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Speaker 1: Well, welcome back to another episode about this. I'm your host,

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Speaker 1: Kevin probably get back Vin Pobla was that, well, I

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Speaker 1: am the host of this episode. So that the rest

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Speaker 1: let's meet in the shallow, you know, to kick the order.

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Speaker 1: Let's first go to Craig Atkowski for his summer activities

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Speaker 1: review corners account. Um, hm, a little bit of reading.

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Speaker 1: Try to do about a half hour every day, a

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Speaker 1: whole half hour, an entire half hours. As I round

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Speaker 1: up to a half hour, I think like twenty three

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Speaker 1: minutes is pretty close. Um. Went to five guys a

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Speaker 1: few times. Best fries in the world. Yeah, good fries,

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Speaker 1: good fries. Get a get a medium. That's enough for

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Speaker 1: two people, way enough, it's enough. It's enough for two people. Yeah.

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Speaker 1: I've tried the cageswie once, big mistake. Oh, you don't

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Speaker 1: do it, don't do it. I played mini golf once,

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Speaker 1: did you. Yeah, that were lifetime or in my in

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Speaker 1: my life. Yeah, it was about twelve years ago. Appreciate

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Speaker 1: This concludes the Summer Activities Report. Yeah, please say hello,

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Speaker 1: Chris Anthony Alvarado all spice, please share any memory from

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Speaker 1: a past summer. Um. My birthday is in August and

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Speaker 1: um when I was fifteen years old, I begged my

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Speaker 1: dad to have a beach party. Not only that, I

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Speaker 1: begged him for a brand new surfboard. When I was

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Speaker 1: fifteen years old, I was about five two. He my

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Speaker 1: dad is a good man, worked hard as entire life,

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Speaker 1: does not have a bunch of disposable income. Yet he

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Speaker 1: bought tents and multiple six ft subway sandwiches and bought

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Speaker 1: me a surfboard that I never ever used. And every

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Speaker 1: and everybody came, and it was it was a real success.

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Speaker 1: Except that I think about that party a lot, and

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Speaker 1: I think my dad, he didn't have to do all that.

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Speaker 1: You know what I mean, you know what, fuck dude,

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Speaker 1: I want a piece of shit. I am anyway. I mean,

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Speaker 1: you could say the money now you asked? No, no, no, no, no,

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Speaker 1: no no oh. That's the sweetest thing ever in the house. Again,

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Speaker 1: it's Jackie Gonzala's birthday. Daring and hilarious. How's your August

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Speaker 1: shaping up? My August is shaping up quite nicely. Um,

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Speaker 1: it's August four and I'm already liking it. This is

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Speaker 1: a this is a high high birthday birthday month. I

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Speaker 1: just found out it's Chris Chris's birthday. That's so exciting.

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Speaker 1: It's my best friend Jackie's birthday on the fourteenth. It's

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Speaker 1: my sister's birthday on the fifteen. Can I ask for more? Like?

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Speaker 1: What a fun celebration? Um, Jamie's best friend Jackie's on

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Speaker 1: the nineteenth. I love that, And I love that her

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Speaker 1: best friend's name is Jackie. I really love other Jackie's. Yeah, yeah,

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Speaker 1: that's great. That's so exciting. Yeah, Craig, every every Craig

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Speaker 1: I know two years older, know any other Craigs. You're

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Speaker 1: the only Craig I've ever met. Wow, it's like a

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Speaker 1: highlander thing. They have to kill each other. I don't

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Speaker 1: get that. I don't know. Uh, I don't bother putting

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Speaker 1: it on the film Watcher's list. And now, Mr James Heeney,

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Speaker 1: Julius Joe, what's it gonna take to get you to

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Speaker 1: ride a horse again? Uh? Well, the last time I

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Speaker 1: felt pretty foolish because I was surrounded by people that

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Speaker 1: rode horses regularly, that were family, and I was like,

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Speaker 1: I was like, I'm doing and I'm doing it, and

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Speaker 1: they were just kind of walking with the horse next

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Speaker 1: to me. And afterwards I felt like an idiot. So

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Speaker 1: I probably will never ride a horse again, unless if

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Speaker 1: I book a roll, I'll act like an adult and

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Speaker 1: I'll act like a cowboy. You know what, you can

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Speaker 1: trust me. If you're booking like cowboy man in a

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Speaker 1: cowboy movie, I can do that. You're acting out the

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Speaker 1: oldest audition adage I've ever heard, which is this role

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Speaker 1: call calls for horseback riding? Do you ride? And the

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Speaker 1: answer should always be anybody, yes, like a cowboy. More specifically,

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Speaker 1: I have a saddle in my trunk. Trunk, that's the

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Speaker 1: answer we were looking for. And last, but too many

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Speaker 1: Apple pods for you. If you think of least, it's

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Speaker 1: Joey Greer, Dr Duress. What's that thing that you imagined

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Speaker 1: was in your closet as a youngster. Oh my gosh.

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Speaker 1: I was just having this conversation. So I meet with

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Speaker 1: a group of people. Were like, it's it's not a

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Speaker 1: book club, per say, well, we did. Everyone brings a book,

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Speaker 1: but it's every all the every page there's it's blank.

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Speaker 1: There's nothing in the book which would make you think

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Speaker 1: like is it a diary or is it a calendar?

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Speaker 1: It's neither of the two. And uh, it's it's it's

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Speaker 1: it's actually answered. You should try this. So you have

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Speaker 1: a book, it's got no pages, it has pages but nothing.

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Speaker 1: We're on the page and you're like, I want to

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Speaker 1: write something in there, but you don't want to. What

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Speaker 1: you're doing is you're putting your memories on the page.

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Speaker 1: So you look at that page and then you think

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Speaker 1: about the day today, and then that he is on

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Speaker 1: the page. Every time you go to that page, you're like,

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Speaker 1: I remember, you know, January whatever. But so so we're

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Speaker 1: curious of the Patriot. If you're thinking about being a

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Speaker 1: Patron supporter, you would get a chance to see the

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Speaker 1: video of all of us checking our phones at the

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Speaker 1: and now let's do a damn show all of our

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Speaker 1: scene suggestions together from your listener emails or from our

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Speaker 1: patron v I ps to become a patient supporter and

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Speaker 1: see that exact video as I suggested, Please head on

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Speaker 1: over to patron dot com slash alchemy. There is you

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Speaker 1: would like to submit a scene suggested by email. Please

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Speaker 1: please love to read them, love to reply to them.

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Speaker 1: Can't wait for James to help me with some of

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Speaker 1: this And our new email address snooish no longer new Alchemy.

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Speaker 1: This email gmail Dotcomma's alchemy. This email my mom. My

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Speaker 1: mom loves his part by the way she lets me

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Speaker 1: do that. She just she just told me. She's like,

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Speaker 1: it is a thing we do for ourselves. So it's

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Speaker 1: nice to hear that anyone is enjoying it, in my opinion,

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Speaker 1: So thank you Chris's mom. Also her handle cast hangs

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Speaker 1: love You Seen. One comes from patron v I p Andy,

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Speaker 1: who wrote scene suggestion exclamation BOYT Hello again. I hope

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Speaker 1: you will consider this one. I finally saw the movie

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Speaker 1: Silence of the Lambs, and I got me thinking, what

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Speaker 1: if Hollywood remade Silence and the Lens, but this time

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Speaker 1: for kids. Thanks for all the laughs, Thanks for all

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Speaker 1: you guys do and take care. And so we're gonna

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Speaker 1: throw it down into this ball pit here and uh yeah,

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Speaker 1: and I think that it looks it looks nice. I

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Speaker 1: don't see what the problem is. My everybody's getting so upset.

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Speaker 1: You you don't see why the children's bullpit. Kids love

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Speaker 1: being in bullpits. Here's the thing, It's it's less the

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Speaker 1: kids being upset and more the parents. Because the lotion

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Speaker 1: that's later thrown into the ballpit is not parabin free

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Speaker 1: and these parents are really really concerned about what goes

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Speaker 1: on their children's skin. Oh well, I really okay, I

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Speaker 1: don't know. I feel like I'm connected to the lotion

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Speaker 1: that I've thrown in there and kind a sponsor. Oh news,

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Speaker 1: kids do not like kids do not want to eat

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Speaker 1: the fava beans. What? Oh that is an issue a

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Speaker 1: signature line. Uh. They said they'll eat um um jelly

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Speaker 1: beans and that was it. That's why don't we try

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Speaker 1: to feed him human flesh? Wait, Thompson, I'm sorry, I'm sorry.

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Speaker 1: Don't listen to him. He's advising, um, but I don't know.

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Speaker 1: So then maybe we should listen to him. If he's

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Speaker 1: through a lot of the things he says, I don't

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Speaker 1: know if you want to hear he's a little edgy.

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Speaker 1: I thought he was just shadowing today, he's also advising. Honestly,

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Speaker 1: he's the inspiration. Uh. He's a big funder. I wouldn't

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Speaker 1: have the money to make this film without him. But

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Speaker 1: I feel like maybe we should listen to what he

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Speaker 1: has to say. So you doing here if you're talking

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Speaker 1: to him? Oh? Good point. Look this is a production meeting. Okay.

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Speaker 1: Also just say really quick while we're still focused on production.

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Speaker 1: Hannah h and Billy both got sick off of the keyanti,

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Speaker 1: So if we could switch it out for grape juice,

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Speaker 1: we can still call it Kianti. But I don't think

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Speaker 1: that's grape juice is a good idea for these children either,

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Speaker 1: a little too sugary. Yeah, let's just go being at

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Speaker 1: the sun set a sailboat. Sorry, I apologize, um, unless

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Speaker 1: you guys really want to hear from them. Yeah, I mean,

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Speaker 1: I've taken my kids to different auditions, but this is

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Speaker 1: the first role that he's booked, so it's kind of

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Speaker 1: you know, it's not but you know, we I mean,

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Speaker 1: he this is a fact my son wants to do.

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Speaker 1: This child is very talented. Yes he is, Yes he is.

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Speaker 1: He's very good. Sorry, depth a depth that other children lack. Yeah. Yeah,

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Speaker 1: he's tall, so as a as your kid, uh here

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Speaker 1: as well they and then in the movie here. I

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Speaker 1: do not have a child on the movie. No. Okay, okay,

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Speaker 1: you do production, will you right? You write you writer,

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Speaker 1: I'm affiliated with the production producer. Producer. Okay, the guy

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Speaker 1: I want to be talking. You know my mind. Blood

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Speaker 1: can do a lot of stuff. You can, you can,

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Speaker 1: you can run, you can, Um, I'm gonna be honest

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Speaker 1: with That's all I can do. All right. He's not

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Speaker 1: the best, you know, but but but with with the

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Speaker 1: right training, right right, the right push, I think I

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Speaker 1: think we got a new uh Leonardo DiCaprio. Here, you

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Speaker 1: had an Italian cold pressed sub for lunch. Yeah, yes

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Speaker 1: I did. Yeah, you know, with Genoa salami and Capricola genoa.

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Speaker 1: I don't know if that's how you say it, but yeah,

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Speaker 1: it was a meat sub. Pop that bad boy in

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Speaker 1: there and I went to there, what's that little day?

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Speaker 1: I'll tell you this. Don't ever get a fountain drink, Okay,

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Speaker 1: always get it in a sealed bottle. I learned that

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Speaker 1: the hard way. But yeah, so if you, I mean,

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Speaker 1: if you look at new projects to produce, I mean

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Speaker 1: I got ideas. I got this one idea with my son.

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Speaker 1: Is this skin your own? Yeah? Well you'll pinch right there,

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Speaker 1: Yeah it is. They pinch So you want it's supple

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Speaker 1: to the touch? Yeah? Okay, Hannah Age, Hannah Age, can

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Speaker 1: I see you for one second? Okay, Hannah, so um,

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Speaker 1: we want to just kind of fill you in. So

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Speaker 1: the next thing we're gonna do is a scary scene.

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Speaker 1: How do you feel about that? Yes, ready, okay, ready, great,

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Speaker 1: can you we're changing some of the lines. Okay, okay, okay. Um.

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Speaker 1: So for instance, this one here, it's not gonna say, um,

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Speaker 1: I have to go peepies. I have to go pee

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Speaker 1: That's how I was gonna do. I have to go

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Speaker 1: peepies and then you have to pepees. I have to

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Speaker 1: go poopies. Good, Hannah, keep going, I had to go pop.

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Speaker 1: How old is Hanna age? Well, she's she's eighteen to

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Speaker 1: play younger, so we can came for the long eighteen.

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Speaker 1: She was drunk on canty earlier. You got drunk? What

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Speaker 1: do you think she's cute or something like? What you what? No,

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Speaker 1: we're talking about you have the medical tent. It's gonna

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Speaker 1: hammard on Kane. It's like a bad canty or whatever.

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Speaker 1: I feel like she and I are kind of hitting up.

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Speaker 1: If you want to take called DIBs, called dips, called

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Speaker 1: what were you talking about? Dude? Yeah? So you know Sean,

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Speaker 1: what's up? Dude? Are you? Oh? Here we go? You're

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Speaker 1: disappointed to me again? Yes, it's fucking disturbing. Man sick.

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Speaker 1: She's eighteen to play younger. Okay, he says, holy God,

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Speaker 1: what the hell? Man, Sean, you gotta get out of here.

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Speaker 1: You gotta get out of here. I'm a script supervisor,

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Speaker 1: not anymore. What do you mean now, you're you're steering

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Speaker 1: wheel supervisor. Get out of here. I'm on transpo. No,

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Speaker 1: you're gonna be driving out of the lot all right

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Speaker 1: to where. I just feel this innocent remake of Silence

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Speaker 1: of the Lambs has turned way dirtier than I expected.

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Speaker 1: What did you expect? I don't know, fun Silence So

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Speaker 1: the Lambs. Sorry, we're not we're not pronouncing. We're not

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Speaker 1: pronouncing to be in it. Oh good? So the original

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Speaker 1: one oscars for Best Picture, Best Scream, Best Director, Best Actor,

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Speaker 1: Best Actress. That's why I wanted to remake it with

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Speaker 1: this right, so it has to be somewhat similar to

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Speaker 1: the original. Otherwise you're gonna lose all those kids parents

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Speaker 1: who we also need to bring them. I guess it's

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Speaker 1: just not the vision I had right specking up the

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Speaker 1: kids parents of Billy's dad has just been um coming

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Speaker 1: up to me and reading sides. I think he thinks

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Speaker 1: that he's auditioning. He doesn't listen to me. Can one

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Speaker 1: of you guys talk to It's like he's just Keith.

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Speaker 1: You want to get on that and you talk to me,

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Speaker 1: you might respond better to you. Keith. Yeah, I mean

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Speaker 1: I thought I was a puffic, so I'm not. No, no, no, no,

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Speaker 1: no no, that's not what I'm saying. Okay, well, I'll

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Speaker 1: deal with Billy. Thank you. I'll tell you what. This

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Speaker 1: is kind of one of my problems, the backer of

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Speaker 1: the financial side of this that has really brought me here.

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Speaker 1: He's kind of creeping me out. And he's got a

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Speaker 1: friend's name anyway, he's got him and his friend are

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Speaker 1: on set, and I think, what's his friend's name. It's

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Speaker 1: odd and awkward and coincidental, but his friend's name is Hannibal. Um, Hannibals,

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Speaker 1: that's his friend. I'll keep an eye out. I'll keep

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Speaker 1: an eye out for him. Is he looking for like

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Speaker 1: the next Bill Cosby kind of thing? M hmm. I

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Speaker 1: think you'd be best to just meet Hannibal yourself. I'll

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Speaker 1: find Billy. And then my dad said, if I ever

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Speaker 1: have found drinks, I should spit it out. Do you

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Speaker 1: know what he's going to be back against, sir? Um, No,

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Speaker 1: I'm not. I'm talking to the child. I'm talking to

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Speaker 1: the child. I've been told to speak with Billy kind of.

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Speaker 1: It was a production meeting with some people, and I

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Speaker 1: was gonna try to work with Billy and well and

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Speaker 1: maybe you could talk to them, because I think maybe

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Speaker 1: they've got some things to talk to you about. I'll

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Speaker 1: stand across the room and listen from there. My hearing

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Speaker 1: is very sharp, of course it is. Okay, So Billy, um,

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Speaker 1: how how how do you feel here in Hollywood? Okay?

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Speaker 1: You freaked me out. I freaked you out. You're that guy.

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Speaker 1: That guy creeps me out. You're creeping the kid out.

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Speaker 1: I'm the problem here. This whole sets filled with creepers,

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Speaker 1: and I'm the guy, Reggie. I don't want to have

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Speaker 1: to do this, but I have to fire you. You

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Speaker 1: completely crept out, Billy. I don't know why you even

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Speaker 1: were talking to him. I told you his dad was

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Speaker 1: the problem. You're not supposed to talk to the children.

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Speaker 1: I was really certain people who can talk to the children,

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Speaker 1: and then everyone else can. That's inappropriate, talk to the children.

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Speaker 1: You're gonna talk to the children. He's allowed. Oh second,

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Speaker 1: I don't know this is but I really to talk

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Speaker 1: to the children. I know you're doing. I'm excited for me.

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Speaker 1: But again, hey man, you got fired too. Yeah, this

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Speaker 1: is ridiculous. You don't have to leave. I'm not gonna

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Speaker 1: leave really. Yeah. M dude, you're like, are they still

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Speaker 1: gonna pay us pay? Who cares about pay? Man? We're

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Speaker 1: making art here. You're a visionary yeah yeah, and you

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Speaker 1: have a for how this film should be. Mr Hannible.

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Speaker 1: I got all the kids out and I locked down

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Speaker 1: the entire set. What do we do now? Good? Good,

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Speaker 1: Billy good, Now, I'm going to fry pieces of your

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Speaker 1: brain and a skillet. Yep, it really was. It's not

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Speaker 1: four kids, it's with kids. That's what they got yet

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Speaker 1: scene too, So I'm listener. Danny Tanner, who wrote he

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Speaker 1: thought I dropped a line to your Newish email addressed

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Speaker 1: hopefully this is the scene I suggest that it's finally

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Speaker 1: really funny. Oh Danny, we love you. We've read your

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Speaker 1: scenes before. I'm not sure why all the two here now.

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Speaker 1: Danny's scene suggested pool side with the Coke Doctor from

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Speaker 1: Danny in Cess Sascat your one sat on Jesus Saskatchewan.

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Speaker 1: It's been too long since I've read that word Saskatchet. Juan. Yeah,

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Speaker 1: nice Martini, thank you thank you for Would you like

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Speaker 1: anything else? Can you put this solution on my back?

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Speaker 1: Of course? Baby baby likes it on the back. So yeah, Hey,

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Speaker 1: did they have any snacks or something for someone? Yes?

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Speaker 1: Would you like me to put an organ for some snacks?

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Speaker 1: I would thank you? It was cool. Would I mean

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Speaker 1: to warm up the motion before I put it on?

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Speaker 1: Thank you? Yes, snacks? Do you have a menua something

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Speaker 1: slipping out of my hands? Menus? Just grabbb grabbit thank you.

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Speaker 1: Let's see. I would like the side of nuts it was,

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Speaker 1: and maybe coke. We're taking some coke coke? Alright, I

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Speaker 1: have most of the lotion on my arms and shoulders,

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Speaker 1: so let me just on your back now the whole

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Speaker 1: way that's on me heavy, just well, his full body

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Speaker 1: writhing on me, full boy, Just go okay, don't look,

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Speaker 1: but kind of look, but don't let them see that

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Speaker 1: you're looking. Do you know who that is over there?

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Speaker 1: That know what that guy over there? Don't? I'm sorry,

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Speaker 1: I'm sorry. Christ You know you know the word we

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Speaker 1: use for this vacation was say it with me relaxed. Yeah, yeah,

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Speaker 1: I don't. I can't relax when you're blowing our cover,

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Speaker 1: when you're pointing everywhere when you're being a freaking goofball,

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Speaker 1: just tell me who he is. Ted. He's a doctor, okay,

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Speaker 1: a very famous doctor, like so famous you can you

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Speaker 1: know who he is on site? Exactly? Yes? Yes, okay,

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Speaker 1: now I'm gonna I don't know any famous doctors doctor Oz,

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Speaker 1: Dr phil Rich Kimball. Okay, so you do the famous

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Speaker 1: Dr Drew sus Pepper. Okay, you know is this working?

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Speaker 1: Is this weekend working for us? Relaxation? Relaxation? Hey? Are

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Speaker 1: you all using this towel? Yes, we're laying on it. Yes,

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Speaker 1: we're just getting it. If you're not using it, and

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Speaker 1: stop that. It's my towel, come home. Not a lot

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Speaker 1: of other towels, and you gotta have a key car

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Speaker 1: to get one. How did this guy get into this resort?

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Speaker 1: How are you? What room are you in? Sir? That's

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Speaker 1: a ship Okay, okay, let me take care of this,

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Speaker 1: thank you. I'm not the problem man's towel. It's not

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Speaker 1: his towel. I would try to bite my neck. I

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Speaker 1: did not. I did not try to. You'd know if

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Speaker 1: I was biting your neck, you would know. You would

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Speaker 1: know it feels good. She's a vampire. Night vampire, so

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Speaker 1: she can't be outside to night. I am not a

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Speaker 1: vampire part of me something? Okay? Is that who I

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Speaker 1: think it is? Are you doing with the coach? Doctor? Yeah,

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Speaker 1: of course that's who it is. But you know what

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Speaker 1: the doctor from TV? Yes, you know what I've said

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Speaker 1: too much? Get up and let this man have his towel.

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Speaker 1: I need to keep my pretzels. War what what I

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Speaker 1: need the towel to keep my pretzels? Okay? One, we

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Speaker 1: all pull our room keys. Why don't we all pull

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Speaker 1: our room keys? What do you say? Sure? Sure? Did

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Speaker 1: you just slip into an accent? Are you kidding? Maybe?

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Speaker 1: What is happening over there? Maybe everybody making a big

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Speaker 1: deal that you're here. I don't understand why. I don't

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Speaker 1: understand either. We give you big glasses, we give you

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Speaker 1: a fake nose, fake mustache and head. It's not usually bad.

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Speaker 1: You think that this disguise would work. Excuse me, I'm

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Speaker 1: so sorry to bother you while you're on vacation. Yes,

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00:22:36,200 --> 00:22:39,439
Speaker 1: of course, um, but I know you're a doctor, and

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Speaker 1: my vacation is being ruined because my little girl's gotten sick,

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Speaker 1: and I was wondering maybe you could prescribe something for her. Yes,

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Speaker 1: of course, of course we can. Yes, but I would

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Speaker 1: need to examine. Maybe we don't vacation. I don't want

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Speaker 1: to be doctor this weekend. I want you to be hot,

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Speaker 1: sexy lover. But as I don't know what the hell happened.

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Speaker 1: But our daughter has pitched me sixteen different movie ideas

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Speaker 1: in the past eight minutes. All right, so I don't

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Speaker 1: know what that doctor did. She's feeling better. She's feeling better.

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Speaker 1: I guess, I guess, But were okay? Okay, sounds a

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Speaker 1: little answer kids. It sounds like anwer kids idea. No,

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Speaker 1: we're not gonna do that. Do it greenlight? No, we're

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Speaker 1: not hand up, we're not green lighting that. Put me

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Speaker 1: in it. No we're not not We're not gonna put

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Speaker 1: you in it. Okay. Starring Hannah m I thought you

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Speaker 1: wanted to be a volleyball player, gap, Yes, also a

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Speaker 1: volleyball player. Also a remake of Rocky, But he's a

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Speaker 1: volleyball player. Tag, you're it. I think his shoulder dislocated.

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Speaker 1: I think his shoulder dislocated. Hey, you wear my shoes.

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Speaker 1: Shoes man, kid? You want me to reset that shoulder.

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Speaker 1: I'm not as young as they look. I'm I'm actually eighteen.

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Speaker 1: I'm in college. Double What the hell is this? I

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00:24:20,320 --> 00:24:23,520
Speaker 1: am pre med. Yeah, that's my chosen field. Yeah that

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00:24:23,560 --> 00:24:27,040
Speaker 1: I'm going to be um. Yeah, but you look so young?

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Speaker 1: Yeah I know, yeah, I look really really young. The

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Speaker 1: voicesn't help, but I think I can reset your shoulder. Okay,

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00:24:37,119 --> 00:24:41,159
Speaker 1: so on account of three, take a deep breath. One

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00:24:42,400 --> 00:24:59,960
Speaker 1: to three other shoulders shoulders shoulder, God damn sucks double

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00:25:00,080 --> 00:25:03,720
Speaker 1: nodded as well, how do you get these on? Just

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00:25:03,920 --> 00:25:09,080
Speaker 1: get this go my mom? Com I don't know. Hey,

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00:25:09,119 --> 00:25:12,159
Speaker 1: I ain't calling your mom. Man, let me just keep

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00:25:12,320 --> 00:25:18,399
Speaker 1: this kill your mom? And I just said, are you

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Speaker 1: gonna go down that? I got money? I got money,

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00:25:21,640 --> 00:25:27,200
Speaker 1: I got cash, I got cash, you got you got cash? Yeah?

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Speaker 1: Eyes on me, baby. I know that that small child

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Speaker 1: seems to be in wild distressed, lots of pain, but

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Speaker 1: please no, it's on me. That's so he is responsible

375
00:25:36,720 --> 00:25:39,520
Speaker 1: to just sit in unless this chance to film. It

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00:25:39,640 --> 00:25:43,480
Speaker 1: is irresponsible to waste your vacation on back to work.

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00:25:44,000 --> 00:25:46,919
Speaker 1: That's your responsible. You know what this delling Let the

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Speaker 1: child die. I don't think it's going I don't want

379
00:25:50,920 --> 00:25:56,159
Speaker 1: it to die. It's not like he's bleeding. Excuse me, folks,

380
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Speaker 1: I know that you're on vacation. I'm on vacation too.

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00:25:58,800 --> 00:26:02,440
Speaker 1: I just wanted to say that I'm a big fan.

382
00:26:03,080 --> 00:26:06,200
Speaker 1: I love your show and you're you're the Coke Doctor

383
00:26:06,200 --> 00:26:11,479
Speaker 1: and you're Angel Leak. Yes, we have found out friends,

384
00:26:11,840 --> 00:26:15,920
Speaker 1: disguises did not work, but we always like to hear

385
00:26:16,119 --> 00:26:18,600
Speaker 1: from a fan. Can you tell you if that child

386
00:26:18,640 --> 00:26:23,359
Speaker 1: over there is I think he has two dislocated shoulders

387
00:26:24,080 --> 00:26:28,160
Speaker 1: from Yeah, he's just real floppy right now, real floppy.

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00:26:28,359 --> 00:26:31,560
Speaker 1: Serious discount, I imagine, But maybe I could help do

389
00:26:34,040 --> 00:26:35,960
Speaker 1: I just I don't even know why we do all

390
00:26:36,000 --> 00:26:37,840
Speaker 1: these disguises. If all you want to do is go

391
00:26:37,920 --> 00:26:40,720
Speaker 1: help people. I shaved my head to put my hair

392
00:26:40,880 --> 00:26:45,359
Speaker 1: onto your head and nineties seconds, that's all I ask.

393
00:26:45,480 --> 00:26:50,359
Speaker 1: Excuse me, child, Yeah, put just a little dennispoon on

394
00:26:50,480 --> 00:26:57,359
Speaker 1: the Annasta. Lenry does. This is incredible. He just he

395
00:26:57,400 --> 00:26:59,720
Speaker 1: doesn't just do it for TV. There's no cameras around,

396
00:26:59,720 --> 00:27:02,560
Speaker 1: and he really does give cocaine as a solution to

397
00:27:02,680 --> 00:27:07,960
Speaker 1: every medical problem. Oh my god, I feel great. Look

398
00:27:08,040 --> 00:27:09,879
Speaker 1: I have his chealities and now I go back to

399
00:27:09,920 --> 00:27:18,560
Speaker 1: my town. Oh flippy, floppy, flippy floppy pain free. He's done. Okay,

400
00:27:18,600 --> 00:27:24,359
Speaker 1: here are your nuts and uh, you just touched his nuts?

401
00:27:24,920 --> 00:27:29,960
Speaker 1: Yes I did. Here you're nuts and you touched his nuts?

402
00:27:30,040 --> 00:27:31,840
Speaker 1: Yes I did, Yes I did. Let me just cook

403
00:27:31,880 --> 00:27:38,240
Speaker 1: at your seen to. It's gotta be seen to. What

404
00:27:38,400 --> 00:27:48,040
Speaker 1: a fucking we are. I'm so happy seen three yes

405
00:27:48,040 --> 00:27:51,560
Speaker 1: from patron Happy Haydn, who wrote hello again, I have

406
00:27:51,680 --> 00:27:55,800
Speaker 1: an unconventional scene suggestion format. If Lord Pollock permits, Well,

407
00:27:55,840 --> 00:27:58,600
Speaker 1: it's been that kind of day. Try a scene that

408
00:27:58,720 --> 00:28:03,480
Speaker 1: starts with the statement, I don't know, dude, I just

409
00:28:03,520 --> 00:28:06,000
Speaker 1: can't look at you the same since I walked in

410
00:28:06,119 --> 00:28:18,320
Speaker 1: on you blank xo XO, so I was talking to

411
00:28:19,000 --> 00:28:21,200
Speaker 1: my man. We gotta stop real quick. So yeah, you

412
00:28:21,280 --> 00:28:25,720
Speaker 1: have to start start seeing with the line kel of course,

413
00:28:26,520 --> 00:28:28,480
Speaker 1: say we're taking that back. I don't know, dude, I

414
00:28:28,520 --> 00:28:33,720
Speaker 1: just can't look the same sense here we go. Have

415
00:28:33,800 --> 00:28:41,000
Speaker 1: you noticed that, like a lot of these things, either

416
00:28:41,040 --> 00:28:43,480
Speaker 1: do the either start with the line? Is there a

417
00:28:43,480 --> 00:28:48,080
Speaker 1: problem with the script? Is that the what's what's going on? Well? No,

418
00:28:48,120 --> 00:28:50,400
Speaker 1: I just I didn't have the first page. I'm sorry,

419
00:28:50,400 --> 00:28:54,000
Speaker 1: it's I'm supposed to be here then, mm hmmm, mm

420
00:28:54,040 --> 00:28:59,320
Speaker 1: hmm okay, m yeah, I was number seven on the

421
00:28:59,360 --> 00:29:01,920
Speaker 1: call sheet. I would like to speak on behalf of

422
00:29:01,960 --> 00:29:07,240
Speaker 1: the entire cast of saying how could you treat you

423
00:29:09,160 --> 00:29:13,760
Speaker 1: have the first page? So may I ask you? Is

424
00:29:13,800 --> 00:29:20,280
Speaker 1: every day going to be this unperfected? I, for one,

425
00:29:20,320 --> 00:29:24,160
Speaker 1: if memorized my lines? Does anyone have the first page?

426
00:29:25,400 --> 00:29:30,920
Speaker 1: Sliding in? First page? Uh? Oh my god, Oh my god,

427
00:29:31,120 --> 00:29:35,200
Speaker 1: my god. Okay, okay, poked my eye out? Why did

428
00:29:35,200 --> 00:29:38,880
Speaker 1: you do that? Can't some cocaine? Oh my god, I

429
00:29:39,000 --> 00:29:41,920
Speaker 1: mean cocaine? What the hell is this man? A doctor?

430
00:29:42,440 --> 00:29:45,760
Speaker 1: I mean the doctor? Oh my eye? I mean you're

431
00:29:45,760 --> 00:29:52,560
Speaker 1: not actually in this scene anyway? So so are we

432
00:29:52,680 --> 00:29:54,920
Speaker 1: are we beginning with I don't know, dude, or are

433
00:29:54,960 --> 00:30:00,920
Speaker 1: we not? Well, we aren't. This is his line, So

434
00:30:01,080 --> 00:30:04,000
Speaker 1: but we we should be's turning with that? Uh? I

435
00:30:04,040 --> 00:30:07,040
Speaker 1: mean the production I'm waiting for my queue and then

436
00:30:07,080 --> 00:30:09,680
Speaker 1: I'll play the scene. I'm gonna say I'm not going

437
00:30:09,760 --> 00:30:15,840
Speaker 1: to say that action, I'll say the line, okay, thank you, yes,

438
00:30:15,880 --> 00:30:18,400
Speaker 1: already infected. I don't think I'm gonna be able to

439
00:30:18,440 --> 00:30:21,280
Speaker 1: work with him crying in the back. Either get him

440
00:30:21,320 --> 00:30:26,640
Speaker 1: some cocaine or get him out of here. I'm ready

441
00:30:26,680 --> 00:30:30,800
Speaker 1: to play the scene. We'll just go with it. Speak

442
00:30:30,880 --> 00:30:37,560
Speaker 1: the speech, I pray you. Can you say the magic word? Director? Sorry? Action?

443
00:30:38,200 --> 00:30:48,600
Speaker 1: Actually the funk? Are you? Yeah? Even your name? I

444
00:30:48,680 --> 00:30:52,840
Speaker 1: have my badge here? Uh yeah, even if it's on

445
00:30:52,840 --> 00:30:55,600
Speaker 1: this set. I mean, it can't be any less secure

446
00:30:55,600 --> 00:30:57,560
Speaker 1: than that guy. Look at his eyes hanging out of

447
00:30:57,560 --> 00:31:04,800
Speaker 1: his head. See the medic dude, Monica, I haven't seen.

448
00:31:04,840 --> 00:31:08,080
Speaker 1: I know you're directing a film here this afternoon. But

449
00:31:08,120 --> 00:31:11,400
Speaker 1: we have a couple of questions from the studio. Studio

450
00:31:12,080 --> 00:31:15,160
Speaker 1: I love questions. Great. Um, so how do you feel

451
00:31:15,200 --> 00:31:18,040
Speaker 1: how do you feel productions going? Um? It's a little

452
00:31:18,080 --> 00:31:21,000
Speaker 1: messy right now, but I think we're on the up

453
00:31:21,040 --> 00:31:24,880
Speaker 1: and up and we are looking good. Schedule wise, it

454
00:31:24,920 --> 00:31:28,120
Speaker 1: looks like we might go maybe two days over the

455
00:31:28,200 --> 00:31:32,680
Speaker 1: projected uh shoot time, but everyone seems on board. Yeah, okay.

456
00:31:32,920 --> 00:31:35,240
Speaker 1: Second question, who do you think would be a better

457
00:31:35,280 --> 00:31:45,160
Speaker 1: director for this project? Hypothetically? I mean, I can tell

458
00:31:45,200 --> 00:31:48,640
Speaker 1: you who my favorite directors are. Yeah, let's start with

459
00:31:48,640 --> 00:31:54,560
Speaker 1: that J. J Abrams Nolan. But I don't think that

460
00:31:54,600 --> 00:31:58,400
Speaker 1: they would do this better. Um, necessarily, they just happen

461
00:31:58,400 --> 00:32:01,280
Speaker 1: to be my favorite. Mr. We have J. J Abrahms

462
00:32:01,320 --> 00:32:03,520
Speaker 1: on the phone. Thank you so much. I'll take you now.

463
00:32:04,160 --> 00:32:10,520
Speaker 1: Jj H. What's happening? What can do for Anyboddy? What's

464
00:32:10,560 --> 00:32:14,840
Speaker 1: going on? It's Mr Sherbert Gredge talked to you again,

465
00:32:15,240 --> 00:32:21,080
Speaker 1: Mr s. What's happening? Uh? Listen? Um hypothetically, would you

466
00:32:21,200 --> 00:32:24,960
Speaker 1: be able to all by lay? Monica's here? Monica? Yeah,

467
00:32:24,960 --> 00:32:28,840
Speaker 1: she's here. He can hear you. You're on speaker. Great,

468
00:32:28,920 --> 00:32:35,520
Speaker 1: Hi jj hello Monica. Yeah. Um so, Monica has selected

469
00:32:35,640 --> 00:32:40,960
Speaker 1: you in the hypothetical world to take over directing um

470
00:32:41,160 --> 00:32:46,360
Speaker 1: her film. I actually I said that you're my favorite director.

471
00:32:47,400 --> 00:32:49,720
Speaker 1: But I do want to keep the gig. I do

472
00:32:49,800 --> 00:32:53,120
Speaker 1: want to keep keep the gig. M H. Yeah, I

473
00:32:53,200 --> 00:32:56,720
Speaker 1: need the money. Called the hypothetical Yes, thank you, j J.

474
00:32:57,880 --> 00:33:00,600
Speaker 1: I assume that's why you called anything else? Would you yeah,

475
00:33:00,680 --> 00:33:02,760
Speaker 1: so hypothetically would you just yes or no? Would you

476
00:33:02,800 --> 00:33:08,320
Speaker 1: be able to make it to Fullerton by this afternoon? Yes? Yes,

477
00:33:08,360 --> 00:33:12,520
Speaker 1: I could since hypothetical absolutely? What do you mean nice?

478
00:33:12,520 --> 00:33:17,800
Speaker 1: Better change of leadership? Monica? Would you like to tell Yeah?

479
00:33:17,880 --> 00:33:21,800
Speaker 1: I mean I don't know what to tell you. I'm

480
00:33:21,840 --> 00:33:24,920
Speaker 1: confused myself. But J. J. Abrams is going to come

481
00:33:25,000 --> 00:33:28,120
Speaker 1: in and direct this. Someone gets some medical attention for

482
00:33:28,160 --> 00:33:32,440
Speaker 1: this man. He's been writhing in pain for two hours.

483
00:33:32,520 --> 00:33:35,320
Speaker 1: There is a medic tent his his legs are fine,

484
00:33:35,880 --> 00:33:38,640
Speaker 1: he can walk himself. There. I'm no longer the director,

485
00:33:39,520 --> 00:33:42,000
Speaker 1: but I am actually taking over one of the lead

486
00:33:42,080 --> 00:33:46,160
Speaker 1: acting roles. She is now in the movie. Yeah, well,

487
00:33:46,200 --> 00:33:49,960
Speaker 1: I hope at least you know the line. Oh, I'm

488
00:33:50,040 --> 00:33:53,160
Speaker 1: really good at ad lipping. Um, So we're gonna start

489
00:33:53,160 --> 00:33:55,560
Speaker 1: with the first line, Monica. Um, it's I don't know, dude.

490
00:33:56,360 --> 00:33:58,240
Speaker 1: Um what was the rest of it? I can't look

491
00:33:58,280 --> 00:34:01,440
Speaker 1: at you the same ever since? Blank? Okay, sorry if

492
00:34:01,480 --> 00:34:09,840
Speaker 1: have I been Recast's just this one line is being realocated, Realcate,

493
00:34:11,719 --> 00:34:16,920
Speaker 1: I don't my line has been realocated. No, Monica, you

494
00:34:16,960 --> 00:34:18,640
Speaker 1: want to give us that first line? God, it looks

495
00:34:18,680 --> 00:34:21,240
Speaker 1: like now he can't walk to the medics tent his ankle.

496
00:34:21,400 --> 00:34:25,400
Speaker 1: Just you're an actor, You're sorry. It's hard for me

497
00:34:25,480 --> 00:34:31,160
Speaker 1: to go. Yes, UM, give me there. Ready to play

498
00:34:31,239 --> 00:34:35,680
Speaker 1: the scene. Yes, Um, I don't. Um, okay, someone Tommy

499
00:34:35,719 --> 00:34:40,040
Speaker 1: action right, Yeah, this is just a rehearsal. I'll say it. Okay,

500
00:34:40,280 --> 00:34:46,560
Speaker 1: it's just a rehearsal. I didn't mean to say just so. Yeah,

501
00:34:46,600 --> 00:34:49,080
Speaker 1: I mean this is it's a parking lot, but we're

502
00:34:49,080 --> 00:34:52,000
Speaker 1: in charge of it. Okay, so let's do a good

503
00:34:52,080 --> 00:34:55,280
Speaker 1: job making sure that this parking lot is locked what

504
00:34:55,800 --> 00:34:58,239
Speaker 1: my time doesn't need to be locked down? Right now?

505
00:34:58,520 --> 00:35:03,719
Speaker 1: Do we leave? Oh? And even then, yeah, I gotta

506
00:35:03,800 --> 00:35:05,799
Speaker 1: actually have you guys opened the gate up because I've

507
00:35:05,800 --> 00:35:10,040
Speaker 1: been fired and um um so told me that I

508
00:35:10,080 --> 00:35:14,040
Speaker 1: have to leave. I've been instructed to lockdown the gate.

509
00:35:14,760 --> 00:35:17,759
Speaker 1: So it's kind of embarrassing. I got this box with

510
00:35:17,840 --> 00:35:19,520
Speaker 1: all my things and I kind of just need to

511
00:35:20,080 --> 00:35:24,239
Speaker 1: get to my car and go, Jim, what do Uh

512
00:35:24,320 --> 00:35:27,520
Speaker 1: here's a second, I don't I don't know. I don't know.

513
00:35:28,080 --> 00:35:33,239
Speaker 1: I mean I can punch him, punch him? Yeah right, yeah, yeah,

514
00:35:33,360 --> 00:35:36,000
Speaker 1: have you good an idea? Hey, hey, box dude, to

515
00:35:36,040 --> 00:35:44,319
Speaker 1: talk to you for a second. Hey, listen, still needing

516
00:35:44,360 --> 00:35:50,080
Speaker 1: it out? You do? Can you tell me at which

517
00:35:50,120 --> 00:35:53,920
Speaker 1: sound stage? Dude? Where's my blanket shooting? You're on it?

518
00:35:55,200 --> 00:36:00,400
Speaker 1: I'm on it, very good, very good. I you don't know.

519
00:36:00,520 --> 00:36:03,440
Speaker 1: That was the nicest suit I've ever seen in my life.

520
00:36:04,520 --> 00:36:08,000
Speaker 1: I look like I cast some serious bang. Hey, welcome

521
00:36:08,040 --> 00:36:11,040
Speaker 1: to the student porium where we suit you up. Okay,

522
00:36:11,040 --> 00:36:18,440
Speaker 1: I get for you, but blower your volume please. Okay,

523
00:36:18,960 --> 00:36:21,279
Speaker 1: I'm going to I'm going to purchase a suit. You

524
00:36:21,320 --> 00:36:23,920
Speaker 1: don't need to give me the hard cell. Okay, let

525
00:36:23,920 --> 00:36:27,920
Speaker 1: you know this. Actually, no, we here's three suits for bones.

526
00:36:29,280 --> 00:36:32,439
Speaker 1: I require merely one suit. Okay, it's gonna be ninety

527
00:36:32,480 --> 00:36:38,440
Speaker 1: nine bones. It is regardless. Here are your bones, Here

528
00:36:38,480 --> 00:36:49,400
Speaker 1: are your bones. God, he's eating my neck corner. All right. Sorry,

529
00:36:49,560 --> 00:36:51,960
Speaker 1: I know you heard that our last sales guy got

530
00:36:51,960 --> 00:36:53,759
Speaker 1: eating on the floor, but I want you to know

531
00:36:54,880 --> 00:36:58,719
Speaker 1: that we put in some CCTV cameras so that that

532
00:36:58,760 --> 00:37:03,879
Speaker 1: shouldn't happen. I get and did you say eating? Did

533
00:37:03,880 --> 00:37:07,239
Speaker 1: you say I'm sorry? Did you say eating? I said

534
00:37:07,280 --> 00:37:09,840
Speaker 1: what I said. So it looks like you were in

535
00:37:09,880 --> 00:37:15,320
Speaker 1: production before, is that right? Yeah? Yeah, I was in production. Okay, great,

536
00:37:15,400 --> 00:37:17,560
Speaker 1: that's cool. So it's pretty much the same thing you

537
00:37:17,840 --> 00:37:28,839
Speaker 1: sold I did. I did Monica. Wow, get to see you,

538
00:37:28,880 --> 00:37:31,480
Speaker 1: get to see you. I'm over on sound stage twelve.

539
00:37:31,680 --> 00:37:34,480
Speaker 1: I like to do. I like to do a mid

540
00:37:34,680 --> 00:37:41,480
Speaker 1: midday walk among the stages stages. I'm acting now, so

541
00:37:42,040 --> 00:37:49,480
Speaker 1: oh shit, shit, that's great. I'm still I want to

542
00:37:49,520 --> 00:37:52,160
Speaker 1: tell you I wanted to tell you I was. I was.

543
00:37:52,320 --> 00:37:54,799
Speaker 1: I was too drunk on that date. I was too

544
00:37:54,880 --> 00:37:59,160
Speaker 1: drunk on that day. I was hoping that we could

545
00:37:59,200 --> 00:38:01,720
Speaker 1: just not you know, I know, I could just pass

546
00:38:01,760 --> 00:38:06,239
Speaker 1: each other and for me to move move forward and on.

547
00:38:06,880 --> 00:38:09,440
Speaker 1: I would love, I would love to make some amends

548
00:38:09,520 --> 00:38:13,560
Speaker 1: here or do whatever I can to just help the situation. Okay,

549
00:38:13,600 --> 00:38:18,640
Speaker 1: I I do owe you an apology, Robert. I do

550
00:38:19,320 --> 00:38:22,440
Speaker 1: oh to be honest, Um, I knew you were that drunk.

551
00:38:22,520 --> 00:38:24,960
Speaker 1: I could see that you were that drunk. I was

552
00:38:25,080 --> 00:38:30,319
Speaker 1: stone cold sober. Uh And I did choose to uh

553
00:38:31,200 --> 00:38:35,919
Speaker 1: are we doing the Robert stuff now? Because I'm sorry

554
00:38:35,960 --> 00:38:38,040
Speaker 1: to jump in, Monica, But I mean, you did affect

555
00:38:38,120 --> 00:38:40,759
Speaker 1: all of us, and you hugged the karaoke machine for

556
00:38:40,840 --> 00:38:43,080
Speaker 1: too long. And you can say that you were too drunk,

557
00:38:43,120 --> 00:38:46,759
Speaker 1: you can say that you were Unclecaine rob but we

558
00:38:46,800 --> 00:38:48,480
Speaker 1: all went to that bar to do karaoke and we

559
00:38:48,480 --> 00:38:51,080
Speaker 1: couldn't do it. Yeah, And I don't know, I don't

560
00:38:51,080 --> 00:38:54,960
Speaker 1: think I'm out any amount ever gonna Honestly, I knew

561
00:38:55,080 --> 00:38:57,520
Speaker 1: he was that drunk because we had been to a

562
00:38:57,520 --> 00:39:00,840
Speaker 1: bar before that, and I still said, come to the

563
00:39:00,840 --> 00:39:03,200
Speaker 1: private karaoke room and so I feel like I have

564
00:39:03,239 --> 00:39:06,080
Speaker 1: a bit of a responsibility for sure, you do. And

565
00:39:06,120 --> 00:39:08,040
Speaker 1: we saw you write his name down when you were

566
00:39:08,040 --> 00:39:09,600
Speaker 1: supposed to be writing your name down. Are we going

567
00:39:09,640 --> 00:39:15,200
Speaker 1: to shoot fucking anything today? Hey, we're just talking about

568
00:39:15,760 --> 00:39:20,719
Speaker 1: last Thursday night. You were there. Look, I don't care

569
00:39:20,800 --> 00:39:27,920
Speaker 1: what you're talking about, Sherbett. I played John Luke Pickard. No,

570
00:39:28,080 --> 00:39:31,160
Speaker 1: of course, Oh my god, that's where I know you're from. Yah,

571
00:39:31,200 --> 00:39:35,200
Speaker 1: send many other things. Shit, No, just now I've been dude,

572
00:39:35,239 --> 00:39:40,600
Speaker 1: where's my blank? Okay? What do you want me to say? Mr?

573
00:39:40,719 --> 00:39:42,760
Speaker 1: What do you mean to say? Say my queue line?

574
00:39:42,800 --> 00:39:47,160
Speaker 1: So I can act? I can't act? Wow to trod

575
00:39:47,239 --> 00:39:50,920
Speaker 1: the boards? Can we get this on camera? This is great?

576
00:39:51,960 --> 00:39:55,560
Speaker 1: This is what I'm talking about. This is it? Where's

577
00:39:55,640 --> 00:40:03,120
Speaker 1: where's the where is J J J? Where is so?

578
00:40:03,440 --> 00:40:06,160
Speaker 1: The thing is? He took me at my word? He

579
00:40:06,760 --> 00:40:13,040
Speaker 1: it was all hypothetical to him. What are you talking about? Shure?

580
00:40:14,520 --> 00:40:19,600
Speaker 1: I set up by hypothetical, and what's hypothetical? I don't

581
00:40:19,600 --> 00:40:24,000
Speaker 1: know how to define it, to be honest, I just

582
00:40:24,160 --> 00:40:27,040
Speaker 1: came back. I just came back from craft services and

583
00:40:27,120 --> 00:40:30,000
Speaker 1: there's a child eating pieces of his own brain there.

584
00:40:30,320 --> 00:40:35,879
Speaker 1: So get get this set under control. Okay, Monica, I'm

585
00:40:35,920 --> 00:40:38,040
Speaker 1: coming to you right now as a friend, as a boss,

586
00:40:38,120 --> 00:40:41,920
Speaker 1: as somebody who maybe blew a date. Uh. Yeah, I'm

587
00:40:41,960 --> 00:40:52,160
Speaker 1: just looking for one suit, just one Yeah okay, Um, sorry,

588
00:40:52,160 --> 00:40:59,760
Speaker 1: I'm pretty new you're you're looking for a kids suit? Yeah? Okay, okay,

589
00:41:00,320 --> 00:41:05,680
Speaker 1: let's see here. Do you do you know your suit size? Yeah? Okay?

590
00:41:06,000 --> 00:41:09,440
Speaker 1: All right? So, uh are you just gonna hover around

591
00:41:09,480 --> 00:41:12,600
Speaker 1: me the whole time? Or can I just this is awkward?

592
00:41:12,640 --> 00:41:16,440
Speaker 1: I don't even know. Honestly, I've never I've never fitted anybody,

593
00:41:16,560 --> 00:41:19,640
Speaker 1: but all these suits on the wall or adult suits. Um,

594
00:41:21,080 --> 00:41:25,200
Speaker 1: so why don't we cut the pant leg? Okay, okay,

595
00:41:25,239 --> 00:41:31,279
Speaker 1: now you're talking, Billy. I like your suit. Thanks, thanks

596
00:41:31,320 --> 00:41:40,440
Speaker 1: for Hannibal. It matches mine. I brought a friend. Who's

597
00:41:40,440 --> 00:41:46,200
Speaker 1: your friend? Someone we could have for dinner. I've never been. Uh.

598
00:41:46,640 --> 00:41:49,440
Speaker 1: I used to actually work in movies. Um. Actually I

599
00:41:49,560 --> 00:41:53,000
Speaker 1: used to work on this set. Uh, and I'd love

600
00:41:53,040 --> 00:41:57,959
Speaker 1: to have dinner. Good work, Billy, good work. Yes, we'll

601
00:41:58,040 --> 00:42:03,719
Speaker 1: have you for dinner. Thank you. Um, We're gonna have

602
00:42:03,760 --> 00:42:09,880
Speaker 1: dinner right now. Have a seat. Okay, I'm sure we

603
00:42:09,920 --> 00:42:12,759
Speaker 1: have to get this done quick. Yes, let's get it

604
00:42:12,840 --> 00:42:21,960
Speaker 1: done quick. Billy, my neck is not supposed to it

605
00:42:22,160 --> 00:42:29,040
Speaker 1: his neck like a corn cob an ca. Okay, so um, Leonard,

606
00:42:29,120 --> 00:42:31,480
Speaker 1: you are going to get that line back. So if

607
00:42:31,520 --> 00:42:34,879
Speaker 1: you could kick us off with that initial line. Once

608
00:42:34,960 --> 00:42:37,160
Speaker 1: Billy shows up to set, which I here on the

609
00:42:37,239 --> 00:42:40,160
Speaker 1: p A S they are going to go get him, uh,

610
00:42:40,440 --> 00:42:43,360
Speaker 1: then we're good to go. Imady, we do need this

611
00:42:43,480 --> 00:42:47,200
Speaker 1: guy wheeled off to the medic tent. Good God, I

612
00:42:47,640 --> 00:42:52,200
Speaker 1: thank you. Ready when you are, He thrust his fists

613
00:42:52,200 --> 00:42:55,480
Speaker 1: second to the posts and still insists he sees a ghost,

614
00:42:57,320 --> 00:43:00,439
Speaker 1: just doing a vocal warm up the ghost. I'm ready.

615
00:43:00,520 --> 00:43:04,000
Speaker 1: There's no ghost. It's I know that you're ready, Leonard.

616
00:43:04,080 --> 00:43:06,479
Speaker 1: We're just we're waiting on Billy. Once Billy is on set,

617
00:43:06,600 --> 00:43:12,560
Speaker 1: we can get started. Billy, all right, here's Billy. Okay,

618
00:43:12,600 --> 00:43:18,239
Speaker 1: great Billy, and then once we can sit. Um, we're

619
00:43:18,280 --> 00:43:22,960
Speaker 1: not doing that scene until later, the car crash scene

620
00:43:23,040 --> 00:43:26,960
Speaker 1: until later. And that's actually a different outfit than we

621
00:43:27,080 --> 00:43:32,279
Speaker 1: approved from costume for that scene. Billy, do you have

622
00:43:32,480 --> 00:43:35,520
Speaker 1: your costume for this scene? This is the diner scene.

623
00:43:35,880 --> 00:43:39,360
Speaker 1: I only want to wear this, Okay. Mr Sherbet coming in.

624
00:43:39,520 --> 00:43:47,040
Speaker 1: Mr Sherbert flying in. Okay, listen, we're running out of time, Monica.

625
00:43:47,080 --> 00:43:49,360
Speaker 1: We need to run this scene as we need to

626
00:43:49,440 --> 00:43:55,440
Speaker 1: hear this first line as written. Okay, okay, batum, this

627
00:43:55,600 --> 00:43:57,120
Speaker 1: is what we get paid for. By the way, they're

628
00:43:57,120 --> 00:44:00,560
Speaker 1: waiting around the acting. I do for free. Thank you,

629
00:44:01,400 --> 00:44:05,160
Speaker 1: thank you. I'm ready to go. IoT my mark? Great awesome.

630
00:44:05,239 --> 00:44:07,479
Speaker 1: Leonard Patrick, thank you, Billy. Are you on your mark?

631
00:44:08,000 --> 00:44:10,040
Speaker 1: I can tell you're not to get on your mark? Okay,

632
00:44:10,160 --> 00:44:19,080
Speaker 1: thank you? Oh sorry, you can't okay, Leonard can't say

633
00:44:19,239 --> 00:44:22,240
Speaker 1: Leonard can't say that it's a union thing. Okay, Sorry,

634
00:44:22,280 --> 00:44:25,160
Speaker 1: I just love being on a set. Okay, I'm out,

635
00:44:26,320 --> 00:44:33,560
Speaker 1: okay with you. I don't know, dude, I just can't

636
00:44:33,600 --> 00:44:36,200
Speaker 1: look at you the same since I walked in on you.

637
00:44:37,760 --> 00:44:42,120
Speaker 1: Oh we're still the camera's not everybody production is right

638
00:44:44,800 --> 00:44:50,520
Speaker 1: the show today as well. Oh wow, that was a

639
00:44:50,600 --> 00:44:52,800
Speaker 1: journey for me personally, and I thank you all for

640
00:44:52,880 --> 00:44:58,920
Speaker 1: your patience contributions to my education. Let's thank all of

641
00:44:58,960 --> 00:45:03,359
Speaker 1: our alchemists, shall we, in this order? Christopher Ronald, thank

642
00:45:03,360 --> 00:45:05,000
Speaker 1: you so much. When can we expect to see you

643
00:45:05,080 --> 00:45:09,320
Speaker 1: back in the surf? Jeez? I don't Hopefully soon but

644
00:45:09,480 --> 00:45:14,440
Speaker 1: that keeps this raw sewage keeps pouring by the millions

645
00:45:14,480 --> 00:45:17,799
Speaker 1: and millions of gallons into the Santa Monica Bay Venice area,

646
00:45:17,800 --> 00:45:21,279
Speaker 1: which is where I serve. So I don't know how

647
00:45:21,360 --> 00:45:23,719
Speaker 1: far up the coast could you go. That's a good

648
00:45:23,800 --> 00:45:27,680
Speaker 1: question because I've been wanting to trout Malibu. But you know, well,

649
00:45:27,719 --> 00:45:30,120
Speaker 1: please report back. I will, oh, I will. Thank you

650
00:45:30,239 --> 00:45:35,560
Speaker 1: so much. Comedy Fix is the podcast. Check it out, folks.

651
00:45:36,880 --> 00:45:39,000
Speaker 1: Jingle James Heeney, thank you so much for being here,

652
00:45:39,760 --> 00:45:42,200
Speaker 1: thanks for having me. And I just wanna read you

653
00:45:42,280 --> 00:45:45,840
Speaker 1: know what it actually that's sewage like it stinks in

654
00:45:45,960 --> 00:45:48,680
Speaker 1: Venice at night because the smell comes all the way

655
00:45:48,719 --> 00:45:52,400
Speaker 1: to my does it becomes like a like a fist,

656
00:45:52,800 --> 00:45:56,520
Speaker 1: it does. It comes in waves, but it doesn't start

657
00:45:56,560 --> 00:45:58,520
Speaker 1: coming into like eight o'clock at night, and they just

658
00:45:58,600 --> 00:46:03,640
Speaker 1: starts stinking like sewage. It's awful alchemy this pod and

659
00:46:03,800 --> 00:46:05,960
Speaker 1: read it, and I'd love to have a chat with

660
00:46:06,080 --> 00:46:11,040
Speaker 1: everybody there about sewage smells. Please please please, Um Jackie,

661
00:46:12,360 --> 00:46:17,360
Speaker 1: thank you, thank you, and think and think thank the

662
00:46:17,440 --> 00:46:19,640
Speaker 1: stars that I live on the East Side and and

663
00:46:19,960 --> 00:46:24,799
Speaker 1: and I'm luckily not smelling sewage every night. Fair it's

664
00:46:24,800 --> 00:46:28,000
Speaker 1: a nice blessing for everyone who's on the west side. Yeah,

665
00:46:28,719 --> 00:46:34,480
Speaker 1: thank you, appreciate you. Craig cow count me in as

666
00:46:34,520 --> 00:46:40,000
Speaker 1: anti sewage as well. Okay, all right, not into it

667
00:46:41,040 --> 00:46:49,560
Speaker 1: any Uh any visitors there? Your my niece Penny visited

668
00:46:49,600 --> 00:46:54,160
Speaker 1: a couple of weeks ago. Oh nice, Um, my my

669
00:46:54,280 --> 00:46:58,440
Speaker 1: aunt Ebba and is here? Is here? Is there? Not

670
00:46:58,600 --> 00:47:00,960
Speaker 1: the house, but elsewhere in town. There's a family that's

671
00:47:01,000 --> 00:47:04,239
Speaker 1: been coming in and out. It's been nice. That's very nice. Yeah,

672
00:47:05,120 --> 00:47:08,560
Speaker 1: all right, well continue on and uh just know that

673
00:47:08,640 --> 00:47:13,000
Speaker 1: we're all very envious of your situation. I'll be heading

674
00:47:13,000 --> 00:47:15,480
Speaker 1: back to l A in two weeks though, so back

675
00:47:15,520 --> 00:47:21,440
Speaker 1: to reality. Uh. I think she might stay none of

676
00:47:21,480 --> 00:47:29,040
Speaker 1: our damn business. I'm glad to ask Joe Great. If

677
00:47:29,080 --> 00:47:32,279
Speaker 1: you want to find me, you go to gamefront dot com.

678
00:47:38,719 --> 00:47:43,080
Speaker 1: We saw or heard from Craig. Uh and Jackie now

679
00:47:43,239 --> 00:47:50,920
Speaker 1: is back to not knowing any Craig's I think that's everyone. Uh.

680
00:47:51,560 --> 00:47:53,680
Speaker 1: Thank you, Doug Bam, Thank you are Heart Radio. Thank

681
00:47:53,719 --> 00:47:59,200
Speaker 1: you listeners and patron supporters. Uh as your host back

682
00:47:59,400 --> 00:48:02,440
Speaker 1: in the saddle, I've missed you and love you, and

683
00:48:02,880 --> 00:48:06,680
Speaker 1: I hope you continue to thrive in your lives and

684
00:48:07,280 --> 00:48:10,320
Speaker 1: thank you for your involvement in our our our efforts.

685
00:48:11,160 --> 00:48:13,000
Speaker 1: Continue to write to us at I'll give you this

686
00:48:13,080 --> 00:48:16,800
Speaker 1: email gmail dot com. Until next time, O