting point. Then he apologizes. He gets

1158
00:55:55,200 --> 00:55:57,960
Speaker 1: a little frustrated. Sometimes I look at you and wonder

1159
00:55:58,000 --> 00:56:00,000
Speaker 1: how many of you should still be in high school.

1160
00:56:01,520 --> 00:56:02,839
Speaker 1: I'm not sure what's going on, guys.

1161
00:56:02,880 --> 00:56:03,560
Speaker 2: Why I don't get it.

1162
00:56:03,600 --> 00:56:05,719
Speaker 1: I know that I don't share it. Not sure why

1163
00:56:05,719 --> 00:56:08,440
Speaker 1: he's so freshied yet I don't know. I don't get it.

1164
00:56:08,960 --> 00:56:11,799
Speaker 1: Corey uses this ironic opportunity to ask his best friend

1165
00:56:11,800 --> 00:56:14,279
Speaker 1: if he's coming back or not. Sean says he belongs here,

1166
00:56:14,360 --> 00:56:16,960
Speaker 1: he's just as the professor hands back his graded paper,

1167
00:56:17,280 --> 00:56:20,000
Speaker 1: the teacher was very surprised by Shaan's work. He was

1168
00:56:20,040 --> 00:56:23,800
Speaker 1: expecting a scholarly accomplishment, but he got an f Sean

1169
00:56:23,840 --> 00:56:26,120
Speaker 1: can't believe this. It must be a mistake, because he

1170
00:56:26,160 --> 00:56:28,200
Speaker 1: really knows this stuff. He's going to go talk to

1171
00:56:28,239 --> 00:56:31,080
Speaker 1: the professor, even though it's right in the middle of class.

1172
00:56:31,280 --> 00:56:33,440
Speaker 4: M I'm the professors stopped talking about and I have

1173
00:56:33,440 --> 00:56:35,600
Speaker 4: to grabb all my books to go talk to the pits.

1174
00:56:36,640 --> 00:56:38,759
Speaker 1: Sean says he worked hard on his paper, but the

1175
00:56:38,800 --> 00:56:41,800
Speaker 1: professor reveals that besides a few promising ideas, the paper

1176
00:56:41,840 --> 00:56:46,000
Speaker 1: was poorly written, disorganized, and sloppily researched. Sean responds, but

1177
00:56:46,080 --> 00:56:48,280
Speaker 1: you said I have a good mind, and the professor

1178
00:56:48,320 --> 00:56:51,440
Speaker 1: assures him you do. But you're in college. You're supposed

1179
00:56:51,480 --> 00:56:53,399
Speaker 1: to know the basics. I don't have time to teach

1180
00:56:53,440 --> 00:56:56,680
Speaker 1: them to you. Sean has hit a crisis. I don't

1181
00:56:56,719 --> 00:56:59,439
Speaker 1: belong in high school. I don't belong in college. Corey

1182
00:56:59,560 --> 00:57:02,400
Speaker 1: urges him talk to Feenie, but Sean just walks away

1183
00:57:02,719 --> 00:57:04,680
Speaker 1: and to your blocking point writer, you could have left

1184
00:57:04,680 --> 00:57:06,960
Speaker 1: your books on the desk, and after he tells you this,

1185
00:57:07,040 --> 00:57:09,160
Speaker 1: on your walk back out, you grab your books then,

1186
00:57:09,239 --> 00:57:11,960
Speaker 1: like I'm leaving. Corey urges him to talk to Feenie,

1187
00:57:12,000 --> 00:57:14,560
Speaker 1: but Sean just walks away. Now alone. The professor grabs

1188
00:57:14,560 --> 00:57:19,960
Speaker 1: Corey's shoulder and demands you Schopenhauer. Corey answers, me, leaving

1189
00:57:20,880 --> 00:57:21,840
Speaker 1: and he bolts out the door.

1190
00:57:22,360 --> 00:57:25,960
Speaker 2: Why Schopenhaower, Like, weren't we talking about structuralism today? Chopenhower

1191
00:57:26,000 --> 00:57:27,680
Speaker 2: is what I was doing my paper on. I think

1192
00:57:28,000 --> 00:57:30,640
Speaker 2: it's just sloppy like this, just just take the time

1193
00:57:30,680 --> 00:57:33,120
Speaker 2: to like care about this stuff.

1194
00:57:34,320 --> 00:57:36,840
Speaker 4: So this could have been the week that Erkele sent

1195
00:57:36,880 --> 00:57:41,000
Speaker 4: the Erkele bot oh to the job interview.

1196
00:57:41,280 --> 00:57:43,480
Speaker 1: Oh man, he didn't think he could do it himself.

1197
00:57:43,560 --> 00:57:54,160
Speaker 1: That Yeah, that was a great episode. I liked that one.

1198
00:57:58,160 --> 00:58:00,320
Speaker 1: We're in the guy's apartment. The fraternity party is on,

1199
00:58:00,520 --> 00:58:02,960
Speaker 1: and Jack is participating. He tells Eric as long as

1200
00:58:02,960 --> 00:58:05,560
Speaker 1: he wore that dress, he couldn't shake the dean, which

1201
00:58:05,560 --> 00:58:09,480
Speaker 1: means the dean is into Shelley. Yeah. Eric announces it's

1202
00:58:09,520 --> 00:58:11,360
Speaker 1: game time and for all the girls to head to

1203
00:58:11,400 --> 00:58:17,160
Speaker 1: the closet. Wait, what I know seven minutes in heaven.

1204
00:58:17,680 --> 00:58:20,040
Speaker 1: Why does anyone need to go to a closet You're

1205
00:58:20,040 --> 00:58:21,680
Speaker 1: in college in your own apartment.

1206
00:58:21,840 --> 00:58:24,919
Speaker 4: Also, all the things that Sue said, She's like, what

1207
00:58:25,040 --> 00:58:26,920
Speaker 4: kind of closet space does this college?

1208
00:58:27,080 --> 00:58:29,720
Speaker 1: Does your apartment have where you can fit thirty two people?

1209
00:58:29,880 --> 00:58:32,880
Speaker 1: I know? And excited, Jack and Eric follow the girls upstairs,

1210
00:58:32,880 --> 00:58:35,120
Speaker 1: but the dean bursts through the door and tells everyone

1211
00:58:35,120 --> 00:58:37,880
Speaker 1: to freeze. Do they think he's a clown? It's been

1212
00:58:37,960 --> 00:58:39,800
Speaker 1: fun toying with you, but now I'm bored.

1213
00:58:40,080 --> 00:58:42,640
Speaker 2: He does the dean there, I don't wait. He's trying

1214
00:58:42,680 --> 00:58:45,800
Speaker 2: to shut down a fraternity because it doesn't exist, because

1215
00:58:45,840 --> 00:58:48,280
Speaker 2: then he can kick Eric and Jack out. He wants

1216
00:58:48,320 --> 00:58:49,439
Speaker 2: to kick that's the motive.

1217
00:58:50,040 --> 00:58:51,520
Speaker 1: Yeah, even though he doesn't know who they are.

1218
00:58:51,680 --> 00:58:54,240
Speaker 2: It's just established in the first scene that there's some

1219
00:58:54,560 --> 00:58:57,200
Speaker 2: benefiting him to getting them out of his schools.

1220
00:58:57,280 --> 00:59:00,080
Speaker 1: Like episode before he showed up at their house and

1221
00:59:00,120 --> 00:59:01,880
Speaker 1: he tried to stick a Doberman on them. He could

1222
00:59:01,880 --> 00:59:04,960
Speaker 1: easily see them and go, I can't believe you the

1223
00:59:05,120 --> 00:59:07,960
Speaker 1: guts to be seen in my college. I'm going to

1224
00:59:08,080 --> 00:59:08,880
Speaker 1: kick you out if.

1225
00:59:10,280 --> 00:59:12,400
Speaker 2: You can. You're a dean. He could literally just kick

1226
00:59:12,440 --> 00:59:13,920
Speaker 2: him out. There's no problem. Just kick him out of

1227
00:59:13,920 --> 00:59:17,080
Speaker 2: the school. There is no conflict. He's literally has the

1228
00:59:17,120 --> 00:59:19,600
Speaker 2: power to say, I am kicking you out of the school,

1229
00:59:19,960 --> 00:59:22,360
Speaker 2: and instead we have to do all of this just

1230
00:59:22,400 --> 00:59:25,160
Speaker 2: give him a reason to need them. It's so weird.

1231
00:59:25,280 --> 00:59:27,680
Speaker 1: Was an arcle boss the whole time?

1232
00:59:29,280 --> 00:59:30,000
Speaker 2: Oh my god?

1233
00:59:32,000 --> 00:59:33,600
Speaker 1: Okay, we very quick story.

1234
00:59:34,160 --> 00:59:37,600
Speaker 4: So as we were blocking this scene.

1235
00:59:38,160 --> 00:59:40,760
Speaker 1: This was the only time I'd ever seen an actor.

1236
00:59:40,680 --> 00:59:46,200
Speaker 4: Lose it on our show on Real, and Paul absolutely

1237
00:59:46,200 --> 00:59:50,440
Speaker 4: lost it on Alan Myerson, our director. So Alan was

1238
00:59:50,560 --> 00:59:53,120
Speaker 4: kind of putting us into place where he wanted us,

1239
00:59:53,120 --> 00:59:55,760
Speaker 4: and he was kind of placing us where he wanted

1240
00:59:55,800 --> 00:59:59,680
Speaker 4: us to be in the scene for blocking times he

1241
00:59:59,720 --> 01:00:02,200
Speaker 4: would grab your arm and say stand here. He never

1242
01:00:02,240 --> 01:00:03,880
Speaker 4: really did it with me. He and I always got

1243
01:00:03,880 --> 01:00:06,920
Speaker 4: along famously. We we I really enjoyed working with him,

1244
01:00:06,960 --> 01:00:09,680
Speaker 4: but I could see how certain actors would.

1245
01:00:09,480 --> 01:00:10,320
Speaker 1: Have trouble with that.

1246
01:00:10,840 --> 01:00:14,400
Speaker 4: It's like somebody giving you a line reading and so

1247
01:00:14,760 --> 01:00:17,959
Speaker 4: out of nowhere, Paul throws his script down and says,

1248
01:00:18,000 --> 01:00:21,280
Speaker 4: I'm not a puppet man and just starts yelling at

1249
01:00:21,320 --> 01:00:24,560
Speaker 4: Alan for I mean a good ninety seconds. Alan just

1250
01:00:24,560 --> 01:00:28,240
Speaker 4: sits there completely quietly, and then right Alan.

1251
01:00:28,000 --> 01:00:30,480
Speaker 2: Was always the most unruffled, like I can see him

1252
01:00:30,520 --> 01:00:32,120
Speaker 2: just not even making any reaction.

1253
01:00:32,720 --> 01:00:35,680
Speaker 4: He had no reaction whatsoever, like literally nothing, and then

1254
01:00:35,680 --> 01:00:38,360
Speaker 4: he went, Okay, now it's my turn to talk, and

1255
01:00:38,520 --> 01:00:40,600
Speaker 4: came back with something and the two of them, I mean,

1256
01:00:40,600 --> 01:00:42,880
Speaker 4: but it was the only it was. It's just something

1257
01:00:42,920 --> 01:00:45,000
Speaker 4: you didn't ever see on her set is somebody yelling

1258
01:00:45,080 --> 01:00:46,440
Speaker 4: it just it didn't happen, you.

1259
01:00:46,440 --> 01:00:48,600
Speaker 2: Know, I've seen it on other sets, like actually, I've

1260
01:00:48,640 --> 01:00:51,160
Speaker 2: seen it quite a few times. Like actors, it's always

1261
01:00:51,200 --> 01:00:54,880
Speaker 2: it's always an actor getting frustrated and and and sort

1262
01:00:54,920 --> 01:00:58,400
Speaker 2: of lashing out. But was very fortunate we never had that.

1263
01:00:58,480 --> 01:01:01,520
Speaker 1: Many didn't have that. And I believe this was his

1264
01:01:01,640 --> 01:01:03,840
Speaker 1: last episode. Then. I don't think we ever saw Paul again.

1265
01:01:03,880 --> 01:01:06,760
Speaker 4: I think this was this was it, yeah, because and

1266
01:01:06,800 --> 01:01:08,000
Speaker 4: I think that had to be one of the reasons.

1267
01:01:08,040 --> 01:01:09,880
Speaker 4: I mean again, only time we ever saw it, and

1268
01:01:10,160 --> 01:01:12,760
Speaker 4: Matt and I are kind of sitting there very awkwardly.

1269
01:01:12,320 --> 01:01:16,440
Speaker 1: As don't remember.

1270
01:01:16,520 --> 01:01:19,160
Speaker 4: No, I honestly don't remember, unfortunately, what the resolution was,

1271
01:01:19,400 --> 01:01:21,680
Speaker 4: but I do remember having a real sense of a

1272
01:01:21,880 --> 01:01:24,800
Speaker 4: not only is this completely out of character for our show,

1273
01:01:24,920 --> 01:01:28,320
Speaker 4: but b it was also I was kind of in

1274
01:01:28,440 --> 01:01:32,240
Speaker 4: the mindset of how dare you. You're a guest star,

1275
01:01:32,400 --> 01:01:34,520
Speaker 4: you come on and your you know, the directors, our captain,

1276
01:01:34,520 --> 01:01:36,120
Speaker 4: you're coming on and you're yelling at the captain of

1277
01:01:36,120 --> 01:01:40,000
Speaker 4: our ship. And so I had that moment of like, dude,

1278
01:01:40,000 --> 01:01:42,360
Speaker 4: that's not your place. But again, you're also he's an

1279
01:01:42,360 --> 01:01:45,680
Speaker 4: adult actor. And he, you know, I think was a

1280
01:01:45,720 --> 01:01:48,480
Speaker 4: stage actor. He very accomplished, very good at what he did,

1281
01:01:48,480 --> 01:01:50,120
Speaker 4: and I think he got frustrated and lost it.

1282
01:01:50,200 --> 01:01:53,760
Speaker 1: You know, I mean I can as a director now

1283
01:01:53,800 --> 01:01:56,439
Speaker 1: who has to work with who gets to work with

1284
01:01:56,920 --> 01:02:01,680
Speaker 1: very talented actors of all ages. There is a fine

1285
01:02:02,320 --> 01:02:05,480
Speaker 1: line you have to walk as a director on a

1286
01:02:05,960 --> 01:02:09,280
Speaker 1: limited time schedule when you have if you are the

1287
01:02:09,280 --> 01:02:13,600
Speaker 1: type of director who comes in prepared, you have an

1288
01:02:13,600 --> 01:02:17,640
Speaker 1: idea of how to get this done efficiently. And yet

1289
01:02:17,800 --> 01:02:21,360
Speaker 1: the actors, if they're doing their prep and they want

1290
01:02:21,360 --> 01:02:23,720
Speaker 1: to be involved, they want to have some say in

1291
01:02:23,880 --> 01:02:27,200
Speaker 1: work the character is doing. And so there is a

1292
01:02:27,240 --> 01:02:31,440
Speaker 1: fine line between telling an actor what to do because

1293
01:02:31,440 --> 01:02:34,160
Speaker 1: you know it will work efficiently for the day and

1294
01:02:34,200 --> 01:02:38,360
Speaker 1: for camera and the scene, and also letting them find it.

1295
01:02:38,960 --> 01:02:42,120
Speaker 4: Yeah no, I guess yeah, it makes sense to quote

1296
01:02:41,760 --> 01:02:42,720
Speaker 4: a story.

1297
01:02:42,560 --> 01:02:54,440
Speaker 3: You could certainly urge to con order the ducks.

1298
01:02:54,440 --> 01:02:56,960
Speaker 2: As what you have to do, you have to basically

1299
01:02:57,000 --> 01:02:59,040
Speaker 2: make an actor think it's their idea to do exactly

1300
01:02:59,080 --> 01:03:01,160
Speaker 2: what you need them to do. But that is it's

1301
01:03:01,160 --> 01:03:03,400
Speaker 2: a delicate thing, and that's what the best directors are

1302
01:03:03,440 --> 01:03:08,160
Speaker 2: great at making actors feel like they're contributing, allowing them

1303
01:03:08,200 --> 01:03:11,320
Speaker 2: the experimentation, but ultimately saying like we do kind of

1304
01:03:11,360 --> 01:03:12,959
Speaker 2: have to get it. You know, you have to stand

1305
01:03:12,960 --> 01:03:15,160
Speaker 2: over here or make it here by this line, or

1306
01:03:15,200 --> 01:03:17,440
Speaker 2: because we can't rewrite it, we don't have time whatever.

1307
01:03:17,720 --> 01:03:18,960
Speaker 2: But yeah, and.

1308
01:03:19,360 --> 01:03:21,520
Speaker 1: If you want to bring go get right back to

1309
01:03:21,560 --> 01:03:22,080
Speaker 1: the set. Though.

1310
01:03:22,120 --> 01:03:25,520
Speaker 4: There's an episode of news Radio that Alan Myerson directs

1311
01:03:25,600 --> 01:03:30,760
Speaker 4: that ends with a blooper reel of a scene that

1312
01:03:30,800 --> 01:03:34,480
Speaker 4: they just couldn't get done with a maid clean like

1313
01:03:34,520 --> 01:03:36,640
Speaker 4: a custodian. She's cleaning stuff up and she just can't

1314
01:03:36,640 --> 01:03:38,959
Speaker 4: get it right. And you see Alan Myerson walk onto

1315
01:03:38,960 --> 01:03:41,840
Speaker 4: the set and physically put her in place, show her

1316
01:03:41,840 --> 01:03:45,000
Speaker 4: what to the drab the trash can dump it out, like,

1317
01:03:45,200 --> 01:03:47,080
Speaker 4: walk her through exactly.

1318
01:03:46,720 --> 01:03:48,800
Speaker 1: What she's and it just brought me right back to

1319
01:03:48,880 --> 01:03:49,200
Speaker 1: the show.

1320
01:03:49,240 --> 01:03:52,240
Speaker 4: It's like, whoa wow, oh yeah, there's Alan doing exactly

1321
01:03:52,280 --> 01:03:53,000
Speaker 4: what it did.

1322
01:03:55,080 --> 01:03:59,440
Speaker 1: And on the other hand, weeks in this scene Paul

1323
01:03:59,560 --> 01:04:07,120
Speaker 1: has to walk in and drink and then walk back.

1324
01:04:07,800 --> 01:04:09,040
Speaker 1: It makes no sense.

1325
01:04:09,120 --> 01:04:11,440
Speaker 2: It is it's just the party, like the girls in

1326
01:04:11,480 --> 01:04:14,240
Speaker 2: the back all the way up. It's just shangy and weird.

1327
01:04:14,320 --> 01:04:17,800
Speaker 2: It's just nothing feels fluid. It all feels forced, and yeah,

1328
01:04:17,840 --> 01:04:19,280
Speaker 2: it's well.

1329
01:04:19,360 --> 01:04:22,680
Speaker 1: The dean now knows there's no Madnum Pie. But the

1330
01:04:22,720 --> 01:04:25,040
Speaker 1: thing he's the most upset about the boys promised he'd

1331
01:04:25,040 --> 01:04:28,040
Speaker 1: get to mingle with Ted Lange and Bernie Capel. Eric

1332
01:04:28,080 --> 01:04:30,320
Speaker 1: asks Jack to take his hand and pray, but Jack

1333
01:04:30,360 --> 01:04:32,520
Speaker 1: isn't worried. He pulls out a whistle and does a

1334
01:04:32,560 --> 01:04:33,600
Speaker 1: special call.

1335
01:04:33,720 --> 01:04:36,000
Speaker 4: And forever to get that took me because he didn't

1336
01:04:36,040 --> 01:04:39,040
Speaker 4: know that, Yeah, which is which is calling somebody to

1337
01:04:39,080 --> 01:04:41,040
Speaker 4: the deck? He just and he's like, I can't get

1338
01:04:41,080 --> 01:04:42,920
Speaker 4: the damn whistle. I'm like, yeah, well we'll figure it out.

1339
01:04:43,360 --> 01:04:46,320
Speaker 1: And then Ted and Bernie walk into the apartment. The

1340
01:04:46,400 --> 01:04:49,760
Speaker 1: audience cheers loudly, and Ted offers can I fix anybody

1341
01:04:49,840 --> 01:04:53,080
Speaker 1: a drink and gives his signature two finger salute. Bernie

1342
01:04:53,160 --> 01:04:55,040
Speaker 1: asks him why do you always have to do the

1343
01:04:55,080 --> 01:04:57,200
Speaker 1: finger thing? Ted and Bernie begin to have a whole

1344
01:04:57,200 --> 01:04:59,280
Speaker 1: conversation about love boat while the guys sit on the

1345
01:04:59,280 --> 01:05:02,000
Speaker 1: couch and are right were probably very excited about it.

1346
01:05:02,680 --> 01:05:05,160
Speaker 1: Eric asks Jack if he called them, of course I did.

1347
01:05:05,200 --> 01:05:07,200
Speaker 1: I want to live, I want to stay in school,

1348
01:05:07,840 --> 01:05:10,720
Speaker 1: no reason why, he knows them no explanation given. The

1349
01:05:10,760 --> 01:05:13,360
Speaker 1: Dean introduces himself to Ted and Bernie. He's a big fan.

1350
01:05:13,560 --> 01:05:16,680
Speaker 1: Bernie responds, as the two most prominent celebrity alumni of

1351
01:05:16,720 --> 01:05:18,800
Speaker 1: Magnum Pie, we would like to say we couldn't be

1352
01:05:18,840 --> 01:05:22,320
Speaker 1: prouder of our Penbrook chapter and the dean who supports it.

1353
01:05:22,400 --> 01:05:24,600
Speaker 1: The Dean admits that Eric and Jack proved something to

1354
01:05:24,680 --> 01:05:26,960
Speaker 1: him Today the guys may have just gotten away with it,

1355
01:05:27,160 --> 01:05:30,360
Speaker 1: but then the Dean crushes their dreams. I was drunk

1356
01:05:30,360 --> 01:05:34,080
Speaker 1: when I hired the dean of admissions. You poodles actually

1357
01:05:34,080 --> 01:05:36,000
Speaker 1: believe that I'd be impressed by a couple of guys

1358
01:05:36,000 --> 01:05:38,920
Speaker 1: from Love Boat. The dean apologizes to the TV alumni,

1359
01:05:39,040 --> 01:05:41,400
Speaker 1: no offense. Ted laughs, they don't care. They get paid

1360
01:05:41,440 --> 01:05:44,960
Speaker 1: either way. The Dean says, first thing tomorrow morning, Magnum

1361
01:05:44,960 --> 01:05:47,480
Speaker 1: Pie will be closed. But now he's taking Bernie and

1362
01:05:47,520 --> 01:05:49,920
Speaker 1: Ted home to meet his mom. Bernie says they usually

1363
01:05:49,920 --> 01:05:52,560
Speaker 1: only do one appearance a night. The Nan adds she's

1364
01:05:52,600 --> 01:05:54,760
Speaker 1: a big Get Smart fan. So Bernie responds in a

1365
01:05:54,760 --> 01:05:57,200
Speaker 1: German accent, I suppose it wouldn't kill us to stop

1366
01:05:57,200 --> 01:05:59,760
Speaker 1: by Ted reminds him he's not really the Get Smart

1367
01:05:59,760 --> 01:06:02,240
Speaker 1: care dar, but Bernie doesn't care, and they all leave,

1368
01:06:02,480 --> 01:06:05,280
Speaker 1: but not quick enough because this joke stinks and even

1369
01:06:05,320 --> 01:06:07,440
Speaker 1: the audience wasn't into it, and they wound it freaking

1370
01:06:07,560 --> 01:06:09,880
Speaker 1: everything tonight and like.

1371
01:06:09,840 --> 01:06:14,080
Speaker 2: What, so the dean does just destroy the fraternity, still.

1372
01:06:14,200 --> 01:06:17,720
Speaker 1: Still not working, nothing makes sense. Eric tells Jack tomorrow

1373
01:06:17,760 --> 01:06:21,760
Speaker 1: they're closed, but tonight they're open. Jack smiles and tells

1374
01:06:21,800 --> 01:06:30,320
Speaker 1: the ladies to head back to the closet. The Dean say,

1375
01:06:30,360 --> 01:06:34,240
Speaker 1: tomorrow this is closed. Why not? What do you guys think?

1376
01:06:34,240 --> 01:06:35,560
Speaker 1: I'm an idiot, Get the hell out of it.

1377
01:06:35,760 --> 01:06:38,400
Speaker 2: Came all the way over here to shut them down

1378
01:06:38,960 --> 01:06:45,560
Speaker 2: to college. Just don't gosh, I don't understand.

1379
01:07:00,120 --> 01:07:03,240
Speaker 1: And then we're back in Phoenie's backyard. The Matthews family

1380
01:07:03,320 --> 01:07:07,360
Speaker 1: is returning from a family frozen Yogurt night at Glaciers.

1381
01:07:07,760 --> 01:07:08,600
Speaker 2: Is that a real place?

1382
01:07:08,840 --> 01:07:09,040
Speaker 4: No?

1383
01:07:09,160 --> 01:07:11,120
Speaker 1: I don't think so. Oh okay, you said it like

1384
01:07:11,160 --> 01:07:12,920
Speaker 1: it was a real place. I just love all the

1385
01:07:13,000 --> 01:07:15,560
Speaker 1: new food throwing out, all these new restaurants.

1386
01:07:15,720 --> 01:07:19,560
Speaker 2: Whatever, the frozen yogurt place where the chubby fortune teller, No,

1387
01:07:19,640 --> 01:07:20,720
Speaker 2: the fortune teller.

1388
01:07:20,560 --> 01:07:23,240
Speaker 1: Right, that throws a yogurt place? I don't know. Yeah,

1389
01:07:23,280 --> 01:07:23,640
Speaker 1: that was.

1390
01:07:25,200 --> 01:07:26,640
Speaker 2: Madam something, Madam.

1391
01:07:26,520 --> 01:07:31,040
Speaker 4: Something, Yes, and then a cult it was like whatever,

1392
01:07:31,320 --> 01:07:33,040
Speaker 4: and a cult readings or something like that.

1393
01:07:33,120 --> 01:07:36,800
Speaker 1: Right. Yeah. They also ignored Chubby's famous ice cream but whatever.

1394
01:07:37,000 --> 01:07:40,439
Speaker 1: Phoene is sitting alone, staring into space or perhaps looking

1395
01:07:40,440 --> 01:07:42,880
Speaker 1: at a driveway, who knows. When Amy stops to say

1396
01:07:42,920 --> 01:07:45,960
Speaker 1: hi and offer him some yogurt. Phoene declines and Corey

1397
01:07:46,000 --> 01:07:50,080
Speaker 1: whispers something into his mom's ear. Amy responds loudly, why

1398
01:07:50,080 --> 01:07:52,640
Speaker 1: can't I offer him a yogurt? Corey asks if she

1399
01:07:52,760 --> 01:07:56,280
Speaker 1: understands the concept of a whisper. Phoene offers, I think.

1400
01:07:57,240 --> 01:08:01,040
Speaker 2: Weird way, Yes, what is this? It's like obviously he

1401
01:08:01,080 --> 01:08:03,560
Speaker 2: doesn't say anything, and I was like, yeah, but we

1402
01:08:03,600 --> 01:08:05,040
Speaker 2: can hear whispers on the show.

1403
01:08:05,120 --> 01:08:05,520
Speaker 1: I just.

1404
01:08:07,280 --> 01:08:09,200
Speaker 2: Cur idea what was going on? I was like, why.

1405
01:08:10,520 --> 01:08:12,640
Speaker 1: Why does it need to be whispered? Why doesn't he

1406
01:08:12,840 --> 01:08:16,160
Speaker 1: just say no? No, I'm sorry, you must not have heard.

1407
01:08:16,320 --> 01:08:19,280
Speaker 1: Phoene like, why doesn't he just say something out loud.

1408
01:08:20,800 --> 01:08:23,320
Speaker 2: Comfortable? I was like, what is what is? I don't

1409
01:08:23,360 --> 01:08:25,040
Speaker 2: I know, I don't know.

1410
01:08:27,280 --> 01:08:29,200
Speaker 1: Phoene offers, I think this might have something to do

1411
01:08:29,240 --> 01:08:33,120
Speaker 1: with my suspending Sean Hunter. Alan is shocked. You suspended Sean.

1412
01:08:33,720 --> 01:08:37,519
Speaker 1: Corey adds Sean's senior year his most important year, and

1413
01:08:37,560 --> 01:08:41,520
Speaker 1: Phoene suspends him. Phoene defends his actions, Sean was practically

1414
01:08:41,600 --> 01:08:44,960
Speaker 1: asking to be suspended every year. I watch bright kids

1415
01:08:45,000 --> 01:08:47,000
Speaker 1: like Sean fall through the cracks. How do you think

1416
01:08:47,000 --> 01:08:50,040
Speaker 1: it feels? Alan knows this isn't Phoene's fault, but Corey

1417
01:08:50,080 --> 01:08:54,639
Speaker 1: thinks Sean deserves another chance on cue and also obvious.

1418
01:08:54,720 --> 01:08:56,439
Speaker 1: If you saw did you see you moving in the

1419
01:08:56,439 --> 01:08:56,920
Speaker 1: back rider?

1420
01:08:57,000 --> 01:08:57,160
Speaker 2: Yep?

1421
01:08:57,840 --> 01:09:01,519
Speaker 1: Yes, see him. You're learning. I know, I see, I

1422
01:09:01,520 --> 01:09:04,479
Speaker 1: see the movement of somebody coming and uh yeah, and

1423
01:09:04,520 --> 01:09:08,320
Speaker 1: so next thing you know, Uh. Sean walks out and

1424
01:09:08,479 --> 01:09:11,559
Speaker 1: says he's given me plenty of chances. He tells Feoenie,

1425
01:09:11,840 --> 01:09:13,880
Speaker 1: I didn't treat you with the respect that you deserve.

1426
01:09:14,240 --> 01:09:17,719
Speaker 1: Alan suggests the family leave them alone. Also, their yogurt

1427
01:09:17,800 --> 01:09:20,639
Speaker 1: is probably melting. Mister Phoene asks Sean if he's coming

1428
01:09:20,720 --> 01:09:23,120
Speaker 1: back to school, and Corey jumps in, yes, yes he is,

1429
01:09:23,560 --> 01:09:25,439
Speaker 1: but Sean doesn't think he should be wasting any more

1430
01:09:25,439 --> 01:09:28,760
Speaker 1: of Phoene's time. Feoene answers, You've never wasted any of

1431
01:09:28,800 --> 01:09:32,280
Speaker 1: my time. Corey reveals that Sean's been taking college courses.

1432
01:09:32,680 --> 01:09:35,680
Speaker 1: Feene is surprised, and Sean explains, I guess it's like

1433
01:09:35,720 --> 01:09:38,680
Speaker 1: Burredon's paradox. There were two bowls placed in front of me.

1434
01:09:38,800 --> 01:09:41,920
Speaker 1: One was high school and one was college. I chose college.

1435
01:09:42,400 --> 01:09:45,880
Speaker 1: Corey encourages Sean to show mister Feenie his paper. Sean says, what.

1436
01:09:45,880 --> 01:09:47,280
Speaker 2: Does it have to do with the paradox? Is the

1437
01:09:47,280 --> 01:09:50,439
Speaker 2: whole paradox is that you starve to death because that

1438
01:09:50,520 --> 01:09:52,800
Speaker 2: the donkey the ass would starve to death because I

1439
01:09:52,840 --> 01:09:54,280
Speaker 2: can't choose between.

1440
01:09:54,000 --> 01:09:55,600
Speaker 1: The two, right, But you chose I.

1441
01:09:57,439 --> 01:10:01,200
Speaker 2: Chose college. That actually doesn't make sense. It could have

1442
01:10:01,240 --> 01:10:03,040
Speaker 2: easily been like and I got stuck and I couldn't

1443
01:10:03,080 --> 01:10:05,679
Speaker 2: do either, which actually would make sense with the paradox.

1444
01:10:05,720 --> 01:10:09,280
Speaker 2: But instead it's like I chose college. What, Oh my god.

1445
01:10:09,920 --> 01:10:11,800
Speaker 1: Yeah, very frustrated. It doesn't make them.

1446
01:10:11,880 --> 01:10:14,760
Speaker 2: No, it's just like reference to that thing we said earlier.

1447
01:10:15,200 --> 01:10:17,479
Speaker 2: Let's wrap up this reference with a bow. But it's

1448
01:10:17,520 --> 01:10:19,720
Speaker 2: actually like, well, just do it right, just have it.

1449
01:10:19,960 --> 01:10:22,599
Speaker 2: Like we've had references on our show that make perfect sense.

1450
01:10:22,640 --> 01:10:25,000
Speaker 2: You can come up with the philosophy reference and a

1451
01:10:25,040 --> 01:10:27,720
Speaker 2: situation that would work well and they just didn't do it.

1452
01:10:28,080 --> 01:10:31,960
Speaker 1: Yeah, yeah, so Sean says, it's just another f to

1453
01:10:31,960 --> 01:10:34,400
Speaker 1: add to the scrap book. Phoene begins to read the paper.

1454
01:10:35,000 --> 01:10:36,920
Speaker 1: I can see you have some grammar problems here. The

1455
01:10:36,960 --> 01:10:40,439
Speaker 1: structure is way off. This entire paper is in one sentence.

1456
01:10:40,800 --> 01:10:44,760
Speaker 1: But it's good, clearly college level. Sean perks up. How

1457
01:10:44,800 --> 01:10:46,280
Speaker 1: can best I know?

1458
01:10:47,520 --> 01:10:52,439
Speaker 2: I know, it's like, okay, so what is the what

1459
01:10:52,600 --> 01:10:55,120
Speaker 2: is college level about it? If it's this the strength

1460
01:10:55,160 --> 01:10:58,160
Speaker 2: of the ideas, even though it's a biography, I just

1461
01:10:58,200 --> 01:11:01,320
Speaker 2: found like, I just realized what the research because then

1462
01:11:01,320 --> 01:11:04,080
Speaker 2: we also were told by that the research was sloppy, right,

1463
01:11:04,200 --> 01:11:06,880
Speaker 2: just so what is good? I thought? Maybe honestly, when

1464
01:11:06,880 --> 01:11:08,360
Speaker 2: I was watching, I thought that the point was that

1465
01:11:08,400 --> 01:11:12,080
Speaker 2: Sean was like critically thinking and like being philosophical. But

1466
01:11:12,120 --> 01:11:15,040
Speaker 2: if it's a biography, that wouldn't matter. And then if

1467
01:11:15,600 --> 01:11:19,240
Speaker 2: it's just and also why in philosophy class are they

1468
01:11:19,240 --> 01:11:23,240
Speaker 2: doing the biographies of the philosophers as opposed to discuss I.

1469
01:11:23,200 --> 01:11:25,920
Speaker 1: Know, but Sean perks up for the first time he

1470
01:11:26,000 --> 01:11:29,840
Speaker 1: actually saw himself in college. Corey smiles, I always saw

1471
01:11:29,880 --> 01:11:33,360
Speaker 1: you there, Feenie agrees, so did I. But Sean, you

1472
01:11:33,439 --> 01:11:36,160
Speaker 1: must come back to class. You have to learn the basics,

1473
01:11:36,200 --> 01:11:39,080
Speaker 1: and I'm going to keep teaching it. That is my philosophy.

1474
01:11:39,680 --> 01:11:42,479
Speaker 1: Phoenie even offers to throw in a little Schopenhauer. He

1475
01:11:42,600 --> 01:11:44,920
Speaker 1: probably doesn't know as much as Sean, but he's willing

1476
01:11:44,960 --> 01:11:48,200
Speaker 1: to learn. We freeze on Sean's face as he accepts

1477
01:11:48,320 --> 01:11:52,400
Speaker 1: Phoene's gesture and decides to learn how to use separate sentences.

1478
01:11:54,000 --> 01:11:56,720
Speaker 1: Here's that moment, writer, where you're right, It's supposed to

1479
01:11:56,760 --> 01:12:01,479
Speaker 1: be this great touching Phoenie moment and it just just

1480
01:12:01,560 --> 01:12:02,400
Speaker 1: so unearned.

1481
01:12:02,640 --> 01:12:05,360
Speaker 2: I was like, I don't I want this to be this.

1482
01:12:05,840 --> 01:12:08,439
Speaker 2: I want Sean to come back and recognize the importance

1483
01:12:08,439 --> 01:12:10,479
Speaker 2: of feeding in his life. Like all of that is

1484
01:12:10,520 --> 01:12:13,200
Speaker 2: a great value. It's just we didn't earn it. Like

1485
01:12:13,240 --> 01:12:16,519
Speaker 2: it's that the episode is just so lazy up until now.

1486
01:12:17,000 --> 01:12:19,120
Speaker 4: Really is and it is such a shame because the

1487
01:12:19,160 --> 01:12:23,160
Speaker 4: actual premise forget the fraternity starting your fraternity stuff, which

1488
01:12:23,160 --> 01:12:24,000
Speaker 4: is stupid, but.

1489
01:12:24,040 --> 01:12:27,719
Speaker 2: The Sean pretending to be in college overgrowing and getting

1490
01:12:27,760 --> 01:12:33,200
Speaker 2: into college and yes, and there are different ways. It's

1491
01:12:33,400 --> 01:12:34,600
Speaker 2: such a great idea.

1492
01:12:34,640 --> 01:12:36,360
Speaker 1: And also be supportive.

1493
01:12:36,479 --> 01:12:38,720
Speaker 4: Yes, I mean the way finding I mean, there's so

1494
01:12:38,800 --> 01:12:42,080
Speaker 4: many ways that this could have been really good for Sean.

1495
01:12:41,880 --> 01:12:44,120
Speaker 2: I actually would make the most sense is if Shawn

1496
01:12:44,160 --> 01:12:46,600
Speaker 2: ends up in a poetry class, right, and and the

1497
01:12:46,720 --> 01:12:49,960
Speaker 2: idea that he gets really excited about is like anything

1498
01:12:49,960 --> 01:12:52,879
Speaker 2: can be poetry, which is true, right, Like there's experimental poetry,

1499
01:12:52,880 --> 01:12:55,840
Speaker 2: and so like Sean starts, you know, he starts off

1500
01:12:55,920 --> 01:12:59,599
Speaker 2: jokingly making bad poems, but they work because the poet

1501
01:12:59,760 --> 01:13:02,000
Speaker 2: poet true teachers really into it. And then that would

1502
01:13:02,040 --> 01:13:04,559
Speaker 2: make sense with Sean later becoming a poet or like,

1503
01:13:04,640 --> 01:13:06,080
Speaker 2: you know, it also just makes I don't know, like

1504
01:13:06,120 --> 01:13:09,439
Speaker 2: the fact that they chose philosophy and then didn't develop

1505
01:13:09,479 --> 01:13:11,599
Speaker 2: it enough to make it sing like.

1506
01:13:11,640 --> 01:13:15,799
Speaker 1: It's here's the little time machine idea. What if Feenie

1507
01:13:16,160 --> 01:13:20,759
Speaker 1: took his favorite students to go to Penbrook to see

1508
01:13:20,800 --> 01:13:24,960
Speaker 1: the options of what's available there, and Sean gets sucked

1509
01:13:24,960 --> 01:13:29,120
Speaker 1: in cult like and abandons high school, and then you

1510
01:13:29,200 --> 01:13:32,200
Speaker 1: also get Feoenie and Dean Borak in the same place

1511
01:13:32,240 --> 01:13:36,559
Speaker 1: that can tie in to Eric and Pheenie, and you

1512
01:13:36,600 --> 01:13:39,920
Speaker 1: see that you actually get Feoenie and the see Dean,

1513
01:13:40,040 --> 01:13:43,480
Speaker 1: this is my mentor, and you get that element distinction

1514
01:13:43,800 --> 01:13:46,320
Speaker 1: and Phoenie then feels responsible that he was a part

1515
01:13:46,400 --> 01:13:49,000
Speaker 1: of losing Sean, and now he has to convince Sean Listen,

1516
01:13:49,040 --> 01:13:51,240
Speaker 1: I'm so excited that you're passionate about this, but you

1517
01:13:51,439 --> 01:13:53,519
Speaker 1: have to I have still stuff I have to teach

1518
01:13:53,520 --> 01:13:54,479
Speaker 1: you first, and.

1519
01:13:54,760 --> 01:13:57,000
Speaker 2: He says I have things I love. And then someone

1520
01:13:57,000 --> 01:14:00,160
Speaker 2: says love love bo let's bring on the loop and

1521
01:14:00,200 --> 01:14:00,519
Speaker 2: then we.

1522
01:14:02,760 --> 01:14:08,679
Speaker 4: Work them that doing this, doing the double finger guns,

1523
01:14:08,800 --> 01:14:10,479
Speaker 4: and I think we're good.

1524
01:14:10,680 --> 01:14:12,400
Speaker 1: Perfect, Well, then we're in the tag. We're in the

1525
01:14:12,400 --> 01:14:14,840
Speaker 1: Matthews kitchen, Ted and Bernie are sitting at the dining

1526
01:14:14,880 --> 01:14:20,519
Speaker 1: table surrounded by the entire family. Almost we're just acting.

1527
01:14:20,680 --> 01:14:23,240
Speaker 1: Yelling is all we're doing as a cast. At this point,

1528
01:14:23,320 --> 01:14:23,679
Speaker 1: we are.

1529
01:14:23,640 --> 01:14:28,120
Speaker 2: Just established story and clearly established that the Matthews are

1530
01:14:28,160 --> 01:14:32,400
Speaker 2: a boring storytellers and be really love boat fans who

1531
01:14:32,560 --> 01:14:35,200
Speaker 2: just obsessively want to be around famous people who have

1532
01:14:35,240 --> 01:14:36,559
Speaker 2: to work. What is the joke?

1533
01:14:36,920 --> 01:14:39,400
Speaker 1: What is the joke? The joke is supposed to be.

1534
01:14:39,600 --> 01:14:42,599
Speaker 4: The joke is supposed to be they won't let them

1535
01:14:42,720 --> 01:14:45,400
Speaker 4: leave because they want to hear one more story. And

1536
01:14:45,439 --> 01:14:48,400
Speaker 4: we think it's that they're telling love board love boat stories,

1537
01:14:48,479 --> 01:14:52,120
Speaker 4: but it's actually the Matthews telling them stories about Corey because.

1538
01:14:51,840 --> 01:14:55,559
Speaker 1: You need to humor women by listening to them.

1539
01:14:55,680 --> 01:14:57,320
Speaker 2: I don't care it, Like, I just don't like that

1540
01:14:57,439 --> 01:14:59,960
Speaker 2: is so not established anything about the Matthews.

1541
01:15:00,400 --> 01:15:03,599
Speaker 1: They're just not We don't have to establish that. Everyone

1542
01:15:03,680 --> 01:15:06,439
Speaker 1: knows women who talk are annoying and you have to

1543
01:15:06,520 --> 01:15:07,320
Speaker 1: hear them.

1544
01:15:07,400 --> 01:15:10,160
Speaker 2: I just don't know what's happening, Like, no, I'm.

1545
01:15:10,160 --> 01:15:11,639
Speaker 1: Just the yell like, oh, this is a good story.

1546
01:15:11,680 --> 01:15:12,679
Speaker 1: This is the bit I'm just.

1547
01:15:12,680 --> 01:15:16,759
Speaker 4: Watching, going what what is happening? What is the actual

1548
01:15:17,120 --> 01:15:19,640
Speaker 4: is going on this entire week? I don't it was

1549
01:15:19,920 --> 01:15:21,720
Speaker 4: so odd.

1550
01:15:22,040 --> 01:15:25,400
Speaker 1: Yes, Eric asks the guys, don't you just love my family?

1551
01:15:25,520 --> 01:15:27,720
Speaker 1: The men are obviously ready to leave. Oh, we had

1552
01:15:27,760 --> 01:15:30,400
Speaker 1: a wonderful evening. You're delightful people, but we really should

1553
01:15:30,400 --> 01:15:33,800
Speaker 1: be heading back to the airport. Alan responds, nonsense, Come on,

1554
01:15:33,800 --> 01:15:36,000
Speaker 1: one more story. Corey ads, it's not every day we

1555
01:15:36,000 --> 01:15:38,800
Speaker 1: get to meet a couple of celebrities from the TV. Huh.

1556
01:15:38,920 --> 01:15:41,360
Speaker 1: Ted forces a smile and agrees to stay for one

1557
01:15:41,360 --> 01:15:44,280
Speaker 1: more story. How did he How did they end up

1558
01:15:44,280 --> 01:15:46,439
Speaker 1: at the Matthews house when the last thing we saw

1559
01:15:46,560 --> 01:15:47,559
Speaker 1: was he was.

1560
01:15:47,600 --> 01:15:50,960
Speaker 4: Taking him to go meet the Dean's mom and Eric

1561
01:15:51,120 --> 01:15:53,040
Speaker 4: didn't get or pay for them.

1562
01:15:53,080 --> 01:15:54,320
Speaker 1: He didn't know they were coming.

1563
01:15:54,439 --> 01:15:57,320
Speaker 4: So it was Jack who actually got them and paid

1564
01:15:57,360 --> 01:15:58,680
Speaker 4: for them.

1565
01:15:58,280 --> 01:16:03,080
Speaker 1: Right, And doesn't Alan say my on, Paige, you yes, Okay,

1566
01:16:04,120 --> 01:16:06,760
Speaker 1: It's like they didn't they It's not even continuity from

1567
01:16:06,760 --> 01:16:10,080
Speaker 1: episode to episode. It seems to the scene as they

1568
01:16:10,080 --> 01:16:11,599
Speaker 1: were like not even trying.

1569
01:16:11,840 --> 01:16:14,599
Speaker 2: But this is like, I mean, it's just what I mean,

1570
01:16:14,600 --> 01:16:19,479
Speaker 2: this is what precisely elevated Boy Meets Worlds from most sitcoms,

1571
01:16:19,479 --> 01:16:22,200
Speaker 2: is that we didn't go for jokes, Like we didn't

1572
01:16:22,240 --> 01:16:24,439
Speaker 2: just like throw things out the window to be like,

1573
01:16:24,479 --> 01:16:27,160
Speaker 2: we didn't create arkle bots or whatever for like. It

1574
01:16:27,240 --> 01:16:32,320
Speaker 2: was always trying to be a real slightly more realistic show,

1575
01:16:32,600 --> 01:16:35,240
Speaker 2: or at least connected with the through line of like

1576
01:16:35,560 --> 01:16:38,920
Speaker 2: consistent character, and this episode just throws all of that

1577
01:16:39,040 --> 01:16:41,519
Speaker 2: out the window. It's so frustrating. It's like, what do we.

1578
01:16:41,560 --> 01:16:45,240
Speaker 4: Comedy didn't come from bits we weren't doing right exactly.

1579
01:16:45,760 --> 01:16:49,360
Speaker 4: The comedy came from the relationships Kenny, came from solid

1580
01:16:49,360 --> 01:16:51,120
Speaker 4: writing and storytelling.

1581
01:16:50,520 --> 01:16:52,600
Speaker 2: And just this is just ridiculous.

1582
01:16:52,680 --> 01:16:55,479
Speaker 4: Yeah, I don't disagree. These last couple episodes have been

1583
01:16:55,800 --> 01:16:56,760
Speaker 4: really disappointing.

1584
01:16:57,439 --> 01:16:59,760
Speaker 1: The two men sit back down and Amy begins When

1585
01:17:00,000 --> 01:17:02,160
Speaker 1: here was seven, he fell off his bicycle. The family's

1586
01:17:02,240 --> 01:17:05,800
Speaker 1: excited for the tooth fairy story. Ted and Bernie, however,

1587
01:17:05,840 --> 01:17:08,960
Speaker 1: are not pleased. They've already heard this one six hours ago.

1588
01:17:09,280 --> 01:17:12,000
Speaker 1: For the love of God, let us go. Alan reminds

1589
01:17:12,080 --> 01:17:13,920
Speaker 1: them that his son paid them, so they need to

1590
01:17:13,960 --> 01:17:16,920
Speaker 1: sit and listen to his wife's stories. He even locks

1591
01:17:16,960 --> 01:17:19,080
Speaker 1: the back door so they can't escape, creating a bit

1592
01:17:19,120 --> 01:17:22,559
Speaker 1: of a misery situation. Ted looks at Bernie, I'm scared.

1593
01:17:22,800 --> 01:17:26,679
Speaker 1: Bernie is terrified love boat stalkers. They nervously sit down,

1594
01:17:26,680 --> 01:17:29,559
Speaker 1: and Morgan asks, how'd you like to live here? Amy

1595
01:17:29,600 --> 01:17:30,839
Speaker 1: continues on with her stories.

1596
01:17:31,640 --> 01:17:35,080
Speaker 2: Is the Matthews are always so crazy? I just don't

1597
01:17:35,080 --> 01:17:36,760
Speaker 2: get the what I know?

1598
01:17:38,080 --> 01:17:40,280
Speaker 1: Ammy continues on with her story, and the whole family

1599
01:17:40,360 --> 01:17:42,479
Speaker 1: joins in, talking over one another, trying to tell the

1600
01:17:42,520 --> 01:17:46,040
Speaker 1: same story to their poor hostages, who they will eventually

1601
01:17:46,120 --> 01:17:51,880
Speaker 1: kill at nightfall. Thank you all for joining us for

1602
01:17:52,000 --> 01:17:56,080
Speaker 1: this episode of pod Meets World. I am I'll be honest, guys,

1603
01:17:57,400 --> 01:18:03,000
Speaker 1: I'm nervous now, me too that it's going to be

1604
01:18:03,160 --> 01:18:09,000
Speaker 1: hard for us to do this podcast because we are

1605
01:18:09,040 --> 01:18:11,240
Speaker 1: going to feel I'm worried that we're going to feel

1606
01:18:11,320 --> 01:18:15,360
Speaker 1: so negatively about the episodes that it's going to one

1607
01:18:15,520 --> 01:18:19,600
Speaker 1: become intolerable to listen to. Yeah, and it's going to

1608
01:18:19,600 --> 01:18:26,000
Speaker 1: become intolerable for us to do. And I'm that's it's

1609
01:18:26,080 --> 01:18:28,400
Speaker 1: just a blunt honesty.

1610
01:18:29,120 --> 01:18:32,240
Speaker 2: I'm terrified because also what I'm starting to see is like,

1611
01:18:33,320 --> 01:18:35,880
Speaker 2: because when we started this podcast, there was this huge

1612
01:18:35,920 --> 01:18:38,400
Speaker 2: sort of movement for me to be like, oh my god, boy,

1613
01:18:38,479 --> 01:18:41,040
Speaker 2: these world is good, so good. And I think what

1614
01:18:41,080 --> 01:18:44,080
Speaker 2: I'm realizing is that I carry it into my twenties

1615
01:18:44,120 --> 01:18:46,320
Speaker 2: the memories of seasons five.

1616
01:18:46,320 --> 01:18:51,000
Speaker 4: Possibly right, Yeah, My problem is kind of the opposite

1617
01:18:51,000 --> 01:18:53,680
Speaker 4: of that, where in my memories, like I have a

1618
01:18:53,680 --> 01:18:56,360
Speaker 4: lot of people that conventions and our live shows and stuff

1619
01:18:56,320 --> 01:18:58,639
Speaker 4: like that that say to me like, wow, I really

1620
01:18:58,640 --> 01:19:01,519
Speaker 4: didn't like the change that Eric made in the later episodes.

1621
01:19:01,520 --> 01:19:03,040
Speaker 1: He was so much more grounded so much.

1622
01:19:02,920 --> 01:19:04,640
Speaker 4: And I was always like, no, he's so fun and

1623
01:19:04,680 --> 01:19:07,439
Speaker 4: wacky in five, six, and seven, those are my favorite years.

1624
01:19:07,560 --> 01:19:10,760
Speaker 4: And now that I'm rewatching it again, I'm already not liking.

1625
01:19:10,479 --> 01:19:12,680
Speaker 1: Where it's going. And I know it's only going to

1626
01:19:12,720 --> 01:19:15,200
Speaker 1: get worse, But I am optimistic.

1627
01:19:15,280 --> 01:19:17,280
Speaker 4: I did not you know, it pops up on your

1628
01:19:17,280 --> 01:19:20,400
Speaker 4: Disney plus what's coming up next? And I saw, I

1629
01:19:20,400 --> 01:19:22,400
Speaker 4: know you're gonna announce it, Danielle, But I saw which

1630
01:19:22,439 --> 01:19:26,160
Speaker 4: is a Pembroke Yes, And I remember this being a

1631
01:19:26,240 --> 01:19:29,400
Speaker 4: good episode, Okay, I am. I remember us having a

1632
01:19:29,439 --> 01:19:33,559
Speaker 4: ton of fun. This is the one that Candace Cameron

1633
01:19:33,680 --> 01:19:37,759
Speaker 4: and Melissa and so good.

1634
01:19:37,960 --> 01:19:42,200
Speaker 2: But I remember having fun and funny. I remember having fun.

1635
01:19:42,280 --> 01:19:45,360
Speaker 2: But I also remember very consciously thinking like, what has

1636
01:19:45,360 --> 01:19:48,600
Speaker 2: happened to our show? And it was with like you know,

1637
01:19:48,640 --> 01:19:51,520
Speaker 2: because then we do the the World War two episode,

1638
01:19:51,640 --> 01:19:55,000
Speaker 2: like this season is bonkers, and like I think this

1639
01:19:55,080 --> 01:19:58,120
Speaker 2: is when I was in college in my personal life,

1640
01:19:58,120 --> 01:20:00,400
Speaker 2: and I think I just checked out. I just think

1641
01:20:00,400 --> 01:20:01,920
Speaker 2: we're just going to have to reach this point where

1642
01:20:02,000 --> 01:20:04,559
Speaker 2: we're not because, like you're saying, Danielle, I don't want

1643
01:20:04,560 --> 01:20:06,840
Speaker 2: to be insufferable to our listeners. I don't want to

1644
01:20:06,920 --> 01:20:09,439
Speaker 2: sit here. So I think at a certain point we

1645
01:20:09,479 --> 01:20:12,960
Speaker 2: can stop being shocked or stop commenting on it and

1646
01:20:13,040 --> 01:20:15,559
Speaker 2: just acknowledge like it's not for us, it's not my

1647
01:20:15,840 --> 01:20:17,639
Speaker 2: you know, it's not a show that writer likes anymore.

1648
01:20:17,960 --> 01:20:20,040
Speaker 2: That might just happen and then we'll just be here

1649
01:20:20,080 --> 01:20:22,720
Speaker 2: to talk about our memories. And you know, I don't know.

1650
01:20:23,160 --> 01:20:25,000
Speaker 1: We certainly don't want to ruin it for anybody else.

1651
01:20:25,120 --> 01:20:27,000
Speaker 2: No, that's the thing. It's like, it's going to be borring,

1652
01:20:27,120 --> 01:20:31,200
Speaker 2: like what unless we can remember specific things like choices

1653
01:20:31,240 --> 01:20:33,760
Speaker 2: that were made that ended up being that way. But

1654
01:20:33,840 --> 01:20:38,400
Speaker 2: I can't remember why, other than you know, our director changing,

1655
01:20:38,520 --> 01:20:40,840
Speaker 2: which is a big change. I don't remember what was

1656
01:20:40,840 --> 01:20:43,280
Speaker 2: so different about season five. Maybe we were just more comfortable.

1657
01:20:43,479 --> 01:20:45,000
Speaker 1: Jeff Sherman left, Jeff, That's.

1658
01:20:44,920 --> 01:20:45,240
Speaker 2: What I mean.

1659
01:20:45,280 --> 01:20:49,040
Speaker 1: Our director chage, Oh, Jeff Shervan and Jeff Sherman left

1660
01:20:49,560 --> 01:20:52,240
Speaker 1: the writing. Is this the season when Mark Bluman and

1661
01:20:52,240 --> 01:20:54,679
Speaker 1: how We're Best Gang leaves halfway through the season.

1662
01:20:56,720 --> 01:20:58,400
Speaker 4: Here's the other thing, though, I would like to say,

1663
01:20:58,479 --> 01:21:02,280
Speaker 4: because I dealt with this beginning of Magical rewind, which

1664
01:21:02,360 --> 01:21:05,240
Speaker 4: is watching a whole bunch of D coms as a

1665
01:21:05,280 --> 01:21:08,280
Speaker 4: forty seven year old man is certainly different than watching

1666
01:21:08,360 --> 01:21:10,680
Speaker 4: D comms as a fourteen year old right. So one

1667
01:21:10,720 --> 01:21:12,280
Speaker 4: of the things I think we also have to be

1668
01:21:12,320 --> 01:21:16,360
Speaker 4: cognizant of is we can't We're always trying to elevate

1669
01:21:16,400 --> 01:21:19,799
Speaker 4: Boy Meets World to it transcended age, which it did.

1670
01:21:19,640 --> 01:21:20,799
Speaker 1: In the first couple seasons.

1671
01:21:21,040 --> 01:21:23,080
Speaker 4: But we also do have to remember that this was

1672
01:21:23,120 --> 01:21:25,080
Speaker 4: a TGI have show on Friday night.

1673
01:21:25,200 --> 01:21:26,600
Speaker 1: There were mostly teenagers watching it.

1674
01:21:26,680 --> 01:21:29,559
Speaker 4: Teen agers watching it that they're you know, and so

1675
01:21:29,920 --> 01:21:33,760
Speaker 4: to a twelve thirteen year old young person, some of

1676
01:21:33,800 --> 01:21:36,080
Speaker 4: the stuff, the gags in the that we are not

1677
01:21:36,320 --> 01:21:38,960
Speaker 4: finding funny now might have been hysterical on a Friday night.

1678
01:21:39,000 --> 01:21:40,920
Speaker 1: I think we need to keep that in mind, too. True,

1679
01:21:40,960 --> 01:21:44,160
Speaker 1: But some of my favorite elements of doing this podcast

1680
01:21:44,200 --> 01:21:49,439
Speaker 1: with you too have been us talking about and appreciating

1681
01:21:50,280 --> 01:21:54,400
Speaker 1: the genius of the production. It's not even the of

1682
01:21:54,400 --> 01:21:58,679
Speaker 1: course we praise the actors too, but it's actually about wow,

1683
01:21:59,000 --> 01:22:02,880
Speaker 1: this writing, the construct, the structure, the way this is

1684
01:22:02,960 --> 01:22:07,160
Speaker 1: carried out, the ribbons, the through lines, the depth, the balance,

1685
01:22:07,479 --> 01:22:11,559
Speaker 1: all of those things that have been so stand out

1686
01:22:11,840 --> 01:22:14,559
Speaker 1: and are the thing when I say what's the secret sauce,

1687
01:22:14,600 --> 01:22:16,800
Speaker 1: it's all those things I just mentioned. It's all of

1688
01:22:16,840 --> 01:22:19,519
Speaker 1: those the care, the consideration, the all those things that

1689
01:22:19,560 --> 01:22:23,320
Speaker 1: went into it. It's gonna be hard to do. And

1690
01:22:23,439 --> 01:22:26,639
Speaker 1: if if there are no answers to those, well, why

1691
01:22:26,680 --> 01:22:30,200
Speaker 1: does this happen. It's gonna change also a little bit

1692
01:22:30,560 --> 01:22:34,200
Speaker 1: the structure of how we do the podcast, because we

1693
01:22:34,360 --> 01:22:36,839
Speaker 1: just aren't gonna be able to have those conversations without

1694
01:22:36,880 --> 01:22:38,760
Speaker 1: sounding negative, because we're gonna go, well, that doesn't make

1695
01:22:38,760 --> 01:22:40,760
Speaker 1: any sense, and let's discuss that, Well, why wouldn't they?

1696
01:22:40,760 --> 01:22:42,880
Speaker 1: And like that's the part that's sounding negative, is that

1697
01:22:42,960 --> 01:22:45,160
Speaker 1: we're regularly bringing up why is this the case? And

1698
01:22:45,240 --> 01:22:47,960
Speaker 1: yet how do you not bring it up? I don't know,

1699
01:22:48,040 --> 01:22:50,439
Speaker 1: I'm just this is I'm not I didn't plan to

1700
01:22:50,479 --> 01:22:53,720
Speaker 1: talk about any of this, so it's just me kind

1701
01:22:53,720 --> 01:22:55,840
Speaker 1: of spouting off the top of my head. And we

1702
01:22:55,880 --> 01:22:59,120
Speaker 1: started the podcast being one hundred percent transparent with our

1703
01:22:59,160 --> 01:23:02,160
Speaker 1: dear listeners about out our fears and our concerns. And

1704
01:23:02,640 --> 01:23:05,040
Speaker 1: here we are this far into it, and we have

1705
01:23:05,160 --> 01:23:10,920
Speaker 1: been mostly thrilled and now I'm my just blunt honest

1706
01:23:10,960 --> 01:23:15,880
Speaker 1: truth is I'm scared. So thank you for joining us,

1707
01:23:16,680 --> 01:23:21,000
Speaker 1: and we'll see, we'll see what goes on. As always,

1708
01:23:21,000 --> 01:23:23,120
Speaker 1: you can follow us on Instagram pod meets World Show,

1709
01:23:23,200 --> 01:23:26,240
Speaker 1: you can send us your emails podmeets Worldshow at gmail

1710
01:23:26,280 --> 01:23:28,640
Speaker 1: dot com. And actually, to that point would be a

1711
01:23:28,640 --> 01:23:31,640
Speaker 1: perfect opportunity if any of these season five episodes that

1712
01:23:31,680 --> 01:23:35,200
Speaker 1: we've covered thus far have been your favorite, Please send

1713
01:23:35,280 --> 01:23:37,920
Speaker 1: us an email tell us why we're wrong, Explain to

1714
01:23:38,000 --> 01:23:39,840
Speaker 1: us what you love about it and how they make

1715
01:23:39,920 --> 01:23:43,599
Speaker 1: you feel. We would honestly love to hear your POV

1716
01:23:43,840 --> 01:23:45,680
Speaker 1: and would love to hear from people who love these

1717
01:23:45,720 --> 01:23:53,760
Speaker 1: episodes and we have March. We're still optimistic March Podmeets

1718
01:23:53,840 --> 01:23:58,200
Speaker 1: Worldshow dot com will send us out. We love you all,

1719
01:23:58,680 --> 01:24:01,599
Speaker 1: thanks for staying with us. Pod dismissed.

1720
01:24:02,600 --> 01:24:06,120
Speaker 4: Podmets World is niheart podcast producer and hosted by Danielle Fischel,

1721
01:24:06,200 --> 01:24:10,439
Speaker 4: Wilfredell and Ryder Strong executive producers, Jensen Karp and Amy Sugarman,

1722
01:24:10,760 --> 01:24:14,280
Speaker 4: Executive in charge of production, Danielle Romo, producer and editor,

1723
01:24:14,320 --> 01:24:18,120
Speaker 4: Tara Sudbaksch, producer, Maddy Moore, engineer and Boy Meets World

1724
01:24:18,160 --> 01:24:21,080
Speaker 4: superfan Easton Allen. Our theme song is by Kyle Morton

1725
01:24:21,080 --> 01:24:23,240
Speaker 4: of Typhoon and you can follow us on Instagram at

1726
01:24:23,240 --> 01:24:26,320
Speaker 4: Podmeats World Show or email us at Podmets Worldshow at

1727
01:24:26,360 --> 01:24:29,080
Speaker 4: gmail dot com