1 00:00:01,440 --> 00:00:05,200 Speaker 1: It's the Best Bits of the Week with Morgan Number two. 2 00:00:06,200 --> 00:00:09,240 Speaker 1: Let's up, y'all, welcome to the Best Bits, just the Bits. 3 00:00:09,320 --> 00:00:11,800 Speaker 1: I'm Morgan and I'm breaking down the Bobby Bone Show 4 00:00:11,840 --> 00:00:14,200 Speaker 1: from this week. These are the best seven segments that 5 00:00:14,280 --> 00:00:17,360 Speaker 1: y'all either engaged with a lot called in about, or 6 00:00:17,720 --> 00:00:19,599 Speaker 1: just had a lot of opinions on whatever it may be. 7 00:00:19,760 --> 00:00:21,880 Speaker 1: That's why they're on here. Or kicking things off with 8 00:00:21,960 --> 00:00:25,280 Speaker 1: number seven, everyone shared a popular TV show that they 9 00:00:25,280 --> 00:00:27,240 Speaker 1: have no interest in. And it was really funny to 10 00:00:27,240 --> 00:00:29,520 Speaker 1: see the comments on this one on social media because 11 00:00:29,840 --> 00:00:32,720 Speaker 1: everybody has favorite TV shows, but that doesn't mean everybody 12 00:00:32,760 --> 00:00:34,760 Speaker 1: else is gonna like them, right, And that's kind of 13 00:00:34,760 --> 00:00:36,960 Speaker 1: what this segment is all about. And everybody shared their's. 14 00:00:37,280 --> 00:00:39,400 Speaker 1: And you know, there's one show I have to say 15 00:00:39,440 --> 00:00:42,920 Speaker 1: that I never got into and it was Euphoria. I 16 00:00:42,960 --> 00:00:45,199 Speaker 1: tried the first episode and I just couldn't do it, 17 00:00:45,320 --> 00:00:48,000 Speaker 1: and it was super popular. Everybody was watching it, so 18 00:00:48,080 --> 00:00:50,400 Speaker 1: I'm still shocked. Maybe I need to give it one 19 00:00:50,440 --> 00:00:53,480 Speaker 1: more go. But that's the popular TV show at this point. 20 00:00:53,520 --> 00:00:56,720 Speaker 1: I have no interest in Number seven. We'll talk about 21 00:00:56,760 --> 00:00:59,120 Speaker 1: what show you really don't have an interest in watching? 22 00:00:59,120 --> 00:01:01,640 Speaker 1: Even though it's super popular. Right now, just a second. 23 00:01:01,680 --> 00:01:03,400 Speaker 1: But the reason we're talking about it is because The 24 00:01:03,440 --> 00:01:07,200 Speaker 1: Mandalorian has eighty four million views in twenty four hours 25 00:01:07,240 --> 00:01:09,520 Speaker 1: as far as the trailer goes. Now, Wow, I bet 26 00:01:09,520 --> 00:01:12,000 Speaker 1: you the Mandalorians really great. But I never watched Star Wars. 27 00:01:12,040 --> 00:01:14,679 Speaker 1: I never got into the Mandalorian, but Mighty loves Mandalorian. 28 00:01:14,720 --> 00:01:16,639 Speaker 1: I love the Mandalorian. I think if you even haven't 29 00:01:16,680 --> 00:01:19,200 Speaker 1: seen any Star Wars movie, you could get into this show. Yeah, 30 00:01:19,240 --> 00:01:20,920 Speaker 1: because it has nothing to do with the Star Wars 31 00:01:20,959 --> 00:01:23,880 Speaker 1: storyline really, but I still I don't really have an interest, 32 00:01:24,080 --> 00:01:26,479 Speaker 1: but I bet you it's good. Yeah, kind of shows 33 00:01:26,560 --> 00:01:29,160 Speaker 1: you like, I think you would be interested in this shot. 34 00:01:29,360 --> 00:01:31,400 Speaker 1: Is it annoying to you that there's not a bit 35 00:01:31,440 --> 00:01:34,200 Speaker 1: contingent of Mandalorian watchers here on this show? Yeah? Nobody 36 00:01:34,200 --> 00:01:37,880 Speaker 1: else watching this show? Batty? Do you watch it religiously? No? No, no, no, 37 00:01:37,920 --> 00:01:39,600 Speaker 1: you just catch like, like, I see I saw the 38 00:01:39,600 --> 00:01:41,280 Speaker 1: preview for this, and I'm like, oh, maybe if I 39 00:01:41,319 --> 00:01:43,600 Speaker 1: get there. I'm watching some other shows right now. Maybe 40 00:01:43,600 --> 00:01:45,000 Speaker 1: if I have time, I'll watch it. But what about 41 00:01:45,000 --> 00:01:47,480 Speaker 1: the first Mandalorian saw it? Loved it? But did you 42 00:01:47,520 --> 00:01:49,720 Speaker 1: watch it every week, like waiting for it. No, No, 43 00:01:49,840 --> 00:01:51,520 Speaker 1: my son watched it first. He said it's good. Then 44 00:01:51,560 --> 00:01:53,480 Speaker 1: I watched it with him again. Have you watched the 45 00:01:54,080 --> 00:01:57,640 Speaker 1: Butcher and Hatchet? Hatchet? I saw the preview. He's like, 46 00:01:57,680 --> 00:02:00,920 Speaker 1: I was a dogtown, I was skateboarding and then wow, 47 00:02:00,960 --> 00:02:02,800 Speaker 1: and then he did a little message before He's like, 48 00:02:02,920 --> 00:02:05,960 Speaker 1: piece of love. Everybody's worthy. Everybody's worthy. Dude, that looks 49 00:02:06,000 --> 00:02:07,920 Speaker 1: so good. It's a one shot deal. It's a one 50 00:02:08,000 --> 00:02:12,000 Speaker 1: it's not an episode. It's a documentary. Yeah, the hatchet 51 00:02:12,000 --> 00:02:14,360 Speaker 1: wielding hitchhiker and the fact that you guys won't watch 52 00:02:14,360 --> 00:02:18,560 Speaker 1: that because you should. It's awesome. Yeah, you should watch that. 53 00:02:18,720 --> 00:02:20,200 Speaker 1: So what show is it? And I'll give you a 54 00:02:20,200 --> 00:02:21,880 Speaker 1: show of mine, which is a White Lotus. Like, I 55 00:02:21,919 --> 00:02:23,560 Speaker 1: don't really don't care to watch it. I'm sure it's good. 56 00:02:23,600 --> 00:02:25,680 Speaker 1: I've never seen an episode. I have no interest in 57 00:02:25,720 --> 00:02:27,960 Speaker 1: going to pursue White Lotus. You would love it though, 58 00:02:28,480 --> 00:02:31,600 Speaker 1: probably you would love it, great storyline. So what show 59 00:02:31,639 --> 00:02:33,320 Speaker 1: do you have no interest watching? Is popular right now? 60 00:02:33,320 --> 00:02:36,679 Speaker 1: Amy that whatever? The followed Game of Thrones, the new one. Yeah, 61 00:02:36,680 --> 00:02:37,919 Speaker 1: but you never watched Game of Thrones, so I just 62 00:02:37,919 --> 00:02:42,440 Speaker 1: wouldn't expect exactly you would like that one exactly my point. 63 00:02:42,480 --> 00:02:43,959 Speaker 1: But I wouldn't think you'd like a prequel or a 64 00:02:44,000 --> 00:02:46,200 Speaker 1: sequel if you didn't like the original. But it's really good. 65 00:02:46,440 --> 00:02:49,119 Speaker 1: But you can watch that and really like it. House 66 00:02:49,160 --> 00:02:51,800 Speaker 1: a Dragon that Oh, it's so good and so simple, 67 00:02:51,880 --> 00:02:56,800 Speaker 1: compared to Game of Thrones, which was like studying trigonometry. 68 00:02:56,880 --> 00:02:58,520 Speaker 1: Because I got that, I was like, oh, I'm tired, 69 00:02:58,960 --> 00:03:00,760 Speaker 1: I need to check out. Didn't like trigger. I've been 70 00:03:00,760 --> 00:03:02,440 Speaker 1: cramina a night. You're back in school, Bob watch Game 71 00:03:02,480 --> 00:03:06,560 Speaker 1: of Thrones, Eddie Yellowstone, Oh man, I was. I was 72 00:03:06,600 --> 00:03:08,280 Speaker 1: a cowboy and my dad bought a ranch when we 73 00:03:08,280 --> 00:03:11,560 Speaker 1: were in middle school, you know, like dude, I'd rope 74 00:03:11,960 --> 00:03:14,560 Speaker 1: cows and stuff and like live that life. I watched 75 00:03:14,600 --> 00:03:16,799 Speaker 1: The First Step is the first season, like half of 76 00:03:16,840 --> 00:03:19,919 Speaker 1: the first season, Like, I don't want this? Why so unrealistic? 77 00:03:20,040 --> 00:03:21,480 Speaker 1: I think I think you'd like it. Is a little 78 00:03:21,480 --> 00:03:23,200 Speaker 1: corny at times. I think if you stayed with it, 79 00:03:23,200 --> 00:03:25,240 Speaker 1: you'd like it. But that's a good example. You have 80 00:03:25,240 --> 00:03:26,880 Speaker 1: no interest. But it's very popular. We all love it. 81 00:03:26,919 --> 00:03:28,560 Speaker 1: All the cowboys. They go in the little house and 82 00:03:28,560 --> 00:03:30,520 Speaker 1: play guitar and singing it. They don't all one day 83 00:03:30,600 --> 00:03:34,160 Speaker 1: stop it, get out of here, Okay, Eddy Stole Mine. 84 00:03:34,200 --> 00:03:37,240 Speaker 1: It's Yellowstone because I watch it and it seems so corny, 85 00:03:37,400 --> 00:03:39,560 Speaker 1: and it reminds me of the TV show Nashville. When 86 00:03:39,560 --> 00:03:41,119 Speaker 1: it was on, everybody loved it, and I would see 87 00:03:41,120 --> 00:03:44,040 Speaker 1: the previews and I was like, that looks so corny. 88 00:03:44,120 --> 00:03:46,720 Speaker 1: I like Nashville. It was corny. Though It's almost like, 89 00:03:46,920 --> 00:03:49,440 Speaker 1: if you know it's corny, you're not turned off by 90 00:03:49,480 --> 00:03:51,440 Speaker 1: the corn and so that's why it's yello still in 91 00:03:51,480 --> 00:03:54,119 Speaker 1: the same way because when I see a corny sometimes, 92 00:03:54,160 --> 00:03:58,800 Speaker 1: but it also makes up for it with like fighting 93 00:03:58,840 --> 00:04:02,960 Speaker 1: and dramatic and a lot of drama. Yeah, I like it. 94 00:04:03,320 --> 00:04:07,040 Speaker 1: I'll be honest with you. It is corny at times though. Yes, 95 00:04:07,680 --> 00:04:11,400 Speaker 1: Raymondo any show there boy likes yeah, Breaking Bad. I 96 00:04:11,480 --> 00:04:13,880 Speaker 1: just feel like it would make me more interested in drugs, 97 00:04:13,920 --> 00:04:16,000 Speaker 1: and I've never known anything about drugs, so I don't 98 00:04:16,000 --> 00:04:17,440 Speaker 1: want to be a part of that. You think you'd 99 00:04:17,480 --> 00:04:19,560 Speaker 1: go to being a meth user immediately? No, you like 100 00:04:19,640 --> 00:04:22,600 Speaker 1: dangy Walter White's gonna Okay. I feel like I would 101 00:04:22,600 --> 00:04:24,320 Speaker 1: research it a little bit, and it's just not the 102 00:04:24,360 --> 00:04:27,840 Speaker 1: path I want to go down interesting. It's good, though 103 00:04:28,880 --> 00:04:31,120 Speaker 1: it's also not a new show. It's not really popular, nause. 104 00:04:31,120 --> 00:04:32,800 Speaker 1: I wouldn't want to like The Sopranos. I never watched 105 00:04:32,800 --> 00:04:35,719 Speaker 1: The Sopranos, and I'm sure it's amazing, but it really 106 00:04:35,720 --> 00:04:37,559 Speaker 1: had no interest and I'm not gonna get it. Friday 107 00:04:37,600 --> 00:04:41,120 Speaker 1: Night Lights, same thing. Oh, I know, right, but I 108 00:04:41,120 --> 00:04:42,520 Speaker 1: have no interests. There are all these new shows that 109 00:04:42,560 --> 00:04:44,560 Speaker 1: I want to watch, all right. When it goes to 110 00:04:44,560 --> 00:04:47,800 Speaker 1: old shows, you never watched, Amy, don't say Game of 111 00:04:47,800 --> 00:04:50,719 Speaker 1: Thrones because if you do, I'm gonna dump your table over. Okay, 112 00:04:50,800 --> 00:04:55,640 Speaker 1: give me a second. Okay, Eddie watch Dexter No, no, 113 00:04:55,640 --> 00:05:00,640 Speaker 1: no, no no. House of Cards, never watched? That's good. Cossa 114 00:05:00,680 --> 00:05:02,960 Speaker 1: Cars is good? What's the one with the is that 115 00:05:02,960 --> 00:05:06,320 Speaker 1: the one with Kevin Spacey? Yeah, isn't real good. But 116 00:05:06,360 --> 00:05:08,160 Speaker 1: then whenever he got in trouble and they came back 117 00:05:08,200 --> 00:05:10,919 Speaker 1: without him, wasn't that good? Yeah? And then I was like, 118 00:05:11,120 --> 00:05:12,560 Speaker 1: but he had to go, Yeah he had to go, 119 00:05:12,560 --> 00:05:19,040 Speaker 1: but I'll missed him. Entourage you guys love that one, 120 00:05:19,080 --> 00:05:21,279 Speaker 1: and that was for the time too, But that was awesome. 121 00:05:21,960 --> 00:05:25,240 Speaker 1: Oh I can't believe Amy, did you come to anything. 122 00:05:25,520 --> 00:05:26,960 Speaker 1: I feel like most of the old one, like I 123 00:05:27,080 --> 00:05:29,200 Speaker 1: just started, I was late to the Gray's Anatomy train. 124 00:05:29,240 --> 00:05:30,760 Speaker 1: I didn't watch a lot of it for years and 125 00:05:30,800 --> 00:05:32,880 Speaker 1: now now a minute. The one that I didn't care 126 00:05:32,920 --> 00:05:34,880 Speaker 1: about was one of the fifties or the ad Agency 127 00:05:35,040 --> 00:05:37,760 Speaker 1: mad Men. Yeah, that I was gonna say, mad Men, 128 00:05:37,839 --> 00:05:39,720 Speaker 1: and then another one down to n Abbey or down 129 00:05:39,760 --> 00:05:42,560 Speaker 1: a n Abby whatever. I tried it. I know a 130 00:05:42,600 --> 00:05:44,120 Speaker 1: language I were talking, had to put it on close 131 00:05:44,160 --> 00:05:46,200 Speaker 1: caption or whatever, and I think it's English. Yeah, I 132 00:05:46,279 --> 00:05:49,159 Speaker 1: struggle with it show I can't get back into with 133 00:05:49,200 --> 00:05:50,720 Speaker 1: the new season that came out, and I'm like, I 134 00:05:50,760 --> 00:05:53,120 Speaker 1: was so invested, but the I've tried to start the 135 00:05:53,200 --> 00:05:56,080 Speaker 1: latest season of The Crown and I can't. It should 136 00:05:56,080 --> 00:05:58,719 Speaker 1: be the most interesting and fascinating because Princess Diana and 137 00:05:58,760 --> 00:06:01,000 Speaker 1: I can't quite get there. And I don't know why 138 00:06:01,400 --> 00:06:03,680 Speaker 1: I didn't watch the new Dexter on HBO, not because 139 00:06:03,680 --> 00:06:05,760 Speaker 1: I haven't wanted to, I just haven't thought about it, 140 00:06:05,760 --> 00:06:08,520 Speaker 1: like when it comes to Passion things. I'm in the 141 00:06:08,520 --> 00:06:10,240 Speaker 1: middle of a couple other shows now which sometimes I 142 00:06:10,279 --> 00:06:12,040 Speaker 1: don't want to say what I'm into on the show 143 00:06:12,480 --> 00:06:14,560 Speaker 1: because I don't people to spoil it for me, and 144 00:06:14,600 --> 00:06:17,440 Speaker 1: then when I'm done, I'll be like thumbs up, thumbs down. Smart. 145 00:06:17,480 --> 00:06:19,280 Speaker 1: I didn't watch the Jeffrey Dahmer or stuff on that. 146 00:06:19,640 --> 00:06:21,600 Speaker 1: I'm not gonna do that, don't I think I would 147 00:06:21,600 --> 00:06:23,600 Speaker 1: have becamel almost like I don't want to watch Yes, 148 00:06:24,000 --> 00:06:25,920 Speaker 1: that's like what Raycin put you in a dark place. 149 00:06:25,920 --> 00:06:27,920 Speaker 1: I don't want to murder because I'd watch it and 150 00:06:27,920 --> 00:06:31,000 Speaker 1: I going out exactly watched Ted Bundy. That was the 151 00:06:31,000 --> 00:06:34,600 Speaker 1: one that was good. Though it was good. It's the 152 00:06:34,640 --> 00:06:39,159 Speaker 1: best bits of the week with Morgan. Number two, the 153 00:06:39,240 --> 00:06:42,760 Speaker 1: show also discussed their favorite artist they loved as a kid, 154 00:06:42,880 --> 00:06:44,920 Speaker 1: somebody that they really couldn't get enough of. They were 155 00:06:44,920 --> 00:06:47,400 Speaker 1: a stand of them, and then are they a stand today? 156 00:06:47,480 --> 00:06:50,200 Speaker 1: That was the topic of conversation and it turned into 157 00:06:50,400 --> 00:06:52,800 Speaker 1: who was your first concert? Who is the most recent 158 00:06:52,839 --> 00:06:54,960 Speaker 1: concert that you're going to go to? It was really 159 00:06:54,960 --> 00:06:58,200 Speaker 1: fun conversation and that's what's happening right here at number six. 160 00:06:58,800 --> 00:07:02,719 Speaker 1: Number six question the day, who was the first band, artist, 161 00:07:02,839 --> 00:07:05,960 Speaker 1: musician that you were really into as a kid that 162 00:07:06,520 --> 00:07:09,200 Speaker 1: they were like your first favorites and are you still 163 00:07:09,240 --> 00:07:13,880 Speaker 1: into them? Amy George strait and yes, why George Straight? 164 00:07:14,000 --> 00:07:15,760 Speaker 1: What influenced you to love him? Because you had to 165 00:07:15,760 --> 00:07:20,600 Speaker 1: be a kid. How old do you think of you? Oh? Seven? Eight? 166 00:07:20,760 --> 00:07:24,640 Speaker 1: And then on I would say, my dad loved George Straight. 167 00:07:24,840 --> 00:07:27,120 Speaker 1: My well, my uncle worked for him at the time, 168 00:07:27,160 --> 00:07:31,440 Speaker 1: so yeah, like managed his ranch and so being you 169 00:07:31,480 --> 00:07:34,520 Speaker 1: know Texas girl, my dad's cell Texas, so it's like 170 00:07:34,600 --> 00:07:36,360 Speaker 1: just lots of tie in. So we listened to a 171 00:07:36,400 --> 00:07:38,440 Speaker 1: lot of George Straight and loved it. Yeah, if your 172 00:07:38,480 --> 00:07:40,640 Speaker 1: uncle works for him, that's pretty cool. And you met 173 00:07:40,720 --> 00:07:44,120 Speaker 1: him as a kid, yeah, And I wore oh so embarrassing. 174 00:07:44,720 --> 00:07:47,000 Speaker 1: We went to this ranch to visit my uncle. And 175 00:07:47,680 --> 00:07:49,240 Speaker 1: I don't know why my dad let me do this, 176 00:07:49,280 --> 00:07:51,840 Speaker 1: but I wore a George Straight shirt. But how old 177 00:07:51,880 --> 00:07:55,280 Speaker 1: were you a kid? Probably ten? That's not embarrassing. As 178 00:07:55,280 --> 00:07:58,600 Speaker 1: a cute, I don't cringe because something you did it ten? Yeah, 179 00:07:58,640 --> 00:08:00,920 Speaker 1: I do. No, you can't. That's fine that it was 180 00:08:01,080 --> 00:08:03,640 Speaker 1: over that, No, because he probably is like, oh okay, great, No, 181 00:08:03,680 --> 00:08:06,920 Speaker 1: it's probably like it's a ten year old. That's cute. Okay, Yeah, 182 00:08:06,960 --> 00:08:10,360 Speaker 1: you're good. Don't don't hold yourself accountable, Okay, yeah, George Eddie, 183 00:08:10,360 --> 00:08:14,200 Speaker 1: what about you def Leppard first ever. My brother was 184 00:08:14,280 --> 00:08:17,800 Speaker 1: really into like eighties hair rock and he loved Van Halen, 185 00:08:17,840 --> 00:08:19,680 Speaker 1: but I could never get into Van Halen. But when 186 00:08:19,680 --> 00:08:21,640 Speaker 1: I saw the video of Pour Some Sugar on Me 187 00:08:21,720 --> 00:08:24,600 Speaker 1: Dude on MTV, I was like, this is my band. 188 00:08:24,800 --> 00:08:27,760 Speaker 1: That was probably what seven years old? Love them? Do 189 00:08:27,800 --> 00:08:30,240 Speaker 1: you still love them? No? I mean if they came 190 00:08:30,320 --> 00:08:35,320 Speaker 1: to play a show, would you go if tickets were free? Yes, 191 00:08:36,000 --> 00:08:40,400 Speaker 1: on a Tuesday night? No? Probably not. I had to 192 00:08:40,400 --> 00:08:43,240 Speaker 1: say no for that lunch bug. It's Tina Turner. And 193 00:08:43,240 --> 00:08:45,040 Speaker 1: it was all because of my mom. We were driving 194 00:08:45,080 --> 00:08:48,040 Speaker 1: to Chicago to see her parents, and we stopped at 195 00:08:48,080 --> 00:08:49,640 Speaker 1: McDonald's and you went through the drive through and you 196 00:08:49,720 --> 00:08:52,360 Speaker 1: got a combo meal and for two ninety nine you 197 00:08:52,400 --> 00:08:55,040 Speaker 1: could get a Tina Turner Greatest Hits cassette or some 198 00:08:55,120 --> 00:08:57,880 Speaker 1: other person. And my mom was like, we're getting the 199 00:08:57,920 --> 00:09:00,840 Speaker 1: Tina cassette. And we listened to it all the to Chicago, 200 00:09:01,679 --> 00:09:05,080 Speaker 1: and I was like, this lady is phenomenal. I was 201 00:09:05,080 --> 00:09:07,200 Speaker 1: eleven or twelve years old, first time I'd really listen 202 00:09:07,280 --> 00:09:10,040 Speaker 1: to music, and I was like, this is it. You 203 00:09:10,040 --> 00:09:11,839 Speaker 1: were eleven the first time you heard music. There was 204 00:09:11,880 --> 00:09:14,320 Speaker 1: no music before then then I really lived like I 205 00:09:14,360 --> 00:09:16,160 Speaker 1: didn't ever sit around and listen to it, like I 206 00:09:16,200 --> 00:09:18,160 Speaker 1: didn't have but it never just played and you never 207 00:09:18,160 --> 00:09:22,560 Speaker 1: had favorite songs or anything like my parents played records 208 00:09:22,640 --> 00:09:24,880 Speaker 1: all the time, and I just didn't pay attention. My 209 00:09:24,920 --> 00:09:29,080 Speaker 1: brother and sister were really into new kids on the block. Um. 210 00:09:29,400 --> 00:09:30,800 Speaker 1: They loved that. Every time we got in the car, 211 00:09:30,800 --> 00:09:34,160 Speaker 1: they'd play that brother did openly, openly. I liked him, 212 00:09:34,160 --> 00:09:36,000 Speaker 1: but I always hit it. Yeah, oh, every time we 213 00:09:36,040 --> 00:09:37,840 Speaker 1: get in the car, oh, put it in. And my 214 00:09:37,880 --> 00:09:41,360 Speaker 1: brother and sister would fight over hanging tough or step 215 00:09:41,400 --> 00:09:43,960 Speaker 1: by step, and so they had each other. I want 216 00:09:43,960 --> 00:09:45,720 Speaker 1: to hang a job, and I'm just like, guys, what 217 00:09:45,880 --> 00:09:47,679 Speaker 1: this is? What are we doing? But Tina Turner made 218 00:09:47,679 --> 00:09:50,520 Speaker 1: you fall. Tina Turner made me realize that music could 219 00:09:50,559 --> 00:09:54,360 Speaker 1: be cool, and I still love her today. I would go. 220 00:09:54,520 --> 00:09:56,160 Speaker 1: I would drive two hundred miles if I had to 221 00:09:56,200 --> 00:09:58,959 Speaker 1: go see her, but she'll never perform again. I was 222 00:09:59,000 --> 00:10:01,920 Speaker 1: thinking about who I like. I bought a tape four 223 00:10:02,120 --> 00:10:05,800 Speaker 1: or would record off the radio, and they're way different. 224 00:10:05,840 --> 00:10:12,559 Speaker 1: But obviously Garth Brooks. Of course, where I'm from in Arkansas, 225 00:10:12,960 --> 00:10:16,520 Speaker 1: everybody was Garth All the time, we weren't Oklahoma, that's 226 00:10:16,520 --> 00:10:18,920 Speaker 1: where he's from, but still was close enough. And he's 227 00:10:18,960 --> 00:10:23,360 Speaker 1: the greatest. But then and I didn't have any older siblings, 228 00:10:23,559 --> 00:10:27,079 Speaker 1: but Presidents of the United States of America into the country. 229 00:10:29,400 --> 00:10:31,280 Speaker 1: That was my first, Like I found it on my own. 230 00:10:31,320 --> 00:10:33,440 Speaker 1: It could not get enough and pursued it just because 231 00:10:33,440 --> 00:10:35,680 Speaker 1: I was like, this is the greatest sound ever. And 232 00:10:35,720 --> 00:10:37,360 Speaker 1: I found out the guy the guitarist played the three 233 00:10:37,360 --> 00:10:40,800 Speaker 1: string guitar. That was it. He's had three strings on 234 00:10:41,200 --> 00:10:44,319 Speaker 1: and they had they had this and Lump remember Lump. 235 00:10:45,040 --> 00:10:50,679 Speaker 1: Probably Lump said alone in a buggy marsh totally emotionless, 236 00:10:50,720 --> 00:10:56,319 Speaker 1: succept for heart, remember that one. Yeah, it's love. He's 237 00:10:56,400 --> 00:10:59,600 Speaker 1: in my head. Yeah, I wasn't. It was funny. It 238 00:10:59,640 --> 00:11:01,960 Speaker 1: was fun It was catchy, very different. But you see 239 00:11:01,960 --> 00:11:04,520 Speaker 1: them now or you would, oh yeah, okay, I drive 240 00:11:04,559 --> 00:11:10,360 Speaker 1: two hundred miles way, I don't know. I love the 241 00:11:10,360 --> 00:11:14,000 Speaker 1: Presidents of the United States of America and I would 242 00:11:14,000 --> 00:11:17,400 Speaker 1: buy their album was way after that Little Doom Bugget 243 00:11:17,440 --> 00:11:20,800 Speaker 1: in the Sand. I could do. Oh man. So that's 244 00:11:20,840 --> 00:11:22,120 Speaker 1: the first one that I found. But the one that 245 00:11:22,160 --> 00:11:23,719 Speaker 1: was kind of put upon me was Garth Brooks is 246 00:11:23,760 --> 00:11:26,480 Speaker 1: my favorite because everybody loved it, so then I loved it. 247 00:11:26,600 --> 00:11:28,560 Speaker 1: We could do this all day. Diamond Rio. Of course 248 00:11:29,040 --> 00:11:31,560 Speaker 1: I would go to church. Can't listen to Diamond Rio. 249 00:11:32,920 --> 00:11:34,520 Speaker 1: That was your first concert, right it was? Went to 250 00:11:34,600 --> 00:11:37,120 Speaker 1: Magic Springs theme Park and watched Diamond Rio and I 251 00:11:37,200 --> 00:11:40,440 Speaker 1: was like, this is the big time. Wow, first concert 252 00:11:40,440 --> 00:11:43,440 Speaker 1: you ever went to? Ever Mind's Diamond Rio a Magic Springs, 253 00:11:43,440 --> 00:11:45,760 Speaker 1: which was the theme park in Hot Springs, Arkansas. Amy, 254 00:11:45,920 --> 00:11:48,400 Speaker 1: Amy Grant. Do you remember who opened for her? By 255 00:11:48,400 --> 00:11:51,480 Speaker 1: any chance? Nope? Eddie Clinton Black at the South Padre 256 00:11:51,520 --> 00:11:53,480 Speaker 1: Island Cove Center. I remember that one. You said that 257 00:11:53,520 --> 00:11:58,560 Speaker 1: one Lunchbox Tina Turner now Alamodome two thousand, opener, Lionel Ritchie, 258 00:11:58,760 --> 00:12:02,080 Speaker 1: Hello Snooze. First concert was in two thousand. My first 259 00:12:02,120 --> 00:12:06,880 Speaker 1: real concert one Chris Jansen. Like I went to Texas 260 00:12:06,920 --> 00:12:08,800 Speaker 1: Country when I was in high school. But my first 261 00:12:08,800 --> 00:12:14,760 Speaker 1: like real like concert, Like but that counts counts. Yeah. 262 00:12:14,800 --> 00:12:17,560 Speaker 1: It was just like in a was it a theme part? Guys, 263 00:12:17,720 --> 00:12:20,400 Speaker 1: like two hundred people? Okay? Was in a convention center? Yeah, 264 00:12:20,440 --> 00:12:22,280 Speaker 1: you guys are acting like I went to Wrigley Field 265 00:12:22,320 --> 00:12:24,640 Speaker 1: to watch Diamond Rio. I should have shouted out Frank 266 00:12:25,240 --> 00:12:28,360 Speaker 1: for immigrant last concert you went to, Oh this is tough. 267 00:12:28,480 --> 00:12:31,079 Speaker 1: I would be Stapleton right here at Bridgestone, and that's 268 00:12:31,120 --> 00:12:33,760 Speaker 1: pre COVID. I have not been to a concert since 269 00:12:33,800 --> 00:12:36,400 Speaker 1: COVID hit and since it left, have not been to 270 00:12:36,440 --> 00:12:39,960 Speaker 1: see one artist. So Stapleton at Bridgestone whenever. That was 271 00:12:40,160 --> 00:12:42,360 Speaker 1: two and a half three years ago. Amy, I'm sure 272 00:12:42,400 --> 00:12:45,160 Speaker 1: I have to have seen someone else since this concert, 273 00:12:45,200 --> 00:12:48,719 Speaker 1: but Thomas Rhett and Dustin Lynch opened. Eddie Man, I 274 00:12:48,800 --> 00:12:50,800 Speaker 1: think the last time I went was Counting Crows with you. 275 00:12:51,000 --> 00:12:53,520 Speaker 1: Oh yeah, that was fun, that was awesome, But that's 276 00:12:53,600 --> 00:12:55,040 Speaker 1: really well. It was what two years ago? I asked 277 00:12:55,040 --> 00:12:56,199 Speaker 1: my wife, I do you want to go to Counting 278 00:12:56,200 --> 00:12:59,760 Speaker 1: Crows Eddie? And I goes, uh, do you want to 279 00:13:00,120 --> 00:13:02,720 Speaker 1: have your Apennix tekend how I was, Okay, there you go. 280 00:13:02,960 --> 00:13:06,720 Speaker 1: I don't want to go. I went. It was amazing, 281 00:13:06,840 --> 00:13:08,240 Speaker 1: that was a good time. We were the only two 282 00:13:08,240 --> 00:13:09,600 Speaker 1: that didn't sit down the whole time. We did and 283 00:13:09,600 --> 00:13:12,280 Speaker 1: they were like, oh, we're not. And they weren't because 284 00:13:12,280 --> 00:13:13,839 Speaker 1: not because they were angry, they just were old. You 285 00:13:13,880 --> 00:13:18,240 Speaker 1: could stand up all right, Okay, last question? Quickly, the 286 00:13:18,280 --> 00:13:20,400 Speaker 1: next concert you're going to Is it all on on 287 00:13:20,480 --> 00:13:22,520 Speaker 1: a list? You have one target? I do Adam Sandler 288 00:13:22,800 --> 00:13:25,000 Speaker 1: coming up. He's doing a show, and oh, oh I 289 00:13:25,000 --> 00:13:27,120 Speaker 1: got it. Who I just saw Dave Matthews coming to town. 290 00:13:27,160 --> 00:13:32,160 Speaker 1: Really terrible, awesome day. Matthews is awesome. Amy, I want 291 00:13:32,160 --> 00:13:34,079 Speaker 1: to go to Taylor Swift here, but you don't have 292 00:13:34,120 --> 00:13:36,319 Speaker 1: tickets yet. Well, we're out of town when she comes here, 293 00:13:36,360 --> 00:13:41,360 Speaker 1: but I'll travel two hundred My cousin's coming to town 294 00:13:41,360 --> 00:13:43,320 Speaker 1: for Taylor Swift, so if I can get tickets to that, 295 00:13:43,320 --> 00:13:45,560 Speaker 1: that'd be great. He's gonna begging everybody. I mean, I've 296 00:13:45,559 --> 00:13:48,080 Speaker 1: been I've been hitting up the bosses and so yeah, 297 00:13:48,679 --> 00:13:50,440 Speaker 1: out of town when she's no, we're not. She's here 298 00:13:50,480 --> 00:13:52,079 Speaker 1: in May fifth. Oh I thought we were out of 299 00:13:52,120 --> 00:13:55,440 Speaker 1: town that weekend. Oh I heard the following weekend. What's up? 300 00:13:56,760 --> 00:14:00,320 Speaker 1: It's the best Bits of the week with Morgan. Number 301 00:14:00,320 --> 00:14:07,560 Speaker 1: two Party stop by the show this week to talk 302 00:14:07,600 --> 00:14:10,160 Speaker 1: about his new album, The mocking Bird and the Crow, 303 00:14:10,280 --> 00:14:12,640 Speaker 1: and I highly suggest you check this one out because 304 00:14:12,679 --> 00:14:15,439 Speaker 1: halfway through the album he goes from country genre to 305 00:14:15,559 --> 00:14:18,040 Speaker 1: rock genre, and there's a song that's right in the 306 00:14:18,080 --> 00:14:21,880 Speaker 1: middle that is half country, half rock. So top to bottom, 307 00:14:21,920 --> 00:14:24,160 Speaker 1: this album is just so good. It's so different nothing 308 00:14:24,240 --> 00:14:27,560 Speaker 1: I've ever heard before. And I really enjoy seeing the 309 00:14:27,600 --> 00:14:30,960 Speaker 1: translation between the two genres for him and what that 310 00:14:31,000 --> 00:14:32,520 Speaker 1: all looked like. So when he was on the show 311 00:14:32,520 --> 00:14:34,760 Speaker 1: this week, he performed one of those new songs from 312 00:14:34,800 --> 00:14:36,680 Speaker 1: the album, and you can check that out on our 313 00:14:36,760 --> 00:14:39,920 Speaker 1: YouTube page at Bobby Bone Show. But he also shared 314 00:14:39,960 --> 00:14:43,760 Speaker 1: a story about ghosts and paranormal activity. Basically, he collects 315 00:14:43,800 --> 00:14:45,960 Speaker 1: a lot of artifacts and he thinks they brought in 316 00:14:46,000 --> 00:14:48,960 Speaker 1: some really crazy juju to his house, so much so 317 00:14:49,160 --> 00:14:51,800 Speaker 1: that there's been things that have happened and he can't 318 00:14:51,840 --> 00:14:54,960 Speaker 1: explain it. So definitely hear this full interview and then 319 00:14:55,000 --> 00:14:58,160 Speaker 1: go check out his performance number five. But to have 320 00:14:58,360 --> 00:15:01,400 Speaker 1: Hardy right here in studio on this age. Hardy's got 321 00:15:01,400 --> 00:15:03,920 Speaker 1: a couple number ones that he has as an artist. 322 00:15:04,000 --> 00:15:05,320 Speaker 1: I mean not to count the ones he's written for 323 00:15:05,360 --> 00:15:07,840 Speaker 1: other people, but you would know this song called one Beer. 324 00:15:12,360 --> 00:15:14,480 Speaker 1: He's got a song with Landy Wilson right now called 325 00:15:14,640 --> 00:15:21,920 Speaker 1: Waiting the Truck. Here's a clip of that. He's a 326 00:15:21,920 --> 00:15:24,800 Speaker 1: great songwriter, obviously a great artist. He's been on tour 327 00:15:24,840 --> 00:15:27,960 Speaker 1: with Morgan Wallen he's got the long hair, the dark glasses. 328 00:15:27,960 --> 00:15:29,480 Speaker 1: He's like a cooler version of me. Let's admit it. 329 00:15:29,480 --> 00:15:31,960 Speaker 1: He's a cooler version of me. Here he is celebrating 330 00:15:31,960 --> 00:15:34,800 Speaker 1: his new album, The Mockingbird and the Crow that is out. 331 00:15:34,840 --> 00:15:38,960 Speaker 1: Now Here is Hardy on the Bobby Bones Show. Now, Hardy, 332 00:15:39,200 --> 00:15:41,240 Speaker 1: what's going on? Buddy? How are you? Good man? Good 333 00:15:41,240 --> 00:15:43,200 Speaker 1: to see you again. I think it's I saw you 334 00:15:43,240 --> 00:15:45,200 Speaker 1: perform a couple of times, but I haven't. I guess 335 00:15:45,200 --> 00:15:47,080 Speaker 1: we haven't like seen each other personally in a while. 336 00:15:47,120 --> 00:15:49,560 Speaker 1: But may I tell you what? You go, hard It's 337 00:15:49,560 --> 00:15:52,600 Speaker 1: awesome and it's like you go, it's it's really cool 338 00:15:52,640 --> 00:15:54,360 Speaker 1: to see. I guess we talked on the phone. You 339 00:15:54,360 --> 00:15:56,480 Speaker 1: told me you like believed in ghosts or you text 340 00:15:56,960 --> 00:16:00,360 Speaker 1: something about ghosts. I had a ghost story my house. 341 00:16:01,320 --> 00:16:03,280 Speaker 1: Is this a real story or it's a real story? Man? 342 00:16:03,440 --> 00:16:06,880 Speaker 1: I was always like apprehensive and skeptical. And there's some 343 00:16:06,920 --> 00:16:09,680 Speaker 1: stuff that happened that I can't, I literally cannot explain. 344 00:16:09,800 --> 00:16:14,360 Speaker 1: And I lived alone, so I collect Native American artifacts 345 00:16:14,480 --> 00:16:17,440 Speaker 1: like arrowheads and stuff like that. And the short story 346 00:16:17,600 --> 00:16:19,920 Speaker 1: as I found a place on the Cumberland River that 347 00:16:20,000 --> 00:16:22,760 Speaker 1: was very potent and the river had gotten really high 348 00:16:22,840 --> 00:16:24,560 Speaker 1: for a long time and then it dropped, and so 349 00:16:24,720 --> 00:16:26,800 Speaker 1: basically it had shaved away a lot of the dirt 350 00:16:26,880 --> 00:16:29,520 Speaker 1: on the river bank. And which is what you do 351 00:16:29,560 --> 00:16:30,880 Speaker 1: when you go look right, you wait for a big 352 00:16:30,960 --> 00:16:33,040 Speaker 1: rain and it washes away new dirt, new find arrowheads 353 00:16:33,040 --> 00:16:36,080 Speaker 1: in it. And a buddy of mine and myself found 354 00:16:36,120 --> 00:16:38,200 Speaker 1: this spot and it was just there was like a 355 00:16:38,200 --> 00:16:40,720 Speaker 1: ton of broken arrowheads, a ton of earraw. It was 356 00:16:40,720 --> 00:16:43,520 Speaker 1: just really really potent and like fresh, and we both 357 00:16:43,600 --> 00:16:45,760 Speaker 1: kind of had like a We were like, man, this 358 00:16:45,880 --> 00:16:47,960 Speaker 1: is like spooky because it's like the first time it's 359 00:16:48,000 --> 00:16:51,000 Speaker 1: been revealed, you know, to the earth or whatever. Anyway, 360 00:16:51,040 --> 00:16:52,680 Speaker 1: so we found some stuff and I took it home, 361 00:16:52,680 --> 00:16:55,800 Speaker 1: and like a week later, man, I mean there's a 362 00:16:55,800 --> 00:16:58,280 Speaker 1: million stories. I woke up, all the lights will be 363 00:16:58,320 --> 00:17:02,160 Speaker 1: on in the house. All my countertop appliances would be unplugged. 364 00:17:03,080 --> 00:17:05,520 Speaker 1: What do you mean unplugged like litter from the plugs 365 00:17:05,960 --> 00:17:09,919 Speaker 1: like blender, toaster, microwave lamp. Was this when you had 366 00:17:10,000 --> 00:17:11,760 Speaker 1: enough money for a housekeeper? Maybe they did that. No, 367 00:17:12,080 --> 00:17:15,040 Speaker 1: I lived completely alone, and it would be like like 368 00:17:15,080 --> 00:17:16,600 Speaker 1: it was on the night before, like when I went 369 00:17:16,640 --> 00:17:19,520 Speaker 1: to bed, like a microwave. Nobody unplugs a microwave. UM, 370 00:17:20,080 --> 00:17:23,520 Speaker 1: And were you drinking the night before, dude, I'm telling you. 371 00:17:24,240 --> 00:17:28,639 Speaker 1: Callie and I hung a big mirror m and the 372 00:17:28,800 --> 00:17:30,720 Speaker 1: next day we went to look at the mirror and 373 00:17:30,720 --> 00:17:34,800 Speaker 1: there was a giant scratch across the front of the mirror. UM. 374 00:17:34,960 --> 00:17:37,280 Speaker 1: One night we were watching Yellowstone, and there's no way 375 00:17:37,320 --> 00:17:39,120 Speaker 1: you can't there's no way you can justify the scratch. 376 00:17:39,280 --> 00:17:41,959 Speaker 1: I want to be able to, but I promise you 377 00:17:42,000 --> 00:17:44,280 Speaker 1: I cannot. I have no idea how to justify it. 378 00:17:44,560 --> 00:17:46,480 Speaker 1: To tell me the Yellowstone one the before I go 379 00:17:46,480 --> 00:17:49,480 Speaker 1: on any farther, go ahead, we were watching Yellowstone and 380 00:17:49,720 --> 00:17:52,040 Speaker 1: we heard a noise downstairs and she was like, what 381 00:17:52,080 --> 00:17:53,639 Speaker 1: was that? And I was like, I sounded like a 382 00:17:54,200 --> 00:17:56,240 Speaker 1: chair got like scooted across the floor. And we had 383 00:17:56,520 --> 00:17:58,600 Speaker 1: a chair from our kitchen table that had been like 384 00:17:58,720 --> 00:18:03,520 Speaker 1: scooted like ten feet out from our kitchen table. And 385 00:18:03,560 --> 00:18:06,159 Speaker 1: when I tell you, like, I lived in Joelton in 386 00:18:06,200 --> 00:18:08,919 Speaker 1: a house in a cabin that's driveway was like a 387 00:18:09,000 --> 00:18:11,479 Speaker 1: mile and a half long in the middle of nowhere. 388 00:18:11,560 --> 00:18:14,639 Speaker 1: Nobody knows where this house is, Like, it's completely impossible 389 00:18:14,640 --> 00:18:17,480 Speaker 1: that it was it was a person. Plus the doors 390 00:18:17,480 --> 00:18:21,879 Speaker 1: were locked and everything. So your theory can't prove it 391 00:18:21,920 --> 00:18:25,440 Speaker 1: right or wrong. Is that it's possible that from your 392 00:18:25,480 --> 00:18:31,960 Speaker 1: collection of Native Americas, Yeah, you brought something home. Yeah, 393 00:18:32,000 --> 00:18:33,679 Speaker 1: and why do you still do you still have the 394 00:18:33,680 --> 00:18:36,800 Speaker 1: other thing? So we eventually because I dumped them immediately 395 00:18:36,840 --> 00:18:38,040 Speaker 1: since I thought that I would get rid of them. 396 00:18:38,119 --> 00:18:40,920 Speaker 1: I had one moment Callie quit staying with me because 397 00:18:40,920 --> 00:18:42,320 Speaker 1: she was so freaked out because it was it was 398 00:18:42,359 --> 00:18:44,800 Speaker 1: always something like it wasn't just those things, like it 399 00:18:44,840 --> 00:18:47,600 Speaker 1: was like a light would turn on and off downstairs 400 00:18:47,600 --> 00:18:49,800 Speaker 1: while we were awake, like it was crazy stuff that 401 00:18:49,920 --> 00:18:52,640 Speaker 1: was never it wasn't like poulter Geist like we saw 402 00:18:52,680 --> 00:18:55,159 Speaker 1: anything or anything crazy. But I had one There was 403 00:18:55,320 --> 00:18:56,920 Speaker 1: five days in a row that I woke up through 404 00:18:56,920 --> 00:18:59,000 Speaker 1: two fifty nine or three in the morning on the dot. 405 00:18:59,440 --> 00:19:01,800 Speaker 1: And the last morning I did it, I got up 406 00:19:01,800 --> 00:19:04,240 Speaker 1: out of bed and this this house kind of it 407 00:19:04,320 --> 00:19:05,960 Speaker 1: just had a loft with a master bedroom and it 408 00:19:06,000 --> 00:19:07,960 Speaker 1: was really creaky. It was a cabin and when I 409 00:19:08,000 --> 00:19:10,479 Speaker 1: got out of bed and turned my lamp on, something 410 00:19:10,560 --> 00:19:13,359 Speaker 1: jumped from the loft of my house to the floor 411 00:19:13,440 --> 00:19:16,280 Speaker 1: and ran through the house. And I jumped out of bed. 412 00:19:16,320 --> 00:19:18,560 Speaker 1: I thought somebody. I literally thought somebody was in my house. 413 00:19:18,720 --> 00:19:20,359 Speaker 1: It was a big thing, like a human size thing. 414 00:19:20,400 --> 00:19:23,359 Speaker 1: Wasn't a mouse, No, it shook the dishes in the 415 00:19:23,800 --> 00:19:26,520 Speaker 1: dishwasher kind of deal. And I jumped up and like 416 00:19:26,560 --> 00:19:29,120 Speaker 1: went through the whole house and and then we went. 417 00:19:29,359 --> 00:19:31,400 Speaker 1: Callie was like, let's get some sage and just try 418 00:19:31,400 --> 00:19:33,280 Speaker 1: to see if we can sage the house. And we 419 00:19:33,359 --> 00:19:35,879 Speaker 1: saged every corner and I went in there with like 420 00:19:35,880 --> 00:19:37,879 Speaker 1: a purpose and was very like stern and was like 421 00:19:37,920 --> 00:19:40,359 Speaker 1: if we have something of yours or blah blah blah, 422 00:19:40,359 --> 00:19:42,720 Speaker 1: like we're sorry, but we're you know, it's time for 423 00:19:42,760 --> 00:19:44,440 Speaker 1: you to leave. You said it out loud. Yeah, I 424 00:19:45,960 --> 00:19:49,719 Speaker 1: felt like an idiot, felt like and um, we'd never 425 00:19:49,760 --> 00:19:51,880 Speaker 1: had a problem again. But my mom, who has never 426 00:19:51,920 --> 00:19:55,200 Speaker 1: told a lie in her entire life, would go out 427 00:19:55,240 --> 00:19:57,159 Speaker 1: there occasionally just it's like a really pretty place in 428 00:19:57,200 --> 00:19:58,560 Speaker 1: My parents live here, so they would go out there 429 00:19:58,600 --> 00:20:00,800 Speaker 1: to like hang out or something when I there or gone. 430 00:20:01,040 --> 00:20:03,200 Speaker 1: And my mom said that she would go in that bedroom, 431 00:20:03,280 --> 00:20:05,200 Speaker 1: the one with the mirror scratch, and that the lamp 432 00:20:05,200 --> 00:20:06,840 Speaker 1: would turn on and off and she would be like okay, 433 00:20:06,880 --> 00:20:08,840 Speaker 1: I'm leaving, and then as she would go to walk 434 00:20:08,840 --> 00:20:10,800 Speaker 1: out the front door, that the lamp by the front 435 00:20:10,800 --> 00:20:13,919 Speaker 1: door would turn on and off after after we saged it. 436 00:20:13,920 --> 00:20:18,120 Speaker 1: It's almost like an electrical it is a cabin, you know. 437 00:20:18,320 --> 00:20:20,560 Speaker 1: I mean it could be a huge coincidence. But the 438 00:20:20,640 --> 00:20:23,560 Speaker 1: chair scooting across the floor and then scratch on the mirror, 439 00:20:23,600 --> 00:20:26,680 Speaker 1: and the thing jumping from my loft, I cannot explain that, 440 00:20:26,840 --> 00:20:28,440 Speaker 1: and it was one hundred percent real, And I can't 441 00:20:28,520 --> 00:20:30,280 Speaker 1: prove it that that it's not real because I wasn't there. Yeah, 442 00:20:30,960 --> 00:20:35,520 Speaker 1: you not believing ghosts at all in the form of 443 00:20:35,880 --> 00:20:39,240 Speaker 1: how people describe them. I struggle with it. I obviously 444 00:20:39,320 --> 00:20:42,320 Speaker 1: think there are things bigger, and my brain doesn't have 445 00:20:42,320 --> 00:20:47,440 Speaker 1: the capacity to understand things that it simply has not seen. 446 00:20:47,560 --> 00:20:48,880 Speaker 1: I mean, I think there's so much that we can't 447 00:20:48,880 --> 00:20:50,600 Speaker 1: even imagine that we don't even know is out there. 448 00:20:50,640 --> 00:20:52,520 Speaker 1: I think science can explain it. I mean, we didn't 449 00:20:52,520 --> 00:20:55,200 Speaker 1: know radio waves existed till like a hundred something years ago. 450 00:20:55,280 --> 00:20:58,640 Speaker 1: That's a great point, but science then prove they did, 451 00:20:58,720 --> 00:21:01,360 Speaker 1: so now we do, I guess until we have some 452 00:21:01,400 --> 00:21:04,840 Speaker 1: sort of machine that so yes, and that is a 453 00:21:04,920 --> 00:21:07,119 Speaker 1: valid point until I like, counterpoint you with going, but 454 00:21:07,119 --> 00:21:09,000 Speaker 1: then science did go that's true, and so I don't 455 00:21:09,040 --> 00:21:10,800 Speaker 1: have that, so I still can well. I think that 456 00:21:10,840 --> 00:21:12,960 Speaker 1: a lot of it is like people think it's all 457 00:21:13,000 --> 00:21:15,560 Speaker 1: like focus pocus, and so they think it's silly to 458 00:21:15,600 --> 00:21:18,520 Speaker 1: invest a lot of money and like tom to and 459 00:21:18,560 --> 00:21:20,480 Speaker 1: you know, invest in stuff that could try to prove 460 00:21:20,520 --> 00:21:22,760 Speaker 1: that they were real. I think I can't prove that 461 00:21:22,840 --> 00:21:26,120 Speaker 1: you're not right. And my only story is my grandmother 462 00:21:26,160 --> 00:21:29,199 Speaker 1: adopted me for a long time, very instrumental in all 463 00:21:29,240 --> 00:21:31,159 Speaker 1: my life, lived with her foremost of my life. And 464 00:21:31,680 --> 00:21:34,240 Speaker 1: she left me a guitar and it was a writing 465 00:21:34,240 --> 00:21:35,520 Speaker 1: a guitar, but she played it in church and she 466 00:21:35,560 --> 00:21:37,280 Speaker 1: never took a lesson. And you know, I went to 467 00:21:37,320 --> 00:21:39,080 Speaker 1: a Pentecostal church when I was young, before I went 468 00:21:39,080 --> 00:21:40,959 Speaker 1: to a Baptist church. I grew up in a very 469 00:21:41,000 --> 00:21:44,359 Speaker 1: rural town in Arkansas. And so she left it and 470 00:21:44,359 --> 00:21:46,080 Speaker 1: it was really all she had to leave. And I 471 00:21:46,119 --> 00:21:49,000 Speaker 1: remember I was like talking she had died and whatever, 472 00:21:49,280 --> 00:21:52,000 Speaker 1: and I was like, okay, if you send me some 473 00:21:52,080 --> 00:21:54,160 Speaker 1: kind of sign or whatever, that thing and the freaking 474 00:21:54,160 --> 00:21:58,120 Speaker 1: guitar fell over, Oh really it fell and I dude, Now, 475 00:21:58,400 --> 00:21:59,959 Speaker 1: did I I don't know. I don't know if I did. 476 00:22:00,200 --> 00:22:01,560 Speaker 1: I don't know. I don't think I kicked it. But 477 00:22:01,600 --> 00:22:04,879 Speaker 1: the guitar fell over. Yeah, but I still struggle because 478 00:22:04,960 --> 00:22:07,240 Speaker 1: I can't see it, touch it, feel it. STS can't 479 00:22:07,280 --> 00:22:09,359 Speaker 1: show me to just go yes, it's absolutely true, but 480 00:22:09,359 --> 00:22:11,080 Speaker 1: I can't tell you you're wrong. I just go dang. Now, 481 00:22:11,080 --> 00:22:13,160 Speaker 1: listen to one more story, lunchbox. Tell him your story, 482 00:22:13,280 --> 00:22:15,280 Speaker 1: and then you tell me if you think he's legitimate, 483 00:22:15,280 --> 00:22:17,439 Speaker 1: because he's held onto the story for fifteen years. So 484 00:22:17,520 --> 00:22:19,600 Speaker 1: and my buddy's house, who lived like four houses down 485 00:22:19,600 --> 00:22:21,679 Speaker 1: for me, I spending the night one night and I 486 00:22:21,760 --> 00:22:23,240 Speaker 1: get up to go to the bathroom and I walked 487 00:22:23,280 --> 00:22:27,200 Speaker 1: down the hallway and a ghost pushes me in the closet, 488 00:22:27,320 --> 00:22:29,200 Speaker 1: locks the door, and it gets really cold in there, 489 00:22:29,320 --> 00:22:31,720 Speaker 1: and I cannot open the door. And there is a 490 00:22:31,760 --> 00:22:33,800 Speaker 1: ghost because we would be there after school and you 491 00:22:33,800 --> 00:22:36,800 Speaker 1: would see footprints on the stairs and the front door 492 00:22:36,880 --> 00:22:39,639 Speaker 1: would unlock and lock with us just sitting on the couch. 493 00:22:39,880 --> 00:22:42,600 Speaker 1: No one's touching it. And these guys do not believe me, 494 00:22:42,760 --> 00:22:48,119 Speaker 1: but happened? Tell them where the ghost touched you? Though? No, No, 495 00:22:48,119 --> 00:22:51,439 Speaker 1: there was no, I just tell you it shoved me 496 00:22:51,440 --> 00:22:53,040 Speaker 1: in the closet and I could not get out and 497 00:22:53,119 --> 00:22:56,320 Speaker 1: it got really really cold in the closet. I can't 498 00:22:56,320 --> 00:22:58,040 Speaker 1: prove it didn't have him, but he lies so much 499 00:22:58,680 --> 00:23:00,560 Speaker 1: that just based on that alone, and it's hard to 500 00:23:00,560 --> 00:23:03,639 Speaker 1: believe it. Look, Hardy's here, You have a new record, 501 00:23:03,680 --> 00:23:06,000 Speaker 1: that's that's out. We have a lot to talk about 502 00:23:06,080 --> 00:23:07,800 Speaker 1: music wise. We kind of got on that sidetrack there. 503 00:23:08,000 --> 00:23:10,520 Speaker 1: But so as far as I would just imagine with 504 00:23:10,560 --> 00:23:12,760 Speaker 1: you being such a prominent songwriter, and I don't know 505 00:23:12,760 --> 00:23:14,040 Speaker 1: if you do this to yourself, but do you put 506 00:23:14,040 --> 00:23:16,119 Speaker 1: extra pressure on yourself when you put out a project 507 00:23:16,119 --> 00:23:17,520 Speaker 1: of your own because people know you for being a 508 00:23:17,560 --> 00:23:20,040 Speaker 1: great songwriter and performer a little bit because its sons 509 00:23:20,160 --> 00:23:22,120 Speaker 1: to be really good because we know all the great 510 00:23:22,119 --> 00:23:24,000 Speaker 1: stuff you've written for other folks too. No, I agree. 511 00:23:24,080 --> 00:23:25,399 Speaker 1: I think that it has to beat the stuff that 512 00:23:25,400 --> 00:23:27,359 Speaker 1: I've had cut on other people are else. People would 513 00:23:27,359 --> 00:23:28,960 Speaker 1: just constantly be like, oh, why didn't you put that 514 00:23:29,000 --> 00:23:33,119 Speaker 1: out yourself? But you know, like my record cycle is 515 00:23:33,200 --> 00:23:36,600 Speaker 1: usually two years, and so I mean I pick usually, 516 00:23:36,800 --> 00:23:38,439 Speaker 1: I mean it still has to be me, you know, 517 00:23:38,520 --> 00:23:41,280 Speaker 1: but I pick like the best ten fifteen songs of 518 00:23:41,359 --> 00:23:45,320 Speaker 1: that those two years or so that for myself, I 519 00:23:45,400 --> 00:23:47,760 Speaker 1: have any feel the pressure for sure. Anything you've held 520 00:23:47,760 --> 00:23:49,520 Speaker 1: on for over a year, that's something they made the record? 521 00:23:49,800 --> 00:23:52,800 Speaker 1: Um oh yeah, Jack, I think was a first song 522 00:23:52,840 --> 00:23:55,760 Speaker 1: that we cut and that one you still stayed in 523 00:23:55,800 --> 00:23:57,520 Speaker 1: love with even a year later. Yeah, because that's hard. 524 00:23:57,680 --> 00:23:59,159 Speaker 1: It was kind of the first song that since the 525 00:23:59,240 --> 00:24:01,679 Speaker 1: records have country and a half rock, that was the 526 00:24:01,720 --> 00:24:05,200 Speaker 1: first song that kind of sparked the rock side of things, 527 00:24:05,240 --> 00:24:08,000 Speaker 1: so that we kind of based that's the cornerstone of 528 00:24:08,280 --> 00:24:10,040 Speaker 1: the rock side of stuff. So we held onto that 529 00:24:10,040 --> 00:24:12,000 Speaker 1: one for forever. How do you do because there are 530 00:24:12,000 --> 00:24:15,080 Speaker 1: seventeen songs on this what's a good number of tracks? 531 00:24:15,240 --> 00:24:16,800 Speaker 1: And then why do you cut it off? Or why 532 00:24:16,800 --> 00:24:18,240 Speaker 1: did you add a couple more? You mean just to 533 00:24:18,320 --> 00:24:20,800 Speaker 1: make a record? Yeah, I mean seventeen? Why the number? Why? 534 00:24:21,920 --> 00:24:23,840 Speaker 1: I don't know? I mean, I really we had I 535 00:24:23,840 --> 00:24:27,600 Speaker 1: think I had like seven and seven and Joey Moy 536 00:24:27,680 --> 00:24:29,520 Speaker 1: and Seth were like, let's see if we can get 537 00:24:29,520 --> 00:24:31,200 Speaker 1: a couple more and it just sort of turned out 538 00:24:31,200 --> 00:24:33,439 Speaker 1: to be that way. And for it to be like 539 00:24:33,440 --> 00:24:34,720 Speaker 1: a half and a half thing, I wanted it to 540 00:24:34,760 --> 00:24:37,520 Speaker 1: be like a decent amount on both sides. You've really 541 00:24:37,560 --> 00:24:40,439 Speaker 1: walked that line, though, because again you say, and I've 542 00:24:40,480 --> 00:24:42,280 Speaker 1: heard the record two halfs rock, halfs country, but there's 543 00:24:42,320 --> 00:24:45,720 Speaker 1: also kind of a blurry a few songs on there 544 00:24:45,720 --> 00:24:48,000 Speaker 1: too that could be both. But I think you've created 545 00:24:48,040 --> 00:24:51,560 Speaker 1: that space and country music where you listen you go, well, yeah, 546 00:24:51,600 --> 00:24:53,199 Speaker 1: sure it's right, but I could also hear this like 547 00:24:53,240 --> 00:24:55,919 Speaker 1: and in the opposite. I mean, you ever get those 548 00:24:55,920 --> 00:24:57,760 Speaker 1: guys go oh, you're too rot for this place, man, 549 00:24:58,680 --> 00:25:01,760 Speaker 1: A little bit. I mean, maybe not that like direct, 550 00:25:01,840 --> 00:25:05,040 Speaker 1: but yeah, I mean some of that when you're doing 551 00:25:05,080 --> 00:25:06,679 Speaker 1: Hicks tape where people are like, I don't know, man, 552 00:25:06,720 --> 00:25:09,760 Speaker 1: it's a little too crazy. He probably can't work or 553 00:25:09,800 --> 00:25:12,920 Speaker 1: did nobody care enough. Not I wasn't big enough for 554 00:25:12,960 --> 00:25:17,160 Speaker 1: anybody to care yet, but um, I mean, I definitely 555 00:25:18,320 --> 00:25:22,400 Speaker 1: feel like there's some apprehension, especially in the country world. 556 00:25:22,440 --> 00:25:25,600 Speaker 1: I've actually been the rock world has been super super 557 00:25:25,640 --> 00:25:28,879 Speaker 1: cool and has accepted me more than I honestly even 558 00:25:28,920 --> 00:25:30,680 Speaker 1: thought they would, and I'm very thankful for that. But 559 00:25:31,600 --> 00:25:33,520 Speaker 1: I mean, there's definitely been a little bit of apprehension 560 00:25:34,920 --> 00:25:37,440 Speaker 1: from some of my songs being too heavy or whatever. 561 00:25:37,640 --> 00:25:40,520 Speaker 1: You grew up in a small town in Mississippi. What 562 00:25:40,600 --> 00:25:43,200 Speaker 1: was that town like and what did people listen to 563 00:25:43,440 --> 00:25:45,760 Speaker 1: either on the radio or CD? Like? What'd you grow 564 00:25:45,840 --> 00:25:48,800 Speaker 1: up around? I grew up, Well, Philadelphia is awesome, by 565 00:25:48,800 --> 00:25:51,160 Speaker 1: the way, I like you hear a lot of people 566 00:25:51,200 --> 00:25:53,840 Speaker 1: talk about like, I'm glad I left that, you know, 567 00:25:54,160 --> 00:25:56,639 Speaker 1: blankety blank town. But I loved my hometown and a 568 00:25:56,640 --> 00:26:01,080 Speaker 1: lot of people most people in Philadelphia love Philadelphia. But 569 00:26:01,400 --> 00:26:04,040 Speaker 1: h man, I my dad instilled rock and roll in 570 00:26:04,080 --> 00:26:05,720 Speaker 1: me when I was like a little, like a really 571 00:26:05,760 --> 00:26:08,399 Speaker 1: little kid, so I became super obsessed with it and 572 00:26:08,520 --> 00:26:10,879 Speaker 1: classic rock until I kind of discovered like MTV and 573 00:26:11,160 --> 00:26:14,760 Speaker 1: then could discover music on my own. You know. So 574 00:26:14,800 --> 00:26:16,880 Speaker 1: I grew up listening to rock and roll, but country 575 00:26:17,040 --> 00:26:19,120 Speaker 1: country was around. But I will say, like a lot 576 00:26:19,160 --> 00:26:20,760 Speaker 1: of people loved rock and roll, and there were two 577 00:26:20,880 --> 00:26:22,800 Speaker 1: or three there was a weird little music scene, like 578 00:26:22,800 --> 00:26:26,080 Speaker 1: a lot of like a weird amount of people could 579 00:26:26,080 --> 00:26:28,199 Speaker 1: play instruments, and there were bands and stuff in this 580 00:26:28,240 --> 00:26:31,119 Speaker 1: little small town, and so a lot of people. Rock 581 00:26:31,160 --> 00:26:33,120 Speaker 1: and roll was really big in my in my hometown 582 00:26:33,240 --> 00:26:36,240 Speaker 1: for sure. In Philadelphia, Mississippi, did they have like a 583 00:26:36,240 --> 00:26:39,600 Speaker 1: fake Liberty Bell, Mississippi Liberty Bell and no, no Phillies. 584 00:26:39,800 --> 00:26:41,640 Speaker 1: But I've always wondered about that the high school team 585 00:26:41,640 --> 00:26:44,480 Speaker 1: was an Eagles, like none of that that would be funny. No, 586 00:26:44,600 --> 00:26:46,600 Speaker 1: I've always thought it'd be kind of funny too, But 587 00:26:46,640 --> 00:26:49,160 Speaker 1: we didn't adopt anything from the real Philly. I don't 588 00:26:49,200 --> 00:26:53,120 Speaker 1: know why you are loyal and you are You speak 589 00:26:53,119 --> 00:26:56,000 Speaker 1: from Mississippi a lot like I do for Arkansas, right 590 00:26:56,000 --> 00:26:58,159 Speaker 1: like I have Arkansas. A lot of what I do 591 00:26:58,200 --> 00:27:02,320 Speaker 1: I represent constantly and assistantly. Why is that so important 592 00:27:02,320 --> 00:27:04,359 Speaker 1: to you to be the guy from Mississippi? Man? I just, 593 00:27:04,760 --> 00:27:06,480 Speaker 1: first of all, I don't there's a lot of really 594 00:27:06,520 --> 00:27:10,440 Speaker 1: big artists like Elvis, Robert Johnson, whatever. There's a million 595 00:27:10,520 --> 00:27:13,480 Speaker 1: of faith Hill from Mississippi, but there's not a ton. 596 00:27:13,600 --> 00:27:16,119 Speaker 1: And I just I like making my hometown proud and 597 00:27:16,200 --> 00:27:20,120 Speaker 1: making my state proud, and and um, I don't know, man, 598 00:27:20,160 --> 00:27:23,000 Speaker 1: there's just something inside of me that's extremely proud to 599 00:27:23,040 --> 00:27:25,359 Speaker 1: be from Mississippi. I think it gets a bad rap 600 00:27:25,400 --> 00:27:26,840 Speaker 1: and gets it's the butt end of a lot of 601 00:27:26,880 --> 00:27:28,879 Speaker 1: like you know, redneck jokes and stuff like that. And 602 00:27:28,920 --> 00:27:32,119 Speaker 1: I think taking pride in that is cool as opposed 603 00:27:32,160 --> 00:27:34,720 Speaker 1: to you know, getting getting offended by it or whatever. 604 00:27:34,800 --> 00:27:36,520 Speaker 1: But it's a state full of small towns that doesn't 605 00:27:36,520 --> 00:27:38,800 Speaker 1: have a city, and it's just really unique. There's like 606 00:27:38,840 --> 00:27:41,400 Speaker 1: one degree of separation between everybody in the whole state. 607 00:27:41,480 --> 00:27:43,919 Speaker 1: Like you can meet some person that knows somebody you 608 00:27:43,960 --> 00:27:46,200 Speaker 1: know if you don't know that person. It's it's really special. 609 00:27:46,240 --> 00:27:48,080 Speaker 1: I mean, you guys in us are like forty fiftieth 610 00:27:48,080 --> 00:27:50,520 Speaker 1: to every pole and everybody. It's like Missisippi, Arkansas. It's 611 00:27:50,560 --> 00:27:54,280 Speaker 1: like the fattest, the most literate, pregnant. But only we 612 00:27:54,280 --> 00:27:55,879 Speaker 1: can say that, and we can only make fun of 613 00:27:55,880 --> 00:27:57,959 Speaker 1: it because we're that's us. Yeah, and I but if 614 00:27:57,960 --> 00:28:01,399 Speaker 1: somebody else does, man, I will nothing wires me up, 615 00:28:01,440 --> 00:28:03,840 Speaker 1: Like when somebody goes after our cost Dude, I'm with you, man, 616 00:28:04,400 --> 00:28:06,199 Speaker 1: So if you take your glasses and hat off, can 617 00:28:06,240 --> 00:28:10,040 Speaker 1: you go incognito? Uh? The goatee kind of gets me still. 618 00:28:10,080 --> 00:28:12,520 Speaker 1: I've tried. I did stage coach, but I wore a 619 00:28:12,800 --> 00:28:17,040 Speaker 1: m I wore like a big quicksilver hat and a 620 00:28:17,160 --> 00:28:21,080 Speaker 1: mask and one of those sunglasses the pit vipers, the 621 00:28:21,200 --> 00:28:24,439 Speaker 1: big flashy so hot man in the mask. I like 622 00:28:24,480 --> 00:28:27,240 Speaker 1: almost suffocated um, but I did it. I did it 623 00:28:27,280 --> 00:28:29,000 Speaker 1: for like a whole day, and it's it was I 624 00:28:29,040 --> 00:28:31,600 Speaker 1: did that. But I don't know. I haven't tried it 625 00:28:31,640 --> 00:28:33,560 Speaker 1: too much, but maybe well I can't see, but I've 626 00:28:33,560 --> 00:28:36,560 Speaker 1: done it before. Like I'm is your vision bad? It's 627 00:28:36,600 --> 00:28:38,960 Speaker 1: bad enough? Yeah, mine is really bad. And so I've 628 00:28:39,000 --> 00:28:41,200 Speaker 1: taken my glasses off to walk through, like walked through 629 00:28:41,240 --> 00:28:45,200 Speaker 1: like an event for our our company, and even my 630 00:28:45,240 --> 00:28:48,160 Speaker 1: bosses didn't know who I was. They were like, hey, oh, really, 631 00:28:48,360 --> 00:28:51,280 Speaker 1: I had no idea. You wear a hat mostly, don't you. 632 00:28:51,800 --> 00:28:54,520 Speaker 1: I mean, I haven't had enough. Yeah enough, but I 633 00:28:54,640 --> 00:28:57,320 Speaker 1: would have great hair. Check it out. I can't see 634 00:28:57,320 --> 00:28:58,680 Speaker 1: it from there. Yeah you know, I thought you said 635 00:28:58,720 --> 00:29:00,640 Speaker 1: you had gray hair. Good hair. You have a good 636 00:29:00,640 --> 00:29:02,240 Speaker 1: head of hair? Yeah, no, great, I have great hair. 637 00:29:02,800 --> 00:29:04,640 Speaker 1: I have some great do you do? Are you? Do 638 00:29:04,640 --> 00:29:07,960 Speaker 1: you have your hair on top? Yeah? Yeah, I because 639 00:29:08,120 --> 00:29:09,640 Speaker 1: you do have Oh you have a great Wow, he 640 00:29:09,680 --> 00:29:11,719 Speaker 1: has great hair too. Mostly people to wore hats all 641 00:29:11,720 --> 00:29:15,040 Speaker 1: the time are balding, dude. I you know you get 642 00:29:15,080 --> 00:29:16,480 Speaker 1: that from your mom's side of the family. Have you 643 00:29:16,520 --> 00:29:18,360 Speaker 1: ever heard that, Like if your mom's brothers had a 644 00:29:18,400 --> 00:29:21,240 Speaker 1: full head of hair, their whole life, then you probably will. 645 00:29:21,280 --> 00:29:25,120 Speaker 1: And both my mom's brothers have and or had a 646 00:29:25,160 --> 00:29:27,360 Speaker 1: full head of hair, so I think I'm I'm in 647 00:29:27,400 --> 00:29:30,160 Speaker 1: the clear. I think, do you ever plan to cut 648 00:29:30,160 --> 00:29:32,000 Speaker 1: the because it's not really a mullet. You just have 649 00:29:32,080 --> 00:29:34,239 Speaker 1: long hair? No, just regularly long? Has it always been 650 00:29:34,240 --> 00:29:36,560 Speaker 1: that way since? Like high school? No? I had like 651 00:29:36,600 --> 00:29:39,240 Speaker 1: the car, the Bama Banks dude, I had the frat 652 00:29:39,240 --> 00:29:44,280 Speaker 1: boy like Justin Bieber. I cannot see that, you know 653 00:29:44,320 --> 00:29:45,880 Speaker 1: what's annoying them all? I think I have a picture 654 00:29:45,920 --> 00:29:47,640 Speaker 1: on my phone. I'll show you at some point. So 655 00:29:47,880 --> 00:29:51,200 Speaker 1: it's it's terribly annoying that Hardy was also an awesome 656 00:29:51,240 --> 00:29:54,600 Speaker 1: athlete too. It's like these guys come in that are 657 00:29:54,600 --> 00:29:59,480 Speaker 1: that are everything that I never was. Very talented, awesome athlete, 658 00:29:59,560 --> 00:30:03,080 Speaker 1: can like singing, play guitar, creative, and it's like I 659 00:30:03,120 --> 00:30:05,440 Speaker 1: should never even like this guy. I literally shouldn't like 660 00:30:05,480 --> 00:30:08,120 Speaker 1: you because I have all this like childhood angst from 661 00:30:08,120 --> 00:30:09,960 Speaker 1: people like you. But I do. I like you a 662 00:30:10,000 --> 00:30:11,600 Speaker 1: live I appreciate. Yeah, it's it look at me, I'm 663 00:30:11,600 --> 00:30:14,400 Speaker 1: girling therapy. Huh how about that therapy? Hey, the name 664 00:30:14,480 --> 00:30:18,440 Speaker 1: the mocking Bird and the Crow just why UM basically 665 00:30:18,480 --> 00:30:23,560 Speaker 1: signifies the struggle I have with um the very water 666 00:30:23,600 --> 00:30:26,240 Speaker 1: down term is or is you know country artist versus 667 00:30:26,240 --> 00:30:29,640 Speaker 1: a rock artist. Um, it's it talks about the mocking 668 00:30:29,680 --> 00:30:32,640 Speaker 1: bird singing songs sound like other songs you've heard, which 669 00:30:32,680 --> 00:30:34,680 Speaker 1: is kind of sticking to the format, and that get 670 00:30:34,720 --> 00:30:37,120 Speaker 1: bleeds into the songwriter side of me too. And and 671 00:30:37,280 --> 00:30:39,960 Speaker 1: you know, writing songs for the radio, and maybe you 672 00:30:39,960 --> 00:30:41,680 Speaker 1: know the struggle I have with should I write more 673 00:30:41,720 --> 00:30:43,800 Speaker 1: songs and sing more songs for the radio versus the 674 00:30:43,840 --> 00:30:46,120 Speaker 1: crow which kind of is not as pretty and it 675 00:30:46,320 --> 00:30:49,560 Speaker 1: you know, it doesn't sound as as um pretty as 676 00:30:49,560 --> 00:30:50,920 Speaker 1: a mark and bird, and it kind of flies its 677 00:30:50,920 --> 00:30:53,040 Speaker 1: own path. And it's just a song that talks about 678 00:30:53,080 --> 00:30:56,240 Speaker 1: the internal struggle I have with that. On the Bobby 679 00:30:56,280 --> 00:30:59,040 Speaker 1: Bones Show, now party, Hey, what do you do for 680 00:30:59,320 --> 00:31:01,360 Speaker 1: like mental health? I would assume as an artist you 681 00:31:02,840 --> 00:31:07,400 Speaker 1: I'm gonna insert my story in your story. There are insecurities. 682 00:31:07,400 --> 00:31:10,080 Speaker 1: You're a creative, you have times and spaces you need 683 00:31:10,120 --> 00:31:11,760 Speaker 1: to go and be by yourself. Is any of that true? 684 00:31:11,760 --> 00:31:14,640 Speaker 1: By the way, Yeah, would you consider yourself insecure a 685 00:31:14,720 --> 00:31:17,239 Speaker 1: certain certain parts of your life? Maybe if I do, 686 00:31:17,320 --> 00:31:18,640 Speaker 1: If I am I don't know if I know it. 687 00:31:18,640 --> 00:31:20,760 Speaker 1: But I go to therapy. Okay, I have a therapist. 688 00:31:20,840 --> 00:31:22,280 Speaker 1: Good for you. What do you do from the hell 689 00:31:22,320 --> 00:31:25,000 Speaker 1: do you go to therapy? You ever go away? You 690 00:31:25,400 --> 00:31:26,880 Speaker 1: have somewhere you want to go away too? Yeah, I 691 00:31:26,920 --> 00:31:29,800 Speaker 1: just got back from Mississippi. Um for two weeks. I 692 00:31:29,880 --> 00:31:32,480 Speaker 1: like to deer hunt, but like the arrowhead thing I do, 693 00:31:33,120 --> 00:31:38,040 Speaker 1: I'll recharge alone. UM. So if I can spend like 694 00:31:38,200 --> 00:31:40,800 Speaker 1: one day or half a day alone every week, that's 695 00:31:40,880 --> 00:31:43,560 Speaker 1: like huge for me. I just be alone with my 696 00:31:43,600 --> 00:31:45,719 Speaker 1: thoughts and stuff. And I don't know it, just it 697 00:31:45,760 --> 00:31:49,000 Speaker 1: helps me a time. How does your new wife do 698 00:31:49,200 --> 00:31:53,320 Speaker 1: with that? Because my wife does not need to be alone, right, 699 00:31:53,680 --> 00:31:56,760 Speaker 1: I do. I'm very much an alone person. And it 700 00:31:56,840 --> 00:31:58,640 Speaker 1: was took a long time before she actually understood it 701 00:31:58,640 --> 00:32:00,640 Speaker 1: wasn't about her, right, and not that she was ever 702 00:32:00,720 --> 00:32:02,720 Speaker 1: deeply offended. She was just like I understand. I was like, what, 703 00:32:03,120 --> 00:32:05,560 Speaker 1: I need to be like alone for a while. Yeah, 704 00:32:05,600 --> 00:32:07,520 Speaker 1: it has nothing to do with your significant other. It's 705 00:32:07,520 --> 00:32:09,720 Speaker 1: just all about you. Did you have any sort of 706 00:32:09,760 --> 00:32:12,040 Speaker 1: communication barrier there about that or did she get it? No? 707 00:32:12,160 --> 00:32:14,360 Speaker 1: She's dude, she's awesome. I mean we she and I 708 00:32:14,400 --> 00:32:17,800 Speaker 1: did like the premarital like you know, um, therapy or 709 00:32:17,840 --> 00:32:21,280 Speaker 1: counseling or whatever, and and um, we talked about a 710 00:32:21,280 --> 00:32:22,720 Speaker 1: lot of that and most of the stuff we already 711 00:32:22,760 --> 00:32:25,200 Speaker 1: knew about each other. But no, she's she's awesome. I mean, 712 00:32:25,320 --> 00:32:27,080 Speaker 1: if you know, like I said, once a week I 713 00:32:27,120 --> 00:32:28,440 Speaker 1: can just be like, hey, I'm gonna go do a 714 00:32:28,480 --> 00:32:31,160 Speaker 1: thing and I'll see you tonight or something, and she's 715 00:32:31,200 --> 00:32:33,320 Speaker 1: like totally cool with it. And she has her things too, 716 00:32:33,400 --> 00:32:37,440 Speaker 1: you know. Um well, yeah, no, she's she's super super 717 00:32:37,480 --> 00:32:39,960 Speaker 1: cool about it. Any songs on this record have to 718 00:32:40,000 --> 00:32:41,960 Speaker 1: do with being like in a relationship and in love. 719 00:32:42,440 --> 00:32:46,920 Speaker 1: Iron Country is um the only love song on the record. 720 00:32:47,040 --> 00:32:48,680 Speaker 1: It's the only song about a girl. Well, I wouldn't 721 00:32:48,720 --> 00:32:50,400 Speaker 1: expect like eight or nine or anything, but I figured 722 00:32:50,440 --> 00:32:52,200 Speaker 1: at some point, yeah, there's one you live alive and 723 00:32:52,240 --> 00:32:54,920 Speaker 1: you create from it. Yeah, sure, so something would be 724 00:32:54,960 --> 00:32:58,960 Speaker 1: in there about that. Yeah, Iron Country? So what so 725 00:32:59,040 --> 00:33:00,680 Speaker 1: what does that one? Though? I like, what's what's the 726 00:33:00,760 --> 00:33:03,480 Speaker 1: place there? There? The hook is there ain't no Eyron Country, 727 00:33:03,520 --> 00:33:06,520 Speaker 1: but there's a you and it talks about like, uh, um, 728 00:33:06,920 --> 00:33:08,560 Speaker 1: like I know how to do all this stuff. I 729 00:33:08,560 --> 00:33:10,560 Speaker 1: know how to build a house on a hill and 730 00:33:10,560 --> 00:33:13,120 Speaker 1: and just all these things. You know, it's got a 731 00:33:13,160 --> 00:33:14,719 Speaker 1: country twist on it, right, it's got the good old 732 00:33:14,720 --> 00:33:17,200 Speaker 1: boy redneck twist. But it's basically like, but what's the 733 00:33:17,240 --> 00:33:19,040 Speaker 1: point of all that if I don't have somebody to 734 00:33:19,080 --> 00:33:20,480 Speaker 1: do it for and to do it with. So it's like, 735 00:33:20,480 --> 00:33:22,520 Speaker 1: there ain't no Iron Country, but there's a you. I 736 00:33:22,600 --> 00:33:26,160 Speaker 1: slipping through the channels a couple weeks ago and I 737 00:33:26,200 --> 00:33:30,440 Speaker 1: saw you on wrestling. Yeah, and I have I have 738 00:33:30,440 --> 00:33:32,400 Speaker 1: a USA Network is one of my main channels. I'll 739 00:33:32,400 --> 00:33:35,160 Speaker 1: flip through because my ship, my show's on USA, and 740 00:33:35,240 --> 00:33:37,200 Speaker 1: so it just comes through like you do your like 741 00:33:37,320 --> 00:33:39,560 Speaker 1: radio channels, and I flipping through and I see you 742 00:33:40,120 --> 00:33:42,360 Speaker 1: like going through the ropes, and I'm like, what is 743 00:33:42,440 --> 00:33:44,720 Speaker 1: happening here? And then I worried you we're gonna get 744 00:33:44,800 --> 00:33:48,120 Speaker 1: hurt because I mean I would assume those guys are 745 00:33:48,240 --> 00:33:49,720 Speaker 1: I mean, they know what they're doing and they're big 746 00:33:49,720 --> 00:33:53,320 Speaker 1: and strong. Yeah, So how did you because is WrestleMania 747 00:33:53,360 --> 00:33:58,440 Speaker 1: you're performing at something right? Or you did um royal rumble? Yeah, 748 00:33:58,960 --> 00:34:00,640 Speaker 1: you know what that is. It's where they come down 749 00:34:00,640 --> 00:34:02,600 Speaker 1: one at a time, Yeah, and then they throw each 750 00:34:02,600 --> 00:34:07,120 Speaker 1: other at last one. Yeah, we're doing that next week. 751 00:34:07,160 --> 00:34:10,160 Speaker 1: I think that's pretty cool. Yeah, did you like, how 752 00:34:10,160 --> 00:34:14,160 Speaker 1: do you practice? We rehearsed it. That's what everybody says. 753 00:34:14,239 --> 00:34:19,280 Speaker 1: Wrestling is real, but it's rehearsed. And because that guitar 754 00:34:19,400 --> 00:34:22,800 Speaker 1: was real, dude, that was that really happened, you know 755 00:34:22,840 --> 00:34:25,000 Speaker 1: what I mean? And um, so when a guitar gets 756 00:34:25,000 --> 00:34:28,160 Speaker 1: broken over a human's back, you have to hit him 757 00:34:28,200 --> 00:34:31,279 Speaker 1: in a certain spot. He the guy was like, just 758 00:34:31,400 --> 00:34:34,120 Speaker 1: hit me high, hit me high, don't hit me. He 759 00:34:34,200 --> 00:34:35,839 Speaker 1: was like, hit me on the wide part of my back. 760 00:34:36,120 --> 00:34:38,360 Speaker 1: But uh, and he was like, make sure it's just flat, 761 00:34:38,440 --> 00:34:40,839 Speaker 1: like dead flat, and he was I remember him saying, 762 00:34:40,920 --> 00:34:42,960 Speaker 1: the harder you hit me, the worst it's gonna hurt. 763 00:34:42,960 --> 00:34:44,880 Speaker 1: So you might as well like swing for the fence 764 00:34:45,040 --> 00:34:46,879 Speaker 1: and really try to hit me as hard as you can. 765 00:34:47,120 --> 00:34:49,080 Speaker 1: Did you ever practice that guitar breaking though, or was 766 00:34:49,080 --> 00:34:52,160 Speaker 1: it a one time shot? I did? And they they 767 00:34:52,360 --> 00:34:55,120 Speaker 1: they had this like stunt guy backstage and he put 768 00:34:55,160 --> 00:34:56,680 Speaker 1: this like vest on and he was like, all right, 769 00:34:56,719 --> 00:34:59,040 Speaker 1: give it a shot. And he was kind of like 770 00:35:00,000 --> 00:35:02,440 Speaker 1: I think he never thought I'd swung anything before in 771 00:35:02,480 --> 00:35:04,200 Speaker 1: my life. And he was like, so when you grab it, 772 00:35:04,239 --> 00:35:06,680 Speaker 1: you grab it down here. I'm like, dude, I'm broken 773 00:35:06,719 --> 00:35:12,440 Speaker 1: guitars before and play ball stuff. So um. Anyway, so 774 00:35:12,520 --> 00:35:13,880 Speaker 1: he did it, and I did it as hard as 775 00:35:13,920 --> 00:35:16,680 Speaker 1: I could and it didn't break, and then they all panicked. 776 00:35:16,760 --> 00:35:18,520 Speaker 1: This was like an hour before I was supposed to 777 00:35:18,560 --> 00:35:21,880 Speaker 1: do it live. And now what they do is I 778 00:35:21,880 --> 00:35:24,520 Speaker 1: don't know, I'm gonna say anyway, they take the guitar part, 779 00:35:24,920 --> 00:35:27,000 Speaker 1: they take all the heavy stuff for the metal stuff 780 00:35:27,000 --> 00:35:29,280 Speaker 1: from the inside, and then they hot blew it back together, 781 00:35:29,360 --> 00:35:32,799 Speaker 1: which is still like it's not like, you know, still still, 782 00:35:34,239 --> 00:35:36,279 Speaker 1: but um, I did it. And then the guy like 783 00:35:36,360 --> 00:35:38,319 Speaker 1: panicked and he was like trying to coach me how 784 00:35:38,360 --> 00:35:40,239 Speaker 1: to like swing it and stuff, and I was like, dude, 785 00:35:40,239 --> 00:35:42,360 Speaker 1: I got it, and they gave they had a different guitar, 786 00:35:42,719 --> 00:35:44,239 Speaker 1: and it just I think the one that they gave 787 00:35:44,280 --> 00:35:46,359 Speaker 1: me at first was a little more put together. Were 788 00:35:46,400 --> 00:35:49,279 Speaker 1: you relieved when it broke when it was live? More 789 00:35:49,320 --> 00:35:53,239 Speaker 1: relieved than I've ever been in my life. I was like, 790 00:35:53,920 --> 00:35:56,680 Speaker 1: I just I wanted to be like, yes, right there, um, 791 00:35:57,840 --> 00:35:59,880 Speaker 1: but it was awesome. Dude. Also, they should take them. 792 00:36:00,000 --> 00:36:01,680 Speaker 1: I'll step out of guitar. We don't need to be convinced. 793 00:36:02,360 --> 00:36:05,000 Speaker 1: We know that these are great athletes. Yeah, well you know, 794 00:36:05,320 --> 00:36:07,560 Speaker 1: can you imagine, like, no, the guitar needs to be legitimate. 795 00:36:08,400 --> 00:36:12,520 Speaker 1: You need to hit him with electric yes, please? Uh. 796 00:36:12,520 --> 00:36:15,359 Speaker 1: And then you came out. No injuries, no shoulder injuries, nothing, 797 00:36:15,400 --> 00:36:17,080 Speaker 1: You're flying around a little all right, Good for you, 798 00:36:17,320 --> 00:36:20,040 Speaker 1: good man. Hardist new records out. It is called The 799 00:36:20,080 --> 00:36:22,000 Speaker 1: mocking Bird and the Crow. What are you gonna play 800 00:36:22,000 --> 00:36:23,520 Speaker 1: for us there? I'm gonna play a song off the 801 00:36:23,520 --> 00:36:25,400 Speaker 1: record called Happy. I think it's my favorite song on 802 00:36:25,440 --> 00:36:28,799 Speaker 1: the record. All right, here we go. Hey, you wrote 803 00:36:28,840 --> 00:36:32,160 Speaker 1: that one by yourself? Yeah? Why what what inspired you 804 00:36:32,200 --> 00:36:33,879 Speaker 1: do that by yourself? And what? Like? Tell me about 805 00:36:33,920 --> 00:36:36,959 Speaker 1: the song what it's about? Um Man, I just had 806 00:36:37,000 --> 00:36:39,480 Speaker 1: like a actually like at one point I wanted to 807 00:36:39,520 --> 00:36:41,439 Speaker 1: write like a children's book, and I was thinking about 808 00:36:41,480 --> 00:36:46,560 Speaker 1: some ideas and and um a publisher told me one time, uh, 809 00:36:46,719 --> 00:36:49,000 Speaker 1: we were talking about doing drugs. We weren't doing drugs, 810 00:36:49,040 --> 00:36:50,919 Speaker 1: but we were literally just talking about it. A kid's 811 00:36:50,920 --> 00:36:56,160 Speaker 1: booked up, older guy older than me, and he was like, man, 812 00:36:56,760 --> 00:36:58,520 Speaker 1: he was like, if there's any advice I have for you, 813 00:36:58,560 --> 00:37:00,799 Speaker 1: don't use a week's worth of Penis in one night 814 00:37:00,840 --> 00:37:02,880 Speaker 1: and that always stuck with me. And it was in 815 00:37:02,920 --> 00:37:04,920 Speaker 1: the time of like cutting the record, so I sent 816 00:37:05,000 --> 00:37:08,000 Speaker 1: it to Seth and Joey and everybody, and and uh said, 817 00:37:08,040 --> 00:37:09,680 Speaker 1: I really want to put this one on the record 818 00:37:09,760 --> 00:37:12,239 Speaker 1: on the countryside. That's awesome, man. The mocking Bird and 819 00:37:12,280 --> 00:37:15,279 Speaker 1: the Crow. The tour dates he starts in February. Go 820 00:37:15,280 --> 00:37:17,160 Speaker 1: to Hearty official dot com runs all the way through 821 00:37:17,840 --> 00:37:20,520 Speaker 1: um Spring you're doing. It's all over the place, but 822 00:37:20,600 --> 00:37:22,200 Speaker 1: go check it out for the mocking Bird and the 823 00:37:22,200 --> 00:37:24,759 Speaker 1: crew with Jamison Rodgers on tour with you. Yeah, and 824 00:37:24,800 --> 00:37:28,480 Speaker 1: a rock band, Uh, blame my youth off, Big Loud Rock. 825 00:37:28,840 --> 00:37:31,200 Speaker 1: We're gonna wrap with this. These are five uncomfortable questions 826 00:37:31,239 --> 00:37:35,399 Speaker 1: from listeners. Our hearts, our hearties, glasses real or fake? 827 00:37:35,480 --> 00:37:38,680 Speaker 1: The real? Very real? Who pays when you and Morgan 828 00:37:38,719 --> 00:37:42,880 Speaker 1: wall and go to dinner? Oh? My record label? Nice? 829 00:37:43,520 --> 00:37:46,160 Speaker 1: He looks at them as he says that does Hearty 830 00:37:46,280 --> 00:37:50,000 Speaker 1: drive a cool car? Yeah? This is where you answered, 831 00:37:50,000 --> 00:37:51,880 Speaker 1: what kind of cool I have a I have a 832 00:37:51,960 --> 00:37:54,799 Speaker 1: Jack Roush edition of two fifty Super Duty, and I 833 00:37:54,880 --> 00:37:59,560 Speaker 1: have a camouflage wrapped f one fifty King Ranch with 834 00:37:59,719 --> 00:38:02,000 Speaker 1: Third Adience tis. It's a lot of gas. That's what 835 00:38:02,080 --> 00:38:06,279 Speaker 1: I hear. That's a lot of gas gas. Not a car. 836 00:38:06,520 --> 00:38:08,759 Speaker 1: Oh no, not the camouflage. And see him. I took 837 00:38:09,040 --> 00:38:10,960 Speaker 1: the camera truck to my hometown to go deer hunt 838 00:38:11,000 --> 00:38:12,560 Speaker 1: in the last two weeks and it was a huge 839 00:38:12,560 --> 00:38:15,279 Speaker 1: mistake due it was a huge mistake. Two more, what's 840 00:38:15,280 --> 00:38:19,239 Speaker 1: the coolest part of Hardy's new house? Oh? Oh man, 841 00:38:19,560 --> 00:38:23,600 Speaker 1: um the my like studio room. I love it. I 842 00:38:23,640 --> 00:38:27,080 Speaker 1: have all my cool trinkets and stuff in there. Arrowheads, yeah, tons, 843 00:38:27,560 --> 00:38:29,920 Speaker 1: they stay in there opposite into the bedroom. Probably won't go. 844 00:38:30,480 --> 00:38:34,160 Speaker 1: And finally, how did Hardy get famous? I have no idea. 845 00:38:34,960 --> 00:38:37,080 Speaker 1: That's that's It's good enough for us. There is Hardy. 846 00:38:37,080 --> 00:38:39,399 Speaker 1: Everybody who albums out The mocking Bird and the Crow 847 00:38:39,480 --> 00:38:40,839 Speaker 1: go check it out. I go see him on tour. 848 00:38:42,120 --> 00:38:45,879 Speaker 1: It's the best bits of the week with Morgan. Number two. 849 00:38:46,880 --> 00:38:48,839 Speaker 1: Everyone loves when they can get out of some kind 850 00:38:48,840 --> 00:38:51,040 Speaker 1: of ticket And Bobby shared a recent story that he 851 00:38:51,120 --> 00:38:53,840 Speaker 1: has with a police officer who issued him a warning 852 00:38:53,960 --> 00:38:56,759 Speaker 1: instead of giving him a ticket for speeding. And well, 853 00:38:56,920 --> 00:38:58,719 Speaker 1: we'll just let you hear how it all goes down. 854 00:38:59,239 --> 00:39:05,480 Speaker 1: Number four, He's Amy's pile of stories. Carly Pierce admitted 855 00:39:05,560 --> 00:39:07,440 Speaker 1: to bribing a cop. She was doing one of those 856 00:39:07,520 --> 00:39:09,759 Speaker 1: videos where she's doing makeup and telling a story, and 857 00:39:09,800 --> 00:39:12,120 Speaker 1: she decided to tell a story about how a time 858 00:39:12,440 --> 00:39:13,799 Speaker 1: she was trying to get to a show and she 859 00:39:13,880 --> 00:39:16,960 Speaker 1: was speeding in Kentucky. She got pulled over, gave her 860 00:39:17,000 --> 00:39:19,440 Speaker 1: a ticket. She just didn't really pay attention to the ticket, 861 00:39:19,560 --> 00:39:22,399 Speaker 1: kind of paid it. And I guess she got cited though, 862 00:39:22,400 --> 00:39:25,720 Speaker 1: for reckless driving, which is more major than just speeding, 863 00:39:26,040 --> 00:39:27,880 Speaker 1: and there's more steps you have to take, and she 864 00:39:27,920 --> 00:39:29,759 Speaker 1: didn't take them. So she got a warrant out for 865 00:39:29,760 --> 00:39:33,040 Speaker 1: her arrest. Somehow, I guess she figured out the police 866 00:39:33,080 --> 00:39:36,400 Speaker 1: officer got the warrant removed because she offered him concert tickets, 867 00:39:37,200 --> 00:39:38,560 Speaker 1: and so I was like, oh, I think she needs 868 00:39:38,560 --> 00:39:42,799 Speaker 1: to be arrested now. It can't be that. I don't 869 00:39:42,920 --> 00:39:45,239 Speaker 1: know if it's that. I mean, I'm paraphrasing the story here, 870 00:39:45,239 --> 00:39:47,000 Speaker 1: but that's what we need to tell on her. That 871 00:39:47,080 --> 00:39:49,480 Speaker 1: kid who told on the school cafeteria. You need to 872 00:39:49,480 --> 00:39:52,160 Speaker 1: get a hold of this. Yeah, it can't be like that, right. 873 00:39:52,680 --> 00:39:54,600 Speaker 1: I've had police officers that were super cool to me. 874 00:39:54,680 --> 00:39:57,719 Speaker 1: If I were going six or seven over. And I 875 00:39:57,840 --> 00:40:00,880 Speaker 1: really don't speed. But there's one part of Arkansas that 876 00:40:00,920 --> 00:40:03,560 Speaker 1: we drive through for me to get home. It's a 877 00:40:03,640 --> 00:40:06,239 Speaker 1: town and they call pulled me over, and I think 878 00:40:06,239 --> 00:40:08,959 Speaker 1: they pulled everybody over. It speeds. It's like a one 879 00:40:09,040 --> 00:40:12,600 Speaker 1: street town and the speed limit's like thirty five. And 880 00:40:12,640 --> 00:40:15,359 Speaker 1: he pulled me over and he says, son, you're going 881 00:40:15,920 --> 00:40:18,120 Speaker 1: forty two. And I see these are out of state 882 00:40:18,160 --> 00:40:20,640 Speaker 1: plates where you're coming from. And you know they love 883 00:40:20,680 --> 00:40:22,640 Speaker 1: to pull over and out of state. Oh yeah, I would. 884 00:40:22,680 --> 00:40:24,320 Speaker 1: If I was a cop from a town and somebody's 885 00:40:24,320 --> 00:40:26,399 Speaker 1: flying through from out of state, I get him two tickets. 886 00:40:26,400 --> 00:40:27,919 Speaker 1: I get him the card Peer Special, I to rest 887 00:40:27,920 --> 00:40:33,319 Speaker 1: of reckless driving. And so I said, yes, officer, we 888 00:40:33,400 --> 00:40:35,839 Speaker 1: live in Tennessee. We were driving home. I live here. 889 00:40:35,840 --> 00:40:38,400 Speaker 1: And about that time, he does that thing where he 890 00:40:38,440 --> 00:40:41,000 Speaker 1: like squints his eyes and it's like wait a second, 891 00:40:41,480 --> 00:40:44,120 Speaker 1: but he doesn't say anything, and so he walks back 892 00:40:44,120 --> 00:40:46,160 Speaker 1: to the back and he comes back and he goes, 893 00:40:46,360 --> 00:40:49,120 Speaker 1: I appreciate everything you do for us, and you're only 894 00:40:49,160 --> 00:40:50,759 Speaker 1: going seven over, so I'm not gonna give you a ticket. 895 00:40:50,760 --> 00:40:52,080 Speaker 1: But if you're going nine, I was gonna give you 896 00:40:52,080 --> 00:40:54,799 Speaker 1: a ticket and I said, thank you, officer, I'm out 897 00:40:54,800 --> 00:40:56,839 Speaker 1: of here. And then I accidentally as a rental car 898 00:40:57,120 --> 00:40:59,480 Speaker 1: we were on gravel. You peeled out. I didn't, That's 899 00:40:59,520 --> 00:41:02,719 Speaker 1: what I'm sorry about. I just I wasn't used to 900 00:41:02,800 --> 00:41:06,200 Speaker 1: driving that rental car that we had, and so like 901 00:41:06,280 --> 00:41:08,279 Speaker 1: on the gravel and can't goes what are you doing? 902 00:41:08,719 --> 00:41:11,200 Speaker 1: What are you doing? Watch me? I was like, hey, 903 00:41:11,520 --> 00:41:15,880 Speaker 1: this is a boon. That was Amy's pile of stories. 904 00:41:17,280 --> 00:41:21,040 Speaker 1: It's the best bits of the week with Morgan number two. 905 00:41:23,680 --> 00:41:26,400 Speaker 1: Good parent or Bad Parent? That was the topic of 906 00:41:26,480 --> 00:41:28,879 Speaker 1: discussion when Eddie shared a story about how he has 907 00:41:28,920 --> 00:41:31,600 Speaker 1: a rule at his house and while his son didn't 908 00:41:31,640 --> 00:41:33,960 Speaker 1: follow that rule and ended up having to eat out 909 00:41:34,000 --> 00:41:36,960 Speaker 1: of a trash can. Yes, a trash can. So I'll 910 00:41:37,000 --> 00:41:39,000 Speaker 1: let you listen to this whole segment decide for yourself 911 00:41:39,040 --> 00:41:41,680 Speaker 1: if he's a good or bad parent. And the show 912 00:41:41,719 --> 00:41:44,040 Speaker 1: was split. We had about half and half, and a 913 00:41:44,080 --> 00:41:46,240 Speaker 1: lot of you online were also split on this topic 914 00:41:46,280 --> 00:41:48,960 Speaker 1: of discussion. But you know, it's fun to see everybody's 915 00:41:48,960 --> 00:41:51,000 Speaker 1: different parenting style. So if you want to see all 916 00:41:51,000 --> 00:41:53,319 Speaker 1: the kind of different things people do and what they 917 00:41:53,360 --> 00:41:55,960 Speaker 1: believe should happen, with kids. Just go to our Facebook page. 918 00:41:56,000 --> 00:41:58,839 Speaker 1: There's a lot of opinions on there. Number three, let's 919 00:41:58,840 --> 00:42:01,200 Speaker 1: do a segment call a good parent bad parent, because 920 00:42:01,960 --> 00:42:06,440 Speaker 1: I feel like there's a fine line between that. Yeah, 921 00:42:06,440 --> 00:42:08,480 Speaker 1: I feel like and I don't listen. I don't know. 922 00:42:08,520 --> 00:42:11,919 Speaker 1: I'm not a parent yet, that's fine, but I watch 923 00:42:11,960 --> 00:42:14,520 Speaker 1: you guys, and I feel like you. It's a constant 924 00:42:14,560 --> 00:42:16,480 Speaker 1: struggle to know if you're doing it right, because there 925 00:42:16,480 --> 00:42:19,680 Speaker 1: really is no right and everybody interprets parent had differently 926 00:42:19,760 --> 00:42:22,920 Speaker 1: and every situation is different. So it's time for a 927 00:42:22,920 --> 00:42:26,520 Speaker 1: good parent, bad parent? Eddie, year up? What happened? Okay, 928 00:42:26,560 --> 00:42:28,680 Speaker 1: So I've been trying to teach my kids about not 929 00:42:28,800 --> 00:42:30,840 Speaker 1: wasting food. This has been a big deal, Like do 930 00:42:30,920 --> 00:42:33,239 Speaker 1: you serve what you're gonna eat? I don't make them 931 00:42:33,239 --> 00:42:35,280 Speaker 1: clean the plate, but they serve their food. So whatever 932 00:42:35,320 --> 00:42:37,640 Speaker 1: you serve, you've got to eat. That's interesting because it 933 00:42:37,719 --> 00:42:39,080 Speaker 1: used to be clean your plate and if you did 934 00:42:39,080 --> 00:42:41,719 Speaker 1: eat everything, you had to sit there until you ate, 935 00:42:41,880 --> 00:42:43,719 Speaker 1: and that's torture. Yeah. I didn't like that. Even if 936 00:42:43,719 --> 00:42:45,600 Speaker 1: I liked it, sometimes it was too much and I'm 937 00:42:45,640 --> 00:42:48,279 Speaker 1: so full. Yeah, so when you serve your plate, make 938 00:42:48,320 --> 00:42:50,400 Speaker 1: sure you're serving, which you know you're gonna eat. I 939 00:42:50,400 --> 00:42:54,400 Speaker 1: can only eat one man, which okay. So they go 940 00:42:54,520 --> 00:42:56,440 Speaker 1: up and they get their own and put it on. 941 00:42:56,840 --> 00:42:58,960 Speaker 1: What was up? What was for dinner? I think it 942 00:42:59,000 --> 00:43:01,640 Speaker 1: was like lasagna, and then there's always like a little 943 00:43:01,640 --> 00:43:06,320 Speaker 1: bit at like a broccolis and then um, blackberries. That's funny, 944 00:43:06,320 --> 00:43:08,319 Speaker 1: he said, broccolis with a nest. Well, because that's more 945 00:43:08,320 --> 00:43:13,719 Speaker 1: than one, but no, it's broccoli. So then like five blackberries, lasagna, 946 00:43:13,719 --> 00:43:18,319 Speaker 1: broccoli and blackberries. Balance, yes, very balanced. And then so 947 00:43:18,480 --> 00:43:20,919 Speaker 1: one of my boys, he doesn't notice that I see 948 00:43:21,000 --> 00:43:23,839 Speaker 1: him not eating his blackberries, and he knows he has 949 00:43:23,880 --> 00:43:25,960 Speaker 1: to eat his food. He goes to the trash throes 950 00:43:25,960 --> 00:43:29,879 Speaker 1: his played away with the blackberries in there. So I'm like, whoa, whoa, whoa, whoa, 951 00:43:29,880 --> 00:43:31,840 Speaker 1: what did you do there? And he's like, oh what 952 00:43:32,120 --> 00:43:34,160 Speaker 1: just I'm done eating? And I pick up the plate 953 00:43:34,200 --> 00:43:37,000 Speaker 1: and like, no, look there's some blackberries left. Like you 954 00:43:37,040 --> 00:43:39,040 Speaker 1: know the rule you have to eat your food. You 955 00:43:39,080 --> 00:43:41,880 Speaker 1: pick five blackberries, you have to eat them out of 956 00:43:41,880 --> 00:43:43,960 Speaker 1: the trash. Dad, you have to eat them out of 957 00:43:43,960 --> 00:43:45,719 Speaker 1: the trash. So I made him get him out of 958 00:43:45,760 --> 00:43:48,560 Speaker 1: the trash and eat the blackberries? How long until he 959 00:43:48,680 --> 00:43:51,680 Speaker 1: ate all five black an hour? Always sat there. He's 960 00:43:51,760 --> 00:43:54,160 Speaker 1: kind of a germophobe, so and I knew that, and 961 00:43:54,200 --> 00:43:56,080 Speaker 1: I'm like, oh my gosh, it's gonna be really hard 962 00:43:56,080 --> 00:43:58,640 Speaker 1: for him. Did you rewash him? Oh yeah, yeah, sure, 963 00:43:58,640 --> 00:44:02,040 Speaker 1: rewatch of course, like yeah, it just don't don't waste him. 964 00:44:02,560 --> 00:44:05,360 Speaker 1: So he rewashed him. Sat there in his hands. His 965 00:44:05,440 --> 00:44:08,000 Speaker 1: hands were blue because you know, blackberries, just staying your hands, 966 00:44:08,160 --> 00:44:09,759 Speaker 1: and he just kind of like one at a time, 967 00:44:09,840 --> 00:44:11,640 Speaker 1: stared at it, stared at it until he finally ate 968 00:44:11,719 --> 00:44:13,480 Speaker 1: him all. So the question is a good parent and 969 00:44:13,560 --> 00:44:15,800 Speaker 1: bad parent because Eddie made his kiddie out of the garbage. 970 00:44:16,960 --> 00:44:19,640 Speaker 1: I mean, I wouldn't you say it that way, but 971 00:44:19,880 --> 00:44:21,920 Speaker 1: I do say it that way. That's like literally what 972 00:44:21,960 --> 00:44:23,960 Speaker 1: happened amy good parent and bad parent. I don't want 973 00:44:23,960 --> 00:44:26,360 Speaker 1: to call Eddie a bad but you can't, I know, 974 00:44:26,440 --> 00:44:29,759 Speaker 1: And blackberries are expensive. I do not like waste. We 975 00:44:29,800 --> 00:44:31,759 Speaker 1: don't really think he's a bad parent, but it's you know, 976 00:44:31,760 --> 00:44:33,879 Speaker 1: it's a it's a bit, it's what it's called. I 977 00:44:33,920 --> 00:44:38,400 Speaker 1: would not do it. So you're saying, lunchbox, good parent. 978 00:44:38,680 --> 00:44:40,879 Speaker 1: You have rules in place, and if you go back 979 00:44:40,880 --> 00:44:43,399 Speaker 1: on those rules once. Guess what, you give him an inch, 980 00:44:43,600 --> 00:44:45,839 Speaker 1: they take a mile and they start doing it every night. 981 00:44:46,120 --> 00:44:48,560 Speaker 1: I'm shocked you let him rewash them. That's my I 982 00:44:48,560 --> 00:44:50,560 Speaker 1: would have called. I would have made him eat him, Like, 983 00:44:50,560 --> 00:44:52,640 Speaker 1: if you want to toll him away, you eat him. 984 00:44:52,640 --> 00:44:54,560 Speaker 1: I wouldn't let him rewash him. So when you said that, 985 00:44:54,640 --> 00:44:56,240 Speaker 1: I was like a little bit of a weak parent, 986 00:44:56,320 --> 00:44:59,399 Speaker 1: but I would say, good parent. I'm big precedent guy. 987 00:45:00,080 --> 00:45:02,000 Speaker 1: Just in general. I like them. I like to live 988 00:45:02,040 --> 00:45:04,080 Speaker 1: by them. If someone sets one with me, I depend 989 00:45:04,120 --> 00:45:07,160 Speaker 1: on knowing that's your precedent. We've set this. I'm gonna 990 00:45:07,200 --> 00:45:09,600 Speaker 1: on this show. We have precedence being late, being there 991 00:45:09,600 --> 00:45:12,360 Speaker 1: for each other, doing your work, and if you don't, 992 00:45:12,520 --> 00:45:18,080 Speaker 1: I can't let anybody skirt and even myself like great parent, 993 00:45:18,480 --> 00:45:22,719 Speaker 1: come on because you made the rule and you excuse me? 994 00:45:23,640 --> 00:45:34,320 Speaker 1: Hey parents talking Sorry, good hot pitched good good parents? No, okay. 995 00:45:35,120 --> 00:45:37,080 Speaker 1: Styles and techniques are all different. I don't know if 996 00:45:37,120 --> 00:45:39,920 Speaker 1: I had a throne in the garbage or maybe I'd 997 00:45:39,920 --> 00:45:41,920 Speaker 1: have gotten five more even though they are expensive. It 998 00:45:41,920 --> 00:45:43,960 Speaker 1: doesn't matter to me. You did it. You set a precedent. 999 00:45:44,000 --> 00:45:46,440 Speaker 1: Eat your blackberries. Maybe next time, he'll get two and 1000 00:45:46,480 --> 00:45:48,000 Speaker 1: then he finished those, maybe he'll get a call more. 1001 00:45:48,080 --> 00:45:50,279 Speaker 1: The more waste, you guys hit us up and if 1002 00:45:50,280 --> 00:45:52,200 Speaker 1: you have a similar situation, you can hit us with 1003 00:45:52,200 --> 00:45:56,240 Speaker 1: that too. Wow. Thanks you went two to one. Not bad, Yeah, Amy, 1004 00:45:56,280 --> 00:45:58,640 Speaker 1: I'm shocked. Well, the trash is what I really had 1005 00:45:58,680 --> 00:46:00,560 Speaker 1: a problem with and then all so I think there's 1006 00:46:00,560 --> 00:46:03,680 Speaker 1: still a way to get them to understand without support 1007 00:46:03,719 --> 00:46:07,840 Speaker 1: from zero. I should feel like that would end up 1008 00:46:07,880 --> 00:46:10,320 Speaker 1: backfiring on me later in life or something when he 1009 00:46:10,360 --> 00:46:12,640 Speaker 1: goes to therapists like my mom may meet all the garbage. Yes, 1010 00:46:13,560 --> 00:46:15,920 Speaker 1: I thought about him, meet the blackberries. I'd eat the 1011 00:46:15,960 --> 00:46:18,400 Speaker 1: coffee filter. I mean, yeah, I already have enough of 1012 00:46:18,440 --> 00:46:20,080 Speaker 1: those moments where I know my kids are gonna be 1013 00:46:20,120 --> 00:46:23,040 Speaker 1: in therapy one day because of me. But thank you, 1014 00:46:23,480 --> 00:46:24,960 Speaker 1: and we'll go to the listener Pan, I'll go and 1015 00:46:25,000 --> 00:46:27,480 Speaker 1: talk to Douglas and San Antonio. Who's on. Hey Douglas, 1016 00:46:27,600 --> 00:46:29,799 Speaker 1: Eddie made his kid, you know the garbage we think. 1017 00:46:31,760 --> 00:46:38,879 Speaker 1: I'm thinking he should practice what he preaches. So, I mean, 1018 00:46:38,920 --> 00:46:41,439 Speaker 1: if if he if he's got that room place, which 1019 00:46:41,520 --> 00:46:44,719 Speaker 1: is great, but is he willing to do it himself? Eddie? 1020 00:46:44,760 --> 00:46:47,440 Speaker 1: If you serve yourself. Do you eat every bit of food, 1021 00:46:47,520 --> 00:46:50,840 Speaker 1: every single thing, every single thing? And if I accidentally 1022 00:46:50,840 --> 00:46:53,239 Speaker 1: throw something away, I have no problem meeting it. I've 1023 00:46:53,239 --> 00:46:55,040 Speaker 1: seen HI meet out of the garbage here, no problem. 1024 00:46:55,680 --> 00:46:58,759 Speaker 1: So if the same situation happened to you, you would 1025 00:46:58,800 --> 00:47:00,879 Speaker 1: do it as well. Absolutely. Would you let your son 1026 00:47:01,000 --> 00:47:03,360 Speaker 1: call you on it if he sees you do it, 1027 00:47:03,360 --> 00:47:06,640 Speaker 1: I'd be like, Dad, there's a pickle in there and 1028 00:47:06,719 --> 00:47:09,120 Speaker 1: you didn't need it. They've done that before, so yes, 1029 00:47:09,160 --> 00:47:11,000 Speaker 1: they call me out on it, and I do. I 1030 00:47:11,080 --> 00:47:17,279 Speaker 1: followed through Goose and gander, Goose goose? What's good for 1031 00:47:17,320 --> 00:47:20,360 Speaker 1: the good? You're the goose to kids of the gander 1032 00:47:20,360 --> 00:47:25,160 Speaker 1: as long as you're rolling, setting an example of constant consistency. Awesome. Yeah, man, 1033 00:47:25,280 --> 00:47:28,640 Speaker 1: that's why you're a good parent, Douglas. I appreciate you 1034 00:47:28,680 --> 00:47:32,200 Speaker 1: bringing that up. That's a great point. Thanks a lot, man, Yes, sir, 1035 00:47:32,280 --> 00:47:35,000 Speaker 1: appreciate job. Take their studio, have a good day, buddy. 1036 00:47:35,120 --> 00:47:38,560 Speaker 1: Let's go over to Dedre and North Carolina. Dedro, what 1037 00:47:38,600 --> 00:47:41,240 Speaker 1: do you think about the situation here? Oh my gosh, 1038 00:47:41,280 --> 00:47:43,960 Speaker 1: I think I think Eddie is like father of the 1039 00:47:44,040 --> 00:47:45,440 Speaker 1: Year for that. Let me tell you what I have 1040 00:47:45,520 --> 00:47:48,640 Speaker 1: four boys and one girl. And anytime that they want 1041 00:47:48,640 --> 00:47:50,560 Speaker 1: to turn up their nose at what I've made for 1042 00:47:50,600 --> 00:47:53,600 Speaker 1: a dinner or complain about what I've made or not 1043 00:47:53,680 --> 00:47:56,520 Speaker 1: eat what I've made the next day, or having rice 1044 00:47:56,560 --> 00:47:59,240 Speaker 1: and water day, I will make a pot of white right. Wow, 1045 00:48:01,239 --> 00:48:04,120 Speaker 1: that's what's for breakfast, lunch, dinner, snack, whatever you want. 1046 00:48:04,239 --> 00:48:09,319 Speaker 1: That's what it is, Eddie, Father of the year. Yeah, 1047 00:48:09,400 --> 00:48:12,799 Speaker 1: be critical of the we may hold on. I get 1048 00:48:12,800 --> 00:48:16,440 Speaker 1: it that whole segment. Great Rice and water to day. 1049 00:48:18,640 --> 00:48:22,759 Speaker 1: So let me get this straight. If your kids, if 1050 00:48:22,800 --> 00:48:26,000 Speaker 1: they complain about dinner or launch or something that you've 1051 00:48:26,000 --> 00:48:27,680 Speaker 1: put effort in on, let me get this right, dedro 1052 00:48:27,880 --> 00:48:33,520 Speaker 1: right correct, Yeah, okay, And because I'm very interested in this, 1053 00:48:34,239 --> 00:48:37,680 Speaker 1: if they complain, they know that the next day, what's 1054 00:48:37,680 --> 00:48:41,600 Speaker 1: it called again, Rice and water Day? And I think 1055 00:48:41,920 --> 00:48:43,880 Speaker 1: it day or something like that. I like that name. 1056 00:48:43,920 --> 00:48:46,719 Speaker 1: The name makes it better. Yes, have gratitude because what 1057 00:48:46,760 --> 00:48:48,160 Speaker 1: you have today, so so be happy what you get 1058 00:48:48,160 --> 00:48:51,759 Speaker 1: tomorrow rice and water. So for breakfast, what do they 1059 00:48:51,800 --> 00:48:55,880 Speaker 1: have served to them on rice and water Day? Yeah? 1060 00:48:56,040 --> 00:48:59,600 Speaker 1: White rice water cool. Okay, So there you go, and 1061 00:48:59,640 --> 00:49:02,360 Speaker 1: then they get home maybe as a snack after school. 1062 00:49:02,400 --> 00:49:07,359 Speaker 1: What are their options? Um, rice and water? Okay, if 1063 00:49:07,360 --> 00:49:11,239 Speaker 1: they want then for dinner, let's just I don't know, 1064 00:49:11,320 --> 00:49:13,279 Speaker 1: let's just see for dinner. They're home. Great, mom, what's 1065 00:49:13,320 --> 00:49:17,320 Speaker 1: what's for dinner? What's what's for dinner on Gratitude Day? Warm? 1066 00:49:17,400 --> 00:49:22,960 Speaker 1: Rice and water? Breakfast? It's cold. This is the funniest 1067 00:49:22,960 --> 00:49:24,960 Speaker 1: thing I've ever heard. And how many times have you 1068 00:49:24,960 --> 00:49:28,719 Speaker 1: had to actually do Gratitude Day? I mean probably once 1069 00:49:28,800 --> 00:49:31,160 Speaker 1: or twice honestly when they were younger. So they learned 1070 00:49:31,320 --> 00:49:34,440 Speaker 1: quick like to be appreciative of whatever. And I listen, 1071 00:49:34,480 --> 00:49:38,400 Speaker 1: I will make crazy stuff, spaghetti, tacos, lasagna, Like I 1072 00:49:38,400 --> 00:49:40,759 Speaker 1: don't make crazy things. But my kids just early on 1073 00:49:41,400 --> 00:49:44,600 Speaker 1: seem to be really ticky. And I mean, we don't 1074 00:49:44,719 --> 00:49:46,719 Speaker 1: you know, we don't live on the high house on 1075 00:49:46,719 --> 00:49:49,160 Speaker 1: the hill, so you know, we appreciate what mom and 1076 00:49:49,239 --> 00:49:51,239 Speaker 1: dad worked for to put on the table. And I 1077 00:49:51,280 --> 00:49:55,120 Speaker 1: think that's what has molded them into like really great, 1078 00:49:55,280 --> 00:49:57,720 Speaker 1: respectful young men now. And my son is a sailor 1079 00:49:57,760 --> 00:49:59,839 Speaker 1: in the Navy, my oldest, my middle son is going 1080 00:50:00,000 --> 00:50:02,480 Speaker 1: into the service when he graduates high school. They just 1081 00:50:02,560 --> 00:50:06,120 Speaker 1: have a very um, they have an awareness for the 1082 00:50:06,239 --> 00:50:08,640 Speaker 1: value of things so we don't just hand them things 1083 00:50:08,640 --> 00:50:11,640 Speaker 1: and that includes food. I love rice and water day like, 1084 00:50:11,680 --> 00:50:14,719 Speaker 1: I loved that thing. It's so long, that's I just 1085 00:50:14,800 --> 00:50:18,040 Speaker 1: love it. I think that is the greatest. It's it's 1086 00:50:18,440 --> 00:50:21,520 Speaker 1: it's a holiday in my mind that they don't want 1087 00:50:21,560 --> 00:50:25,480 Speaker 1: to have, Dedre, that is. I love it. Thank you 1088 00:50:25,520 --> 00:50:28,160 Speaker 1: for calling and sharing that with us, and your son's 1089 00:50:28,280 --> 00:50:32,439 Speaker 1: a plus. Just appreciate what they're doing. I love this call. 1090 00:50:32,480 --> 00:50:34,040 Speaker 1: I put this up with one of my favorite calls 1091 00:50:34,040 --> 00:50:37,239 Speaker 1: in a long time. Thank you, Dedra every morning. Thank 1092 00:50:37,239 --> 00:50:39,720 Speaker 1: you so much for making our morning better. We appreciate it. Wow, 1093 00:50:39,960 --> 00:50:42,759 Speaker 1: thank you a good mom. Right, can't that we can't 1094 00:50:42,760 --> 00:50:47,000 Speaker 1: be that. No, so you can't go out from here. 1095 00:50:47,120 --> 00:50:52,120 Speaker 1: So it's the best bits of the week with Morgan. 1096 00:50:52,239 --> 00:50:57,280 Speaker 1: Number two, Lunchbox loves a good reality TV plot line, 1097 00:50:57,360 --> 00:51:00,279 Speaker 1: and there's a big plot happening with the Chrislies going 1098 00:51:00,320 --> 00:51:02,600 Speaker 1: to jail, and Lunchbox decided he wanted to write a 1099 00:51:02,640 --> 00:51:05,040 Speaker 1: letter to Todd Chrisley to see if he could go 1100 00:51:05,160 --> 00:51:08,320 Speaker 1: visit him in prison. Yes, this is all really happening, 1101 00:51:08,360 --> 00:51:11,399 Speaker 1: and if Todd gives him the okay, Lunchbox is free 1102 00:51:11,400 --> 00:51:13,520 Speaker 1: to go. Bobby's already given him the green light, so 1103 00:51:13,880 --> 00:51:16,160 Speaker 1: Lunchbox shared what he wrote in the letter, and he's 1104 00:51:16,200 --> 00:51:18,520 Speaker 1: going to send it off very soon. So in case 1105 00:51:18,560 --> 00:51:21,080 Speaker 1: you missed him penning the letter, you need to hear 1106 00:51:21,239 --> 00:51:24,719 Speaker 1: right now because it's definitely interesting. Number two, the only 1107 00:51:24,719 --> 00:51:27,400 Speaker 1: way Lunchbox can go visit Todd Chrisley in prison in 1108 00:51:27,440 --> 00:51:31,160 Speaker 1: Florida is if Todd puts him on a list. And 1109 00:51:31,200 --> 00:51:33,560 Speaker 1: we've told Lunchbox, if he puts you on the list, 1110 00:51:33,840 --> 00:51:35,319 Speaker 1: you can take off from the show and drive down 1111 00:51:35,360 --> 00:51:38,480 Speaker 1: and go visit him. Have you ever visited anyone in prison? No, 1112 00:51:38,800 --> 00:51:41,440 Speaker 1: just been visited in prison. You weren't in prison. You 1113 00:51:41,440 --> 00:51:42,920 Speaker 1: were in jail and that's a bit we did on 1114 00:51:42,920 --> 00:51:48,160 Speaker 1: the show. And you were out in twenty four hours house. 1115 00:51:48,200 --> 00:51:50,000 Speaker 1: That's a small house, but they did say my name 1116 00:51:50,080 --> 00:51:52,200 Speaker 1: or the thing and go to you know, visitation room 1117 00:51:52,200 --> 00:51:53,480 Speaker 1: two and I walk in there and it was just 1118 00:51:53,520 --> 00:51:55,440 Speaker 1: like on TV where there's the window and that you 1119 00:51:55,440 --> 00:51:56,759 Speaker 1: pick up the phone and you talk to the other 1120 00:51:56,880 --> 00:51:59,000 Speaker 1: guy on the other side. As a lawyer, it's like, yeah, 1121 00:51:59,160 --> 00:52:01,120 Speaker 1: I was like what they called my day. I was like, dang, 1122 00:52:01,160 --> 00:52:04,719 Speaker 1: my dad's here to see me. It wasn't your dad 1123 00:52:04,719 --> 00:52:06,640 Speaker 1: though I was the lawyer, I had no idea who 1124 00:52:06,640 --> 00:52:08,120 Speaker 1: it was. I was like, how did my dad now 1125 00:52:08,160 --> 00:52:10,480 Speaker 1: to find me? Lunchbox got one call out of prison 1126 00:52:10,840 --> 00:52:14,480 Speaker 1: for jail. Sorry, now we did a bit whatever. Lunchbox 1127 00:52:14,480 --> 00:52:16,239 Speaker 1: went to jail and he got one call and he 1128 00:52:16,320 --> 00:52:18,240 Speaker 1: called me, and so I had to call his parents 1129 00:52:18,239 --> 00:52:21,200 Speaker 1: and be like, hey, Lunchbox in jail. It's a weird call. Man. 1130 00:52:22,000 --> 00:52:24,800 Speaker 1: So lunch wants to go visit Todd chris Ley. And 1131 00:52:24,800 --> 00:52:26,359 Speaker 1: I think that's awesome. And Todd was a guest host 1132 00:52:26,360 --> 00:52:28,160 Speaker 1: on our show. We know Todd chris Lay. We didn't 1133 00:52:28,160 --> 00:52:30,000 Speaker 1: know what he was up to, but we know. So 1134 00:52:30,400 --> 00:52:32,239 Speaker 1: to go visit, He's gotta be on a list. Tod's 1135 00:52:32,239 --> 00:52:33,640 Speaker 1: gonna put you on a list. The only way we 1136 00:52:33,640 --> 00:52:35,279 Speaker 1: can get a hold of him is by writing a letter. 1137 00:52:36,000 --> 00:52:38,760 Speaker 1: You've written it. How long is it? It's not that long. Okay, 1138 00:52:38,960 --> 00:52:41,840 Speaker 1: here is lunchboxes letter Todd chris Ley, with the intention 1139 00:52:41,880 --> 00:52:43,560 Speaker 1: of getting on a list to go visit him. Okay, 1140 00:52:43,560 --> 00:52:45,880 Speaker 1: here we go, Todd. I hope you're doing well and 1141 00:52:45,920 --> 00:52:51,239 Speaker 1: settling in and getting comfortable in your new digs. It's Lunchbox. 1142 00:52:51,400 --> 00:52:53,280 Speaker 1: You might remember me playing with you in a charity 1143 00:52:53,360 --> 00:52:55,480 Speaker 1: softball game a few years ago. I was on your 1144 00:52:55,480 --> 00:52:58,520 Speaker 1: team then, and I'm on your team now. A lot 1145 00:52:58,560 --> 00:53:02,279 Speaker 1: of innocent people get wrong link Victor, and it's a 1146 00:53:02,320 --> 00:53:04,960 Speaker 1: shame that's happened to you. The Todd I know doesn't 1147 00:53:04,960 --> 00:53:07,680 Speaker 1: deserve to be in prison. Women commit fraud every day 1148 00:53:07,719 --> 00:53:10,240 Speaker 1: with their push up, brass, spanks and all that makeup. 1149 00:53:10,560 --> 00:53:12,799 Speaker 1: But they're still out here walking the streets. But they 1150 00:53:12,800 --> 00:53:15,160 Speaker 1: have you locked up for the next twelve years. Seems 1151 00:53:15,160 --> 00:53:17,880 Speaker 1: crazy if you ask me, I'm heading to Florida in 1152 00:53:17,920 --> 00:53:19,319 Speaker 1: a few weeks, so I wanted to stop in and 1153 00:53:19,360 --> 00:53:23,560 Speaker 1: catch up on life. If you could do me a solid, 1154 00:53:23,600 --> 00:53:25,080 Speaker 1: I need you to add me to your visitor list 1155 00:53:25,080 --> 00:53:26,960 Speaker 1: so I can get past the guards. Let me know 1156 00:53:26,960 --> 00:53:28,560 Speaker 1: if you need me to bring anything, and keep your 1157 00:53:28,600 --> 00:53:31,239 Speaker 1: head up. We will get through this together. I will 1158 00:53:31,280 --> 00:53:34,160 Speaker 1: always be the captain of Team Todd, t Team or life, 1159 00:53:34,280 --> 00:53:38,719 Speaker 1: your BFF lunchbox. I like it pretty good. The only 1160 00:53:38,719 --> 00:53:40,799 Speaker 1: thing I think I would put in there is I 1161 00:53:40,880 --> 00:53:42,520 Speaker 1: really want it comes. I mean you really have to, 1162 00:53:42,560 --> 00:53:44,919 Speaker 1: because he could think it was a joke. He could 1163 00:53:44,920 --> 00:53:46,279 Speaker 1: think you're just kidding with him, Like put me on 1164 00:53:46,320 --> 00:53:47,920 Speaker 1: the list so I can get past the guards. I 1165 00:53:47,960 --> 00:53:50,160 Speaker 1: would just say I do want to come visit you 1166 00:53:50,200 --> 00:53:51,919 Speaker 1: if that's cool, but I need to be on the list, 1167 00:53:52,000 --> 00:53:56,640 Speaker 1: like seriously, but ps like yeahs And as much as 1168 00:53:56,680 --> 00:53:59,000 Speaker 1: this seemed funny, it was. But I would love to 1169 00:53:59,000 --> 00:54:00,920 Speaker 1: come see you, so let me know if you can 1170 00:54:00,960 --> 00:54:02,680 Speaker 1: put me on the list. Okay, there just needs to 1171 00:54:02,719 --> 00:54:05,359 Speaker 1: be a serious line. Okay, Man, that was good, right? 1172 00:54:05,520 --> 00:54:08,239 Speaker 1: You know? Man? Is it okay that he's like lying 1173 00:54:08,280 --> 00:54:10,080 Speaker 1: about the whole being on your side kind of thing? 1174 00:54:11,880 --> 00:54:14,520 Speaker 1: You know what, Eddie, I don't care. I mean went 1175 00:54:14,560 --> 00:54:17,560 Speaker 1: a little hard on me because he's definitely not. He 1176 00:54:17,600 --> 00:54:21,600 Speaker 1: actually did the research that convinced us of the opposite. 1177 00:54:21,600 --> 00:54:23,920 Speaker 1: Because I was like, I don't know, what do I 1178 00:54:23,960 --> 00:54:26,800 Speaker 1: know about this case? Sometimes people and lunchbox, Well, actually 1179 00:54:26,840 --> 00:54:28,919 Speaker 1: he did it, and here's how I think that. Yeah, 1180 00:54:29,600 --> 00:54:32,120 Speaker 1: you read into it. It didn't seem like he did it. Okay, 1181 00:54:32,120 --> 00:54:34,239 Speaker 1: but now you just contradict it. I know. But but 1182 00:54:34,320 --> 00:54:40,799 Speaker 1: for life, man, send it off today, okay, and then 1183 00:54:40,840 --> 00:54:42,279 Speaker 1: every week or so we'll just check in and see 1184 00:54:42,280 --> 00:54:44,239 Speaker 1: if you get a letter back. What if he writes back? 1185 00:54:44,480 --> 00:54:47,520 Speaker 1: Are there any rules? Can you send it next day 1186 00:54:47,520 --> 00:54:50,520 Speaker 1: air to prison or do you have to send it regular, 1187 00:54:50,600 --> 00:54:52,520 Speaker 1: Like how is there a role on the envelopes coming in? 1188 00:54:52,760 --> 00:54:54,960 Speaker 1: I don't know what kind of packages they can get 1189 00:54:55,000 --> 00:54:57,400 Speaker 1: in prison, Like can I send a care package? I 1190 00:54:57,440 --> 00:55:00,360 Speaker 1: could I send goldfish with it? No, you have to 1191 00:55:00,360 --> 00:55:02,960 Speaker 1: get and they're gonna look at every letter that's sent obviously. 1192 00:55:03,040 --> 00:55:05,640 Speaker 1: Oh yeah, they'd check it for drugs everything. But I 1193 00:55:05,680 --> 00:55:07,680 Speaker 1: wonder if you could just send because we use stamps 1194 00:55:07,719 --> 00:55:12,200 Speaker 1: dot com, can we just send it? Like? Ups, that's 1195 00:55:12,200 --> 00:55:14,520 Speaker 1: a good guy in the brown truck drives up. Chrisley. 1196 00:55:14,880 --> 00:55:18,200 Speaker 1: You should call the prison and ask them. I will, Yeah, Yeah, 1197 00:55:18,200 --> 00:55:20,439 Speaker 1: I do that. Cool. We'll check with you in about 1198 00:55:20,440 --> 00:55:22,160 Speaker 1: a week or so. We won't hear anything in a week, 1199 00:55:22,160 --> 00:55:24,320 Speaker 1: but we'll check with you anyway. Okay, all right, nice shots. 1200 00:55:25,560 --> 00:55:29,319 Speaker 1: It's the best bits of the week with Morgan Number two. 1201 00:55:30,320 --> 00:55:33,120 Speaker 1: Brandley Gilbert and Chad Krueger of nickelback stop by the 1202 00:55:33,160 --> 00:55:35,439 Speaker 1: show this week, and it was super interesting. They're going 1203 00:55:35,480 --> 00:55:37,359 Speaker 1: out on tour together, so they were here to talk 1204 00:55:37,400 --> 00:55:39,799 Speaker 1: about that. But of course we also had to ask 1205 00:55:40,160 --> 00:55:42,440 Speaker 1: Chad some questions or some stories out there about him 1206 00:55:42,440 --> 00:55:44,439 Speaker 1: and we wanted to know if they were true, and well, 1207 00:55:44,440 --> 00:55:46,200 Speaker 1: he had some evidence to back up his side of 1208 00:55:46,239 --> 00:55:48,640 Speaker 1: the story, and then of course the guitar was sitting 1209 00:55:48,680 --> 00:55:50,799 Speaker 1: in studios, so we did get a few teases of 1210 00:55:50,840 --> 00:55:54,320 Speaker 1: some Nickelback songs, no full performances, but they were definitely 1211 00:55:54,320 --> 00:55:57,719 Speaker 1: cool little moments, and Chad is just super hilarious and 1212 00:55:57,800 --> 00:56:00,439 Speaker 1: watching the two of them interact was even more fun. 1213 00:56:00,520 --> 00:56:03,319 Speaker 1: So I would suggest listening to this interview right now, 1214 00:56:03,360 --> 00:56:05,400 Speaker 1: but then go watch it on Bobby Bones dot com 1215 00:56:05,480 --> 00:56:08,560 Speaker 1: because it's also fun to watch Number one walking in 1216 00:56:08,680 --> 00:56:11,640 Speaker 1: right now. But Chad the lead singer of Nickelback, and 1217 00:56:11,760 --> 00:56:15,080 Speaker 1: Brantley Gilbert are going on tour together. They're both here Nickelback. 1218 00:56:15,160 --> 00:56:21,279 Speaker 1: They have photograph, here's this one? Oh god? They also 1219 00:56:21,320 --> 00:56:28,440 Speaker 1: have rock stars. How you remind me? They have hero 1220 00:56:31,760 --> 00:56:34,360 Speaker 1: They have so many Number one Nickelback, I love them. 1221 00:56:34,400 --> 00:56:38,280 Speaker 1: And then Brantley, for example, has bottoms off, not a bottles. 1222 00:56:41,239 --> 00:56:43,359 Speaker 1: So it's gonna be super fun because I don't really 1223 00:56:43,400 --> 00:56:45,080 Speaker 1: know Chad, he's only been on the phone once and 1224 00:56:45,120 --> 00:56:47,680 Speaker 1: Brantley's always fun, So let's do it. Chad from Nickelback 1225 00:56:47,719 --> 00:56:50,040 Speaker 1: and Brantley Gilbert coming in the studio right now. The 1226 00:56:50,200 --> 00:56:54,480 Speaker 1: Friday Morning conversation with Chad Krueger from Nickelback and Brantley 1227 00:56:54,480 --> 00:56:57,200 Speaker 1: Gilbert guys. I was hoping both of you would come 1228 00:56:57,400 --> 00:56:59,000 Speaker 1: just generally both be here, but I didn't know you 1229 00:56:59,040 --> 00:57:02,400 Speaker 1: come together in my dream. It's pretty cool. Congratulations, Yeah, 1230 00:57:02,440 --> 00:57:07,799 Speaker 1: the fantasy, I should say fantasy. Yeah. So Brandley, good 1231 00:57:07,800 --> 00:57:10,239 Speaker 1: to see again, Budd who to see you? Brother? Always chat, 1232 00:57:10,280 --> 00:57:12,000 Speaker 1: We've only spoken on the phone, so it's it's a 1233 00:57:12,040 --> 00:57:13,359 Speaker 1: real pleasure to meet. I've been a big long time 1234 00:57:13,360 --> 00:57:15,200 Speaker 1: listen first time caller, yeah, but been a fan for 1235 00:57:15,239 --> 00:57:17,600 Speaker 1: a long time. Uh, let me ask the obvious question here. 1236 00:57:17,600 --> 00:57:20,040 Speaker 1: How did you too even meet or who introduced you? 1237 00:57:20,080 --> 00:57:22,880 Speaker 1: And why did they suggest you go out on tour together? Brandley? 1238 00:57:22,920 --> 00:57:26,360 Speaker 1: You first, man, I'll be honest. The first I heard 1239 00:57:26,360 --> 00:57:30,160 Speaker 1: about it was through my manager and I was stoked, 1240 00:57:30,240 --> 00:57:33,320 Speaker 1: like right off the bat. And I saw you guys 1241 00:57:33,360 --> 00:57:35,960 Speaker 1: when you came to Nashville, and I was telling somebody 1242 00:57:35,960 --> 00:57:38,120 Speaker 1: this other day, like, you know, for as long as 1243 00:57:38,160 --> 00:57:40,840 Speaker 1: I can remember, you know, if there was a weekend 1244 00:57:40,920 --> 00:57:42,959 Speaker 1: we were playing a show, so I hadn't really seen 1245 00:57:43,120 --> 00:57:45,120 Speaker 1: that many shows. It's seen a few, and I'd seen 1246 00:57:45,360 --> 00:57:47,920 Speaker 1: whatever bands were playing with us that weekend or whatever. 1247 00:57:48,600 --> 00:57:51,280 Speaker 1: But uh, I went to his show with Aaron Tannebaum 1248 00:57:51,760 --> 00:57:53,880 Speaker 1: and we went and saw you guys. I think it 1249 00:57:53,920 --> 00:57:56,360 Speaker 1: was Bridgestone And man, I remember seeing the show and 1250 00:57:56,440 --> 00:57:58,960 Speaker 1: be like, Okay, that's what I'm talking about. That's that's 1251 00:57:58,960 --> 00:58:01,120 Speaker 1: good energy and stuff. I was already a huge fan, 1252 00:58:01,200 --> 00:58:03,680 Speaker 1: and uh so when when I heard about it from 1253 00:58:03,680 --> 00:58:07,120 Speaker 1: Aaron like, I was just super stoked and I was 1254 00:58:07,440 --> 00:58:11,640 Speaker 1: in immediately. Chad, when did you get introduced to Brantley's music? 1255 00:58:12,160 --> 00:58:14,920 Speaker 1: And have you ever had anyone? Because Brantley rides that 1256 00:58:14,920 --> 00:58:17,000 Speaker 1: line and always has I don't even know what line 1257 00:58:17,040 --> 00:58:20,360 Speaker 1: it is. Brentley sober, Yeah, he just got he's sober. 1258 00:58:20,600 --> 00:58:23,560 Speaker 1: You can't say stuff like that. Why why did you 1259 00:58:23,600 --> 00:58:24,760 Speaker 1: think it was a good I didna put Branley on 1260 00:58:24,800 --> 00:58:26,720 Speaker 1: w Nickel back. Well, did you hear what he just 1261 00:58:27,440 --> 00:58:28,959 Speaker 1: did you hear all the nice things he just said? 1262 00:58:29,760 --> 00:58:31,560 Speaker 1: I owe you five hundred bucks for that. But yes, 1263 00:58:32,120 --> 00:58:35,400 Speaker 1: all day long, he's gonna just keep saying stuff like this, 1264 00:58:35,440 --> 00:58:37,200 Speaker 1: I'm gonna be broke by the time of days over. 1265 00:58:37,200 --> 00:58:41,760 Speaker 1: It's just like to jan to jang Um. We didn't 1266 00:58:41,800 --> 00:58:43,560 Speaker 1: want to do We didn't want to go back to 1267 00:58:43,600 --> 00:58:46,760 Speaker 1: the same well that we'd been going to every single 1268 00:58:46,760 --> 00:58:49,240 Speaker 1: time we put an opener on for the last twenty years, 1269 00:58:49,880 --> 00:58:53,360 Speaker 1: there's these same six bands that come up every single 1270 00:58:53,400 --> 00:58:56,520 Speaker 1: time people have seen that show. People saw that show 1271 00:58:56,520 --> 00:58:58,160 Speaker 1: in two thousand and three. See people saw that show 1272 00:58:58,200 --> 00:59:00,640 Speaker 1: in two thousands, five, seven, six, you know all of it. 1273 00:59:00,640 --> 00:59:03,200 Speaker 1: It's just like, I wanted to try something a little different. 1274 00:59:03,640 --> 00:59:05,680 Speaker 1: I want to expand the horizon. I don't want to 1275 00:59:05,720 --> 00:59:11,840 Speaker 1: give people the same show. Um. And so when Brentley's 1276 00:59:11,960 --> 00:59:16,280 Speaker 1: name came up, uh, we found that very interesting. I 1277 00:59:16,360 --> 00:59:19,240 Speaker 1: think that right off the bat is like, that's interesting. 1278 00:59:19,640 --> 00:59:26,520 Speaker 1: He wanted to see a redneck in wild. Yeah, I 1279 00:59:26,600 --> 00:59:29,919 Speaker 1: still want to see a redneck in the wild. Um yeah. 1280 00:59:29,960 --> 00:59:32,320 Speaker 1: And then and then you know, the conversation progressed and 1281 00:59:32,400 --> 00:59:34,480 Speaker 1: it just went further down the line and the next 1282 00:59:34,480 --> 00:59:37,600 Speaker 1: thing you know, it's like, you know, I called him. 1283 00:59:38,800 --> 00:59:41,920 Speaker 1: I think I was. I think I was little in hebraated. 1284 00:59:42,560 --> 00:59:44,240 Speaker 1: I was on a boat in the Bahamas and you 1285 00:59:44,280 --> 00:59:47,960 Speaker 1: were in Montana. Uh. I think you were stuck on 1286 00:59:47,960 --> 00:59:50,280 Speaker 1: the mountain. You were so yeah, hunting. I think you 1287 00:59:50,320 --> 00:59:55,000 Speaker 1: were trying to shoot something in yeah, and uh, I'm like, hey, 1288 00:59:55,040 --> 00:59:58,640 Speaker 1: are we doing this? And you're like, just got a lot. 1289 00:59:58,640 --> 01:00:00,680 Speaker 1: I got a lot of wind here and yeah, we 1290 01:00:00,720 --> 01:00:04,400 Speaker 1: should do this. I think we should do this. Okay, 1291 01:00:04,920 --> 01:00:07,320 Speaker 1: I'll call you when i'm you know, I'm not on 1292 01:00:07,400 --> 01:00:08,600 Speaker 1: the boat and when you're not on the side of 1293 01:00:08,600 --> 01:00:10,400 Speaker 1: a mountain in a snowstorm. We couldn't have been in 1294 01:00:10,480 --> 01:00:13,479 Speaker 1: more opposite places. It was awesome. I was. We had 1295 01:00:13,680 --> 01:00:16,959 Speaker 1: Steven Tyler on I've been the last couple of years, 1296 01:00:16,960 --> 01:00:19,120 Speaker 1: and we were talking to him because that's a guy 1297 01:00:19,120 --> 01:00:21,960 Speaker 1: who's been successful for a long time, like decade, and 1298 01:00:22,040 --> 01:00:25,040 Speaker 1: there is something to be said for somebody who can 1299 01:00:25,080 --> 01:00:27,680 Speaker 1: stay so relevant for so long continue making good music. 1300 01:00:27,680 --> 01:00:29,000 Speaker 1: The same thing I would say about you, Chad in 1301 01:00:29,040 --> 01:00:31,560 Speaker 1: your band. And I asked Steven Tyler said, of all 1302 01:00:31,600 --> 01:00:34,720 Speaker 1: these years, have you ever had an opener that turned 1303 01:00:34,720 --> 01:00:37,240 Speaker 1: out You put them on when they were just a 1304 01:00:37,280 --> 01:00:39,040 Speaker 1: baby and they turned out to be massive. And he said, 1305 01:00:39,040 --> 01:00:42,360 Speaker 1: you know, once we had a guy named named Fred 1306 01:00:42,440 --> 01:00:44,160 Speaker 1: who would be in the slept in the front of 1307 01:00:44,160 --> 01:00:46,080 Speaker 1: the bus. And I was just trying to figure figure 1308 01:00:46,080 --> 01:00:48,120 Speaker 1: it out. And it's Freddie Mercury from Queen who opened 1309 01:00:48,160 --> 01:00:51,160 Speaker 1: for Aerosmith, right, And I was just I was blowing 1310 01:00:51,160 --> 01:00:53,120 Speaker 1: away at the story because here Steven Tyler talking about 1311 01:00:53,120 --> 01:00:56,280 Speaker 1: Freddie Mercury on their bus opening up and the next question, 1312 01:00:56,720 --> 01:01:02,200 Speaker 1: how old are you all? Just sustained massive success from 1313 01:01:02,240 --> 01:01:04,400 Speaker 1: you guys, do you have any story like that where 1314 01:01:04,400 --> 01:01:05,760 Speaker 1: you had a baby that came out and they turned 1315 01:01:05,760 --> 01:01:10,400 Speaker 1: into a massive success as well? Put on You're like, well, 1316 01:01:10,400 --> 01:01:11,880 Speaker 1: you were kind of blown away by seeing what they 1317 01:01:11,880 --> 01:01:15,280 Speaker 1: did in an early stage. We had a preface it 1318 01:01:15,320 --> 01:01:19,040 Speaker 1: by it's like, so they discovered Queen. What do you guys? 1319 01:01:22,520 --> 01:01:26,640 Speaker 1: I think you know, probably I don't want to take 1320 01:01:26,680 --> 01:01:28,920 Speaker 1: I'm not taking He wasn't taking credit for que He said, 1321 01:01:29,080 --> 01:01:31,720 Speaker 1: I'm not taking credit by any stretch. But like Shine 1322 01:01:31,760 --> 01:01:36,680 Speaker 1: Down went on, uh and just exploded. Um, there was 1323 01:01:38,160 --> 01:01:41,520 Speaker 1: there's a band that we took with us. MM. We 1324 01:01:41,600 --> 01:01:44,760 Speaker 1: took them to the UK and now they're now they're 1325 01:01:44,760 --> 01:01:47,800 Speaker 1: just they're selling out um arenas all over the UK. 1326 01:01:49,040 --> 01:01:56,920 Speaker 1: Cold Play, Um, yeah, and like the band the band 1327 01:01:57,080 --> 01:01:58,800 Speaker 1: know who they are and I can't think of their name, 1328 01:01:58,800 --> 01:02:00,480 Speaker 1: and right now they're just yelling at radio. It's like 1329 01:02:01,760 --> 01:02:07,040 Speaker 1: it's Blackstone Cherry. That's right. It's not like people all 1330 01:02:07,120 --> 01:02:11,200 Speaker 1: the same time, they're just like Blackstone Cherry. Just in 1331 01:02:11,280 --> 01:02:14,240 Speaker 1: the same question for you because that happens here. Who 1332 01:02:14,280 --> 01:02:16,560 Speaker 1: is one of your openers? Early on it they blew up? Man. 1333 01:02:17,600 --> 01:02:19,560 Speaker 1: You know, We've been blessed through the years, and I 1334 01:02:19,600 --> 01:02:21,280 Speaker 1: feel like our team has done a great job of 1335 01:02:21,360 --> 01:02:23,960 Speaker 1: getting folks in front of us that definitely have stuff 1336 01:02:24,000 --> 01:02:26,640 Speaker 1: going on. Man. We we had openers like I mean, 1337 01:02:26,760 --> 01:02:31,160 Speaker 1: Thomas schtz supported us uh Luke, cons, Michael Ray, Kanan 1338 01:02:31,240 --> 01:02:36,240 Speaker 1: smith Man, just bunches of guys, man, And you know, 1339 01:02:36,280 --> 01:02:39,480 Speaker 1: that's that's one thing I think that is similar in 1340 01:02:39,520 --> 01:02:42,120 Speaker 1: our worlds, and especially on the tour and side of things. 1341 01:02:42,200 --> 01:02:46,320 Speaker 1: It's like, you know, in some ways for years we've 1342 01:02:46,320 --> 01:02:47,920 Speaker 1: been able to help people get their foot in the 1343 01:02:47,960 --> 01:02:50,360 Speaker 1: door right, and especially on the tour and side of things, 1344 01:02:50,400 --> 01:02:53,240 Speaker 1: and then you know, watching them blow up, you kind 1345 01:02:53,240 --> 01:02:55,200 Speaker 1: of feel like you had something to do with it. 1346 01:02:56,760 --> 01:02:59,800 Speaker 1: But he discovered shine down. We just heard it's pretty 1347 01:03:00,240 --> 01:03:06,320 Speaker 1: No no, no, no, no, that's funny. That's so weird. 1348 01:03:06,440 --> 01:03:09,160 Speaker 1: My phone is vibrating right now and it's Brent. Brent. 1349 01:03:09,160 --> 01:03:12,720 Speaker 1: It's like, did you just say It's like, no, I didn't. 1350 01:03:12,840 --> 01:03:15,880 Speaker 1: That was a deep fake to get rolling tour. Brantley 1351 01:03:15,960 --> 01:03:19,720 Speaker 1: is joining Nickelback. Tickets go on sale starting today. We're 1352 01:03:19,720 --> 01:03:21,240 Speaker 1: gonna come back with these guys in a second. But 1353 01:03:21,320 --> 01:03:23,600 Speaker 1: today tenday AM local times. So wherever you are, if 1354 01:03:23,640 --> 01:03:26,400 Speaker 1: you're in Boston listening, or Vegas, wherever you are locally 1355 01:03:26,440 --> 01:03:29,320 Speaker 1: toena AM live nation dot com and you you guys 1356 01:03:29,320 --> 01:03:31,680 Speaker 1: are doing a lot of shows. Holy moly. See, I 1357 01:03:31,680 --> 01:03:34,160 Speaker 1: mean this is like touring, because even when I tour 1358 01:03:34,200 --> 01:03:36,880 Speaker 1: as a comedian, I tour like Brantley tours for the 1359 01:03:36,920 --> 01:03:40,680 Speaker 1: most part, which is Thursday, Friday Saturday or Friday Saturday, 1360 01:03:40,840 --> 01:03:42,440 Speaker 1: and then I come back home and I do the show. 1361 01:03:43,120 --> 01:03:45,680 Speaker 1: But like when you're in the rock world, sometimes you 1362 01:03:45,720 --> 01:03:48,880 Speaker 1: guys don't come home, right, You just stay gone. Yeah, 1363 01:03:49,040 --> 01:03:51,480 Speaker 1: you kind of just take a picture of your your home, 1364 01:03:52,120 --> 01:03:54,960 Speaker 1: your bed, and you just don't see that for a 1365 01:03:55,000 --> 01:03:57,400 Speaker 1: lot of months. We try not to tour like that anymore. 1366 01:03:57,440 --> 01:04:02,080 Speaker 1: Like when we were I mean twenty years ago, we 1367 01:04:02,120 --> 01:04:04,400 Speaker 1: went on on a lot of try to kill us 1368 01:04:04,680 --> 01:04:08,200 Speaker 1: tours and they would just I mean, the longest stretch 1369 01:04:08,520 --> 01:04:12,360 Speaker 1: was eighteen months. Oh you're just you know you you 1370 01:04:12,360 --> 01:04:16,760 Speaker 1: You're on stage every night, You're hosting the party every night. 1371 01:04:16,920 --> 01:04:20,440 Speaker 1: There's a party backstage every night. Why am I not 1372 01:04:20,480 --> 01:04:23,440 Speaker 1: in a rehab yeah, I feel like I'm gonna for 1373 01:04:23,480 --> 01:04:24,840 Speaker 1: the story I need to go just from the story, 1374 01:04:24,880 --> 01:04:27,840 Speaker 1: there should taboo anymore than when I went to Pretty Good. 1375 01:04:27,840 --> 01:04:33,160 Speaker 1: I'll give you call the Friday Morning Conversation with Chad 1376 01:04:33,280 --> 01:04:36,280 Speaker 1: Krueger from Nickelback and Brentley Gilbert. It's weird to hear 1377 01:04:36,280 --> 01:04:37,440 Speaker 1: your name like that, but that's how you say your 1378 01:04:37,480 --> 01:04:40,200 Speaker 1: last name for real, for real. But when people say 1379 01:04:40,480 --> 01:04:45,160 Speaker 1: my name became Chad Kroeger because I haven't, but oh like, 1380 01:04:45,160 --> 01:04:46,760 Speaker 1: it throws you out. I guess we should put the 1381 01:04:46,840 --> 01:04:49,960 Speaker 1: umlat back on the it's a German name. Did you 1382 01:04:50,000 --> 01:04:52,480 Speaker 1: only just start saying though that everyone was saying it wrong? 1383 01:04:52,600 --> 01:04:54,960 Speaker 1: Or have you been fighting the fight? Na, Because when 1384 01:04:55,040 --> 01:04:58,560 Speaker 1: you start off and you start an interview and someone says, 1385 01:04:58,560 --> 01:05:01,600 Speaker 1: we've got Chad Kroeger or from Nickelback, this band has 1386 01:05:01,600 --> 01:05:03,760 Speaker 1: sold fifty million records, they've been around for no, and 1387 01:05:03,800 --> 01:05:05,640 Speaker 1: they go down this list of accolades, Chad, how are 1388 01:05:05,680 --> 01:05:08,560 Speaker 1: you And at that point in time, I'm supposed to say, uh, 1389 01:05:08,640 --> 01:05:12,600 Speaker 1: it's Krueger. It takes twice, though, and people, it doesn't 1390 01:05:12,640 --> 01:05:14,600 Speaker 1: take twice because the fight's been going on for the 1391 01:05:14,640 --> 01:05:17,960 Speaker 1: last twenty five years um and and I just got 1392 01:05:17,960 --> 01:05:21,320 Speaker 1: to the point where I'm like whatever, and this at 1393 01:05:21,360 --> 01:05:23,919 Speaker 1: like now with the you know, the new the new 1394 01:05:23,960 --> 01:05:26,120 Speaker 1: PR team that we've hired, They're like, can we start 1395 01:05:26,200 --> 01:05:28,800 Speaker 1: getting people to say your name properly. I was sitting 1396 01:05:28,800 --> 01:05:32,000 Speaker 1: there and I was doing an interview and Jerry Cantrell 1397 01:05:32,160 --> 01:05:34,520 Speaker 1: from Nelson Chains and I we're doing a tour together, 1398 01:05:35,320 --> 01:05:37,920 Speaker 1: and we get to this radio station and they're like, 1399 01:05:37,920 --> 01:05:40,760 Speaker 1: we got Jerry Cantrell and Chad Kroeger and he stops 1400 01:05:40,760 --> 01:05:44,600 Speaker 1: the interview right there. He goes, it's Krueger and and 1401 01:05:44,600 --> 01:05:46,480 Speaker 1: Buddy's just like, but he did it, like in a 1402 01:05:46,880 --> 01:05:50,120 Speaker 1: get his name right, bonehead sort of way, and he's, oh, 1403 01:05:50,160 --> 01:05:51,600 Speaker 1: my bad, I didn't. And then he looks at me 1404 01:05:51,640 --> 01:05:54,400 Speaker 1: and goes, that is your last name, dude. Don't ever 1405 01:05:54,520 --> 01:05:56,760 Speaker 1: let anyone mispronounce your last name. That's your last name, 1406 01:05:57,040 --> 01:05:58,760 Speaker 1: and he like gave it to me right there, and 1407 01:05:58,760 --> 01:06:01,520 Speaker 1: the aims like, I wasn't that big of a deal. 1408 01:06:01,640 --> 01:06:05,400 Speaker 1: I was. I wasn't really that. You're way more pissed 1409 01:06:05,400 --> 01:06:08,400 Speaker 1: about this, and I am to be totally honest, but yeah, 1410 01:06:08,440 --> 01:06:10,480 Speaker 1: but then it just got to the point where, you know, 1411 01:06:10,600 --> 01:06:12,880 Speaker 1: this was this was the round of press. You know, 1412 01:06:13,040 --> 01:06:14,960 Speaker 1: this was the time where we were like, all right, 1413 01:06:14,960 --> 01:06:16,840 Speaker 1: we're gonna to the point where I was gonna start 1414 01:06:16,920 --> 01:06:19,720 Speaker 1: wearing shirts and interviews that says, you know, just spell 1415 01:06:19,720 --> 01:06:23,640 Speaker 1: it out phonetically. C R e W next word g 1416 01:06:23,920 --> 01:06:27,080 Speaker 1: e R it's Krueger, you know. But I guess we 1417 01:06:27,080 --> 01:06:29,440 Speaker 1: should just put the umlat back over the oo so 1418 01:06:29,560 --> 01:06:31,360 Speaker 1: people have a little bit of a reference point because 1419 01:06:31,360 --> 01:06:33,000 Speaker 1: you guys have the big grocery chain down here, and 1420 01:06:33,000 --> 01:06:37,120 Speaker 1: that's why it's you know, that's why, that's why, that's 1421 01:06:37,160 --> 01:06:41,160 Speaker 1: why if I put a you in there. Yeah, yeah, 1422 01:06:41,200 --> 01:06:44,240 Speaker 1: we're also I'll be honest with you. He's like to 1423 01:06:44,320 --> 01:06:48,480 Speaker 1: put the umla you'll know on in my head, I'm going, yeah, yeah, 1424 01:06:48,960 --> 01:06:51,280 Speaker 1: the crew they put it over the you, which is 1425 01:06:51,280 --> 01:06:52,960 Speaker 1: still a crew, but you know they're sort of using 1426 01:06:52,960 --> 01:06:55,240 Speaker 1: it incorrectly. But if you take the if you take that, 1427 01:06:55,320 --> 01:06:57,920 Speaker 1: it changes the way that the vowel is supposed to be. 1428 01:06:58,080 --> 01:07:01,320 Speaker 1: All right, there's a lesson, guys. All right, Bradley, you 1429 01:07:01,360 --> 01:07:03,320 Speaker 1: started playing guitar? How old and how where did you 1430 01:07:03,360 --> 01:07:06,880 Speaker 1: get your first guitar? Manu, My first guitar is my dad. 1431 01:07:07,040 --> 01:07:10,200 Speaker 1: It's like this yeahmaha thing. I have no idea when 1432 01:07:10,240 --> 01:07:12,479 Speaker 1: I started, or I think I took like a couple 1433 01:07:12,480 --> 01:07:15,240 Speaker 1: of lessons and hated it and uh just kind of 1434 01:07:15,240 --> 01:07:17,680 Speaker 1: tried to figure out stuff on my own. I remember, 1435 01:07:17,760 --> 01:07:24,600 Speaker 1: like very hazy, you know, uh her first, I guess 1436 01:07:24,640 --> 01:07:26,040 Speaker 1: for me, we're talking about this the other day, Eddie 1437 01:07:26,040 --> 01:07:31,120 Speaker 1: and I. For me it was downtown. It was Metallica, down, down, down, 1438 01:07:31,640 --> 01:07:34,040 Speaker 1: nothing else matters. But yeah, nothing else matters because I 1439 01:07:34,080 --> 01:07:35,560 Speaker 1: could look at the take. You got that for five 1440 01:07:35,640 --> 01:07:39,520 Speaker 1: hundred points. Wow. And then when I got to House 1441 01:07:39,560 --> 01:07:42,600 Speaker 1: the Rising Sun, I was like, I'm getting somewhere there 1442 01:07:42,880 --> 01:07:44,760 Speaker 1: is a house and I was like, okay, I'm and 1443 01:07:44,800 --> 01:07:47,600 Speaker 1: then I sucked. But that for me was like do 1444 01:07:47,640 --> 01:07:49,600 Speaker 1: you remember the first song that you learned as a 1445 01:07:49,960 --> 01:07:55,640 Speaker 1: whatever teenager? I was like, Smoke on the Water? Don 1446 01:07:56,600 --> 01:07:59,080 Speaker 1: it's that? Or Crazy Train? Can you play Smoke on 1447 01:07:59,120 --> 01:08:00,520 Speaker 1: the Water right in it? If we have a guitar 1448 01:08:00,560 --> 01:08:02,280 Speaker 1: that sits there, could you play Smoke on the water 1449 01:08:03,280 --> 01:08:05,600 Speaker 1: the most element Are you so advanced that you can't 1450 01:08:05,640 --> 01:08:08,440 Speaker 1: go elementary? Already? Got it plugged up. I just told 1451 01:08:08,480 --> 01:08:10,320 Speaker 1: you he was gonna figure it out. We keep it, 1452 01:08:10,680 --> 01:08:12,960 Speaker 1: you know, we do a little something here ourselves if 1453 01:08:12,960 --> 01:08:21,559 Speaker 1: you just want to if you're just shooting the easy 1454 01:08:21,600 --> 01:08:23,679 Speaker 1: that it's it's not actually played like that, but that's 1455 01:08:23,680 --> 01:08:25,400 Speaker 1: like if you're gonna teach somebody how to do it, 1456 01:08:25,400 --> 01:08:28,719 Speaker 1: it's just you know, one one three, five, one three 1457 01:08:29,240 --> 01:08:37,360 Speaker 1: six five one three five three open Branley, what was 1458 01:08:37,400 --> 01:08:39,840 Speaker 1: your first one? I don't know. I still don't know you, 1459 01:08:40,439 --> 01:08:43,479 Speaker 1: buttercup man, Uh you know what, Like I had that 1460 01:08:43,560 --> 01:08:46,800 Speaker 1: little fender bender, yeah, right after high school and it 1461 01:08:46,840 --> 01:08:53,639 Speaker 1: made things real hazy. But um, I guarantee you I couldn't. Yeah, yeah, 1462 01:08:53,640 --> 01:08:56,320 Speaker 1: I had I hit my head pretty hard on a tree, 1463 01:08:56,920 --> 01:09:00,320 Speaker 1: and uh, you know, I don't remember a lot of 1464 01:09:00,320 --> 01:09:03,519 Speaker 1: stuff real way early. Yeah, that gives you the best 1465 01:09:03,560 --> 01:09:06,559 Speaker 1: excuse in the world. Like the wife is asking to 1466 01:09:06,600 --> 01:09:10,640 Speaker 1: do some of the babe, it was a big tree. 1467 01:09:11,920 --> 01:09:15,439 Speaker 1: What is the easiest song, Brankley that you play that? 1468 01:09:15,479 --> 01:09:17,240 Speaker 1: When people are learning guitar, they play like, what is 1469 01:09:17,280 --> 01:09:22,040 Speaker 1: your easiest song to play? Uh? Basically GC's, d's and 1470 01:09:22,160 --> 01:09:26,479 Speaker 1: ease man, I guess for hell when they mean kind 1471 01:09:26,479 --> 01:09:30,760 Speaker 1: of be all your finger in though, see that you'd 1472 01:09:30,760 --> 01:09:41,360 Speaker 1: lose me a little bit, right, This is GD and Hey, 1473 01:09:41,520 --> 01:09:45,759 Speaker 1: but you're apeggiating though it doesn't that. Yeah, now we're talking. 1474 01:09:45,960 --> 01:09:50,599 Speaker 1: Now got some solid chad? Are you expected it? Let's 1475 01:09:50,600 --> 01:09:52,479 Speaker 1: say you're at a gathering, a party and there's a guitar. 1476 01:09:52,520 --> 01:09:54,160 Speaker 1: Do they go chat, got the guitar and play something, 1477 01:09:54,840 --> 01:09:57,519 Speaker 1: uh like? And what do you play? I do? I 1478 01:09:57,600 --> 01:10:00,640 Speaker 1: do this thing where I'm like, I'm but I do 1479 01:10:00,760 --> 01:10:05,040 Speaker 1: this uh like this tease and I'll uh, I'll be like, 1480 01:10:06,439 --> 01:10:09,559 Speaker 1: uh like, I'll get the guitar and everyone's like they 1481 01:10:09,560 --> 01:10:11,479 Speaker 1: want me to I know, you know, they want me 1482 01:10:11,520 --> 01:10:14,280 Speaker 1: to play like entire songs and get the I'll be like, 1483 01:10:15,080 --> 01:10:18,400 Speaker 1: I'm the new standing clubs and never gain in. And 1484 01:10:18,439 --> 01:10:25,759 Speaker 1: then I just stopped, and then everybody and then everyone starts. 1485 01:10:25,840 --> 01:10:28,000 Speaker 1: They're like, we'll keep going. I'm like, and then I go, 1486 01:10:29,880 --> 01:10:33,200 Speaker 1: I never mean it as a wise man. I couldn't 1487 01:10:33,200 --> 01:10:36,240 Speaker 1: cut it as a pull and stealing. It's not living 1488 01:10:36,320 --> 01:10:41,280 Speaker 1: like it, you know. And then and then because then 1489 01:10:41,320 --> 01:10:42,880 Speaker 1: everyone else sings for a little bit, and then they 1490 01:10:42,880 --> 01:10:46,080 Speaker 1: realize I've stopped, and then they realize I'm not coming 1491 01:10:46,120 --> 01:10:49,280 Speaker 1: back in say musical blue balls. Hey dude, if you 1492 01:10:49,280 --> 01:10:55,320 Speaker 1: hear something funny for real, oh god, I'm not supposed 1493 01:10:55,360 --> 01:10:58,880 Speaker 1: to say that, Yeah you can. We're good. We're good, 1494 01:10:58,880 --> 01:11:01,320 Speaker 1: We're good. Um. Did you hear what happened when he 1495 01:11:01,320 --> 01:11:07,840 Speaker 1: played rock Star Man again when Jed Jed has an 1496 01:11:07,840 --> 01:11:10,800 Speaker 1: interred neck that he channels when he plays that song, right, 1497 01:11:10,840 --> 01:11:14,200 Speaker 1: it's acoustically it's it's like this, uh because I I 1498 01:11:14,680 --> 01:11:18,080 Speaker 1: joked about this um in an interview where I said, 1499 01:11:18,400 --> 01:11:20,240 Speaker 1: you know, it's almost like it's a country song and 1500 01:11:20,280 --> 01:11:22,720 Speaker 1: it's almost like I'm throwing on like the southern thing 1501 01:11:22,760 --> 01:11:25,280 Speaker 1: and I so I throw on this thick southern accent 1502 01:11:25,320 --> 01:11:27,759 Speaker 1: and I sang it, but it doesn't sound any different. 1503 01:11:27,760 --> 01:11:30,120 Speaker 1: It just sounds like that's how we recorded. Amprey was 1504 01:11:30,160 --> 01:11:32,880 Speaker 1: standing in line the clubs will never gain in. It's 1505 01:11:32,920 --> 01:11:38,599 Speaker 1: like the bottom and it's just like, oh oh, it's like, 1506 01:11:38,640 --> 01:11:40,519 Speaker 1: well that's as thick as twang as I can put 1507 01:11:40,600 --> 01:11:44,240 Speaker 1: on there, but it just sounds. I was never offended 1508 01:11:44,280 --> 01:11:45,840 Speaker 1: by that so him until he did that, and I 1509 01:11:45,920 --> 01:11:47,759 Speaker 1: was like, does he think we can't get in clubs? 1510 01:11:50,200 --> 01:11:56,960 Speaker 1: It's kind of right. Ah, I've taken your perfectly Nashville 1511 01:11:57,160 --> 01:11:59,880 Speaker 1: tune guitar and just like just put it in something. 1512 01:12:00,880 --> 01:12:03,439 Speaker 1: You know. Uh, Well, that's my favorite thing though? Is 1513 01:12:03,439 --> 01:12:05,840 Speaker 1: this getting like like getting people all excited, like I'll 1514 01:12:05,840 --> 01:12:07,920 Speaker 1: start a tune just like that and they're like, oh 1515 01:12:07,960 --> 01:12:10,719 Speaker 1: oh oh I want to you know, and I look 1516 01:12:10,760 --> 01:12:12,800 Speaker 1: at this. I never just start screaming away and I 1517 01:12:12,880 --> 01:12:14,879 Speaker 1: just stop. I bet you can go with your concerts 1518 01:12:14,880 --> 01:12:16,840 Speaker 1: so too, right, like to people that love me, can't 1519 01:12:16,840 --> 01:12:18,920 Speaker 1: you just go? I'll do it? And they just think 1520 01:12:18,960 --> 01:12:20,360 Speaker 1: they could sing the whole thing and you could just 1521 01:12:20,439 --> 01:12:25,760 Speaker 1: hit chords hopefully if my throat's sore, like I'm you know, 1522 01:12:25,800 --> 01:12:28,519 Speaker 1: when you just do the you know you got this 1523 01:12:28,560 --> 01:12:30,599 Speaker 1: one and then you just start of walk around and 1524 01:12:31,000 --> 01:12:34,960 Speaker 1: and they're like, oh, oh we paid, we paid to 1525 01:12:35,000 --> 01:12:37,400 Speaker 1: come to say her show so we could sing to you. 1526 01:12:37,880 --> 01:12:41,160 Speaker 1: Oh I get it, nailed it. I'm always intrigued by 1527 01:12:41,200 --> 01:12:43,519 Speaker 1: setlist and why you guys put where you put? Will 1528 01:12:43,560 --> 01:12:46,320 Speaker 1: you put Brandley? What do you start your show with? 1529 01:12:46,479 --> 01:12:49,600 Speaker 1: Right now? We have this little injury jam we do 1530 01:12:49,720 --> 01:12:51,720 Speaker 1: and it goes in to kick it and then what 1531 01:12:51,760 --> 01:12:54,599 Speaker 1: are you end the show with? And doesn't matter how 1532 01:12:54,600 --> 01:12:56,760 Speaker 1: good the crowd is. If you're headlining, will you do 1533 01:12:57,280 --> 01:13:00,439 Speaker 1: an encore anyway? Will you say I'm not doing an encore, 1534 01:13:00,439 --> 01:13:01,560 Speaker 1: but I'm gonna stay here. Well, like how do you 1535 01:13:01,640 --> 01:13:04,120 Speaker 1: end your shows? So we kind of started doing this 1536 01:13:04,200 --> 01:13:06,400 Speaker 1: little hybrid thing. It's pretty cool. We do like ah, 1537 01:13:07,240 --> 01:13:09,439 Speaker 1: so it's it's kind of like a little mash up. 1538 01:13:09,479 --> 01:13:11,800 Speaker 1: Would kind of take take it outside into a couple 1539 01:13:11,840 --> 01:13:14,680 Speaker 1: of heavy metal songs and then not singing them, just 1540 01:13:15,520 --> 01:13:18,680 Speaker 1: music part and uh kind of finish out and then 1541 01:13:19,320 --> 01:13:21,240 Speaker 1: we kind of do this general build back in with 1542 01:13:21,280 --> 01:13:24,080 Speaker 1: like nine nine uh no no no, no, no no, hey 1543 01:13:24,120 --> 01:13:27,320 Speaker 1: hey good and then go from that end to reading 1544 01:13:27,360 --> 01:13:30,000 Speaker 1: my rights and then this show there. But that ways 1545 01:13:30,080 --> 01:13:33,000 Speaker 1: it's not like because at the end to take it outside, 1546 01:13:33,000 --> 01:13:35,439 Speaker 1: I like run down and you know, you ment to 1547 01:13:35,439 --> 01:13:38,320 Speaker 1: a show for I'll go down and see everybody tag 1548 01:13:38,360 --> 01:13:41,680 Speaker 1: hands and stuff, and I kind of just go backstage 1549 01:13:41,720 --> 01:13:44,599 Speaker 1: and then they start the build or the goodbye thing 1550 01:13:44,640 --> 01:13:48,960 Speaker 1: and I come back on. So it's not the encore thing. 1551 01:13:48,960 --> 01:13:52,240 Speaker 1: I feel like I'm telling people how the show's gonna end. Right, Well, 1552 01:13:52,280 --> 01:13:54,880 Speaker 1: we're changing it for this show that was the last. 1553 01:13:55,320 --> 01:13:57,320 Speaker 1: Wait till you see what's coming up on this tour. 1554 01:13:57,439 --> 01:13:59,720 Speaker 1: What do you guys to start with, Chad, Uh, We're 1555 01:13:59,760 --> 01:14:01,920 Speaker 1: gonna to start off probably with our just generally you 1556 01:14:01,920 --> 01:14:03,360 Speaker 1: don't have to run this one but like why, like 1557 01:14:03,439 --> 01:14:05,120 Speaker 1: what do you generally do you start with a hit 1558 01:14:05,160 --> 01:14:08,280 Speaker 1: because you have so many. We start with the first 1559 01:14:08,720 --> 01:14:13,960 Speaker 1: rock single off of the album that we're pushing, you know, 1560 01:14:14,240 --> 01:14:20,120 Speaker 1: so you've got the whole They might not have complete familiarity, 1561 01:14:20,920 --> 01:14:23,360 Speaker 1: but you just walked on stage, so you've got that 1562 01:14:23,400 --> 01:14:26,680 Speaker 1: in your corner and they're like yay, and they're like 1563 01:14:27,800 --> 01:14:29,000 Speaker 1: and then by the end of the song, even if 1564 01:14:29,000 --> 01:14:31,200 Speaker 1: they don't know it, then then you just go straight 1565 01:14:31,200 --> 01:14:33,600 Speaker 1: into a hit right after that one. And then at 1566 01:14:33,640 --> 01:14:35,200 Speaker 1: the end of the show. You always I always end 1567 01:14:35,240 --> 01:14:37,360 Speaker 1: off with a big rocker, you know. Don't put them 1568 01:14:37,360 --> 01:14:40,200 Speaker 1: to sleep at the end. You forgot the show's only 1569 01:14:40,240 --> 01:14:44,400 Speaker 1: like ninety minutes long. Said everything they pull out? HiT's right, 1570 01:14:45,320 --> 01:14:50,160 Speaker 1: it's can you This is not the right way to 1571 01:14:50,200 --> 01:14:52,240 Speaker 1: ask a question, But you've played some of these songs 1572 01:14:52,240 --> 01:14:54,599 Speaker 1: so many times, and I'll relate it to me reading 1573 01:14:54,600 --> 01:14:56,200 Speaker 1: a prompter if I'm on TV, and sometimes I just 1574 01:14:56,320 --> 01:14:58,280 Speaker 1: check out, like I've done it so many times that 1575 01:14:58,360 --> 01:14:59,880 Speaker 1: it's hard for me if I've done it tenth out, 1576 01:15:00,360 --> 01:15:03,240 Speaker 1: can you do you just go? You go full run Burgundy. Well, 1577 01:15:03,920 --> 01:15:05,280 Speaker 1: it's like I'll get to the end of it. Won't 1578 01:15:05,280 --> 01:15:09,559 Speaker 1: even remember what a question mark abrupter? Can you get 1579 01:15:09,600 --> 01:15:10,920 Speaker 1: in the middle of one of these songs you've done 1580 01:15:10,960 --> 01:15:12,639 Speaker 1: so many times and like you think, Okay, well when 1581 01:15:12,640 --> 01:15:14,320 Speaker 1: I get home, I need to really get it's Uh. 1582 01:15:16,080 --> 01:15:19,040 Speaker 1: I always say that, need you go to Kroger? I yeah, 1583 01:15:19,040 --> 01:15:23,200 Speaker 1: all right, I say that. Re entries So you'll be 1584 01:15:23,240 --> 01:15:26,000 Speaker 1: sitting there and you're like and you will drift on 1585 01:15:26,000 --> 01:15:29,040 Speaker 1: and I'm like, what was my second grade teacher's name? 1586 01:15:29,640 --> 01:15:32,080 Speaker 1: And you're just off there and you're off and then 1587 01:15:32,080 --> 01:15:34,759 Speaker 1: you're like, I'm standing in front of thousands of people 1588 01:15:34,760 --> 01:15:36,920 Speaker 1: and then you're like, what what verse am I on? 1589 01:15:37,120 --> 01:15:38,880 Speaker 1: And that re entry thing is like when you get 1590 01:15:38,920 --> 01:15:41,280 Speaker 1: back and you're like, where am I? What am I doing? Like, 1591 01:15:41,320 --> 01:15:43,439 Speaker 1: I'm just like, what what the hell's going on here? 1592 01:15:43,479 --> 01:15:47,280 Speaker 1: Re entry? Is any need for a prompter? Uh? Because 1593 01:15:47,280 --> 01:15:53,240 Speaker 1: you have so many songs? Well see see you don't 1594 01:15:53,240 --> 01:15:55,559 Speaker 1: want to tell people this stuff because they're just like, 1595 01:15:55,640 --> 01:15:59,200 Speaker 1: really like when you have ten albums, have you ever 1596 01:15:59,240 --> 01:16:01,960 Speaker 1: tried to carry okay, you like rock Star? Do you 1597 01:16:02,000 --> 01:16:05,200 Speaker 1: know how long? Like the lyrics are just it just 1598 01:16:05,240 --> 01:16:10,360 Speaker 1: goes on forever? Have you tried to karaoke rock Star? Yeah? Nightly. Yeah, 1599 01:16:11,320 --> 01:16:15,439 Speaker 1: Like it's just it just doesn't stop right. Uh. But 1600 01:16:15,560 --> 01:16:18,599 Speaker 1: you need like you just need so much oxygen because 1601 01:16:18,640 --> 01:16:22,320 Speaker 1: there's just no place to breathe. Um. And now you know, 1602 01:16:22,400 --> 01:16:24,280 Speaker 1: we try to do fun stuff with We call it 1603 01:16:24,360 --> 01:16:27,599 Speaker 1: like rock star karaoke. We'll bring people up and I'll 1604 01:16:27,640 --> 01:16:30,639 Speaker 1: say stuff like you know, if you if you forget 1605 01:16:30,720 --> 01:16:34,599 Speaker 1: the words, We've got them written down for you right here, 1606 01:16:34,680 --> 01:16:37,240 Speaker 1: and they just start looking down. Then it literally just 1607 01:16:37,280 --> 01:16:41,519 Speaker 1: turns into karaoke. So yes, um, urban legend about you. 1608 01:16:41,520 --> 01:16:43,080 Speaker 1: You can tell me if this is true or not. Oh, 1609 01:16:43,200 --> 01:16:46,519 Speaker 1: be careful. Given to me from a friend who's who 1610 01:16:46,600 --> 01:16:49,600 Speaker 1: was with you. Okay, you were on about maybe the 1611 01:16:49,600 --> 01:16:52,560 Speaker 1: one you mentioned earlier. You ever throw pillows up and 1612 01:16:52,600 --> 01:16:55,280 Speaker 1: then shoot them out of the sky from your boat 1613 01:16:56,120 --> 01:17:03,800 Speaker 1: well close close. Um, we had a couple uh aar 1614 01:17:03,920 --> 01:17:10,000 Speaker 1: fifteens and we were we were in international waters, completely legal. 1615 01:17:10,800 --> 01:17:15,479 Speaker 1: There's the Geneva Convention doesn't say anything about pillows. We 1616 01:17:15,479 --> 01:17:16,920 Speaker 1: weren't trying to shoot him out of this guy, but 1617 01:17:16,920 --> 01:17:18,400 Speaker 1: we'd have people go to the front of the boat 1618 01:17:18,479 --> 01:17:20,439 Speaker 1: and like and you're just kind of whipping these old 1619 01:17:20,479 --> 01:17:22,160 Speaker 1: pillows off into the you know, and then we were 1620 01:17:22,160 --> 01:17:25,080 Speaker 1: just shooting the hell out of him. In fact, um 1621 01:17:25,240 --> 01:17:30,800 Speaker 1: my skirty guy hawk, who's hiding somewhere? Um? Yes, and 1622 01:17:30,880 --> 01:17:34,680 Speaker 1: I have I may or may not have video this 1623 01:17:34,840 --> 01:17:39,000 Speaker 1: omni right now? Yes, where'd you hear that? Did I 1624 01:17:39,000 --> 01:17:41,760 Speaker 1: tell you this? You did not? It doesn't matter where. 1625 01:17:41,760 --> 01:17:43,800 Speaker 1: I'll never reveal my sources. Why are you saying, don't 1626 01:17:43,840 --> 01:17:46,439 Speaker 1: tell the story? Why what? I didn't do anything illegal? 1627 01:17:46,439 --> 01:17:50,080 Speaker 1: I might just people. There's a team of people back. 1628 01:17:50,120 --> 01:17:52,840 Speaker 1: They're just like, don't, don't, don't, don't, don't about to 1629 01:17:52,880 --> 01:17:56,160 Speaker 1: kick in the door. America is angry rotten? Did he 1630 01:17:56,200 --> 01:18:01,439 Speaker 1: say he don't out loud? Don't care? I'm triggered. Yeah, 1631 01:18:01,600 --> 01:18:03,320 Speaker 1: Braley doesn't want to look over at Chad's phone just 1632 01:18:03,320 --> 01:18:05,040 Speaker 1: in case what he sees, because you never want to 1633 01:18:05,040 --> 01:18:08,559 Speaker 1: look at anybody's phone while they're looking for something. Oh 1634 01:18:08,640 --> 01:18:18,600 Speaker 1: you are? Oh? I was thinking, like any fish that 1635 01:18:18,800 --> 01:18:21,600 Speaker 1: might be nearby? Okay, any fish? Do you know how 1636 01:18:21,640 --> 01:18:23,760 Speaker 1: hard it is to hit anything with a gun. You 1637 01:18:23,800 --> 01:18:27,599 Speaker 1: think you can shoot a fish? I don't know. Listen, 1638 01:18:27,800 --> 01:18:31,400 Speaker 1: it could just be disruptive. Oh dude, I've never thought 1639 01:18:31,800 --> 01:18:34,880 Speaker 1: I never thought it'd be you embroiled in this conversation 1640 01:18:34,960 --> 01:18:37,640 Speaker 1: right now, like I can totally find myself, but I 1641 01:18:37,680 --> 01:18:40,960 Speaker 1: didn't think what you what you don't know about me 1642 01:18:41,080 --> 01:18:43,439 Speaker 1: is uh, I might be twice as red neck as 1643 01:18:43,479 --> 01:18:45,439 Speaker 1: you are, but you just think because I'm Canadian that 1644 01:18:45,520 --> 01:18:47,679 Speaker 1: I don't have any of that in We're gonna go check, 1645 01:18:49,120 --> 01:18:52,000 Speaker 1: We're gonna we're gonna shoot some Tanner right Nickelback and 1646 01:18:52,080 --> 01:18:55,880 Speaker 1: Brandley Gilbert. It's it seems like there will be plenty 1647 01:18:55,880 --> 01:18:58,080 Speaker 1: of it, plenty of Piro. Was that the second name 1648 01:18:58,120 --> 01:19:00,200 Speaker 1: of the tour? Just in case plenty of Pyro? I'm 1649 01:19:00,200 --> 01:19:04,080 Speaker 1: gonna go with get Rolling. I'm all over. Tickets on 1650 01:19:04,120 --> 01:19:05,840 Speaker 1: sale ten am local time wherever you are. Where have 1651 01:19:05,920 --> 01:19:11,640 Speaker 1: you listening to us? Live nation dot com? Which, by 1652 01:19:11,640 --> 01:19:14,519 Speaker 1: the way, the new San Quentin awesome. We played that 1653 01:19:14,600 --> 01:19:16,840 Speaker 1: on the show. My prediction is, if I don't know 1654 01:19:16,880 --> 01:19:18,120 Speaker 1: think about it, I bet you guys end up doing 1655 01:19:18,160 --> 01:19:22,720 Speaker 1: a song together at some point. Oh I guarantee, yeah, yeah, 1656 01:19:22,720 --> 01:19:26,680 Speaker 1: I'll probably I'll sneak up. Well he's you know, halfway through. No, 1657 01:19:26,920 --> 01:19:30,519 Speaker 1: not on stage stage? Are you slobbering over there? I'm 1658 01:19:30,560 --> 01:19:36,639 Speaker 1: talking about I've got him cry lapping, worried about the fish. 1659 01:19:36,800 --> 01:19:39,120 Speaker 1: Amy's sad for the guppies and we're over here. So 1660 01:19:39,960 --> 01:19:41,640 Speaker 1: my prediction is he'll I'll end up hopping on a 1661 01:19:41,640 --> 01:19:44,320 Speaker 1: Brandley song at some point, I hope, so, man, that 1662 01:19:44,360 --> 01:19:46,879 Speaker 1: would be amazing, that'd be super cool. Well, look, obviously 1663 01:19:46,920 --> 01:19:51,360 Speaker 1: I'm fancy both. Brandley love you. Brandley's the only guy 1664 01:19:51,360 --> 01:19:52,800 Speaker 1: I've ever called out of respect when I was mad 1665 01:19:52,840 --> 01:19:54,680 Speaker 1: at him because I was like, got the song. We 1666 01:19:54,720 --> 01:19:56,559 Speaker 1: did the same song. I know you guys didn't steal it, 1667 01:19:56,560 --> 01:19:58,280 Speaker 1: but I'm pissed, but don't beat me up, and I'm 1668 01:19:58,320 --> 01:20:01,639 Speaker 1: teking friends. One day later, what I did a comedy song. 1669 01:20:01,680 --> 01:20:03,280 Speaker 1: He did a song that was very similar, and I 1670 01:20:03,439 --> 01:20:05,040 Speaker 1: know he didn't there was no stealing of it, but 1671 01:20:05,080 --> 01:20:06,519 Speaker 1: I was just like, I gotta go on the year. Now, 1672 01:20:06,520 --> 01:20:08,400 Speaker 1: I'd say, we didn't steal it from you and now 1673 01:20:09,320 --> 01:20:14,040 Speaker 1: and then, but your song was a joke. Yes, well 1674 01:20:12,400 --> 01:20:15,559 Speaker 1: there's any song. So we did a song with another 1675 01:20:15,600 --> 01:20:19,240 Speaker 1: country guy from named John Party called uh, nobody cares 1676 01:20:19,240 --> 01:20:21,920 Speaker 1: about the opening act, right, that's what it was. Oh, 1677 01:20:21,960 --> 01:20:24,280 Speaker 1: you can't say that a country song. All of the 1678 01:20:24,280 --> 01:20:25,720 Speaker 1: sid you can't say in a country song. And then 1679 01:20:25,760 --> 01:20:28,400 Speaker 1: Brantley and Oh, I'd like they did worst country song. 1680 01:20:28,400 --> 01:20:29,880 Speaker 1: Of all time. I'd like to sit in on that 1681 01:20:30,040 --> 01:20:33,000 Speaker 1: on that uh that writing session. Things you can't say 1682 01:20:33,040 --> 01:20:35,679 Speaker 1: in that country song, but we already did it. Yeah 1683 01:20:35,680 --> 01:20:39,280 Speaker 1: we should. Yeah, I mean I've got I've got songs. 1684 01:20:39,360 --> 01:20:41,320 Speaker 1: It's like, you can't say that in a rock song. Yeah, 1685 01:20:41,360 --> 01:20:44,640 Speaker 1: but different, different, Like when I start songs with I 1686 01:20:44,680 --> 01:20:46,479 Speaker 1: Like your pants around your feet, everyone's like, there's no 1687 01:20:46,520 --> 01:20:48,519 Speaker 1: way they're going to play that on the radio. I'm like, 1688 01:20:48,880 --> 01:20:51,240 Speaker 1: and we're just we're we're joking to each other and like, 1689 01:20:51,240 --> 01:20:53,400 Speaker 1: I'll bet you I can get I bet you I 1690 01:20:53,439 --> 01:20:54,960 Speaker 1: can write a song and it starts off with I 1691 01:20:55,040 --> 01:20:56,960 Speaker 1: like your pants around your feet and I'll bet you 1692 01:20:56,960 --> 01:21:00,000 Speaker 1: we can get it played on the radio two records later. 1693 01:21:00,080 --> 01:21:04,200 Speaker 1: Or I'll bet you that we can put you look 1694 01:21:04,240 --> 01:21:06,280 Speaker 1: so much cuter with something in your mouth in a 1695 01:21:06,320 --> 01:21:08,040 Speaker 1: song and we'll get it played on the radio. And 1696 01:21:08,040 --> 01:21:10,720 Speaker 1: they're like, there's no way in hell you're gonna do that, 1697 01:21:10,800 --> 01:21:12,519 Speaker 1: and they're gonna play it on the radio. Both those 1698 01:21:12,520 --> 01:21:14,439 Speaker 1: songs went to number one at rock radio. I bet 1699 01:21:14,439 --> 01:21:20,840 Speaker 1: you we can murder someone on a microphone. It just continues. 1700 01:21:21,360 --> 01:21:24,599 Speaker 1: He gets bored, so he's like, I bet you, literally 1701 01:21:24,640 --> 01:21:27,280 Speaker 1: you told nicol bet they could just jump from her. Yeah, 1702 01:21:27,680 --> 01:21:30,360 Speaker 1: that's awesome. My point is friendly. I love you and 1703 01:21:30,439 --> 01:21:32,280 Speaker 1: respect you, and that's the only reason I have any call. 1704 01:21:32,320 --> 01:21:33,560 Speaker 1: You'd be like, mayn, now I gotta go onead and 1705 01:21:33,600 --> 01:21:36,240 Speaker 1: steal your song. And I was like, oh, if you 1706 01:21:36,240 --> 01:21:37,719 Speaker 1: if you say anyth bed about me, I'm gonna whop 1707 01:21:37,720 --> 01:21:40,599 Speaker 1: your butt. And I'm like, sorry, sir, you Chad big 1708 01:21:40,640 --> 01:21:43,720 Speaker 1: Ben a fan forever, appreciate you coming in. Really cool 1709 01:21:43,760 --> 01:21:46,519 Speaker 1: to spend some time with you. And guys, go, this 1710 01:21:46,600 --> 01:21:48,519 Speaker 1: is gonna be a rock and show. I mean, this 1711 01:21:48,600 --> 01:21:51,360 Speaker 1: is it's gonna be the guitar tone. There'll be no 1712 01:21:51,400 --> 01:21:55,920 Speaker 1: shortage of tone, of of guitar tone, strong guitar tone here. 1713 01:21:56,280 --> 01:21:59,680 Speaker 1: So I just want everybody like, if you come to 1714 01:22:00,320 --> 01:22:02,400 Speaker 1: you know, if you come to one of our shows, 1715 01:22:02,479 --> 01:22:04,080 Speaker 1: or if you come to this show. I just my 1716 01:22:04,080 --> 01:22:06,439 Speaker 1: my thing is just always like I want people leaving 1717 01:22:06,720 --> 01:22:08,600 Speaker 1: with that big dumb smile on their face. Just go 1718 01:22:08,760 --> 01:22:13,320 Speaker 1: like that from start to finish was fantastic. Yeah. By 1719 01:22:13,360 --> 01:22:17,760 Speaker 1: the way, uh, I'm I'll keep this a secret too. 1720 01:22:17,760 --> 01:22:21,800 Speaker 1: But my my girlfriend saw the opening act last night 1721 01:22:22,600 --> 01:22:25,519 Speaker 1: and she looked at me and she's like, he's he's 1722 01:22:25,520 --> 01:22:29,240 Speaker 1: your open open and I'm like yeah. She's like, I'm 1723 01:22:29,280 --> 01:22:36,200 Speaker 1: like easy, easy, She's like, I'm coming to every show. 1724 01:22:37,960 --> 01:22:41,439 Speaker 1: Good lord woman. Is there a Z in his name? Yeah, 1725 01:22:41,560 --> 01:22:44,000 Speaker 1: but that's a deal. Okay, Look you two, Thank you, 1726 01:22:44,040 --> 01:22:46,120 Speaker 1: appreciate you coming in. Been awesome to talk to you. 1727 01:22:46,600 --> 01:22:48,920 Speaker 1: Brandley Gilbert and Chack Kruger from Nickelback. Thank you guys. 1728 01:22:48,960 --> 01:22:50,880 Speaker 1: Go watch the show to get roll onto our tickets 1729 01:22:50,880 --> 01:22:54,040 Speaker 1: on sell today ten am local time, Live Nation dot Com. 1730 01:22:54,680 --> 01:22:58,479 Speaker 1: It's the Best Bits of the Week with Morgan number two. 1731 01:22:59,640 --> 01:23:02,360 Speaker 1: Thank you so much for listening this weekend and hanging 1732 01:23:02,360 --> 01:23:05,479 Speaker 1: out with me every weekend. If you're a consistent Best 1733 01:23:05,479 --> 01:23:07,519 Speaker 1: Bits listener, and I hope you say if this is 1734 01:23:07,520 --> 01:23:11,599 Speaker 1: your first weekend listening, but I love spending saturdays with y'all, 1735 01:23:11,600 --> 01:23:13,680 Speaker 1: but particularly with one of the other show members and 1736 01:23:13,680 --> 01:23:15,960 Speaker 1: getting caught up on our lives and just sharing some 1737 01:23:16,000 --> 01:23:17,920 Speaker 1: stories with ya all that maybe didn't make it to 1738 01:23:17,960 --> 01:23:21,160 Speaker 1: the show or we get a share here for different reasons. 1739 01:23:21,200 --> 01:23:23,479 Speaker 1: So this weekend, the part one is with Eddie and 1740 01:23:23,520 --> 01:23:25,920 Speaker 1: those are always some of my favorite conversations because it's 1741 01:23:25,920 --> 01:23:30,479 Speaker 1: like Eddie's and I once every other month catch up time. 1742 01:23:30,560 --> 01:23:32,640 Speaker 1: And it's super fun for us, so definitely check out 1743 01:23:32,640 --> 01:23:35,320 Speaker 1: out Best Bits Part one. But again, thank you guys. 1744 01:23:35,360 --> 01:23:37,400 Speaker 1: I hope you have a fabulous weekend. You can follow 1745 01:23:37,400 --> 01:23:39,439 Speaker 1: me on all the things at web Girl Morgan. You 1746 01:23:39,439 --> 01:23:42,160 Speaker 1: can also follow the show at Bobby Bones Show. It's 1747 01:23:42,160 --> 01:23:44,600 Speaker 1: all up. There are lots of content on both platforms 1748 01:23:44,640 --> 01:23:47,000 Speaker 1: and I hope you guys enjoy everything. I love y'all 1749 01:23:47,080 --> 01:23:47,320 Speaker 1: buying